#I'll post what I feel like beloved

[iguessweallcrazyithinktho]

https://www.tumblr.com/iguessweallcrazyithinktho/759440783541665792/you-people-are-so-mentally-ill?source=share you publishing these things here so they spread more is not very good either

I don't care <3

[just-null]

Do you ever do requests? If so, do you ever plan on drawing some Yandere with the Hantengu clones? :D hope you have a good day/night!!!

Mentioning an unfamiliar name

yes!! I love yanderes.. and these guys.. these guys are such good material...... nods nods..

I'm not sure about requests..I assume you mean drawing requests? I suppose if it REALLY catches my interest enough, I'd do it, but it'd probably just be line art/sketches.

[mobius-m-mobius]

You wanna hear a good story? Listen to this one.

Mobius + comfort

[nachosncheezies]

In defense of late-canon x files (including the revivals)

I was thinking about this poll after I commented on it, and I kinda want to be brave and say more.

Short answer to the poll's question before I go any further: If you're a new fan and a sensitive sort who thinks you'll struggle with your blorbos Really Going Through It and you really need a happy ending, I suggest you stop at the end of season 8. Do not pass go, do not look at spoilers. Disregard this post entirely, close the internet, and go look at something that makes you happy. (Also fuck every part of society that characterizes sensitivity as inherently weak and bad and some kind of personal failing, you are valid.)

That said, "quality" as a concept is entirely subjective, and the question of whether or not there's a decline in quality for any story is wholly subjective, too. In the case of x files? I'm not convinced there is a decline. I am going to be upfront that I haven't yet watched past season 8, though I am almost completely spoiled on events after that - and the reason I haven't watched yet is not because of how I know events are going to unfold, but simply because I don't want it to end!!! Ohh, the tension between "I CAN'T WAIT!!!" and "Nooo don't be over D:"

When I first came to txf fandom on tumblr and gradually became spoiled about what happens in late canon though, I was often left uncomfortable and tbh kinda queasy about it. As I said in my comment on the poll, the hate for especially the revival and IWTB, or to a lesser extent even seasons 8 & 9, is very well documented. But! There are other takes to be found here on tumblr if you figure out where to look, and my feelings have changed!

The thing is, I have yet to find myself in any fandom where there isn't a vocal subset of fans who dislike the story after a certain point. I am not joking when I say that no one hates the things they love as passionately as sci-fi and fantasy fans. In my experience, it often hinges on the extent to which a viewer has strong notions on where they would like the characters to end up. In particular with series where shipping is a dominant component for the bulk of a fandom, I have almost universally found that there comes some turning point in the story where "let them be happy you cowards" is the dominant view, and things that compromise the attainment of a degree of romantic stability and/or domesticity are, to many fans, annoying at best and despicable at worst. But! As one tagset on the linked poll said:

and I think for any fandom, that last tag especially is so so so important. (I think that's harder for people watching a weekly series live, bc you have so much time to analyze and speculate and dream before the next breadcrumb drops, but I digress.)

So why am I saying this and how do I apply it to x files? Well, I eventually found that there are also a subset of fans who find redeeming things right up to the very end and actually quite like the whole thing! The things that I had seen people rage and ventpost so much about honestly never quite sounded to me as "out of character" or "untrue to the story" etc as those same ventposts made them sound. And I've discovered I'm not the only one who felt that way. Do I love that the spooky squad had to go through all of those things? No, those poor guys D: Life is hard and they have been through so much trauma. But do those events and their choices make sense to me in light of everything that came before? Yes! And I honestly can't wait to see them fight to overcome those things, breaking, healing, always learning, always growing, always getting better.

So if you're wondering "where does it go wrong"... well, I'm a completionist, as many people who've answered that post are, but also my personal opinion is that I don't think it does go wrong. If you're new and interested in exploring why I've gone from "vaguely queasy" to "excited" about the whole thing, or want to maybe balance out the impressions you're getting about the later seasons before deciding whether or not you want to see the whole thing, I'll put a few blog names in the comments.

Final admission: even once I started feeling a little more confident in the possibility that "actually ok maybe I'm not crazy, maybe this all kind of is in character and does make sense", there was one big plot point that I was NOT looking forward to and I thought I would never be comfortable about. In hindsight, I think my discomfort came from the negative responses being SO seemingly universal that I hadn't stopped to let myself truly consider other possible interpretations on that point. (I mean my initial instinct when I first read about it was, why are we mad about this?? CSM is literally the most unreliable narrator in history???? it's obviously fake news?????? this must be either a fever dream someone's having or it's a misdirection ploy against whatever shadowy forces might still be lurking?????????????? but for whatever reason I guess I had halfway written that off.) Happily, just last month there's a new post-s11 novel out, and although reviews for the book as a whole are mixed, it seems to have laid the groundwork for resolving that plot issue in a way I think most fans would be broadly happy with. If you're interested in being spoiled about that and seeing how, I recommend searching #perihelion on @agent-troi who liveblogged reading it with receipts, scroll back chronological-style to the first post on the subject and see how it unfolded. (And never forget that Dana Katherine Scully is the queen of denial as a coping mechanism lol)

Everyone's mileage will vary. Each person can feel however they want! But for anyone new, I wanted you to know that the very many ventposts you might be seeing are not all there is to this show or its fandom. Some of us love it despite - or even because of - all the things that went "wrong". I think we just don't talk about it as much.

