#I'M LOSING THE ABILITY TO DO BASIC MATHS
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On insurance: I still live with my parents and don't know a lot yet about the sorts of things adults usually have to spend money on. I've always been skeptical of things like insurance and credit cards because it seems to me they wouldn't be selling that if they didn't expect to make money from it. I talked to my cousin a while ago about credit cards and basically came to the conclusion that they do that because they're betting on the customer getting sloppy and letting their debts stack up, and the way you beat that and get money from credit card companies is just by being careful.
I'm a little more confused about insurance though because it seems much more straightforwardly like a gamble they will simply not take if it won't pay off for them. Like, you don't go to a casino because every game they play at a casino is one they've done the math on and have determined that statistically most people will lose money on most of the time. Is insurance not kinda the same? Where they estimate the risk and then charge you an amount calculated to make sure it probably won't be worth it for you?
I know if you have a car you legally need car insurance so everyone knows you can pay for another car if you crash into someone, and I gather that here in the US at least health insurance companies have some kinda deal with hospitals so that the prices go down or something, and there's a reason I don't fully understand why not having health insurance is Really Bad. But we get to pet insurance, or like when I buy a concert ticket and it offers ticket insurance in case I can't make it to the show, and surely if they thought they were gonna lose money on that they just wouldn't sell it, right? Or they'd raise the price of it until it became worth the risk that something bad actually will happen? Wouldn't it only be worth it to buy insurance if you know something the insurance company doesn't?
So the deal is that most people don't use their insurance much, and often insurance companies will incentivize doing things that will make you use your insurance less.
So, for example, you can get a discount on car insurance if you have multiple cars because people who insure multiple cars are more likely to be responsible drivers (the ability to pay for multiple cars stands in as a representation of responsibility here). The longer you go without an accident, the lower your premiums get because that means that you are not costing your insurance company anything but you are paying into the system. The car insurance company's goal is to have the most responsible, safest drivers who never get into car accidents because they can predict (roughly) how much they're going to have to pay out to their customers and they want the number they pay out to be lower than what's paid in. So they try to discourage irresponsible drivers by raising their rates and encourage responsible drivers by giving them discounts.
Health insurance companies often do the same thing: I recently got a gift card from my health insurance company because I had a visit from a nurse who interviewed me about my overall health and made sure I had stable blood pressure and access to medications. It is literally cheaper for my insurance company to give me a $100 giftcard and hire a nurse to visit me than it is for me to go to my doctor's office a couple of times, so they try to make sure that their customers are getting preventative care and are seeing inexpensive medical professionals regularly so that they don't have to suddenly see very expensive professionals after a long time without care.
Insurance in the US has many, many, many problems and should be replaced with socialized healthcare for a huge number of reasons but right now, because it is an insurance-based system, you need to have insurance.
We're going to use Large Bastard as an example.
Large Bastard had insurance when he had his heart attack and when he needed multiple organs transplanted. He didn't *want* to be paying for insurance, because he thought he was healthy enough to get by, but I insisted. His premium is four hundred dollars a month, and his out of pocket maximum is eight thousand dollars a year. That means that every year, he pays about $5000 whether he uses his insurance or not, and if he DOES need to use the insurance, he pays the first $8k worth of care, so every year his insurance has the possibility of costing him thirteen thousand dollars.
The bill for his bypass surgery was a quarter million dollars.
The bill for his transplant was over one and a half million dollars.
His medication each month is around six hundred dollars. He needs to have multiple biopsies - which are surgeries - each year, and each one costs about twenty thousand dollars.
Without health insurance, he would very likely be dead, or we would be *even more* incapable of paying for his healthcare than we are right now. He almost ditched his insurance because he was a healthy-seeming 40-year-old and he didn't think he'd get sick. And then he proceeded to be the sickest human being I've ever known personally who did not actually die.
Health insurance costs a lot of money. It costs less money for people who are young and who are expected to be healthy. But the thing is, everybody pays into health insurance, and very, very few people end up using as much money for their medical expenses as Large Bastard did. There are a few thousand transplants in the US ever year, but there are hundreds of millions of people paying for insurance.
This ends up balancing out (sort of) so that people who pay for insurance get a much lower cost on care if they need it, hospitals get paid for the care they provide, and the insurance company makes enough money to continue to exist. Part of the reason that people don't like this scheme is because "insurance company" could feasibly be replaced by "government" and it would cost less and provide a better standard of care, but again, with things as they are now, you need to have insurance. Insurance companies are large entities that are able to negotiate down costs with the providers they work with, you are not. If you get hit by a car you may be able to get your medical bills significantly reduced through a number of means, but you're very unlikely to get your bills lower than the cost of insurance and a copay.
Because of the Affordable Care Act, which is flawed but which did a LOT of good, medical insurance companies cannot refuse to treat you because of preexisting conditions and also cannot jack up your premiums to intolerable rates - since Large Bastard got sick, he has had the standard price increases you'd expect from aging, but nothing like the gouging you might expect from an insurance company deciding you're not worth it.
Pet insurance works on the same model. Millions of people pay for the insurance, thousands of people end up needing it, a few hundred end up needing a LOT of it, and the insurance companies are able to make more money than they hand out, so they continue to exist. This is part of why it's less expensive to get pet insurance for younger animals - people who sign up puppies and kittens are likely to be paying for a very long time and are likely to provide a lot of preventative care for their animals, so they're a good bet for the insurer. Animals signed up when they are older are more likely to have health problems (and pet insurance CAN turn animals away for preexisting conditions) and are going to cost the insurance companies more, so they cost more to enroll (and animals over a certain age or with certain conditions may be denied entirely).
This weighing risk/reward is called actuarial science, and the insurance industry is built on it.
But yeah it's kind of betting. The insurance company says "I'll insure ten thousand dogs and I'm going to bet that only a hundred of them will need surgery at some point in the next year" and if they're correct, they make money and the dogs who need surgery get their surgery paid for out of the premiums from the nine thousand nine hundred dogs who didn't need surgery.
Your assessment of credit is correct: credit card companies expect that you will end up carrying a balance, and that balance will accrue interest, and the interest is how they make the money.
And it is EASY to fuck up financially as an adult. REALLY EASY. But you are still likely to need a good credit score so you will need a credit history. That means that the correct way to use a credit card is to have a card, but not carry a balance.
To do this, never buy anything on the card that you can't afford. In order to avoid needing the card for emergencies, start an emergency fund that is at least 3 months of your total pay *before* you get a credit card. That seems like a *lot* of savings to have, but from the perspective of someone who has had plenty of mess-ups, it's a lot easier to build up a $10k emergency fund than it is to pay off a $10k credit card debt.
If you don't understand how interest works on credit cards, or why a 10k savings is different than a 10k debt, here are some examples working with $10k of debt, 23% interest (an average-ish rate for people with average credit), and various payments.
With that debt and that interest, here's how much it costs and how long it would take to pay off with $200 as the monthly payment:
Fourteen years, and it would cost you about twenty four thousand dollars in interest, for a total amount paid of about thirty four thousand dollars.
To save $10k at $200 a month would take four years and two months.
Here's the same debt at $300 a month:
4.5 Years and it costs about six grand (again, just in interest - sixteen thousand dollars total). Saving ten thousand dollars at three hundred dollars a month would take just under three years.
Here's the same debt at $400 a month:
3 years, about $4000 dollars (fourteen thousand dollars total). Saving ten thousand dollars at $400 a month takes just over two years.
The thing is, with all of these models you're going to end up paying one way or another. Insurance vs out of pocket is you weighing the risk of losing a fair amount of money by signing up but not using the system, or potentially losing a catastrophic amount of money by not signing up.
For credit cards they really only work if you know you're never going to need them for an emergency, because an emergency is what you're not going to be able to pay off right away. I didn't have an emergency fund when Large Bastard had his heart attack and needed surgery, or when we moved between states suddenly, or when we moved between states suddenly AGAIN and needed to pay storage costs, or when Large Bastard needed a transplant, or when Tiny Bastard got in a fight with my MiL's dog, and the fact that I didn't have an emergency fund is still costing me a lot of money.
So, young folks out there: what's the takeaway?
Get insurance. Get the best deal possible, which usually ends up being the one you sign up for early. You may think you can let it ride without insurance, but man in the six months between when I graduate college (and lost my school insurance) and when care kicked in after 90 days at my job I got electrocuted and needed to go to the ER. If that hadn't been a worker's comp payout I would have had thousands of dollars in bills. Something could happen. You could break your leg, you could get hit by a car, you could suddenly find out that you actually have heart disease at twenty, you could develop cancer. Have insurance, you need insurance. You legally need car insurance in the US, and you financially need health insurance. If you have a pet, I think it's a good idea for them to have pet insurance.
Credit cards are not for emergencies, they are not for fun, they are not for buying things that are just ever so slightly out of your budget, they are for taking advantage of the credit card company and managing to get by in a system that demands you have a credit score. ONLY put purchases on your credit card that you already have cash for. Before you get a credit card, build up an emergency savings so that you aren't tempted to put emergency charges on your card.
If you DO end up with an interest-bearing debt, pay it off as fast as possible because letting it linger costs you a LOT of money in the long run.
Stay the fuck away from tobacco and nicotine products they are fucking terrible for you, they are fucking expensive, and they are not worth it put the vapes down put the zyns down put the cigarettes down I will begin manifesting in your house physically i swear to fuck. Knock that shit off and put the cash that you'd be spending on nicotine into a savings account.
Take care, sorry everything sucks, I promise that in some ways it actually sucks less than it did before and we're working on trying to make it suck even less but it's taking a while.
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Tim Drake as Rook (and Blackbird)
I've seen posts floating around trying to suggest new names and new costumes for him, and I've seen really great designs (u/Hunkerdown_son's Gray Ghost suit) that I like a lot more than what he's gotten. (Poor kid's gone back to Robin and was feuding with Damian about who's the better Robin? Like, boy, you could be in college, you are a whole-ass adult now, god damn, can the writers let you develop). There's Cardinal, Flamebird, Redbird, every red bird there is. And like, I get it, Red Robin was one of his more iconic runs (pre-Flashpoint), his OYL costume was primarily red, he was Red Robin wearing basically a Robin costume for a little while there too.
One of the name's I've seen is Rook. And that fascinates me. I actually had a hazy image of it pop into my mind, like a terrible "got any more pixels?" JPG picture of an artbook all zoomed-in and blown out one, of what that might look like.
(Artist's recreation of the above described image)
So I made it.
(Look, I know. I know. That is not how "Rook" would be stylized for the logo, but listen, listen. Cursive k basically has a mini-R in it and I was having fun with this. Okay? I don't draw much these days and I'm not a comic artist/graphic designer. I do math for a living.) (I spent very little time on the logo for Blackbird, but you get the idea. The "R" gets twisted nicely into a "B" for Blackbird, in my opinion.)
