#I’ve seen it’s quite a popular theory

[papay0]

After seeing ch 2 ep 13, I only have one thing to say and it’s: PLEASE DONT LET IT BE EDEN WHO KILLED HER OHGOD

[jaehaeryshater]

Illustration from Septon Barth’s novel ‘Dragon, Wyrms, and Wyverns: Their Unnatural History.’ The image depicts Vhagar proudly presenting her hatchlings to her mate Balerion, circa 35 AC. The hatchlings are identified by Barth as Sheepstealer, Cannibal, Vermithor, and two she-dragons that remained nameless, as they died before bonding and being named by any Targaryen. ‘The Black Dread’, as he was called, invoked fear in the hearts of not only people, but other dragons as well, and his hatchlings are depicted cowering from him, though he meant them no harm. All except Vermithor, who easily became familiar with his father, which greatly pleased Vhagar. This depiction was later called into question for being propaganda for Jaehaerys’s rule and exceptionalism, but the truth remains unknown.

art by: @ra-horakhty-art

Recently, I promised a sweet Balerion, Vhagar, and family artwork and I (and the artist ofc) have delivered! You might have seen the artist post this already, but I wanted to post it on my blog as well because I’m so proud of the piece. My vision going in was for it not to be depicted just as an artwork for us in the real world, but also presented with a storybook feel, with the added lore that it’s supposed to be an illustration from one of the histories in A Song of Ice And Fire. I tried to take into account not just popular depictions of the dragons, nor House of the Dragon, but specifically from the text and from art that GRRM himself has commissioned. Because of this, Vhagar is bronze-greenish instead of her standard green. After hearing @francy-sketches theory that Vhagar, for lack of a better term, oxidized with age and became green as she got older, I decided I liked that interpretation and have depicted her as green in artwork of her once she gets older, and this color when she’s relatively young. I‘m a bit biased but I do think it looks beautiful and exactly how I wanted it, book accurate and something you could imagine actually seeing in a Westerosi history book.

My main motivator in these dragon arts, as I’ve stated before, is to explore the nature of dragons, not as weapons of war or in context of the Targaryens, but as mythical animals. They’re not quite like lizards, but also can’t be held to the same standards as people. In most dragon lore, they often act like mammals but are physically reptiles. Most stories involving dragons have the creatures caring for their young and maintaining a bond with their mate, so for lack of anything on the subject from GRRM, I take it upon myself to feed my headcanons. I find it sweet to depict times where Vhagar was not lonely, nor being used in war. It adds another element of tragedy, that these dragons did not have to fight each other but were made to anyway. On a happier note, is it not so so sweet how the hatchlings here are so comfortable with their mom to protect them, they’re cowering under her and climbing on her wings because they trust her. My favorite is Sheepstealer on her wing, that’s adorable to me. And Vermithor, I did mean for that to be true instead of just propaganda, but I couldn’t help adding a little Jaehaerys slander. But Vermithor is still a very brave boy and wants to be just like his father when he grows big and strong! Cannibal, on the other hand, is scared out of his mind, all these anxieties and being forced around other dragons caused him to fly away and isolate himself (in my mind).

It was such a pleasure to work with @ra-horakhty-art, they were super accommodating and worked easily with my ideas. The process was super fast and easy on my end, he works hard and quickly so I was absolutely impressed.

[moonselune]

bg3 boys w/ a cleric of myrkul tav?? what r they like having tav as a partner and that being tav’s deity, or maybe how they react to finding out??

I can only imagine this happening when it is revealed that Ketheric is Myrkul's chosen and Tav is like "what a faker" like that meme when somebody is wearing a popular band shirt and someone is like "yeah you like this band well name three of their songs - and not the popular ones"

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Gale:

Gale was never one to shy away from asking questions. His curiosity was insatiable, a hunger for knowledge that was as much a part of him as his magic. It was one of the things you loved most about him. But today, as you sat together in the quiet of your shared quarters, you realized that your next revelation would surely set that curiosity ablaze.

You’d been planning on telling him for a while now, but the moment never seemed right. Gale was a man of light and arcane wonders, and you…well, you walked a path most would fear to tread. But you knew Gale, and despite any misgivings, you trusted in his understanding.

The moment arrived when you were alone, with the evening shadows casting long fingers across the room. You were removing your armor, the quiet routine comforting in its simplicity, when Gale’s eyes caught on something he hadn’t seen before: a small, intricately crafted holy symbol nestled against your chest. The bone-white skull, framed by dark triangle, was unmistakable.

“Myrkul?” he said, the word hanging in the air between you. His tone was a mix of surprise, intrigue, and something you couldn’t quite place. “You follow Myrkul?”

You nodded, watching as his brows furrowed, his mind already racing ahead. He stepped closer, his gaze locked on the symbol. “I must admit, this is…unexpected. Myrkul, the Lord of Bones, the Shepherd of Souls. A deity of death, decay, and the inevitable end. And you…you’re his cleric?”

The way he said it wasn’t accusatory, but filled with genuine curiosity. His eyes, alight with questions, darted back and forth as if trying to piece together a puzzle. He paced in front of you, hands gesturing animatedly as he rambled on, caught up in his thoughts.

“This is fascinating! Truly, I’ve read much about the gods, but Myrkul’s followers often remain shrouded in mystery. I’ve always been intrigued by the nature of death—how it can be both feared and revered, a finality and yet a passage to something beyond. But you, my dear, I never would have guessed…”

He paused, looking at you with an intensity that made your heart skip a beat. “What is it about Myrkul that calls to you? Is it the peace in the acceptance of death? The knowledge that all things must end? Or perhaps something else entirely?”

You couldn’t help but smile. Gale’s curiosity was infectious, his mind a whirlwind of thoughts and theories. It was one of the many reasons you’d fallen for him. His ability to see beyond the surface, to seek understanding rather than pass judgment. You reached out, taking his hand in yours, grounding him in the moment.

“It’s all of that,” you began, your voice calm, “and more. Myrkul teaches that death is not something to be feared, but a natural part of the cycle. There’s a peace in knowing that everything has its time, that life and death are intertwined. It’s not about darkness or despair, but about balance.”

Gale’s expression softened as he listened, his hand squeezing yours gently. He seemed to be absorbing your words, turning them over in his mind like a puzzle piece that had finally found its place.

“But isn’t it lonely?” he asked, his voice softer now. “To walk a path where most would shy away, where the end is seen as something to embrace rather than avoid?”

You shook your head, your smile widening. “Not with you by my side.”

Gale blinked, and then a slow, warm smile spread across his face. He let out a soft chuckle, the tension in the room dissolving into something lighter.

“You never cease to amaze me,” he said, pulling you closer into his arms. “Here I thought I knew everything about you, and yet you continue to surprise me.”

You rested your head against his chest, feeling the steady beat of his heart. “And you continue to accept me, despite those surprises.”

“Accept you? My dear, I adore you. Every part of you. Even the parts I don’t yet fully understand.” He pressed a kiss to your forehead, his lips lingering as if to seal the moment.

You stayed like that for a while, wrapped in each other’s warmth, until Gale’s curiosity inevitably got the better of him again.

“You must tell me more,” he said, his voice laced with excitement. “About Myrkul, about your beliefs, your rituals… Everything. I want to understand it all.”

You laughed softly, nodding as you looked up at him. “I will. But only if you promise to keep an open mind.”

“Always,” he replied, his eyes twinkling with affection and intrigue. “For you, always.”

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Astarion:

When Astarion first found out that you were a cleric of Myrkul, the reaction was instant and unmistakable: he laughed. Not a polite chuckle or a restrained smile, but a full, delighted laugh that echoed through the room.

"You? A cleric of Myrkul?" he exclaimed, still laughing as he leaned back in his chair. His crimson eyes sparkled with amusement as he looked at you. "Oh, darling, that's just too perfect. Of all the gods you could have chosen, you go for the Lord of Bones? How delightfully grim."

You couldn't help but smile at his reaction, despite the small twinge of uncertainty in your chest. Astarion was nothing if not unpredictable, and while his laughter was playful, you couldn't quite gauge his true feelings on the matter. But as he calmed down, his expression softened, and he reached out to take your hand.

"Honestly, my dear," he said, his voice lowering to a more sincere tone, "I couldn't care less if you worshipped a rock, let alone Myrkul. It's… charming, in its own way. Fitting, even. You, with your endless compassion and stubborn sense of duty, serving the god of death and decay. It's almost poetic."

You felt a wave of relief wash over you at his words. It was typical Astarion, to mask his acceptance with teasing, but you knew him well enough by now to recognize the affection behind the jest. He truly didn't mind—if anything, he seemed more amused than anything else.

But Astarion, being who he was, couldn't let the opportunity for mischief pass by.

One day, while you were traveling together through a dense, eerie forest, you came across a small clearing. The ground was littered with the bones of long-dead creatures—birds, by the looks of them. Astarion's sharp eyes caught sight of them immediately, and he couldn't resist.

"Oh, look what we have here!" he called out, his voice dripping with mock reverence. He knelt down, carefully picking up a delicate bird skull between his fingers, holding it up for you to see. "A sign from your beloved Lord of Bones, perhaps? Surely, this is some sort of divine message."

You rolled your eyes at him, unable to suppress a smile. "Astarion, really?"

He stood up, cradling the skull in his hands as if it were a priceless artifact. "What? I’m merely showing the proper respect for your deity. Maybe you should say a prayer or two? Thank him for this lovely gift?"

You laughed, shaking your head as you walked over to him. "You’re impossible."

He grinned, that mischievous spark in his eyes even brighter. "Impossible, but endearing, I hope."

"Always," you replied, leaning in to give him a quick kiss, which he eagerly returned. He finally let the bird skull drop back to the ground, his teasing done for the moment.

As you continued on your journey, Astarion would occasionally find other small bones or remnants of dead creatures and make a show of it, always with that playful glint in his eyes. But you knew it was all in good fun. Beneath the teasing and the jokes, Astarion respected you and your choices, no matter how dark or unconventional they might seem.

And as you walked together, hand in hand, you couldn’t help but feel grateful for the way he accepted you, every part of you, without hesitation. Astarion might mock, he might tease, but he did so with a heart that, despite everything, cared deeply for you. And that, in the end, was all that mattered.

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Wyll:

"You're a cleric of Myrkul?" he asks, his voice tinged with disbelief. "I mean, of course, I respect your choices, but... Myrkul? The god of death and decay?"

You nod, sensing his hesitation. "I know it's... unexpected. But Myrkul isn't just about death in the way most people think. It's about the balance, the cycle of life. I’ve always believed that there’s peace in understanding that."

Wyll takes a deep breath, clearly grappling with the news. He gazes at you, searching your eyes for any trace of doubt or malice, but all he finds is the same love and compassion that drew him to you in the first place. Slowly, a smile spreads across his face, though there's still a hint of unease behind it.

"If anyone could find the good in serving such a god, it would be you," he says softly, taking your hands in his. "I don’t fully understand it, but I trust you. And I love you. That won’t change, no matter which deity you follow."

His acceptance brings a wave of relief, and you can’t help but smile back at him. Wyll might have been taken aback, but his love for you is unwavering. Still, you can tell he’s not entirely comfortable with the idea—at least, not yet.

As the days pass, Wyll finds a way to come to terms with your role as a cleric of Myrkul in his own unique way. He’s a man of action, after all, and he starts to notice that your affiliation can be rather... intimidating to others.

It’s not long before he starts to take advantage of this, especially in combat situations.

One evening, as you’re faced with a particularly dangerous group of bandits, Wyll steps forward, his voice booming with confidence.

"I suggest you lot think twice about crossing us," he declares, gesturing to you with a flourish. "You see, my beloved here serves Myrkul himself. That’s right—the Lord of Bones. You know what that means? She could send you straight to his realm without a second thought. So if you value your lives, I’d recommend turning tail and running now."

The bandits exchange uneasy glances, clearly unnerved by the mention of Myrkul. It doesn’t take long for them to back off, retreating into the shadows with a newfound respect for you and Wyll.

As they disappear into the night, Wyll turns to you with a triumphant grin. "Did you see that? They were terrified! I think I’m going to enjoy having the scariest lover around."

You raise an eyebrow at him, amused by his sudden enthusiasm for your dark allegiance. "You’re not scared of me now, are you?"

Wyll shakes his head, stepping closer to you. "Not in the slightest," he says, his tone sincere. "I know your heart, and it’s anything but dark. But if your connection to Myrkul gives our enemies a reason to fear you, I’d say that’s a pretty handy advantage."

Despite his earlier reservations, Wyll seems to have fully embraced the idea of you as a cleric of Myrkul—so much so that he’s even proud of it in a way. There’s a certain thrill in knowing that the love of his life holds such power, and though the path you’ve chosen might be a bit darker than he’s used to, Wyll wouldn’t have it any other way.

