#this is not all about the last chapter

[alena-draws]

Aha! I have now read the last (??? probably?) chapter of Mha. Thoughts to this chapter and the whole ending itself, and obivously spoilers under the cut!

Ok so first, I don't think it's a bad chapter per se? There are some pretty cool pages in there, and I love seeing the grown up characters! Whatevery happened to Monoma and Denki, they are looking GOOD. I love the little scene between Tsuyu and Ochako, just because we get to see that they are besties, hanging out and telling each other about their lives!

Also Kacchan got a racing car (or something fancy at least)? I didn't really expect him to go for such appearance-things, but maybe just because I'm not a fan of cars myself. And hey, despite the threat Kiri gets to eat in his car, look how far he has come *sniff*

Now coming to the obvious, the Ochako/Deku part. I love Ochako as a character, and I think Ochako/Deku is still really cute. It's a sweet pairing, it has just never been my main interest because I always found the dynamic between Izuku and Katsuku so much more compelling. ^^ I would have preferred not to conform any ships though- I thought the last chapter was ok as an ending, with the way you can now make up your own ideas about how and where everyone will end up. As it seems, Hori did have other plans for Izuku and wanted to close that ambiguous, open Izuku/Ochako part. It's his character, and he can do that.

But there are some things that do leave me unsatisfied, from the ending in general and this chapter.

First- what do you mean Izuku won't join Katsuki's hero agency??? Like----what? And not just from a shipping perspective, but from his whole character arc? I'm not sure if I read too much into it, but over the course of the whole manga, Izuku's main rival has been his friend, and they have been shown again and again as acting as this hero duo - winning to save and saving to win. That was a whole theme!! Where has that gone? Which leads me to my second and biggest unsatifaction with the ending: Where is that important talk between Katsuku and Izuku? Look, I don't need any romantic special talk. What I want though is some kind of closure of their whole dynamic. It was a big fucking plot point that Iuku would go beserk if something happened to Katsuki, a way he didn't react to for anything else. And that happpened not only once or twice but at least three times- the kidnap, the stabbing 1, and the death scene. For heaven's sake, Izuku saw his best friend laying on the ground. That stuff does something to you!! And the only thing we get is a (sweet, but still) hospital scene. And, during all these interactions (at least later, not the fight on ground beta): the hospital at the end and the apology of Katsuki, Izuku only ever reacts but doesn't really say much aside from that? He doesn't start and look for any conversation, and he doesn't really tell us what he feels in these moments. I as the reader would at least expect some kind of talk between them how that last battle made them feel. But no- so now, it leaves me with the feeling that Izuku is either A) not actually that close to Katsuki which however contradicts everything we've seen until now, or B) emotionally really really repressed and oh my god get that boy some therapy and help him figure out his stuff. Or, C) they did that talk behind the scenes which would really suck. Izuku is still the main character. You want the reader to identify with him and confront complex emotions that result from all those hardships together with him- how are we supposed to do that if HE NEVER FUCKING TALKS ABOUT HIS FEELS. I mean, this is kinda what Kacchan gets at in the car. Another interesting scene!

Is this a confession or a push for Izuku to notice potential feelings from Kacchan? Well, we don't know. That's left open and I guess we're really free to interpret. It would be a Kacchan thing to say I guess, and we also have that offer to become hero partners (which you didn't accept Izuku because you have brain damage). Also possible is that the intention of this is that we get that Izuku/Ochako scene. They might be fucking with us and it could be both, because you still can't have someone openly declaring any gay feelings in a shounen manga. I don't want to speculate too much, it's of no use anyway *shrugs shoulders.

So yeah...what I'm miffed about is not really the confirmation about a the Izuku/Ochako pairing. What really bugs me is that this special relationship that exists between Izuku and Katsuki, where they both kind of motivate each other to be the best they can be, in such an intense way they we don't see them have with any other character- that THIS never gets addressed and that we're left hanging in the air, not really knowing what the relationship between these two is now- THAT pisses me off. (again: if you best friend died and came back, you would maybe want to address that in some way?) It feels like the writer left one big theme of the series infinished, and now with this chapter, it feels kinda dismissed to the side. I love Izuku but that passiveness and the lack of insight to his feelings during those last volumes (for the reader and by himself too) does make him feel...a bit hollow at the end to me. Last short topic: I'm also just a tiny bit disappointed that the only conclusion of the quirk theme was that they now start early to teach kids and help communication. Good thing of course, but with the way we heard "Quirks are getting stronger by each generation" and the quirk evolution, I thought there was something bigger coming, so that's been a bit of a let down. Nothing big, just an "oh, that's all?" moment)

But yeah...I think that kinda sums up how I feel about this now. Anyway, no hate for the IzuOcha part, they're pretty cute together!

[crypticscarecrow]

Do yall have that fic you just gotta-

yeah

[happi-dreams]

Woahza!! Spongbob critterpants?! (Again?!)

