#I'll really do any character from my list of fandoms/things I'm into

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[outlandish-dreamer]

Omg I saw that you had Hercules listed in the ask game!

Could you do D, F, and M?

Of course! I've been excited about this, so thanks for asking! :D

Difference- What changes about them from being their usual self to regressed self:

He's definitely a lot more shy. He can hold a conversation pretty well, but if he's around Meg or any of his other caregivers, they'll usually take over. He's so used to being brave and taking charge when he's big, that when he's regressed, he's just burned out. He's also more easily embarrassed & struggles with sarcasm. Like when he's big, he knows Meg's just joking around, but it's harder for him when he's regressed. Meg's understanding of it though and tries to tone it down.

Friends- Do they have any regression friends? A caregiver? Anyone they get along with while regressed but not while big?

He and Pegasus are definitely best buds and Meg's his caregiver! She was a little unsure of herself at first, but wanted to help nonetheless. She knew how young he was & how much pressure he'd been under as a kid. Plus, she enjoys having someone to care for because she never got to be that way after her first boyfriend. I can definitely see both sets of his parents taking care of him, but he still feels pretty awkward about it. Surprisingly, he and Phil get along better when he's regressed. Because while Phil is a lot more stern/his usual self when Hercules is big, he's more gentle/softer towards him when he's regressed. If it helps him, that's really all he cares about and it gives him something else to care about besides work.

Monster- Do they have any fears while regressed?

Being the hero of Greece doesn't mean undying bravery, plus, there's a lot of scary things in ancient Greece! When he's big, it doesn't really bother him all that much, however, the main thing he's afraid of are the monsters that he's encountered/heard of like the cyclops, Cerberus, the hydra, etc. Even though he's already defeated some of them, they're still scary to think about. He's also afraid of the dark & really big animals. It's scary for him because there's so many things that can happen and monsters out there, but Meg reassures him that he's safe :D.

This was a lot of fun to do! Tysm for sending in the ask! Regressor Hercules is taking over my brain right now lmao

[unforth]

Alright not to like liveblog my breakdown on main but yesterday was a really bad day after a really bad, like, 4 months, and I've hit a bit of a breaking point and one of the only things in my life that can give is running @mdzsartreblogs , @tgcfartreblogs , @svsssartreblogs , @erhaartreblogs , @tykartreblogs , and @cnovelartreblogs , so that is what has to give. It's been a 99-out-of-100 days thankless job. A small number of people do say thank you and yall I appreciate you so much (HUGE shout-out to the artist I met at Flamecon who gifted me a zine when I said I ran these blogs, @bonesblubs you rock) but I have never done an act of fandom labor simultaneously this labor intensive yet this invisible before and, uh. It sucks. I spend an hour or more a day on this every day, if it's under 2k hours since I started the first of these in September 2020 I'd be shocked. And I do it because I love it but doing it means I don't have time or energy to do other things I love. And I really don't want to just quit, but I can't keep this up.

In a last-ditch effort to try not to just give up, I'm making the following changes:

1. Only watching one tag per fandom for the MXTX fandoms. I am going to check *only* #tgcf, #svsss, and #mdzs. Artwork posted to any other tag, I will not see unless a mutual reblogs it.

2. Reduced tagging (even more). I'm only going to tag characters and maybe overarching au type (eg, "modern au," "fantasy au"). I'll no longer tag creatures. I will continue to tag the same common trigger warnings I already tag.

3. If a work's appearance doesn't make it obvious what it is AND the tags aren't clear, I'm not going to reblog. I can't keep spending 5 minutes or more trying to figure out what I'm even looking at, scared that if I guess wrong the artist will get mad at me for mistagging their work. If I do reblog, I'll tag only the artist name and/or whatever else I can identify for sure.

4. I am no longer going to follow #link click. The fandom is just too big. I've started dreading checking it. If I was more into it and less busy I would make another spin off just for it but neither of those is true. (The art is so good, I hate to do this, but. If you love link click, highly recommend the main tag, lots of great stuff there.)

5. I will no longer tag any non-cnovel content in the art/post. Like, if someone draws, idek, Xie Lian and Marinette from Ladybug, I'm not gonna put any tags for Marinette, just for Xie Lian.

6. Basically if I run into something hard to tag or confusing or unclear, my new policy is I'm not gonna fricken bother.

I think those are everything but idefk, I cried for 3 hours last night and got 4 hours of sleep so I'm mostly fueled by exhaustion and desperation right now and my memory is even more fried than usual.

How artists can help. This is obviously all optional. You do you. But since some people might want to know what would make my life easier, I'm sharing. I'm not claiming I feel entitled to dictate how people fandom or anything like that.

1. Put the tags for the character(s) and ship(s) early in the tag list.

2. If you make art for a fandom that isn't one of the big ones (right now the only big danmei fandoms on tumblr as far as I can tell are the MXTX fandoms and maybe 2ha) I am begging you to use my tracked tag #cnovelartreblogs

3. Do mdzs art? Tag #mdzs. Do tgcf art? Tag #tgcf. Do svsss art? Tag #svsss.

4. Not only artists, but everyone, *please* stop tagging fandoms not discussed and/or depicted in your post. It's gotten to be stupid common for people to blanket the danmei fandom tags with posts only about one fandon (like, svsss-only works also being tagged mdzs and tgcf and 2ha for some damn reason). This isn't about just my sideblogs tbh this is just fandom etiquette that seems to have been forgotten or never learned by many. Tagging unrelated fandoms isn't "reach," it's annoying. People go into the #mdzs tag to see mdzs, not whatever not-mdzs stuff people have decided to tag for ~reach~, and seeing the same post in 8 tags, none of which it's related to, is so damn irritating, and makes scrolling the tags looking for content that IS relevant take that much longer. Knock it off.

Okay. I think that's as much as I'm prepared to meltdown where everyone can see. Thanks in advance everyone for your understanding, and apologies to everyone about to see this 8 times as I reblog it to each sideblog.

At least I'm not tagging it to everywhere. 🤣🤣🤣

[factual-fantasy]

Forgive me but what is your WH au specifically about? And what are the other neighbors like in that AU?

I feel like I'm not the best at explaining things.. but I'll do my best <XD

Now just a heads up, this post is the RAMBLE OF ALL RAMBLES. I go into some detail for all the neighbors backstory and try to explain what my AU is, prepare yourself- <XD.....

You see, whenever I get into any kind of fandom, I kind'a make this "base" au that is basically just the main series but everything is viewed through my interpretations-

Uhhh for example- Octonauts.

My main "octonauts AU" is just the show filtered through all my interpretations and headcannons.

I haven't swapped the characters or anything or changed anyone's back stories really. But in my AU the Octopod is a different size than in canon because of the headcannons I have for it. Peso has pink feet, and orange beak and some blond feathers in my AU because I headcannon him to be a Royal penguin. Calico Jack has a the fur patterns of an actual calico because I headcannon him to be a rare male calico, etc etc,

My Welcome home AU is the same. I took the main Welcome Home series and all I knew about it, dumped all my headcannons and interpretations onto it and the result is my "welcome home AU". I call it an AU because I think its different enough from cannon to be named as such. <:D

hhhhh I hope that made senseee DDDDX>

NOW, what is my AU about? To start, the world that the puppets are in is a very real world to them. It is separate from our world, but its a real place and the neighbors are real living things. There is no welcome home show or website with hidden links and secrets, there's no fourth wall breaking.. their world is real to them. And they all live in it like normal people.