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Halsin:

The two of you have always shared a deep connection with nature, and Halsin's admired your reverence for the cycles of life. However, the realization that you serve Myrkul, the Lord of Bones, left Halsin uneasy.

“Myrkul?” Halsin’s voice is low, laced with confusion and concern. “You serve the god of death and decay? This… this feels more akin to the ways of the Shadow Druids than the path of the Circle of the Moon.”

You sigh, feeling the weight of his words. You’ve always known that your faith might be difficult for someone like Halsin to accept, especially given his deep love for life and the natural world. “Halsin, it’s not what you think. Myrkul isn’t just about death—he represents the natural end of all things, the balance that keeps the cycle of life in motion. It’s not about destruction for its own sake, but about understanding and respecting the inevitable.”

Halsin frowns, his gaze searching your face for understanding. “But the Shadow Druids—they twist nature to their will, using death as a weapon. How is this different?”

You can feel the frustration bubbling up inside you, knowing that he’s comparing your faith to something so perverse. “I’m not a Shadow Druid, Halsin. I don’t wield death like a weapon. Myrkul’s teachings are about the acceptance of life’s end, about helping others find peace with it. There’s a serenity in that, a balance.”

He crosses his arms, his expression still troubled. “But how does that align with the life we cherish? The Circle of the Moon teaches us to embrace the wild, to protect the natural order. Myrkul… his followers often stray into darkness.”

You feel your heart tighten at his words, his misunderstanding cutting deeper than you expected. “Are you saying I’ve strayed into darkness, Halsin? That I’m no longer the person you thought I was?”

Halsin’s eyes soften, but the tension between you remains. “No, that’s not what I mean. But this… this path you’ve chosen, it worries me. I’ve seen what happens when death becomes more than just a natural end. It can consume everything.”

Frustrated, you turn away, the pain of his words too much to bear. “I thought you would understand, Halsin. I thought you of all people would see that there’s more to this than just death. But maybe I was wrong.”

With that, you walk away, needing space to clear your mind. The hurt and confusion weigh heavily on you, and you feel a pang of regret as you leave him standing there, knowing how much your faith means to you.

As you reach a quiet spot in the forest, surrounded by the sounds of nature, you feel the tears welling up. You sit down on a fallen log, trying to calm your racing thoughts, when you hear the rustling of leaves behind you. Halsin’s familiar presence soon follows, his steps slow and deliberate.

“I’m sorry,” he says softly, standing a few paces behind you. “I didn’t mean to hurt you. I was… taken aback. Your faith, it’s something I didn’t fully understand, and I reacted poorly.”

You remain silent, but the anger has already begun to ebb away, replaced by the warmth of his sincerity.

Halsin steps closer, finally sitting down beside you on the log. “What matters most is you. I love you, no matter what path you walk. I see now that I was too quick to judge. Myrkul’s teachings might not be what I would choose, but that doesn’t make them wrong. Perhaps there’s something we can learn from each other.”

You glance at him, seeing the earnestness in his eyes. “You really mean that?”

He nods, reaching out to take your hand in his. “Yes. Myrkul’s ways may be foreign to me, but they’re a part of you. And I want to understand, just as I hope you’ll continue to embrace the life we share together. We don’t have to agree on everything, but we can find common ground.”

A small smile tugs at your lips, and you squeeze his hand. “I’d like that, Halsin. I don’t want this to come between us.”

He pulls you closer, his strong arms wrapping around you in a comforting embrace. “It won’t,” he murmurs into your hair. “Nothing is more important than you. Together, we’ll find a way to balance our beliefs. After all, isn’t balance what nature teaches us?”

You nod, leaning into him, feeling the warmth of his body against yours. “Yes, it is.”

With that, the tension between you melts away, replaced by the familiar bond you share. The argument fades into the background as you sit together in the peace of the forest, knowing that your love for each other is stronger than any difference in belief.

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Hope you guys enjoyed this! Love you all - Seluney xox

If you want to support me in other ways | Help keep this moonmaiden caffeinated x

[skyward-floored]

Was rereading some linkeduniverse, and had a sudden thought about something.

So take these two panels from Malon 5, the whole scene where Time and Twilight realize/reveal they’re related:

(Images belong to @linkeduniverse)

(Look at how he ruffles his hair! Gah! I love them!)

I’ve seen people use the second panel there to mean that there actually aren’t very many generations between Time and Twi, because red hair is a recessive trait (a mutation actually, if we’re being specific), so it actually wouldn’t take very long to water it down as Time says.

But that’s only if we’re going off of how red hair works in real life. And I think it works differently in loz.

Take the Gerudo. Since a male is only born every 100 years or so, the ladies have to have kids with other people groups, Hylians mostly, who don’t seem to have red hair very often (and certainly not to the intensity of the Gerudo). Yet their red hair hasn’t been watered down barely at all somehow.

I’d bet that red hair is actually a more dominant trait in loz, which would explain why the Gerudo are still dominantly redhaired. It might not even be a mutation, since it seems like they’ve had red hair for as long as they’ve existed.

....At least that’s my guess anyway XD genetics are weird, and they’re not my specialty. But I do like to play with stuff like this, and the theory has some merit, I think.

Plus if all of that is true, and if we also take the popular headcanon that Malon’s mother either was a Gerudo, or had some Gerudo blood... then there’s going to be bright red hair in Time and Malon’s family for quite a while yet I’m thinking. Which means Twilight is quite a few generations down the line.

[elainsgirl]

no cause im actually getting annoyed.

gwyn this. gwyn that. like please shut up. we barely know anything about this girl and you're talking about her being an auntie? her saving the world? not to mention they always block out emerie which is very weird.

Hey anon 🫶

Lmfao, you’re feelings are so valid & relatable.

The only reason Gwyn Berdara has become so huge is the fact she is used as a self-insert LI for Azriel. That is the root of her mainstream popularity. And its sad how much of her character has become interwined with Azriels when this poor girl has shown 0 romantic interest in him. She’s being thust into a “love triangle” when she hasn’t even shown any interest in the guy- it just goes to show how her “stans” love her for the fact she can replace Elain.

Gwyn was your standard side character. We got her backstory like with Emerie. Both helped Nesta in her journey, both had focus on them - the difference being Gwyn had magic and Emerie doesn’t. but why has Emerie been so overshadowed by Gwyn? Bcs Gwyn is linked to a man. Sad isn’t it. and thats just the ugly truth.

this isn’t me saying the *only* reason Gwyn is so liked is due to her being Azriel’s theorised mate. People loved her strength, bravery, vulnerability, the openness in which she accepted Nesta etc etc. She would have had the same level of popularity as other side characters,

Yet she’s quite literally shoved down everyones’ throats all because she is shipped with Azriel. Its come to the fact - this whole gwynriel propaganda has overshadowed the point and focus of the story - which has always been the archeron sisters.

Gwyn will wield Gwydion. She will help with the prison - not Elain who is literally is linked with life and regrowth, who has used TT right - nope. Its Gwyn. Gwyn will become Rhysands bestie, Gwyn will be the new IC member, Gwyn will help Nesta rule etc etc. And its all so sadly funny,

All this just bcs they:

. Dont like elriel, Elain and the direction the series is going in.

before anyone says im bitter, im not. Its to be expected bcs Gwyn Berdara is perfect. She has no flaws. She has a general, popular fun, quirky “we can do this guys!” “Go us!”, personality. Yet still a blank slate for her “stans” to place any characteristic, theory or HC on her that they like. She has some interactions with the cool, mysterious Azriel and thats all you need for gwynriel. Thats all you need for G to become centre staged. It would have happened with any other fc that wouldve interacted with Azriel.

Whilst it is annoying and the meaning of the series has truly been lost to that side of the fandom, I think frustration comes from downplaying Elains role & giving it to Gwyn. Unfortunately, there’s nothing to be done. Popularity in the end will never matter. Sjm loves writing about polarising, flawed characters which Elain is and Gwyn isn’t. Clearly, Gwyn was never meant to be play a big role otherwise Mass - an author who loves foreshadowing- would have been introduced in person earlier. Its nice to remember: Elain was the focus of two bonuses. Elain has her book confirmed. Mass said SF left hints for Elains story. Not gwyn. Not Azriel. But Elain Archeron. At least the love for her is more genuine then I’ve seen from some Gwyn stans.

[raven-at-the-writing-desk]

Tale of the Cursed Raven -- Author’s Notes & Afterthoughts

The full series:

Part 1 I Part 2I Part 3 I Part 4 I Part 5 I Part 6 I Part 7 I Part 8 | Part 9 I Part 10 I Part 11 I Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | Part 18 | Part 19 | Part 20

Miss Raven sketch is by shimmeryspark!

Well, it’s been quite the journey but we’ve finally made it to the end of ✨ Raven’s origin saga ✨. It was such a wild experience to write it all and hear your feedback for each installment. I hope that you all enjoyed reading it as much as I loved creating it... and I hope that it sheds more light on why Raven is the way she is.

Now that the series is done, I’m feeling really nostalgic about it (maybe it’s Mis Raven’s enchanted inks working their magic on me)💦 so I wanted to relive the memories a little, and share some of the feelings, insights, and thoughts I had before, during, and after writing the saga.

If you’re interested in reading that, it’ll all be below the cut for your convenience.

“May those who accept their fate be granted happiness, may those who defy their fate be granted glory.” — Edel, Princess Tutu (2002)

The Origins

I’ve always loved stories—more specifically, fairy tales. When I was little, they’d always be on my mind. Actually, they still are to this very day. If I wasn’t reading them, I’d be watching them or thinking about them, making theories and spinning stories of my own.

I loved the fantastical elements, the whimsy of magic and talking animals, the witches and the monsters, the royals and the warriors that protected them... I loved it all. That childhood love of fairy tales followed me into adolescence and adulthood. That’s really where this all began.

Of course, I gravitated towards media that prominently featured elements of, or borrowed from, fairy tales. This would lead me to the rabbit hole that is Twisted Wonderland 😷 (you all knew this was coming). Due to the blank slate nature of the game’s protagonist, Yuu, TWST was ripe for an OC community to crop up.

I saw a lot of unique characters in the fandom, so I wanted to create a character too. However, no matter how hard I tried, I struggled to develop a “Yuu” that I was satisfied with. At times, I even felt uncomfortable because I felt I was either putting too much of myself into “Yuu”, or not enough. It was then that I realized I would have much more fun making a character based on a preexisting story. A theme, a concept—they’d all be pre-set for me, and I could let my imagination run wild from those.

I didn’t want to adapt a character from a Disney movie (say, the Mad Hatter or King Triton). While I had seen many cool interpretations made by other people, I didn’t want to limit myself to personalities and character traits that were already determined by the movies or stories for me. I started looking into fairy tales themselves, looking for a character or a concept vague enough for me to base my OC on—and I found it in the wording of a riddle from Alice in Wonderland.

Why is a raven like a writing desk?

It captured the spirit of whimsy I wanted to evoke in the OC. Ah, but there's also an underlying sadness and dread to her character. It's mostly Alice in Wonderland with a whisper of Edgar Allen Poe.

And thus, Raven was born.

Tsunderes — but why???

At first glance, you might look at Raven and label her personality as “tsundere”. It’s a popular trope in Japanese media where a character that is initially cold and harsh shows or develops a warm, friendlier side over time. One problem that I’ve always had with the tsundere archetype is that the media that employ it rarely, if ever, explain the reasoning for why a character is a tsundere. More often than not, tsunderes are used to comedic effect nowadays, with the tsundere characters acting violent towards their supposed love interests—and that’s something that has never really sat well with me. I don’t think that’s necessarily good writing, but I won’t fault the people who do enjoy that kind of thing. I personally prefer it when we get to know the characters and the reasoning behind their personalities and decisions more. Character-driven storytelling is my jam.

Familiar of Zero’s Louise lacks the magical power to back up her noble lineage, and she has an inferiority complex as a result of that. Toradora’s Taiga has a complex family situation which has left her distrustful of others. When writing Raven, I didn’t want her to fall into the trap of “no explanation” tsundere. I wanted to outline a clear reason for why her personality is “hot and cold”, like Louise and Taiga. Even more than that, I wanted Raven’s reason to line up with the concepts of “freedom” and “expression” that tie with her bird and storytelling motifs.

And so, her story started taking shape in my head. (If you want to read more specifics on my thought process, I’d check out this post. I also talk more about the concepts behind her there.)

Her Magic

I wanted to tie in her personality and philosophy into her unique magic too. After all, it's a spell that defines who she is as an individual. In the beginning, Raven was excited about the prospect of writing, as it would help her comes to understand others--however, she struggles to come to grips with their emotions and keeps holding herself at a distance. Only when she empathizes with her characters and with the people around her does her unique magic come into fruition. With it, she can see into others' hearts and rewrite their feelings--that is, if her willpower and coaxing can convince them to.

