#I'm discovering a pattern in the characters I like...

[lululaozi]

A letter to Gerda ♥️

[kazz-brekker]

was chopping potatoes for dinner last night when i had the realization that it was extremely inevitable i would become an adar and galadriel enjoyer during season 2 of rings of power considering the number of books i like enough to have a permanent spot in my brain which contain the romance dynamic of "we are fundamentally opposed enemies who deeply distrust each other but we must set aside our differences to unite against a common enemy, develop a grudging respect for each other, and then fall in love." i am predictable in my tastes but at least i know myself!

[coupleofdays]

I think I've been temporarily posessed by the @astercontrol Pattern Recognizer. Or maybe the universe is just trying to tell me something, though I have no idea what it might be.

See, I have had this half-joking, half-serious headcanon for a while, about the character Allenby Beardsley from the anime Mobile Fighter G Gundam. For those of you not familiar with her, she's a mech pilot hailing from Sweden (or technically "Neo-Sweden" in the sci-fi future universe of the series), and she pilots a giant robot named the Nobel Gundam, which inexplicably is designed to look like Sailor Moon. This is especially weird in the context of the series, which contains multiple mech pilots from different countries, all piloting robots that are somehow based on national stereotypes. So while the name "Nobel Gundam" makes sense (named after Alfred Nobel and the Nobel Prize), I have no idea what a Japanese magical girl anime has to do with Sweden.

Anyways, my headcanon is based on the following aspects of the character:

The name “Allenby Beardsley” is definitely not a traditional Swedish name. In fact, it consists of two English surnames, and is thus gender neutral.

Allenby pilots a mech that looks very feminine, but is named after Alfred Nobel, a man.

The blue hair.

From this, I have decided that Allenby Beardsley is nonbinary, goes by they/them pronouns, and that they chose their name themself.

Now, here's where things get weird. I've had this half-joking headcanon for a while, but yesterday, I discovered that there's a comedian/actor who goes by they/them pronouns, named... Ally Beardsley. And I thought "haha, that's a funny coincidence"...

...but then, today, I discover "Alienby Comics" ( @alienbycomics ), by a they/she creator, who has explained that the name is a portmanteau of "Alien" and "Enby".

So now I'm basically like this:

[anthonsgi]

★’･ﾟ:｡･:*:First kiss with HSR characters PT.1:｡･:*:･ﾟ’★

【Note: Hello! I haven't written anything in a while, but I recently got a surge of motivation, so why not take advantage of that? :) There will be a few parts because I want to write for many characters and the process of writing each one is really long for me so I prefer to spread them out a bit, so if the character you would like to read about isn't here, keep an eye out for future parts, perhaps I will include them there! As per usual, English isn't my first language and I'm learning as I go, please be patient with me. Requests are open! (˵ •̀ ᴗ - ˵ ) ✧】

��Pairings: Kafka, Argenti, Blade x GN!Reader】

【CW: I may have added some angst here and there, but I couldn't resist (I tried to end it with a good, slightly bittersweet conclusion each time though)! I wanted to make the characters' traits as similar to the game's as possible, but a few things may still be out of character, sorry in advance!】

a lil note: this is literally just all of these characters being absolutely SMITTEN for you and them fawning over you, but every day is a good day to get praised left and right, no?

☆〜KAFKA〜☆

It shouldn't be much of a surprise that you fell in love with this young and exceptionally charming woman. As a Stellaron Hunter, she ensures that Elio's predicted plans are carried out. That being said, you were a completely unpredicted element in a series of missions; there was never a mention of you ever being included in situations that you always found yourself stuck in. Kafka always saw it as "the usual result of the unforeseen nature of destiny," as she liked to explain to you.

After a while of simple acquaintance, she has grown more fond of you than she has of anyone. Not only were you beautiful in her eyes, which was a big thing for a connoisseur of beauty such as herself, but she felt at ease with you. She may be a sly, unbothered criminal whose prize for capturing her is enough to provide many good-lived lives for a bunch of Vidyadharas, but she actually really appreciates the times when she doesn't feel like she's being chased by people or by time itself.

Being with you was as enjoyable as studying the waves—a peaceful activity, a thought-provoking process. She desired to look at the horizon and discover more than meets the eye, however, it was quite impossible. The job of a Stellaron Hunter is challenging not only because of the relentless pursuit of destiny and the never-ending dangers but also because it entails never staying in one place for too long, never forming more meaningful connections, and never attaching yourself to finite, frail matters. Even though she knew she was more unlikely to run into the same individual twice as a Devil Hunter than she was now, her options were usually limited.

Kafka isn't one to fully hide her true feelings; she spoke very highly of you, your way of being and thinking, your appearance, and your tendency to be the miracle of one's destiny (*cough* talking about herself there). She has developed a habit of complimenting you just to see you squirm away from her gaze and bite your lower lip to try and stop a smile from forming. These occurrences weren't rare; they always followed the same pattern: she said something = you discreetly reacted = she noticed and couldn't stop noticing.

A kiss from her would be more of an indication of her love than a reveal, showing rather than declaring it. It may have happened during one of your late-night chats where you slowly opened up to one another, or it could have happened in the early morning after she invited herself into your home after you had just woken up and weren't sure if you were still asleep. In any case, without having said much, she leaned in, rested her hand on your cheek, and left a tender and delicate kiss on your lips. It didn't last long, but it meant more than a decade of stolen glances and conversations with hidden meanings.

It didn't feel like a goodbye kiss, it never did, but it was clear it was some form of leaving you wanting more, leaving you yearning for her to come back and see you again, and leaving you wondering how long it would be before she does it once more.

☆〜ARGETNTI〜☆

Knight of Beauty, a follower of the fallen Aeon Idrila. He's constantly on the journey to honor the principles of beauty itself, spreading the grace of his Goddess all over the universe. Discovering numerous forms of beauty in the ordinary and in the extraordinary. When he first laid his eyes on you, it was as if time began to bend around you, a black hole in which the concept of time didn't seem to exist, trapping anyone and everyone residing in its proximity.

Recognizing refinement in people was second nature to him, admiring their souls that mirrored their personalities and beliefs. He wished nothing more than to convey compassion to those who possessed honorable qualities, pure hearts, and desirable traits. Your beauty shone with such radiance that it put the stars to shame; your existence was an excellent reminder of Idrila's presence in the universe.

To Argenti, love is a miraculous feeling that is a joy to experience; it reflects a person's deepest desires and is an act of care so poetic that it almost brings a tear to the eye. In a way, having never experienced it before and having no opportunity to try due to his commitment to traversing in solitude, he decided it wasn't he who was supposed to feel it and that he was merely destined to admire the beauty of it from afar.

Meeting you meant the world to him; you made him feel love for another person for the first time—the all-consuming love from every classical novel he had read. The purest form of it is tragic love, one that breaks down the foundations that hold one's life in perfect balance. He spent several days and nights with you, staying in one location longer than he ever did since becoming a knight—the place where he started to ponder his destiny and his vocation.

He made every effort to push these thoughts away, thinking such things felt like a violation of the universal code of chivalry he upholds, yet when he gazed at your gentle smile as he held your hand, it was a tougher battle than that of a wax candle facing the sun. He was melting into a pitiful puddle as your very being formed him again, never to be the same as before.

One beautiful night, when the birds had gone to sleep, no expectations were laid forth, and no secrets were to be unveiled, Argenti took you by both hands, kissing each knuckle as if they would break if he put pressure on them. He spoke of you as if you were the one he had devoted his life to worshiping, his lips singing silent praises; perhaps it was a prayer, perhaps an apology. His eyes met yours, a nonverbal plea, and you leaned in, connecting your mouths in a passionate kiss, electricity coursing between each soft teeth clashing.

What an outstanding farewell kiss that was. The thought alone made you gulp down the lump growing in your throat. Argenti has to leave, or rather, ought to leave; otherwise, he's afraid he may decide to stay. He's certain your paths will cross one day; it's just the way of the world. Either way, he always finds himself drifting towards beauty. Behind him, he will leave a timeless tale of a wounded and repaired heart, as well as a dose of fate that makes no mistakes.

☆〜BLADE〜☆

The undying man who became a blade, a shell of a person, a mara-stricken monster with no hope for craved demise. His story is one of endless agony and misery. In this everlasting life, Blade's abilities are used in matters including bloodshed, spreading the pain he felt himself, and only then would he feel himself disappear, even for a moment. As bitter as that was, it was reality, his burden to bear. Blade didn't have "companionships" and never needed attachments. The closest he had to an acquaintance was Kafka, whose voice managed to calm the monsters who grew inside him relentlessly, and possibly Silver Wolf. However, he didn't understand her, nor did he wish to.

How you were able to capture his wounded heart remains a forever-unsolved mystery. He, of course, didn't decide one day that the way you laughed made him feel emotions so intense that he wondered if what he was feeling was some form of suffering he'd never experienced previously or that his intensified urge to protect you wasn't just due to the fact he was always nearby when danger struck, but because he genuinely cared. It was a lengthy process imbued with a myriad of understatements and denial. An "I love you" leaving his lips was as bizarre as the prospect of hell freezing over... yet when it did happen, you only wished to hear it again.

He frequently wonders why he finds himself faintly grinning primarily in your presence alone (and obviously during combat). When you resided in his vicinity, everyone could feel a shift in the atmosphere surrounding him, as well as a change in his usual behavior. It was almost comical to observe, especially to his fellow Stellaron Hunters, who never missed an opportunity to tease him. Nonetheless, love expressed by a presumably loveless man is as fascinating as it is arduous. Your existence was curative, helping him to rediscover parts of humanity he thought he had lost, yet healing is a part of him he has come to loathe with every fiber of his being. At one point, he distanced himself, as if limiting your healing influence on him was the sole thing that he could control about his 'condition'.

