#I'm forever in love with her

[rosalie-starfall]

Agatha All Along

Through Many Miles / Of Tricks and Trials

[lxrdrxach]

I want to see myself happy again.

[scapegods]

Yeehaw Byler 🪑

my piece for @bylerbigbang w/ @willelworld

[demaparbat-hp]

Toph as a Goalball player 💪💚

[ohitslen]

Sketch dump :)

[dragonsbluee]

Ok so we know these are Leola's bones and we know Aaravos was imprisoned beside them.

Now consider, while he may not have been able to see them from his prison, Aaravos being surrounded by his daughters remains means he was also distinctly aware of them breaking down, decomposing overtime or being touched by other creatures.

Consider an Aaravos who uses his light form to project himself into the waters around his prison and see pieces of his daughter's bones breaking apart. Watching her be slowly buried under the sand or overtake by any manner of plant or creature. Did he feel the ocean floor shift or shake when the first pieces of her ribs fell off?

To make things worse, if her bones are here, and her body fell to earth, that means Aaravos didn't just cry over the crater she fell into, he cried over her body. Or whatever was left of it. Maybe He saw the flesh rot from her bones, but more likely her body burned falling to earth, and he saw her shattered skeleton instead.

Would he have rearranged her bones to lay correctly? Or could he not bring himself to touch any of them?

The more you think about it the worse it gets.

[sensiblethingtodo]

[juju-or-anya]

It's hard not to find irony in the criticisms directed towards Eloise Bridgerton and the elevation of Penelope Featherington as a more genuine and hardworking figure in contrast with Eloise's supposed privileged circumstances and her discourse on feminism. Indeed, some voices have pointed out Eloise's feminism as something white and privileged, and while this is not without merit, it's akin to rediscovering what others have already noticed, akin to Christopher Columbus "discovering" America.

Understanding the context in which "Bridgerton" unfolds is essential. The series is set in Regency England, between 1813 and 1825. This historical period is marked by a highly stratified and conservative society, where women, especially those of the upper class, were relegated to traditional roles and lacked basic legal rights. In this context, any discussion of feminism must consider the unique limitations and challenges of the time.

It is true that Eloise Bridgerton, being part of a respected family in English nobility, embodies many of the characteristics associated with the white and privileged feminism of the time. However, this should not diminish the value of her role in advancing feminist ideas in her historical context. It is thanks to women like Eloise, who challenged social expectations and dared to question the status quo, that doors were opened for future, more inclusive feminist movements.

On the other hand, when analyzing Penelope Featherington's role in contrast with Eloise Bridgerton's, intriguing nuances worthy of a more detailed critical exploration are revealed. Although both come from upper-class families, Penelope's experiences differ significantly from Eloise's. In the society depicted in "Bridgerton," Penelope is portrayed as a more marginal figure, overshadowed by the prominence and glamour of the Bridgerton family. She is often seen in the background, struggling to find her place in a world where her social status does not put her at the center of attention.

Throughout the series, Penelope exhibits a distressing lack of empathy and solidarity towards other women. Instead of fostering unity and support among her peers, her writings are propelled by feelings of envy, resentment, and desires for revenge. Striking examples of this include her actions to publicly reveal Marina Thompson's pregnancy, intending to undermine her relationship with Colin Bridgerton, or defaming individuals such as Daphne, Edwina, and Kate Sharma, often with no apparent reason other than personal gain.

Penelope's behavior as Lady Whistledown sheds light on her complex nature and motivations. While it may represent an attempt to find her voice in a world dominated by more powerful figures, it also reveals a tendency towards manipulation and selfishness. Ultimately, her role as the mysterious chronicler is more than just a quest for identity; it is a reflection of the moral and ethical complexities underlying the society of "Bridgerton."

In summary, asserting that Penelope is more feminist and hardworking than Eloise due to her role as Lady Whistledown is, at best, simplistic and, at worst, deeply misleading. Both women, while privileged in their own right, have chosen different paths in life and have faced their own challenges. However, the narrative of Penelope as a morally superior and more genuinely hardworking figure should be questioned in light of her actions and motivations, which often reveal a lack of integrity and empathy towards her peers.

It's important to note that when Theo confronts Eloise, questioning her understanding of the real world and her privileged position, Eloise doesn't reject this criticism but uses it as a catalyst to seek greater understanding. Recognizing the validity of Theo's observation, Eloise actively seeks to broaden her horizons. She engages in conversations with Theo and John, seeking to break free from the bubble of privilege in which she has lived so far.

On the other hand, Penelope takes a different stance towards her own privileged position. Instead of acknowledging her situation and seeking to understand the realities of those less privileged, Penelope vehemently denies any suggestion that she also benefits from the system. Rather than accepting her position of privilege, she portrays herself as a victim, despite her actions suggesting otherwise. Ultimately, this divergence in attitudes between Eloise and Penelope highlights the complexity of individual perceptions of privilege and personal responsibility in an unequal world.