[springcatalyst]

My dearest, tell me about your conlang scripts, please❣

Yeassss thank you beloved I will now kill for you <3 Ask me to kill for you.

I truly do not know how long this is going to end up but I'm just gonna go for it.

Montaran

Montaran is fauns' native language: it is alphasyllabic (rather than alphabetic), made up of character 'blocks' that are themselves composed of syllabic components. It's based off a mix of Korean and Sanskrit (mostly Brahmi script).

⬆️ "This is an example sentence" written in Montaran. Pronounced "Bavna mōskadatōk nin."

Components are arranged in blocks of three max, with spaces between words. It's written and read top to bottom, left to right. In three-component characters (called full blocks or complete characters), the arrangement of the components tells you where the syllabic emphasis is.

Here's the same sentence but with the components split up. The first word bavna has it's emphasis on the syllable na, and you can tell by reading because it's alone, as opposed to the other two components, which share space on the top of the block. The second word, Mōskadatōk, has its emphasis on the first and fourth syllables mō and da- the ones that are alone in their vertical placement. For partial blocks, like the last word nin, you can't tell emphasis by reading it.

Montaran is an abugida, which means its alphasyllabary is made up of consonant letters and small, diacritic-like additions that determine vowel sounds. Consonants can exist alone, but vowels must be connected to a consonant.

Where vowels are connected to a consonant can vary- usually there is a standardized method, but handwriting can alter it.

Montaran doesn't use any articles or particles, is written subject-verb-object (though the verb to be is considered an implied verb and therefore not actually written or spoken in sentences which would need it in other languages). Adjectives and adverbs are placed before what they alter.

Homonic

Homonic is humans' native language. It's alphabetic, made up mostly of vowels. The consonants are just 6 'base' ones, the sound of which changes with the inclusion of diacritics. It's based off of mostly English and Japanese.

⬆️ "This is an example sentence" written in Homonic. Pronounced "Goa ja ikaruth zonosh hfow."

Likewise I had more explanation for those weird phonetics but once again I am going to joker out so what the fuck ever. The r is a tapped r though.

Consonants base form is considered the default, while the diacritics change what sound it makes. The handakuten indicates a harder sound (P to B, F to V, L to tapped R), the tilde indicates a softer sound (hard G to Y, L to R, F to a sort of harder H that's not quite an english H), and the dakuten indicates a much softer, sometimes voiceless sound (P to W, F to H, T to Th). I should say now that I wrote out the phonetics of these in a way they make sense to me, so they might seem like nonsense to you. Because I don't understand international phonetic alphabet. But I digress. Vowels are never given diacritics.

Homonic uses both articles and particles, but particles are mostly used for action and subject indication. It's written subject-object-verb: Adjectives go after the noun they alter, but adverbs go before the verb. It's written left to right.

Paitarō

Paitarō is ipotanes' native language. It's an abugida, but unlike Montaran, consonants cannot exist alone. Instead, letters in their 'default' state are assigned the inherent vowel a, and all alterations from that indicate different vowel sounds. It's based mostly on Ge'ez and Eastern Cree.

⬆️ "This is an example sentence" written in Paitarō . Pronounced "Roujih myudae ba raisakō louhayka".

Paitarō has a bunch of different versions of verbs depending on context. They have general vs current forms, constant vs transient, beginning vs ending, and some verbs have a gladly vs reluctantly form. I gave examples, but this is my third time trying to edit this and I can't be assed to write it all out again without becoming the joker.

Rotation and diacritics determine the vowel sound of a letter. It's very consistent, so while it looks like there are 8 million letters, really there's just 12 that are altered slightly for different forms. A clockwise rotation 90 degrees will always result in the vowel ay, an macron will always result in the vowel i, etc.

It's written left to right, subject-verb-object, and uses no particles (but does use articles). It's also one of the harder languages to learn from an outside perspective, because many of the vowels (particularly o, oo, ou, and ō) sound similar to the untrained ear.

Arbor

Arbor is satyrs' native language. It's alphabetic, and has the largest alphabet of any language, with 42 letters (Paitarō beats it only if you consider all rotations and diacritics separate letters, which I don't). It's based mostly on Russian and Japanese.

⬆️ "This is an example sentence" written in Arbor. Pronounced "Shleya bouk dzyañen aotal voh."

It's written right to left, verb-subject-object. It doesn't use articles, but does use particles, which make up far more of the grammatical structure than of any other language. Particles indicate time, possession, location, direction, vocatives, pragmatics, formality, connectives, and conjunctions. For example, in the above sentence, the particle voh indicates certainty- what is being said is fact- not up for debate.

Formality particles are something that is mostly unique to Arbor: Homonic uses some, but they are loanwords from Arbor, and not used near as often. The only circumstance in which a satyr would not use formality particles is when speaking to children (or if the speaker is a child). Because of this, for an adult to speak without these particles is perceived as immature or patronizing or both. There are generally four 'levels' of respectful particles: familiar (for friends and family), peers (for acquaintances and strangers), respect (for superiors or elders), and higher status (for governmental or religious leaders). There are also degrading particles that are only used explicitly as insults, but are naturally not used in everyday life.

