#I'll post the full set at some point but

[autodiscipline]

Shono [ROUAGE] Vicious 1996.06

[khaotunq]

One Year of Only Friends ○ Ray Pakorn Edition Episode One ○ original air date August 12th, 2023

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[the-kipsabian]

[thewatercolours]

King's Quest Fic: "The Fairy" (Goblin Graham, #12)

"Gwendolyn. What are you still doing in here? Didn't you hear the guards order everyone out? Can't you hear everything creaking?"

"Um - what? Sorry?"

"Something's wrong, cousin. The castle's shaking on its foundations. Has been since early morning. Something strange here, making it go unstable all of a sudden. You didn't notice? There's... Oh my stars. Gwendolyn! Did those bricks fall while you were in here?"

"Maybe? I didn't really notice. The mirror -"

"I know, I know, you were too busy watching the mirror. I mean, look! It's taken out a quarter of the ceiling? What would you have done if it had collapsed on your head? Look, we'll take the mirror with us, but we've got to get out! Did you even hear me?"

---

Perhaps it was the rich overground air, or the long hours spent escaping, or maybe the cold was more comfortable these days. Graham drifted off as easily as any sleeper could wish. As he blinked away his last moments of consciousness, he felt vaguely that he ought to toss and turn now that he’d been told of Manny and the goblins’ siege of the castle. Insomnia felt more responsible. But exhaustion smoothed his fears away before he could wake himself to make a plan. Three quarters asleep, he snuggled deep into his cloak between the roots of a burly yew. 

Mid-dream, something roused him. He rolled onto his right side, meaning to squint at the bedside clock in the castle’s royal chamber. Instead, he found himself eye to eye with a face, glowing blue as midwinter stars. The face giggled.

Untangling himself from the cloak, Graham yelped and scrambled to sit up, back against the tree.

The person before him was close to his own goblin size, and knelt to one side of him with a starry-eyed smile. Unnaturally lithe and dainty-featured she looked, just as he had always heard wood sprites described. He could not see much of her wings, but they appeared to be coolly golden and folded neatly behind her shoulders. Tittering musically, the fairy tapped the end of his nose with one shining finger, sending specks of light he could only just make out skittering over his skin. “Well, aren’t you the wee little goblin man! How precious!”  

Half awake and wholly thunderstruck, Graham could not choke a single word from his throat.

She took hold of his long ears. They twitched away reflexively, despite her gentleness. She laughed in gleeful surprise. “Awww! Did I make you flinch? I’ll be careful. You’ve got such big, swoopy, droopy ears, haven’t you? Yes you have, yes you have,” she crooned, reaching again to stroke them.

“Who are you?” whispered Graham, but his voice was even hoarser with sleep, almost nothing like speech. She did not seem to notice.

“A sleeeepy goblin, a tuckered out little goblin,” she went on, fondly rumpling his hair. Her hands were kind, but cool to the touch, even to his strange skin. And though it was hard to tell what she was doing, it appeared that every time she made contact, her hands glowed the brighter, just for a moment. “Oh, your pupils are so big right now! Great big eyes to see in the dark. What are you doing up here in the forest? A bit lost? Or were you just too dozy to crawl downstairs to your home? Are you a tiny bit scared?” she asked as Graham made another attempt to speak up. “Don’t be frightened, little friend. I know something that might make you happy.” She spread her luminous golden wings wide, and flapped them so that gleaming dust dropped in their wake. Her grin grew broader. “See that? I’m a fairy! Yes, you know all about us, don’t you? From your games?”

Graham straightened up where he sat, and cleared his throat pointedly. “For your information -”

Enraptured, she paid no heed. “Just look at you, though.Your little tummy, and your nubby little fangs, and those little pink… freckles…” A suspicious look flashed across her face. She poked an interrogative finger at his chin and cheekbones, considerably less gently. “Not freckles,” she muttered, narrowing her eyes. “You, good sir, have holes in your skin. Or growths, maybe. That’s human flesh, that is.” She sounded positively disgusted. “Or possibly mould. Comes to much the same thing.”

He had never demanded this of anyone, but enough was enough. “You,” said Graham firmly, “will call me ‘Your Majesty.’”

The fairy leaned back, looking him over from tuft to toe. She still smiled, but her merriment had changed to mockery. “‘Your majesty,’ eh?” she drawled. “A little king, eh? Look here. I happen to know the goblin king, and you ain’t him, sugarplum.”

“I’ve met him too,” said Graham with dignity, squaring his narrow shoulders. “I am the King of Daventry.”

A flicker of doubt passed over her, but she regained herself a moment later. “I don’t keep up much with politics, but even I know the king of Daventry is your standard, garden-variety human. Now, you,” she leaned in again and began connecting the dots on his face with her finger, “are just a goblin with human pimples. Ugh! They’re warm!”

He brushed her arm aside, frowning. “Look, I don’t particularly care if you believe me,” he said, mind whirring, “but if you don’t quit touching my face…” What could he say? “… you’re gonna be going home with spots yourself.”

The fairy recoiled, and turned from blue to something slightly closer to violet. “It’s catching?” she shrieked.

“Like a fishing line,” said Graham brightly. “Take the warning where I didn’t.”

The fairy backed off further and rubbed her hands off her sides, but there still seemed something unconvinced in her. “You’re very well-spoken for a goblin,” she said slowly. “Why did you say you’re the King of Daventry?”

“Because I am. I’m under a spell of sorts.”

“A spell. Oho.” She stroked her chin. “Well, that’s easier to check up on, isn’t it? All right, cupcake, on your feet.”  

“Oh, but my -”

Graham’s body parted ways with the forest floor. He rose three feet into the air, and tilted into a standing position despite himself. His dark hair billowed out as though he were underwater. Even his clothing did not drape in the ordinary way. His green wrists stuck out of his sleeve cuffs without the fabric touching them. His satin-trimmed cloak followed his trajectory up into the air, and then wandered gently and randomly like cream on a hot drink. “Hey!” he cried, throwing himself forward, hoping he could dive back to the ground. But he only found himself turning the slowest of slow-motion somersaults in the air. Head over heels he spun, groping for anything solid, but the fairy had lifted him into the middle of the clearing. Nothing met his grasp.

As he turned right way up, he came face to face with the fairy. She tapped his nose again, with just enough force that he lost momentum and didn’t fall into another somersault. “You know you go cross-eyed when I boop your nose?” She crossed her own eyes exaggeratedly. “Adorbs.”

He had no intention of using his claws on her, but this couldn’t go on. He glared and held up a warning finger. “I’m gonna have to ask you to put me down right this second, or this is going to be a diplomatic incident under Daventry Decree 90983.”  

“Yes, yes, that sounds fun. But now, let’s have a better look at you.” She twirled her finger playfully.

A mellow warmth kindled in Graham’s core, kind as hot soup and a blanket when you’ve just come in from the cold. It fanned out through him to the tips of his overlong toes and gnarled, spindly fingers. His eyes widened in shock, and he gasped. Gentle as fog melting off a window, his claws flattened and pulled back into themselves, and his fingertips softened into tender pink skin. 

The forest quieted. His vision dimmed, and the luminescent greens and purples of the night faded into a largely detail-less darkness.

Then he found himself laughing giddily as he changed and changed. He could hardly see a thing, but oh stars, could he feel it! He threw out his arms above his head as though he had just woken up, and stretched. Never had it felt so rewarding, for his arms actually stretched along with him. He could feel his spine and legs doing the same as that warmth spread through every inch of him. Meanwhile, his hands and bare feet shrank, growing less supple but so wonderfully familiar. And yet, remarkable in their unfamiliarity too. He flexed his goblin hand, and then his human hand, which hadn’t deserved that name in so long, marvelling at how new the sensation of closing his own fingers felt after only a few weeks. It all seemed so much more real than anything had since his transformation began. There was a clarity and quickness in his head that made him wonder how much his mind had been damped till now.

And his face, his face which he hardly ever dared touch, thawed into its true self. He ran his fine fingers over his great big nose, his cheeks, his eyelashes.  He knew every line. His fingers came away from his eyes wet with tears. He couldn’t help but smile through them, a smile full of the greatest gratitude he had known in his life. “Thank you,” he murmured, turning to the fairy, hardly able to see her through the mist in his eyes. “Thank you!”

His real voice.

She nodded, smiling wryly. “Well, I guess you are human.” Casually, she snapped her fingers.

Almost instantly, Graham’s whole body reverted. His arms and legs snapped back like stretchy putty released, and he lost half his height. His skin shuddered, rippling and goosebumping. The sensation was something like plunging into a freezing pool through a layer of algae. The warmth inside him extinguished. Then green, and claws, and long, floppy ears flattening against his neck. He plopped to the ground, landing gracelessly on his bottom. 

He hardly processed the jolt his ankle took when he made impact, or the forest’s restored brightness. She had turned him back. Back into a goblin. “What?” he growled, rounding on her and shaking with sudden fury. “Didn’t you see? Couldn’t you tell? I wanted to be myself again! I thought you were helping me!”

“Aww,” the fairy jeered, crouching down to the ground with him and tilting her head to one side. “Are we having a tantrum? Is that the king or the goblin side coming out, I wonder?”

“Turn me back,” he said sternly, stumbling to his feet. “I need to be human. My kingdom’s under attack as we speak. They need me.”

She rose and patted his cheek. Her touch only made him aware that his skin had curdled again. “Take it from me,” she said. “As a human, you’re not much to write home about. Better stick with the twitchy ears, little guy. You’re cute as a button.”

With a surge of ferocity, Graham snarled and shoved her backward. She squeaked and tripped over her own feet into a tall patch of bracken. He started forward angrily, unsure of anything but that he would make her understand the gravity of his situation. But with its customary unfortunate timing, his ankle buckled, and he sank to one knee, wincing and sucking his teeth to keep from snarling further. The voice of reason surfaced. Keep your head. Don’t give in to that side. Anything but that.

The fairy sat up and stared, her jaw hanging open. “Oh. Oh. Did I do that?” There was a long pause as they pulled themselves together. Then the first note of sympathy since her realization that he was human entered her voice. “I see you have a bad foot. Do you… do you want me to put you back up in the air a while longer?” “I’m fine. I’ll just sit down,” said Graham, leveling his voice and grabbing at a branch to support himself. He nearly pitched over. It was a flimsy evergreen, and it wobbled in his hand.

The fairy chewed her lip uncomfortably, and her hands glowed again, though he hadn’t seen her touch anything. “Okay.” 

In a moment, he was steady again. The same unseen power carried his legs out from under him. “None of that now!” he shouted, but he need not have worried. The magic set him down carefully in a seated position, propped up against a generous oak, and his foot elevated on a mossy stone.  

She settled herself on the farthest side of the clearing from him, folding her hands in her lap. “I don’t like seeing a little goblin hurting,” she mumbled, hanging her head and sounding a bit ashamed. “Even if they’re actually a human king.” She spoke more slowly. “I won’t touch your foot if you don’t want me to, but I’d like to make this better, if you’ll let me. I mean, not magically. But I could find food, or a change of bandages, or something.”

Graham took a deep breath, and pushed away the sneering, angry remarks he could have made. “I… am grateful you want to help me,” he said carefully. “But you would help me and my people a lot more if you worried less about my foot and more about the spell I’m under. You’ve already shown me it’s easy for you to break it. So…”

Yet again, she interrupted him, twiddling her thumbs and shaking her head with a doleful smile. “I think you’ve jumped to conclusions here, um… What’s your name?”

“Graham.”

“Graham. Mine’s Orri. Yeah. So, I didn’t break any spell just now. I just took a quick peek at your real form. It’s a pretty basic magical maneuver, and it doesn’t actually change anything.”

“Well, it certainly felt real,” Graham said, rubbing his ears.

“I guess it would. But it would have undone itself in a few seconds anyway. It’s just a peeling back of the magic for a moment to get a glimpse. It’s not a transformation.” Orri looked up and met his gaze with a disheartened shrug. “I couldn’t turn you into a human if I wanted to - not without a wish, and those are, um, pretty serious.”

“A wish?” Graham stiffened, and he stared at her fixedly. “You mean you could grant a wish?”

Orri heaved a sigh that was more sincere than anything she had said thus far. “Full truth here for a second? I’ve never done wishes before, exactly. Humans aren’t really my thing, if you couldn’t guess. I mean, technically I could probably do it. But it’s messy. Messy for you, messy for me. And give me another ten minutes and I won’t feel so bad about hurting your foot, and I’ll just be mad at you again for not being a real goblin.” 

Something crinkled in the corner of her eye. A new light came over her features, literally, and traveled all the way to the ends of her hair. “I mean, I suppose I could make you into a real goblin. That’s loads easier than going the other way ‘round, and it wouldn’t take a wish!” Orri's enthusiasm grew with every word. She practically bounced up and down where she sat.“Oh man. Oh man, I could totally handle that! We’ll just sand down your mind a bit, make a few simplifications …”

“Oh, no, no! That won’t be necessary,” stammered Graham. He forced himself to stay calm, trying to pull her back to her more collected state. “Er, ouch, my foot, my poor foot!”

But Orri  was back in full swing, already leaping into his personal space again. “Oh Graham, that would solve everything! Just a few tweaks in that little head of yours, and no more sad king. Your mother taught you all your nursery rhymes and fairy tales when you were a boy, I hope?”