I didn't want Raven to be a particularly gifted magic user; she's someone that had to work hard to come into her own. I think of her humanoid form as something still awkward and developing, which sometimes interferes with her spellcasting. What really makes Raven shine is her determination, and the strong imagination that pairs with it. All she truly lacks is the ambition and the confidence, things that I hoped would be honed at Night Raven College.

The Characters for the Series

Initially, I wanted to feature a much larger cast of characters. At some point, I was ambitious enough to think I could somehow include every NRC student in the plot... but thank goodness I realized that just wasn’t feasible. I saw the narrative mess that happened whenever a creative piece tried to get too many characters involved. It just made it hard to keep track of and care about anyone on an individual level. Sometimes, it also distracted from the central themes and conflict. Now, that’s not to say that Raven has never canonically engaged with other characters (because she definitely has)! It’s just that those interactions aren’t as important to this story, so I left them out of it.

In hindsight, I’m so glad that I kept the core cast (up to a certain point) small. That way, I could dedicate more of my time writing each of their individual thoughts and emotions. Raven remains the main character throughout, while Rook, Crowley, Jade, and, to some extent, Azul, Floyd, and Octa A, are secondary characters. Idia, Vil, Epel, the Fates, etc., are very much tertiary characters that showed up a few times total 😂 but they all played their parts and still contributed the overall story.

A character that was introduced in part 6 was the timid but well-meaning Octavinelle A-kun (whose name is Kon, like konbu, or Japense kelp). He was actually included as a gag character because I couldn’t think of someone from the main cast for the role he ended up filling. I unintentionally got attached to Kon and decided to bring him back later in the story, because I guess I like the irony of a mob character that lacks eyes having more screen time than two Dorm Leaders (Vil and Idia). I think the inclusion of Kon also really helped the themes of the story, because, in a meta way, he’s like Raven. He’s a “background character” who ended up having time in the spotlight (and even earned himself a small but dedicated fan following), which proves that it’s possible for Raven, who also sees herself as a “background character”, to ascend and become a “main character”.

Speaking of semi-original characters, I also had fun doing my interpretation of the Fates in part 10. I doubt that’s what they’re like in canon and watch TWST prove me wrong, but it was super fun to write regardless of that. I think my favorite thing about them was how they bicker when they’re out of the public eye, but it was also interesting to come up with their idol poses and phrases.

The cast noticeably expands around part 15, and that was a very purposeful move on my end. Raven has had her revelation then, as well as a stronger understanding of how her unique magic works. Art that point, the story shifts from Raven being on the outside looking in to the characters witnessing her tale unfold. It's to indicate that Raven has finally properly begun integrating herself with the stories that she has always isolated herself from. Characters that have previously had smaller roles before (Vil, Idia, Azul) return for a reprise and to add their own context to what's happening now, and the characters never previously mentioned (Lilia, Riddle, Kalim, Leona) give their perspectives as people who had no direct involvement. I wanted to show the shades of familiarity that they have with what Raven's been up to on her lonesome, and how these different kinds of relationships and points of view are all important when looking at a story.

I was very excited to introduce the Enchantress (Estella) as an onlooker that has a tenacious history with Lilia; she's an original character I've been working on and hiding in the shadows until her first appearance late in this saga. Estella is a very complex person, whom I would describe as a mix of the Enchantress (Beauty and the Beast), Giselle (in both Enchanted and Disenchanted), Isabela (Encanto), Frollo (The Hunchback of Notre Dame), Mother Gothel (Tangled) and Fairy Godmother (Shrek 2). She gives... "tough love", but often acts in morally self-righteous and self-important ways, believing that it is for the "own good" of the people she becomes entangled with. Sadly, I was not able to go into her own background and motives, but someday I'd really like to!

The Plot of the Series

There’s a lot that you don’t see that goes into writing. I went through several iterations of Tale of the Cursed Raven, especially with the rising action and climax. You should see my writing drafts--there’s no rhyme or reason to them! You might see some bullet points to show a sequence of events, but the rest of the document is just random lines or ideas I think would “sound cool” that I just scribbled down while on the bus or something.

When I write a story, I usually know how I want things to begin and how I want them to end, and I have trouble filling in everything that’s in between. I usually took large chunks of time between the release of each installment to review information from the previous part and make sure the continuity carried over to the part I was currently writing.

It was also common for me to write, rewrite, and rewrite the parts again several times over before I actually put it to the public. Sometimes I would almost be done with an installment, and I’d delete it all and start over because I thought of something much better. I’d be irritated with myself in the moment for wasting all that time and hard work, but I think it ended up working out.

sadibasudbad Okay, I want to talk about some of the plot points that I scrapped, because some of them were actually interesting... They just took the story nowhere or caused issues with other things I had planned, so I had to drop them 😅

After Jade’s betrayal is revealed in part 3, I was going to have Raven become Azul’s business rival. Not in the restaurant sense, but more like she would offer similar “wish fulfillment” services as Azul, mostly because she needs something to do to keep herself positive. Her services were going to be called “Fairy Godmothering” and involved sending wishes on slips of paper in little black boxes she placed all over campus. However, she’d probably need a lot of help or strong magic to make that happen, neither of which really applies to her. I guess the tradeoff would have been that Azul offers more but asks for a price, whereas Raven offers less but works for free. She’d write stories as kind of a “road map” or “plan” for how she would personally fulfill her a wish, as opposed to Azul’s contracts, and which required a mutual agreement to the terms. I also didn’t know where to take the story after this point was introduced, so it had to go.

Part 8 was originally going to open with Raven and Riddle having a tea party and catching up. Floyd was going to emerge from some rose bushes with Cater and Trey chasing after him 😂 and Floyd was going to kidnap Raven from there for the boat scene with Jade. Like I mentioned before, I decided to cut this out to keep the number of characters the story had relatively short. (Plus, I guess Floyd would have had to run a shorter distance to the lake if Raven was already in the forest area than if she were all the way in Heartslabyul?)

There was a large hiatus between part 10 and part 11, because a lot of rewrites had to happen for the latter half of the series. Part 11 in particular went through several different versions—one of which would involve Prince Rielle visiting NRC for a magift game and knocking Raven out cold with the frisbee. Because Raven didn’t remember the face of the “prince” that saved her from drowning when she was a bird, I was going to have her mistake Rielle as that “prince” (similar to how Eric mistook Ursula/Vanessa for Ariel). Djsbsjsbshs But I already took a huge chance by writing my interpretation of the Fates, so I didn’t want to also do my interpretation of Rielle in case TWST gives us more details about him later. Rielle is based on a Disney princess, so I thought it was more likely that he got more details revealed about him over of the Fates, and I didn’t want to make my series too reliant on headcanons or unconfirmed information about a character we haven’t even seen yet.

Finally (and this is the biggest change of all), parts 10 through 20 were originally going to be heavily focused on action and adventure. Raven was going leave NRC in search of the Enchantress (who originally cursed the Storyteller several years go) and ask her to lift the curse, and the Enchantress was going to send her on a series of heroic quests to prove that she is “worthy”. But the more I thought about it, the more I thought the scale was too grand 💦 At the end of the day, Raven is just a bird trying to be a normal human girl... and I wanted her development to be more of a traditional coming of age story instead of a literal hero’s journey where she confronts dragons and saves villages. Something more down-to-earth makes her more relatable, so I went with that route instead of the action-adventure one.

I don’t know if you noticed, but the saga happens alongside the events of the main story (as some main story events, such as Overblots, are referenced). The last 5ish parts happen around the transition from the Ignihyde arc to the Diasomnia arc, sooo... :)) You can think what you like about whether Raven’s happy ending is reality or a dream conjured up by Malleus~

I argued with myself a lot while writing the series, especially about the ending. I had a lot of my friends (and readers, too) telling me “you’d better not kill Raven” and “Raven and Jade should kiss and make up/date each other at the end” (some of which came true, some of which didn’t). I was so conflicted at the time because while I never intended to kill Raven, it was clear that my audience was expecting a perfect “happily ever after”... and I didn’t know if such a conclusion would fit the overall tone of the series. I think what I ended up doing was satisfactory, though. It’s happy, but not overly so, and it keeps the door open for future shenanigans in a light-hearted and hopeful way. I think leaving it open-ended like this suits the theme of the saga and Miss Raven's struggle to find her freedom.

Raven’s Growth and Development

Raven has come so far.

The saga here is written kind of like “oh, this is her main story”, but it’s meant to be supplemented by “vignettes” and “event stories” (ie all the side content of Raven which fleshes out her relationships with other characters). The idea is that all her experiences at NRC helped her to develop her own sense of self, and granted her the confidence to fly in the face of her own fate, which she was once so hopeless about. When I look back on the last few years, I’m amazed at how much of it there is, whether produced by myself, by friends, or by fans. It’s really humbling that I get to share this journey with you all.

Raven used to be scared and shy, a timid bird with little to no understanding of the world, or of the creatures in it. Then she picked up a quill, ink, and paper—and a whole new world opened up to her. Her story is one of how freedom of self expression and creative works can connect us not only with others, but with ourselves. Because of that, Raven was able to grow and become a much more mature person (with the support of her friends and family, of course)!

Just because the saga is over doesn’t mean Raven is suddenly perfect, though. She still very much struggles to be emotionally expressive and honest with her feelings of affection (since she has gone so long burying those), so she’s still got a long way to go in that regard 💦 She also has some lingering self-esteem issues that she’s got to work on. Raven’s always changing...! Always willing to learn! Jade and Rook, please help her—

When people read Tale of the Cursed Raven, I don’t want them to “just see it as a love story” or “TWST OC x TWST Boy” fanfiction 💦 because the focus isn’t just on romance, but on Raven discovering herself, and her voice, in a world that once confused and scared her. It’s not just a story about finding love, it’s also about a girl growing up, gaining confidence, finding new family and friends to support her... It’s a lot of things, and I feel that it’s doing the saga a disservice by calling it just a love story.

I’ve mentioned this a few times before, but while Raven is not meant to be a self-insert character, I feel that her struggles are very relatable and I hope that you, too, can see some part of yourself in her and her journey. A lot of the writing process involved me analyzing and coming to terms with difficult feelings, particularly ones of self-loathing, self-acceptance, coming to terms with emotions, and trying to find one’s place in a world that can be confusing and scary to navigate. I feel that writing Raven’s tale was able to help me through those tough times in my life. For that reason, this saga will always hold a lot of sentimental value to me.

So... What’s next?

There were originally plans for me to make a follow up/spin-off series where Octa A/Kon was the main character. The theme of that series was “even the unnoticed and ordinary can be noticed and extraordinary!” It was going to focus on Kon and his mob student friends (one from each dormitory), along with their struggles of being “noticed” (as they are often just one face in a sea of mob students) and “fitting in” with their respective dorm’s ideals. I think it would have been a series that resonated a lot with introverts and people who see themselves as “less than” others or as “not fitting in” with others’ expectations. I might still do this, but it would probably be another huge project that would take months of planning and revision.

Another idea I had was to write a series of stories that are just flashbacks of Raven’s life prior to Night Raven College, whether as a bird or whether as the Storyteller’s apprentice. I also considered writing in-depth about how the Storyteller was originally cursed, and about the Enchantress responsible for it. I would like to get into her backstory and her motivations for spinning the Storyteller’s curse to begin with. (Maybe I’ll do those as blog anniversary or follower milestone specials?) Some friends of mine also jokingly suggested I write a sequel series focused on Raven and her relationship with L*ONA 🤢 dfhlbahefvqoeuq Lots of ideas, lots of possibilities!

As for Raven, she’s definitely not going away just because her origin saga is done. She’s still the beloved poster child of this blog, so of course I want to continue writing about her! It’s just that she’ll be a little freer to speak her mind now that her curse has been lifted. After all, "the end" is just "the beginning" of another story!

I kind of feel like a proud parent, seeing my bird daughter growing up, making friends, finding love, and developing her own sense of agency and independence 😭 I’m excited to see where this next chapter of Raven’s life takes us.

Before I sign off, I’d like to thank you, dear readers, for following Miss Raven’s story until the very end. None of this would be possible without you!

[dtmsrpfcringe]

We don't hate women. We hate women who are abusive towards their partners.

Michael and David both deserve better and just because you want to buy into what PR and social media tells you, you don't have to attack other people for being upset over actors they care about possibly not being happy.

David wouldn't leave Georgia, they are married and have children, so he feels responsible. He always puts other people before himself. And Anna played it well with the babies, as harsh as it sounds. Michael would feel terrible leaving the girls. People staying in relationships doesn't prove you right, sadly. It's no sign of anything other than commitment and commitment doesn't always come from a place of love.

By saying that Michael and David shippers want to see them unhappy in their relationship, you show that you're missing the point. The whole point of shipping them is wanting them to be happy. You just want to be hateful towards people who don't suppprt your narrative, it seems.