Other than that, the AU is mostly built on the different backstories for the characters. I'll list them all here-

First, Wally's house is a living entity. And he is completely unaware of this- Home's intentions with Wally are unknown.. atm what Home will do is watch Wally while he sleeps. This results in Wally feeling intense anxiety and waking up. Wally goes about his life thinking that he just has weird sleeping problems..

The things I mostly changed about Barnaby was his appearance. I made him look more like a beagle and gave him different fur patterns. He's kind'a like the fanon interpretation of sans. This big fun loving guy that seems to take nothing seriously.. but it turns out that he's really observant and is always looking out for his neighbors. If someone's missing or isn't acting like themselves, Barnaby is the first to notice. He is the main one looking out for Wally and was there to help him when he had his big breakdown..

Now Julie is kind'a wild. She grew up in the woods with her sisters as this big horrible beast that scared away anyone that saw her.. now when she was little, she would creep close to the neighborhood, despite her sisters warnings.. and would just.. watch.. The people she observed at the time were Poppy, Wally and Barnaby mostly. She wasn't sure why, but she just loved everything about these people. The little mermaid style, she loved the way they walked, they way they talked, how they dressed and what they ate, she loved and was fascinated by all of it.

As a rainbow monster, she had the ability to drastically alter her appearance if she tried hard enough. And so using the neighbors as refences, she did just that. She suppressed her multiple eyes and formed just two big eyes. She copied Poppy's eyelashes and grew 6 of her own. She suppressed her claws and made cute little hands like Wally. The only neighbor she ever saw barefoot was Barnaby, so feet paws she created! Her mane was overgrown and wild.. so she took time to alter it to flow straighter and downward.

Some of the last few big transformations she was trying to nail was her legs, tail and horns. She altered her legs to be the same shape as everyone else's, but this meant she needed to practice walking.. She figured that once she had mastered walking she could work on reducing her horns and making her tail shorter.

Unfortunately though.. while she stalking Poppy from the bushes and trying to copy how she walked... she tripped and yelped louder than she meant too.

Poppy heard a child yelp and came looking. Julie panicked, her body wasn't normal enough yet! She still needed to fix her tail and horns! Julie tried to scramble away but she got tangled up in the black berries vines nearby and couldn't escape. With Poppy coming closer and closer, she knew she was doomed. All those months of hard work trying to look like a normal girl was about to go to waste. Poppy would see this ugly monster and scream. Her dreams of being a normal neighbor were crushed.. Julie just curled up in a ball and started to cry...

To her surprise, Poppy didn't scream and run. "Oh dear, oh dear! Are you alright little one? Oh no- here let me help you," Poppy got her untangled and helped her out of the bushes. She brought her home and patched up the poor girls wounds. Also gave her some clean clothes while she was at it..

She still looked like a monster, and Poppy knew she was some kind of beast.. but all Poppy truly saw was a sweet little girl that was all alone and needed a home.. She took Julie under her wing and ended up raising her somewhat, she was probably around.... 14-18-ish?? When Poppy found her? After a few years living with Poppy she ended up moving out into her own home and finally lived out her dream of being a normal neighbor.. yeah.. normal...

Now Frank is kept somewhat the same.. ish- but a big thing I wrote for him is his and Julies friendship. Their friendship started out as a spongebob/squidward sort of deal. XD Frank was more annoyed by her than anything.. But at some point Julie got sick and didn't leave hew house for several days.. Frank would never admit it, but he was worried. The other neighbors respected Julies wishes and stayed away, but Frank was having none of that. He brought soup and medicine to her house and was ready to break the door down if he had to.

..well it turns out he almost kind'a had to- he knocked on the door and called out. He heard a crash from inside and Julie crying.. so Frank got inside and found blood sprinkled on the floor and walls with Julie locked in the backroom crying..

It turns out that when Julie gets sick or weak, she has a really hard time maintaining her "normal" form and reverts back to a monster.. She had been a monster for several days and was kind of having a mental breakdown over it. She desperately wanted to look normal and see her friends again. She thought she could force her way back to looking normal, starting by getting rid of these nasty claws.

She tried to trim her nail with scissors but with her clumsy monster hands she cut too close and cut her finger pretty good. She started to cry out of frustration.. but that's when she heard the knock at the door- now she was crying out of panic and tried to scramble away. But it was too late.

Frank ended up seeing her true monstrous form.. she was afraid that her dream life with her friends was over... but surprisingly enough, Frank accepted her the way she was. He said as far as he's concerned, no matter what she looks like. She is still Julie. And Julie is a beautiful young lady and a wonderful friend. He patched up her hand, cleaned all the blood from the floors and took care of Julie until she had recovered. Frank respected Julie by keeping her true form a secret from the other neighbors, as long as Julie promised that she wouldn't keep the truth from everyone forever..

This whole event has changed their friendship forever. Frank is now a true friend of Julies that she can tell anything to. Because Frank knows the real her and chooses to be her friend anyways. And Frank sees Julie as a true friend of his because now he really understands her more than he ever did..

Eddie's story is a little hard to explain.. he's supposed to be a human from another world. Is it our world? Was Home the one that did this? I haven't figured out all the details yet... but I do know that Eddie is supposed to be very forgetful and clumsy. So its very odd that he always delivers the mail on time 100% of the time and has never forgotten a package before.. its almost like Eddie the mailman and the Eddie off duty are.. different.. somehow.. he doesn't really remember his childhood and has a lot of hallucination and night terror type problems.. Eddie's kind of an odd ball. <:/

Sally is intended to be a real star that crashed down nearby the neighborhood for similar reasons to Julie. She was fascinated by the neighborhood and wanted to be a part of it! She ended up staying with Poppy for a few years before moving out into her own house just like Julie did. Working on her personality has been tough- but I have ideas for her biology though-

She can wear any clothes she wants year round because she isn't effected by the blistering sun or the freezing snow. If she puts on wet clothes they will dry completely within minutes. I haven't decided what happens if she jumps into a pool.. her character still needs a little work <XD

Now Howdy is.. still kind'a blank. I have ideas for his biology and different patterns he has on his skin.. I have ideas that he is super active in the summer and a real husk in the winter.. ideas for his friendships with Barnaby.. but nothing super specific yet.. <:(

Poppy is unfortunately the same. Beyond her motherly relationship with Julie and Sally, I have few ideas in mind.. <:(((

WOW this post was insanely long. I kind'a got lost there <XDD I hope this answers your question though! <:D ...

[houxe]

Regarding my SBI/DSMP Fics

TW: Abuse, Trauma, and Mentions of Suicide.

With all that has happened, I did want to come out here and make my stance clear. I will always stand with Shelby (Shubble) and all of the victims who are speaking out against Will Gold (Wilbur Soot). If you still support that bastard, unfollow me and leave my blog and whatever small community I made.

I've already stated this is my Discord channel, but I want to put it here too.

