#I'm fairly certain that's a thing right?

[pushing500]

Bold to start a fight when you're immediately postpartum, you're relying on your opponent's (already very limited) hospitality to keep you and your new baby alive, and you have a horrendous melee ability.

Brown's religion is a nudist, cannibal, high-life cult. Not sure it'll be the best environment for Wombat to grow up in, tbh, and it certainly isn't helping Brown recover any faster.

A fight on one side, a shuttle crash on the other, a deathly ill newborn baby lingering in the back of his mind... What a day for poor Kwahu.

The sole survivor of the shuttle crash was an Avaloi named Yuki. She's very pretty and looks to be healing up fast, thanks to Kwahu's expert care. Hopefully she'll leave quickly, as her genetic dependency on alcohol might be tricky to manage in a colony that focuses all its beverage-production on coffee.

Of course, once Randy starts he just doesn't stop, so he decided the Jones boys needed a nice psychic drone on top of everything else. Very rude.

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[housederiva]

Coffee Bean anon get over here, your drink is in Veilguard

[sskk-manifesto]

:/

[wolfiewhiskeybutch]

With all of the animosity I am capable of...WHY SET OFF BIG FIREWORKS WHEN THE SUN IS STILL HIGH IN THE SKY?! IT'S NOT EVEN THE 4TH!

It's bad enough I have to deal with this shit on the 4th and at night but jfc it's 4:46 IN THE AFTERNOON

[euclydya]

Soooo. A question.

Am I/Would I Be considered a bad person if I have little to no empathy, and have a very hard time showing sympathy for others. I don't even know where I stand w compassion either also.

like. Does that inherently make me evil or some shit lmao

[chalk-homunculus]

I've been once again maining Klee throughout this Veluriyam Mirage questline a nd while exploring the mirage, both because I did get her skin, but also because it cheers me up so much to see her having fun.

[iscopeeee]

i really need to just hurry up and get screened for ocd methinks

[ev-n-learning]

Duolingo's doing some WEIRD shit right now. Put me Very Slightly ahead in the course again???

When i last checked in with this on tumblr i was at unit 6 of 28.*

I'm now... wait for it... on 12 of 32?!

I don't think that's "new and improved", duolingo. How about old and improved instead... i would like that, at least.

*(czech course, section 3)

[why-animals-do-the-thing]

average United States contains 1000s of pet tigers in backyards" factoid actualy [sic] just statistical error. average person has 0 tigers on property. Activist Georg, who lives the U.S. Capitol & makes up over 10,000 each day, has purposefully been spreading disinformation adn [sic] should not have been counted

I have a big mad today, folks. It's a really frustrating one, because years worth of work has been validated... but the reason for that fucking sucks.

For almost a decade, I've been trying to fact-check the claim that there "are 10,000 to 20,000 pet tigers/big cats in backyards in the United States." I talked to zoo, sanctuary, and private cat people; I looked at legislation, regulation, attack/death/escape incident rates; I read everything I could get my hands on. None of it made sense. None of it lined up. I couldn't find data supporting anything like the population of pet cats being alleged to exist. Some of you might remember the series I published on those findings from 2018 or so under the hashtag #CrouchingTigerHiddenData. I've continued to work on it in the six years since, including publishing a peer reviewed study that counted all the non-pet big cats in the US (because even though they're regulated, apparently nobody bothered to keep track of those either).

I spent years of my life obsessing over that statistic because it was being used to push for new federal legislation that, while well intentioned, contained language that would, and has, created real problems for ethical facilities that have big cats. I wrote a comprehensive - 35 page! - analysis of the issues with the then-current version of the Big Cat Public Safety Act in 2020. When the bill was first introduced to Congress in 2013, a lot of groups promoted it by fear mongering: there's so many pet tigers! they could be hidden around every corner! they could escape and attack you! they could come out of nowhere and eat your children!! Tiger King exposed the masses to the idea of "thousands of abused backyard big cats": as a result the messaging around the bill shifted to being welfare-focused, and the law passed in 2022.

The Big Cat Public Safety Act created a registry, and anyone who owned a private cat and wanted to keep it had to join. If they did, they could keep the animal until it passed, as long as they followed certain strictures (no getting more, no public contact, etc). Don’t register and get caught? Cat is seized and major punishment for you. Registering is therefore highly incentivized. That registry closed in June of 2023, and you can now get that registration data via a Freedom of Information Act request.

Guess how many pet big cats were registered in the whole country?

97.

Not tens of thousands. Not thousands. Not even triple digits. 97.

And that isn't even the right number! Ten USDA licensed facilities registered erroneously. That accounts for 55 of 97 animals. Which leaves us with 42 pet big cats, of all species, in the entire country.

Now, I know that not everyone may have registered. There's probably someone living deep in the woods somewhere with their illegal pet cougar, and there's been at least one random person in Texas arrested for trying to sell a cub since the law passed. But - and here's the big thing - even if there are ten times as many hidden cats than people who registered them - that's nowhere near ten thousand animals. Obviously, I had some questions.

Guess what? Turns out, this is because it was never real. That huge number never had data behind it, wasn't likely to be accurate, and the advocacy groups using that statistic to fearmonger and drive their agenda knew it... and didn't see a problem with that.

Allow me to introduce you to an article published last week.

This article is good. (Full disclose, I'm quoted in it). It's comprehensive and fairly written, and they did their due diligence reporting and fact-checking the piece. They talked to a lot of people on all sides of the story.

But thing that really gets me?

Multiple representatives from major advocacy organizations who worked on the Big Cat Publix Safety Act told the reporter that they knew the statistics they were quoting weren't real. And that they don't care. The end justifies the means, the good guys won over the bad guys, that's just how lobbying works after all. They're so blase about it, it makes my stomach hurt. Let me pull some excerpts from the quotes.

"Whatever the true number, nearly everyone in the debate acknowledges a disparity between the actual census and the figures cited by lawmakers. “The 20,000 number is not real,” said Bill Nimmo, founder of Tigers in America. (...) For his part, Nimmo at Tigers in America sees the exaggerated figure as part of the political process. Prior to the passage of the bill, he said, businesses that exhibited and bred big cats juiced the numbers, too. (...) “I’m not justifying the hyperbolic 20,000,” Nimmo said. “In the world of comparing hyperbole, the good guys won this one.”

"Michelle Sinnott, director and counsel for captive animal law enforcement at the PETA Foundation, emphasized that the law accomplished what it was set out to do. (...) Specific numbers are not what really matter, she said: “Whether there’s one big cat in a private home or whether there’s 10,000 big cats in a private home, the underlying problem of industry is still there.”"

I have no problem with a law ending the private ownership of big cats, and with ending cub petting practices. What I do have a problem with is that these organizations purposefully spread disinformation for years in order to push for it. By their own admission, they repeatedly and intentionally promoted false statistics within Congress. For a decade.

No wonder it never made sense. No wonder no matter where I looked, I couldn't figure out how any of these groups got those numbers, why there was never any data to back any of the claims up, why everything I learned seemed to actively contradict it. It was never real. These people decided the truth didn't matter. They knew they had no proof, couldn't verify their shocking numbers... and they decided that was fine, if it achieved the end they wanted.

So members of the public - probably like you, reading this - and legislators who care about big cats and want to see legislation exist to protect them? They got played, got fed false information through a TV show designed to tug at heartstrings, and it got a law through Congress that's causing real problems for ethical captive big cat management. The 20,000 pet cat number was too sexy - too much of a crisis - for anyone to want to look past it and check that the language of the law wouldn't mess things up up for good zoos and sanctuaries. Whoops! At least the "bad guys" lost, right? (The problems are covered somewhat in the article linked, and I'll go into more details in a future post. You can also read my analysis from 2020, linked up top.)

Now, I know. Something something something facts don't matter this much in our post-truth era, stop caring so much, that's just how politics work, etc. I’m sorry, but no. Absolutely not.

Laws that will impact the welfare of living animals must be crafted carefully, thoughtfully, and precisely in order to ensure they achieve their goals without accidental negative impacts. We have a duty of care to ensure that. And in this case, the law also impacts reservoir populations for critically endangered species! We can't get those back if we mess them up. So maybe, just maybe, if legislators hadn't been so focused on all those alleged pet cats, the bill could have been written narrowly and precisely.

But the minutiae of regulatory impacts aren't sexy, and tiger abuse and TV shows about terrible people are. We all got misled, and now we're here, and the animals in good facilities are already paying for it.

I don't have a conclusion. I'm just mad. The public deserves to know the truth about animal legislation they're voting for, and I hope we all call on our legislators in the future to be far more critical of the data they get fed.

[chronically-ghosted]

i'm empty without you, so come grow within me

AO3 Link | main masterlist | Joel Miller Masterlist

rating: explicit (18+)

pairing: joel miller x f!reader

word count: 9K

summary: with winter approaching, joel takes stock of what he wants and what he has in his life. he wants you, but he's not quite sure he has you, not in a way that only a life in Jackson can afford. joel's an old-fashioned guy, so he's looking for an old-fashioned love . . . if he can only remember how to do it right.

inspired by the songs 'why don't we just dance' by Josh Turner and 'the kind of love we make' by Luke Combs, this fulfills a request from @handsomehelmet for my 1k celebration (creativity struck and now i'm going to make it everyone's problem)

warnings: the nastiest thing i can possibly imagine which is romance and sincerity, some willie nelson lyrics, established situationship, no age of reader specified, body insecurity, feelings of unworthiness/shame, survivor's guilt, blatant disregard for old man knees by eating pussy on the floor, unprotected piv, a teenager bullying fully grown adult to quit being stupid.

a/n: i know everyone gets into a tizzy when Joel doesn’t name what Tess is to him in front of Bill and while there probably was a heaping amount of guilt that accompanied that omission, i wonder if it might be a bit more complicated: he simply couldn’t name one thing because she was all things to him. A friend, a lover, a guide, a support system, a protector, a partner. So he says it the best way he can: “she’s mine.”

come see what else we've done to celebrate 1K followers

By the fourth bag, all you can think about is a warm shower. 

