#I'm am not good at following my own advice

[runawaymun]

Hey! Any advice on writing multi chaptered fics or just longer stories?

I feel like I'm okay for like snippets but have no idea how to write the middle of a story or move a character or story from point a to point b.

And asking you because you're writing is phenomenal and I'd love some advice.

(But if no brain space for advice I totally get that too and feel free to hide this ask or something)

(Anyway great updates on boundless and the one shot Brimbrond)

Sorry for taking so long to respond to this! I just wanted to take some good time to gather my thoughts because oh man oh boy I am a bit of a nerd about plot structure, even if I pants it a lot of the time -- because middles and structure absolutely plagued me when I was a beginner and so I spent a long, long time studying it and breaking it down.

I'm going to start with some very, very basic advice and then get into some more specific stuff. So let's talk first about how to structure a long-form plot first.

DISCLAIMER: this is how I personally structure plots. More often than not I veer off my own track. And this is a very western way of structuring a plot. It's well worth looking into how storytellers from around the world structure their work because it can vary wildly (Miyazaki is a great example of this). Take this with a grain of salt. It's a guideline which I find helpful. This is going to get very, very long. Bear with me:

When I'm first thinking about how to create a plot around a story I want to tell, this is the process I walk myself through, and it tends to work about 75% of the time for the stories I like to tell (I'm not much of a thriller or mystery writer and those tend to have different kinds of structure). Main recipe is as follows:

Status quo - establish the setting and the character. Do this by the middle-to-end of chapter one, preferably. You can get away with drawing it out a bit in sci-fi or fantasy works that require more worldbuilding, but try not to.

Inciting incident - I won't tell you to start in media res, as that varies from writer to writer and story to story. Generally you want to have this somewhere in chapters 1-3. Say we're talking about LOTR - I'd say the inciting incident is when Bilbo goes invisible at his birthday party and leaves for retirement. Everything sort of snowballs from there (Gandalf confirming this is The One Ring, the Ring being passed to Frodo, the adventure beginning, etc. etc). This is where your character can lose something, or be confronted with a huge problem, or gain some new information. This is the point where your story really picks up.

Point of no return - your character has been presented with a problem or is put in a situation and now they have to decide what to do about it. Sometimes characters choose to run away, or choose inaction. It's up to you and your character as to what they do next.

The annoying part - the most helpful way I've ever found to think about middles is in terms of a series of decisions and consequences. Your character must decide what to do (or try to get what they want), and this will then come with consequences to those decisions. I ignore a lot of writing advice because writers seem to be very cagey about how they compose middles and plots for some reason, but the one piece I heard that helped me was: "What does my character want, and what stops them from getting it?" -- and this can be anything, right? Frodo wants (has to) take the Ring to Mordor. Luke wants to learn to be a Jedi like his father. Inspector Poirot needs to catch the murderer. Odysseus wants to return home. Each of these characters are going to make a series of decisions toward their goal, and they may be working from incomplete information, or bad paradigms, or racing against the clock, or against impossible odds. They're going to make mistakes. Over and over and over again. The middle is a series of decisions, consequences for those decisions, and obstacles (more on that later).

Point of no return 2, electric boogaloo (i.e. the actual midpoint to the story) - the part right before the climax -- the climax IS NOT the midpoint of your story, nor is it the end. This is your midpoint where Everything Fucking Sucks. Your character's back is against the wall. They have to change, or fail.

Paradigm shift: your character learns something new, or develops in some crucial way that leads to:

The climax/confrontation: 3/4 - 7/8th of the way through your plot. Frodo decides to keep the ring. Luke uses the force to blow up the death star. Anakin's fear and the manipulation from Palpatine overtakes him and he turns to the dark side. Inspector Poirot gets his last crucial piece of information and gathers everybody together for the Big Reveal. Odysseus gets home and chases the suitors out of his house. Etc. Etc. This is that Big Point in the story we all think as the most important or crucial point (but it's not. That's the key here. THE most important point is the whole middle of how we got here).

Consequences and paradigm shift 2 electric boogaloo: varies from story to story, but this is the fallout of the last decision or confrontation. Your character may reflect on what they've learned. The killer goes to jail. Frodo returns to the Shire and it's saved, but not for him. The journey your character has been on has irreparably altered them, or the world around them -- for better or for worse.

Resolution: the place where you land the story ;) what is the final impression you want your readers to have of your character, or this world?

Alright so that's all kind of nebulous. Let me give you a slightly more specific form of this plot structure that I use pretty often, because I almost exclusively write character and relationship-driven stories since that's what interests me most:

So most of this looks much the same (the inciting incident is some kind of meetcute. The characters then have to decide if they want to have some kind of relationship -- I like to name this part the callback). Then we have a whole weird squishy section of building interest and tension, before once again we have The Big Fight (darkest before the dawn or what have you), before one or both characters have some kind of paradigm shift, they confess their feelings (or resolve the fight or whatever), and the security of the relationship is established -- happy go lucky times, everything is beautiful and nothing hurts.

So the middle here is of course still squishy and nebulous, but the focus here is still on "What decisions are the characters making? What are the consequences of those decisions? What are they learning, and how do they respond to it?" Maybe the tension is in one character being more reticent, while the other is more open. Maybe the tension is a sexual tension (will they, won't they?). Maybe a character is working off of incomplete information, or a misunderstanding, and that needs to be cleared up before the relationship (or even their own personal growth) can progress (both Elrian and Thalionel in Stars and Boundless Sky follow this pattern). The middle is a push-pull between your character's desires and outside forces that are stopping them from getting what they want, or achieving what they want to achieve.

So okay, that's all well and good. That's basic plot structure. Let me get into my thought process about middles specifically:

Begin with your ending in mind. I do not mean that you need to have like the whole resolution to your story fleshed out. If you're that kind of writer, great! But if you're more of a pantser like me, then that can be a big ask. Instead, ask yourself: what do I want my character to have learned by the end of the story? How do I want them to have changed, or grown? Do I want it to be for better, or for worse? Is there a specific plot goal you have in mind? (saving the world, or catching the murderer, solving the mystery, exorcizing the ghost, the couple getting together at the end, the found family finally gelling with each other, or whatever).

Once you have that thought in mind, now start to think about what your character might need to get from their starting point to their ending point. If it's a murder mystery, this is your information gathering section. You can lead your character to wrong or right conclusions. Have them make mistakes. Etc. etc. If it's a romance, this is where you create a string of scenes where the characters have opportunities to interact and learn more about each other (works for platonic slowburns, too). If this is a traditional hero's journey, this is where you plop in your actual journey.

Not to repeat this ad nauseum, but your middle is all about getting your character to your end goal, but in the most difficult way possible lmao. Let them make mistakes. Let them make bad decisions -- and then follow through with the consequences of those bad decisions. Give them bad information. This is where understanding your character's fundamental flaws becomes extremely important. Your entire plot, imo, stems from your character's fundamental flaws -- because ultimately that is what is going to slow them down the most from reaching their goal. Sure, you may have the big bad evil guy (bbeg), but we're not worried about him. That's an external factor and that's easy to drop in when you need a quick problem to place in front of your protagonist -- but that problem needs to be in service to your character or your worldbuilding. Teach them something. Give them an opportunity for growth. Aragorn needs to lead at Helm's Deep so he can inhabit his leadership role. The mountain pass of Caradhras needs to force the Fellowship through the mines so that Gandalf falls fighting the Balrog and comes back leveled up and ready to fight, and other characters in the fellowship have a chance to grow into their roles without relying on Gandalf for leadership. Your middle is all about crafting little opportunities for character growth, always while moving toward your end goal -- whatever that may be.

The paradigm shifts are crucial, and they can shift for better or for worse. It's up to you and your characters and the story you want to tell as to which it'll be.

If you're bored, your reader is bored. Only write what excites you, skip all the rest, and make it make sense at the end -- I'm so serious. Yes you need to add in breaks for pacing (like the whole Rivendell section in LOTR), but in those breaks still make sure that you're either expanding your worldbuilding, or giving your characters and opportunity for growth.

If you want to tell a really long (novel length) type of story, sideplots and alternate POVs are your best friend. They are structured exactly the same as a regular plot, they're just simpler or smaller and generally work in service to the main plot. Maybe there are side characters or side relationships you'd like to develop. Maybe there's a smaller mystery or a part of your worldbuilding you'd like to explore. Action plots can be side plots to romantic or platonic slowburn plots, just as much as it can be the other way around. And this is not something you need to structure out the gate. Just be curious and playful. Find points in your story that interest you, and explore them a bit. You'll find that they expand the story.

Biggest and best tip I can give you, when all is said and done, is to decide what kind of story you want to tell and then examine how other people are doing it. If you want to write a superhero story, pick out your favorites and look at how they're structured. If you want to write a mystery, same thing. If you're writing a romance or a drama, again -- same thing. Look at the pieces of fiction that you like, figure out what you like about it, and then apply it to your own work.

That's all the general advice off the top of my head. IDK how helpful this was lol. If you want more tips on middles I can try to look at it a bit more in depth, but to be quite honest middles are really what defines a genre. Romances have different middles to thrillers. Thrillers have different middles to mysteries. Mysteries have different middles to dystopian sci-fis. Etc. Etc. So take the general advice with a grain of salt and look more specifically at the genre of story that you're looking to tell.

Thanks for coming to my tedtalk <3

[a-creature-as-bright-as-the-sun]

I went to light a candle to Athena and accidentally said Artemis' name bc my BRAIN is shit and sees them as super similar names. I've have never been genuinely concerned that I fucked up, but oml these are the two scariest goddesses to me 😅😭

[ineffable-romantics]

I have admired the work of the amazing @anotherwellkeptsecret for YEARS, following her originally from the height of my Sherlock obsession all the way until now where she has (to my delight!) crossed over into Good Omens as well.

She also just had a baby!!!! So partly as a congratulations, partly as a thank you for being such an artistic inspiration, and partly so I could practice my own digital art techniques and play with Procreate for the first time, I asked if she would allow me the privilege of coloring some of her favorite pages from her comics while she's on maternity leave. And she said yes!

But she asked me to pick my favorites instead. So I took her at her word and chose one favorite page from each of the ten comics I have saved and loved over the years.

Exactly two weeks later (and in no particular order) here is the final result!! I am so grateful to Kelley for letting me do this, and I have discovered so much about my own style and what I like (excessive lights, apparently lol). I hope you guys like them as much as I do, and please please please go support Kelley's tumblr and Patreon, she absolutely deserves the world. 💕

---

One Night in Bangor (And The World's Your Oyster)

(more art below cut)

Oh What A Night

The Losing Side

(Sequel to Oh What A Night)

Points Of Interest

(Sequel to Oh What A Night and The Losing Side)

Who Wants To Live Forever

That Certain Night

A Romantic Affair

(Sequel to That Certain Night)

As Long As We Both Shall Live

(Sequel to That Certain Night and A Romantic Affair)

Change Of Pace

Temptation Accomplished

[triptuckers]

sparring sessions - percy jackson

Request: yes! "ok so ik it’s kinda (by kind of i mean VERY) cliche, but i was wondering if u could do like an angst -> fluff where like percy and reader get into a fight n stuff and he like admits that he loves them??" Pairing:  percy jackson x reader Summary:  when an argument between you and percy gets heated, some things are revealed Warnings:  mentions of injuries and blood, arguing, angst Word count:  858 A/N: raaaaaahhh I LOVE me some cliche's LETS GO !! thanks for you request, enjoy!

it started out as an innocent sparring session between percy and jake, a hephaestus kid. a couple kids from hermes, hephaestus, and athena decided to get together to train. you and percy also joined.

you'd been at camp longer than percy, so you had trained him in the beginning. the two of you often train together even though percy is now better than you.

but somehow he still looks at you while sparring with someone else. if it's to read your facial expressions or just because you're in his line of sight, you're not sure.

but today it nearly went wrong.

while percy and jake were sparring, percy was looking at you and too late to block jake's sword. he managed to make a deep cut in percy's arm.

the session was immediately ended and percy put his sword away. while the other kids continued their training session, you walked away. you couldn't stay there and be around percy right now. clearly he hadn't listened to you.

but percy, having seen your face, follows you.

as soon as you get to percy's cabin - which provides you with more privacy than your own - you turn around to look at him with an irritated look on your face.

'I told you to ignore me if you're sparring!' you say.

percy frowns. but nothing bad happened? why are you mad at him? besides, he can't look away from you when he's sparring. he thought you knew this.

'and how am I supposed to do that?' says percy, watching as you take off your armor and neatly put it away. 'you're the one that taught me. of course I need to see if you think I'm doing a good job.'

you pinch the bridge of your nose between your fingers. you're trying so hard to stay calm right now.

