#I'm disappointed because the themes and characters of the whole series are different

[deadlylittlemiho]

Really annoyed at all the homophobes review-bombing this show and making it harder for those of us with genuine criticisms -_-

[likealittleheartbeat]

talk to me about the theme of emotional isolation for zuko and aang

It's the main reason I'm obsessed with the show tbh.

Can we overstate Aang's isolation within the show. He's not only a survivor--a sole survivor--of a genocide, he's also knocked out of time and history. These are the facts of his physical isolation. But his emotional isolation is such a different beast. It began before any deaths did. He is set apart by the monks and by the whole world as a savior. Shortly after his status as the avatar is made known, his peers exclude him, his power too great. His humanity is denied because he's too divine. Only Gyatso seems to still regard him for who he is rather than his gifts. Of course, that's why the council decides Aang needs to be further separated from worldly relations like that, and vote to send him off. For Aang, it's the last straw. He can't bear further exile from others. To regain some sense of control, he tries to run away from the heavy burden and those who have put it on him. At least this time, he's the one choosing his loneliness. It has become so clear that no one can understand his feelings about the Avatar State.

This is the emotional state he enters the series with, icon rather than human. He starts off concealing his revered identity in an attempt to indulge in simple pleasures, penguin sledding, coy fish riding, etc. But the shame is secretly right there at the surface. He's lovable but mercurial. Friendly and animated with everyone when he first meets them but in a way that's fleeting. The knowledge that he will have to leave the village, in an episodic fashion, having helped the members of the town, even having sacrificed himself for their well-being, is an understood fact of the plot and his life. At most he sheds some of his grief by putting it into words with Katara's encouragement. But despite the whole world fighting through their own grief from the fire nation and Katara's sole-survival of her own culture's genocide, they each have people in their families and cultures who, however bitterly, hold them and hold the broken memories together with one another. No one is as physically isolated as Aang, but, more importantly for his character development, no one is as isolated by their significance to the world.

No one, except Zuko. Zuko, the banished prince. Isn't that what Aang as the Avatar is in many ways: a spiritual prince, an heir by birth to power and legacy, who has been banished from his inheritance. Only, Aang's inheritance would be peace. Zuko's would be the Fire Nation, but because of his humanity, Zuko, like Aang, is without a nation. This is one reason Zuko and Aang are such incredible narrative foils. Aang is rejected from humanity's compassion because of his divine status while Zuko is rejected from divine rule because of his human compassion and failures to demonstrate perfection. (If you're interested in this dynamic in media, Fruits Basket has fantastic explorations of these themes with Kyo vs. Yuki and Tohru vs. Akito.)

How early did Zuko start to notice the disappointment he brought to his father and grandfather? As early as we can see, Zuko seems alone. The episode with that phrase in the title reflects back on his childhood, which, noticeably, lacks the friends Azula manages to keep. He mimics and mocks her cruelty, as well, in an attempt to impress his mother. His insecurity seems already set, a sense that no one can understand. While Aang recognizes that everyone thinks he's too good to belong, Zuko lives in an environment in which he's not good enough to belong.

The reactions to their rejections correspond, too. Zuko's reaction of antagonistic pursuit of anyone and everyone--like Aang's reaction to run away (literally and sometimes emotionally with a smile or joke)--helps keep others in a framework of enemies so he can control his exile rather than the other way around. Yet these behaviors put them in dynamic relation to one another--Zuko is drawn to the endless pursuit of the strangely kind Aang, whose instinct is to behold others while remaining untouchable, while Aang becomes clearly intrigued by the person who refuses to treat him like an untouchable hero, the person who refuses to give up on the possibility that the Avatar can be flawed and fail, no matter how many times he slips away proving his divine destiny.

It's obvious that Zuko is supposed to hate Aang, as the Avatar. "The Headband" illustrates how education in the Fire Nation portrays him if the fact that Zuko's only possibility for regaining his title under his father is bringing the Avatar back isn't enough evidence for you. But Aang ought to hate Zuko just as much, if not more. Instead, they are drawn toward one another with an remarkable intensity, established within the first half of the first season, "The Storm" x "Blue Spirit" combo punch! In fact, the blue spirit episode really reveals what they can mean to each other. Not only in Aang's question at the end that invites Zuko back into the past with him, but in the way that Zuko is made to be the divine entity for a brief period while Aang is helpless in the fort. Then, that question at the end: "Do you think we could have been friends?" Isn't that the opposite of the isolation they feel. In the woods, without a nation or an allegiance, Aang, remembering the people and time that he was forced to leave asks Zuko, who has just betrayed the people who banished him, in another version of life where they were both simple people rather heirs of vast power, if they could have formed a kind of union that would have dissolved the loneliness that consumes both of them. But it's momentary and they have to return to the world that defines them as the Avatar and the Banished Fire Prince.

This becomes one of the cores of the show, as echoed in the finale, where Zuko and Aang consummate their friendship, but by then, through traveling the winding road toward one another and aiming to take on a part of what the other person represents, they have found a balance that refused the binaries of divinity and fallibility that had previously separated and defined their lives, binaries that exiled them from connecting with others, binaries that built towers to isolate them from the world. The victims and survivors of genocide, the subjects of colonial violence, nor the sufferers of abuse need be pure to claim their pain, nor must the people who want and work towards justice be saints to do that work. Harder for many audience members to absorb, despite their love for Zuko who's arc is meant to emphasize the point, there is a spark of divinity in everyone, from the most unloved to the most violent and tyrannical. This second fact must exist alongside the first, or else the premise won't hold. How you choose to act and engage with that spark of divinity is a human choice we each make on our own, but that does not deny it's existence. The divine ideals must be allowed to fall apart into comedy and tragedy, while the mundane, the profane, and the cruels horrors of life must be allowed to be seen as something that hold the possibility to become beautiful and part of a grander design. The Avatar must be allowed to be Aang and Zuko must be allowed to be the Firelord so that we can have Avatar Aang (the last title of the series) and Firelord Zuko (the most celebrated character arc of the series). They need one another to assuage the fear, isolation, and dread that black-and-white perfectionist thinking boxes us into.

[darklinaforever]

It kills me how many people think that the gender of a fictional character doesn't matter.

We are in fiction, where the characters have arcs, or they embody themes. Obviously for some characters gender matters.

Michael is literally named the new heir and freaks out about becoming a new John /basically taking everything he had.

Michaela can't really have this arc... Unless we strangely learn that the laws in Scotland are extremely different from England located in the Bridgerton universe (and I speak for the universe of the series, where we have no idea if they will stick to reality where women in Scotland could inherit), and I doubt it for the moment.

So no, Michaela couldn't necessarily have the same arc as Michael.

I'm not even sure she could be a Merry Rake. Can a woman be called Rake in show Bridgerton universe ?

The fact is that Michaela will necessarily differ at certain times from Michael.

Already there are always drastic differences between the show and the book, this time I think it will be even more emphasized. (I even doubt that we will have as many nods to the book as season 3 dedicated to Polin's story did)

In any case, the very basis of Francesca's story is that despite the loss of true love you can always have a second chance, which is a clear originality compared to the other romances in this series of books ; well, is already changed with the way the end of season 3 happened.

It seems that the marriage to John was a mistake, that the physical aspect of their relationship will not prove pleasant in view of the Fran's reaction to their kiss, and worse, that Fran doesn't feel true love for John.

True love in Bridgerton often results in great passion and similarities to the story of Edmund and Violet, and Francesca literally matches Violet's reaction when she first met Edmund, but this time when she meets Michaela.

Whereas Fran is never supposed to have this kind of reaction around Michael / Michaela as long as John is alive. Because she normaly truly loves him.

So how could the story be the same after such a change to the very heart of the story ?

It's not just the gender change from Michael to Michaela that makes the adaptation of When he was Wicked complicated and uncertain for some viewers, including me too, it is above all a whole.

But for some obscure reason people refuse to accept it.

Beyond that, I repeat, Michael Stirling is a fictional male character who has been around for years.

That people are disappointed, including me, not to see this character, as he is basically on paper, be adapted to the screen is not necessarily homophobic, assumed or internalized.

Yes, some are, but not everyone. Some of us are part of the LGBTQ+ community and no, we do not all suffer from internalized homophobia so as not to 100% validate such a change !

We're talking about an attachment to an image that we have formed in our mind about a FICTITIOUS character for fucking years !

Besides, I didn't even say that I was fundamentally against it, because I have already explained several times that a part of me was happy to see a main romance between two women on screen in the television universe for Bridgerton (and the actresses are magnificent and on top of that, I'm sure, will have very good chemistry). Once again, representation is always cool, but, is this really the right place to do it ? I'm not so sure.

And contrary to what some say, I'm not saying that LGBTQ+ relationships should systematically be secondary in fiction. No way. I'm simply saying that transforming one of the main canon ships of the books without which the Netflix adaptation would not exist is perhaps not the right thing to do, since there is already a community attached behind these characters...

And seriously, if the creators really wanted a main LGBTQ+ romance dealing with the Bridgerton universe, they could easily make a spin off dealing specifically with this part of society and how they live.