A chance to scrub away the dirt smeared on your arms, your neck, probably your face. You’d brought your own work gloves to bag fresh dirt for the greenhouse, but the longer you work, more sprinkles of dirt find their way down the lip of your gloves. You can feel it against your palms, under your nails. The cold winter air lurks beneath the crack of the door, stifled from invading by the artificial heat provided by the generator just outside, and it stifles you too with its oppressive weight. You’re fairly sure the dirt on your forehead has turned to mud, sweat and damp earth encrusted on your dry skin. 

By the sixth, you doubt your shoulders will ever move again without popping. 

You know Joel’s already do. 

Never a particularly chatty man even in his best moods, the greenhouse had become stuffy with heat and silence, both you and Joel too lost in the work to find the energy to even fake idle chatter. But, knowing this about Joel and a certain degree yourself, silences with him were never a bad thing. That was one of the things you enjoyed most about being with him; you two could do your own things together. Many snowy days were spent with him stretched out on the couch, reading, and you working on writing your sheet music on the floor, his knee hovering over your shoulder with your back to the cushions – spent in total silence, and they are some of the fondest memories you had since coming to Jackson and falling into the third and final piece of the Miller-Williams household. 

Like with the end of the world, you weren’t sure how you got there until everything had fallen into place around you; Joel and his adoptive daughter had been just another group who were taken in by the town of Jackson . . . until they weren’t. Ellie was just another foul-mouthed kid who had seen too much and had too much taken from her . . . until she wasn’t. Joel was your occasional patrol partner and a fellow Willie Nelson fan. . . until he wasn’t.

Until that unmistakable line, one that seemed to be lost on a global scale beneath the blood and the gore and the grief, had been crossed when he asked you out for drinks and the both of you knew the evening wasn’t going to end in a nightcap. 

And then you were partners, even outside of patrol. Partners in re-enforcing a weakened part of Jackson’s outer walls. Partners in cooking, attempting to recreate an enchilada recipe Joel only vaguely remembered from a Tex-Mex hole-in-the-wall fifteen minutes from where he used to live in Austin. Partners when it’s snowing heavily outside and there’s not much to do except to read and, well . . . Joel was a fantastic partner in that.

Joel Miller was a great partner for a lot of things. He worked diligently, quickly and, unless the conversation was started by someone else, silently. 

He, in short, was not someone who was easily distracted.

Which, in combination with your own exhaustion and a desire to scrub the first layer of your skin off with a loofah, is why you feel a flare of annoyance when you look up and see him staring off into the distance. His fingers loosely grip the handle of the shovel, his palm resting over the curved point, Joel’s expression is nearly unreadable, except for the small crevice between his eyebrows. He stands, fixated on the greenhouse wall, as if watching the blurry Christmas lights from the town square, suddenly oblivious to the work you two have been doing for the past hour and a half. 

“Joel.” Nothing. “Joel!” 

You raise your hand to smack him on the leg when, without looking down, he asks:

“When was the last time I took you out?” 

“What?”

His weight shifts, holds the shovel by one hand now. You catch a sliver of frustration in those deep brown eyes as he looks at you. He wears what you and Ellie secretly refer to as his “pouty-mouth”, a classic expression when he isn’t getting his way about something but won’t draw attention to the fact that it annoys him.

“Tell me about the last date I took you on.”

You huff, standing up with a pop in your hips. Your knees are aching from kneeling on the cold winter ground and your skin fluxes between overheating under your jacket and stiffly frozen on your extremities. 

“Joel, c’mon, be serious. We’ve got three more –,”

“I am being serious.” Dumb-founded, you watch as he digs the tip of the shovel into the ground with a hollow chunk. Crosses his arms and continues to frown at you like you just suggested doing away with the Christmas holiday entirely. “We’ll get to this, but I want you to tell me right now what we did on our last date.”

You roll your eyes, humoring him. “Fine, I don’t know what crawled up your ass, but okay. On our last date, we . . . we did . . . you took me to . . .”

It’s your turn to frown. He raises a petulant eyebrow and it’s eerie how many times you’ve seen that exact expression on Ellie. 

“Okay, fine, so it’s been a while. We’ve been busy – we’ve all been busy with the winter season coming. All of Jackson has been out battening down the hatches. What does it matter if we’ve let things slide a bit?”

He doesn’t answer immediately, quiet in his Joel way. He glances out through the blurred greenhouse glass and maybe he was actually staring at the string lights hung over Jackson’s square. Normally, you didn’t mind being unable to dissect his every expression, every sigh, every carefully wielded silence, but when it came to you and his feelings about you – feelings that were always implied in those silences – you wished you had a little window, some hint, as to what rumbled on behind those earth-dark eyes. 

Joel drums his fingers on the handle of the shovel, unease rolling through his body as he shifts his weight. 

“Matters some,” he tells the ground. “With the holidays comin’ around . . . matters for Ellie – her first winter here in Jackson. Matters for Tommy, with that new baby of his . . .”

“Your nephew,” you supply as much as prod. Sometimes the only way to get an honest answer out of him was when he was just a bit pissed off and less guarded. Instead he just nods, gloved hand on his hip, thick jacket widening his already confounding broadness.

“It matters because it’s important. To me. It’s important to me.”

He meets your gaze and you’re struck full force again with that feeling like you drank too much of the Tipsy Bison’s shitty whiskey too fast. Same feeling that couldn’t be drowned even with the Tipsy Bison’s shitty whiskey when you shared a drink with him for the first time. When you managed to laugh when he bet you a whole day of stable cleaning duties that Willie Nelson and Chris Stapleton survived the apocalypse somewhere in a shack in Tennessee. Joel Miller was disarmingly funny when he wanted to be.

And even worse, disarmingly sincere.

You take his gloved hand in yours. You feel the sensation of his fingers threading through yours but not the heat you’ve grown so accustomed to. 

“Alright, then. What do you want to do about it?” You ask quietly, to the upturned collar around his neck, his green flannel peeking out from behind the zipper of his jacket. “I don’t know if you’ve noticed but there’s a lot of snow on the ground so that makes our options for date night kinda limited.” You scrunch your nose at him because you like to see the light in his eyes bloom when you do.

He chuckles, a rumbling sound, and he drops his forehead against yours, fingers tightening their grip around yours. Suddenly in your throat, your heart pounds. He’s never this affectionate in public. Maybe it’s those miraculously blurred greenhouse glass walls. 

His breath smells like that peppermint toothpaste that came in last week, infused with the warming-coil smell from the greenhouse. 

“Dunno yet.” He admits. “I’ll think of somethin’.”

“No ideas yet?” You raise your eyebrows against his forehead and he grins, shaking his head.

“Not yet.” 

“Then can I make a suggestion?”

“‘Course.”

“We finish bagging this dirt, then head home for a shower. In a really sexy way, obviously.” 

He huffs, smothering a laugh, and quick as lightning he kisses you on the cheek. But in the same movement, steps away and grabs the shovel again. You don’t have time to react to the fact he just kissed you for the first time outside of the four walls of his house before he’s scooping up dirt. You drop to your knees to pick up the bag again, your legs already weak.

“We both know you’re going to pass out on the couch the second we’re home.”

Your voice is steadier than you feel, as you look up at him. His face is flushed and that worry line between his eyes is gone. 

“You got me pegged, Miller. You got me pegged.”

Two days later, he stands in the middle of his living room, hands on his hips, surveying his handiwork. All of the furniture has been pushed to the far ends of the room, up against the walls or against the staircase out in the hallway. He’s kept the overhead lights off and put the standing lamps in the corners, bathing the room in a despondent glow. He thinks, after a quarter of a century never even entertaining something like this, it might be interpreted as romantic. He hopes you’ll see it that way at least. 

He hears it now, in his head, even though she’s out in the disconnected garage, snug and warm as he could have possibly made it – you worry too much, old man. 

Ellie knows there’s something going on between you two. Hell, the entire town has cottoned onto whatever this is; you’re often seen leaving his house early in the morning, and he’s been seen on occasion strolling up to your house with flowers. It’s not new, it’s not a secret, but it is . . . it just is and that’s about as far as he’s gotten. 

He hasn’t had you over for dinner with Ellie in that very specific way that very much needs to happen, as it often does when there is a new presence added to an established dynamic – as Maria often reminds him. But that almost feels like presenting your head on a silver plate to Ellie to either sniff with disinterest or tear into – both terrifying scenarios, even though they seem unlikely. Ellie does in fact seem to like you very much, as her riding teacher and occasional greenhouse buddy. But would she continue to like you in the context of you being one half of “You and Him” as a pair? Together. As a couple . . . of people who are seeing each other, whatever that means in a world filled with the most aggressive form of fungus imaginable. 

This life in Jackson, this fragile second chance to remember and rekindle his own natural instincts, is too precious to bet on a question like that. 

So he doesn’t ask it. At least not out loud. 

That’s one of the things he likes so much about you: his silences aren’t entirely indecipherable and often are encouraged by your own. Except this silence about this particular thing doesn’t feel like one of your shared, comfortable moments and instead it’s encroaching rapidly into avoidance. 

Standing in that greenhouse and seeing the string lights over the town square reminded him of a long ago Christmas, dancing with his favorite person under a Christmas tree, and how good it made him feel. How special it made him feel. All these years later, safe in a way his body has almost forgotten, there’s an urge he has to share that feeling, to recreate it under entirely different circumstances, with someone new. Someone else. To not try and fight the smile that constantly threatens to buoy up every time he’s around you. 

It’s foreign, that feeling in his chest, but it’s not entirely alien, at least not of late. 