'of course I think you're doing a good job, percy.' you say. 'I know you're good at what you do. but you'd do a great job if you would listen to my advice and avoid getting stabbed.'

percy makes a soft offended noise. 'first of all, I didn't get stabbed. I got nicked!'

you groan out loud 'percy! come on, don't be stubborn!'

'I'm the one being stubborn? you should see yourself when you're sparring. you want it to be perfect but fighting never is! it's messy, no matter how good you train someone.'

'I'm going for a walk.' you say, before you get angrier and say things you don't mean.

you grab your armor and walk towards the door, but he steps in front of you, blocking the doorway.

'oh no, you're not. we're not done yet.' says percy, crossing his arms over his chest, displaying the cut on his arm that he didn't have time to heal yet.

'got more to say?' you say.

'yes. you never did actually tell me what I did wrong.' says percy. 'you're mad, I can tell. but you didn't tell me what it was that I did that's made you mad.'

'yes I did. I told you that you need to ignore me when you're sparring. focus all of you attention on the opponent, not me.'

'I can't do that.'

'can't focus on the opponent? I noticed.'

'that's not what I meant!'

'then what do you mean!'

'I meant I can't ignore you when I'm sparring!' says percy loudly. 'I can never ignore you, don't you understand that? whenever you're near you always have my attention, I can never look away. even when you're not near me I'm thinking about you. gods, you're always on my mind because I love you, okay? so I'm sorry if I can't look away from you when I'm sparring!'

you hadn't realised how close you were to each other. now percy's face is close to yours, both of you breathing heavily.

you knew percy liked you, obviously. you wouldn't be staying in his cabin almost every night if he didn't. but this? even though you knew percy had liked you for a long time, you hadn't been together for that long.

'you love me?' you say in a soft voice, feeling your anger and irritation ebb away.

percy closes his eyes and shakes his head, as if he just now realises what he said. then he sighs and when he opens his eyes and looks at you, there's nothing but sweetness in them.

'yeah. I do.' says percy. 'I've loved you for a long time, actually.'

you smile and want to say something but percy's eyes widen.

'wait, shit, is that too soon? should I have waited to say it? oh gods if I-'

'percy.' you say, shutting him up by stepping even closer to him.

'it's okay. I love you too.' you say.

percy grins and his eyes twinkle. without warning, he puts his hands on the sides of your face and crashes his lips against yours. he can feel the smile on your lips.

when he pulls back, you're both smiling.

'you still want to go on that walk?' says percy.

'definitely not.' you say.

percy laughs and kisses you again, your argument already forgotten.

A/N: If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost, steal or translate my work, as I spend much time and effort on it!! Thank you for reading! Much love, Marit

[athena5898]

I often think when people hear "infantilizing a group of people", they think of it literarily that we are actively being made a infant. While this is a part of it, I think people miss the subtle things that end up causing chasms in their relationships with that group of people.

It's actually hard to pinpoint because it's never a singular event, it's many tiny things but the end result is always "I am the authority, I will always know more then you, I will never take your advice, I will never be honest with you (you know to spare *your* feelings), any disagreement is your fault, any problem in your life is my cross to bear and you must follow how I tell you to fix it, I will never stoop myself to understanding what your needs are as X group and will view everything from my own lens and judge you accordingly, we are not equals, and we never will be. (This is not a exhausted list, nor will everyone have all the same traits)

It is very hard to connect with someone who just automatically assumes a higher status to you just because of something you can't change. All the while the offender thinks what they are doing is actually a good thing. They are somehow helping you by just assuming they are better then you (which in the end, that's kinda what this is).

I have a few people in my life that I care for a lot, but they are not that much older then me yet they act like I can't possibly understand them and automatically shove this "child" label on my forhead.

And here is the thing, they will voluntarily bring up why they think this if you pay attention. It might be trauma they've dealt with, it might be that they have kids and you don't, age, or anything else like this. However I think it's important to note that I have friends who do not talk down to me and respect me as my own person with autonomy and also have these things going on in their life. So it's not like it's impossible to treat someone with respect and have these differences.

Now what do some of these subtle differences look like? There are many ways they can materialize but to name a few.

- Demanding the person solves a problem their way despite the person telling them why their circumstances do not allow that.

- assuming...well anything and all the time. These people have a tendency to think they know exactly what you are feeling and other such things and if you try to correct them then they will actually get upset at you or show some type of passive aggressiveness.

-Speaking on your behalf without asking permission

-never valuing your expertise on any subject. They are older/more mature then you, therefore to them they know more about everything. What's really fun (/s) about this is when they will explain to you, why you are wrong, by repeating what you said back at you.

- any reason why you can't do a thing, or why you need an aide is an excuse. You could do it if you *really* wanted to, but you are just being lazy. Now the real adult has to take up your burden.

- they do not/cannot listen to you. No matter what you say or how you say it, or if they even confirm what you say, there is always a part of them that is not listening. Or hell, they could of listened to you, but since what you say isn't important to them, they will quickly forget it and may even try and claim you never said anything to them.

- I'm not sure if this counts as infantilizing, but I notice that it happens a lot in tandem. While they think less of you and treat you like a child whose facts and opinions don't matter, all of this will change at a moment's notice when they need something from you...oddly enough something they probably normally do not take seriously from you on a normal day. Suddenly thrusting you with this burden of taking care of them even though they are never there for you in any meaningful actually helpful way most of the time. Like you will literally be demanded to stop what you are doing, and get over whatever you are going through to help them and their problem. I cannot explain how frustrating it is to be demanded to be the mature one while most of the time being denied respect.

I could go on, but honestly if I sat here and thought of every single tiny thing they do to make sure there is distance between you and them up on their self made pedestals, I'd be here all day.

The worst part on all of this is that I have no idea how to resolve it. People who do this are not inherently bad people, hell they might not even realize they do it. But this can actually make it more difficult to bring to their attention. I have tried many ways and many different times to resolve this, but I haven't been successful yet. Anyone who has corrected themselves were people who just had a little mess up but still obviously viewed me as a person from the start.

These subtle ways someone can dehumanize you, it can cause terrible rifts and of course the other person never understands why (see point above about not listening)

I am writing this as a autistic person, but I know there are others who go through this. Please check the ways you create artificial authority over someone.

Edit: someone reblogged this with hashtags about how we shouldn't do this to children either and I completely agree, I was using the term because it's the one often used to explain these things. Adding the edit cause I have no idea how to respond to the hashtag thing and I think it's a important thing to note.

[fayes-fics]

Textual Encounter

Pairing: Benedict Bridgerton x fem!reader, modern AU

Summary: Text fic. Wrong number meet-cute over text.

Warnings: none... this is fluff and humour.

Word Count: 1.4k

Summary: Fic request fill for Anon (HERE). I kept it fun and fluffy, but yeah, I can see a sequel where they sext. Thanks to @colettebronte for the read-through. Enjoy! <3

Y/N: Hey Liz, it’s y/n y/l/n. Kindle Spa gave me your mobile. Said you had moved to another salon. I don’t trust anyone else to wax me tbh. Big date this week, kwim 😉 Can I get an appt? I’ll come to you. Doesn’t matter where. 

BB: Errr, I think you have the wrong number…

Y/N: Not Liz?

BB: Nope, Ben here. 

Y/N: Not a waxer, I presume?

BB: I may have waxed lyrical in my time, may even have lit a few candles. Have not waxed anyone no - my own body or anyone else’s. Yet. But I’m game to try anything once...

Y/N: Lol.

BB: Big date, eh?

Y/N: ….Yeah. Not that it's any of your business, stranger Ben.

BB: Fair. BB: Does it hurt?

Y/N: ??

BB: Getting waxed.

Y/N: Oh. Yeah. Like a motherfucker. But you sorta get used to it, tbh. And it’s so much less itchy than shaving regrowth, especially in sensitive areas… Wait, why am I having this convo with a complete stranger?!

BB: We don’t have to be strangers. BB: I’m Ben, 33, London. BB: I have no strong opinions on hair removal methods.

Y/N: lol. K. I’m y/n, 28, also London. Y/N: I, as you can see, do have some opinions.

BB: Hi y/n 👋 BB: I hope you can find Liz. Or someone else to assist with your hair needs.

Y/N: I would like it stated, for the record, I’m not hairy like a troll. I just like to keep things neat.

BB: The lady doth protest too much…

Y/N: You are cheeky for a stranger.

BB: Hey, I thought we agreed. Not strangers. Me Ben. You hairy troll.

Y/N: BLOCK.

BB: Just typing it doesn't work, you know.

Y/N: You should work at the Apple Genius Bar.

BB: Hmm, possibly. I do look good in blue. Or so I've been told.

Y/N: Always glad to provide career counselling.

BB: 🫡

4 days later.

BB: How’d your date go?

Y/N: That's odd. I don’t see a Genius Bar appt in my calendar…?

BB: iCal is a lying bastard. BB: I also assume you now can move faster through water.

Y/N: ??

BB: Waxed smooth like a dolphin…?

Y/N: 😆 Y/N: Entirely none of your business, but yes, actually. Well mostly. I leave some. Why am I telling you this?! Y/N: The guy was such a dud tho, I didn't get to show it off 🙁

BB: Please don't stop on my account. This is just delightful.  BB: I apologise on behalf of all men.

Y/N: For what?

BB: Having 4 sisters, I find the safest answer here is usually… everything, of course.  BB: But specifically, your rubbish date.

Y/N: Apology conditionally accepted. Y/N: 4 sisters?! 

BB: Only conditional? What do I gots to do to make it unconditional? BB: Yeah, I know… I’ve got 3 brothers too. My parents were really into each other. 

Y/N: IDK, serve a mean martini? Y/N: Understatement.

BB: That could be arranged. I took an online mixology course during lockdown.  BB: My sister El declared I'm better than Stanley Tucci. Admittedly, that was after 4 espresso martinis… but I'm taking it. She's opinionated but the best one. They are a weird bunch tho 🤔

Y/N: WOAH WOAH WOAH. That's a bold claim.

BB: Well, there’s only one way to dispute it: try one for yourself…

Y/N: Smooth, Genius Bar, smooth.

BB: I do my best 🤷

1 day later.

Y/N: I can't get my AirPods to work.

BB: You do realise I didn’t actually follow your career advice?

Y/N: Urgh. Inconvenient. What use are you then?

BB: As I said. Cocktails. I’ll try my hand at waxing if you want.

Y/N: Best stick to the day job. Which is…?

BB: Graphic design.

Y/N: Oh, that’s quite cool. 

BB: It pays the bills. You?

Y/N: MI-5

BB: Wow, you're a shit spy.

Y/N: It could be an excellent double bluff…

BB:

Y/N: Oh, we’ve graduated to memes now, have we, Genius Bar?

BB: It was called for.

Y/N: I’ll take it. Purely cos it's a Hemsworth.

BB: I would too, tbh.

Y/N: Bi?

BB: For a Hemsworth? Always.

Y/N: Anyone else?

BB: I’ll keep you posted.

Y/N: I'm on the edge of my seat.

3 days later.

BB: Oscar Issac.

Y/N: Good non sequitur evening to you, too, Genius Bar Ben.

BB: For the bi thing.

Y/N: Ahh. Got it. I can respect that.

BB: This is me, btw: www.instagram.com/benbridgerdesign.  BB: Figured you can decide for yourself if I'm a creeper.

Y/N: Appreciated.

3 minutes later.

Y/N: You paint?

BB: I dabble

Y/N: Modesty will only make me like you more.

BB: You like me?! 🥹

Y/N: You didn't mention you were handsome.

BB: There is no way to respond to that without me sounding like a twat.

BB: But thank you 😊

Y/N: This is me: www.instagram.com/ynhandle 

7 minutes later.

BB: Oh, Amalfi is so beautiful, isn't it?

Y/N: Wow. That's a deep cut. How far did you scroll back??

BB: 👀

Y/N: Yeah, it's beautiful. Shame it's tainted for me now. Was there with an ex.

BB: I saw. Very handsome.

Y/N: Are you sure you're not just into men full-stop?

BB: 🤷 BB: You’re very pretty, too.

Y/N: I’d believe it if you didn't mention my “very handsome” ex first…

BB: I call it like I see it. BB: I have had 4 whiskeys, tho, so make of that what you will.

Y/N: On a school night?!

BB: It’s my brother Ant's birthday. This is like non-optional drunk, I’ll have you know.

Y/N: Happy birthday to him. 

BB: He says thanks. He’s also told me to get off my fucking phone. Which is rich. He is texting his wife nonstop.

Y/N: Hah! Safe travels through Whiskeytown, BenBridger 🫡

BB: I kinda miss Genius Bar…. 😞

Y/N: I can't win…

2 days later.

BB: Settle an argument for me.