As well as huggy hassleholf

And another art because im insane

[egophiliac]

Silver is finally here...he just took the title for the most beautiful card in TWST's history...

me five years ago: wow I really hope we get to see dragon Malleus someday! that'll be so nice and wonderful. I bet he's a big silly! :)

twst: :)

GOD. it occurred to me literally three hours before the anniversary stream that they might've been saving the reveal for then to just explode us all at once. this timing was EXTREMELY deliberate. thank you Twst. I can't even focus on all the Blazing Jewel stuff because Silver wielding the physical manifestation of his Complicated Dad Issues is busy eating my entire brain. and -- oh what's that? he duos with Lilia? I'M RUINED THANK YOU ᕕ( ᐕ )ᕗ

this is your warning that I'm going to be the most annoying person on the planet come Monday morning, thank you everybody and goodniiiiiiight

[buttercupshands]

can you even call it a warm up if I'm going to bed without drawing anything big

and a sketch I made while sitting in the park today

[ranticore]

placeholder guy and his indistinct mandolin(?)

[wasyago]

the brainrot won

[demaparbat-hp]

The Painted Lady stared at Zuko, eyes wild in deep focus, and sank into her knees next to him. Her pale, scarred hand reached out to meet him, but stopped short before making contact. Her voice was soothing and gentle as she asked, “Is that what you truly believe?”

Sometimes, it feels as if Izumi knows Zuko better than anyone else.

For our confidants and spirits (and those who are one and the same) is For the Spirits Chapter VI: Dream of You.

[knockknockwhosthereartistism]

4 whole (late) pieces for Chp.27 of A Human Condition!!!

@sapphosscribe

[zuzu-draws]

Trolling aside, i think there is some great importance as to why Gege chose this specific manner of panelling for the Yuji-Sukuna confrontation in JJK 264. We can't help but think that Gege's trying to show us some sort of a parallel between Gojo and Sukuna in this situation.

In JJK, there's this interesting notion of one's decision to go "North" or "South" as explained by Nanami during Gojo's death Flashback:

And we all know, that chapter of Gojo's death is titled as "Go South", which highly implies that Gojo chose to stay as who he was, as opposed to starting as something completely anew.

Now the interesting point in the Yuuji-Sukuna confrontation is that apparently...

....the destination for the supposed train within Yuuji's domain...is "North".

Which means that Yuuji's taking Sukuna towards the North.......

They're heading towards the North.....do you guys understand what that means?? For BOTH of them??? Q C Q

[hiding-under-the-willow]

This drawing has been sitting in my computer waiting for it's time to see the light of day since November and now I can finally post it!! Honest to god one of my favorite things I've ever drawn

[clockworkreapers]

Amelia O'Brien has been targeted. Jeremy Pascal has been targeted. Jack Townsend has been targeted. Rosa Vasquez has been-

[spiritoast]

my favorite coming-of-age teen sitcom

[tofusfortbhk]

Tbhk Ch120 Analysis:

(Warning: Spoilers)

#1: Teru did not kill Kou on accident or by reflex.

I’ve seen this take on tumblr and Twitter and I disagree. As much as I like the poetic irony of Teru’s violence towards supernaturals causing him to hurt whose he’s sworn to protect from them, I think it’s wrong.

As Teru blasts Kou, Teru is already upset.

Comedy moments in the manga aside, this is the 1st time we’ve ever seen Teru visibly devestated. Prior to this he has always, consistently approached supernatural danger with whimsy and lighthearted cheer. Even when there were dire stakes:

Teru after realizing Aoi was essentially dead after coming getting kidnapped by Number 6. (Ch70)

Teru in ch79, after learning his baby brother went into the notably deadly Red House. (Ch79)

Teru after getting betrayed and apprehended in the Clock Keepers’ boundary. Where they’re supposed to be “undefeatable.” (Ch109)

The uniting factor is that Teru had some level of control. That there wasn’t any true danger/death. He’s gonna get Aoi back, he had faith in Kou to not succumb to the house’s wishes, and you can’t die in boundaries (applies to when the gang got jumped by Num 6 too).

Here, Teru is devastated — not bc Teru is sacred that Kou may get hurt (active threat) but bc Teru knows Kou is already dead.

Look at how Teru walks to the well immediately.

Teru isn’t falling to his knees like “Wait, I didn’t mean to kill him. What have I done?“

He walked there immediately. With intent.

He’s not acting like someone who’s killed his brother on accident. On reflex. He’s acting like someone who knows. Who’s already grieving. Who’s checking for confirmation.

Confirmation that his little brother died in that well. Has been dead.

This isn’t a boundary or fictional world. That is the real Kou — just of a different timeline — and in this one he died. No control, no games, no convenient truth. And Teru couldn’t protect him.

[amaranthdahlia]

happy holidays everybody ! i dont have anything on theme to celebrate with, so instead have this months worth of kudoichi art :] !