That didn't last long, and he scurried back to you like a moth to a flame. Blade didn't grasp the concept of physical touch as a kind of comfort; it never failed to remind him of how many times he had been hurt. You, once again, were the exception. Gentle arm touches, random lacing of fingers, your scent, and that insufferable (not really) look in your eyes whenever you stared at him drew him in. As much as he despised life, he did not detest the idea of living simply to be with you; that paradise that always seemed to be out of his reach, a mere push away, appeared to be standing right in front of him.

A minor brush of your body against his made you excited, but a kiss? It's overwhelming to even imagine. You'd have to initiate it, subtly steering the conversation to a topic where it wouldn't be too odd to inquire about moving to the next step in your relationship, acting as lovers. If Blade didn't wear a stoic expression on his face more than half the time, you could tell by his nervous swallowing that he would be at least blushing a little. He wasn't an adolescent, and he didn't think of a kiss as the grandest gesture of intimacy; nevertheless, that didn't free him of hesitations. Being vulnerable and helpless in the hands of another, all of his shortcomings could be easily revealed.

Kissing Blade had to come naturally when you were alone and indulging in small talk; there was no need for a perfectly timed gust of wind or a captivating blanket of stars above, just two imperfect people pouring all of their desires, yearning, and passion into a single imperfect kiss. Your lips met, linking your souls and creating a sensible spark deep within. There was no distance between you, and you were both entirely defenseless against the other's will. After you moved away, it was as if a thousand sentences were pulled from your mouths, yet no one spoke a word. With swollen lips, you were unable to resist a grin while Blade leaned in for another kiss.

lil ending note: hope you enjoyed! also, I have to mention that I know that both Kafka and Blade are Stellaron Hunters so the main problem portrayed in Kafka's part (the never being in one place too long) could potentially be brought up In Blade's part as well, but I decided that would be pretty repetitive so I wrote about Blade's history instead :D

[missdollcouture]

Finding your personal style: self evaluation

developing your own style or aesthetic not only boosts your confidence, but it can also help you discover new things about yourself. and I know a lot of people may struggle with this because of being indecisive (like myself) or wanting to fit into society's standard so I'm here to help

find your fashion icons

style icons can give you inspiration on what you like. this can be a movie character, a celebrity, or an influencer you like. for example I love dionne davenport, london tipton, and paris hilton for my top three fashion icons

experimenting

fashion is all about experimenting with what you like best. so, find what patterns, silhouettes, colors, and fabrics you're fond of and put them together. this is all about trial and error so you're not guaranteed to find your style overnight which is totally okay, so don't rush things.

do your research!

go online and figure out what colors or styles match your skin tone, stature, or body type. this can give you a good idea of what looks best on you personally. trust me, it'll benefit you immensely

accessories

accessorizing can completely alter a look. adding jewelry or a nice handbag to a look can really boost your style. if you're struggling to decide whether gold or silver jewelry suits you the best, there's online quizzes or beauty experts you can go to in order to find that out

dress your body type

discovering your body shape is important to determine what looks best on you. keep in mind, everyone's body type is different so what may suits yours, may not be for everyone here's a guide to figure out your body type- ❤

mood boards

since I'm a visual person, I love any excuse to make a mood board. and they've really helped me develop my style. collect photos that capture the feeling and vibe of the style you're going for. use this board as a visual reference when shopping or creating outfits.

practicality

don't forget to consider your lifestyle when choosing your style. if you have a busy lifestyle, prioritize comfort and practicality without sacrificing your individual style.

shopping

when you're out shopping, take your time to really look through the items. try on different pieces and see how they look and feel on you.

[cosmerelists]

Cosmere Characters with Tamagotchi

Tamagotchi are little virtual pets: you have to feed them (but not overfeed them), clean up after them, and give them attention. Or else they die. How would Cosmere characters feel about having such a device?

1. Shallan

Shallan: Hey, my tamagotchi is doing pretty good! Shallan: I think I might be a natural, despite never having had one as a kid. Pattern: Never had one? What do you mean? Don't you remember the oth- Shallan: SURE LOVE MY ONE AND ONLY TAMAGOTCHI

2. Vin

Elend: Hey Vin...is your tamagotchi cleaning up its own poop? And feeding itself? Vin: Ha ha, yeah! Elend: But...how? Vin: Oh, I discovered the secret backdoor the Lord Ruler apparently created that allows you to make your tamagotchi do stuff for itself. Elend: ...but of course.

3. Raboniel

Raboniel: Die? No, my tamagotchi has never died. Raboniel: Sometimes I do get busy and then it reincarnates into a new body, but that's hardly DYING. Leshwi: I'm not sure that's the intended lore... Raboniel: Any day now the insanity will start to show...

4. Sibling & Navani

Navani: I can feel you staring, Sibling. Sibling: I don't like it. Sibling: It's trapped on that little screen. Navani: It's not actually sentient. It's a pretend pet. Sibling: Like I'd trust a human to know the difference!! Sibling: ... Sibling: It's cute though. You better take good care of it, just in case. Navani: Dont worry; I will.

5. Yumi

Akane: Wow! How many tamagotchi do you have, Yumi?? Yumi: Mmmm, I think I'm up to about 15 or so, why? Akane: How do you take care of so many?! Yumi: So many? I mean, I check in one each of them every 75 minutes or so, go through their needs & wants in turn, and then the cycle repeats. Yumi: Is it...hard? Akane: ... Painter: Trust me--don't even try to understand it.

6. Renarin

Renarin: It's nice that it has meters for hunger, happiness, and training. Renarin: You always know exactly what it wants and needs, just by looking. Rlain: Would be nice if people were more like that. Renarin: It would be so nice!!

7. Adolin

Adolin: You're such a good buddy, little Shelldon! Adolin: You're going to grow so big and strong! Shallan: You sure talk to your tamagotchi a lot, huh? Adolin: Ha ha yeah, I do! Adolin: ...I lowkey wonder if I talk to it enough if it'll turn out to be secretly alive, like Maya. Shallan: ... Adolin: P-Probably not though!

8. Lightsong

Lightsong: Ugh, it's just so NEEDY Lightsong: Beep beep! Feed me! Beep beep! Love me! Beep beep! Clean me up! Lightsong: Why don't you try WORKING for a living, you little leech! Lightsong: ... Lighting: Scoot, I am giving you SO many chances to jump in with a cutting remark about me and you're not taking ANY of them. Llarimar (perfectly seriously): I'm sure I don't know what you mean, Your Grace.

9. Lift

Wyndle: ...another one died, huh, Mistress? Lift: Yeah. Wyndle: I-I think you're overfeeding them. Lift: Don't be silly! Eating will make them stronger--I bet I need to feed them MORE! Lift: The deaths of Tama, Eggy, Gotcha, Omelet, and Togepi will not be in vain! Wyndle: ...You remember them all?!

10. Kaladin

Dalinar: Kaladin, we need to talk...about your tamagotchi obsession. Kaladin (eyes currently glued on the tamagotchi): What do you mean? Dalinar: You're bringing it to all of the meetings. You use Stormlight to lash it to you when you fly. Syl told me you wake up multiple times a night to check on it. Kaladin: Listen, the last three all died, but THIS one is going to make it. I can feel it. I just need to keep my eyes on it at all times. Forever. Dalinar: ... Dalinar: I don't know if tamagotchi are for you.

[sydneymykah]

☆MY FASHION ICONS☆

How to turn influence into originality

I think everyone should have at least 2 - 3 different fashion icons. Whether it's an artist, model, designer, fictional character or even cartoon. It's these influences that can help build upon your own fashion sense and style. Relating and gravitating towards certain people can help us decide how we want to present ourselves to the world. Help us find our inner confidence shine through to the physical. Taking bits and pieces from other influences to make something completely your own.

This post is in three sections

1. How finding your influences can help you find your style

2. My icons and their style

3. How I use their influence to find my own original style

(Also I use fashion icon and style icon interchangeably. The basis is just someone who’s fashionable and has a style you feel inspired by)

Lets get into it

FINDING INFLUENCE

Maybe you watched a movie when you were younger and a character dawned an outfit that has stuck with you forever. A specific show or movie has stayed with you simply because of the fashion alone. You discovered that you would give anything to dress like the people you grew up seeing on your screens. To a celebrity's iconic street style or a characters impeccable fashion choices. What we naturally gravitate towards is what inevitably ends up being our main influence. Knowing what we are inspired by helps us figure out how we want to represent ourselves. Today I'm focusing on fashion and style.

If you're someone who wants to figure out what inspires you I'd suggest to go explore all genres of films and tv. Regardless the decade I bet you, you will find a movie or show that resonates with you in terms of fashion/style and aesthetics. Pinterest of course is also an amazing place to look for inspo. Especially if you already have an idea of what you want but need expanding upon it. Environment also affects inspiration. I've seen people's style and how they express themselves completely change because they moved abroad or just simply to a new city. I hope people who read this who are in an environment who cant express themselves the way they want are able to find a place for them someday. If you cant find an environment physically, I'd suggest finding one online. Twitter communities, Tumblr and discord servers pertaining to your interests can help you extremely.

Now, people might struggle to take what inspires them and make something of their own without looking like a straight up carbon copy. Not knowing how to build a style and not look like they're wearing a costume. What I've found to be helpful is to start off by noticing patterns with how your influences dress. If one is a celebrity you can probably find interviews of them talking about the style you're trying to implicate. If it's a character(s) there's a high chance there are YouTube videos and even tiktoks dissecting their style. The best part about this is that you can pick and choose what you like and what you want to try out.

