#I'm a fan of free interpretations what can I say

[casscainmainly]

strange ask please feel free to ignore me but i think of you as the Cass Expert so it seemed appropriate to ask you. I’ve seen in a lot of fan works Cass being mad/disliking the use of Cain as her last name in any scenario. Is this something that comes from canon? Because it seems like DC still refers to her with Cain a lot, but that could just be because it makes her more easily recognizable.

First of all I'm flattered you see me as a Cass expert <3333, there are people who know so much more than me on here so it means a lot! Secondly I LOVE THIS ASK!!! It's actually something I've been contemplating a lot, especially since Cass nation is divided over it.

Does Cass hate using the name Cain in canon? Well, the short answer is no. Cass refers to herself using 'Cain':

Batgirl (2008) #1 // Batgirl (2024) #1

People mostly refer to her as Cassandra by itself, but when people have called her Cassandra Cain, she doesn't react negatively to it. I don't think there's canon evidence (as far as I know) that she dislikes using or being called 'Cain'.

Does she like the name Cain, though? Well, there are some indicators that she doesn't. Firstly, she associates Cain with her dad. She's much more likely to call him 'Cain' than 'David':

Batgirl (2000) #33

At the end of Batgirl (2000) #73, when the narration implies she's going to forsake the Bat symbol, it says this:

When Cass is at her low point, she reverts to the name 'Cain', implying she does have negative associations with it. The tricky thing is this section leads into evil!Cass, and takes place after a fight with her mom; there are other factors as to why Cass would use only 'Cain' here. But nevertheless this demonstrates she does have some ambivalence towards the name, and positions it as opposite to her 'real' identity, Batgirl.

Her disliking Cain doesn't even mean she has to dislike it forever - Cass didn't even like Cassandra at one point. But it's not a fanon-only thing that Cass may have troubles with 'Cain', even if there's no direct evidence she'd be mad about it.

However, and here's where my personal interpretation comes in, I think it's significant she doesn't change her name. Obviously you're correct that it's for marketing purposes, and also the alliteration slaps, but I think in-universe it makes sense to keep the Cain name.

Firstly, although Cain was David Cain's name, he did not give it to her. He kept her nameless as a sign she wasn't human, that she was only a weapon to him. (Ignoring the retcon that he gave her Cassandra, because the NML novel version is 1000x better). What this means is that Cain is not a gift, but rather something Cass took from him - I'm thinking of this scene in Batgirl (2000) #16:

This is just my opinion but I love the idea that Cass keeps the Cain name to sort of redeem it - David Cain is bad, but Cassandra Cain is not. It's almost the ultimate insult to him, to take his name and change its meaning. Given that Cass' story is about taking something horrible you've been given and turning it into something beautiful, I like this as a reason for her keeping the Cain name.

BUT that was a long rambley way to say it's not canon she hates the name Cain. It's not against canon because it can be extrapolated easily and I love seeing the other names people choose, such as Gordon, Wayne, Cain-Wayne, etc. But if we're strictly talking what's on the page, Cass uses the name Cain herself and wouldn't mind others calling her that (as far as I know).

[featherspiral]

Hi again! Fan of Chara here!

Do you think Chara still cared about Asriel and his family despite theIR love for efficiency and maximizing everything?

They did say in the newsletter that once they became invincible, "nothing can hurt anyone anymore."

Just love to hear your thoughts if it's no trouble at all.

oou interesting question!! thank you very much I looove when ppl ask me about characters teehee

I actually draw chara a bit more charitable than I actually see them, tbh..

the way I interpret it is that chara DID care for the family, certainly. someone who doesn't care doesn't make a pink "mr dad guy" sweater, assuming that was made by them lawl, but also... I don't think chara was the nicest individual tbh. I always thought the small bits of characterization we get of them before death is very indicative of someone who probably wasn't treated very well, and thus has warped perceptions of what a loving environment should be and how to reciprocate these things

specifically, in the true lab, even though we don't know directly what they say, the tapes very much imply that they probably belittled asriel for things like crying, showing weakness (which certainly did NOT help his mindset down the line) and that they seem to bring his faith in them into question as a way to goad him on when he showed hesitation ->

not that I'm on the "chara popped out a villainous monster" train ofc, I very much think these things are even more evidence they didn't have the best life ever on the surface. and that's pretty much confirmed with asriels dialogue from the pacifist ending where he says chara "hated humanity" and climbed the mountain for an "unhappy reason"

and speaking of that dialogue, I think it very strongly implies that the reason chara made asriel pick up their body and bring it to the surface was because they knew he didn't want to do this, and wanted to force him into a self defense situation. I know that sounds like an unfairly cruel analysis, but there isn't really any other reason we would've been given that information in the way we were, just like.. narratively speaking. I believe that they either DID want to actually free monsterkind, or, less charitably, destroy the humans they held a grudge against (i could accept this either way because i dont think the core reasoning is actually integrally important to how the events ended up playing out, and its fun to keep things flexible here). in any case, I believe they definetly prioritized the plan over asriels safety, which isn't all that surprising considering they prioritized it over their own life.

overall I think their drive for efficiency and getting stronger is a product of the more than likely poor environment they came from, and maybe they want that strength to ensure some kind of safety for themself or the ones they love (nothing can hurt you anymore, nothing can hurt anyone anymore etc etc...). I think that whole attribute is a sort of vessel through which they show how they care, but it gets twisted into something more heartless through the genocide run. anyway this is long as hell. my god

[kdval]

Now she had seen everything, thought Hardin, looking at Lara from across the table. Few were granted the honor of descending into the underground fortress of Grand Lord Ha'al, but those who did always returned unusually silent. Now she sat at his right hand, lost deep in thought, and in the light of the two ghostly moons, her skin seemed almost as pale as Ha'al’s. Another world had touched her, Hardin realized, doing his best not to stare so obviously. She had grown even colder than before, and perhaps had drifted further away from him.

“I’ve lost. And not to just anyone, but to the Grand Lord himself.” This thought struck him to the heart — far more painfully than he’d expected, but Hardin accepted the pain without hesitation. He and Lara may have been bound, but they had never belonged to each other.

Finally, Lara raised her gaze to meet his, a shadow of a smile crossing her lips. And that hurt him even more.

Cyberpunk 2077: Fright Night City 2024

› Day 4//Under the Moonlight

For the @fright-night-city event

Quote from Bloodborne.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[another-goblin]

I've seen a lot of interesting opinions about Dr. Ratio. Some of them I disagree with. So I decided to compile a little list of why I disagree with them. The first part will be about things that seem factually incorrect, and the second part is about things that are rather a matter of interpretation and context.

As always, I might be wrong, so feel free to correct me.

1. Things that seem factually incorrect. 

"Ratio is an egoist and does everything for attention and recognition" - I don't remember him ever saying or doing anything that would indicate that. He saved these researchers secretly and made our TB take all the credit. He later even calls himself a "supporting character". He gets angry if we ask him for an autograph.

"He doesn't care about people" - yes, if you skipped his passionate speech to Screwllum about how much he cares about people. But also, everything he does in the game is helping people (saving these researchers on Herta station, offering us his help later in the express dialogues and messages - offering us to enroll in university, participate in devates, turn the express into a weapon, later helping Aventurine with his plan, helping him to find information, and so on).

"He hasn't achieved anything in science" - the list of his scientific achievements is easily available, I wouldn't say it's nothing. But I'll also leave this here:

Even his dedicated hater disagrees with this.

"Ratio's note did nothing to convince Aventurine to stay alive, it was all Acheron" - from how I see it, he was fully determined to end his life up until he read that note. Otherwise, why would they introduce the note at all? Why did Acheron feel the need to remind him of it?

"He never wanted to draw the gaze of Nous" and "He still wants it" - we can deduce that it isn't true from different parts of the game (he actually wanted it in the past but doesn't anymore), but that is a direct confirmation:

(I trust Screwllum's opinion.)

"Everybody hates him in-universe" - this is interesting because I even heard this from his fans. And it might sort of feel intuitive, but I don't remember any evidence of that. He literally has an in-universe fan club. People who knew him closely talk about him warmly in his character stories. The only person I remember ever expressing any negativity towards him was some shcolar in the Simulatred Universe, but I don't think it counts. I'll talk more about his students in particular later, but short version: I don't think they hate him either.

"I hate it when he tells me 'Zero points, get out' and throws chalk at me, that's mean" - that's so weirdly specific, but I've seen it a dozen times already. And, like, why??? He tells it to his enemies, not to us. I mean, nobody's angry at Serval for electrocuting her fans with her guitar just because that's what she does in her fighting animation.

Speaking of combat voice lines, if we wait too long, most characters get irritated and try to hurry us up. Meanwhile Ratio:

'That's okay, take your time, it's a turn-based game after all.'

"He's physically abusive to his students, he throws chalk at them" - similar to the previous point. I don't remember any mention of him doing that. The only case of him using physical force against a (potential) student was when, as a TA, he threw away a rich asshole who tried to buy a degree. And yes, in the boring real world, I wouldn't approve of that, but in the world of the game - well done, good ridance!

"He doesn't tolerate people disagreeing with him, he thinks he's always right"

"He's responsible for the crisis at Herta Station" - how though? I saw this opinion several times, and I'm really curious what people mean by that. Did he himself endanger these researchers by teleporting them who knows where, then faked the video from Duke Inferno, and so on? But why stop here while we're at it , maybe he also impersonated Ruan Mei, left the bug on the station, abandoned the poor cat-creatrures and drugged us with a cake?…

"He's worse than Dottore from Genshin" - technically it's a matter of opinion, but I think nobody will mind if I put it in the 'just wrong' category. But yeah, that's an opinion I've heard. I've got no idea what they meant, but it made me think, how many people did he help and save, both in the game and in his past? Probably more than most of the characters we've met so far. And he doesn't seem to discriminate, it's not 'I'll save my people'. He cured that disease for everybody's benefit, he saved Herta's researchers, he helped TB unravel the events on the station and then proceeded to pester them offering his help, he cosideres some troubled IPC executive 'his responsibility' and so on.

"He actually betrayed Aventurine" - no comments. Come on, play the game, read the dialogues.

1.5. A little intermission.

The thing that's hard to deny is that he definitely doesn't mince his words. Whether you see it as him being a rude asshole, being justifiably angry, brutally honest, sarcastic, or snarky, or showing tough love, or just being incapable of expressing himself in an adequate and socially acceptable way, it's up to you. I can understand how some people might be uncomfortable with that. I personally find it an interesting character trait. (I mean, he isn't even capable of expressing positive feelings in a normal way, what did you expect of him?):

There is also a very interesting (but rather confusing) thing that can be missed if you are unwilling to see further than the initial shallow impression, but it is impossible to unsee once you've noticed it. He sees himself as a teacher in two very different ways. It can be missed at first because both ways are described in very similar words. These ways are: 

a teacher in a traditional sense (let's call it 'academic teacher'); 

and as something akin to a 'life coach', just helping people and making them realize that they shloud (and can) rely on themselves.

The thing is, we never see him in his 'academic teacher' role. As far as we know, he only acts this way with his university students. We never see him teaching anybody any scientific stuff, or berating people for their lack of knowledge and education. Yet he says that he considers everybody his students. But what does he mean if it's not about knowledge? He means it in the second 'life coach' meaning. Therefore, he sees literally everybody as worthy of his help and support.