“M-my sister, actually,  but that’s -”

“Then you’re ready! You’d be so happy. I mean, you could still be a little grumpypants if you wanted to. It’s not like they don’t get mad sometimes. But most of the time, they just act out stories, and make costumes and stuff. Not a care in the world.” Her fingers began to glow an intense white, and she wiggled them playfully in his direction. “Why don’t you just give me your hands, and I can - ”

In spite of his resolve to stay even-keeled, Graham started crawling backwards, crab style, trying to put the oak between himself and Orri. “Oh, I’m sure being a goblin is a real barrel of laughs, but um, I can probably help my kingdom better with my mind intact. So let’s just reroute and-” 

He cried out as she leapt, making a deft grab for his hand. Even before they made contact he could feel power surging from her fingertips like static, connecting with his.  Something vital in him wanted to grab hold of her hand and draw that energy in. But he wrenched himself away in a side roll, panting nervously as he came to a halt lying on his front. He tucked his hands under his stomach as she fluttered down beside him, the blue-white of her skin more intense than the fullest moon. Again, the instinct to use his claws came, but not only would that set him further down the goblinification track, probably, it would only give her access to his hands.

She clicked her tongue consolingly. “You know, little friend, your mind’s already changing to match your body. I took a peek at what you really are, remember?  You don’t have a duty anymore. That’s for humans. You couldn’t help your kingdom for much longer, anyway. Just give me your hands now. It’s just the human side of you being stubborn.” She prodded his side with her foot.

Graham swallowed and dug his fingertips into the patch of soft earth beneath him. “But if I can help them even for a bit, I’ve got to go for it. You said you technically could grant wishes. Can’t we try that first? Nothing to lose, right?” This felt utterly ridiculous, to fight a fairy by lying flat on the ground. But what choice did he have? To this overenthusiastic sprite, he was more or less just a cuddly puppy who was going to the vet’s, whatever he might think about the matter. What would he do if she flew him up in the air again, and he couldn’t hide his hands anymore? Play the world’s highest stakes game of ninja slap until she caught him?

Orri hunched over, and whispered in his enormous ear. “Graham, I don’t have ideas I can be proud of very often,” she said, almost confidingly.  “Just let me have this.” Then she seized his ear, and twisted it where it attached to his head.

“Augh!” It was more than he could stand. He didn’t have much understanding of goblin biology, but he did know that twist was about ten times more painful than he would have expected. Before he could think, he pawed wildly to yank his ear out of her reach, to pry her fingers free.

Her hand clasped his. She didn’t seem to care about the claws. She just held on tight, and twined her fingers through his. He felt the magic lock on to him.

Graham’s thoughts windchimed off each other, too fleeting to follow. His head grew light. She pulled him to his feet. The ground seemed to shake underfoot, but all that felt faraway. Everything outside himself was irrelevant, because it felt like his mind was turning inside out. Something surfaced in his head. Something dauntingly clever and complicated and warm and royal red, and everything in him knew it didn’t belong here in his head. He had to get rid of it now before it could struggle. But it hung on awfully hard as he tried to reject it. But here was something else, edging it out, filling his mind. Yes. Something. Pushing it out for him. Something… good. Something yes. Yes, yes. Something something something rum-tee-tum-tee-tum, yes yes yes. Oho, filling up the corners. Hehehehehehehehe! Yes yes yes!

And then ow! Ow! Hand gone. No more hand! No more yes! Rage! Not fair! Ow! Whack you! Whack you! Someone grabbing. Someone pulling him away. No more magic. Turning it all outside in again. Everything spilling over again. Maybe a touch of nausea - in his mind? If that made sense? Nothing made sense, but it was coming back. His feet weren’t touching the ground, but neither was he floating this time. There were huge, pudgy arms lifting him up. No, not arms. Gigantic fingers. 

Clarity shot through him. Olfie had him in his careful grasp, and the forest clearing below was a good twenty feet beneath him. Even with dark vision, Graham couldn’t see Orri anywhere. He craned his head back to look up at the bridge troll’s honest, hideous face. “Olfie!” he cried, overwhelmed with relief. “Oh, Olfie!” Olfie smiled, not without concern, lifting him up to look at him straight on. “You okay, King Goosie? Saw you were havin’ some fairy trouble down there. Did she try something?”

“No, I’m good.” Graham said, his chest still tense with stress but trying to let it go. His head bobbled on his neck and the world swam a bit, but fixing his eyes on Olfie’s face gave him a point of reference to stabilize from. “I think you didn’t arrive a moment too soon, though! Is she - did you see where she went?”

“Disappeared as soon as I got a hold on you.”

“Praise the consultations.” Graham muttered as Olfie propped him up in his palm. “I mean the consolati- no, the constellations. Sorry. She tried to mess with my head, and I might still be coming back from it.”

Olfie nodded, about as sagely as a troll could. “Gotta watch out for them. Always pulling tricks. One time they got Pillare thinking she was croissant, and you don’t want to hear how that went down at the meeting. Glad it’s all okay for you. So, I went and got them like you said. You ready for this?”

Graham tried to collect his disoriented thoughts. “You went and got who, now?”

“You told me to get them,” said Olfie. And before Graham could ask any further questions, the troll brought his two hands together - the palm where Graham leaned against his fingers, and the other - where to Graham’s astonishment, sat two of his royal guards, cross-legged in full uniform. Numbers One and Two. 

Number One gasped.

[nightshadedumplings]

I don't know if this is already painfully obvious by the Nordic sounding and mostly made up names, but Svanhildre and the other characters in the series were inspired by my horny Skyr*m shenanigans.

[fuckyeahyukiharu]

yOU ALL IM LAUGHING SO HARD

The archive is still there too, and all those fans who created works in the past still deserve some attention too, so please check out the archive if you haven't in a while and if you're also missing Tsuritama!!

Also, if you're interested, please check out my YukiHaru A.M.V \o/ (Made a few years back for YukiHarus shared birthdays specifically!)

{All I did was reblog some old gifs I missed to keep blog active, but I'm glad if people still appreciate this blog existing!!!}

(I may also have another A.M.V. or two planned for future years, if I can finish them in decent time!)

[purple-obsidian]

appearances (18+, dick grayson x fem reader) wc 6.7k

⭓ this post contains sexual content and is not suitable for minors. special shoutout to @janybabyy for helping me edit this monstrosity. reader is a member of the titans, afab, uses she/her pronouns, and has an established friendship with dick.

Dick's arm is draped around your waist, holding your body close while his enchanting laughter rings in your ear, reacting to a story being told by the other couple sharing the elevator.

"I'm telling the truth! Swear on my life, he actually said that!" The man across from you says, grinning and chuckling. A soft ding grabs your attention, and you clear your throat, looking up at Dick with a soft smile.

"Well, this is our floor. We'll see you in the morning!" You promise, letting Dick pick up your suitcase for you and lead the way. You make your way down the hallway, reading the room numbers as you get closer to the one the receptionist scribbled on your key card. You feel exhausted, and after a long day of pretending to be a happy couple with your teammate, you're happy that it's finally time to rest. You retrieve the room key from your pocket when you finally reach your door, and open it wide for Dick so he can carry your bags in.

You flick the light switch on, taking in the cheap carpeting, generic artwork, and a single queen bed centered on the far wall. "Um... Dick?"

"Hm?" He turns to you, looking just as tired as you feel, no longer fronting as an excited newly-wed. "What is it?"

"Didn't you request a room with two beds?"

His bright blue eyes dart to the singular bed, shoulders slumping in defeat when he realizes there was a mix up in your reservation. "Shit. Lemme call the front desk."

"They're probably full," you comment, letting yourself fall into one of the chairs by the window, sinking down with a tired sigh and kicking off your heels, "Between the convention and the concert this weekend, I'll be shocked if they have any other rooms free."

Dick ignores you, setting down your luggage and walking over to the corded phone on the bedside table. He picks up the receiver, punches the button for guest services, and waits patiently for them to answer. You take a deep breath, relaxing and letting your mind wander as he speaks with the operator, who confirms that there are no more rooms available.

Dick hangs up the phone with a grumble, glancing behind him to look at you.

"Told you so." You chide, a playful grin on your lips.

"I'm sorry," Dick plops himself down on the side of the bed and groans. "There isn't even a pull-out couch."

"We'll be fine," You tell him dismissively, yawning and stretching your hands over your head, "It's only a few nights."

"I can sleep on the floor if you'd be more comfortable that way," He offers, rubbing his eyes.

"As long as you keep your hands to yourself, we'll be fine."

The first night you share a bed, Dick does keep his hands to himself. You're both so exhausted that you fall into a deep sleep almost immediately, making your proximity less awkward. You toss and turn here and there, but otherwise, the night goes on without issue.

The second night is another story.

After another long day of working undercover as newlyweds attending a couples conference, you and Dick are at each other's throats over a disagreement regarding the innocence of the man leading it. You both act your part all day. You kiss his cheek when others are looking. Dick makes an pointed effort to be handsy, ensuring he's touching you in some way whenever appropriate. But once you're in the privacy of the hotel room, the masks come down, and you are at each other's throats, arguing in hushed tones and bickering over what you observed today.

"Why the fuck did you invite me along on this mission if you didn't want my opinion?" You ask harshly, fumbling with the clasp of your necklace as you stand in front of the bathroom mirror, attempting to remove it so you can shower.

"I couldn't have come alone! It would have been suspicious, and Donna was busy, so you were my only option!"

"Gee, thanks Dick. That makes me feel real good about myself." You hiss, fumbling again with the tiny clasp, "Why couldn't you bring Wally?"

"You know our suspect is homophobic, if I showed up with a man as my partner there's no way I'd be able to get close enough to him!" Dick notices you struggling with your necklace. He sighs, and runs his fingers through his hair in frustration, "Need some help with that?"

"Fuck off," You mumble dismissively, giving up your efforts, "Screw it, I'll just leave it on."

You reach for the hem of your shirt and pull it over your head, throwing it angrily to the ground. Dick watches, eyes widening a little, unable to stop himself from checking you out and admiring the lacy bra you're wearing, his anger diffusing.

"You mind? I need to shower, give me some privacy," You snap, waving your hand at him dismissively.

“You’re too stubborn for your own good,” Dick growls, coming up behind you, sandwiching your body between him and the vanity, “Hold still.”

You huff, but relax and accept his help remove the chain. His hands are warm against your neck, quickly unclasping the lock and setting the necklace down next to you. You choose to ignore the way his eyes wander, admiring your reflection in the mirror.

“Thanks,” You grumble, your annoyance quickly subsiding, but you keep your eyes narrowed at him.

Maybe you are a bit stubborn.

“Yeah, yeah. Just hurry up, okay? I gotta shower too,” He reminds you before leaving the bathrrom, stealing one last glance at your half naked body and closing the door behind him.

Feeling bitter, you take your time with an extra long, extra hot shower, shaving your legs, exfoliating, deep conditioning your hair, not caring if you’re being petty. You linger, too, lotioning your whole body and applying your hair products, not missing a single step in your routine.

When you finally exit the steamy bathroom, Dick is sitting at the small desk in your room, doing something on his laptop. You walk out in your robe, smoothing your freshly washed hair and making your way over to your suitcase.

“Took you long enough,” Dick comments, giving you a pointed side-eye.

“Sorry,” You mumble, rummaging around for your sleep clothes, “All yours now.”

Waiting until he finishes up and locks himself in the bathroom, you quickly change and crawl into your side of the bed, cozying up to the pillow that smells faintly of bleach. You relax, listening to the muffled sound of running water coming from the bathroom. He's quick enough that you're still awake when he's done. Dick exits the bathroom, hair dripping wet, wearing nothing but his boxers.

"You used all the hot water."

You peek an eye open to glare at him, resenting his accusation, "It's a hotel, Dick. It's going to take a lot more than my twenty minute shower to make the whole building run out of hot water. Maybe you just don't know how to work the faucet."

You notice him shivering, and a pang of guilt eats away at you. But you stand by what you said.

"You took at least 30 minutes. And are you kidding me? You think I'm the type of guy that can't figure out a faucet?"

"Well, no, before this little trip of ours, I didn't think that. But seeing as you can't figure out our guy is guilty when the evidence is laid out in front of you like Thanksgiving dinner, my opinion on your intelligence might be changing."

He grinds his teeth, popping his jaw and clenching his fists at his side until his knuckles crack, "Shoulda brought Wally."

You lift your head so you can glare at him with both eyes, but Dick is already grabbing the comforter and sheet to yank them off the bed, leaving you shivering and exposed.

"Whatthefuck?!" You shriek, pulling your knees to your chest reflexively at the rush of cold air.

Dick jumps onto the bed, pulling the blankets over both of you, and with little effort he pulls your body against his, "I'm fucking freezing." He hisses through gritted teeth, "And I'm about to make it your problem.”

The chill radiating off of his stone-cold chest and body quickly seeps through the thin cotton of your t-shirt and sleep shorts. Flinching, you shiver and claw at the edge of the bed to pull yourself away from him. "Dick! G-Get off of me! This isn't f-funny!" You stammer in desperation.

"No, it isn't."

You long for the satisfaction of smacking the smirk off of him. You can't even see his face since your back is to him, but when you hear his taunting, you just know the cocky bastard is smiling. His strong, cold arms force your back to go flush with his chest again as he wrestles with you, utilizing his jiu-jitsu skills to pin you under him and prevent you from escaping his grasp.