There are no true diacritics in Arbor, similar letters (like eh, ih, and uh, or v and fh) are considered distinct, not the same letter but altered).

Shotali

Shotali is nightlings' native language. It's syllabic, written calligraphically from top to bottom. It's made up of common humanoid phonemes as well as a clicking sound that is unique to their physiology. It's mostly based off of Khoisan and Vulcan.

⬆️ "This is an example sentence" written in Shotali. Pronounced "Sikosha taori niloth zhoi."

Here's the same sentence twice, one with the letters and other aspects of the sentence pointed out. The letters are designed to run into one another, where one letter ends another begins. Words are separated by a small open circle at the beginning and end to make clear the joint between the two.

It uses only two diacritics: a handakuten and a macron. In natural Shotali, they are used sparingly, but their usage has since expanded to allow for other sounds to be transcribed into Shotali. The macron traditionally changes just a few letters from an i vowel sound to an e (ri->re, ni->ne, li->le), but now can also be found to alter any letter with an i to an e, even if it was not originally allowed. The handakuten, in natural Shotali, indicates a click, made as part of the syllable alongside the voiced pronunciation, and is not actually considered a diacritic in this form. It's present only on hard consonants (k, v, d). These consonants can be written/spoken without the click and therefore without the handakuten, but only in very specific words or it is incorrect. Some words only define meaning by the presence or absence of this click- this makes things tricky for any other species trying to learn/speak Shotali.

Now, though, the handakuten is also placed as a diacritic on some other letters- not to indicate a click, but to harden the sound (Th to T, P to B, Zh to Z, J to hard G). These characters are not included in the base alphabet as they are considered adopted characters, meant to transcribe sounds from other languages- Shotali has a lot of technically allowed ways to write/speak that arent included in the 'official' alphabet.

Only d, j and th (or t with a handakuten) can exist as a consonantal sound without a vowel, considered a whole syllable by themselves in Shotali. It's written verb-object-subject, and uses no articles or particles. Adverbs and adjectives go before the noun or verb they alter.

Bonus: Chimerae's sign-morse

The chimerae, which live in the depths of the ocean and thus do not interact with any other humanoid species, converse with a form of sign language that utilizes their bioluminescent abilities. It is untranscribable, and so doesn't have a proper name. It's made up of similar signs as that of shallower merfolk: large, slow movements of the hands and caudal fin, but is additionally altered by light. Light carries meaning in: where on the body it is located, how quick the flash is, and what physical sign it accompanies.

Chimeraes have two distinct dialects of this language: a distant and close dialect, both used in conjunction with each other depending on context. Because detail gets much harder to see at distance, and the deep sea is big, the type of sign-morse used when far away from your conversation partner is different than that which is used when you are right next to each other. The former is vaguer, but more obvious, while the latter is more intricate and specific.

[polaroid-petals]

Sometimes my thoughts drift into how lonesome and terribly bored Omori must've felt in those four years waiting in a blank room, my heart starts hurting, and I gotta back out again

[rindomness]

I have been making more shuake crossover aus. this time it's avatar

[dilfkuza]

okay i feel like im going insane and making a red string board in my head but I've watched that Ichiban and Kiryu conversation way too many times and i swear Kiryu has to be lying to seem cool or the "proposal" he's talking about isn't a standard proposal. a man with nothing to hide wouldn't have his face shift from being this smug

to being this caught off guard when he's asked to give details

that's not the look of a man who's been asked to reveal something personal that might be emberassing or uncomfortable, that's the face of a man who got caught in a lie and doesn't know how to follow up.

i know Kiryu is pulling a story out of his ass to hold up a manly persona. he's looking around trying to come up with something believable because he didn't think through his gut reaction of "I need to seem cool in front of this younger guy who (maybe) looks up to me". man's looking around the skyline as if his childhood idea of a tough, macho yakuza is gonna float down and give him a story to tell.

I can't even think of who he could be referring to unless he's exaggerating his relationship with Yumi or Kaoru? or if it has something to do with the woman he's protecting in Gaiden but I wouldn't think so since that's just a side story. of course it's not impossible that he could have tried to have a relationship during one of the gaps in time between games (à la Majima having an ex-wife between games), but that would be a really cheap way to write themselves out of Kiryu being generally uninterested in women. in conclusion?

[happi-tree]

midnight (close to you)

Taylor ❤️‍🔥                  just now u up

Lincoln grimaces at the 03:27 in bold numbers across the top of his screen before swiping on the message and unlocking his phone to type out a quick reply. 

Me                  Yeah. 

Lincoln is no stranger to seeing Taylor up at weird hours, but as he glances at past messages (filled on Taylor’s part with lots of exclamation points and cutesy little emotes), he suddenly feels a bit more awake. 

A chat bubble appears below, animated dots appearing and disappearing as he waits. 

Taylor ❤️‍🔥                   🕯️?

Me                  On it.

Or: Taylor has a bad night, and Lincoln tries his best to make it more bearable.

ao3

Swiftli time, lovebirds!!! Here’s my fic for day 5: demons/nightmares. Like days 1 and 3, this is part of the supernatural au @llumimoon, @kaseyskat, and I planned out together. Hope you enjoy!

