#I’ve been thinking about it and I feel like The Future Has Arrived fits better
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zipzapzopzoop · 23 days ago
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Quick note:
The rewrite of “There’s a Great Big Beautiful Tomorrow” is being retitled as “The Future Has Arrived”
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ohbabydollie · 11 months ago
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MORE MUTUAL BREAKUP 🙏🤲🧎‍♀️
i need a break from trying to write smut 😔
moments of u two!!
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a lil comp of silly scenarios, dialogue, etc. i think would apply to reader n schlatt
— — — —
a guy who asked to do a podcast interview with you obviously flirting while schlatt is sitting along side the camera man, sucking his teeth and biting his tongue, staying quiet
you ignore the flirting until you notice schlatt is getting jealous by the second and a few more flirty remarks away from punching the guy
so you do the only thing you can think of
“it’s a little cold in here” you say rubbing your arms
“really? i think it’s kinda hot” the guy says taking off his jacket about to hand it to you before schlatt sprints into action
he takes off his hoodie and hands it to you
“thank you honey” you say grabbing it and receiving a small peck from him and putting it on, completing the rest of your interview with the hoodie on, all warm and cozy in schlatt’s jacket
———
you held a volleyball tournament (very similar to the dodgeball tournament)
everyone showing up in shorts and shirts meanwhile you were in your highschool volleyball uniform, fitting you tighter in some places than it used to
everyone sees the way schlatt’s brows raise when you first arrive
everyone noticed schlatt not taking his eyes off your ass whenever you would bend over, go retrieve the ball, receiving and in general doing anything
during breaks he’ll take you into a corner when he thinks a camera can’t see and kiss you, parting with a smile and slapping your ass as you walk off with a dopey grin
———
“my favorite song right now? it’s probably that song from juno” you say smiling “here is the church and here is the steeple”
“we sure are cute for two ugly people” schlatt chimes in
“i don’t see what any one can see in anyone else but youu” you both sing smiling
“she plays it all the time, it’s so annoying” schlatt teases as you stick your tongue out at him
———
schlatt talks about you when asked or if you’re even referenced
“y/n, she is genuinely the best most incredible person i know, the way you see her on camera is the way she is in person, just that she’s softer and sweeter. I am her biggest fan, genuinely, she’s the most perfect person i know and i love being with her, not even just sex, i like being around her as a person, they make me a better person and it’s like every time i have to leave her, i feel empty. a piece of me is filled when im with her. She could ask me to get back with her in five minutes, tomorrow, fifty years in the future, i wouldn’t care, i’d get back with her in a heartbeat”
———
“my gum is out of flavor” you say looking around for a place to throw it out
“hand me it” schlatt says putting his hand out before you spit out the gum softly onto his palm, schlatt wastes no time putting it in his mouth almost immediately after causing you to look at him with wide eyes
“Schlatt! that’s disgusting”
“eh, i’ve had your tongue in my mouth before” he says blowing a bubble
———
“hello?” you ask putting your phone on speaker for the chat
“hey toots”
“oh hey schlatt”
“so, jambo has been cryin, sittin in the spot he always sat down next to you n he jus’ misses you” schlatt says sadly “i was wonderin’ if you could come over n comfort him since he jus wants his mommy” he asks softly
“yeah, i’ll be over in a few” you say before quickly ending your stream and going over to schlatt’s
“oh my poor baby jambo” you say picking up the mewing cat “you missed your mommy, didn’t you” you ask the cat softly, sitting down next to schlatt and giving jambo small kisses
eventually you fall asleep with jambo in your lap and schlatt carries you both to his bed, laying you down gently and he takes a photo
it’s his background for the next few months
———
“you got any sauce for this?” you ask schlatt as you bite into your fries before he goes into his pantry and fetches a new bottle of your favorite sauce
“schlattie” you chirp “you hate this sauce” you say opening up the bottle
“i know, i just had it left from when you lived with me” he lies
“i took the last bottle with me when i moved out” you say downwards smiling “you bought a new bottle for me”
“whatever” he huffs, knowing that you were right, he hated that stupid sauce but found your reaction to him having it adorable
———
“yeah, i’ve always wanted a surprise birthday party, but i’ve never gotten one” you say softly as schlatt makes note of it
a few months later on your birthday, you realize that very few people have said happy birthday, one of the few being schlatt
it’s a lonely day, you spend some of it alone before you get a text from schlatt at 2 pm
cat babydaddy: get ready, i’m picking you up at 5
you happily get ready, showering, shaving, everything
once he arrived he has a large bouquet of flowers, a teddy bear and a box of chocolate covered strawberries, smiling at you lovingly
“you look great toots” he says handing you your bouquet and bringing your gifts inside, you thank him with a few kisses before he tells you to hurry so you won’t be late for the reservations he made
you giggle the whole way there, holding his hand as the both of you talk before you notice that he’s going past a bunch of restaurants before he makes you put on a eye mask which you do confused
he leads you out of the car and in through some doors, gently he takes the mask off of you to reveal a beautifully decorated venue
your friends and family jumping out to yell happy birthday at you as you feel yourself tearing up, turning to schlatt with tears of joy
“don’t cry, happy birthday toots” he says wrapping an arm around you and planting a kiss on your lips
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lmk if u guys want some more, i gotta feed my mutual break up lovers
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mkkk12345 · 2 years ago
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Student Crewel x Reader headcanon/fic
This is set when Crewel was still a student at NRC, reader is a first year and Crewel is a second year.
Its 3 am I don’t know what I am doing please take my offering and feel free to request I guess. 
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- There's no doubt about it he is a Pomfiore student
- Because of his unique and fabulous fashion sense he became the house-warden in his first year
- Back then he did not dye his hair white it was solid black
- As the house-warden he is smart, he has perfect grades to go along with his looks
- In his free time, you could likely find him sketching out new fashion designs for his next show
- Did I forget to mention that he is already an established and renowned fashion designer?
- As a house-warden he is strict not as bad as Riddle but similarly to Vil he requires everyone to look their best at all times
- You and Crewel met in his second year when you were in your first year
- Upon seeing you in the hall of mirrors he would firstly critique your ceremonial robes seeing that although your looks were good my god u did not know how to put that thing on… he can fix you… I think?
- He had mixed feelings when you were assigned to Pomfiore
- Only once you had been sorted into his dorm did he begin to really think about your ill fitting ceremonial robes
- On one hand, he had never seen someone like you before
- On the other hand… there was a lot of work to be done regarding your choice of clothing
- Your first interactions with him were likely right after the ceremony 
- You were talking to a couple of first years before being sent off to your dorms when you heard the clicking of footsteps quickly approaching you
- This is followed by your ceremonial robes being adjusted along with murmuring about how troublesome it's going to be with you in the dorm
- Once you arrived at Pomfiore you found out the one who had been fussing over your clothing was nonother than the house-warden himself Divius Crewel
- Although all the fussing over you was annoying at first as you slowly got to know him things became slightly better
- Once you found out that he was a famous fashion designer all those times he held his sketchbook up to compare to you finally made sense
- Now whenever you catch him doing this your face would flush and you would quickly turn away 
- When you start doing this he is confused, you use to at least acknowledge his presence when you looked at him but now what? Don’t tell him he was about to lose a future model of his?
- After a month of this happening he decided to confront you about it
- Of course, at first you denied anything like this even happening but as the conversation continued an unexplainable hint of pink surfaced on your cheeks
- And that's when he pieced everything together 
- With a smirk on his face, he decided why not torment you for a little longer before confirming his suspicions 
- “Say Y/N why don't we continue this conversation in my room there's something else I must discuss so let's leave it at this for now, shall we? We cant be late for class can we now?”
- Your friends practical dragged you to your next class that day as you continued to overthink everything he had just said
- Once all school activities had ended you slowly inched your way back to the dorms and to the grand doors of Crewels room
- Your shaky knock on the door was met with an annoyed “come in” from Crewel
- “Ahh why if it isn't my dear puppy”
- Your dead 
- On the floor even
- What did he just call you??? Puppy???????
- While you were too stunned to speak he continued
- “I needed to discuss some work-related things with you, would you like to model for me in my next show?”
- What? Did you just hear him correctly?? He wants YOU to walk for him?
- “Are you sure Divus? I mean I've never done anything of the sort before and-”
- “Look dear it either you walk or this show doesn't go on I did design this collection with you in mind after all”
- That smirk god damit that smirk 
- “Fine, I can't let work like yours be thrown into the shadows after all.”
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obxpogue4l · 1 year ago
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mainlander
when kiara’s cousin gets sent to the obx from the mainland when her parents get arrested, she fits right in. meanwhile as the sad truth about her situation comes to light jj realizes he might have more in common with her than he thinks..
comfort & angst are my fav so. also i’ve never written on here before but i loveee reading fanfic and thought writing it would be fun! enjoy!
warnings: angst, mentions of arrest/ bad home life, not proofread lol, me not knowing how this works
ch.1
“she’s my cousin. she’s gonna be staying at my house for a while.” kiara announces to the rest of the pogues as they make their way into the wreck in hopes of finding some food. little did the friends know that y/n, the girl that kiara was talking about had already arrived and was eating at the wreck after a long day of traveling to the obx.
“hey kie.. long time no see yea?” says the girl in the restaurant as she stands up from her table where she is eating with a slight chuckle and smile.
“y/n! oh my god hi! i didn’t know you would already be here?!” kiara says excitedly rushing to you and throwing her arms around you. you both giggle and give each other a squeeze before backing away. you notice her friends that had come in with her were now standing directly behind her. “guys, this is y/n” kiara begins. “kiara’s cousin. who will be staying at her house for a while” you say jokingly giving her a glance as you refer to what you overheard her say earlier before turning to the boys with a smile. she laughs before continuing, “right yes, and these are my friends jj, john b., and pope.” “hello! howdy!” the boys pipe up. “just friends?” jj jokes, receiving a look from kiara & the other boys. “you’ll learn quickly it’s better to ignore him. it’s nice to meet you.” says pope politely. “hi nice to meet you guys too.” you smile shyly. you all stand there for a second and then hear a voice coming from behind you.
“kiara honey sit and eat with y/n i’ll bring more out for you boys too.” mrs. carrera walks in from the kitchen. “thank you! i was just about to ask.” kie says sitting down and motioning for the boys to join. you all begin eating and it feels like how you left off with kiara. she asks you the basics of what you’ve been up to, how school has been etc. you answer politely only covering surface level stuff while she and her friends listened closely but you were more interested in hearing about her and her friends. they all had crazy stories to tell. after what you had come from, you did not expect that moving in with your rich cousin and her “strict parents” as kie would put it, would start off in a night of laughter. you were skeptical about just how at home you were going to feel here but at this very moment you felt like everything might be ok.
the next day:
you woke up to the smell of breakfast being made in the downstairs kitchen of the home you would be staying in for the foreseeable future. one nice thing about staying with the Carrera’s is that you wouldn’t go hungry you thought to yourself. you rolled over in bed to check your phone and finally decided to get up. you pulled yourself together and put a shirt on over the sports bra and shorts your slept in and made your way downstairs. “good morning y/n, i hope you’re hungry! i made breakfast before i have to head to the wreck for lunch rush.” you hear mrs. carerra say as she wipes her hands on a towel after setting a pan of food on the counter. you smiled politely and took a seat at the counter, “oh thank you, it looks and smells amazing.” “see someone appreciates our cooking!” mr. carrera says from his position at the stove, hinting at kiara who you saw make her way down the stairs & start looking in the pantry for some cereal. you grab a piece of bacon and smile at their comments. “anyway.. what do you wanna do today?” kiara ignores them and walks to sit down by you. you shrug and mumble an “mmhmm” while chewing on your bacon because truly you had no idea what there even was to do here. “well we could go to the beach that’s always fun, have you ever been surfing?? or we could hit up the boys, see what they’re doing today. hmm.. what else?” “it all sounds fun i have never been surfing though” you admit. “perfect i’ll hit up the guys, you can use one of my boards and i’ll teach you!” oh yay. embarrassment in front of your coolest cousin and her cute friends on your second day here. “that sounds.. eventful..” you say and kiara notices your unenthusiastic tone and slightly worried face. “ohh come on it’ll be fun!” she says pulling you up to go get ready. “bye mom bye dad!” “kie- kiara you be careful!” mrs. carrera sighs as you both head upstairs.
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the-rewatch-rewind · 2 years ago
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New episode! Script below the break
Hello and welcome back to the Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most-watched movies in 20 years. Today I will be talking about #38: MGM’s 2001 comedy Legally Blonde, directed by Robert Luketic, written by Karen McCullah and Kirsten Smith based on a novel by Amanda Brown, and starring Reese Witherspoon, Luke Wilson, and Selma Blair.
Legally Blonde is the story of Elle Woods (Reese Witherspoon), who thinks her boyfriend Warner (Matthew Davis) is about to propose, but instead he dumps her because he thinks she’s too frivolous for him. So to prove him wrong, Elle gets into Harvard Law School, which is where Warner is headed, but when she arrives she finds that he has already gotten engaged to another law student, Vivian (Selma Blair), who fits into the law school scene much better than Elle does, at least at first. After many setbacks, Elle starts to realize that she’s actually more interested in becoming a lawyer than winning back her boyfriend.
I still vividly remember the first time I was made aware of this movie. I happened to walk into the room where my mom was watching it, and she was at the scene in the restaurant when Elle thinks Warner is about to propose, and I thought it looked like the worst movie ever, and I immediately left in disgust. At some point around then I also saw part of the trial scene as an example of how courtrooms are portrayed on screen, but I don’t think I put together that they were from the same movie. Once I actually gave Legally Blonde a chance and sat down and watched the whole thing, I absolutely loved it. The first time I watched it was in 2006, and I saw it five times in that year alone, and then three times in 2007. After that I calmed down a bit, and watched it once each in 2008, 2010, 2011, 2014, 2016, 2018, and 2020. So I’ve seen it 15 times, and over half of those were just in 2006 and 2007. I think it’s appropriate that my first impression of Legally Blonde turned out to be so inaccurate because that’s basically the theme of this movie: so many people misjudge and underestimate Elle, and she proves them all wrong in an extremely satisfying way, just as the movie turned out to be far more intriguing and powerful than it appeared from that one out of context scene. This was a good and important lesson for me to learn as a teenager, and I really do feel like this movie helped me become a less judgmental person overall.
Given my emphasis in the previous episodes on how much I love that Mary Poppins and Emperor’s New Groove don’t have romantic storylines, it may seem strange to immediately pivot to a romantic comedy, but Legally Blonde is no ordinary rom com – in fact, I’m not convinced it even is a rom com. Though the story begins romantically, with Elle focused on marrying Warner, as it progresses the romantic aspect becomes less and less important. Watching Elle realize that she doesn’t have to just be the trophy wife of a successful man, which was the only future she’d been able to see for herself before, is beautiful. And while there are some romantic elements to the rest of the story, the movie places just as much, if not more, emphasis on friendship than romance, something I personally would love to see more of.
From the very beginning, even when Elle thinks she’s getting engaged, we see her surrounded by her sorority sisters. And after the breakup, those same friends help her work on getting into law school. They don’t really understand her struggles once she’s there, but two of them do show up to her first trial, which I love both because they’re very funny and because it shows that you don’t have to fully understand a friend to support them. The first close relationship Elle forms after moving to Harvard is a friendship with manicurist Paulette, played by the fabulous Jennifer Coolidge. Granted, a significant part of their friendship involves dating advice, which I don’t love – I think my least favorite part of the movie is the whole “bend and snap” scene, it just never made sense to me – but there’s a lot more to it than that. Elle helps Paulette get her dog back from her ex, and Paulette helps Elle gain confidence in her new role as a law student. This relationship helps Elle through the toughest part of law school when all the other students disdain her, although eventually she befriends some of them. It’s awesome to watch Vivian and Elle go from rivals to friends as they both realize that Warner isn’t good enough for either of them. Elle also befriends David Kidney (Oz Perkins) – again initially by helping him get a date, but their friendship soon progresses beyond that. Also fun fact that I just relatively recently learned – Oz Perkins is the son of Anthony Perkins, as in, the Anthony Perkins who played Norman Bates in Psycho.
And speaking of movie stars from the 1960s, Raquel Welch makes an appearance in Legally Blonde, as Mrs. Windham Vandermark, the first wife of the murder victim in the trial that is the main focus of the second half of the movie. One of Elle’s professors, Callahan (played by Victor Garber), is defending the victim’s second wife, who is accused of the murder, and Elle is one of the interns helping with the case. The team sends Elle to interview the first wife when they find out she’s at a spa because they assume she and Elle will get along, but they very much do not, which is another example of characters misjudging and misunderstanding her. Elle does, however, get along very well with the defendant, Brooke Taylor Windham (Ali Larter), who was in the same sorority as Elle, though not at the same time. Most of the legal team seems to think Brooke is probably guilty, but Elle knows she’s not, using the flawless logic that since Brooke is a prominent fitness instructor, and therefore exercises a lot, as I quoted at the end of last episode, “Exercise gives you endorphins. Endorphins make you happy. Happy people just don’t shoot their husbands. They just don’t.” The rest of the team doesn’t exactly buy this, but Elle’s belief in her leads Brooke to trust Elle more than she trusts anyone else, and that, in addition to Elle remaining true to herself despite being encouraged not to, is what allows them to win the case.
So far I’ve neglected to mention Emmett (Luke Wilson), the lawyer who supports and believes in Elle, and apparently starts dating her after the trial. I personally don’t love that they end up together, I feel like it kind of undermines the message that she doesn’t need romance to be fulfilled, although it is pretty clear that this relationship is just icing on the cake rather than her whole reason for being, in contrast to her relationship with Warner. Elle and Emmett do have some cute scenes together, but we don’t really see them interact in a way that indicates they’re anything other than friends. The movie never really feels like it’s about their romance, which makes sense because originally they weren’t even meant to officially end up together.
The film was going to end with Elle walking out of the courtroom after winning the case. The scene of her dumping Warner plus the whole epilogue with her graduation speech and the words on screen explaining what happened to everyone were added because test audiences thought the story felt unfinished. While it is extremely satisfying to watch her telling off Warner and to know for sure that she excelled in her remaining two years of law school, it’s a little frustrating to know that in the original version I would have been able to cling to my headcanon that Elle and Emmett were friends. From a storytelling perspective, I appreciate the symmetry of beginning with Elle thinking she’s about to get engaged and ending with her actually about to get engaged, but from an aroace perspective, I’m irritated that marriage has to be part of the happy ending even in this otherwise romance-light film. I’m happy for Elle that she found someone who loves her for who she is, but I don’t like the implication that every close, supportive relationship between a man and a woman must necessarily be romantic and sexual. It also bothers me that the ending tells us that Warner has no girlfriend as if singleness is the worst possible fate, although that may be an unfair interpretation. We’ve seen that he doesn’t really treat women as people, so it’s probably good that he doesn’t have a girlfriend, and it also says that he graduated with no honors and no job offers in addition to no girlfriend, so it’s not like singleness is his only punishment. I just don’t like how often singleness is treated as the just deserts of the villain, as if being single is inherently miserable. But the ending doesn’t say anything about Vivian having a new boyfriend, just that she dumped Warner and is now friends with Elle, so it’s not quite as straightforward as the heroes get romance and the villains are single, which I appreciate.
Even with this ending, Legally Blonde is very clearly a movie about identity and friendship and integrity that also includes some romance, not a romantic film. So it’s very interesting to me that it is often categorized as a romantic comedy. It’s almost like the fact that it’s pink and has a female protagonist and was written by women leads people to assume it must be a “chick flick”, and obviously all chick flicks are rom coms because all women want is a fluffy story about a woman falling in love with a man, right? I want to make it clear that I’m not disparaging rom coms or the people who enjoy them; what I’m criticizing here is the all-too-common practice of shoving rom coms along with any other movie marketed toward women into the same inferior category. The funny thing is, by seeing these movies this way, people are making the exact same mistake Warner makes at the beginning of Legally Blonde (and admittedly the same one I made before I’d watched the whole thing) of equating femininity – or at least, a certain type of femininity – with frivolity. But just as Warner turned out to be the loser when he dumped Elle, people who dismiss this movie are missing out. It is delightful and powerful, and Reese Witherspoon’s performance in particular is fabulous. Her comedic timing and sensibilities are flawless. And the feeling of watching her in the courtroom after Elle takes over the case, start off floundering and unsure of herself, and then seeing that lightbulb go off when she figures it out, is so elating. A big part of what makes that moment so satisfying is how realistically and sympathetically Elle has been portrayed throughout the movie. It would have been easy to make a character like this too over-the-top and ridiculous, but the writing and acting keep her grounded and real while also portraying her as quirky and unique, and the movie is worth watching for that alone.
However, I must say that certain aspects of Legally Blonde have not aged particularly well. For example, it bothers me more and more that, with Brooke’s alibi that she doesn’t want to reveal, they get so close to addressing the harm of placing impossible body standards on women, but don’t quite go there, portraying Emmett as unreasonable for pointing out that she made her fortune by telling women that they’re too fat. The movie also has a few gay characters, but the representation leaves much to be desired, as one might expect from a film made in the early 2000s. They’re basically reduced to stereotypes, and the public outing of a gay man against his will, based on his knowledge of shoe designers, is played for laughs – although, while outing someone is horrible, I would argue that lying about sleeping with someone to get them wrongfully convicted of murder is worse, so…it’s complicated. But, like forcing the happily ever after to include romance after emphasizing that romance is not the most important thing, the movie again undermines its own message here. It’s odd that it puts gay people into stereotypical boxes when the whole story is about how people are so much more than the way society sees them. As a queer teen who didn’t know I was queer, just that I was somehow different from most of my peers, it was incredibly satisfying to watch Elle learn that she didn’t have to fit into a pre-existing mold and could just be herself. But in some ways now it kind of feels to me like it’s saying, “Be yourself and don’t care what other people think of you – as long as you end up in a heterosexual relationship” and I don’t love that. So that’s probably part of why I don’t watch it as much anymore. But I don’t mean to imply that these problems completely ruin the movie; it still has a lot of great moments, and I would still recommend it. I should also mention that I’ve never read the book this movie is based on or watched the sequel, and I’ve also never seen or listened to the musical adaptation, so it’s possible that some of these issues might be at least somewhat rectified in one or more of those versions.
Overall, despite its flaws, this is a movie that encourages people to embrace the parts of their identity and personality that others dismiss, and that was a message I desperately needed to hear as a teenager. There are certainly other movies that portray this even better, but Legally Blonde happens to be one that I latched onto, probably at least partly because I had such low expectations and was then pleasantly surprised.
Thank you for listening to me discuss another of my most-rewatched movies! Remember to rate and leave a review if you want, and subscribe or follow to hear more. Next up is another movie I watched 15 times while keeping track that is only two minutes longer than this one, although unlike Legally Blonde I had seen it multiple times before 2003. As always I will leave you with a quote from that next movie: “Life is pain, highness. Anyone who says differently is selling something.”
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bobfuckinseger · 7 months ago
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Bob Seger's Chaotic Rampage Stuns Port Huron: Rock Legend's Outburst Ends in Violence
PORT HURON, MI — In a bizarre and shocking series of events, rock legend Bob Seger descended upon the decaying and depressed town of Port Huron yesterday afternoon, leaving a trail of chaos and bewilderment in his wake.
Seger, riding a Harley Davidson with a warm case of Stroh's beer in his backpack, arrived in town seemingly agitated. Witnesses first saw him at the Blue Water Bridge, where he launched into an inexplicable tirade. “What’s the big deal with bridges anyway? They’re just fancy roads that go over water! Waste of metal if you ask me!” he shouted, waving his arms wildly and drawing the attention of confused onlookers.
Seger’s wrath then turned toward the Huron Lightship Museum. “Lighthouses! Who even needs these things anymore? We’ve got GPS and all sorts of tech now! This whole town is stuck in the past!” His voice echoed across the marina, startling wildlife and locals alike.
The situation escalated further when Seger barged into a local diner, disrupting the peaceful afternoon crowd. “And don’t get me started on the food here!” he bellowed. “I’ve been to places with real cuisine, and let me tell you, this town doesn’t know the first thing about a good meal! It’s all just greasy spoon garbage!” Diners looked on in shock, their meals forgotten.
During his erratic march through the streets, Seger paused to recount a particularly wild experience. “You people think this is crazy? I once had an acid trip on Mackinac Island that makes this look like a church picnic! I was seeing colors you wouldn't believe, talking to the horses, and ended up in the lake! That's real adventure, not this boring excuse for a town!” He then added with a chilling laugh, “And you know what? I should have killed Kid Rock when I had the chance!”
As Seger continued, he berated everything from historic buildings to local parks, loudly declaring, “You call this a town? I’ve seen better places on the back of cereal boxes!” He didn't spare the local music scene either, calling all the local cover bands “jag bags and clown dicks,” further deepening the shock among the townspeople.
The climax of Seger’s rampage came near the local police station. In a fit of frustration, he pulled out his guitar and hurled it through the window of a parked police car, shattering the glass and drawing immediate attention from law enforcement.
Initially, the responding officers, recognizing the rock star, were prepared to let him off with a stern warning. However, Seger’s anger only intensified. “You hillbillies don’t understand what rock ‘n’ roll means!” he screamed. “You’re all just small-town nobodies who can’t appreciate real music or real freedom!”
As tensions rose, the officers, now feeling threatened, reached for their guns. In a shocking display of agility, Seger executed a spin kick, disarming both officers in one fluid motion. Their guns clattered to the ground, leaving the officers stunned and the gathered crowd in silent awe.
Breathing heavily, Seger stood for a moment before turning away. He got back on his Harley and rode off, the strains of “Turn the Page” drifting faintly as he disappeared into the distance.
In the aftermath, many citizens found themselves reluctantly agreeing with Seger’s harsh assessment. “This town is depressed and losing population,” one resident admitted. “Maybe we needed someone like him to shake things up and make us face reality.” With a high unemployment rate, a proliferation of low-wage jobs, and a devastating opiate problem, Port Huron has been struggling for years.
The once-vibrant community now faces a grim reality, further highlighted by Seger’s chaotic visit. While some hoped for change, the prevailing sentiment was one of despair. Bob Seger’s unexpected rampage has left an indelible mark on Port Huron, serving as a harsh reminder of the town’s ongoing struggles and uncertain future.
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The Rake (Anthony Bridgerton x Reader)
Prompt: “I was holding your hand to convey sincerity and you said something I don’t have an immediate answer to, so I’m going to kiss your hand instead.”
AN: I had a series of hand kissing prompts and I wrote this a while ago for Anthony because I wasn’t really happy with how the show handled the Rake plot line. I’ve got a few more drafted that I might post later, one for Benedict Bridgerton, one for Eddie Munson etc. Let me know what you think.
WC: 1k 
Reader: Presents as a woman, no pronouns or Y/N used
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Masterlist
When your family butler Thompson announced the entrance of Lord Anthony Bridgerton for the second time in fifteen minutes, you stood up from the chaise to receive him. However his face was not clear with his usual civility as it had been when he first arrived - before he was taken into your father’s office for a private conversation. 
As if he communicated telepathically, Thomspon closed the door behind Lord Bridgerton once you had curtseyed and he had bowed. He was your chaperone. So this was a private affair, but not a proposal. Of course it wouldn’t have been the latter. You and the Viscount hadn’t even courted. 
Reading this from your thoughts, the Viscount cleared his throat before speaking, “Your father forbids me from courting you, or indeed marrying you.”
Your gaze dropped to the carpet for a split second before you regained your composure, “Did he make known his reasons?”
“He fears that my reputation will taint yours and your family’s.”
You nodded, attempting to collect your thoughts whilst you stalled: “While I do not care to have my father speak on behalf of my future, I will admit that I am unnerved by what the ton has to say about you. However, I wish to hear from you first what you have to say about these rumours of your disreputable behaviour prior to this season.”
It was clear this made Lord Bridgerton uncomfortable: his feet shifted in their new leather boots, his brown eyes found themselves losing their usual ego, and his shoulders struggled to stay rigid. 
When he gathered his nerve back together, he spoke: “The rumours are not entirely unfounded. In fact, until recently, I did not consider the fallout of my actions on myself, my family, and the women I… associated with. That being said, I am firm in my belief that I will carry out my duties as Viscount without returning to my old ways.”
Carefully you arranged your skits as you lowered yourself back to the chaise. You then patted the space beside you.
“Sit with me.”
Your gentle request was taken upon, with Lord Bridgerton perching beside you and just a few inches of space separating your legs. As you continued to speak, he listened closely, like nothing else mattered.
“You must understand that in entering courtship, I consider what future we would have together. How could I be happy, knowing that my husband openly seeks pleasure from other women and that the ton looks on me with pity for being trapped in a marriage like that?”
As Lord Bridgerton processed this, his eyes cast down for a moment, you filled the lack of response with more of your thoughts, for he had not once made you feel like you should hide them:
“Now you have said so yourself, you seek an amicable marriage fit for your future as Viscount, not one of love. I accept that as a statement. But I do not know if I can accept that you have changed so completely and so quickly.” 
