#I'll probably come up with more lol

[blade-that-was-broken]

I do a ton of little summaries and book blurbs so I thought I'd throw some out here into the internet void. They are going to be rather JD and/or Branch centric cause that's what's been on my brain lately. Oh look, nvm they are all JD centric. This was just one wave from awhile ago so I don't remember. Some of these have extras dialogue/snips but I didn't include those.

Thoughts

In this life there was never a band and John worked to the bone trying to keep his family a float, dangerously close to falling apart all together. As Trollstice approached, there is a word coming around that this will be the last one and the Bergens are planning to eat them all. With the tunnels not finished, King Peppy tries to stamp out the rumors while John takes a stand and proposes escape beforehand. The trolls are torn and divided - just like John’s family - on the matter. He is forced to make a terrible choice on whether to leave or stay. Either way, he will lose someone. 

It’s been ten years and around his sixth child, Bruce sends a postcard to the Neverglade’s post office. It wasn’t signed but he sent it. He didn’t even know if JD would get it. It had been five years since JD was told he had a maximum of ten years to live so when Spruce sends him a postcard, John figures out he is alive and goes running to spend his remaining time with the only brother he knows is alive.

After John Dory returned to a decimated troll tree and believes his brothers dead, he wanders the rest of the troll world. After being saved by Country Trolls, he settles into Lonesome Flatts until he discovers his brother passing through with the Queen of Pop. 

John Dory returns to the troll tree only to panic when he realizes it is Trollstice. He only finds one brother. 

Instead of letting the boys leave during their argument, Grandma Rosiepuff speaks up and tells them to go to different places to cool off. The band was broken but she wasn;t going to let her family break too. 

Upon the massacre of their people, John Dory runs with his family and tries to survive as the only Pop Trolls left. 

After a terrible attack, an amnesiac John Dory finds shelter at an abandoned Bergen golf course where Clay finds him 

John Dory is told he has a maximum of six years to live. At fifteen years old, he tries to quickly prepare his brothers for life without him. He should have known better. They find out quickly. 

One of the brothers discovers the journal/song book of the darkest times of John’s life, complete with grieving songs. 

The Trollstopia council brings videotapes of each tribes important music to watch together in the beginning of the creation of their city. However, Holly Darlin’ accidentally brings and plays a troll’s personal video of grief. Branch realizes who it is and he demands it play as he watches John Dory sing mournfully about the death of his brothers. 

Older half brother John Dory miraculously gets custody of his younger siblings with the help of their grandmother. Without even knowing the only half relation, the children’s parents try to use this to divide them from him. Human AU

Upon the death of their parents and his grandmother’s older age, John Dory is given custody of his youngest brother. The toddler, Branch. Leaving his traveling RV lifestyle to raise a child, he struggles to adjust as everyone around him has opinions and ulterior motives at every turn. Human AU

When Bruce leaves the troll tree, he gets into a spot of trouble where John finds him and saves him and then proceeds to freak out that his brother had almost died and left the tree for good.

When Clay leaves the confines of the Golf Course, he is caught and trapped in a bottle. To his shock, it is John Dory who comes, just happy to see Clay alive. (Wait, JD thought he was dead?)

Floyd hears a sad song on the radio with a familiar voice. In a moment of courage and change, he drops everything to go find his brother. 

Traveller trolls tell the pop trolls of a place where grey trolls go to regain their color and work through their grief, guided by a troll who had lost everything twenty years ago. 

During a time of sad story telling, Holly tells trolls of Delta Dawn’s hermit friend, who lives isolated in the canyon. Who, 20 years ago, had lost his entire family, all of his brothers and the entirety of his people. With details making him curious, Branch goes alone to see if there is any truth. There is. 

[deoidesign]

quick traditional piece for fun ^^

[sergle]

I think my favorite thing about doing ginger red hair instead of cherry red hair is: lying to people about it

[ariadne-mouse]

I feel fandom would get along a lot better if there was mutual understanding that liking a character, agreeing with a character, and thinking the character is well constructed/executed are all separate (if often overlapping) positions, each with their separate tastes and subjectivities. Also: character portrayals are intended to make the audience feel things; this is separate from (if often overlapping with) analyzing/appreciating their actions and role in the story.

[squishedegg]

Waiter! More Soldier x Demoman x Zhanna please!