BTW, I feel like his main problem as a character is that people tend to settle on the first impression they get of him and are unwilling to see further than that. Meanwhile, the game continues to explore his personality, revealing that most things about him are actually the opposite of what they might seem at first. That's why so many people think that he calls everybody idiots for being less smart than him, that he's egoistic and unfeeling, that he values knowledge above all, and so on. So if you actually have interest in him as a character, I'd encourage you to look at him more closely.

2. Now to the things that are more open to interpretation.

"He uses mean words" -to be honest, I'm not a big fan of writers making him use these words (idiots, fools, stupidity, and so on) because, first, they are usually used as just empty insults. (I'm curious whether he uses similar words in Chinese or something more nuanced). So I can understand how it can put some people off. And the second problem is that it feels like he means different things every time he uses these words. It's quite confusing. Here is a post where people helped me find different cases of him using these words; you can check it out yourself.

Let's look closer at some of these cases: 

-'While geniuses wander among the stars, the ordinary can't even trace their footsteps. Those less gifted have no choice but to walk alone, enduring a lifetime of tumbles and triumphs. But even a life marked by failure is a life worth living — it is only in moments of solitude and despair, when help is absent, that fools grasp how to pick themselves up' He seems to contrast geniuses with fools here, so fools are everybody who's not a genius. So if you are inclined to see him this way, if you squint, you can technically see it as him insulting people based on their intellectual abilities, right?… Except, he includes himself among these fools, so no:

So it's basically 'all who are not geniuses are fools, including me'. Which is an interesting way to put it, but it definitely doesn't mean ''you are all fools for not being as smart as me''.

But he mostly uses these words when he talks about his fellow scholars:

-'First, with the headpiece on, isolated from my five senses, I can think without interference. And second, I don't have to set eyes on stupid people' - we only see him wearing the plaster head on Herta's Station, a place full of the most brilliant minds in the universe. We never see him using it again with normal people, so the word 'stupid' here can't be about people's intelligence.

There is also an interesting little detail:

He admires her intelligence (although in a sarcastic manner) in his 'about Herta' voiceline. He doesn't wear his 'anti-stupid' mask when he's with TB or Aventurine, but he always wears it with Herta. Which is very telling, and indicates again what he means by 'stupid'.

Some other examples:

-'(…)the fools from the Guild with ambitions beyond stars should be banished from my sight and thereby mind' -'Don't invert priorities like these dolts from the guild' -'I cannot stand fools, idiots, or imbeciles. Seeing them fills me with dread. Regrettably, this space station is just like the Intelligentsia Guild — devoid of geniuses and filled with mediocrity' -'Ah, the Technology Department. Charming little place, isn't it? Madam Yabuli does possess some semblance of competence, but her subordinates? Oh, they're a riot — brimming with enthusiasm yet utterly devoid of intellect. It's as if evolution halted prematurely for them'

He is absolutely RUTHLESS when he talks about scientists, because he expects a lot from them.

So no, I don't think he'd call you an idiot for not being an A student, or having learning difficulties, or just lacking an interest in learning. He absolutely would though if you were a brilliant scientist, priveledged with great education, resources, and a personal lab, squandering your talents and funds on a useless vanity project, or hoarding potentially life-saving knowledge for yourself, to use as a commodity.

"But he does call people idiots!" - I've noticed that most of the time he uses these 'insults' he talks about some groups of people.

I could only think of 3 times when he called an individual an idiot. He calls Aventurine an idiot because he 'lost' the stones (but it doesn't count because he plays a role and pretends that he hates Aven). A scholar in an event in SU complains of Ratio calling him an idiot (I'm not sure it actually happened, it's just a story in SU).

But there is one case of him calling somebody an idiot and actually meaning it. And who is this poor victim of his terrible verbal abuse? It's himself. Whoops. (speaking of how he's supposedly full of himself and thinks that he's better than the others.)

"He would call me an idiot because of my supposed lack of knowledge/education/intelligence" - I showed in the previous point why I think he wouldn't (he never seems to use these words to mean that).

But also consider this. During his interactions with Aventurine on Penacony Ratio mostly plays a role for Sunday, pretending that he despises Aventurine. That's why we can't draw any conclusions about his personality from most of their dialogues. But the moments when he breaks the role are extremely telling.

Let's look at one of them from the beginning. They argue; Ratio calls Aventurine an idiot for 'ruining their plan'. And then Aventurine mentions that he didn't go to school and lacks formal education. If there ever was a good time to call someone an idiot for being uneducated, that's it! That's what Sunday expects to hear (because his plan hinges on Ratio valuing knowledge above all else).

And what does he do? He fucking apologizes! Even for the role and for the sake of their plan, he can't bring himself to insult someone for being uneducated.

"He's mean to TB" - it's a matter of interpretation, but his behavior with us didn't strike me as mean or demeaning. He was just being sarcastic and snarky as always (and I understand that it's not everybody's cup of tea).

The situation was time-sensitive and precarious. We don't know how much control he had over it. He tried to make us realize what's going on as fast as possible, pretending that he himself is clueless. Because his goal was to show the recearchers that despite the presence of 2-3 geniuses on board, none of them were able to save them. If he just publicly saved everybody, it would be just another genius appearing out of nowhere and saving the day, which would go against his goals and his philosophy.

And later, our TB seems to regard him with a mix of respect and amusement (calling him Professor, asking for an autograph), no resentment here. So TB didn't think he was mean either.

"He values knowledge above all, he's obsessed with teaching people stuff, and he doesn't understand/accept that other people might have other priorities" - I'd argue that literally the opposite is true. He doesn't impose his knowledge on anybody against their will, and we never see him berate anybody for their lack of knowledge or education.

Sunday isn't the first person to misunderstand him that badly, and he's not having it. Even though at this point in the story, his and Aventurine's plan hinges on Sunday's misunderstanding. But I think his position is very clear: pursuit of knowledge above all is a matter of petty pride.

He says it when we ask him why he doesn't nag us about getting our act together, before a party. So basically "if learning makes you feel bad (doesn't enhance your living) then you are doing it wrong, go and have fun".

This probably isn't considered canon, but it illustrates how he sees knowledge. Here is an analogy. If I had an apple orchard, and I thought my apples were awesome and they'd make a great gift, and you should feel free to ask me if you want some. It doesn't mean that I shove my apples into people's mouths against their will and then call them idiots and spit on them when they don't like it.

"He's a bad person because he didn't help us fight the big bug" - he knew who we are. It's not in his habit to directly involve himself where he's not needed, it would go against his philosophy ('you should count on yourself; you can do it'). It's not like he left us to die; he must have known how capable our TB is. BTW, he was still looking after us, seemingly ready to come to our help:

Besides, currently nothing indicates that (outside of the turn-based gameplay) he's anything more than a normal human being. He would be a hindrance in a fight. 

"He's a bad teacher" - (first, here is an interesting post about this from the point of view of an actual teacher)

So yeah, it's about the 3% passing rate. Yes, it can mean that only 3% of his students end up learning something. It's possible that he's such a bumbling idiot of a teacher that he doesn't even understand how bad he is. It's possible that he's somehow still allowed to teach despite being THAT bad.

But I think it's much more possible (and consistent with his philosophy) that he just has very high standards. A 3% rate doesn't mean that only 3% know anything. Students might benefit enormously from his classes, even without passing. They still have all their valuable skills and knowledge.

But also, let's not forget that he doesn't teach children. He teaches at the university. And I don't think it's some 101 basics; it's likely something related to his research and discoveries, some extremely advanced cutting-edge stuff. So his students are already extremely well educated adults, who want to achieve more. He would probably see lowering his standards as a betrayal of his students.

"His students hate him" - I didn't get that impression. On the contrary, they seem quite interested in him (some times in really creepy ways):

The only indication that they might have something against him is this:

It's either a literal roll-call of actual adults who shed literal tears during his classes, or it's just students being their normal cheeky selves, being overdramatic about a strict teacher. 

An example that came to mind: I can whine about how ruthless my gym trainer is and how I couldn't walk for a week after the last leg day. And his other clients would agree. But everybody understands that it's an expression of approval, not contempt. And maybe a bit of a humble brag.

Besides, if we decide to take that post at face value, then we'll have to take this literally too, meaning that his students consider him an actual God. And I don't think it's true:

-------------------

There are still a lot of hot takes I disagree with that I haven't mentioned, but I'm too tired. This took WAY too long. Other cases are mostly quote-mining and deliberatly taking what he says out of context, which isn't very interesting to argue against (just read the full dialogue and consider the context). And also different variations on 'he's an asshole, he hates people, he thinks he's better than others, he'd call you an idiot for this or that, he's elitist, he only values knowledge and intelligence' and so on, but I think I addressed it sufficiently.

So yeah, that was my little character research. This wasn't written for his haters (I dislike some characters myself, and I wouldn't probably read 3K words about how I should change my mind). It was rather for the people who kind of like him, but who feel sad thinking how he'd probably call them idiots or something. I hope I was able to help you see him in a different way. He wouldn't call you an idiot, he'd support you.

[oraclefreak]

I think we, DPS fans, don't talk about Charlie during the school's tribute to Neil enough.

He's not singing.

Meeks, Pitts and Knox are singing, letting all their feelings out.

Cameron is singing a little calmer. You can see the sadness in him though.

Todd is stuttering words, not even singing—but he's trying.

Charlie does not sing.

I'm sorry for the picture's quality.

At first I thought he didn't sing because he was angry at Neil for leaving all of them; the Dead Poets, Keating and his dreams of becoming an actor. We saw at the beginning of the film how Charlie tried to convince Neil to speak up to his parents. I think he really wanted Neil to be happy, and he knew he wouldn't be if he stayed silent and pursued being a doctor because of his father.

During Neil and Mr. Keating's talk in the office, Neil mentioned Charlie: "We are not a rich family like Charlie's" (quoted by memory). Charlie tried to make Neil pursue acting when they had different social backgrounds; Charlie could go against his parents and not ruin everything. But Neil was an only child from a family that was mantained by his father and no one else... and not particularly wealthy either.

Even if they had those differences, they didn't separate them. And both of them were boys with dreams they couldn't follow easily. Charlie was more rebellious (especially when it came to school's authorities). Neil was more of the type to go with whatever people wanted. Charlie was more risk-taking. Neil's risk in the whole movie was participating in the play (yes, the club wasn't a Neil risk; it was all of the poets').

Charlie was really proud of Neil for finally following his dreams.

"He's good. He's really good."

Sounds familiar?

"I was good. I was really good."

This parallel makes sense to me, especially if we analyze the very first scene of Charlie and Neil in the movie. As I said, Charlie wanted Neil to speak up to his father. And when he did and it all broke apart; Neil said words Charlie had said about him during the play.

Obviously, Charlie disliked Neil's dad. We can be sure about that, definitely.

The school's tribute to Neil was either Mr. Perry's idea or he gave the permission to do it. The authorities thought of Neil's death as the institution's problem. Keating was suspicious from the beginning because of his unconventional teaching methods (plus Mr. Perry thought Keating told Neil to keep his place in the performance, which he did—but he made it look like it was a real problem... 1950s, let's go).

Charlie didn't think this event of singing words of grief and so on was for Neil. Neil didn't die to be missed. Neil died because he would miss out on what he wanted to do. But that reasoning didn't even come across the authorities' heads.