I'm sure many, including me, will watch such a spin-off ! And damn I would love for something like that to happen !

You see, the opportunity to have an LGBTQ+ romance at the forefront without changing the kind of characters mostly beloved by an audience that already exists. Not very complicated though.

Do you realize how inappropriate it is to insult someone homophobic for that things ?! I don't know what kind of fucking bubble these people live in...

And it's scary to say that you can be insulted by a community of which you are a part, simply for not conforming to everything that is judged 100% morally correct for them.

If you have the misfortune of delay, sometimes there are those who unleash themselves on you to insult you for things that you don't have, simply for a fictional character...

"You don't 100% validate that a fictional male character who has existed for years and whom you have loved for years, with a fairly precise image in mind as a result, becomes a woman in his adaptation ? Well obviously, it's is that you are, at worst, a homophobe, or at least worse an internalized homophobe, and in any case that is not tolerable and you are not a true ally and you are problematic who deserves to be hated."

I don't know if you realize how STUNNING this is ! There really are people on this app who need to get fucking treatment...

And anyway why am I racking my brains ?

There will always be stupid people to come and tell me that what I say is always homophobic because if I have a problem with the change of gender of a fictional character through an adaptation well I'm the real problem.

As they say, you can't change idiots.

So stay stupid if you want, but at least leave me alone.

[bakuhatsufallinlove]

re: 405

This is gonna be long.

First, I'm bringing this post back around to remind people that kocchi is a pronoun of ambiguous plurality.

This means that an interpretation of "we" is just as correct as an interpretation of "I." Readers may interpret it differently, but on simply linguistic grounds, they are of equal validity.

You will often see this kind of ambiguous language used in Japanese, even with characters that are forthright. The reason is one part cultural expectation that the listener will read between the lines, and one part a willingness to accept two things as simultaneously true. This exists and is frequently found in English as well, there just isn't a direct parallel for kocchi itself.

What I want most out of writing this blog, aside from personal enjoyment, is for people to understand that there can be more to a story for you to engage with, think about, and be moved by, when you step outside the boundaries of your own language and culture.

I think that is a much more interesting space to be in than a gotcha-laden approach of trying to prove something wrong or bad.

But if we are going to talk accuracy, the fact is that the fan translation many people have been upholding as superior has just as many problems as the official one. It takes just as many creative liberties, they are simply different ones.

The fan translator centered an "I" reading and, rather than using either of the two pronouns provided by the text ("OFA" and あいつ, meaning "that guy"), added a narratively-charged word ("nerd") that did not exist in the original and which (as far as I can tell) Katsuki has never used when speaking to villains. As a translator myself, I really disagree with that second choice. The official clearly missed the callback, but noticed the theme of "everyone who has faced AFO until now" and went with "we." The rest was just style over substance which prioritized edgy language to capture the aggression of the line; this falls squarely in line with what Viz has consistently maintained as its in-house aesthetic. It's disappointing, but unsurprising to me.

Fandom oscillates pretty violently between vilifying the official English release and fawning over it. Whole fan theories are built upon nitty gritty bits of the official release's phrasing; people will get excited over how homoerotic a line sounds, and it's because of how the official translator worded it, rather than any innate implication in the original Japanese.

If you do not speak Japanese, your experience of MHA is fundamentally dependent on the work of translators. I respect that everybody has their personal tastes or hopes for how the series will go, but it is deeply demoralizing as a Japanese speaker and translator to see fans who don't speak any Japanese at all act as though their opinion has the same weight of authority as people who do.

You are entitled to your preferences, but please recognize that they are based in taste, not personal knowledge. Not all Japanese translators will even agree in their interpretations, but it weirds me out that some non-Japanese-speaking fans will use this fervor to spread misinformation far and wide that proclaims as inaccurate perfectly good official translations, simply because the choices don't suit their own tastes.

The lists of "times the fan translations were better" I've seen mostly contain instances where the fan translators took greater liberties than the official release did, and some fans just happened to like the liberties that were taken.

We all reasonably hated the "best friend" fan translation of chapter 359, but somehow that isn't a point forever against fan translations the same way mistakes in the official release are?

At this point, it makes me wonder what the point of writing about linguistic nuance is, if the interest is primarily not in learning but in being told what you want to hear.

I know posting this won't win me any favor with anybody, but it's how I feel. I'm bummed about 405's last line in the official. I do hope it gets revised. But the vibes around translation details are getting decidedly unfun.

One last thought: if you well and truly want to experience MHA unfiltered, learn Japanese. I mean this sincerely, I'm not trying to be a jerk. We live in an age where it is easier and more possible than ever to acquire a new language, talk to people around the world, and absorb yourself in culture and history.

If you want to remove middle-men and develop your own relationship with a work unfettered by the tastes, biases, or choices of others, learn the language. It won't be easy, but I can guarantee you won't regret broadening your horizons and discovering even more beautiful stories in the world.

[marvel-starwarsfangirl]

"The Bad Batch" Series Review

Now that this show is over and I've had some time to think about it, I'll give my overall thoughts, its strengths, weaknesses, and how it compares to other two main popular animated shows. In general, TBB is a solid show with fun characters, beautiful animation/music, and moments of truly peak Star Wars. Is it perfect? Definitely not, but I love it all the same. It's probably a solid 8/10 for me. In many ways, TBB is the type of show I absolutely love. It's dark, character driven, and touches on mature themes. I love seeing how different characters came to terms with Order 66 and the birth of the Empire. At a time when hope seemed at its bleakest, seeing characters try and find it again is very compelling.

Tbh, I think one of the reasons why I love this show so much is because it really hits home for me. A lot of the themes and ideas that are explored by the characters are also things I've been exploring at the same time. TBB has been a comfort show for me as the world becomes even scarier and I grow as a person. It was the show I needed right now. Also, the Batch remind me of my own friend group. So, I might be a bit biased here.

In comparison to the other shows, I think I love TBB about the same as much as the others. Some days, I'll prefer TBB, other days, I might prefer Rebels or CW. Each show has something I truly love and something that frustrates me. For example, Rebels has a lot of emotional moments I enjoy, but Zeb was really slept on after S2. CW had an amazing scale and scope, but some arcs were just awful. You know which one I'm talking about. TBB is the same. It really depends on the vibe though. At the end of the day though, I truly love all 3 shows and all the joy (and tears) they give me.

Alright, let's get into the nitty gritty.

Weakness:

I'll start off with the flaws just to get them out of the way. I think TBB's biggest flaws are regarding balancing the character dynamics and arcs. I understand that Omega is more or less the main character since she really changes the Batch's life, but they needed to do more. I wanted to learn more about the Batch. However, sometimes it felt like characters could only grow when Omega was with them. Granted, this wasn't the case 100% of the time. Crosshair is the most notable example of this and I loved Tech's interactions with Romar and Phee. Unfortunately, it does affect the characters if they only get characterization with one character. Echo is the biggest victim of this imo. They had a goldmine to explore how he felt in the aftermath of Skako Minor, but they didn't. Crosshair wound up being the Batcher who would've understood him most, except they only exchange two lines of dialogue together in S3. That's it. Imagine how impactful it would've been for Cross if he talked to him. Echo truly understands the horrors of being turned into a lifeless machine. It was an opportunity that was practically gift wrapped for the writers. Sadly, it did not come to pass. Overall, this show just needed more Echo.

Btw, TBB wasn't the only show with this problem. As mentioned above, Zeb didn't get much to do after S2 and I'm disappointed in that. Even Rex and Kallus also got sidelined after S3. CW's format was more forgiving with this, but certain characters like Savage became more irrelevant once more popular characters showed up. Additionally, Echo not learning about Fives was a massive missed opportunity.

Branching off of that, having Omega as the centerpiece also means that the emotional moments tend to happen with her. Now, that's not a bad thing, except it only seems to happen with her. In S1, it really felt like no one cared that Crosshair was gone. This is their brother who they've known forever. Why is Crosshair the only one who seems to be really emotional about the whole thing? Since the Batch have only ever had each other, I would've expected them to be more upset/bothered when one of their own suddenly does a 180 in personality. And again, it's not like it's not there, it is, but it really needs more. I'll be honest, I really didn't like S1 Hunter at all. The man tunnel visioned on Omega.

I'm more forgiving about the rough start since both CW and Rebels were also kinda rough. However, I think the lack of clear focus did hurt the show a bit. Rebels and CW had a greater scope: fighting in a war/revolution. TBB doesn't have this since everything just got uprooted. Had the show been a bit more focused, I think it really would've helped a lot. S2 and 3 both established what the overall focus was pretty quickly. But with S1, it seemed to jump from the inhibitor chips to whatever Omega's purpose was to Project War Mantle and I was like: so, what was the Batch's goal other than survival?

There are other things that bugged me as well. Tech's death should've been handled better. I get that the Batch are soldiers so they aren't expected to cry in each others arms. Except the closure for Tech's death wasn't enough. What wound up happening was half the fandom questioning if he was really dead and searching for hints that he was alive. I covered this in my S3 review, but to summarize: the writers needed more time and more deep character moments. TBB thrived on those deep, mature conversations.