GOD I WISH TUMBLR WOULD LET ME ADD TEXTS BEFORE ASKS SO I COULD SAY “Warning: you’re about to hear one of the most moronic takes I have ever heard” *insert gif of amanojaku from ghost stories here* okay let’s…we have to break this down it’s too much for me to just laugh at and go “wow this is dumb as hell”

“We don’t hate women, we just make up stuff so we can justify hating them”- you. where’s…where’s any shred of proof that either women are even a little bit abusive? I mean don’t you think we would have seen some of that by now? And no, enty lawyer doesn’t count as proof and neither does random screenshots of a bit of text with zero context. Also neither do jokes online with your partner when they’re okay with it (and make the same jokes quite literally all the time) and nobody sees a problem with it except the people that conveniently hate these women.

2. “Michael and David both deserve better” yes I’m sure the rich white middle aged men who are two of the most popular actors in their countries who have girlfriends/wives and kids who love and adore them are surely hurting because some weirdo on tumblr says it.

3. Hate to tell you this but married people with children divorce all the time. It’s not like if they divorce he is going to suddenly vanish in a puff of smoke babe.

4. Even if that’s true, your theory of him only staying out of responsibility is bullshit. Someone who stays for the kids isn’t going to dip their wife into a kiss on the red carpet and look at her like a hozier song sounds. If there’s any event or interview where he can find a way to praise Georgia, he does it. He always talks about her. After events they’ve been seen kissing deeply and walking arm in arm honeymoon style.

5. as for Anna and Michael, (David and Georgia too but they seem more open to pda) they don’t owe you pda. Michael has been more than adamant about defending his girlfriend on twitter and good for him about it.

6. if you guys were genuinely concerned with Michael and David’s impending relationship crashes, why is it always tied to their love for one another? The only people who see This rampant “abuse and unhappiness” is this group of people who believe David and Michael are actually in love and want to elope together. Nobody else. Not even other Sheenant shippers. You guys literally just hate them, I mean Invisibleicewands has been talking shit on Anna since she posted her first photo with Michael back in 2019 and hasn’t stopped.

7. “And Anna played it well with the babies, as harsh as it sounds.” seriously what the absolute crap is this supposed to mean my dude? I’ve gotta be honest….you know how smex works right? Michael could absolutely choose to use protection!!! Why is it on her? Not on him. He’s had kids before I think he knows that a stork doesn’t bring the baby. Holy hell you people make my eyes hurt

8. (finally) funny you should bring up narratives, you know considering you’re part of the group that thinks any affection towards anybody else that isn’t them is PR (thinking of the Joseph Fiennes hug fiasco) that lied about Georgia and Anna being abusive, that has tried time and time again and moved the goalpost, that fabricates evidence and tries to send death threats to people who speak out, and then lie about it, that your group is the one who can’t handle women working together and have to call everything PR. The same group that ignores the fact that Anna and Georgia are friends, to talk grave shit on them. Newsflash sweetheart, we aren’t the ones pushing the narrative here. You only want to see David and Michael happy as long as it aligns with your delusion. Have the day you deserve.

anyways, I think this is going to be my pinned post. Mostly because I want this to be embarrassing if you ever try to come back here and lie on Betty whites internet again, but also because I think this addresses so many tin hat talking points at once. Just because we love aziraphale and crowley doesn't mean we get the right to insert ourselves into their personal lives, you wouldn't want someone else praying for your relationship to fail.

[rgbsilver]

long rant on why bunny duo WILL happen

If you can’t tell I am going insane (spoiler warning/leak mention)

1: Merchandise/Logos

As I’m sure your aware, WanPre’s logo scheme corresponds to just about every single Cure:

Pink for Komugi/Wonderful, Purple for Iroha/Friendy, Green for Mayu/Lillan, and Blue for Yuki/Nyammy. This leaves us two colors left: orange and yellow, just enough to fulfill another duo.

The colors don’t just stop at the logo, either.

A special shout out to the daily satoru blog for finding this out (I never could have!), but Mayu’s ribbons also similarly match up with this.

Again, two colors are left, an Orange-Yellow color and White, just enough for our bunny duo!

These buttons are also similar: notice the outer colors and the inner colors. The outer colors on the owners correspond with their pets theme color (Mayu is Blue, Iroha is Pink, which fits with Yuki and Komugi) and the opposite for their pets.

By this, we can assume that Daifuku could be a White or Grey Cure, and Satoru could be a Yellow or Orange cure.

This ones already been mentioned, but again, the yellow/white colors!

..And even more buttons. Almost all merch featuring Satoru and Daifuku is either Yellow/Orange, or White/Grey. I’m not going to list everything ever here, but check out the Precure Wiki for more merchandise listings.

2: Daifuku is an anomaly (lol)

If you are unaware, Daifuku is a huge character for merchandising from WanPre. According to the wiki, out of all of the mascots, Daifuku has sold out much, much quicker and is well-received by fans.

Also, in WPC23.. do I have to explain this screen shot? Yuki just straight up calls him not ordinary.

But, she is right. Out of all the animals we’ve seen in the show, besides the Cures and the Kirarin Animals, none have the same proportions Daifuku does. And we know he isn’t a Kirarin animal (lacking the gem), so you can assume he’s a future Cure.

Also, as of WP24, Daifuku (and Satoru) has been to Niko Garden. Not sure if that strengths the point, but yeah.

Daifuku’s movie character: note how again, only the Cures in their animal form have the wristband (Komugi and Yuki.)

And, some card listings that were leaked a while ago:

This one is pretty self-explanatory: there’s 1 more slot for a Cure (or maybe a movie exclusive character) on these cards.

And as of recently, we have seen both of them together on one card in merchandise: it’s possible they both could be a Cure, just on one card.

And last but not least..

There’s 1 more spot for a Cure, or a duo! 3. Other things

Although I do agree the ending doesn’t leave much room for more cures, know that we still might get another ending. Mahou Tsukai and Kira had 3 endings, and Star Twinkle even had 4.

The point is, it’s not too late to call it quits! We have had cures introduced later too: Majesty’s first appearance was in 31. We still have hope. Probably. I’m also probably going insane.

We also can have another ‘Black Pepper’ which personally I think is going to happen— Daifuku will be a white colored Cure and Satoru will be a orange or yellow colored Black Pepper like hero.

Plus, we haven’t had a series without a mid season or additional warrior since Smile, which was 12 years ago. It’s pretty unlikely that’ll happen again.

And it’s not like there is anyone else who can be a mid season besides these two. Unless you count like.. MeyMey but that’s really unlikely lol.

(Against some popular theories: I think it wouldn’t make sense for Niko to be a cure, as not only as she (?) doesn’t fit the orange/white/yellow scheme (based off the Niko leaks), but they aren’t apart of a duo like Mayu and Yuki, Iroha and Wonderful, Satoru and Daifuku..

Plus, in WPC24, notice how Niko’s egg only glows after both Satoru and Daifuku are touching the egg. )

According to some posts I’ve seen on the wiki, ratings for the show actually drop if they don’t have a mid season or additional warrior— having one apparently does better for merchandise sales and reviews in general. Take this with a grain of salt, however. I have no idea if this is true, but I believe it. Plus, with Cure Wing being generally well-received, it’s not impossible that we can have more male cures in the future.

anyways. This is all just a theory. A FILM THEORY.

Thanks for coming to my tedtalk ok bye. In my eyes will Daifuku be a cure? Yes. Will Satoru be a cure? Probably but more likely to be something like black pepper. I’m going insane thanks bye

[hollowed-theory-hall]

Any HC's on what's going on with Luna?

Hi, so I really like Luna as a character, and I've seen various theories about her being a seer, which at least used to be popular in fic, but I never got that impression from her. Personally, I don't think there's anything magical going on with Luna. I think she's just a girl with imagination, a sense of whimsy, and some trauma of her own who chose to handle it through her internal little world rather than anger and other more externalized ways to cope.

So, this kinda ended up being a bit of a character study on Luna...

Pandora Lovegood & Luna's Trauma

One of the major moments in Luna's life that really changed her worldview and approach to people and the world was her mother's death:

“Have you . . .” he began. “I mean, who . . . has anyone you’ve known ever died?” “Yes,” said Luna simply, “my mother. She was a quite extraordinary witch, you know, but she did like to experiment and one of her spells went rather badly wrong one day. I was nine.” “I’m sorry,” Harry mumbled. “Yes, it was rather horrible,” said Luna conversationally. “I still feel very sad about it sometimes. But I’ve still got Dad. And anyway, it’s not as though I’ll never see Mum again, is it?” “Er — isn’t it?” said Harry uncertainly. She shook her head in disbelief. “Oh, come on. You heard them, just behind the veil, didn’t you?” “You mean . . .” “In that room with the archway. They were just lurking out of sight, that’s all. You heard them.”

(OotP, 863)

I want to talk about her mother, her death, and Luna's general outlook on death and tragedy which explains a lot of her characters.

So Pandora Lovegood experimented with spells and one went badly enough to kill her in front of her 9-year-old daughter. This is why Luna can see Thestrals and hear voices from beyond the veil like Harry and Neville. But Luna, at her soul is an optimist and a very brave one at that. This is something that she doesn't share with her father, which I'd get to, so I think her outlook on life and death is actually something she learned from her mother.

Luna prefers to look at the half-full part of the glass. She is choosing not to get too sad over things or bothered over her bullying (which I'll get to). The main point is that Luna's way of dealing with the hardship and trauma of watching her mother die is to feel the sadness of it, but not let herself wallow in it. She keeps pushing herself forward.

I headcanon Luna took her mother's death to embrace her mother's outlook on life. That things will always be fine, that they'd always work out. I don't think Luna knows for certain everything will be fine, but she chooses to believe it will be and you see it with her later in the books as well.

“I was saying, what are those horse things?” Harry said, as he, Ron, and Luna made for the carriage in which Hermione and Ginny were already sitting. [...] “It’s all right,” said a dreamy voice from beside Harry as Ron vanished into the coach’s dark interior. “You’re not going mad or anything. I can see them too.” “Can you?” said Harry desperately, turning to Luna. He could see the bat-winged horses reflected in her wide, silvery eyes. “Oh yes,” said Luna, “I’ve been able to see them ever since my first day here. They’ve always pulled the carriages. Don’t worry. You’re just as sane as I am.” Smiling faintly, she climbed into the musty interior of the carriage after Ron. Not altogether reassured, Harry followed her.

(OotP, 198-199)

Again, this shows her way of dealing with death and loss that ended up helping Harry. She sees the Thestrals and instead of being discomforted by them and the loss they remind her of (like Neville and Theodore Nott), she tries to smile, to take comfort in the reminder of her mother. "It's sad that she's dead, but it's okay, things will be okay", it's not a direct quote, but I feel it summarises Luna's outlook on loss and negative life experiences in general.

Xenophilius and the Quibbler

As I mentioned above, Xenophilius is much less brave and optimistic than Luna, hence why I think she learned her positive outlook from Pandora and not him:

Xenophilius gulped. He seemed to be steeling himself. Finally, he said in a shaky voice difficult to hear over the noise of the printing press, “Luna is down at the stream, fishing for Freshwater Plimpies. She . . . she will like to see you. I’ll go and call her and then—very well. I shall try to help you.” He disappeared down the spiral staircase and they heard the front door open and close. They looked at each other. “Cowardly old wart,” said Ron. “Luna’s got ten times his guts.”

(DH, 347)

I understand him, I really do. He lost his wife, and his daughter is all he has, of course, he's scared of helping Harry. He doesn't want to lose Luna too. But, I headcanon Pandora was like Luna in that regard. She wouldn't have let fear stop her. I mean, she had to be brave to experiment with the kind of dangerous spells that'll kill her.

The other thing I want to note about Xenophilius and Luna is how close they seem to be whenever we see them:

Bidding the wizards farewell, he turned to his daughter, who held up her finger and said, “Daddy, look—one of the gnomes actually bit me!” “How wonderful! Gnome saliva is enormously beneficial!” said Mr. Lovegood, seizing Luna’s outstretched finger and examining the bleeding puncture marks. “Luna, my love, if you should feel any burgeoning talent today—perhaps an unexpected urge to sing opera or to declaim in Mermish—do not repress it! You may have been gifted by the Gernumblies!”

(DH, 124)

They seem very affectionate and close, both with words and I'm sure also physical affection. Luna even mentions she still has her dad when she explains how she handles her mother's loss. I think both of them grew closer and more dependent on each other after Pandora's death. And I think that's what really pulled them both through it. Each other.

I write about it more later in this post, but Luna tends to comfort a lot of characters. Hermione, Ollivanders, Harry, and I think the first person she practiced this with was her father. She is a very empathetic person and she watched loss affect her father first-hand. I think, that after they lost Pandora, Luna did more of the heavy lifting in terms of emotional comfort rather than Xenophilius, who was probably a bit of a wreck.

Now, the third major thing I think Luna learned from her father is his various odd beliefs. To name a few Quibbler article titles from the beginning of OotP:

How Far Will Fudge Go to Gain Gringotts?