I think of Charlie as a person who has an internal philosophy, a reasoning that most people wouldn't think of. So, when every single one of his friends are singing because they miss Neil; Charlie does not sing because this is a way to pay respects to Mr. Perry for losing his son. A way to say the authorities are right. A way to say "Neil... poor boy." Neil was miserable because he wasn't free. And his only way to be free was... not living.

I believe this "Charlie wasn't singing" thing can be interpreted in many, many ways. I probably overanalyzed it because 6 years of DPS make someone go insane eventually. What I do think is clear is that Neil and Charlie's friendship was very obvious from the start. And yes, the not singing thing is something to observe and think about... but their whole friendship isn't very talked about in the fandom! And I had the idea to write about not only the movie's scenes that have both of them, but also how I perceive it (hence why I would describe this post as a theory rather than facts).

I would love to see other people's takes on this subject too !!

[its-not-a-pen]

[餘知傳] The 2nd Century Warlord (Part 1)

based on the story by @romanceyourdemons

art by @its-not-a-pen

first day as a second century warlord i have my men tie branches to their horses’ tails to stir up dust and make it look like there’s a lot of us but i forget it just rained so there isn’t any dust and the enemy can clearly see there’s like twenty of us all spread out in a line

second day as a second century warlord i bribe a bunch of kids to start singing a nursery rhyme i carefully crafted to spread misinformation and further my strategic ends but they change the lyrics to be about poop and the enemy isn’t misdirected at all

third day as a second century warlord i lure my enemy into a narrow valley and send a team of archers to shoot them from the high ground but there was a feral hog napping on the trail up to the overlook and they couldn’t decide whether to try and shoot it or just go around and by the time the hog woke up and left on its own the enemy had already passed safely below

fourth day as a second century warlord we attempt to join a battle on the side of the guy we want to ally with but he and the guy he’s fighting have really similar names and it’s finally dusty and i misread the standards and attack the wrong guy. so now we’re stuck with this total loser of a liege lord, because how the fuck do you explain that after a battle?

fifth day as a second century warlord and some sort of wizard wanders into camp, my loser liege lord wants to execute him for being a wizard but i convince him to let the wizard stay, because i want to do more weather-based strategies and i’m pretty sure having a camp wizard can help with that. after the welcome to the team banquet the wizard steals half the treasury and my liege lord’s wife and leaves

sixth day as a second century warlord my loser liege lord sends me to reinforce a city he’s taken, but in the confusion of leaving i forgot to take the token that would have gotten us into the city, so my men have to wait outside the city walls for like eight hours while i ride back to get it

seventh day as a second century warlord and my loser liege lord finally joins me in the city, it turns out he’s actually a pretty cool guy, and he isn’t even that mad at me for letting the wizard steal his wife. i decide to shoot my shot but i’m really nervous and keep on stalling because what if i mess up our relationship and by extension jeopardize the security of my men, and eventually he just says goodnight and goes back to his room, where an assassin is in the process of setting up to kill him

eighth day as a second century warlord and my loser liege lord tells me to fake defect to his rival warlord, the one i originally wanted to ally with, to find out if he was the one who sent the assassin and why. but my whole way over to the rival warlord i’m worried that this has something to do with the wizard thing or how awkward i made it last night

End of Part 1

part 2

This comic was made independently from the creator, I'm just a fan and these are my own interpretations.

Notes under the cut:

the title 餘知傳 [the Story of Yu Zhi], is the styled name of the Second Century Warlord. I translated 餘知 as [plentiful knowledge] since he's defined by a surplus of knowledge but a deficit in luck. It's also great for fish-based puns since it's a homophone. As a nice parallel, Loser Liege Lord's banner is a carp ;))). the art style was inspired by vintage Chinese comics.

The story is set during the Three Kingdoms period, (220 to 280 AD) natural disasters, infighting and civil unrest had dissolved the previous Han Dynasty, leading to a violent free-for-all. I based the clothes on the previous Eastern Han styles, mainly because there just weren't a lot of contemporary references from the 3K period (and it only lasted like, 60 years). I always strive for historical accuracy, however, the Han Dynasty was over 400 years long and some sources don't do a great job separating out the different fashions, so I apologise for any mistakes that occur.

2. there aren't a ton of drawings on what Han children looked like, but in general ancient kids hairstyles are pretty consistent. 9-15 yo boys had shaved heads with two little top knots, girls had natural hair in braids/buns.

3. the crossbow (back left) makes a cameo, it was associated with Zhuge Liang, famous real-life strategist from the 3K era.

4. the LLL and his wife thank the Warlord, (a noblewoman on a battlefield??? scandalous!). it shows the LLL enjoys the unconventional and the wife is not as timid as she appears. I thought it would be funny to make them look as Background Character (tm) as possible.

5. I based the wizard's design on sages from mythology. (Hey, he's not a total fraud, he invented gunpowder 800 years before the Tang dynasty!) Nice little character moment for the LLL who is shielding his wife.

6. What do soldiers do while they're waiting for 8 hours? (<-from the right) playing knucklebones with pebbles, whittling a little horse, feeding sparrows, gossiping with neighbour, drinking from his gourd, napping. A minor warlord can't afford to keep a professional army so they're most likely conscripted farmers who've had to buy their own weapons and armour, hence why they look so unimpressive.

7. LLL offers the Warlord a bitten peach. Inspired by the legend of Mizi Xia who bit into a delicious peach and gave it to the Emperor so he could taste it was well. "Bitten peach" was a byword for homosexuality in ancient China. I thought it would be SO funny if the LLL was actually smooth af and the Warlord was a like a teenaged girl crushing for the first time. He's desperate to taste that peach but is too timid to reach out >;))) man has zero game. negative game, even. truely the PS4 of homosexuals. RIP to the assassin in the back corner who was forced to watch the most awkward, cringe-fail attempt at flirting in the history of china play out.

8. this is what zero peach does to a mf. UnU

[andiberzatto]

Hello angel face!! I’m new here but I’ve been a fan of your work every time I go on a carmy deep dive and see your wonderful writing! I’m also not very good at asks and if you’re not comfortable with writing something like this that’s completely okay, I totally understand buuuutttt I was thinking thoughts about just a soft carmy with sensitive reader. I know not very specific or helpful but i saw you just opened your box and figured I’d give it a go.

Also sorry about my explanation mark addiction i promise im not yelling their just so cute!!!!!!

Carmy’s girlfriend is anxious attachment. So even the slightest change in his tone worries her. Carmy doesn’t understand this. He doesn’t understand how his tone can effect someone. He never thinks before he speaks a lot of the time.

He laughs softly, removing his chef jacket and unbuttoning his shirt to change. He calls his girlfriend "Baby" like he always does. "You still up?" He asks softly, running a hand through his dark hair. He doesn't realize that his voice is slightly deeper than usual from being tired

she nods, “yeah. Bedroom.” she’s just up reading a book on their bed.

He walks into the bedroom, a slight sigh escaping him as he settles on the edge of the bed "What you reading?" He leans over to kiss her forehead gently. His usual casual self, but she notices his voice is deeper than usual "Long ass day..."

she nods “just a fantasy book… I’m at the part where they go to find the guy they need but he’s basically off grid. No one thinks he’s still alive..” she continues to ramble on about the book for a good couple of minutes, excited to tell carmy about her book. Carmy just sleepily nods, he’s exhausted from his day, normally he’d love this but he’s so beat.

He nods slightly at her choice of literature and begins to unbutton his shirt "Fantasy, huh? Didn’t picture you liking those kinds of books." His tone is playful, "You know what I really need right now?"

"A glass of wine and some silence," He mutters, tossing his shirt to the side. He begins to unbuckle his belt, his movements slower than usual due to his exhaustion. He doesn't realize that his tone is shorter than normal, which might seem irritable to her.

her mind turns over the “some silence” in her head. He said that after she yapped about her book. Did he mean she talks too much.. was he upset she gushed about her favorite character in the book?

Noticing her tension, he turns to face her, his expression softening slightly. He runs a hand through his hair again, frustration at his own tone evident "Baby..." He sits next to her on the bed, his voice slightly gentler "That wasn't... I'm just tired."

she looks at him “I know you don’t understand it.. but..”

He raises an eyebrow slightly, genuinely confused "Understand what?" He moves to lie back on the pillows, running a hand over his face tiredly "Are you mad at me?" His voice is deeper from exhaustion, but he's trying to be softer "What did I do?"

“Sometimes the way you say things or how you say them can be hurtful even if you don’t intend it”

He pauses, considering her words with a furrowed brow. Slowly, he turns to face her, propping himself up on one elbow. "Wait, you mean like... my tone?" His voice lifts in genuine surprise. He hadn't realized his exhaustion could be interpreted as irritability.

He sighs, rubbing his eyes with his free hand. "I had a long day, baby. I'm tired and stressed, and I didn't mean to come across as short with you." He reaches out, gently brushing a strand of hair behind her ear. "I'm sorry, okay?"

He pulls her into a hug, holding her close as he rests his chin on top of her head. "I love you, even when I'm being an idiot." He murmurs softly, his voice muffled against her hair. "Can we just... forget about it and relax together for a bit?"

she nods “sorry I’m so sensitive”

He pulls back slightly, cupping her face gently with his hands. "Hey, no need to apologize for being sensitive." His tired eyes soften with affection. "That's just who you are, and I should learn to watch my tone better, especially after a long day." He smiles softly.

she looks at him softly from the space between his large hands that cup her face.

He leans in, pressing a gentle, tired kiss to her lips. "Let's just... forget about everything and just be together for a bit, okay?" He whispers, his breath warm against her lips. "No worries, no stress, just us." He nuzzles her face affectionately.

she kisses him once, it’s half hearted.

He chuckles softly at her half-hearted kiss, realizing she's overthinking again. He decides to cover her face with quick, soft kisses - cheeks, forehead, nose, chin - making her laugh softly. He pulls back slightly, watching her. "Baby?" His voice is low and thoughtful.

she giggles “yeah?”

He smiles, amused by her giggles. "You going to keep reading that fantasy book while I pass out?" His tone is playful but exhausted. He pulls her closer, burying his face slightly into her neck with a content sigh. "Wake me if dragons attack or anything magical happens, okay?"

she kisses him, “you can rest on my chest and I’ll read it to you?”

He freezes slightly, then smiles softly. "You'd do that?" He asks softly, nuzzling her chest softly. He's dead tired, and her suggestion suddenly sounds really appealing. He spreads himself on top of her legs like a starfish, his head resting on her stomach like a pillow.

she plays with his curls as she begins to read.

He lets out a content sigh, already drifting into sleep. The gentle sound of her voice combined with the comforting rhythm of her fingers playing with his hair makes a perfect lullaby. Occationally, he nuzzles closer, seeking physical contact.

[utilitycaster]

1. My biggest isssue (as a POC) is when is a character POC or otherized? Do we use IRL or in world? Beau is Human, brown woman. At no point in C2 is the fact that she is brown comes up other than discriptions. Her humaness is what matters especially in the COB. She is treated the same aa Caleb. Fjord, Nott and Molly havs far more in text displays of racism towards them. Ppl dismiss jester as being "white" but insist dorian is poc. When in world they are the same colour.