Y/N: 🍿

BB: Col, younger brother, never stops eating... He claims Katz Deli is overrated. I argue it's touristy but still good. You’ve been. Where do you sit on this matter?

Y/N: You really did go thru my Insta, didn't you?? Y/N: Thanks for the follow, BTW.

BB: It's a compliment, I assure you. BB: Welcome. And same.

Y/N: Not complaining. And yeah, I agree with you, actually.

BB: Hah! Excellent!!

Y/N: Wait… your older brother is Ant, and your younger brother is Col? You’re Ben. So, like ABC?

BB:  … I already warned you my family was weird.

Y/N: You did. You did.

BB: Now, please excuse me while I go gloat.

Y/N: 👍

5 mins later.

BB: Hi. This is Col. You must be the famous y/n. Ben’s in the bogs, and the mug left his phone on the table unlocked, so this is on him.  BB: He like really likes you. Like a lot. Will you go on a date with him pls? 

Y/N: Err, ok, hi Col. Y/N: Umm, I think Ben should be the one to ask me that. Don’t you?

BB: He’s too scared you’ll say no.

Y/N: I won't…

BB: EXCELLENT.

2 minutes later.

BB: I am so SO sorry about that 😬 He’s such a shit. BB: But… do you mean it?

Y/N: Ask me properly…

BB: Would you, y/n, like to go on a date with me? Please?

Y/N: I would be delighted to Ben. 😀

BB: 🙏 BB: Are you free on Thursday? Could I take you to dinner?

Y/N: Sounds wonderful. 

BB: 7pm? Meet at Picadilly Circus? By Brasserie Zedel?

Y/N: I’ll be there 😀

BB: 😀

10 days later.

BB: I think you should know… Liz is an artiste 😮‍💨

Y/N: Stop texting me from my bed, you dork. 😘 Y/N: How do you take your coffee?

BB: I'm like 10 meters away. Why not just ask me?

Y/N: You started this, Genius Bar…

BB: Come back to bed, Mostly Hairless Troll.

Y/N: I asked for that, didn't I? 🤦

Benedict taglist, pt 1: @makaylan @longingintheuniverse @iboopedyournose @aintnuthinbutahounddog @severewobblerlightdragon @writergirl-2001 @heeyyyou @enichole445 @enchantedbytomandhenry @ambitionspassionscoffee @chaoticcalzoneranchsports @nikaprincessofkattegat @baebee35 @crowleysqueenofhell @fiction-is-life @lilacbeesworld @broooookiecrisp @queen-of-the-misfit-toys @eleanor-bradstreet @divaanya @musicismyoxygen84 @miindfucked @sorryallonsy @cayt0123 @hottytoddyhistory @fictionalmenloversblog @zinzysstuff @malpalgalz @kinokomoonshine @causeimissu @delehosies @m-rae23 @last-sheep @panhoeofmanyfandoms @kmc1989 @desert-fern @corpseoftrees-queen @magical-spit @bunnyweasley23 @how-many-stars-in-the-sky @sya-skies

[thebibliosphere]

Whenever I get a particularly nasty message, I always check to see if they're following me first. Nine times out of ten, they're not. But they're also, unfortunately, the same people who feel entitled to send me multiple messages in a row, most of them heavily steeped in the language of moralization and purity.

Like whenever I talk about painkillers or pain management, I always get a handful of well-meaning people who are maybe new to my blog or are just young, asking me if I've tried diet/exercise/meditation, etc.

Sometimes I'll respond to them. Other times I'll just ignore them because I get those kinds of messages so often it's like white noise, and maybe part of me hopes if they stick around on my blog, they'll learn it through exposure via my incessant bitching.

When you see me responding to someone offering that kind of advice, it's either because I'm at my fucking limit or because I'm hoping it's a teachable moment and an otherwise seemingly nice person might unlearn some harmful biases.

The people who don't follow me are not interested in any kind of conversation on the subject. They do, however, feel the most qualified to tell me, someone they didn't know existed until one of my posts crossed their dash, how to manage my life, everything I'm doing wrong, and why I'm a bad person.

And for them, my disability is proof that I am a bad person because they view health as a moral issue.

If you're sick, it's because you don't exercise enough, don't eat the right foods, don't pray enough, don't do enough. They genuinely believe that if they say and do all the right things, like a Good Person, they'll never get sick.

It's their security blanket against the harsh reality that anyone is one bad day away from disability. One faulty gene, one bad infection, one bad accident away from a life-long diagnosis. And if they do get sick, it's a test. A challenge to be overcome with Willpower as they learn the True Meaning of Life.

It can never just be a simple fact of life that sickness happens. That disability exists without a moral reason.

And it's suffocating.

Day in, day out. Folks who don't know me from fucking Eve telling me I'm being punished. Not always as outright as that. They don't always use that word. But sometimes I appreciate it when they do because at least then they're being honest. They're not couching it in the softer language of leftist circles. Not hiding it behind concern.

Because the truth is, there are just as many folks who think they're liberal and enlightened who'd be happy if disabled people just stopped existing. They don't like thinking about us because it makes them think about themselves. About their own fragility and mortality, and they hate that. They hate that there's something they can't control with their thoughts and actions. That they can't moralize their way out of.

Honestly, it's a relief when people are just cunts about it because I can hit the block button, safe in the knowledge that they were never the kind of person who would see me as a person. But when it's some 20yo kid with their pronouns, orientation, and "ACAB" in their profile spouting the same kind of moralization, sometimes even with the language of eugenics, it feels like such a betrayal. Like a loss.

And perhaps if I wasn't multiply disabled, I'd have the energy to pull them back. To tell them why they're wrong and hope like hell they realize what they're doing is harmful. But then, if I wasn't disabled, they wouldn't be messaging me, so I wouldn't be dealing with it.

I wouldn't be expected to use my existence as a teachable moment to spoon-feed them compassion. But I am, and I do. When I can. Not always with the grace that's warranted. Not always with the thought and compassion I ought to. (And I don't; I acknowledge that. I'm prone to anger and off-the-cuff remarks that are hurtful too. Though I try to keep most of it to myself or save it for therapy.)

Basically, if you've made it this far through the TED talk, don't be fucking cunts to disabled people. Don't tell chronically ill people to try yoga. Don't moralize pain relief. Suffering is not noble.

You need to kill the cop and the priest in your head telling you otherwise.

And also if you're the nice people sending me nice messages. Thank you. It helps cushion all of *gestures* this.

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[sassytommykinard]

Reprieve

Hi again, it's me, I'm the problem, it's me. I really didn't intend to write anything tonight, but I have too many words in my head. This is another fic, this time super short and sweet, for @bucktommypositivityweek round two, day 4: supportive boyfriends. I hope you guys like it!

bucktommy - Words: 554 - Rating: T - Complete

Tommy thinks Evan looks hot like this, sweaty, hands taped and punching the pads Tommy's got attached to his hands as Evan hits right, left, right, left and rants. Too bad this rant is about a man who made Tommy's days at the 118 his most miserable days in the closet. "I don't know how much more I can handle," Evan pants out with one more hit before putting his hands on his hips and folding in on himself at the waist. “What was it today?” Tommy asks, not sure if he wants to know. Evan is silent for a moment then he stands to his full height and says, “He asked me if faeries like to fly on the top or the bottom.” Tommy thinks about that one. He knows what Gerrard is going for but- “That doesn’t even make sense.” Evan throws his hands up in frustration. “I know! Like, if you’re going to be homophobic, at least make it good!” “He’s probably running out of ideas at this point.” Evan blows out a breath. “I know you said you wanted to avoid telling me what to do here, but I’m going crazy.” Tommy moves forward to wrap his arms around Evan’s waist, pulling him in. Evan wraps his arms around him in turn and practically sags against Tommy, so much so that Tommy’s more or less holding him up. “I have avoided giving you advice about this because I’m just not sure I’m the right person to do it,” Tommy admits. “I dealt with him by staying closeted and being an asshole.” “You did that to survive,” Evan points out, not for the first time. “I know but I still don’t feel great about it.” “I know,” Evan says. “If you could do it differently, what would you do?” “What you’re already doing,” Tommy says instantly, then motions to Evan’s curly hair, which he stopped using straighteners on three days after Gerrard started. They’re adorable and currently ruffled from the practice but Tommy freaking loves running his fingers through them at any given time. “He hates those right?” Evan grins. “Oh yeah. But it’s still within regulations so he can’t do anything about it. So what, keep changing my appearance? Should I grow a mustache like Eddie?” They both say, at the same time, “Nah.” Tommy laughs a little. “No. I am saying you could just annoy the shit out of him. You could go at him with a clipboard? Find all the regulations he’s missed because there have to be like a hundred by now.” “He’s a hypocrite,” Evan says and Tommy shrugs, because yeah. Gerrard always picked and chose what to follow and what to ignore based on what suited him. “But yeah, that’s an idea. Weaponize my powers for evil. Excellent. Thank you. I know you haven’t wanted to tell me what to do about this, but you’ve been a godsend for just, like, keeping me from killing him.” “Can’t hold you like this if you’re in prison,” Tommy points out, hearing the fondness in his own voice. “True.” Tommy smiles and kisses his cheek. “Do you want to keep going? We haven’t eaten anything for dinner yet.” Evan gives him a squeeze. “Make out in the shower first?” Evan, naked and wet in the shower? “You’re on.”

tag list: @desert--moonchild, @sazzynatural, @multishippinghussy, @mmso-notlikethat, @tommy-kinard-buckley,

@sunnywithachanceofbi, @sleepywinchesters, @buck-up-buckley, @manifestingchaoticvibes, @corvid-cryptidd

@lbltpsmspenguin, @theotherbuckley

[chaiisms]

BALDURS GATE 3 PARTY BANTER PROMPTS LIST.

all of the following prompts are taken from party banter between the companions in larian studios' baldurs gate 3 (2023). there should be no spoilers! also, a disproportionate amount of these are from astarion and karlach. i'm not sorry.

I am enjoying our walks together, aren't you, [ name ]?

You'll be as depraved as the rest of us in no time.

Friend of yours?

Were you always so sneaky?

If there's hope for me there's hope for anyone.

How are we not there yet? My feet are killing me.

This is what I get for trying to strike up conversation.

We're not going to have trouble, are we?

If we continue this way, we may get too close for comfort.

Don't get too comfortable. We shouldn't overstay our welcome in such a place.

Do you have pet names for each other yet?

[ name ]! Was that a joke?

You know what - that is not the easiest of questions for me to answer.

Given your own nature, are you really the one to judge?

You can read?!

I'm surprised - I expected you to turn your back once you got what you wanted.

I wouldn't know a flirtation if you whacked me alongside the head with it.

Why stay somewhere safe and comfortable when we could be in mortal peril?

Can't say I love what they've done with the place.

I'm learning to enjoy the taste of chaos. Count me in.

At least you didn't tell me to 'be myself'.

You have so much to learn. Repeat after me: honey muffin, sweetie pie, sugarplum.

Nice to be in a crowd of normal people for once.

So [ name ], how is your sad, hopeless pining going?

You seemed a million miles away just then.

I fear I've been rather hasty to judge you, [ name ].

Ready to enter the belly of the beast?

Step one of starting a conversation: think before you speak.

I hear your relationship has taken on a new aspect recently…

All right, just keep it down. We're conspicuous enough without your hyena call.

Not one for roughing it, I see.

Why not have a little fun?

You're right, of course. Forgive me.

My money's on you, [ name ].

The echoes - listen! They're coming from three directions!

Want me to carry you?

Feeling at home?

Treat them right, or you'll have me to answer to.

Oh, darling, would you?

No doubt they found me too intimidating.

A girl could get used to this.

Now I don't know what to believe.

Well - yes, it was a joke.

I know that, too. It just wasn't funny.

And here I thought I rubbed you the wrong way.

Man, it's good to be home. First round on who?

Oh, I wouldn't actually leave. After all, where would you be without me?

You've quite the knack for finding the bright side of things, haven't you?

Well what would impress you, then?

Let's just stop this conversation right here, shall we?

Must've been an awful day for the people who lived here

You've clearly thought this through a great deal. I'm impressed and appalled in equal measure.

Sure, but think of the stories you'll be able to tell.

I never was scared of the shadows.

I know you're not really as heartless as all that.

I judged you wrongly. I'm sorry.

Are you charging for this sage advice, or is sticking your nose into my business just a hobby?

Pragmatism, thy name is [ name ].

That's ironic, coming from you.

We're either very clever or very lucky.

You do not need luck to survive, [ name ]. Not when you have me.

That will make getting word to my mother rather tricky.

Stop gawking at the decor. This place is dangerous.

I can't tell if you're joking.

So, what's it like caring for someone other than yourself, [ name ]?