“I would not do to you what you have said, if you were my wife.”
“By comparison, you would become as celibate as a priest. Would you be happy with that?”
“I do not seek happiness, only to carry out my duties for my family. You would be my family too, and if that is what you wished, I would follow your example.”
“And once your duties are complete, when my childbrearing hips have been put to use, what then?”
“Y/N, I would never forsake you for the brief pleasures in a whore’s arms. It would be you and you alone I seek. We would be a pair unmatched by anyone. Our lives have changed for the better from the moment we met; it would multiply infinitely when we exchanged wedding vows.” So encapsulated in his speech was I, that I did not notice when he had sandwiched my hand between his. “I would be yours and yours alone, your faithful husband, your partner, your slave.”
You wanted to believe him; you truly did. Every inch of you screamed at your mind to just fall for his pretty words. Even if he did not love you, your dances and conversations amidst promenades were the most entertaining things that had happened this entire season. He would be more than a welcomed partner in the future. You would be taken care of, be given your own duties and Dowager Viscountess Violet Bridgerton to guide you as Viscountess. 
But what was the point, if you were to become a walking embarrassment to the point where you could not show your face without hearing the whispers of Whistledown’s followers wafting over your home life? What kind of wife, host, mother would you be?
“I’m sorry, Lord Bridgerton, I wish to but I still do not know if I believe you.”
His chest slowly shrinking with a sigh, Anthony raised your hand to his lips and kissed the bridge of your knuckles. His touch lingered and his breath tickled over your skin, warmed in his gentle grip. This gesture was not intended to ruin you for other men should silent Thompson at the door spill the beans. It felt like sealing a promise in those earnest brown eyes that made you weak at the knees just looking at you - so thank goodness you were both sitting. 
“I understand,” Anthony lowered your hands to where your knees touched, “So please let me try to prove how serious I am to you,” He said quietly. 
“What about my father?”
“He may change his mind, he may not. It is yours I care about.”
You didn’t know for how long he would try, when you did not have his luxury of more than a few seasons to spend waiting for this change in you and him, before you would have to settle for one proposal or another. But Anthony’s sincerity was all you needed to decide on your course of action. 
You kissed his hand as he had yours. “Then try. Please.”
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nosferatu-pvssy · 2 years ago
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About the concept of "alternative universe" applied to the creation of the vc series.
Disclaimer: if the idea of this series being an au is something you enjoy or if it helps you in some way, then this post isn't about you. I'm just commenting the concept in itself, what I think about this as a way of dealing with radical changes. If you like to think of it as an au, don't mind me because I have nothing against you. I just want to express what I feel for this topic.
Lately I've been noticing that it's becoming a popular practice in many fandoms (so not only ours) to tell other people or to themselves "just take it as if it's an au" every time a umpteenth remake gets made and it's clearly of a lower quality than the original. What I ask myself is: is it really healthy for us fans to tell ourselves that whenever we see the story we love be portrayed by completely discarding the unexpressed potential of the original plot to replace it with what is more convenient for them to insert?
My theory is that this might be a coping mechanism to deal with the big disappointment that the directors are giving you so often that at this point we've reached an era where all the media that is surrounding us lately is only garbage. We literally have only garbage to watch. It's because you're noticing that some big damage has been done to the story or that there's the risk of it happening in the future. Trust your instincts, because they're telling you the truth. If it really was an au for you, you wouldn't have had that "oh, no. What are they doing..." feeling in your heart. You wouldn't have had that moment in which you had to tell yourself "ok, let's say it is an au. It's an au, it's an au..." to fix that sensation of strong disappointment in your heart.
If it was an au for real, the directors would have told the fans that it was. I say that it's a coping mechanism because lately we've been having only tv series and movies about remakes that are produced in great quantity and all at once. This speed in the filming process and oversaturation of the same kind of piece of media will inevitably lower the quality to the point of making it fit only to a very young audience or people with very low expectations. It's like when you hear people talking about how shoes (or any article of clothing, it's just an example) created handmade by expert artisans last longer and look better than shoes that to be producted in such impressive amounts they have to use ultra cheap materials and even cheaper sewing and assembling process to gain the maximum profit with the minimum effort. It wouldn't be possible to create something of high quality in such short times. And the prices are higher for artisans' creations, because you pay the quality of the materials and of the craft, while industrial products will always cost less because they are actually giving you less. The same is happening for shows, and for now I think that's what's happening with The vampire chronicles' one too.
Since I'm very passionate about cinematography, I watched many videos of famous directors and dubbers of classics. In interviews, when it came the moment of answering to questions like "what do you think about the modern style of production?" some of them said things like "I feel that there's a big difference since everything now gets created so fast. When I was younger, every classic had people behind it with great care for the details. And care for details, for quality, always takes time. High speed doesn't allow you to stop frequently to fix what's obsolete. You'd slow down the project."
Now, as I said earlier, if you genuinely like to imagine this show as an au and you're having fun with it, who am I to tell you to stop engaging with it? To stop creating fanarts, ffs, posts of any kind? What am I, a monster? It's ridiculously obvious that you MUST have fun with what you like. For example, I still remember when the news of the Atlantis' book arrived and the fandom got blown away by how crack this was for the story. It was already considered absurd the fact that Lestat had met God himself, so imagine the idea of them meeting MERMAIDS (we still weren't sure about aliens being involved. It was still a rumor at that point). But the idea of imagining them as mermaids was so fun to play with that it became an au and amazing content got created. If you are feeling this excitement, being against your approach would be wrong.
So I am talking to those who expected to have the full (and still for the major part unexplored even in the books) potential of this saga expressed by the tv series, instead of being substituted by the new plot invented by Amc. The ones who felt the pain of the damage that most probably has been done to the original story that Anne Rice fought (maybe a little too much) to make it reach the big screen and that now to convince themselves that there has been no damage at all (and to try to push themselves to like it anyway) they say "it's an au". Or because "it's because we don't have nothing else, so at least if I tell myself that it will be more bearable".
Now what I ask myself is: why are we doing this to ourselves? Why are we bowing our heads and opening our palms to accept the crumbles? Why the crumbles and not the whole meal like we deserve? Because that's what it feels we are gonna have, let's be honest. The crumbles of the original story with the rest completely invented by AMC to conveniently fit in their project to use this tv series to rebrand their channel, mutilating one big horror story to make it fit into the smaller box for tv series about "gothic romance" (as Rolin Jones said) and not about gothic horror as this story was meant to be.
Accepting to only receive the crumbles because "otherwise we won't have anything" is actually the main thing that will ultimately make us have nothing good. Because if you show the producers that you're not ok with them taking away everything that's inside to leave only the shell, they'll stop and understand that they have to work better to gain your attention again; they need their audience to make their business go on. While if you hate this project but you don't say or do nothing about it to express your doubts, then you'll exactly get what you hate.
Now you'll tell me: how do you know that they're doing a mess? It's not a matter of knowing for sure, it's about being free to express our doubts according to the many official AND VERY QUESTIONABLE TBH infos that have been communicated to us. Just like the ones that are excited about this have the right to party, I have the right to be openly upset because not everybody can like what they've communicated through the interviews. I mean, look at what they're planning to do to Night Island:
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How can I not be upset or at least confused about this? Every night is a near-disaster? Night island? A place that is entirely owned by one of the most feared vampires that would burn you to the fucking ground immediately if you start misbehaving in a territory that is so strictly his? What's the point of starting from zero a territory born with the intention of being under his control since day one, then? Oh yeah, let's invest on properties that will only give me problems :D
And since secrecy is one of the vital things for the Ricean vampire society to coexist peacefully with humans, why there is this distinction between these vampires with even less braincells than Homer Simpson and the very few smart vampires that have to look after them like babysitters?? Where are we, in a kindergarten?? Aren’t these idiots interested in saving their own asses by hiding? What do they gain from going apeshit?
And most importantly: Where is Armand in all of this? Is he too busy staring at a wall in his toilet while he pretends to poop? 
And wasn’t Akasha awakening from her slumber the plot of Night Island? Why the hell is it irresponsible vampires now?? I think I can tell you why: This is happening because..............they’re not really able to write their interactions complex and intelligent as they are in the og story to make this tv show interesting enough to keep the audience hooked for many seasons. Since they’re monsters, it’s easy money to just play the card of them simply going around killing people with The Squad running after their asses to save the day. I wonder if they’ll call Scooby-Doo and his gang and I hope that Daphne and Velma will be turned into vampires. I’m also ready to ship Scooby with Mojo, tbh.
And this is not the only thing that for now seems like lazy writing, tbh.
Take Lestat, for example. They thought: what is the easiest and most effective way to make him look cool without us putting too much effort? Let’s make him look like a basic dangerous vampire. That’s it. That seems his entire personality right now and I hope I’m wrong because tbh the first impression that book Lestat gives to someone is always something that I imagine very similar to how Jamie Campbell Bower is in Will, so this young man with an attitude and even phisical appearance that screams “Not only I’m mean and I can only mean trouble in your life, but I’m also so beautiful that you can’t deny me”. Like, even his beauty LOOKS MEAN, because it's canon that he appears like the villain just by his looks (which amc Lestat clearly doesn't). But it’s not only a question of being mean. Lestat is a manipulative and mischievous person, he’s malicious and sly. His evilness is more tending to the “queen bee” in a high school behavior, more petty and not refined, than the simple “oooh im a scary vampire”/”Louis I want to know you :)” with such a...much sweeter behaviour, it seems? He looks like...JUST SOME BLONDE GUY TBH. AND HE’S JACKED?? WHERE IS HIS FELINE BEAUTY?? HIS LEAN BODY? And do you call THAT gorgeous blonde hair??
And also, let’s remember that Lestat isn’t exactly.............refined and patient enough to lure a human in his web with such a calm way of carrying himself that oscillates with creepy/violent moments. That is Armand, remember?
Lestat’s technique is always tending towards a sensual seduction, there’s always something that you can feel (as a human) that is driven by malicious sexual lust and that he’s up to no good. He calls himself gentleman death because he knows that for a short period of time he has to fake that with the human he wants to kill. But with the ones he wants to turn and keep to himself for eternity, he doesn’t have the patience to use the mask of the gentleman he’s only able to keep on for 5 minutes because he knows they are bound to have him around every night whether they like it or not. And here he switches to his sly type of approach: since he didn’t want to simply kill Louis, to turn him in order to exploit him for his fortune he used that moment of weakness due to Paul’s death, so not through romantic conversations (or any type of conversation at all). Lestat saw Louis’ money and inherited it by “marrying” Louis through the Blood. With Antoine and Claudia the same, turned in order to gain something from them. Lestat is a brute, always perceived as a brute by Louis at the beginning. Louis is the smart one of the couple, remember? Louis had the chance to study more, to be taught how to behave like a true gentleman, Lestat sadly not due to the difficult situation of his family. And not only that. Lestat among the perks he has (so yeah, not only flaws) has this pretty comical side, he has a strong and very characteristic dark sense of humor that I think should have shone through already...and let me tell you, I think we won’t see it even in the future.
Another example of lazy writing is how they changed Louis’ personality to make him have “more of a spine”. As if the original Louis wasn’t enough. When I see all of these people saying “now I like Louis more, before he was just a whining little bitch that I couldn’t stand” I wonder if they like Amc Louis because he’s an “upgraded/better version” of this character or simply someone else that they put in the place of a character that they actually never liked. Because let’s tell the truth to ourselves: Louis has never been a character easy to love. People tried to sell us this idea because he’s the first vampire protagonist we meet, because he’s exceptionally handsome and because he has been labeled as the most empathetic vampire when actually his difficult position in his very first vampire years pushed him to be almost an antagonist for himself and for Claudia.
I suspect that Louis is one of those people who tend to froze and almost “play dead” when they’re overwhelmed by external threats. He tries to keep calm as much as he can, almost dissociating in his poised gentleman role that serves as comfort zone until reaching the breaking point in which he explodes and kicks everyone’s asses.
But what does he do of detrimental in those passive moments?
He doesn’t do nothing to solve the problem until someone else takes the lead (with all the due exceptions). Claudia, Armand and Lestat had this role in his life of those years, all 3 of them carrying Louis who only accepted their will. A clear example of how unnerving his behavior was is proven by when Claudia said that line about how despite the fact that Louis is the love of her life, he’s so unassertive that she has arrived to hate him. Louis had become a deathweight in Claudia’s and also his life. He wouldn’t have even thought about searching for someone who would have efficiently substituted him when he was thinking about leaving with Armand if it wasn’t for Claudia herself forcing her will on him to create Madeleine for her. Always Claudia the driving force, always others. So much stillness in him that it brought Claudia to scream at him “do you even love me?? Do you even care about me??”. 
The og Louis doesn’t run away from Lestat, he was already calmly walking towards death. That was Daniel, remember? Daniel ran away from Armand because he was rightfully scared to be killed by a vampire. But since that ship is no longer existing then we can use their characteristics because who cares, right?
All these changes in his personality have been made because in the era we find ourselves now, if the protagonists are not relatable to us then we loose our interest for the show. If we don’t see our mannerisms replicated on screen (even by monsters), the mass screams “booooriiiing”. The attention has shifted from the wonder of discovering new worlds, new behaviors we would have never expected to “oooh I would have done that too. This is a great series.”
If we can’t make memes about that character, if we can’t find scenes where we can scream “OMG MEEEEE. me when...you when....your mom when...” we discard it. Louis has the role to be us, now. Not to be himself, no. To be US (while Lestat looks like an npc random vampire).
As for Claudia...look that girl is really stunning. Every time I look at her I admire her beauty and she looks really talented. As I said under another post, she has a huge potential as a vampire in the series. If the series had been made faithfully, she would have deserved a very important role because she has a very piercing presence. Only not for Claudia. I’m sorry, she’s too old and being a teenager girl forever is not as frightening as Rolin Jones tried to fool us into believing. She can live her life normally. The whole point of Claudia was that she was destined to die since her birth. She was destined to tragedy. But she as a character makes me think that the only resolution was that of making the vampire chronicles as a GOOD animated series, as macabre as possible.
And can we talk about the fact that they’ve set the whole story closer to our current era because it was clearly cheaper and easier to buy everything necessary for a roaring ‘20s scenario and for our current times?? Like literally zero effort... EVEN USING COVID AS PART OF THE PLOT, WHERE THE FUCK ARE WEEEEEE do they really think we are interested to this universe because we want to see OURSELVES in it and not THEIR story?? What sense does it have for me to be interested in watching something that I already saw, something that I EVEN LIVED and not their mysterious and foreign world??
AND HE EVEN USED AS AN EXCUSE THE FACT THAT HE CHOSE THIS TO MAKE IT MORE RELATABLE TO US (in full 2020 tv series production style, my compliments). NO GIRL YOU DID IT BECAUSE YOUR BUDGET FOR THIS SHOW SEEMS 5 CENTS WITH A BUBBLEGUM ATTACHED TO IT. DO YOU THINK WE’RE FUCKING STUPID OR SOMETHING???
*deep sigh* ANYWAY, I know that now I’ll only be taken as an evil person or something like that, but believe me: I’m the first one who is hoping I’m wrong. What would I gain by being right? I’d only have a lame series to watch if I am. If I win this “argument”, I can only loose.
Below the cut there is what I think about the references they said they’re gonna use for the Night Island series:
 I don’t know guys...even the reference they gave us. I watched The White Lotus to be sure of what I wanted to talk about and...what the fuck? A drama-comedy where there’s Jennifer Coolidge with her usual type of character (which I love because she’s an icon, but what does her kind of humor have to do with the themes of the vampire chronicles?); two girls that when they get stoned they do the asmr, in which they make noises close to each other’s faces; a father that shows his dick on camera to talk about his balls on and on. Anyway, it’s not a bad series by itself. I’ve enjoyed it because very important themes have been discussed, but HOW they did it is what I don’t like for the vc series. How can I say it...it’s like seeing very important matters portrayed with a style that “stays in the middle”. It oscillates between the middle and the superficial and I ask myself: “Is this the right approach for the vampire chronicles?”. For the White Lotus series it was, because that’s that tv series’ style and they also wanted to keep it short. But is it ok for the vampire chronicles’ series? I don’t think so, but eh since it’s only a “gothic romance” now...
And also: the fact of going through important issues of our society as the main theme is something that I can see fit for a series about humans as protagonists, but is it as the main theme of a vampire story? Of course things that will be relatable to us will be present in their human past for obvious reasons, it's inevitable. But as the main focus like the producers of the White Lotus did? Idk, I hope they'll handle it well because it's something tricky to do.
And as for the second reference: I thought that The Viper Room was another series or a movie from which taking inspiration but it's actually a real place? And it's the bar where RIVER PHOENIX DIED?? WHAT DOES IT MEAN?? 
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thefanficmonster · 3 years ago
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Casual
Ranboo x Reader (Female)
Warnings: None, unless talking about the future counts
Genre: FLUFF, Humor, RPF (Real Person Fic)
Summary: Following the arrival of the dreadful invitation to his cousin’s wedding Ranboo turns to the only cover-up he can think of to keep his still-single status hidden from his family.
Requested by Anon. Hi darling! Thank you so much for your wonderful request! I’m so glad you sent your idea to me and I’m so glad you were my first official Ranboo request. I’m really sorry it’s taken me so long to write it but I still hope you’ll come across it and read it! Love, Vy ❤
“Heyyy, so Y/N, I have a favor to ask you...um yeah, call me back, it’s awkward sending it via voicemail. Bye“
Huh - that’s the first thought that goes through my head when I listen to the voicemail left after a missed call from my best friend Ranboo. The favors he usually asks for consist of requesting assistance for his videos in which I also appear with a mask and sunglasses to keep the brand running. I genuinely have nothing against my face being shown but when I think about it, I’m honestly a bit glad people can’t identify me.
Anyways, back to the favors, Ranboo is no stranger to asking me for them but they’ve never been considered too awkward for a voicemail which is why I’m no slightly concerned. I’ve been swamped with work for school and studies for the graduation finals for the past two weeks and it seems like I’ll never get on top of it and I know Ranboo’s been in a similar situation too, so maybe he needs help with that? He’s not used to asking help for school stuff, he sometimes even has a hard time accepting it when I openly offer it to him.
I eventually sigh, decide that playing this guessing game will not get me anywhere and settle on giving him a call as I make my way home from the gym with my legs barely putting up with the task of carrying me around.
He picks up on the second ring.
“Hey! Wh-...“
“Would you pretend to be my girlfriend for my cousin’s wedding next weekend?!“
My legs take that opportunity to stop moving in the middle of the sidewalk which is luckily void of any people at the moment. It’s not my fault my body’s first reaction was to freeze up at the question that came flying at me like an out-of-control jet, almost as though he’s been dying to say it and get it over with.
“Um...run that by me again please, I think I misunderstood.“ I say, blinking blankly as though awoken from a fever dream. No, actually as though I’m IN a fever dream right now.
“Ok, now that the cat’s out of the bag, wanna grab some coffee and talk about it face-to-face. I need to see your facial expressions to gauge what response to expect.“ He says, the previous nervousness gone and his voice calm as regularly once again.
I’m this close to face-palming but I squeeze my eyes tightly shut and bring myself to utter a reply, ��Our usual spot. Be there in ten minutes.”
                                                             *  *  *
“No freaking way.“ I shake my head, folding my arms over my chest as I lean back in my seat in the booth we picked when we arrived. Good thing I got an iced coffee cause even a hot one would’ve gone cold by now considering I haven’t yet taken the time to have even a sip of it. I’ve been too busy listening to the long and short of the explanation and begging speech Ranboo probably made last night to try and convince me to agree to this nonsense. “Dude, we’ve been friends since middle school-...“
“Exactly! Who else was I gonna ask?“ He cuts me off, pleading gaze meeting my unimpressed one.
I huff before continuing my previous statement, “We’ve been friends since middle school so you know my opinion on weddings.” I put extra emphasis on the word ‘opinion’, giving him the clear hint at the distaste I’ve expressed on the topic multiple times before.
“And you know we’re on the same page there but there’s no way I can avoid going unless someone kidnaps me.“ He too now gets in the same stance as me, his coffee forgotten too.
I can’t help but snort out a little laugh, “I’d be more than happy to kidnap you considering the other option is far less appealing to me.“
He, of course, rolls his eyes at me as though he didn’t offer to do the same thing so I could avoid an exam but anyways. “So you’re gonna choose to fake a kidnapping that has the potential of landing you in jail over coming to eat some great food and maybe even have some fun at a wedding with your best friend? I’m hurt.“ He says, frowning to cover up the smile that’s fighting its way onto his face.
Now it’s my turn to roll my eyes, “I’d be kidnapping you, dummy...” I cut myself off to let out a long sigh and calm down before I go off at him. His smirk isn’t helping me much with the task either. I’ve known Ranboo long enough to know he’ll eventually convince me and he’s known me long enough to know how to do that exactly. With that in mind, there’s really no point in getting so worked up and wasting my energy. And so, despite my own rationality, I cave. “Fine, but I’m not staying the whole wedding.“
His eyes immediately light up and almost makes me feel the compromise was worth it. Almost. I mean, when you’ve been best friends with someone for so long, seeing them happy is worth more to you than your own comfort sometimes.
And he knows it too. Which is exactly why he outstretches his hand for me to shake and says: “Just one dance and you’re free to go. Deal?”
I take his hand without hesitations. That’s a better offer than I could’ve ever imagined. “Damn straight it’s a deal.“
                                                            *  *  *
“How long until you kick the heels off?“ Ranboo asks, bringing me a non-alcoholic cocktail and sitting down next to me.
I take a sip and giggle, “You kidding? I already kicked them off and replaced them with flats. I need mobility if we dance. They also lower the risk of me severing off a toe of yours if I step on you on accident.”
He laughs, clinking his glass against mine before he gets a bit more serious, “By the way, thanks for handling my family’s attack so well. I know it might’ve been a bit much but you handled it like a pro. Still, I’m sorry on their behalf.”
I shake my head and wave my hand dismissively, “Don’t mention it. I’d probably react the same way if my brother or cousin brought a date to an important family event like this.” I instinctively turn to look in the direction of where the majority of his family has gathered around, chatting with guests, smiling brightly. It’s hard not to immediately take a liking towards these people. They’ve been a second family to me ever since Ranboo and I started hanging out so I completely understand why they were so shocked to see me in the role of his ‘girlfriend’.
“I’ll tell my parents the truth later, our extended family is the ones I wanted to fool to be perfectly honest.“ He looks around as do I and we catch more than a few pairs of eyes fixated on us that turn away when they realize they’ve been spotted, “Mission accomplished by the looks of it.“
I chuckle. I’ve never felt so comfortable at a wedding before. I don’t feel stressed nor anxious despite knowing that there’s quite the number of eyes on me and there are whispers going around about my ‘relationship’ with Ranboo. It’s oddly calming and relaxing to be surrounded by some familiar and some unfamiliar faces. This cocktail is pretty great too.
Speaking of which, if it had any alcohol in it I’d blame it for the decision I’m about to make but this one’s entirely on me: I tap Ranboo with one hand while taking out my phone with the other. “If we’re already the talk of the wedding, let’s give them something to talk about.“ I say as I put up my phone, pretending to be taking a selfie leaning in to give him a kiss on the cheek.
When I pull away I can clearly see that he’s still processing what just happened. I can’t help but burst out in a fit of laughter as I reach out to wipe the lipstick stain I left on his cheek. He looks like a lost, clueless puppy with the question: ‘what on Earth just happened???’ replaying in his head and it’s so freaking cute!
Wait....what was that? Since when do I use the adjective cute to describe Ranboo? Didn’t I think he looks handsome in a suit earlier too? The hell is with me today?
Then it hits me - the feeling isn’t foreign. Like, I know I’ve felt it before but I never analyzed it or even bothered to acknowledge it. But now that I do, I’m afraid of what it might be.
“There!“ I say, desperately trying to push the thoughts away along with this little firework show in my stomach, “Now you have pinker cheeks. Well, cheek, singular.“
As if snapping out of his state of confusion, he returns to Earth with a smirk, “Kiss the other to even it?”
Alright, his blush might not be even but mine now is and it’s ten times as intense and very much apparent but I don’t let the feeling shine through anything else as I proceed to actually kiss his other cheek too, wiping the lipstick stain.
“Thanks. You’re the best.” And just like that, as though it’s no big deal, he kisses my forehead.
See, that’s the thing, it shouldn’t be a big deal! It’s never been! This is far from the first time I’ve kissed him on the cheek or the first time he’s given me a forehead kiss. These are regular occurrences after years of this lovely friendship we have. Why do they feel so different now?
Then, much to my relief, the music starts and the lights turn off leaving only one spotlight for the groom and bride to have their first dance. They look absolutely astonishing and I can certainly say I’ve never before stopped to think that about any newly weds of the weddings I’ve preciously been to. I don’t know if it has something to do with the company I have for this particular wedding or it’s maybe the fact that my mindset’s changed over the years without me realizing.
Then I automatically look at Ranboo who just so happens to be looking at me too and all I can say is: my mindset hasn’t changed.
A loud applause takes over when the couple finish their dance, officially opening the dancefloor for any other pairs who’d like to occupy it and I’m happy to see how many people are eager to rush up with their partner.
 Ranboo gets up, putting the glass down and offers me his hand, “So, wanna dance? Don’t take this as a sign to leave though, we said one dance and you CAN leave, not SHOULD.” He says, giving me a warning look.
I roll my eyes and am about to give him some sass right back but he takes my hand and picks me up from my seat, leading me to the dancefloor.  And I gotta admit maybe it’s a good thing he did. If he left it to me I would’ve probably said no to the dance and ran the hell away. Why? - Cause I’m freaking terrified of this new mindset and point of view and these intense emotions I never used to pay any mind to before in regards to my best friend.
Friends don’t feel that way about friends. Friends don’t look at friends that way. What’s happening to me?
When I gotta look him in the eyes like this, not for the first time might I add, I can finally understand how the friends-to-lovers trope works: it’s all meaningless until it starts to mean so much to you. It’s all platonic until it reminds you of a romantic movie moment. It ‘best friends’ until it’s ‘I wish we were more than that’. It’s all casual, until it’s not.
And, unfortunately, it’s irreversible.
Damn do I wish I ran away now...
441 notes · View notes
sukirichi · 3 years ago
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dutifully yours. [01]
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Attached to the could’ve been’s of a promised happily ever after with the Crown Prince disguised under a scheme for power and greed, you are torn between choosing your happiness — or abandoning it to fulfill your duty as the future Queen.
→ unedited bcos i’m brave lazy. implied patriarchy. angst in future chapters. pure romance and fluff for now. royalty au. eventual smut. prince naoya !! i love him sm i could cry. this fic will break me, okay. naoya is close to canon but with my twist if that makes sense. drama in future chapters. oh and listen to this while reading <3
→ massive shoutout to my besties for always hyping me and helping me uwu, i present this token of prince naoya being an ideal husband okay cry cry i love him sm im crying. anyways pls enjoy bcos i poured my heart out to this and bcos i want more people in the naoya fucker club :>
one | next (to be posted)
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Ever since the day your mother taught you how to read, you’ve had your nose buried in a book. Losing yourself in different worlds, swooning over fictional princes, and fantasizing for a love story ripped out of fairytale itself with such burning, passionate romance – you’d been through it all, dreamt of it all. And yet, you struggled to stop yourself from tugging at your dress.
The tight corset hadn’t even been the main focus of your worries, and neither was the heavy rivière resting on your collarbones.
“Would you stop fidgeting?” Beside you, your mother pursed her lips, fingers decorated with jewels stopping in their movements of fanning herself. The temperature hadn’t been particularly high inside the limousine that evening. You supposed it was the mere sight of you tugging and gulping audibly every now and then, gloved hands running over the hems of your collar.
You ducked your head down. “Sorry, Mother. I can’t help it.”
“Dear, your anxiety is written all over your face,” she sighed, turning your face to her as she cupped your cheeks. Smiling tenderly like a mother always did, your heart felt soothed even by the slightest bit. You wished she could keep holding you like this – like you were a fragile flower she was afraid of breaking; a fragile flower that needed more care handled than most. Tonight, however, you felt a hundred years older. Like you’d accidentally clicked on fast forward and got launched to the future. A future that seemed so unclear yet so...perfect. So right.
“How would the Prince fancy you if you’re sweating bullets like that? It’s not a good look for a marquess’ daughter.”
At the mention of the Crown Prince, your heart sank again. “My apologies, Mother. I’m just rather nervous. It’s the Crown Prince we’re talking about here.”
“He is quite the looker, isn’t he?” she giggled behind her fan, “Strong and handsome, as well.”
“My ladies. You are not fantasizing over the Crown Prince in my presence, are you?”
Crossing her leg over the other, your mother leaned forwards, elbows on her knees as she winked at your father. The marquess had his torso half twisted from the passenger seat, glaring playfully at your mother’s unabashed features. “It is of no seriousness, My Lord. I’m simply easing your daughter’s nerves.”