He knows he’s white-knuckling it because he knows firsthand how painfully quick it can all be gone. Taken away. Left and buried by a black river while the world burns.

But he’s worried he’ll crush it with how tightly he holds on. How hard he begs a silent universe for it to last just a little bit longer. 

His knees ache, his left shoulder goes tight when it rains, his body is not what it once was, but his mind is still there, still clear, and he remembers how romance used to feel, where it used to reside in his younger body, and as he stares out at the cleared room, listening to your footsteps overhead as you attempt to follow his vague instructions to “make yourself feel pretty” (because you already were to him, even covered in dirt and sawdust), he thinks this feels like the old world. An old world romance. It’s foreign, that feeling, but for the first time in a long time he doesn’t want to hold it at arm’s length.

“Joel?” You call from the top of the stairs, your voice tentative and cautious. But not cautious like you peeking around a corner to look for clickers. But cautious as in unsure, doubtful. You are a woman made up of a lot of things, with foundations unlike he’d ever seen before, but doubt is not a part of you. You never doubt him. 

“Yeah, baby?” Your nerves make him nervous and he futzes with a lampshade while waiting for you.

“Are you done down there?” 

He has to breathe slowly through the fluttering beneath his breastbone before he can answer. “Yeah, baby, all finished. You can come down now.”

“Okay . . . but you can’t laugh.” Him, laugh at you? There’s the instinct to smother the faint grin that spreads out across his mouth, but he told himself he wasn’t going to fight whatever came across his face tonight. If you see it, then you see it and he’s come to accept that. 

(Maybe even want that.)

He shakes his head, his only pair of nice boots (a thank you from a former rancher when Joel fixed his family’s heater) clicking on the hardwood floor as he stands at the bottom of the stairs. You must be hiding behind the wall because he can’t see you. 

“I’m not gonna laugh, sweetheart. Why d’ya think I’d laugh?” 

Silence faces him at the top of the stairs, and then:

“Because quite frankly I forgot my tits could look like this and I don’t know how to feel about it.” 

The snort that comes out of him is a poor attempt to muffle the chuckle. He thumbs the wood finial at the top of the bannister. 

“Can’t remember ever having any complaints before and I don’t think I’ll have ‘em now, no matter how they look.” 

“Whatever, Miller, you’re just a horn dog.” 

He rolls his eyes, fingers rubbing anxiously together at his side, as if he could tug the fluttering out of his chest. He leans on the other foot, the one with the bad knee, to adjust the slightly uncomfortable tightness in his jeans. A dark swirl in the second step of the stairs has become wildly interesting.

“Baby, just come down here. I’m not gonna laugh. Promise.”

“I’m gonna hold you to that,” you grumble, still out of sight. “I know where you keep your feral child and I will not hesitate to let her loose on you.”

Joel nods, grinning faintly, still focused resolutely on the whorl in the floor. “That’s a real big threat from someone who –,”

The words die in his throat.

In fact, he’s quite sure he won’t be capable of speech for a very long time. 

That foreign feeling – that feeling he’s worked for twenty years to suppress – is ignited in his chest. 

You walk, no, maybe you float down the stairs in the most stunning red dress he’s ever seen. It’s definitely not yours – he knows every inch of your closet because he had inspected it studiously when you offered to keep some of his clothes at your place and he was trying very hard to delay putting a handful of his belongings beside a woman’s things in a move that felt heart-stoppingly domestic. 

No, he has never, ever seen you in this dress. 

Come to think of it, he’s never seen you in any dress and you were entirely correct that your tits look wildly different. Fantastically different, but –

“Maria didn’t have any heels that fit me to go with the dress,” you announce airily, your chin up. But your eyes dart over his face as if looking for something you need to find. “But it’s fourteen degrees outside, Joel, and I’m not doing whatever this is in just socks because that’s ridiculous so you’re just going to have to deal with the boots.”

The Boots. The ones you wear while crushing clicker skulls and tending the stables. They still bear damp spots from where you tried to clean the blood and dirt from the leather.

It’s rather incapacitating how arousing he finds this particular combination.

So much so, he doesn’t realize he hasn’t said anything in a full minute until you bark at him, a cold tinge of panic in your voice.

“Joel!” His eyes snap to yours. Of course, you’re fucking beautiful – your eyes seem bigger, cheeks pinker, mouth wet – fucking Christ, where did you get make up? 

“Say something!” Those rosy lips drop down and to his horror, you’re upset. “Please!”

“B-baby, you look . . .” He doesn’t mean to grab your entire ass in one hand; he just wants to feel as much of that velvet on your skin as possible. You stumble into his arms, another something that is so unlike you, as he tugs you forward. Bends his lips to your ear to discover how fast you’re breathing. How fast your pulse races in your neck. The shudder that breaks the rigidity of your body when he brushes his mouth, the short bristles of his beard, against your skin is no surprise; you told him exactly what that sensation does to you in no uncertain terms the first night he ate you out on the table of your kitchen. “You look incredible.”

Your fingers bite into his biceps. Push back out of his arms, despite the obvious warmth in your cheeks. You level his arousal in a single glare. “Joel, I asked you not to tease.” 

Tommy once told him he was a pain in the ass to be around sometimes because he displays every negative emotion as anger and so it’s damn near impossible to figure out whatever it was he was so bent out of shape about.

Sadness as anger.

Shame as anger.

Guilt as anger.

Fear as anger.

With your fingers balled up, it's the tremor in your fists that gives you away. 

He had genuinely intended this to be a quiet night away from the cafeteria, away from the Tipsy Bison, away from anyone else. He wanted you all to himself and in his greed, he didn’t see it until he saw it in your eyes. 

How vulnerable being pretty made you. How vulnerable privacy made you. 

How being vulnerable made you so deeply, deeply afraid. 

Almost as afraid as he was. 

Without a word, he turns to the record player, strategically hidden behind the couch and puts on the carefully selected record. The silent scratches for a moment before –

Your eyes widen as Nelson begins to sing his most beautiful love song (in Joel’s humble opinion). Your shoulders slacken, hands lose their grip, you blink up at him in total bewilderment. You aren’t an indecisive person, you’re quick as a whip, rarely confused – so this befuddled look on your face is kinda cute. 

Tucking that rare look on your face away for another time, Joel wanders to the center of the room, in the heat of the light from the fireplace, his good boots clicking over the wood. He opens his arms, hand out to you.

“Let’s try something new tonight.”

I'll always be with you for as long as you please

For I am the forest but you are the trees

The decision you make is a visible one. 

Your palm is warm, weighted as it slides over his. This time his hand respectably settles on your waist, then on your low back when (to his surprise) you come closer. He’s delighted to watch you smile at him, distantly aware of the stretch of his own on his face. 

Willie strums on his guitar, crooning softly, the sound warm and deep. With the weight of you against his chest, that feeling crackles like the flames over the wood logs in the fireplace. You drop your head, turn your cheek, and just before you come to rest on his shoulder, he sees your smile slide into a smirk.

“New, huh? What’s new look like for a sixty-five-year-old man at the end of the world?” Even with teasing, your voice is soft and sweet, the soft powder of cinnamon. Slowly, as if not to startle either one of you, he leans his chin against your forehead.

“You n’ I’ve been burning both ends, keepin’ the lights on. New to us is having a goddamn break.” His voice is low, meant only for you, and in the tremble of his deep bass, the words elongate in his mouth. He brings your intertwined hands just under his chin and when that goes well, he tightens his grip around your back, drawing you flush against him. It reduces the dancing to more of a sway but Joel can’t find a single thing to complain about. You gently tap the pad of your middle finger in the hollow of his collarbone to the beat of the song.

I'm empty without you so come grow within me

For I am the forest and you are the trees

And the heavens need romance so love never dies

“‘N ‘m only fifty-six, jackass.” 

You grin, twisting in his grasp, rub your nose on his chest to wrap your arms around his neck. He clutches to your back like a key finding its lock. 

You'll be the stars dear and I'll be the sky

And should any of this find us let them all be forewarned

That you are the thunder and I am the storm

“This is nice, Joel,” you murmur in his ear. The backs of his arms are growing warm by the fire. He presses his lips to your exposed shoulder, unsure of what to say, or what not to say, only nodding. He closes his eyes, trying to hold this moment forever in his memory. The soft flare of your waist, the winged-spread of your ribs, beneath his hands brings him back into your arms.

"Yeah?" Quiet, into your skin as if to muffle the question entirely, to muffle the unsure wobble in his voice. "It's good?"

He feels you nod beneath his chin, the smell of fresh soap escaping from the back of your neck, and the clamp around his throat loosens. He breathes, unimpeded for the first time all night, a low exhale taking the tension from his body as the air leaves his lungs.

Relief. A sinking down into the moment, into your arms.

You chuckle with your cheek against his chest and he feels the vibrations down to his stomach.

"Yeah, Joel, you did good. Really good." With the hand he holds in the air, you rub your thumb over the knuckle of his thumb, soothing. It used to bother him you could read the lines of his emotions as well as you read a book, as well as you write your own name, effortlessly, as if you had been given a guide no one ever thought to show him. But now, now that you understand how much this means to him, that you know he needs to be told he made you happy, it's more than relief. It's an unburying – a resuscitation of pieces of himself (seed-like bone fragments) that he thought had long since died in the soil of his ribs. "Thank you. I needed this."

He wants you to see the whole of him. Lift up an antiquated silver plate and show you the dents and scratches in his reflection. When you kiss his cheek gently, the hope floating in his chest flares, a solar explosion with tendrils that reach into the blackness of space and it asks him, what would you do to keep her?

Everything. Anything.

He shuffles closer, feels the warmth of your body lined up against his, the clean scent beneath the edge of your jaw blooming in his nose and throat. The hope hums, pitches dark like the forest floor in the rain, and grows teeth. His want for you digs into his skin and evolves into a needy, unsatisfied thing.

