#I'm a fan of free interpretations what can I say

[bumblingbeezzz]

I think somebody out there wants me to kill myself lmao. I keep seeing things on here that could all potentially ruin my mood, and now I see holes getting shot through one of my lifelines amidst the sinking sands of depression. I knew Goku was never entirely a righteous hero, but in fact got a lot of thrill from fighting, which is why he would sometimes leave a worthy opponent alive so he can fight him again, even if they were an extremely dangerous individual to let roam free. But this says that it's literally all he cares about? Some of the claims OP made are, at the very least, not backed up in the source provided by the other poster. It doesn't say here that he only feels companionship not love, and that he would only care for a second if his family and friends died.***

It's pretty messed up. The same article makes both Goku and Toriyama not look so great all at once. In it, he also admits that his motivation for writing DBZ was nothing more than money, and doesn't say that he learned to love it or have any connection to his fans (in fact, he mentions intentionally messing with them and being contrary to their wishes), just seems to imply that it was an easier job than most. I'm tempted to share this with the person who got me into DBZ but also I don't want to ruin anything for them. Then again, they're the type to say "I prefer the brutal truth" so...

Ah fuck but what about all my followers who like DBZ? Goddammit...I wanted to say my piece but I guess it's selfish of me to ruin it for others. But, well, actually there may be some consolation for those who already saw this, because Toriyama also states that he forgets some of the things he writes. He also says he doesn't take care of his illustrations after he finishes them. Which is really weird and kind of disheartening to hear that he had so little passion for the story he built and shared with so many fans worldwide. But the point is, it seems that many fans are closer to the material than even he is, and as I've said before about the Harry Potter series, you can separate the content from the creator by acknowledging that 1) it is fiction and 2) there is a difference between who the author is, how the author interprets their own work, and what enjoyers make of it. These characters live in our consciousness as we built them too. We put our own heart into it just by immersing ourselves in it. Yeah, sure, Toriyama had a different vision of Goku than maybe a lot of fans did, but that doesn't make those interpretations we acquired and stored less valid. We all used our own imaginations to interact with what we watched or read. The version of the character that you see, and which makes the most sense to you is "real," because it's all unreal anyway.

And honestly? A more complex Goku who loves fighting for the thrill of it AND fighting for his friends makes the most sense anyway. We've seen it, we've seen his genuine care and concern. He's proven himself to be "pure of heart."

***Edit: They do actually include more sources that I didn't initially see which does confirm this, at least the part about seeing his family more as companions, though that doesn't change my final statement.

I just really find the fact that the creator of dragonball has stated that Goku canonically cannot feel any kind of love, just ‘companionship’, to be a extremely interesting fact. Like, if his family died he’d be like ‘No!’ and then he’d get over it fairly quickly as if they were only just acquaintances. Same goes with the rest of his friends.

The series creator apparently doesn’t like the anime’s portrayal of Goku. They always cast Goku as a hero, when in the manga he’s really only ‘saving people’ as a side bonus that comes with fighting a stronger opponent. He doesn’t purposefully go in to save anyone unless there is a fight happening at the scene.

So, If Goku hadn’t hit his head, he would’ve just been another Raditz. And it also explains why he’s rather cruel towards Gohan and neglectful towards Chichi.

Apparently Vegeta is the actual exception to his own species. He actually genuinely loves his family, -a rare trait only Goku’s mother was proven to have- whereas Goku is apparently literally unable to have those feelings. It’s kind of ironic; Vegeta is probably the one that would be the most ashamed and resentful to admit he has those kinds of feelings.

[kdval]

Now she had seen everything, thought Hardin, looking at Lara from across the table. Few were granted the honor of descending into the underground fortress of Grand Lord Ha'al, but those who did always returned unusually silent. Now she sat at his right hand, lost deep in thought, and in the light of the two ghostly moons, her skin seemed almost as pale as Ha'al’s. Another world had touched her, Hardin realized, doing his best not to stare so obviously. She had grown even colder than before, and perhaps had drifted further away from him.

“I’ve lost. And not to just anyone, but to the Grand Lord himself.” This thought struck him to the heart — far more painfully than he’d expected, but Hardin accepted the pain without hesitation. He and Lara may have been bound, but they had never belonged to each other.

Finally, Lara raised her gaze to meet his, a shadow of a smile crossing her lips. And that hurt him even more.

Cyberpunk 2077: Fright Night City 2024

› Day 4//Under the Moonlight

For the @fright-night-city event

Quote from Bloodborne.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[tofixtheshadows]

You guys really need to stop and consider the ways you're talking about Kabru I am dead fucking serious. Like I know that flattening characters is just what fandom does to a certain extent, but Kabru's actual personality is getting lost to the fandom hivemind insisting that he's aggressive/cruel/sociopathic/hateful, and these are particularly concerning takes to see leveled at the only brown character in the main cast day after day. "My poor sweet golden child Laios needs to be protected from this scary brown man" is not a good look! Like, it's very telling that the bulk of the hate and bad faith readings are reserved for Toshiro and Kabru. Everyone else's flaws get to be discussed and validated and forgiven (or erased), meanwhile people are straight making up things to be mad about with Toshiro and Kabru but patting themselves on the back for being smart.

The worst part is how undeserved it all is. I'm trying to lay off anime-onlys because we're still kind of in the red herring stage of getting to know Kabru, but I would still like to gently suggest that even if you think Kabru is up to something, you don't gave to get in the tags of every fan creator's post and bring up how you hate him or You Can Tell he's totally evil. Sometimes I think Kabru's blue eyes give people license to say things about his appearance that they know would sound completely racist otherwise, but referring to his blue eyes acts as a get-out-of-racism free card. The jokes about the dog with brown contacts are getting old, by the way.

For people who have read the manga, it's disappointing. Kabru is one of the most complex and important characters in the story, and if you base your interpretation of him and all your fandom interactions on shallow first impressions you are completely missing out.

I know part of this is because Dungeon Meshi is a comedy, but the story also wants to be taken seriously. For example, it's admittedly really funny when Chilchuck calls Laios "sick in the head", but that doesn't change the fact that the way Chilchuck casually belittles Laios caused him to hide the fact that he was "hallucinating" from his friends for weeks. Those feelings matter.

Like, this

is funny.

But this?

Is not. This is just a very clear example of a brown boy with PTSD. As someone else with PTSD, just looking at this fucking sucks, man.

The only reason why Kabru thinks about killing Laios is because he is in the middle of a flashback. He's struggling through a panic attack. If he truly wanted to kill Laios because he's violent or because he finds Laios inherently annoying, he wouldn't otherwise talk with Laios normally. Notice how he doesn't act this way at any other point in the story- it's just because he's triggered by monsters. Even when he's thinking about his plans to "deal with" Laios later, he's reluctant to actually kill him and only considers it to prevent another tragedy. Despite his deadly skills, Kabru relies far more on "soft" power- insight, persuasion, diplomacy. He's a rare example of a character who absolutely is, or at least can be, manipulative, but seems to use his abilities for good. He's not a pathological liar, he isn't looking down on everyone behind a smile. He's someone who is extremely emotionally intelligent, and he's willing to put aside all his own basic wants and needs to stop the cycle of dungeons devouring humans.

I'm going to cut a potential thesis on his character short and just give some examples of things that fandom should consider about his personality more:

Racism in fandom isn't just about whitewashing in fan art, or using racial slurs. The insidiousness of bad faith readings, reductions to racist tropes, lack of fan content for characters of color, and dismissal of a character's complexity are far more common. You can believe yourself to be completely neutral or even positive about a character and still churn out low-grade bile about them into fandom's collective unconscious. Fandom reflects real life.

And I have been around fandom long enough to see how these behaviors (mostly from my fellow white fans) affect fans of color, how it makes a fandom feel hostile and unwelcome to them. It's fun to make jokes and memes, I'm absolutely not saying that everything needs to be a deeply nuanced take, but we need to be careful that it doesn't veer into toxicity. Please think about how our contributions to fandom come across, and what sort of vibes they cultivate in this communal space.

[blinday]

I'm not saying you can't ask why, I'm just saying it doesn't matter. And while you make your works preserving the source material, other people can like something and still change some aspects of it. I'm just trying to say this. Okay if in your mind if you love the source material you preserve it, but it happens quite a lot that people like something and still change it. I love TMNT, but in my personal fan iterations I change a bunch of stuff. You can think that, but the opposite happens quite often.

I'm not saying it should be free of criticism, I'm saying that if you want to criticize something, instead of hammering down the same thing over and over, you should criticize it as a separate entity. I don't dislike Rings of Power because it changes everything my tolkien ass loves about his works, I dislike it because it sucks as a piece of media - the writing is inconsistent, the characters are shallow, there are plotholes everywhere. On the other hand, fans of PJO like the show because it's a well done piece of media on its own, even though it changes a lot of aspects from the books.

Epic has problems in pacing and stabilishing time, sometimes it's hard knowing what's going on due to the lyrics having double meaning or being interpreted in different ways, and it can be repetitive in some parts. This is criticism of it that I have for now, without comparing it to the source material. All I've seen in criticism for the musical has been comparison.

And I wasn’t saying the Odyssey is a fanfiction, I'm saying Epic is. And fanfiction is work of love - by the way, MANY aspects of the Arthurian legends derive from fanfiction from the time - Lancelot was added like, 50+ years after the first stories by a french guy. But again, I never said Greek mythology is fanfiction, please don't distort what I say like that.

I agree that it's part of creation, but don't you think that works can be good despite their fidelity to their source materials? Don't you think part of creation is adding your own thoughts? That part of consuming media is recognizing that not everyone does it like you?

New Epic saga and it's horrible... to give you an idea, Odysseus fought Poseidon, stole his trident and made him beg for mercy

hmmm a god begging a mortal for mercy is not exactly on par with Greek religion and stories. How did that scene made it into the final version?

[mythalism]

i realized the other day after posting about this fan theory that, at this point, it is basically talked about in fandom as if its canon, and newer fans might not understand why. my goal today was to explain the theory and all of the evidence we have for it in inquisition to give people a better understanding of why this has become so ubiquitous, and to hopefully have something to look back on in two months with that "apollo gift of prophecy" dodgeball meme when veilguard proves us right.

very important before i get started: this is not my theory. i didn't make it up. unfortunately, i also don't know exactly who did and if it could even be traced at this point. this is something that many people have believed for a long time, and i'm not the first to write about it. there are a lot of great posts and essays that speculate on this theory, and what it could mean for solas's character going forward.