You think I'm beautiful?

I feel it too. Here if you need a pick-me-up.

Yet another thing we have in common. We're two peas in a pod.

Is it so unbelievable that they would simply like me?

Use your words.

You gonna catch me if I eat a brick?

[ name ], I've heard you talking in your sleep.

Let's never speak of this again.

You can take a day off once in a while, [ name ]

Hey! Something bit me.

Cheer up. It might be all downhill from here.

I love a nice secret hideaway, don't you?

Think the bar is open?

[girlgenius1111]

young, drunk, and alone

putellas!reader, infuriates her sister when she sneaks out and gets drunk with her friends. alexia comes to realize that maybe, this is a result of her pushing you too hard.

angst + fluff. brief mentions of blood and vomiting. and alcohol consumption. this is literally 6k word essay on how silly sisters can be.

-----

Sneaking out hadn't been your best plan. Was it really sneaking out if you slipped right out the front door? You weren't sure. Alexia and Olga were heavy sleepers, and because you had the following day off, you figured it was as good a time as any. You were planning on meeting up with some friends from school and going to a club. You didn't drink much; a combination of being a professional athlete, and someone named Alexia, who happened to be your very strict older sister.

You probably should have paced yourself. You also probably should have not run away from your friends, especially when you were blitzed out of your mind. You weren't quite sure where you were, or how long it had been since you'd bolted from the club. Or how many drinks you'd had.

You'd broken one of your... well, one of Alexia's heels, and you carried both shoes in one hand. You were really sleepy all of a sudden, and you spotted a bench a few meters ahead. You headed there, plopping down on the bench before pulling your phone out of your pocket. The screen swam in front of your eyes, and you couldn't figure out if your hand was moving, or if your head was moving. Something was, that was for sure.

You were somewhere. Somewhere in the city of Barcelona. You needed some help, though.

And you knew just the gal to come get you. Alexia could find anyone, but especially you; she had your location.

The phone began to ring, and you heard your sister's grumpy voice come over the line shortly after.

"Why are you calling me from inside the same house?" She said groggily.

"Aleeeeexiaaaaaa!" You sang, proud of yourself for solving your problem all on your own, especially while the earth was spinning so much faster than normal.

"Nena. You better be in your room right now." Alexia said through clenched teeth. You could hear her shuffling, and Olga speaking to her quietly.

"'M not in my room, Ale, sorry." You heard your door bang open, then, and Alexia confirm what you'd just admitted.

"I am going to kill you to death." Alexia warned. "Where are you? Are you safe?"

"I'm not totally sure where I am. There's a road... ooo and a bench. And I think a building. D'you know where I am?"

"My god. You don't know where you are?" Alexia cried, shaking off her girlfriend's advice to calm down.

"Nope. D'you?" You slurred.

"How would I know where you are!?!?" Alexia shouted. There was more shuffling, and Olga's soothing voice replaced Alexia's.

"Nena, Ale has your location. We're going to come get you now. Stay where you are, okay?"

"Yes ma'am." You said, saluting to the thin air in front of you. You hung up then, though you forgot to say goodbye, and awaited your sister eagerly.

-----

"I am going to kill her." Alexia seethed, driving well over the speed limit on the way to your little dot on her screen.

"You can kill her later, let's just make sure she's safe first." Olga sighed.

"This is Alba's fault. Or Mapi's. Or Pina and Cata's. I will find the culprit, and I will make them run so many laps..."

"She's right there," Olga interrupted, pointing to the park bench where you were sitting, looking blankly at your sister's car.

Alexia threw the car and park, and moved to throw her door open, but stopped when her girlfriend grabbed her arm.

"Alexia, she's drunk. She's not going to remember any of this tomorrow, so be nice now. You can yell later, yes?"

"Fine." Alexia sighed. She got out of the car, as did Olga, and they approached you carefully.

"ALE!!" You cheered, standing and tripping forward dangerously as you tried to tackle your sister in a hug.

"Hi." Alexia said evenly, easily catching you and helping you back upright.

"Thanks for comin' to get me," you slurred, slumping into your sister.

"Yeah, yeah. Let's get you home nena."

"OLGA!!!" You yelled suddenly, turning and seeing your sister's girlfriend biting back a smile at the sight of you. You were gone. Completely gone.

"Hey nena." Olga said kindly, opening the door to the backseat for you. Alexia barely got you buckled in before you toppled completely over, now laying horizontally across the back seat.

"Ow." You said quietly. Again, Olga had to try really hard not to laugh, turning to her girlfriend, who just look exasperated.

"Maybe I should sit back there with her." The brunette suggested.

"I think that might be best." Alexia agreed, walking around to the drivers side and getting in. She looked in the rearview mirror, seeing you completely slumped on her girlfriend's shoulder, eyes already shut. It melted her heart, just a little, how much you loved Olga, and how much Olga loved you. Still, her overarching feelings right now were anger and frustration.

-----

Once Alexia had carried you from the car, deposited you on your bed, and placed a trash can and a bottle of water within your reach, she grabbed your phone, texting your friends that had clearly not been keeping an eye on you that you were home safe. She then stomped back into her room, throwing herself dramatically onto her bed.

"What was she thinking? Is she stupid? Is she the stupidest person on earth? She has to be."

"Ale, calm down." Olga said, following her in and shutting the door behind her. "Go to sleep. Deal with it tomorrow."

Alexia sighed, laying back down under the covers, before looking over to her girlfriend. "Thank you for coming. And for taking such good care of her." She said quietly.

"Always." Olga promised, pressing a light kiss to Alexia's lips.

-----

The next morning found you not laid in bed until the afternoon like you would have hoped. Instead, Alexia had dragged you out of bed at 9am, which she felt was pretty generous, threw some training clothes at you, and drove over to the Barça grounds. She had to pull over once for you to get out and throw up, but even though you were sweating, exhausted, your head was pounding, and your stomach churning, Alexia was unrelenting.

Olga was still asleep when Alexia had left with you, and you had wondered if you could text her discreetly to put an end to this before it started. Alexia had taken your phone hostage though, so that was a no go.

Now, Alexia had you running sprints. You thanked god above that it was a chillier, cloudier day, but running while you were violently hungover was still... a form of torture. She'd found a whistle, somewhere, and anytime you stopped running, she blew it at you, making the pounding in your head worse.

You managed to last 15 minutes before you stopped a few feet away from her, looking at your sister pleadingly.

"Ale, I'm gonna throw up," you warned.

Alexia's was unflinching, sunglasses down over her eyes as she stood, hands on her hips, watching you.

"I'm not stopping you." She said coldly, gesturing for you to do so.

"Ale, please," you whined.

"If you didn't want to run sprints hungover, you shouldn't have snuck out and gotten drunk." Alexia told you.

You turned away from her, throwing up what little water you'd managed to drink so far. When you were done, you turned back, finding Alexia directly behind you, holding out a sports drink.

"Drink." She instructed. You took it, chugging the whole thing as you held back a gag, knowing if you could keep any of it down, it would be somewhat helpful.

Things continued like this for another 10 minutes, until you were sure Alexia was going to keep you going until you passed out.

In fact, Alexia was just about to call it, not wanting to completely kill you, when she heard her name being shouted from just behind her.

"Alexia, what are you doing to that poor girl?!" Mapi yelled, marching towards her friend, while Ingrid broke into a run, heading towards you. You'd fallen to your knees, retching pathetically onto the grass, even as nothing came up.

"She snuck out and got drunk." Alexia dismissed, looking concerned at the sight of you on the ground, trembling violently in Ingrid's arms. Mapi grabbed her wrist, spinning her back around.

"Alexia. This is really harsh, even for you."

"Good. Maybe she'll learn her lesson." Still, Alexia couldn't help her gaze flicking over to where you were. You were okay, she was sure. She knew what you could take, and what you couldn't. You'd drink some water, take a cold shower, and sleep the rest of the day.

Mapi looked disapprovingly at her captain. "Maybe that would have taught you a lesson. I'm sure there are more effective ways of talking to your sister about this, than attempted murder."

"She's fine. I know her limits, and so does she. If she was really not well, she would have just stopped."

You wouldn't have. You knew your sister was furious, and you would have done anything to fix that. Anything. If it meant running until you dropped, so be it. Alexia didn't think you'd push yourself that hard, though. She way underestimated the lengths you would go to for her approval.

"Anyway, what are you doing here? It's an off day." Alexia questioned, beginning to walk towards you.

"Ingrid wanted to work on a few things." Mapi said.

They reached your side, and Ingrid looked up sternly at your sister, a glare set on her face.

"Ale, can we go home?" You asked pathetically. You were completely pale, covered in sweat, and you were shaking all over.

"Yeah. Let's go." Ingrid helped you to your feet, holding you steady as Alexia wrapped an arm around you, and began walking you towards the exit.

"Should we call child protective services?" Ingrid wondered sarcastically, watching Alexia drag you back to the car.

"Nah. She's 19. And Alexia will have to deal with Olga when she gets that poor kid home."

----

And have to deal with Olga, Alexia did.

She helped you into the house, the AC in the car and the endless supply of water Alexia had for you helping tremendously. You felt more alive now, and honestly, you must have sweated out a lot of the alcohol, because you didn't feel that bad.

You were still shaking, though, still pale. Alexia cringed internally when she heard Olga's feet quietly making their way towards the front door, as she helped you pull your shoes off.

"Alexia." Olga gasped. "What did you do, take her to get run over by a truck?" She walked forward, easing you away from your sister, and towards the living room, shooting her girlfriend a harsh glare over your shoulder.

"No. We had a workout to do." Alexia said casually.

"Nena, are you okay?" Olga asked softly.

You smiled up at her, relaxing back into the couch. "Yep. I thought she was going to kill me for a bit, but she didn't."

Olga sighed. You were back to joking, back to pretending that Alexia's behavior didn't bother you. Back to acting like you didn't need more support from her. This needed to stop. Now.

"Drink some water. We can try to get some food in you in a bit. Alexia, come with me." Olga's tone left no room for conversation as she headed up the stairs towards their room. Alexia didn't listen immediately to a lot of people, but Olga was one of them.

She trailed after her girlfriend a little hesitantly. She knew she'd taken it too far. She hadn't done any damage to you, but it was still too far. And Olga was about to give her hell for it. Which likely, she deserved. Alexia was stubborn, though, and she wouldn't admit to being wrong without a bit of a fight.

"Are you crazy? What were you trying to accomplish, Ale? Whatever you made her do was overkill. You didn't need to take it so far-"

"NO. She is my baby sister, and she is off getting drunk and getting lost, and-" Alexia interrupted, suddenly furious again.

"Alexia, she's 19. This is what 19 year olds' do." Olga defended.

"Not HER. She is supposed to be responsible. She is an athlete, she has responsibilities, she has people relying on her-"

Olga cut her off again. "God, amor, I cannot imagine why'd she'd feel the need to go get drunk. That doesn't seem like a lot of stress on a teenager at all."

Alexia was quiet for a moment. "If she was stressed, she would tell me. If it was too much, she would tell me." She said, though she sounded suddenly unsure.

"Would she?" Olga wondered. "You're pretty strict with her, baby. Maybe she doesn't need Stern Alexia, and tough love all the time, maybe she just needs love." This had been swirling around in Olga's head for the past few weeks, though she wasn't sure how to bring it up to her girlfriend. She'd watched as you would wilt when Alexia would give you a simple 'good job' after a game, directly followed by all the things she thought you could improve. She watched you do things, and instantly turn to your sister, to see if she was impressed or not. If Alexia was, she never let it show.

For Alexia, sternness, rigidness worked for her. She didn't need people to be soft with her, to tell her all the time that she was doing a good job, so she assumed you didn't either. Olga could tell, though, that every time Alexia ruffled your hair instead of giving you a hug, shook off your request to something fun instead of reviewing match footage, it crushed you, just a little bit.

Olga wasn't surprised that this had happened, not at all. You were acting out, trying to burn off some stress while also trying to get your sister's attention.She hoped it would finally make her girlfriend understand that you needed more from her. You were young, living away from your mom, and you needed someone to care for you, not just push you. You wanted that from your sister, too, although you were always appreciative of everything that Olga did for you.

Their argument fizzled out, and Olga realized Alexia needed space to think. She left her there to do so, heading back downstairs to check on you.

-----

You and Alexia didn't speak of the incident in the days following. You could tell something had changed, Alexia was being... different with you. Less intense.

You thought she was just really angry. Which was fair. You'd been stupid and irresponsible. She had every right to be angry. You decided to let it pass, to not push her into forgiving you sooner.