“Where’d you get this dress, hm?” He asks, lips half an inch from your shoulder. It falls and rises, never catching on your skin as he plays with the fabric. He runs his palm up your spine, the velvet coming with him, and watches as the swell of your thighs and the tease of your ass is revealed. Dirty old man. “‘N who do I have to kill to get you to keep it?”

You laugh into his neck. He wonders if you’re intentionally twisting his curls at the base of his neck to send sparks of arousal down his spine or if you are completely unaware of the cause of his insanity. Your hands are littered with scars and calluses and every time you touch him, he could melt through the floorboards.

“They found it in some strip mall and were actually going to strip it down for material. But Aaron at the sewing center owed me a favor and you said wear something nice, so . . .” You thumb the lip of his collar, your fingertips brushing the knot of his spine every time you drag your fingers back and forth. 

And I'll always be with you for as long as you please

For I am the forest and you are the trees

He knows you well enough to know that something lingers in your mind, but even after all this time, even after what he’s seen with you, been through with you, the things he’s done to you – he isn’t quite sure if he has the right to ask. 

Instead, he squeezes you. He means to do it just with his hands, but ends up swallowing you in his arms. 

Your mouth is pressed up against his chest when you finally go on. 

“It just seems silly to keep, Joel.” 

The high he’s been riding on all night falters, since you first walked down those stairs to him. Your eyes are wet when he pulls back and cups you by your cheek. He stops swaying with you.

“Why’s that?” 

There it is, that all too familiar flicker of fear. You can’t look at him, despite his every touch, his every glance pulling you into him, to be near him. 

“Because other people should have it. They should have a chance to . . .” 

You withdraw your head from his hands, his thumb brushing your jaw as you retreat. He might actually lose a piece of himself if you let go now, but instead you clasp his wrists in your fingers. You stare at your hands and his between you, as if this whole thing between you could solidify at your feet, finally real. 

Willie has stopped singing, only that musky drone on an empty track.

“Someone else should have a chance to feel pretty, to feel this way, because it shouldn’t be wasted and I’m afraid – I wonder if –,”

He knows he’s being a bit too rough when he takes your jaw and straightens your gaze to him, but his heart might fly out of his chest before he has a chance to say anything. His stomach turns, not knowing he’s not at the peak of a roller coaster drop, that he’s standing on solid ground, even if it swims under his feet.

“What you feel is not wasted.” A murmur, stern, as steadily and as serious as he possibly can be.

That feeling aches in his chest and you haven’t even gone anywhere. You haven’t left . . . yet. “What this is, is not wasted time. I spent twenty years wasting time, looking for something that wasn’t there, and with you . . . I can’t say I’ve found it –,”

“Why? Why can’t you say you’ve found it?” Your grip around his wrists tightens, eyes hard. “Why can’t you name it, Joel?”

“Can you?” He pulls his hands out of your grip and you let him go. “How can you ask for what you want when you can’t even ask to keep this dress?” 

“Because I don’t deserve it!” It’s not silence that follows; it’s emptiness. You face away from him, pressing the heel of your hand into your brow bone, teeth slightly bared. Your arm bars across your stomach like you are literally holding in your guts. Finally, you lift your head, the few scant tears on your face sparkling in the firelight. “I don’t deserve you, Joel. I don’t deserve any of this. Ellie, the way she . . . I’m here, warm and happy, acting like the fucking world hasn’t ended. Playing house, playing pretend. Pretending like I’m your –,”

You swallow the words caught in your throat, gaze leaping away from him. At your side, your hand trembles again. 

Oh, honey, the shit I’ve done . . . 

With wide, wet eyes, you watch him approach. He doesn’t look at you, instead seeing exactly where he’d like to put his lips on your stomach beneath the fabric. 

“Then what do you want, hm?” There’s a fold in the front of the dress and he runs his fingers along the edge of it. “We can’t fix it. Can’t go back ‘cause there’s nothin' to go back to. I don’t care what you had to do to get here, right here, with me because I’m so fuckin’ glad you are. I’m not pretending, not wasting my time, never was. ‘Cause you’re right.” 

Your hand over his stills his endless roving and then it stays, scarred hand over scarred hand. Your gesture says something to him, something so meaningful he has no idea how to put it into words. He swallows his attempt and instead, slowly, drags both hands over your hips, where they stay. Heavy against the velvet. 

You rest your own against his forearms, neither pulling him in or pushing him back. 

“I was right about what?”

His eyes flick to yours and maybe it’s presumptuous, maybe he really is an old man afraid of his feelings, or maybe living this long – despite everything that ever tried to make it otherwise – living this long has granted him the privilege of knowing with perfect clarity what you’re thinking when you look at him like that. How he wants to whisper it back to you and he decides he will the next time your skin is warm and tacky, body helpless beneath his. 

Your eyes shamelessly track the brush of his tongue against his bottom lip.

“That you’re mine. Just like I’m yours.” 

The hands at his forearms glide up to his chest. The rims of your irises have gone a bit blurred, a bit unstable, and you can’t decide whether to look at his mouth or his eyes.

“Joel?” Suddenly breathy, all begging, pleading.

“Hm?”

“Get me out of this fucking dress.” 

When your lips crash into his, his entire world narrows down to where on his body, yours touches: 

your rough hand cradling his cheek, the other fisting the collar of his shirt. His fingers digging into your skirt, the heat from your thigh nearly driving him to tear straight through the fabric to get to you. Your sweet, perfect mouth smeared against his, lips puffed pink, nose to your cheek. 

That warm, wet cunt he thinks he can feel through his boxers, jeans, the dress and your underwear. 

It’s not enough. 

The cry you let out is some mangled mix of a moan and his name when he licks the soft supple skin behind your ear and nips your earlobe.

“Baby, please – please – bedroom, we have to–,”

He grunts his disapproval at your words, overwhelmed by the scent that makes his mouth water as he stains the column of your throat with wet, humid kisses. 

“Joel, c’mon, honey, just upstairs –,” 

The last flickering tiny speckle of logic in his brain fights with itself; take your right here or haul you over his shoulder – which isn’t great for his back and, quite frankly, he intends to spend most of the night on his knees. 

First option it is. 

You mumble in confusion, eyes shut, chin brushing the thread of gray curls on the top of his head as he purposefully sucks a bright hickey into your collarbone, one hand cupping your breast, the other pushing you backwards. You go willingly, of course. 

Until the backs of your legs hit the couch and there’s nowhere else to go. In the stumble, your dress rides up even higher and those thighs he’s actually lost sleep over appear to him. He drops to his knees, hands like meat hooks as they squeeze your waist, pulling that warm cunt even closer to him over the edge of the couch. You groan when he pushes the skirt up even higher, practically to your tits, as he explores your outer, then inner thighs with soft strokes of the back of his hands. He presses his nose to the crevice between your thigh and hip and inhales. 

“B-baby, the windows,” you swallow thickly, slurring like you’re drunk, grabbing at his shoulders like you’re trying to steady yourself, or turn him towards the windows. “I mean – the curtains, baby, the curtains are –,”

“It’s a fucking blizzard outside,” he explains tersely with his eyes still closed, as if irritated to have a conversation instead of focusing every ounce of concentration he has to the heat and smell beneath your black panties. He drags his teeth over the elastic band around your hips and makes you whine his name for an entirely different reason. 

You don’t make him stop or wait when he tugs those panties down your hips. In fact, you help, lifting your hips, the irises of your eyes so wide and black, you look halfway out of your mind.

Good.

He gathers the skirt he was once so fond of and stuffs it into the cushions behind you. You watch him as he moves, eyes half-lidded, finger scraping your bottom lip. Around his ribs, your knees dip back and forth, moving targets, like he’s forgotten why he’s here and needs reminding. 

His big paw, the size of which makes you feel indescribably small, catches your knee and stills it, gaze dark and heavy. Do not test me right now. You try not to moan. 

“Can’t believe I’m going to let you fuck me with my boots on,” you whisper airly, watching with delirious fascination as he puts one of your slender legs over his shoulder. His mouth is actually watering at the sight of your damp curls. 

“Not gonna fuck you. Just gonna eat your pussy. You’ll know the difference.”

“Semantically, it’s the sa-a-me thi-ng, Jo-e – ah, Joel!” 

His tongue up inside you turns you into a whiny, high-pitched, feminine mess. He eats like he does everything else: diligently, quickly, and silently. 

Until you bury your fingers in his ash-flecked curls and tug. 

That first deep, loud moan ripples through his body, rolling him up just off his heels, his crotch seeking some kind – any kind – of friction. 

The feel of his mouth humming against your cunt has your eyes rolling back in your head. “Please, oh fuck, please –” 

You are a grown woman. You should not be making these noises. 

You also shouldn’t be using a man’s face to get off . . . but you do it anyway.

“Tha’s it, baby,” he mutters when your hips grind against his face. His nose catches your clit and around him, your thighs wobble. “Use me, fuckin’ use me.” 

His grip around your calf over his shoulder turns rough and he knows he’ll bruise you, but fuck, the thought of you walking around town with a mark in the shape of his hand where everyone can see —

He briefly lifts his grip from your thigh to adjust his iron-hot cock in his jeans. From his view over your cunt, it doesn't seem like you noticed, or even saw him leave your skin. He watches you writhe, try to capture your breath, eyes crammed shut as your hips rock almost without your control. He takes a chance to lick the musky dampness from his upper lip when your cunt rolls back from his face a fraction of an inch — and then he sinks in again.

Call it age or the fact that you both are here at the end of the world, but the first night he ate you out, you told him exactly how and where you like it, unabashed and in control and honestly it’s the hottest thing he can think of in recent memory. 

He would have written it down on the backs of his eyelids if he could. 