PLEASE feel free to contribute thoughts, or link to posts you have made yourself or seen before in the replies/reblogs!!! much of my own experience with this comes from long before this account existed, so i dont have exact sources but rather random, amorphous fandom knowledge of this theory and what major arguments have circulated in the past 10 years. this post by @sammakesart and this post by @mrs-gauche went around recently and both touch on this theory and i highly recommend them both! i know @corseque has also written about this theory multiple times over the years.

i was first introduced to this on tumblr when it started gaining ground in the fandom after the release of trespasser in 2015, predominantly due to a couple of lines of cole dialogue from trespasser, so that is where we will begin.

shoutout to @daitranscripts and the dragon age wiki for the dialogue

this line of cole's is basically the foundation of this theory, and what is cited most often. i'm not entirely sure if the theory existed before trespasser, but if it did, i dont remember it being well-known or widely accepted like it is now.

this line is usually interpreted to suggest that solas, who would have been a spirit of wisdom/pride at the time, took a body and came into being as an elf at mythal's behest. this is also the line that suggests solas himself once wore vallaslin, and that he removed it himself using the same spell he uses on a romanced lavellan thousands of years later, but did so clumsily the first time and left the scar we can see on his eyebrow.

first i want to acknowledge what are pretty much the most damning indications of this theory

solas means "pride; to stand tall" in elvhen, according to world of thedas vol. 1

the dread wolf form we see in murals, written descriptions, and of course, in real life in the veilguard trailer, bears a pretty clear resemblance to pride demons:

most notably, in the face and eyes. yeah i dont really have anything else to say about those lmao it's pretty blatant

overall, inquisition tells us a great deal about spirits, and gives the player an alternate worldview through which to understand them, distinct from the chantry/circle narrative presented previously.

solas himself, along with cole, has a lot to say about the nature of spirits throughout his dialogue and banter with several characters. one sentiment that he espouses repeatedly is that spirits and demons are the same thing, but demons are a spirit corrupted and perverted away from its purpose.

Solas: They rarely seek this world. When they do, their natures do not often survive exposure to the people they encounter. Wisdom and purpose are too easily twisted to pride and desire

During All New, Faded for Her:

PC: Solas, you said your friend was a wisdom spirit. Solas: That is not its natural form. It has been corrupted. PC: Corrupted? Solas: Forced to act against its original purpose. What did they do, what did they do, what did they do?

second, that spirits and the fade are a mirror, and reflect the waking world. specifically, that spirits reflect the perception and expectation of a mortal, and adapts accordingly. belief makes reality.

On Ostagar:

PC: I've heard the stories. It would be interesting to hear what it was really like. Solas: That's just it. In the Fade, I see reflections created by spirits who react to the emotions of the warriors. One moment, I see heroic Wardens lighting the fire and a power mad villain sneering as he lets King Cailan fall. The next, I see an army overwhelmed and a veteran commander refusing to let more soldiers die in a lost cause. PC: And you can't tell which is real? Solas: It is the fade. They are all real.

and third, that spirits are people.

solas expresses concerns over what the breach does to spirits at multiple points, including here with cassandra.

he also regularly argues in favor of spirits personhood, and passionately pushes back against characters who argue the opposite, such as dorian:

as well as the inquisitor themselves, should they choose certain dialogue options:

PC: You trust these spirits not to possess you the first time you accidentally make a wish? Solas: Do you trust your friends not to turn on you? (authors note: LMFAOOOOOOO) PC: Well, yes, but they're people. Solas: Ah, of course. PC: You know what I mean. Solas: Are people only people because they are flesh and blood? Solas: Is Cassandra defined by her cheekbones and not her faith? Varric by his chest hair not his wit? PC: They're not defined by their bodies, but they do have bodies. You need one to be a person. Solas: A demon possessing a corpse has a body. PC: A living body. Solas: A demon possesses a living mage to become an abomination. PC: They didn't make that body. They just took it over. Solas: Technically your mother created your body, with some help from your father, one assumes. PC: You've thought about this. Solas: On occasion, yes. OR:

PC: Spirits are bound by their nature. You said it yourself. They're shaped by contact with real people. Solas: Just as Leliana was shaped by contact with Divine Justinia, as those who serve the inquisition are shaped by you. If I change your mind in this conversation, does that mean you're no more real than a spirit? OR: PC: Im certain you have some rhetorical trick ready to counter anything I say. Solas: It's likely. I've had a lot of time to discuss the question with people. Or "spirits", if you prefer.

aside from this entire conversation being hilarious and very fen'harel coded, i think its notable that his enthusiasm and snark here is distinct from the way he engages in other debates, where he is often clinical and detached. on the subject of spirits, however, we get a lot more emotional investment from him - it feels personal. as he says, he's thought about it. on occasion.

solas having originally been a spirit adds helpful context for his insistence on spirit's personhood despite modern thedas's completely contradictory beliefs, and also helps inform his worldview more generally, especially in regards to elves.

one of solas's most heavily criticized aspects is his disdain for modern elves and the dalish. and i agree, it's fucked up and he is an absolute ass about it at nearly every opportunity. however, his feelings regarding the elves sometimes seem... strange, even in the context of him being an ancient elf.

keeping in mind cole's line from trespasser, that he "did not want a body", as well as another cole line from trespasser:

most people infer that there is some sort of resentment on solas's end for him having to become human at mythal's request. it seems as if he was turned away from his purpose. wisdom forced to be pride.

cole's personal quest, which shows solas passionately arguing to keep cole a spirit, supports this. it is almost as if he is trying to prevent cole from the same fate that was forced upon him.

throughout the quest he says things such as: "This is not some fanciful story, child of the stone. We cannot change our nature by wishing." "A spirit does not work through emotions. It embodies them." "You would alter the essence of what he is." "It is good that he is not entirely changed, however human he becomes."

most telling of all, i think is this line at the end of the quest if you elect to keep cole as a spirit.

Varric: "He could have been a person." Solas: Possibly. Would that have made him happier?

OUGGHGH.

clearly, for solas, the answer was no. being a person has not made him happier.

regardless, solas still values spirits as fundamentally equal to people despite their differences and worthy of the same freedoms, self-determination and respect.

this kinship with spirits, however, might help explain his disdain for elves, in a way i find to be more satisfying than "all ancient elves are assholes" and more in-line with his character overall.

it seems as if solas doesnt see himself as separate from modern elves because he doesnt see himself as a modern elf, but that he doesnt not see himself as an elf at all, but rather as a spirit.

solas infamously says, following halamshiral if you bring up briala:

"I'm sorry, I was confused. I do not consider myself to have much in common with the elves."

the inquisitor has the option for several responses, and although most of us probably pick the one that tells him to fuck off, the others are more telling:

PC: Nor should you. You're not defined by the shape of your ears. They're not your people. Solas: No, they are not. OR PC: Who do you have much in common with. Who are your people? Solas: A good question. Solas: I joined the inquisition to save the world. Regardless of who "my people" are, this was the best way to help him.

"not being defined by the shape of your ears" and solas's immediate identification with the statement and approval of it sticks out to me. it seems like he's just being racist, and he very well might be, but in the context of this theory, it can also be interpreted as him disliking being "defined" by having a body at all, or any physical characteristics, consistent with how he resists the idea that varric and cassandra are defined by their own physical characteristics.

if the player insists they want to help the orlesian elves even if he doesnt, he still has something interesting to say:

Solas: Stop Corypheus. That will do for a start. It speaks well of you to feel for the oppressed. Help them for that. Know them for what they are.

this is not the only time he equates all oppressed groups of thedas to one another, defined by their shared subjugation rather than the real, in-world divisions such as race and religion. it's also interesting to consider the relationship between oppression, as a situation that evokes certain emotions in those who experience it, such as pride. as solas says of ostagar, spirits there were drawn to the emotions of the soldiers there. are spirits of pride drawn to situations of oppression, where pride is needed for liberation?

solas's failure (or refusal) to recognize the reality of how oppression functions in modern thedas along lines of race and ethnicity specifically is one of his biggest flaws, but it continues to fit with this theory, as it is consistent with that same sort of single-minded, spirit tunnel-vision that we see from spirits and demons. i would also assume that he considers spirits to be part of this monolithic group of "the oppressed", considering the spirit slavery/bondage practices in tevinter and nevarra, both of which he criticizes.

i do believe, however, that to equate all of solas's unfair derision of the dalish to him identifying with spirits over people, rather than ancient elves over modern elves, would be too generous and an oversimplification. its also clear how much of his anger towards the dalish comes from... wait for it.... his wounded pride.

solas is prideful. when he is faced with pride in others, he becomes defensive, even nasty. when his pride is challenged, often by others pride, he becomes almost unrecognizable. the dalish specifically rub up against his pride, in the most specific of ways that grate at his most cherished qualities and that disregard his own perception of himself. the thing he is most proud of, leading a slave rebellion against corrupt tyrants, erased from history entirely. branded a traitor instead, while those he fought against are worshiped as saviors for millennia.

Solas: I have joined my fair share of causes. But when I offered lessons learned in the Fade, I was derided by my enemies... and sometimes by my allies. Liar. Fool. Madman. There are endless ways to say something isn't worth listening to. Over time, it grinds away at you.

its also possible, considering what we know of the nature of expectation creating reality for spirits, that the dalish framing of the dread wolf actually does indeed make him worse - more arrogant, less compassionate, more ruthless, more cunning, more of a liar. a spirit being perverted into a demon based on the dominant perception of it.

perhaps the most interesting tidbit about solas of all which supports this theory, is that this phenomenon of expectation shaping his nature, making him more prideful or more humble, is not exclusive to the world of thedas, but also occurs on a meta-level with the player by proxy of the inquisitor.

a 2020 interview of trick weekes, solas's writer, says this pretty much verbatim.

"Solas mirrors. If you approach Solas from a place of humility and say, "I want to learn from you," Solas will bend over backwards to tell you how flawed he is and how he's just coming at this from his own limited understanding. If you come in with ego, Solas is genetically incapable of not bristling when he sees your ego... because he can't not do that."

this is fascinating for like 7 million reasons, but most notably for the language trick uses that i believe to be incredibly revealing. first, solas himself talks about how spirits "mirror" the real world multiple times. second is the way in which they speak about solas's mirroring as innate, uncontrollable, and involuntary. he is genetically incapable of not mirroring. genetically incapable of not bristling at someone else's pride. this being a genetic incapability implies, pretty unambigously, that he is a spirit. we dont know of any people in thedas who have pride in their DNA. except. you know. pride demons.

pride is his purpose. he cannot turn away from it or betray that purpose to pursue something else. he cannot change his nature simply by wishing. if he were to attempt it, he would be corrupted.

trick offers this information as an explanation for player's extremely varied perception of solas when playing the game, and it perfectly mimics the way solas himself talks about spirits as being created by a dreamer's expectation of them.

when asked about his friendships with spirits, he says:.