"GET. OFF!!" You yell again.

Dick promptly slaps his right hand over your mouth, bringing his lips to your ear and shushing you. "Remember, we're in a hotel. People could hear you if you screamed. Last thing we need to do is blow our cover."

You groan and struggle to shake your head free of his hand, which is fruitless, but Dick takes pity on you and removes his hand after watching you struggle for a moment.

"This is assault, you know," You growl at him angrily, "You're h-holding me against my will."

"Oh please, I've done worse to you during training. You're fine. Just let me hold you for a minute until I can warm up. You owe me that much," Dick holds you closer to him, and he isn't lying, He really is as cold as an ice cube. Keeping you pinned against the bed, he holds you, fearful that you'll shy away and refuse to share your body heat. But you know when you're beat. The soft spot you have for him trumps your annoyance, and you accept your fate.

You really didn't mean to make him suffer, you just took a tad longer washing yourself than normal. Could it really be your fault that there was no hot water? You take these next few minutes of discomfort to ponder the specifics of hotel plumbing, doing anything to distract yourself from the chill.

Dick notices the subtle shift as you try to relax your body and regulate your breathing. There's something in the way you feel, your body going from tense and combative to calm and still under him, that makes his heartbeat stay elevated, even after he finally starts to warm up.

'She trusts me.' He thinks to himself, 'Or at least, she knows when to give up.'

Several minutes pass by, neither of you asleep, but not speaking. Only the sounds of your breathing are audible in the stillness of the hotel room. Dick starts to feel guilty, now that his body temperature is back to normal, and lifts himself off of you to lay on his back.

"I'm sorry," He says quietly, brows furrowed in thought, "I shouldn't have done that."

Now it's your turn to seek body heat. You let out an involuntary whimper, so soft that you're hoping Dick didn't hear it. "Wait," Your hand finds his chest in the dark, and you pull yourself up so your head is laying directly over his heart, "You might be all warmed up, but I'm still cold."

Your feet, which weren't touching him before, are particularly chilly, so you take this opportunity to press them against his bare leg. Dick tenses in response, but he doesn't push you off of him.

"I deserve this," He whispers in a tone of defeat.

"You're so dramatic," You whisper back.

"And you're more stubborn than the Bat."

"Ouch."

"Am I wrong?"

"I'm not answering that."

"Exactly," He says with a hint of pride.

"Just shut up and warm up, I'm tired," You try to sound firm, but despite your best efforts, your voice sounds sleepy and content.

"You know, maybe I should keep a hold of you all night, to stop you from tossing and turning."

"M'not that bad," You grumble, "You'll survive."

But you soon fall asleep on his chest. Your breathing gets slower and deeper, and you finally relax into a pleasant slumber. Dick isn't far behind you. He is scared to admit to himself how good it feels to have you in his arms. He chalks it up to the fact that he's been pretending to be your husband since you got here, denying anything deeper, and lets his mind shut down and rest, falling asleep to the soft sound of your breathing.

Several hours later, you wake with a start, eyes popping open as you suck in a deep breath. You were having a bizarre dream, but thankfully your less-than-graceful awakening hasn’t seemed to of bothered your teammate, who you realize has shifted in the night. He’s now spooning you, his arm around your waist and his face nuzzled against your neck.

A heat creeps into your cheeks as you hazily register the intimacy of the position you’re in. You carefully attempt to untangle yourself from him, but you quickly realize your arm is asleep, and you curse to yourself as the uncomfortable pins-and-needles sensation prickle your nerves.

You wiggle your arm, the blood flow slowly returning, not noticing how your movement is making your ass bump against the man behind you.

Dick’s eyes flutter open, awakened by the soft swaying of your body as you struggle to get your arm functioning like normal. He mutters your name groggily, and you curse yourself for waking him.

"Sorry, Dick. I'm warm now, you can let go of me," You say softly.

In his half-asleep state, Dick exhales an audible groan, moving his arm so he can stretch out. You think you're free, but he quickly replaces it back over your waist before he pulls you snug against his body. "Could we stay like this? Feels nice." His voice is hoarse and gravely from sleep, which triggers a dangerous shift in your thoughts. His strong arms feel good wrapped around you. He smells good. You're comfortable, now that your arm is awake, and you notice something poking at your lower back when he pulls you even closer to him.

The heat you felt in your cheeks travels down to pool in your belly, and you resist the urge to squeeze your thighs together to relieve the ache you feel.

'Stop it. This won't end well. He's hot, but he's your friend. Just your friend...'

You capture your lip between your bottom teeth and close your eyes, taking a deep breath. "Yeah, we can stay like this," You finally say, "But you need to tell your little friend to calm down."

"Hm?" Dick perks up at your comment, trying to make sense of what you said while his brain is still not fully awake.

"You're hard. It's distracting."

"Woah, hey. Who are you calling little? That's a low blow, you wouldn't even have any way of knowing that."

"I can feel you right now Dick. S'gross. We can cuddle if you want but I don't want your hard-on stabbing me while-"

"This feel little to you?" He interrupts, shifting you higher so he can grind his boner against your ass, with only his boxers and your silky sleep shorts separating you.

It doesn't. Now that he's doing it intentionally, you realize how much he's packing down there, which makes you stammer a little as you squirm against him, trying to quell the arousal building in your abdomen. "Jeez- okay, point taken. Now quit it," You chide, hoping you sound firm.

"Sure you want me to quit?" He's fully awake now. You can tell by the confidence in his tone when he taunts you, "Something tells me you're enjoying this. I've seen the way you've been looking at me."

His lips are merely an inch from your ear as he whispers to you, making your heart beat faster in your chest and your brain starts to panic. "Of course I've been looking at you differently. We're pretending to be a couple. We're undercover. It's called acting."

"Can I tell you a secret?" His hand starts to play with the hem of your shirt, rough hands barely brushing the small bit of exposed skin as the fabric bunches up on your waist.

"W-what?" You ask, briefly wondering if you're dreaming.

"Donna wasn't busy," He murmurs, running the tip of his nose up and down your neck slowly as he tries to entice you. "I wanted you here with me."

"That's a lie," You chide back without much thought. You know Dick and Donna are best friends, there's no way he would choose you over her for a mission like this, right?

Right?

He ignores your accusation like he didn't hear it. "You really want me to stop?" Dick presses his hand against your stomach, caressing your soft skin and nudging his nose against the shell of your ear, his breath fanning over your neck and making you shiver. "Tell me to fuck off and I'll let you have the bed to yourself."

"I... I mean...y-you don't need to, I don't want... don't sleep on the floor, please."

"Because you like this? Don't you?" His hand sneaks further up your torso, until his fingertips brush against the underside of your breast. "Don't tell me these past few days haven't felt right to you. I barely feel like I've had to act."

"Are you kidding? We've been bickering every moment we're alone!" You argue back. You're grateful for the dark, which hides how wide your eyes are from how he's touching you.

"Don't mean about the mission. I meant you and me. Having you on my arm. Calling you mine. The way you kiss me- I wish you'd kiss me like that when we're alone, instead of fighting," He admits, tentatively grinding his hips into your ass as he speaks. "You looked so pretty in that dress, earlier. That color looks amazing on you."

This is a lot for you to process. Sure, Dick is attractive. You'd be stupid to deny it. But he's your friend, has been for a while. You work together, and you've tried to not let your mind go down that path, not wanting to mess up the opportunity of a lifetime, to be a hero and work alongside him and the other Titans. But when he talks about how right these past couple days have felt, you have a hard time denying it. Yeah, you were acting, but it did come easy. His smile is heart-warming. His touch feels safe. And having him wait on you hand and foot has made you feel pretty special, even if you were under the impression that it was all performative.

Dick pauses his movements when you take a while to respond to him, second-guessing himself. He says your name softly, before asking, "Am I making you uncomfortable? Do you want me to stop?"

The answer is no.

So why is it so hard to say out loud?

Nervous, Dick shifts away from you and retracts his hand, guiding you onto your back so he can see you properly. The look of uncertainty on him is rare. The man's confidence is nearly impenetrable, but now he's got a sinking feeling in his stomach, worried that he just crossed a line that you didn't want him to cross.

"Dick..." You mutter, shifting around to help him so you're face-to-face. His features are barely visible, illuminated only by the soft red glow of the digital clock on the bedside table. But you don't need the light to see him. His face is permanently etched into your mind, handsome and chiseled, your brain filling in the gaps left by the darkness.

You're running out of time. You can make out his expression fall, sense the change in energy each moment you leave him hanging. Deciding to take the future implications out of the picture, like how it will affect your dynamic on the team, how awkward this might make things in the future- you ignore all of that, and ask yourself, 'Do I want to sleep with him? Right Now? In this moment?'

The vigilante's confidence returns when you finally lean in to capture his mouth in a kiss. You bump your nose against his, and he chuckles, relieved as his hand finds your cheek to guide your mouth to his again.

The feeling is surreal, kissing him. You feel like you knew him pretty well before this trip. You know how he likes his tea. You know his favorite places, and understand his subtle, snarky humor. You're even familiar with his scent, after many missions and even more training sessions, physical contact is not anything new between the two of you.

His taste is new. His lips are foreign, but gentle, skilled, like he knows exactly what he's doing when his kisses you, relishing in the feeling, slow and sensual as his tongue slides across your bottom lip, teasing you until your part your lips and allow him deeper. Dick pulls you on top of him, relaxing on his back, his hands holding you by the waist, itching to trail lower and grip your plush ass that's been teasing him all night.

The needy almost-moan that escapes his throat as he exhales is new, too. You've heard him express pain and discomfort, you know what sounds he makes when he's hurt, recognize his brash grunts while fighting, able to judge how badly he's hurt by the sounds he makes. But the noises he's making now aren't like those. They seem more raw, more intense, and he's doing a good job of making you swoon.

His taste, his noises, being the object of his desire, this is all new territory. The surreal feeling doesn't go away, even as his kisses get more intense and his hands start to wander. You're straddling him, forearms resting against his chest while you two make out. He laps at your mouth, tongue against yours, encouraged by every little sigh and broken whimper that you make.

You're grateful for the darkness. It helps quell your insecurities, and you push the doubts about your decision far away. With your hands against his bare chest, you're able to feel his heart beat, strong and even, solidifying the feeling of closeness between you.

"You're so soft," He whispers between greedy kisses. His fingertips caress the exposed skin of your lower back, becoming increasingly more annoyed by the clothing that's keeping your skin from him.

A brief feeling of guilt plagues your mind, knowing your skin is extra soft because of the long shower you took earlier, with the goal of annoying him. Who knew that taking the time to exfoliate and use lotion would end up doing the opposite, spurring him on, making your skin that much more enticing.

You sink your hips down, rubbing yourself against the tent in his boxers. "You're so hard." You say back to him. You meant to sound teasing, but his all-encompassing kisses have you breathless and panting.

Dick chuckles at you, also breathless, finally letting his hands grip the silky material of your sleep shorts, squeezing and massaging your ass. You push yourself up a bit to look down at him. The red numbers of the alarm clock cast an eerie glow over the side of his face, the other half dark in shadow. But you still detect the obvious lust in his gaze. He squeezes you, grabby hands slipping under your shorts to feel you better and force your clothed cunt to grind against his throbbing erection.

"You have no idea how hot you are," He blurts out, bucking his hips up to drive the point home. "You in that dress this morning, fuck, if you were mine for real... I wouldn't have let you leave this room before fucking you senseless in it."

His low, urgent tone, gravely and strained, sends a jolt of heat to your cunt, your arousal soaking through your underwear. Hearing him, Dick Grayson, NIghtwing, say such things about you? And you can tell he means it. He's a good liar, but you know him well enough by know to tell he's being sincere. You open your mouth, unsure what to say, but he's already rambling on, hands traveling from your ass back up to your waist, easing your shirt up and over your head, careful not to mess up your hair.

"The neckline is what did it, I think," he continues. His pupils dilate when he drinks you in, straining to see as much of you as possible. You're sitting up now, shuddering when his warm hands cup your breasts, handling them like you're made of glass. "I couldn't stop staring. I wasn't the only one, either."

"Dick-"

"I've been thinking about this ever since. All evening. Been going crazy." His thumbs brush over your nipples, which are already hard from the arousal you feel building inside. "Got me all worked up. Like a teenager with a crush."

You bring your hands to his, resting over them as he fondles your chest. The gentle squeeze you offer encourages him to keep going, moving your hips to rub against him, searching for some friction to satisfy your need.

"I doubt the dress did all that," You challenge.

"Yet here we are."

"You pleased with yourself?" You yelp as soon as the question leaves your mouth. Dick chose that moment to pinch your hardened buds between his thumb and pointer fingers, squeezing and toying with them, moving his hips against you when your grinding falters.

"Yeah, I am."

Dick removes his hands from your chest to pull you flush against him, grabbing your left leg to help flip you over so you're on your back, settling on his knees between your legs. This shift in control has your mind racing, still wondering if this is all just a dream. If it is, you aren't ready to wake up.

Dick's sitting straight up, smirking down at you, reaching for your ankle. He guides your leg up so your foot is next to his head, and places a slow, wet kiss against your ankle bone.