Design choices and everything below. Very stupidly long.
Rook first because I know the color is going to be a sell.
Rook is a bird in the corvid family, with crows, so they're exceptionally smart birds. Rooks are also the name for the chess piece that can perform the trickster maneuver called castling where they trade places with the king (It's not hard to do, necessarily, just like, a 4D move compared to the normal chess moves, and not something the average person knows about). Being that he's been relegated to the "boy genius" role and he is vicious and cunning with his mind more than almost anything else (See Robin #137's "Show your face here again and we'll frame you for the kind of crimes even other hardened kills don't condone or forgive" speech, him blowing up the LoA's computers in Red Robin #8 after somehow creating a program/virus on their systems while under constant supervision, or all of Red Robin's "The Hit List" arc). (I know he's not the only one who can do or has done, things like this, but he does it a lot, is my point).
Rooks, the birds, as a symbol of death are also fascinating to connect to Tim. He's never "died" like the other Robins have, but his mantra in his introduction is basically "Batman needs a Robin." Because Batman/Bruce has been traumatized by losing his son, Jason, and is spiraling, dialing up the violence towards criminals, dialing down his ability to care whether or not he survives, destroying his interpersonal relationships in the process. Death as a symbol can mean the literal figurative death, but it also can mean the end of a phase of life, of letting something go, and moving onto a new chapter.
And that's what Bruce needed to do. He, of course, would always miss Jason, but he needed to move past the pain, move past the agony, become what Batman was supposed to be again. Tim's the one who got him there. He's the one who convinced Bruce to open that new door. Tim's the one who put the "family" in Bat-Family because Bruce sure as shit was not going to do that. Here, this post explains that a bit more eloquently.
https://www.tumblr.com/thattimdrakeguy/190044791065/would-you-consider-tim-the-heart-of-the-batfamily
Rooks, the birds, are also blue/purple in color, which I think is great for Tim. I know, I know, everyone wants him with red. I get. I really, truly, get it. But let's just...take a step back and go outside of the box a little for his color. Now, I know, not everyone keeps the same color consistently (the number of times Nightwing has just bounced between Blue and Red, for example), but there is usually a "main" color strongly associated with each member of the Bat-Family.
Nightwing gets blue, duh (and also bluebird). Red Hood gets red (and also Nightwing when he's having a shit time and also Kate Kane's Batwoman and also Damian's Redwing). Damian's Robin often gets green (though I low-key associate green with Tim's Robin more than Damian's, Tim's no longer going to be Robin here, so Damian can have it). The Signal gets yellow (and so does Cass's Batgirl/Black Bat/Orphan). Stephanie as Spoiler/Batgirl has purple (and so does Huntress and Barbara's Batgirl). And Oracle gets lime green.
We don't need any more red symbols in the family. It's already out of hand without throwing Tim in there. And out of all the siblings, he's the only one without a distinct color.
Anyway. If we dip into tertiary colors, we can fix all of that. I made a mock-up of what I mean drawing the symbols mostly by memory in a few minutes. For Huntress/Helena Bertinelli, I just used her mask.
See how Tim as Rook gets to be wedged in between Nightwing's blue and Stephanie's purple with Violet? Tim Drake is a Dick Grayson fan first, Nightwing fan second, and person a distant third, so going more blue with his scheme is a much better fit. You could come up with a name for him to be teal, but violet is better for Rook, and like he's also close to Stephanie's Spoiler/Batgirl colors and say what you will of his relationship with her, she is important to his character as friend/girlfriend/friendly-ex. And Dick went from "Red/green/yellow" to "Blue/black" so Tim can go from "Red/green/yellow/black" to "violet/black."
Oh, and it lets him get his "R" back. The one from the 90's that's just so iconic that he was literally introduced with as Robin. If we can have a million different bat symbols then we can have two different R's floating around and no one will be confused.
And anyway, with all of that in mind, and that terrible image haunting me, I decided to draw a quick reference sheet for what Rook might look like. I think I spent like 2 hours on the final version, with an hour and a half on sketches I hated/deleted. Anyway.
I had a nice dark green in here instead of sky blue and a dark purple instead of dark blue, but then I was looking at the purple/green combo and "I'm in dangered" my way out of the Joker color-combo.
Instead I decided, since he's a young person and the violet I chose was sort of blacklight-esque, then why not make him look like some kinda blacklight glowing guy. The youth these days still love that kinda stuff, right? And it ties into the themes of being a light in the dark and crime-scene stuff and all that. The colors came from how lead glass reacts under black light, and while I imagine the violet parts do show up in black light, it's the light blue parts that actually glow in blacklight.
If you want to draw this design or make up your own Rook design or tweak this design go ahead, like, for example if you wanted him to have the sharp pointy cuffs that I couldn't get to look good at all (but please tag me if you do, I wanna see it, unless you're shit-talking me. Then don't tag me.)(Shit talking means "my god, this asshole who cannot draw at all" and not "It was okay, but I thought it might be better like this/with some tweaks/more coherent colors" one I can take and the former will make me cry).
(If the notes are hard to read, they will be in text at the very bottom)
Obviously, I got a little too obsessed with the mask for my own good. I didn't want him to just have a domino mask, I liked the protectiveness of his Red Robin cowl (if not the look), and I wanted more coverage while also having his hair out because he has really good hair. So it goes around the back of his head in a band, protecting his temples and the back of his head, but nothing else for his hair to show. It is supposed to blend with his hair so we get the illusion of the cowl, but drawn by someone better/more time/shading it'd be fairly obvious up front where his hair and mask are, but less so from the back. And Tim has done the mask under a mask gag before and a self-destructing mask, so I feel like him having approximately 30-billion fail-safes to prevent it from just being pulled off of him is in-character.
And then I decided, that since Tim is Nightwing fan second, he can have a red version of the outfit named "Blackbird" for when he's feeling a little moody or feisty the same as Nightwing has the red Nightwing suit for...reasons ("We wear red in new continuities" or whatever. Why have one outfit when you can have several?). This time the colors were inspired by red cadmium glass under blacklight and the red winged blackbird.
Red Winged Blackbird's symbolically are "a sign of change and transformation. They represent the power of love and compassion, as well as the need to take action in order to make positive changes in your life. The red winged blackbird is a symbol for spiritual growth, inner strength, courage, determination and self-awareness." Which. You know. Fits Tim. And there's red. So. I feel like that's an easy sell. ÂŻ\_(ă)_/ÂŻ
I wanted to reference his OYL, Post-Crisis Red Robin (regular and data alter), and Robin (Post-Crisis/Rebirth) outfits for the design. I didn't care for much of his post-Flashpoint Red Robin outifts, adding Nomura/Kingdom Hearts zippers levels of belts to him or just being Robin with two "R"s for a symbol and bad hair. You can see the OYL in the edges of the cape and the interior of the mask. Robin, Rebirth in particular, with his elbow pads and knee pads, shoulder armor and the shape of his boots. Red Robin in the bandolier harness/belt thing he's got, but every thing on it is one of those hammer space utility belt pouches the Bats are so well known for, so he can have a bajillion of them as the "tool using" Robin. The "V" center and arm-stripe/finger-stripe combo is, obviously, reminiscent of Nightwing, and his Red Robin data alter, which is also reflected in the larger mask (though the nose is not as beak-like).
(OYL References, the dialogue in the second to last panel of the first reference is misattributed, in case you were confused as to why Tim is dissing his outfit and Dick is talking like Tim)
(Red Robin References)
(Robin References)
And obviously, I just put his "R" symbol on a circle and called it a day. Although I was clearly going off of memory instead of a direct reference, but whatever. Whatever. It fits better in a circle the way I did it. And a circle is a better buckle/clip than the oval, which was a deliberate choice. So. Anyway.
Notes (from top left to bottom right, grouped by what they're describing):
Shoulder Shot: "We're brining back his iconic 'R' from the 90's for 'Rook. (pointing to the R symbol)." "The cape can be rolled back to reveal some light shoulder armor that doesn't change his silhouette when the cape is down (pointing to his shoulder armor and the rolled back cape that is reminiscent of his over the shoulder "black with yellow" capes)." "Feather pattern that emulates Nightwing's arm/fingerstripes (pointing to the side of his arm)." "His elbow pads have the same shape as his kneepads for the skaterboy vibe. (pointing to the pads over his arms and knees)."
Sketch of harness: "Bandolier harness hides under the cape that clips into his insignia (pointing to the symbol in the center)." "Each space is a pouch (pointing to every area between the pointed ridges (which are hollow tubes with screw caps that can also hold things for maximum hammerspace))."
The detailed shot of the mask: "The face mask is partial emotive with white lenses that have thermal and night-vision (next to the white eyes)." "The foil layer of the mask can peel off unless actively held when the mask is lifted, and cling to his skin with a static charge that makes it almost impossible to peel from his skin (pointing to the teal circuit bit that is lifted from the pointy bit of the mask (the circuits are water/sweat proof, don't worry))." "There are dozens of magnetic locks that have to hit in the right on/off pattern to life all layers of the mask. Each finger in his gloves can have an active magnetic charge, so there are over a thousand combinations (pointing to the foil layer and the inside of the mask)."
The sketches of the mask lowered and raised: "The back of the mask is made of interlocking combs that seal together with metal locks to avoid it coming off unintended (pointing to the back of the raised mask)." "Durable, flexible rubber-like material (pointing to the sides of the mask, back, and the expanding fan like section that allows it to raise while still being one-piece and the top of the mask that would roll against his forehead)." "The mask can be lifted up when the locks are undone (pointing to the raised and lowered mask and the expanding accordion like structure)."
The sketch of a side profile of his head with his bangs and face half there: "Where does the mask end and his hair begin? Like Kujo Jotaro's cap, the world may never know (pointing to the back of his head where the black mask and black hair would blend together)." "The back of the mask combs through his hair and the top layers of his hair cover it (providing an actual answer)." "The nose of the mask has padding that protects his nose from breaks and conceals the shape of his nose and cheeks (next to his nose, which is half covered by the mask)."