[sysig]

Does this hurt? (Patreon)

Bonus:

I love surfacetable.txt <3

[b4kuch1n]

wizard looking for a way home (aka wizard of dark space)

[torgawl]

there's so many connections tying the moon, seelies and the jinn, but more concretely between the goddess of flowers and guizhong!!! by connections i mean they always appear associated with the moon and one another. as i was reading through the lore attempting to gather some of the moments these ties could be drawn, i ended up noticing other patterns that seemed to fit a similar narrative with other entitites as well. it quickly transformed into a post about the sun and moon symbolism in genshin. although i'm probably missing a lot of things, this is what i found while reading in-game information.

"records of the gallant"

this book is a compilation of stories and legends of many knight-errants in liyue, the second volume specifically is very obviously about guizhong. the association starts with the title “dust”, as she was the god of dust, and goes on to her description as “a maiden in a long indigo robe”, which matches perfectly her appearance. she is very often connected with the night time and the moon, and in this specific instance with seelies as well. seelies are described specifically as having had “beautiful physical forms and (…) great wisdom” in the past in the book “records of jueyun”. this book also talks about the seelie ancestor who once met a traveller from afar with whom they swore an oath of union in the presence of the three moon sisters before disaster struck and they were punished. both seelies and the moon are, throughout the game, always hand-in-hand with each other when it comes to symbolism and references and moments with guizhong like this one are no exception. i think it’s relevant to mention that at the end of the tale when this maiden disappears, the only thing left is a pile of dust mirroring guizhong’s “death”. dust in genshin can easily be tied to life (specifically as the base of all life) through albedo and rhinedottir who, consequently, are connected to khaenri’ah and the art of khemia – one of the factors behind the fall of the nation.

memory of dust

memory of dust is a stone dumbbell gifted to zhongli by guizhong and its description is about one of their conversations. guizhong standed among a field of glaze lilies, flower associated with her, as she talks about humans and compares them to dust.

this scene also includes an allusion to her death with guizhong dissolving into dust and with her, the glaze lilies disappearing.

glaze lilies are said to transform the memories of the land into its fragrance during florescence and legend has it that the flower will open at the sound of pure, beautiful music. the interesting thing about this flower is that it only blossoms during the night time, being this way indirectly connected with the moon. this excerpt or circumstances are very reminiscent to another character in this game, nabu malikata, also known as the goddess of flowers.

the goddess of flowers

the goddess of flowers is very likely to have been a survivor of the seelie race, if not the seelie ancestor herself. this was revealed through us by an aranara, arama, who said “there was once a survivor of that race seelie deep within the golden desert who was friends with queen aranyani and the ruler of valuka”. queen aranyani and the ruler of valuka are titles given to greater lord rukkedhevatta and king deshret, respectively, and, as we know, they were both really close to nabu malikata. the goddess of flowers was also said to have horns by nilou, whose head piece is inspired in this detail, and when traveler sees her in liloupar’s memories they describe her appearance as being "ineffably beautiful”, comparable to "the totality of her jinn". all these characteristics are also associated with seelies.

the “flower of paradise lost” artifact set tells a lot of the story of the goddess of flower. the flower piece tells the story of how she was cast aside by the heavens and her kinship was punished by being stripped away of their minds just like what happened to the seelies and their ancestor, confirming her identity.  

she was said to wander for a long time, her wounds gushing streams that transformed into gardens of which blue water lilies sprouted. lilies those that originated jinn, a mystical race of elemental spirits considered, just like seelies, creatures of wisdom. the goddess of flowers was also said to make purple flowers bloom wherever she stopped, more specifically padisarahs. much like glaze lilies and guizhong, padisarahs also went extinct after the goddess of flowers’ death.

nilotpala lotus

the one other flower that resembles the glaze lilies is the nilotpala lotus. they also only bloom at night and in its description, we learn of their connection to the three moon sisters.

although the moon sisters perished after the same disaster that struck the seelie ancestor and the solar chariot (that created the chasm with its fall), the flowers turned to serve a new master yet the nilotpala lotus continues to remember those happy days of the past. something interesting regarding the name niloptala is that it refers to "blue lotus" or "blue lily" and represents one of the several "attributes" or "accessories" of a deity commonly seen depicted in hindu iconography, defined according to texts dealing with arts and crafts, known as shilpa shastras. i think it’s pretty logical to parallel these flowers, that grow in the forest wetlands in sumeru, to guizhong, someone very known for her mechanisms and who is deeply tied to blue lilies.