"Let's get these off of you." He takes your other leg, lifting it in the same manner, so he's able to remove your shorts. You raise your hips to help, allowing him to take your remaining clothes off and toss them to the other end of the bed. He kisses the same spot on your other ankle and rests your legs on either side of his head while his strong hands caress your calves. It almost feels like he's showing you a new martial arts technique, the way he moves and is so at ease manipulating your body. You're used to it, to humbling yourself around him and letting him share his skills, never too proud to learn from a friend and mentor. You swear you've actually been in a very similar position with him before, too, just with more clothing. And also, several spectators.

His warm, fervent kisses continue down towards your knee, slowly savoring every inch of skin he can reach, and adjusting his position once he cannot. Your chest rises and falls quickly in anticipation, nervous but excited to see this new side of him.

This isn't something you were expecting to happen this trip.

You stifle a needy moan when he reaches your inner thighs. Muscular body now flush against the bed, he licks at the sensitive skin there, just inches from your pussy that's dripping for him, aching for attention.

"H-Holy shit..." You curse, moving your hips to try and get his mouth closer to where you need him most. If him kissing your leg feels this sensuous, you're weak over the idea of having his mouth on your core.

Dick hums in satisfaction at how worked up you're getting. Peeling his lips away from the soft skin of your thigh, he purses his lips into a small 'o' to blow a breath over your slick, feverish skin.

You're mortified at the loud whine that departs your lips, shivering in both chill and embarrassment. Your legs tense, squeezing together reflexively around his head.

Dick mutters your name, cursing under his breath at your reaction. He carefully pries your legs apart again, holding them in place, kissing your inner thigh again.

"Huh. You liked that?"

"Please, Dick, you're teasing me."

You feel his lips curve into a smile against you, leaving your thigh and licking a slow, long stripe along your pussy, catching some of your slick on his tongue. Your breathing hitches, eyes closing again, moaning his name with your hands on either side of your head gripping the pillow.

The tip of his nose nudges against your clit before he kisses you there, the same way he was kissing your mouth a minute earlier. Slow at first, building up to using more tongue, testing different movements until he feels your legs quiver. The heat you felt before has grown to a roaring fire, your lower body sensitized from his attention and aching for more.

His tongue flicks over your sensitive nub over and over in a steady rhythm. It becomes harder and harder not to wiggle against him. He's still keeping you in place, but his grip isn't harsh, at least not until he finds just the right angle. Your hips jerk almost violently when he presses his skilled tongue harder against your core, your hands flying to his head to grip his hair. "Oh fuck... please... shit shit sh....." You tremble, words fading away to nothing while your teammate keeps eating your cunt like its his favorite dessert.

Muffled hums and moans are mingled with your sighs and gasps. His tongue dips down to lap languidly at your entrance. You feel painfully empty at this point, ignoring the bewilderment you feel deep down about how easily Dick has reduced you to a whining mess. Fingernails scratching his scalp, your inner muscles convulse and tense, nerves alive with every touch and heated kiss.

Dick is a curious guy. He always has been. It's what makes him such a good detective, and an even better hero. And right now? He's curious about you, making a mental note of what noises and gasps he can coax from you when he moves his tongue faster or slower. He experiments with quick, feather light licks to tease you, then uses more pressure, rubbing his tongue flat against your soft skin and moving in circles, noting your reactions to each technique. His saliva drips from his mouth to mix with your slick, which he greedily licks back up, no shame in his enthusiasm.

After several torturous minutes of him working you, he's got your legs quivering and your mind fuzzy, your pride long forgotten, unable to resist the urge to plead for more.

"Please?" You beg him, "I just want... fuck, please, Dick, I need it."

His hands grip you tight for a beat before he releases you. "I need you too, baby, fuck, feel how wet you are." You offer no resistance when his hand takes yours and places it between your legs. "Touch yourself, yeah... there you go... play with that pretty pussy for me, hm?" His deep voice vibrates in your head, sending a fresh rush of lust through your veins.

Pushing himself up, Dick reaches over you towards the bedside table to retrieve the goodie bag that the front desk was handing out for the couples retreat.

"Glad we can actually put this stuff to use," He mumbles, face better illuminated now that he's next to the alarm clock. He retrieves a condom and a single-use lube sample from the deep red gift bag, and you groan in embarrassment again.

"Shhh, hey, just keep touching yourself. It's fine, unless you brought other condoms?" He asks, already guessing your answer.

"Why would I bring condoms? I wasn't expecting this to happen," You reply, watching him rip the foil wrapper.

"Huh. Me either." He slips his boxers down his thighs, letting his cock spring free. You squint, trying to see the outline of his junk in the dark. He looks big. Big enough that when he slides the rubber over his shaft, it only makes it about 3/4th of the way down.

"It's kind of tight," He informs you, now opening up the lube sample and working the viscous liquid over himself. "But I'm pretty good about making big things fit in tight spaces."

The grin on your face is instant, cringing at his joke and shaking your head. "Would you shut up and fuck me, already?"

"Gods, yes."

His reply sounds pained, filled with longing, enough that you briefly question how long he's wanted this. You want to ask, but Dick is a man of his word, and before you can utter your question out loud, his hands are pressing your legs against your chest, knees over his shoulders, positioning you so he can slap his heavy cock against your clit.

Rubbing his tip against your wet folds of skin, you angle your hips a little better and guide him inside. Your slick heat swallows him up greedily, his cock bottoming out in one swift thrust.

You cry out at the sudden sting of him stretching your aching cunt. Hands gripping the sheets to ground yourself, your eyes water and your mouth hangs open, the feeling enough to wipe your mind clear of anything other than him and how he's making you feel.

He offers a brief kiss to your whimpering lips, "Shhhh, I know, babe, I know, feels good... fuck... feels too good.”

Nestling closer to you, Dick settles so he has access to your neck. His hips are still, giving your body time to adjust from the abrupt intrusion. His warm breath tickles your ear between the sweet love pecks he presses into your skin. “You know, if we really wanna sell ourselves as a couple, maybe I should give you some hickies, mark up that pretty neck of yours.”

The muscles in the back of your legs burn from the stretch. The position you’re in doesn’t accommodate deep breathing, so your voice is weak when you warn him, “Can we not talk about work right now?”

“Right. We’ll talk about it tomorrow, when you’re pissed at me again.” He latches his lips onto your neck, withdrawing himself from you halfway before easing back in, slower this time, pausing again once he's fully buried.

"H-h-how... mm...d-dude, you're huge," You gasp, feeling his tip kiss your cervix, pushing your body to its limit.

Dick tenses, his solid body going rigid. His next statement seem imbued with an undertone of challenge, "Don't call me dude while I'm inside of you."

"Sorry I- shiiiit...." you lose your words when he starts moving again, pumping into you slowly, rolling his hips into yours while he sucks on your neck, leaving your skin damp with his saliva. Finding them again takes a minute. "M'sorry I didn't c-come up with a list... I mean, why would I be prompted...to... write out the things that are... are off limits when we're fucking?"

The words are forgotten as soon as you say it. His memorizing pace has you feeling alive with warm tingles, concentrated most where your bodies meet. You clench down on his thick cock, more arousal dripping out around him. You can feel your body release more wetness again, doing its best to accept what's being given as his soft raven hair tickles your cheek.

"We can make that list together, babe." His promise is murmured against your throat, "Maybe during our one-on-one counseling session tomorrow with the alleged con artist himself."

"W-wh...huh? What, oh... mmmm.... fuck, Dick.... what list?" You flex your feet and curl your toes, babbling and whimpering at him. You can't move much with how he's pinning you, completely at his mercy. Even though you've never slept together before now, you have complete trust in him, having put your life in his hands more times than you can count. Nightwing has never failed you as a teammate. And Dick certainly has never failed you as a friend. So even now, as he ruts himself into you with purpose, pushing your body to its brink, leaving dark bruises over your neck, you know he doesn't plan to fail you as a lover. If only for one night.

The speculation on whether this heated exchange will be a one-time thing or the start of something more is a worry for later on, not for right now. Right now, this god-like man is fucking himself into you harder and deeper, being much less gentle than how he handled you earlier.

"Feels s'good, tight little pussy is squeezing me, bet you haven't been fucked this good before," He rasps, giving your tender neck a break and resting his forehead against yours while he flexes and undulates, putting his abs, back, entire body into it, hitting spots deep inside of you that you didn't think were even there.

Your cries of pleasure get louder as the minutes pass. Keeping his pace steady, Dick moves his hand over your mouth for the second time this evening to muffle your desperate please for release.. "Shhhh... remember what I said," He taunts, "We can't blow our cover. People come to retreats like this because their marriage is failing. No one here is having sex as good as this."

If you were more aware, you'd point out to him that he just went against his whole justification for giving you love marks. But he might as well be speaking an alien language. The deep timbre of his words do, however, send a chill down your spine, pushing you over the precipice, your orgasm crashing over you hard.

Your eyes water even more and blur your already limited vision. Convulsing under the weight of him, you gasp against his palm, tasting yourself, eyes wide in the glow of the dim red light.

"That's it.... shii-iii-iit..." His body stills, and he closes his eyes, struggling desperately to stay off his own orgasm. You welcome the break, pleasure still pulsing in your core, flexing and wiggling your legs to alleviate the stiffness from the prolonged time in such an intense position you aren't used to.

Dick moans your name and shudders, "I need more."

"M-more?" You stutter, intoxicated from the post-orgasm haze.

Pushing himself up and off of you, he sits back on his knees again, cock slipping from your swollen cunt. Dick graciously lowers your legs, guiding them around his waist before leaning over you again, carefully slipping his arms under yours against your back to cradle you closer to him. You cling to him with trembling limbs, letting him move you how he sees fit.

"What, you think I was going to stop at one?" He whispers to you, low and eager. He slips his length back inside of you, the lewd squelching noise sounding absolutely filthy, your thighs damp from his sweat and your fluids. "I'm not wasting this opportunity to show you a good time.'"

Your pussy is so sensitive now, every thrust of his hips earning a small pant from you, feeling him fill you up, over and over, making room for himself inside your body with each tantalizing rut of his hips.

You mumble something incoherent, and Dick chuckles, proud to have you in such a state. "What's that, babe? I'm the best you've ever had?" He kisses your forehead, fucking you a little faster, his heavy balls smacking against your ass with each rut.

"This is... just to keep up appearances, right?" You ask, unsure if you want him to agree or not.

Probably not.

Definitely not.

"Of course." Dick promises, knowing full well that he will not be satisfied until he has you creaming around his cock like this every night. Not now. Not after tonight. Being here with you has opened his eyes, and helped him reflect on why he got so intensely jealous when you were turning heads earlier. "It's all for appearances, babe."

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⭓ masterlist ⭓

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[anadiasmount]

hello again? - jude bellingham x reader.

quick sum: weddings and dates. feelings tested to their breaking point when one of you appears with a date. the night is young, is there still a chance to make things right even when it feels wrong?

wc: 4k | masterlist | jude’s masterlist

psa 🗣️: HAD SOO MUCH FUN WRITING THIS!!! this wa smeant to be posted yesterday so I'm sorry for the small delay!! i love the drama and angst but fluffy ending as promised!!🤞🏻 like always hope you enjoy! 🤍

“i going to need five painkillers by the end of the night,” the bride, well, your best friend says. you laugh as you finish tucking in the last few bobby pins in her updo, making sure no flyaway or small bumps are seen, everything sleek and perfect. “i am too. or maybe many many many tequila shots, whichever is first available,” you joke. 

“you should be all set!” you say cheerfully with a full smile on your face, hands resting on her shoulders as she admires your work. “it looks absolutely perfect, thank you! you’re truly a life savor i was ready to cancel the whole wedding,” your friend's eyes glimmer in relief, having a huge weight lifted off her shoulders as you did her hair. the hairstylist had to cancel the day of due to having a family emergency, but refunding her money was the least she could do. 

all the bridesmaids surrounded you, complimenting the hair and most importantly the bride who could just be overall thankful and full of emotions. the photographer came in, taking individual and group pictures of everyone, and opening a bottle of champagne to start the day. 

there were still a couple of hours left so you did some touch-ups on hair and makeup, assuring to add some powder to set and spray a setting mist to ensure it would last all day, also being generous with the hair spray. you changed into the olive green-toned dress and the black pumps for the evening, the dress hitting the correct angle and not interfering with you walk. a simple gold bracelet and matching earrings completed the look, walking out and earning praises from your girlfriends. 

your heart began to race faster approaching the reception, suppressing any feelings away because you felt it wasn't the time. the wedding nerves were killing you but also seeing jude again was making you stress more than it shouldn't have. how he was. what he'd wear. if he was even going to be there?

with jude's schedule, it was hard to even make time for each other, being one of the main reasons for your messy breakup. your promotion to the law firm, move to spain, his recovery, media, games, and the always questioning each other's every move. it took a toll especially on you, crossing yourself every night knowing you couldn't do anything about it except long for him.

he was your every thought since then. if he missed you? how his life was going? if he also desired to get back together? as hard as it was you still felt more than love for him. the feeling in your tummy spreading as you remember the first times with him. the kiss, the date, the sex, the love, all of it.

"i've ordered your favorite, now tell me where i can help you," jude says kissing just below your ear returning from outside where he placed a call. you hand him your flashcards pulling out your notebook to read the different scenarios that match with the words.