I know I just went off, but I truly love this show with all my heart. I know it's capable of so much more as shows in its strengths. It just frustrates me when it falls short.

Strengths:

Crosshair. Looking back at his overall journey, Crosshair is easily the most compelling character. I'm linking my study of him because his arc is just that good.

https://www.tumblr.com/marvel-starwarsfangirl/750696139213471744/crosshairs-character-in-tbb-a-study?source=share

What's so impressive to me about Cross is that he doesn't need to be in a lot of episodes in order to tell his story in a satisfactory way. Everything he's in is so well written that I can easily tell how he's feeling, why he feels that way, and why he makes the choices he does. In S2, not once did I have to wonder why he decided to betray the Empire or befriend Mayday despite that arc being only 2 episodes. The subtext really said it all perfectly. TBB does such a good job with his character, but I won't go on any further because we'd be here forever. Anyways, I love Crosshair and he has the best redemption arc in Star Wars. You can't change my mind.

TBB also touches on mature themes and I love that they are explored in a thoughtful way. Tech's conversation with Omega is really beautiful. It speaks to a lot of people and I love that the writers chose to take a thoughtful route instead of just having Tech say something nerdy and calling it at that. The same thing with Crosshair's PTSD. It was a genuine issue that affected him and not just when the plot needed it. I also appreciated that he was given time to actually try healing. Letting the characters sit down and have deep moments is what really connects the audiences to them because we see what makes them vulnerable. Light-hearted action is fun and all, but there is so much more to these characters than "blaster go pew." I really resonated with Crosshair's story and I know many people did the same with Tech's. I also loved how the show showed Omega adapting to the change around her; it can be very difficult sometimes and I appreciated that it wasn't still sunshine and rainbows after. Echo had a role within the Batch and his absence definitely shook the dynamics.

The animation and music are just perfection. It speaks for itself, but it's perfect imo. (yes, I'm aware of the errors, but it doesn't impact the actual quality).

The Empire was really freaking scary. TBB did a great job showing how the Empire started encroaching on the entire galaxy and began phasing out the clones. Occupations started, Rampart began his chain code system, and any form of dissent was immediately silenced. There was no question as to how ruthless they were. And there were genuine consequences to the actions of characters. Rampart was thrown under the bus for something he was ordered to do. The Empire doesn't protect anyone except Palpatine. "The Outpost" is so brutal and raw, but it perfectly shows how the Empire can drain a person until they break. Both Rampart and Hemlock are two fantastic villains that capture the true horrors of humanity. Rampart is a cold and greedy man. We all know people like him and he will stop at nothing to get what he wants. Not even humble juice in prison could make him reevaluate his views. Hemlock is a monster that only cares for his experiments. He was such a different villain compared to the Sith and greedy imperials we tend to see and I appreciated that. Even Crosshair was a good example of how misguided beliefs can turn people against one another. Like with Rampart, we all know people like Crosshair. It grounds TBB that much more.

I also loved the main focus on family in this show. It's a value that I hold dearly because of my beliefs and how I was raised. At the end of the day, the Batch's greatest strength comes from the bonds they have with each other. In times so dark, it's the people they love the most that will help them get through their struggles. I honestly love that. Whether it's friends, siblings, or parents, those bonds are so important. People aren't meant to tackle the world alone. TBB does a great job showing how hard it is when you're stuck in a dark place and how impactful it can be to have people who love and support you. Overall, I really loved it.

At the end of the day, I just really love the Batch. They mean a lot to me, especially Crosshair and Omega. Omega herself is such a sweet bean and her light truly is beautiful. I've loved watching her journey over the last several years. She's a wonderful character and I love her dearly. I love Crosshair (he's really hot, ok). I love Tech's charm and quips. I love Echo's strong drive for justice. I love Wrecker's big heart. I love Hunter's... fatherly instincts.

Ok, I know that was long, but I am so grateful for this show. I love TBB with all my heart and there's so much more to say. For now though, I'll just say that TBB has truly made an impact on my life. It gave me something to enjoy when times got rough and it gave me Crosshair. I will always be thankful for him.

[bonefall]

How do you feel about "character joins bloodclan" aus? Im curious about ur thoughts since youre really in tune with the themes of the series but personally i just hate them bc its ALWAYS aimed at 'unfortunate' characters and always ALWAYS ignores the fact that bloodclan is a horrible place in-canon and that they're just reflavoring the abuse and trauma the characters qent through to be more emo or goth themed.

Ravenpaw is ALWAYS a prime target for this and its like. Great. You took the character being abused by their mentor figure and is being harmed from the violent culture the clan has generated... and giving them an EMO mentor figure who will inevitably abuse them and harm them as a result of the violent culture the emo clan has generated. Sasha is another one I've noticed- you've put the woman who lost her kit and is struggling to survive with the others while being controlled and abused by someone who sees her as an outsider (aka alone and easy to isolate), and are gonna put her in a faction who specifically separates kin from one another to easily control them and who have canonically tried murdering those who stick with their family. What was gained here.

Like i know bloodclan is revamped in ur au (thank god for it) but in canon bloodclan is HORRIBLE. People ignore that in favor of putting their favs into bloodclan bc bloodclan is cool and killed tigerstar that one time bc of revenge. Ravenpaw becomes Scourge AUS are SO SO SO much worse bc of this too- sure you manage to point out how scourge and raven has roughly similar stories in their youth but you could also do something interesting and make an au where raven and scourge are FOILS and do a firestar/scourge thing, while pointing this comparison out!! Instead you just went "Ravenpaw emo now and is sad about beating up Firestar his friend" and basically kept everything the same.

Sorry im basically venting here but i just dont like how people forget that scourge in canon does NOT look out for the 'little guy', he's a murderer and abuser who wants to keep his subjects afraid and separated so that he alone has power over them. Bloodclan is not the cool strong goth group, its the group where two cats slaughter eachother over a piece of twoleg scraps, only for the survivor to die bc the food was poisonous to cats and no one knew bc theres no cohesive group that can pass that knowledge around. its a fucking horrible place to live. Im not saying that you cant do interesting "character in bloodclan" aus (a Rusty who lives in bloodclan who STILL wants to do good but is shaped by the horrid reality of bloodclan would be fun imo) but its so often used with already traumatized characters as a 'solution' or 'fix-it with some emotional issues involved' that i just foam at the mouth and howl like a rabid animal on principle at this point.

Hmm... I think for me, it doesn't tend to read that way for me when the fandom makes AUs for it. I'm coming at BloodClan from a point of really deep critique and frustration.

BloodClan's not a REAL place, and what that means is, every speck of how horrible it was is a choice the writers made to justify its treatment. It was something they actively decided, because, BloodClan was a tool to suddenly invalidate the previous 5 books of TPB so that the series could comfortably conclude there was no need to upset the status quo.

If you haven't read it before, I recommend this post I made on how Darkest Hour Is A Personal Disappointment, but anyway;

We spend a whole series on how Fireheart challenges a broken society, because he is different. Their xenophobia, how isolationism and glory get people killed, the way that Tigerstar's greatest asset is how respected he is... these are bad things. They're things that Fireheart fights for several books.

But then, in the LAST book, in the 11th inning, they introduce BloodClan. They're just evil. They have no nuance. The narrative bends over backwards to stress that this group of evil foreigners LOVES murder, hates friendship, and doesn't believe in our good god.

Suddenly, the Clan cats have to be EXTRA xenophobic and glorious to kill these filthy, murderous foreign hordes. Clan cat belief in their good god makes them stronger than the bloodthirsty barbarians. Firestar kills Scourge and we can feel happy and triumphant about it, when Tigerstar was killed a few chapters ago and given a tragic sendoff.

So, I encourage you to step back from an emotional response to how Filthy and Murderous this group was portrayed, and look at it as a writing choice.

When Tigerstar, known cat-racist and murderer of mixed-race people, is killed by Scourge in self-defense, he is grieved by Firestar and commended for his "good qualities". (and then they retconned in that it was actually secretly revenge all along, not just self defense, so this killing is extra evil)

When Scourge is killed, Firestar just thinks about how it's cool he's not going to heaven, and how all of the previously ferocious BloodClan warriors look so inferior to the forest Clans.

And so, with all that said,

I'm 100% in favor of how the fandom widely looks at this, says, "fuck that" and just makes them the Cool Goth Group. I'd argue pretty strongly that the least nuanced idea of that is still infinitely better than canon.

There was nothing there. It was literally just Xenophobia-Is-JustifiedClan. They literally hated love and friendship and banned families so that Clan cats would look good in comparison. Banned families. You don't get this level of stupid evil from anything else but an 80s cartoon.

Maybe I just don't see the AUs you tend to see (I curate my Tumblr experience very well and generally hang out in more adult-oriented spaces, I can imagine a place like Amino being mostly kids who tend to be immature. Edgelord Angstpiddle is just a normal part of growing up), but every project I see that gives me a glimpse of BloodClan Ravenpaws and Sashas come with such tweaks already assumed.

Like, these are examples I've seen,

They'll have Raven be involved with the formation of BloodClan

Scourge will actually be a character with some pity and mercy, like how he was in Rise of Scourge when his abusive siblings begged him for food, and he fed them before sending them away.

no ban on love and friendship. Lol. Lmao, even.