goddess of flowers and king deshret

a long time ago, the goddess of flowers, king deshret and greater lord rukkedhevata were all very close friends who looked over sumeru (any resemblance to the liyue consortium is pure coincidence, or not). “flower of paradise lost” continues to tell the story of the gof and contains the depiction of what happened that led to king deshret obtaining forbidden knowledge. through king deshret's aspirations, she saw the possibility to transcend the absurd shackles that governed this world (heavenly principles) and so she helped him in his goal, leading to her sacrifice and consequent death. she is said to have turned into dust in the “vourukasha's glow” artifact set, once again paralleling guizhong.

she once again refers the punishment casted upon the seelie race by the heavens, warning king deshret of the consequences his actions may have. the most interesting thing to me in this passage is the fact she is depicted as being “wreathed in darkness” when guiding deshret towards discovering “all there was to know about the skies and the abyss”; this and the fact she could foresee future events. it actually makes a lot of sense as nabu (who shares a name with her) is an ancient mesopotamian god of literacy, the rational arts, scribes, and wisdom (can you see the pattern?) whose name means "enlightened" or "prophet". she reminds me a lot of sibylla, who met king remus “below the abyssal depths”. knowledge beyond what the heavens allow seems to be connected multiple times to the abyss. this comparison with sibylla gains even more strength when, in the same artifact set, she tells deshret “you seek but to chain the winds. upon the tombstone of divinity shall humanity become the god of gods”. this was also remus’ goal, something he strived for so much that he was willing to ignore prophecies of disaster as long as he could attempt to break the chains of fate.

oasis garden's mourning

this ascencion material with the image of a flower in the center tells us the goddess of flowers and king deshret built ay-khanoum together, also known as “city of the moon maidens”, for the jinn. it’s this material that tells us padisarahs went extinct after the gof’s death and that these gem discs lost their original “glad purpose”, much like what happened to the padisarahs as depicted in the artifact set mentioned earlier. yet, there’s another version of this story told in “the shepherd and the magic bottle”. in this book (told by a jinn) it’s believed that king deshret learned about the jinn's story as well as the story of the “dismal moon and the driving morning star” (likely connected to the seelie ancestor, the three moon sisters and the solar chariot) after capturing them and, afterwards, built ay-khanoum as a gift to commemorate them; in return, the jinn built the entrance to the mausoleum of king deshret. according to liloupar, deshret had deceived the jinn to gain their servitude, telling them that the goddess of flowers had not perished but was instead locked in a deep slumber in the orchard of pairidaeza (created by deshret as a cemetery for the gof), and that he could awaken her with the jinn's aid. there’s an interesting detail in “the shepherd and the magic bottle” where the jinni says that at the end of the city of the moon maiden’s play “everything was reduced to dust”.

sun and moon dichotomy

guizhong’s color is, as referenced earlier, blue like the moon. whenever there’s a deity associated with the moon or the moon-sisters (gof and guizhong) there’s also one that symbolizes the sun (deshret and zhongli), usually coming to form a duo. this traces back all the way back to the solar and moon chariot, their gods and the disaster that led to their separation. it’s interesting to note the fall of the solar chariot, as i mentioned earlier, was what led to the creation of the chasm. although according to what we have access in game the text implies this entity to be different from zhongli, there’s actually a lot of things tying him or creating that parallel between him and the sun or the sun god (who might have been a shade of phanes). we can also consider traveler and paimon as another example of this constant duality within the story, as the traveler is almost literally the morning star and paimon is symbolically connected to the moon and seelies too.

“before sun and moon”, that tells the story of enkanomiya, includes an interesting parable.

this parable clearly references the sakura tree in inazuma’s story but it also intertwines with the heavens and the entities related to the primordial one. tokoyo ookami is istaroth and she’s referred to as the king’s priest. if the king is the primordial one then it makes sense the king’s gardener would be another of the shades. it’s hard to interpret some text when everything is told in metaphors and sometimes information isn’t actually that reliable but the concept of love here reminded me of the solar and moon chariot as well as the seelie ancestor and traveler from afar from the kingdom of light (descriptions in “records of jueyun” and “the pale princess and the six pygmies”). it’s also a bit impossible to read of a tree spirit heavily linked to time and planted by the heavens and not think about irminsul. this concept of gardener or protector of the tree is also somewhat recurrent and can be linked to sibylla as well, a prophetess.