That is also how you eventually find your own style through influence. You have to do things through trial and error. I know that makes people wince because they don't want to look ridiculous but it's true. The main thing you need is confidence. And if you don’t have that fake it till you make it sis. I can think of many people and celebrities who started off one way and evolved into the icons they are today. To people like Rihanna, Bella Hadid, and Sabrina Carpenter. Even with them you can see what influences their style. Rihanna (who has gone through many fashion phases) once being very heavily influenced by 80's UK British punk rock style and Americana. Bella recently being influenced by vaquero and cowgirl chic fashion because of her current cowboy boyfriend Adan Banuelos. Sabrina being very influenced by baby doll aesthetics, lingerie, and 60's style of clothing. You can see with all of their influences they're able to make it theirs. Of course they have stylists to help them(not to take away from their own creativeness) but you can still find ways to help yourself.

Even I am in the trial and error stage. Finding out what I like and what my current influences wear that I want to try too. What helps me is making mood boards and finding pieces that look similar to the ones my inspirations wear. It’s important to note that just buying statement pieces won’t help you build style because it’s harder to create different outfits with them. Basics are VITAL. So don’t overlook them when dissecting your influences. Let me show you how I dissect the patterns and fashion sense my fashion icons have and how I use these as blueprints in figuring out how I want to style myself.

MY ICONS

FRAN FINE

Played by the fabulous Fran Dresher, Fran Fine was the main character in the extremely popular and iconic sitcom of the 90's "The Nanny". Fran being a flashy girl from Flushing Queens who stumbles into a nanny job taking care of rich bachelor Maxwell Sheffield's three kids. The shows main plot is the will they won't they dynamic between Fran and Mr. Sheffield and how unconventional of a nanny Fran is.

Her unconventional yet charming nature reflects in her many iconic outfits. Many pieces being traditionally sophisticated like blazers and turtlenecks are made more flirty and tempting with mini skirts. Frans style didn't shy away from any sort of color, texture or pattern. Wearing things that range from a brick pantsuit, a rainbow sequined strap dress, tiger print blazer and mini skirt set, many bright colored fur coats, and full vinyl and leather matching sets. Her main inspo to her fashion seems to take from 60’s and mod fashion trends. Especially with her big hair and headbands being her main choice of accessory.

Frans typical silhouette would consist of some sort of turtleneck or vest. If she wore a vest it'd usually would have some sort of blouse underneath (collared or another turtleneck). Her bottoms would either be fitted pants, a mini skirt, or a mini dress. Frans signature shoe was a classic pump heel and would usually wear some sort of stocking or tights with them. (usually black) Occasionally she'd switch out the pumps for a boot that would either be reminiscent of 60's mod or just a regular heeled boot. Fran loved a matching set so typically her skirts would usually match her jackets. Her jackets typically being cropped or regular sized blazers. A lot of them being fur trimmed.

CHER

Cher is a famous musician, actress and Tv host. She was the IT girl of the 70's deemed " Goddess of Pop" and was known muse for the incredible Bob Mackie, one of my favorite fashion designers.

Cher was known for her impeccable and ground breaking style. She was unique and was never afraid to dress outside the box. Proudly showing off her stomach and wearing very risqué mesh outfits. Cher's approach to fashion was like a hybrid of bohemian, Disco and old Hollywood glamour. The main thing I think of when it comes to Cher is how she was almost always decked out in sequins and diamonds. Forever sparkling and shining in the cameras. Looking like a colorful disco ball. Cher was also known to not shy away from feathers, furs, and metallics. Considering she can technically be considered a showgirl and had her own popular show filled with musical numbers it makes sense for her to wear that sort of fashion.

Cher's classic silhouette was usually some sort of form fitting, skin showing dress or two piece. She would start off covered in some sort of shawl or jacket that was usually fur or covered in feathers. Then she would reveal her outfit. Typically the outfit would show some a lot of skin, usually her stomach, chest and arms. She was almost aways wearing cross body dresses and tops. a top that would wrap around Chers chest but still show off her core and arms. If Cher wasn't wearing a dress with this type of top she was wearing flared disco pants/Bell bottoms. Similar to Fran, Cher never strayed from interesting patterns and designs. Both very flashy and fashion forward women who knew how to light up a room with just their style alone.

JEM

Jem, from the 80’s cartoon "Jem and the Holograms" is the lead singer of her pop rock band of the same name. Not only that but she’s also secretly Jerrica Benton, the groups manager and owner of her late father's record label starlight music. Jem's 80's fashion can only be described as truly outrageous along with her big pink hair.

Jem of the Holograms was a unique show not only for its premise but because the main cast almost always had a new outfit every episode. Jem didn’t have a consistent silhouette but her outfits were adjacent or the inverse to her alter self. Jerrica being more conservative and covered while jem was more flashy and glamourous. Like a rock star should. One thing consistent with jem were her colors. Pink being her iconic color along with purple, light blue, fuchsia, and yellow.

Jem wore everything from pant suits, bodycon dresses, ball gowns, evening gowns, trench coats, matching sets, and bodysuits. All with 80’s trends like shoulder pads, fingerless gloves, popped collars, patterns like polka dots, layered necklaces, and mini skirts (one reminiscent of tutus artists like Cyndi Lauper and Madonna would wear) The one accessory that stays consistent with her is her gem star earrings and if you notice in the show are the bands symbol. In many of her outfits she dawns a star shape or pattern

*Note that not just Jem inspires my fashion tastes in the show but other characters as well. The other person inspiring me second to her is her antagonist Pizzazz who I've opted as my alter ego. especially considering Jem wears pink and Pizzazz wears green, (opposite colors)

CREATING YOUR OWN STYLE

If it’s not obvious based off the three examples I gave, I like dressing like the brightest thing in the room. The star. The showgirl. The main character of you will. I like to be dressed up even if I’m the only one doing so. So naturally I gravitate to people (or characters) who dress like that. Showgirls like Lola Falana and Josephine Baker inspire me too. Now what I do is take the inspirations and make a mood board. You might've seen my "The Vibe I Bring to the Function" post. That is one example. I've created many moldboards of the type of style I want to have. By taking those influences I notice the similarities between them then make a base line. Here's what I've noticed with mine:

Sequins and rhinestones

Feathers and fur

Leather/Vinyl

Figure hugging

Skin showing

Bodysuits

Turtlenecks

Fitted Blazers/Suits

Flared pants/Bell Bottoms

Matching skirt/pants and jacket sets

Animal Print

Bold Prints/Patterns

Cross body/Halter tops

Bold and bright colors

Then I take this andattribute it to what I know looks good on me. Like certain accessories. for example headbands and bamboo hoops (usually in gold). Speaking of you should also learn your colors. Coincidentally Jems colors are actually some of mine. Especially the color pink. But like I said above trial and error is how you soon figure out what works for you and what doesn't. I used to have a romper body suit once that was baggy with spaghetti straps. The pants were hemmed with elastic so it looked like sweatpants… That's when I realized that if I wanna wear a bodysuit it looks better if its form fitting and flared at the leg lol. Asking people what looks good on you helps a lot too. A lot of the stuff I figured out looks good on me is because I consulted some good friends. When it comes to my environment I'm in an astrology discord chat with some close friends and long story short I'm associated with peacocks so I consider that into my style as well. I'm also from the south so southern inspired outfits also intrigue me. I take this all and experiment with it. I currently have a bunch of animal prints in my close to a peacock corset to an orange velvet bellbottoms. This is only the beginning.

At the end of it all it comes down to experimenting, finding what looks good and realizing that what you gravitate towards. Learning to style yourself is as easy as looking up the basics on YouTube and building on from there. Your icons in fashion will help you get to the direction you want and one day you’ll see how much you’ve developed.

Also ALWAYS remember that you’re in charge here. You can change whenever and whatever you want. You don’t have to find your style and stick with it forever. Like I mentioned before Rihanna has been through multiple different fashion phases, we’re seeing the same with Doja cat as well. Your influences now can be completely different later. Whether it’s your environment or tastes that change. Whatever you find in life that influences you. So today I might be dressing like a 70's showgirl the next a man-eater vampire. Still me at the end of the day. And whoever your icons are, or whatever your inspired by at the end of it all should be reflection of how you want to express yourself.

✧─── ⋆⋅☆⋅⋆ ──

Xoxo, Sydney Mykah -☆

[youuuimeanmee]

Get ready with me to be surprised with

✨️Arnold Crowley✨️

Hint: Crowley

I was scrolling through Twitter/X, laughing and giggling at the cute DamiAnya and Loid tweets from the recent chapter 95, when I stumbled on a tweet about Arnold Crowley.

Btw, Arnold is one of the character I'm looking forwad meeting the most because he's the top scorer in the classical language test. His score must be 90 or above, which is kinda insane when we know classical language is a dead language and barely taught anymore. I previously made a theory that the reason why Anya is so good at classical language is because she came from Covenia, the equivalent of Romania irl; which language derived from Latin language. That's why I was intrigued with Arnold Crowley; I want to know how is he able to beat Anya's score. Like, did he come from the same place as Anya, or, does his family have a medical/researcher background; stuffs like that

Anyway, back to the tweet. Some people are weirded out with Arnold Crowley's hairstyle, which is not surprising, because me too.

I clicked the comments when I saw this.

What. The Fuck. Is That.

The hair/hat reference! The same last name!