2. And teiflings would be more discriminated against. I know robbie is poc and dorian is blue but hes a genasi. In the world of exandria i view him and ashton as the same race. So i see these weird arguments online and its always a cross steam trying to use both in world races and irl to prove a point. Since i am examining the world of exandria i use the races displayed there and no attention to what the people look like irl. Also it avoids unintentional sterotyping down the road

3. An example ppl drawing drow and ashton with black racial features (my own) and then someone else complaing that the fandom made the asshole and the would be villian into black men. This fanon has unintended consequences once the story is fully fleshed out. Saying Orym is non white (despite Liams art direction) is bad because people to this day are mad Marisha made beau dark. It cant be both way. This way ppl can headcanon stuff so they dont have 2 go looking for other ips for representation.

----

So this is a really good point and I am, as said, an ethnic/religious minority but not a racial one and so this is how I tend to interpret this stuff in fantasy works, especially ones that have multiple species (humans, elves, etc) as it's not limited to Critical Role (ie, happens in Dragon Age too), which I think is what you're saying here but feel free to let me know if I'm wrong:

There's "is this character treated, in-world, as racialized" (which is often more contextual in a lot of fictional works in a way it is not IRL due to patterns of colonialism in our world, which is a long conversation I'm probably not equipped to articulate well, but just as an example, Fjord is racialized as a half-orc on the Menagerie Coast, but half-orcs in Yios, for example would have a very different experience). In other words, do people within the work of fiction discriminate against them on the basis of race? Anyway, as you said, Fjord, Molly, Jester, and Veth in her goblin form are treated as The Other; Fjord (and Molly, though his memory is only a few years long) grew up with this experience whereas Jester and Veth grew up, for different reasons, sheltered from or unaffected by that discrimination. Beau didn't experience racism in-world, nor did Veth in her halfling form, despite both of them being visibly nonwhite. For a Dragon Age example, Bellara, Davrin, and Antoine grew up with racism as elves, but Neve did not (and indeed comments on using her privilege as a human mage among human mages) despite being visibly nonwhite (and despite Antoine being white).

There's then "is this character treated out of world as racialized", or in other words, do fans treat them as nonwhite. This is also complicated, and this is something I can speak to as Jewish people who are not also POC experience 'conditional whiteness', ie, when right-wing people want to hate Jews we are the nonwhite infiltrator and when left-wing (and often themselves white) people want to hate them they are the white oppressor. So racist fans will hate characters who are nonwhite (like Beau) and fans trying to prove their blorbo cannot be criticized on the basis of oppression. In this case, Beau and Veth are nonwhite; Fjord and Jester often vary depending on what argument the person wants to make; Molly, as opposed to Jester, is almost NEVER drawn with nonwhite features (which frankly says a LOT of unflattering things about the white queer centering, now that I think about it); etc.

And then there's "is the actor/creator racialized in real life," ie, Robbie, Aabria, Anjali, Utkarsh, Aimee, Christian, Mica, Khary, etc are all POC and the main cast are not. Most of their characters are nonwhite, but few are racialized - Shakaste, Deanna, Bor'Dor, Opal, Deni$e, and Reani do not experience racism within this setting. Genasi (as played by Anjali, Robbie, and Taliesin) are a complicated case of being tokenized/model minority within the Empire, and the Silken Squall being inspired by native culture but their role within the world only slightly touched upon such that it's hard to draw a definitive conclusion.

And, since I referenced it in the tags elsewhere, for an NPC case: Essek is racialized by the people of the Empire (as a drow) along with the rest of the Dynasty; he is not racialized within the Dynasty and is indeed in a privileged position there; and whether or not he's treated as nonwhite by the fandom depends on whether someone wants to hate on him or defend him on the basis of identity. He is an NPC, and Matt's white, but in theory could be controlled by a nonwhite GM such as Aabria, or a nonwhite player in the way that Robbie played Cerkonos.

Anyway: completely agree that a lot of people do this in the end so that they don't have to seek out like, Desiquest or Rivals of Waterdeep or Into the Motherlands or other APs run by actual real nonwhite people either because of parasocial connections to the cast, the fact that CR has a larger fandom and they want the attention, or the fact that often they are here for white queer characters and bring in nonwhite characters (and headcanons of white characters) as some kind of armor against criticism.

I think in terms of character interpretation you do need to consider both in-world (Fjord is textually treated as the racial other to the point of self-harming to fit in; you cannot treat him as The Racial Majority in the world without being noncanonical) and out-of-world (irl people are racist towards Beau) but yeah a lot of people really want to have it both ways.

This happens a lot with queerness too - one of the big backlashes I experienced during this campaign is when I pointed out that Exandria is not, in fact, a setting with systemic homophobia and Imogen's experience of being othered in Gelvaan is an extremely bad metaphor for queerness given that she can read people's minds and almost killed two people, but it is true that people irl may be homophobic towards Imogen as a character. But again, you need to be consistent in those arguments - if you are talking about in-world racism or homophobia, you cannot bring up Imogen or Beau, who do not experience these things. If you are talking about fandom racism, you can bring up Beau. And if your issue is racism and representation in the real world, you can and should push back on (for example) people being racist towards Utkarsh for daring to exist and not know every rule of D&D when Emily Axford is onscreen but also we are watching a show of 8 white people when there are other actual plays with a more diverse cast. And yeah, fanon isn't canon and if the character is only nonwhite in your mind, it is not racist of people to disagree or to not vibe with them and it's also worth checking, if you are headcanoning someone with an identity you do not personally have, to see if you're falling into harmful stereotypes. Why are you headcanoning Orym, a character who doesn't experience in-world discrimination, played by a white man, as nonwhite, instead of seeking out works with textually nonwhite or racialized characters? And why are you incapable of accepting that sometimes you'll like a character who is not on every single axis of oppression and it's like, fine, provided you work against oppression in your real world life? If your faves are always white or always men (or, frankly, always demographically like you) then maybe take a look at yourself and who you are capable of relating to, but if you have a mixture of diverse favorite characters it's fine if not every one of them checks every single box.

[wisteria-lodge]

hi, i just wanted to drop in and ask if you know of any other blogs that post hp meta/discussion that are also very jkr critical? i love everything you write, but many of the other blogs i find when perusing tags are... questionable. its kind of a requirement for me to know that the people posting hp on my timeline don't hate trans people so if you know of anyone else who meets that criteria, i'd love to be linked!

Okay. Now the last thing I want to do is write a callout post (or the opposite of a callout post? A call-in post?) BUT. I do also know that this site can be hard and frustrating to use before you've built up a good follower list for yourself. I know it was definitely rough for me there at the beginning, when I first exploring HP tumblr.

So, this is not meant to be a comprehensive list, this is me going through my recent reblogs and DMs, and if anyone feels they should be on the list (or wants to be taken off the list - people use their fandoms to have a good fun chill time, and I respect that. Having a good fun chill place to exist is unbelievably important.)

But I would say these are are blogs who regularly write meta about Harry Potter that is primarily rooted in the books, while remaining critical of the books in way that I enjoy, and are some combination of funny, earnest, and academic (and drama-free, that's a big one.) I haven't gone and background checked them all or anything, but these are people who I've either had good, meaty conversations with in the DMs, have publicly posted about disagreeing with JKR and her political views, or that I've just followed for a while without any problems. Or some combo of the above.

As I'm sure some of the people on this list will tell you, we *definitely* interpret the books differently and have different headcanons, but their style of interpretation is one that fits with the kind of experience I want to have.

***

@saintsenara - a new follow, but I'm in the process of reblogging their back catalog, and they've definitely written about how to be a HP fan in post JKR-swan-dive-off-the-deep-end world, in the context of their absolutely hysterical crack ship series.

@thistlecatfics - bio says "fuck jkr in a canon compliant way" which I rather like. Their last post was a link to their new Sirius/Fanon Sirius one-shot - which was so sweet, clever, and well-written. Which I think is very much their vibe. I massively enjoy their "Harry Potter Characters in Therapy" series.

@pangaeaseas - a really fun follow. They post a lot, they're funny and their ideas are unique, original, and sometimes totally off the wall. It's like they keep throwing out fun little bookclub prompts/discussion starters, and then we all have a really nice time.

@its-the-allure - lovely, and my intro into some really fun, chill fandom communities. @etl-echo-audiobooks is fantastic, they do live readings of fic of their discord and then turn them into audio books. Did one of my metas once! Also they're currently running a Drarry fest, I snagged a prompt but there are plenty left.

@the-phoenix-heart - has been a mutual for a while. Their original stuff is mostly art, when it comes to text-based stuff they're more of a commenter and reblogger. But they're a GREAT commenter and reblogger. They know their stuff, and I would feel weird leaving them off the list.

@blorger - always has an interesting take, especially when it comes to worldbuilding, and they always do their research and cite their sources. Their last post was all about debunking the popular fanon that the non-Snape teachers are really prejudiced against Slytherin as a whole. Also, great fic reccomender.

@360degreesasthecrowflies - probably the most political blog on this list, which they would definitely agree with. What I really love about them is the way they're willing to go into historian mode, and find and repost some really excellent HP Meta originally written for Livejournal. I was never on Livejounal, so all this stuff is new to me, and I feel like it also provides a really good perspective on fandom history.

@arkadijxpancakes - really well-written, well-thought out, well-supported meta. Great thoughts on worldbuilding. One of the only blogs I've found that really digs into the Weasleys, but they have great takes on everything. Has a very reasonable, focused, lets-get-to-the-heart-of-the-issue vibe that I really appreciate.

@riddlesmoon - followed me recently, and I know you don't post as much original content as you'd like, but I think your comments are hilarious and very insightful, and you *should* write more meta.

@hollowed-theory-hall - another person who can cite their sources really impressively. Tends to do very comprehensive deep dives into worldbuilding out things like the magic system and in-universe politics, or doing very in-depth text-based character analysis. I also love it when they post designs and art, because they went in a very different direction than the films did, but it still totally works.

@trothplighted - I know them from their main blog, which is about literature in general and not HP, but this post got them to resurrect their HP meta blog! I've had fun discussions with them, and they have good takes on other literature, so lets see how this goes :D

@regheart - A good, mellow follow (but with absolutely zero tolerance for JKR and her antics.) A good blend of art, fic recs, and fun good takes. Just read a post of their reccing fics that are pro-Jilly, but still willing to dig into their potential issues as a couple. Which I think is pretty representative.

I 100% expect to add to this list as I think of/find more people, but that should be enough to get you started.

[roryknightwrites]

Aventurine Is BPD Coded- Some Thoughts

Ahhh welcome back everybody to another installment of 'Rory writes a ridiculously long essay nobody asked for to shine light on characters who exhibit symptoms of borderline personality disorder so that we can learn to recognize symptoms portrayed in media that aren't just 'crazy manipulative abusive ex' and start to treat the disorder with a shred of compassion' !!

A good chunk of you follow me because of my essay I wrote on Reo Mikage from Blue Lock, my beautiful borderline princess, and I am PLEASED to announce that my essay is now the first result when you search 'Reo Mikage BPD' on Google, AND he has since been added to the BPD character database !! Saving the world one baddie at a time, no need to thank me B)

Today, I want to write something out that I've been dying to share. I think Aventurine can be read as a BPD coded character, and I think he would be able to cop a diagnosis should he go see a therapist (which we all know he CLEARLY has not done). I've been puttering around posting this because I've been spending so long on a full, all encompassing analysis of this sick blonde man, but I want to take a quick break and kick my feet over BPD Aventurine, so I invite you to come kick your feet with me!

