#I'm dead here

[annoyingvoidzombie]

No matter what you'll do Alex, we all know your little secret here 🇬🇧🇺🇸

[reasonsforhope]

Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."

Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.

These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!

Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!

Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.

So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.

[lovetositinsilence]

a moment for themselves

[paxopalotls]

The fanfictions are infecting me with brainrot oh my god have some au doodles before I explode

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[bixels]

I watched Starship Troopers tonight.

[lotus-pear]

mourning black and the death of ideals

[frstk]

Helping your boss do the taxes when he's asleep VS Jotting down your own will whilst holding your insane lover

[thereisselfpreservation]

Hua Cheng, sighing dreamily as he watches Xie Lian dig things out of the trash like a raccoon: There he is. That's the love of my life.

[faeriekit]

#i'm very pro danny accidentally adopts a whole bunch of talons previous installments

*

The next day, the body was back.

The green was gone from its eyes, but the awareness wasn't; it spent about an hour watching people go around outside Danny's apartment, which was new behavior. None of the corpses that shadowed him had shown any interest in garden-variety humans before. Now it sat at the window and watched families come home from school or head to their afternoon shifts.

That went into Danny's notes.

After that hour, it taught itself to flush the toilet repeatedly, rearranged the contents of Danny's half-assed linen closet (again) and then stood hovering over the safe where Danny had stashed the ectoplasm.

"...Okay," said Danny.

The dead body croaked. It was a new sound, but there was no context for it. Danny just kind of...wrote it down and hoped for the best.

The day after, Danny woke up at a very reasonable ten forty eight in the morning to find stray corpses feeding each other spoonfuls of ectoplasm in the kitchen.

At that point he kind of had to throw out the notes on how much each one was dosed with, because what the fuck.

"Really?!" Danny shouted, spooking the bodies into fleeing behind chairs and doors and back into his closet again. The only one that didn't flee was Danny's ringmaster corpse of the hour, of course. "You really couldn't wait??"

It stuck out a withered black tongue out at the mortician, who was, really, the victim in all of this. A victim to his parents' whims and a victim to the dead people who followed him around all the time.

This was how Danny found out that, when it doubt, the corpses could just tear through solid steel if they were motivated enough. The finger-marks were so deep and so embedded that they actually looked more like rough claws in the metal.

Great.

Danny ordered a new locking cage for the fridge on Prime and darted off to work. One of his regulars was on the table, though, so Danny just ended up doing what he would have at home— sewing up a gash in its neck and reattaching dead fingers back onto dead stumps.

On the third day, in which four of Danny's frequent fliers had learned from the first how to flush the toilet (and therefore raise the water bill immensely) Danny got a ring from a dark voice he (almost) recognized.

"Is he here?"

Danny squinted, jerking the phone further under his ear as he whipped up some scrambled eggs. The dead girl leaning over his shoulder leaned a little closer to watch the egg froth up. "Is who here? Who is this?"

"This is Batman. Is— the body requisitioned from your facility currently at your place of residence?"

Danny fully let go of the whisk. It landed haphazardly in the glass bowl he'd been stirring in. "What on Earth is a Batman?" he asked, incredulous.

"I visited your workplace previously."

Oh! "Yeah, the cop's friend. I remember now." Danny pulled the whisk out of the liquid eggs and held it out to the body. The unusually animate cadaver mostly prodded the whisk wires and paid no attention to him. "No one's here but me, though. Not that it's your business...?"

"And there are no non-living bodies currently in your apartment?"

Danny ignored the flushing noise in the other room. "I don't know, dude. They practically live in the walls at this point. Don't come over unless you have a warrant."

The call ended with a click.

His omelette turned out amazing, by the way. In case you were wondering.

On the fourth day, the ectoplasm was gone, because the corpses had apparently all taught each other how to lockpick the container in the fridge.

"Okay, some of that was meant to be my dinner. No more lotion at the funeral home now, okay? Now you all can be ashy forever. I'm so serious," Danny complained to the only visible dead person in the room.

The dead person held up a cracked egg. It was probably a gesture of peace, but now there was egg on his vinyl flooring to deal with. And. It wasn't exactly all that comforting in the end.

On the fifth day, Danny awoke to the sensation of a hand jamming itself through his neck until it punched into the mattress beneath him.

Fuck.

[poorly-drawn-mdzs]

Heartfelt Reunion.

[First] Prev <–-> Next

[idontknowwhatimdoing-13]

Charles Rowland really figured out how to friendzone someone and tell them you’re in love with them at the same time.

[that-ineffable-devil]

There are a lot of reasons we need Dead Boy Detectives S2. A LOT.

But what I need, desperately, is Charles Rowland's Season of Perpetual Bisexual Panic.

You know, to balance out Edwin Payne's Season of Perpetual Gay Panic.

[vaguely-concerned]

are. are you telling me that if the romanced mage warden dies and alistair is king, he deadass stares greagoir down over her dead body and grants the circle of ferelden its autonomy after ordering it rebuilt somewhere safer. first you have to deliberately leave him behind so he won't die for you and then he does that for you once you're gone, even when you're broken up??? absolute and literal king behaviour of the highest order????? the actions speak louder than words of it all??????? I think I hauve covid

[virsancte]

accidentally got too attached to a sim i was gonna kill for story purposes so now i'm slowly cluttering the room i said i wouldn't touch to avoid exactly this LOL. full creds to comfys for the original lot.

[aster-draws]

Identity shenanigans are a hallmark of all superhero fanfictions and i will never get tired of writing them.

This is from chapter 19 of my fic Better Halves (and other such falsehoods) which is like 100k (so far) of Tim and Danny being idiots like this please go read it it's a labor of love.

just the painted bit below the cut :) if you want it