He follows it to the letter.

“Joel – Joel, baby, please don’t stop –,” You buck and moan beneath him as he spells out your instructions with his tongue along your cunt. He dots the i’s with a tap of his tongue or a lick on your clit. Just inches above his head, your chest heaves, your fingers locked into his curls, gently pushing him closer to your puffy pussy as if he’d ever waste a drop of what leaks out of you. 

With a flat-tongued brush against your suffering clit, you arch off the couch, your sighs now verging on desperate, high and whinging, because it’s just not fair how good he makes you feel. He can feel your foot curl against the planes of his back, the rubber heel heavy, your mouth open and wet, with your eyes locked on the ceiling as you try to ride out your humming orgasm with a semblance of control.

“Look at me.” 

No other man has ever been able to make you come with just his mouth, you told him once.

And no other man ever will. 

It’s sweet, the way your eyes soften briefly when you lock eyes with him, crouched between your thighs — before your head tips back, lips wrenched apart in a silent scream, and you come, as hard as he has worked for the flush of slick down his chin.

There’s goosebumps on your thighs, he notes. He rubs his thumb against your raised skin and you shudder, head rolling against the back of the couch.

He’s already feeling a slight twinge of shame at the noise his knees will inevitably make when he stands, but for now he’s content watching you glide down from your high, his head against your knee, shoulders still stretching your legs open wide. 

To his delight, you manage to laugh, your hand draping over your eyes. You can see the shine of the dull light all across his lips, his chin, his nose and you have to close your eyes. He should make you lick it off him, but not tonight.

“Top marks, Miller, as usual,” you mumble, “but the threat of voyeurism really deserves the extra credit.” 

He grins. Still waiting for your breath to slow, he wipes his mouth with his palm and slides the leg over his shoulder down in between his own thighs. Propped up on one knee, he begins to unlace your boot. He holds your calf like it’s delicate as he gently drags the boot over your heel. 

He’s just as reverent with the other side. 

And then your boots, the pair, sit at the end of his couch, like they were always meant to be there. 

His heart, easing down from its own thunderous beat, squeezes and that feeling, that strange-not-so-strange feeling, the one that dictates practically every action with you, dribbles into his veins. 

You open one eye. A flutter of lashes, coy and playful, the curve of your mouth guarding a hoard of secrets.

“Now, Joel Miller . . . will you take me to bed?” 

It’s a question. A request. Your eyes, as dark as ever, on his warm his chest, all the way down his spine. You’re asking, politely, for a thing you both know he would never, ever deny you. 

He cannot lose you, he just can’t. 

He stands and, yes, his knees crack and pop, but he regains stability when he toes off his only good pair of cowboy boots. He nods, grinning, and offers you his hand.

The walk, half-run up to his bedroom is something his brain designates as not important enough to store away. 

Instead, it languishes in the way you stretch out on his mattress before him, ass in the air, knees spread over his blankets and arms sliding through crumpled sheets towards the headboard. 

The room is dark, the only light fighting its way through the downpour of snow comes from the lamp posts that dot the street outside. But the veil of snow warps the light and everything in the half-darkness is doused in blue. 

The shadowy, blurred curve of your shoulder, blue. 

The spread of your fingers on his mattress, blue.

The swollen bottom of lip of your mouth —

“Joel.” 

The snow falls so fast and hard, it patters against the windows and the sides of the house. It’s the only thing he can hear over the pounding of his heart and the short breath in his lungs. He stares at you, soaking his blankets in your scent and slick, and you stare right back in utter and total silence. 

You sit in the center of his bed, bare for him beneath the velvet dress that is red like blood, your patchy white socks at complete odds with your smeared make up and the fucked-out look in your eyes. But there’s something else there too. 

Something softer. Gentler. 

You reach out a hand to him and he goes to you, like always. The instant your skin touches his the instinct to fuck you hard until you’re bruised and crying evaporates. He doesn’t think you want that anymore either. 

No, you need — 

“Joel, please come here. I need you.” 

You need him.

The mattress squeaks when he settles one knee and then the other on top of it, his fingers stroking your ear, brushing the tips of your hair, while he kisses you with an ache that is not physically manifested. Instead, it resides —

“I love you,” you whisper. 

You pull back infinitesimally, just enough that your eyes are all he sees. 

A patient silence hangs from the ceiling. The sound of snow falling. Of baited breath. The scratch of your fingers against at his beard —

“I love you too.” You smile and his body is no longer big enough to contain his heart. “I feel like I’ve always loved you. Is that strange?” 

Your gaze traces the same path your fingers take when you think he’s sleeping; it runs over his nose, his forehead, his eyebrows, the plush curve of his lips. Like you can’t believe he’s there with you. Like you can’t believe he’s real. 

That feeling — that feeling he had been fighting because it always was the only thing that would ever really do him in — is love. He loves you. 

He loves you.

And you love him. 

Didn’t think they told stories like this anymore, not in a world like this. So maybe, for once, Joel Miller just got lucky. 

“No. It’s not. Just be sure you mean it.”

He can't tell if the glow in your eyes comes from within you or it beams out of him. “Every word.”

Eventually, he sheds you of his favorite dress of yours, your only dress, and he lays you back, fully bare in the nest of his blankets. In the corner of his bedroom, the heater hisses like the wind from a purple storm, the static crackle of warmth hovering in the air. You watch, with eyes that shine like stars, as he pops apart the pearl-snaps holding his shirt together. 

And then his white undershirt goes next. He used to worry what he looked like, until he found someone else who had done exactly what was necessary to survive. 

When he goes to unzip his pants, you sit up, hair mussed and the hickey he gave you earlier throbbing like a dream. 

“I wanna do it.” 

He lets you unbutton his jeans, slide the zipper down, at the edge of the bed, but your hands are shaking, your breath stunted.

“I’m fumbling like a teenager,” you huff, a small, flustered smile on your face. “It’s like I’m nervous, but what is there to be nervous about —,”

His mouth pressed up against yours creates the most beautiful silence of all. 

How do you want me, you ask him and he thinks, all the time. But he takes you both under the covers and settles in next to you. He positions one leg over his hip and immediately you know exactly what he’s asking for. Quick as a whip, you are. 

There’s a rustle of covers, the bed slats squeaking, and then he’s nearly nose-to-nose with you. You kiss him again, maybe nervous still. 

He disconnects, when you slip between his legs and take his thick, leaking cock in your hand. 

“Baby, wait, do you need — I know it’s a lot — I’m a lot –,”

He can’t fathom why he’s so nervous either. But you chuckle, shake your head, smile at him. 

“Don’t need anything but you.” 

Your leg wraps tighter over his hip, knee up to his ribs, as he sinks inside you. The palm wrapped around the back of your knee grips roughly only once.

This is true silence. The instant where the world goes muted, everything distant and muffled, when he’s first buried deep in your heat. 

Your fingers thread through his curls and suddenly all sound is cranked up to an eleven. Your rapid, stilted breathing, the groan of the bed, your soft smothered moans, or are those his? —

“Fuck me, Joel.” 

Eyes never leaving yours, he does. 

Your fingers dig into his skull, nails biting, hand wrapped around his neck to hold yourself steady as he thrusts up into you. He thumbs your stiff nipple, half of his hand still grasping your ribs. 

You meet him thrust for thrust, a slow steady pace that draws sweat to his hairline and endless gasps from his mouth. But your gaze stays strong, never falters. Your hand slips to his shoulder, to stabilize just a bit more, but then it's on his chest, twisting his chest hair and he thinks he feels that sparkle of sanity, of rationality, any restraint to hold back crack and shatter between the clench of his teeth. 

“Goddamn–,” 

He rolls, taking you under him and demanding a faster pace. You push your hand against the headboard, the bed knocking against the wall in rhythmic, hypnotic thuds. 

He thinks you hiss his name before you bite down his shoulder. 

The sharp shock of pain lights up his brain, channeling the sudden awareness that he liked that so fucking much all the way down his spinal cord where it presses hot against his groin. 

He lifts up onto one elbow, skin sweat hot and sticky as it splits from yours. 

“Tell me what you need to come,” he pants.  

You whine again, your throat dripping sweat, but that’s not an answer. Knowing he has about a half-a-dozen to a dozen good grinds before it puts too much strain on his back, he uses every single one of them to drag you to the knife’s edge. 

“What–,” grind, “do you need –,” grind, “to come?”

The wail you let out nearly makes him come on the spot. Your eyes have that same, out-of-this-world, off-this-planet unfocused gaze, any sort of language impossible. You plead with him in the silence. A silence loaded with damp moans, grit teeth, and skin against skin against skin against skin against skin. Best sound in the world, as far as he was concerned.

You arch until he lifts above you and, taking the hand that was by your head, tuck it down between your legs. You let him grasp around with spread fingers where you are wet, where his cock rocks into your body, watch as that pulls him apart faster with dark eyes, before pressing his thumb against your clit. 

There, you say without words. There is where I need you.

Once, twice, he circles – he can feel the tightness in his back already settling in, his jaw fixed and locked, his body battling the two overwhelming sensations of dull pain and fierce, wild pleasure – and you hit your release and you soak him in it. 

He falls then too, falls just as hard and as fast as you, the chronic pain he holds in his shoulders, his neck, his back, his knee fleetingly gone in the rush of heat that branches out of his body from his groin and it feels divine.

When he lies on top of you, face buried in the curve of your neck, the heat from your humid skin warming up the breath in his lungs, the throb of your body matching his, his mind wiped clean, the thought occurs to him:

It’s not silence he’s found with you, it’s quiet. 

It’s peace.

Eventually, some awareness seeps back into his trembling body and he rolls off of you, but takes the curve of your jaw in his hand as he goes. He can’t settle into the pillows because he can’t stop kissing you, love bites occasionally against your lip, as if where his body fails, he proves his love for you won’t end so easily.