Suddenly everything about Arnold clicked. Why I feel weirded out not just from his hairstyle, but also from his bow tie (which reminds me of a moth's wing pattern). Why his polite demeanor is lowkey making me uneasy. Why he is so interested to meet the runner-up of his strong subject. Why he is so good at classical language.

I was scared. I am scared.

But I was still excited to learn that Crowley was a real person, so I googled him just to make sure.

Oh FFUCK.

Dear God what did I discover.

Arnold Crowley or his parents might be based on Aleister Crowley.

Aleister Crowley is an occultist.

He practiced spells.

Spells often comes from Latin words.

He is also a poet.

A poet also often uses Latin language.

Do you see what I'm seeing here.

Summary:

Arnold Crowley or his parents might be an occultist or poet; that's how he's able to be excelled in classical language.

If Arnold's family is a poet, then thank God.

If Arnold's family is an occultist, I am really scared for Anya. What if he wants to learn if Anya is a fellow occultist like him. What if he wants to invite Anya to join his cult. What if he finds out about Anya's telepathic ability. What if he somehow trigger Anya's bad memories with his magic skills(?). I really want Anya to get tf away from him now.

And here I was so excited with Arnold's appereance, I even joked he'd become Anya's new classmate or even the 2nd ML, lol. But now? I'm really not sure. I better keep an eye on him from now on.

Yah that's about it! Thank you for following me in this short journey! 👋

*Edit: I missed the fact that Aleister Crowley is from British. Now I imagine Arnold speak in British accent and I can't stop laughing 🤣

[theboombutton]

Bad Fictional Data vs Fictional Bad Data

WARNING: This post will include discussion of a name that might be Alice Dyer's deadname. I won't be calling Alice by this name or using it in the context of that name being a pointer to Alice, but I will be using the name, uncensored, when talking about where and why the name appeared in chdb.xls .

----

You may know that as part of the ARG, the sleuths on Statement Remains uncovered a document called chdb.xls, allegedly a list that has something to do with The Magnus Institute. There's a list of names, ID numbers, first and last names, dates of birth, and information apparently related to each person's "score" in an assortment of psychological/personality tests. Three of the names in particular have stood out in a lot of analyses: Samama Khalid, Gerard Kaey [sic], and Connor Dyer.

You likely don't know that the commonly linked version of the spreadsheet, ported to Google Docs and linked in the TMAGP ARG Masterdoc, is presented out of order. (I'm guessing they didn't lock down editing until it was already all out of order from various people messing with it - totally understandable, this is not a callout post, thank you for making this easily accessible to people.)

But let me tell you about something I discovered by looking at the spreadsheet in its original order, and the almost certainly incorrect rabbit hole of theorizing it has sent me down.

Bad Fictional Data

Until episode 2 I had the same thought about the Dyer listed in the spreadsheet that I think most people did: that it was Alice's deadname, and that she had therefore been one of the Institute's young subjects. But after Alice had absolutely no reaction when Sam mentioned the Magnus Institute to her in episode 2, I now think this is significantly less likely.

Don't get me wrong: it's still reasonable to think that the Dyer listed in chdb.xls is Alice. Maybe she had some kind of supernatural experience that wiped her memory. (It probably wasn't that Alice was too young to remember, as the Dyer on the spreadsheet is listed as being at Piaget Stage 3, which occurs from 7-11 years old; but it's always possible that the Magnus Institute was using the names of legitimate psychological tests to hide their tracks when recording more esoteric data.) The point is, this isn't hard evidence that Alice has no connection to the Magnus Institute; it just made me go looking for more evidence.

I went back to the spreadsheet to look for more clues about whether or not this was Alice's deadname. What I found instead was some extremely sloppy fake data at the bottom of the spreadsheet.

For context, here are first ten names in the spreadsheet:

Note how each ID begins with the name's first and last initial.

Now check out the last ten names:

Not only do these IDs no longer always match their subjects' names, they occur in order: CD, EF, GH, IJ, KL, MN, OP, QR, ST, UV. The first names of each pair match the first letter of each ID, but many, though not all, of the surnames don't match the second letter.

My first thought was that whoever Rusty Quill had contracted to generate these names had gotten sloppy at the end of the list, created the IDs all at once using this alphabetical pattern, and picked names to fill in that roughly matched the IDs. But hey, we could use this to our advantage! Any name that was filled in as part of a series of IDs with an alphabetical pattern like this could be removed from consideration for red string analysis - we'd know they were meaningless fakes added by a lazy contractor, and not clues or characters that might show up again later.

Scrolling back up the spreadsheet, we can see the person generating the data having more care the earlier we go. We find the beginning of the AA/BC/DE/FG/HI pattern at line 136, but at first, the names mostly conform to the initials they've been given. JK09874 "Josie Jordan" at line 154 is the first break from the "first two letters of the ID are their initials" pattern; and breaks occur more often the further you go down the sheet.

Scrolling up to before line 136 (AA09911 - Aaron Atkinson), while the pattern isn't yet at AB/CD/EF/GH levels of obviousness, the first initials are still in alphabetical order. Zoe Hart follows Yara Logan follows Xavier Freeman follows Wyatt Edwards. The data creator skips a few letters - for example Niamh Fenton is followed by Phoebe Emmett, and S and T are together in the same line in Skye Travers.

We can follow this less-obvious version of the alphabetical pattern up to an abrupt break right at line 118, above which the IDs don't follow an alphabetical pattern at all. (They might follow a different pattern, but it's not one that I've found yet.) So that means we can discount all the names in line 118 and below as purely fake, generated lazily by a contractor, and not worthy of our attention for the purposes of red-stringing. Right?

What the fuck?!

(highlight is my own, it is not present in the original document)

My first thought was that the sloppy data generator had done the funniest thing imaginable, sending everyone on a wild goose chase about Alice's deadname just by having the name "Dyer" on the brain while looking for a surname that started with D. This would be Very Funny. No plot relevance, no implications, just the brain fart that launched a thousand theories.

My second thought was that maybe Connor Dyer was the last legit name on the list, and whoever started filling the rest of the sheet in with alphabetical junk data was inspired by the "CD" initials in the first place - whoever it was went on from there.

These are both valid thoughts! But I prefer my third thought:

What if it's on purpose?

Fictional Bad Data

There is a very obvious break between the set of data that doesn't look obviously* fake, and the set of data that is immediately identifiable as such. If we assume that this was intentional - and I want to reiterate that it all being unintentional is still a very real possibility here - why would someone at Rusty Quill want the data to be structured like this?

If the sharp dividing line between reasonable-seeming data and obviously fake data is intentional on RQ's part, it would suggest that we should take the data above row 118 as in-universe real data, and the data below row 118 as in-universe falsified data. It suggests that someone, either at the Institute or after its demise, was adding nonexistent children to the roster of The Magnus Institute. Why would someone want to do that?

There are all kinds of possible reasons, but here are a few off the top of my and my theorizing buddies' heads:

Financial fraud (institutional edition). If the Magnus Institute received funding on a per-child basis, they'd have an incentive to inflate their numbers.

Financial fraud (researcher edition). One or more people on staff were blowing off their child-analysis sessions and recording fake numbers for fake children. This would be ballsy as hell if they could be fired for it, but it was the Magnus Institute, so there's decent odds they couldn't be.

Scientific fraud (faking conclusions edition). The Magnus Institute in the Protocolverse claimed to be doing research on giftedness in children, which is the kind of thing that you'd normally publish in a scientific journal. It's not unheard-of for dickhead academics to falsify data to generate statistically significant results, since statistically insignificant results aren't going to get you published.

Scientific fraud (obscuring paranormal bullshit edition). If the Magnus Institute was using legitimate psychological test names to record Fear-related test results, it's possible their results showed different patterns from what you would expect from the real tests. They could have added the fake children to balance out the dataset as a whole.

Pseudonyms. The children are all real, the Institute just started using fake names for them for privacy purposes. They couldn't go back and change the names they'd already written properly for some reason. Probably something paranormal.

Those are all pretty interesting possibilities, and if we could narrow them down, it might tell us something about what things were like at the Magnus Institute before it burned down!

And the other big question is: why did RQ make the dividing line between the two sections, the first likely-fake entry, Connor Dyer?

One straightforward reason could be as a troll, a red herring to watch fans get in a lather over. And once the community inevitably noticed all the obviously falsified entries, RQ could eat popcorn and watch us lose our minds over whether or not that's even a real entry! (That sounds really fun, I would absolutely do that.)

But let's dig a little deeper, and look at what Connor Dyer being on the border between the real and fake entries would mean in-universe. Because of its position as the border between real and fake, it would be very easy for that entry to be accidentally included in the wrong group - a real research subject discarded as fake, or perhaps more interestingly, a fake research subject accidentally reclassified as real.

Remember, if a name is fake in the context of the Magnus Institute's research, that doesn't mean that the name itself is made up. If I was trying to think of a name that fit the initials CD, and those were the initials of my next door neighbor's kid, I might just write their name in as a lark. Especially if it was my first time trying to get away with falsifying information: this is a kid that verifiably exists and lives in the area.

My theory, supported primarily by my love for The Implications instead of actual evidence

Twenty years on, after all institutional memory of the fraud was long gone, trans icon Alice Dyer applies to work for the OIAR - an institution that (according to this theory) has an unofficial preference for hiring former Magnus Institute kids.

They are very confused when Alice proceeds to act nothing like a former Magnus Institute kid. It doesn't occur to anyone that her entry might have been falsified. What reason would anyone have to do that?

----

* Of course people with a background in data analysis or statistics will see immediately that even above line 118 this is a wild-ass dataset that would raise red flags for falsification, but at least it's not "the alphabet over and over" levels of obvious.

