#I'd like to finish this as a whole project one day but I have no time for that right now

[luck-of-the-drawings]

when i was in highschool one o my biggest coping mechanisms was drawing all the kids i hated getting killed and eaten and killed. and well. time is a slowly ascending spiral. you will find patterns.(i work as a blackjack dealer. gamblers are FASCINATING

[icewindandboringhorror]

me everytime I am preparing a meal with multiple elements I have to balance so they all finish cooking at the same time: Wow this is just like the 2009 hit Nintendo Wii game 'Food Network: Cook Or Be Cooked'

[goldammerchen]

resentful //mmm, should swap that for child.

[aakeysmash]

you manage to make college!sukuna take yuuji trick or treating

college!sukuna masterlist

You barely put your foot inside the apartment when you hear sniffling coming from the kitchen.

“Please ‘Kuna, I can’t go alone,” Yuuji mumbles, moving a single piece of spaghetti around his plate.

Sukuna huffs, standing up from the table. "Can't you just go with that kid you invited over the other day? Meg... Meg something?"

"No! I already told you I can't, like 3 times!" Yuuji starts, getting progressively more frustrated.

"Don't throw a fucking tantrum, Yuuji, you know I hate that shit," the older grits out, cleaning his plate.

"But-"

"Hello...?" you say, peeking inside. Two sets of eyes fix on you, and silence engulfs the three of you for what feels like the longest three seconds ever. "Y'all are weird," you whisper, getting inside and going to the fridge. Yuuji waves at you, trying to be polite even if you can see he's on the brink of tears, before the two brothers in the room with you resume their conversation.

"Brat, I'm not coming. I have assignments," Sukuna sighs. He doesn't turn around, he knows Yuuji is pouting and he might or might not have lied. Well, not completely: he does have to turn in two different projects for his economics class, but he's almost finished. He did say he would take a double shift the night Yuuji is asking him about though. They're tight on money, but it's not like he wants to admit that to his little brother. Is this what guilt feels like?

The little pink haired boy sniffles, then nods. "It's okay," he slurs out, cleaning after himself in silence. For the next 5 minutes, you can hear a pin drop from how silent it is. Sukuna keeps on washing dishes, Yuuji keeps on cleaning the table.

You're still standing by the fridge, trying to mind your own business, but seeing the whole scene makes the hair on your nape stand up. The two siblings would have the same stoic and unmoving face if it wasn't for Yuuji's lip trembling imperceptibly from time to time.

"I'm going to my room. Sorry for having bothered you, 'Kuna," the little one says, opening the door to the kitchen softly, and closing it even softer. Sukuna inhales strongly, putting his hands on the counter in front of him and closing his eyes. You feel like if you breathe harder than what a mosquito does, he'll crash out.

He pats his pockets repeatedly, searching for something. He takes out a pack of cigarettes and turns around to reach for the lighter you keep in the first drawer, when your voice startles him. Seeing him startled startles you too. He's never startled. What is going on?

"I thought you quit."

"Mind your own fucking business," he snarls, snatching open the drawer.

"What's got your panties in a twist?" you reply, matching his rudeness.

"Can you shut the fuck up? Damn," he continues, glaring at you, taking one big drag of the pressed tobacco between his fingers.

"No, I'd like to eat a normal dinner with both of you today, so are you going to tell me what is going on or do I have to ask your crying nine year old little brother?" you hiss out, snatching the cigarette he just lit and tossing it in the sink, still wet from when he washed his dishes, effectively turning it off.

He's on you in a second. "Don't piss me off, woman," he says, trapping you between the sink and his body. He's towering over you, and he has to bend down to look at you properly. "Stay out of it," he says, menacingly. You gulp, but you're not finished. And most importantly, you know him. You've been living together for forever, or maybe it feels like it because you're always together, either for Yuuji or because... wait, why are you always together?

"I'll stop when I feel like it, Sukuna," you say, getting closer to his face. Your voice is clear, your nose an inch from his own. You look into each other's eyes so intensely that if you had the power to shoot lasers he'd be blind by now. You're about to speak up again, when he headbutts you. Hard.

"Ouch!" you yelp, punching him in the arm as hard as you can. He just traps your fist in his, squeezing until you wince, then lets go, smirking.

"Don't play with me, girl," he says while getting off of you. You pout, rubbing the spot he hit on your forehead.

"Asshole," you mumble.

"Mh? What'd you say?"

"Nothing, sir," you respond mockingly, assuming the position of a soldier. "You know what, I'm going to report you to the police for domestic violence," you continue, still pouting.

He throws you a single cube of ice. You raise an eyebrow.

"That's all we have, make it work. I ain't got the money for court," he shrugs.

Something clicks in your brain. You know he sees it. You see it from the way his eyes widen waiting for you. "Is this what this was about?"

He sighs, then sits on the floor across from your figure, which is still standing by the sink. You raise the ice cube on your forehead. This feels nice.

"Yuu asked me to accompany him trick or treating on Halloween."

You wait, but he's not looking at you anymore. He seems distant.

"Oookaaay, and...?" you push. He sighs again. His hand repeatedly passes through his pink locks.

"I picked up a double shift for Halloween like... last week. I can't lose the money right now, or I won't have enough for rent on the 1st," he grits out, keeping his head low. You hum. You throw the melted ice cube in the sink near the cigarette. The image makes you smile. It looks like you two.

You get down on the floor too, the tip of your sock clad feet grazing his.

"You could've asked me, you know," you say, trying to sound nonchalant. He scoffs.

"Baby, I know you're whipped, but I didn't think you wanted to be a sugar mommy at twentytwo," he says smirking. You try kicking him, but he just gets out of the way, snickering. "I'm not asking a girl for money, that's fucking humiliating."

"I'm serious, idiot. If you didn't want the money I could've taken Yuuji for you, it's not like it's the first time," you tell him, rolling your eyes. "He tried to be strong for you at the end, I know you know," you add, delicately this time, Tentatively. He stares at you and sighs for what feels like the hundredth time. He grabs your foot again and manspreads, just to position your calf on his thigh. This position feels incredibly intimate, and you try not to stiffen. You two have never been the cuddly type of roommates, but he looks like he could use a little bit of physical contact.

"It wouldn't be the same. He wants me there because all of the other kids are with their families, even if he doesn't want to tell me so. Satoru texted me about it this morning. He's taking the two brats he basically adopted too," he rambles. Sukuna is not one to open up, so you just let him talk, absorbing everything like a sponge.

"Couldn't you like... move the appointments up by a few hours?" you ask.

"I could, but I still have two fucking assignments for Halloween. If I don't turn them in I'm fucked, and I need the scholarship," he grits out. His thumb caresses your exposed ankle mindlessly. Shivers run up the entirety of your leg.

Suddenly, an idea pops into your mind.

"But what if you had an amazing roommate who oh so happened to love your brother so dearly that could turn said assignments in for you if it meant to see him happy?" you say, looking at him expectantly.

"I can't ask you that, come on," he rolls his eyes. You jump up, almost falling over him in the process. "I'm not doing that for free."

"I knew you were a bitch," he growls. You just whistle, going toward the door. He squeezes his eyes hard, before opening them, jumping up too and grabbing your wrist before you can exit the kitchen.

"What do you want?"

You grin.

That's how you find yourself holding a badly sponged muscled up Tarzan-Yuuji's little hand while going from door to door, your cute yellow Jane dress on.

"Might have given you a concussion the other day, doll," Sukuna, dressed as a monkey, grumbles next to you. You laugh, and he throws you a mean glare.

Yuuji leaves your side and runs up to his friends, screaming "Trick or treat!" with them, beaming. He looks back at you from time to time, smiling, offering you something every time the people he rings the doorbell of give him more than one candy.

You suddenly feel an arm drape over your shoulders roughly, before getting slammed into a hairy side.

"Thank you, y'know," Sukuna mumbles near your ear, pressing your head in a way where you're not able to see his expression. Then, he pushes you away. "Not for the fucking costume, that's for sure," he adds, disgusted, scratching his neck and arm at the same time. You just stand there, mouth gaping a little, in front of him.

"Cat got your tongue, sugar mama?" He tells you after a while, grinning.

You scowl, fake mad, before chuckling. "Who knew you were capable of saying thank you?"

"Don't get used to it."

[maxwellatoms]

In one of your last answers, you said “series reboots are usually pretty gross and sad”, and I was wondering if you could expand on that? Assuming “reboot” covers any kind of continuation of a currently cancelled or finished show (and maybe that’s the wrong assumption!), from the outside looking in it feels like a pretty mixed bag. On one hand, if I love XYZ Show, it’s cool that I get more stories with these characters and another chance to support XYZ Show and its creators. On the other, it definitely feels like a lot of ideas can only get funding if they���re tied to something already, meaning creatives are having to now tie whatever cool idea they have to some reboot/relaunch/retread, which can feel pretty disheartening if you don’t want to do a reboot/relaunch/retread. Is that a similar feeling from your side of the industry?

Thank you so much for all your answers and insight!

Usually reboots and spin-offs are just cash grabs. It happens a lot in animation. In fact, I would argue that the entire industry is just one big cash grab now. In the 80s, everyone complained that cartoons were just half-hour commercials for toys. And they were right. And we're right back there, but now that you can't legally push toys all day, it's just general "IP". Mugs, posters, more spinoffs, whatever.