For me, c!Wilbur is so far removed from cc!Wilbur that I don't connect the two. The characters are vessels for my own characterizations and stories. It's a bit like writing Supernatural*, Twilight, or Hazbin Hotel fanfics. I don't support the guy, monetarily or otherwise, he does not interact with fanfics, I have plans to be very vocal that I'm on Shelby's side no matter what/make it clear that what Will did is wrong, and I don't use his real life events as plots in my stories. At least, I certainly don't try to. It's why I typically change traits about the characters. (I.e. Tommy is shorter, Phil is taller, Techno is bulky, and Wilbur always has golden/hazel eyes.)

I'm aware that it's a tad different because it's rp and not something like a full on book or an actor in a movie, but DSMP has also been over for over two years and the characterizations I make for SBI are not at all based on the CCs. Real life Techno isn't a literal terrorist, Phil ain't a father married to a goddess, Tommy is not a traumatized child soldier, and Wilbur isn't suicidal and blowing up countries.

I think I'll likely focus more on Techno, Tommy, and Phil for a while, but I'm not gonna let one dude ruin a fandom and things I've made for myself. Nothing I write is ever made for Wilbur, as I've seen people saying. Additionally, Wilbur was not the only writer. Technoblade, Philza, TommyInnit, and so many others made that story what it was. Not him.

However, if any CCs come forward saying they don't want their old characters interacting with his, I will respect that.

Though I do think there is a tendency to take real life events (i.e. Techno's cancer, LJ's music, Tommy's real life parents, etc.) and put them into fiction about DSMP. I, however, don't try to do that and have stated before that I don't feel comfortable doing so. The truth is that we have not gotten any genuine SBI content outside of DSMP for years. The dynamic in real life is very different from what was presented in the DSMP. Did personalities still bleed over? Yes, I'm not going to deny that, but I'm not going to act like they're exactly the same between character and person either. We've had that conversation like in 2021, it's why we have C! and CC!.

The rather sad truth is, SBI is what got me really into writing and it's a comfort for me that nothing can compare to. Obviously, I don't think it's appropriate to be writing certain types of stories right now or to be involving characters made by CCs outside of the DSMP. I think it's up to everyone else to decide on what they want to do, however, rushing it also isn't the way to go either. Give yourself time to heal and think it over first instead of throwing away something that gives you comfort and has not been associated with by the creators for over two years.

Anyways, fuck Will Gold. Fuck the fact that he hurt so many people, and fuck that he lied and manipulated his way around the damn internet. ESPECIALLY fuck the fact that he tried to diminish what he did and not take proper accountability.

Go and support Shelby so so much, she and everyone who spoke out really deserve it. I'm glad silence on these types of issues is not being normalized.

Here is a list of (American) resources for DV help:

TNLR

RAINN

WOAR

Love is respect

The Trevor project

Futures without violence

National domestic violence hotline

Resource on what DV and abuse looks like

*Changed it from Harry Potter to Supernatural because Harry Potter is a significantly worse and more problematic franchise, even just within the content of the books. It'd be better left in the dust. I've talked about it before, but it was the first thing that came to my mind at the time and was a poor comparison on my part, I'm truly sorry for that.

[lengthofropes]

well... surprising update from the doc actually means I must have another surgery, basically the same as I've had last year. it's nothing really serious, but IT IS kinda unexpected [derogatory]. especially considering I have to leave on tour/vacation in 3 weeks, so I have to deal with it in 2,5 at best. haha. and I have my savings, sure, but I'm still smthn around 150 $ short (and I'm so not in the mood for borrowing), so I once again put all my faith in tumblr's power of love and support! and I LOVE to make something nice for y'all, so maybe you can help me out here a little, lovely people? ;)

so yeah, GIFSET COMMISSIONS ARE OPEN!

you know me, I'm not that bad with pretty much anything - I can do blending, transitions, put your fav lyrics over your otp/fav character, find some parallels, create crazy manips, cracks, or even make a supporting gifset for your fic - ANYTHING! you can take a look at some of my shit HERE.

fandoms are: 9-1-1 (yes, I know I'm new but I'm trying here!), stranger things, supernatural, star wars... and we can discuss anything else as well! as usual, here is my PayPal: nspk.workshop@gmail.com - I don't have a pricing list, I'm grateful for any amount you're comfortable with ❤️ drop me a message on Tumblr, and I'll make you a nice one!

mwah! and thank you so much in advance!

tagging lovely people here, forever grateful for the sb! 🩷

@scottstiles @alivedean @castiel @becauseofthebowties @xofemeraldstars @deanncastiel @sailorsally @kwistowee @raiderlucy @padme-amidala @miwtual @vinmauro @evanbi-ckley @sunglassesmish @neverevan @cuntyarmand @corrodedbisexual

[queer-ragnelle]

I'm honestly kinda disgusted by the way a lot of authors just seeped their misogyny onto Guinevere to make her so horrible, lol. effectively destroyed a lot of people's view of her and she gets blamed for everything?? people keep shitting on her, saying Lancelot should be shipped with "someone better" and I'm just really annoyed because.. Guinevere is horribly characterized by these weirdos authors 💀. It does not take much to portray her as a complex character while also not making her shitty on purpose because you don't like her for her affair, lol.

I love her so much and it's disappointing how she's been treated :(( which is why I'll never be able to hate Guinevere or her ship with Lancelot

My friend it’s honestly so exhausting at this point. It’s not even limited to writing Guinevere herself as insufferable, but writing other characters behaving worse toward her than they ever were in medlit. Arthur hitting and degrading her when he cheats on her? (Warrior of the West by M. K. Hume) Lancelot using her for political gain and never loving her at all? (Enemy of God by Bernard Cornwell) Owain blocking her passage as she flees danger? (Legend in Autumn by Persia Woolley) Agravaine threatening to rape her? (The Road to Avalon by Joan Wolf) Gawain threatening to rape her? (Guinevere by Lavinia Collins) WHO are these characters bro you got me fucked up!!! The subtext here is that the authors hate Guinevere (read: women) so much they’re willing to warp everyone around her to treat her like garbage!!!

“Guinevere is bad because she has sex outside marriage.” Yeah so does Arthur. He fucked his own sister. In the dark. Leading her to believe he was her husband. So there’s Mordred, but there’s also Loholt and Arthur the Less etc. Arthur has many bastards from his extramarital affairs. (Vulgate and Post-Vulgate) Yet he isn’t canceled. Hm. Wonder what the difference could be? Let’s investigate. Seems authors treat Morgause and Morgan similarly to Guinevere. Gee, what is the common denominator here? Meanwhile in medlit, Morgause didn’t commit any crimes—she didn’t rape Arthur to have Mordred, she never neglected her children, she never cheated on Lot, and she didn’t prey on young men, she had ONE consistent lover who was younger than her AFTER her husband died. And she was murdered for it. (Post-Vulgate) Yet every other author writes her as a rapist (The Once and Future King by T. H. White), child grooming (The Wicked Day by Mary Stewart), pedophile (The Book of Gaheris by Kari Sperring), trying to put one of her sons on the throne (many examples). Now, Morgan is evil. But not for lewdness, for trying to murder people. In literally every source. Hello. It’s very simple. These authors are ridiculous. They care more about highlighting their opinion that fictional women having sex is BAD than writing a good story. When there are plenty of actually bad things happening in medlit they could condemn instead. You know, like the misogyny? Burning Guinevere at the stake??? You couldn’t make this up. It’s the utter disdain for the material for me. Assuming these dumbasses are even reading the material. Write something else where I can’t see it. (To be clear, I don’t even hate all the books I listed as examples, but they are unfortunately examples.)