Some context before I start:

1.) Borderline representation is extremely important to me. I've got the BPD / CPTSD combo meal, so I'm having TWICE the fun !! But seriously though, it's not easy being viewed as crazy and 'bad' all the time. Trauma disorders are rough enough as it is just to live with / overcome, but it's worse when there are books, forums, blogs, shows, ect. dedicated to hating you and talking about how evil you are. So, I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). Fans, characters, and even Aventurine himself refer to him as 'crazy' 'insane' 'unstable' which only further rang my BPD bells because he's not crazy; he's just traumatized!

2.) I’m not a psych, so I obviously can’t diagnose real people, and don’t use any of this to diagnose yourself (I don't need the scandal!) I do, however, have a masters degree in English and structured the basis of my education and published my thesis on mental health, cluster B personality disorders specifically, so I read and research a LOT. I’m confident enough in my knowledge to diagnose anime characters (lol).

3.) If you're somebody who has a weird hangup about borderlines, feel free to either not read this, or do read it and soak up some useful information! Regardless, I know Aventurine fans can have some really wild takes (/neg) , so believe what you want at the end of the day! This is just my interpretation of what's festering in that sad brain of his. You can disagree all you want to, but what we're not going to do is spread hateful stereotypes or perpetuate negative stigmas about BPD! That's cornball behavior and I will call you out for it ^-^

CW for discussion of death, suicide, self injury, and identity disturbances

Anyways, if you ask me, Aventurine has a case of Beautiful Princess Disorder, and I'd like to explain why <3 So, buckle up! This will be another long one.

First, let me define BPD: it's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. Though it's coined as a 'personality disorder', I urge you to look at it as a trauma disorder. People most often develop it when they are repeatedly traumatized during their formative years. It actually overlaps a TON with complex post traumatic stress disorder, which is why a lot of us baddies end up with both! (On that note, you could definitely view Aventurine as CPTSD-coded as well! I'm a stinky kinnie so I'll just say he's both <3) I won't preach too much on why it's so necessary to treat borderline as a traumatic stress disorder (since hopefully I'll be focusing my own personal academic research on that and I could yap for HOURS about it lol).

But when we look at BPD properly, it's evident that the basis of this disorder is that these people didn't have the opportunity to learn and foster proper emotional reactions. Because of the recurring traumatic events, sections of borderline's brains are underdeveloped as a result. They have a smaller amygdala and they have reduced volume in the prefrontal cortex, as well as other differences in brain development. I've heard it described as 'you were forced to learn some behaviors that helped you survive at one point in your life (for example, maybe fervent efforts to avoid abandonment, unstable emotional reactions, self harming tendencies, lying, mirroring, etc.,) but now you need to unlearn them, because they’re no longer helping you.'  They're trauma responses.

Aventurine shows us a perfect example of the kind of shit that would make someone develop BPD: dude grew up in extreme poverty, was constantly told he was special and he was supposed to bring good luck, watched his entire family and race die in front of him when he was literally still just a kid, was kidnapped and sold into slavery, was forced to murder roughly 34 people while everybody watched him like it was a game, probably went through several other fucked up things while he was enslaved, and then killed his slave owner and was promptly sentenced to death for it. That's...a whole lot of ridiculous trauma that would severely impact somebody's ability to mentally grow and develop correctly. The bulk of his childhood/adolescence was spent with no safety, no security, overwhelming guilt, constant fight or flight reactions, learning how to take on other personas to avoid violence or mistreatment – you get the point. He did not have a normal life and it is absolutely probable that he would develop a trauma disorder from the shit he's been through.

So then, what behaviors/signs does somebody need to exhibit to receive a Borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

As with my last post, I'm going to organize this based on the 5 immediate traits I think Aventurine exhibits most (you only need 5 out of 9 to receive a diagnosis, so let me cut to the chase and stop wasting your time w my yapping).

Fear of Abandonment:

Aventurine has a habit of wanting relationships and then pushing them away once they get too close. He also clearly has trauma associated with losing people prematurely.

First of all, let's look at Aventurine's tendency to view relationships as transactional. With the expectation that a friendship, partnership – whatever –  is mutually beneficial, that generally implies both parties will leave satisfied once the 'transaction' is complete. That’s his parting line in the game, actually! “Satisfied with our transaction, I trust?” 

That being said, he's already prepared for people to leave when they're done getting what they want from him. In one trailer (and the game) he refers to himself as "another cog in the machine known as the strategic investment department" and then says, "Your humble servant aventurine at your disposal [...] I can also play the role of ‘friend’ – if needed; Go ahead, use me as you wish, even stab me in the back if you see fit."

This is a very strange thing to say upon first meeting someone LMAO. He's speaking of himself like he's an object, rather than a person. Before the other party even says anything, he's basically saying 'hey btw if you end up disappointing me in some way, i'm already prepared for it!' Establishing relationships with the assumption that the other person will betray you/abandon you/hurt you in some way? Borderline behavior. God forbid somebody does try to break down one of these walls, we'll see Aventurine's second habit to avoid abandonment: pushing people away.

Something people don't necessarily consider is that ‘efforts to avoid abandonment’ doesn't always mean the person is on their knees begging you to not to leave them. It can manifest as someone being very flighty and purposefully cutting ties randomly/pushing people away from them so that nobody is able to abandon them. If you leave first, they can’t leave you, right? This is a very common behavior for borderlines to avoid the pain that comes with being abandoned.

The most notable moment of this, in my opinion, is when Aventurine tries to gaslight himself into thinking that Ratio really did stab him in the back during their ploy against Sunday. As we know, their fighting, bickering, and Ratio's 'betrayal' were all part of Aventurine's plan. When they leave Sunday's office, Ratio immediately asks if he's okay and if he needs help, and Aventurine is very dismissive/a little rude in his response. Ratio is confused because Aventurine is talking as if he wasn't the one who MADE this plan and TOLD Ratio what to do:

Aventurine is basically saying, "Hey babe this is not in the script we talked about! Let's stay on track, remember? You hate me, you betrayed me, and now you're leaving me!" And Ratio is like "Yeah okay but are you good? Because you don't seem good,” but Aventurine's heels are so far in the dirt at this point that he is NOT budging at all. When he's in the Trauma Maze, Future Aventurine grills him on this moment:

I get why this part confused some people; why would Aventurine think this when the plan was his idea in the first place? Because, he subconsciously doesn't want to get too attached to the idea that Ratio might ACTUALLY care about him or want to help him. He's forcing himself to think "no, that's not what he was doing, he was planning on actually ratting me out all along, he was only asking about my wellbeing to get in my head."

However, I think it's evident that Aventurine wants relationships/attention just as much as everybody else does, he just won't let himself have it. To further this idea, I think the lyrics to White Night (the Penacony trailer theme song) are worth looking at (these specifically):

I don't wanna be alone tonightOh, lead me with your altered signThere's no one else left for me to loseHeadin' to the other side, other side

I don't wanna be alone tonightI'll bring you to my best disguise'Cause you don't need, don't need to know the truthLet me rave forever in your life

The song is obviously about Aventurine when you look at the lyrics, but these lines in particular just further my point that this man does NOT like the fact that he's alone. He wants relationships, he wants closeness, but he rejects it at the same time out of fear that he might lose somebody prematurely again and doesn't want to experience being abandoned or being rejected for his personality (his real one or his fake one), which leads me to...

Unstable Self-Image; Struggles With Identity or Sense of Self:

The shift from Kakavasha to Aventurine screwed this guy up REAL bad. A MASSIVE part of Aventurine's character, in my opinion, is his struggle with his identity/sense of self. I mean, he literally had to kill off who he used to be in order to live how he's living now, and he didn't have much of a choice in the matter. Jade sums it up pretty well when Aventurine is sat before her on trial: 

Aventurine joining the IPC comes with the price of...well, becoming 'Aventurine'. Since I'm clocking him with a BPD diagnosis, the identity disturbance would have probably happened before this moment, and I think it did. I'll bet it started festering after that first massive traumatic event where he watched his family die and tried to rationalize how that was possible with his 'good luck' (since that was really the only consistent idea he had about himself), and it probably only got worse when he became fixated on the fact that whoever tf he is, he's only worth 60 copper coins (did the math – that's about $3). That's gotta cause some massive identity issues. He's coined as this ‘good luck charm’, this ‘blessed child’, a ‘beacon of hope for the Avgins’, and somehow, he ended up in the absolute worst situation possible while simultaneously dooming all of the Avgins (obviously not his fault, but he thinks it's his fault).

When Jade tells him to pick a new identity, ironically he picks one that is everything he probably grew to hate after his childhood/adolescence.

Associating with the wealthy? The rich were the people who paid to brand him and enslave him. The IPC? Promised to help the Avgins but disappeared when the Katicans invaded, then came back and kidnapped him to sell him as a slave. Now he's both wealthy and a part of the IPC, and you have to wonder how he truly feels about it. We'll look into that more later. Regardless, he's not really 'free' now, even if he isn't technically owned by a master anymore. He's chained to the IPC because this is life now; this is his identity. Where else would he even go? What else would he do? (Die, perhaps?) It's not like he can go home, or go live a peaceful life out on the countryside somewhere. He made 'Aventurine' his entire life and his entire personality. On that note, I really like this quote from his third character story:

“The aventurine, that symbol of power and of the future, is about to be officially handed to him — Yet it would have no more allure or value in his eyes as soon he obtains it, even though he had sought it by putting his life on the line.

He returns to his office in a daze. The aventurine stone emits a peculiar glow on his desk, seemingly congratulating and mocking him at the same time."Was luck truly on your side when you wrestled with fate?"”

Did he really luck out with this one? Comparatively, of course, this is better than his life as a slave, but he essentially just traded his rusted chains for golden ones. Becoming Aventurine might wind up bringing him a lot more pain than it was worth. 

Also, the outfit he chose? Covered in gold, fur, and jewels, all materials that somebody who knows nothing about being rich would assume rich people wear in excess. It's evident in his tacky taste (sorry honey I love you so much but the hat is just crazy work you look like a pimp) that he doesn't know anything about how to dress himself. And I bully him for being tacky but it makes sense! He dresses exactly how you'd think an out-of-touch billionaire would dress. Back to his sense of identity: it's very important to establish that Aventurine feels guilty about taking on this persona! That's all 'Aventurine' is: a persona. If he were to die tomorrow, the IPC would dust off that stone and give it to another bozo who would end up being the next 'Aventurine'.

While he didn't initially develop this personality subconsciously and it was a 'choice' to start playing this role (not that he had a plethora of alternative options), the perpetuation is damaging him mentally. He does a good job of keeping up the act, obviously. This theme that his entire personality is just one big act is overarching through the entire Penacony quest, but there's one moment in particular I really liked: when Sparkle is being a jerk and he has this offhand comment about how he's so frivolous, vain, and flashy, and how he'd hate to live anywhere where it rained since his outfit is too expensive to get wet.

Then, we have this interaction in the maze: Future Aventurine brings up the memory of him and his big sister playing dead, floating in bloody water to avoid being killed by the Katicans when they attacked. He mentions that it was his father's shirt, the last one his father left behind before dying, and that it was ruined. Aventurine says it wasn't ruined, and he's always kept it. (I wonder if that's the shirt he wore during his time enslaved?) Future Aventurine grills him and asks ‘why keep it? This new person that you are would never wear something so dirty and old. 'Aventurine' wouldn't want that old rag, it's not worth any money. 'Aventurine' would never splash around in murky water like that; he wouldn't need to.’ Nobody is hunting him, now he's the hunter. Future Aventurine makes the snide comment that he bets Aventurine wouldn't even dare to go outside in the rain, let alone do any of the things Kakavasha had to do, since he's so much more elite now. Aventurine, clearly hurt by the implication, says that even after all this time, he's never changed.

