#I'm coping ig

[sol-the-otter]

You ever just want to be "home" for someone?

[creatiosion]

|| falling from heaven is no graceful act

your lungs have just learned what oxygen is

as your newfound flesh is scorched from hurdling across the  heavens 

gasping for torn-away air

your vessel tearing through the cosmos

with the speed of your lost light

the first mourning of the fallen star ||

a freefall isn't pretty, by me :)

(hopefully not all of what will be shared here will be vent art, but hey it's a start ig)

[astrolavas]

my art style is too simple for this but just know that when i draw post-ttt hunter, in my mind he has central pink-brown heterochromia. like this, kinda:

[misty-wisp]

hey so what if i made a mari lives au where everything is still pretty bad

okay so like. the basic premise of this one is that the incident results not in mari dying but sunny's arm getting either broken or paralyzed, i haven't chosen which. so he can't play violin anymore and mari not only feels guilty for that but also she thinks the weight of both their expectations should be carried on her shoulders alone! so she isolates herself from everyone to focus on her practice and studies <3

so by the time of when ig the story would take place she's in college and having a HORRIBLE time <3 love that for her! also her and hero are the (not really) toxic yuri of all time i love them

[wingsofhcpe]

In conclusion

[bootyful-seventeen]

Oh gosh okay so I went back to marinating more on long haired Jihoon, but specifically long haired Jihoon getting pegged has me chewing on the bars of my enclosure to get out

Like just think of how pretty he'd look when he's on all fours and your fucking into him!! His chest blushed and heaving from how needy he is for you and the way your touch just feels so good and electric running along your skin! Your fingers then threading through his hair to pull his head up to see his thoroughly fucked out and flushed face in the mirror you placed in front of the bed. His eyes rolling back into his skull as cute little whimpers and cries slip from his lips when you brush your lips along his shoulder and licking up his neck before nibbling on his earlobe. Aaaaaaaaaaaahhhhhh and even the louder moans he'd make if you gripped his cheeks in your hands and pounded him into the mattress, his back arching so nicely that you can't help but run a hand up his spine and wrap his long hair around your fist while he trembled underneath you whimpering about how he's gonna cum. Your eyes dropping down to watch his slick hole swallowing your strap on with ease from being played with for so long before getting bent over. Jihoon's whines getting louder from hand slipping between his thighs to jerk off his leaky cock until he's releasing spurts onto the sheets under him. Tears springing from his eyes as you fuck him at a harder and faster pace until he was left gasping for air, his thighs shaking from keeping his ass up when your strap slips out of his trembling hole and a relieved smile on his face as you cooed about how good he was for you, and how he looks so pretty all fucked out like this between kisses along his spine

[knifebaby3000]

fear fun fear love

[eruanee]

Kiryuu Touga and the cyclical narrative

TW : Discussions of misogyny, emotional manipulation and abuse, sexual abuse and (sexual) child abuse. (Very vague) mention of incest.

First of all, not really as a disclaimer but more as a recommendation, a lot of my thoughts about Touga are shaped by this essay, which is definitely easily one of my favorite pieces of Utena meta. I think I'm going to implicitly or more explicitly reference it sometimes, but you don't need to read it to understand this post.

I have a complex relationship with Touga. He is despicable, yet the more I watch the series, the more I find myself... fascinated by him. This post is a pretty much a synthesis of all these thoughts.

On a purely narrative level, Touga's role is a bit special. He's the antagonist of the first arc. The three duels involving him are all turning points in the series. He's a core character in the development of several other characters (Saionji, Nanami, Utena and Miki on a different level).

Yet, turns out he's only a puppet, just as everyone else is. How surprising. And when it comes down to it, what do we know about Touga ?

He's the Student Council's president. He seemingly can't have a relationship with anyone without manipulating them to his advantage. He sleeps with any girl (and maybe not only girls) who breathe around him in a 1 ft radius. His way of coping with depression is to seal himself in a wide and totally empty room to listen to his own voice on repeat to ponder heavily on his broken hopes and ideals. (Hmm. Hardcore.)

And more importantly, he wants power. A power that would be absolute. But why so ?

And this is the point where it gets complicated.

Touga is barely the main topic of episodes focused on him. He is the center of many obsessions and interests, but it seems we never touch upon him as a person. He can be seen being vaguely vulnerable in eps 11 and 12 and then there's the whole Black Rose arc thing. But where does all this mess steam from ?

Victim status

Eps 35 and 36 are the one going deeper into Touga’s character and yet... we’re barely sure of what’s actually going on in his brain. These episodes always give me a weird feeling because we don’t really get to see Touga express his feelings very clearly or freely... We barely get to hear his thoughts. 

Just like Anthy.

Don’t make me say what I didn’t say, though. Touga gets to have way more agency than ever does Anthy, and he certainly doesn't endure the same dehumanization as she does. Anthy does have agency in a way. But she expresses it in hidden, implicit ways : playing tricks, hitting people in their sore spots, sarcasm, empty eyes and fake smiles. She’s manipulative and Touga is, too. These two share many similarities, though they can’t completely blend with each other, of course. 