the triquetra has a lot of different meanings but it’s usually connected with three goddesses, three sun positions or three moon phases. another item that has a triquetra on it is mora, that also can be used for alchemy and transmutations. we also know mora was, at least in the beginning, created from morax’s own body so it’s interesting this symbol appears in the coins. “earth is where the alchemy gets its name” and the art of khemia (alchemy from khaenri’ah) literally meaning “art of black earth” in chinese also seem to point to a connection between the terms.

khaenri’ah connections

guizhong had a particular interest in mechanics: the guizhong ballista was one of her handiworks, built with the aid of the adepti, and she apparently collected khaenri'ah technology such as ruin machines for research. as i mentioned before in regards to her (god of dust) “death”, dust can easily be connected with both the art of khemia and concepts such as birth and life. as albedo says: “soil and chalk, the universe and earth, pure dust and the birth of human life”.

in the hidden palace of guizang formula domain, the challenge called voyage to the sanguine sky has the description: "this is the realm of clouds. guizhong, its former ruler, acquired several ancient and evil artifacts during her research into mechanics. the adepti created this realm to contain them." curiously, the fight in this domain is against two ruin guards and a ruin hunter. guizhong was presumably researching khaenri'ahn technology before she died in the archon war. considering ruin guards didn't start wondering teyvat until after the cataclysm, we can propose a question of how exactly she got them. mentioning remus again, the golems he created with the souls of his people within the golden ichor are hinted to be what referenced khaenri’ah to create ruin machines. the link between having the want to defy the heavens and the fall of nations is something we’re already aware, but the way these nations or people connect with each other is also very consistent.

“perinheri”, a book very obviously about khaenri’ah during the crimson moon dynasty, was the talk of the town for multiple reasons but one of the surprises in it was the mention to deus auri (zhongli) by angelica. her nation was defeated by deus auri but she refused to submit to the new god. the orphanage in khaenri’ah – that ties itself with the house of the hearth – seems to have collected children that could classify as descenders, looking for some sort of potential. khaenri’ah anticipated the arrival of "beings who could transcend the gods" and this seems to relate to the concept presented to us during one of sumeru’s archon quests that the traveler’s twin isn’t a descender despite traveler being considered one. it also fits rene’s description of a descender being those with “wills that can rival an entire world”. i can’t make a connection between these concepts but zhongli’s mention is definitely intriguing.  

deshret was depicted in genshin animations as an 8-pointed star and the speculated door to khaenri’ah, below sumeru, also has the same star on it. there's two stars that could be in association to this symbol, the star of lakshmi and the star of ishtar. in both cases, the 8-pointed star is associated with the goddess venus, who was worshipped as a symbol of fertility and love. the star can be seen as a representation of the eight phases of venus, which includes her appearances as the morning and evening star.

lakshmi ('she who leads to one's goal') is one of the principal goddesses in hinduism. she’s associated with maya (illusion) and along with parvati and saraswati she forms the tridevi of hindu goddesses. the tridevi are considered consorts and auxiliary deities to the more eminent masculine trimurti gods (brahma, shiva and vishnu).  saraswati is the goddess of learning, arts, and music, and the consort of brahma, the creator; lakshmi is the goddess of fortune, fertility, light, and material and spiritual fulfillment, and consort of vishnu, the preserver; and parvati is the goddess of power, war, beauty, and love. she is the consort of shiva, the destroyer of evil.

lakshmi, as his consort and divine energy, accompanied vishnu whenever he descended on earth as an avatar; she's the supreme goddess in the sect and assists vishnu to create, protect, and transform the universe. lakshami is associated with the lotus flowers, in reference to spirit liberation, and her iconography also depicts her with four hands, representing the four aspects of human life important to hindu culture: dharma (moral values), kama (pleasure), artha (prosperity), and moksha (final liberation, humanity’s ultimate goal).

the tridevi are the manifestations of mahadevi, the supreme goddess and the primordial power behind the creation of the universe (creator and destroyer). all hindu gods and goddesses are considered to be manifestations of mahadevi and she’s known by many names, some translating to ‘she who is primordial matter’, ‘the great illusion’, ‘the life force in all beings’, ‘she who is supreme knowledge’, ‘she who transcends the universe’, and ‘she who destroys’. mahadevi's is also called ‘night of death’ and ‘she who is death’, reinforcing her destructive nature.