Eventually, you press your fingers into the base of his skull and, like a reset button, he groans and drops onto his back. 

Eventually, the quiet returns. Only soft noises, murmurs of existence outside of this perfect little room, fill the space. 

Eventually, he falls asleep with you curled up next to him. 

He knows you love waking up in bed together, but he also knows you love fresh coffee even more. 

Which is where Ellie finds him the next morning. 

He nearly adds too much ground coffee to the pot because he’s distracted, lost in thought about the way your curves looked in the bright morning light, when the back door slams open and a little creature made of entirely scarves, mittens, and an oversized purple jacket stomps into his kitchen and clomps its snowy shoes on the rug. 

“Joel, we gotta go!” She’s a little breathless, red-cheeked too as she unwinds the scarf around her head and her face is revealed. “We don’t wanna miss it!”

“Miss what?” Joel asks, this time carefully measuring how much water the pot needs. 

His question is not met with her usually buzzy chatter. Instead, she’s stopped undoing her scarf and just stares at him like he’s been beamed down from another planet. 

He realizes all too late that he’s still in PJs at 9AM (basically a sign of another apocalypse), he’s making more coffee than just for himself, and he’s smiling. 

Shit.

“Ellie, um, I –,”

She rolls her eyes. Her scarf is flung off her neck and she starts yanking off her gloves, her plucky attitude back, if not a bit smug.

“Get your girlfriend up too. They’re lighting the big tree in town square in an hour. I know she’d be pissed if she missed it.” 

So definitely caught. Time to be “The Adult” here and put it out on the table. 

“Don’t call her that.” Joel eyes her. Coffee percolating, he grabs a slice of bread and Ellie’s favorite jam. “Makes it sound like we’re fourteen.” 

She frowns at him, classic “pouty-mouth”. 

“I’m fourteen — rude. But seriously, and I say this because I care, get over yourself. Call a spade a spade. You’re dating her, fucking her–,”

“Ellie!” 

"– and you make gross ga-ga eyes at each other when you think I’m not looking."

She slides into the seat at the island in front of him as he pushes the toasted bread with jam across the marble to her. She takes a bite, chews with her mouth open, and shrugs. “That’s a girlfriend, dude.” 

Joel turns back to the eggs that might be burning, his shoulders hunched and fist tight around the spatula. Hate it when the kid is right. 

He salvages what he can of the eggs, plates them along with two strips of bacon on two plates, and balances a mug of coffee on each. He tries to salvage some of his dignity with a glare. 

“When you’re older, you’ll see some things just don’t need labels.” 

At that, she rolls her eyes again and snatches up the last strip of bacon from the folded, greasy napkins. “Whatever, you dork.”

Argument soundly lost, he gathers up the plates and heads back up stairs. She’s still mumbling to herself as he goes. 

“'Girlfriend', pfft . . . much better than fuck bunny!” She yells to no one in particular.

You hear the entire conversation from bed, the door cracked open enough for the sound to travel. Muffling a giggle, you snag his white shirt from the floor and draw it over your head. You should probably be more embarrassed that Joel got caught in his Walk of Shame, even if it was to his own kitchen to make breakfast. But . . . you’re just not. 

The smile is still on your face when his footfalls approach the door and he sticks his head into the room.

“Sounds like we’re busted,” you smirk. 

Joel almost chuckles. “'Bout as busted as you can be.” He hands you one plate and sits on the end of the bed with his own. He takes a low, slow sip of coffee and you follow him. The eggs are nibbled at and the bacon is perfectly crunchy.

“So . . . girlfriend?” 

He rolls his eyes. “Not you too.” 

“I mean," you slip the plate and coffee onto the bedside table, then hug the sheets around your knees, "I agree with you on the bit about labels. It seems silly. And not wasteful silly. Just . . .”

“Silly.” Joel’s eyes are as dark as his coffee, warmer than it too. “Doesn’t really capture the whole thing, does it?”

An apocalypse and a half later, and a boy’s sweet eyes on you can still make your stomach swoop. 

“No, it doesn’t.” 

“Then what do you wanna say, if people start askin’?”

You bite your lip, eyes up in faux-thought. “Truth be told, I'm kinda partial to fuck bunny. Cute like with a little tail and ears —,"

The groan from Joel and subsequent head shake makes you laugh enough for you to take pity on the old guy. You crawl closer and his eyes slip from your face to where the sheet tucks under your knees. But a hand on his cheek returns his gaze.

"I like what you said last night." Your smile is soft, pleased. "That I’m yours. Like you’re mine.” 

Joel’s warmth bleeds from his whole frame as he leans in close to put his mug on the bedside table, then leans in closer still to you. He drags his nose over your bare, exposed shoulder, in a way that is sweet and sensual all at once. He stops with a kiss on the hinge of your jaw. 

“I like that too. I like saying that you’re mine.”

Ignoring the shiver that rockets up your spine at the low hum of his voice, the flutter of his lips barely against your cheek, you tuck an errant curl around his ear and it immediately springs back up again. You smile and he smiles back, a youthful shine in his eyes.

“Wherever you are, I am too.”  

Listen to: I am the forest by Willie Nelson

[inhonoredglory]

Aziraphale’s Choice, the Job Connection, and Michael Sheen’s Morality

Update: Michael Sheen liked this post on Twitter, so I'm fairly certain there is a lot of validity to it.

I’ve had time to process Aziraphale’s choice at the end of Season 2. And I think only blaming the religious trauma misses something important in Aziraphale’s character. I think what happened was also Aziraphale’s own conscious choice––as a growth from his trauma, in fact. Hear me out.

Since November 2022 I’ve been haunted by something Michael Sheen said at the MCM London Comic Con. At the Q&A, someone asked him about which fantasy creature he enjoyed playing most and Michael (bless him, truly) veered on a tangent about angels and goodness and how, specifically,

We as a society tend to sort of undervalue goodness. It’s sort of seen as sort of somehow weak and a bit nimby and “oh it’s nice.” And I think to be good takes enormous reserves of courage and stamina. I mean, you have to look the dark in the face to be truly good and to be truly of the light…. The idea that goodness is somehow lesser and less interesting and not as kind of muscular and as passionate and as fierce as evil somehow and darkness, I think is nonsense. The idea of being able to portray an angel, a being of love. I love seeing the things people have put online about angels being ferocious creatures, and I love that. I think that’s a really good representation of what goodness can be, what it should be, I suppose.

I was looking forward to BAMF!Aziraphale all season long, and I think that’s what we got in the end. Remember Neil said that the Job minisode was important for Aziraphale’s story. Remember how Aziraphale sat on that rock and reconciled to himself that he MUST go to Hell, because he lied and thwarted the will of God. He believed that––truly, honestly, with the faith of a child, but the bravery of a soldier.

Aziraphale, a being of love with more goodness than all of Heaven combined, believed he needed to walk through the Gates of Hell because it was the Right Thing to do. (Like Job, he didn’t understand his sin but believed he needed to sacrifice his happiness to do the Right Thing.)

That’s why we saw Aziraphale as a soldier this season: the bookshop battle, the halo. But yes, the ending as well.

Because Aziraphale never wanted to go to Heaven, and he never wanted to go there without Crowley.

But it was Crowley who taught him that he could, even SHOULD, act when his moral heart told him something was wrong. While Crowley was willing to run away and let the world burn, it was Aziraphale (in that bandstand at the end of the world) who stood his ground and said No. We can make a difference. We can save everyone.

And Aziraphale knew he could not give up the ace up his sleeve (his position as an angel) to talk to God and make them see the truth in his heart.

I was messed up by Ineffable Bureaucracy (Boxfly) getting their happy ending when our Ineffable Husbands didn’t, but I see now that them running away served to prove something to Aziraphale. (And I am fully convinced that Gabriel and Beelzebub saw the example of the Ineffables at the Not-pocalypse and took inspiration from them for choosing to ditch their respective sides)

But my point is that Aziraphale saw them, and in some ways, they looked like him and Crowley. And he saw how Gabriel, the biggest bully in Heaven, was also like him in a way (a being capable of love) and also just a child when he wasn’t influenced by the poison of Heaven. Muriel, too, wasn’t a bad person. The Metatron also seemed to have grown more flexible with his morality (from Aziraphale's perspective). Like Earth, Heaven was shades of (light?) gray.

Aziraphale is too good an angel not to believe in hope. Or forgiveness (something he’s very good at it).

Aziraphale has been scarred by Heaven all his life. But with the cracks in Heaven’s armor (cracks he and Crowley helped create), Aziraphale is seeing something else. A chance to change them. They did terrible things to him, but he is better than them, and because of Crowley, he feels ready to face them.

(Will it work? Can Heaven change, institutionally? Probably not, but I can't blame Aziraphale for trying.)

At the cafe, the Metatron said something big was coming in the Great Plan. Aziraphale knows how trapped he had felt when he didn’t have God’s ear the first time something huge happened in the Big Plan. He can’t take a chance again to risk the world by not having a foot in the door of Heaven. That’s why we saw individual human deaths (or the threat of death) so much more this season: Elspeth, Wee Morag, Job’s children, the 1940s magician. Aziraphale almost killed a child when he couldn’t get through to God, and he’s not going through that again.

“We could make a difference.” We could save everyone.

Remember what Michael Sheen said about courage and doing good––and having to “look the dark in the face to be truly good.” That’s what happened when Aziraphale was willing to go to Hell for his actions. That’s what happened when he decided he had to go to Heaven, where he had been abused and belittled and made to feel small. He decided to willingly go into the Lion’s Den, to face his abusers and his anxiety, to make them better so that they would not try to destroy the world again.

Him, just one angel. He needed Crowley to be there with him, to help him be brave, to ask the questions that Heaven needed to hear, to tell them God was wrong. Crowley is the inspiration that drives Aziraphale’s change, Crowley is the engine that fuels Aziraphale’s courage.