Of course, he hasn't. Deep down, no matter how much he tries to trick himself and everybody around him, he's still the same scared, traumatized boy he always has been. His future self chastises him for having an inferiority complex and mentions that with every gamble he makes, he has his left hand shaking in fear behind his back.

But the constant pull to push Kakavasha down and keep up this act that 'Aventurine' is the real him obviously perpetuated the identity disturbance in him and made it a hundred times worse, to the point where (as Future Aventurine points out) the hole he's dug is basically impossible to climb out of.

Because of this, I interpret Aventurine to constantly be struggling with his identity, not knowing who really exists under all the masks he wears, not knowing if he or anybody around him will ever figure it out. I imagine he feels very empty and unfulfilled, since as I mentioned in the abandonment section, he doesn't want to be alone. But the higher he climbs on the social ladder, the further he can separate himself from other people. This is a classic issue borderlines face. We masquerade as something we think the people around us will like, someone WE might like, but it always ends up leaving us feeling more empty than before.

(This is just an added bonus to chew on, but I got stuck on this line when I played through Penacony:)

Do you think once he became Aventurine and got the money and the resources, he researched toys that normal kids play with? Fancy ones like building blocks, stuff that he would have never been exposed to as a kid? Obviously baby Kakavasha would not know wtf building toys looked like, and I'm sure teenage Kakavasha didn't have the opportunity to browse toy catalogs. But, he recognizes the toy even though he says he's never played with them before. Maybe he considered buying it but decided against it, since it doesn't fit his new persona. Kakavasha doesn't exist anymore, so there's no reason to nurture that part of him. Anyways, just wanted to hurt y'all a bit more. Speaking of hurting ourselves:

Impulsive or Self-Damaging Behaviors + Suicidal Behavior or Self Injury:

I'm combining these two because my points kept blending together, so bear with me lol.

Aventurine is known for being incredibly reckless and putting himself in the path of danger over and over again. When discussing how he tricked Sunday with the Cornerstones, Future Aventurine asks:

I want to exaggerate how crazy it is (i can say that i'm also a bpd baddie) that he smashed his Cornerstone. I don't think a Stoneheart has ever done that before. Their stone is what makes them a Stoneheart. Ratio mentions that without it, Aventurine would be back to being nobody. Remember: that's what makes him Aventurine. You know, the persona that required him to kill off his former identity? Their Cornerstones are more important than the Stonehearts’ lives, as stated multiple times. But that's just it: Aventurine doesn't GAF about his life. He doesn't mind putting his life on the line to pull off his plan because he has that deep-rooted desire to punish himself for everything he thinks was his fault. He gets called out for gambling with his life multiple times during Penacony, and while most of the time it's reduced to him just being crazy (cough, bpd) or just having a severe gambling problem. Extremely hot take, but I think he gambles literally as another way to hurt himself. I mean, look at what he says when you ask about his hobbies:

"There's no denying it, my fascination is with the game of chance... be it the exhilarating rush of triumph or the extensive emptiness that follows, both are worth savoring, time and time again."

Being impulsive and risky, betting his life over and over –  it makes him feel alive. He knows the end result will hurt, that he'll have to face that 'extensive emptiness' and the extreme guilt he feels regarding his continued good luck, but he does it anyway.

Speaking of betting, his bets are always 'all or nothing', seemingly every time. Future Aventurine calls him out on always risking everything with every gamble, asking:

"Do you truly believe the greater the risk, the greater the reward?"

Or...do you just not care what happens to you? He doesn't need to risk a lot; he's never lost. He could bet the lowest amount and still win every time, and make a lot of money depending on what everybody else bet. In fact, that would actually be a better strategy in gambling (poker/black jack specifically), because it would insinuate that he's not very confident with his hand and prompt the other players to bet higher, assuming that they'll beat him.

I imagine he gets a shred of dopamine betting everything he has knowing that he'll probably win, but hey, who knows? Then after winning and multiplying everything he has, I imagine that 'extensive emptiness' that he refers to is the feeling of 'oh good, more money. More status. More success. A reminder that no matter what I do, I'm stuck here in this role forever.'

For some reason, he also thinks that taking risks makes him appear more confident and secure. He makes a show of always keeping up the big bets and he boasts about how successful he is, while clutching his hand behind his back thinking 'oh god, is this it? will I finally lose this time?' He brings this up when he's speaking with himself and he says, 'How could a weak person take such daring risks?"

Oh, the delicious irony.

That raises the question, though: if he wants to die so badly, why hasn't he yet? It's not like he had an easy life. He fought very hard to stay alive, so why does he act so recklessly now?

I think at his core, he's scared. Dying is scary. His family is there in the afterlife; would they be disappointed in the person he’s become? At the same time, being alive is exhausting. The constant emotional pain this guy probably deals with every day? It's gotta be heavy.

His behaviors around suicide remind of a classic passively suicidal person with BPD: maybe they don't necessarily want to die, but they're tired. They don't have an active plan, but If something is going to kill them, they're not going to move out of the way.

So, carrying out his Penacony plan makes sense. Of course he’s not completely sure what will happen when Acheron kills him, but because he doesn’t have anything to live for, he’s fine gambling with his life. He makes a show of finally throwing out every last chip, too, no longer clutching them under the table in fear. He was fine with smashing the Aventurine stone because it's not like he was planning on using it after his final show; the little bit of power it had left in it was more than enough.

That being said, we do have to address this little number:

Aventurine attempted several times in Penacony, he admits it flat out. The writers even went sofar as to bold this line specifically! I think this does also go hand-in-hand with him being passively suicidal, since he's pretty sure he'll live when he attempts in the dream, but he's gonna try it SEVERAL times just to be sure. Mentally healthy people wouldn't try it... once, Aventurine!

As if we needed more evidence that Aventurine constantly puts himself in danger, you know I HAVE to mention...the light cone:

n case you haven't read the description for this light cone, let me share it with you:

"You don't believe me?"He (Aventurine) provocatively looks at the man (Ratio) before him, then draws out a revolver, empties its cylinder, and leaves a single shot in the chamber.

"Seems like I'll need to get you up to speed on how I do things if our cooperation were to remain amicable."He pushes the gun into his opponent's hand, spins the cylinder, and points the barrel to his own chest.

He pulls the trigger repeatedly, and the smile on his face remains the same after three empty clicks."Life is a grand gamble, and I'll always be the final victor."

Now what the HELL is this? Mind you, this is the first time Ratio has met this man!!! Imagine you meet your new mission partner for the first time and he puts a revolver in your hand and fires it thrice, then leaves. WHO does that? (...a baddie, perhaps!)

I don't think it's a secret to anybody who has spent a reasonable amount of time around Aventurine that there's something off about him, and that there's a really deep sadness running through him. There's some instances where other characters mention his passive desire to die – A few quick examples I can think of:

The instance in Story IV with Opal:

"Maybe luck won't be on your side this time, and the bill for all your past good fortune will come due [...] But isn't that what you've been longing for?"

Opal implies Aventurine wants to fail on Penacony, which, as we've discussed, is an accurate assumption. Jade says something similar after Aventurine's stunt: when Topaz says the light in his stone went out, Jade replies by saying "he got what he wanted."

Also, I’d like to point out that Ratio must have been anticipating that Aventurine would do something rash, since he wrote that note (doctor's advice) long before he started grilling him after the meeting with Sunday.

It's also worth noting the nod to T.S Eliot's "The Waste Land" (a very long poem about life and death). You get the achievement Sibyl, What Do You Want? after playing through the past of Kakavasha's life, and once you defeat boss Aventurine, you get the achievement She Replied, I Want to Die. I don't think that one needs an explanation, but boy does it hurt! (There's other, smaller nods to him being suicidal, like the Waiting for Godot achievement – Google the story if you're unfamiliar. Not as relevant, but I must mention it bc it makes my english major brain go brrrrr)

Also, overspending/gambling/being loose with money is a very common vice for borderlines to indulge in and harm themselves with. It's also implied that he drinks a decent amount. I counted 6 bottles of SoulGlad in his hotel room just from the angles I could see, and he's shown to be passed out at the bar when Ratio goes to get him before they go on their little date-I mean, mission. Aventurine says 'he must have drank too much', and whether or not that was true is irrelevant since it was a believable enough claim that Ratio bought it.

Borderlines are (usually) self-destructive in some capacity, and while some very annoying people assume it's for attention, it's so much more common for it to be because our inner emotions are just so out of whack. Sometimes, matching the inner pain with outer pain is a way to cope. They might also do it to try and combat-

Constant Feelings of Worthlessness or Sadness:

Probably the most nagging, prevalent feeling Aventurine deals with is the constant feeling of worthlessness. One thing about this man? He hates himself. Like, really hates himself. Take a look at the missions during his maze in Penacony. This one is one of my favorites:

It doesn't get much more on-the-nose than him calling himself a selfish, useless loser. He gets stuck on that word, in particular. Loser.

Aventurine, at his core, views himself as a massive loser. Is that ironic because of how much he wins? Not really. Money and materials are just part of the Aventurine persona. He's 'rich' in stuff, but he's not rich in what he actually wants. I think it's obvious that if he had the option to quadruple his wealth or see his sister again just one more time, we all know what he'd be picking.

The only thing he wants is connection – connection with his mother, his father, his sister, anybody at this point – but he can't have it. His family has been dead for a long while, and as I discussed before, his fear of abandonment and his luck scare him away from forming any other relationships. 

This luck, this destiny to be blessed, leads him to reflect on his life a lot and wonder what the hell the point is. He treats himself like some sort of walking curse, because he's convinced that his luck is bound to hurt other people. Every time he wins, somebody else loses. The luck that keeps him safe destroys everybody else around him. As Future Aventurine puts it:

His luck is "built on the pain of someone" else. This perpetuates the constant feeling of guilt, which in turn, makes him feel worthless. Why is it him that's spared every time?

Then, right before you start his boss fight, Aventurine says,

"The architect's flawed stone, of no value at all."

Some people speculate he's talking to the MC when he says this, but I can't help but assume that he's referring to himself. Even if it was directed at the MC, so much of what Aventurine says in his bluffs and boasts are just digs at himself. He's sort of an expert at hating himself, and what do people who hate themselves do if not project? Especially when you consider the fact that aventurine is actually a really cheap, undesired stone. It's like $3 a caret and mostly only used to rip people off and pose as jade. I really don't think it's a coincidence that his character is based around a stone that is, essentially, worthless.

The way that Aventurine is also prone to giving people ridiculous amounts of money/gifts can be read as a frantic effort to keep relationships going and prevent people from leaving him (relating to my points on both his feelings of worthless and his fear of abandonment). He has a skewed view on relationships, since the only value that's ever been associated with him is monetary value and that of his 'luck', which in every context is spoken of as an asset to benefit people he cares about. His sister told him that his luck was 'the most precious wealth' of the Avgins and Jade sees him as an investment that can bring her more wealth because of his luck, but he views it as a massive burden that ends up wrecking everybody around him. So how does he prove to other people that someone as worthless as him should be allowed a seat at the table? Deep down, he thinks that he's still worth 60 red copper pieces, and he's desperate to show other people that he's worth more than that now – even though he doesn't believe it at his core. With all the money he wins now, he can throw it at people and say 'look, look how much money I'm worth now, you want me around because I can buy you anything you want, that's a useful quality in a friend!'