the star of ishtar or or star of inanna is usually used in association with the heavens and is specifically connected to the planet venus. the eight-pointed star is sometimes shown alongside the crescent moon, which was the symbol of sin (god of the moon) and the rayed solar disk, which was a symbol of shamash (god of the sun). the morning star may have been conceived as a male deity who presided over the arts of war and the evening star may have been conceived as a female deity who presided over the arts of love.

inanna (or ishtar) is an ancient goddess of love, war, and fertility and her primary title was "the queen of heaven". many of her myths involve her taking over the domains of other deities. she was believed to have been given the mes, which represented all positive and negative aspects of civilization, by enki, the god of wisdom. she apparently took over the eanna temple from the god of the sky, an. alongside her twin brother utu, inanna was the enforcer of divine justice. in the standard version of the epic of gilgamesh, ishtar asks gilgamesh to become her consort. when he disdainfully refuses, she unleashes the bull of heaven, resulting in the death of gilgamesh’s friend, who has a subsequent grapple with his own mortality. inanna's most famous myth is the story of her descent into and return from the ancient mesopotamian underworld, ruled by her older sister ereshkigal. after she reaches the throne room, the seven judges of the underworld (whose function was to decree the fates of humanity) deem her guilty and strike her dead. three days later, someone pleads with all the gods to bring inanna back. all of them refuse, except enki, who sends two beings to rescue inanna. they escort inanna out of the underworld but the guardians of the underworld drag her husband down there as replacement. he is eventually permitted to return to heaven for half the year, while his sister remains in the underworld for the other half, resulting in the cycle of the seasons.

as genshin is a bit of a cocktail when it comes to mythology and any historical references, it’s hard to say if the stories of ishtar or lakshami can even be a straightforward parallel to the higher beings in genshin. but i think if there’s one thing to take from everything so far is that there’s a very meaningful recurrence of trios or the number three (e.g. triquetra, three moon sisters, evil trinity), as well as the constant appearance of sun and moon elements together and dependent of one another (either in regards to their roles or their personal connections), the sun always being the masculine and the moon always being the feminine. we know there was a time in which these elements co-existed together in heaven, although they seem to be fated/doomed to separate from one another (the tragedies referenced in this post being an example of that).

enkanomiya

there are three very interesting achievements with interesting names you get in enkanomiya. one is kairos' constancy, and is the one you get from completing time trial challenges. kairos, as we already know, is one of istaroth’s (god of time) names. this name is based on the greek god kairos, the god of moments. the other two achievements, which also have greek names, are hesperus' boons, for opening chests, and phosphoros' guidance, for following seelies. if these are names of deities with close relations to phanes or at least celestia, as it would make sense because it would follow the pattern for istaroth, then would it be that out-of-pocket to think these might be the names of the other shades or of the moon sisters? phosphorus (bearer of light, often translated as lucifer) is the god of the planet venus in its appearance as the morning star. hesperus (son of dawn), on another hand, is the evening star. (planet venus in the evening). venus, as mentioned before, relates to the eight-pointed star and we know this shape is also used as the symbol of istaroth in enkanomiya (light realm sygil).

which, by the way, are used in hilichurl camps. the hilichurl camp in front of the thousand wind temple in mondstadt was already a hint that they worshiped istaroth but i think it’s safe to say that with certainty. it’s just curious that they don’t really recognize the archons, thinking of the elements as that which is deserving of worshiping, yet recognize (at least one of) a shade of phanes. the name istaroth is derived from astaroth, one of the three demons in the "evil trinity" alongside beelzebub and lucifer, connecting istaroth and the morning star once again.