PS: The comment: "Penelope saved Eloise by writing that she hung out with radicals, she doesn't know what it's like to be grateful" is shit. Whose fucking fault is it that the Queen is on a crusade with torches and pitchforks, looking for blood and a rolling head? From Penelope because she doesn't know when to keep her hand still and stop writing, if it weren't for Penelope, the queen wouldn't think that Eloise is Lady Whistledown, Penelope wasn't looking to help Eloise, she was looking to save her skin.

[manderleyfire]

BOYD CROWDER & AVA CROWDER in 'JUSTIFIED' (SEASON 2)

I lied for you taking that mining money. This is different, Ava. I guess me taking you in and building you up was a mistake. Just set you back to square one. That's not true. You took me in, and you healed me, Ava. You give me a reason to wake up in the morning. For that, I'll be eternally grateful.

[disaster-magician]

Imagine this takes place at the end of step 2 so they're close enough to joke around with each other lol

(Fake screenshots! These are fan made based on incorrect quotes and not in the game)

[dollypopup]

I get why people would think it but

Colin is NOT a rake. Colin is a young man trying to figure out his identity and what he likes sexually and trying to understand what the men of his society talk about and do. He's not out here messing around with women just to string them along and then leave them. He's trying to fit in and has been made fun of for being a virgin so yeah, he rectifies that by having sex, but just because he slept with a few women, that doesn't make him a rake? You wanna know who an actual rake in the series is?

Fife.

Because what the fuck happened to Miss Goring? I think about her sometimes and my heart aches for her. Her first season out, she's an 18 year old woman, and an older, titled man of her society who she assumes to be a proper gentleman makes her believe their relationship can actually be something, messes around with her the entire season, and then fucks her in a linen closet at a ball only to....what? Come back the next year with absolutely no mention of her whatsoever. Did she get pregnant? Was sent off in disgrace? Have to marry someone else?

Fife is a 30 year old man who has a bad habit of hounding after young, vulnerable women in his society. He fucks them and leaves them. He's a rake. Colin? Colin is not even close to that. Say what you will about the brothel scenes, but that IS the responsible place for a man of his time to go to for sex. Please stop demonizing sex work. Yes, many of these women are in that line of work because of less than savory reasons, but Colin is not taking advantage of them. He is paying for a service and they are providing that service. It is transactional, and he is the LEAST of their concerns in terms of clientele. A kind, handsome man who pays well and is discrete? Yeah, they're fine with him.

Colin has a history of respecting women. He respected Marina all throughout their courtship, and even after. I know some people sneer at him coming to see Marina, but please keep in mind she is a woman on her own who married a stranger far away from ANYONE who knew her. Colin was worried about Daphne when she came to him, asking if anything happened when she was away and clearly ready to fight for her, so of course he's worried about Marina. Partly he visits her for his own closure, but also like....y'all that's a WELLNESS visit. He's concerned that she's unhappy, but ultimately leaves because she's not hurt and that she tells him to. Colin listens to 'no' from the women around him. He asks for permission from them. He waited for Penelope's consent sexually, but he also didn't even get into the carriage until she allowed him. He even asks "Please, let me in".

Colin lives in a time when women do not have many rights, and he listens to the women around him even more than the men. He is the only one of his siblings to ask for his mum's advice and immediately takes it and takes action. He brings Eloise back a feminist text from his travels, even after she's besmirched as a radical, because he supports her pursuits. In season 2, he also knew of her going to the printers and didn't say anything. He has always respected and cared for Penelope. He hasn't insulted a single woman in his vicinity. He doesn't make the women he flirts with feel bad about themselves, or feel less, but compliments them, all whilst keeping respectable distance so as not to make them think he's interested in marrying them. He doesn't dance with any woman but Penelope in that season.

Colin isn't a rake. He's not a fuckboy. He's trying to act like he is, emulating the circle of his society, but that doesn't mean he is. I swear people just WANT to misinterpret him because that's the easiest way, but Colin is a character who doesn't lend well to surface level readings. He's a nuanced, gentle hearted character who has been looked down on for his sensitivity. He's a deeply relatable person because who of us haven't pretended to be accepted? Especially if we've been bullied or excluded. I know I have. Put on a persona for the sake of survival. And he does so for what? A few weeks? That does not a fuckboy make.

Just say you don't want to understand him and move along because those of us who get him GET HIM. And I'm grateful for a character like Colin.

He's the best man in the series by an entire mile and you can't change my mind about that.

[rosalie-starfall]

Emily Brent

And Then There Were None - 2015

[lxrdrxach]

I miss feeling of being okay.