#tim drake#robin#red robin#tim drake robin#dc red robin#dc robin#robin dc#fanart#my art#spes talks#I swear to god something possessed me with that mask#Literally the only thing I was thinking about#while sketching#and coloring#Was adding layer after layer of failsafe#so Tim Drake's identity is protected#while still letting him pull it up quickly for drama#or whatever the story needs#Also#Barry Allen had a watch that his outfit condensed down into#or whatever science thing it did#His belt and bandolier can be smooth and flat and hold many things#It's science-magic#Bigger on the inside#and all that#More hammerspace for Bats#without me needing to draw a million finicky pouches#so glad we *didn't* collectively decide that the bats had to be the most realistic superheroes#like imagine making a super gritty and realistic batman#who is limited by what humans in real life can or would do
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hiiii iâve a wee fluff imagine idea for bobby!! : )
bobby and the reader live together in a flat in dublin and the reader goes to trinity uni to study english literature (or smt else that has like a lot of reading and essay writing anol that craic) and sheâs falling behind in a lot of her assignments and itâs all piling up and sheâs just all overwhelmed and doesnât know how to cope.
she ends up breaking down into sobs or shutting down at random points in the day due to stress and rob hasnât got a clue whatâs wrong and keeps noticing these random break downs throughout the week.
basically he comforts reader and helps to organise herself and just all fluffy cute comfort fic <333
If I could flip back time, bend the seconds and go back three years ago, I would do it right now.
Pile after pile of flashcards, annotated books with pastel post-it notes shooting out of the sides, folders of Irish poetry I can hardly understand, tattered photocopies of Hozier lyrics, every work of Shakespeare staring at me from my overcrowded booksheld â dusty, messy, probably even dank. Miss Carter has decided to set three more assignments onto my workload for the week. An essay on crime fiction (I haven't even read the first book on the reading list), my creative writing portfolio and then another essay analysing a piece poetry of my choice. Reading and highlighting Hozier's lyrics of 'I, Carrion (Icarian)' is the only thing keeping me going. Phoebe Bridgers blasts through my ears. It's quarter to 11. I need a break. An early night would be nice. Or TV. But do I really want to sit next to Robert whilst he watches his weird YouTube videos?
I kick my table. Not out of anger. Not out of irritation. I just want to see all of my notes topple ontp the floor. They do. Then I'm kicking the table three more times. Or maybe eight. All my flashcards are on the carpeted floor, next to my discarded, empty packet of pinballs. I'd stolen them from Robert's stash. He'll never find out.
Climbing over my pile of unread books by my doorway, I push open the door. It squeaks. Some oiling would be nice. Trinity college really provides the best for their students!Â
I still wish my roommate was also doing English, someone to bond with over shared trauma, to gossip about our nightmarish teachers and fellow students. But no, this guy is doing a degree in bloody mathematics. The complete dichotomy of English. No similarities. No way of comparing the courses to eachother. Him and his terrifying videos that he watches with his shoes up on the armrest, cheek in his open palm, drinking a cup of tea. Like it's that simple. Numbers and sin, cos, tan and circle theorems and whatever tragic nonsense is being spouted in his lectures.
He hardly speaks to me. Three years together and I barely know him. Sometimes I tag along with him when he goes out for breakfast. Once every two weeks. Sunday morning. We talk about school, about friends, about anything that pops in our heads. Yesterday we spoke about music. He originally wanted to pursue a career in music. A band. But they didn't work out. He took a gap year to pursue this group. So he's a year older than all of the other third years. He doesn't let that faze him. When he told me stories about his band, 'Inhaler', I had to lose eye contact, look down at the pink marshmellos floating about in my cup. He looked lost. This wasn't the place for him. He missed the confidence upon stage, the ability of making something out of nothing. Life is unfair. That is when I realised it. Hearing about shattered dreams and names of songs that were never produced.
I also realise life is unfair right now, as I accidentally bang my hip onto the kicthen island, the knife-like corner lodging itself into my skin. It's like the world is against me.Â
Sometimes I wonder if Robert thinks I'm an idiot. I feel like I'm an idiot when I walk past his bedroom, hunched over his laptop, headphones on as he works through the most difficult maths questions I've ever encountered in my life. He makes university seem easy. Has his allocated times for study, going out with friends, the gym, practicing bass, going though record shops, meals, watching TV. Everytime he gets home, he drops his things down in the kitchen. I sneak a glance at the big green 'A*' on all of his test papers. I look up to him. His intelligence, his masterful management of time. I'm always too frightened to ask him how he does it. He'll think I'm stalking him.Â
Me, on the other hand, I waste time. I don't have balance. I never have time to be with my friends. Always locked up in my room. A prisoner. Essay after essay. Poem after poem. Book after book. A constant cycle I've been in for three whole years. The stress is weighing down on me like a hundred bags of bricks. I need to stop for a second. To breathe in. To calm down.
So I do the last thing I would normally do. I go into the living room and sit beside Robert on the sofa. He's half asleep, jeans cuffed, hair all over his face. He sees me walk in, glances up, eyes big and speculting. He instantly moves his spindly, spider-like legs from the armrest to give me some space. I can hear some sort of maths video playing on the TV. I'm scared. At least it's not English. I'm immune to maths. It doesn't affect me anymore. Whatever logorhythmic scale this American YouTube man is yapping about isn't making my face contort at all â it's like sorcery.
This could be a way of winding down. Maths. I'm calmer now. No changes of focus or narrowing of perspective. No pathetic fallacy or magical realism. Just messes of words that don't really make sense at all.
"'D'you want to watch TV? I can turn this off if you want." Robert has his thumb on the home button.
"Leave it on. I just need a moment."
He dubiously puts the remote back down. He yawns, stretching out his arms and leaning back. I hate it when boys do that. With his parted, manspreaded legs, adams apple bobbing, head rolled back. It's idiotic. Completely idiotic. He doesn't seem too intrigued by Mr American man. The video is a guy next to a whiteboard writing millions of brain-numbing equtions. Robert is nodding along. I think I'm going to cry. I don't know why I want to right now. My hip is actually starting to throb and ache. I look down at my jeans. There's a hole in them. There's blood. It's wet. I hadn't noticed before. It's properly pouring out blood.
"Fuck. Fuck. Fuck." I exclaim, hand pressing down onto the cut through my jeans.
Robert swiftly nears me. He's looking at me up and down, hands trying to find a place to move to. It's dark in the room. He reaches for the lamp switch. "What is it? Are you okay?"
"I'm bleeding. Jesus christ. That kills. Fuck me."
He passes me his jacket and says, "Apply some pressure."Â
Then he runs out of the room. Fast as a plane. A man on a mission. Long curls dancing to the rhythm of his steps. Mr American man won't shut up about algebraic expressions. He's got a really bald head. Glimmering.Â
Robert is back. He has bandages. I don't know where he got those from. Antiseptic wipes, plasters, sweets, even a cup of tea. He was only gone for about five seconds. How did he manage to get all of that? He hands me the cup of tea and sweets whilst asking, "What happened?"
"I walked into the island like an eejit. I'm so feckin' stupid."
"Just breathe, okay. You're not an eejit. I do that every day."Â
I have to unzip my jeans to let him check the cut. Which is awkward, to say the least. He's looking at me like a doctor â not really caring about seeing my skin â but I'm still so shy around him. He sees me struggle with the button. He undoes it, fingers coming in contact with mine. They're slender. So very perfect for the bass guitar. Then he's unzipping my jeans. Only the tiniest bit. A mere centimetre of my knickers appear out of the top. Any more than that and I'd be flush as a tomato. I've always had a little crush on Robert. Being stuck with a really smart bass guitarist with the dreamiest eyes for three years is enough to make a person fall. The reason I've been avoiding him lately has been due to that fact. I don't want to make it obvious.
He finds the cut. It's bled through my knickers, making a big blot of dark red. He pulls down the waistband of my pants, prepared to wipe the wound. I have to grind my teeth together to prevent a sob from escaping me. I'm crying. Stressed and hurt and just wanting to dissolve into nothing. The cold draft of wind isn't improving the situation. If only there was no such thing as coursework and I couldn't glide my way through university like Robert.Â
More and more blood. I think I might pass out. The blue-eyed boy is knelt down on the floor, knees biting into the carpet so that he can properly see where to put the bandage.Â
"So how's English going?" He's not looking at me. Only at the wound. I don't think he's noticed that I'm crying. I don't want him to. I cover my face with bloody hands, accidentally smearing the metallic substance onto my nose.Â
I don't know what to say. Do I tell him how much I regret picking it? Do I make this already awkward situation about ten times worse? I hate when people pity me. I hate when I feel like eyes are lingering for far too long when I cry. But when Robert looks at me, it's different. The pools of serenity circling his iris aren't looking down at me with a sort of aristocracy. That's how my English peers stare me down. No, instead, he's looking at me like there's a billion questions rushing across his forehead. He just needs to decide which one to ask. Or to simply say nothing. Like I am. We've both learnt how to cohabit in silence. To walk past eachother and ignore the feathers of conversation falling between us. We're busy. Always busy. Except for those perfect Monday mornings that I always look forward to. Especially the one time when he showed me around his favourite record store. He had asked me to choose him a record to buy. I walked through the entire shop, fingers shifting records, reading unfamiliar artist names. Then, I saw it, the â now bane of my existence â Hozier's 'unreal unearth'. He bought it. He'd told me he only really knew 'Take Me To Church'. I'd leant against the till as he paid and said, 'it'll change your life.' Then he'd locked himself in his room. Through the ever so thin walls â paper thin â I could hear each track hum into my room. I never got the chance to talk to him about the album. I think the thought of bringing it up made me feel sick â due to the English essay upstairs still waiting patiently to be finished.
Now there is an excuse. To talk. I'm injured. I don't want to move. He's still attempting to wrap a bandage over my stomach, then across my back until it's around my torso. I feel his fingers graze my skin with every subtle movement, along my spine, the small of my back, my abdomen, my hip bone. He's still looking at me. Searching. Like I'm a new island and he's an explorer trying to name me.
"What's up, sweetheart?" He finally talks again. His words are throaty, emananting from the pits of his throat. He's still wrapping, waiting for an answer.
"Just college. You know. It's killing me."
He shakes his head. "You're so smart."
"Says you."
He shakes his head. "Look, this might be a bit weird but sometimes when you leave random essays lying around or even creative writing. I read them. They're incredible. Your mind just works in such an interesting way."
I'm at a loss for words. He reads those? Those are usually just failed attempts that I toss aside. Scrap paper. Strange drawings. I don't even want to look at them.
"You get top grades in every test," I sigh. "I'm barely passing. I'm the worst in the class. My professors hate me, I've got so much work, I'm falling behind in every assignmentâ"
Then I'm properly crying. Sobbing. Breathing so heavily I think I might collapse. Heaving. Sniffling. Covering my face so he can't see me. I'm like a child. Pathetic. Stupid. Worthless. I was never good enough for Trinity. Why did they let me in?