i don't plan to drag this any longer as this is already way too long but to finish it off, and summarising these ideas: i'd say the one of the biggest patterns present in the game is the constant mention of entities in heaven seemingly converging into the duality of sun and moon, the moon sisters and the sun god. i haven't properly dwelled on this to come to a any sort of definite idea but there’s too many details creating a consistent pattern for my brain to disregard these ties as non-intentional. obviously, all these characters i have mentioned throughout the post aren’t going to all be the same handful of beings, and that’s not what i’m trying to say, but i do believe the repetition of the same themes has meaning. maybe the same way mahadevi manifested herself as three other feminine gods who worked together with male deities, the heavenly principles or phanes also created the shades as a manifestation of the sun and the moon. or maybe ishtar, alongside utu as enforcers of divine justice, taking over the god of the sky's (ishtar's father) temple could mirror the twins and their journey. maybe kairos, phosphorus and hesperus are indeed the moon sisters or even shades of the primordial one. maybe guizhong isn't meant to be more than a parallel to other entities, but maybe she was truly more than what was originally presented. i don't think it's impossible that even if she isn't one of the big figures - goddess of flowers or a moon sister - that she could have originated from one or be related to one (nabu malikata having seelies as her people and jinni or khvarena as her daughters). similarly to how venti is hinted to have originated from istaroth (as he was originally "a single thread of the thousand winds", istaroth's title). or perhaps not. regardless, it’s fun to notice that many theories in the fandom sort of intertwine together to make a fuller picture based on scattered information across the game. i'm not sure if i'll go more in-depth regarding some of these "theories" as there's still a lot to expand but i hope all of this made at least a little bit of sense. thank you for reading this far!

[shima-draws]

Me, sketching out charm designs: Fun!! Ehe! So fun!!

Me, lining charm designs: Why did god put me on this earth. Why was I put here only to suffer. Such a cruel fate has befallen me

Me, coloring and shading charm designs: Fun!! Ehe! So fun!!!

[anonyanonymouse]

Ship List

Retrospring is going down, so there's not much point to keeping my carrd up any longer. This was like the only thing I had on there, so I decided to move it over and use the opportunity to talk more about these guys! Ships will include ortho, incest, age gaps, ect. I'm open-minded with this stuff. Love to play with my dolls (characters), and I love things that are taboo and uncomfortable!

Any first year combo I include Ortho here! And I like them as just a polycule too. They're a very sweet friend group and I always enjoy seeing them interact with one another

Riddle/Jack Positions could switch, I just like Jack's puppy crush on Riddle in I think his ceremonial robes card and the stitch event

Azul/Riddle

Floyd/Riddle

Ortho/Riddle Shorty on shorty <3 I think Riddle could be very embarrassed about it, but Ortho is super overwhelming when he tries to convince someone about something, so that could get Riddle in a lot of trouble... I also love seeing Ortho with emotionally unstable characters. In a darker au, I'd see him gaslighting them into thinking they're dependent on him, like his older brother

Malleus/Riddle I like their interactions in Malleus' union birthday card and in Riddle's ghost marriage card. Another character I think would be super overwhelming to Riddle, but also, he respects Malleus a lot and could easily build a very sweet dynamic with him!

Jade/Trey I'm devastated this fic may have been deleted because I was going to link it here, but it completely convinced me of these two </3 I just want Jade to manipulate Trey into being weirder

Rook/Trey I just want Rook to manipulate Trey into being weirder

Cater/Cater

Ortho/Cater Another emotionally unstable character I want Ortho to gaslight into depending on him... But he is also a very hype character, and so is Ortho, so they could have a lot of fun! I can see him making deals with Ortho to get his help improving his reach on the algorithm

Azul/Deuce For everyone in octavinelle, I just really like the idea of Deuce being taken advantage of by them. He's a good boy, and they are not

Jade/Deuce

Floyd/Deuce

Malleus/Deuce Their interactions are really fun. Malleus loves this weird boy who is so down to fight him the second he thinks Malleus is making a go at him, and Deuce getting all embarrassed and confused from receiving Malleus' affection is soo good!!

Leona/Ruggie

Leona/Epel

Leona/Silver Just once I need to read a horrible fic of Silver getting nonconned the hell out of by Leona for his affiliation with Malleus

Rook/Ruggie

Jade/Azul I like the idea of Floyd and Jade sharing Azul, but between the three of them, Jade/Azul is my favorite combo by far

Floyd/Azul

Ortho/Azul Same reasons as Riddle and Cater, but Azul wanting to make Ortho his younger brother for business in his union birthday card adds a cool and fun flair

Jade/Kalim See Gold Earrings by sepsis

Rook/Jade They're going to do horrible things together and I'm so happy for them

Jade/Silver FAVE!! Jade is such a weird boy about Silver. I want to see him poison and injure Silver just so he can tuck him in and feed him his favorite food and give him kisses to make it better, and Silver will be so grateful, the poor oblivious thing <3

Rook/Epel

Malleus/Epel I need Malleus to obliterate that tiny little man

Lilia/Epel Shorty on shorty <3 I also need Lilia to obliterate him

Silver/Epel My original rarepair. I used to obsess over them a lot more. I still think they could be cute, though!