[spellboundcities]

can anyone hear me

original v

[borgialucrezia]

i don't think I'll ever be as fascinated by a character as i am by this extremely gorgeous and morally ambiguous femme fatale with nerves of steel. she's incredibly intelligent and cunning even from a very young age (she's a borgia through and through after all lol). in one of her very first scenes she effortlessly deduces that the pigeon letters are being used to bribe cardinals into voting for her father to become the next pope. she demonstrates her manipulative prowess by seducing a stable boy and leading him to tamper with her abusive husband's saddle and causing him to fall and break his leg. she singlehandedly outplays the french king by charming him and saves her brother from a massacre. she orchestrates the public shaming of her husband to annul their marriage, she even goes so far as to manipulate two brothers for her own pleasure (and to spite her father, who always forces unwanted marriages on her) before disposing of both of them. she attempted fratricide more than once to avenge her doomed lover, she commits incest (and would gladly do it again), supports regicide to get her baby back, blackmails cardinals, and poisons an entire castle to make her escape, and successfully poisons her second husband to release him from his suffering, and the list goes on!! i could really go on explaining why i admire her character who's naturally supposed to take a dark and ambitious path like the rest of her family but chooses to control her own destiny and seek to reclaim her innocence back... honestly i can't even put into words how much i love her.

[mrinafria]

And I’d choose you; in a hundred lifetimes, in a hundred worlds, in any version of reality, I’d find you and I’d choose you. (CoS)

[contains spoilers; tw: blood]

When they ask me about the purest love story out there, I'd show them these two.

It's not the sacrifice per se that makes it great for me, it's the way they feel about each other, about the love they give and receive. Even in their last/worst moments, they somehow find the courage because the other one is safe? Im Sol is scared out of her mind handling this traumatic ordeal on her own so she seeks help from the detectives. Her only peace of mind is that at least Seon Jae is safe. Then she learns about his phone call and doesn't spare a second to run. The same girl who was so scared a while back throws all caution out of the window the moment Seon Jae is in danger, because she'd risk her life than Seon Jae's. Can you imagine the trauma seeing him dying for the third time, and her actually witnessing it this time around? If I were Im Sol, I would do anything to not have to go through that too. Even if it meant losing the person so they were never my person to begin with.

And Seon Jae. Boy is dying. Dying. You can see it in his eyes that he's aware of it too and yet, he is so grateful? So at peace with himself and with life? Like he has no regrets about any unfinished business, unlived years, unattained dreams, unspoken words to his loved ones. He already told Im Sol he loved her, and she reciprocated. That was enough. For him, that was good enough.

I go back to this scene like a masochist because THE DETAILS. By the time Im Sol arrives, you know Seon Jae is beyond saving. He knows it too. He's not even trying to escape or save himself. It looks like he's been holding on on his own for a while. His face has turned ashen, breathing uneven, hands slightly shaking. He's barely holding it together. Barely there.

However, he is not trying to push that guy away or take that knife out.

Instead, he's holding that guy's hand.

Let that sink in for a moment.

He is holding on to that hand. JUST SO HE CAN HOLD ON TO THE GUY.

Since the taxi driver is at an advantage here, and Seon Jae knows he cannot fight back anymore, so he is using whatever he can as a last resort to keep the guy occupied with him, and keep him from going after Im Sol. Seon Jae could perhaps guess Im Sol would arrive any time since the cliff was where he'd found her earlier, sitting in shock. But even if she didn't make it, you can bet he'd have spent his last breaths trying to fall off the cliff taking the guy down with him. THIS SCENE. The resolution is so clearly etched on his face.

And then he sees her. And the detectives. She is safe. She is saved. He did it. He saved her. And it's the Im Sol who knows him, who recognizes him, who loves him. She is safe, and that's all that matters. He saved the person he loves more than his life, literally.

His job is done. The choice he made gave him the outcome he wanted and desperately fought for.

And he is exhausted. All that resolve took a lot out of him. So we see his body finally giving up, him finally letting go. He resigns to his fate, but also not in a resentful way. He knew this was his fate all along (because no matter what choice Im Sol made, he'd choose to run toward her any day), it just happened earlier than expected. But he knew it, and he still made that choice. He doesn't regret it because he'd be making the same choice in every timeline (as he has been). He is able to see his Im Sol for one last time before his eyes close, with memories of their time together and Im Sol's voice echoing in his ears, his soul.

Sometimes you know the consequences, but make the same choice anyway. Because you like it.

The faint smile on his face in his final moments before he falls off the cliff? You'd think the boy won a gold medal for swimming or something. It's like he's achieved the biggest purpose there was in his life besides loving Im Sol. True to his words, he is grateful Im Sol exists in the world. That he got the chance to love her because she exists in this world. And he is thankful he gets to leave the world knowing Im Sol still exists in the world, his gift from the heavens.

One is jumping through space and time, living the same nightmare, constantly, over and over again, and yet going out of her way to save her love. Even if it means carrying the trauma and heartbreak and pain and loneliness and longing of three, four, multiple timelines, for the same guy. The other is making the choice to love her through all the storm, all the warnings, all the odds of time and space and fate stacked against him. How could you be so brave when fate is both so very kind and yet so extremely cruel to you no matter what you do? How do you choose to persevere? How do you get to have a love so pure?

Should I be ready to die if I want to be with you? - Ryu Seon Jae