You didn't realize that Alexia was rethinking the entire dynamic she had with you, the role she played in your life. She noticed, suddenly, that you weren't as affectionate as you had been before. You didn't sit close to her on the couch when you watched TV together. You didn't pull her into a hug when you saw her. You didn't talk to her when you were upset after a game. You didn't immediately look for her when you got hurt. She'd been so focused on being the coach that she thought you needed that she'd forgotten to be the sister that you'd actually needed.

She could be your mentor without pushing you so hard, Alexia had realized. You didn't need another coach. You needed your sister. Alexia just wasn't sure how to fix what she'd broken.

When she did figure out how to fix it, it came naturally to her. It was suddenly instinctual, again, the strong feeling within her to take care of you, not push you to be better.

-----

The first time you got some idea that Alexia was making an effort to be different was a few days after The Incident, as you and Olga had named your adventure. You were coming back from seeing your friends; the very same friends you had gone out with. It had started off fine, everyone joking around about your disappearing act. As the conversation continued, though, it became clear to you that a few of them had seen you leave by yourself, and not bothered to go after you. And they had all been significantly less intoxicated than you were.

They tried to excuse their behavior by telling you they were distracted by various people they'd met up with at the club. When you pushed, asking why no one thought to keep an eye on you, or go after you when you ran out, especially after they'd been pushing drink and drink on you, enjoying how increasingly absurd you got, they got defensive. They lashed out, going on and on about how you should have been responsible, and it wasn't their job to babysit you. You knew that, but at the same time, anything could have happened to you when you ran out of the club. It was a miracle that nothing did. The argument escalated into a full blown fight, until you were shouting back and forth at each other, bringing up issues that were long resolved.

Eventually, you stormed out, walking the 15 minutes back to your sister's house, angry tears falling from your eyes. Your friends weren't the best friend's a person could have, you knew this. They were your only friends outside of football, though, the only friends that were truly your's and not also your sister's. That's probably why you kept them around so long, and you never would have thought they would care so little about your safety.

The words exchanged had been harsh, and you knew as you neared home that there was no salvaging those relationships. You were upset, everything hard about the week catching up with you. You just hoped that when you walked through the front door, Alexia and Olga would both be too busy with various tasks to notice how upset you were. Alexia hated your friends, and you knew she would tell you that what happened was for the best. That was absolutely not what you needed to hear, now, though.

You opened the door as quietly as you could, slipping your shoes off and carefully placing your keys down on the little table near the door. You turned to walk up the stairs, jumping slightly when Olga was suddenly standing directly behind you, looking at her phone.

"What do you want for dinner? Your sister and I can't agree," Olga asked, growing quiet as she looked up, spotting how upset you were. "What's wrong?" The brunette's face grew sympathetic, and you ignored how it made you want to cry.

"Nothing." You told her, dodging her attempt to rest a hand on your shoulder, and slipping up the stairs. You shut the door to your room. It was a mess in there, it was past time you cleaned it; and, anyway, you needed to do something to get your anger out, and furiously cleaning seemed like as good of an idea as any.

-----

Downstairs, Olga was conflicted. Normally, she would take this, as the more emotionally available adult in the house. She knew that you didn't want her comfort, though, not in the way you wanted your sister's. And Alexia had clearly been taking to heart what her girlfriend had told her, being noticeably different with you, even if she hadn't figured out quite how to act. So, Olga slipped off to the office, knocking and entering when she heard her girlfriend's voice beckoning her inside.

"Hey, beautiful," Alexia said, smiling from behind the desk. Olga smiled in return, but it didn't reach her eyes.

"Your sister just got home from seeing her friends and I think something happened, she was really upset."

Alexia rolled her eyes. "They suck, I'm not surprised. Is she okay?"

"She ran off to her room, but she was crying." Olga replied, watching her girlfriend's expression carefully. Alexia looked conflicted, like she wasn't sure what to do.

"I'll go check on her." The blonde said finally, receiving an encouraging smile from Olga. She stood and headed towards the stairs, pausing when Olga stopped her.

"Just a tip. Telling her that her friends suck probably won't make her feel better. Even is she's mad at them. Just try to be nice." Olga suggested.

Alexia nodded, continuing on her way. Her girlfriend was more than a little amused at how nervous the blonde seemed. It was just you.

For Alexia, though, she didn't really know how to make you feel better. What would have worked for her was clearly not working for you, she saw that now. You were so different from her, so much more sensitive. She was nervous because she didn't want to say the wrong thing. She didn't realize, however, that any attempt she would make would be greatly appreciated by you.

Alexia knocked on your door, feeling a little ridiculous at how nervous she was, opening the door tentatively when you told her to come in. You were pacing around the room, folding clothes and putting things away, even as a few tears remained falling from your eyes. You looked furious as you cleaned rather aggressively, not acknowledging your sister when she walked in the room.

"Hey, nena?" Alexia called after a minute of watching you fold a shirt like you would have preferred to set it on fire. You hummed in response, still not looking towards her. "What happened?"

"Nothing happened." You snapped, moving on to another shirt, throwing the recently folded one down on the bed, huffing in frustration when the action messed up your meticulous work.

Deciding not to second guess her instincts, Alexia strode forward, taking the shirt out of your hands and setting it on the bed. She turned you so that you were facing her, placing her hands on your shoulders. You still wouldn't meet her eyes, and you were a good few inches shorter than her, but she could still see your angry resolve cracking, your bottom lip beginning to quiver.

You didn't want to cry in front of her, not over the friends of yours that she hated. It was a waste, and you knew she wouldn't give you the sympathy that you wanted. That just wasn't how Alexia was.

"C'mere," Alexia said softly, wrapping her arms around you and bringing you into a tight hug.

Until this point, Alexia wasn't sure she quite understood what you needed from her. The second you melted into her arms, though, like a hug was all you'd needed, it became very clear. Olga was right; you'd just needed love.

Your shoulders were shaking with silent cries, as if you were trying to keep them quiet, and Alexia frowned, arms squeezing you tighter.

"You can cry, cariño, if you're upset. It's okay to cry." She whispered. Admittedly, expressing emotion wasn't something she was good with. She hadn't realized the effect this had on you expressing your emotions before now.

You cried into your sister's shoulder, no longer holding back after her words of encouragement, for a solid 5 minutes. Alexia didn't shy away from the display of feelings like you expected her to. Instead, she sat you on the side of your bed, carefully wiping the remaining tears off your face with the sleeve of her sweater.

Still sniffling pathetically, you looked down at our hands, not sure if you should tell her what happened, if she'd want to hear. Alexia caught your hesitation, sitting down next to you, and bumping your knee with hers. "Tell me what happened."

You took a deep breath, before launching into the story. Alexia grew tense next to you, clearly with anger, but you weren't sure who it was directed at. If it was at the reminder of how irresponsible you'd been, or if it was at your friends. When you finished, Alexia was quiet for a moment, trying to figure out what to say.

"They suck." She said finally, before shaking her head at herself. "No, Olga told me not to say that. You deserve better friends than them, especially if their are so unconcerned with your safety and wellbeing. What if you hadn't had your phone? What if something had happened? I wouldn't have known where you were, you could have been hurt." Alexia went on, growing more agitated.

"I'm sorry, Ale," you told her.

"No, no. I am angry with them." Alexia said earnestly. "For being so careless with you. They should have been looking out for you. I don't know what I would have done if something had happened to you, but I probably would have started with ruining their lives."

Protective Alexia wasn't a side of your sister you'd seen in a while. Not since you were 11 and you'd told her that a boy had tried to kiss you on the playground. She'd skipped training to march to your school, asking you to point out the boy. You had, and she'd held him up against the brick wall of the building by the collar of his shirt, warning him to never so much as look at you, ever again. He was appropriately terrified, and no one tried to mess with you again after that.

It was nice, feeling protected by your sister. It felt safe. It made you feel loved.

-----

Even after the conversation about your friends, Alexia still didn't acknowledge that something had changed.

Until after a rather rough match against Atlético. You were having an off day, your passes not connecting, your shots just barely missing the back of the net. She could tell you were frustrated, and she wasn't sure how to make you feel better. Normally, she'd give you a pat on the back, tell you to push through and focus. Alexia realized now, though, that you didn't need that from her.

Still, it was the middle of the match, and there wasn't time for a pep talk. She'd have to wait until the match was over, and then she could figure out what to say to you. Now, she needed to focus.

Alexia did focus. She focused on taking the corner, watching the ball sail towards your head. She focused on Lola's gloved hand extending towards the ball, and connecting squarely with your face. Alexia saw you drop to the ground, clutching tightly to your nose. The whistle blew immediately, and half the team was looking down at you uneasily, waving urgently for the medical staff. Lola was crouched by your head, clearly making repetitive apologies.

Normally, when you got hurt, Alexia kept her distance. She didn't want to suffocate you, and she didn't want to act unprofessional. On the pitch, you were teammates. Appearances didn't matter, though, not really, and she could be your older sister too, she knew.

Alexia sprinted to you, shoving players of both teams out of her way in her quest to get to your side. Lola saw her barreling towards her, and wisely backed up, leaving the spot just above you open, while the medics were arriving on either side of you.

You were still on your stomach, clutching tightly to your face, feeling hot blood seep into your hand. It was broken. You'd heard the crunch. And, like always when you got hurt, you wanted your sister to come hold your hand. You knew she wouldn't. She had to be professional, she had a reputation to protect. You were surprised when her soft voice met your ear.

"Hey, nena, can you roll over for us?"

Although your position smushed into the turf felt like the most comfortable you could get currently, you slowly rolled onto your back with a groan.

"Oh, honey," Alexia whispered, taking in the sight of your very broken nose, blood pooling all over your face.

"Broken," you mumbled, the movement of speaking hurting, blood filling your mouth. So as not to allow you to choke, Alexia and one of the medics carefully sat you up, tipping you forward, allowing your nose to drip into the towel being help against your face.

"She's right, I heard it break," Lola added, still hovering near you. It had been completely accidental, what she'd done, and she felt guilty. She backed up, though, when Alexia shot her a harsh glare.

"Are you dizzy? Nauseous? Are you going to pass out?" Alexia asked anxiously, knowing that you weren't a fan of blood. The medics exchanged amused looks at your suddenly overbearing sister, as you looked at her, less amused, and slightly comforted.

"No. Fine. Hurts't talk." You got out, closing your eyes as the pain intensified. Alexia's hand rubbed circles into your back, and you were floored when she pressed a kiss to the top of your head, right in front of the entire stadium, before looking to the medic for permission to help you to your feet. When he nodded and grabbed your other arm, they got you up, supporting you all the way to the sidelines, where another medic took over for you sister.

"Should I tell Jona to take me off?" Alexia asked you, still glued to your side, even as you neared the tunnel.

"No, go win." You spit some blood onto the ground, barely managing the words, and Alexia agreed uneasily, watching you all the way back inside.

The rest of the team was looking at her like she had two heads. Never before had they seen her be so nurturing with you, so outwardly worried. Alexia loved you, no one doubted that. She was just normally much more reserved about showing affection for her youngest sister.

-----

By the time Alexia got back to the locker room post match she was startled to see that you weren't in sitting in front of your locker waiting for her, or with the team doctors. They informed you that Olga had taken you home. You had a slight concussion, and your nose was broken, but didn't need to be reset, and you didn't want to wait for most of the second half to finish for your sister, so when Olga offered to take you home, you took her offer gratefully.

She sped through her shower and her post match routine, continuing to ignore the surprised expressions on her teammates face, and the rather satisfied one on Mapi's; the defender was finally seeing the return of the Older Sister Alexia she knew.

Alexia arrived home, abandoning her bag in the car and rushing inside. She wanted to make sure you were okay, more than anything. More than anything. It was like she'd just remembered that she was your sister, not just your captain, and her instinct to protect you was overwhelming her.

She marched right into the house, finding you laid on the couch, your head resting in Olga's lap an ice pack held over your nose by your sister's girlfriend, who was telling you an animated story about the crazy fan she'd run into in the stands today.

"Nena," Alexia sighed, feeling slightly better at the sight of you, more or less in one piece.

You sat up, still rather confused at the complete 180˚ your sister had done. "Hi." You had a rather disconcerting lisp to your speech, your lip swelling from the contact with the opposing goalkeeper's glove.

Alexia sat right next to you, removing the ice pack, and inspecting your face carefully.

"Does it hurt?" She asked.

"Not as much now. The ice is helping."

"Have you eaten? Taken anything? You should drink a lot of water, and ice every 15 minutes, and make sure you sleep propped up on a pillow, and we should go to the dentist tomorrow, just to make sure your teeth are okay." Alexia rambled, gently nudging your lip up to look at the swollen gums surrounding your upper front teeth. "Are they loose? If they're loose, we should go to the dentist now."

You exchanged a look with Olga. You were rather confused, while she just looked pleased with herself.