CORRUPTION IN THE QUIDDITCH LEAGUE: How the Tornados Are Taking Control

SIRIUS - Black As He’s Painted? Notorious Mass Murderer OR Innocent Singing Sensation?

We all know they have some odd ideas, and are both very convinced of them. Luna never strays in her belief in the things her father writes about:

Yes, he’s got an army of heliopaths,” said Luna solemnly. “No, he hasn’t,” snapped Hermione. “Yes, he has,” said Luna. “What are heliopaths?” asked Neville, looking blank. “They’re spirits of fire,” said Luna, her protuberant eyes widening so that she looked madder than ever. “Great tall flaming creatures that gallop across the ground burning everything in front of —” “They don’t exist, Neville,” said Hermione tartly. “Oh yes they do!” said Luna angrily. “I’m sorry, but where’s the proof of that?” snapped Hermione. “There are plenty of eyewitness accounts, just because you’re so narrow-minded you need to have everything shoved under your nose before you —”

(OotP, 345)

She actually shows a dislike and anger toward Hermione at first because of how Hermione treats the things she believes in. Luna doesn't get angry often, but when her beliefs are ridiculed in the way Hermione does so, is one of these few times. She doesn't mind being called "Loony", but she cares about her, and her father's beliefs are aggressively questioned. She wouldn't have minded it if Hermione just didn't believe her (like Ron and Ginny) what bothers her is that Hermione doesn't even entertain the possibility of these creatures being real. What angers her is Hermione's closed-mindedness, not that she doesn't agree with her. Luna doesn't mind being alone in her beliefs, she minds closed-minded people who think they know everything, that's what gets her annoyed with Hermione, I think.

Now, I kind of want to discuss why Luna and Xenehpilius believe what they believe. Well, more Xenephilius than Luna, because he taught her most of it and gave her all the evidence she is basing her understanding of all these creatures and conspiracies come from.

Because that's what a lot of these are — conspiracies — and mostly about the Ministry of Magic. These article titles are somewhat like farfetched conspiracy theories like: "NASA hiding a second sun at the center of the Earth" or "Did you know the Earth is actually flat but the government doesn't want you to know" or anything to do with Area 51 and aliens. The articles from the Quibbler sound awfully a lot like that. And it seemed the main reason Xenophilius and Luna believed Harry was because the ministry didn't.

Xenophilius and Luna also believe in miracle cures like gnome venom (as quoted earlier), Gurdyroots and Plumpies:

“May I offer you all an infusion of Gurdyroots?” said Xenophilius. “We make it ourselves.” As he started to pour out the drink, which was a deep purple as beetroot juice, he added, “Luna is down beyond Bottom Bridge, she is most excited that you are here. She ought not be too long, she has caught nearly enough Plumpies to make soup for all of us. Do sit down and help yourselves to sugar.

(DS, 348)

They are essentially wizard conspiracy theorist hippies.

Basically, Xenophilius and Luna distrust the ministry (rightfully so, as the ministry sucks) but they took their distrust to the extreme. Essentially believing any information from the ministry, or ministry-sanctioned textbooks and newspapers to be false (some of it definitely is false, but not all). If it comes from the ministry it's false in their eyes and therefore everything the ministry doesn't live in is true, even if it doesn't make sense. So what I think is going on with the Lovegoods, and what they are supposed to be, is just conspiracy theorists, who rightfully distrust their government, but took this distrust too far beyond common sense. It doesn't mean all they belive is false, they are actually correct often enough, but not always.

Now, I think, as I said, they have a good reason to distrust the ministry, they just took it a bit far. I actually have a bit of a headcanon about how Xenophilius came to the conclusion that they can't trust ministry.

My headcanon is that it has to do with Pandora's death. We don't really have any indication that Xenophilius believed in everything he did before her death. Neither do we know how exactly the spell killed Pandora. I think the ministry either hid information about Pandora's condition, used some spells she created in their books without giving her credit, or the ministry never sanctioned her spells (we know the ministry does approve spells, Hermione mentions as much in HBP). I'm not sure what exactly went with the ministry, but I headcanon Xenophilius has a personal reason related to Pandora to distrust them.

Loony Luna

We know Luna gets bullied. Her belongings get stolen, other students call her "Loony". And it isn't surprising she gets bullied. children are mean to anyone who is weird and different and Hogwarts has no anti-bullying measures. Literally none, the faculty doesn't care.

What is more interesting is Luna's outlook on her own bullying. It's the same optimistic acceptance of how she treats death.

“How come you’re not at the feast?” Harry asked. “Well, I’ve lost most of my possessions,” said Luna serenely. “People take them and hide them, you know. But as it’s the last night, I really do need them back, so I’ve been putting up signs.” She gestured toward the notice board, upon which, sure enough, she had pinned a list of all her missing books and clothes, with a plea for their return. An odd feeling rose in Harry — an emotion quite different from the anger and grief that had filled him since Sirius’s death. It was a few moments before he realized that he was feeling sorry for Luna. “How come people hide your stuff?” he asked her, frowning. “Oh . . . well . . .” She shrugged. “I think they think I’m a bit odd, you know. Some people call me ‘Loony’ Lovegood, actually.” Harry looked at her and the new feeling of pity intensified rather painfully. “That’s no reason for them to take your things,” he said flatly. “D’you want help finding them?” “Oh no,” she said, smiling at him. “They’ll come back, they always do in the end. It was just that I wanted to pack tonight. Anyway . . . why aren’t you at the feast?”

(OotP, 862-863)

Other Ravenclaws steal her things and hide them, they call her "Loony" and at no point is Luna angry or scared. She is calm and serene and she declines Harry's help because she believes it will all work out. It's the same outlook on death and sadness: "Everything will be fine, just keep your chin up and believe things will be good" That just really seems to be Luna's life philosophy. She faces every problem with optimism and serenity.

Instead of being concerned over her own situation, she actually goes a step further and ask how Harry is doing. Luna goes out of her way to brighten up other people's lives and help them see the good in situations like she can. She is really sweet.

“I enjoyed the meetings too,” said Luna serenely. “It was like having friends.” This was one of those uncomfortable things Luna often said and which made Harry feel a squirming mixture of pity and embarrassment.

(HBP, 138)

“Oh, it’s been all right,” said Luna. “A bit lonely without the D.A. Ginny’s been nice, though. She stopped two boys in our Transfiguration class calling me ‘Loony’ the other day —”

(HBP, 311)

These are two more examples of Luna's being bullied. She is lonely and didn't really have friends before the D.A. But just like with her missing things, while it makes her sad, she doesn't wallow in it. She looks at the good parts. The happy memories, the fact that Ginny defends her now. Honestly, it's a healthier coping mechanism than what we see with other characters, I'll give her that.

The other interesting note is how honest she is with all of it. She always says things exactly how she believes they are. She doesn't lie or hide information from people, even for their own comfort. I think this has to do with the distrust in the ministry her father and her share.

Essentially, she was raised being told how awful the ministry is for lying to everyone and how it's horrible they hide information from the wizarding world. I think this is part of why she is so honest and straightforward. She really sees hiding information and lying as awful things to do. And, I mean, she's a Ravenclaw for a reason, she likely believes information should be accessible to know and learn, not hidden in the bawls of the ministry. It's all part of her honesty.

Luna's Empathy

Luna is one of the more empathetic characters in the books. I mentioned before how she goes out of her way to encourage and comfort others, and here are some examples I picked up:

“Are you sure you don’t want me to help you look for your stuff?” he said. “Oh no,” said Luna. “No, I think I’ll just go down and have some pudding and wait for it all to turn up. . . . It always does in the end. . . . Well, have a nice holiday, Harry.” “Yeah . . . yeah, you too.” She walked away from him, and as he watched her go, he found that the terrible weight in his stomach seemed to have lessened slightly.

(OotP, 864)

Luna is the first person to make Harry feel better after Sirius' death, to tell him life goes on and actually convince him of it. She can empathize with people really weel and tell them what they need to hear.

He finally tracked her [Hermione] down as she emerged from a girls’ bathroom on the floor below. She was accompanied by Luna Lovegood, who was patting her vaguely on the back. “Oh, hello, Harry,” said Luna. “Did you know one of your eyebrows is bright yellow?” “Hi, Luna. Hermione, you left your stuff. . . .” He held out her books. “Oh yes,” said Hermione in a choked voice, taking her things and turning away quickly to hide the fact that she was wiping her eyes on her pencil case. “Thank you, Harry. Well, I’d better get going. . . .” And she hurried off, without giving Harry any time to offer words of comfort, though admittedly he could not think of any. “She’s a bit upset,” said Luna. “I thought at first it was Moaning Myrtle in there, but it turned out to be Hermione. She said something about that Ron Weasley. . . .”

(HBP, 310)

Even with Hermione, whom Luna tends to argue with most due to Hermione appearing closed-minded to Luna, when Luna hears crying her first instinct is to go help. And she actually seemed to have made Hermione feel better, she found the right things to say.

Her mention of Moaning Myrtle makes it sound like Luna knows the ghost well. My headcanon is that in Luna's first years, when she was lonely and had no friends, she sat and chatted with Myrtle, and they had a cute little lonely friendship.

“That’s right,” said Luna encouragingly, as if they were back in the Room of Requirement and this was simply spell practice for the D.A., “That’s right, Harry. . . come on think of something happy. . . .” “Something happy?” he said, his voice cracked. “We’re all still here,” she whispered, “we’re still fighting. Come on, now. . . .”

(DS, 548)

Encouraging Harry to cast a Patronus when they need one.

“I’m going to miss you, Mr. Ollivander,” said Luna, approaching the old man. “And I you, my dear,” said Ollivander, patting her on the shoulder. “You were an inexpressible comfort to me in that terrible place.”

(DH, 437)

And even comforting Ollivanders.

Luna just brings comfort to everyone she meets. Knowing what to say to make them feel better.

About her supposed seer-like abilities

As I said, I don't think Luna is a seer or anything like that. I think she's intelligent, open-minded, incredibly empathetic, has some extreme distrust in the ministry, and has an overall life philosophy of looking at the full half of the cup.

When I searched for scenes that had "extra-magical" potential I found only two:

The girl beside the window looked up. She had straggly, waist-length, dirty-blond hair, very pale eyebrows, and protuberant eyes that gave her a permanently surprised look. Harry knew at once why Neville had chosen to pass this compartment by. The girl gave off an aura of distinct dottiness. Perhaps it was the fact that she had stuck her wand behind her left ear for safekeeping, or that she had chosen to wear a necklace of butterbeer caps, or that she was reading a magazine upside down. Her eyes ranged over Neville and came to rest on Harry. She nodded. [...] The girl called Luna watched them over her upside-down magazine, which was called The Quibbler. She did not seem to need to blink as much as normal humans. She stared and stared at Harry, who had taken the seat opposite her and now wished he had not.

(OotP, 185)

I think this is more Luna being awkward because she never had friends more than anything. I think she is just honestly shocked and confused that Harry and Co. want to sit with her; of like, their free will, and not just to say mean things.

As much as Luna holds her head high, she is hurt by her bullies and loneliness, she just chooses to not internalize any of it and never stop to be herself. Honestly I really appreciate this aspect of Luna, I adore her ability to stay afloat.

The second scene:

He led a party of warlocks into the marquee as Luna rushed up. “Hello, Harry!” she said. “Er—my name’s Barny,” said Harry, flummoxed. “Oh, have you changed that too?” she asked brightly. “How did you know—?” “Oh, just your expression,” she said.

(DH, 123)

I don't think this is being a "seer" or anything like that. I believe this is an extension of Luna's intense empathy. She says she recognises Harry's expression. Also, she's smart and he acts around Ron the way he always does, Luna would be able to recognize it...

So, yeah, these are my thoughts about Luna.

[fanganfessions]

my (silly) opinions on the fanganronpa communities i’ve been in (some hyperbole) :

drdt: good community. most “making crazy conclusions” fanbase ever. they’ll take a sprite where someone blinks and use it to make a theory that it’s them ‘closing their eyes on humanity’ they’re the mastermind and also killed 17 babies. i miss the old david chiem quite a lot.

dra/sdra2: the closest fangan community i’ve seen to the normal danganronpa community. it’s like a starter fangan! dra: despair academy is significantly forgotten to sdra2. interacting the fanbase makes me feel like i’m under a microscope and they’ll call me stupid if i say something wrong. also, i liked teruya otori MORE before his glow up. same with Yuki Maeda, he’s better first game than second

p:eg : i may absolutely be biased about this. i may absolutely be the most biased man you’ve ever met. but this has to be the best fanganronpa community i’ve seen!!!! the sheer amount of support on artists in the discord server is crazy. meme sharing channels, the amazing VAs and team, the sense of community in project: eden’s garden fan spaces… My golly gosh. Incredible.

the fangan community is generally a good place to be !!!!!!! love those games love those guys!! let me also say, i think dra:da, sdra2, drdt, and p:eg are “the big four” in the fangan community. feel free to say otherwise

i haven’t been super active in any other fangan communities, especially not smaller ones. sorry 💔 i prefer fangans that i can google and find content for, not fangans i have to scrounge every inch of the backside of like Tumblr just for sprites. that’s all !! yap confession

Lol, it's okay while I love a bunch of different fangans "the big four" are all really good and deserve their popularity. I also definitely agreee with a lot of your opinions ^^ (Idk if I should reply to confessions more or not)

Unrelated image I think id funny

[gloriousburden]

A few types of MCU Loki fans I’ve encountered/noticed being in the fandom for over three years now:

DISCLAIMER: DON’T TAKE THIS TOO SERIOUSLY PLEASEEEE IT’S LIGHTHEARTED!! Some of these things apply to me as well, and some don’t lol. Doesn’t necessarily apply to everyone it’s all just for giggles.