More of the social structure will be based around acquiring food for people in a 'harsh' environment, leading to that battle, instead of just Evil Foreign Greed (which canon!scourge only had after being almost killed by tigerstar, because he said "actually, in light of new information that you are a murderer, i need to reconsider our deal.")

BloodClan will be overhauled completely. I've seen this a few ways. Connecting them to SkyClan, or the Oakstar raids on Chelford, or even as a positive entity; a surprise ally. (VERY common with BloodClan Ravenpaw AUs I've seen).

Anyways... (Shrug), I dunno dude, it doesn't bother me that much.

[beadyeyes]

Alien Romulus review so spoilers because I'm so so disappointed after being told by every one how good it was and how great the effects were (you all lied to me) so so so long so so so so I don't know if it's worth reading

👍 Loved that they kept up the tradition of killing the people who smoke on screen first

👍 Technology design choices were so fun and did what Prometheus failed to do as a PREQUEL. Also failed to do what the movie itself should've done as a SEQUEL and kept notably similar design choices BUT STILL ADVANCE THE TECHNOLOGY?

�� They made a group of people so unlikable or undeveloped that I didn't care if they lived or died.

👎 The cousins blatant bigotry against Andy came off mostly as racist AND ableist with no good reason whatsoever. Especially since it clearly wasn't justified by his mother's death because the synthetic in question that "caused her death" was justified in saving more lives over the few. His choice to leave his own family behind despite being so torn up about his mom too? And finally his weird breathing and hovering scene with the pregnant sister right after his girlfriend died was lowkey creepy and I hope it wasn't trying to imply he was the one who got her pregnant? Bottom line he deserved it and his death was the only entertaining one. Was that supposed to be on purpose?

👎 The boyfriend was a bland unlikeable character who failed to even be good enough for meat fodder + deserved to die for wasting screen time AND for letting his cousin be a racist dick to Andy despite them needing the for the whole fucking trip to happen. Worthless character.

👎 First facehugger impregnation being a woman. What a spit in the face.

👎 The fact that it was also a woman I didn't even know the name of! But had 1 more second of development than the rest and seemed like she could've been a cool character if the screen time wasn't logged by unlikeable men. Her alien birth scene was so tone deaf to the original horror of the series idk. I get not wanting to repeat the same thing but the worthless guys survived those facehuggers too easily for her to be the gratuitous birth fodder.

👎 Pregnant sister. I don't know how that could've been done differently but yea. Her boob slime was so. 🙄

👎 Her alien wannabe engineer baby thing sucked. It was so corny I laughed outloud I don't know how it could've been done better but making the aliens more humanoid but not in an uncanny way, like a weird trying too hard to be scary way, felt like a disservice to the viewers intelligence? The fact that it was a full sized thing in like 3 seconds too? No offense but wouldn't it be scarier to fight something small and newborn baby like instead of Grown Ass White Man #72

👎 Rooks facetracking shit was so gagworthy and bringing him back wasn't the tribute to the og movie like they wanted it to be. Remember how the big bang theory would make references by just naming randome nerd shit in succession? That's what he was. Just because you have a character come back doesn't mean it fits the theme of the movie you're developing.

👎 Rook's non-ambiguous characterization as evil. Just lame and defeats the complexity of the original character as well as how the synthetics have been developed.

👎 Her name is Rain and that's my name she wishes she was me so bad.

Rain was just so? Such an underdeveloped character who kicked ass and I appreciated her like? Waiting till Andy had seizure to help him out? I don't know. She just had no backstory or substance and Andy's whole character being there to protect her was fucking lame. Seeing her change that at the last bit was like yay development but then Andy gets killed so then it was just whatever.

Andy's character again, being there to protect Rain and not develop on his own. His disabilities being "cured" for most of the movie. Why the accent? Anyways I'm glad he was there because he was the shining star of the whole thing and even that felt a bit too on the nose as if they knew every one else was worthless.

The movie had a few jumpscares and the gore was nothing compared to ANY of the previous movies. Ultimately I felt nothing for the entire hour and half except for when the cousin got slimed, which I laughed. The mix of CGI was strange. 1 out of 10 as fuck! Do you think they're gonna make a sequel?

[sunflowerdigs]

You know...from an actual Loki character standpoint I'm not that upset about how it ended because I think it's appropriate that he found his throne and his Glorious Purpose. That's fine, that makes sense, and it was actually satisfying to watch him ascend those steps in that regard. Loki has done a lot of bad shit in his time, so he needs to make this sacrifice in order to atone.

But I also feel like this finale was for a different season, one that didn't focus so much on the importance of connecting with others. If the message was always that HWR was right, and power is lonely, why make him this power-hungry despot? That suggests that HWR's loneliness and inability to partner with anyone was actually the problem and not the solution. Why bother with his romantic storyline with Renslayer? The themes, to me, don't really fit the conclusion of the story. You need to be able to partner with others...so that you can give up the partnership and be on your own? This either needs a third season where Loki doesn't end up alone or...idk. But, I'll be hanging around AO3 to find it.

And, of course I'm disappointed from a Lokius standpoint. How do you spend the entire season on them and then spend basically zero time on them in the finale? I appreciate that they left Mobius kind of stranded and unsure of what to do, and that his last scene tied into Loki's last scene. That should give fanfic writers plenty to work with.

But in a series that, at the end, tried to make itself all about the power of friendship, Loki spending the entire finale basically alone, making choice after choice on his own and not with the input of others, didn't really work for me. It was inevitable that he needed to make this sacrifice - I'm willing to accept that. But what I can't accept is a whole season of Loki getting to know the TVA folks only for the last hour to basically be Loki all alone again making decisions on his own. It just doesn't make sense to me.

[thyandrawrites]

feel free to ignore this ask if you want but.. do you think there are parts of hawks and dabi's characters that can be enjoyed despite the ending in your opinion?

I think that different people will give you different answers on this just because that ending was very divisive. But since you're asking me, then my answer is yes, of course!

I totally understand people who don't want to touch bnha with a ten foot pole anymore after having all their expectations so abruptly disappointed. I think that's a valid reaction after investing yourself in these characters and their struggles for years. But I also think that the ending we got wasn't the ending that was planned all along, just a plan B that threw all the plotlines in the trash in order to give the series a quicker ending so Horikoshi could stop working on this manga. So it's easier for me to disregard anything that doesn't fit the themes of the story and enjoy the characters up to a point where their arcs still made sense, you know?

For Dabi that's easy enough because I just have to ignore & rewrite the latter part of the second war arc. For Hawks... Well, I stopped enjoying his character a long time ago if I'm honest. Like 4 years ago now. I never quite swallowed what Horikoshi did to him with the whole Twice plotline and then the Enji PR agent one. Not to mention the whole HPSC president nonsense. So while I do still like parts of him, it's in a much more critical way, if that makes sense? I have to rewrite larger chunks of his arc (or read works that rewrite large chunks of his arc) to still feel something positive about him, tho I understand that's a very personal reaction. I know plenty of fans who don't feel the same way I do, and that's totally okay, too.

Basically: no one can tell you if you can still enjoy these characters or not except you. If ignoring parts of canon will help, then do so. It's not a moral failure to want these guys you formed an emotional attachment to to have a kinder epilogue. But if the bad overcomes the good, and knowing how their arcs end sours the whole thing for you... Then it's also okay to feel that way and let them go, imo

[jedilemon]

Ok so I had been recommended Brandon Sanderson's Mistborn series by someone a while ago but only recently dedicated to collecting used copies of some of his books and relaly digging in. This was after I'd heard a little of the type of person he is and was genuinely interested in his work. So I just finished the original Mistborn trilogy, consuming it in like a casual week and a half of bedtime reading and I NEED to know if other people have thoughts on how he handled the philosophical discussion on religion!

So I personally was really blown away with his writing skills in many ways and got really invested in the characters with only some slight nitpicks about overall story structure and a few choices. But I'm also a big philosophy nerd who focused on ethics in general and philosophy of religion (im a staunch athiest btw). And so Sanderson's thematic elements and also just bare philosophical questions on these topics were super fun to engage with for me. I also was always interested in the difficulties of running democracy in a pre-technological age which was also heavily explored in the second book.

HOWEVER, Mr. Brandon here really let me down near the end of the last book when it came to Sazed's whole religous journey and the philosophical discussion of religion it led. So while I'm an athiest, I was fully expecting and happy to see Sazed regain his belief in something by the end, and was actually very excited to see the arguement made in favor of this choice. Like I read Aquinas' proofs for god and many other arguements, for fun. I enjoy eganging with these well thought arguements for religion. I also was super impressed with his discussion on how non-religous belief works, such as Vin and Elend's belief in each other because its a fascinating topic a lot of religous and athiests like to ignore. BUT THEN after an entire books worth of Sazed making some of the strongest basic philosophical arguments against religion (and most not even made as much of a strawman) through his desperate search for something to believe in, Brandon just gives us the most simplistic and uncompelling reasoning for believing in any one religion?!?

