#I’ve lost connections with literally everyone I’ve known my whole life

[lesbiansanemi]

I need to Get Out of the Midwest. I think it’s draining me of all life and energy like some kind of regional soul-sucking vampire

[sixosix]

I need you to know that I squawked at the cliffhanger of childe’s appearance. Lost my mind and almost threw my phone. Fingers crossed that Aether got to him before the banquet!

But to the chapter as a whole! There are?? So many things I wanna talk about? I’ll try to keep it somewhat short so I can fit it all into one ask but sienussnei-

I’m like 50 percent sure those strings pulled had something to do with the fauti. Something I remembered!! Not every person from the house of the hearth becomes one of the fauti! But they still do remain close to the group! My crack theory is that Rosalie is one of people in that latter group. Arlecchino was able to fully attempt an assassination on Furina without anyone knowing before or after( including the orphans in this as well since they don’t say thing about it as far as i know? And im absolutely positive they wouldn’t push for more info and take her at her word that she didn’t have the gnosis) and the only reason why it was a attempt and not a success is because she stopped herself! Either way though, considering her disguise used for that same attempt, I sure that the hooded figure was Father herself.

ALSO THE PINING OF THIS MAN!!! That polearm?? The sudden flip from fake to real the moment he saw Rosseland (I’m assuming that was the kitty in question) had led Thawed!Reader to him? The instant flirtations? Not to mention that despite the fact Thawed!Reader kept talking about kissing him, he refused!! Because he knew they were both drunk and not quite in their right minds to do that!!! THE MAN CARES!! It’s also a blessing and a curse rn that Thawed!Reader is kinda drunk. A blessing because she isn’t hiding her feelings as much, but a curse because she isn’t being subtle at all. The straight forward question she asked? Lyney isn’t drunk enough to forget that.

The callback to the last chapter too! She really does know lyney so well, even after all this time. He was right, she did know he was lying. And she’s just sitting there, trying to figure out what’s going on while Aether’s just sitting there like ‘you two nerds love each other.’ Not that she would admit it out loud. Yet. Also RIP reader, paimon and Rosalie are friends now, friendship forged by food. They aren’t gonna leave readers life once this is over and done. Say goodbye to your peace and quiet! (Although lyney may complain about that but that’s a different story-)

Losing my mind also over Rosalie and Thawed!Reader’s connection. She doesn’t even realize she is calling Rosalie maman!! But Rosalie does and it’s just so soft and sweet and family and rurnfjkeis. I’ve known Rosalie for 7 chapters and if anything happens to her I will kill everyone in this room and then myself.

Great chapter as always! I’m a little sad to hear regular updates are potentially stopping for a bit but I fully understand! Best of luck with school!!

-Deadman Aether Anon

deadman aether anon i wish you couldve seen my face when i saw your ask i literally lit up. and im sure that the other readers have been waiting for your thoughts as well, based on the tags of reblogs i read (“cant wait for deadman aether anon's insight now”)

HAHA i talked about this w my friend but i wanted to make childes appearance TERRIBLE. i wanted everyone to be like "FUCK. I LOVE YOU BUT NOT NOW." while childe shows up lke a celebrity in a disneyshow. it seems like it worked LMFAOO

INTERESTNG CRACK THEORY U HAVE!!!! the truth will be revealed eventually but i applaud u for how ure thinking of it. :D big brain as usual. it is also interesting to see people trying to figure out who the hooded figure was? deadman aether anon idk if u saw but there are other people guessing differently. im surprised bc i thought it was pretty obvious !!

YEAHH!! IT WAS ROSSELAND !!! i love rosseland and how lyney ended up making the cat his assistant-- that little backstory is so cute. rosseland is such a smart cat, too; writing that scene of leading mc to lyney didnt seem absurd in the slightest to me.

drunk t!reader is a mess kwdhkdfhd some drunk words are sober thoughts. and yes i think and know that lyney is a gentleman. even drunk he would always put reader first. always!

aether is so silly he came in there to blackmail someone and ended up playing secondhand matchmaker, if that makes sense LMFAOO i actually love aether and readers dynamic its so absurd when you look at it from a different perspective. its such a strange friendship they ended up making

yes ure right!!!!!1 im not sure if im portraying it well but reader calling rosalie maman is so ? subconsciously done. its like looking at a cat and going "here kitty". u look at rosalie and the way she treats reader and u go "thanks maman".

tysm for this ask!!!!!!!!! always such a delight to see you stopping by and sharing your thoughts, but i think ive said that every time by now LOL. and thank u too for the wishes T__T ill need them when i deal with chemistry <333 MUCH LOVE

[bratz-kitten]

ASTRO OBSERVATIONS [part 5]

— people with jupiter in the 8th may experience an “abundance” of traumatic experiences throughout life, often relating to death; these are the people who truly feel like everyone they love ends up dying. at their worst, they can become desensitized to death— jupiter is ruled by sagittarius, a sign known for being in denial when in difficult situations in favor of optimism. these natives can pretend like nothing actually happened, or minimize the situation in their head so that they don’t have to face it.

— okay this might be a weird one... like, you know in asoiaf when arya was walking through the streets and was always like “i’m as quiet as a shadow”? that’s literally the energy of someone with planets in the 12th house/chart ruler in the 12th house. these people are so stealthy. they’re able to move so quietly and without anyone noticing, both literally and figuratively. on one hand, they’re very quiet about their plans and ambitions to the point where other people only find out when they’re achieving success over it; on the other hand, they just. don’t like making noise while walking idk bitch you’ll only see me coming when i’m right beside you, i even get paranoid that i’m breathing too loud and that other people will hear 

— people with moon aspecting mars can be incredibly impulsive when they feel hurt or triggered. yall need to be careful with doing things in the heat of the moment that you know you’ll regret later... but in the moment, you feel so hurt that it clouds your rational side. please be more self-aware about this because you may make decisions that will directly affect you for the worse in the future 

— people with leo mars ft. constantly asking you for pictures... about anything. they just wanna SEE LMFAO THEY DON’T CARE WHAT IT IS THEY’RE SEEING. you just got ready to go out? “send pics of your makeup and your full outfit”. you’re waiting in a long boring line to get the covid vaccine? “send pics of the line”. your mom baked cake? “send pics of the cake”. plus they send so many random pictures while texting, it’s their special love language

— having moon conjunct moon/venus in synastry feels insane. you tell them something you’ve been through, and they’re immediately like “that happened with me as well.” it doesn’t even have to be something grand, sometimes just very specific things you thought were particular about you. the amount of understanding that comes with this aspect in synastry can feel very new and intense especially if you’re used to seeing yourself as the “odd one out”, used to feeling isolated in your experiences 

— people with pluto in the 1st house often feel the need to erase “traces” of their existence, for example deleting messages that they sent people, deleting all of their social media posts. they can feel anxious and paranoid about other people having access to their past self, even if the past self in question is from, like. a week ago 

— people with chiron in the water houses (4th/8th/12th) might’ve suffered bullying to the point where they repress their memories. a lot of their memories of their school years may feel foggy if they were bullied in those years

— also. people with chiron in the 8th house may feel as though they’ve been punished for wanting to experience intimacy. it’s like, the people who were supposed to be the closest to them – for example, their sibling or something – were the ones who hurt them the most. 

— people with mercury-neptune aspects and strong pisces/neptune energy in their birth chart might struggle with only remembering things when they’re right in front of them. you should keep things in your peripheral vision to remind you of reality, especially when it comes to feelings— so that you won’t start getting lost inside your own head. like... keep the letters your friends wrote you by your bedside table so you can read them every time your brain starts convincing you that you’re not loved. keep the gifts you’ve been sent on display in your bedroom wall, or sentimental material things that remind you of past happy experiences.

— earth placements and their thing for asmr... omfg. it’s like they’re always looking for things to up their sensory experience/sensitivity. like, earth signs are the ones most connected to worldly experiences so they feel so soothed with the whole asmr experience: just hearing someone gently whispering or tapping on/scratching things calms them down and helps them fall asleep. they love the tingles it’s heaven for them

— moon-saturn aspects might hold and caress themselves while they sleep because their parents never did. yes i woke up and chose violence <3 your secret is NOT safe with me 💋

— while we’re on the topic of sleeping, a majority of the pisces moons i know need to sleep while hugging something, at least a pillow. they can’t just not hug something while they sleep, it’s very instinctive for them. anyways if any pisces moon needs a pillow to hold, i volunteer as tribute 💋

— virgo placements feel sososo soothed by hearing their cats purr. thinking about how my virgo placement friends are always the ones who send me videos of them petting their cats... and then i get soothed by how soothed they feel. it’s a win win situation, if you have virgo placements it’s hereby your duty to send me a video of you petting your cat while they purr. right now. GO

— people with gemini in the 3rd house might have shaky movements of the hands when other people look at them doing things. very specific i know but the third house rules hands and gemini is a sign that has somewhat of an anxious, twitchy quality to it. on the other hand, people with capricorn in the 3rd house (scorpio risings, using whole signs) have the steadiest hands i’ve ever seen lol their movements ooze confidence, these bitches know how to make you feel as thought they know exactly what they’re doing

— people with venus in the 1st house ft. altering their pics with photoshop and hating posting selfies without filters because they never feel like their appearance is good enough. stop it. you don’t need to always look your best and especially not if your ‘best’ isn’t even what you actually look like. also... don’t even think about making self-deprecative jokes about your appearance. next time i find one of yall saying “ahaha im not bad for a 5 without talent” i’m squishing your head between 2 pieces of toast and calling you an idiot sandwich. you’re BEAUTIFUL 

— having venus in the 3rd house in composite with someone? do you mean calling each other the absolute ugliest nicknames in the most endearing way? 

— leo deals with themes of the ego, and it seems that leo placements often struggle with attracting narcissistic people into their life... leo suns/mercuries can be raised by loud, overbearing, narcissistic parents who see their kid as an extension of themselves and who teach the kid to always be very supportive and caring towards them or else they’ll deny them of words of affirmation-- either by insulting them to shatter their self-esteem or simply never complimenting the kid back. leo moons/mars/venus tend to attract narcissistic partners who only care about serving their own emotional needs and ignore the ones of their partner, and who feed off of their supportive and giving nature. which is why leo placements really need to watch out for being gullible, naïve and dismissing the red flags because my god, you be falling for some shady people. 

— people with personal planets in the 12th house/chart ruler in the 12th house might feel like they can’t let go of their past life— they may dream of memories, people or places from another life. it’s like they can’t detach from it, and even if they can’t directly remember their past life, it’s like they feel it in their bones. also, they might’ve felt... estranged from their family ever since childhood; there may have been feelings of being unable to emotionally connect to their (often, distant) parents, and they might’ve even wondered if they were adopted because of how different they felt to the rest of the family. 

— okay so, a thing that people with saturn in the 3rd house need to look out for is mentally checking out of conversations while they’re still happening. these people can detect when they’re being manipulated really fast and their way of dealing with it can be to immediately shut down, to grow cold and silent and not even bother answering when you’re expected to respond. and, like, that’s great when someone starts screaming at you or being insulting/trying to coerce you into shit, but take notice if you find yourself shutting your loved ones out as soon as they say anything that triggers you. don’t simply detach from them, communicate what’s wrong

— aries placements, ESPECIALLY aries suns and moons, value generosity so much and they get so turned off by stingy ppl who don’t share with others, especially when others need it. like.. if you’re hanging out in a group with them and someone asks for a bite of your food because they have no money and you say no... espect them to never respect you. ever. 

— people with libra placements use soooo many adjectives to describe things. something can’t just be beautiful, it has to be DIVINE and CELESTIAL and INTOXICATING. they can be so expressive god it’s so fcking funny 

— capricorn placements HATE asking others for advice because they think no one knows better than them (and they’re not wrong, lol). when they truly care for someone, they might ask the person for advice simply as a sign that they respect, trust and value their judgement. even if they don’t plan on taking it LMFAO 

— people with mars in a water sign can have this terrible habit of expecting other people to guess what they want. and then they get passive agressive when you don’t instinctively feel what it is they want... and when you ask them “do you want this?”, they go like “FINALLY. i thought you’d never get there”. stop it. i know that you want people to understand you in a way that transcends words, but you can’t expect people to read your mind and then get disappointed when they don’t, thinking “oh if they loved me that much then they would’ve known that i really want chipotle for dinner :(” GIRL WHAT. COMMUNICATE YOUR NEEDS  

[guaxinimraccoon]

jesus christ why-

oh mY DEAR GOD-

FIRST OF ALL I'm SO sorry for taking so damn long to answer those, I've been really really busy and I'm very sorry, I'm doing my best to answer everybody ; o ;

BUT FINALLY let's talk about our big last Euphoria reveal (about four months ago but ok-), where I showed you guys that Alex is Brad's father and Elisa is Toby's mom.

"BUT GUAX WHAT THE ACTUAL FUCK??? HOW?? WHEN??? WHERE??"

SHUSH , CALM YOUR TITS DOWN and let me explain:

Ok, so I'll be putting some links here and there because yes, Alex and Elisa's story is very, VERY connected to Brad and Toby's. 

And get ready for a veeeeeeeeeeeeery long post. You were warned.

As you all already know, Alex and Elisa had a troublesome meeting, but eventually got closer to each other, they fell in love yadda yadda yadda BUT their will to get closer to each other, in other words, their relationship brought HUGE consequences.

Yes, they did manage to build a healthy relationship, they were happy, they were fine.

But they were also adults, adults that wanted something serious and concrete, they couldn't spend the rest of their lives as forbbiden lovers.

So Elisa did something literally illegal. She did a potion that was forbidden by the Colony authorities - a shrunken potion - to get closer to Alex.

Those potions were never developed, they're rustic and really antique, so they could do more harm than good or not work at all.

But Alex didn't care, he took the risk and drank the potion to get closer to his girl, the woman that was the love of his life.

The effect of the potion is temporary, so Alex would drink them from time to time whenever he had the opportunity to visit the Colony, spend some time with Elisa and, of course, be a part of her life.

He wasn't just trying to "be like her", he was also trying to be a part of her home. He made friends with her friends, he met her family, he met new imps, new fairies, all of it under his "imp disguise". He even fought for the Colony at it's war times (that is lasting till the current story time). He EVEN presented himself with a more “impish name” - Turk - to make sure people wouldn’t suspect anything.

Of course, people eventually started to ask why didn’t he live in the Colony with Elisa, why did he only showed up from time to time. Alex and Elisa lied, obviously, they told everyone that Alex belonged to a secluded imp tribe that lived walking around the forest as nomads, which made sense since those types of imp communities do exist.

ANYWAY THE POINT IS Alex grew affectioned of those people and with their lifestyle. He started to feel like he was one of them. 

And, of course, he was now closer than he ever was to Elisa.

Since they were different species, they never worried about having kids. I’ve never said this before but Alex is a doctor, he knows about this stuff, so he always made sure to reassure Elisa that "they were their own condon" and, as sad as it may sound, they couldn't have kids.

... Or so Alex thought.

You know how tigers and lions can have offspring together? Yeah, it's the same thing.

It's very hard to happen, but they spent YEARS together if you know what I mean so yeah

That's how Alex and Elisa gave birth to their first child: Tobias, the only one of a specie that is a mix between human and imp.

His parents were really worried at first, afterall, they new NOTHING about Toby's condition. They didn't know if he was going to grow as large as a human or if he'd assume imp proportions forever. After some research with his son's blood, Alex found out that Toby was indeed half human and half imp, but he was predominantly physically an imp. That means his biological features are, mostly, imp like: he'd hardly grow as large as a human through his life's course and could live as a normal imp in the Colony. The fact that he showed talent for magic (once he was old enough to do so) and was able to do it just like any other imp in the Colony also made things easier.

Elisa and Alex chose to raise Toby in the Colony, they believed it’d be healthier and safer for him (especially after some events that I’ll be talking about in other posts), although it hurt Alex to pretend that he was an imp to his son and that he couldn’t see him everyday. 

Even if they couldn’t see each other everyday, Alex and Toby were very close. Toby loved his daddy very much and was very attached to him.

After five years after Toby was born, Elisa got pregnant again and gave birth to their second child: Bernardo (that’d eventually be nicknamed as “Brad”), one of the two only beings of the specie Alex and Elisa accidently created together.

For preucation, Alex took a bit of Brad’s blood and made some research, just like he did to Toby.

And what he found out wasn’t exactly... relieving.

Brad, just like Toby, was half human and half imp, but he had expressed mostly human features in his physical body. He was as small as a baby imp now, but it was a matter of time until he started to grow very VERY large.

Unlike Toby, Brad couldn’t live as an imp in the Colony and things got very complicated for them.

Alex wanted to leave. He told Elisa the Colony’s community would NEVER accept their youngest, they would never accept Alex and probably wouldn’t accept Toby either. They had to leave that place before they couldn’t hide the truth anymore, even if it cost revealing Toby, a five year old child, that most of his life was a lie.

But Elisa was hesitant. She didn’t want to leave her home, her parents, her friends. She knew Alex was right, they couldn’t stand that play for too long, but how to leave everything she had built behind? How to leave everything she knew as home behind? It wasn’t that easy.

Until something very bad happened.

Remember I said Alex made a few friends in the Colony? So, one of them was Stefan, a experienced fairy soldier that had known Elisa for as long as she was alive. He was pretty much her best friend (even if he was old enough to be her father) and now he was also great friends with Alex.

Stefan is important here. He has a very tragic backstory involving humans. He lost pretty much everything to them: his whole family and his wings, something that meant more than just flying to him.

So, as expected, he hates humans and truly believes that they are nothing more than monsters that try to manipulate you and to get advantage from imp’s and fairy’s magic. 

After some years, he started to get very suspicious over Alex. Some things weren’t making any sense anymore and that “nomad imp community” was starting to sound way more like an excuse than the actual truth. He simply didn’t understand what was stopping him to live with Elisa and his sons for once.

So he did some investigation. One day, he followed Alex (that he knew as Turk) out of the Colony, in one of the days he had only come to visit his family. Alex had said earlier that he had to “go back to his own society”. Yeah, right. Stefan was hiding the whole time and followed Alex till a good distane from the Colony’s limits. 

And he didn’t get exaclty happy to see his best friend growing impossibly huge out of nowhere.

Stefan now knew the truth: Alex was pretending to be an imp using shrinking potions. He didn’t belong to any nomad imp group, he was a human that lived in his own house and was coming to the Colony to play family with them.

Of course, he didn’t only felt betrayed, but pissed as fuck. Stefan didn’t waste any time: as soon as Alex came back to the Colony he confronted him. Alex tried to explain himself, but they only argued and ended up having a pretty bad fight.

In anger, Stefan didn’t want to hear no more explanations, so he told some of the Colony’s high authorities about Alex’s lies and that they had to do something about it. 

The Colony’s Council decided to call Elisa and solve things between imps and fairies only. But they showed her no mercy.

They basically gave her two options: or she’d prove her loyalty to the Colony and would kill her husband and her human son, or the Colony would sentence all of them to death penalty, including Toby and Brad, children that they claimed should have never been born. 

Elisa was in shatters. She didn’t know what to do. She couldn’t kill the man she loved and her baby child, she just couldn’t. She was about to accept the second option, rathering die with her family than killing them, but Stefan decided to help her out.

He wasn’t expecting the Council to be so cruel and he started to regret his decisions the moment he saw how Elisa was worried about her family and how much she loved them, even if they were human. He hated Alex and Brad, but seeing Elisa in excruciating pain over them was impossible for him, so he made up a plan with her to save everybody.

It cost Elisa to trust Stefan, he had told their secrets to the worst people possible, but she had no option aside from accepting his help and following his plan.

The plan was simple: Elisa would tell the Council she’d kill Alex and Brad and would tell Alex that she had changed her mind and that they should leave the Colony as soon as possible now that Stefan knew the truth.

Alex believed her and, after Stefan’s confirmation, so the Council did. The next step was to take Alex and Brad to the Colony’s limits, pretending they were about to leave. 

Then it happened.

Elisa made, with Stefan’s help, a huge barrier on the Colony’s frontier that didn’t allowed humans to cross it. It was basically a security method that they never thought it’d be necessary.

But now it was and it wasn’t meant to protect the ones inside the Colony...

Of course, Alex didn’t understand SHIT.

He spent MONTHS returning to the Colony in his shrinking form, trying to find a way to cross the barrier and to get Toby back. 

Or to talk to Elisa.

Or to understand.

Or anything.