Ortho/Idia If only I could be more passionate about them!! Lots of good content out there, and I do passively enjoy them and their codependent awfulness whenever I pass by ship art and occasionally fics. Love them

Malleus/Idia I think they're going to have some pretty good moments when we get further on in book 7!

Lilia/Idia

Ortho/Malleus I delight over this ship. I'm suprised I haven't spoken about them more, but their interaction in book 7 was INSANE. Ortho could truly be an equal to Malleus, in a lot of ways, especially when time passes and their long lifespans become more apparent. They could fight each other and fuck nasty too. I used to have Malleus as the dom here but it could be either, and I like it when Ortho tops a lot so I switched them

Malleus/Silver MY OTP my bread and butter my everything. They're the only ones I can ever seem to write fic for!! They're the opposite of each other, they're the same, they're brothers, they're prince and knight, they're going to kill each other, they're going to love so sweetly, they're going to fuck nasty. Love love love love them I hope you always know that I am obsessed with them like nothing else

Lilia/Silver I love LiliSil a lot too!! You'll see me talk about them on my blog from time to time. Lilia is so complicated and such a little bastard, it makes it so fun to imagine all kinds of things happening with this kid who loves him more than life

[this-machine-runs-on-coffee]

"SHINE A LIGHT (REPRISE)" THIS IS NOT AN EXACT TRANSLATION, THIS IS AN ADAPTATION (AND ONE THAT STILL NEEDS TONS OF FIXING AT THAT)

I scheduled this for the future lol. Scheduled this on the 23/05/24 for the date in which this will come out Because now it's decent but I still don't like it (but at least you guys won't be starved of my content for too long [not like it would be that big of a deal but if there was someone irl cheering me on for doing this and I said I'd do it I would give them something I did in the past but haven't yet showed them during a time in which I can't produce more of that content]) So anyway you guys, here you have "Shine A Light (Reprise)" in Italian! ASK ME FOR PERMISSION BEFORE USING THIS, DO CREDIT ME IF YOU EVER USE THIS (I doubt you will it’s impractical and still needs so much fixing it’s unbelievable) AND TELL ME/LINK WHATEVER YOU USED IT FOR USING REBLOGS (because for some reason Tumblr doesn’t like comments with links and while I do think I understand why I don’t always like it)

(the apostrophes [or however ’ is called] are used to shorten the number of syllables often in poetry so I’m obviously abusing that power.)

[HEATHER MCNAMARA:] Stupidi tappi impossibili!

[HEATHER DUKE:] Oh guarda, Heather se ne va'a

[HEATHER DUKE & COMPANY:] Fri-hignar tutta notte!

[HEATHER DUKE:] Non meriti di vivere!

[HEATHER DUKE & COMPANY:] Perché non ucciderti?

[HEATHER DUKE:] Eccoti un sedativo

[HEATHER & COMPANY:] Fri-hi-higna!

[HEATHER DUKE:] * Perché Babbo Natale non c'è (uee-uee)

[HEATHER DUKE & COMPANY:] Sei patetica perché frigni!

[HEATHER DUKE:] Frigni tutta notte!

[HEATHER DUKE:] (Frigna) Dalla squadra te ne devi andare (Frigna) Lamentati e piagnucola (Frigna) Non meriti di sognare (Frigna) Tu morirai da sola!

[HEATHER DUKE & COMPANY:] Muori sola! Muori sola! Muori sola! MUORI SOLA! So, direct translation! (used in this to specify the meanings and explain certain word choices [and in one case this])

[HEATHER MCNAMARA:] Stupid impossible (implied to open) caps!

[HEATHER DUKE:] Aww look, Heather's going to

[HEATHER DUKE & COMPANY:] Whi-hine all night!

[HEATHER DUKE:] You don't deserve to live!

[HEATHER DUKE & COMPANY:] Why not kill yourself!

[HEATHER DUKE:] Here's to you a sedative

[HEATHER & COMPANY:] Whi-hi-hine!