"They're not loose. I feel fine, Ale, and I ate some pasta. I think I'm just going to go to bed, I'm really tired."

You stood, keeping the ice pressed to your nose, catching the slightly frantic look on your sister's face. "You'll wake me up if it hurts, or if something is wrong, right?" She questioned.

"Yeah, if you want me to." You told her.

She nodded, relieved. "I would like you to."

"Okay. Goodnight, guys." Before you could step away from the couch, Alexia was standing and pulling you into a gentle hug, being extra careful with... your entire face. She kissed your forehead, before shooing you off towards the stairs.

Bewildered but pleased with your sister's odd behavior, you headed for bed, hoping that Alexia would be more normal, if still just as caring, tomorrow.

-----

You knew that was out of the question when your door opened softly an hour after you went to bed. You turned, not having fallen asleep yet, seeing your sister stood in the doorway, a blanket in hand, worrying her lip between her teeth.

"What's up?"

"Can I sleep in here? I'm worried about your face, I can't fall asleep." Alexia admitted, taking one step forward before pausing, looking anxiously at you.

You blinked at her for a minute, wondering if this was some kind of bizarre dream where your sister had undergone a personality transplant, before nodding.

"If you want," you agreed, scooting over to make room for you sister. She climbed onto the bed eagerly, smiling at you. You smiled back, wondering if it was possible that your sister was on drugs. She took several minutes to get comfortable, settling under the covers before turning on her side to face where you lay on your back, eyes closed. You could feel her watching you.

"Alexia you can't sleep in here if you're going to stare at me all night like a psychopath." You said, not opening your eyes.

"Sorry, sorry. I'm just worried. I'll stop now." Alexia promised, rolling onto her back too.

You didn't say anything for a moment, not wanting to ruin the very sweet moment you were having with you sister, but also feeling curiosity burn through you.

"You're being really weird." You said finally.

Alexia sighed, like she'd known this was coming.

"Am I dying or something and no one bothered to tell me? Is that why you're being so nice to me?" You were only half joking. Alexia sighed again, and somehow, it sounded guilty. "Am I?" You asked, opening your eyes and looking at the blonde.

"No, idiota, you aren't dying. I'm just... I'm trying to be a better sister."

You heard all the time that your sister was awkward, but you'd never really gotten that vibe from her until now.

"Oh. Okay. You're a good sister already, Ale." You said gruffly, looking away from her.

Alexia blinked at you. "Well, I'm glad you think so, but there is always room for improvement. You shouldn't be surprised when I'm nice to you, or take care of you. That should be normal."

"Thanks." You said after a minute, clearing your throat. You hated when Alexia was so nice it made you cry. Hated it.

"You don't have to thank me. I love you, hermanita." Alexia said, and there was no mistaking the vulnerability in her voice.

You were so going to tell Alba about this, and make fun of Alexia endlessly for being so bad at human emotions. For now, though, you rolling into her side a little, resting your head on her shoulder.

"I love you too, Ale."

Alexia smiled to herself. God, she normally hated when her girlfriend proved her wrong, but this time, it had been so needed. She was greatful for Olga, and for you, for being so forgiving. It was very youngest sister of you, never holding a grudge. She loved you. A lot. She was going to be better about showing it.

-----

this got out of hand i won't lie.

hope you enjoyed :)

[ja3yun]

Melting Point | P.SH (teaser)

brother's rival!sunghoon x fem!reader

warnings: fluff, smut (mdni), praise kink, angst, swearing, confliction, chapters are updated with individual warnings.

synopsis: when circumstances unexpectedly bring you and your brother's long-time ice skating rival, park sunghoon, together, you discover a surprising connection. However, your brother forbids any relationship between you. Will you heed his advice or follow your heart?

wc: tba (80-100k)

release date: 09.02.24, 5pm GMT

end date: tba

tag list: CLOSED

a/n: hi! I am currently working on the final touches of this fic. It should be ready mid february. I hope you enjoy this series when it comes out <3

__

The cold hits as you walk into the arena and the sound of skates gliding along the ice fills your ears. You walk to the middle of the second row on the bleachers and sit down, unpacking your bag and crossing your legs to give you more room to lay your laptop and paper on. It’s a juggle to get everything balanced but you’re a master at it now.

Typing in your password you hear the skates coming towards you and scraping to a halt but you don’t look up.

“If you’ve come to spy on my routine you aren’t doing a very good job at hiding.” Sunghoon playfully remarks. You hadn’t even noticed it was him who was skating, since it was usually Wonyoung gracing the ice you just expected it to be her. He looks at your mess of a lap and scrunches his full eyebrows, “Like you’re really not making it discrete.” 

"Oh, no, I'm just studying," you say as you look up and gesture to your laptop. As you start typing again, you catch his sneer and turn to face him once more.

“You expect me to believe that?” The look on his face is incredulous when you don’t budge, “Don’t they have libraries at your Uni?”

Sunghoon’s tone is accusatory and you don’t like it. “Look, I don’t have beef with you okay? That’s the wrong Kang sibling.” There is no reason for him to be giving you attitude right now, you hadn’t done anything wrong, an innocent bystander in all this. 

Deep down he knew that too, but he couldn’t be too careful.

He examines you and how much of the truth you're telling, crossing his arms and resting his chin on top of the barrier. “So, what? You genuinely just sit here and study? Does the cold stimulate your brain or something?” 

“No, it’s like white noise at this point, it's comforting.” Glancing up, you see his still dubious expression, “Ugh, look I come here all the time, ask anyone!” Your arms gesturing to the empty rink is not really helping your case.

Having had enough you slam the laptop shut and stand up, “Whatever, I’ll just go somewhere else.”

Sunghoon shoots his arms up to mock surrender, “Woah, Sweets, calm down, I was just making sure. Need to air on the side of caution, yeah?” His voice softens. 

Making you uncomfortable wasn’t on his list of things to do, but his mum made it very clear your whole family wasn’t to be trusted, and he always heeded his mother's warnings even if he thought she was being overdramatic. “Listen, stay here as long as you want but if I see your brother doing a double toe loop into a triple axel I know who to blame.” 

With a smirk, you sit back down, “See now you’ve just told me your big secret,” a laugh leaves your lips, “Changed your mind on trusting a Kang so soon huh?” 

He’s flabbergasted. 

Did he really just tell you part of his routine like it was nothing in an instant after he just told himself not to be so trusting of you?  You’re more dangerous than he first thought and you aren’t even trying.

After seeing the realisation come over his face you laugh loudly, “Sunghoon, don’t worry. My brother can handle you on his own, he doesn’t need to cheat to beat you.”

“Say that to my 8 first places over him.”  The arena goes silent. It’s not like you could argue with him, Sunghoon did beat Minhee in a lot of skates. 

Trying to lighten the mood he points to you, “No pictures.” He jokes and skates away adroitly.

You don’t see the smile creeping onto his face, or the way he tries to shake you out of his head. The conversation between you both made him want it to be the start of many more, much more.

[two-white-butterflies]

coaxed you into paradise - c. 33

Description: The life of Saera Targaryen told in four acts. She was her father's forgotten daughter, cast aside as she looked nothing like her mother. Her younger days were spent beside her uncle. Years following her marriage with Ser Harwin Strong, she catches him in an affair with her older sister. She returns to seek solace in the arms of Daemon, whose loved her all her life.

masterlist for this series

Chapter Thirty-Three: Born With Sharp Teeth

In his day there was not a man so admired, so beloved, and so feared. To his enemies, he was the blackest of villains. There was not a rebel in the Stepstones that lived after his crusade.

But fatherhood has softened him to some extent.

Having children made him want to become a better person. When a man reaches his age, they only yearn for a warm home filled with healthy sons and daughters.

The old crown has chipped, but fragments of his past remain. He still acted upon impulse, allowing his fury to govern over rational thought, or in this case governing over his ability to do the right thing.

He closes his eyes, 'what would his wife do?'

He licks his lips, taking a sip of his wife's wine that Elinda Massey generously laid out for him.

Saera would return to Harrenhal, gather their losses and remain in the castle until the war is over. She'd do that to protect their other children. Saera would do the good thing.

There was a voice in the back of his ears, preying upon this vulnerability. All these years you tried to be a good person, but this is what fate gives in return. Set this ghost of yours free. Peace can only be achieved through violence.

An iron fist that would rule Westeros.

'I am not my wife' he told himself.

And therefore his actions must hinge upon what he desires to do.

He took mammoth strides towards Rhaenyra's chambers; the Dark Sister twirling around his fingers as he prepares for easy battle. He was not a sentimental person, he didn't feel love for anyone outside of his family. He believed that he loved Rhaenyra, because behind her eyes he sees his brother, Viserys.

But that love has turned into hatred now.

"Daemon," her lips turned into a thin line.

She knows that he knows.

"Rhaenyra," he replied.

A member of the Queensguard stands in front of him. Ser Erryk, a follower of his oaths. "- I apologize, uncle, but it needed to be done." she articulated, the aura of command radiates her figure.

"You have slaughtered your legacy," he responds coldly. "- those bastard sons of yours will not birth trueborn dragons." he added.

She laughs at him.

"Daegon and Alyssa are bastards too, fathered by your very own." she raises her voice, the madness of dragons behind her eyes.

"I'm tired of your whitewashing, uncle - tired of Saera boasting her children's Valyrian features when their claims stand upon lies." she gritted her teeth. "- you are greedy, the both of you have always been." she berated, not a shred of guilt behind her eyes.

"And what would that make you? The court of Dragonstone believes Jacaerys to be your heir - a child fathered by Ser Harwin Strong." he responded, the years have not stolen his wits.

"Those that are born with sharp teeth must use it well." she used his own advice against him.

He feels his vision blur, the feeling of drowsiness invades his being. Rhaenyra takes a step forward, and he remembers that Elinda Massey was Rhaenyra's handmaiden - not Saera's.

'The fucking wine.' he cursed in his head.

"When Saera and I were younger, you told us about a story: The Dragon and the Sheep..." she breathed.

The forest animal run away when they see the Dragon's shadow. The hares swiftly hide under their forms, the monkeys gecker and stay close to the trees. The runaway sheep does not know why the animals cower at the sight of a shadow.

But she knows that she must protect her lamb.

She tries to follow the hare and the monkeys and the bears, but all bend at the shadow of the dragon.

And the dragon feasts on sheep and lamb alike.

To the animals of the forest, the dragon is the blackest of all creatures. But when you are born with sharp teeth, you must use it.

Daemon awakens inside of a cell.

He sees nothing but darkness, smells nothing but shit. He remembers the commotion that happened hours days ago.

Issa ābrazȳrys.

His chest tightens, the room seems to have grown smaller. What if Rhaenyra were to happen upon his wife? He closes his eyes, not a firm believer of the gods, but he prays.

He prays to the gods that his family remains safe.

Daegon. Alyssa. Viserra and Daelon.

He opens his eyes, but is greeted with darkness once more. "I need to get out of here," he mumbles to himself. He will rot in this place if he stays for too long and he cannot stay for too long.

He needs to be in Harrenhal. He needs to protect his family.

"How long do you plan to hold him there, my Queen? Prince Daemon is an asset to the crown, without his military prowess - we'll lose." Ser Erryk speaks as the Queen's conscience.

She takes a sip of her tea.

"We'll leave him there for a few more days, allow the cells to soften his resolve, then I shall strike a proposal." she surmised. She remembers his advice again: give them pain so they're thankful when they're not in pain.

She breathes for a second.

"There was a time, you know, when Daemon adored me the most. He'd tell me stories and let me sleep in his bed. He was more of a father than my own, but things swiftly changed when he was exiled. My sister was whelped into this world soon after. I loved Saera, she was such a demure little thing who barely misbehaved - she listened to everything that I told her to do." she chuckled bitterly.

The ages have changed the sisters.

"When Daemon returned, I was no longer a child. I thought that he'd give me the same attention as before, but then he saw my sister and decided that she was worthy of better love. I was so angry at her, I barely spoke to her - I spent my time around Lady Alicent. It was unfair, our mother loved Saera the most and my father only wanted a son. I thought that Daemon was for me." she continued, feeling the tears pool around her eyes.

She wanted to speak about her sister further, but she prevents herself. She prevents herself from saying the whole truth, that she hated Saera, no matter how kind or obedient she is.

In Rhaenyra's eyes, it was just unfair.

How Saera had the freedom to choose her husband and live a happy life, while she's forever burdened by the weight of the crown.

A crown that she will fight for.

"She has everything, Harwin, Daemon, and she wants to take everything." she finished, but there were still words left unsaid.

(THE RED KEEP. KING VISERYS' REIGN)

Daemon takes a deep breath, the scent of the Red Keep was unique. A mixture of lavender and sandalwood oils that the handmaidens used on linen to ensure that fresh scent. "Uncle," he hears Rhaenyra's voice from behind him. He smiles.