PC: You're saying that you became friends with pride and desire demons? Solas: They were not demons for me. PC: Meaning? Solas: The Fade reflects the minds of the living. If you expect a spirit of wisdom to be a pride demon, it will adapt/ And if your mind is free of corrupting influences? If you understand the nature of the spirit? They can be fast friends.

i just love how perfectly this reflects every fandom argument that's been had on twitter about solas for the past 10 years. like seriously.

random twitter user: you like that guy!? but hes a [demon]!! solas stans: he wasn't a demon for me

and it is true; people who are pretty deep into the games often know what solas is like to a low-approval inquisitor, but it can be shocking for new players to see what he is like at the other end of the approval spectrum, whether that is someone who hated him seeing the tenderness with which he kisses a romanced lavellan goodbye to remove her anchor in trespasser, or someone who romanced him witnessing the cruelty and detachment which with he grabs a low-approval inquisitor to yank off their anchor. he becomes almost an entirely different person based on how the player treats him.

for all that solas, in true spirit form, reflects the perceptions of the players, he has plenty of pure pride-demon vibes on his own, independent of player expectation. he is not just proud, or made proud as a mirror for player/character pride, but he often even goes as far as to act in ways that mimic how we have seen from spirits more generally, as well as pride demons specifically.

the wiki states:

"Spirits are not complex in the sense that they seize upon a single facet of human experience, and this one idea becomes their identity.[3] They are formed as a reflection of the real world and its passions.[10] A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose. For instance, a hunger demon will attempt to feed on anything it crosses,[4] and a spirit of justice will stop at nothing to uphold its name”

along with further reinforcing solas's tunnel vission as characteristic of spirits, he does indeed intentionally attempt to stoke arrogance in others, as well as test characters to see if they are vulnerable to arrogance and power-hungriness. this is probably best exemplified by his banter with vivienne, versus his banter with cassandra.

i mean this one is self explanatory. cmon.

but it becomes especially interesting when compared to his interactions with cassandra, of whom he starts out very distrustful of. however, through their banter, he immediately begins to test her for indications of her inclination towards arrogance and desire for power:

cassandra passes solas's tests and earns his approval through her humility, curiosity, and willingness to give up power for the greater good. as a result, solas softens considerably towards her, and becomes more evocative of wisdom than pride, offering her advice when she asks, though very humbly:

"i would hardly presume" is actually hilarious considering how he does presume. ALL THE TIME. but it shows the extent of this "mirroring" that trick mentions, when compared to how he speaks with vivienne, who does not pass his tests of pride: notice how his jabs at her specifically target her pride, the things she is proud of about herself, and tear them down:

he tells her that her position in the orlesian court is unearned, that the freedom she is so proud of winning for herself will come to an inevitable end, and that her resistance to demons does not make her special. its absolutely BRUTAL.

its especially important to note how little bearing vivienne and cassandra's backgrounds have on solas's perception of them. vivienne is a circle mage, a group of people who solas deeply sympathizes with, and believes should be freed. meanwhile cassandra is effectively templar, a group whom solas despises and finds unjust, and has been complacent in the oppression of mages that solas is so vehemently against.

and yet? it does not matter. he measures their worth based entirely on their propensity for pride.

it’s worth noting too, keeping in mind Solas’s almost uncharacteristic reverence for cassandra’s faith in the maker and (take this with a grain of salt because it was david gaider and he said via forum post….) that there are actually two types of spirits that become pride. wisdom, and faith.

"A spirit embodies and latches onto a specific purpose and will do all in its power to fulfill that purpose."

what we DONT know: pretty much everything else about this. what was the process like? at what point in history did he take the body? how was that body made? was it stolen? did he start as wisdom and turn into pride later? did he always oscillate between both? was he corrupted by what was asked of him, to fight, as his friend was in his personal quest?

i could continue talking about this forever, probably, especially with how it manifests in the solavellan relationship and what it suggests for solas's story in veilguard, but ill cut it here for both my own sanity and yours. but first, a few fun dialogue bits that strike me as very pride-demon coded but didn't fit anywhere else in this analysis.

in conclusion:

[oraclefreak]

I think we, DPS fans, don't talk about Charlie during the school's tribute to Neil enough.

He's not singing.

Meeks, Pitts and Knox are singing, letting all their feelings out.

Cameron is singing a little calmer. You can see the sadness in him though.

Todd is stuttering words, not even singing—but he's trying.

Charlie does not sing.

I'm sorry for the picture's quality.

At first I thought he didn't sing because he was angry at Neil for leaving all of them; the Dead Poets, Keating and his dreams of becoming an actor. We saw at the beginning of the film how Charlie tried to convince Neil to speak up to his parents. I think he really wanted Neil to be happy, and he knew he wouldn't be if he stayed silent and pursued being a doctor because of his father.

During Neil and Mr. Keating's talk in the office, Neil mentioned Charlie: "We are not a rich family like Charlie's" (quoted by memory). Charlie tried to make Neil pursue acting when they had different social backgrounds; Charlie could go against his parents and not ruin everything. But Neil was an only child from a family that was mantained by his father and no one else... and not particularly wealthy either.

Even if they had those differences, they didn't separate them. And both of them were boys with dreams they couldn't follow easily. Charlie was more rebellious (especially when it came to school's authorities). Neil was more of the type to go with whatever people wanted. Charlie was more risk-taking. Neil's risk in the whole movie was participating in the play (yes, the club wasn't a Neil risk; it was all of the poets').

Charlie was really proud of Neil for finally following his dreams.

"He's good. He's really good."

Sounds familiar?

"I was good. I was really good."

This parallel makes sense to me, especially if we analyze the very first scene of Charlie and Neil in the movie. As I said, Charlie wanted Neil to speak up to his father. And when he did and it all broke apart; Neil said words Charlie had said about him during the play.

Obviously, Charlie disliked Neil's dad. We can be sure about that, definitely.

The school's tribute to Neil was either Mr. Perry's idea or he gave the permission to do it. The authorities thought of Neil's death as the institution's problem. Keating was suspicious from the beginning because of his unconventional teaching methods (plus Mr. Perry thought Keating told Neil to keep his place in the performance, which he did—but he made it look like it was a real problem... 1950s, let's go).

Charlie didn't think this event of singing words of grief and so on was for Neil. Neil didn't die to be missed. Neil died because he would miss out on what he wanted to do. But that reasoning didn't even come across the authorities' heads.

I think of Charlie as a person who has an internal philosophy, a reasoning that most people wouldn't think of. So, when every single one of his friends are singing because they miss Neil; Charlie does not sing because this is a way to pay respects to Mr. Perry for losing his son. A way to say the authorities are right. A way to say "Neil... poor boy." Neil was miserable because he wasn't free. And his only way to be free was... not living.

I believe this "Charlie wasn't singing" thing can be interpreted in many, many ways. I probably overanalyzed it because 6 years of DPS make someone go insane eventually. What I do think is clear is that Neil and Charlie's friendship was very obvious from the start. And yes, the not singing thing is something to observe and think about... but their whole friendship isn't very talked about in the fandom! And I had the idea to write about not only the movie's scenes that have both of them, but also how I perceive it (hence why I would describe this post as a theory rather than facts).

I would love to see other people's takes on this subject too !!

[its-not-a-pen]

[餘知傳] The 2nd Century Warlord (Part 1)

based on the story by @romanceyourdemons

art by @its-not-a-pen

first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line

second day as a second century warlord i bribe a bunch of kids to start singing a nursery rhyme i carefully crafted to spread misinformation and further my strategic ends but they change the lyrics to be about poop and the enemy isn’t misdirected at all

third day as a second century warlord i lure my enemy into a narrow valley and send a team of archers to shoot them from the high ground but there was a feral hog napping on the trail up to the overlook and they couldn’t decide whether to try and shoot it or just go around and by the time the hog woke up and left on its own the enemy had already passed safely below

fourth day as a second century warlord we attempt to join a battle on the side of the guy we want to ally with but he and the guy he’s fighting have really similar names and it’s finally dusty and i misread the standards and attack the wrong guy. so now we’re stuck with this total loser of a liege lord, because how the fuck do you explain that after a battle?

fifth day as a second century warlord and some sort of wizard wanders into camp, my loser liege lord wants to execute him for being a wizard but i convince him to let the wizard stay, because i want to do more weather-based strategies and i’m pretty sure having a camp wizard can help with that. after the welcome to the team banquet the wizard steals half the treasury and my liege lord’s wife and leaves

sixth day as a second century warlord my loser liege lord sends me to reinforce a city he’s taken, but in the confusion of leaving i forgot to take the token that would have gotten us into the city, so my men have to wait outside the city walls for like eight hours while i ride back to get it

seventh day as a second century warlord and my loser liege lord finally joins me in the city, it turns out he’s actually a pretty cool guy, and he isn’t even that mad at me for letting the wizard steal his wife. i decide to shoot my shot but i’m really nervous and keep on stalling because what if i mess up our relationship and by extension jeopardize the security of my men, and eventually he just says goodnight and goes back to his room, where an assassin is in the process of setting up to kill him

eighth day as a second century warlord and my loser liege lord tells me to fake defect to his rival warlord, the one i originally wanted to ally with, to find out if he was the one who sent the assassin and why. but my whole way over to the rival warlord i’m worried that this has something to do with the wizard thing or how awkward i made it last night

End of Part 1

part 2

This comic was made independently from the creator, I'm just a fan and these are my own interpretations.

Notes under the cut:

the title 餘知傳 [the Story of Yu Zhi], is the styled name of the Second Century Warlord. I translated 餘知 as [plentiful knowledge] since he's defined by a surplus of knowledge but a deficit in luck. It's also great for fish-based puns since it's a homophone. As a nice parallel, Loser Liege Lord's banner is a carp ;))). the art style was inspired by vintage Chinese comics.

The story is set during the Three Kingdoms period, (220 to 280 AD) natural disasters, infighting and civil unrest had dissolved the previous Han Dynasty, leading to a violent free-for-all. I based the clothes on the previous Eastern Han styles, mainly because there just weren't a lot of contemporary references from the 3K period (and it only lasted like, 60 years). I always strive for historical accuracy, however, the Han Dynasty was over 400 years long and some sources don't do a great job separating out the different fashions, so I apologise for any mistakes that occur.

2. there aren't a ton of drawings on what Han children looked like, but in general ancient kids hairstyles are pretty consistent. 9-15 yo boys had shaved heads with two little top knots, girls had natural hair in braids/buns.

3. the crossbow (back left) makes a cameo, it was associated with Zhuge Liang, famous real-life strategist from the 3K era.

4. the LLL and his wife thank the Warlord, (a noblewoman on a battlefield??? scandalous!). it shows the LLL enjoys the unconventional and the wife is not as timid as she appears. I thought it would be funny to make them look as Background Character (tm) as possible.

5. I based the wizard's design on sages from mythology. (Hey, he's not a total fraud, he invented gunpowder 800 years before the Tang dynasty!) Nice little character moment for the LLL who is shielding his wife.

6. What do soldiers do while they're waiting for 8 hours? (<-from the right) playing knucklebones with pebbles, whittling a little horse, feeding sparrows, gossiping with neighbour, drinking from his gourd, napping. A minor warlord can't afford to keep a professional army so they're most likely conscripted farmers who've had to buy their own weapons and armour, hence why they look so unimpressive.

7. LLL offers the Warlord a bitten peach. Inspired by the legend of Mizi Xia who bit into a delicious peach and gave it to the Emperor so he could taste it was well. "Bitten peach" was a byword for homosexuality in ancient China. I thought it would be SO funny if the LLL was actually smooth af and the Warlord was a like a teenaged girl crushing for the first time. He's desperate to taste that peach but is too timid to reach out >;))) man has zero game. negative game, even. truely the PS4 of homosexuals. RIP to the assassin in the back corner who was forced to watch the most awkward, cringe-fail attempt at flirting in the history of china play out.

8. this is what zero peach does to a mf. UnU

[another-goblin]

I've seen a lot of interesting opinions about Dr. Ratio. Some of them I disagree with. So I decided to compile a little list of why I disagree with them. The first part will be about things that seem factually incorrect, and the second part is about things that are rather a matter of interpretation and context.