He just wanted his family.

Eventually, his potions ended and he was left to raise Brad on his own and to never see his wife and oldest son again.

Since then, he hates Elisa. Or at least thinks he does. He’s just deeply mad at her, he doesn’t understand why she left them. 

He did everything for her. Denyed his own race, submitted himself to the dangerous effects of a extremely nocive potion which he faces the consequences till this day, did his fucking best to be the best father and husband his family could have-

All this love, all this effort, all this sweat and blood

Wasted.

It took years for him to fully recover. Aside from the health problems the abusive use of the shrinking potions brought, he also became alcohoolic. Because he wasn’t mentally estable enough, neither to take care of himself and of his very very small son, he went to live in his parents house. His family knew about Elisa and the children they had together, his folks actually liked her a lot so it saddened them as well that she simply abandoned Alex and Brad and that they would never see Toby again.

His family didn’t had to worry about Brad’s very little size for too long though, before he was one year old he had already reached his human size.

Anyway, Alex’s family gave him a huge help until he was healthy enough to take care of Brad, the only one left from the family he built.

Back to Elisa, she didn’t told Alex her plan because she KNEW he wouldn’t want to do it. She simply knew Alex would be too stubborn. He’d have wanted to try to escape or to face the Council. Both alternatives would get them all killed.

Toby didn’t understand why his mother did what she did. He was forced to go back home with her, screaming the whole time, saying that they left his father and brother behind while Elisa was crying endelessly.

Stefan came to them eventually and calmed Toby down. His heart broke when he saw Elisa. She was... not okay.

Unfortunately, he didn’t have time to assist her. He immediatly went to a representent of the Council and took them to Elisa and to the Colony’s frontier to prove that she had done it and did even more than she was suppose to. Of course, not without consequences to her sanity, she had just killed her husband and baby, of course she was in pain.

Nevertheless, the Council confirmed Elisa had done her part and left to leave her alone with the child they let live.

After that, Toby spent weeks returning to that spot of the frontier to look for his dad and brother. No sucess.

As time went by, he eventually forgot about Brad, he was very young when they tore apart and Elisa and Stefan never talked about him nor Alex. All he can remember is that there was a baby in the middle of that mess, but he can’t relate to it.

He kept the memories of his father though, who was closer to him, and till this day he believes he’s alive somewhere and that he can be found. But he has no idea he’s a human and has no idea of his own true nature.

Elisa and Alex miss their respective sons deeply and think about them everyday. They also miss each other very much and the first months after the incident were terribly agonizing for the both of them.

They kept going for the child that had remained for the both of them and raised them apart from each other. Alex never told Brad what happened and so Elisa did to Toby. Like that, none of the brothers knew about the existence of each other.

Until the day Toby was sent, coincidentally, to his “little” brother’s house

And none of them has no idea of this fucking long backstory I just spent four months writing :)

enjoy

[makeste]

BnHA Chapter 322: IF I COULD TURN BACK TIME

Previously on BnHA: Endeavor was all, “Kirishima please take Hagakure and Aoyama and put them away somewhere out of sight until we’re finally ready for the U.A. Traitor Plot.” Shouto was all “HEY DEKU DID IT EVER OCCUR TO YOU THAT MAYBE YOU WANDERING THE STREETS LOOKING LIKE A GOTH PRAYING MANTIS IS EXACTLY WHAT AFO WANTS.” Deku was all “I’M SORRY I CAN’T HEAR YOU OVER THE SOUND OF MY CRUSHING MARTYR COMPLEX AND ACCUMULATED TRAUMA.” Mineta was all “HEY DEKU YOU SWEET THANG, IF I COULD REARRANGE THE ALPHABET I’D PUT ‘U’ AND ‘I’ TOGETHER, ANYWAYS HMU 💖”, or at least that’s what fandom apparently thought he said. Everyone was all “WELL SINCE WE’RE BACK HERE IN KAMINO WE SHOULD DO THE THING” and did the whole “launching someone into the air to save someone by dramatically grabbing their hand” thing that everybody fucking loves to do in Kamino so damn much. Iida was all “[bombards me and Deku with feels].” Deku was all, “ू(ʚ̴̶̷́ .̠ ʚ̴̶̷̥̀ ू).” I was all, “(;*△*;).” Horikoshi was all, “my work here is done.”

Today on BnHA: 

oh my god.

so I finally went back to look at what I wrote up for 321 last week, and it’s a hot fucking mess lol, and I really don’t want to deal with that right now, so we’re just gonna skip it and go back sometime in the next few days or something because I really want to read the new chapter and I have no self control. I’M SORRY IIDA

oh my god he’s breaking out the narration word bubbles oh my god. shit is about to get epic isn’t it

has there ever been a chapter that opened with these that WASN’T epic? serious question. anyways all aboard the Feels Express I guess

YEP

I saved a bunch of other crying kaomojis when I was looking for ones to use in the “previously on” summary, and right now it’s looking like that was a good fucking decision you guys. if I’m going to be an emotional wreck I might as well do it in style ʕ ಡ ﹏ ಡ ʔ

AND BY THE WAY!!

SHOULD I JUST THANK HORIKOSHI NOW AND SAVE MYSELF SOME TIME LATER. THE MAN ALWAYS FUCKING DELIVERS WHAT ELSE CAN I FUCKING SAY GODDAMN. IS IT TOO EARLY TO DECLARE THIS MY NEW FAVORITE CHAPTER? I SHOULD PROBABLY READ FURTHER THAN ONE PAGE BUT I’VE JUST GOT A FEELING

(ETA: it’s like. maybe my second favorite lol. A HUG WOULD HAVE PUT IT IN FIRST, I’M JUST SAYING.)

anyway so Ochako is releasing Iida, which is actually hilarious, because idk if you all know this but Iida can’t fucking fly you guys

like, I assume Ochako released him because she already knew that Kirishima was in place to catch him, but I really love this split-second of panic on Iida’s part where he’s all “HMM, IS OCHAKO TRYING TO KILL ME, ACTUALLY”

LOL THERE’S A THOOM AND EVERYTHING

that’s some plus fucking ultra on Ochako’s part right there. “IF THEY DIE THEY DIE” goddamn girl did you leave your chill in the same locker as Momo or what

now poor Kiri is all “DAMMIT DEKU ARE YOU PASSED OUT OR WHAT, I DIDN’T GET TO TELL YOU MY THING GODDAMMIT”

oh my gosh he is curled up so small you guys oh my fucking lord

RESIDUAL “LOST CHILD” FEELS FROM LAST WEEK COMING IN FOR A LANDING!! PLEASE MAKE SURE YOUR SEATBACKS AND TRAY TABLES ARE IN THEIR UPRIGHT POSITIONS OMG ( ˚͈͈͈͈̥̆ ₍₎ ˚͈͈͈͈̥̆ )

LMAO IIDA IS TRYING TO CONFIRM THAT OCHAKO PLANNED FOR KIRISHIMA TO CATCH HIM, AND KIRISHIMA IS ALL “NOPE I’M JUST HERE BY CHANCE BRO”

Ochako is the U.A. Traitor confirmed. Hagakure I am so sorry I doubted you. Ochako get over here. so are you Toga now or what

anyway so now everyone is running over before Iida can react to this casual announcement of his attempted murder. and now Mina is taking her turn, and Horikoshi is all “HEY BTW IS MINA CRYING ON THE LIST OF THINGS THAT MAKE YOU CRY?” and of fucking course it is, you bastard. I’m not made of stone

( ɵ̥̥ ˑ̫ ɵ̥̥)

SLDKFJLSDKJ:LKWEJ

IS THIS THE PART WHERE I JUST START SCREAMING INCOHERENTLY FOR THE REST OF THE CHAPTER LOL. SURE FEELS LIKE WE ARE GETTING TO THAT TIME

OH MY GOD KACCHAN AHHHHH

I CAN’T OMG LOL I ALREADY GLANCED AT THE NEXT COUPLE OF PANELS, AND HE’S STARTING A WHOLEASS MONOLOGUE ABOUT ALL OF HIS DEKU FEELS AND OH MY GOD

“HERE YOU GO MAKESTE, A WHOLE CHAPTER OF ALL YOUR FAVORITE META TOPICS JUST THE WAY YOU LIKE THEM” THANK YOU HORIKOSHI YOU’RE A BRO (っ˘̩╭╮˘̩)っ

SLKASODIFALWKFLKJ

THEY’RE JUST DEKU AND KACCHAN. holy shit you guys. because oh my god, but it’s like when Deku was talking to the Vestiges about saving Tomura, and he turned into his little child self because his heart and intentions were so pure?? and it’s like that again, except that we’re seeing them as their child selves because that’s who they are to each other?? like, not that they actually see each other as children, but just, they can see past all of the stuff on the outside and see each other to their cores, to who they are inside, and when they look at each other they each simply see the other boy that they’ve known their whole entire life. idk?? does that make sense??? DOES ANY OF THIS EVEN MAKE SENSE I DON’T KNOW WHAT WORDS ARE ANYMORE I’M JUST SWIMMING IN FEELS OKAY. I’M TRYING HERE

they’re just boys, is what I’m trying to say, I guess. just Deku and Kacchan. all the walls are down, all the gaps are bridged, and all it is is the one boy reaching out and connecting with the other, and just,,, (꒦ິ⌓꒦ີ)

OH MY GOD [GRABBING YOUR SHOULDERS AND POINTING WORDLESSLY] !!!1LK1

DO YOU ALL KNOW WHAT THIS IS YOU GUYS

HOW PERFECTLY FUCKING RAD. WELL LET ME JUST ENJOY THESE LAST FEW SECONDS BEFORE MY LIFE IS FOREVER CHANGED, I GUESS

OH

MY

GOD

CAN HE EVEN SAY THAT??? IS THAT EVEN LEGAL??? IS HE EVEN FUCKING ALLOWED TO SAY THAT. WHAT IS HAPPENING

OH MY GOD!!! OH MY GOD!!! OH MY GOD!!!!!!

─=≡Σ((( つ ◕o◕ )つ

GET IN HERE, EVERYONE!!

Y’ALL HE REALLY DID IT. “BAKUGOU IS SUCH AN ASSHOLE HE HASN’T EVEN APOLOGIZED” WELL GUESS FUCKING WHAT. GUESS FUCKING WHAT, YOU GUYS!! LET’S FUCKING GOOOOO ((((／￣∇￣)／＼(￣∇￣＼)))) AHHHHHHHHHH

OHHHHHHHH

HEH. I’M ALREADY DEAD, HORIKOSHI, YOU BASTARD. DO YOUR WORST. GO ON

YOU CAN ALWAYS COUNT ON “US”, HE SAYS. ALONG WITH A BUNCH OF OTHER STUFF OMG. KACCHAN, YOU STUDIED!! YOU UNDERSTAND!! PREACH!!

OH NO!!

OH WAIT!!!!

LOL I GOT SCARED THERE FOR A SECOND BUT ANYWAY! EVERYONE GET IN HERE!!! GROUP HUG!!! OR WAIT, NO, WHAT ABOUT -- [GRABS YOUR COLLAR URGENTLY] YOU DON’T THINK -- COULD THEY POSSIBLY -- !!!!!!

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

ARE YOU GONNA HUG!??!?!?!?! I AM NOT OKAY!!!!!!! !!!hgk

REACTION PANELS LOL EVERYONE ELSE IS ON THE EDGE OF THEIR SEATS TOO WE’RE ALL IN THIS TOGETHER

LOL OCHAKO

I KNOW THAT IN REALITY THIS FACE IS JUST BECAUSE SHE’S CONCERNED ABOUT DEKU’S FRAGILE STATE RN, BUT I KEEP THINKING ABOUT THE WAY SHE JUST DROPPED IIDA COLD THOUGH, AND I CAN’T HELP BUT FEAR FOR KACCHAN’S SAFETY LMAO. THAT FEELING WHEN THE CLASS PERV AND THE CLASS BULLY BOTH BEAT YOU TO THE LOVE CONFESSION. KACCHAN WATCH YOUR SIX

OKAY BUT LOOK, IT’S NOT THAT I DON’T LOVE ALL OF THE OTHER KIDS, OKAY, BUT CAN WE PLEASE!??!?! HELLO?!?!? MOMO, JUST -- COULD YOU JUST FOR A MINUTE --

NOOOOOOOOOOO

“DON’T LOOK AT ME LIKE THAT, I HAVE TO SAVE SOMETHING FOR THE FINALE” HORIKOSHI YOU BETTER WATCH OUT, I’M COMING FOR YOU WITH A TWO BY FOUR!! NOT THAT I’M UNGRATEFUL!! BUT JESUS CHRIST, YOU CAN’T JUST DO THAT, AND THEN ALMOST DO THAT, AND THEN NOT!! OMG I HATE YOU

sure let’s cut to Thirteen then, yay. I mean I’m glad they’re alive lol, don’t get me wrong

(ETA: I think that might have sounded a bit sarcastic so I just want to clarify that I really am happy Thirteen is alive and on the job again lol.)

it’s just that if your name doesn’t begin with Baku or Deku I honestly am not interested for just these next five minutes okay lol. like I’m just gonna be completely honest. I am too invested lol, please, they were having a moment, JUST LET ME HAVE THIS PLEASE

OH DAMN U.A. GOT SWOLE AF

THIS SCHOOL HAS BEEN JUICING WTF. I THOUGHT YOU WERE TARTARUS LOL

I’m literally not even reading the speech bubbles though omg I’m so sorry. I really hope there is not a quiz, I promise I will come back to it later scroll scroll scroll

okay so they brought him back to U.A. and he’s all tired and out of it yes

oh goody Hagakure knows all about the security system

(ETA: is it just me or is Horikoshi really laying it on thick with the hints about these two guys lately? I’m on to you sir.)

THAT’S WONDERFUL NEWS. GLAD THIS CRITICAL KNOWLEDGE IS SAFE IN THE HANDS OF THE PEOPLE THAT WE TRUST

ffs Deku

WHAT WILL IT EVEN TAKE TO CONVINCE YOU THEN?? SWEET JESUS

-- holy shit, what??!

they know?? how did they find out??! holy shit???

I’m about to cancel the whole of Japan lmao. fucking try me dudes

-- THE PRINCIPAL!?

NEZU GET YOUR ASS DOWN HERE RIGHT NOW!! WHAT THE FUCK

“a ticking time bomb” tell you what, this man is just asking to be punched in the face. literally begging for it omg

(ETA: I have been advised that I misread this part; Rat Principal told everyone how safe U.A. was, but he’s not the one who ratted out Deku; that was “the rumors”, apparently. which, if I had to guess, were probably started by AFO.)

oh I see, so it’s to be Feels, Part II then

he looks so sad and tired and lonely and she goes right for the hand, god bless. though if Kacchan’s not gonna hug him, you’d think someone would at least. or is it because he still smells bad. hmm

AND THE CHAPTER’S ENDING ON HER LOL WELL OKAY THEN

I MEAN IT’S GREAT AND ALL, I LOVE OCHAKO REALLY I DO, BUT WE WERE PROMISED GREAT EXPLOSION MURDER GODS, WHAT GIVES SOB. I WAS ALL READY TO BREAK OUT INTO SONG AND EVERYTHING. SURE, HE DID THE APOLOGY, BUT WHERE IS THE FOLLOW-UP GODDAMMIT

(ETA: just to clarify the reason for my rambling here, I was really waiting for the hero name reveal and the presumed deeper meaning behind it lol. but I guess that is a conversation still to come! and we still need Deku’s response to the apology too for that matter. lots to look forward to still.)

WELL WHATEVER, SO THAT IS THE END OF THE CHAPTER! SHOUT OUT TO MY BOY RAT “LET ME JUST TELL EVERYONE IN THE ENTIRE WORLD ABOUT DEKU’S SUPER SECRET IDENTITY, I GUESS THAT’S ALL RIGHT NOW, NOTHING BAD COULD POSSIBLY COME OF THIS” PRINCIPAL. listen here you little shit

anyway but if you’ll excuse me... IF I COULD TURN BACK TIME. IF I COULD FIND A WAY. I’D TAKE BACK THOSE WORDS THAT HAVE HURT YOU, AND YOU’D STAY. I DON’T KNOW WHY I DID THE THINGS I DID. I DON’T KNOW WHY I SAID THE THINGS I SAID. PRIDE’S LIKE A KNIFE, IT CAN CUT DEEP INSIDE. WORDS ARE LIKE WEAPONS, THEY WOUND SOMETIMES. BUM~ BUM~ BUM~, I DIDN’T REALLY MEAN TO HURT YOU. BUM~ BUM~ BUM~, I DIDN’T WANNA SEE YOU GO. I KNOW I MADE YOU CRY, BUT BABAY, IF I COULD TUUUUURN BACK TIIIIIIIIIIIME...

[getosboobies]

reasons i think matchablossom is or has been canon!

once again, i have become overly obsessive and have throughly analysed each and every kaoru & kojiro scene that we currently have. i indulged and created my own list of “ are they besties or are they banging or both “ but i have decided to share it all with you :))

( keep in mind, i’m a reacher and these are just my interpretations. i will go to any extent to prove myself correct - no matter how unlikely )

so first of all, we have the fact cherry is the only one we have yet to see at joe’s restaurant after hours. this immediately shows that they are extremely comfortable with each other and spend a lot of time together even when they’re not skating. it also potentially suggests cherry is waiting for joe to go home, maybe a habit they’ve developed over time. before these scenes, the producers always show an image of the restaurants front door which states closed. by showing this frame, it obviously gives the impression it’s important for us to know that it is closed and therefore showings us that joe and cherry’s relationship is more than just some rivalry banta and that they have an established friendship built on trust and time. the creators could have just not shown that it was closed and had us assume that’s they were just good friends who spent time together but they went a whole step further and showed us these two men’s personal lives are somewhat intertwined with one another, showing us that they don’t have large boundaries for each other which would be considered strange in contrast to the “ arguing “ we had previously seen between them. if this isn’t enough for you, in these scenes we also see joes uniform unbuttoned so i take this as even more evidence of how comfortable they are around each other. also ! restaurants tend to close quite late ( avg. 8pm-12pm ) and on all the shots of the closed door, it has been dark outside. why wouldn’t cherry be home at this time settling down or something??? or maybe cherry has a lot of love for joe if he’s willing to wait that long for him to finish work... just sayin’. more on this, i analysed the restaurants design and noticed that the plug in the wall is really low down to the ground. maybe this is just one of joes odd design techniques or maybe it was specifically placed for cherry to charge carla, the concept of which, makes me very happy

keeping on the point of joe’s restaurant, whenever we have seen cherry inside he always sits right in front of the kitchen, this is pretty normal unless you think about 1) how much time he spends there 2) how busy restaurants get 3) he came there while he was with a colleague. we’ve already seen that cherry doesn’t mind coming after hours so why did he come during the day if he knew joe would be busy? this is similar to the fact he came in with his colleague in episode 2 - he obviously wasn’t expecting to be able to talk with joe while he was out for a work meal, so why on earth would he sit right in front of where joe would be, which is situated in a considerably inconvenient table for work meal? what i’ve interpreted from this is that cherry’s must enjoy being in joes presence. cherry canonically having anxiety would explain why he likes being close to someone who he knows well, and that cares for him. being able to see and hear joe so close is perhaps very relaxing for cherry.

now when i watched sk8 for the first time, i gather the impression that joe was a forgive and forget kinda guy when it came to someone who did him wrong. when we’re introduced to adam it’s evident there is some hostility within joe but this does not nearly compare to the anger cherry showed. when suggesting a beef their intentions seem to be completely different. cherry outrightly admitting to his grudge and anger for adam whereas joe seems to just want to prove a point to adam by winning against him ( i mean look at the image above, their facial expressions show it all ). but i noticed that as cherry would speak about adam, joe’s intentions slowly shifted and became far more serious and full of anger. “ there’s someone i’d like to punch “ is a sentence said by joe in episode 8. this is quite different to what we had seen in earlier episodes of him just wanting to make a point. i think this shift was predominantly when joe found cherry at the ocean view. joe knew how cherry was feeling towards adam BEFORE this scene because he knew where to find him, but the realisation that cherry was standing there, alone, and reliving some of his saddest memories probably hit joe that cherry couldn’t do this alone. therefore stepped up his game and met cherry’s loathing so they could do it together. as far as things go, this is one of the most important things they have done for each other because it shows clearly how devoted they are to each other.