Like this completely caught me off guard. He just decides that because one of the times he begged for a sign, someone said something to him, after the countless other times he begged and no one said anything. And that doesn't really even answer why he chose the religion he did choose. Like the reason he chose that one is because it was actually real and he literally had received direct proof that it was real prior and especially after that point. But he also compares this with the belief and trust Vin placed in the crew, which he had already kinda explained through the story why that was different. Vin didnt just choose to trust them without ever meeting them or having any proof they even exsist! Like she got to know them and then based on her experience with them, decided to trust them. But the icing on the cake here is that Sazed's belief wasnt actially justified in the end. His trust that someone else would make it all right in the end didnt happen, he himself had to instead take it into his own hands to make everything alright, LITERALLY he took up the power of the gods himself and fixed everthing. This resolution of Sazed's story along with the themes about interpersonal trust and belief actually better serve as an argument supporting something like existentialism, making your own meaning and believing in those around you. Did anyone else find this part of Mistborn to be pretty weak and disappointing? Especially after all that build up with a lot of solid philosophical discussion?

[witchofthesouls]

Ayoooooo, Primeval Anon here, to respond to your response (don't worry too much about how long you took to answer, it was worth the wait)!

Omfg, you had me hooked in when you mentioned Bloodborne-influenced lore. I love the hell out of Bloodborne, and just in general From Software's Dark Fantasy settings. And I love that premise. It definitely fits in with the Quintessons clearly aquatically-influenced nature.

I also enjoy the idea of the Primes balancing each other out with their different natures. As well as the idea that the Quintessons kinda... cannibalized him... fucking gnarly lol.

Just imagine, post-occupation, there's these series skirmishes, perhaps even smaller-scale wars, between the og Prime worshipping groups and the the emerging sects of Quintesson-influenced cultists. Something like

Priest from Kaon: For it is said that in his wisdom, Megatronus- Priest from [SETTLEMENT NAME REDACTED]: You mean Mortilus? Priest from Kaon: :| *The settlement of [NAME REDACTED] was procedurally, systematically decimated in their war with the Kaonites*

Now, I don't know about other continuities they've featured in, like Aligned, but in G1 they definitely had some sort of caste system. Only ranking I can immediately think of are the "Judges", which would be the ones people generally think of when it comes to the Quintessons, there were a few other variants if I'm remembering it right. There was a video that I saw that talked about this, I'll have to go and re-watch it.

Anyways yeah, maybe the castes are made up of different sub-species within the Quintessons genus? And then under them come the Sharkticons and Allicons (Those weird croc-like dudes who nab Kup and Hotrod after they end up on Quintessa). Maybe they were at one point Cybertronian Wilders who were abducted by the Quintessons during the occupation and, through a mix of selective breeding and genetic modification, were able to turn them in their own obedient, self-replenishing army, that whenever the Quintessons aren't enacting some campaign of destruction or conquest, just kinda vibe in the oceans of Quintessa alongside the local fauna of the planet.

Y'know... now that I think about it, since the Quintessons would clearly inherit Quintus' unhinged daydreamer work ethic, do you think they'd also fuck with the wildlife of their homeworld, perhaps even the planet itself??? Gods, I hate how the Quintessons are so underdeveloped because they exist in the same universe as the Transformers.

Yeah, I'm really disappointed how the Quintessons as a whole are really underutilized as characters and background lore.

I mean, the shit is right there!

Me, if given the chance to sit down with a new Transformers team to talk about leveraging the connection between Cybertron, Earth, and Quintessa with supernatural elements:

Personally, I'm more of the "Quintessons fucked with their own planet" camp. Don't get me wrong, the Quintessons had established a massive empire to command resources, including bodies, but the Allicons and Sharkticons seem to be directly from Quintessa. Both fit the aquatic theme going on. Plus, sharks are natural predators of cephalopods and attack injured or sick whales (another predator of squids). While alligators don't usually eat cephalopods, they are an apex predator that does go on land and will eat just about anything. Soooo, easy clean up as well as population control on campaign?

I totally believe it's within character for the highest castes of Quintessons to be cyborgs/techno-organic instead of full mechanoid because of certain kinds of resistances and the way they control their fully mechanical populations. And they would totally be in genetic modification, selective breeding, and terraforming as a whole because 1) absolute control, 2) meshes Quintus' own special interests with the Quintessons' military and economic might, and 3) sustainability, what's that!?

The last point is the kicker because it's what really cements their own origins via Quintus Prime. That particular Prime truly believed that life should flourish at all costs. The problem? Environments can only support so much before nature sets up its own checks and balances, or the entire thing ends up collapsing.

Well, Quintus bypassed nature's complex and fragile systems and would have shown his organic creations how to overcome their own limitations: biological, physical, and environmental. He's like the guy that would successfully crossbreed potato and kudzu because the resulting crop would feed millions upon millions... at the astronomical cost of arable land, soil health, decline of biodiversity, and property management due to accumulated damages.

Quintus doesn't worry about that because it's part of the process! He's collecting data for future reference and starts working on fertilizers to support the crossbreeds immense nutritional demands, animal husbandry so herbivores can chomp down on the remains, and construction materials/architectural designs resistant to plant growth damage.

Quintus, you crazy scientist of a dreamer, that's not the fucking point!

So yeah, because Quintus didn't have his siblings to kick his ass about sustainable measures (because everything from medicinal to food to construction had to come some somewhere), Quintessa got overharvested or destroyed. Because of the immense deprivation, Quintessons went colonial on their planetary neighbors. Because they succeeded with their neighbors and never thought to change their way of life because of yummy resources, they went on campaign into distant systems where they cut their teeth against mechanical species and subjugated them.

And because the If You Give a Mouse a Cookie pattern would take way too long to get to my point: the Quintessons literally built their way to conquered Cybertron, fuck that planet and its indigenous people and fauna over in the spectacular fashion they did to Quintessa, got kicked off as their empire almost collapsed, but literally had a direct hand to the civil war between Autobots and Decepticons that lead to the final stand off on Earth.

(Funny enough, the civil war was on a scale so massive that it encompassed galaxies and disrupted the current rendition of the Quintesson Pan Galactic Co-Prosperity Sphere. They literally built the greatest threats to their own empires. Who would have thought?!)

Religious tensions after the Quintessons been kicked off would have been an interesting direction to explore. Even life during the occupation as the Thirteen would have been symbols of rebellion versus the Quintessons' rabid methods to obfuscate their own origins as well as tactics to break the cultural roots and ties of new subjugated planets.

Because old names become illegal, new epitaphs or names are given to undermine the regime and eventually become the new cultural practice. Then, there's the cultural blend between the natives and the colonial powers as well as the generations purposely raised in a certain cultural mindset. Since the Quintessons took control of the Well, it's a safe bet that they also took control of the institutional pillars of the society: religion, science, and law.

Primes are still titanic figures on post-occupation Cybertron, so perhaps Quintessons had only limited success in destroying mythic tales and religious traditions. Because the newer generations took on the Quintessons' distaste towards beasts and untouched nature as well as kept Quintessons' way of social hierarchy that they knew.

Quintessons emphasized function as Cybertronians (and other mechanoids) are machines compared to them. All machines have certain functions, no? Some machines are meant for certain roles, no? Machines are only capable as much as programmed, but Quintessons are far more advanced because they overcame their limitations with their own creative endeavors!

Quintessons basically treated Cybertronians as living appliances, gadgets, and animals. To them, a Cybertronian was a more fun and dynamic Siri or Alexa than a real person. Sure, a Quint could bond and form an emotional attachment, but it's still not truly 'alive.' And they codified that into their own laws.

Basically, Quintessons would have been okay with Prima and his Guiding Hand. They would have propped up his specific actions on how civilization should be (cement more tensions between city-states and Wilder tribes and unregulated environmental policies), switch up or change key mythology (Prima and Megatronus being split-spark twins that rule together into Prima being the sole Sun and Megatronus becoming a late brother that became the Great Evil that became jealous of the Sun and destroyed Life.), and straight up destroyed or damaged historic and culturally significant items and practices that deem it otherwise (the Well of Allsparks; removing the golden horns of fully-trained doctors that pay tribute to Liege Maximo's ties to medicine; the removal of various sigils of specific Primes and associated groupings, Onyx's Mask removed from stages as it functioned as Comedy and Tragedy masks).

[eruscreaminginthedistance]

Okay so. I've been sitting on my full first impressions of the game until after the gameplay reveal, cos I know shit can get twisted in marketing.

I was NOT a fan of the trailer. The vibe was off; I cringed a lot; it gave a off very bog-standard hero team saves the day kind of vibe which I inherently dislike because it seems like Dragon Age has just given up on giving you the freedom to be a bastard, or any kind of character that isn't on rails to be everyone's favourite boy. It also failed to bring any dark fantasy to the table. BUT I know from experience, namely the DA2 trailer (not the CGI one. the other one), that marketing is intent on making Dragon Age look like the goofiest shit possible to appeal to the dregs of society (normies). I watched it. Hated it. Moved on to life stuff.

Now with the gameplay reveal out of the way, I have some more solid takes on everything we now know about the game overall.