I was offered three show running gigs over the pandemic. All reboots that I would consider unwise to pursue because they were "of a different time" and didn't (in my opinion) have anything more to say. Two of them were properties created by notorious sex pests, so there's also that. The animation industry loves to prop up its sex pests.

I turned all of them down, partially because I didn't respect the original creators but also because none of them had anything going for them except just being "more of the same".

I don't think any of those projects survived the intervening years, so in retrospect I maybe should've taken the job. I'd probably feel a bit gross, but at least I'd have floors in my house.

The entertainment industry is in a bad spot. The whole thing. I've had I don't know how many pitch meetings in the last few years, and they all start the same way:

"Hey! Before we start, we just want to let you know that we're not actively producing anything right now. We think maybe soon, but we won't be picking anything up today..."

And then later:

"The little we are doing is IP, so if you have a new take on our IP or a new IP you're connected to that you can bring in, that'd be great."

I always wanted to make original stuff. There came a time when I'd had my fill of Billy & Mandy and wanted to do something else new and original. That never manifested, and I was constantly being offered IP to produce. I turned too many of those down, maybe, before deciding that it was probably better that I run the IPs that mean something to me rather than having some hack do it.

But now those jobs have all gone to celebrities and fallen live-action writers, who are also slowly being eaten by the system. WB was hot for Scooby stuff a few years back, so I pitched some ideas. A few of them were turned down for being "off-brand" in a variety of ways. WB has now made (I think) all of those off-brand shows (or something close) with celebrity show runners.

I was going through a whole Midlife Impostor Syndrome thing recently where I was wondering if maybe I don't just suck. Like, it's weird that for a couple of decades I'd have people calling me trying to get me to run shows, and now nobody will call me back about the possibility of a design job.

Talking to some friends and realizing that they were in a similar situation helped me feel like I wasn't alone. That was nice. Talking to some of the most talented colleagues in my industry made me made me realize that those people weren't getting jobs either. That was unnerving. Talking to complete strangers in other parts of the entertainment industry now has me thinking that the whole house of cards is coming down. That's real concerning, yo.

It's hard not to think it's purposeful, when deranged billionaires own the entirety of our media and want to shape a society where they can't be criticized. We're letting wealthy tech bros firebomb the very heart of our culture, and it's weird that no one is talking about it. Because (for now) we still have that capability.

[yourdearestlover]

Dearest, lovers

Hello Tumblr World! I am that creator who has been working on Nicola & Luke Press Documentary for the past few weeks.

To tell you the truth, those weeks have been quite exhausting. I had to combine my job and private life to be able to work on, as how my followers had called it, N&L Press Doc. BUT! Enough about me, let's talk about the project.

For the whole plan to make sense, I had to collect material; starting from London and ending it on Ireland, that included over seventeen Google Doc pages of interviews from various social media platforms. In the meantime, I was posting surveys on X regarding certain details, because I wanted people to have a chance to choose. The most time-consuming task was searching for a good quality videos and photos, downloading needed files, neatening them into correct order, to then montaging into 4 parts. Several interviews were edited by me, splitted, resized, which only made the steps to finish line take longer than I had initially expected. Entire process from making decision to actually starting "new project", to rendering each part took about a month. With that being said, I was happy to finally announce the release date.

So here they are! PART ONE

PART TWO

PART THREE

PART FOUR

From here, I'd like to say BIG thank you for those who were with me the entire time, for those who helped me out with gathering the materials on X / TikTok, for those close to my heart that cheered me up, when things weren't going my way. And most importantly, but not least, thank you for each comment, each like and each viewing. I've spend days on this project, I've put my heart into it. And I'd love you guys to enjoy it, as much as I did, while making it.

I'd want to clarify one more thing. This documentary was put together to express my love towards both Nicola and Luke, to be able to give the fandom a space to reminisce the tour, to fill up the small puzzle of missing them. Absolutely NO negativity will be allowed. Yours truly,

Em <3

[feverdreamjohnny]

"Why There Will Never Be a Peeb Adventures" otherwise known as "The Peeb Adventures Pre-Mortem"

Since 2020, I've made a good chunk of games. Hell, even though I've been doing this for 10 years to date, the majority of my progress as a creative began over the course of this 4 year period.

Out of all the games I've made - or otherwise had a hand in - there is only one that's apparently struck a chord so deeply with people that to this day I still get messages and comments asking when it will come out.

The title of this post already explains the whole deal so I'm not gonna be dramatic about it right here. As per usual, I will instead get heart-clutchingly dramatic about the subject by the end of this story.

I felt the idea of a "Pre-Mortem" might be a fun way to talk about games that will never be finished. Maybe I'll make more of these down the line for other old games, who knows.

"The Incredibly True Origins of Peeb Adventures" or "Wow! I Hate It!"

Peeb Adventures began as a gift game for my long-time friend Aaron. It was simple, mostly functioning as a fun little gag that stemmed from a 3D model I made of a character he doodled during a drawpile session. I gave Peeb a grapple hook just because I wanted to experiment with swinging mechanics and felt the gag gift was a great space to toy around in without having to actually ask myself how on earth I'd want to structure a game around a grappling hook. Foreshadowing!

Eventually, the gag gift did that classic thing all developers have experienced before where your game spirals out of control and grows into a hideous monster, and what started as a fairly abstract grappling toy convergently evolved into that dreaded state we call a "3D Mascot Platformer."

I made a very short demo in the summer of 2020. It went absolutely nowhere, and after an idol of mine caught wind and asked to play it (before sending about 3 paragraphs of feedback suggesting how to improve what was, in my view, a trainwreck of baby blocks stacked on top of eachother), I shelved the project.

"The Absolutely Tremendulous HPS1 Adventure of Peeb" or "My Friend Jam Suggested I Revive the Project and So I Did"

Shortly after Peeb was shelved for the first time, I joined a community of game developers called Haunted PS1. For those not in the know, HPS1 was essentially the nexus point for "retro horror games" in the indie sphere, and a lot of the resulting deluge (non-perjorative) on itch.io can find its roots in this community.

HPS1 was a good place. Lots of nice, talented people willing to tolerate the kind of mindless riffing I often do in voice calls, anyway. I made a decent chunk of friends there, some of which I'm still quite close to, even today.

HPS1 has this tradition called the HPS1 Demo Disc that began in 2020, and with the year coming to its end, there was talk of a new one set to arrive in spring 2021.

Unlike the first demodisc, however, 2021's disc required you to submit a game in-progress to a panel of judges. They'd then give their yay-or-nay, and you were either in or out.

One day, I was musing over the fact that I didn't really have anything to submit so I would likely have to sit out of 2021's disc. My friend, Jam, who you might know as the developer of the Heilwald Loophole (or Beton Brutal) suggested I consider reviving Peeb Adventures as my submission to the demo disc.

Why did I follow through on this? I don't know. It's funny to think a scenario this simple was the launch point for my career.

Over the next 6 months, I worked on turning the absolutely horrendous gag game into... Something still kinda trite but at least playable. I had some help from my longtime teammate drurylain, my longtime friend Aaron (the creator of Peeb's original design), and my longtime spiritual uncle Tim, and with our powers combined... A new kind of demo experience where you don't do anything of particular note besides swinging around was born.

Also quite important: the very same drawpile session that spawned Peeb also spawned Orbo, who would also make his own appearance in Peeb Adventures as a recurring side character (since I felt like Peeb needed a friend).

"Go! Incredible Friendship Unites in the Gameosphere! Peeb and Orbo are Born!" or "Peeb Adventures: Coming Never"

So the demo for Peeb Adventures was finished early March 2021, and the demo disc went live on itch.io on the 25th of the month.

The demo disc then proceeded to do a backflip and pick up a LOT of traction online. Which then meant Peeb itself was catching little bits of the traction in its mouth and smacking its lips.

I went from "guy who makes games for nobody" to "guy who makes games for that one very specific brand of teen on twitter who loves the object head show", and I was riding high.

Fanart poured in. People showed a lot of love. I was dazzled by it all, really.

Despite the love for the game and the potential on hand, progress was stagnant. My group of friends and I all got together in a google doc and wrote an entire planning bible for the game. Game mechanics, story beats, twists and turns, the whole thing. Despite having the structure lined up, I had other ambitions and began working on a multiplayer deathmatch game that quickly overtook my work schedule.

Peeb sat on the backburner, but at the time I still wanted to finish it one day. My main excuse was "well, I just need more money! If I'm going to work on this game it's gonna need more than one fulltime person and I can't just ask people to work for free!" That excuse worked on me for a while.

"I Don't Think I Want to Play With You Anymore Peeb!" or "There's Such a Thing as Too Much Love"

A while had passed at this point. My ambitions hadn't just grown, they'd completely shifted. Before long, I found myself working on yet another demo for the 2022 HPS1 Demo Disc, "The Spectral Mall."

Nowhere, MI wasn't just some random toy for me, but the culmination of all my love into one game. Despite its silly demeanor, the game was a product of a lot of pain, and even now I still desperately want to finish it. Except I have to make money to live, so... Oops!

Anyhow, there was a shift in demeanor for me during 2022. You have Peeb, a game that I made on a whim as kind of a joke with friends, and you have Nowhere, MI, a game that meant the world to me during really dark times.

And you know what? There were a lot of people that wanted Peeb. People that never stopped asking me about it.

I realized while working on Nowhere that I didn't really know what I would even do if I ever had the chance to work on the full Peeb Adventures. Not only did I find the nagging kind of annoying, Peeb was also something I couldn't really... Wrap my head around?