[thereaperisabitch]

My Joel Miller fics recs from 2023

I’ve planned to do this since before Christmas, but life caught me up, so that's why I'm here rushing to finishing this before the reveillon party. 2023 was a very tough year for me, in different ways, and this stories were my refuge and my balm during good times and bad times, so this was the way I found to honor all these incredible authors who made my life better this year.

To the authors: you guys are the most amazing and sweet people ever, I know that I'm not active as other readers and I don't reblog your works enough - and I'm sorry for that, I wish I could shower you with the praises you guys deserve.

Hope this will make up for all the comments and reblogs that I haven't give.

And to the readers who find this recs: most of these stories are series and most of them has age gap and are Joel Miller x fem/afab!reader. I won't put warnings from each fic because it would be a too long post, so click the link and read the author's warnings in each before you start to read - I'm afraid to get into fandoms because of people who give shit to authors, so please, don't be this kind of person.

Someday I'll make a part 2 of other stories that caught me up this year.

That all being said, thank you @morning-star-joy @hier--soir @frannyzooey @joelsgreys @fuckyeahdindjarin @the-ginger-hedge-witch @eupheme @bageldaddy @covetyou @theidiotwhowritesthings @atinylittlepain @imtryingmybeskar @ezrasbirdie

A stranger's heart without a home (complete)

Summary: A one night stand that later becomes a secret affair – or masterpiece of literature – all the poets and great writers ran so Doni could walk.

This is my favorite fic of all times, forever! I read and re-read it so much that I can’t even count how many times I’ve had read it, it’s my 100% comfort fic. Enemies to lovers is my favorite trope, and the way @morning-star-joy developed here it’s perfection in the most pure way.

It’s Joel on his Jackson era and it’s a perfect character development from both sides, how to people who prefer to deal things on their own learn to rely on someone else.

I also highly recommend But you know the killer doesn't understand, which it’s on-going Joel x fem! Reader also post-Outbreak in Jackson, but it’s different and addicting as ASHWAH.

A Lover’s Pinch (on-going)

Summary: a one night stand (do I have a pattern?) at the bar turns to be so much more when you discover that your fling it’s your professor at university.

The professor x student trope might be cliché for some, and by the very brief summary that I wrote above may sound like Pretty Little Liars, but @hier--soir works with those elements and creates something beyond amazing, it is like contemplate a work of art at a museum, but much better.

I’m very much obsessed with this story, that’s why I reread it with more and more frequency.

Can’t even mention the references in this story – it’s truly enriching, it makes all better, truly.

Plus: the playlist it’s amazing!!!!

Short Days, Long Nights (on-going)

Summary: Remnants of a band travelers, you and Joel find a cabin in the woods - what would be the problem with staying?

I’m crazy about this one, it’s my true love and it had 3 or 4 chapters when I started and now we’re heading to chapter 17, blessed be @frannyzooey for sustaining us with this preciosity for so long.

I'm a sucker for when there's one character (Joel) reluctant for his feelings, and if the story was only about this, I would be perfectly glad too with, too. BUT Kelli it's a genius, an amazing writer, giving me all that I didn't even knew I wanted.

It's fluff, with smut from the highest quality - with some tense moments, wich turns everything more addicting.

A Safe Haven (on-going)

Summary: Joel's quickly drawn to the vet of Jackson - even knowing she's married. Will this affair thrive? Or there's more underneath of the vet's story? (Jesus Christ, I’m so sorry for this lame summary, but I refuse to copy from your masterlist and I’m also rushing to finishing this rec today).

I was bought on the infidelity trope and the drama that comes with it. It would still be a nice story, but @joelsgreys it’s so much fucking talented that she wrote the most beautiful thing ever!

It has tooth roting fluff, drenching panties smut and heartstopping angst! All perfectly written and balanced.

I also love how Ellie it's also a crucial character for the couple's history and I really adore how she's attached to Peach.

Special mention to Fall Into Temptation and Strawberry, that lived rent free in my mind since I've read those.

Seams (on-going)

Summary: Joel pays visit to Jackson's seamstress after a trouble with his too-tight jeans – and it's only heaven from that on, won't say more.

Now I call @fuckyeahdindjarin ✨Queen of the Build Up✨ and that's because the way Cee builds up the sexual tension between characters it's undescribable.

Cee is such an excellent writer, not only in Seams but on other stories too she's gives a rich description of details that makes the reading flow better, it's like knowing you looking at gem stone.

Breakout (complete)

Summary: Boxer!Joel AU when he has to train a fuckboy who happens to date a sweet little thing.

Well I'm a fan from @the-ginger-hedge-witch for a while, she wrote one of the best Javier Peña fics ever (which turned into a book and that's fucking A-M-A-Z-I-N-G!!!) and other amazing stories, but this one got me hooked so bad.

Clearly I have a pattern because I LOVE when there is an obstacle for the characters to stay together, in this case, a relationship (I already spoiled that her boyfriend sucks, but I don't think it's spoils the story development) and Ren just atests she's a wonderful writer - now book writer, blessed be her 🙏🏻

And the idea of Joel using his fists it's already apealing, am I right?

I also recommend Friendly Fire, that I love just for knowing that in this, Ren envisioned an Aries character for reader - but also the premise of the story is great, too.

In The Woods Somewhere (complete)

Summary: living alone in a cabin at the apocalypse gets less dull when a teenager appears with a handsome injured man.

I've read this since a while, but it marked me. @eupheme created such tenderness between the characters - they know he and Ellie can't stay, which makes the affair even more apealling.

I’ll know It when I see it (on-going)

Summary: Joel as a porn star in its golden era who meets Lucky, a rising star in porn - chemestry goes beyond the cameras.

@bageldaddy deserves all the shout out forever because this here it's golden. They're both are porn stars and I could be hot just for this, but of course there's feelings involved - and the way they struggle to fight against these it's what makes this story even more perfect. Shout out to the one shot Sundown, as well, it’s completely wonderful.

Something wretched about this (complete)

Summary: Joel Miller it's a self appointed pharmacist in the QZ, and fucks you when you don't have how to pay for your father's medicine

Whoring yourself for meds sounds bad? In this story it's hot af! It's filthy, each chapter explores different sexual practices and it's THE. BEST. THING. IN. THE. WORLD!!!

@covetyou it's the most blessed being for writing a perfection like this, seriously. I loved every single chapter of this, loved Joel being an asshole and a slut. I can't tell enough how much joy this story has brought me. And lo it's better than Santa, because she provides christmas gifts for the nice and naughty, with Freeze-thaw (smut with fluff) and Baubles (smut with FILTH) - I can't die before I try the balldo, I didn't even knew this, didn't think that this could be possible - but happily it is, and this one shot it's perfect in every aspect.

Take Care of You (on-going)

Summary: Joel it's a sugar daddy in this AU and appears in your life to make all better 👀 He doesn't charges for the sexual part of the arrangement, but he's irresistible - so what will you do?

The ideia of a sugar daddy it's extremely appealing to me because that's all I wanted, you know? Some rich hot guy telling me I don't need to work and paying everything to me - that's living! Okay jk, but I started reading this when things caught up badly at work, so it was a sweet refuge.

@theidiotwhowritesthings it's the perfect writer! It's the perfect slow burn that makes you thirst for more and more!

Apothecary (complete)

Summary: Summary: Joel falls in love with the "witch" from Jackson and it has its perks and struggles.

I LOVE Practical Magic, it's one of my favorites witch movies so to read something inspired on that it's great -but @atinylittlepain it's such a wonderful, talented, amazing writer - so we were all blessed with this masterpiece.

It has fluff, angst, smut - stupid people being scared about what they don't understand and etc. It's very sweet, Joel also doesn't understands about her, but can't help being drawn. And Ellie it's a natural, their relationship here, how they grow to be a family ... it's utterly sweet. Special mention to Only Lovers Left Alive (another movie that I LOVE),  The Heyloft and the masterpiece Down to The Ankles (it's perfection and it's inspired in Bones and All, other film that I truly love).

Come home (on-going)

Summary: when you've lost everything and everyone, you reach to Jackson - and meets a ruggedly handsome who you can't help being drawn to.

I've read this for a while, as well, but I still think about this story often. It's a slow burn - which I love (in case you haven't noticed from the stories listed above) - and it's so sweet, the blossom of a friendship that turns to more, their relationship with Ellie ... It's been a while since it was uptaded and I hope @imtryingmybeskar it's okay, because this story it's lovely and I really wish to see and ending for them.

Catalyst

I'm gonna just summarize that it's a threesome with Joel and Frankie Morales from Triple Frontier, that's it - if that ain't reason enough for you to read, idk man.

I didn't even knew that I wanted it, that I needed it - until I read it. I find threesomes hot af, but I don't tend to enjoy when it's with characters that I love too deeply - don't ask me why - but in THIS ONE, GOD FUCKING DAAAAAMN!

It has filth, of course, but there's also fluff - which I find inevitable when it's about Frankie. In the chapter Here, especially, @ezrasbirdie builds perfectly of the struggles that I imagine for a threeway relationship, reading it was sad, hot and lovely.

Hope all the links work, 'cause I don't have time to check now 🙃

Sorry if my comments felt weird, if I forgot to mention something, as I've said above, I intend to make a part 2 of recs someday soon (hopefully).

I wish everyone a happy new year 🎆🥂🎇

[cedarxwing]

Hello!!

What do you think made Will bluebeard's last wife? And how did Will understand that Hannibal was in love with him when he had the bluebeard discussion with Bedelia?

Hello! I see that someone already answered this question here, but I'll try to put my own spin on it.