this is one of the most confusing lines in this show thus far. i’m sure it’ll make sense in the oncoming episodes but i have come to two conclusions. so either adam has created this false reality of what happened and has told himself his evil ways stemmed from joe and cherry or, the more likely in my opinion, adam always felt like he was in need of a partner, a rival but also someone to love. this is displayed in the show in his predatory ways, aka, he wants his own ‘eve’. now there’s no ruling whatsoever that a skater needs any sort of dedicated rival, or skate partner, so i believe adam probably got this want from his peers, for example, joe and cherry. adam seems to believe you need to love your ‘eve’ and it gives me the idea that maybe he saw joe and cherry -in love- and decided that was what he wanted, but then as we know he went about it in an extremely toxic way. the “was it so“ was really hard to interpret, he’s clearly quite smug by the way he shrugs and smiles and shows that he’s very confident about what he’s saying but the question is short and leaves a lot unknown, which suggests why cherry and joe don’t respond. either they are as confused as i am, or they have a slight idea what adam could be suggesting and they feel guilty. we all know cherry and joe aren’t bad hearted people but as adam is insinuating ‘no, you guys parted ways from me first’ it could suggest that joe and cherry had perhaps become closer in high school and had developed a stronger bond than they had with adam and this left adam feeling lost and alone. this is more of a canon compliant headcanon that would make sense rather than a fact but it’s certainly something to think about.

one of the most obvious factors in their relationship is how they always know what the other is thinking or planning. we’ve seen in recent episodes that when cherry was racing, joe knew exactly what his motive was even without discussing it, thats enough information to show how well they truly know each other and how connected they really are. it’s also shown with cherry. when joe is racing, and is going extremely fast towards the corner, we see a frame of miya and shadow being worried for him, but then it shifts to cherry watching and there’s not a spec of worry on his face because he KNOWS what joe is planning and knows he will be fine. they know each other’s techniques better than anyone and it shows they don’t doubt each other’s choices one bit.

we learn right from the beginning that cherry and joe like to argue and fight, at first we think this is because they dislike each other but we learn that they are best friends. so when watching back you notice that none of the insults are ever actually insulting. let’s think about it, the most common insults they use are gorilla, dimwit and four-eyes. now to me, none of these actually seem insulting whatsoever and even if they do like to argue a lot it’s obvious they never ever mean any harm to one another.

from analysing the scenes one of the things i’ve noticed the most is how cherry and joe turn up and leave together. when the cops came during the langa x adam skate they both started to run off together leaving everyone else behind. as we know, they spend a lot of their personal lives together but leaving and turning up together every single time we’ve see them there seems like they’re a bit more attached than i originally thought. there’s a chance they meet before hand but why always that late at night? why aren’t they ever at home alone? unless...they live together. i mean it’s a perfectly valid suspicion right now as we’ve never seen either of their homes and we’ve never seen either of them turn up anywhere alone but either way it confirms they spend an awful lot of time together in general life. going back to my original point of them not only turning up and leaving together but they also never leave each other’s sides. there’s a heap of frames that you can see them standing together watching a beef or even just them talking. they’re literally attached at the hip and nothing makes me happier.

the creators of the show have made countless points to show that joe and cherry have a lot of history. from the school references to the fact they have TRAVELLED THE WORLD TOGETHER. they could have just shown one or two so we know that as a general fact they’ve known each other a long time but they bring it up an awful lot for it to be just a general fact. this being shown so much let’s us know that this is important information and that they’ve obviously wanting to lay down a foundation to bring something crucial up. so far they have mentioned their social studies trip, a school excursion, joes love for haunted houses, holiday to La and the Paris bar they went to. now you might be thinking, oh they were in the same school they probably just went on a trip together nothing confirms they were close, well i am here to prove that statement false. joe said he found cherry’s wallet, this not only shows that joe was close to cherry when he lost it but also that he knew where to find it, showing how well he knew cherry. another point is that legal age to drink in Paris is 18 so unless they had fake ID it’s safe to say this is a trip they’ve done since becoming adults and leaving school. it’s also canon that have gone together, so the fact they’ve been travelling as adults together is quite interesting. same with the restaurant in LA, sounds kinda like a date.

over the course of the episodes we’ve seen so far there has been a few comments they have made to each other that suggest a little bit of jealousy. for cherry, these comments are made in episode 6 in the hot spring. cherry brings up joes love for haunted houses and then joe agrees and says it’s because “chicks get scared and grab onto me” * with a smirk *. now what’s interesting about this is cherry’s response. “you really are a scumbag” this insult feels a lot more insulting than usual and the response itself surprised me. at this moment cherry looks away from joe which is an action people tend to do when they’re hurt or pissed off. either works in this scenario but neither make much sense as we know cherry’s already aware of joes status with girls. so why was he mad? well this was obviously a fond memory of cherry’s and joe replying with a statement about girls probably made him a bit angry because that was supposed to be their memory. but joes smirk with the comment makes me rethink, did he state that on purpose to make cherry jealous? obviously we can’t be sure but the entire encounter left me a bit confused. now onto joes jealousy, in episode 2 dub joe says “dude, you’re talking to a machine?” now in context this seems like joe is partially bewildered by the fact cherry is casually talking to his AI skateboard but he also seems slightly jealous that cherry is talking to carla instead of talking to him. this is one of the only scenes where joes facial expressions actually seem insulted rather than just having a bit of fun. he follows this up with “figured you’d give your board a girls name seeing as you can’t get a real one!” why can’t he get a real one? we hear tonnes of girls screaming compliments at cherry when he turns up so he definitely could get a girlfriend if he wanted, and joe no doubt knows this too, so why would he use it as an insult? i’m not sure what to make of this but it’s got to be a factor somewhere.

more on the haunted mansion chit chat, the line about chicks grabbing onto joe is quite funny when you look at the entire scene, because as soon as they get jumped they grabbed onto each other in fear. seems a little ironic if i do say so myself.

they both seem very secluded about their personal lives. cherry more specifically does not like the use of his skate name in his personal life or vice versa. joe is the only one we have seen to be aware or use cherry’s real name. the way joe slips up and calls cherry ‘kaoru’ at “S” shows how close they are and how much time they spend together to be able to accidentally mix up the two parts of their lives. this is just an extra point on how conjoined their lives must really be. in the photo above we see how cherry easily calms joe down when he starts to get annoyed. joe is the only one who knows fully about cherry’s life as emotions and cherry is the same for joe.

now one of the most heart wrenching matcha blossom scenes is when joe finds cherry at the ocean view. i have a lot to say about this so let’s start at the beginning. first of all, joe noticed cherry was missing. it’s not like cherry was there for a massive amount of time, so joe noticing that cherry was gone for even as much as an hour or two really says a lot about the placement they have in each other’s lives. there was really no reason for joe to worry about where cherry was considering they’re grown adults but he continued to go out and find him anyways. this is also set in the late afternoon judging by the sky, whereas the previous scene had been set at night at “s”, so this is suggesting the ocean view scene is on a completely different normal day for them (another factor showing how much time they spend together). next, the fact joe knew exactly where to find cherry. this truly shows how much they know and how connected they are to each other but also how well they understand the others coping mechanisms. cherry was dwelling on memories from 7 years ago and yet joe still knew exactly what he was doing and what he was thinking about. plus cherry didn’t even seem surprised when joe turns up. but one thing i noticed is that in this scene is the way they (in this case, didn’t) hold eye contact. while cherry is faced away, joe is staring at him but as soon as cherry meets joes eyes, joe turns away. either joe didn’t want to be caught staring or joe realised something crucial in that moment. i’ll let your mind decide what that is.

obviously, miyas comment about joe and cherry being his parents is a light hearted joke just to ruin joes chances of flirting with girls but it also implies that the group can tell that joe and cherry are respectively closer than anyone originally thought and they perhaps have caught on that the tension between them is a little bit too gay to be just a bit of banta. obviously in this scene we then see joe looking at cherry’s legs while a blush clearly intensifies on his face. yeah no, this is self explanatory.

one of the things i like about joe and cherry’s relationship is the fact that within that joe also has a somewhat dynamic with carla. although carla is non-living, there has been several interactions between them. for example the beginning of episode 6 on the boat joe recognises carlas voice immediately. i mean straight off i think it’s suspicious as hell that they all happened to be going there at the same time but the fact joe realised cherry must be there because of the sound of an AI skateboard? that’s impressive. also, at the beginning of the series carla is aware of who joe is when calling joe an imbecile, this shows that cherry has obviously had this modified to specifically refer to joe as joe rather than just refer to him as a general person.

there was a popular tiktok i saw the other day (if anyone has the username of the person please tell me so i can credit them!!) and it showed the two images above. in these photos it shows joes skateboard and his odd looking wheels. the creator of this video further analysed that these reflect the general outlook of a cherry blossom flower. though the actual wheels in real life don’t look as similar to a flower as they do in the show. but now if this is what they’re meant to look like, this is a really sentimental fact and shows how highly joe thinks of cherry in his skating career. but what about his personal life? well that’s where my analysing comes in. i noticed in the dessert joe makes in episode 5 he had a range of fruits displayed on the top as well as a single flower. this flower looks identical to a cherry blossom. once again the reflection of cherry within joes life makes an appearance. we’ve seen that flowers actually mean something in this show (toxic example but adam’s red roses for langa) so it would make sense for this to actually mean something about their relationship. i studied a range of Japanese desserts and, although every chef works differently, most of the dishes tend to only have a display of fruits and no flowers. so i have come to the conclusion that this dish certainly had some symbolism to cherry in joes life, some way or another.

so overall, their dynamic already shows that they have a very thin and mistakable line between very close best friends and potential lovers. although some of this was based off personal interpretation the majority is cinematic displays and general facts. so take this and use it however you like. let me know your opinions and other factors you have! for all i know i could be completely disproven with the next few episodes but surely if this many people see a bit more than just a friendship there’s got to be a reason for it.

if we can have one lgbt+ character... why not two more?

[sacredsorceress]

Who Am I? || Peter Parker

pairing: peter parker x avenger!reader

summary: spider-man’s identity is exposed to the world after the death of mysterio. the issue? spider-man has a known relationship with your superhero alias, sorceress, but peter is in a relationship with y/n y/l/n. your identity remains a secret as you are forced to decide to either reveal your identity to the world or to allow your boyfriend to have his reputation tarnished further.

word count: 2.3k

warnings: angst angst angst

masterlist || request || taglist

You stood, shocked, in your bedroom with the television still playing in front of you. For a moment you were unable to move as you watched a photo of your boyfriend, Peter Parker’s face flash across the screen with footage of Spider-man playing alongside it. You always knew the day would come where both you and Peter’s identities would be exposed to the world, but you thought you would be the one to decide when and that you would have so much more time.

Your hands began to shake as you paced your room, picking up your cellphone and dialing your boyfriend’s number. Your identity hadn’t been exposed yet, but you knew there was only a matter of time until there was a decision to be made.

You and Peter had an ongoing relationship that everyone in your shared school knew about. However, it was a known fact across the world that Spider-Man was in a relationship with your superhero alias, Sorceress.

In this moment you were kicking yourself for never realizing that this situation could happen. If they weren’t already, you knew soon enough that people would begin connecting the dots. Peter Parker had you- Y/n Y/l/n- whereas Spider-Man had Sorceress- a woman with an unknown identity. You would either have to come forward and reveal your identity or remain in hiding, allowing the world to believe that you had never known of Peter’s super human abilities and that he had been seeing an Avenger behind your back.

You cursed to yourself as your call went to voicemail, about to call again until you heard banging against the glass of your bedroom window. You rushed across the room, pushing open the window for Peter as he climbed in before you slammed it shut once more.

“What the-” You began.

“Fuck.” Peter cut you off. “Shit. Shit. Shit! What am I going to do, Y/n?”

He began pacing your room, pulling the mask off of his face before tossing it aggressively across your room.

Just then, the phone in your hand began blowing up, buzzing and dinging from texts and direct messages in between phone calls from your family. You knew everyone had started to hear the news.

Silencing your phone and threw it on the bed.

“I- I don’t know, Pete.” You said confused and frustrated. “God, I could just kick that guy’s ass right now. What are we going to do?”

Looking at your boyfriend, you noticed as his eyelids grew red, water brimming on the edge and spilling over them as he tugged at his messy hair. His chest contracted and relaxed rapidly as his breathing quickened and you could hear soft huffs and puffs spilling from his mouth.

Meeting him where he stood in your bedroom, you cupped his face in your hands, pushing your own thoughts aside.

“Peter, look at me.” You told him, searching to meet his eyes. “You need to breathe, baby. We’re going to figure this out, okay? I know this looks bad, but not everyone can believe this, right? You’re Spider-Man. You’ve helped save the world. You’ve never given anyone a reason to believe shit like this because you’re a good person, Pete. They’re gonna have to believe you.”

Watching the tears fall from his eyes and stream down his cheeks, he shook his head, moving his hands out of his hair to instead wrap his arms around you, pulling you tightly against him. Shoving his face into the crook of your neck, you could hear his muffled voice.

“I don’t know what to do.” He sobbed into your skin, his fingers digging into the cloth of your shirt. “It feels like everything goes wrong. F-first Mr. Stark and now this. The world is literally against me, Y/n. I- I don’t know what I’d do without you.”

Listening to your boyfriend's soft cries, you rubbed your hand in circles against his back, soothing him.

You swore you could feel your heart shattering in your chest, watching your favorite boy fall apart right in front of you. Although you both had been through a lot- Peter was going through your worst nightmare and had been hit repeatedly back to back to back. You wish you could turn back time and make it right for him just so you could see a smile grace his face once again.

“I’m not going anywhere, Peter.” You whispered. “We’re going to figure this out together-”

Just then, you heard your name announced from the television, your yearbook photo displayed on the screen alongside Peter’s, below it a photo of Spider-Man with his hand rested against Sorceress’ lower back, pressing a kiss to her cheek.

“Shit.” You cursed to yourself in so low a voice you hoped Peter wouldn’t notice, but he did.

“What? What’s wrong?” He asked pushing himself out of your embrace.

As hard as you tried to hush him and keep him in your arms, he backed away, turning his attention towards the television.

“This just in! Sources confirm that Peter Parker, better known as Spider-Man, has had a long-term girlfriend, Y/n Y/l/n, pictured here since before the Blip! Now, for those of you out there that don’t know, Spider-Man has also been in a relationship with fellow Avenger Sorceress for the past seven months! If you’re keeping up- that’s two women! We’ve been unable to reach Miss. Y/l/n so far for any comments at this time, but fellow classmates have been eager to share their sides of the story.”

“This whole thing is just so crazy.” You watched Betty say on screen. “I thought Peter was so nice, but journalist to journalist- Y/n was way above his league. That’s what’s so shocking! I can’t believe he’d cheat on her like that. I guess being an Avenger really does go to your head.”

“Do you know what this means?” Peter asked suddenly, turning towards you.

Feeling your heart thump in your chest, you furrowed your eyebrows at your boyfriend. “What are you talking about, Peter?”

Pointing at the television he raised his voice.

“Y/n, they don’t think that you’re Sorceress.” He explained to you. “They think that I’ve been seeing the both of you behind your back. You... you can still get out of this. You don’t have to go down with me.”

Staring at your boyfriend’s face, the severity of the situation written all over it, your eyes grew wide.

You understood what Peter meant. You had been given an out by some lucky chance. You could lie and say that you weren’t Sorceress and that you had never known a thing about Peter being Spider-Man. You could lie and pretend that you didn’t know who your boyfriend really was.

You could lie and allow Peter to have his reputation tarnished even further by making him out to be a two-faced cheater.

Shaking your head, you wrapped your arms around yourself.

“Peter, I can’t do that.” You told him. “You’re innocent! If I lie and say that I didn’t know anything- that I’m not Sorceress and that you’ve been cheating on me behind my back- then you look guilty. You can try to prove you’re innocent for the whole thing with Mysterio right now because you’ve never given anyone a reason to believe otherwise, but if I let you take the fall for me, Peter, and make you look like a liar and a cheater then that will give them all the more reason not to trust you. It’ll be impossible to change their mind.”

Listening to the words you were saying in disbelief, he pushed his fingers into his hair, tugging hard on the strands and shaking his head.

“Y/n!” He shouted your name. “You don’t think they’ll bring you down with me? If you tell everyone who you are, they’ll think you knew about it the whole time. They’ll think that you knew what I was doing with Mysterio and that you’re just as guilty as me. I can’t ask you to reveal your identity for me just for everyone to turn on you too!”

Flinching from the volume of his voice, a part of you knew that he was right.

You had always wanted to keep your identity a secret to allow you to live a normal life outside of avenging, but seeing Peter’s situation just gave you all the more reason to protect yourself by living a double life.

At the end of the day though, you loved Peter.

You and your boyfriend had chosen each other every day regardless of the hectic lives you both led- sometimes even risking your lives for each other in the process. 

Your lives weren’t easy by any means, but you always had each other and promised yourselves that you always would.

“So what?” You asked. “What am I supposed to do, Pete? You think they’re going to stop at you? You don’t think they’re gonna start wondering who’s behind my mask? And God, what kind of life would it be if I kept mine a secret now? I can’t live normally anymore- not when I’m apparently the ex-girlfriend of the Avenger who they think murdered someone. Besides... what? We’d have to see each other in secret from now on so nobody finds out who I am? It’s not worth it, Peter-”

Throwing his hands in the air, he shouted.

“It’s worth if you’re safe, Y/n!” He raised his voice at you once again, before taking a deep breath. “What don’t you get?”

Taken back by his outburst, you both stood there staring at each other in silence.

When you finally reached your hand out for him, you winced as he shied away from your touch.

“I- I’ve lost to many people.” Peter said, his voice nearly a whisper. “I can’t lose you too.”

The way his voice cracked, made your breath catch in your throat as you stared at the broken boy in front of you.

Peter had undeniably lost so much- his parents, his uncle, his mentor- there was no doubt about that and it broke your heart knowing that he worried about losing you too.

Gazing at his tear-stained face- you swore to yourself that he never would. You would do whatever it took to make sure that Peter Parker was never alone.

“I know, Pete. I’m sorry.” You said, slowly stepping towards him. “You’re not going to lose me. I mean, Pete, we went to space and turned to dust for five years and still found our way back to each other. We’re going to figure this out together, Peter. We’re gonna clear your name, okay? I’m not going anywhere. I promise you.”

When the palm of your hand met his rosy cheek this time, he didn’t flinch away, instead nudging his head into your touch.

“I can’t ask you to do this.” He said softly, meeting your eyes.

“I wouldn’t ask you to either, Pete, but you would do it anyway, wouldn’t you?” You asked, brushing your thumb against his cheek.

“Yeah.”

Not being able to help the light chuckle that slipped from your lips, you threw Peter a soft smile.

“I know.” You whispered. “So just... let me do this, Peter.”

Just as Peter opened his mouth to speak, the sound of his phone interrupted him as it began ringing in his pocket. Stepping back from your touch, he pulled the device out from his suit and brought it to his ear.

“What? May, slow down.” He said sniffling. “I’m at Y/n’s.”

Watching as he furrowed his eyebrows, you crossed your arms.

“What?” He asked. “’Check outside her window’?”

Rushing across the room, you pressed yourself against your window, looking down at the street below you. On the sidewalk stood at least a dozen reporters, clamoring outside the door of your building. Eyes growing wide you stepped back, throwing the curtain over the glass.

“Shit.” You muttered to yourself, wringing your hands and turning to look at your boyfriend.

“May, I know.” He said. “I just- let me call you back.”

With that he hung up the phone, slipping it back into his pocket and strode across the room to meet you in your spot. Resting his hands on your arms, he squeezed tightly.

“We don’t have a lot of time.” Peter said meeting your eyes. “I know I can’t tell you what to do, but I want it to be your decision, Y/n. Make sure whatever it is that it’s... that it’s what you want because t-there’s no going back.”

Nodding your head along with his words, your focus shifted from your boyfriend to the dresser in the corner of your bedroom where you kept your suit.

This was it.

You had to make your decision.

You wished more than anything that you had more time, but you knew that you had had enough allotted to you already. You had been given more than any other member of your team and standing there now, you were thankful for every second of it.

No matter what your decision was, your life would change for good from this moment on.

Your heart racing in your chest, you memorized the feeling of your boyfriend's touch and the way his eyes glistened from the tears in his eyes, his cheeks stained red. You remembered the way he smiled when he first saw you again after the Blip and the way he held you so tightly after returning from his trip.