"just so you know, before we start, i'll have you know i want something in return," jude whispers with a cheeky grin. "of course you do, what is it," you ask teasingly your arm wrapping around his shoulders waiting for his response.

"a date. i want you to go out on a date with me y/n..." jude says earning a silence from you. your nails rake against the back of his neck, "i'd love too. just so you know, depending how much you help me with determine the commitment to our first date..."

"i promise to be on my best behavior then."

"y/n! are you ready?" your friend waved her hand in the air with a confused look, you immediately snapped back into reality as you stepped out to the reception. "does everyone have their flowers? remember they go in your right hand!" the party organizer reminded you as you quickly got into line with the groomsmen.

it all happened quickly, you smiled at alex who quickly got into place arm wrapped with yours as you walked down the aisle as rehersed. the reception was absolutely beautiful. the tears, the vows, the laughter, the ceremony couldn't have been more perfect. you hated to admit but your eyes did search around for jude, and once you saw him, a sensation in you went numb.

there jude sat with a girl to his side who clearly hadn't read the dress code. placing kisses all over his hand and cheek, the love dazed in her eyes as she stared at jude. jude did reach over a few times and she giggled, making your weak heart wrench further.

jude on the other hand started to get impatient, especially with carla who wouldn't stop annoying him and trying to get his attention every few seconds. since breaking up with you he couldn't stand the PDA towards him or seeing it. jude quickly found it difficult since most of his teammates were married or in committed relationships.

it seemed like everywhere he went, there were reminders of you lingering around. the library you studied and where he took you on a desk in a quiet corner, the cafe where you'd get your morning coffee with him, even his training center, and the beranabeu where he hoped and waited you'd be there. he was miserable and driven to his breaking point.

jude began to regret bringing carla, as she got the wrong message and was all over him. the wedding you planned to go to together, where you were supposed to be his date, not her. but his stupid jealousy and talks from others were the fault he was here today. he was anticipating meeting your boyfriend or date, make the message clear he was going to be in the picture.

he hated to think of someone else when it wasn't him. it ticked him off and he knew he couldn't do anything about it because you weren't there anymore. but no one said he couldn't feel the way he felt. to hate the man who would forever make you laugh, or earn your love at the end of the day.

all those promises, the kisses, the hugs, the forever after you guys created was long gone. it hurt jude to the point where he had nightmares, not being able to sleep. it didn't help when they teased or made comments to him. or the fact a rumor went around you moved on and had someone else.

"carla, do you mind getting some drinks while i say hello to some friends?" jude kindly asks removing her hands from his chest. "anything for us jude! i'll wait for you by our table," she winks at him making jude internally cringe as she walks off.

he dabs up his friends, congratulating the groom and making small talk. "oye jude! que pasa chaval!? i didn't think you'd come," his shorter teammate brahim greeted him. "well i'm here aren't i? how are you? como estais?" jude mocked earning a chuckle from him.

all of his teammates suddenly surrounded him, laughing and discussing the plays for the game before, and the tactics for the upcoming one. jude looked around trying to look for you and carla. he fixed his suit every now and then, entranced with his friends. "who did you come with?" asked brahim, looking around for what presumably could be you.

"an old friend, her name is carla," jude winces at his friend's look. “i thought you were coming with y/n?” asks brahim earning a deep scowl from jude. “no we uh- we broke up a while ago,” jude squints his eyes, eyes finding you where you laughed loudly with your friends.

“but she’s here?”

“yeah but probably not alone,” jude retorted still convinced you were seeing someone and they were here. “what?” brahim laughs at him earning an eye roll from jude, “you can’t be serious! i’m pretty sure she’s single,” brahim says. “what are you playing at here jude?”

“nothing. i’m here for the wedding,” jude scoffs. “yeah sure you are,” brahim squints his eyes then looks around starting to walk off. “when you come to your senses, i’ll wait for you over there. remember not everything seems to be exactly as you seem jude…” he smacks his shoulders and walks off.

you’d probably been on your third glass of champagne by now, enjoying the presence with your girls as you spoke about the wedding and old throwbacks together. the speeches were made and the newly weds had their first dance already. anyone at the event center was dancing, talking, or drinking.

“i’ll be right back, i'm pissing myself,” you excuse yourself laughing at joke as you step away to do your business. you brought along your bag, washing your hands and touching your your makeup that had smudged a bit after the maid of honor speech. applying a fresh coat of lipstick and gloss you dabbed the excess off and headed outside.

you motion to your friends you we're head to the bar, them mouthing to bring shots of tequila and some peanuts to eat. “i don’t think we’ve met before,” a strange voice says behind you, you turn slowly, feeling your chest sink deeper as you place a small smile. “i'm carla,” the girl introduced herself, watching as you hesitated taking her hand.

“i feel like i’ve seen you around somewhere, i just can’t put a finger to it. you know huge town but small circle of friends, i was invited last minute to the wedding so,” carla spoke falsely making you want to walk out the conversation. you nodded along not really caring and wanting to go back. part of you hated the way you were treating her, but it was all the jealousy talking. she had done nothing to you besides show up here with him.

“i’m sorry but my friends are waiting for me,” you apologize letting the bar tender know where you were seated. you grabbed a fresh glass of champagne and standing up, grabbing your bag and walked away. “leaving so soon? i was hoping we could talk,” she approaches you again making you turn again but this time a bit agitated since you were catching on to what she was doing.

“like i said, my friends are waiting for me,” you shrug nonchalantly seeing her cock her head to the said and look you up and down. “well i didn’t catch your name,” she sarcastically says, the anger building in you slowly as she spoke and wanted to rub onto your face who she was here with.

“i’m y/n, but i feel like you know that already.”

“oh you’re the ex-girlfriend!” the girl enhanced the oh, with a fake smile. rage burned in your veins, needing to have resistance before you put her in her place. she had been on it the whole night, and she began to test your limits now. 

“you must be the new girlfriend!” you returned the fake smile and took a huge sip of the champagne. “almost couldn’t tell…” you shrugged looking for an escape route but landing eyes with the man you avoided the whole night. his mouth agape and wide eyes. 

he wore a black suit and white button up, leaving three buttons undone, hair styled and a fancy watch adorning his wrist. you felt tugged into the eye contact, needing and wanting to be the one next to him tonight. but instead here you were, giving your attention to the person you hated most. 

your jaw clenched, turning your attention to your glass where you swirled the drink. “it’s a shame you guys didn’t work, but don’t worry! i’ll take better care of him,” she snarled. “jude spoke so much of you, honestly don’t see anything fascinating about you. have a goodnight.” 

you downed the drink in one go, feeling the burn in your throat as you placed the glass onto the empty table. jude frowned at your state, still overly confused and waiting for your date to appear. then it all clicked in his head, you didn’t bring anyone, you didn’t bring a date. the jealousy and anger disappearing in him slowly as he watched you sit down and sigh covering your head in your hands. 

“what did you say to her?” he questioned his date, seeing a smirk appear on her lips. jude turned back to you where you looked around in a trance, knowing immediately you felt the anxiety in you. 

“what had to be said. it’s all done.” 

“what’s done? what are you doing?” jude spit out dragging her to an empty hall where she just chuckled. “i told her what needed to be said. closed a chapter and now we’re starting a new one,” carla spoke crossing her arms. “i brought you here as a companion, not as my girlfriend or anything more. i think you’re getting the wrong message here,” jude said shaking his head.

“what do you mean jude?”

“i never asked you to do that, carla. you had no right to do that. i brought you here as a companion, not my girlfriend or anything else,” jude makes it clear to her seeing confusion flash into her eyes, now beaming with embarrassment. “i don't get it jude?”

“that i don’t intend to start a relationship with you. i’m sorry if i have given that impression but i can’t. what did you say to her?" jude demands his tone going softly as he walks towards her. "i thought i had said what needed to be said so we could finally be together!"

"y/n is too busy with herself. she got herself a promotion and is focused on her studies! she can't give you what you want and ask for jude! she's nothing compared to me," carla points to herself as she speaks all mumbled.

"and you can? what you did just now, what impression does that give to me carla? the way you're speaking about someone who you don't know, and never will?" jude defends you, deeming the need to even if you weren't there. she opens her mouth to speak but closes it immediately, knowing nothing could fix the situation. "i'm sorry-"

"save it. we both know you don't mean it," jude scoffs and walks off, back into the reception where you're nowhere to be found. he wandered off for a few minutes looking for you, even asking some people around him and they all gave him the same response that they hadn't seen you.

you had walked off back to your friends after a mini breakdown and questioning your life. beginning to blame yourself for everything when it shouldn't. it was both your faults but yet it hurt to hear her say nothing was fascinating about you. you shouldn't have let her words get to heart but what if they were true?

what if you were stuck in your own world and couldn't bother to make time for him? what if you didn't give enough attention especially when he most needed it? to be worried only in the moment and not live your life to its fullest? a couple shots and dancing later you found yourself seated at your table alone, watching you friends dance without their heels drunkly laughing off.

"where are you even going?" jude asks you, seeing how you packed every item away into suitcases. "clearly far way from you. i can't stand it anymore, you're never here jude!" you yell throwing your hand sin the air.

"you're never here and i'm tired of it jude. it's always some bullshit excuse and if you truly cared you'd see that but you don't. i'm not wanted here so the faster i leave, the better for us," you say zipping up the final case.

"you're being ridiculous," jude laughs in disbelief, approaching you but you warn him to not get near you. "this is what i mean! i can hardly recognize you nowadays! i'm done jude. done," you say loud and clear.

"leave. i never needed you anyway." you turn around facing him, a flash of regret filling in his eyes as you look at him in pure disbelief. "you did, or you wouldn't be standing here if it wasn't for me."

you share your head at the memory, heading to the empty bar to return the empty glasses, feeling the need to clean up the mess and grab a small snack and final glass of champagne walking out to the outdoor balcony for a breath of air. "y/n?" you look up, not feeling sleepy or drunk anymore, standing up straight as jude approaches you.

was it possible to feel your heart shatter into millions of pieces over and over again? to feel the pit of your stomach turn at the sight of your ex-boyfriend? to feel utter pain when it was supposed to be a happy day? "jude..." you croak, looking away and biting the inside of your cheek.

he rests his forearm on the bar railing looking at you, trying to read you as you looked forward. silence fell upon you, but there was no denying that your hearts began to sprint faster at the closeness of the two of you. "did you need something?" you softly ask, taking a sip of the drink. "i wanted to talk," jude states firmly.

"are you sure? i don't think your girlfriend would like that," you attempt to joke but it earns you a frown from jude who just shakes his head. "i'm not sure she would, i'll just leave this here and go-" you try to walk away but he stops you, softly gripping your wrist refusing to let you go.

"she's not my girlfriend, she also left a while ago..." jude says, seeing you finally lock eyes with his. a deep laugh rumbles from his throat a painful smile stretching along his adorned face, "my first reaction would've been that too, if you had shown up here with someone else."

"i don't get it, why are you here then?" you feel the need to ask, get some sort of answer to relieve the pang in your chest. "why bother being here when you still brought her."

"because i was jealous, there i said it. i was so convinced you'd show up with someone who wasn't me. that i'd have to face reality and finally accept we're not longer together. that i can't call you mine anymore..." jude confesses, making your eyes glisten with new tears again.

"do you not know how it feels? to still be stuck in the past and longing for hope that one day you'll come back to me? having to face everyday with you on my mind anywhere i go? to have vivid dreams of you?" jude frowns, his once rough voice turning delicate as he brought a hand wiped your tears. "i can't stand it anymore."

"i thought this whole time before coming here, you were with someone else. everyone told me you had moved on and looked in a better place and all i could feel was bitterness. it wasn't fair, but i was so wrong y/n. so wrong to the point where i brought someone who could never love me like you did..." jude wiped his own tears away at the state of you.

you felt like you couldn't move, stuck in the same place as you heard his voice. the voice that one day soothed you to sleep, to calm you down, to look forward to at the end of the day. was it possible to feel this emotionless? to have no more tears left to cry? a sob emerged you, covering your face and attempting to control your breaths.

"who said i stopped? i may have an idea of what you feel like, let's be real. i don't know quite frankly who told you i moved on, but that's all lies. i can't do that knowing i still feel the same i did when i first met you," you sniffle taking a gulp and feeling the knot in your throat. "i thought i was fine and could handle seeing you, but my oh my was i incorrect... to see her with you, for her to come up to me and speak the way she did? for a second i thought 'where is my jude'?"

"i'm right here..."jude grabbed your hand and placed it on his heart, bringing it up to his jaw and resting his face on your palm. "don't you see it though? we're back where we ended off. do you possibly think we're good for each other when it seems like we're only hurting?" you question him.

"i've lived everyday thinking i wasn't enough or that i couldn't give you what you wanted jude," you shook your head in disappointment, "i want to fix things i do, but i'm scared that if we do this again, we're going to end up back here confessing our wrongs and tears. the way i felt the day we broke up doesn't compare to now..." you say, jude going quiet and looking down in defeat.

"i miss you so much jude," you choked on your own words, a fresh wave of tears overpowered the dry ones, holding onto jude upper arms as he leaned down and engulfed you into a deep hug. jude repeatedly kissed your head, choking on his own sobs as he repeated how much he missed you.