(Title taken from "Sleep-walking" by Dreamcatcher).

Lincoln Li-Wilson is tossing and turning in a vain attempt at sleep when his phone buzzes.

Blearily, he wipes at his eyes as he focuses on the screen, wincing at the sudden brightness.

Taylor ❤️‍🔥                  just now

u up

Lincoln grimaces at the 03:27 in bold numbers across the top of his screen before swiping on the message and unlocking his phone to type out a quick reply. 

Me                 

Yeah. 

Lincoln is no stranger to seeing Taylor up at weird hours, but as he glances at past messages (filled on Taylor’s part with lots of exclamation points and cutesy little emotes), he suddenly feels a bit more awake. 

A chat bubble appears below, animated dots appearing and disappearing as he waits. 

Taylor ❤️‍🔥                  

🕯️?

Me                 

On it.

Lincoln pushes himself out of bed, making his way over to turn on his fairy lights (a joke gift from Normal, tiny pairs of butterfly wings casting the room in warm-tinted pinpricks of light) and opens one of his dresser drawers, pulling out the components he needs.

Next to go is the area rug, rolled up and pushed to the side to uncover the large pentagram painted into the floor, encircled by runes Lincoln had checked and double-checked, written in Taylor’s steady hand. 

He places the red taper candles in the direction of each of the four winds, scatters coarse salt atop the inked circle (a formality at this point, but he can never be too careful). He fumbles with the lighter, trying a few times before remembering to shut off the ceiling fan. 

Lincoln makes sure to crack the door open (the increasingly invasive questions from both of his dads had been downright embarrassing the last time they did this and he is not in the mood for a repeat experience). They won’t mind, he knows.

Besides, there are many worse things a teenage boy like Lincoln could be doing than ritually summoning a demon. Half-demon. Whatever. 

At each point of the star, he places small offerings: an unopened box of strawberry crunch Pocky; a Garfield plush (which he deeply hopes Taylor will give back to him, since it’s one of his favorites); a room-temperature Ramune; a sparkly sticker; a homemade charm bracelet (no iron or silver, of course, warded for protection and serenity). 

In the very center of the pentagram, Lincoln carefully places the Hatsune Miku keychain Taylor had lent him for this exact purpose.

Lincoln pricks his finger and lets a drop of blood fall to the outer edge of the circle, lets the sizzle of it drown out the soft mutterings of the incantation.

Five pinpricks of flame flare higher, brighter, and brilliant ribbons of fire spread outward to conjoin in the center of the circle. Lincoln watches warily as the ball of flame grows and grows, expanding outward and beginning to color with the reddish-magenta hue of his friend’s aura, casting the room in stark maroon shadows.

Before his eyes, the blaze grows brighter, burns hotter, practically pushing at the bounds of its ink-carved confinement, and Lincoln feels the heat lick at his face, warm against his cheeks.

As suddenly as it began, the light is extinguished, revealing the hunched pajama-clad form of Taylor amidst the embers and smoke, the faint cerise glow around him fading until he’s backlit by Lincoln’s fairy lights.

It’s an enchanting sight, normally, one that Lincoln cherishes, but not when Taylor’s glancing down at the painted floorboards with glossed-over eyes, trembling slightly.

“Hey,” Lincoln says, breaking the line of salt with a nudge of his socked foot, crawling forward until their knees touch.

A single, long strand of Taylor’s fringe is still aflame, so Lincoln leans inward and pinches it gently between his thumb and forefinger and extinguishes it with a hiss.

“Taylor,” Lincoln calls, voice hushed in the night but hopefully loud enough to get through to him. He tucks the midnight-dark strand behind the delicate, reddened point of Taylor’s ear.

When he doesn’t respond, doesn’t look up, worry settles further in his stomach, a leaden weight.

His hand cups his best friend’s face, carefully guiding upward until Taylor meets his gaze.

Glazed-over and deeply tired, Taylor stares blinkingly at him for a moment, eyes welling with tears.

“Hey,” Lincoln tries again, “what’s going o-” The air is knocked out of him in a quiet oof as Taylor lunges forward into his chest. He’s uncomfortably warm to the touch in such a way that would burn most people but only leaves Lincoln with a tingling sensation, kind of like sitting by a fireplace for a bit too long. He can feel the fabric of his sleep shirt growing wet where Taylor’s buried his face into his shoulder, and his arms come around to encircle his friend instinctively. 

“You’re burning up,” Lincoln frets as he touches the back of his hand to Taylor’s forehead. It feels like stretching his hands out over a bonfire rather than a candle, like usual, and he frowns at the way the heat pushes angrily against his wardings, making his hand glow a barely-perceptible gold. He frowns even deeper when Taylor only wriggles further into his arms, making a sad, distressed sort of sound.

Lincoln notices the way Taylor presses his ear into the left side of his chest, pushing against him like he’s searching out his heartbeat, and something in him twists a little. 

This floor can’t be comfortable for him, especially not when he’s shaking and breathing unevenly. 

Lincoln looks behind him, opens more of the salt circle with his bare foot, knocks over a crimson candle in the process.

Whatever, he’ll clean it up in the morning. 

“Gonna pick you up now, okay?” Lincoln murmurs, ducking his head so he doesn’t have to speak too loud and making sure to keep his voice slow and steady and reassuring.