(I did use the 'seat at the table line' as a nod to what his slave master said to him when they were discussing his worth: "Don't forget your place, slave. You're not qualified to be at the table." Which is, painfully, what Aventurine says when you open up chests! He scoffs and says that "it's hardly enough for a seat at the table." :’) )

There is also, of course, Aventurine's overarching struggle with finding purpose in his life. We see a lot of his existentialism during his trauma maze, but at the end of his trauma maze, Future Aventurine finally stops ripping Aventurine a new one and is vulnerable for a second, saying he doesn't understand what he's ever done wrong to have suffered as much as he has.

Then, when he's in the Nihility and he's speaking to Acheron, making the decision on whether or not he even wants to keep going, he asks her:

As I said, he has this conversation with himself in the maze as well, but here he's actually being vulnerable and speaking to somebody else about it: what's the point in being alive if we're just born to suffer? If nothing else, this solidifies the emotional struggle that Aventurine is constantly having. I also think it furthers the idea that he has this nagging sort of emptiness inside of him which is another BPD trait: the feeling that you're empty at your core, and you're constantly trying to fill it with things (friends, money, substances, whatever) but nothing ever works. You worry if anything will ever make you feel 'whole' again, and pair with the the identity disturbance? You're left with a constant feeling of despair.

Other Points:

These are a few other random thoughts I have, inspired by in-game moments but I'm taking them for my own evil fiendish BPD narrative. Take them with a grain of salt.

I think the stigma he gets around 'being crazy' is really BPD-coded. Separate from the ridiculous discrimination he gets for being an Avgin where people assume he's a liar and wolf in sheep's clothing (which can this man catch a SINGLE break jfc), he also has this reputation of being crazy, insane, manipulative, cunning, and someone you want to avoid, which is more rooted in his reckless gambling habit and status with the IPC. Living with this reputation of being insane and unstable for...lowkey no reason at all? Very BPD coded. I think Aventurine leans into that stigma to keep people a certain distance away, but it also just ends up making him hate himself even more.

Also, his entire mantra is "all or nothing", which always rang my BPD bells as well. There's not a lot of gray area with him, which is a key trait in borderlines as we often display very black-and-white thought patterns.

In Conclusion:

I think Aventurine is a borderline princess <3

No but actually though, Aventurine is extremely smart, witty, funny, generous, and very kind-hearted, and he also happens to have a lot of BPD symptoms :^) I don't think it does any harm to view him as BPD-coded; in fact, I think it's great to associate positive, fan-favorite characters like this with BPD because it helps to humanize us. Borderlines are not violent, crazy maniacs, they're people who have been severely traumatized and developed some unhealthy habits because of it. They deserve love, respect, understanding, and communication, just as everybody else does.

If you actually made it this far, thank you for reading! I hope I was able to shed some light on Aventurine and his Symptoms. And, as I do in all of my BPD posts, here’s your reminder to kiss the borderline baddies in your life and tell them they’re important to you :^) Living with BPD is exhausting and I know I speak for all of us when I say that. We try so hard every day to stay positive and regulated, and though rewarding, it's exhausting and very hard work. Nothing makes us smile more than some recognition that we're trying our best !!

Till next time xoxo (and shout out to @roxirinart for helping me edit this monstrosity mwahhh mwah)

[alena-draws]

Aha! I have now read the last (??? probably?) chapter of Mha. Thoughts to this chapter and the whole ending itself, and obivously spoilers under the cut!

Ok so first, I don't think it's a bad chapter per se? There are some pretty cool pages in there, and I love seeing the grown up characters! Whatevery happened to Monoma and Denki, they are looking GOOD. I love the little scene between Tsuyu and Ochako, just because we get to see that they are besties, hanging out and telling each other about their lives!

Also Kacchan got a racing car (or something fancy at least)? I didn't really expect him to go for such appearance-things, but maybe just because I'm not a fan of cars myself. And hey, despite the threat Kiri gets to eat in his car, look how far he has come *sniff*

Now coming to the obvious, the Ochako/Deku part. I love Ochako as a character, and I think Ochako/Deku is still really cute. It's a sweet pairing, it has just never been my main interest because I always found the dynamic between Izuku and Katsuku so much more compelling. ^^ I would have preferred not to conform any ships though- I thought the last chapter was ok as an ending, with the way you can now make up your own ideas about how and where everyone will end up. As it seems, Hori did have other plans for Izuku and wanted to close that ambiguous, open Izuku/Ochako part. It's his character, and he can do that.

But there are some things that do leave me unsatisfied, from the ending in general and this chapter.

First- what do you mean Izuku won't join Katsuki's hero agency??? Like----what? And not just from a shipping perspective, but from his whole character arc? I'm not sure if I read too much into it, but over the course of the whole manga, Izuku's main rival has been his friend, and they have been shown again and again as acting as this hero duo - winning to save and saving to win. That was a whole theme!! Where has that gone? Which leads me to my second and biggest unsatifaction with the ending: Where is that important talk between Katsuku and Izuku? Look, I don't need any romantic special talk. What I want though is some kind of closure of their whole dynamic. It was a big fucking plot point that Iuku would go beserk if something happened to Katsuki, a way he didn't react to for anything else. And that happpened not only once or twice but at least three times- the kidnap, the stabbing 1, and the death scene. For heaven's sake, Izuku saw his best friend laying on the ground. That stuff does something to you!! And the only thing we get is a (sweet, but still) hospital scene. And, during all these interactions (at least later, not the fight on ground beta): the hospital at the end and the apology of Katsuki, Izuku only ever reacts but doesn't really say much aside from that? He doesn't start and look for any conversation, and he doesn't really tell us what he feels in these moments. I as the reader would at least expect some kind of talk between them how that last battle made them feel. But no- so now, it leaves me with the feeling that Izuku is either A) not actually that close to Katsuki which however contradicts everything we've seen until now, or B) emotionally really really repressed and oh my god get that boy some therapy and help him figure out his stuff. Or, C) they did that talk behind the scenes which would really suck. Izuku is still the main character. You want the reader to identify with him and confront complex emotions that result from all those hardships together with him- how are we supposed to do that if HE NEVER FUCKING TALKS ABOUT HIS FEELS. I mean, this is kinda what Kacchan gets at in the car. Another interesting scene!

Is this a confession or a push for Izuku to notice potential feelings from Kacchan? Well, we don't know. That's left open and I guess we're really free to interpret. It would be a Kacchan thing to say I guess, and we also have that offer to become hero partners (which you didn't accept Izuku because you have brain damage). Also possible is that the intention of this is that we get that Izuku/Ochako scene. They might be fucking with us and it could be both, because you still can't have someone openly declaring any gay feelings in a shounen manga. I don't want to speculate too much, it's of no use anyway *shrugs shoulders.

So yeah...what I'm miffed about is not really the confirmation about a the Izuku/Ochako pairing. What really bugs me is that this special relationship that exists between Izuku and Katsuki, where they both kind of motivate each other to be the best they can be, in such an intense way they we don't see them have with any other character- that THIS never gets addressed and that we're left hanging in the air, not really knowing what the relationship between these two is now- THAT pisses me off. (again: if you best friend died and came back, you would maybe want to address that in some way?) It feels like the writer left one big theme of the series infinished, and now with this chapter, it feels kinda dismissed to the side. I love Izuku but that passiveness and the lack of insight to his feelings during those last volumes (for the reader and by himself too) does make him feel...a bit hollow at the end to me. Last short topic: I'm also just a tiny bit disappointed that the only conclusion of the quirk theme was that they now start early to teach kids and help communication. Good thing of course, but with the way we heard "Quirks are getting stronger by each generation" and the quirk evolution, I thought there was something bigger coming, so that's been a bit of a let down. Nothing big, just an "oh, that's all?" moment)

But yeah...I think that kinda sums up how I feel about this now. Anyway, no hate for the IzuOcha part, they're pretty cute together!

[patrochilles-or-bust]

https://www.tumblr.com/tododeku-or-bust/744837858426339328/yes-nonblack-people-can-reblog-id-appreciate

i apologise if i come off as rude and i know it’s not black fans’ responsibility to educate white fans. but as a white fan, what do you think white fans can do to fight racism in fandom spaces? because even when i stumble upon something that reads to me as racist, i don’t know if it’s my wrong interpretation as a white person and if i should say something or be quiet. /gen

I have a reblog in that post that answers this question, but that post is now at least 150k strong with only half really getting the point and I'm not scrolling that long so 😅 I'll just say it again.

(the post was about BLACK PEOPLE. So I'm going to discuss antiblackness, bc that's who I was talking to)

1. Actually share community with Black people!

Half the reason people "don't see" antiblackness when it's happening is because you're not around any Black people in your fandoms to begin with. So when you see what is inevitably racism, you probably dismiss it as "drama" because that's what the racists (!) around you are framing it as. If you actually saw the responses from the party being wronged, you'd learn what to look out for when it happened. And even if you weren't confident, someone that IS confident could use the support- bc they're gonna be far meaner to that Black fan than they'll ever be to you! But ofc you don't see racism when there are conveniently no Black people around you to point it out. Bc trust, there is no fandom space- no space period- free of it. So... Try listening to the Black people that ARE in your spaces! Support their voices, so that you can start fighting that fight on your own!

2. Think about how much antiblackness you let slide, and try to be active about not doing so!

One of the hardest things for me to swallow is not usually the OG racist poster, but the thousands of people who usually agree with them, and then the tens of thousands of others who might not agree, but continue to support that person otherwise because antiblackness is not a deal breaker for them! You might think you're a friend to Black people, but based off the people you hang around... probably not! And we see that!

So you'll watch someone be mask-off antiblack, but "oh their art is so good though" or "but I love their LGBTQ/fandom takes" yeah okay so I see that I am not a part of the safe community that you value or picture, got it.

You have to actually ask yourself, consistently- because antiracism is an active thing, it's decisions you make- "is this thing I'm participating in worth the antiblackness I'm allowing?" Sometimes you're gonna say yes. But if you find yourself saying "yes" far more often than you're saying "no", it's time to admit that you're not being antiracist 😅 and if that identity actually means anything to you, you'll have to start making some better choices!

So, is this person's cool art worth them being a whitewasher? Is this video game series worth the creators being racist? Is this musical worth the racist stereotypes it's perpetuating? Is this person's otherwise cool politics worth them treating Black people like shit? Is being seen as a racist worth keeping me safe in this fandom (that would treat me horribly if I didn't? Are they really my community, then?)? Is my temporary entertainment worth more than someone's humanity?

I think when we choose to be honest with ourselves, and are willing to ask ourselves questions like that, we might recognize just how much control we have over our own racism, and at least how we can minimize our own harm. Bc you can only control you! And you don't have to do or allow the things you allow!

3. Call it out!

I don't think everything warrants a call out. But, sometimes y'all got to be willing to say "hey, this isn't cool, dude". The whole "1 Nazi, 9 patrons, 10 Nazis" thing. I have a post about it somewhere on the CBC page 😭 But yeah. Sometimes things will be right in y'alls faces and you say nothing. And all that does is encourage others with those same beliefs to show up and think that you're okay with them. I really do wish that when you were confident, you spoke up. Or at least told your peers in private "hey, such and such did this antiblack thing and it made me uncomfortable so I'm not going to support them anymore". SOMETHING.