"i hope you know i'm still so madly in love with you y/n. i've never felt this way for anyone and it seems like its meant for you and you only,"j jude says making you giggle. "i'm serious pretty girl. i'm serious about you and us. i always was and i made the mistake of letting you go once, but i'm not here to do that again. i'm here to grant all of the promises we made," jude holds your face, seeing your red eyes and slightly smudged makeup, still more beautiful than ever.

"all of them?"

"every single one of them."

"i feel like we should talk more about it," you insist, seeing jude nod and agreeing with you. he tightens his grips on you waist leaning further down closer to you. "yes we do and we will, but right now i want to kiss you..." he asks and you grant. he sucks in a breath lips devouring yours after months, holding and kissing you how you liked and deserved.

you held onto his suit, tiptoeing up and deepening the kiss further, being able to taste his minty whisky scent. "come with me. we won't talk about everything tonight but i really just want to be here with you," jude says, sitting down on a small couch laid outside. you immediately follow and cuddle into him like you used to. you place a final peck onto his lips. "wait my drink-" jude holds your waist giving you a look with a playful smile.

"i think that's enough for tonight."

[neo-percs]

BEGGING:: ( day 7 )

WARNING:: enemies to lovers, rough sex, begging, friends to enemies, make up sex, arguing, misunderstanding, college au!

SUMMARY:: in which after a year of breaking off your friendship with Jaemin due to a misunderstanding you both get into a heated fight that leads into the unexpected.

WORDCOUNT:: 4.2K

A/N:: this is reposted from my old blog so if you think that this post is familiar it probably is, last time I posted this it did pretty good😭

You were so sick of the reoccurring problem that kept popping up around almost every weekend, going out to have fun with friends and then running into Jaemin only to walk away frustrated and huffing about how he got under your skin. If someone had told you a year ago that you'd end up on terms like this with Jaemin you would've told them their out of their mind.

Yet here you were in the middle of a house party giving each other dirty looks after yet another squabble about how Jaemin had spilled his drink all over your white top. You could see your bra through it by now and you were beyond pissed. "You're getting me a new one. And by getting me a new one I mean you're buying it" you snap as you set your drink on one of the coffee tables that had scattered beer bottles and ash trays.

Scoffing at your tone Jaemin opens his mouth to speak "all of a sudden you can't ask your rich ass parents to buy you a new one? Daddy cut you off or something?" He says with full confidence and the intention to piss you off. "No, but since your so invested in my life why don't you invest in some good eye sight and find me a new shirt bastard" you snap.

Jaemin had it up to this point, your smart mouth, your attitude, and simply the way you mouth off to him in-front of everyone to embarrass him. Snatching you by your arm he tugs you through the crowd of screaming and laughing people as they dance and sing along to whatever playing. Dragging you upstairs and tugging you through the dimly lit hallways.

You felt lost, your shirt was practically sticking to your skin and most likely staining it a deep shade of red as you can feel the liquid seeping through your bra. Jaemin opening a bedroom door and pushing you through making you stumble over your shoes. Leaving the party behind without a care in the world. The loud slam of the door behind him makes you jump in shock.

Jaemin drags himself to open one of the drawers of the dressers in the bedroom. "Are you seriously gonna steal someone else's shirt to opt out off buying me a new one?" You snark. "No, this is my room, my shirt. If you want a new shirt so bad I'll buy you one" he grovels as he shovels through the folded clothes finding a random t-shirt he hadn't worn in a while and simply had forgotten about at the bottom of the pile. Tossing it without even looking at you, hitting you in the face earning a yelp from you.

Ripping the shirt out of your view and tossing it to the bed "you are so fucking intolerable I swear. It's been 2 years and you still have the nerve to act like I did something to you" your voice ripples through the room. "You did, 2 years of dirty looks and pissy comments yet you're acting like I started all of this" he was heated beyond belief at this point. "And I'm so sick of you acting like I have to kiss your ass to make your day better" he says louder than before.

"Because you did! Have you ever thought I wouldn't find out that you lied?!" You're face felt like it was on fire, standing up from the edge of his bed taking strong strides towards him "you lied to everybody that I had sex with Jeno sophomore year, which never happened. I worked on a project with him and next thing I know Jisung is telling me your going around saying I slept with Jeno" you say as you jab his finger into the middle of his chest.

Earning a laugh that bubbled within his chest "what are you talking about? I have never once told anyone that you slept with Jeno. I would've beat the shit of him if he did if anything" he glared deep into your eyes. "So who lied? Because all I know is what jisung told me" you glare right back at him. "I don't know but you never once asked me if I said it. You left me in the dark for 2 years y/n and all I wanted to know was why you hated me and all this time it was over some stupid lie I never even knew about" he said breathily his chest puffing and his face red.

"I liked you sophmore year, and if anything I would've been more hurt about the rumor than spreading it. But you've never paid attention, I've tried to get along with you really but you're so infuriating sometimes" Jaemin voices his distress as his brows pinch together in complete frustration. The both of you share a look of confusion and hurt.

"You liked me?" You whisper with wide eyes looking into his "yes, and the day you snapped at me was the day I was going to tell you and for Christ sake you just wouldn't spill what was wrong and why you were so angry with me" he says as his fist fall tightly at his sides feeling anger spread through his body. "And all of it was for nothing. 2 years down the drain for nothing" he says through his teeth.

You look down at his hands seeing how red his knuckles were becoming you reach for his hand pulling his fingers away from his palm seeing the deep red indented marks. "I'm sorry" you whisper your throat felt tight and tears were on the brink of spilling onto your warm cheeks. You were embarrassed that the both of you had to even do this in the first place. "Don't be. I don't blame you for being angry, but I'm just mad that you had even believed it was me" he sighed finally letting the words that had been building up in his mind for the past 2 years out.

Your thumbs rub against his aching palm, Jaemin pulls his hand away wrapping an arm around you and tugging you against his chest into a hug. The familiar smell of Jaemin brought you peace as you let your wild thoughts settle down, the sound of his heart beating at a slow rate had your eyes fluttering shut as you relax. Wrapping your arms around him tightly as if he'd disappear you felt his chin rest against the top of your head for a moment before feeling he pressed a soft kiss to the crown of your head.

Pulling away your head from his chest the both of you share a longing gaze reading each others minds the tension becomes thicker in the room. Jaemin's hand finds the back of your neck pullling you into a rough kiss. And the moment your lips meet, has been a long time coming, an eruption of your lust. His lips are warm and gentle as he kisses you softly, delicately, as if he isn't sure you're real and he's still checking.

Letting a soft whimper out against his lips the feeling of his tongue licking a stripe against your bottom lip, granting him entrance you drag your tongue against his as your hands rake through dark hair tugging it making him gasp at the feeling. Roughly Jaemin guides you towards the wall beside his study desk, moaning as he manhandles you against the wall the sound of a few of his books falling off his desk onto his floor.

His hands finding the back of your thighs dragging your hips closer until they touch. Pulling away from your lips nipping at your bottom lip once before trailing kisses from your jaw to your neck sucking and leaving opened mouth kisses on your hot skin.

Moaning at the feeling you tilt your head "Jaemin" you whisper breathlessly as you give him more space. "Say it again." He moans as he placed his hand on your ass, kneading the flesh harshly. "Jaem please" you beg as you grind against him letting out small huff of moans. Jaemin let's his teeth make a small ounce of friction against your neck before pulling away his hands roughly grasp the hem of your shirt pulling it over your head dropping it onto the floor.

"So fucking beautiful" he groaned as he presses his face into your chest kissing and leaving hickeys all over you making you arch your back against the wall as your fingers tug onto his hair. Pulling the padding of your bra down not even bothering to unhook the clasp he pulls down the padding of your bra letting your breast spill out.

Though the hair was warm your nipples were pert, Jaemin didn't waste any time licking and kissing against them. Biting your bottom lip in hopes to at least hold back your moans in the slightest but ultimately failing to do so. His hands trailing your waist and finding themselves under your skirt tugging down the thin fabric of your thong watching as it falls down your ankles.

"Can I eat you out?" He whispers against your skins as his big brown eyes look up at you with an almost needy look in his gaze. "Yeah" you whisper back with a shy nod. Only pulling away and kissing down your chest to his knees he gives small kisses to your lower stomach, his chocolate eyes looking into your eyes he lifts up your loose skirt and his eyes are met with your panties that has a cute wet patch growing on it.

He smirked knowing he was the cause "you're so cute" he mumbled darkly as his hand moves. Pressing his thumb on your clothed crotch you whimper as he rubs your slit pressing down on your clit, you whimper feeling the harsh fabric make friction with your sensitive clit.

Tugging your panties down from the elastic waistband over your thighs and down your ankles he's met with the pretty sight of your pussy and thighs glistening in slick. Looking back up at you his gaze darkened as he hooked your leg over his shoulder.

You gasp as you watch his head disappear under your skirt.  The heat of his mouth nearing your pussy he licks small stripes against your clit before he sensually licked from your hole to your clit, and sucking on your clit with fervor.

You moan as your head falls back against the wall. The sounds you make are so pleasurable to his ears. He presses his nose on your clit, inhaling your scent deeply before his tongue dives inside your waiting pussy. You pull onto his hair, writhing against his face.

"Oh fuck" you manage to whimper out you tug at his hair as he groaned, your eyes shut as you "please use your fingers" you moan neediness dripping from your tone. His hand moving from your plush thigh under your skirt his thumb rubbing harsh circles on your clit  he pulled away licking your clit once more his middle and ring fingers make way to your entrance.

Pushing in slowly you groan at the penetration, easing your tight walls around his thick fingers as he pushes them deeper you feel the cool metal on his rings all the way at the knuckles of his fingers as it grounds you from the euphoric feeling.

Pulling his head from under your skirt he looks up at you with your juices on his swollen lips and on his chin his fingers begin to move opening your eyes you look down at him feeling his gaze as he watches you react gasping as the feeling you grind down against his fingers "you like that? Hm?" He says as he licks your essence off of his lips.

His hair now disheveled  as his cheeks were blooming with a soft blush, you nod eagerly "yeah? You want me to go faster for you?" He coos feeling you clench around him at the sound of his lewd words. "Speak" he demanded making you clench harder "yes, please?" you say losing your mind on his fingers as you absentmindedly grind down on his.

He hums as he lifts your skirt bunching it over your hips he watches his finger get sucked inside of you. Moaning at the sight with sparkling eyes. His fingers hitting all the right places stuffing your pussy as the sloppy sounds of his fingers pounding into you as if you were his personal fuck toy.

"So good just for me right?" He asks as his tongue finds its way back to your clit, he looks up at you choking on your moans "only you I promise jaem" you say feeling a familiar pressure build in the pit of your stomach. "I'm so close" you whimper.

sending tingles down your body before he licked big stripes of your cunt, sucking on your clit, his tongue working wonders on you. "Cum on my fingers" he says possessively.

His thumb replacing his tongue as he rubs circles on your clit your hips shake as your mind is clouded with the sudden rush of your orgasm. You let out an almost pornographic moan as he continues to pump his fingers in and out of you until you ride out your high.

"Good girl" he coos as you grip his wrist as overstimulation starts to creep in. Waiting for you to come down he slowly removes his fingers as he is eager to taste you. jaemin's dripping fingers make their way up to your clit as his mouth makes its descent to your puffy lips. he pushes his heavy fingers on your clit as he adorns your lips with light pecks and kitten licks before using his free hand to pull them apart and licking your hole. his mouth sucks you hard in its endeavour to suck out whatever your pussy allows him.

Your hips buck at the feeling the sloppy sounds make your head spin. one of your hands moves to grip the hair on the back of his head and you push his face into yourself even more "oh god" you say shivering at the feeling. Pulling away his eyes look up at you while his lips attach themselves to your thigh that still sat on your shoulder, he bites and sucks the skin on your thigh in different spots leaving red and purple spots to bloom into hickeys as the hours pass.

Pulling away he lifts his fingers still covered in your cum up to his lips sucking on them becoming addicted to the way you taste. "You taste so good" he mumbled as he stood up showing the tent in pants that seemed to grow. And once your eyes meet the bulge your eyes visibly widen.

His chest presses against yours as you feel his bulge press I to your front, looking at Jaemin with round soft eyes "please fuck me" you beg and the glint in his eyes seemed to grow darker. "Beg" he spoke sharply not missing a beat. "Please, jaem I need it so bad. Please" you almost whimper as you press your forehead against his showing how truly desperate you were.

Nodding he felt content with your words, guiding your hips to grind against his before pressing chaste kisses to the side of your mouth as you whimper in sensitivity. His hair tickling your forehead and his heavy breathing clouding all your senses. Pulling away from you he walks to the edge of the bed stripping out of his clothes he looks at you with expectant eyes to follow his lead, and you did.

The both of you tangling yourselves into his warm bed sheets kissing and grinding into each other messily until Jaemin reaches over into his bed side drawer making you tug at his wrist to stop him "we don't need it" you shake your head. Jaemin can't help but let his body heat grow hotter at the thought of fucking you raw. Nodding mindlessly he wraps your legs over his thighs.

Your hand finds it way down past the ruffled sheets to his lower abdomen trailing until your hand flush against his cock, the tip of your finger rubs against the slit of his tip leaking hot precum. His hips jolt at the feeling which makes you capture his lips into a perfect kiss.