Taking one last, shaky breath you looked up at Peter and nodded.

“I’m ready.”

[ryuuaka713]

Soukoku & The Red Camellias

Ok, I have been thinking a lot of this lately, so I am just gonna let this all out.

You guys know this official art, right? Right?

This is literally one of my most favorite SKK official art. Like I legit thought that this is a fan-art until I saw an entire comment section in pinterest basically summarizing: “I can’t believe this is NOT a fanart”. I literally lost my shit that day because MY GOD this is so CLOSE! I’ve been in the BSD fandom since January, and I have been obsessing over Soukoku since Dead Apple. 

But anyway, this official art--I showed this to my sister who has no idea what the anime is about, and I wanted an opinion from an outsider in regards of this official art just for the fun of it. And guess what she said: Apart from being GAY, she thinks that their relationship is almost similar to Romeo and Juliet (YEP! HER EXACT WORDS!). It is interesting, not just because these two act more like an aggressive version of R&J (or the anti-thesis of it), it is also the fact that the more I looked into this pic, the more I can see the whole bitter-sweetness to it.

So I decided to look up the meaning of Camellia flowers in which these two have been associated with by the fandom.

(OK, the next thing I am going to say will be something that not everyone will like. But please, hear me out)

I notice a lot of people (shippers to be precise), say that the Camellias represent love, desire, and longing. This meaning is based on WESTERN interpretation. But what about the JAPANESE symbolism of it?

In the Wikipedia version for the Hanakotoba (Japanese Floriography) the (Red) Tsubaki (the Japanese name for the Camellia) is indeed associated with “Love” (not far from the Western interpretation), but what’s interesting is that it also says: “Perishing with Grace”. Ok, Wikipedia is not entirely reliable, so I decided to do more research, and from what I’ve gathered, the Camellias are associated with Love (Again, derived from Western influence or the source is not that reliable), Divinity, and finally--Death.

So technically speaking, the reason why Tsubaki is associated with the divine is that it is used in tea ceremonies because it does not interfere with the scent of tea. Furthermore, it somehow evokes a sense of sacredness (whether directly to a Kami or not) to it, and you can see why this is almost in the same threshold as the Cherry Blossoms in terms of Japanese associations. Indeed, the Tsubaki is called the “Japanese Rose”, and very much like the Cherry Blossoms, these flowers carry a heavy meaning--Death.

Brutal as this may sound, I think the subject of Death behind the flowers is something that connects the most to Soukoku. 

But before I go over that, it should be known that the Tsubaki is associated with “Noble Death”--this comes from the imagery of how the buds of the flower, when wilted, falls as a whole immediately instead of petal by petal. And many called this blossom as a form of “bad luck” because it resembles Decapitation. With that being said, the Tsubaki can be related as a symbolic imagery of a Samurai’s death (since the process of their execution involves having their heads cut off). And thus, it should emphasize the unwavering loyalty of the warrior (it makes sense as to why the petals are intact with the bud--but this is just my interpretation), and why the flower symbolizes a “noble death”.

Now what does got to do with Soukoku?

This applies more to Chuuya as the whole “sacredness”/”divinity” of the Tsubaki can be easily associated with the fact that he possessed the God of Calamity. And because Corruption means total destruction, Chuuya’s fate is literally death like what the Tsubaki implies. However, what I find even more interesting is that after reading how these flowers are associated with the samurai, this is very similar to Chuuya’s case. Chuuya in BSD is the personification of loyalty, specifically to the PM. 

With his relationship with Dazai, it is a little bit different since Chuuya never wants to be his Dog (the most common symbol of loyalty). But what’s interesting enough is that he remains--CONSTANTLY trusts Dazai. In other words, he knows his motivations, trusts him, and would immediately jump into action. Chuuya would go as far as using the very thing that will kill him while keeping in mind that Dazai has a plan (e.g. Dead Apple). With that being said, this is exactly why Chuuya is the one who seems to be watching over Dazai while the latter is sleeping in the official art above. And the fact that the flower just rests on his open palm is well-connected to the aesthetic and “grace” of the Tsubaki. Chuuya’s corruption is brutally horrible, but the concept of his loyalty and trust is something that we can at least admire about him.

What about Dazai? Well, this is the part where things get a little complicated. One thing for sure, the whole death symbolism can be easily associated to his suicidal tendencies. But even so, this is still tied up (literally and figuratively speaking) to his relationship with Chuuya. Dazai said that his ideal suicide should be “clean and proper”--in other words, without burdening anyone. And yet, his death will always be tethered to Chuuya’s. This is seen when they are 15 when Rimbaud proposed that he must kill both Chuuya and Dazai to protect his crimes. This is again brought up in (SPOILERS!!!) Stormbringer when Mori brings up that if Dazai decides to give up and die, no one would save Chuuya (END SPOILERS!!!). In short they are inseparable. 

And because of that, Dazai can see how he can easily influence the fate of his partner-- the very same person who is prone to death despite his desire to live. Thus, one of the reasons why he fights side by side with Chuuya. it is not just Chuuya’s complete trust in him that makes their partnership effective, but it is also his recognition of the boy’s desire to live. And that’s why we have this official art:

In this official art, it is not as delicate as the first one, but we see the Camellias again. This time, it is Dazai holding the flowers, and he is clutching them in his fists. Personally, I see this as him grasping to that life-line while Chuuya is using corruption. While Chuuya, his corruption and the camellias are about the concept of potential death, in Dazai’s case--the camellia serves as a “reminder of death” (not the actual death). Thus, why he is clutching them. After all, he recognizes that Chuuya doesn’t want to die (unlike him). Not to mention, Chuuya would willingly lay down his life to him (and vise versa). In other words, it just shows that with the symbolism of the Tsubaki, both characters--despite the “hate” they have for each other--are always connected, and it is through Death. Death because of their circumstances, or because of their characterizations.

Furthermore, the complexity of Tsubaki being this beautiful flower that is considered as sacred, a love token, and a symbolic imagery of death--parallels so much with the complexity of their relationship. I am not going to dive in further with the analysis of their relationship since I know a handful of people who are excellent in doing that. But what I’m saying here: the Camellias are not only a love token, the same way you can’t say that Dazai and Chuuya’s relationship is like a love-hate relationship (it is way more complicated than that).

With that being said, there is bittersweet connotation in their relationship. It is Romeo and Juliet in a sense that they are connected by tragedy, regardless whether they are in the same organization or not.

And that’s it, thanks for reading my ted-talk!

[seyaryminamoto]

As someone, who's favourite character is Zuko, let me just say that your analysis about the Southern Raiders is spot on. Something about that episode (especially the way Zuko acted) always felt a little... off to me. And I could never figure out what it was exactly and considering the fact that discussion about this episode centered around the Kataang vs Zutara, I thought I was the only one who felt that way. So, I guess thanks for putting my thoughts into words.

Oh, I really feel ya, anon. If you actually don't look at the episode from a shipping point of view, which seems to be the focus of most the fandom, a lot of unpleasant things really start sticking out. I'm personally neutral to the Kataang vs. Zutara debate, I see good points and drawbacks to both ships, and no one's going to convince me that this episode proved the superiority of either pairing, especially when the shipping interpretations have never been important to me when analyzing this episode. People can say Aang is right in the end, they can say Zuko understands Katara's plight better (which, considering Aang has lost even more people he loved than Zuko has, he certainly should have understood Katara's suffering quite well too), but focusing on whether Zuko or Aang are the angel or the devil on Katara's shoulders practically blinds everyone to the very glaring and mindboggling flaws in this episode's writing, imo.

In general, the concept of Zuko's life-changing field trips with the three Gaang members he'd wronged the most is fine and fun for most people, but from the first time I watched the show it felt like the production team knew they were pressed for time and needed some veeeery quick and effective solution for Zuko to gain acceptance in the Gaang ASAP despite all the bad blood there. I can imagine a lot of people love these episodes, but admittedly I wouldn't rank any of them among my favorites because, as interesting as some of their concepts could be, if executed right, my immersion certainly wasn't as strong as with the rest of the show due to the nagging feeling that this was all for the sake of redeeming Zuko in the eyes of each Gaang member... and not necessarily in the eyes of the audience.

They get away with it, of course, because by this point in time, the audience is 100% conditioned to love the Gaang and Zuko, and if you see them getting along, you should be rejoicing in their team-up... but if you put some emotional distance between yourself as a viewer and the events of these episodes, their writing leaves a lot to be desired, especially in the concept of giving Zuko a quick whitewashing in the eyes of Aang, Sokka and Katara, one after the other, so they can genuinely accept him as a teammate and friend. If we'd seen similar trips frequently or occasionally in the rest of the show, with two specific members of the team taking off on an adventure by themselves, it might not be so glaringly obvious (and even... artificial? I guess?) that they're trying to quick-redeem him for each of them here, but on top of it happening thrice, it's literally happening one after the other, too. There's no episodes in-between, it's just literally a four-parter arc of "let's help Zuko become friends with these three".

The plotlines to be dealt with in these episodes are basically catered to each Gaang member, tailor-made life-changing field trips based on whatever they'll value the most, all of it conveniently possible and doable in the span of time they have between Zuko's joining of their group and the show's finale. Aang needs to learn firebending, Sokka needs to save his dad, Katara is permanently grieving for her mother's death. And so, Zuko to the rescue! If he helps them with their personal character quests, he gets 50+ approval points! :'D Honestly, I'm absolutely not against the notion of Zuko befriending them, obviously not, but the methods through which they chose to make it happen simply might not be the finest...?

Zuko loses his ability to bend because he "lost his rage", but he's still angry pretty often, the show even spoofs its own writing by showing him losing his patience at Sokka... while at the same time trying to sell that Zuko "isn't angry" anymore? Zuko helps break out random prisoners from the Boiling Rock without taking a single moment to actually learn who they are, why they were locked up, and without pondering if they deserve to be helped or if perhaps they're genuinely dangerous? Zuko gives Katara every possible tool and information she needs to take revenge on Yon Rha, because, loosely quoting his own words, he "cares what she thinks of him"...?

How about if we'd seen Zuko trying to connect with Fire Nation people, to help his fellow Fire Nation citizens, especially the ones who were living in dreadful conditions, like the ones in the Jang Hui river village? How about if we'd seen Zuko saving lives rather than threatening to take them? How about if we'd seen Zuko actually reasoning with his anger, and either working his way out of it, or repurposing it consciously, or making legitimate, personal efforts to find a new source of strength for his firebending through self-reflection, above all else?

We didn't really need sudden one-on-one field trips to teach Aang, Katara and Sokka to trust Zuko: we needed Zuko to prove himself worthy of that trust, to show how much he has changed, to literally contrast his new behavior with the old, to actually see that the guy no longer jumps into violence-mode 24/7, that he's willing to listen to other people's opinions or wisdom, that he wants to learn better when he knows he's misguided or misunderstanding something or another. Would he have become BFFs with any of them in four episodes if this had happened? Well, it definitely would have happened with Aang, the other two would have been trickier, but they definitely would have been more willing to accept him if they actually got to SEE that the changes in Zuko weren't skin-deep. Katara can be as thick-headed and stubborn as she may want to be, but I have no doubts she wouldn't have been able to hate Zuko as much as she used to if she'd seen him helping people, much like she often wants their group to do. But instead, they don't get to see the actual changes and growth... they just get their biggest goals and wishes satisfied, and that's enough to decide Zuko's trustworthy, no matter whatever sketchy behavior he displays in later episodes.

I absolutely appreciate the worldbuilding context we gain for the raids on the Water Tribe through The Southern Raiders, but I don't think this was an organic way to tell the story of how Zuko became friends with the Gaang. If pressed, I'd even say that Zuko's overt desperation to be their friend is OOC, to a degree: if this guy actually knows how dangerous his father's plans are (and he's supposed to :'D), how isn't he focusing on that side of things, when he's always been such a go-getter? It's not like he grew out of this sort of ends-justify-the-means behavior, seeing as he's absolutely obsessed with stopping his father ASAP, by any means possible, in the finale, when there was no such urgency to be found ever since he joined the Gaang. How isn't he more worried about stopping Ozai than about becoming best friends with the Gaang? Immediately sharing everything he's learned about Ozai's intentions of destroying the whole world might not make them friends instantaneously, but it would certainly get someone like Sokka to take his information seriously and immediately begin strategizing how to counter Ozai's plans. Instead, Zuko spent all those weeks, over a month, even, teaching Aang firebending, going on field trips and hanging out with his new friends in Ember Island. Once you have all the cards on deck and you actually look at all of them at once, doesn't it feel like there were so many more ways to achieve what the show was going for, far more effective ways than through the "let's be friends with Zuko" arc?

Ultimately, there's very little display of growth, in my opinion, in this small arc, on Zuko's side, despite the most obvious and reasonable way to earn the trust of the Gaang would be by outright showing them how much he's grown. I won't deny I appreciate that the writers respected his personality and didn't just warp him into the perfect good softboi the way the fandom apparently interprets him, but even if Zuko was going to be cranky and speak one-liners like "I'm never happy", it wasn't impossible to write better situations for him to connect with the Gaang's members and gain their trust. Even if the writers were set on having these episodes happen exactly as they did, they absolutely could have been written in a much better way, to create an explicit and direct contrast between Zuko's early behavior and the new Zuko's behavior when it comes to things that matter (most the parallels I've seen the fandom drawing are things like "oh look he hated tea before but now he brews it for his friends! So much growth!"... would've been nice to see the growth when it came to a lot of other things, too, if the growth really was there? Am I rite...?).

I may just be influenced by other redemption arcs that focus mainly on characters having common goals and working together to achieve them, then becoming friends in the process... but I really don't see how Zuko's character benefited from these episodes. Yes, bridges were built... but they absolutely could have been built in a more organic way that didn't make people like myself (and a few others) question if Zuko had learned or grown at all, considering the way he behaves isn't all that distant from the Zuko we've seen and known throughout the rest of the show. And the fact that he really seems to have learned nothing in The Southern Raiders once you reach the show's finale... you're basically asked to take for granted Zuko did learn a lot of lessons because he says he did, to assume he's going to put them into practice sometime in the future despite he has chances to do it during the show itself but never does, simply because they drop the ball upon every opportunity to show how much he's changed.

I really don't blame his character at all, when it comes to these shortcomings... it's seriously, genuinely, a problem with the writing department. Take a look through the fandom and you'll see thousands of people who claim Zuko's character arc is the most touching, complex and beautiful writing they ever have seen... and why? Because we're in the face of tell-don't-show :'D most people's perception of Zuko's character are based not so much on HOW Zuko displays his growth, it's strongly based on him stating he made progress, even if there's too many instances where the growth simply seems to have fallen to the wayside or gone forgotten for the sake of a plotline or another. Zuko absolutely could have been written far better than this, he could absolutely have the redemption arc his fans are sure he does have, but for me... there's way too many gaps in logic, too many missed opportunities, to truly think his growth was as extraordinary as a lot of people are hung up on saying it was.

[buzzykrueger]

When Gon’s anger becomes a protective mechanism for Killua

IMPORTANT: The text is long, plus, I do not support Gon hate. He’s a human being and a kid, so don’t worry, none of my analysis will put him as a monster.

You know the theory that one of the reasons Gon shuts Killua out from Pitou’s fight, besides proving himself and erasing his guilt, is also to keep Killua safe? I didn’t understand at first, but I kinda agree with that now.

Remember the “YES I AM AN IDIOT” iconic scene, Greed Island arc?

Let’s talk about that and link it all.

They’ve spent half of the chapter 158 arguing because Gon kept insisting on meeting this “Chrollo Lucilfer” person inside the game, while Killua was trying to be logical, saying that this person wouldn’t clarify their reasons only by asking them. Killua eventually gives in, and after Gon uses the card, they travel to met not Chrollo, but Hisoka, who asks if they went all that way just to ask him a question (implying how dumb it was).

Gon says that’s pretty much their reason and Killua kept teasing Gon on his dumb choice.

But after some ping-pong teasing between them, the reason Gon was being stubborn is, actually, a concern that lights up on his mind with memories of his journey to rescue Killua from Kukuroo Mountain. Even blushing, Gon says that he was reminded of Gotoh’s words and was worried that both of them were being deceived.

Gotoh’s words were, exactly:

Be careful. And protect Killua.

This also adds to the character analysis - one that is very on point - that Gon being outgoing doesn’t mean he puts depth to analyzing his feelings. He speaks his mind, the problem is not to talk per se - but to put effort into understand his intentions behind those actions. He could say he was worried about them, but he doesn’t, because he speaks first and doesn’t think through what he feels. He’s yes outgoing, but impulsive, and very immersive into acting first, think later - or even thinking only when questioned, because it didn’t even crossed his mind. That’s why we see him talking but yet... it’s hard to know what is happening inside him aside from Killua’s common inner monologues. But maybe protecting Killua it’s so natural that he doesn’t even bother to explain. To think that he keeps Gotoh’s words and even mentions it after all this time, such a nice and gentle touch of how much he respects his bond with Killua. 

Now, let’s get back to the CAA events. Specifically chapter 222.

A very shocked and distressed Gon was learning through Kite's attacks, but not to defend himself or parry. His painful attempts were all leading to dodge the punches and faints, so he could give puppet Kite a hug, and an apology.

Yes, he said terrible things to Killua - and of course wanting to protect him wasn’t the only reason. But he knew from the moment they first met Pitou, that they were dangerous. He wanted to deal with that alone, because it was “his mess”, so he shouldn’t endanger his most beloved one. 

We know that this is a turning point for Gon’s development in this arc, because it is the moment where his resolve becomes tainted with all the guilt he is facing. It’s when he starts to lose himself, and Killua knows that, probably, nothing he says or do will convince Gon otherwise.

But what contrasts with the well-known harsh words towards his best friend, is that he never meant to exclude Killua from the whole situation. That's why he says "OUR fault".

Then, right after, he addresses Killua directly. Visibly starting to lose himself, he takes the responsibility to prove he's strong to fix it, but I think that due to his communication pattern, he might also mean that he’s want to fix it without endangering who he wanted to fight by his side under normal circumstances.

It’s an act that can hold both guilt and protection. He addresses only that one person in the room because he needs Killua to know that this isn't a normal situation, and that's why he can't bring him to this fight. It isn’t normal because someone dear to him got hurt really bad. It isn’t normal because his best friend, someone who would not think before putting his life at risk for Gon, shouldn’t endanger himself to the point he could face the same destiny, specially because this is Gon’s way to show he cares. Again, Gon just speaks his mind without much thought, with his intentions between the lines. His effort to put his feelings into words mixed with the suffering he is handling are, on his mind, overwhelming enough - but still he cared to speak directly to Killua. Could this be, again, another demonstration of not-so-well-thought feelings spoken with the first words that come to his mouth?

Wouldn’t make sense, after all of those demonstrations of Gon’s behavior when someone is endangered and he desperately wants to take control of the situation because he thinks this is the best way to protect them and to be useful, and with that, deserving of their company? 

As Gon's communication is both simple (in words) and complex (behind the words), since he doesn't think through his feelings and he’s a stubborn child, it makes hard for others to catch his intentions, specially if they're already struggling to understand that they are not a burden. Because Killua’s mindset on making friends also includes the need to feel useful, just like Gon’s, but expressed through different means - and by being casted away fro Gon’s decision and later saving the boy in order to push him forward once again to his goal (alone this time), Killua thinks Gon has cut ties with him. as he couldn’t play a helpful role within Gon’s life anymore. So, this is how he reaches the rejective conclusion.

But the connection that I'm trying to make is that even thought Gon’s words were awful as the boy himself recognized, I truly believe Gon still wouldn't want Killua to fight even if he knew how his friend felt.  But not because he rejected Killua or meant to cut ties with his “no longer useful” best friend.

Because Gon has stated already: Killua doesn’t have to earn his friendship.

Those harsh words during the Palace Invasion were an attempt to regain control of the situation, prove his worth in the middle of a mental chaos that he wasn’t ready to face. But still, what if he kept reminding himself that he must protect his best friend in the entire world and just couldn’t find a better way to say it? Because he knows Killua is capable of self-sacrificing, Gon tried to stop him before, and Pitou is terribly strong. If it’s hard for him to translate his feelings when he is calm and collected, the extreme condition he found himself dragged in would’ve just made this communication face more obstacles. Fighting his own pain - another thing he couldn’t translate for the sake of his own mental health - led to the words to come out like they were: heartbreaking.