Taylor nods against him, and Lincoln allows himself a shadow of a smile. 

“Good,” he says, and adjusts his hold, sliding one arm under Taylor’s knees and another along his back (beneath his shoulder blades, just in case). Something thin and warm coils itself around his forearm and squeezes, and Lincoln doesn’t need to look to know that Taylor’s wrapped his tail around him for support as his clawed hands scramble for purchase on his upper back. The fabric of Lincoln’s shirt shreds a little, but as always, Taylor’s scratching doesn’t manage to break through the latent magic just atop his skin. 

“Up we go!” Lincoln says, and Taylor clings to him even tighter as he holds his smaller friend aloft, carrying them both to his twin XL bed and depositing Taylor as gracefully as he can.

Which isn’t very graceful at all, since Taylor refuses to let go of him.

“Hey, it’s okay,” Lincoln soothes - or at least tries to. “I’m not going anywhere, I promise. I just need you to let me go, ‘kay?”

Taylor shakes his head, mumbling something almost inaudible into his chest.

“What was that?” he says, even though he knows he heard the muffled no, not again the first time.

“Can’t,” Taylor says instead, leaving Lincoln leaning awkwardly over the edge of the bed, feeling oddly cold despite the feverish boy in his arms. 

“Okay,” Lincoln mutters, shifting his hold a little (because while Taylor is relatively easy to pick up, soccer has, admittedly, not done much for his arm strength). “Can I move my hand so you can hold it, maybe? So I can be next to you?”

Taylor hums in the affirmative, so Lincoln slides a hand from beneath his friend’s back, and Taylor takes it the second it’s offered, clutching it with clawed fingers like a lifeline as Lincoln climbs into the narrow bed beside him.

That doesn’t last long, though, because Taylor is quick to throw an arm across Link’s shoulders and drape his leg across Lincoln’s own in a strange, full body half-hug. 

Lincoln hums a little in concern, worry pulling at his brow. Taylor really must not be feeling well with the way that every point of contact between them burns the tiniest bit, despite the layers and layers of enchantments and wards and immunities that have woven themselves into Lincoln’s cells.

Taylor’s head buries just below Link’s jaw, the way Normal tends to do when he’s feeling needy or sad and wants their pack’s scent around him. His horns, still growing by the day, clip against the side of Lincoln’s face harmlessly as he shuffles into him. 

Lincoln takes a minute to marvel at the close bond he has with his friends that defies human description. To go from having nobody his own age to talk to, much less be around, to having three people who care about him - despite rocky introductions - who love him enough to call him family, to be pack, to choose him, to come to him for comfort and camaraderie, to want him… it’s a lot.

 Sometimes, if Lincoln thinks about it too hard, the way his friends give him affection so freely - the way Normal nearly tackles him to the ground with the force of his hug and calls him by Name when the world gets to be too much, the way Scary leans into him without hesitation, the way Taylor curls into him now without reigning in his infernal traits - he could almost cry.

Taylor’s tail wraps around Lincoln’s waist, steadfast and needy, the spaded tip of it thumping irregularly against Lincoln’s side. 

They rest like that for several moments that seem simultaneously like an instant and like they stretch on into eternity, eons passing with each movement of Lincoln’s fingers through Taylor’s sleep-mussed hair.

Since Lincoln can’t really look at Taylor without craning his neck awkwardly, he chooses a spot on the ceiling to stare at, reveling in the feeling of Taylor cuddling up against him and taking obviously deep, slow breaths so that Taylor can match them. The heat at his side slowly abates from almost-singeing to a comforting warmth, and just as slowly, Taylor’s breath evens out from where it fans against his neck.

Lincoln lets the relative silence wash over him, waiting.

“Link?” Taylor asks, voice slightly muffled. 

(Taylor’s lips brush against the side of Lincoln’s throat in a way that makes his breath catch, sends his heart fluttering in his chest, but that’s not something he wants to think too hard about right now.)

“Yeah?” he responds quietly, and thankfully his voice doesn’t sound too strangled as he whispers.

“Thanks.” Taylor doesn’t look up, doesn’t let go, but he’s relaxed more fully into Lincoln’s side rather than grasping in a desperate panic. 

“Anytime, man.” It’s amazing, the way Taylor’s presence can warm him from the inside out without even trying, without even factoring in his demonic abilities.

Lincoln doesn’t press for answers. 

At this point, he doesn’t really need to. It’s become something of a routine for them over the past few months - whenever Taylor is left in an empty house and craves company, whenever Lincoln is feeling a little too cold, whenever sleep eludes them, the summoning circle is there, just to the side of Lincoln’s bed, and suddenly, things are a little less lonely.

Sometimes, Taylor wants to talk. Sometimes, he keeps to himself, and Lincoln tries not to let it worry him too much.

Anxiety meds are great for that, but the haunted look in his friends’ eyes is an unknown that Lincoln can’t protect them from, can only try his best to understand, fumbling and human as he is. 

“I, uh. Had a bad dream,” Taylor starts, tucking his head out of Lincoln’s neck to face him.

Ah. Tonight falls in the former category, then.

“Yeah?” Lincoln hears himself say, though he had figured as much.

“Yeah. Really, uh. Really bad.”