Sloppy yet passionate. Teeth clashing and tongues dancing against each other; you couldn't be happier in the moment. you wet the palm of your hands with your tongue before taking his shaft into your fist, slowly jerking and teasing the tip with your thumb earning you a moan.

Your lips against his give him a sense of euphoria that no drug could. Wrapping your legs around his waist as you pull him into your closer "handle me" you whisper, pressing a chaste kiss to his lips and rubbing his tip against your entrance makes his head spin.

Pressing his hips against yours he watches as your soaked and tight walls envelope him with a choked moan "feels so good inside you" he says as he presses forehead against yours which makes you giggle. As he pushes into you deeper and slowly you whine your legs without a second thought push his hips into you deeper earning a gasp at your own actions "fuck" you moan at the feeling.

"Such a slut, can't even wait for me to be inside you all the way huh?" He says rhetorically as he begins to thrust into your sharply, your moans are the only thing egging him on to keep going while your hands rest against his shoulders; nails begging to drag against his skin.

Your warm puffs of breath against his face has him in a trance. You smelled of cigarettes and cherries and it was so intoxicating for Jaemin who's hands greedily need your hips as he drags them against his. The sound of skin against skin in the air made Jaemin's eyes roll back. "So good" you babble as your head falls back against the pillow. Your hair was scattered against the leaning space for Jaemin to kiss and mark your neck with purple and red splotches.

"Yeah? I fuck you good right?" He says as he pulls your legs over his shoulders and hits a new spot that makes your jaw slack and mind go blank. "Tell me. Tell me how good I fuck you y/n" he demands making you moan even louder "you fuck me so good Jaemin I swear" you whine as your nails drag against his skin leaving behind red trails in their wake.

The bed thumps against the dry wall as your moans cover the sound. The sight of Jaemin over top of you with a clench jaw and your legs on his shoulders as you clench around him tighter. The sight of his hair falling over his face as sweat begins to trickle against his skin under the red and blue hues from the window.

"Fuck it’s so big" you slur seeing how good he filled you up to the brim your arms wrap around his neck your foreheads pressed together as you watch him begin to slowly move. Jaemin couldn't get enough of the sight as his cock disappeared inside your Pussy.

His cock buried deep inside you that you moan and dig crescent shaped dents into his skin. set a pace for grinding against his lap. The feeling of your velvety walls tightening around making him choke back a moan.

"Oh- god" you whisper shakily. His hands holding onto your hips guiding a pace, the sound of skin slapping with your small moans could be heard throughout the room.

You looked so good with your chest bouncing and your hair all messy. You looked good with a small sheen of sweat on your skin and your makeup smeared, he was addicted to the sight.

Stopping his hips completely and pulling out you whine at the feeling of emptiness "lay on your stomach" he says his tone low and raspy making you not miss a step as you roll over onto your stomach and propping your knees into the mattress.

Arching your back gives Jaemin the perfect sight of your ass. You could feel his palm caressing and needing your skin before giving it repeated harsh slaps that had you quivering. Nothing compared to the beautiful stinging feeling on your skin given by him.

"Want you inside me so bad" you mumbled as your fingers grip the sheets, you were so needy that you were dripping down your thighs and it didn't take much for Jaemin to run his tongue over his lips and grab onto your hips pushing his tip against you again letting him bottom out fully.

The sharp grip he had on your hips kept you grounded as he set a steady pace that had you panting and moaning. Hearing yourself made your face heat up, dropping your head into the sheets hoping to muffle the pleasure falling from your lips.

"Don't hide now" Jaemin says as his hand pulls your hair into a makeshift ponytail, pulling your head away from the sheets "I wanna hear you. Don't hide from me" he says breathily as his thrusts become more sharp and the sound of him pounding into you was hard not to hear.

"I can't help it. Fuck it’s so good" you slur your words as you begin to bounce and grind against him to meet his hips. It felt like he was in your stomach and you didn't mind at all, your hands clutching the sheets tighter as he used his other hand to wrap around your throat.

"Fuck you looks so good, you care what other people think now hm?" He asks as his grip around your throat tightens, you couldn't even gather your words as he hits a spot that has you breathing shakily and your moans are even more louder.

"You like it don’t you? Huh? Answer me." He demands as he drags his cock against that same spot again and again "yeah, it feels so fucking good Jaem" you moan as your eyes roll back. The feeling of his sweet lips on your skin as you feel like you're in heaven.

Your thighs are practically shaking at the feeling, pleasure practically taking over your body as Jaemin pounds you into his mattress without a single care in the world. Pushing your face against sheets while he becomes sloppy and rougher with every passing second you could feel the pressure in the pit of your stomach growing and waiting to be released.

"I can't" you moan as you shake your head "I'm gonna cum" you whimper as you feel warm tears slide down your cheeks. "Don’t run, you like to talk big shit but now you can’t take dick?" he teases sweetly in a faux tone. His thrusts are non stop and you can't help but let the pleasure envelope you.

"Oh fuck" you gasp as the feeling of release comes closer "cum on my cock. I know you can '' he coos at you while pulling your hips into his harder than before tipping you over the edge as your walls clench around him sporadically earning a guttural moan ripping through Jaemin's throat.

"I'm close, where do you want it?" He asks as he continues to fuck into you "inside. Please cum inside me Jaemin" you beg before you feel the pressure in your stomach let loose "I know, you’re doing so good" he praised as his fingers rubbed down your spine leaving goosebumps up and down your body.

A few more thrusts slow and deep have your toes curling and sending Jaemin into an orgasm struck daze. "Fuck you feel so good" he groans as his hands rub against the red warm skin of your ass. Leaning of you and kissing up your spine as you both bask in your pre orgasm clarity.

You both were practically glowing as Jaemin waited until he softened inside you to pull out "you did so good" he whispers sweet nothings to you as he pulls out and watches his cum drip down your inner thighs.

The both of you settle into the bedsheets the body heat coming from the both of you feels comforting, Jaemin doesn't want even the slightest bit of space between the both of you as he pulls you by your waist until your pressed flush against his chest. "Are we okay now?" He asks as he peeks over your shoulder to watch for any change in emotion or the slightest hint of regret. "We're better than before" you whispered as you turn around pressing a soft kiss to his lips.

[ineffectualdemon]

I've been thinking about it

And I don't think what's needed to actually fix Shen Jiu and Yue Qingyuan's relationship is Yue Qingyuan confessing why he didn't make it in time unless it was immediately when they met at the conference

Because that's not what sets Shen Jiu on his path.

What set Shen Jiu down the road he traveled and ruined all his interpersonal relationships was that he briefly wished Yue Qingyuan had died rather then forgot him

And he was so horrified by having that thought that he decided he was born rotten and was a monster from birth. Because only a monster would think like that.

Some people were rotten from birth. Shen Jiu thought of himself in exactly this way - someone vile and poisonous from the start. Because, at that instant, he came to a crystal -clear realization:

That he's rather have met a Yue Qi who'd died in some unknown corner, his remains unsightly and forgotten, then a Yue Qingyuan who was elegant and powerful, his prospects and future boundless."

SVSSS English translation Vol 4 Pg 95

Later when Yue Qingyuan talks to Shen Jiu in the water prison they have this moment:

"Has Shidi ever considered that, if you hadn't treated Luo Binghe like that in the beginning, everything that unfolded today would never have happened?"

Shen Qingqiu burst into laughter. "Why does Zhangmen-shixiong say such ludicrous things? What's happened has happened! I've already 'considered' it hundreds and thousands of times! There is no 'if', no 'in the beginning' —there was never any chance of redemption!"

SVSSS English translation Vol 4 Pg 111

He doesn't see this going in any other way because how could it if he was "rotten from birth" he was always a monster in his mind so to him suggesting there were other options is silly.

When he sees how this breaks Yue Qingyuan's heart he accepts that Yue Qingyuan had done all he could and any debt had long been repaid. But it's what he says next that really says a lot about himself

"You should go," said Shen Qingqiu. "I'll tell you this: Even if all of this could be redone from the beginning, in the end, the conclusion would remain the same. My heart is full of malice, my insides hatred and resentment. Today Luo Binghe wishes for me to die horribly, and I have only myself to blame."

SVSSS English translation Vol 4 Pg 112

He's saying it this way to push Yue Qingyuan to give up on him. Shen Jiu knows he's been cruel and abusive and feels he earned his fate. Which of course he would. He killed his own abusers with his own two hands. He understands Luo Binghe's motivations and reasons and doesn't see how it could have gone any different.

Because he sees himself as an inherent monster from birth and he was projecting that same monstrosity onto Luo Binghe from the beginning.

Yue Qingyuan confessing wouldn't have fixed their relationship unless it had been in the first instant when they met again. If he had said "I was too late" instead of "Qi-ge let you down" that might have changed things. But once Shen Jiu thinks he would have preferred Yue Qi to have died then become Yue Qingyuan and soar above him Shen Jiu was doomed.

The only way to fix their relationship from that point is for Shen Jiu to confess and confront the fact that the person he is angry with and hates is himself and that he's trying to push Yue Qingyuan away for that reason.

Unfortunately in PIDW canon he was only able to do this in the water prison and he still tried to push away Yue Qingyuan (who offered to let Shen Jiu kill him??? I had forgotten that bit) to save him from Luo Binghe.

I was thinking about this because I remembered a post that someone wrote about Shen Qingqiu getting truth serumed but it exposing his real feelings not like hidden identities. Like he insults Airplane and then says "I actually enjoy your company and your writing when you focus on your world building and plot but I had how you squander your potential."

And that was obviously talking about Shen Yuan

But I think that sort of thing would actually fix a lot of Shen Jiu's interpersonal relationships but he'd be mad as hell about it. Again it would have to happen before Luo Binghe hit the sect but if he could voice and confront those self beliefs then there is the slightest chance he could be persuaded that he's wrong by the right person

But yes. The thing about Shen Jiu is by the time Luo Binghe meets him he is well and truly a monster. But he's a monster because he decided he was one inherently and that he was incapable of changing that fact about himself.

Shen Jiu was right. Going back wouldn't have changed anything because Shen Jiu doesn't believe himself capable of change.

Something would have to break through that self hatred and make him believe he can be better. That he doesn't have to live like that.

And Yue Qingyuan confessing wouldn't do that. It would just make the self hatred worse.

[babyjakes]

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event | kinkmas 2023

prompt | fucking machine

pairing | porn director!ari levinson x pornstar!reader

warnings | reader is an amateur pornstar, ari is her beloved director. emphasis on safe/consensual sex practices (safe word mention.) mild dom!ari vibes. foreplay: nipple and clit play. fucking machine. spitting. orgasm permission + she comes :D

word count | 1,049

thinking about porn director!ari helping you, his favorite little star, take the machine for the first time 🥺 maybe you're fairly new to the line of work and you've only done tamer shoots so far. this is your first taste of intenser porn elements; you're just trying it out with ari before going through a proper shoot with cameras and everything because you're not sure how you'll take it or if you'll like it

ari is super protective of you and wants to make sure you're safe throughout the entire process. he insists it's just you and him because he doesn't want any outside pressure or elements potentially making it hard for you to advocate for yourself or ask to stop if you need to. you trust him so much, he's been so wonderful to you and you feel so much safer knowing it'll be just you and him in the studio 💕

he gets everything ready before you arrive, arranging a comfy leather chaise for you to lay on and setting up the machine/testing out to make sure it works. he gets lube, a few different toys in case you'll want them, and clean up/aftercare stuff all set out as well. he told you to wear whatever you want, whatever's comfy. when you arrive in a simple t-shirt and sweatpants, he thinks you look so adorable and perfect just the way you are 🥺

he sits with you for a little while beforehand, talking you through everything that'll happen so you understand the machine and there'll be no surprises. he makes you feel so safe and supported, reminding you several times that you can stop at any time, making sure you remember the safe word, etc. he's smiling so big at you when you nod to let him know you're reading, "i'm so proud of you, sweetheart. i promise we'll make it feel good. and if you need anything, you just let me know. that's my job, i'm here to make things easy and comfortable for you"

he has the machine close enough so he can sit on the edge of the chaise there with you and adjust it as necessary. when you're ready, he lets you undress and lay back. he just has such a way of making you feel so secure around him, he's smiling so sweetly at you as he takes some time to rub your thighs, easing your legs open as you relax for him. he takes plenty of time loving on you the ways he knows you love best, gently playing with your nipples before moving down to rub your clit a little bit

"there we go. just relax for me, angel," he's coaxing you as you grow warm and wet beneath his fingers. "gotta get you nice and ready, princess. that feel good, right there? you can tell me what you need, honey. i'll take care of you." once you're adequately warmed up, he pulls away and preps the silicon attachment with lube anyway, just to prevent any friction or discomfort. "you ready, sweetheart? just remember your word, okay? the moment you say, we stop." your enthusiastic nod and gentle smile convince him you're ready

"okay baby, here we go. gonna ease it in," he explains as he gently extends the rod up to press the tip of the dildo against your leaky hole. "bit of a stretch here, deep breaths," he talks you through it as the rubber object is slowly but steadily worked up into you. "good girl, almost there," he hums as he reaches a good stopping point, making sure the thrusts won't push in too far or hit your cervix painfully

rubbing your inner thigh soothingly, asking, "you ready for me to turn it on, princess? we'll start slow, but it'll be intense. you just let me know if you need something on your clit- sometimes that helps with the pressure"

he starts you out on the lowest setting, watching carefully to see how you react. your immediate soft moans and melting into the couch are good signs hehe 🫶 his face is beaming with pride as you lie back and let the machine fuck you, watching as your eyes roll back slightly and your legs tremble as they fall to either side

"g-god," you're groaning as you're pounding steadily, "you should've l-let me do this sooner"

he's chuckling as your words are distorted by the rhythm of the machine. "i needed to make sure you were ready, pretty girl. and look at you, you're taking it so well," he knows it drives you crazy when he talks to you like that, and it's working alright!!