But then Crowley tells him that going to Heaven is stupid. That they don’t need Heaven. And he’s right. Aziraphale knows he’s right.

Aziraphale doesn’t need Heaven; Heaven needs him. They just don’t know how much they need him, or how much humanity needs him there, too. (If everyone who ran for office was corrupt, how can the system change?)

Terry Pratchett (in the Discworld book, Small Gods) is scathing of God, organized religion, and the corrupt people religion empowers, but he is sympathetic to the individual who has real, pure faith and a good heart. In fact, the everyman protagonist of Small Gods is a better person than the god he serves, and in the end, he ends up changing the church to be better, more open-minded, and more humanist than god could ever do alone.

Aziraphale is willing to go to the darkest places to do the Right Thing, and Heaven is no exception. When Crowley says that Heaven is toxic, that’s exactly why Aziraphale knows he needs to go there. “You’re exactly is different from my exactly.”

____

In the aftermath of Trump's election in the US, Brexit happened in 2018. Michael Sheen felt compelled to figure out what was going on in his country after this shock. But he was living in Los Angeles with Sarah Silverman at the time, and she also wanted to become more politically active in the US.

Sheen: “I felt a responsibility to do something, but it [meant] coming back [to Britain] – which was difficult for us, because we were very important to each other. But we both acknowledge that each of us had to do what we needed to do.” In the end, they split up and Michael moved back to the UK.

Sometimes doing the Right Thing means sacrificing your own happiness. Sometimes it means going to Hell. Sometimes it means going to Heaven. Sometimes it means losing a relationship.

And that’s why what happened in the end was so difficult for Aziraphale. Because he loves Crowley desperately. He wants to be together. He wanted that kiss for thousands of years. He knows that taking command of Heaven means they would never again have to bow to the demands of a God they couldn’t understand, or run from a Hell who still came after them. They could change the rules of the game.

And he’s still going to do that. But it hurts him that he has to do that alone.

[maniculum]

Medieval Scorpions Effortpost

So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:

The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".

Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.

As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".

Let me tell you. This is not a problem unique to this illustration.

See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:

That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?

So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.

And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.

*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.

Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.

And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.

11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)

12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)

12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)

12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)

13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)

13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)

13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)

13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))

13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)

13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)

13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)

13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)

13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)

13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)

13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)

13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)

14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)

14th-century Germany, MS Additional 22413. (That is clearly a turtle.)

14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)

15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)

I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.

[jhezenkoss]

So at some point in the development of Veilguard, the Shadow Dragons were apparently still around in Minrathous even if you saved Treviso, so here is a compilation of dialogue that I'm fairly certain is not in the final game but still exists in the files, featuring the Viper, Tarquin, Dorian, and Maevaris.

Huge shout out to @sydneystarlights for pointing out all the cut Shadow Dragon dialogue in this post! I figured out how to export audio for the files that Frosty crashes on so here they are.

Transcript below the cut:

Viper: There are more darkspawn in the city. Tarquin: I hate that you just know that. Viper: I can scout out the darkspawn. They can't do anything to me now. Tarquin: You are insufferable.

Tarquin: What's the matter? You're hearing things again, aren't you? Viper: I'm— Tarquin: If you say you're fine one more time, I will kill you myself. Viper: (Chuckles) I'd like to see that. Tarquin: Shut up. Go home. Viper: But everyone's here.

Viper: Supplies are low. People will come to us for help, and we won't be able to. Tarquin: The funds aren't the problem. The merchants just aren't coming. They're afraid of blight. And dragons. Tarquin: But the magisters aren't starving. Viper: It's been a while since we robbed a magister. Tarquin: I'll go. Or I'll send Marisa. You need to slow down. Viper: Sitting around doesn't keep me alive longer. I need to make these days count.

Viper: Minrathous can't take any more chaos. The Shadow Dragons will need to step up. Viper: The people need to know we're still fighting. Tarquin: We're short on hands. Barely holding together. Everyone's exhausted. Viper: The city needs us. Tarquin: You're exhausted. Viper: And the Shadows need a new leader. Tarquin: Don't look at me like that.

Maevaris: How are you feeling? Are the remedies working? Viper: As well as can be expected. Maevaris: (Sighs) If there's anything I can do… Viper: You could stop mothering me? Maevaris: Someone has to.

Rook: How are things? How's the Viper doing? Tarquin: He's started to feel and hear… things. Tarquin: He seems tired. And far away. Like his mind's somewhere else. Tarquin: But he won't stop working, of course. And I don't know how to stop him.

Rook: Spotted any more darkspawn? Viper: I haven't seen them, but I know they're there. Like a buzzing in my head.

Rook: If you need help, the Grey Wardens— Viper: I know. Thank you. Rook: You were badly injured, and you're also… Viper: You don't have to remind me. I know. I'll deal with it, as best I can. Viper: Right now, if you want to help, then help Minrathous.

Dorian: So I heard, um… Viper: Don't start. Dorian: Right, well. Dreadful situation, this.

Tarquin: It's chaos out there. And the Venatori are taking advantage. Maevaris: We'll handle it. Tarquin: How? We can barely keep the safe houses running. Maevaris: We'll find a way because we have to. Maevaris: Today. Then tomorrow. Then the day after. For as long as it takes.

[imsiriuslyreading]

being a POC in the Marauders/HP fandom is really interesting to me because it seems and feels like a really predominantly white space, which, hey, nothing new! and that does come with some challenges. for the most part, they're fairly under the radar.

it's things like being able to count the POC in a discord server on one hand, even though there's 100+ people in the community.

it's people not taking into account racial dynamics whether that be in a fic, or in a tiktok, tumblr, whatever. there are innate power imbalances in our society (regardless of what country you live in) and to assume because this fandom is a largely open, liberal and leftist space, that they don't carry over to fandom, is exceptionally naive. buuuuut, we live and learn, so people can and should be given a certain amount of grace. but what is unforgivable is to have them pointed out to you and for you to dismiss, ignore or belittle them. Not only that, but you as a white person, do not get to be the forgiving voice to another white person when they make one of these mistakes. please please please respect and understand that.

there's also (and i'm sorry if this is controversial and frankly it makes me really nervous to even write this), a trend of assigning ethnicities, cultures and races to characters in stories without having a proper understanding of them, or having a particular reason for doing so. I'm never going to sit here and say "you as a white person shouldn't write about ____ race!", because I don't believe that. but what I would really, really love to see, is for white creators and writers to ask themselves some questions beforehand:

what does the race of this character add to the story outside of me chasing clout with a particular group of people/is it necessary for me to be writing the lived experience of a culture/ethnicity I've never taken the time to learn about?

if so, why?

am i the right person to be doing this?

are my actions outside of my writing towards these POC reflective of this?

i also think it's really important to remember that unconscious bias is a thing, and it's really easy for us to spot in your writing if it isn't something you've addressed. Not only that, but even if you write the most well-researched POC in your fic, even if you're sharing posts about Lebanon and Palestine, none of that matters if your actions when interacting with us show us that you are indifferent to the power dynamics at play with you being a white person, often with a large audience, in this space. virtue signalling is spectacularly unhelpful if you're writing checks your ass can't cash.

that being said, I think throwing 'racist' around as a term at people who make mistakes is really unhelpful. because every situation has context and nuance, and dogpiling never helps anybody. there are opportunities for learning, developing and understanding here. but please remember, if a POC tells you something is upsetting, harmful or offensive - even if other POC haven't said that to you - it's not your place as a white person to dismiss that.

anyway, hope that helps, love u very much xo

[romana-after-dark]

Keep Running, Little Bunny!

Dark!Logan Howlett x fem!reader

Masterlist

Buy Me A Coffee : Kofi : Go Fund Me

Summary: Logan takes you, but gives you a chance to escape... what isn't he telling you?

Warnings: NON CON DEAD DOVE DO NOT EAT!!!! Logan is a masochist and a bit of a sadist but def more into the pain. Feral!Logan, primal kink, THIS IS NON NON, READER AND LOGAN GET SLICED UP! I'm not listing everything here, just please read with caution! Physical and sexual violence! Somno!

Immersivity: Reader is fem, afab, able bodied

A/N: first time writing Logan!!! Im obssed with him after deadpool wolverine but the only other Wolverine movie ive seen was that really bad one in like japan or something lmfao. I do wanna watch them all now (Oscar Isaac is in apocalypse!) This may not be the most correct but I'm trying. Lemme know if you wan more Logan!

Divider by @xxbimbobunnyxx

Im late but I wanted to do the manspreading for the manspreading olympics by @toxicanonymity

"You're a hard girl to get a hold of, princess."

Logan is sitting across from the bed you've woken up in, in a chair with his legs spread wide. You can see the bulge in his pants from how he touched you, caressing your sleeping body as you slowly woke up from whatever you were given. His hands slid up your loose shorts, a single finger slipping in and out of your hole, making sure the first words you woke up to were, "Are you always this wet?" with his hot breath fluttering on your skin.

Slowly, the memories began to come to you: how you fought and kicked and screamed as Logan tried to drag you away, him shoving the chloroformed rag in your mouth until you passed out gagging... 

Now here you were, watching him as he palmed his hardness in front of you.

"i thought X-men were good guys." You spit, arms crossed over your chest as you watch him touch himself.

He shrugs with a little smirk on the right side of his face. "I wouldn't call myself a good guy. Never have. Saving the world is one thing... but I think I'm owed a little something on the side."

You laugh at that, a bark of a laugh that signals the disbelief that he's actually speaking to you right now, saying such things. "I don't owe you shit!"

"Maybe not. Doesn't matter though, because I'm gonna let you go." Logan groans, stroking a long, hard drag down the line of his cock in his pants.