Some context:

In the folktale, Bluebeard is a wealthy man whose wives keep mysteriously disappearing. He gives his seventh wife the key to all the locked doors in their house, but tells her not to open the door to the basement ("Secrets you're not to know, yet sworn to keep"). Of course, the wife goes snooping and discovers the corpses of all his former wives. It's a classic Pandora/Psyche myth with a horrific twist.

Key point: Bluebeard's seventh and final wife survives, inherits his fortune, and lives happily ever after.

The Bluebeard analogy is honestly perfect for Hannibal's character because it highlights the way he destroys everyone he loves. He brings a series of "wives" behind the veil (Miriam, Abigail, Gideon) and all of them end up maimed, mentally broken, or dead. This pattern echoes his childhood behavior, originating with the consumption of Mischa and developing with his mind games with Chiyoh. "Every family loves differently. Every love is unique." Hannibal expresses love through destruction and consumption.

Bedelia understands this. When she says she would've preferred to be Bluebeard's last wife, she means that she would've preferred to be the one who escaped Hannibal and lived happily ever after. She does not want to be on the receiving end of Hannibal's "love."

There's a deleted scene in the Antipasto script where she says the same line to Dimmond:

Basically, "Help me lock this monster up, because I'm not going to be one of his victims. I do want his money, though."

The same line, said accusingly to Will, takes on a different meaning. Hannibal is courting a new partner, and if Bedelia isn't his final wife anymore... well, she's going to end up in the basement with the rest. @genufa wrote an interesting analysis on this concept here.

Now, let's zoom out and view the whole conversation from Will's perspective:

Will can't let go of the fact that Bedelia emerged from Hannibal's influence completely unscathed, whereas Hannibal took--and continues to take--everything from Will. He's operating on his understanding of the Chesapeake Ripper: "Contrapasso. You play, you pay." So why does Hannibal make Will pay again and again and again, while Bedelia got away with mere psychological torment? According to Chesapeake Ripper logic, that would mean Bedelia is preferred, right?

Before this conversation, Will doesn't understand how Hannibal expresses love ( @suchawrathfullamb wrote a lovely post about this). He thinks that everything Hannibal did to him (encephalitis era, prison era, honeytrap codependency era, Mizumono, the Primavera human heart, the attempted brain-eating in Dolce) was out of pure sadism. If Hannibal found him more interesting than Randall, Margot, and his other violent patients, it was only because his empathy and involvement with the FBI made him a rare specimen.

[BOOK TANGENT TIME! Oh boy, my favorite!! :D]

Will's misdiagnosis of Hannibal's ability to love was inspired by this piece of hack psychoanalysis in chapter 51 of Hannibal:

^ This is clearly posed as an incorrect interpretation of Hannibal Lecter:

Yes, Hannibal is excited by distress, but he loves those who bear distress beautifully, with strength, courage, and discipline. This is how he comes to care for people like Abigail, Jack, and Bella. And, of course, Will suffers the most pornographically beautifully of all.

[END BOOK TANGENT]

"It's distress that excites him," Will thinks. So it catches his attention when Bedelia says of his forehead scar, "It excites [Hannibal] to see you marked in this particular way." Why? Why this particular way? Is it a mark of ownership (the metaphorical facial theory)? A symbol of the permanent effect Hannibal had on him? This is Bedelia's first hint that Will's distress means more to Hannibal than punishment or sadistic entertainment.

When Bedelia turns the Bluebeard analogy back on Will, it finally clicks for him that distress/destruction/consumption is the pattern of Hannibal's love, and the fact that Hannibal tortures Will more than anyone else means that Will holds a place of honor in his heart. With this context, Hannibal's attempt to eat his brain becomes an act of adoration. The mark on his forehead becomes a laurel wreath.

To answer your first question, I don't think "Bluebeard's last wife" is a great analogy for Will.

First of all, Bedelia never called him that. She implied that Will was becoming the next wife, emphasizing the threat associated with Hannibal's affection. Bluebeard's last wife would've ended up in the basement too if she hadn't been clever enough to escape, and Will doesn't seem particularly clever to Bedelia at this point. Even Will admits his surrender: "I don't know if I can save myself, and maybe that's just fine."

Second of all, Bluebeard's last wife betrays him to the authorities, and Will does the exact opposite in TWOTL. I guess you could interpret "I don't intend Hannibal to be caught a second time," as "I'm planning to kill him myself," but passionately embracing Hannibal before gently dragging him off a cliff in a failed murder-suicide doesn't read as "Bluebeard's last wife" behavior to me.

If Will is to be Bluebeard's last wife, it's because Hannibal's love for him breaks the pattern, meaning Hannibal is no longer Bluebeard. A true fairytale ending. <3

[rayroseu]

Some Crowley and Lilia Parallels(?)

?? am i reaching here but doesn't "Crowley searching for a way for Yuu to go home" similar to "Lilia searching for a way for Malleus to hatch"?lol

like they both travel to far away places to search for clues to solve their younglings' problem and both Malleus/Yuu are frustrated whenever they're gone for their travels, Crowley/Lilia can't find a logical explanation why they're taking so long solving their problem too (like how Lilia foolishly trust wishes to make a dragon egg hatch bcs its just impossible to find another dragon and how Crowley seems like he's being lazy because he truly doesn't know how to transport a human back to another world) even though they're the person best suited to solve Malleus/Yuu's problem (crowley being the manager of orientation so he definitely must know(?) where the students came from and lilia being the only person Meleanor told that he'll hatch Malleus) also both of them are quite detached by how much Malleus/Yuu depends on them (by that i mean they leave them alone too much and lack communication with them even though theyre the person who took them under their wing)

They also have a habit of surprising people by falling from the sky (like Crowley's animation during special lessons and how Lilia always appears upside down to scare people)

and the difference between their serious and goofy personality is striking (like General Lilia with his mean attitude and deep voice vs Peepaw Lilia and then Prologue Crowley w his ominous vibe and again deeper than usual voice vs Weird Headmage Crowley).

Also idk if this means anything but they're also the characters with the most unique voices in-game, and im unsure about this too but i think their speech patterns both uses old english phrases yet still maintaining a modern pattern (to fit with the youths yk) and they both have "groups of bats/crows" surrounding them and serving as their only motif-- which makes me think both of them have familiars????

also both of them have "minimal magic usage"..... Crowley really doesn't casts any magic atleast in-game (but in other TWST media Crowley casts basic magic) and we know how Lilia is losing his magic because he exhausted it for hatching a dragon egg- Both of their (potential) twisted Disney characters (Bat goon and Diablo/Diaval) have a role in searching for Aurora too (I remember the Bat goon and co. was originally the ones tasked to search for Aurora but he failed so the task was passed to Diablo instead, and Diaval bcs he discovered that King Stefan had a daughter which raged Maleficent in the live action-)

I'm pertaining that if Crowley is Levan,,,, then these similarities would point out to the fact that [Lilia and Levan were always together](than Meleanor did) to the point where they kind of adapted each other's qualities, even if centuries pass-- Also TWST likes mirroring the "knights" of this game (i.e Silver and Sebek, Deuce and Ace), Lilia and Levan were Right and Left Generals (knights), so it kinda explains why they're having similar struggles and similar life pattern(?) (like babysitting an unprecedented child amidst their independent life and being hit with an important problem that is "impossible to solve")

so In conclusion?? did Meleanor cursed her generals to be eternally struggle babysitting troubled children?? XD

totally reaching here-- if Crowley is Levan and his life truly is similar to Lilia's,,, then then does that mean he cut his hair like Lilia's ???? 😳 bcs think about it,,,, all the Briar Valley characters we got has long hair (Meleanor, Baul, and Gen. Lilia) so does that mean if we do get a reveal of Crowley/Levan,,, we'll see Crowley with a longer hair as Levan- ✨🙏

If that's true,,, atleast Levan's hairstyle as Crowley wasn't a chaotic job like Lilia's,,,, LOL it kinda matches their description that Levan is more prim and proper KDHWKHD atleast as Crowley, Levan is actually attempting fashion instead of randomly matching whatever like Lilia 😭 also didn't Crowley had a tangent about his very specific food taste when asking for souvenir(GloMas Event)?? which hits the nail about Lilia's complaint about Meleanor and Levan being picky eaters lol

[notbecauseofvictories]

I'm still thinking about it, so---if you're a local, I highly encourage Rough House Theater's "House of the Exquisite Corpse". It's lovely, arresting, from the performances down to the smallest touches. I still can't get over the ripped umbrellas hanging upside down in dreamlike suspension from the ceiling; the way each "station" is wrapped in plywood and decorated in its own meaningful pattern and design.

But first, let me step back. "House of the Exquisite Corpse" takes its name from the old Surrealist parlor game, at the heart of which is the idea that you can collect a disparate group, then smash their ideas together and create something from the smithereens. This is something like what Rough House has done, which is pick a theme ("Superstition") and then let the artistic groups loose to create short scenes built around that theme.

(I want to call them tableaux, because watching the performances I was struck by how it felt like something out of time---as though we were 17th century courtiers in Paris ushered into a candlelit ballroom, or early 20th century farmers in Minnesota, paying our penny to see what the circus brought to town.)

The set-up itself does a wonderful job ushering you into a time-outside-of-time---you step into a space divided from the rest of the space by black sheets, chunky headsets dangling from wooden ladders suspended just over your head. The emcee is carrying a clipboard and speaks into an old-school broadcasting mic---which you can only hear if you're wearing the headsets.

It is, you'll discover, the central conceit of the performance. From there, you're directed from station to station by silent ushers, carrying flashlights so they can point you forward. Unless you are wearing the headphones at each station, you can only listen to the absent, ambient music echoing around the room.