Your father sighed in worry. “What’s got you so worked up, child? You are beautiful. The Prince would be blind to not notice you.”
Each fibre in your body screamed in desperation for your father to be right. Tonight was not just any other night – the entire Kingdom, including noblewomen, foreign royals, and unwed daughters from honourable families had been invited to the Zen’in Castle for one purpose only: to find his Crown Prince a suitable wife, one that would be fit to be the next Queen as well. As the daughter of the marquess, you’d naturally received the invitation. It felt just like yesterday when the mail arrived and you’d cheered so much in joy the chickens went flying out of their coops, your horses galloping and whinnying at surprise, and now you here – minutes away from the palace where you were soon to be deemed worthy or unworthy to be beside His Highness.
With a shaky smile, you dug your nails into your thighs. “Well, we’ve only met once, Father. I doubt the Prince would remember me.”
“Just smile, darling. You will do great.”
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To no one’s surprise, the Zen’in Castle brimmed with people and esteemed guests. Men and women danced with one another as muted chatters and chuckles blended in with the grand royal orchestra, everyone dressed to the nines and making you feel completely out of place.
The moment you’d been welcomed by the knights and led to the palace doors, your dress began to feel tighter than usual, your ribs clenching uncomfortably from the pressure. Your hands had not stopped trembling either, not even when you hid it behind your back and nodded at the people passing by. There were governor-generals, dukes, earls, professors and royal advisors and even families of the royal family’s inner circle of knights. Everyone looked like they belonged here. Chatting amongst one another over the finest of wines or discussing conspiracies on where the Kingdom of Zen’in would be in the next sixty years of the future King’s reign, no one here seemed to be out of place.
Everyone except you.
A warm hand was suddenly placed on the small of your back, making you gasp. Your mother’s smile was nothing short of warm as she held you close to her one last time, leaving a kiss on your forehead. You didn’t even realize how much you shook until she clasped her hands with yours. “Calm down, dear,” she reminded, “You’ll be on your own now. This is where we leave you since we’re not supposed to mingle with potential princesses.”
“Mother!” Your eyes widened in embarrassment. Looking around frantically, you bit your lip in fear someone must’ve heard.
Of course, while it would be no surprise most guests – if not all – hoped that their daughter would be the Crown Prince’s chosen fiancée, it still felt wrong to boldly assume such when you could barely keep up with the events of tonight.
However, your mother merely laughed. “I am proud of you, dear. Never forget that. It doesn’t matter whether you are chosen or not. We’re only here for formality and respect to the King and Queen’s demands.”
“You say that as if the Crown Prince really would not bother with me.”
“We didn’t mean that,” your father cut in, a flute of champagne already nested between his calloused fingers. Ever since you arrived, he’d been snatched away by fellow earls and barons, disappearing into the crowd for a ‘hearty conversation over one’s lands.’ You knew better than that, though. That statement always translated to which leader got to have more chances to wine and dine with the King, to which your family was ridiculously reminded of that you’d been stationed to the most faraway land where even hearing news from the royal papers was but a privilege.
“Just be yourself, alright? And enjoy the party. It’s about time you met with girls your own age and made some friends.”
“I – Father, wait!”
A slender young woman slithered to your side out of nowhere, her golden brown eyes following the silhouettes of your parents. It wasn’t long before they completely disappeared. Left alone with the stunning woman that was – for some reason – dressed in a plain black curve hugging dress too modest for tonight’s appropriateness, you took three steps away in caution. “You must be from way up North,” she noted, her head to the tipped to the side. “I don’t think I’ve seen you here before.”
God, was she beautiful. Long, thick eyelashes and short hair chopped in messy yet elegant curves, you struggled to hold her gaze. “Oh, yes, I come from the Terratian Borders. My family is stationed there under His Majesty’s orders.”
She hummed to herself. “The Terratian Borders are mostly forests and fields, no? The last time my family and I visited there, I came across the loveliest dandelions I’ve ever laid eyes on. Shame they died on the way back,” offering her hand – again, bare and empty with decorations yet still littered with faint scars and cuts – she beamed at you. “I’m Mai, by the way. Mai Zen’in.”
Zen’in?
Hands cupping your mouth, you bowed deep until your back ached. “Lady Mai!” you shut your eyes closed, unable to live with the shame. Mai Zen’in; one of the iconic twin pair from the extended Zen’in royal family, both a fashion icon and a legend for being a rumoured female knight. To have her in your presence was an honour. “My apologies for not recognizing you any sooner, Lady Mai!”
“Stand up, I’m not a royal,” she sniggered, “We’re just relatives of the actual monarch, but don’t let the family name fool you. The Crown Prince barely even acknowledges us being of the same blood.”
Albeit hesitant, you followed her gestures of making you stand up. You straightened your back and cleared your throat, fighting the urge to go haywire the moment his name was brought into the conversation. Not only would you be seeing Prince Naoya again in real life for the first time in years, but you’d also made acquaintances with his distant niece. However, his name was spoken with malice.
Frowning, you faced Lady Mai in all seriousness. “Prince Naoya? Why so?” Lady Mai looked at you like you’d grown two heads.
“He’s an ass, that’s why.”
“I-I don’t think he is,” you defended, “The Prince has been nothing but kind to me.”
“I didn’t know he was capable of kindness,” she muttered more so under her breath, low enough you were unsure whether you were supposed to hear it in the first place. Lady Mai then shook her head to herself before stealing a flute from a waiter passing by. Chucking it your way, her face turned dark and grim. “Take it as free advice: stay as far away from his as possible. The Crown Prince is nothing but good news.”
“Is it because he has lots of lovers?” you inquired with a small voice, “Uhm – well – It was an assumption. With a title and handsomeness like that, it would make sense everyone would want to be the Crown Prince’s lover.”
Lady Mai’s lip curled upwards. “Prince Naoya won’t bother with lovers. He is too occupied for that.”
“So I’ve heard.”
“Heard from whom?”
“The Royal Declaration from His Majesty himself,” you said, “Was it not the purpose of this ball? To find worthy candidates to be the Crown Prince’s betrothed? His coronation is coming soon.”
“Right. I forgot today was technically a bridal market,” she scratched the edge of her brow, falling silent for a moment. Her eyes scanned the lively crowd for a brief moment – watching with you as everyone laughed and danced to their heart’s content – the grand final event of the routine personal dance with the Crown Prince himself slowly approaching to reality. “You are joining in the festivities, are you not? Later, when he arrives, he shall meet you.”
“I am obligated to as a noble bachelorette, though I doubt His Highness would even look my way. There are far richer noblewomen here and even daughters of duke that would be perfect as his wife. ”
“You may have a point for that,” she hummed to herself, unaware that her agreement to the Crown Prince not paying attention to you left a sting both in your ego and heart. Not that it lasted long, for Lady Mai was already tugged on the arm by another equally fiercely beautiful woman – her older twin, Maki Zen’in. Soon to be governon-general of the Kingdom.
Lady Mai smiled in apology. “I need to go now since I’m not a part of this event. But hey, if ever I come around to visit the Borders again, perhaps you could entertain me?”
“I would be honoured to, Lady Mai.”
“You are sweet and innocent,” it was her sister who spoke this time, glasses perched high on her nose that concealed the wariness of her gaze. “I hope the Crown Prince never gets to your routine.”
“I’m sorry?”
“It’s nothing; she was talking to herself. Maki does that a lot,” Lady Mai’s forced chuckles were barely heard from the music. “You enjoy the party now. Don’t drink too much lest you want to embarrass yourself in everyone’s eyes and be talk of the Kingdom. Prince Naoya would hate it if you took the attention away from him.”
“Oh, uhm...”
“It’s a joke, Lady Y/N. Relax.”
You bowed once more. “My apologies.”
“The dance is about to begin,” Maki tapped on your shoulder, making you look up right where her eyes zeroed in. And exactly in the middle of the grandiose hall, under the sparkling golden chandeliers where he made all the gold in the world look incomparable next to him, the Crown Prince stood in his fully glory. Blond hair with the ends stained of midnight gelled back to reveal his forehead, the Crown Prince’s beauty never failed to shine. Whether it be in the papers, in the tabloids, in the billboards that you passed on the way to the city, or from way back when you met him for the first time as a naive, innocent teen – Crown Prince Naoya came straight out of a magazine cover.
In the back of your head, you could hear either of the twins murmuring good luck. Maybe both of them had said it – you had no idea. All of your attention, all the sensibility and coherence of your state had been switched the next instant, as if your heart and soul was born for the sole purpose of being bewitched by your Crown Prince.
And as if feeling someone’s gaze on him, the Crown Prince’s eyes trailed over the crowd. Almost boredly, his sharp eyes bounced from one giggling woman to another, the ends of his lips smirking upwards for just the tiniest bit. It must’ve stroked his ego. Until his eyes connected with yours. The Crown Prince’s eyebrows knitted together. You had no idea how you looked in that moment, and quite frankly, you didn’t care. Because the Crown Prince was looking at you, and you were looking at him with hearts in your eyes along with your heart pulsing at the tip of your tongue.
“Let us begin,” his lips moved from the distance, “Play the music. I shall dance with my bride.”
The air shifted in a split second. Murmurs were thrown over the room, women and men alike turning pale. Even the orchestra was stunned from the Crown Prince’s entrance – and it hadn’t even been dramatic to his standards – yet the whole castle fell mum from just a few of his words. A few seconds later, the crowd recomposed itself, and the strings began to dance along with its bows.
You are pushed into the crowd. Nearly colliding into the arms of another, you quietly thank the masked man who was to be your first partner of the night.
All the men joining the dance floor dressed with the intention of making the Crown Prince shine. Prince Naoya stood out from the throng of white as per the colour code, his blood red uniform as both Prince with the  golden crest of the military leader pinned to his right breast. The other men meant to be filler partners until all the potential brides got to their designated three minutes with the Prince were all dressed in black, faces covered behind a plain black mask. None were allowed to talk. None were allowed to utter even a word, and so your partner pursed his lips in displeasure at your apology.
Whatever. You just had to wait a few more rounds before the song finished and transitioned into a new one; the song where you’d been informed would be your time alone with the Prince.
You’d been so lost in your head you barely breathed the entire dance. From partner to partner, you blanked. Your heart drummed so wildly in its cage it begged to come out, and strings of apologies were let out each time your masked partners grimaced for a brief second when their hands came in contact with your sweaty ones. Around you, all the lovely women smiled and danced graciously, mouths moving in unreadable conversations shared with the Crown Prince. Not once did you look at the six partners you’ve danced with. Not once did you worry about tripping on your own feet. Not once did you care that some of the masked men held you a little too roughly for your comfort. Your entire reason for existing in that moment was to witness the Crown Prince himself, mirroring his frown that got deeper and deeper with each woman retreating to the sea of people he’d rejected.
Not once did you even think about being one of them – the girls who’ve ducked their heads down as their parents comforted them over not being the chosen one, of bringing ‘dishonour’ to their families that the mighty Crown Prince had deemed them unworthy. Tears streamed down their faces until black ink followed afterwards, lips trembling from silent sobs.
Despite their broken prides – although there was that minority who simply sighed in relief after returning to their own families – no one would dare interrupt the Crown Prince’s dances.
All of these thoughts crossed your mind too late and at the exact time your masked partner pulled away from you, body half bent in a bow with his arm outstretched to the side. Following where he was gesturing at, your eyes met the Crown Prince’s tall and lean stature, a few blond fringes now fallen from his movements.
Even though a thin layer of sweat shone from his face, Prince Naoya remained ethereal.
And like a snake charmed by the musician’s seductive tone, your feet moved on its own. Fingers stretching until it met with the Crown Prince’s large and warm ones, you were now in front of him. With him. Holding him, touching him, meeting him eye for eye and realizing – gold. His eyes burned a deep shade of gold, elegantly rich and heartbreakingly stunning your heart ached.
Before you knew it, your hands began to tremble, feeling as if your body had been corded into a corset three sizes smaller. You could not breathe, and the Crown Prince took notice.
“You are stiff. Do I make you uncomfortable?” Good Saint. If only possible, you would’ve closed your eyes and basked in the deep warmth of his voice. It reverberated from deep within, breathed out with an air of natural authority and profound confidence it made your knees weak. As if sensing his effect on you (though for the wrong reasons, it seemed), Prince Naoya hummed to himself. “This routine shall last for a few minutes before I can let you go, I’m afraid.”
You instantly realized the implications of your silence. “N-not at all, Your Highness! I am honoured to be dancing with you.”
“There is no honour in a choreographed dance. Everyone will dance with me. It’s nothing special.”
Your heart fell. Prince Naoya not only sounded dejected, but detached as well. As if he found no pleasure or specialty in this event, at a time where he had every opportunity to meet his lover, and that this ball was merely a task to be checked off in his already long list of responsibilities. It wasn’t disappointment, per se, but rather melancholy that left a bitter taste in your mouth. Not because Prince Naoya held little to no regards for something you treasured, but because he sounded terribly alone. Like he was simply waiting for it to end out of discomfort.
“It’s special to me, Your Highness,” you blurted out faster than you could stop yourself. For a moment, you feared you may have offended him, but the Crown Prince only laughs.
And when he did – saint, when he laughed – his eyes crinkled into half moons, pearly whites flashing against the bright lights and his whole chest shook with amusement.
You’d never seen him smile this way before.
Prince Naoya’s laughter didn’t cease. Around you, your gut instincts told that people were now beginning to look; the Crown Prince’s deep rumbles of laughter sounded exquisitely like music as well, after all. “ Is it special to you because you are now dancing and within the Crown Prince’s proximity? As much as I presume how exhilarating it might be for those who mostly see me in the papers and in the tabloids, I assure you, dancing with your Prince is not an honour. Especially when you are all sent the invitations based on your status and not your worthy traits.”
“It’s special to me,” you mumbled, growing shy all of a sudden when the Crown Prince nodded at you to continue. “Because...because it reminds me of the first time we met.”
The Crown Prince hummed in amusement.
“We have met before?”
“Yes, Your Highness. I’m from the Terratian Borders – my father is a loyal servant of His Majesty. You visited the borders when you were eighteen and I was sixteen. Do you remember it, Your Highness? You stormed in my private library.”
Indeed, the young barely-out-of-his-teens Crown Prince barged into your home’s library years ago. You were not previously informed he and his parents would be visiting since they arrived wordlessly, so you were stuck in your chambers as usual, killing time if not for sleeping and tending to the animals. Perched on a ladder, you attempted to reach for a book on the upper shelf when your foot slipped beneath you. At the age of sixteen, you were dramatic enough to say your life flashed before your eyes. You would’ve screamed then had strong arms not appeared out of nowhere, the Crown Prince staring at you with wide, golden eyes as they were now, his breathy rasped as he asked, are you okay, my lady?
The mere recollection of that fateful memory had your cheeks warming in delight. “You were so charming and heroic back then. Even when I had no idea you were a royal, I would have still believed you to be princely,” you said rather absentmindedly, blinking once then twice at your words. “Of course, it’s understandable if you do not remember, Your Highness!”
“My apologies. I do not remember, though Terratia is a wonderful place. Such a shame I was not informed beforehand they had a lovely daughter.”
“Thank you, Your Highness,” you cheered back, cheeks and jaw beginning to ache from how wide you were smiling. But could anyone blame you? You felt absolutely silly that you were a breath away from passing out minutes ago, and now here you were, dancing with the Crown Prince and sharing memories with him like it was a daily occurrence. The words it’s true love when you feel at peace with them suddenly rang back at your head from that latest romance novel you read, and you turned away, hoping the Crown Prince would not read your thoughts to your face. However, Prince Naoya’s lips pursed into a thin line, all traces of humour now disappeared. “I’m sorry – should I not have laughed?”
“No, I don’t mind,” he mused with his jaw locked tight, “I just haven’t seen anyone react that way before.”
“Like what?”
“Like my words meant the entire universe to them. I may dare even say you look terribly in love, though I cannot blame you on that one, can I?”
Prince Naoya shook his head the minute the words left his mouth. Forcing himself to believe it couldn’t be real, perhaps, you truly did not know anymore. Your only plan for tonight was to see the Crown Prince and get to live out your dream of seeing him once more even for just a brief moment before you travelled back home while he married another, and yet – “Your Highness, I’m in love with you. I have always been since the day we met.”
You could no longer stop the words. The voice at the back of your head begged you to shut up and not cause a scene, that your time had passed up and people were staring, yet you remained in his arms no matter how much you wanted nothing more than for the ground to swallow you whole.
“Please do not misunderstand me, Your Highness. I did not come here to attempt to steal your heart and be your wife, though I will admit I have dreamt of meeting you again for so many moons. I...I only want to tell you this. That I love you and even though it was a brief moment, I think the love I’ve always read about felt real and possible for the first time in my life,” chuckling nervously, you gather to courage to face him, adoration shining for the Crown Prince stood shock still before you, however stunned he may be. “I love you, Your Highness. I love you. And to whoever lucky woman you choose to be your betrothed, I hope she takes care of you and showers you with all the affection you are deserving of. You would make a great King. So God help his Crown Prince, and may you lead us all into a better world.”
Prince Naoya did not budge a muscle. His eyes remained hard on yours, breath warm as his nostrils fumed. With each passing second that he did not speak, you grew restless and tugged your arm away from his hold with a disgraceful smile.
You’d truly crossed your line. The repercussions to be faced for this impoliteness would destroy your family’s honour. You had to leave. “Your Highness? The song has changed. It’s time to let go—”
The Crown Prince inched close enough until his hair tickled your cheeks, his deep voice sending shivers down your spine as he pulled you close, close enough that your lower bodies touched. Skin ablaze with heat, you dared not move an inch. “Do you mean it?” he demanded lowly, his fingers ghosting over your wrist to hold you in place. “Do you truly love me? Not for what I have, not for who I was born to be, but me as a person itself?”
Closing your eyes to shudder in a deep breath, you exhaled. “Of course, Your Highness. Even if you were not born as a Prince, I’m sure I would’ve still loved you in a different universe.”
“But I do not know you.”
“We don’t have to know each other, Your Highness, and we never will. Once you let me go, I’ll return to the shadows where I belong, and I will continue supporting you until the day of your coronation.”
“And if I refuse to let you go?” he clicked his tongue, “What will you do then?”
The Crown Prince’s spicy perfume must be an aphrodisiac or hypnotizer of sorts. Everything he did messed with your mind that it was too late – the music had stopped and people were no longer drinking or chatting. Everyone’s eyes were on you and the Crown Prince. You could only imagine how controversial this position must be; with his lips trailing dangerously close to that sensitive spot in your neck where you nearly moaned. You really needed to leave.
“P-people are looking, Your Highness. You do not want this affair with someone you won’t choose—”
“Who said I won’t choose you?” Finally, he pulled away. But Prince Naoya never once tore his gaze away from yours, nor did he allow you to look at anyone but him as he caresses your jaw so light and feathery you wondered if he was truly there.“Who said I haven’t laid my eyes on you the moment you walked in here? This ball is for naught because of you, Lady Y/N. I’ve already made my choice, and you helped me confirm it as soon as you danced with me.”
“Your Highness...”
“Look at me,” he ordered, your eyes flitting from his pinkish lips to his sharp nose and then to his fox-like gaze. Only this time, Prince Naoya was no longer harsh. “Don’t be scared.”
“But they’re looking.”
“You are with me, of course they’ll look,” he teased, “They wish to be you right now. But ignore them and dance one more time with me.”
It wasn’t like you had a choice, but did it matter? One nod from him was all it took before the orchestra fumbled back to their spots and a new song played, Ode of Moonlight Lovers, and the Crown Prince was guiding you back to where he had originally danced with you.
From the corners of your eyes, you caught a glimpse of your parents with their mouths gaped open; your father looking like he was on the verge of passing out. However, you felt nothing but joy, nothing but the adrenaline pumping through your veins as he danced and twirled you in his arms. When the music stopped and you were both panting for air with silly smiles on your face, it dawned on you that you were with the Prince. No, rather, it was only you and the Prince alone. Even in the sea of people whose faces began to blur, he prevailed crystal clear.
You could recognize him anywhere, find him everywhere.
Prince Naoya stepped impossibly closer until your chests touched, hearts beating as one. Cupping your jaw, he was near enough that he swallowed all your shaky breaths with a small, teasing smile like you both shared a secret the entire world could not know.
“Do I still make you nervous?”
Laughing, you nodded. “Yes, Your Highness. I feel like I’m going to explode.”
“It’s beloved now,” he corrected, face inching closer and closer to a point you could count the number of his lower lashes. “And what do lovers do to seal their union?”
“M-Marriage?”
“Close, but this is much better.”
If anyone were to tell you that you would have a love story ripped out straight from a fairytale, you would’ve laughed at their faces. You were no Cinderella, nor were you a goddess of beauty that could’ve possibly caught the Crown Prince’s eye. Yet, his soft lips were on yours, kissing you with as much passion you could only dream of that you cried.
Strong hands guiding the back of your waist, Prince Naoya dipped you lower to the ground – the grand of finish of his dance. He had chosen his bride.
The crowd cheered and rejoiced all around you, making you smile into the kiss. Fisting his collar to bring him closer to yours, your mouth burst into metaphorical fireworks as soon as his tongue mingled with yours for an experimental taste. He was bitter yet sweet; expensive wine resting on his tongue, yet a delicate vanilla sat heavily on his soft lips that molded with yours. It was a taste you could spend forever being addicted on. And you were crying, crying so much your chest ached and the Prince’s cheeks grew damp from yours. You’d dreamt of this for so long, too long now.
Prince Naoya slowly pulled you away, his thumb wiping the tears away from the pads of your cheeks with tenderness in his touch. However, the Prince was not satisfied. The crowd whooped as he leant down to kiss your forehead. “You are mine now, my princess.”
Looping his hands with yours, the Crown Prince led you out of the castle. The crowd parted naturally to make way for the new couple, and you were left staring at his broad back and the tuft of blond hair where you’d soon find out how soft it would be. Sending one last glance to your crying parents, you waved goodbye. You had no idea where the Crown Prince would take you but you were already bunching your dress up, heart completely filled with trust you did not question it. What mattered tonight and for the rest of your life was that it felt right. That it was him – your beloved Prince Naoya Zen’in and soon to be husband – that you’d follow through the moon and back.
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littlemisslipbalm · 4 years ago
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“it’s not that important”
Summary: Y/N is in Harry’s band and one night they have a drunken hook up. One thing leads to another and they find themselves engaging in a friend’s with benefits type of situation. spoiler: it is important
AKA: A friends with benefits to lovers story :) with some angst in there
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This is for @stylesharrys fallinharry10k celebration so my trope is friends with benefits! prompt is “you have no goddamn idea what you do to me. when i’m around you, i have no control of my emotions or my thoughts” and the tenth picture ^ i kinda just used it in the beginning to descripe what he was wearing - i got really carried away with this story but the prompt is in there !! lol, not proofread tho but would love your feedback !!!! :) love y’all very much 
oh boy i’ve had this done for agesss but i hadn’t written the smut until today so now we’re here i dont even remember what happens - i vaguely remember not loving the end but I hope yall enjoy
Word Count: 15.4k (longest fic to date) | Warnings: smut, angst, fluff, alcohol consumption? i dont remember but i dont think theres anything too heavy in here.
-
“Hey Harold!” You smile as you easily hop over the side of the couch and settle beside your bandmate.
Harry groans, yet can’t keep the small smile off of his face when he sees it’s you. “How many times have I told you to never call me that?”
Your eyes narrow at his faux glare. “And how many times have I told you, I simply do not care?” 
You reach a hand out and tousle his already disheveled, unstyled brown hair. Despite his lack of styling, his hair still looked perfect. His chestnut hair fell into a middle part when he did nothing to it and you found it endearing. It made him look far younger than he truly was, like a boy you might have pursued when you were in your early days at college. The waves slightly framed his prominent cheekbones and chiseled jaw that was sporting a tiny amount of stubble.
He moves his arm from around the back of the couch to pat at his hair, trying to put it back in its nondescript position you had just messed with. After he’s satisfied, he uses the same hand to push up his glasses on the bridge of his nose. They’re chestnut brown Gucci frames that match the natural highlights in his hair. You can safely assume that’s why he bought them. The lenses are clear, but you know they don’t hold any prescription. He looks incredulously at you from behind them still.
“Nice glasses,” you mention offhandedly as you reach out to the coffee table to grab the drink you had left there earlier.
Before Harry had arrived, you had been taking up residence on the couch, in the spot he had actually taken up. You had ventured to the restroom for a moment and gotten held up in a conversation when asked your preference for the Beatles. Having to defend your staunch stance for the Beatles and against the Rolling Stones, you had gotten swept up into an argument with Adam. He believed that because the Rolling Stones toured for longer warranted them the title of best rock band. While you countered that despite their long touring and production of music, the Stones had a rotation of members. The Beatles maintained the four of them and held such a large impact even though they were barely together for a decade. They were one of a kind, or at least the first of their kind, you’d allow. You weren’t really in the mood for intellectual conversation tonight, so upon seeing Harry taking up your seat, you had told Adam you’d continue the discussion at a later date and returned to your spot.  
“Thanks,” Harry mumbles as his gaze flits around the room. He wasn’t sure if you were actually complimenting him, but he would take it as one either way.
The rest of your friends are all up and about, drinking, talking, dancing. It was the usual house party scene: a relatively intimate gathering, music you all actually liked, some friends of friends feeling slightly out of place. There was no pressure in this type of gathering but still Harry wasn’t necessarily in the party mood tonight. Usually, Harry was the one instigating these types of get-togethers with his friends and bandmates. He liked to be the life of the party, but as the tour loomed closer and closer, he felt some tinge of longing for quiet and solitude. He knew he wouldn’t have much quiet while on the road, which mostly didn’t scare him. He loved the stage and the high he received from performing and the gratification he felt from all the people in the room being there to see him. But there was also that other part of him that liked the quiet, the privacy. As the lack of alone time nudged itself around the corner, he had been hoping to enjoy solitude, or at the very least peace before he was on the road. Some sort of blissful state before technical chaos ensued. When Charlotte, the host of tonight’s soiree, had texted their group chat about tonight, Harry had politely declined. Then came the slew of private texts from Charlotte giving him all the reasons he should come tonight. He tried to say no again, but had shown up after the continued begging from her.
His appearance mirrored his expression, choosing a not perfectly fitted white t-shirt and random trousers rather than picking something he really loved, like usual. You could tell something was up and as his friend you were wondering what was wrong with him.
“Don’t sound so excited, Harry, someone might mistake you for somebody who’s happy to be here.” You stick your tongue into the side of your cheek, gauging his reaction.
“Has anyone ever told you you’re not very funny?” He quips, green eyes flashing to meet yours.
Your banter is probably how the pair of you communicated the best, never really falling into the whole serious side of friendship. You never shared those late night talks about the future or your fears. It was a fun friendship, so you didn’t fancy yourself one of his closest confidants. When it came to music, you and Harry were a bit more serious which formed a sort of paradox because the music you would share with each other gave a far greater insight into your souls than you probably realized. As a member of his band, you would discuss his music and what was going on with that sort of business part. But the sharing and discussion of other music that you did was part of your friendship, even if you didn’t see it like that. Because of the countless albums you had recommended to each other and the specific songs you had made note of, Harry and you knew each other much better than you thought you did. Music connects to something deep inside yourself and you have to like it enough and know the other person well enough to believe that they will also enjoy it to recommend it. As much tongue and cheek that you partook in with Harry, deep down, unbeknownst to either of you, you were that friend he shared his hopes and fears with, through the way he knew best, music.
“No, most people find me hilarious...”
You take a sip of your drink, trying to cover up the sting that his remark actually left. Most of the time you were great at keeping up with anyone’s banter, especially Harry’s, but tonight you weren’t feeling it. His tone had sounded so harsh it almost sounded like he meant it. His features soften when he sees the way your face falls, despite your sarcastic tone.
“‘M sorry. I’m just not in the best mood tonight. Didn’t want to come, but Charlotte…” He shifts to face you, arm retracting slightly around the couch, landing his hand at the edge of your shoulder. His fingers fiddle with themselves absentmindedly, he turns his rings around his fingers and they ever so slightly brush against your shoulder. You don’t mind, you know its his nervous tick that he did whenever he didn’t have something to clink them against.
“Yeah, same here, actually.” Your tuck an out of place hair behind your ear, returning your gaze to Harry, who’s tilting his head at you curiously. “But might as well make the most of it, though. After all, this is our last week before tour starts.” You raise your glass and tilt it towards him before taking a sip.
You really didn’t have a plan, you were just trying to make him feel a little better. It was seldom you saw him so solemn at this type of gathering. He usually was the one bouncing from group to group, entertaining everyone with his dazzling charm and quick wit. Sometimes he would bring a date and spend the night with them in the corner, but that was usually at bigger parties than this. At these types of gatherings you often found yourself talking with Charlotte for most of the night. You were both new additions in the band and you had clicked immediately. You would travel in a pair between different groups and talk with everyone. Sometimes you would tell a humorous anecdote about your life and everyone would laugh wholeheartedly. Your ability to retell a story and make it hilarious every time seemed to be your secret talent. You could make any experience into a ten-minute retelling and it always sounds like the funniest moment of your life. It ranged from your embarrassing audition for Grease as a tween to your supermarket run in with an old acquaintance or B-list celebrity the day before. It didn’t matter what it was, it just always had the entire circle of people laughing and wiping their eyes with joy. You’d laugh a little with themselves, but usually you just had a triumphant smile on your lips for the rest of the night.