It occurred to me that Peeb wasn't really "my" game anymore, it was "his" game. The old Johnny.

I'd changed a lot since the game had come out in early 2021. In a year and a half my world got flipped upside down, and... I don't know, Nowhere was way more reflective of who I was now. Sure the humor was still pretty asinine, but there was a shift. It was hard to picture the "Peeb Adventures" people were actually looking forward to when my own sensibilities had drifted so far.

When the Nowhere demo came out along with Spectral Mall, it did... Alright? People liked it, but it wasn't the same as Peeb's release. Hell, even in Nowhere's release there were people pushing it aside to ask the same question they'd been asking every week leading up to it. "When is Peeb Adventures coming out?"

"Goodbye Peeb!"

It was increasingly harder and harder to not look back at Peeb and kind of hate it. It was rough in every respect, and yet it whenever I met people who'd heard of me online, they always cited Peeb Adventures.

Strangers continue to ask me when it's coming out. On rare occasion I'll get someone asking about Nowhere and I'll feel a bit excited anyone else cares about that game besides me and maybe my friends, but most of the time people just ask about Peeb.

To finally answer this question I've been asked for nearly 4 years: There will probably never be a Peeb Adventures.

"Goodbye Johnny."

I like to believe one of the reasons people are attracted to my body of work is because I make games to reach out to other people. That's probably not the real reason, but it's nice to play pretend and imagine your work has more significance than just "ha ha boner."

I put a lot of myself in my games and I rarely hold back, even if an idea is insanely stupid or strange. The result usually becomes something more like a scrapbook than a game.

It's hard to try and expand on a game like Peeb when the Johnny who made it isn't really with us anymore. If I worked on Peeb now, you'd get some kind of irregular frankenstein that'd never be as exciting as the original vision was.

By the time I get around to Nowhere again, am I still going to be this Johnny? Or will the next Johnny look back at Nowhere the same way I look at Peeb now? Who knows.

Anyway, look forward to more games from me and my friends. Even if it's not Peeb Adventures, it'll still be us.

[goldberrg]

surely "bestfriends"

summary : You and Billy have been best friends for a while, but when he comes over unexpectedly.

TW's – cursing, sex (in details)

The end of your pencil tapped against the edge of your desk, the side of your head resting on your hand. Your leg bounced to the same rhythm as your pencil, while you listened to your teacher finish up telling you guys about a project. You were all reading "Pride and Prejudice", or at least had read it, and now needed to do the final project for it. You were aloud to work in groups of up to four, but you knew you'd only be working with one person – your best friend, Billy Hargrove.

Billy's step-mom, Susan, and your own mother were close friends. They worked together, and when you had been invited over for dinner the first week they moved to Hawkins, you and Billy had clicked. The two of you spent most of the night in his room, flipping through his vinyl's and helping him hang up his posters. You couldn't help but mock him about the clichè Playboy posters he had, and all the random crap in his room. But the two of you hit it off, becoming close friends quick.

And now he was your partner for every english assignment, art project, and science project. Those were the three classes you shared together. The first time you tried pairing up with someone other than him, a girl named Cheryl, he didn't speak to you for three whole days. Even when he drove you to and from school, he blared his music so loud your ears rang for hours afterwards.

Only after the project was over, and you showed up at his door with two tickets to see a movie.

Once your teacher had finished giving out her information and instructions, the class dispersed to get with their groups or partners. You leaned your head back, already finding Billy getting up from his seat behind you. He tossed his backpack onto the now-vacant desk beside yours, slamming his body into the chair with a grunt. This was your cue to get up and go get the poster board you would need for the project. You returned with a plain, white board compared to the other varying colors of purple, green, blue and red.

— Get your gross feet off the desk. — you ordered, glaring down at Billy since your hands were preoccupied. Billy rolled his eyes, but complied and removed his feet, the legs of the chair falling back onto the floor.

— Alright, doll, what's the plan? — Billy questioned, reaching into your backpack and pulling out your personal copy of the book. You'd already read the book various times throughout middle school and early high school, so you and Billy switched off borrowing your book.

— I figured I'd paint the board, sort of like a collage. Have different things on it. — you explained, looking down at him from the other side of the desk.

— Sounds good to me. We have two weeks, right? — he asked, quirking an eyebrow up at you.

— Yup, so if you don't finish the book by then, I'll kick your fucking ass. — you hissed, watching as he paused his skimming through the book.

— What?

— There weren't any lions in the book, jerk. You have two days to finish it. You're three fourths done, because that's how much we've read together, so you can finish a hundred pages by Thursday. — you sighed, rolling your eyes.

You walked over and sat in your own chair.

— Yeah, yeah, alright Your Highness. — he grumbled, closing the book and tossing it on top of the poster. — What else? We're doing the whole 'main characters, theme, plot, climax' stuff, right?

— Of course that's the only word you'd remember. — you grinned, shoving his shoulder as he laughed. — The dramatic structure, yes. And all the other stuff. We'll split it up. — you said, putting the book away. — You're coming over after dropping Max off, right? — you asked, standing up.

— Yeah. Most likely around 4:00. — he said, standing up as well when the bell rang and slinging his bag over his shoulder. — Let's go, doll.

Once Billy dropped you off at home, you laid the poster board on your bed and your backpack by your desk. You decided to shower and change into comfy clothes before Billy came over, after all you had about an hour. So you grabbed a pair of skull pajama pants and a big shirt, before heading into the bathroom. You turned the water on high, stripping off your clothes from the day, leaving you in your underwear. Grabbing your moms essential rose oil, you dropped a couple drops into the shower before leaving it slightly unopened on the rack next to the shower. The smell would help relieve the tension of the day, and get you focused for schoolwork. Finally, you took off your bra and underwear, stepping in.

The hot water hit you in the face, and you welcomed it. Scrubbing your face, you made sure to get your mascara and concealer off so that when you got out you wouldn't look horrifying. You let the water travel to your hair, smoothing it down your shoulders. Steam filled up the bathroom, the smell of rose invading your senses.

The roaring of the water was so loud that you didn't hear your front door open or Billy shouting for you name.

Billy pulled up to your driveway, hopping out of his car and heading up to the front door. Max had been dropped off at Mike's, not Dustin's, so it was a lot closer than he thought. He decided not to stop at home afterwards, and just head straight to your place. So he got there around 3:20, rather than 4:00. Not that big of a deal.

Banging on the door, Billy waited a minute or two for you to answer. When you didn't, he tried again, but louder. After the third time, Billy just barged in, rolling his eyes at the fact it was unlocked.

— Hey! Y/N? — he called out, hearing the shower running. Kicking his shoes off by the door, Billy tossed his jacket onto the back of your couch. He didn't hear a response from you, so he headed towards the bathroom. Knocking on the door with his knuckles, he leaned against the frame.

— Come in! — Billy's eyes shot open, looking at the closed door in shock.

As you were putting shampoo into your hair, you heard a knock on the bathroom door. You looked over at it through the glass doors, thinking of who it could be. Your mom wouldn't be home until later, and an intruder wouldn't fucking knock. So you probably lost track of time, and it was Billy.

— Come in. — you called out, not minding if he did or not. The glass walls were textured and opaque so he wouldn't be able to see anything porn-worthy.

And the two of you had paraded around in front of each other with your underwear on before, it wasn't much different. There was a pause before the door creaked open, and the outline of Billy came in.

— Sorry I'm early, doll. — he said, his voice darker than normal. — It didn't take as long to drop Max off. And I figured I'd stop by right after to get a head start on the project, maybe hang out for a while. I didn't realize you'd be naked.

— It's fine. — you laughed, opening the door slightly so you could poke your head out. He was sitting on the sink counter, shirtless. Every other girl in Hawkins was wet for Billy Hargrove, how could they not be? And of course you fell into that category. But you couldn't express it like they could, even though you were closer to him than they were. A few times a week, you'd find your hand sneaking down your underwear, his name leaving your mouth as you writhed against your sheets.

— Don't take too long, alright? — Billy pleaded, when he looked up and saw you looking out of the shower. His cheeks were red, but you passed it off as the hot steam. — Why the hell does it smell like roses in here? There aren't any flowers. — he questioned suddenly, lifting his nose in the air and diverting his eyes away from your wet neck.

— It's my momma's rose oil. I use it to relax. — you said, a 'duh' tone to your voice as you closed the door. — And I'll take however damn long as I please.

— Course you will. — Billy grumbled, and you smirked to yourself. You washed away the shampoo as Billy fired off more questions. — Why do you need rose oil to relax? Doesn't that burning water help?

— Not entirely. It helps my muscles from being hunched over all day, and the steam helps with my nose. But the rose oil adds the extra flare. It's rejuvenating.

— Rejuvenating? The hell's that supposed to mean? — Billy ridiculed, hopping off the counter and moving closer to the door so he could hear you better over the shower.

— It's like... I don't know Billy! — you huffed, opening the door suddenly and popping your head out. You were startled when you came face-to-face with him, noticing the way his eyes darted down to your nearly exposed chest and back up. — It helps with headaches, my skin if I apply it directly onto it, and the smell is just nice. Don't you think? It's just fucking relaxing. Unlike you right now. It's amplified in the shower, so I apologize if you're not getting the full treatment. — you snapped, getting frustrated. Having Billy so close in an intimate setting was rough, especially when you couldn't touch. It was like a goddamn museum, you can look, drool and adore. But if you touch, you're getting arrested.