As always, I might be wrong, so feel free to correct me.

1. Things that seem factually incorrect. 

"Ratio is an egoist and does everything for attention and recognition" - I don't remember him ever saying or doing anything that would indicate that. He saved these researchers secretly and made our TB take all the credit. He later even calls himself a "supporting character". He gets angry if we ask him for an autograph.

"He doesn't care about people" - yes, if you skipped his passionate speech to Screwllum about how much he cares about people. But also, everything he does in the game is helping people (saving these researchers on Herta station, offering us his help later in the express dialogues and messages - offering us to enroll in university, participate in devates, turn the express into a weapon, later helping Aventurine with his plan, helping him to find information, and so on).

"He hasn't achieved anything in science" - the list of his scientific achievements is easily available, I wouldn't say it's nothing. But I'll also leave this here:

Even his dedicated hater disagrees with this.

"Ratio's note did nothing to convince Aventurine to stay alive, it was all Acheron" - from how I see it, he was fully determined to end his life up until he read that note. Otherwise, why would they introduce the note at all? Why did Acheron feel the need to remind him of it?

"He never wanted to draw the gaze of Nous" and "He still wants it" - we can deduce that it isn't true from different parts of the game (he actually wanted it in the past but doesn't anymore), but that is a direct confirmation:

(I trust Screwllum's opinion.)

"Everybody hates him in-universe" - this is interesting because I even heard this from his fans. And it might sort of feel intuitive, but I don't remember any evidence of that. He literally has an in-universe fan club. People who knew him closely talk about him warmly in his character stories. The only person I remember ever expressing any negativity towards him was some shcolar in the Simulatred Universe, but I don't think it counts. I'll talk more about his students in particular later, but short version: I don't think they hate him either.

"I hate it when he tells me 'Zero points, get out' and throws chalk at me, that's mean" - that's so weirdly specific, but I've seen it a dozen times already. And, like, why??? He tells it to his enemies, not to us. I mean, nobody's angry at Serval for electrocuting her fans with her guitar just because that's what she does in her fighting animation.

Speaking of combat voice lines, if we wait too long, most characters get irritated and try to hurry us up. Meanwhile Ratio:

'That's okay, take your time, it's a turn-based game after all.'

"He's physically abusive to his students, he throws chalk at them" - similar to the previous point. I don't remember any mention of him doing that. The only case of him using physical force against a (potential) student was when, as a TA, he threw away a rich asshole who tried to buy a degree. And yes, in the boring real world, I wouldn't approve of that, but in the world of the game - well done, good ridance!

"He doesn't tolerate people disagreeing with him, he thinks he's always right"

"He's responsible for the crisis at Herta Station" - how though? I saw this opinion several times, and I'm really curious what people mean by that. Did he himself endanger these researchers by teleporting them who knows where, then faked the video from Duke Inferno, and so on? But why stop here while we're at it , maybe he also impersonated Ruan Mei, left the bug on the station, abandoned the poor cat-creatrures and drugged us with a cake?…

"He's worse than Dottore from Genshin" - technically it's a matter of opinion, but I think nobody will mind if I put it in the 'just wrong' category. But yeah, that's an opinion I've heard. I've got no idea what they meant, but it made me think, how many people did he help and save, both in the game and in his past? Probably more than most of the characters we've met so far. And he doesn't seem to discriminate, it's not 'I'll save my people'. He cured that disease for everybody's benefit, he saved Herta's researchers, he helped TB unravel the events on the station and then proceeded to pester them offering his help, he cosideres some troubled IPC executive 'his responsibility' and so on.

"He actually betrayed Aventurine" - no comments. Come on, play the game, read the dialogues.

1.5. A little intermission.

The thing that's hard to deny is that he definitely doesn't mince his words. Whether you see it as him being a rude asshole, being justifiably angry, brutally honest, sarcastic, or snarky, or showing tough love, or just being incapable of expressing himself in an adequate and socially acceptable way, it's up to you. I can understand how some people might be uncomfortable with that. I personally find it an interesting character trait. (I mean, he isn't even capable of expressing positive feelings in a normal way, what did you expect of him?):

There is also a very interesting (but rather confusing) thing that can be missed if you are unwilling to see further than the initial shallow impression, but it is impossible to unsee once you've noticed it. He sees himself as a teacher in two very different ways. It can be missed at first because both ways are described in very similar words. These ways are: 

a teacher in a traditional sense (let's call it 'academic teacher'); 

and as something akin to a 'life coach', just helping people and making them realize that they shloud (and can) rely on themselves.

The thing is, we never see him in his 'academic teacher' role. As far as we know, he only acts this way with his university students. We never see him teaching anybody any scientific stuff, or berating people for their lack of knowledge and education. Yet he says that he considers everybody his students. But what does he mean if it's not about knowledge? He means it in the second 'life coach' meaning. Therefore, he sees literally everybody as worthy of his help and support.

BTW, I feel like his main problem as a character is that people tend to settle on the first impression they get of him and are unwilling to see further than that. Meanwhile, the game continues to explore his personality, revealing that most things about him are actually the opposite of what they might seem at first. That's why so many people think that he calls everybody idiots for being less smart than him, that he's egoistic and unfeeling, that he values knowledge above all, and so on. So if you actually have interest in him as a character, I'd encourage you to look at him more closely.

2. Now to the things that are more open to interpretation.

"He uses mean words" -to be honest, I'm not a big fan of writers making him use these words (idiots, fools, stupidity, and so on) because, first, they are usually used as just empty insults. (I'm curious whether he uses similar words in Chinese or something more nuanced). So I can understand how it can put some people off. And the second problem is that it feels like he means different things every time he uses these words. It's quite confusing. Here is a post where people helped me find different cases of him using these words; you can check it out yourself.

Let's look closer at some of these cases: 

-'While geniuses wander among the stars, the ordinary can't even trace their footsteps. Those less gifted have no choice but to walk alone, enduring a lifetime of tumbles and triumphs. But even a life marked by failure is a life worth living — it is only in moments of solitude and despair, when help is absent, that fools grasp how to pick themselves up' He seems to contrast geniuses with fools here, so fools are everybody who's not a genius. So if you are inclined to see him this way, if you squint, you can technically see it as him insulting people based on their intellectual abilities, right?… Except, he includes himself among these fools, so no:

So it's basically 'all who are not geniuses are fools, including me'. Which is an interesting way to put it, but it definitely doesn't mean ''you are all fools for not being as smart as me''.

But he mostly uses these words when he talks about his fellow scholars:

-'First, with the headpiece on, isolated from my five senses, I can think without interference. And second, I don't have to set eyes on stupid people' - we only see him wearing the plaster head on Herta's Station, a place full of the most brilliant minds in the universe. We never see him using it again with normal people, so the word 'stupid' here can't be about people's intelligence.

There is also an interesting little detail:

He admires her intelligence (although in a sarcastic manner) in his 'about Herta' voiceline. He doesn't wear his 'anti-stupid' mask when he's with TB or Aventurine, but he always wears it with Herta. Which is very telling, and indicates again what he means by 'stupid'.

Some other examples:

-'(…)the fools from the Guild with ambitions beyond stars should be banished from my sight and thereby mind' -'Don't invert priorities like these dolts from the guild' -'I cannot stand fools, idiots, or imbeciles. Seeing them fills me with dread. Regrettably, this space station is just like the Intelligentsia Guild — devoid of geniuses and filled with mediocrity' -'Ah, the Technology Department. Charming little place, isn't it? Madam Yabuli does possess some semblance of competence, but her subordinates? Oh, they're a riot — brimming with enthusiasm yet utterly devoid of intellect. It's as if evolution halted prematurely for them'

He is absolutely RUTHLESS when he talks about scientists, because he expects a lot from them.

So no, I don't think he'd call you an idiot for not being an A student, or having learning difficulties, or just lacking an interest in learning. He absolutely would though if you were a brilliant scientist, priveledged with great education, resources, and a personal lab, squandering your talents and funds on a useless vanity project, or hoarding potentially life-saving knowledge for yourself, to use as a commodity.

"But he does call people idiots!" - I've noticed that most of the time he uses these 'insults' he talks about some groups of people.

I could only think of 3 times when he called an individual an idiot. He calls Aventurine an idiot because he 'lost' the stones (but it doesn't count because he plays a role and pretends that he hates Aven). A scholar in an event in SU complains of Ratio calling him an idiot (I'm not sure it actually happened, it's just a story in SU).

But there is one case of him calling somebody an idiot and actually meaning it. And who is this poor victim of his terrible verbal abuse? It's himself. Whoops. (speaking of how he's supposedly full of himself and thinks that he's better than the others.)

"He would call me an idiot because of my supposed lack of knowledge/education/intelligence" - I showed in the previous point why I think he wouldn't (he never seems to use these words to mean that).

But also consider this. During his interactions with Aventurine on Penacony Ratio mostly plays a role for Sunday, pretending that he despises Aventurine. That's why we can't draw any conclusions about his personality from most of their dialogues. But the moments when he breaks the role are extremely telling.

Let's look at one of them from the beginning. They argue; Ratio calls Aventurine an idiot for 'ruining their plan'. And then Aventurine mentions that he didn't go to school and lacks formal education. If there ever was a good time to call someone an idiot for being uneducated, that's it! That's what Sunday expects to hear (because his plan hinges on Ratio valuing knowledge above all else).

And what does he do? He fucking apologizes! Even for the role and for the sake of their plan, he can't bring himself to insult someone for being uneducated.

"He's mean to TB" - it's a matter of interpretation, but his behavior with us didn't strike me as mean or demeaning. He was just being sarcastic and snarky as always (and I understand that it's not everybody's cup of tea).

The situation was time-sensitive and precarious. We don't know how much control he had over it. He tried to make us realize what's going on as fast as possible, pretending that he himself is clueless. Because his goal was to show the recearchers that despite the presence of 2-3 geniuses on board, none of them were able to save them. If he just publicly saved everybody, it would be just another genius appearing out of nowhere and saving the day, which would go against his goals and his philosophy.

And later, our TB seems to regard him with a mix of respect and amusement (calling him Professor, asking for an autograph), no resentment here. So TB didn't think he was mean either.

"He values knowledge above all, he's obsessed with teaching people stuff, and he doesn't understand/accept that other people might have other priorities" - I'd argue that literally the opposite is true. He doesn't impose his knowledge on anybody against their will, and we never see him berate anybody for their lack of knowledge or education.

Sunday isn't the first person to misunderstand him that badly, and he's not having it. Even though at this point in the story, his and Aventurine's plan hinges on Sunday's misunderstanding. But I think his position is very clear: pursuit of knowledge above all is a matter of petty pride.

He says it when we ask him why he doesn't nag us about getting our act together, before a party. So basically "if learning makes you feel bad (doesn't enhance your living) then you are doing it wrong, go and have fun".

This probably isn't considered canon, but it illustrates how he sees knowledge. Here is an analogy. If I had an apple orchard, and I thought my apples were awesome and they'd make a great gift, and you should feel free to ask me if you want some. It doesn't mean that I shove my apples into people's mouths against their will and then call them idiots and spit on them when they don't like it.