He nods, sipping his own drink for the first time since you had settled down beside him. “Well, I’m all ears.”
“What?”
“Give me your suggestions on how to make the most of tonight.”
“Drinking, mostly, was my plan,” you laugh nervously as Harry continues to stare at you intently.
“Mostly?”
“I mean, what do you want me to say? I didn’t think to pack my bouncy castle, my bad.”
He bites back a laugh but lets some air escape his defined nose, before staring with a deadpan face at you.
You like to tease him. You simply liked him. Harry was different from other men you knew. You were pretty sure most people could say that though. Harry was just different. It seemed like no one could not have some sort of affection for him. With the playful friendship the pair of you had, you always skirted the edge of flirtation. But you also didn’t particularly ever want to cross any lines with him. He was the employer of you, technically. He had brought you into his backing band and you wouldn’t do anything to harm that position. As well, at the end of the day you knew Harry. His tendencies and the choices he made.
When you were around him at parties like this, you had to try really hard to keep him at an arm’s length. Because on one hand, you would drink and suddenly the boundaries you put up didn’t seem that important, instead his lips started to look rather inviting, but on the other, you knew that he was extremely emotionally closed off to any relationship that was more than either friendship or a one night stand.
Harry doesn’t give you a response, just swings back his drink. The pair of you sit and drink in silence. Before you know it, Harry and you are five drinks in, finally talking after the second. The pair of you decide to move to the balcony outside and continue your conversation there after the third. After the fourth, you're getting really handsy and by the end of the fifth, Harry’s arm is wrapped tightly around your waist and you're laughing breathlessly into his neck. It looks like he’s just shielding you from the cold night air, but both of you seemed to be enjoying each other’s embrace for other reasons.
Finally catching your breath, you lean back and pant softly as you meet eyes with Harry. His pupils have blown out from the alcohol and dark light. The emerald green barely surrounds the black and you swear there’s flecks of gold or maybe brown in them. Your brows scrunch at the revelation and Harry asks what you’re thinking. You don’t respond, too entranced and drunk to even hear him.
“Oi,” he bops your nose, “What is goin’ on in there, little lady?”
Your hand reaches up and widens Harry’s eye manually. His inebriated state has no qualms about you doing such an odd thing. “Why’s your green not actually green?”
“What?” He asks before moving your hand away from his face, it instead falls to his chest. The pair of you shift until your caged between his body and the balcony’s ledge. You pout as you stare up at him. His skin looks soft and taught over every inch of his face and neck. The urge to kiss him keeps nagging at the back of your mind. The idea keeps creeping up closer and closer and the drunker you are the less likely you are to suppress it.
“Do you want to fuck me?” You blurt out.
“Sure.” Harry isn’t taken aback. He had been thinking about asking for a while, so he was glad you had asked first, made it easier for him.
“Okay, let’s go.”
He takes you back to your place, the pair of you catching a cab the short distance between yours and Charlotte’s flats. No one blinks an eye at the pair of you leaving together. Everyone watched the pair of you sulk all night about being there and only enjoying the other’s company, so they weren’t keen on either of you staying. Charlotte was simply glad the pair of you had stayed for as long as you did.
The two of you walk casually until you’re inside your bedroom. Once inside, Harry throws you on the bed and fucks you. Hard. He’s got you spread out in more ways than you had ever thought possible. He’s got you saying things you had never even dreamed of saying. And he’s got you cumming and screaming more than you could have ever wanted. He enjoys himself as well. He loves the way you feel around him and the way your eyes look up at him while he fucks you straight into the bed. He loves the way you sound whispering dirty things and screaming his name. He loves the feel of your soft skin all over your body as he pushes deep inside you. He loves the way you’re able to rip a guttural moan from him every time he cums. And he cums three times that night. While it wasn’t quiet, he did find that blissful state he had been in desperate need of.
After the third round, Harry feels spent. He brings himself into a sitting position, legs hanging off the edge of your bed. You’re lying in your bed, completely overstimulated, cumming at least twice as many times as Harry. He scratches at the top of his head, his bicep bulging as he folds his arms around himself.
“That was fucking good, Y/N. Just what I needed.”
You can only hum in response.
Then he takes your blanket and lays it over you. After that he begins to stand up, getting ready to grab his things and go.
“You don’t have to go…” your voice raises when you realize what he’s doing.
“Yeah, I do. This was just a one time thing, yeah? I enjoyed it, but you know...”
“Erm, I guess?” You rolled to fully look at him, he was pulling his t-shirt back on now, his marked chest disappearing beneath the white fabric. “Do you really not stay over at your one night stands?”
He thinks about it as he begins with his shoes and his glasses at the same time. “Yes? Usually I don’t know the person and I don’t particularly want to sign an autograph when I leave in the morning. Best to leave immediately afterwards.”
“That was exactly why I wanted you to stay...Shit! No chance you’ll give me an autograph now? Could sign my tit, right next to your hickies.”
He laughs, automatically in a better mood after the catharsis of having sex. It was also a relief for him that you didn’t seem to be weird about the hook up. “Shut up!”
“You’re a twat, Harold.” He groans instinctively at the annoying nickname, not caring about the ‘twat’ part. “But be my guest, you can freeze your arse off while waiting for your cab outside at this hour.”
“Rude..” He mutters, standing in your doorway now. “You wouldn’t actually make your employer stand out in the cold at this time of night. I haven’t even got a jumper. Could get a cold and ruin my voice. ”
“You’re the one who says it’s best to leave immediately. Get on it, mister.”
Your hand makes a shooing movement, but he doesn’t budge. You sigh as he makes a puppy dog face - eyes wide and a puckered pout with his flushed cheeks and lips - playing into your actual kindness, that he knows is somewhere. Your sweetness that you were keeping hidden from Harry right now. Nothing was serious between you so it made sense that you were trying not to let your innate ability to care show as he’s about to walk out on you.
“Ugh, fine. Stop looking at me like that. Just grab one of my coats from the bottom right, they’re all oversized so one should fit.” He doesn’t relent on the face. “And you can stay inside until your cab comes.” You sigh and throw one of your pillows at him. He catches it easily and throws it back, much softer than your throw. “Also never pull the employer card on me again when I’m naked in the bed you just fucked me in,” you call as he looks through your closet.
Returning with a patchwork coat you had thrifted tight over his shoulders, he looks at you seriously, “Yeah sorry about that part. Definitely wasn’t trying to exert my power over you, it sounded better in my head. Meant more like you could ruin my voice and both of our jobs.”
You nod and chuckle slightly, finding how inarticulate Harry could be as an endearing trait. His explanation didn’t actually make it sound better. “The jacket fits.” You say, choosing to move forward from Harry’s weirdness, knowing he didn’t mean any harm from his initial statement.
“Yeah, thanks. I think my cab is here,” He glances at his phone, “So I’ll go...See you?”
“I’m sure.” You smile, “We do in fact work together and will soon be touring the world. Would be a bit weird if I didn’t see you.”
“Right.” He nods and adds a peace sign before he walks out of your sight. You know he’s gone when you hear the door click shut. What an interesting night.
-
Love on Tour had just started and Harry couldn’t lie. He couldn’t keep his mind off of you. You were both his most recent partner and the best he had had in a while. He found himself rubbing over the spots on his neck and clavicle that you had given particular attention to during the night you had shared together. When he went to bed it was your body he pictured to get himself off. So, after the first show he’s beelining to you at the beginning of the after party. He’s got an adrenaline high and he needs a release. You’re the solution. He’s whispering in your ear, asking if you’d like to meet him in his dressing room. Your eyes study his face when he pulls back and they widen slightly when the realization of what he’s implying dawns on you. Then you’re nodding and excusing yourself from a random conversation five minutes later.
Inside Harry’s dressing room, you find Harry already unbuttoning his shirt. He grabs your face and shoves his lips onto yours once you lock the door. As he kisses you he tries to make one thing very clear, “This doesn’t mean anything.”
“Got it.” You begin to finish Harry’s job of taking off his shirt.
He pulls back to look you in the eye, “Are you okay with that?”
“Jesus fuck, yes, Harry, just shut up and fuck me senseless again!”
He listens to you and begins to kiss down your jaw and neck. His open-mouth kisses leave a searing trail across your skin. He settles on a spot at the base of your neck and begins to suck and nip at it with vigor. You set to work on finishing his job of unbuttoning his shirt. Then you pull off your own shirt, reaching behind you to untie the bows at the back. The new skin exposed grabs Harry’s attention and he moves down to suck over the cleavage of your tits. He’s happy to be back with his ‘bosom friends’. You smack his head when he says it and he chuckles darkly, only sucking harder on them causing you to moan louder than you would like.
Once you’re both in only your underwear, you find your back pressed up against the mirror behind the dressing room counter. Harry’s body is nestled between your spread legs as he kisses down your skin. His fingers dance along the line of your thong as he looks up from beneath his lashes for position, you only push his head closer to your heat in response. He laughs mischievously before tugging them down off your hips.
“Missed this pretty little cunt...All I’ve been thinkin’ ‘bout,” He mutters as he begins to latch onto your dripping core.
Your brows shoot up at the thought that Harry’s mind has been stuck on you for the past week. You definitely had thought about your drunken hook up a bit, but hadn’t thought it had left a lasting impression on Harry, you assumed he had that lovely of a night with every person he chose to spend intimate time with. These thoughts are forgotten when Harry’s warm tongue is lapping at your swollen bud. You’re already panting for Harry and now you’re heaving with moans and whimpers leaving your mouth with every lick and nip of his expert mouth.
“Fuck Harry, feels so good,” you whine as his tongue travels down your folds and swirls and dips into your hole.
He moans at your words and the way your legs squeeze at his head. His hands move to spread you open wide to maintain his control and he smirks at the way your body rolls due to the friction of his voice against your pussy.
“Be a good girl f’me,” he growls still pressed against your wet heat.
Your body rolls again as you get closer and closer to your first release. Your bite your lip trying to contain all of the sounds that are trying to escape your mouth. Harry notices the new silence and glances up seeing how you’re trying to behave. As much as he likes you obeying his words, he also wanted to hear how he was pleasuring you.
“Tell me how you feel, princess,” he demands.
“So-so good,” you hiccup as his fingers caress over your folds now as he looks you in the eyes, his lips wet with your slick. He kisses you hard, his tongue diving into your mouth and you kiss back passionately, loving your taste on his tongue.
He pulls back and your hands trail down his chest, swirling around his familiar tattoos and hair that grace his lower torso as you move. He grins, enjoying the feeling of you on him and how he was affecting you.
Soon enough, his cock is finding its way back to your glistening folds, wet with your own liquids as well as his saliva. His mouth waters at the sight. He only pushes into you a few times like this. Then he catches sight of himself in the mirror in front of him and can’t resist. He pulls out and flips you over, your squeal leaving your mouth before you can stop yourself. His dick finds your entrance once again, not wanting to be without the wonderful warmth for any longer than he must.
“Ahhh,” Harry groans when he slips back inside.
Your head throws back on your neck, the feeling of him as well as the sight of him gripping your hair in one hand and your fleshy hip in the other. His rings dig into the skin as he’s able to slam more forcefully in this position. You gasp and whine at his motions. The sounds coming from between your legs are turning you on even more and they seem to make Harry happy too. He picks up the pace and drops the grasp of your hair for a second. Your head falls down as you try to keep yourself up on your elbows.
Gripping both of your hips, Harry growls, “Look at me while I fuck you. C’mon now.”
You moan in response and tear your eyes open to see your reflections in the mirror. One hand goes up to hold onto the mirror to give yourself more traction, causing your back to arch even more. The new position has Harry’s cock slamming into you deeper.
“Fuck!” Harry practically yells and can’t keep himself from landing a harsh slap on your ass. You jump forward at the sting but his other hand keeps the pace steady. He keeps burying himself into you all the way to his base, his balls slapping at your now slick spread thighs. He rubs over the red handprint he had just left on your ass. You whimper and bite your lip, truly enjoying the sensation.
Still staring into the mirror as Harry commanded, your eyes water slightly and Harry makes eye contact with you through the mirror. You smile widely and he grins back. “This feels so fucking good. Your pussy takes me so well. Fuck…” Harry babbles, still pistoning into you. You had noticed how vocal he was the first time you had fucked, but thought it had just been the alcohol. Apparently not. But you didn’t mind, you much preferred it to partners who barely spoke or didn’t even moan. Like how were you supposed to know what was going on in their minds? With Harry, you knew he was having a good time.
A few more heavy thrusts and you felt yourself nearing the edge. Your panting was getting faster, exceeding the speed of Harry’s thrusts and he could also feel you were close. Your cunt began squeezing him tighter so he hooked a hand under your knee and brought it onto the table. He hunched over you slightly and snaked his hand to your clit. “C’mon darling, I know you're close. Can feel that little cunt putting a choke hold on my cock.” He rubs at your clit with the vigor of strumming a quick paced song on the guitar. It’s enough to overtake your senses and the laugh that had bubbled from his words turns into your orgasm moan. You try to muffle it into the arm that is holding you against the mirror to avoid a full on scream because it feels that good. You felt like you were having your first ever orgasm, it felt that new to you.
A few more thrusts and you’ve come down from it, but Harry still hasn’t finished. It’s your turn to be the partner coaxing the other to get off. “Faster, Har. Want you to cum too.” He grunts, picking back up the pace. He had slowed to let you ride out your stay. “That’s it...want you to cum in me. Your cock feels so fucking good.” You whine, meaning every word. He smiles again at you and closes his eyes, focusing on chasing his high. You watch as his smile widens to that open mouth grin, “Fuck,” he almost whispers. And there it is. There’s a twitch in his hips that mirrors his expression and then he’s pulling out and cumming on your back. His voice is now even lower and raspier than before as he babbles how good that was and how tight your pussy was. It was sweet nothings, but extremely explicit and you sighed heavily, feeling a small orgasm wash over you again. His final thrusts and voice pushing you off the cliff again easily.
The two of you take a minute to bring your breathing back to normal and Harry goes to clean your back off.
“So..how do you feel about maybe doing this regularly?”  Harry asks sheepishly as he begins to pull his pants back on.
“Like a friends with benefits kind of thing? Or bandmates with benefits, rather.” You laugh breathlessly at your not really funny joke, but you’re now truly exhausted. From the show and the fuck, you felt thouroughly worked out.
“I guess that’s what it is, yeah.”
“Yeah, sure. Sounds good.”
“You’re honestly so chill, Y/N. It’s fuckin’ hot.”
You laugh and flip your hair dramatically. You’re only in your bra and panties right now and Harry licks his lips, finding your playfulness to be a turn on. “What can I say?” You laugh.
“But like I said before...it’s just sex.” He’s buttoning up his shirt and looking at your reflection through the mirror now. He watches you slip the pants you had been wearing back on.
“Oh, Harold, I know.” On cue, he groans and turns around to face you after fixing his mused hair in the mirror. Interrupting yourself, you turn your back to Harry, “Can you tie this, sorry it’s hard for me to get the -” Harry walks to you without any hesitation and begins tying the silk ribbons on the back of your shirt. “Thanks. Anyway,” you turn to face him when he’s finished and you place both of your palms on his chest. “Trust me, I know you’ve got your issues and I’m not looking to be the girl that tries to change you. I know what this is. I only ask that you let me know when you sleep with other people, because once you do, you won’t need me.” Harry nods and you pat your hands against him. You both smile and go your separate ways when you leave the dressing room.
-
Harry and you fucked almost every night on tour. Sometimes it was right after, on the counter in his dressing rooms. Sometimes it was later in the evening in his hotel room or yours. He stopped leaving immediately after your hook ups. He never kicked you out of his room so he decided it was fine for him to stay in yours. Especially because you weren’t a stranger who would be weird with him in the morning. He also didn’t like trekking through the hotel halls late at night.
The first few times you stayed in the same bed, the two of you stayed on opposite sides of the bed, not touching after you were finished engaging in your sexual endeavours. Rigid bodies against the edges of the mattress. Then one particularly long night, filled with multiple rounds, Harry was so exhausted from his performance on stage and off that he collapsed on top of you. He fell asleep there and you didn’t particularly mind. It felt nice to be slightly compressed and held. He shifted in his sleep and when he woke up he wasn’t upset to find you nestled into his side with his arms wrapped around you. After that, cuddling sort of became part of the routine. After you were done having sex, Harry or you would get up to clean up and bring back waters. Then you would settle in his arms. Sometimes in a spooning position and sometimes you cradled softly into his chest. You didn’t talk about it, it just happened.
One night it was your head directly on top of his butterfly tattoo, one leg thrown over his lower torso and your arm snuggly wrapped around his middle. He liked to pet your hair when you laid against his chest in that way. His fingers would fiddle with the strands and you liked it because he usually took off his rings before he would do it and his hands felt so soft and delicate against you. Harry liked the way he felt when he would hold you afterwards. It was calming to fall asleep against your soft skin and feel your fingertips trace lyrics to songs he wasn’t sure the name of against his own.
No one knew about how your friendship with Harry worked. To the rest of the world, you seemed to be someone who had become another close friend in the band. You were similar to Mitch in many respects. Except for when Harry winked at you during a show, it wasn’t a friendly wink, it was a ‘this song makes me horny and I can’t wait to relieve the pressure by fucking you later’ kind of wink. You knew this because Harry had gone over and whispered it in your ear during a quick break, when you had only looked at him weirdly after he did it.
Before the show tonight, you pulled Harry aside, “So what are we thinking tonight? I feel like I might want to ride you...Haven’t been on top in a while.” In the darkness of the backstage, you crane your neck to take Harry’s earlobe between your teeth. He groans softly and grips your hips to guide them against his for a second. “Sounds fuckin’ fantastic, love.” You twitch back, releasing him immediately at the word. You always told him not to call you that and he tried to reason with you, that it was just something he called people. But you disliked it a lot, adding it to the growing list of rules the pair of you had for the do’s and don'ts of being friends with benefits with each other.
“Harold,” you groan and he steps back at that pet name. While he hated this, you refused to let him put it on the list because it didn’t cross any lines with your physical arrangement. Not that there was any physical list to put it on, it was more of a theoretical list that the two of you would speak of occasionally.
“Sorry.” He says eventually, “Didn’t mean it.” You both laugh.
You think about how other relationships were sometimes desperate to hear their partner express their love for them and you believe you’re grateful for the simplicity of your arrangement. The term relationship regarding what you and Harry were doing was also in the ‘don’t’ category on the list. If either of you were being honest, there should be no need for a list and you should be questioning yourselves why you felt the need to set boundaries if one part of it was physical and the other part was your friendship and job. If it truly was just physical why were boundaries constantly needing to be set and followed? But right now honesty was not in the cards.
-
After the show Harry gets delayed with press or fans or something that you don’t really care about. You barely read the text that he sends, only caring about the ‘sorry got held up’ and the ‘be there in thirty’.
You let yourself into his room and wait on the bed, flipping through your phone, completely unbothered by the rest of the world. When you hear a knock on the door, you don’t think twice about getting up and opening the door. You only realize your terrible mistake when it’s Mitch and not Harry standing at what you’re also just realizing isn’t your door, but instead Harry’s.
“Shit!” you say under your breath as Mitch looks at you confused.
The room is dark behind you because Harry would have just entered and gotten down to business. He might turn on a side lamp, but you hadn’t felt the need to have light on while you waited. Forgetting all of that, you had just gone to the door and opened it.
Mitch tucks some of his hair behind his ear as he stares at you. “Is Harry here?”
“Er..No?” It comes out as a question. You rub the back of your ankle with your foot, feeling nervous.
“Is he actually not here or?” Mitch trails off, narrowing his eyes at you.
“No, no he’s really not here. I’m waiting for him, too.” You rush your words, but try to remain calm.
“You have a key to his room. And you’re waiting in the dark.” He says. They’re not questions and you’re not sure just how guilty you look.
“Yeah!” You try to come up with a non suspicious response, hoping there’s a way to still salvage your’s and Harry’s secret, “He gave me his key because he wanted to talk about something and I kept it dark because my eyes always hurt after shows. Kind of like a migraine.” You scratch at your head and smile, trying to convince Mitch. He seems to believe you as he nods slowly and opens his eyes more.
There’s a little bit of an awkward silence and Mitch shifts his weight between his feet, looking at you still. Just as you're about to invite Mitch to come wait inside with you, Harry steps out of the elevator and begins to walk down the hall. His key card is already in hand and your eyes widen. Harry’s expression mirrors yours when he realizes Mitch is standing outside of his door and that you are standing with him. “Mitch!” Harry says, placing his hand on Mitch’s shoulder and sliding his key card into his back pocket with the other. Mitch turns to Harry without seeing him put away the other key card and you look at the pair of them.
“I was just telling Mitch how you gave me your key card so we could talk about...that thing.” You interject, flicking the lights on in Harry’s room as casually as possible. Harry shoots you a look about how you couldn’t come up with an actual reason for being there. You shrug your shoulders helplessly.
Mitch looks between the two of you and feels some weird tension and he’s not sure if it's always there and he’s just noticing or if something is going on right now.
“Yeah, well, I came to stop by to talk about the riff in Canyon Moon. Something is wonky with it.”
“Oh! Sure,” Harry nods to Mitch and then glances at you, “Y/N, we can talk about that other thing later. It’s not that important anyway.” His tone is so casual and nonchalant. You stare at him, thinking he can’t be serious. You had been almost sure he would send Mitch away, but instead you were being kicked to the curb. When he doesn’t say sike or anything of the sort, you nod. “Okay,” then you mumble a ‘good luck’ with figuring out the problem with the song. Mitch walks in the door, but Harry’s eyes stay fixed on your figure retreating down the hallway. He watches you disappear and is only pulled from his thoughts when Mitch calls his name from the couch in the room.
After reaching your floor, you key into your room and get ready for bed. Just as you’re about to drift off to sleep, completely alone for once in a long time, there’s another knock. This time you check the peephole, a habit you realized you were going to have to get better at. It’s Harry. You open the door and walk away immediately once he’s entered the room.
“Why are you here?”
“Thought we could still...” He follows you into the room, trying to make out your face in the darkness.
“I’m not in the mood anymore.” Your tone gives away your annoyance. You couldn’t hide that you were mad at Harry for sending you away. It made you feel weird. The way he did it so easily made you feel like you were extremely disposable and unwanted.
“I’m sorry,” he sighs as he lays down beside you. You turn to face him when he places a hand on the small of your back. You’re face to face and your noses are almost brushing. It’s not really possible to see each other’s features, but after months of hooking up you knew each other’s faces pretty well. You could reach out and pinpoint all of Harry’s freckles and moles on his face and neck right now and be correct. He could likely do the same. The theory is proven correct when he reaches out and his hand dances down your cheek. “Just thought it would be less suspicious if I didn’t get rid of him. Couldn’t make him wait either…”
“I know,” your voice is small and soft, just above a whisper, “I forgive you.” You scoot closer to him and Harry instinctively wraps his arm around you, bringing you tightly into him. You sigh into his neck and he shivers at your warm breath on his slightly clammy skin. When you lick your lips, they brush lightly against his skin. He laughs at the feeling, so you decide to press an intentional kiss to the hollow in his neck. In response, he presses a kiss to your hairline, his lips slightly chapped after the concert.
The kisses are tender, filled with that thing neither of you dare attribute to anything the two of you did in the dark. The word you told him time and time again to not call you. So is just about every touch and word that has been exchanged in this room since Harry entered it. You fall asleep wrapped up in his arms, a soft smile resting on both of your faces. Neither of you seem to mind that you didn’t actually have sex tonight or anything even close to it.
-
When you wake up you feel especially well rested. You shift around and realize your bed is empty besides you. It depended on the day, but it was always a toss up between Harry being there when you woke up or not. However, lately, you had found it was usually the former. You would linger longer and so would Harry in each other’s rooms, lounging in each other’s embrace under the soft glow of the morning light peaking through whatever windows the room had. Today you were cold at his absence. Then you look up and realize you aren’t completely alone. Harry is standing at the end of your bed, staring down at his phone, smiling.
“Hey.”
You wait for his reply, but he doesn’t look up from his phone. “Hey, Harold,” you repeat. His head snaps up, a grimace on his face at the name. He slips his phone in his pocket and ruffles his hair. “Hey.” He finally responds. “I’m gonna head out.”
“Okay.”
Neither of you seem to find it necessary to talk about what happened last night. Harry definitely seemed a little off to you this morning, but you try to shake it from your thoughts. There was no reason to be upset with him being quiet. He didn’t owe you anything, you hadn’t even slept together last night, so if anything it was weird he stayed as long as he did.
It was the second night at the Forum in Los Angeles. This means no travelling necessary. No day off either, tomorrow you’d have a day off before the third and final show at the venue though.
Harry and you were talking normally at the venue, mostly about the setlist - him and Mitch had changed something for whatever reason last night, which was fine. Your banter was to a minimum, but you were trying to convince yourself that nothing was off. Even though it felt like something was different, you couldn’t place your finger on what it was, so you thought it was best to ignore it.
When Harry is about to go out on stage, you don’t pull him aside and when he introduces the members of the band to the audience, he doesn’t say anything fun or silly about you. He doesn’t wink or come up to you at any point in the performance. It’s so unusual the rest of your bandmates are giving you funny looks. Charlotte looks at you from across your keyboard in a way that she’s asking if you’re okay. You shake your head at everyone trying to signal that you’re fine.
Mitch goes over to Harry and whispers in his ear to check in with him, Harry looks at him with a bright smile on his face and says “of course, why wouldn’t I be?” Mitch looks between the pair of you, thinking back to last night and how weird the pair of you were being then. Maybe it dawns on him then what might be going on between the two of you, but if he did, he wouldn’t mention it for a long time.
You falter a bit on your back up vocals tonight. You’re trying to give it your all, like always, but for some reason your voice isn’t sounding the way you want it. About halfway through the show, when your voice comes out the exact opposite of how you would like, Harry finally gives you a second glance. His face practically emotionless, save for the single arched brow. He’s concerned, but not concerned enough where he would go over to you. He just doesn’t understand why you keep missing the right note tonight. You make a shake of your hand to say I don’t know either. He just shrugs and turns back around to continue the show, his lively smile returning while he turns his head.
After the show, Charlotte, Sarah, and you are all checking in, going over what had happened during the show in general. They’re both worried about your voice and you’re simply trying to tell them that it was just an off night. Nothing was wrong. As long as you told everyone else that, then it might turn out to be true.
“It’s fine, maybe I didn’t get enough sleep last night,” you fib, having gotten more sleep last night than most other nights on this tour. They both nod, seeming to take that as a reasonable answer.
Then Charlotte gets quieter as she whispers to the three of you, “Did you guys notice anything weird with Harry? He was super lively, but he barely interacted with you, Y/N, which is so unlike him...”
Sarah nods while you look skeptically on. Sarah adds, “He kept looking up to the boxes, too. More than usual at least. I don’t know though…” She trails off and you cross your arms over your chest, not really enjoying the conversation topic. “I mean, what do you think, Y/N?” Sarah adds.
Your eyes dance between the two women, your fellow bandmates, your friends. You sometimes wished you could share with them what you were doing with Harry. The secret was fun, but it’s also nice to be able to share with your girlfriends about the guy you’re seeing, even if it is a casual thing. The friendly gossip of it all is something fun to share, but sadly that was another thing you couldn’t do. You sigh, “You never really know what’s going on in his mind, y’know. He’s just Harry.” Your response is half-assed at best. You figure they’ll both give you shit for the non-answer you just supplied, but instead someone else speaks for them.
“I am in fact, just Harry.” He says and you swivel around to find yourself almost chest to chest with him. Charlotte laughs while Sarah simply smiles. Your eyes are huge as you stare up at him and you hope your blush doesn’t come out too strongly after being caught talking about Harry by himself. “Enlighten me on when I was being ‘just Harry’ though?” You bite your lip and take a step back from him, forming more of a line with the other women. He shrugs when no one offers a response, laughing lightly.
“Oh and Y/N, I can’t talk about that thing again tonight, I’ve got-”
“A date?” Charlotte asks, trying to understand why Harry was acting a little different tonight still. The part that Sarah had mentioned about him looking up into the boxes had given her the idea that he might have plans with someone after the show. Harry scratches his head, his hair slightly wet with sweat right after the show. He’s taken off his coat so he’s just in the almost completely unbuttoned, sweat soaked shirt he had been wearing underneath. It sticks tight to his skin and you can make out all the muscle lines that hide beneath the fabric that you usually get to caress. Your eyes flit from his body back to his face when he speaks again.