— I'm getting the full treatment just fine, baby. — Billy snickered, leaning closer to you as his eyes dragged up and down your hidden form. Your face heated up, and you shot your hand out, shoving his face back.

— Pff, yeah right, Hargrove. — you scoffed, closing the door and diving under the water. Your breathing was heavy and you tried to mellow it out by focusing on your conditioner.

— You still with that Caden guy? — Billy suddenly asked, his voice now on the other side of the doors, causing your eyebrows to furrow.

— No, I broke it off two weeks ago. Remember? He couldn't decide if he wanted me or Jenny more, even though he was fucking her the whole time.?— you laughed dryly, running the conditioner through your hair as you shook your head at the memory.

— Good. — Billy muttered, but you still caught it. — You could do so much better than him.

— Yeah? — you laughed, shaking your hair to even out the conditioner. — Like who, you?

— Exactly like me. — you stopped, and turned to the end of the doors. There was an audible zipping sound, causing your heart to speed up.

— That so? And what makes you think that, Billy? — you called out, biting your lip and turning to face the water again, washing out the conditioner, in hopes of calming yourself. Your heart hammered against your chest when you heard the shower doors open, as if it was about to leap out of your throat. You didn't turn around however, opting to close your eyes as the water hit your face.

— Cause. — he replied simply, his breath ghosting over the shell of your ear.

Your eyes shot open as rough hands gripped at your hips, spinning you around. Your arms collided with Billy's chest, your head tilting up to look at him. His blond hair was beginning to stick to his face, and his blue eyes stuck out more than ever against the tiles. You weren't given anymore time to admire him, because his lips were on yours instantly. Both of you were swallowing water, your lips pushing against each other desperately. Billy walked the two of you backwards carefully, making sure you didn't slip, until your back hit the wall. You were now out of the harsh spray of the water, and you broke away to gasp for clear air.

— Are you.. — you attempted to ask, not wanting him to regret this, and have the friendship ruined.

— Yes, yes I'm sure, Y/N. — Billy said, not giving you the chance to finish. His hand reached up, pushing your wet, dark hair out of your face before leaning back down to capture you in another demanding kiss. Your fingers tangled in his damp curls, tugging slightly when his hands gripped your waist tightly.

Billy moved his hands under your thighs and crouched, indicating you to jump, and you did. Your legs tightened around his waist for dear life, knowing that if either of you gave out it'd end in a naked hospital trip.

— Fuck. — you moaned out, breaking the kiss as his cock rubbed against your pussy, tilting your head back. Billy ducked his head, attaching his mouth to the center of your throat, biting the thin flesh before sucking it. You whimpered, moving your body up and down the slick wall slightly, giving the both of you more friction. His nails dug into your ass, pinning you to the wall so you couldn't move.

— Don't do that, princess. — he warned lowly, vibrating against your throat. You could feel the occasional pulse of his cock against you, and you wanted nothing more than for it to be in you. Whether it was your mouth or pussy, you didn't care. You just wanted it.

— Billy, please. — you whined, after having waited patiently for him to finishing sucking on your neck.

— What do you want, baby. — he growled, pulling back to look up at you. You didn't answer him, instead you held onto his shoulders tightly so you could unwrap your legs without death. Once your feet were safely on the ground, you flipped the two of you, so his back was against the wall and your back was facing the water. Giving him a smirk, you kissed the corner of his mouth before getting on your knees. Billy's tongue darted out, licking along his lips while looking down at you, his hand running through your wet hair. Grabbing his dick in your hand, you pulled at it a few times, twisting your hand along the base. Leaning down, you gave the tip a few kitten licks, gathering the pre-cum onto your tongue. Looking up at Billy, you waited until his eyes fluttered closed before taking the beginning of his dick into your mouth.

— Ugh, Y/N. — Billy grunted, his hold on your hair tightening. You smiled internally, licking the underside of his cock, and then left to right in order to ease your mouth farther down. It took a few minutes, but soon enough the tip had gone past your tonsils. Your eyes were watering, and saliva was dribbling out of the edges of your mouth. Billy's hips bucked against your mouth, his tight grip on your hair giving you a steady rhythm. Continuous moans streamed out of his mouth, and eventually you were roughly pulled off of his dick.

— Not yet, baby. — he said, more so to himself than you. You understood what he meant, and grinned in satisfaction. Putting his finger under your chin, Billy guided you to stand up. Holding your chin between his thumb and forefinger, Billy pulled you in for a slower, more passionate kiss. Your hands rested on his chest, relishing in the warmth of the water and his body. His free hand traveled down the small of your back, tickling you as he went, before gropping your ass.

— Billy.. — you gasped, your voice breathless. You grinded yourself against him again, growing impatient. You looked into his eyes, chewing on your bottom lip to keep in your needy whines. Billy simply smirked down at you, fully aware of what it was you wanted – no, needed.

— Hmm? — he hummed, a wicked grin on his face. You let out an impatient huff, ducking your head to harshly bite at his shoulder. Billy hissed out, the hold on your ass tightening before it released. You thought he was just gonna move you two, but instead he brought his hand down in a harsh slap.

— Ah, Fuck. — you cried out in shock, arching your back.

— Don't bite. — he warned, and then he finally pushed your body against the wall on the side, the cool tile instantly calming down your burning ass cheek.

— Then fuck me already, you jerk. — you snapped, running your thumb over the bite mark on his shoulder. Billy's eyebrow rose at your bold statement, and you simply grinned up at him. His fingers ran down your stomach, tracing at your curves and marks of imperfections. He kept eye contact with you as his middle and ring finger dipped between your folds, slowly dragging from your entrance to your clit. Your body jumped at finally being touched, a sigh leaving your mouth. His thumb rolled around your nub, your hips jerking occasionally, while his middle finger worked it's way inside you. A small grunt sounded in your throat, and you held onto Billy's shoulder, leaning your head against the wall. Once his middle finger was in to the knuckle, he pushed in his ring finger and began pumping them in and out of you, curling them.

— Ugh. — you whimpered, your nails digging into his shoulder. Billy started kissing his way around your jaw, neck and chest, occasionally licking your nipple for fun. He added his forefinger after a minute, another moan escaping. You bit your lip, hard, holding in another whimper.

— Why are you being so quiet, princess? It's just us. — he mused, biting at your earlobe.

— I don't wanna boost your ego. — you snickered, yelping when his thumb pressed down on your clit and his fingers dug inside you even more.

— Yeah, well. — he laughed, shaking his head. — You can't hide the sounds you're making down here. — he snickered, slowly pulling his three fingers out of you and bringing them to his mouth. His tongue moved between his fingers, licking your juices and the shower water off of them. You watched, mesmerized.

Once his fingers were cleaned to his liking, he gripped the back of your thighs, having you jump up again. He gave you a nod, questioning if you were ready or not. You nodded yours quickly, having been ready for this for months. Aligning his cock with your entrance, Billy didn't have the ability to ease himself in because of your guys positions. So with one quick thrust, he was inside you, his hand splayed out against the wall and the other gripping your ass.

— Fuck. — you screamed, throwing your head back, crying out when it hit the wall. Billy was big, bigger than his three fingers. Your arms pulled him closer, trying to even out your breathing and relax your muscles around him. Billy didn't move, small moans being breathed into the crook of your neck.

— I'm sorry, doll. — he whispered, knowing it hurt. You didn't have lube or a condom, and not much preparation.

— No, no, don't apologize. — you said quickly, squeezing yourself around him to emphasize. — It's fine. You can.. you can start.

Billy removed his head to look at you, but when you gave him a nod he started moving. He thrusted slowly, not wanting to lose his grip on you or push your body. Both of you were breathing heavily, and you moved your body along his, matching his thrusts with your own.

— God. — he moaned, pulling his cock farther out before slamming back in, continuing the movement over and over again. Your nails scratched their way over his shoulder blades, biceps, back and anywhere they could reach. The pain was decreasing as the thrusting went on, and when Billy moved you slightly to the left, slamming back in, your eyes shot open.

— Holy fuck, right there, Billy! — you shouted out, arching yourself into him.

Billy smirked up at you, licking his bottom lip and doing as you said. He quickened his pace, no longer hearing your hisses of pain, and thrusted into you quickly. The sound of his skin slapping against yours, as well as the sound of your back hitting the wall, echoed throughout the bathroom, overpowering the shower.

— Ugh, god. — Billy grunted, throwing his head back. — I can't hold out much longer, Y/N. — he moaned, looking down at you just as you opened your eyes to look at him.

— I'm close too. — you whimpered, hiking yourself higher up on the wall, screaming out when his cock hit the spot again, but deeper. — Fuck, fuck, fuck. — you moaned, a streamline of curse words leaving your mouth. — Billy, I'm.. — you tried to warn him, but a high pitched moan escaped before you could finish as the heat in the bottom of your stomach exploded. A wave of warmth washed over you, your toes curling and your thighs squeezing around Billy, pulling him closer. You mouth fell open, letting out a small, quiet gasp as you orgasmed.

Billy pulled out quickly, feeling his own orgasm wash over him, and his hot cum sprayed over your stomach and the tops of your thighs. Your head fell to his shoulder limply, your body slipping down the shower wall, as it shook from your orgasm. You could see your thighs wiggling, and Billy gently lowered you to the floor. When the cold shower water hit you, you welcomed it, letting the cum wash off of you.

— Hey. — Billy whispered, his arms wrapping around you from behind. — This isn't a one time thing. I want you to be mine.