So, I’m not saying that it was solely to protect Killua, but I think that makes sense for Gon’s character. And again, I don’t think he would agree that Killua would fight what he thinks it’s his battle alone. But, with his mind cleared and the right questions, he would've given Killua an answer. He would say that this is not about taking Killua out of the special place Gon has put him, but about Gon taking the the responsibility based on what he thinks it’s best for everyone. His feelings, either protective or hurtful, are only explained when he’s asked, because action speaks volume for him and he needs this trigger question to make him translate his intentions.

Just like in the Hunter Exam, he only tells Kurapika about how he felt with Hisoka because he questioned. 

And in the Yorknew Arc, Gon didn’t let Killua hurt himself and was really trying to understand how the other boy felt. Gon doesn't communicate well but not because he rejects his feelings, and still, he cares about others’ feelings too. He was just literally out of his mind. So yeah, I think he cared for Killua safety, and if after all this time he made a connection between his stubborn acts and Gotoh’s words, it’s because - on his mind - these words and thoughts never leave his head. He’s constantly worrying about Killua, in his own way. But he couldn't explain something that he didn't put a second thought even for himself to understand. And it's not the first time, he acts very similar in these mentioned situations.

What all these stubborn oriented situations that I’ve mentioned, except for the one regarding Hisoka, have in common? He wanted to protect Killua.

He was undeniably wrong in saying those words to Killua, but it’s something acknowledged by himself already. He IS, by his nature, a protective kid, and under normal circumstances, Killua would be allowed to fight by his side because it has to be him. If it’s not going to be him, it won’t be anyone else. He can’t risk to lose him for something that he feels overly responsible. His words were rooted in pain, but the moment he addresses Killua that he would fight alone - a moment recollected by the latter in the hospital scene - shows respect for the one he has just lost, Kite, and the one he doesn’t want to lose. 

Killua is the one who never left him, never discredited him and is irreplaceable. Killua is the first thing that comes up to his mind when thinking about meeting Ging. Who would have thought that Gon’s mind would reach so far into memories and hold so deeply someone’s words like Gotoh’s?

He was selfish. But it’s a childish selfishness, built on such empty expectations about himself that he ends up forcing on others what he believes that is the right thing to do, in order to keep others safe, no matter how bad he hurts his body... because when it comes to protect those he care, he loses respect on his self-care due to this low self-esteem of his. So, he didn’t ask Killua to “please, let me fight alone”, because he’s decided to not drag Killua into a fight he knows he might lose, and then Killua couldn’t be protected.

And makes sense, again, that Killua couldn’t read between these lines, because he also blames himself for everything that happened, and thinks his feelings and desires would only keep in Gon’s way - that’s why those words hit him so deeply, but the thing that hurts him the most was the sole fact that Gon fought alone. He can’t help but compare to the dodgeball, and like Gon, Killua has his own unhealthy patterns: since he only knows love through pain, when he’s prevented from getting hurt against his will, he fails to understand it as an act of love.

The bond they’ve established while playing Greed Island was expressed through dozens of symbolisms already well discussed among the fandom (Killua’s badge, the rainbow diamond, the famous line during the dodgeball game). And I don’t doubt that their encounter with Pitou held traces of the same protective pattern, but messed up by Gon’s internal struggle.

For the times Gon showed concern before, we can mention more expressive moments like the whole Zoldyck arc, when they were escaping from the Troupe, when Tzeseguerra said he’d endangered Killua or even when Killua got caught by some spell, etc, or we can even analyze his body language. Like here:

Before the date, Gon is indirectly protecting Killua in here, through his body language (Killua entered the room first, but Gon puts himself between them):

And after the date, while being punished for hurting her feelings, Gon screams at Palm when she tried to stab Killua, probably implying that he was observing and only interveins when she tries to hurt anyone other than himself - because he is, again, being stubborn and taking all the blame and control in order to redeem his actions and prove his capacity to fix things. I think it’s possible that Gon talked to her about Killua off curtains, or at least made an agreement about not involving Killua in her madness, but it it’s open to interpretation.

So, yeah, I can’t help but link everything to his pattern. He responds to the fear of losing those he loves with the same impactful devotion that is given to him, but it is so impactful that fails vocabulary and second thoughts. He knows Killua will be the first to risk his life if something happens or to prevent Gon from getting hurt during his tasks. Killua tends to sacrifice a lot and never complains while doing it, so I think it’s pretty much plausible that even when he can’t express himself at all, he’s worrying about Killua in the corner of his mind. Sometimes, just before our eyes.

Anyways, I love re-reading Greed Island arc and linking to their development through CAA because pretty much anything they do, they’re doing together, and they were bonding so beautifully. Their relationship was never so well-detailed before, but mostly for us, when they didn’t get much time to put in the balance how rushed their training was, and how fast they got attached to the point they can’t even stop thinking about each other while distant.

They look at each other like this:

They inspire this kind of reaction from others:

And there’s this one... nothing big, I just love it hahahaha

They’re in love each others’ top priority. It’s not impossible that Gon took Killua’s safety into matter, but his mind and words failed him, as he himself acknowledges that the only explanation to say those things to Killua is that “he doesn’t know what he was thinking”. Because, under normal circumstances, just like about letting Killua fight by his side, he would NEVER hurt Killua’s feelings. He IS protective. He didn’t have to rescue Killua from his own home - since Killua left for himself - but he still does it, instead of sticking to his main journey. And did not budge until Killua was safe by his side.

It’s a badly worded protection, because he doesn’t even know self-protection and puts action before everything. To figure a better way out of this pattern, he will now have plenty of time to find new ways to protect Killua and himself from the flaws of their dynamic. Their emotional attachment didn’t grow as fast as their fighting skills, but it doesn’t mean Gon is a monster, was malicious towards Killua or wanted to break his heart. I don’t even think he would reject Killua, but would explain the reason behind his decision in a reassuring way.

And finally, it’s so symbolic how Gotoh died and got replaced by a Kiriko - the same creature that translates Gon’s perceptiveness and how the boys are close. This way, they are still linked by Gotoh’s words through someone that mimics Gotoh’s appearance and also understands their relationship like the long gone butler. His words will never die.

And not to mention... how shoujo and romantic it is that Gon remembers the promise he made to Gotoh before he takes Killua with him? It is almost like a marriage proposal. That he didn’t forget, not even after all this time. 

Do I think he would’ve change his mind on letting Killua fight? Not at all, and Killua couldn’t change his mind even if he begged, at least not without some patient mental work. This is Gon’s mindset on protecting someone. But like that time in Greed Island, under normal circumstances, Gon would’ve ease Killua’s worries directly or indirectly after some talking. And of course, it is not his job to guess Killua’s feelings, communication must be a two-way path. Killua waited for too long, and at that point, Gon was too lost in his grief and wasn’t able to measure his words. But I truly believe that, deep inside his mind, those words and that promise were still there, waiting to resonate if necessary.

And as @gallyl​ added so perfectly: Killua is alive and well, grieving on the hospital’s bench, trying to get a grip of everything he just experienced. Decided to give Gon a second chance, he’s now able to understand this message of love Gon has left for him: there’s so much he can do in life, that Gon simply doesn’t want him to die because Killua’s whole life was surrounded by death - and Killua’s greatest wish was to live like a normal kid. And this speaks louder to Gon than having Killua to himself in death. A love that is not selfish, and does not envy. Killua’s life is validated, and in return, he saves Gon and his sister, the ones he loves the most, and validate back their right to exist, to grow, to try again. Unconditional love. At first, he’s hurt and demands an apology. But it’s Alluka who reminds him of how love must be free to give and to receive - he should let his heart open for whenever Gon is ready to reach him again.

But now, the apology will matter. 

And this is absurdly romantic. Not every sacrifice ends up in dying together to prove a relationship. They’ve made promises similar to marital vows, and not everything happened like they wanted, but they made clear to us that they’re not done with each other - as they refuse to say goodbye, and keep grammatical constructions like “for a while”, indicating a break, an interlude. 

Their song is still playing, and their promises still exist as their split was never mentioned as something definitive, because preventing the other one to get physically hurt on your behalf and taking some time to think before you take the risk to accidentally emotionally hurt them too are both ways to show protection. Ways that they’re learning now, two boys who think they should get hurt to love and be loved. 

[m-aster-of-spinjitzu]

golden power; never wielded

my first work for @ninjago-angst-week! prompt - abandoned (16/08) Lloyd's never known what it's like to share his heart with another, linking two lives together as if one had found the melody to their chorus, now a song in perfect harmony. If he’d always felt like he was invisible; wondered if there was something fundamentally wrong with his inability to touch others’ hearts, then, well, that was no one’s business but his own. Of course, that was before he quite literally fell for someone - the first person, actually - who seemed to care. Of course she was too good to be true. Or, the S8 angst I've been wanting to write about 'game of masks' and the aftermath. trigger warnings - suicidal thoughts, brief mention of implied self-harm, not really a warning but it talks a lot about loneliness. "How did you know?"

"It's an Oni Temple. It's safe to assume that only an Oni could take it."

"No. How could you know that I was part Oni?"

How could you know that I was part Oni?

The question repeated itself in his mind, echoing into the blizzard.

Sometimes, he wondered what would've gone down at the temple if he hadn't been so observant.

Well, he thought bitterly, probably not the temple itself.

The walls collapsing, he'd caught a glimpse of his terrified face as the room filled with swirling inky blackness, freezing him to the bone.

But the real pain came from her words.

Ah. Your emotions. You can't get rid of them, can you?

No, he'd wanted to yell, staring listlessly at the shaking grey semblance of sky.

He'd always felt like he wielded the element of light; invisible, trapped behind a barrier that no one cared enough to break. Isolated; locked away from the world. Longing for - yearning for - a single soul to want to know his heart. Pain that almost felt tangible, bleeding into every motion, every day.

Everyone else seemed to find it so easy - so effortless - simple as breathing, taken for granted like it was ingrained into their bones. Everyone else seemed to have given away a little piece of their heart - to their parents, friends, or lovers.

The fact that his was, and had always been, entirely whole?

He was either cursed, the venom from the Great Devourer passed down to him, or there was something fundamentally unlikable coursing through his veins.

By this point, he assumed it was the latter.

Maybe, if anyone had ever cared - wanted to know him - he'd never have felt like it was pressing down on his chest like a casket; a useless block of ice that no one wanted, not even the unfortunate owner it'd been given.

If no one would know his heart, he'd thought, grabbing a forgotten map, he'd strike fear into theirs - until they knew what it was like to sob into invisible barriers, to gaze upon the world with a weary eyes and a heart heavy with the knowledge that if they vanished, no one would even notice.

He'd realized far too late that he had unleashed an evil that couldn't be controlled - or one that could only be controlled by his- by someone else that had sunk beneath the darkness until no light remained-

He'd escaped from the crumbling casket, energy and eyes blazing - only to find that Har- she'd already escaped with the mask.

The Oni Mask of Hatred.

As they had steered the boat through the river, her sweet smile hiding lie upon lie, he'd thought it was somewhat ironic - two lovers, seeking a literal manifestation of hatred.

He'd laughed bitterly; no mirth in the sound.

After his first crush had - well, literally tried to crush him, he didn't think that this day could get much worse.

Until she dropped him into a contraption that was the stuff of nightmares - leaving the others with a seemingly impossible choice.

He'd wanted to yell, scream, that they should save his mother - he'd hurt enough people over the course of his short life, as evidenced by the grief-stricken orphan yelling a foreign language right in front of him.

I'm the expendable one! Maybe she was right - it was my fault the Serpentine were able to release the Great Devourer. And it took thousands of lives - but never the life of the one who was to blame.

He'd grabbed the vengestone bars, the faint sense of numbness they brought a welcoming relief from the storm of emotions that- he honestly had no clue what to do with.

i could drown, he had thought briefly, fleetingly. what if i drowned and i never hurt anyone again-

you have  a responsibility, even though you've pretty much failed to uphold it so far

"Clotho venge! Clotho decer! Clotho haeed!"

Shoving the thought to the back of his mind, he'd gripped the bars tighter, ignoring the sting of the metal against skin.

If anything, he'd welcomed the sting.

Any pain was better than the agonizing reminder that his heart was, and had always been, entirely whole.

He didn't even realize he was trembling until he heard his father's voice echoing from the vortex.

His father hadn't asked to be bitten by an evil snake, the venom coursing through his veins for years upon years. He hadn't asked to be dumped at a boarding school for bad kids, spending what he had left of his childhood hiding in empty classrooms or yelling empty threats as his classmates snickered.

Against all odds, they'd been reunited. Evil snakes, Fangblades, even Jade Blades - none of it had stood between them.

Just when he thought they might have a future - he might have a- a family - the Cursed Realm decided to curse them all.

His father with imprisonment, him with a life devoid of a father he'd loved, at the end.

Now H- she wanted to resurrect him?

His father had been so much more than the Oni blood in his veins. So was he.

But if he was completely Oni-

Lloyd didn't like their odds. He kind of hated them.

"Clotho venge! Clotho decer! Clotho haeed!"

---

A few chaotic hours later... they'd won? They'd won.

The Sons of Garmadon (he'd always thought the name was kind of ironic - he, the only son of Garmadon, wasn't in their crazy biker gang) had been imprisoned by courageous, if a bit overzealous, taser-wielding policeman.

Ninjago was celebrating - everyone was; he should be, too.

Should he really revel in their victory, though? It was his fault that she'd been able to snatch the last mask, all the safeguards the Oni had put in place practically worthless because of his stupid feelings-

H- Harumi had been thrown in one of the police vans.

"You're right - this isn't me," she'd started, her meekness almost convincing him that she really was the girl he'd fallen for - the girl who'd been forced into a mask she never wanted to wear, but someone who still cared about the world... and- and about him.

"Stop."

He'd cut her off, the venom in his tone surprising both of them.

"Save it for someone who cares," he'd forced out, the hurt welling up his chest almost as painful as their unceremonious descent into the jungle, (the descent she'd orchestrated, he'd thought fleetingly, squeezing his eyes together) unable to believe that this- this liar was the same sweet girl he'd fallen for.

With that, he slammed the door of the van, locking her in - wishing that locking his memories away could be easy.

She'd never cared about him; simply needing to use him as if he was nothing more than the power he wielded.

He watched one of the policemen drive her away, the tired-but-enthusiastic cheers of his teammates nothing more than background noise; static.

Vaguely, he realized that his heart wasn't quite whole - he'd given a piece of it to someone whom he had thought would link theirs together in harmony, the melody to his chorus; what he'd been searching for ever since he'd woken up screaming in a 'boarding school' that seemed more like a prison.

She'd taken more than what he'd given - draining the light from his entire being as if she was the Overlord, stealing his golden power without a shred of remorse.

That failure was practically painless, compared to her-

An almost unfamiliar emotion slowly stated to replace the ache in his chest that he'd grown used to for all those years; it'd become comforting, even. Watching the world go by with a heart that seemed more like a curse, he briefly, fleetingly, wondered if he'd be better off without one.

If there was ever a problem that presented itself to Nya while she worked on the Bounty, she used to joke that it'd be easier to just dump their entire hard dive into the sea.

Destruction seemed to be easier than fixing, he conceded - the van now just a glimmer of bright light; one of the many that made up their vibrant city.

"How did you know?" he heard, yet again wondering how he felt so disconnected from his own role in the memory.

How had she known? 

The whisper of a voice long gone bled into his consciousness, his hands shaking at his sides even as the city celebrated.

Why had he even asked that?

Plastering a smile on his face as he walked over to his teammates, the question repeating itself in his mind, echoing into the blizzard.

FSM - she didn't need to be leader of a biker gang to know that.

Who could ever give their heart - the epitome of human connection; golden power all on its own, albeit of a different kind - to an Oni?

Maybe he wasn't the one trapped behind an invisible wall, built on tears and loneliness and yearning and heartache and a lone question - why? Why could no one seem to look past the cage he felt himself trapped in, observing the world rather than playing a part in it.

He hadn't been a- abandoned by everyone, he realized, a weary sense of clarity and shadowed eyes not sure to accept it or push it into the back of his mind like the hours he'd spent there, as if he'd ever want to have hurt his teammates like he did, the twisted ghost-

He trailed behind his teammates as they sang - horribly off key, his mind pointed out, forcing a small smile onto his face - lost in the figurative blizzard, despite the fact that the sun's rays had only vanished a few hours ago.

If no one would know his heart?

FSM - could he really blame them?

(if you read this far, thank you so much, you’ve made my day:D)

[bigskydreaming]

what are dick's love languages?

Y'know, I do think a lot of the usual suspects do apply here, like he is a tactile person, he does like verbal affirmation of feelings, both giving and receiving.....but one that I see as fairly unique to him, is like, I think trust is one of his love languages in a way that's a little tricky to explain but makes total sense in my head, lol.

I THINK I've written a whole post about that already, it was one where we were talking about Dick having/needing flaws and I was going on about how narrative flaws don't have to be inherently negative, they just need to sow conflict, and one of the examples I raised was that I feel like trust is one of Dick's love languages, and so back in the early years with Bruce, the fact that Bruce seemed to trust Dick so completely, not just in the usual senses but also trust IN Dick to be capable of the things Dick did as Robin, much like his parents had put their faith in him from a very young age, that he was capable of doing all the things he ultimately came to be capable of on the trapeze....like I think that sort of total and complete trust goes hand in hand for Dick, because for as long as he can remember, that and unconditional love were a packaged deal. He never had one without the other, so they were kinda one and the same.

And initially with Bruce, this just got reinforced albeit without either of them realizing it, because Bruce might not have been quick to say I love you or hug Dick, but he demonstrated the same total faith in Dick and what he was capable of that Dick had received from his parents, BUT very rarely anyone else in life, like a marked difference from the way people outside of his two family units treated him. And for a long time, this WORKED for them, but the problem in never realizing what trust meant to each of them and how it could be so similar but yet so different, like.....the problem was, as long as Dick HAD that kinda unconditional faith in him that Bruce showed early on, he didn't NEED the verbal or physical affirmations of affection as much. He had this at least, and it said 'I love you and trust you' in a language Dick unconsciously understood.' But then seemingly take that trust AWAY, such as when Bruce fired him and seemingly had no faith in Dick's skills or competence after years of putting total trust in them, like....even though the issue was never that Bruce stopped loving OR trusting Dick, WITHOUT the verbal and physical cues as to how Bruce felt about Dick, and without the reassurance of longer lasting ties than just his original wardship, suddenly to Dick it might have looked like Bruce literally just DIDN'T care anymore, that for whatever reason, he'd lost Bruce's faith in him, and his love at the same time.

And meanwhile from Bruce's side of things, the issue was always just his fear of losing Dick and letting his own trauma and issues get the best of him and come between them.....BUT in addition, like, assuming trust works as one of Dick's love languages, then for years it'd been quietly existing as a stand-in for all the other more usual displays of affection. But if Bruce didn't realize the significance of Dick knowing that he had someone's total trust or at least faith IN him, not necessarily like that he was right about everything, it isn't like an oh I think this kid never makes a mistake thing, its more a I fully believe that you're capable of overcoming this issue before you and every other one after it kinda thing....

Like, if Bruce never had reason to fully grasp just how much the trust inherent in their partnership as Batman and Robin like, made UP for the lack of other plainly evident displays of how he felt, so that Dick didn't need those things from him that much as long as he had THIS, instead.....

Then of course he'd by extension, just, totally miss that a huge part of the divide between him and Dick was that WITHOUT Bruce knowing to make up for the lack of plainly evident trust between them and compensate for the shake-up there with OTHER kinds of reassurance as to how he felt about him, Dick wasn't JUST reacting to the idea that Bruce no longer trusted his capabilities as Robin and then Nightwing. That it actually went much deeper for him, in ways Dick probably himself has never fully verbalized. That it shook the very foundations of their relationship, and Dick’s confidence that they even HAD one, because the entire relationship had pretty much from the start been ROOTED in that foundational bedrock that was Bruce’s seemingly complete and total faith in Dick and what he was capable of, so reminiscent of what he’d had with his parents, and the first hint he’d had of anything LIKE that with anyone since them, or even the first spark of hope that he ever COULD have something similar to that again. And which again, he DID for a time have.....and he never truly lost it, its just having not prioritized growing other support pillars for their relationship that didn’t revolve around the Batman and Robin partnership, too much of their relationship had rested on that partnership’s existence, had basically NEEDED it, to shore up the gaps in other aspects of their relationship.