The Lokius shipper Series Fan:

- Usually younger Gen Z. Can be anywhere from 14 to 23 years old. They’re younger teenagers most of the time.

- Heavily on TikTok but also on Pinterest/Twitter.

- Got into the MCU/Loki more recently. Either from the Series, or from Ragnarok.

- For some reason, wholeheartedly believes that one Tumblr post from like ten years ago that states Loki is 16/17 in human years. Even though that’s not canon at all and it does not work like that.

- Favorite depiction of Loki tends to be the Variant/Ragnarok. Sometimes Avengers.

- Almost ALWAYS a fan of Good Omens or OFMD.

- Obviously… Ships Lokius.

- Very anti Sylvie/Sylki, but LOVES Mobius.

- EXTREMELY anti Thorki, even though not a lot of people ship them anymore.

- Spreads a lot of misinformation. Such as taking the fact that Marvel confirmed that the Scepter influenced Loki, and mistaking that with them 100% confirming the theory of Loki being brainwashed by Thanos.

- Thinks Loki’s eyes are green???

- Newer to fandom in general.

- Doesn’t talk a whole lot about the series outside of the ships/fanon discourse.

- Making Loki tree/Yggdrasil jokes CONSTANTLY.

- Either thinks that Loki before the series was completely evil, or an angel. No in between.

- “For you, for all of us 🥺” / “Your savior is here!”

- Often forgets/doesn’t remember the fact that Loki/OG Loki are two different characters, and groups them together.

- Either a Swiftie who likes to constantly joke about when Taylor and Tom dated for 3 months like 8 years ago and also associates a lot of her Songs/Lyrics with Loki, or is someone who has a bit more of an Alternative taste in Music/Fashion.

- Doesn’t really talk about Thor that much, or really wants him and Loki to reunite.

- They’ve probably seen other movies including Tom like Crimson Peak, Skull Island, and High Rise. The more popular ones.

- Owns a lot of TVA related merch.

- “He’s not Odin’s son, or Laufey’s son… He’s Frigga’s son 🥺” or insists on calling Loki by “Laufeyson.”

- In Fanon, sort of treats Loki as a very normal, modern human, and not a god from an entirely different realm.

- Has either dropped the Series/their love of Loki a few months after the Series ended for the “next best thing”, or is currently still raving about all of it.

- Quite immature about other’s opinions/perspectives on Loki/or even people who ship the opposite ship from their own. This is mainly because they’re younger or because they really like their Fanon idea of Loki/Which ship should be Canon.

- Has some questionable headcanons/opinions of their own on Loki.

- Loves Frigga.

- Hates Odin.

The OG Loki fan who’s been a fan of him since 2011/2012, but is a bit more casual about his characterization:

- Usually a Millennial/in their late twenties or mid thirties. May even be in their fourties.

- Has been here for a good while, and saw just about every movie featuring him as well as other MCU movies in the theater when they first came out. Was probably a younger adult/older teenager when Avengers came out.

- Fanfic writer!!

- Favorite depiction of Loki tends to be Ragnarok, TDW, or Avengers.

- Mainly reside on Tumblr/AO3 but also on Twitter from time to time.

- “The Sun will shine on us again.” / “Love is a Dagger.”

- Some depict Loki in their Fanfics in a Smutty/BookTok YA Fantasy Novel style. Some in other ways. They also have a lot of fun with their Fics! So many AUs.

- They are carrying the Loki x Reader tag, I won’t lie. 🫡

- Doesn’t necessarily love the Series, but also doesn’t necessarily hate it. Does prefer the OG Loki they know and love over the Series and had a few disappointments with the Series, though.

- MAJOR Hiddlestoner. Some may like Tom more than they like Loki. Have watched his entire filmography and then some.

- A lot of them have really cool Loki related tattoos.

- Collects a lot of merch. Both from the Series, as well as more OG Loki merch. Also owns about fourty Tom magazines.

- Probably has met Tom/owns an autograph or something signed by him.

- Usually ships Loki with Sigyn, Jane, Tony, or an OC they’ve had since 2013. Honestly, I don’t personally see them that often anymore, but may ship Thorki. Does not really ship Lokius/Sylki whatsoever, or uses Sylvie as a bit of a self insert in Fics.

- Sometimes also a huge fan of Bucky/The Winter Soldier or Sebastian Stan. Associates Bucky and Loki a lot especially in Fics.

- Some are also fans of Star Wars who love Kylo Ren.

- Actually they like a lot of other morally grey characters.

- Probably has a pet named after Loki.

- Feels deeply for Loki, and relates to him in certain ways. Really likes humanizing him in their fics. Loves the more vulnerable side of him.

- Loves Frigga.

- Hates Odin.

The Loki purist/“He’s literally me” Fan:

- Anywhere from 16 - 28 years old. May be a bit older than that. Usually Mid/Older Gen Z, or younger Millennial.

- Has either grown up loving Loki, or became a fan a bit more recently.

- Favorite depiction of Loki tends to be TDW, but obviously can be any of the three OG depictions of him.

- LIVES on Tumblr. A bit of an extinct species elsewhere, but some may also be on Twitter.

- #1 Loki defenders. Very protective of/sensitive about how he is depicted not only in Canon, but also in Fanon. Usually deemed as harsh by series fans/non series haters whenever they criticize the Series or Ragnarok, but in reality, deeply relates to Loki and takes it very personally when he is depicted inaccurately. They see themselves in him, and are so, so, SO tired of seeing him mischaracterized. But also can be genuinely harsh at times. I’ve been guilty of that.

- Either heavily believes the “Thanos Brainwashed Loki” theory, or completely rejects it.

- “I never wanted the Throne. I only ever wanted to be your Equal.” / “Trust my Rage.”

- Very creative. Creates Art of Loki, Fanfics, Edits, Cosplays him, etc…

- Sometimes weirdly resembles him in ways??? LOL. Taking “He’s literally me” literally

- Has a more Alternative taste in Music, Fashion, Aesthetics, etc..

- They either see Loki as their bff, their life partner, or as an enigma to observe. Or all of the above.

- Pretty into Norse Myth, and likes incorporating aspects of it creatively, or when talking about Loki.

- Has a good amount of Fandom experience, and does not tend to argue with other Loki purists/OG Loki fans over petty things. Because at the end of the day… it’s just Tumblr. And we usually all have a common middle ground. Or, is constantly arguing with others.

- They don’t really ship Loki with anyone, but if they do… it’s usually Sigyn or Thor. Or someone really random.

- Either really enjoys depicting Loki in a more Feminine/Neutral form, and wishes his fluidity was depicted in the MCU, or doesn’t talk about it all that much.

- Single handedly keeping the memory of Loki (prior to Ragnarok) alive. 🫡

- Loves the comics, or hasn’t touched a single one.

- Disliked Taika Waititi before it was cool.

- Lost complete trust in the MCU after the handling of Loki’s characterization in Ragnarok, and had no hope in the Series when it was first announced. Or… really hoped it would be our last hope.

- Either deems Thor as the origin of all evil, or actually likes him.

- Wishes it was still 2013 everyday of their lives.

- Either respects/likes Tom to a certain extent, or really does not like him.

- Has a few really cool merch items, or has a lot of everything and anything they can find that doesn’t include Ragnarok/The series. Usually, they DIY their merch.

- Needs to emulate him at any given moment and in any way possible.

- Likes Frigga, but acknowledges that she has messed up in ways. Or really does not like her, period.

- Hates Odin.

The… Male MCU casual/dudebro who strictly lives on TikTok/Instagram/Twitter and did not really like Loki that much until the Series finale came out and thinks Loki is a Sigma Male who dropped everything in order for his friends and his… “Girl” to live:

- ????? Wtf

- Okay I added this one more as a joke because obviously they’re not Loki fans, but…

- Anywhere from ages 15, to 24. No older than that.

- Definitely disregarded Loki’s character before the Series. Also due to him having a fanbase where Women/Girls are the majority. Now Loki is the best MCU character and has the best arc out of everyone else. 🤦🏻‍♀️

- Wholeheartedly believes that Loki was a narcissist/was overreacting about everything he’s been through, or believes that Loki is an angel now because he had a “Redemption Arc”.

- Has never picked up a single Loki comic.

- Jokes a lot about Loki “loving” himself (Sylki kiss).

- Calls the Series “Peak Fiction” just because the rest of the bullshit the MCU has been putting out was absolute garbage, and also because they haven’t really watched anything else.

- If you as an actual Loki fan correct them on any of their bullshit, they act like they know more than you because they loved the series. How could anyone hate it?

- Makes self insert memes/tries to project onto Loki in the absolute worst ways possible.

- Worships the ground that Michael Waldron walks on. Though, they all hated Multiverse of Magic..

- “Let time pass…” / “I know what kind of god I have to be. For you, for all of us.” (Once again.)

- Similarly to our Lokius shipper Series Fans… they do not realize that Loki/the Variant are literally two different people.

- Loves Mobius JUST because he is portrayed by Owen Wilson.

- Also very annoying about Loki being confirmed bisexual in the Series.

- Really wants not only Thor and Loki to reunite, but also Hela.

- Hated the earlier Thor movies, loved Ragnarok, hated Love and Thunder.

- Probably thinks the treatment of Thor in Endgame was funny af.

- Who’s Frigga?

- Loves Odin probably. (Hehe)

[markbandanawitts]

A Full English Translation of Mine Yoshizaki’s 47 Question QnA 🔥🔥

— Near the end of the 11.5 Guidebook, Yoshizaki sat down for an exclusive interview with Shonen Ace (The magazine that serialized Keroro Gunso), where he answered some personalized questions about himself

I’ve translated all of them along with giving some context to certain media references in this w attached links. he’s talks exactly how you’d expect lmao

Q1: Yoshizaki-sensei, people often seem to think you’re a woman.

I guess it’s because my name reads as “Mine.” When I chose it, I only had the image of Ryuta Mine in my head. But judging by Keroro’s behavior, I think it’s pretty clear I’m not a woman (laugh)

Q2: What was the first manga you bought?

I had my uncle buy me one copy each of Kiteretsu Encyclopedia and Obake Q-Taro. I used to borrow Doraemon from a rental bookstore.

Q3: Do you still have them?

Nah, even if I did, they’d be unreadable by now. I reread them so much they fell apart.

Q4: Do you have a favorite place to read?

I haven’t been reading too much lately, but I love to in a quiet, cozy café.

Q5: Has anything recently made you feel like you’ve been tricked?

Actually, yeah. Not too long ago, a friend took me on a small trip. We hopped on the highway and drove quite a bit, and I had no idea why we were going where we were; but it was fun, so I didn’t think much of it. Later, when I got home and watched the episode of Kamen Rider Hibiki that I’d recorded that morning, I realized the episode was filmed in the exact spot we had visited! My friend hadn’t said a word! It caught me completely off guard, but honestly, it kind of made me pretty happy too.

Q6: Is there a character you look up to?

Oh, definitely Saeki-san (laugh)

Q7: Keroro’s gotten really popular. Anything about that make you happy?

Hearing that everyone involved with Keroro is having fun working on it is what makes me happy.

Q8: On the flip side, anything tough about it?

It seems like working on Keroro is also kind of exhausting (laugh)

Q9: If you could be any character in Keroro, who would you choose?

Maybe Poyon-chan. She seems so nice and fluffy.

Q10: Who would you like to live with?

I’d say the new characters, Alisa-chan and Nevula.

Q11: Why them in particular?

I feel like we could have a nice, quiet time in an old Western-style mansion.

Q12: Is there any invention from Kururu that you’d want?

Oh, definitely that one thing for making Gundam models!

Q13: What’s your favorite part of the manga drawing process?

Definitely when it’s finally completed (laugh)

Q14: What’s the toughest part?

Getting started (laugh)

Q15: What do you think of the illustrations in the first volume of Keroro?

What do I think? Well, it was my best effort seven years ago. There's something beyond just thinking "it's bad." Especially for Keroro, since I challenged myself to break my previous style and start from scratch, so there are definitely some awkward parts in there.