Warm arms, press of skin. Just above the wound, over my chest, arms dig into my body, hugging me from behind. Head burrowing onto my shoulders, knees into the sofa. His lips ghost the back of my neck. Tears are falling down. He turns me around to face him. I hate how he's seeing me like this. My cries are usually saved for when he's out with friends or blasting music on his record player. He's never seen me this vulnerable, just utterly ripped into shreds by the hands of life. His scent is making me feel better, the tissue now on my cheek makes me feel better, the quiet words of 'breathe, let it all out, it's okay' make me feel better. He's calming me down. I start to forget what I was even crying about when I look into his eyes. This intense eye contact. Remembering his height. Even sat down, his torso is far longer than mine.
"I've got an idea," he murmurs, peeling his body away. I miss the warmth. I miss the touch.Â
"What is it?"
"We should go somewhere. Get out for a bit. Say it's a 'mental health field trip'." He curls his fingers to accentuate the apostrophes."Maybe down to the Cliffs of Moher. When you're all healed up of course."
"Give me a week."
"A week? I'll be the judge of that." He raises an eyebrow, now tying up the bandage.
"Where did you learn all this?"
"I'm actually first aid trained. Did it in my first week of uni." He takes a deep breath, settles back onto the sofa.Â
I take a sip of my tea. My eyes are surely blotchy and red. I bet there's mascara all over my face. "Thank you so much."
"No problem at all. Do you want to tell me what's going on? Is there any way I can help?" He's referring to my school work. "I was alright at English in high school. No where near as good as you are. But maybe another opinion might help you."
"I'm really stuck on a Hozier analysis."
"I never told you how much I love that album. It's perfect." His eyes glow like they do when he's talking about something he loves. Usually it's caused by talking about playing bass, but right now it's due to the beauty of Hozier's music. "I learned the bass line of De Selby part two."
"Show me. Now." I don't even ask. It's simply a demand. Anything to take my mind away from that cut still bleeding profusely. A little concert would be nice. Especially if said concert involves watching Robert play bass. I sometimes peek through the crack in the doorway to see him sat down on his bed, pick between his index and thumb, bass guitar on his lap, headphones over his ears. The pure concentration on his face is unparalleled. Notes thrum quietly through the room. He falls into any piece of music.
"Alright." He laughs at my enthusiasm. "Then I'll help with your English."
"Thanks." This is probably the most I've ever spoken to him. I'm mumbling each word, not wanting to look into his eyes.
He disappears once again. This time I hear the thudding footsteps over creaky floorboards. I hear a door squeak open, the faint patter of rain upon the ceiling, the quiet murmur of distant sirens as night blooms. It's tranquil. For a moment, I'm at peace. Until I remember the stack of unread books in my bedroom. I groan into my hands. Everything just keeps getting worse and worse andâ
He's back. Not empty handed. Bass in one hand, Hozier lyrics and my pencil case in the other.
"I emailed your professor about the trip. I'm sure she'll be okay with it." He's off again. He comes through the door with his amp and lead. He plugs both in.Â
"You're a life saver, Rob," I say.
He starts twisting around the knobs on the bass. Volume up. Then he's tuning. He smiles up at me. I think I'm staring. I think he can tell. His long fingers, tattoos, rings. It's all too much. My fingers are restlessly tapping the armrest. My legs are up on the coffee table. He pulls out his phone and plays the song. Then I'm lost in the music. His eyes are closed as he slides his fingers up and down the neck of the bass, as he stomps his feet down on the carpet to every drum beat. If only I could go back to the days I'd go to concerts every day. If only I could go back and see 'Inhaler' on a world tour, watch Robert from the crowd, completely in his element. Exhilarated, chanting, knowing every lyric like it's my mother tongue. Sometimes I wonder what life could've been like if the band had worked out. If the world did realise just how incredible they are. But, here, appreciating each pluck of every string, the grin as he watches me. I can't take that for granted.Â
#robert keating fanfiction#bobby skeetz fanfiction#bobby skeetz#inhaler band#inhaler imagines#inhaler oneshots#robert keating#fanfiction#inhaler dublin#inhaler fanfiction#josh jenkinson#elijah hewson#trinity college#inhalerimagines#inhaler oneshot#inhaler x reader#inhaler fanfic#inhaler imagine#bobbyskeetz#bobby skeetz x reader#inhaler#fanfics#ryan mcmahon
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Small thought on probability and mechanics in TTRPGs.
When we play a TTRPG, every mechanic that involves a die roll is just a game of chance. Sometimes we're able to manipulate that chance to our favour, sometimes we're not.
I've seen aversion to the idea of "flat checks" to determine outcomes, and I myself have even had initial distaste for the OSR's attachment to using a d6 in such circumstances (usually calling for a 4+ or 5+)- but I think it's finally "clicked" in my mind, and I've come to appreciate the virtues of simplifying the mechanic as much as is reasonable.
Let's take an example from Pathfinder 2e, since it's a very math-heavy game (and likely what my audience is most familiar with): The creature building rules provide example ACs for monsters at levels -1 through 24, and while it does vary, generally the values are set such that a dedicated martial, fully investing in their ability to hit creatures, will have a baseline ~50% chance to hit. It's basically a flat check.
Now, we have to inspect and appreciate what nuances are allowed by a system before we can deconstruct it. Just because the values in Pathfinder tend towards a 50% success rate doesn't mean we can just start rolling d6s and hitting on a 4-6. With the example of Pathfinder, using a d20 gives us, well... 20 results. A wide spread of numbers that can then be meaningfully interacted with, as each point of bonus or penalty is worth a 5% statistical modification. Additionally, the +-10 critical success/failure system gives these points secondary values in modifying crit chances, and nat 1s/nat 20s a static 5% bump chance.
If we were to try to reduce the to-hit system down to a d6 then, what do we lose? Or more specifically, what changes? Well, modifiers either become much stronger and potentially much more necessary- each point is now worth 16% (over three times as much!), and depending on the game balance, a high modifier may now be necessary to even hit a creature. Critical results too lose something in this adaptation- maintaining the +-10 system makes modifiers the only way to reasonably achieve critical hits, and dumping it in favour of nat 1/nat 6 once again over triples the chances of a crit one way or the other.
In many important ways here, something quite important has been lost. Much agency and much nuance are jettisoned in favour of smaller numbers.
But let's take another look at Pathfinder now, and specifically its flat checks. Pathfinder has a variety of actions, effects, and miscellania that rely on the roll of a flat d20 to determine their results, usually at DCs 5, 11, and 15 (75%, 50%, 30%). As far as general play is concerned, these DCs don't shift and players don't get modifiers for them, so they function purely as statistical values. In this case, replacing them with a d6 system may in fact function fine. Setting the ranges to 3+, 4+, and 5+ (66%, 50%, 33%) results in nearly identical mathematics, and a functioning game system nonetheless. Flat checks, additionally, do not have critical successes, which leaves the other primary benefit of a d20 system out of the equation.
So why, then, does Pathfinder use a d20? I'm sure there are plenty of reasons. A d20 still has more manipulatable results, allowing for potential DC variance a d6 cannot emulate. A d20 is the primary chance die used elsewhere in the game system. A d20 is iconic.
But to circle back and round out my thoughts here, die rolls are, ultimately, nothing but chance. Without other systems interacting with (and creating results off of) their values, the method of delivery by which you achieve your chance is all but irrelevant. In such cases, what's most important is how easily one can access and adjudicate the levels of chance. A d20 with 5% per value might be quite intuitive to some, while others might prefer the more pie-like 16% of d6s. A 1 and a 20 are relatively rare on a d20, while a 1 and a 6 on a d6 are relatively common.
Always examine the tools you use, what they're doing for you, how they interact with your systems, and how you might be able to better achieve whatever goals you seek out at your tables. It makes for easier, better games.
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I just have to say this first, math is evil. Also, I do love your writing.
Could I request Marilyn x f!reader (you could add Larissa if you'd like) where R cuts classes only because she didn't want anyone to find out some of the normie students attack R or maybe they just played a horrible "prank" and up loaded to a social media site. Marilyn isn't happy that R is skipping classes. So she goes to R's dorm to get to the bottom of why R isn't in any of R' s classes. Once Marilyn sees R she wants to know why R didn't go to her. And R is basically like don't worry i'm used to it, I just need to sleep it off.
everyones online (m. thornhill)
summary: reader loses control of her shifting abilities.
relationship: marilyn thornhill x reader & slight larissa weems x reader
extra/warning: shit but here.
_____________________
Usually the birds awoke you in the morning, but today it was replaced with the constant sound of your phone alerting you to a new notification.
Rolling over to face the table next to your bed, flicking it on you could see many notifications from both your tiktok and your instagram accounts. Unlocking the screen and coming face to face with a video of the events of yesterday.
Watching in horror as the video shows you getting 'attacked' by multiple normie kids and then losing control of your abilities and turning into a lion.
The amount of views were slowly rising, from 1,000 to 1M in the 10 minutes you had spent scrolling through the comments from both students at Nevermore and kids from Jericho.
Turning you phone off you pull yourself up from your bed and opened your curtains, thankful for once, on not having a dorm partner.
Looking down at the quad you could see students occupying the seats, and also spotting the two teachers on morning duty them both coincidentally being Ms Thornhill & your Principal; not that you cared for either of them at this point in time.
Looking at your phone was a huge mistake, especially seeing the amount of new notifications that had come through. The bell for the first class making its announcement halted all activity online.
'A mental health day' is what you called today, and sunk back into your bed before covering yourself in blankets again not moving until the bell of recess rang causing you to jolt awake from your 'sleep'.
The sun had risen even more now, and yet you still lay in bed. Pulling your phone up to see any new changes, nothing on instagram - which was a relief. But opening the tiktok app, an alert made itself present.
<< Due to multiple violations of our community guidelines, you're account has been permanently banned. We ask that all users respect our guidelines, if you believe that you have been falsely accused please proceed ahead. >>
You couldn't do anything now, the sound of somebody knocking on your door made you look to it.
"Miss Y/L/N! Let me in or I will go get Principal Weems." The familiar voice of Marilyn Thornhill called out, silence.
"Y/N! I am giving you three seconds till I call Principal Weems down here." and still yet, silence.
"Fine, be like that," she muttered, pulling out her phone to ask the Principal to come down. "Principal Weems will be here soon." You knew from the tone of her voice that she wasn't lying and so reluctantly you got up from the edge of the bed which you sat on watching the door and unlocked it, looking into the eyes of your botanics teacher.
You could see the concern and pity in her eyes, which you didn't want. "Whats wrong darling?" She asked, taking a step inside your room and softly closing the door behind her.
"Nothing."
"This doesn't have to do with the reason why most of the school has been addicted to their devices this morning, does it?" Your glare deepened, stomach churning at the thought of the whole school seeing it.
"Oh darling, come sit down with me." She lead you to your bed, "Can you show me it?" Unlocking the phone and pulling up Instagram to show her, you sit in silence with just the sound of the video playing. Watching her face change from worry to sorrow and pity.