Not only are the stations set up to wrap you in a specific soundscape, but they play with your vision too---most stations have you peer through holes or cracks in the wall, though one station had us line up in front of mirrors and watch the reflection of the performance, while another station placed shards of glass at every peephole, so you watched the scene and the character's experience of the scene in a strange double-vision. A couple of the stations used tricks of the light---strobe effects that made the puppets' movements seem even more uncanny or imply violence; a haze of smoke or fabric to disguise the human "prowling" in the puppet-shape of a tiger.

(I always like when I can tell an artist is reacting to something I've seen before, and the Rousseau "The Dream" vibes in that scene were exquisite.)

I will say that “A White Bird in the House is an Omen of Death” was my favorite, not in the least because it featured a whole choreographed song (feat. a lovely articulated owl puppet, plus some very effective shadowplay work). However, “Through the Looking Glass” was beautifully up my alley, from the unique staging---this was the station where you watched the performance in a mirror---to the creative puppetry, and a meditation on loveliness that had some bite to it. “Broken Mirror” was more traditional in its puppet work, but it also had the most elaborate staging, a fully-realized world in miniature.

I keep going back to how enormously creative so many of these artists were, in ways I simply can't ignore. “Step on a Crack” didn't necessarily work for me, but I can't stop thinking about it---its trippy setup, the inhuman knit masks the creator used; the spines dangling, neon-colored, from the nearest tree as the protagonist recited lines about loving his mother with increasing, feverish and horrible energy. The glimpses I got during “An ill fate befalls those who pluck from fruit in their dreams” of the puppeteer's face---how she shut her eyes and turned away, as though she too was affected by the puppet's horror.

[piosplayhouse]

Binghe's cutie mark in MLP aus is an interesting thing to contemplate because it feels obvious to just give him the demon mark, but there's quite a bit of debate regarding what exactly the cutie mark is supposed to represent and why/when ponies earn it. I'm personally inclined to the interpretation that cutie marks are earned not when a pony discovers their talent, but instead when they discover who they are (the example that rlly hits this for me is how Rarity, despite having diamonds as her mark, earns her mark not when she finds gemstones, but instead after she uses those stones to design costumes for her school play, an act which shows her creativity and generosity). So there's a few routes you can take with Binghe depending on what you want to emphasize:

A. He earns his mark with his adoptive mother and enters qjp with it. This could work as he is his truest self with her-- filial and innocent, but I personally feel him entering qjp as a blank flank would make more sense as it further emphasizes his vulnerability to bullying and ostracization from the other disciples

B. He earns his mark on Qing Jing Peak. I assume most disciples earn their marks at this point, and binghe could very well follow that pattern. I think this is much more likely for bingmei for obvious reasons, but if bingmei develops a cutie mark before bingge was supposed to that might tip sqq off that he really fucked the story up earlier than someone might want for world building reasons.

C. He earns his mark at the Abyss OR his mark changes at the Abyss. This is the most angsty for obvious reasons, on both a meta narrative level and on a character development level as this would suggest to Binghe that his "true self" is being a dangerous heavenly demon and that he can never return to being an innocent disciple. Of course, we could also get into the weeds here with if the heavenly demon equivalent to ponies are creatures with no cutie marks and therefore him being a hybrid means that he has unusual cutie mark expression under the influence of heavy demonic energy. If bingge made it this long as a blank flank I expect him earning the demon mark would be the natural outcome at this point in the story, or even within the abyss. Alternatively:

D. Bingge was intended to be markless for the entirety of PIDW. This slots in as an equivalent to the "bingge was never supposed to find true love" element of his character, going further to hit on the implication that the original Binghe is a deeply hollow person who doesn't truly know who he is despite appearances (I imagine he would keep his flank covered, or even use magic to disguise it as a demon mark cutie mark). Obviously this would not happen to bingmei which brings us to the alternative for him:

D.2. Bingmei earns his cutie mark sometime during the falling arc/postcanon after getting together with sqq. This makes sense in that this is really when Bingmei is fully free to be his true self with no inhibitions, but it could be argued that he had his life figured out as a teenager (see B) and got lost along the way, which wouldn't have much of an impact on his mark as we see various canon villains go through redemption arcs where their marks don't change. Of course, though, this would open the way for his mark to be something much more romantic, like a lotus blooming on a fan or something. So this could be a cute route that would provide a nice, if a bit less dramatic, end to his journey.

[katerinaaqu]

Hey there, since you're an archeologist I tought you were the best person I could ask! Do you know something about minoic/mycenean/doric clothes? Like the different kinds that exist and what they're used for or by whom, what kind of fabric are used, what colors, etc,,,

I wanted to design some mythical characters, but I cannot find a reliable source or something detailed about them, so even if you could link me to some page, it would great! (Even if you don't it's no problem, I'm just trying haha)

Thanks ^^

Oh that is a very interesting question and rather wide so I will try to keep it compressed enough so it will not be boring or tiring! Of course the periods are connected to each other and at some point we sure are to expect the styles to co-intricate with each other (for example at several occasions Mycenaeans have very similar iconography as the Minoans -see for example ceremonial images - but as years pass they develop their own style and we see more commonly images with women and men have covered torsos as opposing to the almost always bare chests of minoan men and women.

Now "doric clothes" is a very wide category. As I said Doric Greek tribes descended from the north at around 1100 BC and they stayed ever since in history. Places like north Greece like Macedonia did speak in a Doric Greek dialect. So did the Spartans in the south who are some of the most famous examples of Doric Greek so their clothing depends on the era we talk about.

Of course when it comes to the Minoans (c.a. 3100 BC-1450 BC) we know little on society and such but we have a very rich set of depictions and decorations or statuettes that depict clothing. Men and women in frescoes are generally depicted in a similar manner with the Egyptian counterparts where women are pointed out with white pigment and men with red pigment (distinction that seems very useful in the infamous bull-leaping images where both men and women are dressed in a similar manner so the color differences are needed to point out the two genders (of course there are some professors who debate that fact but this theory is the most prominient one so far), for example I have seen also the suggestion that tan was preferred for men but not for women but I wouldn't be massively convinced on that idea as much but that is up to you.

In sports images like this we see both men and women dressed in this loin-cloth material that leaves the torso bare so they will not get caught to the horns of the bull.

Of course one of the most famous ones is the so-called "Snake Goddess" which depicts a very common set of clothing:

This is what we might call a typical set of clothing for the minoan period from what we know. A classical set is the full skirt with the intricate colorings and patterns, a corset-like garment that puts emphasis on the waist and supports the bodice and a typical short-sleeved top that leaves the breasts open. Although I believe realistically speaking we should expect simpler dresses for the lower clsses of women or that we can assume these types are more official or ceremonial it does seem like the Minoan civilization has less rules for modesty XD. Women had their hair long and arranged in braids or locks (there are even people who estimate that the minoans have some of the earliest depictions of locked hair in history) More often whatnot they arranged their hair with jewelry and from the frescoes we know they had very vibrant colors.

Judging from the coloring patterns and such I would say that woolen materials were used although looming comes in popularity in later years.

Women also wore a variety of accessories in their hair and bodies with beaded necklacess and golden earrings

We have actually some really beautiful examples of golden jewelry from that time

Or the famous "bees" pendant

We can also safely assume that women wore makeup from the fresco discovered in Knossos that was named "Parisian girl" because of her red lipstick and jewelry

Now men also have very vibrant colors but by n large they are depicted bare-chested wearing usally skirts or loincloths around their waists as they perform their activities

We see intricate geometric patterns in some of their clothes and we see they keep their hair also long and carefully arranged. We also see them most of the time clean-shaven and we do discover blades that we estimate they were used as razors so it seems that shaving played a big part in their culture. For men we do not see so vibrant depictions of jewelry but we do discover impressive sigil rings in their tomb. And of course there is the infamous "Prince with the Lillies"

Of course this representation was initially suggested by Arthur Evans and there is little to no guarantee that this is how it really looked like (the hat in particular has been commented by recent professors I interracted with, with a female type of hat) but it still remains a famous depiction to this day. The loin cloth that he is wearing resembles the bull fighters

Now do I believe it is possible they had warmer clothing for winter? Absolutely even if we do not see as cold climates in southern Greece especially at those times I believe one could assume some warmer garment to be worn but unfortunately is hard to tell from iconography only.

The Mycenaeans (c.a. 1700s BC-1100 BC) as I said before do have a very similar iconography to the Minoan times but later on they establish their own style. We do have processions such as the one discovered in the palace of Pylos in whic the procession of women is dressed up in an identical fashion with the minoan counterparts:

There seems to be the suggestion though that this kind of garments were mostly used by the elite class and/or for ceremonial purposes instead of everyday life. Which seems to be supported by the fact that we usually see heavily decorated women walk in processions. Instead we see more and more women covering their chests with bodices or with the dress itself such as below:

And this is a possible reconstruction:

We also see a variety of hairstyles like the one above with ladies wear their hair either in long locks or brushed like we saw before or gathered up in smaller buns and arrangements like the lady above. Other clothing such as this suggestion from Mycenae show even intriquette shawls or robes such as these:

Other chitons that have longer sleeves seem to be painted upon mycenaean statuettes as well.