This makes you narrow your eyes, suspicious. "What do you mean?"

"I'm gonna let you go. Gonna let you make a run for it. Here." He tosses a knife to the bed, making you flinch but then you quickly grab it, eyeing him. He's still touching himself, but with an agonized sigh he lets go. You wonder if he was close... Logan stands up, opening the door to the small, one room cabin and letting you see the trees outside. "Half a mile west there's a road. Not used a whole lot but someone is bound to come by, pick you up. I'll give you a head start, and you can use that knife on me. You can kill me if you try hard enough. Little fighter like you, might even be able to get the slip on me."

You blink. This can't be real. "This is a trick, isn't it... you're gonna punish me for running, or, or for stabbing you..."

Logan shakes his head, gesturing out to where the sun was setting fast. "Nope, won't punish you for that. Just like a challenge, that's all."

"There's... there a catch, isn't there... something you aren't telling me."

For a moment his face is still, like he's trying to put on a poker face. Then, a smile breaks. "I've never been a good lair. yeah, there's something I'm not tell'n yuh, bub, but really, what choice do you have?"

As you rise from the bed, he stands back. You hold out the knife, and he keeps his hands up, palms towards you... his face was almost condescending... but what choice did you have. Once you back away several steps, you turn around and make a run for it. You weren't exactly sure his powers, but given his name was wolverine you were fairly certain speed was one of them.

"I'll count down from 100!" Logan calls after you, his voice starting to sound distant. "100... 99...98... keep running little bunny! 97... 96..."  You faintly hear the 95 before you're out of earshot, running as fast as your legs can take you through the woods. Jumping over logs and stumbling down hills, you run more than you have since your high school made you do a mile, your out of shape body struggling to take in oxygen. Tree branches smacked your face, leaves wet with dew, the little sticks drawing blood on your cheek but you don't dare stop, not for a second. 

Something zooms past you nearby, a rustling of bushes an the faint sound of '10' in your ear, before all goes still again. You're close, you have to be.

'5'

Shit, shit. You grip the knife in your fist as you try to pick up speed, tired legs carrying you as fast as they'll go but it's not enough.

Logan is in front of you, a broad smile on his face and hands gripping your shoulders to stop you. "One." 

You scream, stabbing him in the rib cage expecting him to shout in pain but instead he moans in pleasure. No time to process this, you kick him in the dick and shove him over, making a run for it again, but Logan grabs your foot, causing you to fall face first into the dirt and grass. Strong arms yank you, despite crawling as nothing, and suddenly you are under him. 

"No!" You try to get away, but he's too strong, too quick, pinning your hands down and he looms over you.

"Pretty little bunny... running so fast..." Logan cocks his head to the side. "Not quite fast enough, eh?" Leaning down, Logan licks a stripe up your cheek, tasting the blood on your face. "Tasty little bunny..."

Your hand with the knife continues to be pinned down, Logan bracing his entire weight on your wrist while he undoes his pants, freeing his cock from the restraints. The throbbing member lay heavy against your thigh, a size you can only guess from the feeling and for a moment you think he's going to take off your shorts the same way. Then, Logan placed his knuckles at the base of your shorts and suddenly there's a stinging, sharp pain running up your leg and to your waist.

"Fuck!!!" No one is around to hear you screaming, no one except Logan who thrust his fist out, tearing your shorts and underwear to literal shreds.

When cock is thrust into you, you can't even scream anymore as the sounds get lodged into your throat, trapped in there just as you are now, his body caging you.

"Fuck'n tight there, princess. Is that fear, or is that all you?" You respond with a slap to his face which only makes him fuck you harder. "Aha, I think that's all you, baby doll, you were soaking my fingers earlier. Creamy little pussy ready to squirt on a strangers hands."

"FUCK YOU!"

"You want me dead?"

"Yes!"

He releases your sore hand, but the knife still lays next to it. "Take your shot, why dontcha?"

Thinking fast, you grab the handle again and with a scream, you plunge it into his neck.

To your surprise he just grins broadly. What the fuck is wrong with him.

Again, again, again, you stab the knife into different parts of his body as he stabs between your legs, fucking with more more intensity, with loud moans, closer and closer to his release. His gruff pants in your ear mirror your screams, listening to Logan moan and groan and whimper as he ravages your helpless body when you realize... he likes it. He likes it and the wounds are healing as fast as you can cut him. 

"Pretty bunny..." He chuckles lowly, his hand gripping your sides so hard it feels like a pinch, your fragile non-mutant body nothing but a plaything for him. With a loud growl, Logan cums inside you, filling you up as he continues to fuck him cum inside you, streams of hot cum flooding inside you. How was he still hard? Movements begin to slow, but your exhaustion begins to take it's toll on you, giving up harming him and simply taking it. "That's it... that's my good girl. Give in to me, little bunny. Let me have you... I can make it so good." Logan thrusts up into you, hitting something so devastating and deep no one has before, his rough hand sliding to your center to caress your bud.

"I don't want it to be good..." You cry weakly, even as pleasure builds down in you.

"Sure yuh do... c'mon, pretty girl you can give it to me... don't fight it, it's useless. You're mine now, my bunny... cum for me..." Logan's demeanor changes, suddenly indulgent and begging, his facial hair tickling your skin as he nuzzles your neck. "Wanna feel it... Wanna feel my sweet bunny coming on my cock... becoming mine..." You can't fight it anymore, the thick stretch on him, his skilled hands, the sleepiness clouding your rational... and he feels it too. "There we go... that's my girl, all mine, huh? You're mine now my pet... yeah... all mine..." It was painfully delicious, the way he made you feel, how his hands seemed to know you so intimately... 

Then that chloroformed clothe was on your mouth again, his cock still buried hard inside you. You didn't fight this time, letting the release of sleep take you. 

Slowly, Logan began to grind his hips into your body again, his hands claw extending again as they slipped under your shirt. No cuts this time, only a few nicks before he shredded your shirt now, leaving you in tattered clothes as he felt you up. Logan's mouth was at your ear. "Can't have you fighting me this time, little bunny. I'm gonna get to know this sweet body, I'm gonna lean everything it likes..." He cups your breasts, tweaking at a bare nipple. "Gonna take good care of you."

As you fall asleep, you can hear a car driving nearby.

THANK YOU!!!!!

I am so excited to try out a new character!!!!!!

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[pathologicalreid]

https://vm.tiktok.com/ZGeTkmpNy/ SPENCER MF REID 🙏🙏 can I pretty please request a one shot based on that video ITS SO CUTE

dewey decimal system | S.R.

in which spencer does the most spencer activity first thing in the morning - reorganizing your bookshelves

(tiktok link)

who? spencer reid x fem!reader category: fluff content warnings: i'm fairly certain there aren't any word count: 619 a/n: the beauty of this being my account is that, even though my requests are closed, i was able to exercise free will and write it anyway. because reorganizing your bookshelves unprompted is so something spencer would do.

The other side of the bed was cold when you woke up. Your desire to roll over into Spencer’s arms before getting ready for the day squashed by his absence. Aimlessly patting your bedside table for your phone, you checked your notifications.

You hadn’t received a text, there was no note left on his pillow.

Sitting up in bed, you frowned before climbing out of bed. Cringing at the cold laminate under your feet, you hugged your arms around yourself and mourned the feeling of your comforter over your skin.

To your surprise, Spencer was wide awake, standing in front of your bookshelf like he was an opponent ready to strike. Padding across the living room, you approached him from behind and wrapped your arms around his waist, depending heavily on his body heat to give you the courage not to run back to bed.

“Good morning love,” he murmured, voice gruff from lack of use. With a morning slowness, he skimmed his palms along your arms, swaying gently to the soft sounds of dawn. “Are you alright?” He asked you when you didn’t respond, too caught up in the feeling of him to speak.

Pressing your cheek to the fabric of his plain white t-shirt, you sighed, closing your eyes and breathing in the scent of him, the scent of your laundry detergent on his clothes.

“What’s wrong, angel?” He whispered, softly squeezing your arms before turning himself around while trapped in your arms.

You didn’t let up, forcing him to twist himself within the circumference of your limbs just to see your face. The maneuver was so notably ungraceful that you couldn’t hold back your smile, “Nothing’s wrong,” you mumbled, now pressing your cheek to his chest while he tenderly cupped your head. “What are you doing up?”

Spencer dropped a kiss to the crown of your head, keeping his arms casually slung around you while he nodded at your bookshelves, “I was reorganizing your bookshelves.”

Furrowing your brows, you looked at your previously unruly shelves. They had now been adroitly redone, no longer having books stacked horizontally and being put off for another day, “What do you mean you were reorganizing my bookshelves?”

“Well, initially I had planned on using the Dewey decimal system, which is how my books are organized at home, but you had such an uneven ratio of each category that I ended up doing it alphabetically,” he explained to you, lazily using a hand to gesture to your collection.

Catching a glimpse of the titles, you asked, “By title?”

He shook his head, “Author’s last name,” he responded as if it should’ve been obvious to you. Spencer’s arms tightened around you as he craned his head to nestle his face in the crook of your neck, “Did you sleep well?”

You hummed contentedly at the proximity you had to him, “Right up until I woke up and you weren’t there.”

“I was reorganizing your books,” he emphasized, reminding you what he had spent his morning doing.

Nodding, you shut your eyes, savoring the feeling of his fingers as they now skated their way along your spine, “It looks nice, Spence.”

“Did you want to read a book together?” He asked you, continuing his ministrations on your back.

Pulling away slightly, you rested your palms on his shoulders as you looked up at him, “What?”

He jutted his chin in the direction of your shelves, “There are some books that I shelved, I think we could have a good time reading one together.”

You raised your eyebrows, “You’ll finish way before me though,” you hinted at his reading speed.

“Then I can read aloud to you,” he offered, beaming down at you.