"He's a bad person because he didn't help us fight the big bug" - he knew who we are. It's not in his habit to directly involve himself where he's not needed, it would go against his philosophy ('you should count on yourself; you can do it'). It's not like he left us to die; he must have known how capable our TB is. BTW, he was still looking after us, seemingly ready to come to our help:

Besides, currently nothing indicates that (outside of the turn-based gameplay) he's anything more than a normal human being. He would be a hindrance in a fight. 

"He's a bad teacher" - (first, here is an interesting post about this from the point of view of an actual teacher)

So yeah, it's about the 3% passing rate. Yes, it can mean that only 3% of his students end up learning something. It's possible that he's such a bumbling idiot of a teacher that he doesn't even understand how bad he is. It's possible that he's somehow still allowed to teach despite being THAT bad.

But I think it's much more possible (and consistent with his philosophy) that he just has very high standards. A 3% rate doesn't mean that only 3% know anything. Students might benefit enormously from his classes, even without passing. They still have all their valuable skills and knowledge.

But also, let's not forget that he doesn't teach children. He teaches at the university. And I don't think it's some 101 basics; it's likely something related to his research and discoveries, some extremely advanced cutting-edge stuff. So his students are already extremely well educated adults, who want to achieve more. He would probably see lowering his standards as a betrayal of his students.

"His students hate him" - I didn't get that impression. On the contrary, they seem quite interested in him (some times in really creepy ways):

The only indication that they might have something against him is this:

It's either a literal roll-call of actual adults who shed literal tears during his classes, or it's just students being their normal cheeky selves, being overdramatic about a strict teacher. 

An example that came to mind: I can whine about how ruthless my gym trainer is and how I couldn't walk for a week after the last leg day. And his other clients would agree. But everybody understands that it's an expression of approval, not contempt. And maybe a bit of a humble brag.

Besides, if we decide to take that post at face value, then we'll have to take this literally too, meaning that his students consider him an actual God. And I don't think it's true:

-------------------

There are still a lot of hot takes I disagree with that I haven't mentioned, but I'm too tired. This took WAY too long. Other cases are mostly quote-mining and deliberatly taking what he says out of context, which isn't very interesting to argue against (just read the full dialogue and consider the context). And also different variations on 'he's an asshole, he hates people, he thinks he's better than others, he'd call you an idiot for this or that, he's elitist, he only values knowledge and intelligence' and so on, but I think I addressed it sufficiently.

So yeah, that was my little character research. This wasn't written for his haters (I dislike some characters myself, and I wouldn't probably read 3K words about how I should change my mind). It was rather for the people who kind of like him, but who feel sad thinking how he'd probably call them idiots or something. I hope I was able to help you see him in a different way. He wouldn't call you an idiot, he'd support you.

[pigdemonart]

Battle Subway Depot Agents (by pig-demon)

When I made designs for these guys last year I didn’t really think they needed colored references/master post, but since then I’ve drawn them a lot! Also people have added them to their fanfics and drawn fanart! So I figured it was time I made a post for easy ref. :]

These designs are obviously free to use, just give credit (and link me your work if you're comfortable, because it makes me happy to see!) All I request is to stay respectful to their pronouns and skin colors, ya knooow… 👍 note: The pokemon on their cards are all companions, not the ones they use on the Battle Subway. Except Jackie...the litwicks are just there to fill space/give them company.

More info under cut:

Edit: Important disclaimer:

These are again my designs/interpretations for the agents. Please don’t treat them as canon or as the only, quintessential designs for these literal background npcs. Many people have done takes on them before and after me, even back in 2010. It feels silly to ask, but due to past experience, I ask that you please DONT hunt down anyone that does a different take on the depot agents!! 👍

Tags:

I'm gonna start tagging them individually, but for now all Depot Agent comics and art on this blog are tagged under Depot Agents.

Height chart:

I’m not too strict about heights, so I don’t really care about actual measurements. Here’s an approximation of what I tend to visualize though:

Sexualities/Gender Identities: I don't have official labels for each and every agent because I like keeping things fluid for characters to develop these traits on their own. However, as a queer person, I enjoy designing characters who are also queer, therefore I can safely say none of these characters are straight. The ones who are set in stone are Ramses (gay man), Cloud (lesbian woman,) Jackie (non-binary.) Furze uses he/they pronouns but their gender is undetermined. I also welcome anyone giving the agents a different gender identity to suit them (as long as it's done respectfully.)

Notes about each agent...

Cameron:

- Cameron dyes parts of his hair blonde and keeps other parts in black. This is because he is a big fan of Elesa and her fashion choices.  - Though there have been a few occasions to meet his idol, he is always way too nervous to approach her, feeling deep down that he'll mess up somehow. - He practices modeling poses in secret. He loves flourishes and flare, but is simply too insecure to put it on display. - Of his coworkers, he gets along the best with Furze. He's the easiest to talk to because Furze will do most of the talking. - Cameron is easily intimidated — even mean Pokémon can make him nervous. Though, his two worst fears are being left in a room alone with Jackie, and being left alone in a room with Isadore. - He takes advantage of his height to sometimes hide behind some of his coworkers. - Cameron is much better at Pokémon battles than he gives himself credit for. Emmet and Ingo were pleasantly surprised by this, since Cameron was promoted to fit a temporary role on the Battle Subway. They happily made him a permanent member when he proved himself capable. - His Dwebble (Pebby) is secretly very strong, and rushes to protect Cameron when it can. Cam sometimes thinks Pebby helps him feel more confident in himself too.  - If he stumbled into any of his coworkers outside of work, he would simply explode of embarrassment. - He is the youngest child and only son of his family. He lives in his own apartment in Nimbasa.

Cloud:

- Cloud (like Ramses) knew the twins when they were very young. - She used to be an ace trainer in her youth, even going so far to compete in the Pokémon league. Winning and becoming the champ was the most important part of her journey, but something happened along the way that changed that outlook. - It seems with age, her competitiveness has mellowed out. However, she maintains an intense energy when battling.  - Her favorite types are Psychic and Flying types. Swoobat (Sweetie) is her ace.  - Her favorite hobby is baking, and she often bakes sweets for the crew. She knows all their favorite flavors by now! - She prioritizes keeping a friendly relationship with all her coworkers and thinks of them fondly. She considers Ramses family after all the years of working together!  - She is a big fan of Brycen's movies and can recite the lines. - She lives with her wife in Anville. - Cloud loves doing maintenance work both at home and in Gear Station. She enjoys bringing her own tools and industrial flashlight.

Furze:

- Furze only has one volume setting (mid loud,) but he finds himself feeling right at home when talking to either one of the twins. - Furze has ADHD, and this is reflected in some of his habits, most visibly is his fidgeting when sitting still for too long. - He rides a bike to work every day. When he is late, Cloud clocks in for him so he doesn't get in trouble. - This is a kind of a guy that sits crouched gargoyle style on chairs. Only outside of work, of course. Bad posture could get him in trouble. - While working on the Battle Subway, there will be times Furze feels sorry for his opponents and offers to quietly let them pass anyways. This...has also gotten him in trouble. :[ - He went to the same elementary school as Isadore in Castelia. Though Isadore seems to have forgotten their short-lived acquaintance, Furze has not. This is part of the reason Furze claims they are in fact good friends!!! - Furze is the middle child of a big family. He lives with his mom and takes care of her, along with his many Darumakas and Darmanitan. All of his Pokemon have famous trains names. - He collects model trains. Naturally.

Isadore

- Isadore had plans to become the station master the moment he was hired as a depot agent, but alas... (sad trumpet sound.) - As a youth, he was more interested in science and engineering over Pokemon battles. He enjoys the strategizing aspect, at most. Not so much the competitiveness. - In addition, his Pokemon are all rescues and not used for battling. He's had his Watchog (Winston) since he was in his late teens. - His Electrode (Gregor) and Voltorb (Leonard) were rescued from the likes of Team Plasma. - Isadore admits he understands Pokemon better than humans. This has been apparent his whole life. - In spite of acting like a sitcom villain, Isadore cares about the management of Gear Station and the safety of the passengers to an incredible degree. He sees it as a personal life goal to assist in the management of Gear Station, as well as the success of the Battle Subway. - Though it pained him to become a subordinate to the twins, he begrudgingly accepts it for the greater good. - His almost militant efficiency certainly made up for his years of antagonizing the twins before they became the bosses. Ingo and Emmet understand this better than anyone. - Isadore keeps tabs on all of the staff members. So he very well knows all their birthdays and makes it a point to celebrate it. This is by no means a -happy- or -festive- event. It's just customary. - Like Furze, he was originally from Castelia, but now resides in Nimbasa. Isadore's only family is his mom and she lives in his childhood home with their Stoutland. - Isadore would have probably been voiced by every glasses guy ever J. Michael Tatum had he not already been cast as dear Emmet lmao

Jackie

- Jackie is a mystery and they like keeping it that way. When they talk, it's practically impossible to determine what is a lie or truth, especially if the subject is themselves or their background. - They love scaring Cameron the most and will ask to be paired with him whenever possible. They claim Cameron is their "favorite coworker," while Isadore is the least favorite. - It's plain to see why -- Jackie is the only one that doesn't passively tolerate Isadore's tirades. - Though my comics sometimes may allude to Jackie being a ghost/supernatural, this is not confirmed nor canon. I just personally enjoy toying with the concept. : ) That being said...

- Item #: SCP 7453

- Object Class: Euclid

- Special Containment Procedures: The ████ ██████ is ██████ within ████-██████. - Ingo and Emmet choose to not question anything about Jackie, since it's clear they're one of the more efficient workers. However it can be a safety concern... - Cloud and Ramses have worked with Jackie for a long time, though they've forgotten somehow. They believe Jackie is a new hire since they appear to be young. - Anyone trying to make sense of Jackie's employee records simply can't bring themselves to any conclusions. It's better to ignore the inconsistencies. - Jackie has never been seen to leave Gear Station. Jackie has never been seen in anything but their uniform. Jackie has never been confirmed to eat, drink or blink. Jackie knows your secrets. Jackie thinks it's... amusing.

Ramses

- Ramses sometimes misses having a full head of hair, but he thinks his signs of age make him look distinguished. (he is correct.) - Ramses is sort of the "mom friend," making sure everyone's concerns are heard, as well as trying to keep the peace whenever a conflict might arise. - If another coworker is feeling low, Ramses will try to cheer them up with a lighthearted joke or offer advice if they'd like it. - When the twins were promoted to bosses of the Battle Subway, Ramses cried because he felt so proud. - In most circumstances, he is a very simple and logical man. He is quick to find solutions and tries not to fret over the little stuff. It's not good for his heart after all. - His ace is his Pikachu (Musa,) though the mouse is more of a lap pet now. At home, he also has an Audino (Sara) and a Manectric (Nubi) who keep Ramses' husband company. His Klinklang (Moli) is the only one of his personal pokemon that accompany him to work nowadays. - Ramses considers Cloud family. They are best friends and love having family gatherings outside of work. They also gossip a lot, and don't mind when Jackie decides to join. - Ramses jokes about looking forward to retirement, but really doesn't want to leave until he is physically incapable of working anymore. Gear Station is like a second home to him.