We don’t know much about Touga’s childhood. We know he and Nanami were adopted (or “sold”) to the Kiryuu family at a young age. That’s basically it in the canon of the series. Though, Touga’s backstory in the movie, showing him being sexually abused by his adoptive father, was apparently meant to be included in the series as well :

Although the TV series touched upon Touga’s younger days, the film goes into more details – the wound of Touga that was never directly depicted. In his younger days, Touga was a normal kid who enjoyed happy times with his friend Saionji Kyouichi and his younger sister Nanami. However, he came to know his unfortunate fate from the time he was ordered by his parents to wear his hair long. His parents sold him to the Kiryuu family. Although he was an adopted son on the surface, the instinctive Touga knew what that meant. And in order to protect his younger sister, he accepted his lot. Being sold. We did not go into depicting what Touga’s parents obtained by going as far as selling their son. We would like you to think of it as a kind of metaphor. 

And Touga accepted in silence the sexual abuse from his new parents. His personality changed while he made a magnanimous show of enjoying the abuses in order to prevent his personality from splitting. The change took place in a spot so deep in his mind, that even those closest to him did not notice. Saionji and Nanami never noticed out of their innocence. And Touga never told his secret to anyone. It is said that a human being gains whatever he lost in exchange. So what did Touga gain in exchange at that point in time? It was the sense of alienation from being abused every night and seeing his innocent friend and sister during the day. The alienated self.

(Extract of a comment Enokido, one of the writers who worked on Utena, wrote about Touga’s role in the Utena movie.)

Of course, you could argue whether or not the sexual abuse is canon or not in the series. After all, the series and the movie don’t seem to take place in the same canon (even though it is hard to completely disconnect the two). Whatever you choose to believe, I personally think it all makes so much sense. 

It makes sense regarding Touga’s general behavior in the series (but this is more touched upon in the essay I linked above) and it makes his goal and his narrative role much clearer.

Being sold like a mere object, knowing a much harsher truth about life Saionji and Nanami don’t know about, showing everyone a stronger facade in order to not completely lose your mind and keep protecting your friend and your sister from this reality and eventually... letting them know in a painfully gendered way, perpetuating everything this system has forced on you. 

It has all become part of you. 

Keeping the cycle of violence going became part of your blood and flesh. Making clear who is supposed to inflict pain and who is supposed to receive it. Who is supposed to protect and who is supposed to be protected. Who is supposed to act and who is supposed to wait. 

And you ? No, you’re never supposed to hurt anymore. You want a way out of this. For you, the easiest way is to simply reclaim the place that was always prepared for you to take. 

When Touga and Saionji found Utena in her coffin, it feels like Touga knew something Saionji didn’t. Saionji felt it too, but he wasn’t able to recognize what it was. After all, he was still a child. Touga knew about the same thing Utena learned with her parents’ death : they both had a glimpse of what the “adult world” (Akio’s world) actually looks like, shattering their juvenile knowledge of the world. 

A world where people die. A world where the weak lose. A world where the prince should protect the princess. 

Touga already had a coffin. Utena just found hers and was about to find a new one. Saionji was just finding his. 

It all makes sense regarding how obedient Touga is to Akio and why he seeks his validation, his desire to go up in the hierarchy aside. It makes sense because he is “alienated”. Touga got deprived of everything, he knows the burden of being alive and he’s learned, from his early childhood, to be compliant. 

He seems independent during the Student Council arc and a majority of the series, but eps 35 and 36 show he is not the mastermind of it all. He has a privileged position but unlike some other characters, Touga never uses his agency to try to break out of the system ─ he follows its rules and tries to reinforce his dominance. 

Why would you break out from a system serving you so well ?

“I want to become like him. I want power like his.”

Touga is alienated to the system and his only goal is to become what it expects of him. After all, why wouldn’t he ? Being a prince is the best position offered by the system. Being a prince means acquiring an absolute power. With such power, one doesn’t die and is forever out of reach and harm and pain. Who wouldn’t want such a thing ? 

The prince never saves the princess out of selflessness. He saves her because it gives him a reward in exchange. He saves her because it gives him power and control over her and ultimately, everyone else. And so, the princess becomes a "toy" wannabe princes has to win, to conquer.

Does Touga, even during what seems to be his most “sincere” moment in ep 36, ever wish to protect Utena for something else than possessing her ? When could have he learned to know and appreciate her as a person, rather than a princess ? A reward to conquer ?

When did he stop wishing he could’ve saved Utena just like Akio did ? I believe he might be genuine, yet he acts toward Utena exactly like she acts toward Anthy. He wants to save her for his own sake, regardless of her personal hopes and desires. 

It’s truly sad, though. Because all of it is nothing but a childish dream. There was never once a prince in this world. Only boring and abusive adults. 

“Are you really happy with that?”