Q16: When do you draw the cover illustrations? At the beginning, in the middle, or at the end?

The inking is random, so it varies every time.

Q17: Do you pay attention to differentiating characters?

Sometimes I intentionally try not to differentiate them visually. I make their personalities distinct, so that can create a sense of difference. I’ve even tried going against silhouette theory a bit, which is directly reflected in characters like Keroro.

Q18: Which is more fun to draw, Keronians or Earthlings?

Keronians’ round eyes are a hassle, and Earthlings have too many lines... It’s a toss-up (laugh)

Q19: What about secondary characters? Which ones are fun to draw?

Every character becomes lively as soon as I draw them, so it's fun. To me, they’re all waiting in line to be drawn!

Q20: Any tips for drawing something you’ve never seen before?

Draw with your eyes closed!

Q21: Do you do anything to improve your drawing skills?

Since I started working, not really. I draw every day, so whatever I’m bad at stays bad, which can be a bit of an issue.

Q22: When creating a manga, do you start with the characters, story, or setting?

The theme. Something that instinctively feels like "that's it!" The rest comes after that.

Q23: When do you come up with story ideas?

I thrash my ideas around, trying to come up with something, and eventually, once I reach the mandatory state of resignation, it comes to me (laugh)

Q24: Which takes more time, storyboarding or drawing?

Storyboarding!

Q25: If you had to sum up the feeling of struggling to come up with storyboards in one word?

Ugh.

Q26: What’s something essential while you work?

Coffee, probably.

Q27: You’ve never taken a break from publishing, but do you ever want to? If so, when?

I always feel like I want to! Every single time, no matter what!

Q28: When do you usually draw your manga—morning, afternoon, or night?

My schedule is all over the place. I live on a 25-26 hour cycle, so when my timing is off, it tends to mess things up for a lot of people. It makes planning pretty difficult too.

Q29: What’s your favorite manga that you’ve drawn so far?

Definitely Keroro Gunso.

Q30: Do you think you’re better suited for one-shot manga or long series?

Considering the amount of ideas on my brain when working on Keroro storyboards, I think I’m better suited for long series.

Q31: Are you currently thinking about your next manga project?

Ideas come and go, honestly. Right now, I’m putting all my effort into Keroro!

Q32: Do you like your own manga?

When it comes to Keroro, I like it without hesitation.

Q33: If you were an editor, what would you tell yourself?

“You can take a three month break if you want.”

Q34: Are you comfortable with drawing manga in front of people?

I’m totally fine with it! But in reality, I usually work alone, holed up in my workspace.

Q35: Do you do anything for your health?

Not really… It’s bad… I feel like I’ve been sending out SOS signals lately (laugh)

Q36: Do you have any stress relief methods?

I never considered myself to be stressed, but recently my eye started twitching, and apparently, that’s a sign of stress. I was kind of surprised when I found that out!

Q31: There are 24 hours in a day, but how many hours would you really want?

48 hours would be great!!

Q38: Is there anything that influences your manga drawing?

I’m most influenced by the general atmosphere of the world around me.

Q39: How would you describe the feeling of racing through Okutama on your bike?

Yahoo!

Q40: Anything that’s stuck with you or left a strong impression recently?

The insurance commercial with soccer commentator Matsuki has really stuck with me… As for things, I’m obsessed with the NSF100 motorcycle— I want it so bad!

Q41: A memorable quote that’s stuck with you?

“Ramen is long and delicious!” (I have literally no idea what he’s referencing here my bad guys)

Q42: Since getting your cat, Mac, has your life changed?

My lifestyle hasn’t really changed, but it feels like my heart’s OS has been upgraded by about three versions!

Q46: Do you like traveling?

I like it, but I haven’t gone anywhere recently. If I could, I’d love to go with all my friends.

Q43: What’s the most wasteful thing you’ve ever spent royalties on?

Royalties, huh... (laugh) The other day, I saw a Keroro bath towel in a UFO catcher machine, and I had to get it. I ended up blowing ¥2,000* and still didn’t win it. I wonder if my royalties will cover that…

*this is like $14 😭

Q45: What are the things you love the most?

The Earth, my wife, and Mac (my cat).

Q46: What’s the most shocking thing you’ve experienced?

When I first moved to Tokyo, I saw an elementary school kid at Yotsuya Station wearing a backpack and smoking a cigarette. I thought, “Wow, Tokyo’s scary. Maybe I should just go home.” But I’m glad I didn’t because I became a manga artist (laugh)

Q47: What does drawing manga mean to you?

It’s about making people happy. That concept hasn’t changed since I was a kid making hand-drawn manga for my friends in elementary school.

Anddd heres my impressively terrible scans of those pages just in case anyone wanted the source

[nalyra-dreaming]

Do you think Jasper is actually Marius? I see that being the popular theory but the “wants power” makes me think no. Marius wants knowdlege not power and it would be a very different take on the character. I’ve seen people say Magnus (obviously not but looks wise he fits for me) and others saying Mael or even Santino.

Uh, no, I do not think he's Marius, sorry.

Marius has been hinted at in both seasons of IWTV, and heavily, and an introduction in another show would not make much sense, imho. I think they would want the impact in IWTV.

Marius is quite important for the story, whether one might like him or not, and so he will be in IWTV, and latest in s4 (depending on whether s3 will be split).

I think Jasper is either someone else in disguise, or an OC, I'm currently leaning towards OC.

Magnus is dead, it is one rather important aspect of the books that he does go into the fire, as it shapes Lestat and pays into later arcs in the books.

Mael or Santino I cannot see either, sorry.

I mean, in the books the "elders" of the Talamasca turn out to be vampires and ghosts (long story), yes, but they usually do not "assume control". And that is apparently exactly what "Jasper has done":

a mysterious American who has quietly assumed control and influence over the Talamasca’s London Motherhouse. Though his motives and methods are cloaked in shadow, his charm and righteous sense of purpose are as dangerous as the power he’s pursuing.

For a vampire to openly assume control... he must be extremely old - or very, very brazen.

IWTV has changed the death sleep during the day already, so a big handicap for the stories/characters has fallen away, granted, but that vampire is still a serial killer - and not everyone would be alright with that.

In the VC there is a subplot Anne dropped (and that they maybe picked up here) where the Talamasca are leaning more towards adversaries, since so many of their members get turned... but how that would fit with the motherhouse in London being taken over I cannot say (yet^^).

And why the Talamasca would allow that... is a whole different matter, too.

Assuming this is one of the founders who is slowly assuming control again then this would be Teskhamen, Marius maker. And I think the casting would fit quite well then.

But I doubt it is Marius himself.

[lostyesterday]

Does O’Brien Really Suffer More?

A popular topic of discussion in the DS9 fandom is the idea that terrible things are constantly happening to poor O’Brien. I’ve also seen several people push back against this idea and argue that terrible things happen to other characters just as much or more than they do to O’Brien. I decided to try to answer the question of whether or not O’Brien really suffers more as objectively as possible.

First of all, what do people mean when they say that O’Brien suffers more than other characters? Here are a few possible theories:

A larger number of bad things happen to O’Brien onscreen than to any other major character. This is so obviously untrue it’s not worth investigating, at least partially because characters like Sisko and Kira are more often focused on in the show than O’Brien, and so clearly a larger number of bad things happen to them. Also, it would be almost impossible to count every single bad thing that happened to every major DS9 character, so it’s not a useful definition.

A larger percentage of the things that happen to O’Brien are bad compared to the percentage of bad things that happen to other characters. This has a greater likelihood of possibly being true in the show, but it has a similar problem of requiring a catalogue of every single thing that happens to every character, which would be ridiculous to attempt.

The bad things that happen to O’Brien are worse than the bad things that happen to other major characters. This is impossible to measure in any kind of remotely objective way, and anyway, I don’t buy the idea that the things that have happened to characters like Kira or Bashir are somehow less bad than the things that have happened to O’Brien.

So instead, I’ve decided to focus on the idea of the “O’Brien Must Suffer” episode, which is a concept that has existed in the fandom for a long time from what I can tell. The idea is that an “O’Brien Must Suffer” episode involves a strong emphasis on terrible things happening to O’Brien. I looked in various places online to find lists of what people consider to be all the “O’Brien Must Suffer” episodes. From there, I tried to compile a reasonable definition of what an “O’Brien Must Suffer” episode would look like, and then generalize that definition to apply to any character. Then I could ask, how many “Kira Must Suffer” or “Bashir Must Suffer” episodes are there, and are there really more “O’Brien Must Suffer” episodes than for any other character?

This is the definition of an “X Must Suffer” episode that I settled on:

The episode features a major character suffering something very bad/traumatizing even by Star Trek standards.

The suffering is entirely or mostly caused by outside forces without the character having any control over them (so no moral dilemma episodes where the suffering is caused by having to make a choice or take certain actions willingly).

The episode focuses significantly on this character’s suffering (meaning it doesn’t happen entirely off screen/in the past).

This character is either the only character shown experiencing this particular type of suffering (as in no other important characters undergo the same thing in the same episode), or has something substantially worse/more horrifying happen to them than any of the other characters in the same situation.

The problem with this definition is that it’s arguably too strict. A lot of the episodes commonly considered to be “O’Brien Must Suffer” episodes don’t fit it, mostly because they break Rule 4. But Rule 4 is necessary, otherwise there would be no way to distinguish between an “X Must Suffer” episode and an “Everyone Suffers” episode.

So I decided to allow for episodes that mostly fit the definition, but don’t quite fit one or two of the rules. These partial “X Must Suffer” episodes are worth half a point, and any episode that fully fits the definition is worth one point. Partial “X Must Suffer” episodes include: episodes where the suffering is partially caused by the character’s own actions/choices but is still mostly out of their control, episodes where the suffering happened in the past or is not given central focus in the episode, and episodes where two characters (rather than only one) experience the same terrible thing.

Here is a graph showing the number of suffering points each major DS9 character gets according to the definition listed above and giving half points to episodes that partially fit:

Notes: For the purposes of this graph, I counted Jadzia and Ezri as the same character, and I counted double episodes/arcs as singular episodes. I’ve also listed all the episodes I counted for each character below the cut.

Conclusion: O’Brien does not have a larger number of “X Must Suffer” episodes than the rest of the major DS9 characters. He’s definitely in the top four (with all having distinctly higher scores than the rest of the characters), but Sisko, Kira, and Bashir all have higher scores than O’Brien using my definition.

Potential further avenue of analysis: If O’Brien doesn’t have a larger number of “X Must Suffer” episodes than every other character, why is the fandom perception that he does so common?

List of All Episodes Counted in the Above Graph for Each Character:

O’Brien:

Armageddon Game: 0.5 points (Bashir suffers too)

Whispers: 1 point

Paradise: 0.5 points (Sisko suffers too)

Tribunal: 1 point

Visionary: 1 point

Hippocratic Oath: 0.5 points (Bashir suffers too)

Hard Time: 1 point

The Assignment: 0.5 points (Keiko suffers too, also this is technically a moral dilemma episode but there was really no other option here so I’m counting it for half points)

Empok Nor: 0.5 points (Nog suffers too)

Note: There are two episodes commonly considered to be “O’Brien Must Suffer” episodes that did not fit my definition even partially. Time’s Orphan is a “Molly Must Suffer” episode, not an “O’Brien Must Suffer” episode. If I counted this episode for O’Brien, I’d have to count any episode for any other character where their suffering is due to seeing a loved one suffer way more, and there are a fair number of those. Honor Among Thieves doesn’t count either. It’s a fairly standard moral dilemma episode, and if I counted that, I’d have to count tons of other moral dilemma episodes for other characters like In the Pale Moonlight for Sisko.