Taylor’s voice sounds so small in the mostly-dark quiet of the room. 

Lincoln squeezes their hands, still conjoined, a tiny, wordless reassurance.

“You’re safe now,” Lincoln tells him. “My dad’s warded this entire house like crazy.”

Taylor scoffs. “Yeah, like I could forget after the first time you snuck me in.”

“I thought we agreed we would never talk about that again,” Lincoln responds, mock-shuddering.

“You begged me not to bring it up, I promised nothing. Not the same thing.”

Lincoln likes seeing Taylor’s smile again, even if it’s just the barest flash of fang glinting in the soft glow of his distant fairy lights. Even when it fades a few seconds later.

Taylor’s tail squeezes around Lincoln’s middle, and Lincoln brings a hand to rest on his shoulder.

“Hey,” He murmurs. “I’m right here. I’m not going anywhere, I won’t let anything hurt you.”

Taylor laughs again, but it’s a shaky, mirthless sound, this time.

“I know you wouldn’t,” He says quietly. Then, “You didn’t, in my dream. You, uh, died.”

“Oh,” Lincoln says.

“Didn’t wanna bother you with it, but you were awake, and it’s stupid, but…” Taylor’s voice trails off.

Lincoln exhales, holds his friend closer.

“I wouldn’t wanna lose you, either,” he says, pressing a kiss to the top of his head, just between his horns.

Taylor’s warmth flares in his hold, just a little bit, and the corners of Lincoln’s lips turn up a fraction. Even despite everything, his best friend is incredibly easy to fluster. 

“There were… hunters,” he mumbles, looking down at Lincoln’s orange-and-black striped comforter, grasping for his hands and fidgeting with their loosely-locked fingers to distract Lincoln (and maybe himself, too) from the way his shoulders still tremble. “They were coming for us - Norm, Scary, Hermie. Me.”

Something in Lincoln’s stomach feels like it just twisted, and pressure builds behind his eyes - half-exhaustion, half-sorrow.

“Taylor - hey, Tay, look at me, please?”

Lincoln sees the way that Taylor’s downturned, red-tinged mahogany eyes brim with tears, threatening to spill over onto his cheeks.

Lincoln gently extricates a hand from Taylor’s grasp, brings it to rest under his chin, tilting it upward until they are face to face again and he can peer into his eyes.

Taylor’s eyes have a fire lit behind them, one he’s always noticed in the back of his mind before either of them were aware of his demonic heritage. It’s captivating, the way that they catch in the light, spark to match the bright burn of Taylor’s convictions. Again and again, they’ve drawn Lincoln in like a moth to a flame, crimson-brown-black and enchanting in an entirely different way than anything of the fae.

Lincoln thinks he would jump into the fire and set himself ablaze if it meant that he would never have to see the light behind his eyes shrink to the pinpricks that he sees now.

Hot tears stream down Taylor’s cheeks, silent except for the small hiss the droplets make as they hit the fabric of Lincoln’s bedspread.

Lincoln thumbs the rest away as Taylor leans into the affection, catlike, and the thing in Lincoln’s stomach writhes again.

“Taylor,” he says again, “Look at me.”

Dark eyelashes flutter open, and Taylor looks so, so tired, so haunted.

(Lincoln’s seen that look before on the face of someone else he loves, and he’d give anything to never see it on either of them again.)

“I need you to listen to me.”

Lincoln has… a hard time making eye contact, sometimes, but this is important, so he stares into his friend’s eyes, doesn’t back off or let his gaze slide away. 

“You know my family wouldn’t let that happen. That - my dad - it’s his whole thing, you know?”

“Your dad wasn’t there,” Taylor says. “Just you.”

“Then I wouldn’t let that happen. You know I wouldn’t, if it came down to it.”

“I know,” Taylor replies, miserably. “That’s the problem.”

Oh.

“The jackass - in my dream, y’know - the guy that shot you, you know what he said? He said that it was a shame that he had to waste a silver bullet on a pesky human. That it was sad that we’d, like, magicked you into siding with us. Which was so fucked up and I - I couldn’t move, I was so angry. And scared, god, I was terrified, and Norm and Scary were, too, and then it all went black, and-”

“And you woke up?” Lincoln guessed.

“Yeah,” Taylor says. “Nearly melted my phone trying to text you.”

Lincoln frowns, scooches closer to him. Rests a hand on Taylor’s cheek, leans in to press their foreheads together.

Taylor’s horns poke uncomfortably against his skull, but Lincoln ignores it - besides, with all of the immunities he’s built up, the pain barely registers.

“I’m here,” Lincoln says.

“I know,” Taylor responds, and his voice is hoarse.

“I’m not going anywhere.”

“You - Link, you can’t just say that. I know you’ve got some weird, fucked-up magic shit protecting you, but you’re human, and I’m -”

“Half-human,” Lincoln reminds him, not unkindly. “You didn’t ask for this.”

“Well, you didn’t, either!”

“I know,” Lincoln responds. “We’re both new to this, and there’s horrible people out there that have it out for us, and we just gotta… live with that.”

“It’s not fair,” Taylor groans, resting his face in the crook of Lincoln’s neck again.

“It isn’t,” Lincoln agrees as he begins to card fingers through warm, dark hair. Taylor makes a soft, whispery sort of sound like the crackling of a campfire, resonating from his chest in the demonic equivalent of purring. 