In-Game Quotes

The most important reference of all are their in-game quotes, of course, so I'm adding it to the post. A lot of their personality traits can be extracted and interpreted from these few lines. And I personally love that about Pokemon NPCs -- there's a lot of room to explore and play with. Some appear very obvious. Cameron practically announces that he isn't ready for the battle that's about to ensue and seems genuinely surprised to win. Furze comes out the gate talking about the subject they actually care about, which is their job and their love for trains. The two of them are very easy to understand. Now, Ramses lines allude to a gentle and simple personality. He views himself with humility, and maybe even with a bit of humor comparing himself to a train and to his opponent to a station. If he loses he shows no signs of disappointment, he just accepts defeat with one last honest quip. It s also amusing to see the Depot Agents all use train metaphors to describe themselves since it falls in line with how Ingo and Emmet talk.

In comparison, Cloud does the same thing calling herself the terminal instead. Immediately, she is way more daring, though still keeping a sense of professionalism. To me, it's obvious she is competitive as she even admits she was expecting to win ("Ah...I didn't see it coming.") Jackie's lines are fun since it's up to interpretation if they are being literal or lying. It's almost like they are more interested in confusing/creeping out their opponent than actually beating them. To me, it gives off a mischievous vibe. Isadore's opener "There are only two roads in life." is a curious one because it almost feels like he is trying to be philosophical. Definitely a guy who views himself as an intellectual, regardless if that’s true or not. I like to think it's a saying he really believes in, and it applies to his life. The road he likes (long route) vs the road he hates (shortcut) -- fighting tooth and nail to become boss vs biting his tongue and accepting Ingo and Emmet as the Subway Masters.

Those are just my thoughts on how I write these characters. Please have fun playing with these lines too!

[raven-at-the-writing-desk]

Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜

No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www

Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.

I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.

We got it? Good 👍 Read more below the cut!!

Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:

In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.

With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.

Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.

Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.

Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)

Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.

All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:

Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.

Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.

Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.

Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.

Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.

Vetting and formal approval from the senate. lmao good luck with that

Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)

Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.

I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.

All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.

[jeidafei]

Hi, DGM fandom! I'm jeidafei. You may have seen me in Kougeki-scans' scanlation of D.Gray-Man.

I know Kougeki releases have been delayed for these past few chapters. And people have taken to releasing their own translations on Reddit and MangaDex as early as a few days after the Japanese release. We at Kougeki have asked people to wait if they could. People have told us to, basically, go d*e.

And of course, you are perfectly entitled to say so. You are perfectly entitled to release your own translations and not wait. After all, we at Kougeki are just fans of D.Gray-Man, similar to you. We have zero claim over the series.

I normally stay out of the fray when it comes to quarrels with these 'snipers' until now. When I saw the quality of the translations some of these people are putting out.

(Specifically, Chapter 250 on MangaDex)

Japanese is a difficult language. D.Gray-Man is a difficult manga to translate due to its ongoing status, complex nature and plot twists. I have made mistakes myself that others have pointed out. I have my own interpretations that might be different. I readily forgive mistakes I understand are due to the complex Japanese grammar, and the confusing mysteries of the D.Gray characters.

But these are not it. These are just blatant laziness and lack of basic knowledge of even the most recent developments in D.Gray-Man. Or even simple logic. These are the results of people dishing out sub-par work quickly just to get the most exposure possible.

So while we wait for Kougeki's version, I am going to point out these egregious mistakes. We need transparency so that going forward, you can make your own decisions on whether it is speed or accuracy you are looking for.

The original Japanese text says "7,000 years ago" (七千), not "17 years"（十七）. A difference any beginner Japanese learner would notice. Even most D.Gray-Man fans without Japanese knowledge would probably realize something is off based on what we know of the story so far.

The original text says "Do(es) the passion/sentiments run so deep, you must reincarnate into a human who resembles Nea?" (the word 'regret' is simply not there). I think 'passion' or 'sentiments' are more compatible here, considering earlier theories about Tyki, the Noah of Pleasure.

Jasdevi is saying they were at their limits anyway and wouldn't be able to keep restraining Apocryphos for long. When Wisely orders them to dispose of Apo, they scream "Oni!" (Demon) which is quite similar to "Onii-san" (Elder brother), but most people would probably know which one is more fitting in this scenario, even without Japanese knowledge.

When Desires asks Wisely if he is just going to set Apo free like that, Wisely explains that this way, Apocryphos (not Desires or Wisely as in the translation), can keep searching for the Heart for them. Again, basic story knowledge.

Wisely didn't say "Fine, enough already"; this bubble is a continuation of the earlier bubble, spoken by Desires. Together, he is saying "Wouldn't you just spit it out already!?"

In Japanese, many words sound the same and the meaning can only be determined by context or the Chinese characters (kanji) used. In this case, "kikai" can mean either "machine" (機械) or "opportunity" (機会) or "strange" (奇怪), among a dozen others.

Yes, it's difficult, I know. But, you see the kanji. You know the context. I'm sure you can take a guess.

There are a couple more minor mistakes (ones that don't impact your understanding of the story too much). But I'm just going to leave you with one more, the most conspicuous mistake:

The chapter is named "Curse's End" by this translator. Actually, it's the opposite in Japanese. "Owaranu" is a form of "Owaranai" which means "not ending", which fits the revelation of this chapter by Wisely that their 35-year curse has yet to come to an end.

So, there you have it.

As you can see, I'm not shaming people for not being as fluent in Japanese. Not everyone can dedicate almost two decades to learn a language. As I have pointed out, most of these mistakes are rookie-level, and should have been picked up in double-check if that someone is familiar with D. Gray-Man at all. With these nigh unforgivable mistakes, even Deepl and Google Translate are more accurate.

This is a matter of someone not giving enough of a sh*t, plain and simple.

I'm also not gatekeeping scanlation whatsoever. I'm just pointing out the mistakes and actual text because the fandom deserves to know. With the localization drama going on, it proves faithfulness to the actual text and accuracy matters.

Of course, anyone has the right to put out their translation. And I have the right to point out whether they can be trusted. I'm not passing judgment. I'm just providing evidence so the bystanders can decide for themselves.

Lastly, from the bottom of my heart, I thank everyone who has supported the work of Kougeki Scans and waited for our release. I apologize for the delays. We're working on the latest chapter and will release 249 and 250 very, very soon.

[chosetherose]

Two Graves One Gun

So Long London continues the saga of celebrity versus soul. The only way to cure Taylor’s sadness is for her to bid farewell to bearding, and perhaps the closet.

If you can look past the red herrings in this song, you will find a deeply layered masterpiece that illuminates Taylor's battle with herself; how past plans made to maintain her celebrity have marred her soul. She doesn't want to live life like this anymore and is willing to burn her brand down to the ground to free her soul.

As always, the analysis I've written here is only one interpretation of this song. I'm not claiming it is "correct" but I encourage you to plow through (this is a very long post) and consider what I've laid out.

For context, I believe London is a metaphor for bearding. Here is some background for the new folks:

For most of her career, Taylor’s beards have been from the UK. Specifically, from 2012-2023 her beards were Harry Styles then Calvin Harris then Tom Hiddleston then Joe Alwyn.

The beginning of this stage was right around the time she started crossing over into pop music. Red is her first real leap into pop music and to do this successfully she needs to expand both domestically (to pop audiences that don't listen to country music) and internationally (her first opportunity for this since the rest of the world doesn't listen to much country music).

She started bearding with Harry Styles in late 2012, within weeks of Red's release then milks that short lived stunt for 1989 as well. What a way to capture a new pop audience made up of fans abroad and at home. Rinse and repeat until her priority changes to long-term privacy and she finds that aided by an unknown actor named Toe. Even though Taylor's current beard is American, suffice to say one can look at London as a metaphor for bearding given history.

[Intro]

So (So) long (Long), London (London) [repeated]

Pay attention to how she sings this...She breaks "London" into "Lon" and "Don".

So SO / Long LONG / Lon LON / Don DON

This is a sneakily beautiful way to emphasize: So! Long! Don(e)! ...Like "I've been bearding for so long and I'm done with it" or "So long, bearding! I'm done!" Yes, this is a reach but read the rest of this post and circle back. As this intro closes the final "Don(e)!" fades into the upticked beat.

[Verse 1]

I saw in my mind fairy lights through the mist

I kept calm and carried the weight of the rift

Pulled him in tighter each time he was drifting away

My spine split from carrying us up the hill

Wet through my clothes, weary bones caught the chill

I stopped trying to make him laugh, stopped trying to drill the safe

Taylor seeing fairy lights through the mist sounds like she sees daylight at the end of a tunnel opaque from lavender haze. She keeps focused on this goal, carrying on with all these beards over the years. Although she's able to appear calm during these stunts, living life like this has forged a rift within herself. She beards because it's advantageous for her brand but her soul despises the ruse.

Side note: “Keep Calm and Carry On was a motivational poster produced by the Government of the United Kingdom in 1939 in preparation for World War II.” -Wikipedia. A bit of history that I think furthers the idea that Taylor was battling to keep going.

Tayor has to balance these aspects of herself continually - Too much stunting? Her soul needs a break. Had a good break from stunting? She needs to feed the grocery line Swifties to keep them at bay. It's an idea that got me thinking about yin and yang, "an opposite but interconnected, self-perpetuating cycle." (Wiki). I am not an expert on this concept but I know I've noticed it has come up throughout conversations about TTPD. If yin and yang is relevant for this album, as I believe it is in multiple songs, in the context of this verse it feels related to Taylor's constant need to find balance between the celebrity version of herself we see on our screens and the true version of herself only she can see in the mirror.

This cycle wears on Taylor so much that her spine splits from the weight. She has been slogging through stunts, dreaming of freedom, for years. It's been storming so long her clothes are soaked and she feels the chill down in her bones.

Because of the pain she decides to change strategy. Theres no more attempts to make her situation lighter or find ways to deal with it. And think about this - if you're trying to drill the safe open it means either A) you feel like you've tried all the codes and are resorting to brute force, and/or B) you're running out of time and growing desperate. Taylor is past even those points and is giving up entirely.

[Chorus]

Thinking how much sad did you think I had

Did you think I had in me?

Oh, the tragedy

So long, London

You’ll find someone

The chorus reminds me of talking to a past version of yourself that made plans for a future you. We know Taylor must plan her life years in advance so perhaps she is asking her past self something like, “Why did you think I could handle continued bearding? Did you really think I could handle all the sadness I'm feeling today?”

Then I think the second half of this chorus is saying goodbye to bearding, symbolized by London, because she can’t bear the sadness anymore. Maybe the "you'll find someone" line is aimed at the fans a la "you should find another guiding light" like you guys will find someone else to fawn over in the tabloids.

Side note: I love the double entendre here. Because so long means goodbye but it has also been so long that she’s been bearding (largely with British men).

[Verse 2]

I didn't opt in to be your odd man out

I founded the club she's heard great things about

I left all I knew, you left me at the house by the Heath

I stopped CPR, after all, it's no use

The spirit was gone, we would never come to

And I'm pissed off you let me give you all that youth for free

I don't have a strong opinion on the first two lines of this version. What comes to mind is she didn't opt in to be an openly LGBTQIA+ artist, she chose to closet and beard. Then other younger closeted celebrities have looked to her as a blueprint.