"I am so sorry this happened to you, you should not be ashamed for how you reacted it is normal." Placing a hand on your back rubbing it softly as tears slowly ran down your face.
The quietness only lasted a few seconds before the door burst open to a frantic looking Principal. "Marilyn," she starts and then continues to look at you, "Miss Y/L/N, whats the matter?"
"can I tell her darling?" your teacher asks for consent before telling her what happened. Nodding you bury your head in her shoulder as tears continue to stream down your face, finally able to fully express your emotions in the comfort of your favourite teacher.
"Normie students attacked her, trying to provoke her powers.." The botanics teacher summarised as she handed the still unlocked phone over to your principal. Minutes tick by and you lift your head to see principal weems looking down at the phone whilst her finger slowly scrolls through the comments.
"oh dear." she mutters, her voice laced with anger. "Are you alright dear?" A grateful smile flitters across your face at the comforting tone.
"i'm fine, i guess. just need to sleep it off." as much as you wanted a hug and for someone to hold you, you knew that it wouldn't happen and that both teachers would return to ignoring you the following day and so you slowly slid away from Marilyn.
"darling, we can clearly see that you aren't coping well. You haven't eaten since yesterdays lunch and right now it is 1pm, I doubt thats healthy." Marilyn speaks up for both her and Larissa, who in return nods.
"Let Marilyn look after you, it'll all be fixed in a few days." Your principal reassures, looking from you to Marilyn. " I'm going to go talk with the Sheriff and then call an assembly. I'll fill in for the rest of your classes today, keep an eye on her." She tilts her head towards you slightly before turning around and shutting the door quietly behind her.
"lets get you cleaned up and then we can watch a movie, my darling." and for once that day, you felt at rest as your teacher guided you to your bed.
#larissa weems#marilyn thornhill#nevermore#wednesday#larissa weems x yn#marilyn thornhill x reader#gwendoline christie#christina ricci
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Anon wrote: What can I do in these situations? I realized I feel very fearful, even phobic about the internet now, by seeing how is talked about the way big companies manage private data, the thing of devices being vulnerable to any cyber attack and the way AI is being used to harass people and scam.
I feel⌠very terrified by all of this, I don't feel at ease even at my own home by living with smart devices. Is there a way I can make this more tolerable? I know we all need technology in our lifes now, but I don't want to feel spied on and vulnerable by it. It feels⌠very apocalyptic to me, and has made me fall in a pit of existential despair.
Then I started to think about my forgotten accounts, which made me VERY panicked. What if something happened to them and I didn't know? What if they're used for terrible things?
This worry has become so magnified in my mind, that I fear crumbling down when facing daily life things, and then even become bed ridden by the immense anxiety. I was bed ridden through many years by anxiety before so, this has become a huge concern.
I'm INFJ btw. Thank you very much!
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Your anxiety sounds serious enough that I would strongly recommend getting professional help for it.
Phobias are considered irrational because they are based on faulty reasoning, distorted beliefs, or circular overthinking. For example:
1) Phobics exaggerate negative possibilities because they treat mere "probability" as near "certainty". This is often a problem of being bad at math or logic.
For example, the odds of dying by drowning are about 1 in 1000. What does that really mean, though? Does it mean that if you go swimming 999 times, you'll certainly die by the 1000th? No. What if you rarely go swimming? What if you are an Olympic-level swimmer? What if you only swim in recreational pools with other people and never alone in the sea? There are so many contextual factors that could affect the odds of drowning that trying to calculate the odds is basically meaningless when it comes to making life decisions.
2) Phobics envision mainly negative possibilities and overlook positive ones. This is a problem of distorted perception that then leads to distorted beliefs.
Let's say you read a statistic that car accidents are one of the leading causes of death. Because of this, you developed a fear of driving and thus always have to rely on others to transport you everywhere. Unfortunately, you don't live in a very walkable city, so this dependence on others causes you to lose a lot. You lose time because you often have to take indirect or slower routes. You lose energy because you always have to plan your outings very carefully. You lose opportunities because you can't always get to every place you need to go on time. You may even lose relationships because of being too dependent on people to come to your rescue when stranded.
If you were to objectively compare what you lose by not driving against what you could gain by being able to drive yourself, being able to drive is the better option. Furthermore, the fact of the matter is that you still need to be in a car on the road, but not driving yourself means that you have far less control over the outcome. Generally speaking, feeling less in control only exacerbates fear.
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From these examples, it becomes more obvious why the best way to overcome phobia is to confront it and learn to master it, rather than give in to it. Just as not driving doesn't keep you out of vehicles and off the road, in 2024, there's no way to live life properly without accessing the internet. If you must do something you fear doing, the answer isn't to look for ways to avoid doing it but to learn how to do it to the best of your ability.
E.g. You can learn effective ways to protect your privacy. You can learn how to avoid getting scammed. You can learn how to use social media constructively. You can improve your judgment and be less naive or gullible.
You believe your fear is an indication of a dangerous world out there but, actually, your fear is an indication of your own low self-confidence. People lack self-confidence when they lack the knowledge and skill necessary to meet challenges and solve problems. The world is constantly changing and life will keep throwing challenges at you. The best way to cope is by being a good learner and adapting to change with new knowledge and skills.
Since phobias are irrational, an important aspect of overcoming them is becoming a more rational person, which means it's necessary for you to improve your critical thinking skills. For example, which option is more rational: 1) Avoiding the internet and living in a state of ignorance and anxiety, which basically means your life comes to a standstill? or 2) Learning how to use the internet more wisely, which means you can live your life confidently and fully?
#infj#phobia#fear#anxiety#self confidence#adaptability#mental health#internet#social media#technology#critical thinking#ask
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In case y'all haven't seen it in my bio, I'm continuing learning to become a card counter. It's something I'm very passionate about, as I love the process and viscerally hate casinos. Since it's such a misunderstood practice, I'd love to invite any questions y'all have, as well as provide a basic guide.
Since these are the things I listed, it shouldn't surprise you that these are myths (yes, even See Results). Card counting is a skill, so it's perfectly legal, but casinos can back you off. You also don't need a great memory or be good at math, as everything involved is fairly simple. Finally, it takes time to make a profit, but the rate increases the longer you play.
Now on to the guide!
Bear in mind that this is a quick guide to the basics, so I won't go into bankroll management. However, remember that EV means expected value and RoR means risk of ruin. I'm also assuming you know how to play Blackjack.
The first thing you need to learn is basic strategy. This is the optimal way to play the game, which lowers the house edge to about half a percent, given you're playing a table with good rules, which includes splitting aces, double after split, double on anything, late surrender, hand shuffle, 3:2 naturals, etc. Below is a basic strategy chart for S17 games.
Once you've got basic strategy down, you can finally start counting. The system I use, as well as most other counters, is Hi-Lo, as it's extremely effective and easy to learn. The first index you need to keep is called the running count, which keeps track of player vs. dealer advantage. This goes as follows:
2, 3, 4, 5, 6 - Add 1 to the running count
7, 8, 9 - Do nothing, these are neutral cards
10, J, Q, K, A - Subtract one from the running count
The reason we add and subtract in this way is interesting. Unlike other games, which are pure chance, because we know what's in the shoe at the start, we can know what's left by tracking what comes out. Because a player blackjack pays out at 3:2, it means that the player has a greater advantage when the shoe is rich in high cards. The Hi-Lo system is balanced, meaning the count starts and ends at 0. To practice, just thumb through a freshly shuffled deck of cards and keep the count. If you can get through it in under a minute accurately, you're on the right track; your goal should be around 20-30 seconds.
Now comes the slightly hard part. The math isn't difficult, but it takes some refreshing to get used to. In order to more accurately know your advantage, you need to convert to the true count by dividing the running count by the number of remaining decks in order to get your average number of high cards per deck. The main skill you need to cultivate is the ability to estimate how many decks are remaining, but the best return you'll get for your effort is by estimating to the nearest half deck. You can find lots of practice apps or have someone stack cards.
Personally, I multiply by the reciprocals of the decks remaining to get the true count, since I can't divide by halves fast enough.
For the last section, I wanna delve into something a little more advanced: playing deviations. You can get about a 20% boost to EV by using only 20 or so deviations. You deviate from basic strategy when the count goes a certain way. For example, you should never split 10s, but if the true count is +5 or higher, you should split them. This allows us to take advantage of the count by doing more than changing our bets. Here're the BJA S17 playing deviations:
T,T vs. 4 - Hit at +6+, otherwise stand
T,T vs. 5 - Hit at +5+, otherwise stand
T,T vs. 6 - Hit at +4+, otherwise stand
A,8 vs. 4 - Double at +3+, otherwise stand
A,8 vs. 5 or 6 - Double at +1+, otherwise stand
A,6 vs. 2 - Double at +1+, otherwise hit
8 vs. 6 - Double at +2+, otherwise hit
9 vs. 2 - Double at +1+, otherwise hit
9 vs. 7 - Double at +3+, otherwise hit
10 vs. 10 or A - Double at +4+, otherwise hit
11 vs. A - Double at +1+, otherwise hit
12 vs. 2 - Stand at +3+, otherwise hit
12 vs. 3 - Stand at +2+, otherwise hit
12 vs. 4 - Hit at under 0, otherwise stand
13 vs. 2 - Hit at -1-, otherwise stand
15 vs. 10 - Stand at +4+, otherwise surrender or hit
16 vs. 9 - Stand at +4+, otherwise surrender or hit
16 vs. 10 - Stand at above 0, otherwise surrender or hit
15 vs. 9 or A - Surrender at +2+, otherwise hit
15 vs. 10 - Hit at under 0, otherwise surrender
16 vs. 8 - Surrender at +4+, otherwise hit
16 vs. 9 - Hit at -1-, otherwise surrender
Insurance or Even Money - Take at +3+
That just about covers the basics of the Hi-Lo system. I left out a whole bunch about bet spreads, bankroll management, risk asessment, avoiding heat, and other tricks, but this is more or less here to spur interest in card counting. Feel free to ask any questions, happy counting!
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Tumblr polls are exceedingly good at pointing out one thing about people, and that's the human ability to lie. Whether lying to yourself in those "how quickly could you..." or "how likely are you to..." or "do you..." posts where some of the answers are actually like, impossibly absurd and yet something like 20% of people pick it, and the poll has 50k+ answers; or just lying in general where there are a lot of polls like "how many times have you... " or "how often do you..." and again, there's an answer that realistically if anyone picked it, it would be less than 1% of answers in a poll with a sample size over 10k but somehow it has like 10%+ of the total.