And I argue that you can see other instances of this pattern with other characters as well. Like, in complete reversal of Bruce not realizing the disconnect between he and Dick because of their differing love languages, it could easily be posited that this was a problem with Dick and Tim after the Robin thing as well. Because see, if Dick was trying to learn from Bruce's mistakes specifically, to project himself into Tim's shoes and use what Dick knew from his OWN past experiences....Dick would have run into the exact same problem as Bruce, just from the opposite angle. Because see, for as long as Dick has known Tim, he's made supreme efforts to show Tim that he sees him and appreciates him OUTSIDE of Robin just as much as in the mask. He's always made a point to hammer home that his brotherhood with Tim may have originated with Robin, but it was never conditional on it, and in contrast to how reserved Bruce often is with him, Dick made SURE to express his affection for Tim in all kinds of plainly evident ways, for as long as he'd known him.

So then, see, if Dick on some instinctive level pairs unconditional love and trust on equal footing, like he never really has one without the other because all the people he loves are people he trusts with his life, literally, and vice versa.....by the same token that had him once upon a time fear that Bruce no longer loved him, because it seemed Bruce no longer trusted Dick, and in Dick's eyes you couldn't truly have one without the other......THEN the reverse of that, in order to try and make sure that his siblings always KNOW that Dick loves and values them.....Dick tried to always make sure that was a priority.....BUT neglected to consider that love/trust aren't as innately interchangeable for other people as it is for him.

So on a gut level, it might have never really even OCCURRED to him that Tim might see that as Dick no longer trusting in his overall capabilities (even if Dick didn't believe him about Bruce, believing IN someone doesn't actually mean you have to think they're right about every single thought or idea they have, and just because Dick had doubts about that doesn't mean those ever translated for HIM as doubts IN Tim, the person, the brother, what he was capable of, his overall capabilities and competence and heroism).

But like, you see what I mean? Bruce underestimated the impact that seemingly no longer having Bruce's full trust would have on Dick, and not knowing to buttress that shift in their dynamic with compensating displays of his feelings in other love languages that Dick recognized.....he also made Dick doubt he still loved him.

In contrast, and likely in his very attempt TO avoid repeating the same mistake, as HE saw it from HIS eyes....Dick always made sure to express his love for Tim at every possible opportunity.....and so BECAUSE he was so consistent in expressing his feelings there, HE failed to buttress the shift in his dynamic with TIM, and didn't prioritize showing Tim he still trusted him and had faith in him in other ways....because by virtue of how closely Dick links love and trust, it would totally make sense in his mind that well, how could Tim NOT think Dick still has total faith in him, when he had all this evidence that Dick loved and valued him REGARDLESS of Robin and always had? Why would not being Robin take away that trust, when Dick had always made sure to reinforce his faith in Robin with verbal affirmations of loving his little brother?

But like, even though I think his first parents were always affectionate with Dick in a variety of ways, I do think it all goes back to that root, like, FAITH that you have to show in a kid, make a kid BELIEVES he has, on every single level.....in order to learn to do the things Dick did from a very early age. Flying was a family thing, only family could do it, and thus flying, and all the trust that went into making it possible, into helping each other achieve it as a GROUP.....like, it all added up to love, in Dick's experience. There'd never been any NEED for him TO separate the one from the other and mark a distinction. And even when he ended up in Gotham, he and Bruce had issues connecting at first, with them only really gelling once Dick became Robin....at which point, this is when Dick probably started to BELIEVE he could trust this man when he said he cared about him....because he wouldn't be so willing to put his full faith in Dick and what he was capable of, when everyone else Dick encountered had nothing but doubts to show him.....like, in Dick's eyes, Bruce couldn't possibly put the trust he had in their partnership of Batman and Robin if he DIDN'T care, right? Because that's a family thing. That's what that level of intimate trust and faith in each other MEANS, to Dick.

And then when that seemingly went away, Dick floundered, because it ALL seemingly went away at once....you take away the one, you can't possibly still keep the other, that's not how it works. Which is why its so important to him to always make sure everyone else in his family knows just how he feels about them, with words and actions, because that way the heartache he'd felt when he was younger and doubting his place in Bruce's heart would never repeat with them, hopefully....because as long as Dick was showing them his affection at every opportunity, how could they doubt his total trust in them, his family, at the same time?

Anyway, like I said, I definitely think I wrote a whole post about it before so I'm gonna go and try and find that instead of getting into all that here for a second time. Because that's definitely not what I already did. Nope, this was just me making a quick summary of my thoughts on this matter as a placeholder while I went hunting around for that other post that I can reblog so that I don't have to expound on this idea in depth a second time. Since that would be silly of me. So I obviously did not do that. Yeah. So.....anyway.....

[100hearteyes]

Part 2 of Clarke And Lexa Make a Porno, because why the fuck not.

Part 1.

"No. Absolutely not."

Anya's wolfish grin is no good omen. Lexa feels a sense of dread wash over her and tries in vain to assuage her nerves by holding her friend's gaze. Anya wouldn't look this sure if she didn't have some card up her sleeve.

Lexa throws a furtive glance around, checks that her co-workers are still focused on the German porn telenovela. It's only when she's sure that the action on-screen will keep them rooted for a while that she turns back to Anya, trying but failing to meet her eyes.

She overcompensates with another glance around the room and a low hiss. "I can't believe I'm saying this, but am I not too," she licks her lips, gathering the courage, "'vanilla' to do it?"

Anya shrugs like it's a no-brainer; crosses her arms and props her booted feet on Lexa's desk. "That's exactly the point. You're a lesbian Disney princess. Pretty sure if you started singing the whole fucking fauna of Capitola would follow you around."

Lexa levels Anya with a glare and tries to push her feet off the desk, to no avail.

(Seriously, what's it worth being editor if she can't even have her subjects' respect? She wishes this job was less about the headaches and more about the self-indulgent moments of microscopic tyranny.)

The feet might not budge, but Anya will. Lexa is sure of it. She draws herself taller and tucks on her most authoritative scowl. "I won't do it."

Anya plucks an imaginary cigarette from her mouth and throws it away without a care in the world. She reaches behind her and drags forth a heavy wooden box, filled to the brim with—

"My vinyls."

Lexa is in a daze.

She thought she'd lost all her vinyls to time and moving. She mourned each one of them for at least a year, cried many a night away clutching her record player to dear life, lamenting their shared loss.

They had a real connection.

But it turns out her vinyls weren't lost after all, and her tears were for naught. They were safe all along, albeit in different hands, and she'd known nothing of it, like a mother who lets her children wander about without aim nor authority.

How can she ever have kids if she can't even take care of her prized vinyls?

Lexa feels a prick of self-righteous indignation at the betrayal and puffs out her chest. "Why do you have all my vinyls?"

"I think you mean all my vinyls," Anya corrects with a lazy flurry of one hand towards the box.

"You don't even own a record player."

"How the fuck would you know?"

Lexa raises an eyebrow at her friend. "I come over all the time?"

"I could hide it while you're there."

"And then you'd never find it again, because that's what happens every time you try to hide something from me."

Anya shrugs and watches as Lexa picks one of the vinyls and turns it over in her hands, reading the track list on the back with the reverence one would a millennium-old parchment. Then she looks up at Anya with a stern glare.

"Over half of these were stolen from my house."

Anya shrugs again with infuriating nonchalance and Lexa wishes she had a pencil nearby just so she could snap it in two with one hand. Or stab one of Anya's eyes with it.

"Maybe I just rescued them from the actual malefactor," drawls Anya.

"We both know the real culprit sits across from me and has been wearing the same socks for the past three weeks."

Nailed it.

When she looks at her friend, however, all she sees is that same old resting bitch face that never seems to go away.

"Wow, Lexa," Anya deadpans. "Now you've really hurt my feelings."

Sometimes, Lexa wonders if Anya really has a rock where her heart should be. A supernatural, blood-pumping rock, of course, but a rock nonetheless. Or, maybe, Anya is a psychopath. Maybe the blood money theory wasn't so far-fetched after all. That would explain the brazen lack of empathy for everyone else's feelings, most of all Lexa's. What does it say about Lexa that her one true friend is someone who sneezes literally every time Lexa says 'I love you'?

Not that Lexa says it a lot. Only once or twice every few years.

Just enough to have noticed the pattern.

"Are you really trying to blackmail me with vinyls?"

Anya fakes an affronted gasp, laying a hand on her heart. "Would I ever. Think of it as... an incentive."

Lexa really does love Anya, despite her friend's... unique demeanor. Anya helps her come out of her shell — by taking up all the space and forcing her out of her own metaphorical home — and every once in a while she likes to make sure Anya is aware of her gratitude. Sometimes, though, things get really fucking weird.

Lexa would still do anything for her best friend.

"Let's imagine, hypothetically - very hypothetically," she stresses, although Anya's burgeoning smirk tells Lexa she isn't so easily fooled, "that I agreed. What would happen next?"

Anya takes her feet off Lexa's desk and sits up straighter, perhaps aware of the importance of this moment. This, Lexa decides, will determine her answer.

"Well first, I'd have to get you a costar. Then we'd sign some legally binding shit, find a crew, and make the damn movie. Simple as that."

Anya leans forward, looking into her eyes. In Anya's, she sees honesty and a pressing need to reassure. It takes some of the pressure off her shoulders right away.

"Look, Lexa, you can say no. But your name won't be on anything related to the movie and I promise no one in this shitty town will ever find out you did this."

This is why Anya is Lexa's best friend. And it's why Lexa would do anything for her.

Even star in a porno.

"Okay."

Anya's inner smile must be really, really big, because Lexa knows how hard she tries to tamper its outward expression — and still her lips manage to lift into a grotesque grimace. Coming from Anya, it's the equivalent of a blissful grin.

"Okay?"

Lexa nods and closes her eyes, bracing herself for a bone-crushing hug. It never comes. When she opens her eyes, Anya's resting bitch face is back on.

"What, did you want a fucking hug?"

It's a blessing to have her rude friend back, Lexa guesses, because seeing Anya almost smile is fifty shades of unsettling. So she rolls her eyes and rolls with it.

Her next question demands her full focus, lest she makes an even bigger fool of herself than usual.

Lexa breathes in, makes sure all her co-workers are still otherwise entertained, breathes out. Smooths out a non-existent wrinkle in her pants, wets her lips for courage.

"Anyway," she treads with caution, "do you have someone in mind for the other main role?"

It's fitting that Harper McIntyre's hit song One More Betyreyal (one of her less inspired titles, if Lexa may say so) starts playing in that moment, for the look in Anya's eyes speaks of nothing but danger. Lexa wonders how much planning went into this conversation, so Anya could plan all her gut punches in advance.

"Clarke Griffin."

No. No. Anyone but her.

Clarke Griffin is the new recruit, although Lexa hardly understands how there can be someone new considering the station is broke and they’re already overstaffed — and none of them make nearly enough money for how much they laze around all day.

Clarke came from out of town with a fancy degree and was directly hired as an editor. She voices the early afternoon newscasts and Lexa curses the one-hour period during which she's forced to cohabitate with Clarke every day.

Apparently, Clarke had taken a liking to unnerving her, be it by smirking at her every time she catches Lexa staring or by making all sorts of inappropriate comments — to her ear. Lexa hates how much it affects her, but how can she possibly focus on reporting about Lionel "Real Sight" Foster swallowing his own wooden eye or how Jasper Jordan rescued his own private parts from the jaws of two slats of an unassuming park bench if someone keeps doing everything in their power to distract her?

Lexa has a theory (an iron-clad theory, if she may say so herself), and it's that Clarke is trying to get her fired so she can take her shift. It's the best shift of the day. There is no other possible explanation.

"You know what, I take it back. Now you need to convince two people to star in your porno."

"Oh, there's no need." Anya waves her argument away with staggering nonchalance. "Clarke's already said yes."

Wait, what? "But you told me we'd need to get me a costar."

Anya shrugs and Lexa is now seriously considering revisiting her psychopath theory. "I lied."

"You conniving, lying b—"

"Careful," Anya cuts in with a raised eyebrow. "I am under protection of the Capitola Astrologers Union."

"Of which you are president, treasurer, and the only legal member," Lexa reminds her. "And I think any upstanding judge would love to know how exactly every other name on the list has joined said union posthumously."

"I am an astrologer, Lexa. I can communicate with the dead. It's in my job description."

"It scares me that you're not even aware you're describing an entirely different profession."

Lexa sits back, staring at the ceiling (and the chewing gum Murphy glued there a year ago — he could've been an Olympic jumper if he committed to work the way he does to being an asshole), trying to come to terms with a single, harrowing probability: she's going to star in a porno with Clarke Griffin.

"l don't understand why it has to be Clarke."

Anya leans forward, propping her elbows on her knees, expression serious and ready to talk shop. The last time Lexa saw her like this was— actually, Lexa doesn't think she's ever seen Anya like this.

"Look, I've done some market analysis and most girl on girl pairings are a blonde and a brunette." Anya raises both her hands and starts counting off fingers, "Brittana, Petramos, Holstein, Wayhaught, Supercorp, Joanarty, Choni, the inaptly named Shoni, Deanoru, Dana and Alice, Bette and Tina, Catradora, Villaneve, Clexa—"

"What's Clexa?"

"I don't know, some chicks from this fucking terrible CW show."

"Do you like it?"

"Do I like what?"

"Clexa."

"Dude, I don't even know their fucking names!" Anya exclaims, exasperated. As if she's the victim here. "The only Clexa I ship is you and Blondie. Naked. On my porno. Clarke and Lexa. Clexa. Havin' very hot sexa."

"Smart," Lexa deadpans.

"I know."

"Why can't it be Niylah? She's blonde, too."

Anya's smirk is five hundred shades of gross. "I know you'd love to get up close and personal with Niylah's knick-knacks, but no."

Lexa decides to let the comment fly for the sake of her own sanity.

"Why Clarke, though?"

"Because you two have chemistry, you fucking dimwit."

Lexa snorts. Chemistry. Lexa has never heard of something so absurd. She and Clarke have as much chemistry as Harper McIntyre and any semblance of originality.

Which is to say, none at all.

"She makes very inappropriate comments," she argues instead, knowing full well that pressing on the topic of chemistry will only open way for some trademark crass joke from Anya.

"Yeah," her friend agrees, like it's obvious. "Because she knows you love them."

She most certainly does not.

"I most certainly do not."

"You do. Your freakishly tiny ears go red whenever she flirts with you. Your step falters when she makes one of those comments, for fuck's sake," Anya observes, pointing in Lexa's general direction, before leaving forward and laying a hand on her shoulder. "I'm sorry to tell you this, but you, my friend, are a walking lesbian cliché."

Lexa takes Anya's hand off her shoulder. "Can you please stop insulting my tragically conspicuous homosexuality?"

"Oh please," Anya scoffs. "I'm bisexual, I can say whatever I want."

"If my step actually faltered - which they don't - it would be because her comments are annoying, off-putting, unprofessional, inopportune, and... and inappropriate", she finishes lamely.

"And you fucking love them."

"I don't."

Anya leans back on her chair with an evil smirk, propping her feet on the table and crossing them at the ankles. Lexa tries to push them off to no avail.

"Legalities aside, it's very simple. Clarke has already said yes. I just recorded you saying yes."

Lexa sputters, "You what--"

"You're both legally bound now." Anya shrugs. "Look at it this way: it will be very educational. You'll finally learn how to make a girl come, and get paid for it. Sort of."

A beat of silence.

"Anya, are you aware that you say something at least vaguely criminal every five sentences? Something that could actually put you in prison?"

Anya clicks her tongue, sinking farther into her chair, and lowers her sunglasses to her eyes.

"I've got friends everywhere, Lex. Let's just say I've dipped more than my fingers in my fair share of pies, if you catch my drift." A second later, she lowers her sunglasses just enough to reveal her eyes. "That means my tongue. My tongue's been in a lot of pies, too."

Lexa doesn't doubt that for a second.

"What I need to know is," Anya adds, taking off her sunglasses and throwing them across the room, "will you dip your fingers in the porn pie?"

Like this conversation hasn't caused enough trauma for thirty lifetimes.

"If I say no, will you still give me back my vinyls?"

"Absolutely fucking not."

Lexa swallows, clenches her jaw, and thinks of all those lonely nights spent in the couch clutching her record player and sharing cookie dough ice cream with it, longing for long-gone times when she'd dance to the mellow voices of the likes Billy Ocean and Ella Fitzgerald.

"My answer is yes."

[gwendeeagain]

How I wrote the Demon fic

Don't draw devil's traps in janitors' closets is one of my longest fic series I’ve ever written, the most notable of which would be my Demon Gakushuu fic, if you’ve seen it. 

In partial response to an ask post (link here), I’ve decided to revisit my writing of this fic series! It was quite a long journey for me and I think it might be fun (?) sharing it with everyone. It’s rather long, so I’ll tag it under “keep reading”. 

FYI this thread contains major spoilers for the fic (and would honestly make no sense if you do not have prior knowledge of it).

I'll just refer to the first fic in the series as Books because it has an insanely long title. Subsequent fics are in order Burgundy, Potential, Illuminate, Illuminate rewrite, and Addendum. The main series is linked here.

Addendum is not linked in the main series for reasons I'll explain below. (link here)

Books

I think one of my biggest mistakes writing Books is my lack of plot planning, and subsequently how thematically inconsistent it became. I start off most my fics with a rough idea of how I want the story to end, and a few good themes to carry me through the plot as I write, but for Books I started off with the first chapter and nothing else. If you followed the notes of my fic you'd probably have witnessed my gradual descent into uncertainty and despair as the fic spiralled out of my control due to how wrong I felt it was becoming.

The fic took a surprisingly hard toll on me. I absolutely hated it. I refused to mark it as complete because I was dissatisfied with how it ended. I thought that everyone was out of character, that I lost the original ending and goal in my head, that it was thematically messy such that I couldn't justify any ending I tried to come up with, and I was just grasping at straws trying to make it work. 

The three things that bothered me were Gakushuu’s wings, Koro-Sensei and the introduction of Aina. When I started this fic I had plans to kill off Koro-Sensei at the end, however as the fic went on it became a celebration of life and learning how to live, and I knew I couldn’t bring myself to have any death in this fic... but at the same time I had Gakushuu find a lot of meaning in Koro-Sensei’s (to-be) death and I didn’t want to undo that. The wings were on a similar note, because Gakushuu spend 50k words finding out who he is and accepting that he was different. Turning that message around and making him go back to being “the same” ate me up inside, but at the same time I set-up the Demon Society in such a way that they would kill Gakushuu if he didn’t have his wings, and it’s supposed to be a happy ending, dammit! Aina was a particularly egregious case because I threw her (and Ikeda) in without any prior warning at the very last minute. I already had a whole world and setting planned for them which I never got to expand on in the previous chapters because I was so anxious about the other two points, and when it came down to the last chapter I realized I had no set-up for these two, who were supposed to be major players in the finale. Basically I was bad at writing.

Even now I cannot fully articulate why it was terrible for me, but compounded with my real-life stressors, I suppose it just became a bit too much to deal with. (This is a piece of fiction that I am creating from scratch. If I can't even get this under control, what hope do I have for everything else?)

((For come disclosure I was never formally diagnosed with any mental illness, but my parents are the sort of people who don’t believe mental illness exists anyways. I would say that I’ve had depressive episodes when I was younger and sometimes even now, but I’ve learnt my ways of dealing with them!))

Burgundy

Four days later I published Burgundy, a short sequel to Books, very shortly after only because I had already finished writing by that time. I actually do still have several half-finished follow ups at that point, but I couldn't bring myself to complete any sequels because I couldn't even come to terms with the ending of the main story. (Those wips are lost to me now.) I think I was hoping that forcing myself to publish the sequel would show me that it was "no big deal" that the main fic didn't end the way I hoped it would, but it succeeded in making me feel worse.

Potential

About one month after that I wrote Potential. It was a three parter, somehow a fifth of the length of the main fic, that followed Gakuhou's perspective prior to the events of Books. It was a prequel which imo made it easier to write, because I still couldn't move on from Books yet. I think writing Potential was me trying to remind myself why I wrote Books in the first place, to perhaps reignite my original passion for the series. It's kind of funny to think about in hindsight, and a little meta, because Potential was a lead up to the events in Books. It worked... a little bit, I think. I still couldn't reconcile my feelings for the whole thing, but through it I got to revisit the original premise that I fell in love with and expand more on worldbuilding it. I could reprise Aina and Ikeda and finally write about the world I planned to introduce them in in the first fic and give more context and insights to how the demon society was supposed to work.