"Rhaenyra, the sight of you is good for sore eyes." he places a hand around her shoulder. Daemon adored his nieces, he often brought gifts from the many kingdoms that he visited. "It's been far too long," she replied as they continued walking down the halls of the castle.

"Where is your sister?" he inquired, finding himself searching for Saera. While Rhaenyra has the same fire inside his veins, he finds peace with the younger niece - he finds tranquility in her.

"She spends time with mother sewing and embroidering. I cannot find myself to enjoy that hobby, no matter how hard I try." she chuckles, eyes suddenly filled with loneliness. She cannot relate to her own mother, and she doesn't know why.

"I came bearing gifts," he informed and Rhaenyra smiles - happiness finally reaching her eyes. "Her nameday is coming soon, and I figured that she deserved to have a lot of gifts." he added implying that all the gifts he bought were only for Saera.

"I'm sure she does," she mumbled.

She sees the way Daemon's eyes light up at the mention of her younger sister. She plays with the rings on her fingers.

Is she losing him?

Is he slipping through her fingers?

next chapter>>

[galedekarios]

gale's early access dialogue transcripts - part 2 b: the loss scene

in early access, gale had two additional major scenes in act i: the deer stew scene and the loss scene, both of which would happen during a long rest at camp.

the scenes in early access usually happened in this order:

-1: first night long rest scene (still in the final game) -2: mirror image scene (still in the final game) -3: deer stew scene (cut content / partially reused in act i) -4: weave scene (still in the final game) -5: loss scene (cut content) -6: tiefling party scene (ea version cut / partially reused in act ii last night alive scene)

you can watch the entire scene here. below you'll find the transcript of the scene itself as well as some additional info / context.

the loss scene revealed more about gale's life before the game, his abilities as a chosen of mystra and as an archwizard, as well as his status and his relationship with mystra. sadly, it was cut and only seems to have survived as (as of now) obsolete code:

at a long rest, gale would have a ! and stand by the fire, trying and failing to cast a spell:

Gale: [Fails to cast a spell] Gale: Khat-Tsjin Deth-Thra! Protag: [Wizard]: That was a failed spell if ever I heard one.  Gale: Failure. You'd think I'd be used to it by now. It’s getting late. I think I'll turn in. Perhaps some sleep will do me good. - Protag [Option 1]: You don't sound very happy there, Gale. Gale: Happiness is like a stray cat; sometimes it seeks you out, sometimes it ignores you. Tonight, I'm ignored. It's getting late. I think I'll turn in. Perhaps some sleep will do me good. - Protag [Option 2]: Is something wrong? Gale: Let's just say not all is right. But that goes for all of us. - Protag [Option 3]: Do you mind? I’d like some peace and quiet Gale: Quiet you can have – peace I can’t guarantee. Especially not peace of mind.

Protag [Wizard]: I didn't recognize your hand gestures. What spell were you trying to cast? Gale: A bygone spell from a bygone age. It doesn't matter. - Protag [Option 1]: They say you should never go to bed angry Gale: Isn’t that advice for couples? The only one I’m angry with is myself. Please – just let it rest. - Protag [Option 2]: Ever the mystery man, aren’t you? Gale: I simply have a lot on my mind. - Protag [Option 3]: Suit yourself. Goodnight. Gale: Goodnight.

Protag [Option 1]: [if Protag intiated Gale's romance during the Weave scene] Come, you know I care about you. I showed you when we shared that spell. Gale: So you did. Very well. -> See below - Protag [Option 2]: [Insight] We shared the Weave the other night. Now share what's on your mind.    Gale: [Failure] Tonight's not a night for sharing. Tonight's a night for regrets. With that I bid you an evening better than my own.  Gale: [Success] -> See below - Protag [Option 1]: [Persuasion] I’m the leader of this party. I need to know what’s going on. Gale: [Success]: Very well. Just now, I was trying to cast a spell I once cast with ease, but I failed. You see, this fire – there was a time that I could make it come alive. That it would take the shape of a dragon and roar in delight. There was a time I could silence a Beholder with a word, and lift a tower from its foundations with a flourish. There was a time I was all but one with the Weave. But no more – a mere shadow of the wizard I used to be. Why? Because I’ve lost. Gale [Failure] You're the leader and I will follow you where you go, not down the path of my own regrets. With that I bid you good night. - Protag [Option 2]: [Intimidation] You will tell me, and you’ll tell me now. Gale: [Failure] I said ‘please’, but that courtesy was a mere formality. What I meant was; you will let it rest. With that I bid you an evening better than my own.  Gale: [Success]: Very well. -> See above

Protag [Option 1]: I don’t understand. What is it that you’ve lost? Gale: I’ve lost… - Protag [Option 2]: Who are you? Gale: I am the man who came after – after having lost... - Protag [Option 3]: If this is meant to be suspenseful, I assure you it’s not. Gale: You don’t understand! I’ve lost… - Protag [Option 4]: It’s all right, you don’t have to tell me. Gale: Thank you. You’re a good friend. I want you to know that  - Protag [Option 5]: [Persuasion]: You can tell me. You can trust me. Gale [Failure]: Trust is not the issue. The issue is that the truth doesn’t matter. Secret or revealed, the outcome is the same.  Gale [Success]: I’ve lost Mystra. I sought to impress her personally. To turn the eye of my muse upon me. To win the favour of a goddess. But I failed, and all I invoked was death and dismissal. My death. Her dismissal. - Protag [Option 6]: [Insight] Go on. Every burden is easier to carry when shared. Gale [Failure]: I’m strong enough. I’ll carry on alone. With that I bid you an evening better than my own. (Die/Dice Roll Fail) Gale: [Sucess] An apt enough observation.  I've... lost... Mystra. I sought to impress her personally. - Protag [Cleric of Mystra]: I'm sorry. I cannot begin to understand being abandoned by the goddess. Gale: Thank you. You're a good friend. I often think of that moment we shared- - Protag [Cleric of Mystra]: When devotion is blind, the goddess loses sight of you. Rightly too. Gale: You pray to the goddess for every spell and every blessing. You devote your life to her – are we truly so different? Then again, if that is how you judge me, there’s little I can do to change your mind. But know that I have this ambition still. First to save myself, and after that, the licence to dream.

Protag [Option 1]: I’m sorry for you. Protag [Option 2]: I don't know what to make of what you've told me, but I sympathise. Gale: Thank you. You’re a good friend.  Gale: [Weave scene wasn't romantic] I want you to know that. I consider myself very lucky to have found you. -> Protag can initiate alternate romance route here -> See below - Gale: [Weave scene was romantic] I often think of that moment we shared together – one under the Weave. I hope you think about it too. / I'm glad to know you think about it too. [end] - Protag [Option 3]: Another fool pays for his arrogance. A tale as old as time. Gale: Arrogance? Ambition, rather. And ambition is a fine thing – until suddenly it no longer is. Then again, if that is how you judge me, there’s little I can do to change your mind. But know that I have this ambition still. First to save myself, and after that, the licence to dream. [end]

the loss scene also offered another way to initiate gale's romance:

Narrator: *You sense a moment of unspoken affection. You want to know where it may lead.*  Gale: I consider myself very lucky to have found you. Protag [Option 1]: I think perhaps we could be more than friends. Gale: Perhaps. - Protag [Option 2]: I consider myself lucky too Gale: Good. Goodnight. And thank you for your patient understanding. / And try not to think too poorly of me. A cat can look at a king. A wizard can look at a goddess.  - Protag [Option 3]: Don’t get carried away imagining feelings that aren’t there. Gale: I see. Say no more. Goodnight. And thank you for your patient understanding. - Protag [Option 4]: You are a good friend too, Gale. Gale: Hold on to that thought. I may just have to remind you before all is said and done. Goodnight. And thank you for your patient understanding. - Protag [Option 5]: Lets not get sentimental, shall we? Gale: Fair enough. Goodnight. And thank you for your patient understanding.

after the loss scene ended, the player-initiated dialogue had several options following it: you were able to initiate the romance on gale's perhaps, you could address the fact that he mentioned that he thinks about the weave scene with the player still, and lastly, you were able to ask how he can still cast if he had lost mystra's favour so.

if you picked the "I think perhaps we could be more than friends." option during the loss scene, you could talk about what exactly he meant with gale after by intiating a conversation with him again:

Protag: When I said we could be more than friends, you answered 'perhaps.' What does that really mean? Gale: If I recall correctly, the Waterdhavian Dictionary of the Common Tongue of Faerun defines it as an adverb that conveys the meaning of 'it may be that', or 'possibly'. Sorry, sometimes I can't help but being quite insufferable. Gale: In seriousness, I’m glad you asked that question. Gale: You see, I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes we embrace. You are on such event, that soon, I would like to embrace.

you could also follow up with him on the mention of him thinking about the weave scene still:

Protag: You said you think about the moment we shared under the weave. Do you think about it often? Gale: Do you? - Protag [Option 1]: Yes. Gale: So do I. You see. I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes embrace. You're one such event that one day soon perhaps I'd like to embrace.  - Protag [Option 2]: From time to time.  Gale: So do I. You see. I'm not a big believer in fate, but I do believe in serendipity. Life is a tempest of events that sometimes we brace against and sometimes embrace. You're one such event that one day soon perhaps I'd like to embrace.  - Protag [Option 3]: Not really. Gale: And yet you ask. I do, as a matter of fact.

the follow up for the loss scene would also include this dialogue:

Protag: There's one thing, I don't understand. If Mystra abandoned you, how can you still cast magic? Gale: The Weave is still here. All around us. Inside of us, too. As long as the goddess lives, magic is still a tangible thing for those who know how to touch. I've studied magic for many years and in as many ways, I'm still a more than capable wizard. Gale: It's just that I'm no longer able to perform those feats even archwizards would marvel at. To have one hand at the pulse of divinity. You have to remember that the Weave is a living thing. Both the embodiment and the extension of Mystra herself. Gale: She can give and she can take away. I'm afraid I'm still very much on her naughty list.

anyhow, this wraps the loss scene up.

overall, i'm extremely sad this was cut. i think with minor adjustments this scene would have worked not only to combat the scene disparity amongst the companions, but it also would have fleshed out gale's backstory and character even more!

i hope this was helpful to some of you!

coming up next:

-part 1: the three tadpole dreams -> completed -part 2: major cut scenes: the deer stew scene & the loss scene -> completed -part 3: minor cut scenes: abandoned temple of jergal, failed to save arabella, talking to the paladins of tyr and agreeing to go after karlach, edowin and the tadpole reveal, mayrina giving ethel's wand to her or breaking it, handing astarion over to the gur or defending him, reaching the druid grove, killing lae'zel, reaching the goblin camp & looking for halsin, killing the druids, priestess gut & the brand & the cult of the absolute, dror ragzlin and talking to the dead mind flayer, ogre couple, necromancy of thay, ethel, zhentarim chest, myconid colony -part 4: gale's condition & the way it was treated in early access

taglist: @chainsawmascara, @randomfanner, @tacogoats, @khajiit-necromancer, @gwinharper, @galesenchantedpanties, @swampfaerie, @ardently-queer, @nirraein, @gale-enjoyer, @xiv-wolfram, @kairoswouldnever, @a-psychopathic-dream, @toboldlydammitjim

i thought i'd tag the people i'd seen taking an interest in my original post! if you want to be taken off the taglist, or added, please let me know!