Thankfully I haven’t encountered the blogger discourse regarding this. At least not lately. My advice to anyone who sees people shitting on something you like is to block them. Just do it. Fuck that noise. It’s not worth it.

Also I have to laugh at ship discourse about Guinevere/Lancelot. Of all pairs! It’s so unserious. They’re not some random comphet duo from the newest tumblr trending fandom. They’re mythological characters from a medieval literary tradition. Lancelot was created for her. In the 12th century. That was 900 years ago. It feels juvenile to reduce them to ship discourse. Especially because the story is fluid, it can be reshaped to fit the author’s narrative. So if Guinevere sucks, it’s because they made her that way. This is the epitome of making up a girl to be mad at.

“Oh but in Knight of the Cart—” Shh stop talking. If you’re pulling out KotC like some “gotcha��� about Guinevere’s treatment of Lancelot, then you’re lost, buddy. You may be seeking entertainment in the wrong place! Guinevere and Lancelot aren’t real. Nobody was “abused” because they’re characters, narrative tools, to tell a story. Guinevere is flawed. Nobody ever said she wasn’t. If that’s too much complexity for you then I don’t know what else there is to say.

Honestly? Nobody is obligated to like Guinevere. I think it’s stupid to dislike her but the real take away is—if you dislike Guinevere so much, hate her even, why the are you writing so poorly about her? She’s as old a character as Arthur himself. Show some fucking respect or get out.

Anyway I’m going to end this with a recommendation! Today I started the third book of Sharan Newman’s Guinevere trilogy. The first two, Guinevere and The Chessboard Queen were utterly AWESOME!! Lots and lots of named women, like Guinevere’s mother Guenlain, Cador’s wife Sidna and daughter Lydia, Guinevere’s handmaiden Risa, and so on. The one downside is Morgause and Morgan are your typical modern retelling baddies, but overall it’s two thumbs up from me. Many points of view, but Guinevere is fascinating and complex and most importantly she is beloved!!!!!! Really hoping it stays enjoyable through to the end. Miss Newman is still in print, so I encourage everyone to seek these books out at your local library or from your favorite bookseller. Here’s a quote from book 2, The Chessboard Queen.

[spaceorphan18]

The Lady Whistledown Papers : 1x01 - A Diamond of the First Water (Part 1)

An Introduction

Dearest Gentle Reader... ;)

Well, okay, looks like there a good handful of you for this idea! Yay!

I did want to preface this with a couple of notes first, though if you want to skip to the show meta, head straight for the 'read more' below...

My intention with this project is to explore the individual stories as well as the romantic relationship between Penelope Featherington (who is my favorite character on the show) and Colin Bridgerton. So, I'll be looking at every episode of the entire show and kind of go through their character arcs with a fine tooth comb. The first two seasons I plan on batching scenes together while Season 3 might end up almost scene by scene because it is so rich and dense with story.

The whole point is that I enjoy meta and media analysis and breaking down stories and looking at stories from every angle possible. I am usually pretty positive, but that doesn't mean even my favorites are not exempt from a critical eye from time to time. And I'm not hesitant to explore character, story, and production flaws when discussing things. I do, however, try to remain respectful.

While this is primarily Pen and Colin focused, I'll probably still end up opinioning on other things I like as well (and do have respect for other characters and ships on the show).

The only book I've read is The Duke and I. I don't plan on doing any book to tv analysis, but I do hope to get through Romancing Mister Bridgerton before I get to Season 3 so I can point out Easter Eggs.

I'm also no historical scholar. So, probably won't be doing any kind of historical analysis either. Sorry.

I'm a multi-fandom blog, and have lots of projects I'm working on, so I plan on rotating through them. Plus, I have a full time job and family and friends, which means please be patient as I work on the project. It's a labor of love! But maybe a slower one. <3

Not here to discuss the actors', creators', crew, etc's personal lives. While I may put in a tiny BTS tidbit I've picked up, I have no intention or desire to talk about anything but the story.

I always enjoy talking with you guys about things, my meta is only one interpretation of what's going on, and I'm always open to discussions! However, I block or ignore any kind of wank, so please be civil. :)

Tag : the lady whistledown papers (in case you want to follow along or black list it away)

Okay, let's dig into some meta!!

Episode 1 : A Diamond of the First Water (Part 1)

So, it may be something that's easily forgotten or overlooked, but the very first thing we hear when we open the show is Lady Whistledown's voice -- which of course, is really Penelope. Since it's the delightful Julie Andrews doing the voice, it doesn't really feel like it's an 18yo girl's commentary about life in the rich part of London society in the early 1800s, but here we are. It's all done to build a bit of mystery around Lady Whistledown.

But what I think is more fascinating is the fact that the show opens -- not with the Bridgertons but the Featheringtons. They are our starting point. They are our dysfunctional family unit that we may closer resemble in our own lives that we get to peek in on before heading over to the esteemed, charming, and seemingly perfect Bridgertons.

The Bridgertons might be the protagonists of the show -- but Lady Whistledown and (by extension) Penelope Featherington is our framing device. She sets up the world, gives us the expository layout of the land and gives us an insight into the world. So it makes sense that we're starting in Penelope's home -- the person, like the audience, who gets to look into the Bridgerton home, but not actually be a part of it (yet).

When we open, we get a great introduction to the Featheringtons, and in a quick few shots - learn a lot about of them.

First of all, the narration -- while I'm not going to take note of every single narration throughout the whole show, it is important to remember that it's Penelope who is ultimately speaking. And when we open the show -- the first thing she does is blast her own family.

Why? Because it's her only way to push back. Look at what's happening in this scene? Prudence is being forced into the tightest corset ever imaginable as Penelope (and Phillipa) look on in horror. Penelope is still young (she is 18yo) and is being thrust into the market earlier than she wants so that her mother can have all of her daughters out in society at the same time.

Unlike what we'll find over at the Bridgerton family household, the Featheringtons are ruled by a seemingly iron fisted mother who only wants her daughters to marry rich so she can retain her lifestyle and place in society while her father is uninterested in anything other than himself.

Later in season 3, she'll mention that this particular issue is her first issue. So, it's no surprise that she starts writing just as she's coming into society. It's her way of coping and her way of expressing herself. But, I'll also remind everyone, while she is incredibly savvy at her craft, she's also still so young, and not entirely aware of the power she's going to wield.

As for Pen herself -- she's genuinely concerned about her older sister. We don't get a sense of their dynamic yet, but at least we get to see Penelope's kind hearted nature. Prudence looks like she's being down right tortured by her 'tasteless, tactless' mama. And nothing about this is appealing to Penelope.

(As an aside -- this also sets up a couple of things for the show -- for one, throwing us into the historical nature of the show, as well as adding a slight bit of comedy to the over-the-topness of Portia's insistence. The show is telling us that, yeah, there are crude and unpleasant things going on, but we're not taking ourselves too seriously, so neither should you.)