— Good. — you grinned, a giddy feeling coming over you, more intense than your orgasm. You turned around to face him, wrapping your arms around his neck. — Let's go take a nap, that project can wait until later.

[zweiginator]

What if divorced!art gets dragged to a club one weekend by his foundation-buddies and he obviously doesn’t want to but he forces himself and then it turns out that escort!reader is also there with her friends and they see each other outside of «work» for the first time… And her friends doesn’t know about her escorting so maybe they recognize him and maybe she goes to talk to him because her friends says she should «flirt more»🤭 And then ofc he fucks her in the dirty club bathroom

divorced!art upset because he hasn't seen you in weeks. everything has been busy since he hit the ground running with tennis again. practice after practice, signing sponsorship deals, galas and charity fundraising. and you had been busy too. art didn't know this, but you're a student as well. you didn't tell him not because you didn't want to share your life with him, but because it made you feel juvenile. of course, it's university and you're almost finished with your degree after five and a half years instead of the usual four--but you still feel dumb talking about that part of your life with him. for you to bitch about group projects and essays about political science while art is upset about custody battles and petty divorce politics--it feels trivial.

but your friends want to celebrate the semester being freshly over. just a few more summer classes for you and you will finally graduate. you'll finally get to hang up your hat and say goodbye to escorting. to that taboo little secret that's been dragging your eyes into sunken purple holes for the past fourteen months.

and your friends don't know, of course. it's impossible to explain to a group of girls whose parents pay for tuition and books and groceries. gas, clothes and even the designer heels they wear to the club they're standing in right now--that you need to do this. for money. to survive.

no, it isn't ideal. but this is the real fucking world and sex sells.

so they think you're prudish. they've never seen you have a boyfriend or flirt because that's your job every other day of the week. to pretend to be in love. to fuck lonely assholes and pretend to care about their lives. to believe them when they say they aren't a bad husband. that men have needs.

they urge you to flirt with men at the bar. but like always, you're just not interested. and all the men in this shitty tavern-bar-turned-college-club are all the same. middle-aged men who shoved their wedding bands in their back pockets to pick up pussy from a doe-eyed girl in her twenties.

none of them are remotely attractive. and you're thanking your lucky stars that you don't recognize a single one of them.

your friend taps on your shoulder. "there's one hot guy here. you may recognize him. he's kinda famous."

you down the rest of your drink. "oh really? i doubt i'd be interested."

but she points to a man leaning against the bar way off in the corner. sad eyes and salt and pepper hair that was once dirty blond; you've seen his baby pictures. he's tall and in love with you and you with him and you could strangle him right now because he hasn't returned your calls or texts in over five days.

"art donaldson." your other friend sighs. "he's a tennis player and i'd fuck him if i didnt have a boyfriend."

it's then that art turns around. likely feels the eyes of six girls burning into the back of his skull. he's holding a beer bottle and he looks forlorn, his typical woe is me demeanor that makes him so fucking attractive to you. lights up that neanderthal part of your brain that makes you want to fix the unfixable.

and then he smiles. it makes you blush and your friends, not knowing the tendrils of your history together that have now become rooted in the ground beneath you, tell you to go for it.

"he's staring right at you."

you know that. art knows not to make it clear he knows you; it would open up that whole can of worms.

so he waits for you to come to him and you pretend to be nervous which isn't that hard because you are already.

when you get to him, he whispers in your ear.

"they don't know about your job, im assuming?" he wants to wrap his arms around your waist but he refrains.

"they don't. but they know you, and they're very fond of you. they want me to flirt more."

art flags down the bartender. he gets you a gin and tonic, remembering how you liked the one he made for you that first night at his hotel room. you were just trying to make him feel better.

"well im glad im the lucky man." he sits down on a stool and hooks his leg around the stool next to him to bring it closer. he motions for you to sit and your friends are all staring at you but pretending they aren't.

"me too. although i don't know how much you deserve it." you take a sip. "given how you haven't responded to my calls in awhile."

art takes your drink from your hand, sets it down. he rests his hand on your lower back.

"im sorry honey. i haven't been meaning to be an asshole. there's a lot going on with tennis and everything."

you run a hand through his hair. "i get it." you feign a frown. "you just may have to make it up to me." and when you uncross your legs, art can see your thong. he tenses his jaw.

"i do need to make it up to you, don't i?" he takes a swig from his beer. "i'll tell you what." he glances around, at the bathroom door swinging open. "why don't i go to the bathroom to freshen up and you come check on me in a few minutes, yeah?"

he's so close you can smell the beer on his breath. you nod and he goes toward the bathroom.

your friends want to come over and ask you all about it, but then you're knocking on the bathroom door with your special knock. the one that only you and art know.

he pulls you inside, and the bathroom is dingy with a flickering light and graffiti on the walls. drawings of dicks and crude words but art sits on the toilet seat.

"c'mere." he reaches out to you and you go to him. a pavlovian response that makes you so fucking wet to be near him. to be on his lap like you're supposed to be. he kisses you like he missed you because he has. he's not supposed to. his lips trail wet, hot kisses up your throat and he's greedier than usual. dragging your pussy over his throbbing erection. he's only wearing his briefs on his bottom half and you tug at his shirt because you want to see all of him. feel all of him. he does the same to you. panting into your mouth because his cock rests between your folds. nudges against your clit as you grind on him.

"fuckin' ruined pussy for me." he throws his head back and you grab his jaw to kiss him. sloppy and disgusting but you love the taste of him. how your lipstick melds into his saliva. drips down his neck like you're a vampire taking him for everything he fucking has.

"yeah?" you rake your nails down his chest and take his cock out. it's bare against your pussy, your panties pushed to the side.

"nothing turns me on anymore. nothing gets me off. only you. that tight fucking cunt."

he never talks like this. so crude. but you love drawing it out of him. milking those dirty words as you stroke his heavy cock for him. people bang on the bathroom door but neither of you fucking care.

you sink down on him. you do it all at once. you're addicted to how his hips spasm and his eyes roll back and he lets a strangled moan-groan hybrid escape him. he holds onto the flesh of your ass as you fuck him.

the porcelain of the toilet creaks unsteady below you and you're completely on top of him, your feet behind you as you fuck him harder and harder. but he asks for more because he wants you more.

"fuck me--fuck me--" he repeats it over and over. guides you up and down and up and down his cock from base to tip. "your pussy was fucking made for me. i need it, i need it--"

his mouth hangs open and you can't believe he's yours like this. you want him to cum but then again you don't because then he can't be inside you anymore. and that's precisely where you want him.

his jaw is tense and his neck pulses with his heartbeat as he presses his forehead to yours.

"i want you--" a moan. "to hit me. i want you to fucking claim me."

so you smack him, and his arms wrap tight against your waist because he's cumming and he wants it to stay like this forever. but if it can only be a few more minutes, that will do too.

[shankss-magnificent-ass]

Imagine Shanks finding out you're a painter

You: *humming along to some music as you apply a fresh coat of paint to the wall of the galley*

Benn and Lucky Roux: *walk in*

Benn: Hey Kid.

You: Hey

Lucky Roux: Did you make sure to use the mold resistant paint?

You: Yes Roux.

Benn: And you applied the sealant before the paint?

You: *nods your head* And the primer, I got this man, thanks for checking in on me.

Benn: Alright then, I'm just gonna open this here winder to get some fresh air in here, so you don't get high off the paint fumes.

You: aww, but that's the best part.

Lucky Roux: *snorts* Let me know when you're done, so I can start dinner. Also, when you are done, you might want to put up a barrier, so none of the others accidentally lean on it.

You: I enjoy seeing them covered in paint. So I think they're gonna be in for a surprise, or at least the boss will be. Because I bet you a thousand berry that he's definitely gonna lean in the paint.

Lucky Roux: I'll take that bet.

Benn: I ain't, because he'll definitely gonna do it.

The next morning

Shanks: *Still annoyed that he got paint in his hair the night before* is this shit finally dry?

Benn: yeah, the kid didn't paint in straight lines though.

Shanks: what! But they're usually so meticulous about doing tasks perfectly.

Benn: it was on purpose too, take a close look.

Shanks: *leans in and glides his fingers across a floral design in the brush strokes* do you think they like painting?

Benn: I believe so, that, or they inhaled too much paint fumes and decided to have fun with it.

Shanks: both are possible... Didn't they repaint the hallway, and bathrooms?

Benn: yeah? They painted patterns there too.

Weeks later

Shanks: Hey (y/n) I got you something! *Presents you with a colorful variety of house paints, and a bunch of supplies*

You: ... Wow, that's a lot of paint, are you wanting me to repaint every room on the ship?

Shanks: no silly, for you to have fun with. We noticed the patterns you painted in the galley and thought you might like more colors.

You: but where would I paint?

Shanks: where ever you'd like.

You: *Kisses him on the cheek, scoops up the supplies, and runs to your room*, Thank you!

Two days later in the galley

You: I finished my room is it okay if I paint this wall now?

Shanks: Go for it.

Benn: *watches you run off* they painted their whole room you know.

Shanks: I saw, I was impressed they managed to paint such steady line work with the ship moving so much.

Benn: I think the little maze design the pained on their door frame was my favorite. Do you think they take requests?

Shanks: I dunno.

You: *pushes the box of supplies onto one of the tables*

Benn: is it okay if I asked you to paint something?

You: sure!

Yassop: Wait, you take requests! I want the pillar in my room painted.