“Erm, I wasn’t going to phrase it like that...but yes, I suppose, it’s a date.” He says finally, he avoids your eye contact and you look at him very confused, trying to hide the hurt. He shoves his hands in his pockets trying to look and sound as casual as possible and ignore the strain he sees on your face. Is that what had held him up yesterday? Making plans with someone else? And he hadn’t told you until now? The past twenty four hours stung a little bit more now that you knew why Harry was being so distant. It simply felt icky finding out this way and it didn’t even seem like he was going to tell you it was a date.
“Okay,” you say simply and walk away. You hear Charlotte asking him details about his date, but you try actively not to hear any of it. Sarah watches you walk away and sees the way you wrap your arms around yourself to comfort you. She feels a twinge of sadness as she watches the scene unfold, seeing something she hadn’t realized was there before.
Harry doesn’t text or call you that night. You hang out with everyone else for a little while in Charlotte’s room before heading to bed, saying you think you need an early night tonight. Before you’re able to walk out of the door, Mitch stops you. “I heard Harry blew off whatever conversation the two of you have been trying to have again. Just wanted to tell you I’m sorry.” You try to smile but it comes out as more of a grimace. There is no conversation Harry is blowing off, it’s simply you. “It’s fine. Like he said yesterday, it’s not important.” Mitch nods, but still looks at you with concern. What he had seen last night, then on stage today, and what Sarah had told him about your interaction after the show it all strung together in his mind. It didn’t seem unimportant at all. But he didn’t know how he could tell you that. He felt like he should talk to Harry about the way you looked when you left Charlotte’s room tonight, but he didn’t know how to bring it up to him either.
You don’t realize you’re crying until you're in the elevator, and it’s slowly rising to your floor of the hotel. You’re only one level up, but it feels like an eternity in there. You already weren’t a fan of elevators, but this ride felt impossibly worse. The walls are all made up of mirrors and you see yourself in the reflection, but you don’t exactly recognize the girl in there. Your eyes are tired from the show, dark circles already formed. Your hands are aching, clenching and unclenching on their own accord. Your body is slumped against the back wall, likely leaving a slight imprint from the smoke residue and dust on your clothes. Worst of all are the tears running down your face, smudging at your makeup, the black mascara you had applied dripping down in sinister raindrops against your skin. The sad girl stares back at you as you sniffle slightly, confused at what you’re seeing. “Why are you crying?” you ask yourself, your voice creaking and then breaking at the end as you struggle to get out the word ‘crying’ before a sob wracks through you. You roll your eyes when your reflection offers no explanation for itself. You laugh at your own patheticness and try to shake the feelings you’re experiencing.
Inside your room now, you flop on the bed and stare straight up at the ceiling. Your arms spread to your sides and your legs lay limply below you. You think about every night before last, every night since the tour started. Every night where you weren’t alone, where you were with Harry. Your mind flits to last night, how Harry’s lips had ghosted over your skin after his apology. How you had told him you forgave him and it had felt so peaceful, so simple. It was all so easy. Thinking about him and the things the two of you did together brought a smile to your face, unbeknownst to you. When you realize it’s there, your face drops immediately, deciding not to think about Harry.
But trying to not think about Harry makes you only think about him more and what you think about him now most definitely doesn’t bring a smile to your face. You’re thinking about him out on his date with some person you chose to learn nothing about. Maybe out of fear of what is happening right now. By knowing nothing about the person, you can’t compare yourself to them. Can’t see what’s different about them that would make Harry go out on a date with them. But it doesn’t matter who they are or what they look like because at the end of it all you know one thing for certain. They’re not you. You correct yourself, you know two things actually, because you also know that Harry chose to be with them instead of you tonight.
You fall asleep with tear stained cheeks that night and absolutely nothing positive on your mind. You want to sleep but know it only brings whatever is bound to happen tomorrow, which doesn’t seem very promising.
-
It’s noon when you wake up and you wake to a knocking on your door. You grumble and throw a sweatshirt over your body to hide the underwear you slept in. Not remembering your new habit, you swing the door open without any hesitation to find Harry. He looks wide awake and happy, the way he almost always looks, a fresh beautiful flower of a man. You look at him groggily, “What are you doing here?”
“You weren’t answering your phone.”
“Because I was asleep?” You tilt your head and look at him incredulously. “What about this,” you gesture to your appearance, “looks like I just went for a 3 mile jog for fun and I love the morning?”
“Can I come in?” He ignores everything you just said and enters the room when you leave the door to get back in bed. You often did that with him, you don’t know why, but when he asked to come in the room it was just simpler to let him in then say anything. He knew what you meant.
He sits at the edge of the bed as you reclaim your spot in the middle of it, tucked slightly under the covers, but still sitting up. “How was your date?” You try to sound nonchalant and it seems to work. Harry doesn’t notice your tense figure, but you notice how he tenses up when you ask.
“Good…Her name was-” You don’t let him finish, you already know the answer to this next question and you don’t need her name in order to ask it, “Did you fuck her?”
He’s silent, green eyes staring straight at you. You meet his gaze, your eyes almost burning holes into him. His eyes are begging you to not make him answer the question, he doesn’t want this to end, even if he also didn’t want the commitment he had felt himself exhibiting the other night.
When he had come to your room the other night after Mitch had almost caught you, he knew he shouldn’t have stayed. He didn’t want you to feel bad so he had come to apologize, but when the pair of you didn’t have sex, he should have left. But he didn’t, he stayed and it wasn’t for you, it was for himself. It was for him to hold you in his arms because he liked to. But when he woke up the next morning he knew he needed to leave. Solely cuddling wasn’t part of your arrangement together. It’s probably on the list of don'ts that the pair of you had. So after he realized the line he had willingly crossed with you, he quickly sent a text to Jeff who had tried to set him up with a model they were acquaintances with the night before - the reason he had gotten held up. Harry had initially declined, not very interested in seeing anyone else but you. But looking back on that choice in the light of day seemed to solidify what this relationship was - a relationship - and Harry didn’t like that. The commitment wasn’t part of the plan, so he told Jeff to set that date up for after the second show at the Forum and give the woman a ticket. That’s why he was smiling at his phone the morning after only cuddling with you, that’s why he didn’t joke around with you during the show, and that’s why he wasn’t in your bed last night.
You watch him expectantly, silently waiting for his answer, your veins cold as ice. He finally starts his answer and he wants to make it clear that it wasn’t as good with the other woman, but he’s not sure how to work that part in. He’s not sure how to explain to you it meant nothing if your arrangement also apparently meant nothing. You barely even let him get in a sentence. “Yes, but it was just a one time-”
“Alright.”
“What?” He doesn’t understand what you mean when you nod your head and cut him off.
“I told you at the beginning, Harry. Tell me when you sleep with someone else because when you do this is over. It doesn’t matter if she’s the love of your life or a one night stand. I will not be a backup plan, so if you’re able to find other people to sleep with, you don’t need to be sleeping with me.”
He sits in silence for a moment, his jaw dropped open slightly. He’s unable to keep it shut as his mind races about what to say. “Are you mad with me?”
“No, I’m fine. This was just sex. Charlotte will be happy that I’ll be going out with her more.”
Harry’s brow furrows as you shift away from him on the bed, grabbing your phone and beginning to flick through it. You feel numb and you’d like to not think about why.
“Are you sure you’re okay?” He asks because he does care about you, worry is written all over his face. He just can’t commit, not now.
“What would I be mad about, Harry?” You look up and your eyes widen at him, silently asking him to truthfully say why you should be so upset about this revelation. You always knew it would eventually come to an end, you just hadn’t expected so soon. You hadn’t known the last time would be the last time and it broke your heart even if you knew it shouldn’t.
He shifts to reach his hand out to touch your exposed knee. You move away from him and he sighs, looking exasperated. “I- I don’t know. It just seems like we should talk about this.”
“You didn’t even think it was necessary to tell me you were going on a date last night, so I think it’s best if we just left it at ‘it’s fine, see you around’.”
He spreads his hands out across the sheets, examining his rings and painted nails thoroughly. You’re right, he doesn’t really want to talk about this. Well, more so, he’s conflicted. He would like to talk enough that you want to continue your arrangement but he doesn’t want to talk about feelings or emotions. Even if he has those feelings and emotions, they’re just not part of the things he’d like to talk about. “But-” You set your phone down at his first word, “Were you even going to tell me you fucked someone else today if Charlotte hadn’t asked you if it was a date last night? Would you just have come to my room tonight and acted like nothing had changed?”
“I would have told you.”
“Sure.”
“I swear I would’ve. I would never break a promise to you.”
“But you would make a decision that affects the both of us without telling me until afterwards?” Your voice breaks a little and you beg yourself not to cry right now.
“I thought you said this was just sex?”
You laugh humorlessly, in disbelief, “Of course it’s not, Harry! And it hasn’t been for a long time and that’s why you got scared and went and fucked someone else.” He looks at you blankly, unsure what to say, knowing you’re right. You continue, “But I also told you at the beginning of this, that I wasn’t going to try to change you. So this is me not trying to change you.” You sigh when he still says nothing, his expression completely unreadable, even to you. “Why couldn’t you have left it at ‘it’s fine’?” You say finally, barely above a whisper.
He blinks a few times after your final question. He flexes his hand one more time and then stands up from the bed. He adjusts his clothes and stares at you. You feel helpless, but you’re still trying to look pulled together, even after your outburst. You stare back. A thousand words floating through your heads, all the things you want to say and likely never will.
“I know, I’m…” he pauses, trying to get himself to say it, but he can’t. He can’t admit that he’s completely ruined whatever messed up paradise you had created together. “I’ll see you later.”
The apology or lack there of hangs in the air as he walks silently out your door. You don’t move, you barely even blink, still staring at the spot he had just occupied. Your breath finally escapes you, a large sigh. Then some nervous laughter. It was over...just like that. But things like this, left like this are never really over.
-
It’s awkward for a good amount of the rest of the tour. You hang out with your bandmates more and Harry rarely ever comes out with them after the shows. He either hangs out with Mitch on his own or is going out with random people he knows on the road. You and him speak, but it’s never a lot or about anything relatively meaningful. It’s not the fun back and forth of before or the fiery heat of sneaking around. You try to be normal with him, act like his casual friend and bandmate.
He does his best to do the same, but it’s difficult for him. He doesn’t know how to talk to you anymore. He misses being with you, but can’t bring himself to fix it. He doesn’t do much to right his wrongs with you. He also doesn’t even know what he would want if he did apologize. It scared him to think about the step that came after ‘sorry’ so he saved himself the trouble and never did that part either. One night he texts you: “I’m trying, it’s just hard.” and that’s it. You don’t give him a response, he doesn’t need one. You know he’s trying and he knows you know.
Near the end of the tour, he comes out with the rest of you for drinks one night. Only Mitch is between the two of you in the booth, so you feel closer to Harry than you’ve felt in a long time. The group of you are chatting and having a good time. You somehow get onto a story from when you were still in college. You explain how you had narrowly avoided getting Chlamydia right before your Christmas break junior year. You act out the conversations you imagined would have happened at all your Christmas events if you had indeed gotten it. Your impressions of your mother, father, and sister have everyone laughing the most. Harry is shaking with laughter from your story and you smile at him in appreciation when he says, “That is the funniest story I’ve heard in a long fucking time.”
The rest of the night goes really well, for the most part. No one bickers or is short with each other. Everyone is laughing and drinks are flowing. Eventually Mitch gets up to go to the bathroom and you feel Harry slide back into the booth closer to you after letting Mitch out. Your hand had taken up residence next to your thigh, resting on the vinyl of the booth. You sense something next to it now and notice Harry’s hand is resting close beside it. He shifts his hand closer when he sees that you’re looking down at it. He’s almost touching you and you look up to his eyes, wondering if he’ll close the distance. He makes an imperceptible shake of his head, but you know what he means. As you’re about to shift your hand so that your pinky connects with his, Mitch returns and your head shoots up to his figure. You instantly remove your hand from the vinyl and shift closer to Charlotte. Harry gets up, but doesn’t sit back down once Mitch is settled. He instead walks off to get another drink, risking one last look at the table where he makes eye contact with you, but he doesn’t come back. Mitch informs everyone that Harry went back to the hotel because “he was tired” after Harry doesn’t return and Mitch gets a text. You roll your eyes, sure that you saw him slip out of the side door with a woman he found at the bar after he had gotten his drink. If that’s what ‘tired’ looked like on Harry, it was fine.
You start to speak to Harry on a more regular basis after that night out. It’s not funny or lighthearted. It’s just ‘I saw this song the other day, thought you might like to listen’. It went back and forth, it wasn’t everyday but it was something. The last text between the two of you before you began sharing songs again was his ‘I’m trying it’s just hard’ text that he had sent randomly one night. Then after one of you would listen, you would see each other at sound check and mention the song and what you thought about it. It can be noted that it was Harry who sent the first song.
For Harryween, Adam couldn’t be there. He has some family emergency the day of and doesn’t come with the rest of you to Madison Square Garden or the hotel you were staying at. Thankfully, Charlotte also plays keys and you can play bass. The band had to shift around some things on stage and make minimal changes to the setlist since you weren’t rehearsed on the covers Harry was doing. You spent the whole day running through the chords of those songs with Mitch, trying to memorize them so you didn’t mess it up during the show.
It was weird because for Harryween the setlist was switched up a little from the regular set for Love On Tour. Harry was playing the entire new album as well as half of the first album, Medicine, some of his other unreleased stuff, and about six covers, including old One Direction songs. It was going to be a long show and a challenge for you.
Before the show, Harry pulls you aside, to a dark corner backstage, and your mind flits back to the last time you had been in this type of position. The last time he had called you ‘love’, the last time you bit his earlobe - which always drove him crazy, the last time he ground his hips against yours, those and more and you had no idea that it was the last. By then you had already had sex with Harry for the last time, kissed his lips for the last time. It made your heart race to be so close to him and so alone once again. But it’s nowhere near the same as it once was. You shake the memories from your mind and look up expectantly at him.
“Have you got this?” He asks seriously, tone concerned. Of course it’s a music question, nothing more. Like it always was now.
“Yeah, of course.” His stare is unwavering and you try not to falter from it.
“I can get someone else to cover tomorrow, it was just such a short notice today. You know bass really well too, it made sense.”
“I’ve got this. Seriously, don’t worry, Harold.” You pat his chest lightly and for once Harry smiles at the sound of your nickname for him. You had stopped using it after the end of your arrangement. It never felt right to use when you were talking about music, and that was about the only time you had been talking. In this moment though, it felt right. His warm, large hands held your upper arms as you stared up into his big eyes. You missed staring into them, the shimmering emerald of his irises were constantly intriguing. You instinctively reach up to move back a curl that has fallen onto his forehead. He doesn’t shy away from your touch and continues to smile down at you.
“Y’haven’t called me that in forever.” He grins, his lips a shiny pink from the lip balm he had on.
“No, I suppose I haven’t. But where was the groan? The whole point is to annoy you.” You smile coyly. He tips his head back and laughs, releasing your arms from his grasp as he laughs wholeheartedly.
Then he does a soft groan, a playful sound, “How was that?”
“Eh. I’ll give you a four out of ten. Not enough emotion behind it.” You slide from the area the two of you have been occupying and make your way onto the stage to start dealing with the bass you would be playing. You hear Harry call out to you, “I think I deserve at least a five, maybe even a six!” You turn back for a second to look at him with an unimpressed expression and shake your head no. He laughs again and you hear him even when you walk out onto the stage. You smile to yourself as you pick up the bass.
When he introduces the band, he waits to talk about you last. “And sadly this evening Mr. Adam Prentergest, our usual fabulous bassist, was unable to attend our fancy dress party! However! Our lovely Y/N L/N is also a superb bassist and was kind enough to step into his place. - Anything to add?” He saunters across the stage to you and you laugh kindly, feeling at ease in this part of the stage even though you were usually on the opposite side and further back from the crowd. You nod at Harry and he leans his portable mic towards your lips. You wet them quickly and eye Harry before turning out to the crowd. “Just please go easy on me if the bass sounds a bit wonky. It wasn’t on the job description that I’d be playing songs I didn’t know, with a few hours notice, on not my main instrument.” You say this in a kind of list format, holding up your fingers as you tick off all the ways that this was out of your comfort zone. You scratch your head dramatically after you’re finished and the whole crowd laughs and cheers. The rest of your bandmates chuckle along and Harry nods and smiles at you.
“You’ll do great, love.” He leans into your ear and says without the microphone. Then he winks and turns to go back to the center of the stage. You press your lips together to contain your smile, both happy and concerned about the flip your stomach just did.  
The show is going great. Harry is killing it with the crowd. Everything is electric. You’re entirely focussed on your bass playing, but Harry has been coming over every so often to do something fun or have you tell a joke.
“She’s truly the funniest person I know! And I know a fair amount of people I think.” Harry says as he walks over to you have you tell another joke. Mitch has been looking at you and Harry interacting all night and he’s sure that it isn’t your different position that has him coming over and talking to you so much tonight. Something has definitely changed once again. First the pair of you were always together and having fun, then it was silence and stolen glances that neither of you realized you were taking, now it was back to the beginning.
“That’s because you think puns are part of the top tier levels of comedy.” You say easily, “Here, I can guarantee Harry will love this and the rest of you will likely groan.” Then you stop and act as if you’re thinking for a little, everyone’s waiting expectantly. “Sorry, thinking...Well, I’ve got some skeleton puns I could do, they’re very humerus or y’know classic vampire ones..eh but those ones kind of suck. What do you think, Harry?” You look out at the crowd, face deadpan, as Harry laughs beside you. You roll your eyes playfully and push him back to the center of the stage. Leaning into your own mic now, you say, “I told you.” That’s when everyone laughs. Harry throws another look at you over his shoulder and laughs a little more, his smile wide and eyes bright.
A little over half way through the night, it’s time for ‘to be so lonely’. You already knew the bass chords for it before today and you were confident in yourself by now. It wasn’t as hard a song so you were happy for the little break. This song allowed you to not be looking down at the notes you had stuck to the floor in front of you. Harry’s voice comes in after Mitch’s intro and you watch the way his lips move against his mic. You laugh a little as you watch the crowd yell the first “arrogant son of a bitch” line. You used to not particularly like when people did that, but after it had ended with Harry you had started to enjoy it a bit more. Having those people yell the words you couldn’t, but truly felt about him sometimes, was cathartic. Tonight you weren’t angry with him, but you enjoyed the energy in the room when everyone said it. We’ve all got our own ‘arrogant son of a bitch’ that we want to scream at sometimes. Tonight yours wasn’t Harry for the first time in a long time. The song moves along and Harry takes the microphone off its stand, he walks towards your side of the stage. When the lyrics get to:
“I miss the shape of your lips, your wit, it’s just a trick, this is it so I’m sorry”
Harry isn’t looking at the crowd, he’s looking straight at you. You don’t understand the way he’s looking at you. Or maybe you don’t want to understand it. This song, its lyrics, explains Harry really well. You saw the relationship you had with him in the words. Maybe not precisely, but a part of it was in it. Harry had unknowingly foretold your lives with his words. You know he has trouble connecting and committing, you know his issues, and you accept them. But you knew what had happened between the two of you was far more serious than meaningless sex and you knew Harry couldn’t bring himself to be that serious. He ran off and that was fine, but the face that he couldn’t even apologize hurt you the most. But the song lays it all out for you, he’s not one to be able to apologize quickly. The fact that he looks at you and means the apology he sings in the song for you, it’s a big step, but it’s not enough. The banter, the technical apology, it was all a good start, but it’s just that - the beginning. If Harry wants to make things better with you, a lot more needs to be discussed. So when you sing backing vocals for the following chorus you mean the words for Harry completely.
“Don’t call me baby again, you got your reasons, I know that you’re trying to be friends. I know you mean it, but don’t call me baby again it’s hard for me to go home and be so lonely”
His eyes flick to you again and see your lips moving around the words as you play the bass. He sees the emotion in your face and understands what you’re saying. It’s hard for you to go to your room at night and be alone while he’s out with someone else. It’s hard for him to act like everything’s all fine and perfect, back to normal, because for you it isn’t really. He can’t call you ‘love’ and tell the world you’re funny and expect it to be enough. He can’t sing his sorry that was initially for someone else to you and expect you to accept it. And he knows it, too.
After the show everyone decides they’re exhausted and need to rest before tomorrow. You all planned to celebrate the whole day and you knew it was going to be a wicked Halloween. Knowing this, you’re surprised with the knock on your door after about an hour of being back at the hotel. You’ve given up the habit you had once hoped to cultivate and swing the door open haplessly. Truly having no idea who to expect, you are still surprised to find the man standing before you.
“Mitch.”
“We need to talk.” He stares down at you, his shoulders slumped from tiredness.
“Come in,” you usher him in when you hear the urgency of his voice. He saunters in before you and you close the door. You move to the small couch in the room and sit down. Your hands gesture for him to sit as well, but he shakes his head. He stays standing and brings a hand up to smooth his hair back on the right side. His eyes staying on the floor and flickering up to you every so often.
“What is going on with you and Harry?”
“What do you mean?”
“Oh come on Y/N. You’re seemingly best friends with him for a good portion of tour, then you’re barely on speaking terms for the second half, now you’re joking around again. What is going on?”
You sit there in a stunned silence, “I don’t know what to say.” Your arms go to hug your body, feeling anxious about being confronted about this topic.
“Were you seeing each other?” His voice is soft, eyes taking in your body language and knowing it’s a difficult topic.
“I wouldn’t put it like that…”
He holds back the ‘I knew it’ statement because of  how sullen you look, b..ut in his mind all of the pieces he had watched unfold came to fit in a perfect puzzle. He decides to sit beside you when you don’t say anything else.
“We were having sex,” it felt weird to say it out loud, no one but you and Harry had actually known, “But it ended. I don’t know what today was...but it felt different than how it’s been.”
“Why are you so sad if it was just sex?” He places a hand on your shoulder and your tear-filled eyes meet his. “Oh…” He knows why.
“I’m sorry, Y/N.” You sob at his apology because he’s not the one who should be at your door apologizing. You sniffle and lean your head into his chest. He takes you into his arms and holds you as your cries become muffled sounds in his shirt.
You cry without words for a few minutes, Mitch coos some soothing words, his voice soft and kind. He was always a good shoulder to cry on for all of your bandmates, he was extremely strong and you made a mental note to thank him thoroughly when you actually were capable of forming coherent thoughts. “I’ve never told anyone before. It feels so weird even saying it out loud,” you say as you pull back from Mitch’s embrace. You're thankful his shirt is black, no tear stains can be made out.
“Do you want to talk about it?” He asks gently, gauging your reaction. You wipe at your eyes and nod.
Taking a deep breath, you decide to start from the beginning. “Do you remember the party Charlotte had a week before we left for tour?”
Mitch nods and his eyes widen at what you’re saying as he remembers the night. “It started back then?” He’s unable to contain his incredulous question. He had suspected something, but hadn’t thought it had been going on for that long. He was truly astounded. You nod, “Well sort of,” then you go on to recount the last couple of months. All the way up until the Forum shows. “That night, when I opened Harry’s door and it was you standing there...Harry and I didn’t have anything to discuss. It was just…” Mitch nods again. He hadn’t spoken much since you had gotten into the story, wanting to let you be in charge of what you were saying and believing he could probably ask questions at the end. “Then the next night he blew me off for his date with that model and I cried in the elevator because I knew what was going to happen next.”
“So that’s when it ended?” Mitch asks when you don’t speak for a rather extended period of time.
“Yeah, the next morning he came over and I asked if they had sex and he said yes so I told him it was over.”
“But I don’t get why he went out with that model. He had told me she wasn’t his type the night before…” Your eyes shot up and looked at Mitch. His eyes widened when he realized what he said.
“What?”
“When we were talking about Canyon Moon, he mentioned that Jeff had tried to set him up with some woman but he had declined. Said he wasn’t interested. I don’t get what changed between then and the next morning.” He figured it was best to put all the cards out on the table right now. You’d be going your separate ways for a while, now that the tour was over and he had seen how unhappy both you and Harry had been over the last part of the tour.
You shift your leg to have it folded beneath you as you continue to stare at Mitch. “He came over after you and him had your meeting,”  you say quietly. Mitch hums, waiting for you to continue this time.
“He apologized for choosing you over me to talk to. Then we slept together, but we didn’t have sex...I think that’s what wigged him. It had felt too real, sleeping in the same bed with me without having sex beforehand made it feel like something more than just two people fulfilling needs.” Mitch nods and sighs heavily. He looks around the room and then back to you, taking in your full appearance. Again he feels terrible for you, how he had felt the second night at the Forum even though he hadn’t known the full story yet. “Now we’re here.”
“Tonight, it felt like he was trying,” Mitch finally said and you smiled sweetly, thinking back to Harry’s behavior. No matter how far from him you were, all those good feelings you associated with him never went away.
“Yeah, it’s been getting better. He texted me once saying he was trying. Then he came out with us one night and it almost seemed like that would be the night he’d apologize, but then he didn’t. Then we started sharing music with each other again. Then tonight… was tonight. It’s just confusing. He’s confusing.”
Mitch smiles sadly and brings you in for another hug and you’re actually so thankful he
showed up at your door. It was your first time telling anyone all of this, because Harry didn’t even know how you felt about some of these things. It felt amazing to be heard and to be told it was okay to be feeling like this.
Pulling back, Mitch says, “He’s definitely different. But his differences are what make him special and that’s why I think he clings to them even if they sometimes can hurt other people. The fact that he’s trying is a good sign. I hope he can find it in himself to make it right between you two because I had never seen either of you happier than when you were apparently together. Especially those few weeks leading up to Los Angeles. Sarah had kept asking me why Harry was so smiley back then. When I had asked him, he had just said “have you ever found something and realized you wanted to keep it with you forever?” I had no idea what he had meant, but I feel like he meant you now.”
Your awestruck at what Mitch has just told you. He was right about the first part about Harry trying to change, but the last bit, that’s what had left you speechless. You turn your body to face the rest of the room and put your chin against your hand as you think.
“Mitch...I have to go.”
He understands what you mean and you walk out of the door with him. He walks down the hall to his room and you walk quickly past the elevator and opt for the stairs. Before you know it you’re running up the stairs, taking two at a time even though you’re not the most athletically inclined. You can’t stand to wait for the elevator and your mind is racing.
You knock on the door that is Harry’s after reaching his floor. It swings open and reveals a confused and sleepy Harry. Thankfully he’s still fully dressed because that would have been a whole other problem you would have if he hadn’t been. You push past him and walk straight into his room without any invitation. He follows behind you, still unsure of why you’ve come here.
“Have you ever found something and realized you want to keep it forever?” You ask him, repeating the words Mitch had just told you.
“Pardon?”
“You told Mitch that about me before we ended things. If that’s how you felt, why didn’t you do what you said?”
Harry sighs as the words register in his mind. The memory of when he had smiled at Mitch so giddily and asked the vague question, his thoughts only of you as he asked it. The shit-eating grin he had plastered on his face after Mitch had looked at him confusedly flitted across his mind. As well as the way he had gone to his dressing room and had a quickie with you after that conversation.
“It’s not that simple…”
“It is, Harry! Why can’t you just be honest with me for once?”
“Okay, fine. You want me to be honest?” you nod at his harsh tone. The two of you standing only a few feet apart. “You have no goddamn idea what you do to me, when I’m around you, I have no control of my emotions or of my thoughts. I pushed you away because I didn’t like feeling out of control. I got out because what had started as a fun time had turned into me longing to be with you every waking hour. I found myself not caring what we did as long as I got to hold you and be around you, but that wasn’t part of the plan.”
“Plans can change, Harry.”
You step closer to him and he meets your eyes. He had left his music playing softly on his phone before he had opened the door so now as the two of you stared at each other, he must have been playing his Etta James playlist because her voice faded out of the song “I’d Rather Go Blind” and straight into “A Sunday Kind of Love”. Harry had shared her At Last album with you over the Christmas holiday of last year and you had decided to listen to her entire discography afterwards, so you knew the songs. The transition was a little too on the nose and you wondered if Spotify ever listened to your conversations.
His emerald eyes examine your face and take inventory of your features, measuring whether anything had changed since he had looked at you this close up. Your hand goes up to cup his cheek and he nuzzles into it, dropping his head closer to you ever so slightly and closing his eyes at the feeling of you.
“I am sorry,” he whispers earnestly as he reopens his eyes.
You can’t take your eyes off of him even if you tried. He looks so soft in the moment, so vulnerable in this light as the music swells in the corner of the room. Etta sings about how she needs a love that is going to last as the pair of you inch yourselves closer together.
“I forgive you, Harry,” you whisper back.
He nudges his head further down and your lips finally press together, slotting back together after months apart. Your lips are eager to press back against their favorite companion. You oblige them, but pull back for a second, just far enough to say, “I will always forgive you, so long as you tell me when you’re scared so we can work through it together.”
He nods, “I promise to never let you go again.” Before taking you back against his lips and gathering your body up in his arms. His lips missing yours just as much.