“You’re right. I’m human, even if I’m harder to mess with than most,” Lincoln says. “But I chose this, at least a little bit. I chose you, all of you. And I’m not gonna back out. We’re in this together, dude. As long as you’ll have me?”

“You say that like it’s a question. I’ll always want you. I’m a selfish bitch like that.”

“Hey, don’t talk about my best friend like that,” Lincoln teases, and presses another kiss to the top of Taylor’s head for emphasis.

He chuckles. “You keep that up, and people are gonna think we’re more than best friends.”

“Pretty allonormative of you, Taylor,” Lincoln snipes. “Plus, I don’t see anyone else here…”

“Well, then, I guess I can retaliate without an audience,” Taylor responds, and Lincoln can hear the familiar mischief in his voice.

“Retal- ah,” the air leaves Lincoln’s lungs as Taylor presses his lips against the side of his neck, purposefully lets a fang graze against the delicate skin there.

“Mm,” Taylor hums. Lincoln can feel the vibration of it against his throat, and the sound goes straight to his head, warm and sleep-fuzzed and more than a little deliriously dizzy.

“Sorry,” Taylor says, not sounding the least bit apologetic as he pulls away after a moment with a soft popping sound. “You were saying?”

Taylor’s tail sways back and forth behind him, giving him the appearance of a predator ready to pounce.

“Guh,” Lincoln responds intelligibly, trying to get his brain back online. “You’re the worst, sometimes, you know that? Like, I was going somewhere with that, and then - you -”

“I am pretty insufferable, huh,” Taylor says with a close-lipped grin, sounding far too self-satisfied.

“Guess I’ll just have to suffer you, then,” Lincoln replies with a small grin of his own, dragging Taylor down into his arms.

Taylor gives in easily, tail brushing against the side of Lincoln’s leg affectionately.

“Taking one for the team,” Lincoln says. “I’m pretty good at that.”

“Too good,” Taylor says, looking up at him from the circle of his arms. “I don’t need you throwing yourself into the, like, line of fire for me when I’m immune, yeah?”

“The dream wasn’t real, you know.”

“Could be, someday,” Taylor muses, and though the tear tracks have evaporated from his face, there’s still a twist of uncharacteristic melancholy in his expression. 

Lincoln hums. “Well, in the meantime, maybe we can protect each other? And the others. That sound okay?” he asks. “Because I’m not gonna stop having your back anytime soon.”

“Same here,” Taylor says. “You’re ours, and anyone who comes at us can take you away over my dead body.”

“Possessive,” Link notes, pointedly ignoring the way his heart jolts. “And kinda morbid.” “Eh, it’s a demon thing, I think,” Taylor shrugs. 

“Dork.”

“I dunno, I think it’s kinda hot.” 

“Taylor, you’re part demon. Being hot is your thing.”

“Oh, so I’m attractive to you, huh? What are you gonna do, kiss me about it?” There’s a single fang poking out of Taylor’s smile, and Lincoln fails not to think about the way it felt brushing over his pulse.

“Maybe. If we both go to sleep after this.”

Taylor blinks lazily at him. “Sleep sounds nice,” he murmurs, pressing a kiss to his cheek. “Think you could keep the nightmares away?” His eyes, as tired as they are, are so deep and dark and beautiful.

“I’ve got a few charms for that,” Lincoln answers, pointing around the room at bundles of herbs and twine and rune-inscribed parchment that Marco had strung up along corners of the ceiling.

“Link, I was trying to be flirty.”

“Oh,” Lincoln says. Then, “So if I kiss you, you’ll go to sleep?”

“Mm, that can be arranged,” Taylor agrees, his tail snaking around to tap against Lincoln’s nose affectionately before wrapping around his waist.

“Good,” Lincoln breathes, and he leans in to meet Taylor halfway. 

In the end, Lincoln loses count of how many lazy kisses they exchange in the faint glow of the fairy lights before they succumb to slumber, but when he wakes, Taylor is still in his arms, a faint smile on his face in his sleep.

Lincoln can feel his face mirror the expression as he wipes a bit of Taylor’s drool away with the back of his hand. He leans down and ghosts his lips over Taylor’s temple, tucks a stray lock of hair behind his ear, filled with an uncomfortable-yet-comforting warmth wherever their bodies overlap.

Lincoln basks in it as he closes his eyes again, resting against the pillows, and knows that whatever dangers lurk ahead, they’ll face them together. 

[yuelun]

I know we're only just about to enter August, but I'm not ready for whatever they're going to do for Lantern Rite 2024.