Well, when it comes down to it, probably not. But was it ever about happiness ? Probably not either. The pursuit of power only ever leads to isolation, to a complete lack of meaning ─ after all, friendship is a fool’s thing. No one can reach what’s behind the facade. 

Saionji was able to confront Touga with his own lies and paradoxes, get as close to his real self anyone probably could. But it wasn’t enough. Saionji himself didn’t go as far as leaving the system entirely, even when it seemed he had cracked it all. Touga sort of did, too. 

As far as I’m concerned, we only heard his own, deep thoughts once.

“Kiryuu Touga, the playboy Student Council President... Is it? "Playboy" sounds old-fashioned.”

Touga weaponized himself. He weaponized his body (sex is only a tool to aim for power). He weaponized his heart (relationships only matter if you use them to your advantage. Those who believe in love and friendship are fools and will be ultimately be used to someone else’s advantage). And for what ? 

I really like the symbolism of the poppy flower in ep 35. I feel like it symbolizes Akio’s power, in a way. I’m incredibly bad when it comes to the language of flowers (so everyone is free to correct me) but please bear with me. In the East, red poppy flowers apparently symbolize romantic love and success (what it probably means for the girl confessing to Touga, as well as Akio when he “eats” it in this scene, since Touga and him are talking about Utena) but it can also symbolize “luxurious pleasures and fantastic extravagance”. In the Japanese language of flowers, red poppies can also symbolize someone “fun-loving”. I feel like both of these work with Akio and I believe that for Touga, they are a symbol of luxury and extravagance. 

Yet another girl confessed to him. Without even thinking about it, he kissed her. He will never read her confession letter, he probably didn’t even notice it. He will probably simply leave it on the floor, without a care. This pursuit of power isn’t even fulfilling to him, there’s absolutely no thought behind it. Only automatic actions, behaviors working in favor of someone else’s greater scheme. He won’t even get to actually possess Utena. 

He will never get what he truly wants. Is there even anything that he truly wants ? Saionji, maybe. In the meantime, he’s just a tool for a system. A system made up by boring adults, based on lies, illusions and unachievable dreams. 

Touga is condemned to go in cycles. He’s given everything to overcome what keeps him stuck and trapped, but it doesn’t do anything. He can only revolve around his own coffin, completing the same circle, again and again. 

He doesn’t know how to do anything else. 

It will never make anything he’s done forgivable. But at least, maybe one day, he’ll realize. Or maybe never. 

We can always create new roads, leading to worlds completely unknown to us, where everything needs to be built. Anthy and Utena are here to show the way, who deserves to follow these new roads is only up to you. 

On a purely personal standpoint... I was never really able to answer this question. 

“No. It's not over until we see it through the very end.”

[kindahoping4forever]

Ash IG Story

[trraubensaft]

Projecting my problems onto Leo rn

[jils-things]

to love someone is to heal someone

[faceglitchsworld]

The cake is cute and sweet, but you're cuter and sweeter 🥺

[hunter-sylvester]

yeah they might have kicked me out of therapy but I got heavy metal and Netflix's 2022 flop film Metal Lords so really who needs therapy anyway?

[welcometogrouchland]

Wait crying again bc I was rewatching The Intruder today (episode 4 of season 1) and I realized that like. The glyphs represent a few things in the narrative but one thing that's consistent is they're always there when Luz doesn't feel like she's good enough on her own. They appear to her as comfort in moments of self depreciation or self doubt, or she coincidentally learns them in episodes where she faces her fear of rejection or makes a mistake (at least this is true in terms of the first four base glyphs she discovers). It's the titans way of saying "you may have to do things differently, but you can do anything they can do" to Luz bc he cares about her

AND THEN. IN WATCHING AND DREAMING. WHEN THE TITAN PASSES ON AND THE GLYPHS DON'T WORK ANYMORE. IT'S BECAUSE NOW LUZ FINALLY FEELS LIKE SHE'S GOOD ENOUGH, ALL ON HER OWN. SHE'S LEARNED THAT SHE HAS INTRINSIC WORTH AS A PERSON AND SHE DOESN'T NEED TO MAKE UP FOR WHO SHE IS. SHE MIGHT DO THINGS DIFFERENTLY BUT SHE CAN DO EVERYTHING ANOTHER WITCH CAN DO- THIS TIME WITH HER OWN, MORE PERSONAL ACCESSIBILITY TOOL (HER PALISMEN) INSTEAD OF THE ONE THE TITAN GAVE HER. MAN!!!!!

[gloriousmonsters]

sometimes i'm like. am i actually a narcissist? just for a moment. then i remember that from the ages of like 12-19 i eschewed all other photographs or more normal forms of decoration to keep a framed photo of myself on either my desk or my bedside table where i could look at it constantly. cuz i thought i looked cute and confident and no it did not occur to me i might like to have a photo of like, a family member or some cool trees or something i just took like 7 years to go huh wait other people don't keep a photograph of themselves on their desks? what do you do when you want to look at yourself go all the way to a mirror??? anyway it wasn't realizing this was unusual that made me stop the photo just got water damage

[nic-coughlan]

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