Next, we shift over to the Bridgerton household, but I want to point out something first... Notice how the Featherington door knocker from earlier was much more adorned and intricate? The Featheringtons are more concerned with status and money and appearing as if they're better off than they really are, while the Bridgertons don't need nor want to show off in the same way. It's a neat little detail.

Also, the bee imagery for the Bridgertons always is amusing. Symbol of death there ;) In case you were wondering - the Featherington symbol is the butterfly.

So, it's important to note that the Featheringtons are the next door neighbors of the Bridgertons, and it's of no surprise that Penelope would, after disparaging her own family, turn her attention to the family that has captivated her most of her life.

Okay, I kind of love these paintings as an introduction to the Bridgertons. (Are there ones for Gregory and Hyacinth?) I think it's a fun touch to the whole historical setting of the show. And it makes them look as if they're these frozen, idyllic pictures and who are not exactly real. Which is great when combined with the Lady Whistledown dialogue going on how wonderfully attractive they are - because it sets us just slightly apart from them.

Like I said above - Penelope is on the outside, and as we move in, so are we, but we get to finally move in to see real people behind the paintings. (Also - omg, the look on Eloise's face is priceless and I love it)

Also. A+ casting, guys. I really believe they're all related. ;)

I also love the juxtaposition that when we first hear the Bridgertons talking, unlike their perfect, picture-esque counterparts in the paintings, we get Eloise complaining. (Look, I love Eloise a lot -- and she's the third in this crazy triangle, so we'll be talking a bit about her, too.) We also get a bit of chaos as the camera descends the stairs, with Gregory running around them and the banter between the sisters.

It's all great, quick character set up as each of the Bridgerton siblings gets a little beat in this sequence.

And... we get our first glimpse at Colin!

And here's the thing about Colin. He's the third son. Anthony may not be around at the very moment, but he's very much a father figure to a lot of them and is in a different place being the oldest and actual Lord of the Estate. His role is much different. And then there's Benedict - who is that second in command while Anthony is away. Benedict, though is the artsy one and the experimental one and is a bit more aloof in nature. Which brings us to Colin... Who doesn't have the same set in stone sense of purpose Anthony does nor the happiness of just floating through life the way Benedict does.

And so, this scene has a couple of tidbits to kind of illustrate his place in this huge household. He's says he'll go get Daphne (who is currently hiding out in her room, and whom everyone has been arguing about). Colin does like having purpose, and does like to help whenever he can.

And then there's his banter with Benedict about how he's better liked by Daphne than him. It's a great little moment, not only the show again allowing to us to know that we should not be taking this historical show too seriously, not only showing us the beloved sibling antics (which -- i really love all the sibling dynamics in this show), but also showing that Colin has a bit of a cheeky side, and isn't afraid to bring a bit a levity to the situation when he can.

Also, a tiny tidbit in relation to the book, Colin and Daphne (being close in age) are rather close in the book. We don't necessarily see it in the show due to the nature of wanting to highlight Anthony more, but I feel like these lines are a little nod to that, too.

Of course, then, Eloise screams at the top of her lungs, which is a moment I still laugh at. I love that while Benedict's jaw is dropped, Colin is entirely amused by her, as I'm sure she livens the entire household up.

We get both households coming out of their houses, and we get this sweet little moment where we see that, not only are they neighbors, but Penelope and Eloise know each other and are friends.

I love that Penelope is so overjoyed to be looking over to the Bridgertons that she kind of freezes in excitement and has to be ushered along.

Also as the camera pulls back, we see Eloise reading a Lady Whistledown pamphlet! The first time we see someone do so!

You guys remember Disney's Sleeping Beauty? There's a moment when they enter the castle the three good fairies are announced. The dude who announces the Featherington sisters reminds me of that -- introducing Flora, Fauna, and Merriweather! (Don't even come at me, it's my favorite Disney movie)

Anyway... we get LW's narration that this is a pivotal moment for London society at the time -- when the girls are presented to the Queen and enter the marriage mart. Basically, it's a coming of age for young women. And while Prudence might have the most embarrassing moment by fainting (I mean - who's to blame her, really) Penelope looks so awkward going out there -- before her time, really not emotionally ready, and just not graceful in the way that the other girls, including even her sisters, just are.

Okay, so it's not really our first Polin moment, but there is a pseudo moment buried in here.

But first - I want to acknowledge that Penelope, feeling out of place, and at ill-ease with her surroundings, throws a glance over to Eloise. I love Eloise's truly perplexed look as she watches her friend go through something that neither of them really want -- as if trying to grapple how any of this is real. Penelope and Eloise's bond is incredibly important to both their characters and the show (and is something I enjoy as much as I love all the Polin).

As for Colin standing over there in the corner... No, there's not really anything to pull out here. But! There is going to be a moment in season 3, when Colin is writing in his journal, where it's clear that he's thinking about this moment, and describing watching her as she heads towards the queen. It's a cute callback to this moment, and even if we don't really see it -- it's still there. He's still noticing her, even if it's very, very subtly.

LW continues her narration about how important the Queen's opinion is of the ladies of society, and how important it is to make a good impression. But fascinatingly, Penelope is too busy looking at the ceilings and being in awe of her surroundings to really take notice of what the Queen is doing. She's a bit, understandably, shocked. (and another great comedic moment as Portia kind of knocks her back into focusing.)

It's great for setting the atmosphere of the show, but also allowing us, through Penelope, to take in our surroundings and be in awe of what we're witnessing.

It's also, I'll add, to be an awkward contrast to when Daphne comes in and is completely flawless in her entrance. Penelope is our side character. She's not our main character. And main characters are supposed to have a level of perfection to them. (Or so we're been accustomed to believe.) I think one thing I'm happy to see on the show is that, while we're still going to get a lot of romance story tropes, the show does try to dismantle a few of the stereotypes as we go along.

Also, two quick smaller notes... we don't really get to see Colin's reaction to Daphne -- Anthony and the sister are too in the way, and he doesn't have much of a discernable reaction when we do see him. And, the narration makes note that Daphne is going to burn quickly, which honestly made me laugh a little.

And.... that takes us up to the credits! Which is where I'll be stopping for now. Since this is the first episode and an introduction to the world, there's actually lot of both Penelope and Colin in it, so there's a lot to go through... stay tuned ;)

[antianakin]

You’ve talked a little about ships before but mainly in the context of how that is connected with the/a specific Jedi. And also a bit about ships you don’t like

But in Star Wars as a whole what’s your favourite ship, which one do you think is the best, and which one do you think is the most compelling?

(I know that the answer to all three could be the same but for me personally there’s often little overlap in these things so ymmv)

Also which ship do you think has the most potential?

I'll assume that canon and fanon are both options here.

"My Favorite" is the easiest to answer, so I'll start there. I've made an entire fic rec list for it and made no secret of the fact that I really like Codywan. Star Wars wasn't a fandom I really did any shipping in when I first was introduced to it as a kid. It wasn't until I decided to get back into Star Wars a little as an adult that I was even introduced to the IDEA of Codywan as a ship, but once I discovered it, it had me absolutely hooked. I will admit that I have a hard time with reading Codywan fics these days and interacting with other Codywan shippers because I often end up feeling like my interpretation of the characters is very different than the norm and what I want from the relationship - the thing that makes it compelling to me - isn't the same as most other people who enjoy the ship. But it was my first Star Wars ship and I still really enjoy the version of Codywan that exists in my head, so it will continue to claim the title of favorite.