Things I liked:

The companions all look pretty cool; I've been excited for Devrin for years now, and seeing that he's a Dalish Elf as well as a Warden is quite exciting to see; everyone else are also not only well designed but don't feel like rehashes of our previous companions (apart from Harding)

The return of multiple weapon sets. Thank fucking god. This may even make archer a viable build again. Also I noted that you only have a set number of arrows which the UI tracks, which I'm a huge fan of

The look and style of Minrathous. I like that Bioware is showing their hard work in coming up with a unique area based entirely around magic-tech and I think the result looks great; I am really intrigued by the dark panopticon vibes and hope that becomes a major theme going forward

Different demon designs. I hope there's a bit more variation as the game progresses, but I liked little details like the Pride demons having some kind of armour aesthetic

Dialogue wheel. No notes; she's here, still the same comforting presence as ever. Praying with fingers crossed that it doesn't turn into a super bland protagonist situation like Inquisition

Choosing a faction in character creation that isn't locked to one's race; this one is a really cool idea and if origins don't come back it can be a decent alternative if the reactivity to your choice is the same as in the prologue

Things I didn't like:

Action wheel. Like. I'm a PC person, so I have no idea what the final UI will actually look like for me. But Bioware hasn't elaborated on their UI style at all and if Inquisition is anything to go by, I'm stuck with shitty console-centred UI for the whole game. I would rather just have the ability bar back, for my sanity.

The two-person companion limit. It automatically restricts people into a specific party build depending on their class and I hate that

The Mass Effect-style gameplay. Party tactics was a HUGE draw to the DA series for me, and is what got me into retro RPGs in the first place. Seeing it replaced completely to the point where we can no longer manually manage our party is a huge disappointment. I am willing to keep an open mind, just because I love Mass Effect that much, but it hurts knowing for a certainty I'm never gonna engage with Veilguard like I did with Origins or 2 as a result

The voice acting. Was this an out of date take, or did everyone sound super flat to anyone else? Especially Neve, who didn't seem to know what she was reacting to, just really wooden. It was disappointing, cos I love her voice overall. Wasn't a fan of Rook's voice but I don't plan to play a man anyway

The breaking pots method of looting. This is gonna feel like such a nitpick but I immediately pulled a face seeing that cos I could TELL some suit somewhere asked the Bioware team to "make it more like breath of the wild" and now for some reason it's not dynamic enough to just click on a crate and choose what loot to take; now Tevinters are storing exactly one (1) random health potion in decorative clay jars around the city (more likely than you think!)

The aesthetic of the veil and spirit stuff so far; it's just all a bit bright and noisy, doesn't really grab me as something fun to explore or fight (again, I'm an Origins girly so I'm biased)

Harding coming back. I know she's cool and everyone likes her and I like her too. In Inquisition. This is just a preference, but if I'm gonna start a new game as a new person I don't want to be inheriting pre-bought friends from the last protagonist ://

Things I HATE:

Why does everyone look like play-doh; it's disconcerting.

Like guys I know DA2 is having a renaissance but I don't think anyone was getting nostalgic over everyone's pudding faces.

Everything put out so far has basically crushed any hope I had for this becoming Dwarf age :/ No new dwarf characters, no mention of Kal-Sharok, Harding being the only dwarf companion basically confirms that dwarves will be unromanceable AGAIN. not a fan

TLDR: This is still definitely not a day-one buy for me. The series has just strayed completely from the genre and format that I loved about the previous games into a full action RPG derivative of games from four years ago. Without the focus on party tactics and the low-tech, dark and gritty worldbuilding from the first two games it just fails to excite me. It looks too much like other games for me to really register it as a Dragon Age game.

I love the story and the world of Dragon Age though, so I do still intend to buy it when it goes on sale, but this is definitely a "wait and see the reviews" situation for me, which is a first when it comes to this series :/

[kurisus]

Chapter 107-2 thoughts

🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡🤡

OKAY WELL!

Literally earlier, before the chapter came out, I'd said I'm not believing Hiyori is dead. They'd have to show Yato naming her to get me to believe that. And then this chapter happened. Fuck me, I guess!

It seems like the general reaction to this is that it's sad but I'm not really sad I'm just angry. As it is, we have two options: (1) this is all a fakeout, one last time, or (2) this is actually the intent and the series will end with Hiyori being made Yato's shinki.

Neither is really ideal. A fakeout this late in the game seems pointless and would likely involve an asspull of some sort, but the alternative is something that absolutely spits on the themes of the manga thus far and effectively negates the arcs of both Hiyori and Yato.

So all in all, I really wish they hadn't gone this route in the first place, but I'll take the lesser of two evils at this point. This manga has always been about overcoming tragedy, your past does not define you, the near and far shores cannot survive without one another but too much interaction disrupts the balance, et goddamn cetera. Making Hiyori Yato's shinki makes this story a tragedy, teaches Yato the same lesson he's already learned (HOSPITAL ARC), and eliminates the only near shore major character in the entire series.

Now the question remains: can they still reverse this? Like I'll take anything at this point, but is it even possible within the story's logic? I want to say yes, and I've already seen a few rumors flying--this dimension is all an illusion, the koto no ha is destroyed so the bubble is too, the gods can reverse all the people that have died from the creatures, it could be possible for Hiyori to become a god, etc.... I'm clinging on to that first one personally, but at the same time, I feel a looming dread because...Yato saw Hiyori's memories. He saw memories he didn't personally witness, which kind of makes me think this is the real deal. But I also really don't fucking want it to be?

"Ina wasn't your first fic for the fandom literally this exact concept" YES because what makes a good AU wouldn't always be good in canon, right? This was something I wanted to explore in the concept of fanfiction, because it's a different medium to play with different ideas. At the end of it, I kind of went, "phew, that sure would be bad, wouldn't it!" and went on with my life.

I dunno man. I'm just angry and sad and disappointed, and it's annoying to me as well to look back at all the other things they've resolved perfectly. I think of how flawlessly executed Yukine's arc was, and want to cry. Why can't Hiyori get this same luxury? Fakeout or not, her arc should've been her parting ways, preferably on her own terms, because that's what the story's been leading up to. Yes, her grandma told her to be with the one she loves, but I assumed that was just in the moment, and wasn't actually foreshadowing her death.

THE FUCKING. HOSPITAL ARC. SHE IS SIXTEEN YEARS OLD SHE CAN'T DIE YET. NOT UNTIL SHE'S AN OLD LADY!!!! YATO SAID SO!!!!!!!!!!!!!! WHAT DID HE LEARN FROM THIS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! NEVER LOVE ANYTHING I FUCKING GUESS!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

At this point I'm going to deny it either until Adachitoka says sike or the manga ends. But needless to say, my reread's been postponed. I've been putting it off because of being busy irl, but if I reread now I'll just be bitching the whole time, and I don't want to do that to myself, and I don't think you guys want to read that either.

If it ends this way, I'll be bruised and bitter for years. If Adachitoka says sike, and Father dies believing Hiyori is dead (cause what was up with him losing his eyes), I'll at least cherish this one small mercy, but man, this is a sore blow. I'm sorry that normally my thoughts are excited and this one's just angry, but I can't put a positive spin on this yet.

Feel free to send me your theories or copium. I'll devour them all until I get made a clown of once more.

[batcrooks]

THE BATCROOKS AWARDS 2023

This year, I kept track of every piece of media I consumed for the whole year. I didn't keep track of individual Youtube videos (which I watched hundreds of, they're my main background noise), but I did track every Book, Video Game, TV Show/Web Series, and Movie. Here are my BEST OF 2023 (year of release may vary).

Best Movie: Spider-man: Across the Spider-verse I only actually saw 3 new release movies this year: Spider-verse, Barbie, and The Boy and the Heron. So the competition wasn't very fierce, but I was glad to sneak Heron in there at the end just to make sure (I found it very pretty, but too nonsensical and weirdly paced.) Spider-verse was a little disappointing (toooo long) but it was definitely the funnest new movie I saw this year.

Best TV Show: Silo I saw a couple actual TV shows this year, but for pure fun had watching and theorizing, Silo wins. Is it the actual best TV of the year? Almost definitely not. But these are my awards so it wins. You can't leave the silo!!!!

Best Web Series: Game Changer Season 5 I'm not sure if I can properly justify the category difference between Silo (on Apple+) and Game Changer; both are technically web series. But I watched Silo on a TV, and it just seems more like a TV show. So I have awarded Best Web Series to Game Changer, because I like it just a little more than Make Some Noise. I also watched a lot of Dimension 20 this year for the first time, but they're not 2023. I'm being wishy washy on the category requirements lol.

Best Video Game: Baldur's Gate 3 This game was so good at one point I was playing two saves simultaneously, just for fun. I don't think I can say anything that hasn't been said about it before lol. And it was MULTIPLAYER. Sourdeer and I played this game all the way through TWICE. We finished it the first time and then spent like 4 days trying to find something else to play before deciding we just wanted to play it again, evil-style.

Best Video Game I Didn't Directly Play: The Curse of the Golden Idol A lot of (usually bad) video games I experience through "Cat Plays a Game" and its twin show "Sourdeer Plays a Game"; the hit show streaming exclusively on discord between my friends lol. Sour played this one, technically, although as an asymmetric multiplayer experience it's hard to beat. I want there to be five million games just like this one. I wish I could wipe my memory and do it again. We already devoured the DLC. There's a sequel coming out thank god.