The crew: *crowd around you listing off the things they want painted*

Shanks: Guys, let em breathe for fuck's sake! Make a list so they can start painting.

Lucky Roux: I ain't writing down my request because it's simple, don't paint any more realistic bug on the damn walls. I nearly shit myself when I saw the cockroach you painted in the bathroom, that was not a fun surprise at three in the morning.

You: only termite holes, got it.

Lucky Roux: (y/n) no! No termite holes.

You: fine fine, although the fact that the paint on that cockroach didn't even get to dry before one of y'all smacked it, is hilarious.

Shanks: no more realistic bugs, dear, in fact avoid painting realistic critters all together please.

You: ugh fine.

Shanks: I have a project I'd like you to paint, but I'll need to get you a canvas for it. *Winks at you and wiggles his eyebrows*

Benn: Gross.... if he's getting a nude I want one too.

Shanks: You want my nudes too?

Benn: I want a nude of myself, ding-dong.

List of Up-and-coming works

Support me on Kofi and Patreon

[gaypleasantview]

⋆˖⁺‧₊☆ bathroom bliss, part I. // Autumn Drop Day 3 ☆₊‧⁺˖⋆

⋆ 2 decorative objects to grace your toilet!

⋆ 37 various swatches

⋆ files are compressed and uniquely named

Link, swatch, detailed credits and more info under the cut ♡

Hi everyone! There's no way to say this that isn't awkward, but I made something to decorate toilets specifically! I like to take inspiration from the real world, so I've been noticing little things that are present in our reality and have never been seen in the Sims before, at least not in my game. And I must say, I really enjoy those little flower stamps people keep putting into toilets in cleaning videos (I have one too, but it's a very ugly shape for no reason). I thought about it and realized I'd never seen anything of the kind for the game, so I went ahead and created my first ever finished mesh from scratch, which is just a plain surface, to be honest, but it goes well with the first mesh I've ever converted, which I'm pretty sure was a period painkiller box... Anyway! I know small stamps like this probably wouldn't actually color the water in the bowl, but whenever I see those things that do color it I find them really funny, so I decided to make something like that to go with the stamp. Yeah, today I'm sharing a toilet water colorant. I don't know what to say in my defence. Toilets can be fun now!

Also, yes, the Part I in the name is a threat.

So, let's dive in! (or rather not...)

♡ Overview

This set consist of two objects, a flower gel stamp and a colored water surface. They're modeled to work with Maxis toilets, but are supposed to be compatible with custom ones, too, as long as they follow the Maxis shape. You don't have to use moveobjects to position them! They can intersect any object, allowing to place them directly into the toilet. Sims don't mind having them in the way (or their own clothing, for that matter).

Both objects can be found in Plumbing/Miscellaneous and cost §2 each.

♡ Object 1: Toilet Gel Stamp

This is an object to attach to the back of your toilet bowl. It's supposed to be positioned as shown in the screenshots above, but maybe you could put it in other spots, I haven't checked!

The mesh is a whole lot of 2 polygons, and it uses 128x128 textures because the flower was very cute up close and I couldn't help myself. It's an actual image from the game, it comes from the interests section! I made it semi-transparent so that it would look like actual gel texture (shout out to my best friend for suggesting that). It comes in 10 ridiculously bright colors that I had fun naming like they're candy flavors. They are all supposed to smell nice, just trust me!

♡ Object 2: Toilet Water Enhancer

Maybe some of us just deserve to have pretty water inside our toilets. To achieve that, I took the mesh of actual water directly from the toilet and just put it a bit higher up, so it's basically like a cap. Because of that, you won't really be able to witness the animation of flushing water or see if the toilet is clogged while this object is present.

The mesh is 6 polygons and uses 128x128 textures. I made 27 recolors in various colors I think are pretty, because the whole point of this project is to add something to the bathroom that will take our minds away from its general purpose. The swatches actually use a mix of Maxis water textures.

All swatches are pictured below in alphabetical order (aside from the mesh one, ignore where it is in the picture).

Credits: Maxis for the water mesh and textures, @horusmenhosetix for Organized Extracted TS2 Icons where I found the flower, SaraMK and Richief on moreawesomethanyou for originally extracting them, HugeLunatic for the Object Intersection Tutorial.

♡ Download ♡

SFS | Mediafire

[dailyadventureprompts]

DM Tip: Creating a Campaign Skeleton

Learning to be a better dungeonmaster was a protracted process. A younger me was often so stressed out by the desire to be a better artist that I'd have legitimately mauled a person if it would've revealed to me the wisdom I sought (with my hands or even an actual maul given the chance).

One of my biggest hurdles was the idea of a universal framework for d&d adventures, a guideline that would tell me if the things I was creating were on the right track. It was sorely needed, I loved the process of being creative but without an understanding of how my creative energy was best used I ended up sinking days, weeks, or even months worth of energy into projects that went nowhere. Worse yet, when I DID get a chance to put my ideas into practice at the table they'd frequently spiral out of control and crash, resulting in even more stress.

Over time I learned from these mistakes, I got better, and then I got good. I moved from conscious incompetence to competence, and I ended up having a run of absolutely stellar campaigns that were everything my younger self could have dreamed of: stable, enjoyable, meaningful, and most importantly an absolute delight to my players. Routinely I'd have people, including folks that'd only played with me a few times, mention that getting together to roll dice and listen to me babel on in silly voices was a highlight of their week.

It was as one of these campaigns began to wind down (three years! a satisfying conclusion on the horizon!) and I started looking for a followup scenario that I decided to study all my really successful campaigns and figure out what connected them. The end result was something I'd been looking for for nearly a decade, a reliable format that I could build campaigns around.

I want to preface this section with the understanding that while this information is laid out in a vaguely chronological fashion there's no guarantee that these ideas will occur to you in any particular order. Inspiration is a funny thing, and each idea flows into the others to make a cohesive whole. Due to foreshadowing and setup reasons you're also going to need a pretty solid idea about all of these when starting a campaign, though exact details will likely change/ can be vague up until the moment they're needed.

The Reason: Who are we and what are we doing?

Gives your players a solid background to build their characters around and give them a reason to travel together, rather than having to ad lib one on the spot. Likewise sets expectations of what the campaign is "about" that you can build on or subvert in time. The reason doesn't need to hold true for the entire game, just long enough to serve as a framing device. EG: The Witcher starts out as a "monster of the week" setup and then uses that framework to pivot into politics and prophecy once we've seen the premise play out.

The Pilot/Crashtest Adventure: What's first?

I’ve already written about these, but the general concept is to give your party a mostly contained first outing that doesn’t have any larger bearing on the plot so they can focus on learning how their characters play/building the party dynamic.  By the time the party's finished this first adventure they'll have already started putting down roots in the world: they'll have in jokes, npcs they've started to care about, an understanding of what's on the horizon, and an idea of where they want to go next.

The Central Gameplay Pillar: How does this all work?

It's important to have an idea what your campaign is going to be about in a mechanical sense in addition to its plot and themes. There is a difference between an adventure that has the party delve a dungeon, and a dungeoncrawling focused campaign. I like to lead with these outright during the campaign pitch so that players can know what they're getting into. Your playgroup will likely have strong opinions about what they like and dislike, even if they don't have the words to describe it, so you might need to explain the ideas for them.

The Hub: Where are we?

I think every good campaign has a hub, some kind of settlement that the party returns to between adventures to offload loot, pick up supplies, and sift through the latest gossip to look for the next questhook. Letting the party return to the same place lets them build up a relationship with it, clarifying the picture in their mind as new details are added and they grow more and more attached. It's possible to have multiple hubs over the course of a campaign, but I'd advise really only having one per arc to best concentrate your efforts. Fill up your hub with distractions and side adventures, shorter stories that the party can get tangled up in while the larger adventure slowly reveals itself. Returning to the same hub also means returning to a familiar and expanding cast of NPCs, which helps your party become more and more invested in the setting

The Main Event: What's going to happen?

Here we get to the meat of the issue, the big story you want to be telling using this campaign. To pull off the sick narrative kickflip you wish to perform, you're going to need to lay a lot of groundwork, seeding in details left and right as well as giving the party a chance to stumble across evidence of your schemes without ever realizing the whole thing. To do this, you're going to work in the building blocks of your big reveal/twist/pending disaster into the setting along with those side adventures from the hub. This will give your party an idea that something is going on, but with more pressing matters to take care of they're going to be distracted up until the moment you decide to pull the trigger.

The Setting: What's over there?

While things like genre and tone are definitely things you should have a handle on from the outset, I personally feel like the details of a setting are best constructed on an ad hoc basis, either in a direct response to something required by part of the narrative (be it side story or main event), or pencilled in at the margins as the party explores the world.. That said, creation of the hub and setting often go hand in hand because it's important to match the settlement to the environment and then shape the environment to the quests inside the settlement. As for what's beyond your hub, I happen to have just written something about building out settings.

Now, this next option is one that I recommend you start thinking about only once your campaign is fully underway, so it doesn't clog up your creative process by focusing on something that you might not even get to

The Change: What the fuck?