In the process of bearding for stardom, her soul abandoned all she knew. I think there is a red herring here as Heath could reference Hampstead Heath (which has connections to Toe) but it’s also continuing on the house theme that Taylor sings about. Here, it doesn’t sound like this house is a home. She’s not singing about chandeliers flickering inside, it’s “the” house by a heath -- “Heathland is characterized by plants such as heather, bilberry, gorse and bracken, which occur on infertile and well-drained soils. Open heaths have been highly modified by humans for centuries and are maintained by grazing or cutting.” She’s stuck somewhere that’s by drained her via death by a thousand cuts lol.

Again, it's weighed on her. So she's decided to stop trying to revive the disconnect between her soul and her celebrity, it’s no use trying anymore. She’s realized they could never fully come together.

And she’s pissed off she let her celebrity rob her of an open, free, youth where she could live truthfully. Recall that in Peace she sings, “a coming of age has come and gone” which to me means she feels she can’t explain a coming out via a youthful awakening angle. She’s at the age where people will understand she’s known this for years but hasn’t shared with the world. This will raise questions she won’t be able to answer because it’s all too tangled (NDAs, outing beards, etc.).

[Chorus]

For so long, London/ Stitches undone

Two graves, one gun

I'll find someone

For so long, she’s been bearding, stunting, hiding her true self to reach and/or maintain celebrity. It’s caused her stitches to come undone. This wording is interesting because it implies she had a wound from living this life hiding her truth, they tried to fix her up as her celebrity status soared, but it didn’t work because the sadness was too great.

Perhaps there's two graves and one gun because on the path to daylight she will kill both her celebrity and the sadness of her closeted self. Not how she switches from "you" will find someone to "I" will find someone. This is because she will destroy every version of herself that she's ever known if she comes out one day. She will rise like a Phoenix through the ashes to discover a new version of herself in the daylight.

Note that the Spotify clip for this song, from the Fortnight video, feels significant. First, Taylor looks up toward the daylight. Then, with heavy breaths and a concerned face, she rifles through her art (words written out on a typewriter). We know in the rest of this scene she is lighting her art on fire. Two graves one gun on a path to daylight.

[Bridge Part 1]

And you say I abandoned the ship

But I was going down with it

My white-knuckle dying grip

Holding tight to your quiet resentment

I imagine these first lines of the bridge to be aimed toward those in her life, on her team, etc. that steered her toward closeting to gain/keep fame. Maybe she has plans and they are saying by coming out she is abandoning the ship (her celebrity) they've all worked hard to build. In Miss Americana we heard her team tell her that coming out as a Democrat would halve the numbers of her next tour. Can you imagine what would be said about a coming out?

But what they don’t understand is that living this life is killing her. She’s been holding on to all the subtle ways they’ve told her over the years that her career will sink if she comes out of the closet.

[Bridge Part 2]

And my friends said it isn't right to be scared

Every day of a love affair

Every breath feels like rarest air

When you're not sure if he wants to be there

When she confides with her friends about it all they tell her she shouldn’t be afraid to take steps toward the daylight because look where she is now. She’s been stunting for years (love affairs in the tabloids) and it's awful for her. So terrible that she's grasping for breaths, unsure if she can still survive in this atmosphere (thin/rare air means its not a hospitable environment for Taylor).

[Chorus]

So how much sad did you think I had

Did you think I had in me?

How much tragedy?

Just how low did you think I'd go

Before I'd self-implode?

Before I'd have to go be free?

Again, I think she’s talking to her past self here. “How could I have thought I’d survive sinking this low? How could I not realize I’d reach a point where I’d self-implode?” Which here, self-implosion is telling a similar story as I think the two graves one gun lyrics do — the result of the self implosion is being free. If she blows up her celebrity and she will be free to live her truth, curing the sadness that has been ruling her life for years.

[Verse 3]

You swore that you loved me, but where were the clues?

I died on the altar waiting for the proof

You sacrificed us to the gods of your bluest days

And I'm just getting color back into my face

I'm just mad as hell cause I loved this place

I imagine this verse is aimed at her fans, the grocery line Swifties who believe her beards are real boyfriends. I read “you swore that you loved me but where were the clues?” as a sarcastic jab because she’s been screaming 🌈 for whoever is willing to listen. The fans claim to love Taylor but they aren’t willing to really listen to her.

Most people here “altar” and think of a wedding but the definition is much broader, “In religion, a raised structure or place that is used for sacrifice, worship, or prayer” (Wiki). So Taylor was up on the altar, a place of worship, waiting for clues that these fans actually loved her. But what started as worship became sacrifice as these fans never found love for who Taylor really is all the while the bearding and hiding were causing Taylor deep sadness.

Despite all this, she loves her job and her fans. The sadness is too much though. She is about to self implode and feels its time to take steps toward a brighter future. It’s maddening as hell to metaphorically blow up your life just as your fame is escalating to new heights you’ve reached for your whole career.

[Chorus]

For so long, London (So long, London)

Had a good run A moment of warm sun But I'm not the one So long, London Stitches undone Two graves, one gun You'll find someone

For so long, she bearded. She had a good run, getting away with it all, reaching levels of fame she always dreamed of. But she's not the one to keep the charade going (as opposed to her heroes who unfortunately 'died' closeted). Goodbye, bearding. The wound was too big to fix. With one action, I will kill the version of myself you (the fans) know and the version of myself I know. You (the fans) will find someone else to worship.

...

I could keep tweaking this theory for weeks but these are my initial thoughts on this song about two weeks out from TTPD's release. This album is incredible complex but for me the signs we keep getting are all pointing toward significant change. There is a momentum going right now that I haven't felt since the early Lover era. No matter what happens or how long it takes, I hope our fearless Chairman gets the chance to bask in the sun shiniest daylight. She deserves the warmth.

💕 CTR

[rockwgooglyeyes]

rock's thoughts on ivantill (nsfw edition)

trigger/content warning: open and uncensored discussion of nsfw content (smut specifically) I'm not tagging this as mature and leaving it up to the reader's discretion whether or not they're able to handle this. I'm not incredibly explicit but I am talking about something inherently nsfw.

the thing about nsfw is that, when it comes to fandom, it often is based less on the characters themselves and more on whatever the fans want to see. I say this about fandom in general, btw, not ALNST in particular- in my experience with nsfw (fanfic anyways) in fandom, is that a lot of it comes down to writer preference rather than the actual characters themselves. It's literally playing with dolls and this isn't necessarily a bad thing! It's pretty much what fan content is for, right? It's just something that doesn't sit super well with me and it's something I don't really understand- if you want to make a specific dynamic, why not just make ocs that can similar or the same personalities as the characters that you enjoy and yet their dynamic fits with what you want.

Like overall when it comes to my opinions (and these are opinions, preferences if you will), I might as well be up front- when it comes to the ships that are common in the ALNST fandom, I think that while mizisua and hyunamizi definitely switch, out of mizisua? Sua is the top imo. on the other hand, I think that it would be a lot more interesting if either hyunamizi were switch-centric or Mizi topped, just because of what that would say about her relationship growth as well as her character growth. With hyunaluka (which is not a ship that I enjoy but I respect those that do obviously) I think Hyuna tops mostly. With ivantill, I see Ivan as a bottom and Till as the top. Sometimes they switch, no one is exclusively one or the other- and I am fully in support of them being switches because I believe most relationships are fluid and have the inherent capacity for switching, top/bottom is about preference but I do think it's rare. I don't know, smut can be part of the relationship to me and the dynamic when it comes to sexual encounters is important to me with a couple.

I don't know, maybe it's because I'm one of those people where my headcanons have to be related to the text somehow (and I don't say this in a way that's derogatory to people who don't have that- honestly I kind of admire you guys, it seems freeing. I'm just extremely autistic about this) but idk the way people intrepret Ivan in the ALNST fandom is super interesting. This is mainly going to be talking about ivantill because to be perfectly honest, I think people are weirder about mlm ships than they are about wlw ships, when it comes to their characterization? But I haven't read as much wlw nsfw so I can't fully speak to this. But when it comes to Ivantill, I have found some people who's opinions I love. Some people I agree with even if I don't agree with everything. But then there are some folks that are so out there like I wanna study you guys underneath a microscope y'all are so peculiar. yeah yeah he's King Yaoi the Third, he's tall dark and handsome, whatever. he's a little freak, I want to put him in a jar and shake him up, I understand, but at the same time sometimes the reading comprehension with people seems not so bueno.

In the fandom overall, (not just on tumblr dot com) people like him as top and I think that, to a degree, that is supported by the text. At least, some of the additional art from Vivinos/Qmeng, that’s supported

(^ the amount of horny comments on this image *sighs*)

But for me? I don’t like that as much (even though I’ve read some fanfic with it that I liked just fine.)

This is because of the way that this interpretation of their relationship feeds into that surface level analysis of both Ivan and Till's character? Ivan is the violently jealous lover, the one who watches from afar and seethes with envy, he’s the unfeeling pretty boy who only loves one person, he’s willing to do whatever it takes to keep that person. Till is the tsundere, the person who plays at strength but weakens at the first touch of someone stronger, easily flustered and even easier to cow into submission- but the thing is? We know that's not true for either of them, it's not supported by their backgrounds, their other actions, the context of their trauma. which makes that characterization super funny (to me) when this series is kind of about peeling back the edges of outward perception, with Mizi, Ivan, Luka and Hyuna especially.

While top/bottom isn't necessarily a power dynamic, when in the context of certain relationships, it can definitely take on the connotations of power. In Ivan and Till's relationship, the person who has the power is Till.

Out of the two of them, Ivan is not the person with the power and that's honestly the main issue that I have with the way that people portray him. In the top Ivan fics that I actually like, he's not the one with the power, he is only where he is because Till wanted them to get this far, he is at Till's mercy and he's loving it. The issue I take with those who portray him as domineering and controlling is that he doesn't try to control Till in canon. He might have concocted the incident with the wagyein and Mizi but after that? Ivan isn't trying to force Till into anything, he isn't controlling the situation, he isn't even trying to get Till to do anything but react. Ivan would do anything that Till wanted him to, no questions asked. For those who take the possessive angle with Ivan, the problem I have is that Ivan has no desire to own Till. He's obsessed with Till, yeah, but it's in the way that you love your favorite band- you love them to bits, you listen to all of their songs, you go to a concert, you have their merch- but you would still respect their choices, right? You would be disappointed if they decided to break up but you wouldn't force them to get back together. That's the difference between Ivan's obsession and Luka's- Luka thinks that he deserves Hyuna's affection in exchange for loving her (it's transactional), whereas Ivan is under no illusion that he is entitled to Till's affections.