Best Video Game I Played All By My Lonesome: Pentiment I don't tend to play a lot of single-player video games due to lack of time mostly, but this year I managed to play Pentiment, an incredible game that really played well with the weird amount of knowledge I have about the time period and setting of the game from reading The Pillars of the Earth and its sequels. It was completely engrossing and I will probably play it again some day despite its pretty slow pace. I know I can't save everyone. But maybe I can try.

Youtuber of the Year: Jenny Nicholson I rewatched a ton of her videos this year and joined her Patreon so that I could watch the huge backlog of "ramble" videos she has. There are TWO sequels to the Evermore video in there! Hours and hours of entertainment that makes me wish I could experience more weird theme parks.

Best Book(s): The Scholomance series by Naomi Novik The last one came out in September 2022 but this is a "non-reread, new to me" category, not a new release category. Novik's Temeraire series is one of my favorites of all time, and Spinning Silver is also really good, but even still I was wary to start what initially seemed like just a snarkier, edgy magical boarding school series. But the mechanics of the world-building and the characters really won me over quick, and this has ended up being another of my favorite series.

This spreadsheet has the full 2023 list if anyone wants to see/judge me/discuss video games or books: https://docs.google.com/spreadsheets/d/1X7u2F_9FSvvyys5v006eQg1hIvx0bT3QuLDgy_TJasw/edit?usp=sharing

[sixty-silver-wishes]

ranking every hyperfixation I can remember having

Fish: Since I was two years old up until like, middle school, I was obsessed with fish and sea life in general. I wanted to be a marine biologist for years. I still cry when I go to aquariums because seeing all the kids watching the fish reminds me of myself at that age. 8/10. Basic hyperfixation, but fish are still pretty cool

The American Flag: For some reason, I remember having an American flag phase in preschool. Not even having to do with America or American history or some other reason; I just thought the flag itself went hard. I can't tell you why. 2/10 because my patriotism levels are at an all time low as of now

Spin the Globe: Spin the Globe was the animated host of National Geographic's "Really Wild Animals," a series of wildlife documentaries for children. For some reason, I latched onto this guy HARD when I was in kindergarten.

I watched the ocean one every day, to the point where I memorized it and spent the whole class day writing down the script from memory (I don't understand how I didn't get my ADHD diagnosis until I was an adult). I rewatched the ocean documentary last year for some nostalgia, and I found out that Spin was REALLY FUCKING ANNOYING. I don't know what 5 year old me was thinking. 1/10.

The Wonder Pets: This was my favorite show when I was in, like, first grade. Unfortunately, that's right about the age where kids think it's cool to joke about brutally murdering children's show characters to prove how mature they are, so really liking a children's show was social suicide. The animation in Wonder Pets did slap tho. 4/10

Power Lab VBS Bible Buddies: Like I said, my hyperfixations were weird as a kid. I was raised Baptist Christian, and every year, my church held a VBS (Vacation Bible School), which for those who don't know, is basically a five-day Christian summer camp. Each day, they would hand out these figurines called "Bible Buddies," which each were supposed to represent a different lesson about the Bible. One year (I think I was in second grade?) the theme was "Power Lab," which had a science laboratory theme. These were the "Buddies" for that year:

I used to play with the figurines of these guys all the time. I can't tell you why, but I thought they were so cool. I also think I was enamored with the lightning bolt lady for some reason? Anyway I'm giving these guys a 4/10. Low score for lameness, but points for originality.

Word Girl: I was raised with PBS as a kid because I didn't have cable until maybe second grade, and I LOVED Word Girl. And I majored in English, so I think that explains a lot. The humor of that show still holds up, and I was so happy to see it made a comeback with fans last year. 8/10; would watch Word Girl again

The Future is Wild: When we finally got cable, my sister and I watched a lot of Discovery Kids. Our favorite show was The Future is Wild, which was a sort of speculative evolution sci-fi for children. These characters would go on adventures in the future and learn things about the animals that lived in environments that had been altered due to global events, and I really liked all the creatures, especially the "Ocean Phantom." Also looking back I think I may have had a crush on CG? Her annoying-ass voice and drama trying to balance working for her father vs. being loyal to her friends had me in a chokehold

6/10. Batshit insane show (I mean. it is in the title), but we love women in STEM

A Series of Unfortunate Events: This is the mother of all my more recent hyperfixations. Something was set in motion here that could not be reversed. 10/10 hyperfixation. this book series made me who I am

Guardians of Ga'Hoole: Along with Unfortunate Events, I was also into the ridiculously violent middle-grade animal xenofiction series in elementary school. I loved these books, and I was so disappointed when the movie came out because of all the ways it diverged from the plot. 8/10 for antifascism and owls, but points docked off because I could never get far in the DS game

Pokemon: So, my mom was pretty sheltering when I was really little, so there was no Pokemon or Harry Potter in the house until I was in 4th grade and she loosened up some. I'd wanted to get into Pokemon for a long time because everyone brought the cards to recess, and one of my friends gave me a holographic Mew card that she said was "really special." My mom threw it away, along with the rest of the cards my friend gave me, because she didn't like the words "psychic" or "evolution" on there lol. But once I was allowed to play my first Pokemon game (Heartgold), I got really into it. If my old Deviantart can be found somewhere in the dark, dark corners of the internet, it was filled with awful Pokemon MS paint drawings. Sometimes I still think about them. 7/10, because I still like Pokemon a lot, but docking points off because my Pokemon hyperfixation introduced me to the more unsavory parts of the internet at a young age.

Harry Potter: This one goes hand-in-hand with the Pokemon thing. Because Harry Potter was forbidden fruit in my household until my mom eventually decided it wasn't that bad, I got really into it when I was a kid. It was less about Harry Potter itself, but more about the fact that I could finally experience something that everyone else had been enjoying for so long. Obviously now that JK Rowling is, well, JK Rowling, I've distanced myself from Harry Potter, and have begun to think about it more critically, but just like everyone else that used to be into it, it did give me some fond memories. 1/10, with the 1 point going solely to Neil Cicierega.

My Little Pony: Got into it in fifth grade and watched it up until freshman year of high school. Not a lot to say about it to be honest; I liked some of the fan works well enough, and I don't have any strong feelings on it now. 5/10

Doctor Who: Oh god; who didn't have a Doctor Who phase in middle school? This was me at my most obnoxious. I constantly wore my 10th Doctor "Allons-y" shirt everywhere I could, and even insisted on wearing 3D glasses at times (I still have them). I quoted the damn show in every conversation (I used to be able to recite the "wibbly wobbly timey wimey" monologue word for word). I'm just glad I didn't get the Hot Topic TARDIS dress that I wanted for so long. I keep finding Doctor Who merch in my room, long after I thought I'd cleared it all out. To be clear, I don't hate Doctor Who, but it just brings up a lot of memories of the annoying kid I used to be in the past. 6.5/10

Celtic Woman: Celtic Woman was the first band I actually got really into. I'd been introduced to their music through Endless Ocean 2, and I would spend hours listening to them and watching their concert videos. Unfortunately, being a middle schooler and listening primarily to Celtic folk music and inspirational songs is not a very good combination, but it is satisfying to see all the people who probably would have bullied me back then dancing to "Teir Abhaile Riu" on TikTok. "Dulaman" was my favorite song, and I was tragically determined to sing it for a good while, despite not knowing any Irish Gaelic. I miss the original band, but their new stuff is all right. 7/10

The Legend of Zelda: More specifically, Skull Kid. My first Zelda game was Ocarina of Time, but Majora's Mask was really the peak of my hyperfixation. Skull Kid was easily my favorite character, and I once dressed up as him to school during Spirit Week. I also really liked Fierce Deity Link, and would roleplay both him and Skull Kid on DeviantArt. But the biggest impact my Zelda hyperfixation had on me was kickstarting my love of playing music. I took piano lessons for a short while and started out playing Zelda songs, and I was always listening to video game soundtracks. I switched over to violin later and also took up the ocarina (which I did get pretty serious about for a while. You won't see me playing video game songs anymore, but I still love to play.) 8/10 for the impact, with points taken off because I kept starting games but never finishing them

Lord of the Rings: Got really into Tolkien in high school. My best friend and I bonded over the books, and I also ended up reading the Silmarillion and Unfinished Tales. I didn't really get into the fandom because I was sort of "outgrowing" fandom culture at this time, but even though it's been a while, I still really like Tolkien. 9/10

The Aztec Empire: Did a report on the Aztec Empire in high school and was really interested it for a while, especially Aztec mythology and sacrificial rituals. 7/10 because I feel like the sacrifice stuff held my attention a lot more than it should have, and I feel like I absorbed a lot of misinformation about it

Medieval Europe: I have an on-and-off Medieval European history phase that comes and goes. Mainly, I'm interested in literature; I read Beowulf and the Canterbury Tales for fun in high school, and I was unfortunately very obnoxious about that. I did study Medieval history and Arthurian legends in college though, so that was neat. 7/10 because saying you're interested in Medieval history sometimes has to come with a disclaimer

Sweeney Todd: My favorite musical, and a big hyperfixation for a while. My best friend played Judge Turpin in high school, and we were both really into "Sweeney" to the point of permanently adopting lines from it into our regular conversations, even today. We even went to see it on Broadway together, which was awesome. 9/10, with one point off because I hate explaining to people why the Tim Burton version Sucks

Classical Music History: Specifically Shostakovich. I like a lot of other composers too, but this was a BIG phase. We're talking three years of research, writing long essays, Russian language and Soviet history classes, working for a Shostakovich journal, learning music, etc. I wasn't even doing this for a career; I just really, really liked Shostakovich a lot in college. I started getting into classical music in high school, but college was when I stopped being an idiot about it. 9/10, with a point taken off because I used to be an idiot about it

Sea Shanties: This falls into my wider love of folk music, but shanties and sea songs got me through college and working a minimum-wage job during the pandemic. 9/10; very fun to sing while in the car with friends

The Cabinet of Dr. Caligari: Currently hyperfixated on classic films, but this one in general. You've seen my blog. 8/10, because it's a great movie with a lot to hyperfixate on, but points off because it's so hard to want to discuss this with people in public.