For "Most Compelling" and "The Best" I'm actually going to exclusively define those as being IN CANON because anything in fanon can be compelling depending on how well someone writes it. I could obviously put Codywan down for both of these categories, but it would specifically be MY version of Codywan, the version that only really exists in my own head, and not necessarily the more popular version of them in the fandom.

I'm going to give "The Best" and "Most Compelling" to Jyn and Cassian from Rogue One. I will readily admit that, as someone who identifies as aroace, the fact that Jyn and Cassian never do or say anything explicitly romantic to each other is a major part of the reason I like them. I also personally believe it's the reason they're so compelling. Without being able to use any of the usual narrative shortcuts that romance tends to provide, Jyn and Cassian's dynamic relies on actually showing the two of them connecting with each other on a deeper level. I love how so much of their relationship with each other exists only in their eyes, in the way that they look at each other (whether the other person is looking back or not). I love the way their relationship comes through in-between the lines rather than stated out loud. I love the subtlety that exists for Jyn and Cassian in a way it doesn't for pretty much any other more "canon" ship.

I have also said before (though I'm not entirely certain I did it on this blog or not) that I really like angst, usually in the form of hurt/comfort but a good tragedy sometimes just hits the spot. Jyn and Cassian living in a "maybe," existing in a perpetual "what could have been," is so fucking sweet to me. That shit hurts JUST RIGHT. I love the idea that these two people meant everything to each other but only in the last few days before they died and they never even got to explore what exactly that could be. Their love is shown in how they impacted each other, the ways their relationship changed each other, because that's all they ever had time for. I fucking love that shit. The ambiguity of Jyn and Cassian's relationship is what makes it the most compelling to me and I think that the fact that they never get together forced the writers to show us they loved each other in far more interesting and nuanced ways than usually exist for couples that more explicitly get together on screen.

And finally, my choice for "Most Potential" is FinnRey. I really liked Finn and Rey's dynamic in TFA, I liked the way they both learned to rely on each other when they'd never had anyone to rely on before, the way they were able to escape their respective prisons and take their first steps into a larger world together. I liked the theme of coming back for each other no matter what, of reaching out for each other so they couldn't be separated, and the idea of shared fate where they would become the hero of the story TOGETHER. Obviously we all know how that dynamic got sidelined and ignored after TFA, but both characters are still alive and definitely have more story to tell, so the potential remains. Whether that potential ever actually goes anywhere, even if it's just in things like novels and comics, is still super up in the air. But I think these two could have an incredible dynamic if anyone was willing to give them the time of day.

[lemotmo]

To the Nonny who posted an ask about...

... how they think that Buddie shouldn't happen in season 8, but rather in season 9.

Okay, look. I read your ask and I understand where you are coming from. I get your frustration. I do.

None of us really expect Eddie to jump out of the closet in episode 1 and shack up with Buck in episode 2? You know? Sure, we joke about it, but we all know it's going to take some time.

I understand that you, as a writer, want to see everything developed and treated with caution. I get why you don't want the Buddie narrative to be rushed. I do. In an ideal world, I would happily sit down and watch two seasons of a very obvious Buddie build-up. I think most of us would, because the 'Will they? Won't they?' of it all? Delicious.

But we also need to be serious here. This is 911. This show is filled with underdeveloped narratives and very flawed character arcs. Realism isn't very high on their priority list. It never was.

This is the show that had Buck realise he was bisexual in one single episode and he didn't even flinch.

This is the show that had Eddie on the path to healing, but then decided he should meet his dead wife's doppelgänger so they could take away his son in the end.

This is the show that has Athena running around playing Robocop, threatening people as she, and she alone, solves all the crimes and murders in LA. Yet she gets to keep her job without any problems.

This is the show that had Bobby dead for 14 minutes, but two weeks later he was walking into the 118, smiling and hugging the others, as if he had had a minor cold and he was coming back from a week off sick.

And yes, Eddie (and all of the other characters really) has a lot of issues and realistically this would take years of therapy and working on himself, but we all know it'll only take a few episodes for him to feel better again. Cue Christopher returns home and all is well again in the Diaz household. Happy times.

It is all far from realistic, but fundamentally that's the nature of this show. It's a silly, wholesome, found-family, sometimes nerve-wracking, highly unrealistic fire fighter procedural.

And that's the whole point of it. The audience love this show because it is so ridiculously over the top. The episodes with the disasters are so iconic! These characters go through the craziest shit and always end up being okay again. It's a big old dose of the found-family trope that everybody loves to watch.

So ultimately, I don't fully disagree with you. You have a great point. And for some other more realistic procedurals? I might even have fully agreed.

But for 911? Knowing this show and how they do things? I'm fully convinced that, if they wanted to pull off queer Eddie and canon Buddie in one single season? They could and they would.

They wouldn't go there right away, because they would need to build the tension. 18 episodes is enough for them to take that tension and use it to elevate the hype. And then in episode 18? BOOM! They drop the 'fully canon' Buddie bomb for real. This way people will go into the hiatus all hyped up, which is always a good thing for a TV-show.

If they decide to not drop the 'fully canon' Buddie bomb in season 8, I do fully expect them to make it canonically absolutely clear that Eddie and Buck are in love. Again, all to create hype during hiatus.

In the end, does it really matter how and when it happens? Whatever the showrunners and writers decide upon? All we, as an audience and as a fandom, can do is accept it and go with it.

And you know what? I'll be seated and transfixed in front of my TV-screen for all of it.

What can I say? I love this flawed, but awesome TV-show so much. ❤️

[keepmycandleburning]

IDK if this little section of the internet is just uncharacteristically hateful and negative and miserable lately or what. I've been lurking for like a year and posting since like 2 months ago, and it seems recent. I don't really feel like inserting myself into it anymore because it's not fun.

I loved HP as a kid probably like 9-12 y/o, at which time I picked up on something between Bellatrix & Voldemort due to the be quiet, Bella and the no higher pleasure lines. I reread the series for the first time as an adult in Oct-Nov 2023, and I was astonished at how much more I am able to pull from this text now. I came away with a much greater understanding of several things I'd missed as a kid. One of these is that it was very clear to me that Bellatrix & Voldemort were written to be at least sleeping together. VERY CLEAR. It was AFTER this point that I started being part of the fandom, and way after that I've seen people claiming their relationship ISN'T in the books. To me, this is really surprising, because when I've read the books as an adult, it's quite clear. Once I got into the fandom, I found that there are a huge number of people that agree with this interpretation of the text and find is equally obvious as I do.

However, despite the fact that I've seen a number of claims that they DON'T have any relationship in the books, I don't see people using text evidence to support this interpretation. In my personal opinion, this is probably because this is a very difficult argument to make based on the text. But if you think it can be done, instead of submitting negative anon messages without any text support, why don't you write a meta? If anyone would like to make a post going through all of the things people say are text evidence for Bellatrix/Voldemort and explaining why they're not the case, I would gladly read that out of genuine interest. Or, simply going through all the excerpts on their interpersonal relationship and explaining based on the text what sort of relationship you think they DO have.