"m-more," you're soon begging, "faster, p-please!"

he can't help but laugh lightheartedly a bit more at your enthusiasm and impatience, nodding as he bumps you up a bit in speed. you let out the sweetest, happiest sighs as the repeated pounding rocks the entire couch. wanting to make the experience as good as possible for you, he goes back to cupping your tit with one hand, patting lovingly over your swollen clit with the other. his added stimulation makes your body jerk and writhe weakly, broadening his proud smile

"go ahead, baby. take what you need. you want it faster?" he asks as he twists and tugs at your hardened nipple. your pleading nod prompts him to boost you up another few notches, the machine growing a bit noisier as you're now fucked a bit more forcefully. wiggling yourself down a bit, you dare to let the tip of the rubber cock hit up perfectly against your weak spot. the build-up to your orgasm seems to happen over the span of mere seconds, but ari sees it happening

"p-please, i'm gonna-" you're panting weakly as you teeter towards the edge. he knows you so well, he can somehow tell exactly what you need to get you there. he brings his hand up, spitting on his fingers before slapping them down over your clit, rubbing in furious circles

"go ahead, baby. you've been so good. you can go ahead and come," his permission is all it takes- you come right then and there on that massive rubber dick as it pounds you into oblivion, ari's skilled fingers carrying through the wonderful high 💕

[rallamajoop]

That time Heisenberg stabbed Ethan with a rusty fencepost

Thanks to this one fic project that needed a pornographically detailed list of Ethan’s most memorable injuries, I've spent some time trying to figure out exactly what Heisenberg stabs him with when they first met. Working mostly from a free-camera version from youtube, I settled on calling a metal pipe with a square profile.

Tumblr: I was wrong. The reality is so much worse.

Having cracked the game files and installed my own free-camera mod, I tracked down the original asset for this thing, and, well...

No, really, this is it! Check out those matching cross-bars if you doubt me.

FWIW, it isn’t actually a spear. Those semi-mangled crossbars flag it instead as a spear-headed fence-post. (This may not be a distinction that Ethan would find very comforting after being stabbed with the thing, but there it is, regardless.)

In fact, if you poke around the cemetery area just outside the castle gate, you can even find the fence it presumably came from.

Look in on the cemetery near the church from the lane leading up to the Duke's shop beside it, and this is what you'll see.

It's not a perfect match (in fact, it's even worse viewed from the opposite side, because someone has clearly stuffed up the textures on different sides of the same asset). I'll also note that if you go back to this fence again after meeting Heisenberg, you won’t find any suspicious gaps in it where a post was recently ripped out. So I’m going to just go ahead and assume this particular piece was lying in a pile of surplus scrap in the cellar somewhere, and Heisenberg did not, in fact, drag the thing all the way there from well outside the whole damn building. I mean, at that point, you’re just showing off.

The fence post is, admittedly, pretty hard to get a good look at in the actual game. Unlike all the other crap Heisenberg already has levitating around him in this scene, the fencepost doesn’t appear at all until Heisenberg stabs Ethan with it. It actually seems to emerge at speed from between a couple of barrels at the back. But if you’re enough of a lunatic to play around with the various slow motion/rewind settings that came with the free camera mod, you can get a decent shot of it in flight, cleaning up any remaining doubt that this is the same asset that was used in game.

It even freaking spins in the air as it moves. FTR, yes, it does go in pointy-end first. And the whole fucking spearhead ends up buried in poor Ethan. (Please feel free to insert your own dick-joke here.) Those paying really close attention might even note that the blood on Ethan's shirt is present even before the spear hits him, but that's just going to be virtual-stunt-coordination having a normal one.

I can offer you no similarly definitive insight into why Heisenberg would think stabbing Ethan with this thing was a good idea. I can’t even tell you if he knew for sure that it was Ethan Winters he was talking to at this point (maybe he's just playing dumb, pretending not to recognise him. Or maybe he legit didn't know that Ethan himself had made an appearance until Miranda told him. Sure, he's already got that whole conspiracy board, but finding real pictures of this Ethan-guy is surprisingly hard.) But whether Heis was already testing out Ethan’s ‘interesting body’, or whether he’d just generally assumed that anyone who could survive a full lycan assault on the village wouldn’t be too seriously inconvenienced by a little stabbing, hoo boy was this one way to make a first impression.

I’m not even sure which of these losers is the bigger idiot here: the one who imagined Ethan might still agree to work with him even after inserting a very convincing imitation-spearhead into his intestines, or the one who never thought to seriously question how he keeps shrugging off injuries just as exciting as this one.

They probably deserve each other.

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[holysupesbatman]

SuperBat Fic Recs

Woaaaah boy. I was in the Superbat tag and saw someone asking for recs and I got about 5 fics in before I realized that wouldn't fit in a reply and decided I should just make a whole post. I feel like I've read half of the Bruce/Clark tag on ao3 at this point and yet I still find more every time I look.

As a note, this post is heavily editorialized. These are all fics I've personally read and are here because I liked them and they come from my ao3 bookmarks. If you want better details about the fic, follow the links and check them out 🤷‍♀️ I'm a picky reader so the fact that it's on the list says a lot, though our tastes may vary.

Onto the recs! I'll organize them by ratings and then by length for simplicity and at the end I'll recommend some of my favorite SuperBat authors for further reading!

🦇

Rated: G

Uno Reverse by WixenBurr (~7k rated G) is really cute and fluffy

Summary: The batkids are trying to set Batman and Superman up. Unfortunately Bruce Wayne wants to date some rando news reporter named Clark Kent.

Rated: T

Know You Better by rotasha (~6k rated T)

super fluffy and cute. I adore this fic. Summary: Clark asks Bruce on a date, not knowing he’s a famous billionaire. Bruce says yes, because this is the first time this has ever happened to him.

I'm Not As Think As You Drunk I Am by Mardiaz173 (~13k rated T)

This one is SO much fun – Nobody believes Clark after he meets the supposed "flirty, stupid, entitled drunk" playboy billionaire Brucie Wayne when he says he's actually "clever, mischievous, and sober with an indecipherable ulterior motive."

Saudade by liodain (~20k rated T)

OK THIS ONE MAKES MY HEART MELT IT'S SO FLUFFY AND SWEET I CAN'T. Like put this on your re-read when you're sad and need to feel like love and goodness exist list. Bruce breaks down in Kansas in 2006 years before BvS and meets young Clark.

fallin' for him was like fallin' from grace by Resacon1990 (~23k rated T)

It's just 20k of Clark simping for Bruce. That's it. That's the fic. He's a golden retriever and he's in love, Your Honor. Bruce is not unaffected, but the pining is glorious.

summary: Or, five times Clark finds himself falling for Bruce, and the one time he does something about it

Mr. Romantic by Pandamomochan (~24k rated T)

ft Established Relationship SuperBat. Summary: Clark gets tasked to write a Valentine's Day article. The end result has every single women throwing themselves at him. Clark has always been patient with the drove of Brucie fans. Will Bruce be as mature with Clark's sudden popularity?

How to Date a Superhero by @solomonara (~25k rated T)

Technically a series of fics. Pure fluff. 1. Someone spots the Batman kissing Mild Mannered Reporter Clark Kent. Hijinks ensue. 2. Superman kissed Bruce Wayne in full view of several dozen phones. Now the whole world, including Lex Luthor, knows Superman has a boyfriend. But that's okay. Batman has a plan. 3. Deleted scenes from the How to Date a Superhero series, ruthlessly cut in most cases to prevent the Robins from taking over.

In every sense of the word by froggy-o (bobafiend) (~29k rated T) From the author's summary: Alternatively titled "Why Wonder Woman is on the verge of losing her fucking mind."

I swear this fic is just Diana's eyebrow twitching as she watches Bruce and Clark start dating and she's let in on both their civilian identities meanwhile Superman and Batman are on the watchtower arguing and disagreeing about basically everything on the daily. In the name of Justice, of course. The identity porn is on a whole other level and it was done so well.

Get Over It by rotasha (~32k rated T)

heh this one has plenty of identity hijinks. Sooooo funny. Summary: Bruce needs to get over his inconvenient feelings for Superman and he meets an attractive reporter who he thinks can help him do just that. Little does he know...

the cost of being a good dad by Mawiiish (~96k rated T)

hehehe... the batkids set up a dating profile for Bruce and catfish Clark. It's more of a blind date for Bruce (not that he had any idea he was going on a date at all), but who has Clark been texting for the past several weeks??? Oh yeah. The kids. What follows is as follows. Still with capes!

Rated: M

Guardian Dog by BombusBombus (~22k rated M)

Summary: There's something wrong with Clark Kent. He has to be a villain, right? A threat? He doesn't behave like a normal person, no matter how handsome or clever he may seem.

grasp his heart (once and for all) by liodain (~32k rated M) soulmate AU fic. Pretty emotional LOTS of identity issues going on there like so much. Kinda high on the drama and angst there honestly but it was a cute read. Summary: Bruce Wayne doesn't believe in fate.

tell all the truth (but tell it slant) by susiecarter (~33k rated M)

love me a fake dating AU. Summary: It takes a while for Batman and Superman to work things out, once Clark comes back from the dead. Pretending to date each other in order to explain why Bruce Wayne and Clark Kent are in the same place so often? Doesn't help as much as you might think.

Strangers When We Meet by Trista_zevkia (~63k rated M)

ANOTHER soulmate AU! This time feat. Kryptonian Biology hehehe. Summary: Clark Kent thought he was straight, until Batman kick started something. The question is what did Batman start? Is Brucie Wayne able to explain it to him?

ship-to-ship combat by pomeloquat (~77k rated M)

OK NO LISTEN this is one of my all-time favorite fics EVER. It's so meta and so funny. Clark is us. We are Clark. Clark is writing RPF for the Bruce/Batman ship and he's very convinced it's real EVEN THOUGH he has a huge crush on the Batman... let the hijinks BEGIN.

Rated: E

Embracing Destiny by Mithen (~8k rated E)

This one is just really really cute. Summary: As a member of the Legion of Super-Heroes in the 31st century, a teenaged Clark learns a stunning secret about his own future: he and someone called "Batman" will be legendary lovers.

perfect strangers by susiecarter (~15k rated E)

like. bruh. susie did it again. This tag says it all: communication failure. I love this one though. Summary: Batman and Superman are fucking. Bruce Wayne and Clark Kent are a great cover for fighting crime, and also might be dating. Bruce and Clark have no idea what they're doing; but they definitely aren't going to be able to talk themselves into stopping.

Relinquishing Control by foxyk (~25k rated E)

afsfwsdfhishdfksj no words. Read the authors summary and then just go read the fic:

Superman worries that if he lets go he'll injure his partner. Batman knows better. Batman worries that if he lets someone else in, he'll hurt them. Superman knows better.

Picture Perfect by TheSaltiestDog @the-saltiest-dog (~26k rated E)

this one is cute and then horny on main but also just so fluffy. Clark sees Bruce in a new light through candid shots, then proceeds to take lots of candid shots as they begin a relationship. Cue schmoop, fluff, smut, and – you guessed it! –Miscommunication!

A Night Off and sequel A Day Off by Mawiiish (~37k combined; first part is E, second is T)

One of my all-time favorites. My bookmark says 10/10 would read again soooooooo... 👀🤷‍♀️😅🥵

Bruce is enjoying one of his few nights off when a very persistent young man offers to buy him a drink. At first he's apprehensive; he's just here for a good time and this Clark seems to be looking for more than that. Then again, what harm can one drink do?

Clark wakes up to an empty bed and despite Bruce being honest from the start, he's still disappointed.

The Downsides to a Secret Identity by liodain (~42k rated E)

I'm currently reading this one – the summary from the author says it all, it's so good but sooo drama:

Bruce Wayne has taken a shine to Clark Kent, but Clark is more interested in the Bat of Gotham. The Bat, however, has it in for the Superman in a big way. Clark should probably have considered that before falling quite so hard. They're working together to track down some missing Kryptonian weaponry, after all...

50 Shades of Wayne by susiecarter (~161k rated E)

No but listen, this is actually so full of plot and emotional depth and not as much smut as you might think. It's a full-scale retelling of Batman v Superman but without them knowing each other's secret identities. I read it in one go... the reveal? Maybe the best I've ever read. Soooo many emotions. It's one of the few times I've read BDSM in a fic and it actually felt in character. I wasn't sure I would read it when I started, but it was a compelling read and extremely well done. Honestly, I'd read it again.

SuperBat Author Shoutouts:

susiecarter @susiecarter

liodain @liodain

Resacon1990 @sassyresacon1990

shipyrds @burins

Mawiiish @superbattrash

rotasha

Mithen