I know people are going to say "well you literally don't know these people or the lives they lead or whatever so how would you know" and to that I have to say, there are some things you look at and the math just doesn't add up. I'm not saying every single person picking that option is lying; I'm saying that given the sheer numbers, at least SOME of them are; if not MOST of them are. Because some of these things are so hyper specific that to get a sample size of literally over 20,000 people all picking the same answer and having that answer be an absurd extreme; you'd need to basically present that poll to every single member of that niche thing and have every single person agree to actually answer the poll; and even then some of them are going to pick other options that's literally just how probability and statistics work.
I'm not even trying to say it's a bad thing; it's just something I find interesting.
Like given the option to lie in a poll where no one knows what your answer is, no one knows it was you; you have nothing to gain and nothing to lose, and yet you have a chance to lie and select a maybe, more enjoyable answer. Do you? I think a lot of people do based on what I've seen.
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Petty Fandom Rant :3
So I've been watching youtube for a lengthy period of time now, and I love general nerd and geek stuff. I love fandom stuff as well, and I like seeing content made with all of that stuff in mind, from people that also love the same mediums.
This is mostly a stupid rant but it's something that irks me about people in fandoms in general. So most of you have heard of Death Battle. Recently they did a 3rd installment to the Goku v Superman. Which originated about 10 years ago.
In the first video Goku had the ability to go Super Saiyan 3. In the second one I believe that Super Saiyan God came out. And as of now, We have Super Saiyan Blue, and Ultra Instinct (Not a skill unique to Saiyans but among the Z fighters unique to Goku).
One of my biggest gripes with this whole thing was that it capitalized on two very large fandoms and pitted them against one another. Which for Superman fans and Dragon Ball Z fans was not uncommon at the time, but this kind of made it worse. The original video also spawned 100's if not 1000's of videos talking about how it was bias.
Funny enough the guys from Death Battle came out and said that YES they were bias for Superman as they were both fans of his. Which is perfectly fine. But that could have been stated towards the beginning of the video. However, the videos went as such.
The first one actually nerfed Goku due to an error in the math used to calculate Goku's power. It also did something else that annoyed the shit out of me.
Goku has ONE canon. Superman has dozens of them. If we were going to do a fair fight of Goku v Superman, several things would have to be at play.
Both would have to believe that they had to finish off the other, and there was no other choice.
Both would have to be at peak fighting shape.
They would have to be fighting in an arena that gave neither an disproportionate advantage. Examples -Superman's more or less "ability" to be immortal because of sh*t writing and angry fans not willing to see him die *insert healing coma here* -The Sun being able to literally keep superman healing indefinitely -The Sun being able to keep Superman FIGHTING indefinitely As such the only solution would be an arena with no sunlight. Either the Time Chamber, or the similar space created by Whis' Staff in Dragon Ball Super.
Superman would have to be limited to 1 canon for each fight.
Basically that leads me to the biggest issue I had with the Original and subsequent fight (Part two). When they did the Death Battle, the combined all of the post crisis powers of Superman together into one version of him. And while it was not an exact replica of Pre Crisis Superman, it very much was comparable. Save the example of "The power to create any power on the fly".
I never liked that they pretty much weaponized 2 VERY prominent fandoms against one another. If I'm going to be frank about this. However, I think it would have been fun to actually take Goku v Superman, and turn it into a mini series, where they compared the varying canon's to one another. So maybe Goku *as is current in canon*, and Superman from the original TV show. Vs the Superman from the original cartoon. Vs the New 52's Superman. So on and so forth.
Me personally. I liked Superman growing up, but over time I started to find him very boring because it felt like he never had an obstacles. Any time he faced any "issue" you knew he would not die and he would not lose. And it wasn't because, "He's the main character". It was because he was just TOO powerful. And even though there are stakes in DC, often times when it involves Superman, they are mitigated to next to nothing. Because Superman can just fly into the sun. Wait 5 min, then come back and decimate the enemy.
Honestly it feels like lazy writing.
However more to my point. I think had they done 1 on 1 between Goku and varying versions of Superman, both fandoms would have been more tame about how they felt. What it ended up feeling like however was a one sided sh*t show with DBZ fans on the receiving end. And the second video was EVEN WORSE. Given that it has Superman Prime in it, on top of every power of every other Superman Post Crisis, and had it more or less be a no contest against A Saiyan God. It felt really heavy handed. And much like a middle finger.
As for the 3rd video? I refuse to actually watch it. Because I know that it is using Ultra Instinct Goku and probably like before, EVERY SINGLE GOOD trait of Superman. Which not even Saitama from One Punch could beat. And Saitama is a parody character that is more or less indestructible. And Superman would find a way. Because yeah. EVERY SINGLE perfected power and ability post crisis.
It's honestly just stupid.
ANYWAYS, this has been my stupid rant about fandom.
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I keep seeing this and struggling to know if I should comment or if that is too "Well, Actually--"
There is regular tired, which most of us can recognize. There is also cognitive fatigue which feels different. It turns up in people with dementia as sundowning, but also in people with head injuries and possibly as a long covid symptom.
In my case, it's like being drunk without have been drinking. My the first thing that goes is my ability to do math, even basic math. I then lose the ability to problem solve. As in being able to understand that if the thing I'm looking for isn't in its drawer, I should check the next drawer over. I start to replace the word I want to say with something else without noticing. My judgment is impaired. Eventually, I have to concentrate really hard not to slur.
I give every impression of being six sheets to the wind, with zero drugs or alcohol on board. Physically, I don't feel tired. But my brain is done for the day.
Cognitive fatigue. It's a bitch.
I was talking to a friend, asking if they've ever experienced something I've been calling "night stupid", where, late in the evening, you're in the middle of working and suddenly (or, sometimes, gradually) you're unable to do things well--and stuff that usually makes sense stops making sense. Yanno...just a noticeable and frustrating down curve in your overall ability to preform the tasks you're working on. and my friend responds, "Tired. Bees, you're feeling tired."
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I feel so bad for dying over an 84
like it's not a horrible grade
it's a B by korean grading standards
which
uhhh
it could be worse
and its not like my science grades matter for the school I want to get into
and its my first ever school exam ever
nevermind it being in korean which I have horrible reading compherehension in (found this fact out far too late, realized it took me like 4 times the speed to read a korean book then others and I sucked and readings things correctly because I get the words fucked up AND ALSO I LACK SO MUCH VOCAB CAUSE I NEVER READ KOREAN BOOKS BECAUSE I WAS TOO SLOW AND NOW I READ TEST QUESTIONS WRONG)
I am not illiterate but man sometimes I think maybe I am cause how can I not realize what that was saying
I read a word called ëśëšę´ which basically means "secretion tube" or something and it was a question on how hormones travel
and this stupid bitch assumed it was a synonym for blood vessels because I can't recall korean words very well so I just assumed blood vessels were called that in this context and I just missed it
IT WASENT THAT
I got 4 out of 26 questions wrong
it isn't even that bad
and its not like I studied that hard
I put the least amount of time into science
but that dosent mean I didn't try
I put in as much effort I thought was necessary to get 100%
but I forgot that part of test taking (or I guess I never knew because I never did tests before) is not just your knowledge of the subject but also your ability to understand questions and know what they're asking for
I cant read properly so I'm fucked
but still it's such a privileged asshole thing to say "I only got 84" and screaming and laughing in dispair when others are proud of their 78
it feels bad
I'm sorry
I have korean tomorrow and I have to get 100 or 90+ for it
I might very much die
and for math I'm just hoping I get 80+
I haven't done korean level math in 3 years I don't have a chance at getting 100 at all
myp math is so easy comparatively never go from one to the other you will lose all your math skills
I was litterally in this top percentile class in 6th grade and it was a 2 year study ahead class and I consistently was like 3rd~4th place out of the 11 people in that class
so like I don't think im too dumb for math
I just haven't done it in so long I lost all my foundations
nevermind having missed 2 years of concepts
which is a shame cause math does kinda matter for the school I want to go to
not to get in but to divide the rankings once you get in
I mean I guess that's the problem
you gotta get in first
I got 100 percent on my English so I just need to pass my finals 100 too and I'll be done
all i gotta do now is get really good korean and social studies grades
we don't a have a social studies test for the midterms
so this test now is just all korean
I really want to do well
I want to do exceptionally and wow everyone
but my dad told me sadly I'm no genius
and that with my lack of ambition and inherent careless nature (not as in lack of carefulness but the lack of value to the thing at hand) makes me not be able to do either my best or my most, so at the end of the day I probably won't wow anyone
not unless I drop their expectations of me to the floor
but most teachers can apprently smell clever so he told me not to do that
but from my experience if you just be super consistent with your lie no one bats an eye
there was this one korean class I purposefully acted like an idiot who didn't know anything in
and one time I wrote something that was my usual quality and the teacher thought I plagiarized it and I nearly died
people really don't know anything about you if you don't give them stuff to know about
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https://open.spotify.com/playlist/2bw85cjBOzhXwMflMumwe4?si=b4fa8ff4dc1049a6 - idk if i've ever shared the jinxue story playlist with you so here!! (yes ik there is a disturbing amount of fnaf songs, i'm on tumblr, what did you expect?)
If i may be so bold, I'd like to elaborate on the song choice 'Main Character'! It's Jin Yuran 1.0 and the song is him sloooowwwwlllyyyyy descending into insanity while trying to keep positive because he's the beaming eldest son made of sun rays. However, the bridge is when he properly loses it, and i've assigned little lyrics to people in my head so forgive me briefly while i explain it to you like a goddamn film script: Lai Yingxue: "Judge me by what my cover shows/" (practically emotionless on the outside and this is how everyone percieves him) "author becomes beyond reproach/" (Because of his disposition, he's talked ill off) "you don't know the prose or is the spine is still intact" (No one ever actually bothers to get to know him, his thoughts and feelings are ignored due to his demeanour, a book never read because the words look too long)
JYR's Dad: "...The Royak We/demand a standard of loyalty/in order to be reverent, lick the emperor's new boots" (Forcing the guoshi all to listen and obey and basically suck up to him, at risk of their loved one's lives)
Mai Guiying: "The court's fool got the guillotine" (1, his head was cut off, 2, he is the 'fool' of the court, naive and trusting but too scared to actually seek help until, eventually, he goes to the wrong person)
all guoshi: "we all do what we need to to get through/" (them taking their anger out on the children, slowly becoming cruel and bitter as being held hostage in a gilded cage put on display makes them slowly begin to lose any care they had for being in the moral right, just desperate for catharsis) JYR, in the immediate following lyric: "But I ain't done a fucking thing to you!" (He's an innocent bystander who was caught as a ransom in a war he didn't know existed - he never hurt anyone until he broke)
Also JYR, fast forwarding a few lines: "I mean, imagine if antagonists lacked any evil scheme!" (This one is a scene in my head of emporer JYR holding a hostage LYX's face, screaming desperately into a blank expression - the impact of the line comes from the irony: LYX was no antagonist, he didn't have an evil scheme. He and his friends lashed out and it hurt the wrong person. JYR was never part of the equation but he was the one who ended the game by destroying it. His descent to madness was an accident, not deliberate, but he cannot see it any other way because he simply doesnt know. In his decimated mind, LYX is a man of no love, empathy or kindness; he is a true villain)
Yikes, i just went english student-ish on you my apologies-
anyways, enjoy my thoughts!!!