-
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lollypopsx · 3 years ago
Text
Flatmate!Harry: I’ll Make It Up To You - Part 3
Please like if it’s not too shabby, re-blog for anyone who you think may enjoy this and follow if you want to see more! Any suggestions are happily taken for future writing! I love you all! be safe and be kind x
Part 1 - Part 2 
Word Count: 3.9K 
Warnings: I think slight swearing, One sentence of smutty language. 
A/N-The bold bits are a flashback! 
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————————— 
 You were spending your Wednesday afternoon doing housework and cleaning up your apartment. In the last two weeks, you had been helping Harry here and there with writing some songs, but you never wanted to take any credit for his work. You were just happy to help. 
You’d both let the mess pile up a little bit, mainly paper thrown everywhere, scribbled with random lyrics and instrument chords. You had vowed to yourself that you weren’t going to write anymore or get yourself lost in your musical dream world, but Harry always seemed to manage to get you sucked in to help.
You pick up your phone to dial H, letting it ring a few times.
“Y/N? Are you okay? Everything fine?” Harry answers worriedly.
You couldn’t help but chuckle “Everything is fine, I just phoned to see if you needed any of that paper on the piano or if it can be thrown?”
“Erm, maybe just stick it in a pile in my room and I’ll go through and sort it later. What are you doing?”
“I’m cleaning our pigsty of an apartment Haz!” You laugh and smile. 
“Look at you being a wife” He teases and chuckles. 
“Shut up, or you’ll be my next victim! Do you want me to wash your bedding too?”
“Ohhh yes please! You’re an angel!”
“Someone’s got to be” You smile. “And your spare sheets are in the drawer under your bed?” You hold your phone to your ear with your shoulder as you pile the thrown papers together. 
“Yeah I think I- Erm...a-actually I can put the sheets on when I’m home!” He says quickly. You were slightly taken back by the change in his tone. “Are you sure?”
“Y-yeah....yeah I...I forgot I’d bought some new ones a while ago and they’re...they’re still in my car” He fakes a chuckle, although you soon became oblivious to his cover story.
“Did you manage to get those silky black ones?!” You gasp.
“Y-yeah...yeah I did”...fuck. “I gotta go, Jeff’s pestering me to sign some stuff. I’ll see you later”
“Okie dokie, see you later. Text me when you’re leaving the studio and I’ll start dinner.” 
“Thanks babe, laters” He sighs softly and hangs up. “I need to order black silk sheets on Amazon asap...” He groans.
“You still haven’t told her?!” Jeff sighs, his head shaking. “Harry you need to do it sooner or later...”
“I know but she might freak out!” Harry’s brows furrowed as he kicks the floor softly. “Right...let’s keep going” He sighs.
You cleaned the apartment top to toe, and you couldn’t help admit that you did feel much better. It felt cosier than before, and on this particular day, the sun was glowing, warming your skin through the window.
You promised yourself you wouldn’t do this. You promised yourself two weeks ago that you wouldn’t be doing this. You promised yourself that you wouldn’t put your mind back into your past and be sitting writing songs about old feelings and passed experiences. But here you were...
Using the back of the scraps of paper from Harry’s pile, you were spilling out every word that came to mind, like every feeling in your chest was finally released. Your fingers glided across the piano keys flawlessly with the words you had pieced together, falling perfectly from your mouth. The weight being lifted made you wish you had done this months ago.
—————————
“Come on babe, everyone’s already waiting for us at the party...your birthday party which me and all your friends have thrown for you and we’re late!” Your boyfriend Adam teased as he smiled, “You look great” He chuckles as he grabs his jacket. 
“Okay, I’m ready! Let’s go. I can’t believe you guys all managed to book out Club 21 for me!” You grin as you followed him into the taxi towards the club.
“You dropped my hand while dancing, so I left you out there standing...crestfallen on the stage with...champagne problems
You had a cheap ring for it...my picture in your wallet...but my heart was glass and you dropped it...now I have champagne problems” 
The music was pounding as you danced around happily with all your friends on the dance floor. You were having the best night of your life so far. Surrounded by all of yours and Adam’s best friends. You pant as you escape the crowded dance floor and head over to the bar, joining your friend Niall, and your best friend and flat mate Harry, who were both best friends too. 
“Hello birthday girl!” Niall grins and hugs you tightly, kissing your cheek. “It’s not my birthday yet!” You laugh and hug him tightly, then hugging Harry. “Not for another...57 minutes” Harry smiles.
“Have you guys seen Adam? He said he’d get me a drink and I haven’t seen him since!” You say over the music. “I think he’s in the toilet...I’ll go find him. H can get you a drink” Niall pats your back and heads to the men’s toilets.
“Did you tell your family the real reason? Or did you keep it in?...Your mum had splashed out on the bottle...now no ones celebrating”
“Dom  Pérignon, you brought it...but our friends never applauded...your hometown skeptics say it’s...champagne problems”
As Niall strolled into the toilets, he checked his hair in the mirror, noticing a pair of white trainers and red heels in the reflection, hidden behind a cubical door. He smirked and chuckled quietly until he heard “Ohhh fuck, Adam keep going” the female moaned softly. Surely not...there must be plenty of Adam’s in the club. “Mmm I haven’t been able to resist you since I arrived...fuck you’re so tight baby” Adam moaned. It was him. Niall felt the fury cause redness to his cheeks and it took all of his will power not the break the door down and beat Adam to a pulp. He knew where he needed to be most importantly.
His fists were clenched as he left and walked over to the bar “Y/N...” Niall couldn’t help the frown on his lips. You smile as you saw him come back “There you are, was he in there?” 
“Y/N I need to tell you something...” Niall gulped. You couldn’t help but feel like his expression said every word you had been so scared to hear. And he never had to say a word, as you saw Adam stumbling out the men’s bathroom, with an unknown female following out 10 seconds later. You had no words, everything you wanted to say...to scream. You wanted to cry. You wanted to punch something.
 “I’m going to fucking kill him” You heard a mutter from Harry. But you couldn’t react.
“Was it all for the money...or all for the show...I found out that you cheated so I had to go...I always thought I’d know the answer, ‘til you were on your knee and asked me”
You went to storm up to Adam but he was long gone. You had no clue where he had gone...was this it? Was that how he leaves us? As you turn back to Harry and Niall, their eyes were no longer on you, their dark, angry  eyes watching up at the stage. Adam appeared with a wide grin on his face.
“Where’s Y/N?” He calls out. If you hadn’t of just seen him fall out the bathroom with another girl, you would never have believed he could do something so breaking. “Adam...what are you doing?” You mumble, feeling tears in your eyes. Harry and Niall stood close behind you.
“Come up here baby” Adam grins, but before you could even attempt to run away, you were being pulled up onto stage by two of your other friends, who clearly didn’t know what had just happened. 
Was this it? Was he about to break up with you 45 minutes before your birthday...in front of all your friends? You couldn’t think of anything more embarrassing. But oh no, this was much worse.
"I was going to do this in 45 minutes...but unfortunately, one of our friends has to leave the celebrations early for work tomorrow...” Adam smiles brightly at you. You felt sick to your stomach. How could he have the audacity act like he hadn’t just cheated and broken your heart.
You were still in shock. Everything was happening so fast, that you didn’t focus until you realised Adam was on his knee. “Y/N Y/L/N...will you marry me?” He pulls out a small ring, that was clearly not going to fit you. It would definitely cut off your circulation!
The lights were bright in your eyes, as they reflected the tears threatening to spill. But they weren’t the happy tears you always dreamed you’d have at this moment. He pushed the ring up into your hand, silently begging you to take it. You don’t know why...but you held the ring in your hands loosely.
“H-how could you cheat on me...” You whisper, only loud enough for him to hear. You could see the guilt in his eyes as everyone was about to cheer, assuming you’d said yes...but the crowd quickly fell silent as you shook your head, you just wanted to run.
You rushed down the steps at the side of the stage and pushed through the crowd, your legs feeling like jelly as you crashed through the doors and ran...you just ran. The tears finally freed themselves as you let out heavy sobs.
You heard people shouting your name down the street but you couldn’t stop. You were scared to face whatever happened next. You ran and ran until you felt two arms grab you from behind “Hey...shhh c’mere it’s me” As soon as you heard Harry’s hushed tones, you stopped resisiting his grip. You turned into his chest and clutched his shirt, sobbing loudly as you wanted to fall into a pile there and then. His arms protectively tightened around you, his head resting ontop of yours.
“I got you...I’ve always got you. Niall’s getting the car and we’re taking you straight home” 
“...I could of made such a lovely wife...what a shame you fucked up my head... they said “you’ll find the real thing instead...and he’ll patch up the pieces you’ve shred.... and he’ll...hold my hand while dancing...I’ll never leave him standing, crestfallen on the stage with Champagne Problems”
The journey home was painfully silent apart from your sobs. Harry held you closely as Niall drove. “I’ll pop round tomorrow ok...text me if you need anything” Niall says to Harry, pressing a kiss to your forehead before you get out the car. “Thanks Ni” You mumble. “Anytime princess” He gives you a sweet smile before driving home. 
Harry gets you inside, you wipe your soaked cheeks with the back of your hand. You headed straight to the fridge intending to get some water, but instead you found two bottles of champagne which had been sat in the fridge since Christmas.
“Better late than never...” You mutter and take them to the sofa. You popped one open and took a large mouthful from the bottle. Harry brought in a hoodie of his for you, wrapping it around your arms as you suddenly burst into heavy sobs. “Why me?!” You scream into his chest.
“No you’re perfect...he doesn’t deserve you” He whispers, holding you close to him. “You don’t need him. You have me...and Niall”
You whimpered as you took swigs from your bottle very quickly. It tasted awful. But nothing tasted worse than heartbreak.
“Hey Y/N…happy birthday m’darling” he whispers “I’ll make sure you have the best day”
“A cheap ring in your pocket...her picture in your wallet...you won't remember all my...champagne problems
Have you forgotten all my champagne problems?
Now, his mum’s ring in his pocket...my picture in his wallet...he’ll never give me any...champagne problems
He helped to cure all of my champagne problems...”
The next morning, you woke with a heavy head. You found yourself quickly remembering the night before. You sat up slowly, feeling an arm tightly wrapped around your waist. You and Harry had fallen asleep on the sofa...you must have cried yourself to sleep after demolishing one and a half bottles of champagne.
“How are you feeling?” Harry whispers, his hand brushing your hair back gently. You stare at the ring on the table. “I...I don’t know. I never thought this would happen to me...I though this was it.” You mumble sadly. “I thought I was enough” You whisper silently. His heart broke and the ide that you felt you weren’t enough. “You will always be enough...” He frowns and holds you. Kissing your head. He’d never wished more than to have the ability to take someone’s pain away. 
“Y-you...you won’t leave me too will you Harry?” You sniffle, your head resting on his chest.
“Never...I’ll never leave you” He mutters into your hair.
“What if I’m alone forever...what if I can’t heal from this?” You whimper
“You’ll find it. I know you thought you did...but you’ll find the real thing instead, and whoever it is will patch your heart up. And you won’t ever need to leave him” He whispers reassuringly.
————————— 
 You play around with the last two versions of the chorus, completely oblivious to Harry’s presence in the doorway until you heard a small shuffle from that direction
Your head snapped up “Jesus Harry! I didn’t know you would be home yet...You scared the life out of me! What’s wrong?” You frown as you run up to him, throwing your arms up around his shoulders, noticing his furrowed brow and the sad frown on his lips.
“I...that was so beautiful Y/N...and it just reminds me of how much he hurt you...a-and you...y-you’ve grown so much” He whispers softly, his arms tightly wrapping around you. “You never deserve to be treated like that...and I still hear you crying some nights, I just couldn’t face seeing you that way and...and I-I knew you’d kill me if I barged in...” He mutters, his eyes grazing the floor, as you let out a small laugh. “And you wrote a song again...I’m so fucking proud” 
“It’s okay Harry...I’m okay now!” You whisper, holding his cheeks in your hands. “I just needed to do it. One final time, and that’s it now. I’m going to get a proper job and-”
“Y/N I need to talk to you.” Harry cuts you off. “I was planning on having this conversation with you in a much nicer setting...but I don’t think I can wait.”
This was it...you didn’t realise how much you had craved to hear those three words fall from Harry’s mouth after months of trying to convince yourself that you didn’t feel that way.
“I’ve got you a recording contract with me for the new album...I want you on it. It’s been sat under my bed for weeks ready to give to you but I was worried you’d say no-” Harry says nervously.
You almost didn’t realise what he’d said until it was too late and you already started speaking.
“Harry I love you too...I-” You gasp as your hand flies in front of your mouth. No. No. No no no. This was not happening! You had single handedly embarrassed the shit out of your self and ruined the rest of your life. You wanted the ground to swallow you whole and spit you out in Australia.
“W-what?” Harry froze, taken back by the sudden confession. He didn’t know what to say, but to say he was shocked was an understatement.
“What...” You tried to act natural. Wishing to take back the last 5 seconds. “Oh...that’s erm...that would be a good read...you can just slide it under my door and I’ll read it in 3-5 working days.” You mutter quickly. You didn’t  slipping past him, to disappear into your bedroom.
“Y/N...wait!” His hand grabs your wrist “...you love me?” His gaze fell soft into yours. You thought of every excuse to get out of this situation, as scared as you was to admit it...it was out now. 
“Y-yeah...” you whisper, staring into his eyes, praying to make some sense of how he felt towards you. You so badly wanted him to speak, but the silence hanging between the two of you was deafening. You needed to know.
“D-do...do you...Do you love me Harry?” Your voice croaked. 
Of course he did...
“I-I don’t know...” You couldn’t help but feel your heart shatter some more, the sparkle in your eye slowly fading. And at that moment, you know you had ruined the best friendship of your life. You prepared yourself for Harry to leave the room, pack a bag and go to stay at Niall’s. But he just stood there, analysing your face intensely. You began to pull your hand away from his and run quickly.
“No...wait! Y/N I didn’t mean it like that I just...Well you always had Adam...and you’ve always been my best friend...and then when you guys split up, I...I was so angry because I knew I could never do that to you, and I wanted to change that so badly, but I never wanted to my feelings to get in the way of our friendship. I don’t ever want to loose you Y/N...I always thought I just wanted what I can’t have...until I knew I wanted to protect you for the rest of my life...I love you...I’ve always loved you Y/N, I just didn’t want to ruin anything...” He whispers, his bright eyes sparking as the warm sunset glow flooded your apartment.
“H-have I ruined it all....” You whimper softly, feeling your breath getting stuck in your throat.
“Never...” He whispers, one of his hands cupping your cheek, and the other locking into the side of your neck as you felt soft tears slipping down your cheeks. You had never been so terrified of losing someone. But that worry was soon washed away when you felt Harry’s soft pink lips press against yours. Sparks were flying through your blood as you wasted no time kissing him back with every ounce of passion until you couldn’t breath.
Neither of you wanted to beak the kiss...but Harry also didn’t want the pair of you to collapse. He pulled his lips away from yours, pressing his forehead against yours, the both of you panting heavily. 
“I love you so fucking much” He whispers, tears filling his eyes.
—————————
- 3 Months Later -
"Y/N we need to get you downstairs, we don’t have time to get you mic’d up up here, Graham has already started the show, so we’ll mic you up in the wings” A runner knocked on your dressing room.
“Ok I’m ready lets go...” You get up from the chair and check yourself in the mirror quickly. You had a beautiful red dress on, the sleeves hung off the shoulders and there was a slit in the leg of the floor length material. You had sparkly silver heels on, which looked like diamonds when they caught the light. Your hair was curled in a half up, half down style, with your normal glamourous makeup. 
Harry was in the wings waiting, speaking to a few other people as you were getting mic’d up. He was in a red suit, to match the colour of your dress, with a white shirt, his shoes just white this time. He glanced up with a wide grin. “There she is...mmm look at my beauty” He smirks happily and presses a kiss to your lips, holding your hips as a runner was hiding the wire in your dress.
“And you’re on in 3...2...1...” 
“Please welcome Harry Styles and Y/N Y/L/N!”
Harry took your hand as you followed him onto the set of The Graham Norton Show, the crowd cheering happily as you are greeted with a hug and kiss on the cheek from Graham, returning happily, and sitting down beside Harry after he gave the same greeting.
“Hello hello and welcome! It’s an honour to have you both here tonight on my sofa...although you have both sort of blended in” He chuckles
“Yeah...we didn’t really think about that until we got changed...” Harry chuckles, his hand holding yours tightly as you smile, taking a sip of wine from your glass.
“So we have a lot to talk about tonight...but firstly...congratulations on your new album! It sounds incredible and I know I’m not the only one wondering this, but how did you find working together while being in a relationship? Because your relationship only came into public view after the album was released...Now you two have lived together for...4 years is that right?” Graham asks.
“Yeah so...actually we have been best friends and flat mates for years, we’ve always had such a heavy impact on each others lives but we always both sort of thought it was just friendship. Around a year ago now I went through a really difficult break up and Harry was there every step of the way. Since then I always knew I loved Harry but it wasn’t until just after we had written the first version of Fine Line that I found out he felt the same” Your eyes gleam just talking about it.
“So...you two wrote Fine Line together, was that the first song you wrote for the album?” He looks over at Harry
“Actually, I’d already written Watermelon Sugar, Golden and Adore You. Fine Line was next and I was writing it at home. Naturally every song I write, Y/N is one of the first to hear, whether it’s in the living room, or when she’s in the bath and I sit outside the door to play it. It’s always been that way, even before we got together.”
Graham nods and smiles “You can’t let the poor woman have a bath in peace!” He jokes and teases as you both laugh. “So did you decide to name the album Fine Line because it’s the first song you wrote together?”
“I know!” Harry chuckles “sort of...Fine Line actually came about after...well it was after a prank I tried to pull on Y/N which went horribly wrong, then she finally forgave me and I was talking to her in the kitchen about how I was struggling to write emotional songs at the time. And the words she said to me really stuck...that night I sat at the piano and tried to piece together our conversation in a song. Y/N came to help me and she just...she’s really the saving grace. So I think yeah...maybe that was one of the reasons we called in Fine Line.”
“That’s incredible...and Y/N you were actually going to give up music weren’t you? Thank god you didn’t” Graham smiles.
You blush softly “I was...I just as going through a rough time. I helped Harry with the song and then I said I would quit. Then a couple of weeks later, Harry declared his love for me after he’d told me he had a joint record deal contract for us, to include me in the album” you tease with a smirk.
Harry grins widely and laughs quietly “I think the details of that have been slightly twisted...” He teases as you blush.
“Well I can’t wait to hear that story later! Now are there going to be any more joint albums...?” Graham asks curiously.
“...” You both look between each other “Time will tell Graham” Harry winks.
“Well...we are goin to go to an ad break now, but stay tuned because you don’t want to miss the first ever live performance of Fine Line by Harry Styles and Y/N Y/L/N!”
The crowd cheer loudly as the cameras cut to an ad break.
“I’m not waffling too much right?...it is my first ever proper interview” You mumble slightly as Harry and Graham sat with you in conversation while you were having your makeup touched up.
“You’re doing great baby...everyone loves you. I told you I’d make it all up to you when I stole your clothes and you missed that audition...” He grins cheekily.
“Now that’s a story I definitely need to hear!” Graham laughs along with the audience
—————————
Tag List: @harryhoney-bee - @sunandherflores - @sad-capuccino @beachwood-cafe
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fandomlovingfreak · 3 years ago
Text
Glacial Passion (9/?)
Regulus Black/Reader
Rating: E for Everyone
Trigger Warning: Arranged Marriage, angst, swearing occasionally
Word Count: 2059
MasterList Link I AO3 Link I Wattpad Link
Summary: Glacial, cold, icy… all words that described Regulus Black’s grey eyes. Was there truly no emotion behind those eyes, or did a caring man exist beneath? Could she defrost those glacial eyes?
Disclaimer: Regulus Black (Walburga Black, Orion Black, and Sirius Black) is a character from Harry Potter by J.K. Rowling. Reader or y/n is not owned by Rowling. This work has not been created for profit or financial compensation, and is a transformative fair use work in accordance with Section 107 of the United States Copyright Act.
Notes: Okay so I feel rushed 24/7 with this fanfic because of my schedule. I hope you all like it! I rewrote this like 5 times ugh! aha
Enjoy
Visitors at nine o'clock at night was far from uncommon for Sirius Black. But, he usually expected said visitors to arrive with him, hopefully after a wonderful night out drinking and dancing. Visitors that arrived at nine o'clock at night and by themselves were quite an uncommon occurrence at Number Five Godric Lane.
Sirius opens the door at the second knock. The figures of his younger brother and a young woman standing on his front porch both looking gloomy.
"Regulus?" The girl looks younger than his brother, very attractive-- well, she would be, he assumes, if she weren't wearing a scowl that rivaled Regulus's cloudy expression. Sirius leans against his door frame, crossing his arms against his chest nonchalantly, "And you must be (y/n)."
(y/n) opens her mouth to respond, but Regulus cuts her off before she can confirm or deny his statement, "Can we stay here?" The interruption seems to piss her off further, her anger coming off her in waves as she stares daggers at Regulus.
Sirius looks between the young couple for a beat, "I-- sure? But why are you here? What happened?"
"Walburga." Regulus steps forwards to enter, prompting Sirius to move out of the way of his brother and sister-in-law. (y/n) gives him an apologetic look but doesn't say anything as she follows her husband into the small space of Sirius's living room.
He wonders what Regulus has done to piss his wife off so thoroughly as he watches them take a seat on his couch, Regulus somewhere near the middle cushion and (y/n) as far to the right as she possibly can be without sitting on the armrest.
Sirius sits adjacent to them in the comfy reclining chair. After a moment of silence, he sighs, "So, are you going to tell me what's happened?"
"We'll only be here for a couple of days at the least. There was no way we could spend another night-- there."
"I don't care how long you stay. Stay as long as you need to." Sirius looks at (y/n), who still has not said a word to him or Regulus. She's not even looking at either of them, her lips drawn tight and her fingers neatly folded together on her lap. "Were you disowned?"
Regulus's eyes meet his, "No. Can we talk in the kitchen? Just for a moment."
"Sure," Sirius stands up, "I've been rude, though. (y/n) would you like anything to drink?"
The girl's eyes meet his, "Water would be fine, thank you."
"I'll be right back with your water." He leads Regulus into the small kitchen.
"Why are you speaking to me with your wife not present? And what happened anyway?" Sirius opens the cabinet, reaching for a glass as he speaks.
"I wasn't disowned specifically because of (y/n). I know it's the truth. Walburga thinks she's possibly pregnant, and besides, I am sure my father-in-law would be furious to find out our parents ruined his daughter's future over me."
"Is she?" Sirius asks as the glass overflows as he fills it.
"Is she what?"
Sirius rolls his eyes, "Is your wife pregnant?" Honestly, he can understand why (y/n) may be annoyed with Regulus. His little brother was always so distracted by his own thoughts he could hardly converse at a normal rate. Skipping over questions and statements, eager to give his take or changing the subject. He could sometimes be exhausting to talk to, especially if you weren't used to Regulus and his ways.
Regulus scoffs as if Sirius was an idiot to suggest such a thing, "I've never failed to cast a contraceptive charm before. It's just an inkling the woman has, hoping that even as I continue to put up a fight against her ridiculous opinions on how my-- my relationship should look, or how it should operate. Of course, when she suggested that... conceiving an heir was a family matter, I told her it wasn't any of her business. Which she didn't like, at all."
"So you're hanging on as the heir because she's convinced (y/n) is carrying your heir?" Regulus makes a face, the only convincing Sirius needed that he wasn't telling him the complete truth.
"I assume that's what she thinks. You know Walburga. She's convinced sex is strictly reproductive."
Sirius chuckles, "talk about your sex life much with dear old mum, eh Reggie?"
Regulus's frown deepens. Oh, how his younger sibling hated teasing, "of course not. She's become a complete nutter about my private matters. I don't even know how she figured out I was using the charm."
"Well, she is a nutter. Maybe she has Kreacher following you around." It's meant as a joke, but Regulus seems to question if there's some truth in the words. "Oh, c'mon Regulus. Wouldn't you notice the little creep if he had been what-- hiding underneath the bed?" Sirius stifles a laugh. Imagining the little gremlin sneaking into Regulus's bedroom to spy on him from under the bed. The image of Kreacher under the bed, the springs of the bed, knocking against his lumpy head.
"It's not funny. That's entirely possible--" Regulus takes the glass from Sirius's hand, downing it in one go.
"Hey! That was for (y/n)!"
In a very not-raised-by-Walburga-Black manner, Regulus wipes his mouth with the back of his sleeve, nearly slamming the glass on the countertop, "You can refill it."
Sirius mutters something about Regulus being a 'little git' as he refills the glass and pushing past Regulus to bring the glass to (y/n).
"Here you go." The younger woman takes the glass from him, smiling. The smile seems false in his opinion, her eyes immensely sad.
Sirius practically scurries back to his chair, "right-- so all I have to offer is a couch, which I suppose we can transfigure into a bed? Hopefully, that's okay?" His eyes meet (y/n)'s ignoring a sulking Regulus who sits down next to his wife.
"Of course. Thank you." (y/n) stands, looking at Regulus, "Do you mind?" He scowls but gets up off the couch, shuffling towards Sirius. Both brothers watch as (y/n) pulls her wand from her sleeve.
With an elegant flick of her wand, the couch transforms into a comfortable-looking bed large enough to fit two adults.
Looking pleased with her work, (y/n) sits back on the edge of the bed. Almost reluctantly, Regulus sits on the side of the bed (y/n) isn't occupying.
Again, Sirius has the desire to laugh. Clearly, there has been some sort of spat between the couple. Their mother's rudeness can't be the only thing that's got the couple this worked up.
The uncomfortable silence that overcomes the three of them is unbearable. In an attempt to put an end to the awkwardness, Sirius, with a grin, speaks, "I'm still baffled that I didn't get a wedding invitation."
Neither (y/n) nor Regulus look amused by his words.
"This is not the time, Sirius." If looks could kill, Regulus would have surely ended his life.
***
Undoubtedly, Regulus and Sirius shared DNA. I ponder the similarities between my husband and his older brother as I get ready for bed. They both have the same piercing grey eyes and deep brown hair. But their differences could be plainly seen as well. Regulus is a tad bit taller and far skinnier than Sirius. And Sirius's hair is much longer.
Even as their faces share similarities, Regulus always seems to wear a frown while Sirius clearly had an air of ease. Funnily enough, the frown that Regulus wears doesn't match the woman you'd think he would resemble, as Sirius was the one who favored his mother's sharp features. Regulus had clearly inherited Orion's bone structure.
Undoubtedly though, both men were attractive in their own way.
Spitting toothpaste into the basin, I make a face when the thought pops in my head that I find Regulus more handsome than his brother.
I suppose I am allowed to be biased, or at least should be biased, as I'm married to Regulus, but-- I feel silly thinking about this.
Walking back into the makeshift bedroom, I pass Regulus, who doesn't even meet my eye. We've barely spoken since we arrived in Godric's Hollow, only passing looks of anger between us. Part of me longs to reach out and grab his arm, tell him I overreacted, that I'm sorry... but am I really sorry? Or was I just longing for him to whisper sweet things as he held me in bed how he has for the past weeks? I certainly could go one night, or maybe even a few, without his touch.
Unfortunately, I very much wanted him to play the loving husband again. I wanted to listen to his stories and comfort him when painful memories were brought up. I wanted to kiss him in all the ways we could think. Soft and sensual, deep and unforgiving... I wanted the goodnight kisses and the sleepy morning ones.
I obviously-- I don't love him, not yet. Maybe never if this rollercoaster of hot and cold continues on with us. But I did find myself craving affection and attention from Regulus in a way that would suggest feelings had been developing.
And Gods, did I hope that he felt at least an inkling of these developing feelings of mine. Regulus could be soft and sweet in moments, but part of me wondered if he only felt something for me when I was beneath him. It-- was a thought that had begun to plague my mind as our honeymoon had taken a turn for the better.
I had no proof that he didn't have budding feelings for me; I ultimately felt insecure because of that fight.
The way he spoke to me reminded me of every time I was scolded by my parents or grandmother. Like I was a dumb child who didn't have a say in a decision like practically running away from home-- his home.
Climbing into bed, I pull the blanket up towards my chin. The curtains aren't completely drawn, leaving an opening for a sliver of moon to be seen.
I feel my eyes grow tired as I focus on the moon's illumination.
***
Regulus makes his way back into the living room, meaning to discuss their spat. Guilt had sat in the back of his mind since their argument, but he needed her to realize that the anger he showed hadn't been aimed at her. It was stupid to assume that she would just know and understand the history between himself and his parents, and why wouldn't she assume he was attacking her when he raised his voice?
Part of Regulus had hoped she would just understand, and he wouldn't have to explain the rocky relationship between his family to her. (y/n) could be incredibly understanding, but she wasn't a mind reader. He had been unfair.