Illuminate

Six months after Potential, I ran into a comment that said, "what would Gakuhou have done if Gakushuu had died?" And for some reason it struck an epiphany in me. After that I wrote Illuminate in one night, cried myself to sleep, waited one more night to proofread it, and then published it. Illuminate was an AU to the first three fics in the series, and it was a fic about grief and mourning. Spoiler alert: I straight up killed Gakushuu in that fic. And somehow that was what I needed.

I quite literally killed my first fic - I upended the terrible ending I hated from Books - everything I had been uncertain about at first? I killed it. Plot points didn't fit my original plans? Killed it. (When I reread the death scene, I... honestly think I was unnecessarily cruel. I must have really been out of my mind when I wrote it, hah!)

And then I wrote myself a love story about missing it, grieving it, and finally letting go of it. It was heart wrenching for me - I made Gakuhou cry about what he lost, what could have been, what he realized he loved, and at the end of it all he could say "I love you and I can move on from you." And I did!

Illuminate (Rewrite)

Illuminate Rewrite, one year later, was me revisiting Illuminate to reflect on myself where I've come with this series. I actually just swapped the places of two paragraphs to change the mood at the end for something more contemplative. I elaborated a bit more on this in my notes for Rewrite, so I won't repeat them here.

Honestly, I still have a hard time coming back to reread Illuminate even after the whole debacle has happened. I attached a lot of emotions through my journey with this, and revisiting it each time takes quite a bit out of me.

Addendum

Addendum was just me having fun! After Illuminate, I managed to reconcile my feelings with the fic series. I was finally able to mark Books as complete and move on from it, and afterwards I wrote a fun little au sequel to Illuminate so that Gakushuu can live again. I could creatively expand on ideas and just do... whatever! It's more of a loose connection of plot points than a real fic, honestly.

Addendum follows Gakushuu in a future hundreds of years later, after every human who he's once known in Books has died. And... he moves on! Gets a job, makes friends, lives his life, and most importantly move on.

I chose to publish in a separate collection, however, because it was an incomplete story and I didn’t want to have a half-complete fic tacked on to what I have settled in my heart as a complete fic collection.

And that’s about it! <3

[thejollyroger-writer]

THE WASTELAND - HOME (15/15)

Some triggers: this story is rated TEEN, mostly for violence. It takes place during wartime, and some of the characters go through some violence and torture. If you need more information about this, please just message me!

SUMMARY:  In a world that has been saturated in war for as long as anyone can remember, Emma Swan has rebuilt her life as far away from the chaos as possible, opening her own maternity hospital after spending too many years in makeshift battlefield aid stations. But one night, a bloodied and battered soldier finds her hospital trying to get away from an enemy with a penchant for torture and a personal vendetta against him. With the help of Emma’s childhood friend Prince David and a motley collection of humans and magic-wielders, the quest to save Killian Jones’ life from the poison used by the enemy takes them to places even beyond the known world.

A/N:  Can you believe it? This story is COMPLETE, which feels surreal and ethereal in unexplainable ways. I've literally been writing this story longer than it took me to write my masters' thesis -- though, needing to write my masters' thesis is most of the reason it has taken me this long. Thank you all for sticking around through it all, if you've been here since the beginning -- and if you've hopped on somewhere along the way, you're just as important to me. Thank you, all. Enjoy the last chapter.

Start from the Beginning // Also on AO3!

For a long, drawn-out moment, nothing happens. Emma can feel the beating of her heart in her stomach and fears that something has gone wrong, attempting to use her unhoned magic  for too big a task too quickly. 

And then, she feels her feet shift on uneven ground and she dares to open her eyes. 

Sand. 

They're on the shore. Everyone is on the shore, Belle still tending to Will's wounded shoulder and Mary Margaret comforting David, his pain obvious on his face. Killian releases her hand, rushing to the prince's side with his canteen at the ready. The water doesn't heal David as quickly as it did Killian, but as he swallows the few sips he was given, his expression grows relieved and the tendrils of poison retract across his exposed chest before disappearing from the site of the wound. It's not nearly as climactic as Killian's healing was (Emma refuses to think about why that might be) but she still feels a weight lifted from her chest as all traces of the poison disappear, leaving only a small cut on his side where the arrow nicked him. 

Killian and Mary Margaret simultaneously sigh an audible breath of relief, her petite form almost comically small as she leans into Killian's shoulder. 

"Let's get off this bloody island," Killian says, allowing only a moment's pause before he helps Dave to his feet — though his words are practically forgotten as the forest begins to groan and grumble, trees snapping, cracking, falling to the ground behind them. 

And they watch as four, five, six boys move through the treeline, all dressed in rags and covered in dirt. 

"The Lost Boys!" Wendy cries, rushing towards them. 

"Please take us home with you, Wendy," the one who looks to be the oldest begs, terror obvious on his face, as on all of their faces. 

She turns to look at David. "Without Pan's magic, the island will disappear, and the boys will die." 

David shakes his head. "I have no argument."

"What about what Pan told your brothers? That only the amount who arrived can leave?" Regina's voice is heavy with worry. None of them want to leave the boys behind, but if it means that no one will make it home, it's a much heavier question. 

But Belle is the one to answer. "With Pan defeated, the island holds no power. Even if it wanted to stop us from leaving, it is no longer able." 

The oldest boy knits his eyebrows. "Does that mean—" he starts, but is silenced by a deafening thump as another large tree hits the ground, this one not far from the shore and sending a tremor under their feet. 

"Welcome aboard the Jolly Roger," Killian says with a smile, gesturing for the boys to lead the way to the waterline and aboard the ship. 

"Rufio, where's Felix?" Wendy asks, walking beside the oldest of the boys. 

But the boy shakes his head. "He's always been the most dedicated to Pan and here longer than the rest of us, you know that. He said he would rather die here with Neverland than become a traitor." 

"Oh, Felix," she breathes, but it does not keep her or the other boys from boarding. 

As the rest of them move towards the ship, Emma moves to stand beside Killian, who is waiting to go last as the captain does. He pats Robin on the shoulder, the pain of losing Graham sinking in once more as his body is carried onto the ship. “Take him below decks. Merlin can show you where to find what you’ll need to wrap him.” Robin just nods. 

"We did it, Swan," he breathes, reaching down to squeeze her hand. "How do you feel?" 

"It's almost surreal," she replies, lifting his hand so she can look at his arm. She still barely believes it, would not have believed the way the water healed him if she hadn't seen it herself — and she still had trouble understanding how easily he was healed by her magic, even after learning of their connection, their destiny. 

She still doesn't want to believe it, really. Everyone is so sure that it's about them, that they were prophesied ages ago to go on this journey, to save each other. She's not denying their connection, not anymore, but she still struggles to believe that they were destined to be together because some ancient seer decided it was supposed to be so. 

"Let's go home," he says finally, gesturing for Emma to follow Robin and Regina onto the Jolly Roger. 

Home. He's not even sure where home is anymore. For years, it was in the Northern Mountains, then with Dave and his band of followers after returning from Neverland. He's been ready for a new home for a while, he realizes, following Emma onto his ship. With her, he hopes. Hell, he's never wanted anything as much as he has wanted to be with her. They're destined to be together, but all he wants to do is kiss her, find all the things that make her happy and never stop giving them to her. He wants to wake up beside her, learn the way her golden waves look in the morning sun, the way she takes her coffee. If it means working beside her in the hospital, doing everything he can to help her while hopefully keeping them from harm — hell, he'll work in a maternity hospital. For her. He would do anything for her. 

They leave the island behind quickly, the Lost Boys, Wendy, and a fully-healed Will watching it crumble, leaving behind nothing but a pile of ash and a cloud of dirt that covers the horizon. 

Killian doesn't turn back. Some of the others peer over their shoulders but Killian seems to be the only one fully content leaving the island behind without a second thought — but, then again, he is the only one among them to have experienced it twice, to have it take multiple people he loves from him, even if it brought others together. 

He thinks of Graham, being prepared belowdecks for burial at sea once they're out of the wretched Neverland waters; he thinks of Milah, who sacrificed so much, who hid her true identity from a world she felt so unsafe in, gone forever in the pile of rubble and debris. 

Liam. He thinks of his brother, releasing the helm to feel the large ring hanging from his neck between his fingers. He left Liam behind in Neverland twice, never able to give him the burial at sea he always wanted. Well, he thinks, turning his head to glance behind him, if the entire island crumbles into the sea, then Liam is finally laid to rest as he would have wanted. 

"I was wondering if you were ever going to look back," Merlin says from the spot he has found against the railing, only using the basest of his powers to move the ship along the waters until they take to the sky. 

"I wasn't going to," he confesses, looking down at the ring once more. "But then I thought of Liam, and the burial at sea he deserved and never got." 

"Well, the whole damned island got a burial at sea, and that sure as hell included him." 

Killian nods, managing a smile. "That's what I thought, too." 

 They travel along the water for a few hours, pausing around dusk to bid their final farewells to Graham before taking to the sky. The sun sinks below the horizon, and Killian turns to the same star charts they used on the journey there to guide them home, though this time Emma takes part in all of it: helping Merlin and Belle fly the ship, learning the stars that they use to guide them back to the Northern Mountains. He has always felt at peace behind the helm of this ship, even when it was his brother's; having Emma beside him, his chest pressed against her back as he points over her shoulder towards the stars, is the most at home he has ever felt, and he wishes — on the stars that guide them home, on any good luck charm he has ever known, praying to the gods who have seemed to answer him a lot lately — that it's not a feeling that disappears. 

The journey back isn’t as celebratory as expected from a group of people who have evaded what they all believed would be certain death. David and Mary Margaret spend most of the trip in the lieutenant’s quarters, Mary Margaret finding the sleep that evaded her the last few days, the two of them taking turns caring for the other. Merlin and Belle spend the return trip just as they did the journey there, guiding the ship through the air, though when Emma is feeling at her strongest, she attempts to assist them. (The rest of the crew does not fail to notice how Will spends much of his time sitting against the railing near wherever Belle has stationed herself, eating what seems to be a never ending supply of apples and chocolate and other types of random snacks and reading the books spread across his lap, even though he was never known to be a voracious reader before.) Similarly, after being comforted by her after Graham’s burial, Robin and Regina spend most of their time together, a pairing of sensible pantsuits and olive green attire that none of them saw coming. 

Wendy and the Lost Boys spend most of their time gaping at the views over the railing, trying their hardest not to get airsick to avoid ridicule, filling their stomachs with each of Merlin and Belle’s smorgasbords as if they have never seen that much food in their life — Killian doesn’t let himself think about how long they may have been in Neverland, just how long it has been since their last decent meal, and he is happy to be the one to offer it to them. 

"What are we going to do with them?" Mary Margaret asks Emma one night as she sits with her on the deck, picking at the half-eaten sandwich on the plate in her lap. 

"With who?" 

She points to the boys, throwing small rocks and food scraps off the deck of the ship and laughing as they disappear into the clouds below them. 

"I guess we're going to—" she starts, but then realizes that she has no idea how to finish the sentence and leans closer to her friend. "What are we going to do with them?" 

It's a thought that never even crossed her mind. She's been so worried about returning to the life she had, possibly even learning to include Killian in the chaos of running the hospital, that she never stopped to think about the people whose lives have been upended because of their trip. Who knows how long the boys have been stuck on Neverland, how long it has been since they were taken from their families — if they ever had them in the first place. Emma remembers the long nights on the streets of the Gale when she wished she were anywhere else,praying to whichever of the gods was listening to give her a place to belong. That's what Pan did for these boys in his own wretched way, she realizes. 

“Who knows how long they were stuck on that island. I doubt many of them have thought about what they would do if they ever returned.” 

But Emma shakes her head, remembering the nights she stared up at the stars and wondered what her life could be like if she were in any other situation. “I can assure you that some of them have thought about it.” She doesn’t mean for her voice to be that soft, to make the hurt so apparent in her words. She tries not to play the orphan card, especially around Mary Margaret, whose empathy is so strong Emma sometimes thinks she fully understands the heartbreak she tries her hardest to hide even though she only recently lost her father and sees her mother as often as her and David’s schedule allows. 

Mary Margaret just nods, taking a bite of her sandwich. “I suppose we could start by talking to them.” 

Emma can’t help but laugh, thinking of how she would have responded in their place — which, she supposes, is exactly what David did, granting her a new life in the infirmary. She wonders if any of them have discovered their powers, or if they would simply hide, dormant, for the years they spend without aging in Neverland. “We should wait until morning, though,” she comments, watching as one of the younger boys lets out a big yawn across the deck. When she turns back to Mary Margaret, she is stifling a yawn of her own. “Looks like it’s your bedtime, too,” she adds with a soft laugh. 

“I’m just so tired all the time. Is this all that pregnancy is?” 

“I have no firsthand experience to share, but from what I’ve heard, yeah, that’s a big part of it.” 

“Someday, Emma,” Mary Margaret comments, and it’s a thought that hits her like a truck. Sure, she’s spent years in the maternity hospital, helping other women bring babies into this world, but having one of her own was never a thought that crossed her mind. Is that what she wants? Could she even bring a child into a world so full of violence and terror and the exact things they’ve been battling for the last few weeks, not to mention the War that has affected every facet of the world for longer than anyone can remember. 

It’s at least not a thought that she needs to focus on right now. 

“Hey, love,” Killian says, thankfully pulling her out of the depths of her own mind as he approaches them from across the deck. “We’re going to begin the descent back to the water soon. Just wanted to let you know.” 

“Thanks, Killian,” she replies, offering him a soft smile, which he answers with a soft kiss to her cheek. 

“I’m going to bed, then,” Mary Margaret says, one hand on her stomach as she reaches out to squeeze Emma’s hand with the other, then moves across the deck to the stairs. 

“I can’t wait to be on the water again,” Killian says after a moment of silence, leaning back against the railing, and she steps into his arms. 

“Why is that?” 

“There’s just something calming about it, something that’s not there in the sky or even on the land. The moment the hull hits the water, I just feel… peace.” She hums, resting her forehead against his shoulder. “It’s not just the ocean, either, though. Graham always laughed at me when I would go stand in the rain, or sometimes stay in the shower for longer than I meant to.” 

Emma leans back to look up at him, gears turning in her head. Rain. Showers. The ocean. The way his body reacted to the pool on Dead Man’s Peak. Water. “Killian,” she whispers, then cups her hand between them, creating a small pool of water in her palm. “Can you… move this?” 

He looks first at her, then at her hands, his dark brows furrowed low on his forehead. “I’m afraid I don’t understand, love.” 

“Was your mother one of the merfolk?” 

This makes his eyebrows jump towards his hairline, bright eyes wide. “Pardon?” 

“Your mother,” she repeats. “I know she passed when you were young, but what do you know about her? Was she a mermaid?” 

“No. No, that’s… that’s crazy,” he whispers, staring down at the water in her palm, slowly dripping through her fingers onto the deck between his worn boots. 

“Can you just try? For me?” Remembering how her magic reacted to his touch, she reaches her free hand out and rests it on his hip. 

He nods, his adam’s apple bobbing as he swallows hard. “What do I need to do?” 

“Think about what you want it to do. Close your eyes. Feel it.” 

“What do I want it to do?” 

With a soft chuckle, she turns her eyes up to his, shaking her head. “It doesn’t matter. Just… anything.” 

He nods, but stays silent, holding up his hand in the space between them as he squeezes his eyes shut. Somehow, Emma can feel what he’s thinking, imagines the small sphere of water rising above her hand before it happens — but then it’s there, right before her eyes, hovering above her palm. 

"Bloody hell," he mumbles, his eyes darting to meet hers for a moment instead of staring at the sphere. "And you're… this isn't you?" 

"No," she whispers, picturing it falling back to her hand just to make sure — but it stays there, hovering a few inches above her palm. 

“Of the merfolk,” he whispers, the sphere splashing back down into Emma’s hands. “I never even imagined.” 

“I’ve known for a very long time,” Merlin quips from behind them, his eyes closed but obviously paying attention to them. 

“For real? And you never thought to tell me?” 

He shrugs. “It was not my secret to share.” 

“Why did I not learn about  it sooner?”

Emma gasps, pulling Killian’s gaze back to her, and Merlin laughs, finally opening his eyes. “So you figured it out, then?” 

“The Prophecy,” she whispers, barely believing the words as she says them. “Their strengths will finally be revealed. That’s the line, right?” 

Merlin nods. 

“Not just my strength, but both of ours. He needed… me. Us.”

It’s another piece of the puzzle that fits a little too well, that makes it hard to deny that they are the ones from the prophecy, brought together by destiny. A chill runs down her spine as Killian’s jaw drops, realizing exactly what her words meant. 

“Bloody hell,” he mumbles. “I need… sorry, love,” he mumbles, backing away from her to go and stand by himself, looking out over the moonlit water as the ship makes its descent. 

Emma’s heart drops and she crosses her arms, leaning back until her hips hit the railing behind her. Is it too much for him, now? The man that confessed his love for her in a cave, who has believed in their connection since the first he heard of it? She understands needing space — she would be a hypocrite if she claimed she didn’t — but she still feels a heaviness in her chest, and icy pain in her heart as she thinks of the worst-case scenario: Killian turning away from her just as she realizes she is ready to be with him. When she feels her lip quiver, she pulls it up between her teeth, turning her back to where Killian is standing and taking a few steps away from him. Part of her wants to disappear belowdecks, curl up in her hammock and hide from her feelings, as alone as she has ever been. Squeezing her eyes shut, she tries to take herself somewhere else: counting the supplies in the basement of her hospital, walking along the well-known trails by her house — the very house that she dreamt of sharing with Killian not too long ago. She shakes that thought away and tries again, this time in the palace gardens where she learned most of what she knows about plants, about healing. Then she’s in the hallway, aiding David in a meeting with his advisors, focusing on the echoing of her boots on the stone floors and not the fears running through her mind.

Across the deck, Killian turns to look at her, trying to organize the thoughts jumbled in his brain. A merfolk. He has learned so much over the last few weeks, about the world, his friends, his enemies — himself, more than anything else. He has tasted death and felt true grief, witnessed unexplainable things, traveled to places he has spent more than a decade trying to forget. Every step was harder than the previous, pushing himself harder and farther than he thought he was capable — and for every step, she has been there, healing him inside and out, stitching together his wounds and piecing together the remains of his broken heart. Why is this so difficult for him to grasp, given all of the other impossible things he has witnessed since Emma Swan entered his life? Water has always calmed him, healed him, given him a sanctuary in times when he had no others, the same way Emma became his sanctuary. 

He loves her, he realizes, not for the first time, though the thought still threatens to knock him off his feet. He loves her in ways he never knew were possible, more than he ever imagined being able to love someone, loves her in a way that fills the deepest parts of him, dark spaces that hold his regrets and his fears and the few things he has allowed himself to dream about. And there is nothing, no feeling that can compare to the warmth that washes over him when she holds his hand, when she smiles at him. His mind separated the two, his powers and his love for Emma, but he realizes now, in this moment, turning away from the water to find her, that they are not two separate things. His powers only exist because of his love for her, and though the time they have spent together is only the first drop in the ocean of the rest of their lives, he wants to look back on his life overwhelmed by the memories they create together, better because of the other. 

Then, he notices the pain on her face, her eyes squeezed shut, bottom lip pulled between her teeth, and her arms wrapped around her knees as she sits alone by the railing — alone, exactly where he left her. He crosses quickly, his footsteps hard against the wooden planks, and kneels in front of her, carefully reaching out to brush his fingers against her hand. 

“Emma?” he whispers, but it is not loud enough to break through the wall that has formed around her, protecting her from whatever kind of hurt she feared he was leaving her with. Leaving her, he realizes. That’s what she fears, more than anything else. Is that what she thinks he is doing? “Emma, love, I’m sorry.” This time, his voice is a bit louder, his fingers a bit firmer on her hand, and her eyes open, a runaway tear falling down her cheek. 

“What?” She raises her hand to wipe her cheek, but Killian beats her to it. 

“I’m sorry,” he repeats, covering her hand with his once more. “I shouldn’t have — walking away from you like that, it was unfair. I don’t want you to think…” he clears his throat, trying his best to smile at her through his stuttering before starting again. “I’m here, love. With you. That’s not going to change.” 

“Promise?” she whispers, unable to control the quivering of her lip, and he learns more about her with that single word than the rest of their journey. The both have dark pasts, Emma’s even more than his own, and the traumas that they have endured have left pieces of them broken, pieces that may never be fixed, but pieces that perhaps can be soothed, especially when the darkness rears its head. 