đ
au contraire there is not enough fnaf songs (i am on tumblr too my friend). there are so many bangers in this playlist tho love to see it
also don't apologise !!! i loved reading through this (especially after a ridiculous amount of math, i think i'm descending into insanity)
i'm now thinking about what you said ("while trying to keep positive because he's the beaming eldest son made of sun rays.") and how "i'm the main character, you have to like me" applies to jyr bc he's he prince! he's trying so hard to impress his tutors! and yet, they all hate him and make him suffer. and his second chance at life is a chance for him to be that likable, o.p. main character. idk tho i am not the english student here i have lost the ability to analyse texts
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Fankid: Indigo Ă Barnaby
Sawyer Sinclair Silverwood-Lee
RAVENCLAW | SEPTEMBER, 2002 | ENTP
Born:Â Isle of Mull, Scotland;
Looks:Â Relatively tall with tawny skin and chocolate brown hair that's quite wavy, big green eyes with thick eyelashes and eyebrows, dimples to her smile and soft cheekbones;
Patronus:Â Spider monkey;
Pets:Â Lychee, the white-bellied Caique parrot that she carries everywhere like a pirate, and Chuffy, a scrawny turned fat domestic longhair;
Fav Subjects:Â Maths, Arithmancy, Magical Theory, History of Magic, Potions, Alchemy, Wizarding Literature;
Least Fav:Â Herbology, Charms (one bc she doesn't like dealing with the mess and the smells/and the other bc she already masters the subject and finds it boring);
Extracurriculars:Â Flying, Ancient Studies, Physics Applied to Magic, Magical Sea Creatures, Wand Mechanics, Mathmagicians (class/club), Law and Political History of the Wizarding World, Magic Applied to Culinary Arts, Debate club, Music; (listen she's a chew more than you can swallow type of girl)
Boggart:Â Losing her family / The shadow boy she sees since childhood;
Hobbies: Reading fantasy, sci-fi, and biographies on inventors (and on her weaker days, a romance or two), playing the piano, putting apart both muggle and magical devices, training pets to do tricks, swimming, doing all types of puzzles, training her technical drawing, and karaoke with Vesper.
---
After many losses, Sawyer is the baby that comes into their lives unannounced yet wholeheartedly welcomed. A perfect mix between the two yet with big green eyes that leave no doubt about her genealogy, she's the apple of their eyes and would've grown quite spoiled if they were different people. Growing up with a legilimens for a mom certainly shapes her into a blunt and sincere girl, edges deeply softened by her father.
Though her looks never lie, the early signs of her prodigy leave both parents questioning where she could've gotten her intelligence from, which she first demonstrates with her interest in math and art, and her ease of learning writing multiple languages, all despite being homeschooled by Indigo most of her childhood. They later invest in tutors (given how early her magic began acting up sending her to a muggle school would be unwise).
In the subject of magic, her access to the family's libraries allows her plenty of knowledge on basic magic many years before she sets foot on Hogwarts which makes her a restless and uninterested student in her first years until she finds herself capable of invading more advanced classes in secret instead of attending her own. Unfortunately, the imbalance in understanding easily alienates her from her year mates, driving her to befriend much older Ravenclaws with similar interests.
But it's in her youngest cousin, Vesper, she finds her very best friend who despite the difference in age and sorting remains as such since their childhood, throughout the years they share in Hogwarts, and beyond. While Sawyer represents control, Vesper, spontaneity, and together they make quite the unstoppable duo especially with both being eager learners and fearless explorers.
While not a legillimens like her mom nor a seer like her father, Sawyer does have a strange connection with dreams, hers and others, (which I'm still in the process of discovering) that makes her nights restless and reality occasionally deceiving. She also has a more druid-like connection to the dead thanks to her Celtic origins, but something she discovers much later in life.
With her looks and sympathetic personality, she earns several admires, but getting to know her truly is a tough task with her ability to illusion openness, talking a lot not saying anything. She has a hard time being vulnerable and understanding romance, which is why despite all the flirting she's known as a hard-to-please girl. She's often drawn to extroverted and messy types despite considering herself quite cool and collected.
For the time Maxwell's in Hogwarts, she's part of his band playing the keyboard, and joins in after that whenever their official pianist gets sick or busy with personal life. Beyond the piano, she can also play the guitar and a little violin.
Her biggest obsessions in life are integrating technology and magic, not leaving any rock unturned, and understanding time and its complexities, including time travel. Needless to say, her curiosity more often than not lands her in great trouble.
#sawyer silverwood lee#barnago#aesthetic#hphm fankids#oc profile#decided to make one in this format for saw#you DONT know how many times I've remade this moodboard#the more you know a character...#I really wanna understand her character more cause I'd love to write her story one day#Well at least part of it#Anyway understanding her won't be complete until I understand Vesper so she'll be next
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This has actually been something I've been pondering on for a while and unfortunately for you, this post provided an excellent chance for me to ramble about my nonsense which I will be taking. This entire post is going to be a whole pile of gibberish because I don't have anything organised here, but the driving idea is that this can apply not just to "realism" as in like real life, but realism as in "this feels like it could be real". Also just an excuse to infodump about the societal blorbo in my head, sue me.
So, anyone on a post about the logistics of agriculture in a fantasy setting is probably going to understand on a spiritual level why I have beef with ASOIAF's worldbuilding with the winters, so I'll skip over the why and onto what came out when I started thinking about how that could work, while actually paying attention to the ideas of the above post and general food logistics. I also made it due to a vast magical anomoly that might be a hole in reality, but that's bog standard fantasy stuff and honestly as long as you keep your wards up the average person is much more threatened by problems with the food supply and other internal issues.
The first thing is magic. I'm sorry, but in a pre-industrial setting mostly based on subsidence farming, you just can't survive winters like that without some degree of rules bending. Might not be normal magic, but you've got to do something in your worldbuilding to account for it or the maths just won't math. In this case, Epic 6 rules Pathfinder 1st edition, which for the non-TTRPG people basically means you get to around small fireballs and your first extra attack abilities before levelling just stops, around the level you'd see from characters in most heroic fantasy. People get more skilled, but never really more powerful than say, Aragorn. The setting has magic in it and a fundamentally weird ecology that's adapted to this boom and bust cycle dictating everything, with creatures either shaping their lifecycles to just lose >90% of their members every time it happens, shifting around niches and attitudes or just straight up hibernating through it unless they live in the few sheltered geographical features,
This gives me a very interestingly constrained culture culture, because it's got to operate inside some extremely tight boundaries of what's going to work. One initial one that it is very invested in magical bloodlines, because popping out sorcerers who can give you the little things in life like enhancing carrying capacity or putting food into stasis is really damn useful compared to sending Timmy off to study for twenty years to do the same thing more "reliably" or whatever. Are they going to be casting Fireball at bandits, no, but you know what they are casting? They're casting the many facets of the Magic Spell Of Eating Next Year and that's honestly more important!
On the slightly less magical side, the psudo-regular long dark also functions sort of like volcanic explosions. Horrifically destructive, very dangerous to the inhabitants, but also massively fertilising the place, such that when they aren't around everything grows extremely aggressively. There's even some quest hooks in there to maybe try and grab the first growth of certain rare plants after the dark ends, for their greater arcane density or whatever. Maybe rich wizards want to feed their familiars them or whatever, who knows.
The basic staple crops have to be different, packing in harvest after harvest in these growth periods instead of just one and done like most that exist in a more stable cycle, and that's going to massively reshuffle how harvest goes along with the rest of the agricultural cycle. Maybe some places split their growth into current and stockpiles, selectively breeding different crops for each one to result in a substantially different cusine depending on the cycle! Maybe there's even social markers that key off this where eating "stockpile" food when the sun still looks right is basically just admitting you're screwed, or where the particularly obscenely rich can afford to spend twice as much magic on preservation just so that their vitamin C can come from "fresh" berries instead of more efficient to grow and preserve sources. Just because magic exists doesn't mean it's cheap after all, so it's a fairly good mark of social standing to still be eating fresh food when everyone else is staving off scurvy with juice so sour you can just taste the efficiency.
This doesn't really have a conclusion, I just wanted to ramble about weird worldbuilding. People should do more of it, and examining it critically need not be poison to the wonder. In my experience, it makes it even more interesting.
Slight note about the system of food.
'cause adding it to the large doc might crash my computer?
I've realized that though historical fiction minds this more when set in pre-industrial times, that often fantasy set in agricultural societies doesn't seem to do this, though it should.
So I'll give you an example...
Almost everything in Korean food is centered and bred for two things: Kimchi and soy sauce.
But what you don't realize in your industrialized state how freaking long it takes to make these things and how much planning is involved and how much you have to mind the seasons in order to make it correctly.
Kimchi:
Baekchu (or other vegetables) that's often harvested in fall.
The salt, which was traditionally sea salt was harvested in the spring and summer months.
Garlic is a spring to mid summer crop.
The sweet rice that goes into winter kimchi takes a ton of work to make and can take from Spring to fall.
The fish sauce that goes into Kimchi that helps preserve it for over a year, takes and ENTIRE YEAR to make. Yes, a year. You really, really have to plan on that. And what do you do if the fishing is poor for that year?
Spring onions are faster to grow, but you still have to time it for the fall kimchi making.
The fish are seasonal. For example, Yellow Corvina is taken in Korea in the spring. Shrimp in the summer (June), and anchovies in early spring to fall.
Your timing has to be impeccable and you need an entire year to plan this one dish.
Meanwhile, you, industrialized person, take for granted that you can get fish sauce any time you like and can pour it over kimchi.
In fantasy this could add flavor to your fantasy make up, if your character can only get this dish once a year. It can add political unrest (What do you mean the salt harvest was poor and we're left with the shitty metallic salt), because your characters in an agricultural society will be subject to weather changes, which you get when reading historical fiction and so on. Three seasons of poor harvest, daaaamnn... the people might overthrow their government. There might be new religions that pop up, there might be uprisings because the King and Queen are eating feasts every day while the peasants are eating things that are empty calories.
What I'm saying is that you can't be too entrenched into industrial mindset if you're not writing an industrial setting.