[i recently got an ipad for christmas so im practicing using a stylus for the first time and also procreate :D this is one of my practice sketches]

[two types of people after the end of a month long gay situationship]

[so i have this kinda cheesy headcanon where since kudou called afo demon lord in chapter 407, what if he ....... hear me out......... calls yoichi 'angel' ...... atleast by accident]

[redraw meme from twt]

[all of these is to contribute to a rarepair poll from twitter (which btw, they won, only after a series of botting from the other side and drama lmao)]

[some miscellaneous stuff]

[below are some kdch au doodles]

[tallichi has hit the 2nd tower again]

[kudoichi fankids from an undisclosed family au about kdch being katsuki's great grandparents, which is not related to any of the family aus ive posted before (bc god am i Obsessed with designing fankids, these two arent even the only ones, theres 5 more kids that i havent drawn yet. and if ur wondering why that amount, this just to follow the ofa user count. and to also reinforce the thing where the much older generation had so many kids back then LMAO)]

commissions

[laauranenn]

Can we talk about chapter 60? I'd like to talk about chapter 60: A Place I Belong.

I specifically want to talk about the sections with the tightrope. It's one of my favorite parts of Wind Breaker and I could praise it for ages. I know it's a kind of common metaphor for struggles and isn't anything too special, but I really do adore it.

And whoever decided to add that anime only scene to the start of the first episode? Absolute genius and I love them for it. It works beautifully without it in the manga, but I think it's going to add a little extra something to the anime!

But for the tightrope section in the manga? It's so good and so well executed!! I absolutely love the way the style changes throughout the chapter!!

We start with white lineart on a black background. The lines are messy, sketchy, and even the boxes don't have clean lines.

I also want to point out how the only clean lines we get from this section are from the adults in his life, as well as the wind chime and the sprout pushing out from the ground.

The wind chime and the sprout clearly allude to Furin and the way both Furin and the rest of the town have shown that he, too, can be loved and accepted as he is.

The wind chime is also the thing that seems to be the transition to Sakura going from walking along the tightrope to considering that there might be another path for him.

I'm going to be real here and say that I don't have a lot to say about the other adults also having clean lineart. I'm sure there's someone out there who'd have something really smart to say about it, though. If I were to say something about it, it'd be that I think it might represent his shaky sense of self, compared to other people who have it figured out.

After that we get to the middle section, with Sakura in the "real world" again and with the rest of the class. I won't focus on the dialogue itself too much, but I'd like to talk about the way we go between the tightrope and reality.

I really like how the panels with the tightrope are woven in. They show us what's going on inside his head while also showing us how it looks like in reality. We see visual representation of how this feels like to him.

It's shown in how before he speaks, as he's gathering the courage for it, we can see him changing his stance on the rope. We get shown the way this is him preparing for that leap. He also mirrors himself with the way he's clenching his hands both in reality and around the tightrope.

A little later, as he's talking, we can see him directly mirror himself in both realities.

We see the way he's holding on preparing for that leap, as well as the way his face is split in two here. It doesn't directly match up, but it doesn't have to, because it already works so well here. I'd maybe even argue that I prefer it this way around as opposed to if this was a direct split of his face.

And then we see the leap itself, the way he throws himself into the unknown.

And then he gets called out on his bullshit, gets told that he's insane for thinking they'd cast him out. That they love him as he is and that they want him around. They actually want him. For maybe the first time in his life, he's wanted, appreciated, and needed.

And it's just this "Oh." moment for him. You can see the way it just clicks for him.

And after this we get to an absolutely beautiful scene, the part that makes me love this chapter so much.

We see that it all isn't so terrible after all, that there is hope. The tightrope isn't a drop to certain death, just a drop.

The colors have changed and we're now looking at Sakura on a white background with black lineart. Though at this point Sakura himself is the only part of the scene with messy lineart. The field of flowers and grass, as well as the edges of the panels, are all cleanly lined. Except for Sakura. Even if it's still messy, I'd say it's definitely a little cleaner than it was before.

You can see the way he's a little more faint, a little less solid than the rest of the lineart.

And then we see Bofurin, the rest of his class specifically. They're all there and they're all cleanly lined. And as Sakura reaches out to grab the hand he's offered, his lineart becomes clean. His lineart is no longer messy, it's no longer a sketch. This is him finding and accepting himself.

And as he grabs that hand, his clothes also change. Before all he was wearing was a plain shirt with plain pants, nothing remarkable, just plain clothes. But as soon as he takes that hand, his clothes change to a Furin uniform.

This entire chapter is so beautiful and I cannot wait to see it animated. I really hope the anime does it justice. From the lineart to the colors swapping around to the dialogue, it's an amazing chapter overall. I know I didn't really talk about the dialogue, but it's also good :)! I don't have much to say about it, though.

Moral of the story is that I really love this chapter and just wrote around 900 words about it.