Tom Waits: Another current one. I listen to at least two full albums every day, usually "The Black Rider" (which could have its own spot on this list). Meeting a fellow Tom Waits fan in public is the best feeling ever, but telling someone that you like Tom Waits to someone who doesn't know who Tom Waits is sometimes means weird results. Like, someone asked me once if he was a new indie musician. I just want to know what they thought his music was like. 10/10 hyperfixation. no notes

Honorable mentions for smaller hyperfixations I've had over the years, in no particular chronological order:

Gila Monsters (9/10)

Klaus Nomi (9/10)

Hamilton (3/10)

Victorian literature (7/10)

Current events (0/10)

Japan's Torii Gate (5/10. I just thought it looked really cool when I was a kid)

Deaths on Mt. Everest (8/10)

The Oceangate disaster (3/10)

Parakeets (7/10)

House of Leaves (10/10)

Encanto (7.5/10)

My best friend (9/10. Great friend but unfortunately I misidentified it as a crush for many years)

My first ex (0/10)

W.I.T.C.H. (4/10)

This thing:

(Its name is Mathra and it's from an educational kids' game called ClueFinders. I pretended it was my friend when I was little and I drew it all the time, then got embarrassed when people asked what I was drawing)

Lord of the Flies (7/10)

Finding Nemo (6/10)

The Russian language (7/10)

Edgar Allan Poe (8/10)

Ivan Ivanovich Sollertinsky (8.5/10)

Nikolai Gogol (8/10)

In conclusion. it's weird to me that I think my most niche and bizarre hyperfixations were from when I was a really little kid lol

[rukimakino-heirofheart]

🔥Puella Magi Madoka Magica

🔥Renaruki

🔥 MadoMagi:

The original anime was pretty mediocre and had a mediocre soundtrack. Its fatal flaw is that it tries to center itself around a single main character (Madoka Kaname herself) whose viewpoint we see the world through, but her characterization physically cannot get focus in this format in an anime, because you just don't get to see how deeply screwed up her worldview is if you never know what she's thinking. Consequently, you actively lose information by telling the story in a format other than a novel or VN. (Observant viewers may recognize this as the same ultimate problem behind why adapting FSN for the screen inherently requires getting more exposit-y about Shirou's deal.) Ultimately, I wholeheartedly recommend skipping the MadoMagi TV anime entirely; most of the best parts of the Puella Magi Series are elsewhere and don't expect familiarity with a disappointing TV anime. (The Different Story, Rebellion, and Wraith Arc escape this curse by not being Madoka-centric, instead focusing on more conventional protagonists in Kyouko and Homura.)

Rebellion was a perfectly fine ending in and of itself, and it doesn't need a sequel. The only reason I'm interested in Walpurgis no Kaiten's existence is that it seems to be going so far out of left field that I kind of have to entertain it and find out what the cook is.

Of the "classic" Puella Magi titles (pre-2017, i.e. before Magia Record), I'd rank them like this:

Puella Magi Tart Magica - Masugitsune

Puella Magi Oriko Magica - Kuroe Mura

Extended Puella Magi Madoka Magica Series - Gen Urobuchi (TV, Rebellion, Wraith Arc) & Masaki Hiramatsu (TDS) & Hanokage (Wraith Arc)

Puella Magi Suzune Magica - GAN

Puella Magi Kazumi Magica - Masaki Hiramatsu

Rankings of Tart and Oriko may be swapped depending on how I'm feeling that day.

This is not to say that Suzune and Kazumi are bad manga, but the former quite infamously ran into production troubles and the latter bit off way more than it could chew, and it shows. Kazumi has a lot of cool plot ideas and themes in play but reading it for the first time can feel like being subjected to a plot point firing squad. The original manga run of Suzune was good but not spectacular -- it didn't truly get to shine until the MagiReco crossover events started happening. (It has been 1200 days since the last Suzune event...)

MagiReco fans often describe Arc 2 as "when it gets good," and it's common to write off Arc 1 entirely as an extended prologue, however I do still maintain that Arc 1 is a good story on its own terms. You can feel the weight of the production issues (there's a very noticeable midpoint shift where a major rewrite happened) but it's still a perfectly fine and coherent story. Most of what the fandom writ large likes to call "flaws of Arc 1" are just, intentional foreshadowing.

When AniReco (the companion anime to MagiReco that tells a completely separate story)'s final batch of episodes originally came out that fateful April 3, I gave the production as a whole a massive side-eye (I distinctly remember logging on and asking a chatroom I was in "what is even happening?? Why is the anime Folklore of Zero propaganda all of the sudden?? Wait, Neo Dorothy Motherfucker???? Huh??????"), but I've since warmed up to it. It's its own thing, and you have to have its place in the series' cosmology and the showrunner's goals in writing it explained to you first before you start watching, and it makes some writing decisions I find to be questionable, but it did a remarkably good job for a series that was slashed from 39 episodes down to 25 halfway through.

Apparently this is a hot take now: I like Nagisa Momoe's actual backstory as detailed in MagiReco a hell of a lot better than "dumb idiot child wished for cheese instead of healing her ailing mother." The collected Nagisa cycle of MagiReco stories makes her arguably the single most interesting member of the Holy Quintet.

I want more Kyubey worldbuilding, goddammit! We know precious little -- the Incubators were created by an advanced alien civilization (local expert Touka Satomi, A1C9), and their tissue is analogous to stem cells and can be reconfigured on the fly (Kosane Kiriha, NMG) -- and I need to know more! What were the progenitors like? Did they wipe themselves out? Actually, now that I think about it, are Incubators like Touhou's shikigami where you take fleshy hardware and flash it with your own artificial intelligence? We know a human can control one (Madoka uses LoC-branded pink Incubators for surveillance purposes) and we know a human can have their soul shoved into one losslessly (mokyu!), so like, what are the limitations here? Hell, the Pleiades made their own once! It sucked at its job, but it existed! How did they do that? Tell meeeeeeeeeeeeeeee

I think that even in the absence of the Automatic Purification System, being a magical girl is just kind of objectively better than being human. You get to opt out of mortality, you get private(-ish) telepathic communication for free, you get a shrunken hitbox -- no more worrying about workplace safety hazards as long as you protect the gem! -- you get a weirdly specific personal magic that varies in effectiveness from Konomi's baton pass to Iroha's localized time reversal, and even if you don't get something useful you still have a magical weapon that you can spawn on command. That's even before we get into the existence of Coordinators, and the logical applications of their Adjustment magic in gender-affirming care. To be quite honest, if Kyubey ever had reason to approach me, my wish would probably just straight-up be "immediately megucify every human who exists right now and every human who will ever exist in the future regardless of energy cost."

I'm scared of the new Magia Exedra mobage's existence because (1) it's very prominently advertised as being Quintet-centric and I'm sick and tired of the Quintet, and (2) there's a nonzero chance it will take resources away from Magia Record to focus instead on what seems, if the credits on the website are to be believed, to be a shitty autobattler. MagiReco is the best thing the Puella Magi Series has ever done and I want it to survive well past its tenth anniversary.

🔥 RenaRuki:

Okay, seriously, did the entire Tamers fandom collectively forget that, past a certain part of the D-Reaper arc, none of the Primary Colors are actually human anymore? Because it feels like I'm the only one who's acknowledging this, despite the fact that "Ruki, alienated from humanity, voluntarily gives it up, while Renamon, aligned with humanity, is a trans woman" seems like a pretty obvious thread to work with, and being turned into a digital life-form offers plenty of opportunities for neat body horror, not even to mention how this affects the ways in which Ruki's Candy timeline counterpart has steadily been getting worse for two decades.

[Side note: I really need better names for the "more canon" movie timeline that's relevant, essential and true, and the "less canon" drama CD timeline that isn't. If I keep calling them Meat and Candy I'm going to get weird looks from the non-Homestucks.]

I swear I had more observations I was going to put here but I got sidetracked. Might add on a reblog later.