That orange is seasonal and only comes about in a connected system that has winter and a warmer climate.
Maybe there are key foods for your climate that are highly treasured or sought after. Mandarins once were. Cacao. Think a bit about those things and how it might interact with the larger world. When does your plant mature and when can it be harvested? is it different from different climates? There's wars that have been fought over food. (Tea, famously, at least a few times).
A staple crop failing is going to have devastating consequences.
And yet, often in fantasy, I often see people going, ya know what I can eat in the dead of winter, strawberries. Do we have greenhouses? No. Did we have freezers? No. But you know what my character is eating? A strawberry. Yeah, think about that. Strawberries don't preserve well. So plan out the timing of your dishes a bit (to the climate and subsistence system) and it can give a bit of background worldbuilding to your dishes and food.
I do have to say that the small mentions from Rings of Power n what's in season or not and why kinda made me feel like the world and the traveling was more "real" with the Harfoot. There's small references to fall v. spring crops.
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Hey there đ
Update from earlier I have a game you can play :D
So for this one. If you can't concentrate on two things at once, you'r automatically screwed from the beginning, all odds are against you.
So basically how it works is it's a type of guessing game. You'll need I'll say about. And even number plus your
Game master: (main person in charge they don't play unless needed also could've been a switch)
Everyone would have to get into groups of 2.
One person will have a pen or something and the other person loses the ability of having arms.
We'll call person one A (ler)and person two B(lee)
Everyone that is A are all writing the same word for on to the skin of person B's arm. The word will be picked by the game master
Person B's does get a limited amount of time, I'll say about 5 or 3 minutes maybe even 2, depending on how simple the world is. But let's get down some basic rules:
1. The words are probably T-word related so if you have trouble saying those types of things again, all odds are against you again :(.
2. depending on how you play. You can use physical touch as a way to give a hint if and only you have person B's consent.
3. everyone (the teams) starts out with either 50 or 30 points Depending on how many people you're playing with and the amount of rounds. more people, the more points.
4. Points represent time. So keep in mind you really don't want to lose because things start to add up LITTERLY ;D
5.Depending on how many people are able to figure out the word that how many points, or an estimate of how many you lose, for example:
if you're playing with 10 people, and you have 5 groups plus your game master. the word is "poke" and 3 out of the B's ( the person being drawn on) gets it. or find out what it is, you lose 3 points ( you can also do an immediate punishment) or if your total number is more than 50, you can multipleit so like, instead of 3 it's 6 points lost I hope that makes sense. Let me know if you want any clarification
( The math is a little bit backwards, but we don't talk about that.)
6. The more points you lose, the more time you get. For example:
if you have 30 points. And you lose 10. You have 10 minutes,
Or do it the opposite way, the maximum amount of time you could have is 30 minutes and. You gain 10 points that equals 10 minutes Of whatever the T-word related punishment was I'm guessing or whatever you want to do, for it does not matter
Now, if you play it that way, you might want to increase the amount of points. Depending on if you literally lose a lot
7. There are ways Reset point, Which would probably be doing a task that the game master pics for you. now mind you the tasks are probably difficult. And will only reset a certain amount not all of them. Or something similar to that?
8. if you lose or gain all your points. You probably get a punishment choosen by the game master. Or whatever you want to do.
And the last rule, I think is the ler, they really only can answer, yes and no questions. Unless it's to confirm an answer
But anyways, this is probably one of my longer post I'm so sorry if you don't like reading and it's a little bit too long. :(
But I probably will add to this in the future once I realized that I probably forgot something.
But anyways, have a good day or night, my friends and storm clouds ^^
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3. The First Session
Written section
CW: Prison, mild violence, use of quirk supressing cuffs
Y/n frowned as she looked up at the prison entrance. It may have been done up a bit since she was last here but the place still held less than pleasant memories, for a moment she contemplated turning and walking away, dropping the job altogether. But a grinning head of green hair waving from the doorway soon put rest to those plans. Behind the other pro-hero Aizawa beckoned tiredly, holding up a cup of coffee. Sighing deeply she steeled herself and crossed the threshold, giving the two a strained smile. She couldn't give up before they had even started, not if these guys really wanted to change. They'd been dropped by so many already, if she turned her back without giving them a shot then she would be no better than the shitty society that abandoned them before. The exact thing she and the others had worked so hard to change. Reaching the pair she held out a hand expectantly, a hot cup of coffee pressed into her palm seconds later. Taking a sip she nodded her head towards the older man. "Thanks." "I was worried you wouldn't turn up." Izuku sounded relieved. "It, uh, well it wouldn't be the first time. I'm really grateful you're willing to do this for us⌠have you done this before?" She rolled her shoulders. "Well someone has to be willing to give them a chance. I usually deal in the welfare side, making sure reformed villains have places to go, jobs, you know the deal. Occasionally welfare within the system as well. I've only been a part of actual reforms in a few select cases. And never here." "Oh." Izuku frowned as he guided them inside, down gloomy corridors and towards the room where the league sat. "Well, I have their files hereâŚ" Y/n waved him off with a smile. "Don't need them. This is the room right?" "Yes butâŚ" "Don't worry about it problem child, you'll see. Y/n we're just the other side of the mirror, we can hear everything so watch your language in front of the green bean." She flashed Aizawa a bright grin and a wink. "No promises. Wish me luck old man."
The members of the league were seated along a large table, bickering amongst themselves when she entered. For a moment y/n observed them, wrinkling her nose at the quirk inhibiting cuffs they wore, as much as understood why they wore them the sight still dug up uncomfortable memories. She cleared her throat, chuckling as everyone suddenly straightened and turned to face her. "Well that was easy. I'm y/n l/n, normally I'd run through the reform programme basics but this isn't your first rodeo correct?" There were a few scattered nods, but one member, Dabi she noted, stood and made his way over to her. Y/n merely raised an eyebrow. "Yes?" He held out his wrists. "Think you can take these off for me doll?" "L/n. And not yet, you know exactly why." She stared back at him, completely unfazed. "Stop trying to intimidate me, it's not going to work." "How do we know you're not just going to use your quirk on us while we can't do anything about it?" He challenged, staring her down. "Beat us up while you have the advantage." "Oh honey, I don't need my quirk to kick your ass." He scoffed in disbelief, rolling his eyes. Before he could get another word out he was face down on the floor, a knee pressing uncomfortably between his shoulder blades. "Now that's settled. I'll wear quirk suppressing cuffs too in these sessions if it makes you more comfortable. And I want names or descriptions of anyone who has ever used their quirk on you while you were cuffed. So I can talk to them." She climbed off Dabi, pulling him to his feet and pushing him back towards his chair. "It wasn't anyone in the reform programme, they were all just scaredâŚ" Toga spoke up. Y/n waved a hand dismissively. "Doesn't matter. I said anyone and I meant it." She passed out sheets of paper and pens, letting them write while someone entered the room holding a spare pair of quirk inhibiting cuffs. No one watching missed the frown on her face as they were put into place, or the anxious biting of her lip. She could swear she heard Aizawa sigh on the other side of the wall. Once the assistant had left she gathered the papers, only to hand out more. "Is this a test?" Toga whined, holding up the stapled papers with a grimace. "No one gave us a test before." "I can't believe we have a test on the first day. You're a monster." Twice huffed. Y/n sighed. "I need to establish a baseline, for both your attitudes and abilities. If you're going to rejoin society then I want to ensure you're in the best place to do that. Not just that you won't start committing crimes again." "Are those math problems? And english?" Dabi scowled. "As I said, I'm establishing a baseline of your abilities. I expect you will all do well, but I need to know where to provide support if I'm going to turn you into constructive members of society." She settled back in her chair. "Stop grumbling and answer the questions Staples. The longer you spend grumbling the longer you're sat in here with me." "Is this information not contained in our files?" Compress, who had previously been quietly watching the others, spoke up. "I didn't read them. I wanted to start with a blank slate, or as blank as I could get from five people whose crimes were nationwide news anyway." She hummed, corner of her mouth twitching up in a smirk. "Just remember I will be reading those tests, and I won't hesitate to score any drawings of dicks." Her eyes slid to Twice, who suddenly started scribbling furiously on his page. She watched for a few more moments before leaving them to it and studying the papers in front of her. Pulling out her phone she started scrolling through staff lists and matching the descriptions to names.Â
At the end of the session she collected the papers and slid them into her bag before pulling out a small box. "Right, one at a time, come return your pen and I'll give you a phone. Right now they are only capable of messaging, but you'll be able to do more with them over time." She tapped the box. "They have each others numbers as well as my own. Do not lose them. I bought these and I'm not replacing them unless there are very special circumstances." "And if I don't want to return the pen?" Dabi huffed, twirling it between his fingers. Y/n plastered on a sickly sweet smile. "I'm glad to hear you're enjoying your stay within our prison system and wish to continue indefinitely." He huffed and nodded, dropping the pen on the desk. Once all the pens were collected and labelled phones distributed y/n bowed to the group. "Thank you for being so well behaved. You can use those phones to contact me, or each other, whenever you like. I can't promise I'll always respond immediately, I like to sleep, but I will respond." She nodded towards the door, which was being pushed open by one of the assistants. "I'll see you at the next session."
Once the League were gone she darted out of the room, collapsing into a chair next to Aizawa. "Get these things off me." Aizawa nodded, quickly releasing the cuffs and gently rubbing over her wrists as if he was brushing away the feeling of the metal. Smiling thankfully up at him she nodded her head towards the paper she'd dropped on the observation room desk in her rush. "I want to see the people on that list asap. And if there's any CCTV footage from their shifts I want that too." She hummed. "I don't think-" "Izuku. If what they said is true then it's my job to deal with that." Y/n snapped, whipping her head around to glare at the hero. "We are supposed to be better than this." Aizawa sighed, patting her head softly. "Just sort it Midoriya. Come on y/n, let me take you home."Â Y/n nodded tiredly. "Just this once 'Zawa."
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- y/n hates quirk supressing cuffs, she says âthey make (her) skin itch and (her) blood feel like itâs writhing in (her) veinsâ. But, as much as sheâd like to get rid of them altogether, she understands why theyâre used and how they protect others.
- y/nâs way of running the reform programme is a bit different to most peopleâs. While there are set objectives everyone has to follow, sheâs always done it her own way (and helped re-write the programme to allow for that). This may or may not be part of the reason she only gets to do âdifficultâ or unusual cases.
Taglist: @denkisclown , @dabi-sunflowerâ , @toshiuwuâ , @insane-without-delirium
#halo.writes#smau#bnha smau#my hero academia#league of villains#dabi x reader#shigaraki x reader#dabi x shigaraki x reader#sins of the past
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