I have seen countless people over the years analyze sections of text, lines between different characters, their attitudes toward each other, their various actions, and so on, and explain why this adds up to Bellatrix & Voldemort having some sort of relationship. I have NEVER yet seen someone who DOESN'T believe they had a relationship write a text analysis of their opinion. So I sincerely invite you to go through all the bits of text that Bellamort shippers say are canon evidence and explain why they're not—in individual instances and in total. Explain why = not just 'this is my alternative interpretation without text analysis' but *how you justify this being the case based on the text*. How do you justify ignoring how countless bits of the text can be interpreted all in this one way (Bellamort) and instead interpreting them all different ways? How do you explain what JKR was intending to say about Bellatrix & Voldemort's interpersonal relationship considering all their interactions both on- & off-page? WHY are they written the way they are if they don't have an intimate relationship? Or if you believe they're not written that way, again how can you justify this based on the text? If you need a list of text moments and existing 'Bellamort is canon' metas I can compile one.

I'm curious to see what you come up with, because I've never once seen this done—and because, as I've said, it's not an opinion that I personally believe to be supported by the text. If you can explain why it is supported by the text please do that and I'll consume it in good faith.

[readypanda]

Indigo Park Spoilers (and very long post) ahead

Since Indigo Park is the newest fandom I've been dipping into, I figured I might as well make my own analysis for the game. The question I'll be discussing today is,

WHAT EVEN ARE THESE THINGS?

(sry for bad picture quality lol)

The thing I find interesting about these mascots (Molly, Lloyd, and what we've seen of Finley) that kind of sets them apart from other monsters in the mascot horror genre is...they almost seem like they're just animals. (I'll go over evidence for this in this post)

Think about it. In other mascot horror games, we've gotten:

animatronics possessed by dead children

employees/kids surgically(?) turned into toys

people mutated by a giant ink machine

animals/people who have had their DNA spliced with a mutagenic chemical

A little girl somehow turned into a monster (I think??)(really sorry Amanda I don't know what you are)

etc.

(I'm not up to date on all these properties and I know there's many more, so forgive me if my lore understanding is less than adequate. you know how it is with indie horror)

The important note about all these is that for the most part, these mascots are intelligent, or at least have the capability of intelligence. Almost everything on this list was at one point human, in fact.

So why do I think Indigo Park is any different? What leads me to believe they aren't intelligent? (at least, the animal versions of the characters that we run from in the game. Whether they are separate from the versions of the characters Rambley interacts with is something I'll touch on later)

I think the most obvious piece of evidence in regards to Molly and Lloyd (again, not much info on Finley yet) is how Lloyd acts. He doesn't talk at all, he just stalks the main character and attacks like an animal might (with the exception of a couple times he stands on two legs or props himself up here and there).

As for Molly, I hear you saying, "But she talks! We hear her speak!" And yes, dear reader, you are right. Molly does speak. This would disprove my argument of the mascots being purely animalistic, if it weren't for this kill screen.

Now, do we ever actually hear Molly say something that isn't a repetition or couldn't reasonably be a repetition? Has she said anything to prove her intelligence at all? (genuine question here because I haven't examined every one of her voice lines lol. If I'm wrong about this then whoopsie!)

Despite the past 250 words of speculation, though, whether they act just like animals isn't actually that important. We'll see more of them in later chapters anyway (or Lloyd and Finley at least) so that will likely prove or disprove this point with time.

The more interesting question is, what are they? Like, physically?

When Molly dies, we clearly see blood around her decapitated head. At the very least that rules out animatronics or something mechanical. In addition, in the audio of the hidden tape you get when you show Rambley one of the collectables, you can hear two staff members complaining about being replaced by "new mascots" right after they "got a new raccoon costume." This could mean a few different things, but it seems to imply that the mascots we see in this chapter are meant to be replacements for actors in suits (for meet and greets, promotion, shows, etc) and/or replacements for limited, expensive, and cumbersome animatronics. If this is true, we can also probably rule out them being human. Unless Indigo Park also had a secret human experimentation lab, which I wouldn't put past them.

I think it's too early to definitively state what these mascots are, but based on the evidence of above, I have a theory.

My personal theory is that these mascots are just animals who have been changed or mutated in some way to allow the park to have more "realistic" representations of the characters (also probably to cut down on the costs of paying a human employee). That would explain why they act the way they do and why they are so violent. They literally are just wild animals who have been warped to represent these cartoon characters.

Another important caveat to this theory is that, if this is true, then the mascots who attack us in the game are most likely NOT Rambley's "friends" as he knows them. That would explain why he doesn't call attention to Molly chasing us or Molly's dead body (with the exception of one very small reaction when he talks about the mascots). You would expect him to seem a little more upset if he thought that was his friend, but maybe on some level he knows it's not really her, just a representation of her.

That brings up another question, which is a can of worms I won't fully open here: Do Molly, Lloyd, and Finley have sentient "AI" equivalents like Rambley? If not, does Rambley know his friends aren't real? I'll let you decide.

Anyway, that just about closes my thoughts on this silly raccoon game. Thanks for letting me ramble on about it, and thanks for making it to the end of the post!

Lemme know about your own theories in regards to what these things are, or if there's any key evidence I missed. Kinda threw this together lol. Most of it will likely get disproven by future chapters but hey, thus is the price of theorizing ¯\_(ツ)_/¯

[ashton-the-draconid]

The people seemed to like Buddy as a drake, so, time to do more of that, this time with Chase's design! >:) (Please ignore any spelling mistakes I'm begging you)

For those of you who aren't able to read the text, I'll list it below along with some additional information! - Chase ShockWave / Shiver ShockWaves are highly social dragons who live lives similar to many crocodilians. Their main prey is fish, however, they won't hesitate to pick off something smaller. They use their electric powers, which they gain from absorbing sunlight through their photoscales, to sense movement through the water before sending a burst of energy to stun the prey before they swallow it whole with their jaw that can split open (Chase does not have this feature). They are extremely touchy with members of their flock or clan, using their photo scales to transfer energy as a friendly greeting! Shivers are mostly solitary dragons who have an instinctual love for all things metallic and shiny, however, they're also known to be excellent crafters. Though quite stubborn, if a Shiver takes a liking to something, they do everything in their power to protect it, even if it's something living! Gift-giving is in every Shiver's nature, and a good sign of trust is being given or even made a special item by these dragons. With their hot breath, being one of only 3 dragons who can breathe fire, they are no easy prey despite being the smallest species. They fight their battles hard, using everything to their advantage. Their unique ability of being able to send chills through a dragon by locking eyes with them, temporality paralyzing them out of mental fear, is something still being studied. - Buddy Lochin / CastGloom Lochins are the only drake species within the world, and they are the most resourceful of all draconic life. With their ability to shapeshift, they love playing tricks on both friend and foe. Consuming even the tiniest bit of blood, skin, scales, even bones can allow them to mimic any dragon almost perfectly, almost. Though they cannot maintain this form for long, as their need for moisture causes their disguise to fail as soon as they become too wet or dry. Most Lochins live a purely underwater life however, living among large pods where they work together to hunt fish, crabs, urchins, and many other sea life which they crack open with their well developed beaks. They use the patterns on their body as a way of communication, showing off, and intimidation, which each Lochin's pattern being a genetic mix up from their parents! CastGlooms are a sister species of the ShockWave, both coming from the same "true" species of SplitJaw. Just like ShockWaves, CastGlooms go after small prey which they swallow whole. However, that's where their similarities end really. They lunge from the shadows that conceal their bodies like portals, pinning down prey before delivering a fatal blow with their strong arms and swallowing it whole. With incredible paitience, they can track down anything they set their mind to, all while observing undetected. These dragons thrive on the element of surprise, their dark coloration keeping them hidden until a moment too late for whatever they have their sight set on. Though CastGlooms are not the most friendly or caring of dragons, winning the affection will make them show great loyalty, even in the face of moral challenges other dragons would gladly choose themselves over.