[lilacerull0]

another day another book tainted by the presence of a screen adaptation and most of all: its male lead 🚬🚬🚬🚬🚬🚬🚬

[kuromi-hoemie]

tumblr stop jump scaring me with your entertainment account,, i could not care less about whatever y'all are interviewing for 🙏

[miabrown007]

the Night Circus is fiction because there's no way an Adrien-level sheltered guy goes out to the streets in the 19th century and kisses a girl in an hour

[that-tall-queer-bassist]

fingers crossed i didn't just block a moot

[eggmeralda]

having a breakdown on eggmeralda dot tumblr dot com is so annoying bc I have to translate everything into english. but having a breakdown on timetravelresponsibly dot tumblr dot com is so fun bc it has no followers I am free to type as incoherently as I want. it's so beautiful

[hotvintagepoll]

Propaganda

Eartha Kitt (Anna Lucasta, St. Louis Blues)—My friend and I have a saying: NOBODY is Eartha Kitt. A thousand have tried, and they've all come up empty and will continue to do so. Everyone knows her for something: from "Santa Baby" to Yzma in Emperor's New Groove to Catwoman to making Lady Bird Johnson cry for the Vietnam War. She was a master of comedy and sex, an extremely vocal activist, and she aged like fine wine... I honestly don't know what I can say about her that hasn't already been said, so I'll stick to linking all my propaganda. Like what else do you want from me. She was iconic at everything she ever did. Literally name another. How can anyone even think of her and not want to absolutely drown?

Hedy Lamarr (Samson and Delilah, Ziegfeld Girl)—Look. I'm sure someone has already submitted Hedy Lamarr because she was spectacularly beautiful, and a very strong lady too: she fled both an abusive marriage AND nazi persecution at a very young age and rebuilt a life for herself pursuing her love for acting all on her own!! Her career as an actress was stellar; while she began acting outside of Hollywood (her very first movie, Ecstasy, won a prize at the Venice Film Festival), she conquered American hearts very quickly with her first movie in the US, Algiers, and then just kept getting better and better. If all this isn't enough, she was also an inventor: her invention of the frequency-hopping spread spectrum radio transmission technique forms the base of bluetooth and has a lot of applications in all kinds of communication technologies. I think that deserves a prize, don't you?

This is the final poll of the Hot & Vintage Movie Women Tournament. Please reblog with further support of your beloved hot sexy vintage woman.

THIS POLL LASTS FOR 24 HOURS.

[additional propaganda submitted under the cut.]

Eartha Kitt:

"A hot vintage woman who was not just known for her voice, beauty, poise, and presence, but also her unapologetic ways of speaking about how she was mistreated in the show business as a girl who grew up on cotton fields in South Carolina in the 1930s through the 1940s coming to Broadway first and then Hollywood."

"Have you watched her sing?? Have you seen her face?? Have you heard her talk?? How could you not fall instantly in love. She makes me incoherent with how hot she is."

"She can ACT she can SING she can speak FOUR LANGUAGES she is a GODDESS!!! Although she is (rightfully) remembered for her singing, TV appearances (Catwoman my beloved), and later film roles, her early appearances in film are no less impressive or noteworthy!! She’s an amazing actress with so much charisma in every role. She was also blacklisted from Hollywood for 10 years for criticizing the Johnson administration/Vietnam War, so. Iconic. Also Orson Welles apparently called her “the most exciting woman in the world.”

"She had such a stunning, remarkable appearance, like she could tear you to shreds with just a glance- but the most undeniable part of her hotness was her voice, and it makes sense that it's what most people nowadays know her for. Nothing encapsulates the sheer magnetism of her singing better than this clip of her and Nat King Cole in St. Louis Blues, she pops in at 2:49. Also I know it's post-1970 but her song that was cut from Emperor's New Groove is likely to make you feel Feelings."

"Even with as racist as Hollywood was in the 1950s and 60s, Eartha Kitt STILL managed to have a thriving career. She also once had a threesome with Paul Newman and James Dean, and called out LBJ over the Vietnam War so hard that it made First Lady Johnson cry. Eartha Kitt was talented, sexy, and a total badass activist."

Hedy Lamarr:

"The only person you can find both on the Hollywood Walk of Fame and in the Inventor's Hall of Fame--her radio-frequency-hopping technology forms the basis for cordless phones, wi-fi, and a dozen other aspects of modern life. She was also passionate in her efforts to aid the Allies in WWII (unsurprising for a Jewish-Austrian Emigree to America), and her name served as the backbone for one of the best running jokes in what is possibly Mel Brooks' best movie. Look, Louis B. Mayer apparently believed he could plausibly promote her as "The world's most beautiful woman". Is an entire website full of people going to be less audacious than one Louis B. Mayer? I didn't think so!"

"Described as "Hedy has the most incredible personal sophistication. She knows the peculiarly European art of being womanly; she knows what men want in a beautiful woman, what attracts them, and she forces herself to be these things. She has magnetism with warmth, something that neither Dietrich nor Garbo has managed to achieve" by Howard Sharpe, she managed to escape her controlling husband (and Nazi Germany) by a) Disguising as her maid and fleeing to Paris or b) Convincing the husband to let her wear all of her jewelry to a dinner, only to disappear afterwards. Also she was particularly clever and helped develop Frequency-Hopping Spread Spectrum (I can't really explain it but anyway...)"

"Her depiction of Delilah and Samson and Delilah just lives rent free in my head. The woman was gorgeous."

"One of the most beautiful women ever in film, spoken by many critics and fans. Beautiful shapely figure, deeper seductive voice, and often played femme fatale roles. She was also brilliant and an inventor. Mainly self-taught, she invested her spare time, including on set between takes, in designing and drafting inventions, which included an improved traffic stoplight and a tablet that would dissolve in water to create a flavored carbonated drink, and much more."

"Gorgeous and brilliant pioneer of modern technology and the middle part."