With accessories we see also jewelry of gold or beads and on makeup we see examples of these rosettes or circular patterns on faces of women. I really like this project that seems to try and reconstruct Helen based on Mycenaean images:

and the use of the woman head depiction for the makeup. Headbands crowns or impressive plummed hats were also a thing

Men are quite similar and at the beginning they do resemble the minoan style but now there seems to be a turn towards hunting and war scene iconographically

where we see a variety of shields and weapons such as spears or bows also depictions of soldiers with armory:

which of course also has different shapes and materials from possibly leather ones such as these in the vase painting till full on bronze ones like this famous sample:

And of course the infamous boar-tusk helmet, like the one thoroughly described in the Iliad being the helmet upon the head of Odysseus:

In fact Homer seems to be rather accurate on the description of it and it corresponds to the images of the vase painting with men wearing boar tusk helmets adorned with plumes and horns (yeah sweet irony how it was uncommon for Vikings to wear horned helmets and yet media depicts them with them while ancient Greeks did have horned helmets and no one depicted them with them! Hahaha!).

We also see the existence of beards to men so it seems fashion calls for beards in older men and shaven faces for younger ones which remains kinda the norm for the later years to come. Other depictions show men clothed in short nd short-sleeved chiton with or without helmets and often their clothing have vibrant colors:

Boar tusks began being kind of like a status symbol for we find many of them to burials along with weapons so we tend to believe they were signs for warriors.

For material now it seems that Homer was rather accurate depicting his women weaving and looming. The existence of loom weight in our discoveries show the woolen threads being famously used in looming and we even discovered funeral shrouds (like the one Penelope ellegedly wanted to prepare for Laertes) in burials in burial circle B in Mycenae

patterns were often painted or loomed upon the skirts or clothing. Flax was also another material one would expect was used at that time for clothing-making. One can assume fur or other materials from hunted or farmed animals would be used for warmth at colder months especially in cities located inside the mainland.

Thankfully for us the mycenaean greek scripture (Linear B) is deciphered so we do know on products moving from and to the palace (unfortunately the scriptures we have are mainly logistics)

So to do a recap yeah minoan and mycenaean clothing had really vibrant colors and intriquate patterns. By n large Mycenaean Civilization has simpler lines to the clpothing and tend to choose options with less nudity unless we speak on ceremonial or official dresses of the upper class (of course exceptions to the rule should have existed but we do not have as much data on it). On materials we see more wool or flax that is woven in a very skillful fashion as for armory and helmets we do see a variety of shapes and material with prominient things being leather, bronze and boar tusk.

Beautiful jewelry of gold and precious stones were also worn especially in the images of women in procession (most likely for celebrations or ceremonies). We do see depictions of men with beards and often shorter hair (possibly youths that have come of age who are to let their hair grow again, if they follow the same logic as we know of future times to follow)

Hair and hair fashion does seem to change although we discover some remains of it to the later 7th century Kouroi and Kores statues where Kouroi have often long hair depicted n ringles or ropes which again could be the indication of curly, braided or locked hair to indicate the continuation of the long-haired fashion even in later years in antiquity such as the archaic period.

Now as I said before doric greek clothing highly depends on the area, the timeline and the city-state we are talking about so it could be a subject on another ask or a reblog on specific eras and areas (Sparta Macedonia etc) depending also on the era we are talking about we can detect some differences in fashion. Generally we have more scarce information on the period of the Dark Ages (after 1100s till the 7th century BC)

For Minoans and Mycenaeans I could look for more bibliography if you want. You can check these two sites where you can find much of the information I list here:

I hope this helps a bit! I will be open for more answers in more detail! ^^

[miss0atae]

Random Thoughts about Let Free the Curse of Taekwondo (EP 7 - 8) :

I think the hardest part when you review a series is when you have to write something about the end. I usually avoid writing about the end of a series because I never really know where to start and how to finish it. I guess, it's also because it is usually hard for me to let go of a universe and characters I discovered and liked. I don't like saying goodbye. This series has been a very eventful ride. Do Hoe and Ju Yeong didn't have an easy life and they tried very hard to make it, but things weren't going as smoothly as it should be. I have to admit, after episode 5 and 6, I thought they would never make it. It seems so complicated for them to have a happy ending and I'm surprised, but happy by how they made it anyway. I said it before, but I really had difficulties to follow the story on the last two previous episodes. This feeling stayed during episode 7, but episode 8 was better and easier to follow. I guess, it's because we finally knew everything of what happened in the past and how it led the characters where they were in the present. It's a story about how violence and abuse can be so damaging on your life and impact a lot of your actions. It was a very sad story for the most part. It was deeply emotional for me and I felt very down after watching the episodes because I felt so much for the characters and I wished I could find a way for them to be happy. I was afraid the story would end badly, but I'm deeply grateful the story offered us a happy ending.

Like most viewers had guessed, Do Hoe lied and forged his diploma and when he tried to help his abused student, the mother of the child who went to the same school he was supposed to have graduated from, found out about the truth. Do Hoe had tried for a long time to make people forget about his past and to make them impressed by his success. He was very afraid of being like his father and failing to accomplish something. He was living an illusion because through this illusion he felt like he escaped his past. However, it didn't free him for the chains of the past. I think it wasn't that easy to live in this illusion anyway. How hurtful it must have been to keep failing the college entrance exams. We saw how Do Hoe pride himself about how he was doing his best to study. He wanted to graduate from this “Hasoul University” because it's the top university and graduating from this school would bring him the admiration of others. Do Hoe wanted to be more than the son of a violent father who failed. I don't think he ever really liked lying or pretending he really had this exams. That's why he kept hiding from Ju Yeong. The problem is that Do Hoe was suffering from transgenerational trauma. He was afraid of repeating the same patterns and attitudes of his father. His curse was this trauma he inherited from his father.

I think the story didn't really answer the questions about how to break the cycle of transgenerational trauma (it would have taken more than 8 episodes), but they made a good statement by the end of episode 7: to be able to move on, you need to heal from this first. I guess that's what happened when Do Hoe and Ju Yeong came back to the taekwondo school of Do Hoe's father and break or burn things from over there. It was the step to write down the beginning of their healing journey. From this point, they could start again. They learned to forgive themselves from whatever thoughts they had about being responsible. Do Hoe needed to have his redemption. Yes, people learned about his lies and his probation means he got another chance. It was truly amazing to see him get this new chance of becoming who he really wants to be without the burden of his past. I'm glad Ju Yeong was around him and encouraging him to grasp this new chance to the fullest. Being able to start anew and knowing you are loved can make you do many things. I think that's what Do Hoe feels. It was very cute and charming to see him and Ju Yeong being happy and enjoying this little domestic life together. They both deserve it. I'm just a little sad we didn't get to see them more in this happy place, but the story was not only about their love, but more about how to break the trauma from the previous generation. The love story was just the cherry on top.

In some way, I'm pretty impressed by Ju Yeong's resilience. He also ha a very complicated life and the way he dealt with his own trauma was pretty different from Do Hoe. He wasn't loved that much by his family, he also was abused and beaten by Do Hoe's father and in the end he tried hard finding Do Hoe and being with him. I sometimes feel the story didn't give him enough time to show his own response and healing from this past. I guess, it's because it's so linked to Do Hoe's own trauma that if one of them start to be free from it, the other one would follow too. Ju Yeong's love for Do Hoe is truly something endearing to watch. Around him, Do Hoe is able to be happy and to express himself more. He was always someone quite reserved, but when Do Hoe is with Ju Yeong, he cries, laugh, and stop holding himself. It was always Ju Yeong for Do Hoe. He admitted it himself, if he had been successful, he would have tried to find Ju Yeong. However, before he wasn't happy or successful the way he wanted so he kept avoiding him (at least until his dad's death). It was pointless because Ju Yeong doesn't care about this. He cares about Do Hoe being well and he wants to help him achieve his dreams. That's what matters to Ju Yeong. I really liked this character. Ju Yeong's healing journey started when he met Do Hoe's again. It was his own way of rebound from adversity as a strengthened and more resourceful person. When they were separated, he was just this guy who cried when seeing the snow, but after he was the one who helped Do Hoe stop his “curse”.

I also want to add something about Hyeon Ho. Again, I feel like the story didn't give us enough things about him. We know he used to bully Do Hoe and as the viewers we guess that it's because he rejected, at first, his attraction to him. Then, for 10 years he stayed around Do Hoe and he tried to be more than a friend to him, unsuccessfully. He knew about the truth of the falsification of his certification and he tried to help him. He didn't do well all the time, and it's easy to not like him for his past behavior towards Do Hoe. I think he regretted his actions. I felt bad for him because I feel he truly loved Do Hoe, but he was unable to understand him and to get past the mask he was wearing. Hyeon Ho never got to see parts of Do Hoe, even if he stayed around him for such a long time. It must hurt, especially if you have feelings for someone. I wish we saw him get to have someone to care for him in the end. We just have to hope after this phone call with Do Hoe that he tried to find his own happiness with someone else. He did try caring for Do Hoe. It didn't help him break from his trauma, but he was there nonetheless. It's true that Do Hoe never gave him his tears or his laugh. He was always so reserved around him, even after all these years. I think the last episode really made me see Heyon Ho in a different way. It was interesting.

In this end what did I think about "Let Free the Curse of Taekwondo"? It was a compelling story, sometimes confusing and I wish they had more time to really answer the few questions I had or the scenes I wanted to see. This story was really more about resilience, freeing someone from trauma than it was a love story. It's not a bad thing, but it wasn't exactly what I thought it would be. I think it's a must-watch and I will never watch it again. It's the type of story, I can only watch once. The happy ending is pleasant and I'm glad the main characters got it. I really wanted them to have one. I would not say it will be part of my favorite series I watched this year because it wasn't easy to watch. Korean BL usually have a bittersweet taste for me and it's not really the taste I'm looking for. I liked all the reviews I read about them and it was nice to talk about it with some of you here.

Thanks again for reading my own review. It was a great ride with all of you too.