This is a series I've had for over 5 years now, and I enjoy turning characters I love into dragons to put into the world. Though I have my own story and characters to share too! Please, feel free to ask away any questions you have, I love sharing my creations. Whether it be about Dragon!Chase / Buddy / Deacon, another fandom I'm in, or my own story.

[proshippers-against-censorship]

Hi! Um I'm gonna sign off my asks with 💌🔪 for just incase I come back to ask something in the future, I hope that's okay.

Um anyway, About the whole situation with yaelokre, I apologize if this is all that has been flooding yer askbox, I just need to rant about this as I love, well loved Yaelokres music, so like I'm still trying to figure out if I want to stop listing or pirate their music when I get the chance or just stop listening in general. Someone who obliterates basically any creative freedom other than their own from a fandom, or fails to address horrible threats twords people over FICTION doesn't deserve my money, views or time to be honest to be frank. (I'm not even talking about their boundary about not wanting to be sent NSFW of their characters I'll talk about that a little more as I ramble on)

Okay, so what I don't understand about keath is the fact they have said themselves that age is left up to the fans??? Was that.. Was that just forgotten about by people??? Some of us can or usually do see these characters as like 16-19 at least for me, like kudos to people who see them younger but like not me.

We as a community aren't mad about keaths boundaries, we are worried and concerned about keaths wording and failure to address the fact they are basically sending their fandom that is made majorly up of minors to seek out and be exposed to possible NSFW art. let me repeat for the stupid fucking people who don't wish to listen...KEATH IS ESSENTIALLY PAVING THE WAY FOR THEIR MINOR MAJORITY MADE UP FANDOM TO BE EXPOSED TO NSFW ART OF THEIR FUCKING CHARACTERS.

We don't care about the fact they tried (and faild miserably with horrible wording) set a boundary!!! We care about the fact minors will be exposed to NSFW art because a creator is to lazy to put on their big kid pants and be uncomfortable and either seek it out themselves or just ya know ignore it!!

We aren't saying keaths boundary is stupid, it's okay to not want to see NSFW art of your characters, but like do what the proper thing is, block, ignore and find a way to censor it from your own eyes. People aren't going to stop making NSFW art of your characters, the internet is free range. No one can really be stopped or binded from doing what they want unless it's something TRULY ILLEGAL.

Also misusing(? Sorry I can't spell) copyright laws???? That's fucking stupid and a waste of REASORCES for people's stuff that's actually having the shit copied and used from other fandoms!? To want to report and flag copyright fan work because you as a fandom creator don't like it is beyond shitty.

I to be honest hate the fact this music has developed fucking fandom, super fans like the ones who are threatening other fans over NSFW fiction has ruin this fandom and so has keath. I hate that I was ever apart of something that has turned so hateful. The music was amazing now I just look at it and feel disgust and unease.

I apologize for my ramble, please forgive me, needed to rant about this -💌🔪

All hits, lack of misses 🫡

[dixonsbrat]

hi my angels ᰔ !

i wasn't really planning on doing anything for my birthday this year but then i decided that since it's my golden birthday and i'm turning 26 on the 26th, i had to at least do something small !

so, from the 20th - 26th i will be holding a cute lil celly for those that would like to come celebrate with me.

this event is open to all with the exclusion of minors, i just ask that you read my blog rules and are following me before you send anything in. you're free to send in as many requests as you like, just keep it to one prompt each ask, and please make sure that any nsfw requests are not on anon !

navigation blog rules taglist

𖥔 — 𝐒𝐖𝐄𝐄𝐓 𝐃𝐑𝐄𝐀𝐌𝐒 ; send me this, an aesthetic/colour/trope, and one of my characters for a moodboard !

𖥔 — 𝐋𝐎𝐕𝐄 𝐋𝐄𝐓𝐓𝐄𝐑𝐒 ; send me this + a cute random fact about yourself, or just anything in general, for a love letter written by yours truly ! ꒰ mutuals only ꒱

𖥔 — 𝐒𝐓𝐎𝐋𝐄𝐍 𝐊𝐈𝐒𝐒𝐄𝐒 ; send me a prompt from this action list + this dialogue list or this nsfw dialogue list with any of my characters for a lil blurb !

𖥔 — 𝐌𝐀𝐓𝐂𝐇 𝐌𝐀𝐃𝐄 𝐈𝐍 𝐇𝐄𝐀𝐕𝐄𝐍 ; send me this, a small description of yourself, your gender preference + any fandom i write for, and i'll tell you who i ship you with !

𖥔 — 𝐒𝐈𝐋𝐊𝐘 𝐓𝐎𝐔𝐂𝐇 ; send this for a game ! fmk, would you rather, cast your mutuals, top 5 or come chat; tell me about your day, the last thing you ate, something that made you happy, or just vent. anything ᰔ

this blog contains mature content. mdni.

[mangostarjam]

fics for gaza — requests open!

hello! life hasn't slowed down much but i think i can handle a few requests in order to help with @ficsforgaza in raising funds/awareness for this important cause.

this does not negate my statement in my rules that i don't take requests. i will only fulfill requests in exchange for donations to gaza.

i'm opening 3 slots for kaiju no. 8 x reader fic requests!

i do write for other fandoms but kn8 would be easiest for me right now. i'm caught up in the anime, manga, and the b-side so don't worry about spoilers for me, though i will be sure to tag spoilers as necessary for these requests with "kn8 spoilers".

RATE: $1 USD per 100 words, capped at $15 USD for a total of 1,500 words per fic

INSTRUCTIONS:

if you're not sure your request will work, please ask first! you can find a list of things i will not write here

please make a donation to a vetted fundraiser and then send me an ask or a DM with the screenshot of your donation. make sure you redact personal details as i will be sharing screenshots with @/ficsforgaza for verification!

if you don't know what to ask for, you can pick a character + a random prompt from this list or this one! you can be as detailed as you'd like (tropes, aus) so that i can really write you something you want

ADDITIONAL DETAILS:

please no ageless/empty blogs. i will be crediting you for the published piece (unless you ask me not to)! if you send in a request on anon, i'll reply to the ask once i share the fic. i will not write nsfw/smut for anons

you can check out my writing style here. i am far more comfortable with writing fluff/smut than angst, and i will not use "y/n" or your name so let me know if there's a nickname/petname you prefer

if this doesn't appeal to you, please check out this list of creators participating! any and all donations help, but there is absolutely no pressure to donate — even a simple reblog will help spread the word!

last updated: june 10 — 3 slots open