Sisko:

Paradise: 0.5 points (O’Brien suffers too)

The Jem’Hadar: 0.5 points (Quark suffers too)

Past Tense: 0.5 points (Bashir suffers too)

Through the Looking Glass: 1 point

Shattered Mirror 0.5 points (Jake suffers too)

Rapture: 1 point

Waltz: 1 point

Far Beyond the Stars: 1 point

Shadows and Symbols: 1 point

What You Leave Behind: 0.5 points (situation partially due to Sisko’s own choices)

Kira:

Duet: 0.5 points (technically a moral dilemma episode, but a lot of focus is placed on suffering outside of Kira’s control in the past)

Necessary Evil: 0.5 points (suffering in flashbacks)

The Circle/The Siege: 1 point

Crossover: 0.5 points (Bashir suffers too)

Second Skin: 1 point

The Darkness and the Light: 1 point (I do not consider it reasonable to say that the events of this episode are caused by Kira’s choices - I’m not going to agree with the serial killer here)

Ties of Blood and Water: 0.5 points (primary suffering shown in flashbacks)

Wrongs Darker than Death or Night: 1 point (Kira does make choices here, but most of the bad things that happen to her are sufficiently out of her control to award full points in my opinion)

Covenant: 1 point

Dax:

Invasive Procedures: 1 point

Equilibrium: 1 point (Joran’s decisions do not count as Jadzia’s decisions)

Change of Heart: 1 point (Jadzia’s the one dying painfully so she gets full points)

Tears of the Prophets: 1 point

Til Death Do Us Part/Strange Bedfellows: 0.5 points (Worf suffers too)

Bashir:

The Passenger: 1 point

Armageddon Game: 0.5 points (O’Brien suffers too)

Crossover: 0.5 points (Kira suffers too)

Past Tense: 0.5 points (Sisko suffers too)

Distant Voices: 1 point

Hippocratic Oath: 0.5 points (O’Brien suffers too)

In Purgatory’s Shadow: 1 point

Doctor Bashir I Presume: 0.5 points (main suffering is in the past)

Inquisition: 1 point

Inter Arma Enim Silent Leges: 0.5 points (technically this is a moral dilemma episode, but his choices don’t matter much here so I’m awarding half points)

Odo:

The Alternate: 0.5 points (primary suffering in the past)

The Die is Cast: 1 point

Broken Link: 1 point

The Ascent: 0.5 points (Quark suffers too)

When it Rains: 1 point

Quark:

The Jem’Hadar: 0.5 points (Sisko suffers too)

Body Parts: 0.5 points (suffering partly a result of Quark’s choices, but not very directly)

The Ascent: 0.5 points (Odo suffers too)

Worf:

By Inferno’s Light: 1 point (other characters suffer, but Worf suffers a particular bad thing that no other major character does onscreen so I’m giving him full points here)

Til Death Do Us Part/Strange Bedfellows: 0.5 points (Ezri suffers too)

Jake:

The Visitor: 0.5 points (Technically speaking this is a moral dilemma episode, but Jake’s primary suffering throughout the episode is due to a situation out of his control so I’m giving half points)

Shattered Mirror 0.5 points (Sisko suffers too)

The Muse: 1 point (Jake is severely manipulated, I don’t think his choices count here)

The Reckoning: 1 point (others suffer but Jake suffers more)

[utilitycaster]

Hi! Hope you don’t mind me asking but, I’ve seen you comment about a “fjord moon” theory every so often in your tags, and I’m quite curious what’s it about? I don’t think I’ve ever heard about it, is it something more prevalent in twitter spaces?

It started in Reddit spaces but it had a moment within the fandom at large during Campaign 2, especially after a YouTube video surfaced shortly after the campaign had come back from hiatus in August 2020. It hasn't come up lately since Campaign 3's plot pretty thoroughly debunked it, which wasn't necessary for reasons I will cover below.

I talked about how stupid it was at the time, and will do so again but I don't feel like looking back through my archives to find that post, so: the idea was that Fjord was from Ruidus. I call it a theory because its creators called it a theory but it was really just a lot of incoherent yelling that unfortunately happened to fall into the hands of a prolific and popular but talentless video maker and was boosted by a prolific and popular but deeply stupid figure on CR Twitter.

You can read it here but in short he basis was that Fjord was actually a Spelljammer Space Orc (Scro; yes this is just Orcs backwards; Spelljammer is not exactly the most brilliant of concepts) because he was intelligent and walked upright, ignoring that Spelljammer was, at the time, from D&D 2e only which can generously be described as "wicked racist in the depiction of orcs". Not that 5e is not without its foibles, but it had largely 86-ed the worst of the racism that pervaded earlier orc depictions. Also Garthok pre-dated Fjord and was a half-orc with the same intelligence, but what are facts to an idiot. So anyway this guy working off a deeply racist older concept for orcs spun this into a wild conspiracy theory involving the fact that Travis likes Dragonball Z; something about the film Spaceballs (as far as I know Travis has said absolutely nothing about this, this is just that the Mel Brooks Star Wars parody and my personal childhood favorite Spaceballs exists I think?) and various other random pulls from science fiction media. This guy asked a question at a panel and mistook the cast looking at him like he had lost the plot as a sign he was onto something. Somehow, people listened to him.

Here's the thing about theorycraft. It is more important, in writing a theory, that you base it on evidence than that you get it correct. Any dipshit can guess and any lucky dipshit can guess correctly, but if you show that you can't structure an argument for beans, anyone who can structure an argument for beans will rightfully look at you and say "well, they predicted something once, but that's a fucking fluke because they're a fucking joke." Theories should explain something that needs explanation (Fjord having an INT of 14 and the name Fjord and being an orphan does not). They should not solely rest on things the cast likes or things that merely exist in-world and certainly not from Spaceballs and Hitchhiker's Guide to the Galaxy, the connection of which to Critical Role in that Reddit post is not explained, ever.

To give some examples of good, mediocre, and bad but at least not nearly that bad theorycraft: the theory that Ashton was a meteor that was around early in C3 is in my mind not very good, but at least it fits within Exandria canon and explained something about Ashton needing explanation at the time. The theory that The Emissary is the source of the stasis bubbles is in my mind a very good one explaining several key mysteries (source of stasis bubbles; why Erathis sent him rather than coming himself). The theory that Bor'Dor was a dog was fucking stupid and made no sense nor did it explain anything that needed explanation (and also wildly misjudged how border collies behave) but did at least not say "also, the TV show Lassie...exists in our reality, and this is evidence" The Fjord Moon Theory is maybe the stupidest and worst CR theory I've seen in my entire life, and it's up there for fandom theories over all. I get that it was August 2020 and I don't begrudge people who were very bored and scared from joking about it while not taking it seriously, but I do begrudge those who did take it seriously because like, come on.

Anyway, I bring it up in tags sometimes because many of the worst C3 takes on Twitter that make it to me via "can you fucking believe this" screenshots in the groupchat are either started or propagated by Former Moon Theory People.

[dustbunnylair]

Jujutsu Kaisen And It's Popularity Giving The Fanbase a Bad Reputation (JJK Spoilers)

Jujutsu Kaisen has currently become extremely popular not just in Japan, but also in Western Countries. At first, I wasn’t too concerned about it gaining popularity, I’ve been a fan since the first season was animated so I was quite glad it was gaining a fanbase. I really didn’t care if Gojo was getting popular, that’s fine, but it started to concern me when I realized people are debating over what ships are and aren’t canon.

First off, let’s go over the definition of shipping. Shipping is when people in a fandom or fanbase of fictional media start shipping fictional characters within that fictional media. But within shipping, it is EXTREMELY important to note that shipping characters are only valid when it is fictional characters, legal, and nontoxic. This means pedophilia, incest, abusive, etc. relationships are invalid within shipping.

In Japan, the top ships are mostly illegal. Shipping minors with adults, eg; Gojo x Yuji, Gojo x Megumi, Sukuna x Megumi, Choso x Yuji (also incestual), etc. But in my opinion, specifically within the US, the top ships are probably SatoSugu (Gojo x Geto), NobaMaki (Nobara x Maki), ItaFushi (Megumi x Yuji), along with less popular ships that are more likely to be canon such as HaKira (Hakari X Kirara), and a very wholesome and canon one, ToMema (Toji x his wife)

Honestly like I said I don’t care if Gojo is popular or not, I think the only problem is that almost if not all of everyone likes him because he’s strong, which is also literally the reason people like him in JJK. I don’t really care if people sexualize him or say SOMEWHAT sexual things, I do think people take it too far within comments, but if it’s only somewhat sexual there’s really nothing you can do about it because he is 28 years old.

Gojo and Geto are very well-written characters, lore-wise. Technically they are platonic soulmates. I think the only excuse I’ve seen for people not liking SatoSugu is that Gojo is confirmed to show attraction to women, which isn’t a lie. He is attracted to an actual celebrity, Waka Inoue, or I guess, was, because he was 16-17 during his past arc. But following up that “theory” of him showing attraction to women, is that people can be attracted to both men and women, hence bisexuals, pansexuals, etc. Gojo is ALSO confirmed to be a womanizer because he is NOT loyal.

Another thing anti-SatoSugu shippers say to claim Gojo isn’t lgbtq+ or whatever, is that best friends exist.

…Because we didn’t already know that. Honestly, I think people forget headcanons exist. Headcanons are when someone believes or interprets something about a character, for example: thinking they are trans, gay, lgbtq+, neurodivergent, etc. It doesn’t mean that it is genuinely true and/or confirmed by the creator. 

And to follow up with people hating on SatoSugu, that the season 2 Gojo Past Arc argument scene, aka Geto’s last goodbye to Gojo, aka KFC break up/dumping scene. it is a real location in Shinjuku, Japan:

Not to mention that the day that they both died, December 24th, is Japan’s Valentines' Day and KFC is a meal that couples get on that day. During the afterlife scene in the Manga, chapter 236, Gojo says to Geto, “Satisfied? If you were among those patting my back... then I might've been satisfied,”. Some songs that are played and directed at Gojo and/or Geto, have very meaningful lyrics:

“Shame On Me” by Avicii (One of the two Gojo’s theme songs named by Gege)

Shame on me for lovin’ you

That’s what I get for lovin’ you;

You know I can’t live without you;

And all the things you put me through

are you baptized and born again? 

I’ma raise hell for the bitter end;

I’m a crazy little bitch in the first degree, 

shame on you for loving me.

Come Back Home by Two Door Cinema Club (One of Geto’s themes that Gege said was)

I know this isn't it

You'll hit your target someday

So now you're on your own

Won't you come back home

To see you're not that kind

And find the strength, to find the strength

To find another way

Alone Tonight by Munrai (a song specifically written for an official Geto + Gojo promotional video)

If I came to your place tonight, would you let me in?

Sakayume by King Gnu (A song played in Jujutsu Kaisen 0 portrayed towards Rika and Yuta’s relationship but also how Geto feels toward Gojo)

I'll dive into the sea of memories

And pick up the pieces of my love

And keep them in you forever.

Where Our Blue Is by Tatsuya Kitani (The first opening of Season 2 of Jujutsu Kaisen, is written from Gojo’s perspective, confirmed here: https://x.com/skanaaa_/status/1690104150045184000?s=20)

Even now, blue resides

Even now, blue remains clear

No matter the prayers or words

Though they draw near, they never reach

It's like a quiet love

In the summer-like colors running down my cheeks

The words that curse you are stuck in the back of my throat

Akari by Soushi Sakiyama (first ending for Season 2 of Jujutsu Kaisen, the lyrics “Show me your blushing face once more” is confirmed to be Gojo speaking to Geto from an interview, the interview is here

Realizing that something seemingly everywhere

Exists only here

Even trivial conversations are fine

Show me your blushing face once more

SPECIALZ by King Gnu, The letters used in the lyrics “I love you 6a6y” are speculated to likely represent Gojo and Geto, hinting at Gojo’s six eyes. the lyrics "get 1○st iπ 31" can be related to Geto and 31st October when the Shibuya Incident took place. Daiki Tsuneta later confirmed in a TV show called 日曜日の初耳学 that the lyrics were indeed intentional; in this specific manner: "get 1○＝夏油/Geto, st＝悟/Satoru, 1○ 31＝10月31日/October 31st, get 1○st iπ 31＝get lost in me(我に返る)"

n short, people think that because the fandom and/or fanbase of Jujutsu Kaisen are shipping illegal ships, over-sexualizing characters, arguing over legal/non-problematic ships, arguing what is and isn't canon, or arguing about who is and isn't gay, the Jujutsu Kaisen fandom/fanbase is slowly turning into the My Hero Academia Fandom. Honestly, it isn’t too far off, and it’s unfortunate that Jujutsu Kaisen is getting a bad reputation. Unfortunately, anything that gets popular on social media, especially TikTok, will have bad sides of the fanbase/fandom. 

All things aside the over-sexualization of adult characters, shipping illegal ships, people arguing over simple legal ships, and arguing what is and isn't canon or who is and isn't gay. Shipping legal ships and having non-offensive headcanons, isn’t wrong, and it shouldn’t always be looked down upon. If someone is shipping characters way too far and telling someone to harm themselves because they don’t agree with a ship, then yes, that is something we should look down upon. Shipping can also be platonic, hence why people call Geto and Gojo both soulmates AND platonic soulmates. 

To be honest, I think the only people I’ve seen hate on SatoSugu are straight cismen or straight people in general, people who can't handle that gay ships will exist at times, and/or SuguShoko (Geto x Shoko) Shippers and GojoHime (Gojo x Utahime) Shippers. It’s fine if you disagree with it and still continue to respect other people for their opinion on the ship, but if you are just gonna talk about what is and isn’t canon I will believe you live in a world of delusion. If you wanna talk about what is and isn't canon Utahime despises Gojo, she would never get with him and Gege said Shoko would rather die than get with Geto and/or Gojo.

Thanks for listening to my yapping. Please respect others’ ships as long as it isn't a pro/comship, and just respect people in general, unfortunately, the world doesn’t do that enough, especially on social media.