A little while after the main event has kicked off and your party is off on the quest that will turn them from mere adventurers into heroes, they start to hear rumours of strange happenings. It's certainly not related to the present scenario, it may even be an unexpected windfall, but it's not something they have time to look into. Time ticks on, the land is saved, and the party is able to enjoy their victory lap as well as some dearly needed time off. Before they can get comfortable however they're slammed by some strange occurrence that they could have never predicted that changes the state of the world. A neighbouring kingdom invades, an important ally is murdered and they're blamed for it, a dragon starts rampaging through the realm. Its important that this event is outside the party's skillset, not necessarily diametrically opposed, but counter to what they were planning

artsource

[nhasablogg]

The end (again)

First of all I want to thank you all for following and engaging with me ever since I returned to this space. It's been, mostly, great. I've written some things I'm really proud of, and for that reason I'm reluctant to delete this blog like I did the last.

I think it's been obvious I've not been enjoying myself in a long time, except for the occasional few days when it's been fun to write and interact with people. Throughout this whole year I've been trying to convince myself that I can use this blog only when I want to and feel inspired to, and while it sometimes works it very often just leaves me frustrated as I try to make this space fun for myself again. I'm gonna try not to be too longwinded about this as I have the habit of being, so long story short, I'm going to leave this blog.

I won't be deleting anything, but I'll also not be using this blog anymore. I was debating just disappearing without saying anything, but I think that's rude when some of you have been so very kind. The one and only exception will be if I feel really inspired and write something I love and would like to share specifically on here (or maybe I'll just post them on AO3 if I feel like it). Since I won't feel pressured to use this blog I'm sure that experience will be authentic and beautiful and rare. I want to focus on writing outside of this space, as I keep putting my energy here and not where I'd like it to be. There are lots of things going on in my life right now and I'd like to try to regain some control by using my free time intentionally in order to become the version of myself I'm striving toward. This blog is, unfortunately, not part of that version.

I still have a few prompts I want to fill, and a few WIPs I want to finish/post anyway, so I'm not disappearing just yet. When I say disappear, I'm not sure if I mean that I won't ever be logged in. I'm not entirely sure yet how I'm going to go about it, if I'm going to answer messages or turn asks off or what. I think, in the long run, asks will be turned off just so that I won't feel the urge to log in for the off chance someone has given me some attention. That's why I deleted the old blog, to keep myself from having one foot in there still.

I want to thank you for the lovely lovely time being back here. It's not been perfect, but that's not what I'm deciding to take with me this time. I want to remember writing Criminal Minds fics and Stranger Things fics and Red White and Royal Blue fics and Heartstopper fics, and how lovely you were about those fics. Revisiting fandoms and finding new ones and completing tickletober and having plans and ambitions for projects (even though I didn't always follow through, it's always nice having ambitions). I don't regret deleting the old blog and I don't regret creating this one. I think I probably needed to return, on my own terms, just like I'm now leaving on my own terms. I don't think I did that last time.

I keep rewriting this and looking at it and wondering if I will regret posting it. If posting it will somehow flip the switch and I will find so much joy here again and look like a fool. And if that happens, so be it. But I need to post this. I can't keep procrastinating. I have, in a way, been working up the nerve to say goodbye for the past year.

If you've ever commissioned a fic, I urge you to save it somewhere because I can't promise I won't randomly delete one day in the future either, if I realize it will be for the better (I guess the same goes for if you enjoy a fic and would like to be able to revisit it - but please don't share it anywhere else).

N over and out (well, once I finish those fics I still want to finish)

[grandhotelabyss]

Advice/hard truths for writers?

The best piece of practical advice I know is a classic from Hemingway (qtd. here):

The most important thing I’ve learned about writing is never write too much at a time… Never pump yourself dry. Leave a little for the next day. The main thing is to know when to stop. Don’t wait till you’ve written yourself out. When you’re still going good and you come to an interesting place and you know what’s going to happen next, that’s the time to stop. Then leave it alone and don’t think about it; let your subconscious mind do the work.

Also, especially if you're young, you should read more than you write. If you're serious about writing, you'll want to write more than you read when you get old; you need, then, to lay the important books as your foundation early. I like this passage from Samuel R. Delany's "Some Advice for the Intermediate and Advanced Creative Writing Student" (collected in both Shorter Views and About Writing):

You need to read Balzac, Stendhal, Flaubert, and Zola; you need to read Austen, Thackeray, the Brontes, Dickens, George Eliot, and Hardy; you need to read Hawthorne, Melville, James, Woolf, Joyce, and Faulkner; you need to read Tolstoy, Dostoyevsky, Turgenev, Goncherov, Gogol, Bely, Khlebnikov, and Flaubert; you need to read Stephen Crane, Mark Twain, Edward Dahlberg, John Steinbeck, Jean Rhys, Glenway Wescott, John O'Hara, James Gould Cozzens, Angus Wilson, Patrick White, Alexander Trocchi, Iris Murdoch, Graham Greene, Evelyn Waugh, Anthony Powell, Vladimir Nabokov; you need to read Nella Larsen, Knut Hamsun, Edwin Demby, Saul Bellow, Lawrence Durrell, John Updike, John Barth, Philip Roth, Coleman Dowell, William Gaddis, William Gass, Marguerite Young, Thomas Pynchon, Paul West, Bertha Harris, Melvin Dixon, Daryll Pinckney, Darryl Ponicsan, and John Keene, Jr.; you need to read Thomas M. Disch, Joanna Russ, Richard Powers, Carroll Maso, Edmund White, Jayne Ann Phillips, Robert Gluck, and Julian Barnes—you need to read them and a whole lot more; you need to read them not so that you will know what they have written about, but so that you can begin to absorb some of the more ambitious models for what the novel can be.

Note: I haven't read every single writer on that list; there are even three I've literally never heard of; I can think of others I'd recommend in place of some he's cited; but still, his general point—that you need to read the major and minor classics—is correct.

The best piece of general advice I know, and not only about writing, comes from Dr. Johnson, The Rambler #63:

The traveller that resolutely follows a rough and winding path, will sooner reach the end of his journey, than he that is always changing his direction, and wastes the hours of day-light in looking for smoother ground and shorter passages.

I've known too many young writers over the years who sabotaged themselves by overthinking and therefore never finishing or sharing their projects; this stems, I assume, from a lack of self-trust or, more grandly, trust in the universe (the Muses, God, etc.). But what professors always tell Ph.D. students about dissertations is also true of novels, stories, poems, plays, comic books, screenplays, etc: There are only two kinds of dissertations—finished and unfinished. Relatedly, this is the age of online—an age when 20th-century institutions are collapsing, and 21st-century ones have not yet been invented. Unless you have serious connections in New York or Iowa, publish your work yourself and don't bother with the gatekeepers.

Other than the above, I find most writing advice useless because over-generalized or else stemming from arbitrary culture-specific or field-specific biases, e.g., Orwell's extremely English and extremely journalistic strictures, not necessarily germane to the non-English or non-journalistic writer. "Don't use adverbs," they always say. Why the hell shouldn't I? It's absurd. "Show, don't tell," they insist. Fine for the aforementioned Orwell and Hemingway, but irrelevant to Edith Wharton and Thomas Mann. Freytag's Pyramid? Spare me. Every new book is a leap in the dark. Your project may be singular; you may need to make your own map as your traverse the unexplored territory.

Hard truths? There's one. I know it's a hard truth because I hesitate even to type it. It will insult our faith in egalitarianism and the rewards of earnest labor. And yet, I suspect the hard truth is this: ineffables like inspiration and genius count for a lot. If they didn't, if application were all it took, then everybody would write works of genius all day long. But even the greatest geniuses usually only got the gift of one or two all-time great work. This doesn't have to be a counsel of despair, though: you can always try to place yourself wherever you think lightning is likeliest to strike. That's what I do, anyway. Good luck!

[sweet-evie]

Baby Megumi & Best Sister Tsumiki Headcanons feat. Teen Dad!Gojo because I love this family unit, and my JJK brainrot is worsening the closer we get to 6th of July. 🫠

These are probably done before, but idgaf because we're about to see baby Megumi and high school Gojo again~ 🥹 Also, I'd rather do these instead of write fics because my Death Note X Code Geass crossover still needs my attention.

Megumi has a stuffed animal collection. 🐺 It started with one stuffed wolf that Satoru got him for his 1st birthday with Gojo, and Megumi pretended he didn't like them, but ummm... 8 years later, Megumi has 75 animal plushies. I like to think they're all small and cute.

If Shibuya and the other BS didn't happen, Megumi would have received another stuffed animal or two for his 16th birthday. Because tradition. 🥹

Just like Megumi has a collection of stuffed animals, Tsumiki has a collection of dolls. *cough cough* Barbies... It started with Licca-chan and eventually Satoru caught her eyeing Barbies in toy stores, so he bought her one. And then two. And then whole sets for Christmas or her birthday or whenever she showed Gojo her report card.

In addition to dolls, Tsumiki definitely had one of those big Barbie houses when she was 8.

Tsumiki ropes Megumi into playing dolls with her. He does it to make his sister happy. And they always include Megumi's stuffed animals.

Tsumiki had Barbie Posh Pets. (Totally not projecting... Maybe I am). I had those as a kid and the set includes a pregnant mama cat + 3 kittens. You can open the mama cat's tummy and take out a pink kitten. (That's kind of fucked up when I think about it now 🤦‍♀️). I imagine it's that sort of nightmare-inducing shit that Satoru notices and gets because he thinks it's funny. 🙃

The Barbie Posh Pet in question that Tsumiki definitely owns:

Anyway... Speaking of Barbie... Tsumiki saw her first Barbie movie because Satoru brought home a Barbie as the Princess and the Pauper DVD on one of their movie nights. He was just assuming she would like it...