The carefully crafted apology he had rehearsed in the bathroom as he brushed his teeth sat at the tip of his tongue, dying instantly when he noticed her already under the covers of their makeshift bed.
The moon shines through Sirius's shitty, cheap curtains, casting a beautiful glow on her.
His voice comes out quiet as he calls her name into the dark. Her body doesn't stir, and he walks closer to the bed. The gentle rise and fall of her sleeping form has him convinced she really has fallen asleep without him.
Almost by instinct, he gets into bed, moving closer to wrap her up in his arms, but he hesitates, wondering if she'd even want to be held by him after their fight.
He feels the pang of sadness at the thought that she may not want his touch any longer.
Regulus reasons with himself that if she really didn't want him near her, she would push him away during the night. Maybe-- maybe she would wake up with his body pressed up close against hers, and it could fix something, or at least maybe she'd wake up less angry at him.
Carefully he moves so she's tucked against his body, his arm wrapping around her waist the way he knows she likes best. With a content sigh, she settles back against his body.
Regulus holds still, making sure she hasn't woken up, eventually relaxing and burying his face in her hair.
At least as she sleeps, she still desires him.
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luci-in-trenchcoats · 4 years ago
Text
If I Fell For You (Part 9) - Inner Demons
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Summary: The reader meets Gen for the first time while the boys are having a day together. But when they come home early and Jensen overhears the reader, a very big discussion about what they both expect out of their relationship has to happen...
Masterlist
Pairing: Jensen x nanny!reader
Square: Skinny Dipping
Word Count: 5,100ish
Warnings: mature (language, skinny dipping, implied future smut, angst, self-doubt)
A/N: Please enjoy! Also written for @spnkinkbingo​
________
“No,” whined Zeppelin as Jensen carried him out of the bedroom for the third time that night. “Daddy, I want to sleep with you.”
“Zeppelin. You gotta be a big boy and go to sleep. It’s midnight and way, way past bedtime,” said Jensen. He started to cry loudly and Jensen set him down. “Do you want a time out? I’ll give you one first thing in the morning if you don’t behave.”
He ran over to you and grabbed your leg, burying his face in it. Jensen sighed, tired after a long day and you knew he needed some sleep. You squatted down and Zeppelin grabbed at you, shaking a bit. You frowned, Jensen catching it as you picked up the little boy. 
“He can stay,” you said. Jensen made a face but you carried him into the room, Jensen grumbling to himself. You let Zeppelin crawl into the middle and immediately grab his father when Jensen got under the covers. He was asleep quickly, Jensen kissing the top of his head. “He’s scared.”
“He had a tantrum. He’s four,” whispered Jensen. “He needs to sleep on his own or he gets dependent.”
“You’re his father. He’s already dependent,” you whispered. “He’s a little you.”
“What’s that mean?”
“It means he missed his daddy and he has been the one telling his sisters for three weeks daddy’s coming home soon. I don’t care if he sleeps in our bed, Jensen. Sometimes he has to be a big boy but not tonight.”
“He was very...he’s very much me,” he said quietly, fixing the blankets over his son. “He’s in tune with other’s emotions.”
“I know,” you said. “He’s a sweet boy.”
“When I was a kid, around seven or so, my dad went out to LA for about two months for work. We didn’t have the money for him to fly back and forth so he drove out there. He would call every night but it was long distance and it was expensive back then so all I got to do was say hi to him really. Somewhere in the middle of the two months he drove back to visit for a weekend. I was so excited. So, so excited. I was gonna tell him all about school and my baseball games and the jumping contest my brother and I had on the swings. I was so pumped. He said he was gonna be there Saturday morning for breakfast. Well, I wake up, run downstairs, he’s not there. Lunch rolls around, he’s not there. Afternoon snack time rolls around…”
“He’s not there?” you asked, Jensen nodding. “What happened?”
“Never left LA. Got in a car accident. He was fine but this was the eighties and my mom didn’t get a phone call until the afternoon saying he wouldn’t be coming home. I thought a hundred million things in my head of why he wasn’t there. That achy pit in your stomach. When he finally came home a month later, I slept in their room, in their bed. That little achy feeling went away after that night. I know how much he’s like me,” he said, lightly running his fingers over Zeppelin’s head. “But I gave him that part of me too and I wish I hadn’t.”
“Why?”
“Because he’s too little to worry about me.”
“He’s okay and he’s not gonna worry after tonight. But Jensen, there’s nothing wrong with him having that part of you. It’s a really good part, the part that loves the people he cares about. Right now he doesn’t understand it but someday he will and that’s going to make him a person people will be fortunate to have in their lives. That’s a great part of you he got.”
“Just have to go and make me feel better, don’t you,” he said softly. He closed his eyes and smiled. “Think I’m doing an okay job at this?”
“Yup,” you said. Zeppelin turned over in his sleep, smashing his face into your arm. 
“You care for them,” said Jensen. You nodded and he burrowed down into the sheets. “Because of me or your job?”
“It always helps the job,” you said. “When you nanny, you want the kids to feel comfortable with you and caring about them always makes that easier. But I don’t...I don’t like them because I decided I liked their dad, you know?”
“Why did you then?”
“People with money sometimes let their children get raised by that money and you can tell when it happens. But it’s so obvious that doesn’t happen with them. They have nice toys and clothes and things but they’re good and funny and smart and they could very easily be brats if you went the easy route but you didn’t and it just shows. Sure they’re kids and they can drive anyone to the brink of insanity at times, but they got big hearts, especially for dad. I just like them and seeing them grow into those people more every day.”
“Me too,” he said, Zeppelin rolling back, fisting his hands into Jensen’s shirt this time. He smiled and you leaned over, kissing him goodnight, pecking one on Zeppelin’s head. “Night.”
“Night Jensen.”
The next afternoon when you arrived at Jared’s house you weren’t sure what you were expecting. Jared and Jensen were off doing who knew what and you felt like you’d been set up on a playdate yourself. You’d dropped off the kids there more than once already and knew their kids but for some reason or other you’d yet to meet Gen. You swallowed as you followed the kids around the side of the house, the three of them taking off to go play with their friends on a swing set. You looked around and bit your bottom lip, fixing your bag over your shoulder.
“Y/N?” called a voice. You turned and saw a woman behind you, a bit sweaty in some workout clothes. “Hey. I’m Gen. Nice to finally meet you.”
“Thanks. You too,” you said. 
“Come on,” she said, waving you to follow her up some steps to a patio. “Tom! JJ!”
“We know!” they shouted back from the swings. She shook her head and sighed.
“Not that any of the little ones can get over to the pool anyways but I want to remind them to keep an eye on the younger ones when I’m inside,” she said, showing you to a patio door. You followed her inside, Gen walking into a kitchen and going straight to the fridge, pulling out a bottle of cold water. 
“They have hair like their dad,” you said.
“Yes, yes they do. Getting them to get a haircut is like herding cats,” she said. She gulped down her water and let out a deep breath. “Do you mind if I shower quick? Time got away from me.”
“Yeah, no problem,” you said. 
“There’s a bathroom right around the corner there. Feel free to take whatever from the kitchen if you want. I’ll be back in ten,” she said. 
“No problem,” you said. When she was upstairs you went back outside, leaving your bag in a patio chair. You went down the steps and watched the kids running around for a moment before exploring their backyard. “Here I thought your backyard was nice Ackles.”
“Y/N, will you play tag with us?” asked Arrow from over in the grass.
“How could I say no to a face like that?”
Fifteen minutes later you were warm and taking a break under the patio again out of the sun, the kids playing on the slide and swings now.
“Remember when we had endless energy like that?” asked Gen as the back door opened. 
“Barely,” you said, a margarita glass set down in front of you. “I see we’re going to be very good friends.”
“It’s so hot out today,” she said, setting a pitcher and another glass down on the table. She poured you a glass and then herself one before taking a seat beside you. “I bet the boys are out jet skiing.”
“They really are like a pair of children when you get them together,” you said.
“Yeah but it’s cute. Most people don’t ever get to have a best friend like that,” she said. “Sometimes they need their space from each other but Jared’s literally been counting down the days until Jensen gets back.”
“I don’t think Jensen will ever stay away that long again. He missed his family and friends. Home,” you said. 
“We’re glad to have him back. He’s been gone for a while. Even before you went to Canada,” she said.
“Were you good friends with...” you asked, Gen nodding. “I’m sorry.”
“It sucked. Still does,” she said. “When the boys were off, we could hang out. We got very close. After the accident I was the one taking care of the kids, helping his parents and family with their day to day. Jared focused more on Jensen, helping him physically get back to normal and then mentally. But you know how he was when you met him.”
“I know a lot of work went into helping him get there. I’m very grateful he had you guys,” you said.
“Listen...I’m hoping we can be good friends too. It was different for me and Dee. We both were dating the boys around the same time, got married around the same time. I know we don’t have that and...I just hope we can have that relationship still.”
“Me too. I know we’re probably gonna be seeing you guys a lot now that neither of them are working,” you said.
“Probably most everyday,” she said. “They’re like twins separated at birth or something I swear.”
“Has Jensen always been a bit quiet?” you asked.
“Yeah. Don’t get me wrong, I’ve seen that boy drunk off his ass and being a troublemaker but he’s always been that way. Maybe it’s why he and Jared fit. They’re protective of each other in different ways. Jared’s the loud one out of the two of them, always has been and Jensen, even if he is your best fucking friend, sometimes he’s a little bit quiet.”
“I figured as much. He’s just…”
“Gentle,” she said, a smile coming to your face. “You two are pretty serious, huh.”
“Maybe.”
“It’s been five months. I’d say it’s serious. You move in yet?”
“Technically I’ve always been moved in,” you said. She laughed and took a sip of her drink. “Yeah. We’ve gotten to the sharing a room stage very recently.”
“You must be very special then,” she said. “He was never gonna fall in love ever again. Told Jared and me himself. Now he’s as lovestruck as the first time around.”
“I’m not expecting…” you said, sipping on your drink. “Don’t tell him I said that.”
“Like I said, we can be friends without the boys,” she said. “What aren’t you expecting?”
“This,” you said with a shrug. “Marriage. Kids of my own. I don’t know where it goes with Jensen.”
“You should start having those talks with him,” she said, your head shaking. “You have to, just so you’re on the same page.”
“I don’t even know if we’re reading the same book,” you said. She nodded and you slumped back into your seat. “I know I love him and that he loves me. But I don’t know if that’s enough.”
“A friend once told me that’s all you need,” said Jensen behind you. You turned around and Jensen was standing there, a sad smile on his face. “We wanted to come hang out with you guys. Y/N?”
You got a smile from Gen as you followed Jensen inside, Jared slipping past and out back. You crossed your arms and looked down, Jensen stepping close to you, large hands resting on your arms.
“Why don’t you think it’s enough?” he asked quietly.
“It is. Gen and I were just shooting the shit,” you said, forcing your gaze up. He slid his hand down and took one of yours, pulling you over to a quiet sitting room. He sat down on a day bed, you going with him. 
“Honey. Tell me the truth.” He ran his thumb over the back of your hand as you crossed your legs. “Did I do something?”
“No. You’re perfect,” you said, glancing down to your lap. “All I was saying was...I don’t know where you stand on some things.”
“Like what?” he asked, still smiling softly, hiding all of the nerves underneath it.
“Kids. Marriage. The fact your family has never once met me or knows I exist. Am I just gonna be the nanny girlfriend or is there something more? I love you. I fucking love and I don’t need or want...I just want to know if you’re open to those things.”
“I don’t know,” he said. You nodded and moved your hand back into your lap, Jensen letting go of it. “Is that a deal breaker?”
“No,” you said with a shake of your head. “Like I said, we were shooting the shit.”
You were both quiet before you stood, Jensen grabbing your hand. He pulled you back to sit, plopping you straight down in his lap before kissing you.
“Okay I do know but the answers fucking scare me,” he said. “I said I was gonna stop being scared when it came to you.”
“Jensen, you don’t have to-”
“Yes, I would have more kids if it were with the right person. Preferably sooner than later but yes. Yes, I would marry again. Yes, I would introduce her to my family and yes they do know about her. Not as much as I’d like but they do know her. And lastly yes, I am open to more than just the nanny girlfriend, so much fucking more. All of it more. But that scares me that almost a year later here I am, open to all of those things, wanting those things with you when losing Dee hurt so much. It’s not fair to you that this isn’t how it’s supposed to be, simple and normal and just the fun parts. I’m sorry.”
“I’m not asking you to stop loving her. God if you ever did, I don’t think you’d be the man I love. I just wanted to know if there’s room for a future in there maybe,” you said.
“You kinda got in there all on your own and I don’t want you to ever come out,” he said. 
“Ever?” you breathed out. “Cause that implies-”
“If someone’s gonna be that second person for me, I think…” he said, looking down. You rested your forehead against his, Jensen taking a deep breath. “I know you won’t wait for me forever to get my shit together.”
“Well, forever’s a long time. I can offer a few years at least?” you asked, Jensen laughing dryly. “What?”
“I don’t deserve a few years. Your emotions aren’t a toy to play with.”
“Yours aren’t something to drag along when they’re not ready.”
“See? You do that shit. You always do that fucking shit,” he said, his voice a few octaves higher. You wrapped him up in a hug, feeling a few drops of wetness hit your cheek. “I’m sorry.”
“For crying? Jesus Jens, it’s okay,” you said. “I promise it’s okay.”
“It’s not okay. I keep tossing you around like you don’t have feelings too, like this isn’t hard for you too. It’s always me and my fucking problems with just…”
“Just what honey,” you said, Jensen holding onto you tightly, chin resting on your shoulder. 
“I can’t,” he said.
“Why not?” you said, carding your fingers through his hair.
“I don’t want this to go away,” he mumbled out. “This is it and I feel like I’m gonna explode and-”
“Shush,” you said, wrapping your legs around his waist and squeezing his whole body as much as you could. He stilled briefly and calmed down some, sniffling to himself before you released to a gentler hold on him. “Just the anxiety talking.”
“I love you,” he said, lifting his head up, looking you straight on. “I want to marry you. I want to have kids with you and do everything with you. I’ve known those things for a very long time. Longer than you have and before you even thought of them as questions. I want all that and you’re gonna get stuck with me, with this, with the never ending baggage, with the baggage you haven’t even seen yet. All your life is gonna be is taking care of my ass and you getting hurt because of it. Is that what you want? Is it? Because I want so much fucking more for you than me.”
“Was that your proposal speech?” you asked calmly. He blinked a few times and narrowed his eyes.
“What? Y/N I-”
“Well you said you want to marry me and yeah, I fucking want to do that with you too so was that your speech?”
“What?” he asked so innocently you smiled. “I don’t…”
“I happen to like taking care of your ass. So. You want me gone, I’m gone. You want me to stay, I’m staying forever. What’s it gonna be?” you asked.
“Stay,” he said quietly with a nod. “Please don’t go away from us.”
“Okay,” you said. He leaned forward and kissed you, sniffling some more when he broke off. “Are you…”
“I can’t believe I just asked that while I’m covered in tears and snot,” he said. A box of tissues suddenly flung itself through the doorway, landing near your feet. You stared down at it and started to laugh, Jensen chuckling while you picked it up. “I’m never living that down.”
“Who gives a fuck,” you said. You took out a tissue and wiped off his face and eyes, having him blow his nose a few times. “That’s really gross.”
“I know.”
“Must be how you know it’s meant to be,” you said, wiping your hand off. 
“Stay forever?” he asked. 
“Yeah,” you said quietly. “Yeah that sounds good.”
“Me too,” he said. He pulled you into a hug and you held him tight, the door sneakily shutting on the two of you when it started to pour outside and you heard the backdoor. “I bet that’s how you imagined that going.”
“I never thought it would happen,” you said. “Not when I first came here. Love’s for other people. Normal people with normal families.”
“Fuck normal,” he said and you laughed. You picked up a clean tissue and licked it, wiping off a dried tear streak on his cheek. “I feel good.”
“We’re gonna work on that bottling shit up stuff, okay?” you said.
“Maybe you’ll have more success than Dee did,” he chuckled. 
“I’ll just have to build off what she started,” you said. He nodded and cupped your cheek as you finished cleaning him off. “There, all better.”
“Guess you’re out of a nanny job,” he said.
“Oh such a shame,” you said. “I’ve been putting my paychecks for the last while to a separate account.”
“I did notice that,” he said. “Saving for something?”
“Wanted to give it back to you.”
“Honeymoon fund instead?”
“Okay, now we’re talking,” you said with a laugh.
“You never did tell me how much your book deal got you.”
“I signed a multi-year deal. They think there’s great potential for it to be one of those series every kid reads. One million for around twenty books?”
“Fuck. You should be my agent if you can negotiate like that,” he said.
“I’m still gonna take care of them like I have been,” you said. 
“I know. It’s probably going to be a million times harder now actually,” he said. You nodded and he smiled. “You love them.”
“Yes but I don’t know how to be a parent.”
“Just do what you’ve been doing and it’ll be fine,” he said. “It’ll change but it’ll be good.”
“Not really how I was expecting today to go,” you said. 
“Me either. I had hoped for that to be a tad more romantic,” he said. You gave him a kiss and hug, Jensen returning it. “You don’t care.”
“Nah,” you said. “Just care about you. Everything else, I’m good.”
“Want to go share the news with our eavesdropper?” he asked. You helped him up to his feet and took his hand, walking out of the room, Jared and Gen suspiciously wiping down their kitchen counter. “Or should I say eavesdroppers.”
“We were concerned and I swear we left after Jared tossed the tissues in,” said Gen. Jared shook his head and pointed at her. “I swear he did it.”
“Guess you guys heard then,” said Jensen, giving you a smile. “We’re gonna give it a shot.”
“You okay?” asked Jared. Jensen nodded and squeezed your hand. “You sure?”
“I know what I want,” said Jensen. “I’ve known for a long time. Finally got over being scared is all.”
“She wasn’t gonna hurt you,” said Jared with a smile.
“I know. It was a different fear,” he said. 
“I’m not going anywhere,” you said. “Promise.”
“You better not, sweetheart.”
It was dark by the time the storms had passed, all three kids going down easy after spending most of the day running around the Padalecki house. You sat on the balcony off of Jensen’s bedroom in the oversized lounge chair, Jensen sat on the other side of the small side table your drink rested on.
“I’ve never been on a boat before,” you said, staring up at the dark night sky, the only light coming from a few string ones Jensen had turned on.
“Never?” asked Jensen. “Better wear your life jacket tomorrow then.”
“You better wear your life jacket,” you said. “We both know I’m a better swimmer than you.”
“You’re a better swimmer than me? Me?” he chuckled. “No way.”
“Put your money where your mouth is. Five bucks says I’m a better swimmer,” you said. He waved the way towards the door and you stood up, walking downstairs and outside.
“Uh, you missing something?” he chuckled. You smirked and pulled off your shirt and undid your jeans, shimming out of them and leaving them by the patio. “You really think…” 
“I really think what?” you said, tossing your bra at him, leaving your underwear behind. You jumped in and swam out to the deep end. “You’re already losing Jensen.”
“Losing my ass,” he said, taking off his shirt and jeans, nearly tripping as he hopped out of his boxer briefs. He jumped in nearby and swam over to you, dunking his head under briefly. “I could get used to this look.”
“Nothing you’ve not seen before.”
“Never seen my fiance naked before,” he grinned. You rolled your eyes but swam over and gave him a kiss. “I knew you had a thing for dorks you know.”
“Did you now?”
“Told me yourself. Not a fan of cocky guys I recall.”
“Well...a little cock is okay. Highly recommended in fact,” you said. 
“You are such a loser,” he laughed.
“I must have learned it from you.” You giggled and swam back to the shallow end, Jensen lazily chasing after. “I’ve never skinny dipped until just now actually.”
“Got anything on your bucket list you want to try out?” he asked. You shrugged and took a seat on a step, Jensen settling in next to you. “Naked trounce on the trampoline?”
“Maybe another time,” you said. You leaned back and looked up at the dark sky once more. He reached over and held your hand in the water, playing with it quietly. “Skydiving would be cool. Space would be cool.”
“One of those is a lot more feasible than the other. I noticed up in Canada where we had more stars at night you really like looking at them.”
“Did it a lot as a kid. Kinda always have,” you said. “I like space as much as the next gal but it’s just pretty, you know? You’re one little speck out in all of those stars. It’s all so freaking complex but you can kinda look up at them and it’s just so simple too.”
“Yeah,” he said, toying with a strand of hair floating in the water. “I get that.”
You turned and found him staring at you, a smile on his lips. 
“We could go camping sometime, see all the stars there are up there if you’d like,” he said.
“We don’t have to do that,” you said. 
“Why?” he asked quietly. “I’m curious is all. It seems like something you’d really enjoy seeing.”
“What purpose does it serve though? It’s not something fun for the kids to experience,” you said. “It’s a waste of money.”
“It doesn’t have to have a purpose. It’s for you, for us. A night away where you get to see something most people don’t ever get a chance. That’s the only purpose,” he said. “Camping’s about the cheapest thing you can do. Don’t worry about the money. You don’t have to worry about that ever again.”
“I just don’t want to go camping,” you said. You looked down and swallowed. “I used to go camping with my dad a lot.”
“Oh. I’m sorry.”
“You didn’t do that to me,” you said. “I just...I don’t think I ever want to go again.”
“Okay. Would you go camping with me sometime?” he asked. 
“Jensen-”
“Just me. No body else. I won’t even touch you except to cuddle,” he said. You nodded and he smiled. “Thank you. It won’t be scary this time. I promise.”
“Is your dad nice?” you asked. He leaned back against his elbows and nodded. “Does he know about me?”
“My parents know I have a girlfriend. My mom knows I was getting pretty serious about you,” he said. 
“Do they know I was the nanny? Or how old I am?”
“No. My siblings do but not my parents,” he said. You sat up and wrapped your arms around yourself in the warm night air. “I’m not embarrassed of you Y/N. I think that’s a conversation better had in person is all.”
“You haven’t told them because you think they’ll have a problem with it,” you said. 
“Not as much problem as when I say I’m not having a prenup,” he said. You turned your head and saw him smiling back. “I wouldn’t be doing this if I didn’t trust you completely.”
“Jensen I don’t want to cause a problem,” you said. He shook his head and you sighed. “I know how close you are with them and you haven’t gotten to see them since Christmas. I know exactly what they’re gonna think of me when they hear about the former nanny.”
“You don’t seem to understand yet that you? Nobody is more important than you and those three in there. If they can’t accept you then screw ‘em.”
“Jensen.”
“I’m not worried and you know why? I love you and you love me. I know they love me a whole lot too so you’re on the same side.”
“You’re a bad liar,” you said. He sat up and sighed. “Jens-”
“I don’t know how they’ll act. But you deserve a chance and that’s what I expect out of them. I want them to love you too but at a minimum you’ll have their respect.”
You nodded and sunk down in the warm water, Jensen sliding over and taking a seat on your lap, tossing his arms around your shoulders. 
“You still talk to Dee’s parents right?” you asked. He nodded and wrapped his legs loosely around your waist. “Do they…”
“No,” he said quietly. “They deserve for that to be an in person conversation too. They’re coming up soon for JJ’s birthday soon. I figured I’d tell them then.”
“I’m glad you still talk to them,” you said. “They still see you guys.”
“Christmas was hard last year. I’m not sure which one of us got it worse,” he said. 
“I’d like to meet them if that’s okay.”
“Yeah,” he breathed out. “I’m not sure how they’ll react honestly.”
“I’d still like to,” you said, stepping out into the water with him, Jensen hanging off of you. “If only you were this light normally I’d carry you around all day.”
“Didn’t we agree a long time ago you were the badass princess after all,” he said, bumping his nose against yours. 
“Here I thought you’d be taller,” you teased, quickly kissing him.
“Little shit,” he grinned. He nuzzled your cheek and you let out a deep breath. “Don’t worry about them.”
“At least we don’t have to go through this on my side,” you said.
“Can I ask one thing of you?”
“What?”
“Ray, your mom’s boyfriend, did things end badly between the two of you or you just drift apart? You said you left when you finished high school.”
“I stopped talking to him awhile ago. I moved out at 18 when I got my first nanny job. He was dating his wife Sarah by then. I’d come over for dinner every few months for a few years. By the time I was twenty one they were married with two kids. I didn’t go one time and kept putting it off and Ray told me it was okay if I didn’t want to see him anymore. I could call him if I ever needed him, that sort of thing. I haven’t spoken to him in nine years. But that’s not asking something of me, is it.”
“Can we consider inviting him to the wedding?”
“Been engaged eight hours and already planning?” you asked. 
“I don’t know him but he had a part in raising you. Just consider it is all I ask. And wedding? Those things take fucking forever to plan, trust me.”
“I’ll think about it,” you said, spinning him around in the water. “Are they really that complicated to put together?”
“Nah. Don’t go bridezilla on me is all,” he said. 
“Total diva over here,” you said, feeling the edge of the shallow end start to drop off with your foot. You spun around one more time before you had to set him down, Jensen taking the chance to pick you up and toss you out of of the water. “Jensen! I’m naked!”
“I know. It’s awesome,” he said, swimming out and kissing your cheek. “Wanna race?”
“Winner gets to do whatever they want to the loser when we head upstairs?” you grinned.
“Oh, you’re so on.”
______
A/N: Read Part 10 here!
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chainofclovers · 3 years ago
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Ted Lasso 2x11 thoughts
For an episode that ends with a journalist Ted trusts but has (understandably) recently lied to warning Ted that he’s publishing an article about his panic attacks, it was fitting that this episode seemed entirely about what all of these characters choose to tell each other. And after most of a season of television that Jason Sudeikis has described as the season in which the characters go into their little caves to deal with things on their own, it turns out they are finally able to tell each other quite a lot.
Which is good because, um, wow, a lot is going to happen in the season finale of this show!
Thoughts on the things people tell each other behind the cut!
Roy and Keeley. I absolutely loved the moment during their photoshoot in which they bring up a lot of complicated emotional things and are clearly gutted (“gutted”? Who am I? A GBBO contestant who forgot to turn the oven on?) by what they’ve heard. We already know that Keeley and Roy are great at the kinds of moments they have before the shoot begins, in which Roy builds Keeley up and tells her she’s fucking amazing. From nearly the beginning of their relationship, they’ve supported each other and been each other’s biggest fans. But their relationship has gone on long enough that they’ve progressed from tentative arguments about space and individual needs into really needing to figure out what they mean to each other and how big their feelings are and what that means in relation to everything else. Watching these two confess about the uncomfortable kiss with Nate, the unexpectedly long conversation with Phoebe’s teacher, and—most painfully—the revelation that Jamie still loves Keeley didn’t feel like watching two people who are about to break up. (Although I could see them potentially needing space from each other to get clarity.) It felt like watching two people realize just how much they’d lose if they lost each other, which is an understandably scary feeling even—or especially—when you’re deeply in love but not entirely sure what the future holds. Not entirely sure what you’re capable of when you’ve never felt serious about someone in quite this way, and are realizing you have to take intentional actions to choose that relationship every single day. I’m excited to learn whether Roy and Keeley decide they need to solidify their relationship more (not necessarily an engagement, but maybe moving in together or making sure they’re both comfortable referring to the other as partner and telling people they’re in a committed relationship) or if things go in a different direction for a while.
Sharon and Ted. I’ve had this feeling of “Wow, Ted is going to feel so intense about how honest he’s been with Sharon and is going to end up getting really attached and transfer a lot of emotions onto the connection they have and that is stressful no matter how beneficial it has been for him to finally get therapy!” for a while now. And Sharon’s departure really brought that out and it was indeed stressful. But the amount of growth that’s happened for both of these characters is really stunningly and beautifully conveyed in this episode. Ted is genuinely angry she left without saying goodbye, and he doesn’t bury it some place deep inside him where it will fester for the next thirty years. He expresses his anger. (I also noticed he sweared—mildly—in front of her again, which is really a big tell for how much he has let his carefully-constructed persona relax around her.) He reads her letter even though he said he wasn’t going to, and he’s moved. I don’t think Ted has the words for his connection to Sharon beyond “we had a breakthrough,” but Sharon gets it, and is able to firmly assert a professional boundary by articulating her side of that breakthrough as an experience that has made her a better therapist. And is still able to offer Ted a different kind of closure by suggesting they go out before her train leaves. No matter how you feel about a patient/football manager seeing their therapist/team psychologist colleague socially, I appreciated this story because IMO it didn’t cross big lines but instead was about one final moment in this arc in which both Ted and Sharon saw each other clearly and modeled what it is to give someone what they need and to expect honesty and communication from them. I liked that Ted ends up being the one saying goodbye. (The mustache in the exclamation points!) I like that whether or not Sharon returns in any capacity (Sarah Niles is so wonderful that I hope she does, but I’m not sure), the goodbye these characters forge for themselves here is neither abandonment nor a new, more complicated invitation. It’s the end of a meaningful era, and although the work of healing is the work of a lifetime, it’s very beautiful to have this milestone.