On the flipside, when Till is portrayed as the tsundere who cares but refuses to show it because of his pride, well, that one's a little tougher because the main problem is execution. Till does really care about people but his affection isn't shown out of a matter of pride- he shows his affection for Mizi quite freely, after all, if he was really worried about vulnerability, I feel like he might be a little more conservative with his adoration. Often times, he doesn't show his care for people clearly because he doesn't really know how, defaulting to blushing and stuttering, gifts and acts of service to get his point across. He's not a super verbal-affection oriented guy and I think this is actually portrayed pretty well in the gen fics but not so much in smut because it's not as applicable lmao (comes with the territory ig). When Till is written as really timid, fumbling, innocent (@bluemoonscape called it woobifying), I hate that with a passion because he might fumble and he might get shy sometimes but he is not a pushover. He is not meek and if he doesn't like something, he'll voice his complaints, he'll let you know. I mean why else would he yell at Ivan in their version of My Clematis when Ivan gets too close? Admittedly, Ivan doesn't listen, lost in his monologue, and Till kind of just accepts it- but I am certain that if they were even intimate with each other, that Till would object were he uncomfortable and Ivan would listen. Like, whether Ivan was top or bottom, if Till's not having a good time? Ivan is no longer having a good time. Ivan's pleasure is very much contingent on Till's pleasure, at least, in my mind.

That's all the characterization centered stuff and kind of the reason why I think their relationship just works better with this dynamic *but* one of the biggest reasons it's a preference for me that Ivan bottoms is because of the inherent nature of that dynamic- it's a lot harder to end up fucking someone unwillingly than it is to get fucked by someone. There's a far greater likelihood of reciprocated feelings or at least, consent, when it comes to this version of their relationship and that's what I prefer because I really do think that they love each other.

(tagging @atrophiedemotion because I asked him if he wanted to be and he said yes! Blue is already tagged above too so all of the known interested parties have been notified :D love you guys)

[herefortheships]

BJ is very kind and nice in the other movie he wasn't like that why?

I think he's mellowed out over the years for various reasons, but the first has got to be a result of having met Lydia. Not just saying it as a shipper, actually! Let me elaborate:

Over the years, his connection to the world of the living has been Lydia. He may not be able to visit the land of the living himself, but he can have glimpses of it through her. And he's also seen Lydia herself change through the years and interact with the world (and he's been slowly falling more in love with her as a result, too 🥹). I believe he had to at some point learn to deal with the fact that his place was in the afterlife, and he had to accept that his sole connection to the living world would be her. Seeing her struggles through life and basically experiencing her humanity/being alive through her might have given him sensibilities that he had lost before through his 600 years being dead, or that he may never have had.

Of course, these are my interpretations of the story, but I believe that at some point he decided he didn't want to escape the afterlife if that meant marrying anyone other than Lydia. Let's keep in mind he is capable of possessions and is being summoned by ghosts constantly through his business, which constantly puts him, albeit temporarily, in the world of the living to handle living people for his ghostly clients. So he could have tricked someone else into marrying him, is what I mean. But he never did. For him it has to be Lydia now or no one else.

Betelgeuse is no longer the same terribly feared, controversial figure he was in the first film. He is no longer working alone in the fringes of the Netherworld and looking into newly-dead people to take advantage of, but is now settled with his own office and is working cases--so many that he needs assistants and a call center now!

As many fans have concluded, and I agree, there is a good chance he was inspired by Lydia to grow as a bio-exorcist in the way that he did. Establishing himself as his own boss and getting his own office and employees must have taken him years and a lot of hard work, but he did it. Instead of desperately trying to free himself of the afterlife, he decided to make his existence there better. He could have come to terms with the fact that he was never getting out of there, so he decided to better himself and eventually receive Lydia as a better man than what he was when he met her in the first film, when she joined him in the afterlife (headcanon, ofc). I'm sure he had settled his mind in waiting for Lydia forever if he had to.

Alternatively, he could have also grown his business wanting to help with Lydia's career by providing hauntings and possessions for her to showcase in her show, unbeknownst to her. That's a head canon I love!

The point still stands that him knowing Lydia, and seeing her from afar, inspired him to change, whether he even was aware of that himself or not.

Lydia is his link to humanity.

Tim Burton and Michael Keaton say that Beetlejuice does not evolve, but I can see how his character has evolved, while keeping his horror-prankster, unhinged personality. He is still himself, but he has new perspectives that he's gained through the years thanks to his connection to Lydia (psychic connection or not, he is connected to her and he is forever changed by having met her and having checked on her for over 30 years; she became a part of him).

There's also that fact: he's waited for her for over 30 years now. Pining for a person you may never have for that long will take a toll on anyone, and Betelgeuse might not be immune to being heartsick for his love. He surely has his moments of longing and heartsickness and heartbreak every now and then.

[chocochipjewel]

Yapping about Belos and his ending excessively while also analysing him to the best of my ability under the cut

So given how much art of him I've reblogged by now, it really shouldn't come as a surprise that Belos is my favourite character from the Owl House.

I could talk about him for HOURSS but I just want to talk about 2 of my favourite moments of him to highlight the parts of him I love the most.

This moment in Hollow Mind, when he gets the key in his hand and you can see the light in his eyes. It's the only time his eyes have the distinct shine in them like every other character has all the time, and it's cause of the key he's holding. The key to the human realm is the only thing that gives him that shine cause it's the only thing he genuinely cares about. Everything he's doing is to go back home and revel in glory, which, while selfish, adds so much to his character. He's not doing this JUST for power, he became an Emperor just to tear his own creations down. I just find something extremely poetic about that.

And the second moment -

THIS MOMENT. THIS MOMENT IN KING'S TIDE AJDHSJSHSJS

I'm still mad these flashbacks were never brought up in any big way cause THEY REALLY SHOULD HAVE BUT AHSKSJS I'M GETTING AHEAD OF MYSELF.

Belos reliving his worst memories was always a concept that was going to be interesting because it's an insight into what really gets into the head of our main antagonist. What does the guy who is everyone else's worst fear have to fear. And the answer is himself.

The 3 memories he sees are him approaching Caleb with the knife, the actual murder as pictured above, and the creation of the grimwalkers.

What really gets me is that his eyes are wide when he recalls the first memory, but they look smaller in the second memory (in the screenshot). Maybe it's just the angle but I always interpreted it as his expression shifting to be one of genuine sadness for this particular memory. Because the mere fact that his most personal crime is also his worst memory is such an interesting concept. How does he live with that sort of guilt and worse, keep doing those same crimes but WORSE?

All of Hollow Mind could just be here really and I wouldn't complain. It's THE episode for Belos fans that really allowed us to dig into him, and the mere fact that he's consciously scratched off Caleb from all the happy memories as if to justify his own fratricide is a level of desperate coping that I just find so very interesting ajdjhsjjs

Not to mention that his inner self is a child, which, while a pretence by him, could still say something about how in his head, he still has not grown up and is still playing pretend, still playing witch hunter with every version of Caleb he creates, still playing god to finally achieve a fantasy so very childish and so frankly basic that it makes anyone watching from the outside think "wait, that's it? That's all this is for?" AND THAT'S THE POINT

Cause none of this needed to happen. None of this has a greater value than Philip trying to chase after lost dreams. All the plans he made, all his great power and his great empire amounts to nothing because he himself plans to destroy all of it to chase that childhood dream. Just like Luz, he entered the Boiling Isles to find a home, only his home was Caleb and he was never willing to love new things in the Isles, while Luz loved so much she literally changed the lives of everyone she met by loving them. And unlike Luz, Philip never grew out of that mindset, only burying it in layers and layers of lies and half truths.

In general, his relationship with Caleb is for sure the most interesting part of his character to me. The fact that he both repeatedly murders and repeatedly creates new grimwalkers in an endless cycle and then hallucinates Caleb looking at him with disdain implies so much about his dependancy on Caleb and the deepest parts of himself that know what he's doing is wrong. The parts that have broken free from the layers and layers of cognitive dissonance and have accepted that he was wrong, without any more justifications.

And now, to 'briefly' rant about him in season 3

Thanks to Them was juicy for character exploration, but I wish we actually got to see him react to the human realm properly. It's everything he's wanted, it's the one thing that still brings light into his life but the world he returned to would absolutely hate him. He's done all this for nothing. I wanted so badly to see how he copes with his guilt then, but they were short on time so I get it.

For the Future's hallucination scene makes this even more interesting cause of the depiction of him actually seriously suffering from something like hallucinations. It was dark as hell, and it was really interesting.

And then... WaD. All in all, a great finale. The only real big problem I had with it was Belos' ending.

After so much buildup to his depth and his motivations and his guilt and all his lies slowly collapsing around him, after everything he did to so many people, he deserved a better death. I don't think he didn't deserve death, I just think it happened too quick. Where was the final cathartsis from all his victims shunning him (Luz staring was perfect don't get me wrong, but the whole Hexsquad deserved to be there). Where was the moment he would finally no longer be able to lie to himself and he would be forced to accept that he did EVERYTHING he did, made all those great sacrifices, tortured so many people, just to fail and be at his victims' mercy after accomplishing nothing?

I understand the finale was juggling many MANY characters and plotpoints, but that's not stopping me from wishing for a better ending.

I wish I had had the motivation to draw something for this like I'd hoped, but a brief description about what kind of ending I'd have wanted will have to do.

I wish Luz saw his memories in the place in between with Papa Titan. It would reinforce her arc of feeling like they come from the same place too, if she saw Caleb leaving Philip and Philip's original goal of just wanting to get his brother back. I wish Luz saw all his "sad" memories and really started to question herself.

And then I would have wanted Papa Titan to shoot that down regardless, and then explain that while Belos may have started out a victim of his circumstances as an orphaned child in a cult, the Isles gave him chances to change. Memories of Philip in the Isles seeing Caleb happy, being given chances by witches, being given so many chances to change, and rejecting them accompanying this scene would be ideal. Really hammer in that he aas responsible for his own suffering and that he has absolutely no excuse for what he did to all his victims.

And then, in the final death scene, as he claims that as humans they are better than witches one last time, I wish the ghosts of all his victims showed up to prove him wrong. Every witch and grimwalker who choose to be better than him before they fell. Every member of the Hexsquad who believed in him and his regime at one point. Every single one of them a reminder of how his lies can't even convince himself anymore.

And finally, his own brother, a fellow human, who appears before him. I imagine Caleb looking at him with pity, almost sympathy, before a quiet acceptance comes onto his face and he turns away from him. He walks towards the crowd and chooses their side, next to Evelyn. Neither Caleb nor Luz say a single word. There is nothing left to be said to him anymore. Every single person on the Isles, human or witch, has turned against him now.

If anything could break his will, I think this would be it. I imagine him phasing through his different forms, trying to find a way to justify himself in each one, gradually desolving into desparate screams, before the boiling rain melts him away like in canon (except without the stomping please).

Aaaand that's it, no more notes. Thanks so much to all the Wittebane fans in the community who have kept his fanbase fed when the show didn't meet our standards and who prompted the line of thought that led to this post.

There are so many of you all who inspired and made my fandom experience fun and created so much out of just Philip, Caleb, and Evelyn (and all your OCs of course!!) so I'm just going to shoutout the ones I remember off the top of my head -

@talisman975

@jess-the-vampire

@calebsrottingcorpse

@owlyhouse

@anona1-mous

@captainmera

@moonmeg

@azure-blaze92

@a-magpie-in-the-bi

@a-magpie-in-gravesfield

This is no particular order and I'm surely missing more so this is by no means exhaustive, but this is just a shoutout for those who kept this fandom going. Y'all are the real troopers for sure.

That's all I got, but I'm posting some old Belos art soon! Cheers all, and may the terrible awful no good goo babygirl keep inspiring us for all the great art <3