She liked it, and they always had Barbie movies in the movie night roster ever since. Tsumiki loves them. Megumi thinks they're whatever but is amused, because Barbie movies have talking animals, and Satoru just loves to poke fun at the plot.

Megumi watches wildlife documentaries for fun. He's a National Geographic and Discovery Channel kid. He has a DVD collection that came with the encyclopedia set Satoru bought.

Megumi liked movies with animals. Are we surprised? He's seen all of the Dr. Dolittle movies.

Tsumiki cried watching Bambi. 🦌 Someone else definitely got teary-eyed while watching Bambi too. That 'someone' will also never admit it, even if Satoru totally caught that particular someone rubbing his eyes with his small fists during that scene.

Speaking of getting teary-eyed at watching cartoons. Satoru's damn lucky he can hide behind his blackout sunglasses, because he was totally sad and emotional when they finished watching The Fox and the Hound. 🦊🐶 You look at that Tod and Cooper friendship and tell me it doesn't remind you of SatoSugu a little bit.

The refrigerator in Megumi and Tsumiki's apartment is stocked with 80% sweets. It's Satoru's fault.

Satoru attends Megumi's and Tsumiki's parent-teacher meetings in elementary school, and he's popular with the PTA parents (especially the moms). Megumi hates it, Gojo revels in the attention. Some teachers invited him to be in the PTA, but ultimately, this special-grade sorcerer always has to decline. He's way too busy.

Elementary career days = Satoru telling the kids that he's a very powerful magician. 🎩🪄🐇 The kids believe him and the adults think he's joking. Well technically, he isn't.

Satoru is prone to bribing child tantrums with McDonalds. It doesn't always work.

Satoru, Megumi, and Tsumiki definitely went camping a couple of times. Sometimes Shoko tags along, but she never stays overnight.

Satoru lost Megumi at the mall. Tsumiki always found her little brother. He's honestly not that hard to find. He's either in a bookstore or a pet shop or a toy store that sells things Megumi likes.

Tsumiki is very forgiving of Satoru's tendency to lose Megumi in the mall.

Ice cream or parfaits for dinner are normal when you're living with Gojo. 🍨🍦

They've been to Disneyland. 🏰

Megumi likes zoos and aquariums.

Tsumiki is fond of handcrafting appreciation gifts for Satoru. 🎁Friendship bracelets, knitted socks and mittens she made in homeroom once that are way too small for him, multi-colored dreamcatchers (she made one for Megumi too of course), birdseed ornaments, lots of origami, very small bead bowls, flowers made of cupcake liners, etc.

Satoru has all of Tsumiki's DIY handicrafts tucked away in an Air Jordan shoebox. He also has a jar full of origami paper cranes that Tsumiki made when she was in her origami phase.

Satoru always took the kids to fun festivals whenever he could.

Satoru gave Megumi and Tsumiki the childhood they deserved -- gave them the childhood they were almost robbed of when Toji and Tsumiki's mom abandoned them, gave them the childhood Gojo never got to have.

All of that before Megumi lost Tsumiki and his life started spiraling for the worst. 😭

#Save&FreeMegumiPLEASE!

[0oolookitsme]

"Knight in the shining armour"

This is short, and kinda bad. But I've finished a fic I began writing for the first time in the whole month of March (we're lowkey in April now sooo) so I hope that you don't mind this shit-cliche too much <3

Verse - Footballer!Harry x Art Director!Y/n

Word Count - 1.2k

Warnings - Cuss words, a slur, one little hit to the jaw (literally the whole fic in three little warnings helpp-)

Harry and Y/n are at a party and everyone's enjoying their time until comes in a dude who can neither take no for an answer, nor register the fact that he's just been warned.

Please rb to share! | Masterlist

Everyone had somehow fit on the three sofas in the living room of some dude's, whom Y/n didn't know, party. She'd come here with Harry, just to get away from all of her projects and assignments, and loosen up a bit -- spend some time with Harry and play some games.

Though she wasn’t actually playing any games, she was still enjoying. Cheering with everyone each time Harry scored. She didn't exactly plan on drinking alcohol, considering she had classes early in the morning the next day and had to give a presentation. And still, she stole a couple sips from Harry's red plastic cup every time he handed it to her to play his turn.

A blue drink sloshed around in her cup as everyone roared loudly when Harry scored another point in the ping-pong. She had taken one sip of it, and she just knew that it was close to going stale, somehow. With a big smile on her mouth, she leaned into Harry's side to press a kiss to his cheek, which landed on his ear lobe instead, making the two of them laugh.

When someone bumped into her and apologised right after, her eyes strayed from Harry for a second. She passed the chick a smile and let her go on. And then her eyes landed on a guy standing in the crowd, looking at her with a look she couldn't quite read.

Feeling like she knew him somehow, she settled her gaze back on the game that was still in Harry's favour. She was still a little tense when the realisation sunk in her -- it was Izac. The guy she'd turned down when he'd drunkenly asked her out for sex. He seemed to have taken the rejection well enough and Y/n had moved back to her friend group.

But right now, as he looked at her intently, Y/n had a feeling that maybe he had something to say. Her eyes wandered over to him for the second time and they came in contact with him again, this time his smile making them shrink a little.

Just out of politeness, Y/n smiled back and before she could turn away, he began moving towards her.

Dread settled in her because she didn't have the desire to talk to anyone right now. She just wanted to keep it shut and peacefully watch the game as jazzy blues played in the background. Still, she put on a welcoming face.

"Hi," he greeted and cheered his cup with both of the cups in her hands, causing her to crack an embarrassed smile.

"It's Harry's," she explained shortly, almost fully turned towards Izac now, and by some miracle, Harry turned to see why she'd mentioned his name, almost knocking down his drink in her hand when his arm bumped with the back of her elbow.

"Why don't we go somewhere quieter? It's a little too crowded here," Izac suggested, pulling her attention back onto him.

"Ah, I think it's good enough." She disagreed and before he could persist, she continued. "How's Leah?" She dared to ask about his girlfriend that Y/n solely knew the name of.

"She's good, yeah," he shrugged a little tensely, almost as if he hadn't expected Y/n to have known about her. Maybe she was just reading into it a little too much. 

"I came here to apologise actually, about the last time we met," he said while actively pretending to get a little awkward, clearly lying about his purpose behind approaching her.

"Oh no, that's fine -- I'd mostly forgotten about it," she laughed lightly, faking it still.

"I should've asked you properly, y' know? Sober and all," he quickly uttered out, catching Y/n off guard.

What? She looked at him to see if she'd said that outloud and it seemed like she hadn't. "Oh," was all she said, as she took a sip out of her cup and flinched in distaste. She’d drunk from her own cup.

"I -- yeah. I genuinely think we'd be extremely compatible in bed," he smirked, rubbing the back of his neck on seeing the blank look on Y/n's face.

She swallowed dryly, still quite in shock. "You don't even know me," she mentioned flatly, having quit the politeness because he clearly wasn't reciprocating it. "Plus, you're in a relationship -- not that I would've agreed to this even if you weren't."

"She doesn't have to know about this, you know, Leah," he tried again. "It'll just be for a night. Like, give it a shot, c'mon," he urged her, moving a step closer.

"Izac, back off,” She said firmly. “And no, I won't have sex with you," taking a step back, she added. And now, she could feel Harry's arm against her back.

She felt his breath nearing the back of her neck just in time for Izac to let out a hollow chuckle and begin walking away.

"Fuckin’ slut," he called her, and Y/n was about to snap when she felt Harry's arm snake around her waist.

"Watch your mouth," she heard him spit behind her, now moving to stand beside her.

Izac turned around, a lazy smile on his face, like he was a friend. "Don't bother man. Sluts like her --"

Harry's fist collided with his jaw, cutting him off. He inhaled sharply as Izac groaned in pain, holding his jaw while crouching – he might have broken it.

"Dare you call any girl, let alone her,” he pointed his thumb towards Y/n, “that thing again and I won't mind breaking a couple other bones," he warned,  his voice having gone so low throughout the scene that probably only the five people standing closest to him heard him clearly.

And as Izac was ushered off to a bathroom, Y/n intertwined her hand through Harry's and took them outside. She could feel something wet and sticky on his knuckles as she grazed her thumb over it, his arm a little stiff. It surely hurt.

“You didn’t have to do that,” she began. “I was going to bite right back.”

Harry sighed beside her, knowing that she was right, he didn’t have to do it. “But I wanted to,” he confessed. 

“I just couldn’t believe that that dog said it again after being fucking warned. Like the fact that he said it even once had made my anger boiling,” he said with an angry frown in between his eyebrows, getting agitated again. 

Looking up from the concrete road, Y/n turned to look him in the eyes, waiting for him to do the same. “It’s okay. And, thank you,” she smiled, pressing a kiss on his cheek that had dug out its dimples again. 

“Of course,” he murmured, pressing his mouth somewhere near her hairline and hissed in pain when she accidentally squeezed his bruising hand.

“What?” Coming to a halt with his hand still in hers, Y/n briskly squeezed it again as she continued – “Is this knight in shining armour’s hand beginning to hurt?” She mocked him, cackling when he shrieked again and holding onto his torso for support as her body went limp because of laughing so hardly. 

Shaking his hand out of her grip, Harry pushed his hair away from his forehead. “I’m done being your boyfriend,” he mumbled, a laugh escaping his lips when his girlfriend only threw her head back to laugh harder.