None of the words that come to mind are good enough. He nods. Laughs, thankfully answered with a smile of her own. And then leans into her, holding himself up against the railing to keep from crashing into her as he finds her lips with his own. It’s the best promise he can give her, and when she reaches up and slides her fingers through his hair, her other hand tightening around the collar of his jacket, he can’t help but laugh against her lips, mumbling the words that have been waiting on the tip of his tongue for the right moment. 

“I love you, Emma,” he says, and she resituates them so they are laying beside each other on the deck, pulling herself into him in ways his previous wounds never would have allowed. 

“I love you,” she repeats with a giggle of her own, her lips finding his again as the ship touches down on the water, lurching against the surface. 

They’re back. The real world — Nephylisis, the Gale, the War. The Wasteland. But they have each other.

Anything is possible. 

TAGS:  @shireness-says​​ @cssns​ @kmomof4​​ @thisonesatellite​​  @teamhook​​ @darkcolinodonorgasm​​ @cocohook38​​ @ultraluckycatnd​​ @facesiousbutton82​​ @hollyethecurious​ @stahlop​ @tiganasummertree​​  @angellifedeath​​ @pepperpottss​ @mariakov81​ @scientificapricot​ @kday426​ @xarandomdreamx​​ @ohmightydevviepuu​ @xhookswenchx​ @nikkiemms @carpedzem​​ @superchocovian​ @resident-of-storybrooke​​ @snowbellewells​​ @courtorderedcake​ @captain-emmajones​ @killian-whump​ @officerrogers​​ @killianjonesownsmyheart1​ @captainkillianswanjones​​ – want to be added or removed? let me know!

[sweetheart-sunghoon]

BEOMGYU IMAGINE ࿐ ࿔:･ﾟ*

contains: fluff, angst, happy ending, fem!reader

word count: 3.7k

summary: you’re forced into a marriage with beomgyu, the son of hades

this wasn’t what he wanted. this wasn’t how he wanted it to happen. when beomgyu had told his father he liked you a lot and wish he could date you, this isn’t what he meant. but really, what else would you expect from a man who got his wife in the exact same ways. damn hades and his impulsive and irrational ways. 

beomgyu paces around persephone’s garden, walking up and down the dark stone paths past pomegranate trees with orange blossoms, deep green bushes, poisonous shrubs and glowing mushrooms. like the cloudy mahogany sky above him, there is a gloom over his mind. groaning and tugging at his hair, beomgyu tries to figure out what to say to you. 

“y/n, i’m so sorry. i swear i didn’t ask hades to do this. my dad… he’s… he’s a bit… he’s a bit…” beomgyu groans and flops onto the wide edge of a fountain that spews a blood-like liquid rather than water. “this is hopeless. y/n, i’m so so so so sorry.”

“it’s okay.”

beomgyu jumps at your sombre voice. his heart flutters. there you are, looking solemn yet as beautiful as ever. you’re dressed in your usual bright colours and there’s a flower behind your ear, but you don’t look like you usually do. you look dreary and tired and… honestly? half dead. and beomgyu would know. not only does he live in the underworld, where you currently are, for a quarter of the year, his demigod powers include sensing the life auras of other’s. yours is surrounded by a layer of death.  

usually, you look like a beautiful spring flower in full bloom, but right now beomgyu thinks you look like a wilted flower, dying a slow death. your cheeks are hollow, your skin is losing its glow and colour, dark lines circle your eyes. 

“y/n,” beomgyu says. he’s surprised to see you here. ever since his father dragged you down here you’d been locked in your room, avoiding everyone. “y/n, i’m so sorry.”

you shrug weakly. “i know this wasn’t your intention.”

“i’ve tried to persuade my dad to let you go but… he doesn’t like being told what to do. his temper is… extreme. but i’ll keep trying. i’m so sorry.”

shrugging again, you sit on a nearby marble bench, your shoulders hunching forward like your spine is struggling to hold you up. 

beomgyu feels his heart break at how little energy you have. that’s the effect the underworld has on outsiders. it reacts much like an immune system when a foreign bacteria or disease enters the body. because the underworld is a place for the dead, it sucks the energy out of the living which it does not know, those not from it or tied to those from it. 

beomgyu sinks back to his seat on the fountain. “have you eaten?”

“no.”

it might sound weird to others, but beomgyu’s glad you haven’t. eating from the underworld means you cannot leave. 

“i doubt you’ve been sleeping well,” beomgyu then says. 

as if having your literal life force drained from you and not being to eat wasn’t enough, the constant tortured screams echoing out from tartarus can be hard to block out at night. 

you shake your head. 

beomgyu watches as the flower behind your ear dislodges and floats to the ground, shrivelling to dust when it touches the ashy ground. 

you see it too, an ironic smile forming. “this really is the land of the dead, isn’t it?” one strained laugh leaves your lips. “you know, the longer i’m here, the more i feel like i’m becoming like everyone else hear. dead.”

beomgyu’s breath hitches. he can’t stand this. 

❀⊱┄┄┄┄┄┄┄┄┄┄┄

the next night, beomgyu knocks on your bedroom door and calls your name, praying you’ll let him in. he had persuaded a hermes child he knows to deliver some ambrosia to the gates of hell. beomgyu hoped the food of the gods, known to heal and recover, would help you regain your energy. 

beomgyu is surprised when you open the door, even if it’s only a crack. 

“yes,” comes your tired voice through the small gap you’d opened. 

“i have some ambrosia for you,” beomgyu says. “i doubt it’ll do much but hopefully you’ll feel a little better.”

you open the door fully for beomgyu and walk back to your bed. you hold in the sigh of relief when you sit down. you’re so drained and lacking in energy that just walking making you feel nauseous. 

you observe beomgyu as he steps in and shuts the door behind him. even now, late in the evening, he wears a sleek black suit jacket and dress pants. he doesn’t wear a tie. his fingers are adorned with silver rings matching the silver chain you see peeking behind the colour of his button-down shirt. maybe if you weren’t so miserable you’d find him attractive. you always did at camp, particularly after he’d spar with his friends and push his jet black hair off his forehead. 

“can i sit?” beomgyu asks, gesturing to the spot beside you. 

you nod.

beomgyu perches on the edge of the bed next to you, leaving some space because as much as he likes you, he doubts you like him right now. 

“there’s not a lot but…” beomgyu hands you the small paper box. there are nine cubes of golden ambrosia inside. 

“thank you,” you say. your voice is weak and it hurts beomgyu to hear it. 

“i’m sorry,” he says again. 

“it’s okay,” you reply, popping a cube of ambrosia into your mouth. “there’s nothing we can do about it now.”

for what feels like the hundredth time, beomgyu’s heart breaks and he whispers, “i’m sorry.”

and for the first time since you arrived here four days ago, you look beomgyu in the eyes. you see for the first time that he’s hurting too. there’s a sadness in his eyes you’ve rarely seen before. the sadness one feels when someone they care for is hurt. 

slowly, you lean your head against his shoulder. beomgyu flinches from shock but stays still. the two of you stay like this for a while until beomgyu helps you under the covers and you fall asleep, your last thought being that while you’d rather be a million other places than this, there are worse people to be forced to marry. 

❀⊱┄┄┄┄┄┄┄┄┄┄┄

the next day, beomgyu finds you in the garden. you look a little better. you’re admiring some black lily flowers and beomgyu is suddenly reminded of your parentage. 

“i’m sure your mother is absolutely furious with my father right now,” beomgyu says, startling you a little. “he’s stolen two of her children now.”

“bold of you to assume she wasn’t already,” you say, eyes still on the lilies. 

“right, yes.”

“demeter is a very bitter woman, you know,” you continue. you turn and slowly make your way to a nearby tree with low hanging branches. it’s a pomegranate tree. 

beomgyu watches you silently. he’s happy you’ve recovered a little, though you aren’t nearly as joyful as you are above ground. 

“do you see her often?” you ask suddenly, running a hand down the trunk of the tree. “persephone?”

“no,” beomgyu answers, making his way towards you and the tree. he walks with his hands behind his back. “we have… conflicting schedules, you could say. i leave for camp during the summer. when i return she is here but not for long as she leaves just before spring and is gone all season so that the harvests will be successful.”

you nod in understanding. 

beomgyu stands just beyond the reach of the tree branches. “have you met her?”

“no. we are only half-sisters. plus she’s here mostly.”

“that is true.”

“is she nice?” you ask, a question that you have considered a number of times. 

beomgyu kicks at the ground absentmindedly. “yes. she’s kind to me. though, i think my father’s temper has rubbed off on her after all this time. she can be surprisingly fierce.”

nodding to show you’re listening, you put both of your hands against the tree and focus your power into it. 

“she treats me well. like a son, i suppose. she asks me about camp and my friends, she jokes that she only leaves during spring to make sure i get fed.” beomgyu smiles. “she’s really kind and polite and gentle and loving.“ 

beomgyu looks at you. your eyebrows are pulled together in concentration. he’s seen you use your powers like this at camp before. you can heal plants and prompt them to produce flowers or fruit. a fond smile tugs at his lips. "like you.”

your eyes open, landing immediately on beomgyu. his widen, shocked, realising his words. he turns away from you to hide his blush and clears his throat loudly. he wasn’t intending to make any a move of any sort of you, thinking it wrong to flirt with you when your marriage is forced. 

but you find it amusing that the compliment just slipped out. and you appreciate it. you can see the tips of his ears burning red. 

deciding to return to your room, you reach up to the pomegranate you had used your powers to produce and tug it from its branch of the tree. stepping up to beomgyu and tapping his shoulder, you place the red fruit in his hand and walk away. 

❀⊱┄┄┄┄┄┄┄┄┄┄┄

yours and beomgyu’s wedding is not for another week. in the days leading up, you spend a lot of time together, the ambrosia he brought slowly healing you more and more. you find yourself able to laugh again. perhaps you even find yourself growing to like beomgyu. 

you knew him well enough at camp half blood but mainly through mutual friends. after a week of getting to know him more, you wonder why you weren’t closer before. though, the screams from tartarus at night remind you that the whole son of hades thing likely formed a negative bias against him in your mind.

but that bias dissipates over time. you see that he’s just a boy trying to enjoy life. he didn’t ask to be a demigod, and he certainly didn’t ask for his godly parent to be the king of the underworld. this detail almost completely slips your mind until three days until your wedding when you ask beomgyu what it’s like beyond the garden walls. 

he’s reluctant to take you outside at first but eventually does. 

“um, you should probably hold my hand,” he stutters. “it’s easy to get lost out here and there’s a lot of dangerous things.”

you glance at his hand. he’s wearing an odd piece of hand jewellery. thick rings around his fingers are connected to a matching bracelet at his wrist by thin chains. the black metal is a stark contrast to his pale skin.

your staring turns beomgyu’s ears pink and he’s quick to say, “y-you can just hold my jacket if you want.”

“no, no,” you say, taking his hand in yours. you’re not entirely surprised by how icy his hand is. “it’s okay." 

honestly, you didn’t even realise you were staring at his hands so much. 

you walk for about an hour around the dry land, the hazy red sky growing darker and darker the further from hades castle you are. you talk about many things. the topic of powers and abilities comes up. 

"so what are your powers?” you ask beomgyu who is beginning to look antsy. 

“if we stay out here any longer, you might find out,” he mumbles, his voice low. 

“what do you mean?” you ask. 

“we should turn back,” beomgyu tells you, his eyes narrowing as he glances around. “something’s not right. i can feel the dead nearby.”

“this is the underworld, beomgyu. everyone is dead.”

“yes, but they’re too close. something’s not right. let’s go.”

you frown but nod and let beomgyu pull you back in the direction of hades’ palace. you’re halfway there when a piercing screech sounds from above. a strong force suddenly knocks you into beomgyu and a sharp pain seers on your arm. a shocked exclaim jumps past your lips as you find three large gashes on your arm, blood pouring down. 

“y/n,” beomgyu gasps, his arms catching you around your waist. he sees the blood too and his jaw clenches. he spots the cause of your injury just in time to pull you closer, out of its field of attack. 

your heart rate doubles. “w-what-what-”

“a fury,” beomgyu growls, manoeuvring you behind his back. 

holding your arm to stop the bleeding, you peek over his shoulder and see the ugly bat-winged monster circling back to your direction. it flies at full speed, baring its huge yellow fangs. 

“stop!” beomgyu commands, his voice strong, deep and demanding. 

to your surprise, the creature does, halting in mid-air, growling at beomgyu. it is now you recall just how powerful beomgyu must be. being a child of the big three (zeus, poseidon and hades) makes him indefinitely stronger and more powerful than the average demigod. even if hades wasn’t one of the big three, the kind of power he possesses is terrifying. the thought of beomgyu sharing some of those abilities…

beomgyu glares at the fury. “leave now before i banish you back to tartarus.”

the fury snarls. 

“leave!” beomgyu yells, loud enough to make you flinch. he feels your movement and reaches back to grip your hand reassuringly. 

with one last snarl, the fury flies away. beomgyu spins to you the moment it’s out of sight, his demeanour flipping as he cradles your arm in his hands. 

“are you okay?” he asks quickly. 

“not really,” you admit, shaking a little. 

beomgyu inspects the large scratches and winces. “it’s too big for me to heal.”

he can heal? you think. it’s an odd concept considering he’s the son of death. 

beomgyu stretches out his hand and makes an upward motion. a dark and opaque wall rises from the ground. he pulls you towards it. “let’s go.”

“wait, what is this?” you question. 

he turns his head to you, the hint of a smirk on his lips. “shadow travel.”

❀⊱┄┄┄┄┄┄┄┄┄┄┄

the night before your wedding, beomgyu knocks on your door to check on you as he didn’t see you today. he was visiting a friend because, while you are stuck here, beomgyu is free to come and go as he likes. 

“how are you feeling?” beomgyu asks, sitting at the end of the bed. for once, he isn’t dressed up, instead donning a black plain tee and pair of sweatpants. 

“i’m okay,” you tell him. 

“that’s good.” he fiddles with the bed cover, avoiding your eyes. “i’m sorry.”

“it’s fine,” you say. “i can’t expect you to follow me around all day every day. you should see your friends too.”

“that’s not what i meant,” beomgyu says, his dark eyes taking on the sorrowful look he gets when he thinks you’re not looking. “although i’m sorry for that too now." 

he takes a deep breath. "i meant that i was sorry for this. all of this. for my father dragging you down here. for our forced marriage. for making you unhappy, sick, lonely. i’m sorry for everything.”

“beomgyu… beomgyu look at me.”

he hesitantly meets your gaze and you see a tear sliding down his cheek. 

“oh, beomgyu,” you sigh, leaning forward to wipe away the tear. “stop apologising.”

“but it’s true,” he says, his voice becoming rough and strained. “i know you don’t like it here. you don’t want to marry me. you’ve only been eating ambrosia for the past week but you still look half dead. you can’t even sleep at night. you-” his voice catches and he shakes his head, looking down. 

you grab his hand and squeeze gently. “but it’ll get better once we’re married, right? i’ll have my energy back, i’ll be able to eat and sleep.”

“yes but that doesn’t change the fact that you don’t want this marriage,” beomgyu says. “i don’t want this marriage. i never asked for this, it was all my stupid father.”

“okay, you’re right,” you say. “i don’t want the marriage. but because i’m young, i’m unprepared, i have no say in it. i know you think i hate you but i don’t.”

beomgyu looks up again. 

“i may hate the circumstances but i don’t hate you,” you say honestly. “at first, i did resent you, but i realised that this really isn’t your fault and that i shouldn’t hold your father’s actions against you.” you squeeze his hand again. “it’s not your fault. i don’t hate you. stop feeling sorry for me, okay? i’m fine, really.”

beomgyu nods. “okay.”

he’s silent, thinking, contemplating, processing. 

you too have some thoughts on your mind. one thought actually. something that you’ve wanted to ask beomgyu the past few nights but never have, feeling too foolish. but seeing as you’ll be married to him tomorrow, you don’t see the harm in asking now. 

“beomgyu,” you say quietly. 

“yeah?”

“w-will you… will you please stay with me tonight?” you ask. 

beomgyu’s ears flush bright red, the colour you’ve come to associate with his bashful and shy side. 

“i think it’ll be easy to sleep if you do,” you continue. “will you?”

beomgyu needs a second to process your question but he eventually splutters, “yes.”

folding the blanket back for him, you shuffle over and lie down. beomgyu cautiously slides in beside you. he looks so stiff and awkward, it makes you smile a little. 

“lie down,” you tell him and he does. 

you take the initiative and cuddle up to him first, slotting yourself under his arm as you lay your head on his chest. immediately, you feel one hundred times better than you have all week. you feel safe and as though you can now breathe easy. 

beomgyu finally relaxes, his arm looping around your shoulder, his hand slowly brushing over your hair. 

the noises that usually keep you up at night fade away and sleep takes over. for the first time in almost two weeks, you have a good nights rest. 

❀⊱┄┄┄┄┄┄┄┄┄┄┄

when you wake in the morning, beomgyu is gone and a gorgeous women with long, flower adorned hair is carrying in a long black dress. 

“you’re awake!” she says. “great. i’m persephone. i’ve heard you’re my half sister. it’s lovely to meet you. now let’s get you ready. you’re getting married today.”

you barely have time to process any of what the goddess has said before your being stuffed into the ebony gown. the silk body somehow fits you perfectly and the lace sleeves are the exact length of your arms. 

the next half an hour is a blur as persephone styles your hair with a flower crown of red and white roses, clasps a chunky bejewelled choker around your neck and swipes red gloss on your lips and dark glitter on your eyes. 

and suddenly you’re standing at the entrance of a large grecian temple with black marble pillars. beomgyu is standing at the other end of the temple on a raised platform. a… skeleton?… is standing near him, a large book in it’s bony hands. as you start walking towards beomgyu you vaguely wonder if you’re really about to be married by a skeleton.  

to your right and left are rows of skeletons, odd creatures and the odd person who seems to be relatively alive. hades and persephone are in the front row. 

the ceremony passes by in a flash. beomgyu holds your hands softly as the skeleton addresses the crowd of undead. he looks at you with more adoration than you knew was possible, but he never smiles. you slip gothic black rings onto each others fingers. he kisses your cheek. then the wedding is done. 

afterwards, you and beomgyu take a walk in the garden again. 

“how do you feel?” beomgyu asks you after a minute of silence. 

“good,” you say, heading to a pomegranate tree. 

“you look good,” beomgyu replies. 

you smile over your shoulder at him. “thank you.”

“really,” he says. his eyes rake up your body. “not just the dress and everything, but your whole aura. you look alive again.”

you reach the tree and pick the closest fruit. “i suppose i’m allowed to eat this now, right?”

“if you’d like.”

“will you eat it with me?”

“okay.”

you find a bench to sit on. beomgyu picks a rock from the ground and, using a power you didn’t know he possessed, he transforms its shape to be sharp and pointed. he cuts the fruit with it and you eat in silence. you have to admit that it feels nice to be eating something other than ambrosia. 

once the fruit is gone, you scoot a little closer to beomgyu and put your hand on his knee. 

“you don’t seem happy, beomgyu,” you say. “what’s wrong?”

he sighs. “i don’t know. it’s just… i like you a lot. even more now then i did when i told my father about you. but i… i can’t be happy when you’re not.”

“who says i’m not happy.”

“well aren’t you?”

“i’m… unsure… i think i need some more time to fully process everything, but it could be worse.”

beomgyu scoffs quietly. “how could it be worse?”

“i might not be married to you.”

beomgyu almost flinches at your words, eyes going wide. “what?”

“like i said, i’m still a little conflicted but one thing that i’m certain about is my feelings for you.”

“and?”

you smile. “i like you.”

“r-really?" 

"really. throughout this all, you’ve been so kind and gentle. you haven’t pressured me and you’ve made me feel as comfortable as possible. i really appreciate it and i can’t say that i haven’t grown to like you.”

amusingly, your words render beomgyu speechless so you add, “plus, being married to the son of hades is a bit of an ego boost, if i’m being honest.”

said son of hades smiles. 

“you know, i’m pretty sure you didn’t kiss me properly earlier.”

“i didn’t think you’d want me to,” beomgyu admits sheepishly. 

“well, i do, so…”

his smile turns to a cheeky grin as he cups your face in his hands. “may i kiss the bride?”

you grin too. “you may.”