[porcelain-gal]

random things i've scripted

i never embarrass myself.

no one ever throws up on me.

no one ever hears me pooping.

everything works out in my favor.

all parties i go to are fun and lively.

people are always willing to help me.

i have my house address memorized.

i don’t get bad second hand embarrassment.

i’ll never get a tattoo or body modification that i’ll regret.

i never get a stiff neck from laying, sleeping or sitting weird.

whenever i get cocky, it’s perfectly justified because i am that bitch.

my nails (both hand and toe) don't catch on or scrape against things.

i am never an angry or abusive drunk (i'm taking no risks with my bloodline.)

my ears never get damaged when blasting anything at a high or full volume.

grease isn’t hard to wash off of stuff and doesn’t leave stains on any of the dishes i use.

i can tell when an animal is showing specific kinds of behavior (e.g., casual, affectionate, hostile, etc.)

you can't shame me for shit. i always own the shit i've done with my chest and can acknowledge when i'm wrong.

all the places i stay, especially hotels, have completely soundproof walls unless i don't want them to be for a reason or i scripted a scenario or whatever.

the majority of humans commonly can live up to 200 (i'm not human in most of my drs and ion want my human friends just dying on me too quick.)

i'm pretty good at regulating my emotions and i never let them get out of hand to the point where i'm impulsively or thoughtlessly hurting someone or something.

i enjoy rollercoasters, fair rides, etc., and have no fear of them. plus all of the ones i go on are completely safe, stable, and fully-functioning and no one ever gets hurt on them.

my disorders rarely cause me issues with physical intimacy (sexual and non-sexual) and if they do, there's always simple ways around the issues that doesn't really inconvenience me or anyone else.

whenever i commission someone or pay for a service, i always pay exactly on time or sometimes even before. i never allow people that work for me or give me any kind of service go unpaid or unsupported.

none of my friends, followers/fan, family members, or anyone i am currently aquatinted with or will be aquatinted with ever had a racist/homophobic/sexist/etc phase nor do they support/defend that type of thing.

i never slam any part of my body into doors, windows, books, and vice versa (i slammed my finger into my grandma's front door once and it took literal years to turn back to its normal color. plus it hurt like shit so NEVER again.)

any online creator who has harmed, is harming, or is attempting to harm any other creator without valid and justifiable reasoning has their platform taken away and can never get said platform back nor are they able to rebrand and start over.

i always give the best advice for people when they ask me things. like the advice i give leaves people with new perspectives and hope and all. and i also deliver it in a very good way that doesn’t offend or make people or uncomfortable or feel like they’re being berated or whatever. it’s just incredible advice delivered in the best way without sounding bad or sketchy.

anti-shifter, proship/profic, ageplay, pro ana, bigot/incel, and any variation dni

[bonefall]

Not sure if this is the place to ask or if I should go to Bonebabble, but ooh, Dungeon Meshi mention! I love what you said about low-empathy and apathy, I think I’ll use that in ny own characters.

I wanted to ask why you think Shuro is autistic. I’ve seen a lot of people say it so there must be a reason why, but I don’t think it’s really obvious to me? Like with Laios, autism/neurodivergence is so integral to his story, so it’s deeply obvious. I love the way he’s written! But we don’t see a lot of Shuro, so I’d like to hear more of why people see the tism in him.

@bonebabbles is the better place to send these in the future but it's chill! The vibe right now's loose since we're all coming down from the heaviness of Mooncourse lmao

Honestly, I feel a little 'tism in a lot of the cast of Dungeon Meshi. As a very autistic writer myself, it kind of has a vibe like it was written by someone who's autistic and so it gets peppered into all of her characters. It's something I notice a lot in my own art, too.

But like, when it comes to Toshiro... I can't stop thinking about him. He makes me want to chew the furniture. With every passing day I become less normal about him.

glossary because I had a lot of thoughts about Toshiro Dungeon Meshi i guess. Oh my god this got long

He reminds me of some people I know

His culture clash is very relatable to me in an autistic way

He has a rigid commitment to his values and morals

Miscellaneous Autism Moments

THE LAIOS FIGHT

in conclusion

He reminds me of some people I know

He reminds me of certain autistic men I've met from affluent families. The type who both is taught to repress and mask their own traits, yet also not to be incredibly mindful of the emotions of other people. Because of their status, they don't have to learn how to work out interpersonal conflict because the majority of the people around them are servants or family. People who would never go away if they didn't like you.

So, his vassals have to learn to talk to him and how to carry out his orders. Not the other way around. As a result, Toshiro has a bit of unearned confidence about his leadership abilities and communication skills. NOT in a way that is smug, DO NOT misunderstand me; just in a way that overestimates his own judgement. Maybe he has encyclopedic knowledge for talking to other nobles offscreen, but when it came to his own team, he was ignoring a lot of the good advice they gave him about taking breaks.

Yes, Toshiro is from a high-context culture-- but his communication issues are bad with everyone.

ESPECIALLY his vassals, people he calls family, from the same exact culture as him. They're worried about him, most of them are desperate for acknowledgement, they'd do anything for him, and he doesn't address this until AFTER his brawl with Laios!

His culture clash is very relatable to me in an autistic way

Toshiro knew he was going somewhere that was going to be a melting pot of mostly western cultures. He knew the manners were going to be different, and he came alone, not in a group where he was only interacting with his own people.

Yet he NEVER adjusted his own social behavior.

I'm American and my partner is British. When I first went, I had no idea why they were offering me so much tea. I thought I was being polite by following them into the kitchen, thinking they wanted to move the conversation over there. My partner quickly fixed this by explaining that when someone offers you tea, they're taking a short pause in the lull of a conversation to be a good host.

I am autistic. What someone else might have just figured out through getting an awkward look, I had to be told directly. There are a lot of little things like that.

Toshiro feels like what would happen if the opposite was happening, an autistic person from a high-context culture coming to a low-context culture. He can't properly express discomfort. It's not JUST Laios, King of Autism, that he's having issues talking to. Neither Marcille nor Chilchuck know that "Shuro" is a mispronunciation, and they had no clue that he disliked Laios THIS much.

I even think it's kinda telling that Toshiro felt the most comfortable with Falin out of the rest of the party. The hyper-empathetic autistic girl who goes out of her way to accommodate others.

He has a rigid commitment to his values and morals

A strict, uncompromising moral compass is a hallmark of autism. It's everything Toshiro does!!

When Falin was eaten, he bolted off to assemble the best team he could think of. He believes that love is sacrifice, so he pushes his body and his family to the limit to try and prove how much he loves Falin. Chilchuck freaks out when he finds out that Laios told him about the dark magic, because "HE'S THE WORST PERSON TO TELL!"

LIKE, YEAH! HE SURE IS!

Maizuru also explains that from a very young age, he's been incredibly compliant. He never asks for anything, he's always been a bit sickly and uninterested in eating. He always tries to be on his very best behavior, even if that means not asking for accommodations he might actually need.

In fact, the only food he seems to LIKE eating is what Maizuru makes him. To the point where she ended up getting pulled into the kitchen even when she was on a "mission." Senshi makes a cute comment that it's "love" that Maizuru puts into those meals, but... what if it's actually because she knows the textures and flavors he likes?

Miscellaneous Autism Moments

There's so many little moments that are so incredibly autistic to me.

He sees Falin with a bug and he proposes right on the spot. The other characters are like, "oh that's just how they act in the east" but no the fuck it is not. They don't even know "Shuro" is a mispronunciation, how the hell do they know anything about eastern courting traditions?

I know EXACTLY what happened. I'm beaming you this information directly from the truth.

Toshiro was TOLD that you're supposed to 1. make your proposals a surprise, and 2. you will know the right one when you see them, and NO ONE elaborated any further because he comes from a high context culture. He popped that question the first time both of those boxes were ticked off.

In coming from a high context culture, what he does is strictly follow rules and conditions he was taught.

And that's absolutely why he handed Laios that bell. Because he does care about him and the party, and he's taught that doing these acts of service is a show of that... and he didn't even think ahead to the fact the bell was going to be ringing constantly.

And yet. In spite of that, he ALWAYS keeps it near him.

Before it clicked and I realized why, I used to think Toshiro was kind of an asshole for running off to get his vassals without even telling Marcille and Laios about his plan. Like... how could you not know they were going to do something drastic? The three of them were the Falin Fan Club and he was the most normal member of it. It's so obvious to me that Laios (brother) and Marcille (""Gal Pal"") were going to get themselves in danger.

So how could you just run off like that without telling them? Even if lack of supplies meant they couldn't go back in, how could you just leave them worried sick in the town, thinking you abandoned Falin?

And then it hit me. The man just has low empathy.

There WAS no malice, just like how there wasn't malice in how he was pushing him and his vassals to the limits, just like how there was never malice against Laios. It simply didn't occur to him like that.

He's never been taught to consider the thoughts and feelings of others very deeply and they don't come naturally. He's still compassionate. There's a reason all of his vassals love him!

But THAT'S WHY he never put himself in Laios' shoes, or anyone else's. Empathy does not come naturally to him. All of his good behavior is as a result of his moral code, NOT empathy.

So with that said, why does he love Falin so much? Aside from the wonderful, positive traits he lists when he's asked? I mean, what's really deep down at the core of why he finds these things so lovely?

Well... Falin and Laios are not all that different from each other, to the point where Toshiro gets gently ribbed in a bonus chapter about how if one of them was a girl, Shuro might have loved Laios instead. He waxes poetic about the ways she's different from most women, how she's not afraid of things like insects, her compassion, her face, her laugh.

These are all things Laios does too (in fact in one of the panels where Toshiro is appreciating Falin, she's trying to check if a caterpillar is a male or female), but Falin's personality expresses in a more subdued and introverted way. Closer to how Toshiro is, as a person. So... I think it's because he relates to her.

To both Touden siblings. But Laios makes him see things he doesn't want to.

THE LAIOS FIGHT

We established that Toshiro has a strict commitment to his values, he probably has low empathy, and even taking his cultural differences into account he's bad at communicating.

So then, why was one of his complaints against Laios' obliviousness that he "knows he doesn't mean anything by it, and that makes it worse"? Isn't that kinda specific when you think about it?

If you're neurodivergent, I want you to think back to points in time where you dealt with people who have the same issues you do. Autism, ADHD, PTSD, DID, whatever. Did you ever have a moment where they did something harmless or mildly inconvenient, definitely as a result of the same exact thing you have, and you just... HATED it?

You HATED it even more than you would anyone else doing the same thing. You probably know your response was disproportionate. But YOU don't do that THING they did. Or if you do that, it's less bad somehow. Or you used to do that but don't anymore and it reminds you of when you did.

If you're reflective, you might have realized it might be internalized ableism. I feel like that's a huge part of why Toshiro finds Laios SO. ANNOYING. Laios is like this stupid, idiot, blundering caricature of things Toshiro has been taught to avoid, which violate his moral code. Shuro comes from a place of so many more rules and subtle cues, and it's like Laios doesn't respect any of them.

What STARTS this fight, causes Laios to finally hit back after being smacked, shoved, and shouted at, is being told "YOU'RE NOT TAKING THIS SERIOUSLY."

It's so obviously wrong! Laios, who ran back into a dungeon immediately? Who Toshiro himself called rash? This is NOT a logical conclusion to make about Laios or his party. I think it came from frustration that Laios "does things the wrong way." That it's projection, stemming from that low empathy.

He's not like Kabru in the same chapter, who's desperately trying to get a read on Laios' inner workings and failing. Shuro's just extrapolating his own feelings onto him, because he's recognizing that same "sense" within him. If TOSHIRO didn't follow the rules he sets down for himself, that's not "taking it seriously."

Toshiro follows the rules. Laios does not.

...and Laios is FREE.

He's open and honest in a way Toshiro can never be, not as a noble, not as an easterner, and not as an autistic man. Hell, Laios was ALSO a noble, he gave that up! Threw that away, and then came back to his village and took Falin away from it. If Laios is acting like an idiot, he's acting like an idiot who does everything Toshiro has ever wanted to do. Laios cannot mask and Toshiro resents that.

One of the things Toshiro even explicitly says he HATES about Laios is the fact he's willing to be a burden on other people. Maizuru said earlier that he's NEVER made a "selfish request" before-- but Laios can just open his mouth and ask for help, feeling no shame, just as he did in this chapter when he asked him not to tell the Island Lord about the dark magic.

And then, after they literally come to blows, Toshiro tells Laios some incredibly brutal things, revealing he's NEVER been his friend and he has resented him this whole time. This actually sits with Laios well into the later chapters, but the fight ends and then they're just CHATTING FRIENDLY LIKE IT DIDN'T MATTER.

More honestly than ever before, because Toshiro is returning the effort. He eats some food (the narrative's metaphor for making connections). He thanks his vassals for the first time. He talks about how he wishes he'd told Falin about all the things he adored about her when he still had the chance.

I have to take the panels of his response right out of the manga actually because this little expression here is so subtle, but so meaningful.

(Read <- <- <- that way)

Look at the way that when Laios makes that genuine movement, assuring him with passion that he will be making sure Falin receives this message, Toshiro's gut response is annoyance. But then it softens and he pauses, like he's reconsidering what his response is going to be.

To admit that he envies "this side of Laios" is also admitting that the earlier fight was based on envy.

Laios was like this the WHOLE time. Making these grand speeches about his plans, what his party's been doing, how Toshiro needs to eat something and take a nap. He's ALWAYS been like this. It was Toshiro's mindset that changed.

In conclusion

Something I really like about Dungeon Meshi is HOW MANY of its characters can be read as autistic. Laios is just the most obvious one, with his special interest in monsters and inability to read social cues being central to the plot. His is a more "well known" expression of autism-- it's rare you get characters whose masking is central to their characters.

But it's really refreshing to see characters like Kabru, Falin, and Toshiro. Autistic people are rare enough in popular media to begin with, but we NEVER get characters whose autism intersects with their trauma, gender, and culture quite like these three.