[multiplefandomsyep]

Why do you ship inhun so much? They don't get involved with romantic feelings in canon and it doesn't fit their characters, there are other ships that work better with the source material than this one. This is not hate, I just wanna know.

What do you say anon? they are canon! (in my heart) Okay, jokes aside *sips tea* behold anon! because there would be a lot of rambling answering your question hwdjhs

Now, the truth is, no character is explicitly romantically involved in the show (some of them had romantic canon relationships but they aren't anymore. And also couples in the show are not the main focus of the story), and that's why none of them would be canon, even if they make more sense than others.

For this reason Inhun in canon does not have romantic feelings involved, and this applies with the other characters of both seasons 1 and 2, everything that the characters thought or felt at certain moments is also up to the interpretation of the fans, like free will, some will see it in a romantic way and others platonic, therefore, ships really need the interpretation of the fans.

From this point on, we get the idea of ​​how In-ho is staring at Gi-hun all the time. It's true that he's fascinated and obsessed with him in a way that no other player has achieved, and while it's just an obsession, it could become something more. However, it would be a one-sided love because Gi-hun will find out who's behind the mask and he won't like it at all. This post here explains it perfectly.

And it may be close to canon that Gi-hun could have had romantic feelings for Young-il, however, here comes the tragedy, because he knows that he is married and has a wife in the hospital, he would not take the first step, everything would remain as a one-sided love for him, he would keep those feelings and that admiration for Young-il to himself.

And the same thing happens when In-ho reveals himself as the frontman, just as I already mentioned, Gi-hun would never love him again and will not forgive him when he finds out that he was behind the mask all this time, therefore In-ho would also remain with this one-sided love.

But that's where the beauty of the ship lies, they were doomed from the start, these unresolved feelings and this "sexual tension" they seem to have every time they look at each other and smile, plus the fact that they are both opposites, a yin and yang couple, being narrative foils, while the two can understand each other in a way that no one else has been able to (both participated in the games, won and got back... plus other things), and hate each other for it, this is why I ship them, at least I do.

They will never be together and the fact that they will never be together and never stood a chance is what makes them special, a toxic tragic doomed old man yaoi ofc, they will never resolve these feelings, they will be destroyed before they can become anything more, and the ones who will destroy them will be themselves, because they know they will not be able to get out of these circumstances... both of them do not know how to love properly after everything they went through. However, this does not make this "less of a ship" than others, inhun is an actual ship and it still makes sense even if it is less tragic than others.

And this way of the ship is the one that is closer to canon, but we also have AU's of them and everything you could ask for, there is so many creative people where they write the characters amazingly.

It may need more fanon interpretation than other ships (because in the end, they all need fanon interpretation), of course, but it still make sense for canon.

Hell, even the director himself could see the fanon vision and you could say he liked the ship, lol. Also netflix itself posts some things about them (it doesn't mean it will become canon at all, but basically it still gives the green light for these types of interpretations with his characters to enjoy it and create things with it).

Finally, I also wanted to say that a ship doesn't necessarily have to be canon to be able to see certain characters as a couple. In my personal opinion, I prefer my ships not to be canon. I like to gather all the crumbs/clues from canon but never ask for the whole thing. And let's face it, a ship doesn't need to become canon to be able to enjoy it and continue seeing how interesting the characters can be with and without the yaoi glasses.

Hope this really could answer your ask :D

[mythalism]

Perhaps this will prove an unpopular opinion, but I think that, seeing as they chose to make everything hinge on the inquisitor being high approval with Solas & wanting to save him no matter what & locked his best ending behind having romanced him, so that if you wanted a satisfying ending to the series you HAD to choose to redeem him with a female Lavellan, otherwise the inquisitor's only purpose in VG is to hand you a wolf statuette...(?!?? and even that's tied to the redeem ending, lol) ANYWAY, seeing all that, I believe they should've committed even more to it and have it be an option even for non-romanced inquisitors, regardless of race, to offer to join him à la Witch Hunt where you can offer to join Morrigan through the eluvian even as a friend, only you can actually go through with it this time. Now, before I'm pelted with rotten tomatoes, I think it should've been an option just for an Inky who didn't romance anyone, so that fans could have their happy ending with their LI of choice (though I am compelled by the idea of the inquisitor as someone, like Solas, who puts their duty to the world above everything, but that's another discussion). But I think it makes sense, both as a choice made by an Inquisitor who became close friends with Solas and never lost faith in him and doesn't want him to face everything alone (could there be other Feelings involved, too? that's for us to headcanon, ofc) AND as a purely pragmatic choice, seeing Solas as someone who shouldn't be left alone to their own devices for long, esp in such a vulnerable state - just like Mythal needed his Wisdom, one could argue he needs the Inquisitor to guide him back to being Wisdom again (or maybe they just wanna nope out after failing to save the South, considering we're told repeatedly that they're the only thing holding it all from collapsing and then we find out it's all gone, yeah, I'd go into witness protection too, lmao). ALSO, I think it would slap to have a dwarven Inquisitor say that they're interested in being a part of soothing the Blight (or, at least, supervising and holding him to it) and that THAT should be his priority. Anywho, thots? Am I cooking or is there a gas leak?

i think you're cooking.

i agree that the atonement ending is the most satisfying narrative - the player stats prove that's not an unpopular opinion. more explicitly tying the inquisitor to solas narratively would have been interesting. inquisition did this soooo well with in hushed whispers specifically but also literally every quest. even the non-romanced atonement scene is so good, inky says something like "you're free to find a new purpose" instead of the "banal nadas ar lath ma vhenan" and i actually prefer that to the elven with the botched translation LOL. i also like the interpretation i've seen that the "veilguard" is really not Rook & Co. but is actually solas. he's the one that tied his life to the veil. he's the one keeping it up. he's the one guarding it. so having the inquisitor join him, especially a dalish one, whether romanced or not, and especially a dalish mage, whose job as first and eventual keeper was going to be to protect their clan from the dread wolf. protecting the whole world from the dreadwolf by helping him atone is a natural extension of that, and i think is very satisfying. i also agree it would be really interesting and meaningful for a cadash to have the option to participate in the healing of the titans dreams.

i also agree that a lot of people would get mad about this because to them it would threaten lavellan's being "special" but i dont believe in that so idc. i think its an interesting idea!!

[rainbowsky]

On GG's album, and hints of what was to come

As everyone here likely already knows, I'm completely losing it over the news of a full album from GG. There's a lot more to all of this that I haven't yet discussed, so let's dig into it. I have thoughts...

Disclaimer: Most of what's discussed here is rumor and interpretation, and could be inaccurate. We'll find out what's really happening soon enough!

I never dared dream that GG would put out an album. I have been begging for crumbs of a song for years now, it would have seemed completely outrageous to dare to dream of an entire album!!!

But now that it's on its way, and I've heard more info/rumors about the release (more on that in a bit), I can look back over the past year and see some signs that have been there all along, of what's to come.

More on the release

Promo has already begun, and we now know more about the release schedule based on what's posted on the streaming platforms.

The songs will be released in 3 waves, with the first wave happening on the 12th, the next one on the 19th and the final one on the 26th.

The physical album is going to be coming in December, and there are some tantalizing rumors about what that will include:

The album cover was drawn by GG.

A Xiao Zhan Studio red gift box containing various items including postcards, t-shirts etc.

There will be a CD version and a limited edition vinyl version.

A music video is also rumored to have been completed. This has been confirmed, and will be premiering on the 12th.

Clues we've had all along

What's interesting to me is that for months I've been posting updates about changes to XZ Studio's business license, that have been clues to what GG might be up to.

In January a license was obtained to establish a domestic performance agency.

In March that license was expanded to include services for film production and live performances.

In June there were some legal trademark applications made, pertaining to office supplies, calendars and paper gift wrapping.

And now we know that he's releasing an album, at least some editions which will likely be sold with bonus gifts, paper products and packaging (I think this is a very credible rumor because if he's going the physical album route, it's likely designer GG will want to do special editions like this).

Licenses recently purchased protect the studio's exclusive rights to produce and sell such items.

We also know GG and his studio love to produce stunning high quality videos. Was there ever any doubt that he'd make a music video? Maybe even more than one.

Licenses purchased earlier this year give the studio the right to produce such commercial videos.

And there's another license that is associated with live concert performances! I think it's highly likely we'll see a concert from him in the coming year or two.

Generous GG

As Fat Shrimp mentioned, the songs will be free on streaming. This has made a big impression on some fans, and there has been a lot of discussion about it, and about how much this album will have cost to produce, for GG to give it away for free (here's a compilation of some of the comments via Nili, and another from Estefanita).

People have expressed so many thoughts about this. Everyone agrees that it's almost unheard of to give an entire album for free. One or two songs, maybe, but just as a teaser for the full album - which must be paid for.

A lot of people have talked about the 'old days' (ack, I feel old!) when people would buy physical albums, often after having heard only one or two singles on the radio (although where I'm from people could go into a record store and listen to the full album before buying).

They say that he's opening himself up to that evaluation before people are expected to commit to paying for it, and that it's very generous and honorable, but that it will also open him up to being heard more by passersby who wouldn't otherwise be willing to pay for the music - therefore expanding his possible audience.

I personally think there are a few possible factors contributing to why he chose to share his album for free:

To me, this feels almost like GG's bigger 'debut' as an independent solo singer. He's finally releasing music entirely on his own terms. He wants to share and celebrate that with the world, as a gift to the world and to the fans. "I'm here. Please enjoy."

He's inviting people to listen to his music and judge for themselves whether it's worthy of their investment. It goes along with his personality as someone who wouldn't want people to associate any sort of 'buyer's remorse' with something he's sold them. He's always saying, "people are free to like or to hate," and this is his way of giving people that choice without judgment. "Listen and if you like it, buy it. If you don't, that's fine too." By doing this he's likely to build a bigger audience than by doing a traditional release, because everyone has a chance to hear and evaluate him without any up-front investment.

He wants to avoid any possibility of a repeat of what happened with Spotlight, where he was criticized because fans were buying dozens of copies as a means of boosting sales, and then bragging that their idol was the biggest seller of all time. He doesn't want fans to spend all their money on his songs or on boosting his 'sales', nor does he want any perception that the success of his album was bought by fans.

He could be bargaining on making more overall sales via charging for only the physical copies than by selling both, due to the expanded interest a free release is likely to generate.

He has confidence in what he's created, and is happy to share it openly.

He's doing this out of the joy of it more than anything else, and money isn't a central factor for him.

To me this approach, along with the stated plans for rolling all of this out, feels like a marketing plan, and we all know GG has a professional background in that kind of thing.

Yes, all those other elements of artistry, generosity and magnanimity come into it as well, of course. Marketing is treated as a dirty word, but we must remember that every marketing plan is based deeply in the values and intent of the individual/organization doing the marketing, and is focused on their goals.

I feel that his plan will have considered the factors I mentioned, and will be aligned with his values, intentions and goals.

This is just my take on it, of course. Only GG and his studio really know for sure what his plans and goals are.

Can't wait!!!

Whatever his feelings or plans are, I can't wait to hear this album, I can't wait to buy it, and I can't wait to see what kind if interest and critique it generates!!

I also hope that this is just the beginning - that he will be releasing more music, and hopefully doing concerts in the future.