[HEATHER DUKE:] Because there's no Santa Claus (uee-uee [in this case we're using this parenthesis for the explanations: so, uee-uee are the letters used to mimick crying in Italian, I don't remember the name of the poetic thing now, I think onomathopea? I'm unsure if it's even written right])

[HEATHER DUKE & COMPANY:] You're pathetic because you whine!

[HEATHER DUKE:] You whine all night!

[HEATHER DUKE:] (Whine) Go awayfrom the team (Whine) Whine (but as in moan about it) and whine (but as in cry but mockingly) (Whine) You don't deserve to dream (Whine) You're gonna die alone

[HEATHER DUKE & COMPANY:] Die alone! Die alone! Die alone! DIE ALONE! OG LYRICS (if you’re seeing this I doubt you don’t know them, but here they are anyway):

[HEATHER MCNAMARA:] Stupid child proof caps!

[HEATHER DUKE:] Aww look, Heather's going to

[HEATHER DUKE & COMPANY:] Whine, whine, whine all night!

[HEATHER DUKE:] You don't deserve to live!

[HEATHER DUKE & COMPANY:] Why not kill yourself!

[HEATHER DUKE:] Here have a sedative

[HEATHER & COMPANY:] Whine, whine, whine!

[HEATHER DUKE:] Like there's no Santa Claus (boo-hoo)

[HEATHER DUKE & COMPANY:] You're pathetic because you whine!

[HEATHER DUKE:] You whine all night!

[HEATHER DUKE:] (Whine) Your ass is off the team (Whine) Go on and bitch and moan (Whine) You don't deserve to dream (Whine) You're gonna die alone

[HEATHER DUKE & COMPANY:] Die alone! Die alone! Die alone! DIE ALONE!

[orcelito]

I'm at the painful "confession" scene during the kage summit arc. It really is so emotional, but also... hm.

When I was younger, like 13 or so, I was a big Sakura and Naruto shipper. They were the first pairing I read fanfic for even. And in a way, I do still enjoy the two of them together... but it's moments like these that really drive home the fact that it Doesn't really work in canon. Not the way that it's set up.

As Sakura puts it, "Sasuke, Sasuke, Sasuke! That's all you think about!"

She's told that Naruto has feelings for her and decides to use it to convince him to stop going after Sasuke. She does love him, but not in the way she's trying to confess. The love they share is one of comradery, not necessarily romantic. The love of two people who have gone through such pain together, and who have leaned on each other throughout it all. And the fact that she's turning around and saying she loves him "simply like everyone else", now... it's trivializing. And the fact that she's trying to convince him of this, the fact that she thinks she Can convince him of this, is pretty hurtful. They've come a long way from when they were kids, Naruto the goofball vying for her attention while she yelled at him for being stupid. Sakura respects Naruto so much more than before, and Naruto respects her too. So the fact that she's still doing this... She's desperate, really. She thinks the promise he made to her to bring Sasuke home is what's driving him to let himself be hurt over and over and over again in the pursuit and protection of Sasuke.

But she's wrong.

That may be part of it, but it's only part. Naruto wants Sasuke back for himself, too. He let himself be beat up to avoid selling him out. He chases after him with single minded determination. Sasuke is his entire drive to get stronger, to catch up, to bring him home. Sasuke, Sasuke, Sasuke indeed.

As it is, Naruto knows she's lying to herself. And no matter what she says, he will keep going after Sasuke. Because that's just the person that Naruto is.

[unnonexistence]

kicking my feet and giggling thinking about vector spaces

[phoenixcatch7]

Man I am just SO CONFUSED. About the time line of this game.

No one is telling me how long links been gone! Or how long the botw-totk timeskip was! They all just started selling my stuff again lol. I'm going to have to get everything redyed!

Me: hey random stranger! Lore dump? You look like a lore dumper.

Kindly npc: why hullo there, link ^^! My, I haven't seen you in a while since the calamity ended! I was so worried when they said you and the princess had gone missing! But it's good to see you're well.

Me: aw, thanks. How long has it actually been tho.

Kindly npc: ^u^

[thelastspeecher]

(gentle reminder that while I'm not as active here or other places rn, I'm still lurking, so I'm not gone. I'm just dialing back stuff due to losing two loved ones earlier this month.)

(also. <3)

[sysig]

Font of Inspiration (Patreon)