Ted and Rebecca. So, maybe it’s just me, but it kinda feels like these two have a few li’l life things to catch up on?! (HAHHHHHaSdafgsdasdf!) I really adored their interactions in this episode. I maintain that Biscuits With The Boss has been happening this whole time (even when Ted’s apartment was in shambles, there’s biscuit evidence, and I feel like we’ve been seeing the biscuit boxes in Rebecca’s office pretty regularly too), even if it might have been more of a drive-by biscuit drop-off/feelings avoidance ritual. It was really lovely to see Ted on more even footing in Rebecca’s office, joking around until she tells him to shut up, just like the old days. And GOSH—for their 1x9 interaction in Ted’s office to be paralleled in this episode and for Ted to explicitly make note of the parallel in a way Rebecca hears and sees and understands?! MY HEART. In both of Rebecca’s confessions, she is not bringing good news but it is good and meaningful that she chooses to share with Ted. In both situations, Ted takes the moment in stride and offers acceptance equivalent to the gravity of what she has to confess. And in both situations, he’s not some kind of otherworldly saint, able to accept Rebecca no matter what because he’s unaffected by what she shares. He is affected. When he tells her about Sam, you can see a variety of emotions on his face. Rebecca is upset and Ted is calm, and even if I might have liked for him to try to talk about the risk the affair poses to the power dynamics on the team or any number of factors, I also really liked that he just accepts where she is, and—most importantly—does not offer her advice beyond examining herself and taking her own advice. A massive part of being in a relationship with another person (a close relationship of any nature) is figuring out how to support that person without necessarily having to be happy about every single thing they do. It’s so important that Ted connects what she’s just told him about Sam back to what she told him last season about her plot with the club. These both feel like truth bombs to him, and he is at least safe enough to make that clear. These are both things that impact him, things that shape how he sees her and maybe even how he sees himself. He cares about her and is capable of taking in this information; he has room for it. But it’s not something he takes lightly, and neither does she. See you next year.
Tumblr user chainofclovers and the TV show Ted Lasso. My brain is going wild thinking about all the ways the next “truth bomb” conversation could go in 3x11 or whatever. Maybe they go full consistent parallel and Rebecca confesses something else, this time about her and Ted or some other big future thing that impacts him as much or more as the other confessions have. (The same but different.) Maybe the tables turn and Ted has something to confess to her. While the 1x9 conversation ended in an embrace and the 2x11 conversation ended with a bit more physical distance (understandable given the current state of their relationship and the nature of the discussion), the verbal ending of both conversations involved voices moving into a sexier lower register while zooming in to talk specifically about their connection to each other, so I have to assume there will be some consistencies in s3 even if the circumstances will be completely different. I don’t really know where I’m going with this and I obviously will go insane if I sustain this level of anticipatory energy until Fall 2022 but I have a feeling my brain and heart are going to try!
Sam and Rebecca. I know there’s been a lot of criticism about whether this show is being at all realistic about the power dynamics and inevitable professional issues this relationship would create. On some level, I agree; I like that pretty much everyone who knows about the affair has been kind so far, but you can be kind and still ask someone to contend with reality. But I also think that in nearly every plot point on this show, the narrative is driven by how people feel about their circumstances first and foremost. (It’s why the whiteboard in the coaching office and the football commentators tell us more about how the actual football season is going from a points perspective than anyone else.) This episode reminded me how few people know about Sam and Rebecca, and how much their time together so far has been time spent in bed. The private sphere. I thought this episode really expertly brought the public sphere into it, not—thank goodness—through a humiliating exposure or harsh judgment but through an opportunity for Sam that illustrates not only all his potential to do great things but how much Rebecca’s professional position and personal feelings are in conflict with that. Could stand in the way of that. I don’t have a strong gut feeling about where this will go, but I do think Sam’s face in his final scene of this episode is telling. He started the episode wanting to see Rebecca (his most recent text to her was about wanting to connect), and Edwin’s arrival from Ghana really exploded his sense of what is possible for his life. If he’d arrived home to Rebecca sitting on his stoop prior to meeting Edwin, he’d have been delighted. Now he’s conflicted, and whatever decision he makes, he has to reckon with the reality that he cannot have everything he wants. No matter what. And Rebecca—she has taken Ted’s advice and is attempting to be honest about the fact that she can’t control Sam’s decisions but hopes he doesn’t go, and even saying that much feels so inappropriate. And I’m not sure how much she realizes about the inappropriateness of the position she’s putting him in, although maybe she’s getting there considering she exits the scene very quickly. I’ve honestly loved Rebecca’s arc this season. I think it’s realistic that she got obsessed with the intimacy she thought she could find in her phone. I think it’s realistic that her professional and personal ambitions are inappropriately linked. (They certainly were for Rupert. It’s been years since she’s known anything different; even if she’s done some significant recovery work to move on from her abusive marriage and figure out her own priorities, she’s got a long way to go.) I know there are people who will read this interaction between Rebecca and Sam as a totally un-self-aware thing on the part of “the show” or “the writers” but what I saw is two people who enjoyed being in bed together and now have to deal with the reality that they’re in two different places in their lives and that one has great professional power over the other. If that wasn’t in the show, I wouldn’t be able to see it or feel so strongly about it.
Edwin and Sam. I really enjoyed all the complexities of this interaction. Edwin is promising a future for Sam that doesn’t quite exist yet, though he has the financial means to make it happen. He offers this by constructing for Sam a Nigerian—and Ghanaian—experience unlike anything he’s found in London. Sam is amazed that this experience is here, and Edwin’s response is to explain to him that the experience is not here. Not really. The experience in Africa. Sam has of course connected to the other Nigerian players on the team, but this is something else entirely. I’m really curious if Sam is going to end up feeling that what Edwin has to offer is real or not. That sense of home and connection? So real. And so right that he would want to experience that homecoming and would want to be part of building that experience for others. But at the end of the day, he went to a museum full of actors and a pop-up restaurant full of “friends,” and is that constructed authenticity as a stand-in for a real homecoming more or less real than the home he’s building in Richmond? (With other players who stand in solidarity with him, and with well-meaning white coaches who say dumb stuff sometimes, and an a probably-doomed love interest, and a feeling that he should put chicken instead of goat in the jollof, and the ability to stand out as an incredible player on a rising team.)
Nate and everyone. But also Nate and no one. Nate’s story is so painful and I’m so anxious for next week’s episode. For a long time I’ve felt that a lot of Nate’s loyalties are with Richmond, and a lot of his ambitions are around having given so much to this place without getting a lot back, and having a strong feeling that he’s the answer to Richmond’s future. But now I’m not so sure; his ambitions have transferred into asking everyone he knows (except Ted, of course), if they want to be “the boss.” But Nate is all tactics and no communication. When he wants to suggest a new play to Ted, he hasn’t yet learned to read Ted’s language to learn that Ted is eager to hear what he has to say. And while Ted has been really unfortunately distracted about Nate and dismissive of him this season, he clearly respects Nate’s approach to football and was appreciative of the play. Nate just can’t hear that. The suit is such a great metaphor of all the things Nate is in too much pain to be able to hear clearly. Everyone digs at him for wearing the suit Ted bought him (including Will, who’s got to get little cuts in where he can, because he’s got to be sick of the way Nate treats him), but when he gets fed up his solution isn’t to go out on his own and find more clothes he likes; he asks Keeley to help him. And then crosses a major line with her...and no matter how kind she was about it, she was clearly not okay. Everything is going to blow up, and I’m so curious as to whether Nate will end up aligning himself with Rupert in some way or if he’s going to end up screwed over by Rupert and in turn try to screw over his colleagues even worse than he’s already done. Or try desperately to make amends even though it could be too late for some. Either way, I’m fully prepared to feel devastated. (And there’s no way I’m giving up on this character. If he’s able to learn, I truly believe he could end up seeking forgiveness and forging a happier existence for himself. Someday. Like in season 3 or something.)
Ted and Trent. Trent deciding to reveal his source to Ted is a huge deal, and I’m torn between so many emotions about this exposé. I’m glad it’s a Trent Crimm piece and not an Ernie Loundes piece. I’m glad that Trent made the decision to warn Ted and let him know that Nate is his source. I fear—but also hope—that this exposure will set off a chain reaction of Ted learning about some of the things he’s missed while suffering through a really bad bout with his dad-grief and panic disorder. The things Ted doesn’t know would devastate him. I wonder if Ted will want to figure out a way to make Nate feel heard and reconcile with him, and I wonder how that will be complicated if/when he realizes Nate has severely bullied Will, gets more details on how he mistreated Colin, etc. I wonder if Rebecca, whom Nate called a “shrew” right before she announced his promotion, will be in the position of having to ask Ted to fire him, or overriding Ted and doing it herself. So many questions! I have a feeling it’ll go in some wild yet very human-scaled, emotionally-nuanced direction, and I’ll be like “Oh my GOD!” but also like “Oh, of course.”
This VERY SERIOUS AND EMOTIONAL REVIEW has a major flaw, which is that none of the above conversations include mention of the absolute love letter to N*SYNC. Ted passionately explains how things should go while dancing ridiculously! Will turns on the music and starts gyrating! Roy nods supportively! Beard shouts the choreography like the Broadway choreographer of teaching grown men who play football how to dance like a boy band. Everyone is so incredibly proud when they nail it. I love them.
I cannot believe next week is the end. For now. I’m kind of looking forward to letting everything settle during the hiatus, but I’ve really loved the ride.
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path-of-my-childhood · 4 years ago
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Musicians On Musicians: Paul McCartney & Taylor Swift
By: Patrick Doyle for Rolling Stone Date: November 13th 2020
On songwriting secrets, making albums at home, and what they’ve learned during the pandemic.
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Taylor Swift arrived early to Paul McCartney’s London office in October, “mask on, brimming with excitement.” “I mostly work from home these days,” she writes about that day, “and today feels like a rare school field trip that you actually want to go on.”
Swift showed up without a team, doing her own hair and makeup. In addition to being two of the most famous pop songwriters in the world, Swift and McCartney have spent the past year on similar journeys. McCartney, isolated at home in the U.K., recorded McCartney III. Like his first solo album, in 1970, he played nearly all of the instruments himself, resulting in some of his most wildly ambitious songs in a long time. Swift also took some new chances, writing over email with the National’s Aaron Dessner and recording the raw Folklore, which abandons arena pop entirely in favor of rich character songs. It’s the bestselling album of 2020.
Swift listened to McCartney III as she prepared for today’s conversation; McCartney delved into Folkore. Before the photo shoot, Swift caught up with his daughters Mary (who would be photographing them) and Stella (who designed Swift’s clothes; the two are close friends). “I’ve met Paul a few times, mostly onstage at parties, but we’ll get to that later,” Swift writes. “Soon he walks in with his wife, Nancy. They’re a sunny and playful pair, and I immediately feel like this will be a good day. During the shoot, Paul dances and takes almost none of it too seriously and sings along to Motown songs playing from the speakers. A few times Mary scolds, ‘Daaad, try to stand still!’ And it feels like a window into a pretty awesome family dynamic. We walk into his office for a chat, and after I make a nervous request, Paul is kind enough to handwrite my favorite lyric of his and sign it. He makes a joke about me selling it, and I laugh because it’s something I know I’ll cherish for the rest of my life. That’s around the time when we start talking about music.”
Taylor Swift: I think it’s important to note that if this year had gone the way that we thought it was going to go, you and I would have played Glastonbury this year, and instead, you and I both made albums in isolation.
Paul McCartney: Yeah!
Swift: And I remember thinking it would have been so much fun because the times that I’ve run into you, I correlate with being some of the most fun nights of my life. I was at a party with you, when everybody just started playing music. And it was Dave Grohl playing, and you...
McCartney: You were playing one of his songs, weren’t you?
Swift: Yes, I was playing his song called “Best of You,” but I was playing it on piano, and he didn’t recognize it until about halfway through. I just remember thinking, “Are you the catalyst for the most fun times ever?” Is it your willingness to get up and play music that makes everyone feel like this is a thing that can happen tonight?
McCartney: I mean, I think it’s a bit of everything, isn’t it? I’ll tell you who was very... Reese Witherspoon was like, “Are you going to sing?” I said “Oh, I don’t know.” She said, “You’ve got to, yeah!” She’s bossing me around. So I said, “Whoa,” so it’s a bit of that.
Swift: I love that person, because the party does not turn musical without that person.
McCartney: Yeah, that’s true.
Swift: If nobody says, “Can you guys play music?” we’re not going to invite ourselves up onstage at whatever living-room party it is.
McCartney: I seem to remember Woody Harrelson got on the piano, and he starts playing “Let It Be,” and I’m thinking, “I can do that better.” So I said, “Come on, move over, Woody.” So we’re both playing it. It was really nice... I love people like Dan Aykroyd, who’s just full of energy and he loves his music so much, but he’s not necessarily a musician, but he just wanders around the room, just saying, “You got to get up, got to get up, do some stuff.”
Swift: I listened to your new record. And I loved a lot of things about it, but it really did feel like kind of a flex to write, produce, and play every instrument on every track. To me, that’s like flexing a muscle and saying, “I can do all this on my own if I have to.”
McCartney: Well, I don’t think like that, I must admit. I just picked up some of these instruments over the years. We had a piano at home that my dad played, so I picked around on that. I wrote the melody to “When I’m 64” when I was, you know, a teenager.
Swift: Wow.
McCartney: When the Beatles went to Hamburg, there were always drum kits knocking around, so when there was a quiet moment, I’d say, “Do you mind if I have a knock around?” So I was able to practice, you know, without practicing. That’s why I play right-handed. Guitar was just the first instrument I got. Guitar turned to bass; it also turned into ukulele, mandolin. Suddenly, it’s like, “Wow,” but it’s really only two or three instruments.
Swift: Well, I think that’s downplaying it a little bit. In my mind, it came with a visual of you being in the country, kind of absorbing the sort of do-it-yourself [quality] that has had to come with the quarantine and this pandemic. I found that I’ve adapted a do-it-yourself mentality to a lot of things in my career that I used to outsource.  I’m just wondering what a day of recording in the pandemic looked like for you.
McCartney: Well, I’m very lucky because I have a studio that’s, like, 20 minutes away from where I live. We were in lockdown on a farm, a sheep farm with my daughter Mary and her four kids and her husband. So I had four of my grandkids, I had Mary, who’s a great cook, so I would just drive myself to the studio. And there were two other guys that could come in and we’d be very careful and distanced and everything: my engineer Steve, and then my equipment guy Keith. So the three of us made the record, and I just started off. I had to do a little bit of film music - I had to do an instrumental for a film thing - so I did that. And I just kept going, and that turned into the opening track on the album. I would just come in, say, “Oh, yeah, what are we gonna do?” [Then] have some sort of idea, and start doing it. Normally, I’d start with the instrument I wrote it on, either piano or guitar, and then probably add some drums and then a bit of bass till it started to sound like a record, and then just gradually layer it all up. It was fun.
Swift: That’s so cool.
McCartney: What about yours? You’re playing guitar and piano on yours.
Swift: Yeah, on some of it, but a lot of it was made with Aaron Dessner, who’s in a band called the National that I really love. And I had met him at a concert a year before, and I had a conversation with him, asking him how he writes. It’s my favorite thing to ask people who I’m a fan of. And he had an interesting answer. He said, “All the band members live in different parts of the world. So I make tracks. And I send them to our lead singer, Matt, and he writes the top line.” I just remember thinking, “That is really efficient.” And I kind of stored it in my brain as a future idea for a project. You know, how you have these ideas... “Maybe one day I’ll do this.” I always had in my head: “Maybe one day I’ll work with Aaron Dessner.”
So when lockdown happened, I was in L.A., and we kind of got stuck there. It’s not a terrible place to be stuck. We were there for four months maybe, and during that time, I sent an email to Aaron Dessner and I said, “Do you think you would want to work during this time? Because my brain is all scrambled, and I need to make something, even if we’re just kind of making songs that we don’t know what will happen...”
McCartney: Yeah, that was the thing. You could do stuff -  you didn’t really worry it was going to turn into anything.
Swift: Yeah, and it turned out he had been writing instrumental tracks to keep from absolutely going crazy during the pandemic as well, so he sends me this file of probably 30 instrumentals, and the first one I opened ended up being a song called “Cardigan,” and it really happened rapid-fire like that. He’d send me a track; he’d make new tracks, add to the folder; I would write the entire top line for a song, and he wouldn’t know what the song would be about, what it was going to be called, where I was going to put the chorus. I had originally thought, “Maybe I’ll make an album in the next year, and put it out in January or something,” but it ended up being done and we put it out in July. And I just thought there are no rules anymore, because I used to put all these parameters on myself, like, “How will this song sound in a stadium? How will this song sound on radio?” If you take away all the parameters, what do you make? And I guess the answer is Folklore.
McCartney: And it’s more music for yourself than music that’s got to go do a job. My thing was similar to that: After having done this little bit of film music, I had a lot of stuff that I had been working on, but I’d said, “I’m just going home now,” and it’d be left half-finished. So I just started saying, “Well, what about that? I never finished that.” So we’d pull it out, and we said, “Oh, well, this could be good.” And because it didn’t have to amount to anything, I would say, “Ah, I really want to do tape loops. I don’t care if they fit on this song, I just want to do some.” So I go and make some tape loops, and put them in the song, just really trying to do stuff that I fancy.
I had no idea it would end up as an album; I may have been a bit less indulgent, but if a track was eight minutes long, to tell you the truth, what I thought was, “I’ll be taking it home tonight, Mary will be cooking, the grandkids will all be there running around, and someone, maybe Simon, Mary’s husband, is going to say, ‘What did you do today?’ And I’m going to go, ‘Oh,’ and then get my phone and play it for them.” So this became the ritual.
Swift: That’s the coziest thing I’ve ever heard.
McCartney: Well, it’s like eight minutes long, and I said, “I hate it when I’m playing someone something and it finishes after three minutes.” I kind of like that it just [continues] on.
Swift: You want to stay in the zone.
McCartney: It just keeps going on. I would just come home, “Well, what did you do today?” “Oh, well, I did this. I’m halfway through this,” or, “We finished this.”
Swift: I was wondering about the numerology element to McCartney III. McCartney I, II, and III have all come out on years with zeroes.
McCartney: Ends of decades.
Swift: Was that important?
McCartney: Yeah, well, this was being done in 2020, and I didn’t really think about it. I think everyone expected great things of 2020. “It’s gonna be great! Look at that number! 2020! Auspicious!” Then suddenly Covid hit, and it was like, “That’s gonna be auspicious all right, but maybe for the wrong reasons.” Someone said to me, “Well, you put out McCartney right after the Beatles broke up, and that was 1970, and then you did McCartney II in 1980.” And I said, “Oh, I’m going to release this in 2020 just for whatever you call it, the numerology...”
Swift: The numerology, the kind of look, the symbolism. I love numbers. Numbers kind of rule my whole world. The numbers 13... 89 is a big one. I have a few others that I find...
McCartney: Thirteen is lucky for some.
Swift: Yeah, it’s lucky for me. It’s my birthday. It’s all these weird coincidences of good things that have happened. Now, when I see it places, I look at it as a sign that things are going the way they’re supposed to. They may not be good now, they could be painful now, but things are on a track. I don’t know, I love the numerology.
McCartney: It’s spooky, Taylor. It’s very spooky. Now wait a minute: Where’d you get 89?
Swift: That’s when I was born, in 1989, and so I see it in different places and I just think it’s...
McCartney: No, it’s good. I like that, where certain things you attach yourself to, and you get a good feeling off them. I think that’s great.
Swift: Yeah, one of my favorite artists, Bon Iver, he has this thing with the number 22. But I was also wondering: You have always kind of seeked out a band or a communal atmosphere with like, you know, the Beatles and Wings, and then Egypt Station. I thought it was interesting when I realized you had made a record with no one else. I just wondered, did that feel natural?
McCartney: It’s one of the things I’ve done. Like with McCartney, because the Beatles had broken up, there was no alternative but to get a drum kit at home, get a guitar, get an amp, get a bass, and just make something for myself. So on that album, which I didn’t really expect to do very well, I don’t think it did. But people sort of say, “I like that. It was a very casual album.” It didn’t really have to mean anything. So I’ve done that, the play-everything-myself thing. And then I discovered synths and stuff, and sequencers, so I had a few of those at home. I just thought I’m going to play around with this and record it, so that became McCartney II. But it’s a thing I do. Certain people can do it. Stevie Wonder can do it. Stevie Winwood, I believe, has done it. So there are certain people quite like that.
When you’re working with someone else, you have to worry about their variances. Whereas your own variance, you kind of know it. It’s just something I’ve grown to like. Once you can do it, it becomes a little bit addictive. I actually made some records under the name the Fireman.
Swift: Love a pseudonym.
McCartney: Yeah, for the fun! But, you know, let’s face it, you crave fame and attention when you’re young. And I just remembered the other day, I was the guy in the Beatles that would write to journalists and say [speaks in a formal voice]: “We are a semiprofessional rock combo, and I’d think you’d like [us]... We’ve written over 100 songs (which was a lie), my friend John and I. If you mention us in your newspaper...” You know, I was always, like, craving the attention.
Swift: The hustle! That’s so great, though.
McCartney: Well, yeah, you need that.
Swift: Yeah, I think, when a pseudonym comes in is when you still have a love for making the work and you don’t want the work to become overshadowed by this thing that’s been built around you, based on what people know about you. And that’s when it’s really fun to create fake names and write under them.
McCartney: Do you ever do that?
Swift: Oh, yeah.
McCartney: Oh, yeah? Oh, well, we didn’t know that! Is that a widely known fact?
Swift: I think it is now, but it wasn’t. I wrote under the name Nils Sjöberg because those are two of the most popular names of Swedish males. I wrote this song called “This Is What You Came For” that Rihanna ended up singing. And nobody knew for a while. I remembered always hearing that when Prince wrote “Manic Monday,” they didn’t reveal it for a couple of months.
McCartney: Yeah, it also proves you can do something without the fame tag. I did something for Peter and Gordon; my girlfriend’s brother and his mate were in a band called Peter and Gordon. And I used to write under the name Bernard Webb.
Swift: [Laughs.] That’s a good one! I love it.
McCartney: As Americans call it, Ber-nard Webb. I did the Fireman thing. I worked with a producer, a guy called Youth, who’s this real cool dude. We got along great. He did a mix for me early on, and we got friendly. I would just go into the studio, and he would say, “Hey, what about this groove?” and he’d just made me have a little groove going. He’d say, “You ought to put some bass on it. Put some drums on it.” I’d just spend the whole day putting stuff on it. And we’d make these tracks, and nobody knew who Fireman was for a while. We must have sold all of 15 copies.
Swift: Thrilling, absolutely thrilling.
McCartney: And we didn’t mind, you know?
Swift: I think it’s so cool that you do projects that are just for you. Because I went with my family to see you in concert in 2010 or 2011, and the thing I took away from the show most was that it was the most selfless set list I had ever seen. It was completely geared toward what it would thrill us to hear. It had new stuff, but it had every hit we wanted to hear, every song we’d ever cried to, every song people had gotten married to, or been brokenhearted to. And I just remembered thinking, “I’ve got to remember that,” that you do that set list for your fans.
McCartney: You do that, do you?
Swift: I do now. I think that learning that lesson from you taught me at a really important stage in my career that if people want to hear “Love Story” and “Shake It Off,” and I’ve played them 300 million times, play them the 300-millionth-and-first time. I think there are times to be selfish in your career, and times to be selfless, and sometimes they line up.
McCartney: I always remembered going to concerts as a kid, completely before the Beatles, and I really hoped they would play the ones I loved. And if they didn’t, it was kind of disappointing. I had no money, and the family wasn’t wealthy. So this would be a big deal for me, to save up for months to afford the concert ticket.
Swift: Yeah, it feels like a bond. It feels like that person on the stage has given something, and it makes you as a crowd want to give even more back, in terms of applause, in terms of dedication. And I just remembered feeling that bond in the crowd, and thinking, “He’s up there playing these Beatles songs, my dad is crying, my mom is trying to figure out how to work her phone because her hands are shaking so much.” Because seeing the excitement course through not only me, but my family and the entire crowd in Nashville, it just was really special. I love learning lessons and not having to learn them the hard way. Like learning nice lessons I really value.
McCartney: Well, that’s great, and I’m glad that set you on that path. I understand people who don’t want to do that, and if you do, they’ll say, “Oh, it’s a jukebox show.” I hear what they’re saying. But I think it’s a bit of a cheat, because the people who come to our shows have spent a lot of money. We can afford to go to a couple of shows and it doesn’t make much difference. But a lot of ordinary working folks... it’s a big event in their life, and so I try and deliver. I also, like you say, try and put in a few weirdos.
Swift: That’s the best. I want to hear current things, too, to update me on where the artist is. I was wondering about lyrics, and where you were lyrically when you were making this record. Because when I was making Folklore, I went lyrically in a total direction of escapism and romanticism. And I wrote songs imagining I was, like, a pioneer woman in a forbidden love affair [laughs]. I was completely...
McCartney: Was this “I want to give you a child”? Is that one of the lines?
Swift: Oh, that’s a song called “Peace.”
McCartney: “Peace,” I like that one.
Swift: “Peace” is actually more rooted in my personal life. I know you have done a really excellent job of this in your personal life: carving out a human life within a public life, and how scary that can be when you do fall in love and you meet someone, especially if you’ve met someone who has a very grounded, normal way of living. I, oftentimes, in my anxieties, can control how I am as a person and how normal I act and rationalize things, but I cannot control if there are 20 photographers outside in the bushes and what they do and if they follow our car and if they interrupt our lives. I can’t control if there’s going to be a fake weird headline about us in the news tomorrow.
McCartney: So how does that go? Does your partner sympathize with that and understand?
Swift: Oh, absolutely.
McCartney: They have to, don’t they?
Swift: But I think that in knowing him and being in the relationship I am in now, I have definitely made decisions that have made my life feel more like a real life and less like just a storyline to be commented on in tabloids. Whether that’s deciding where to live, who to hang out with, when to not take a picture - the idea of privacy feels so strange to try to explain, but it’s really just trying to find bits of normalcy. That’s what that song “Peace” is talking about. Like, would it be enough if I could never fully achieve the normalcy that we both crave? Stella always tells me that she had as normal a childhood as she could ever hope for under the circumstances.
McCartney: Yeah, it was very important to us to try and keep their feet on the ground amongst the craziness.
Swift: She went to a regular school...
McCartney: Yeah, she did.
Swift: And you would go trick-or-treating with them, wearing masks.
McCartney: All of them did, yeah. It was important, but it worked pretty well, because when they kind of reached adulthood, they would meet other kids who might have gone to private schools, who were a little less grounded.
And they could be the budding mothers to [kids]. I remember Mary had a friend, Orlando. Not Bloom. She used to really counsel him. And it’s ’cause she’d gone through that. Obviously, they got made fun of, my kids. They’d come in the classroom and somebody would sing, “Na na na na,” you know, one of the songs. And they’d have to handle that. They’d have to front it out.
Swift: Did that give you a lot of anxiety when you had kids, when you felt like all this pressure that’s been put on me is spilling over onto them, that they didn’t sign up for it? Was that hard for you?
McCartney: Yeah, a little bit, but it wasn’t like it is now. You know, we were just living a kind of semi-hippie life, where we withdrew from a lot of stuff. The kids would be doing all the ordinary things, and their school friends would be coming up to the house and having parties, and it was just great. I remember one lovely evening when it was Stella’s birthday, and she brought a bunch of school kids up. And, you know, they’d all ignore me. It happens very quickly. At first they’re like, “Oh, yeah, he’s like a famous guy,” and then it’s like [yawns]. I like that. I go in the other room and suddenly I hear this music going on. And one of the kids, his name was Luke, and he’s doing break dancing.
Swift: Ohhh!
McCartney: He was a really good break dancer, so all the kids are hanging out. That allowed them to be kind of normal with those kids. The other thing is, I don’t live fancy. I really don’t. Sometimes it’s a little bit of an embarrassment, if I’ve got someone coming to visit me, or who I know…
Swift: Cares about that stuff?
McCartney: Who’s got a nice big house, you know. Quincy Jones came to see me and I’m, like, making him a veggie burger or something. I’m doing some cooking. This was after I’d lost Linda, in between there. But the point I’m making is that I’m very consciously thinking, “Oh, God, Quincy’s got to be thinking, ‘What is this guy on? He hasn’t got big things going on. It’s not a fancy house at all. And we’re eating in the kitchen! He’s not even got the dining room going,’” you know?
Swift: I think that sounds like a perfect day.
McCartney: But that’s me. I’m awkward like that. That’s my kind of thing. Maybe I should have, like, a big stately home. Maybe I should get a staff. But I think I couldn’t do that. I’d be so embarrassed. I’d want to walk around dressed as I want to walk around, or naked, if I wanted to.
Swift: That can’t happen in Downton Abbey.
McCartney: [Laughs.] Exactly.
Swift: I remember what I wanted to know about, which is lyrics. Like, when you’re in this kind of strange, unparalleled time, and you’re making this record, are lyrics first? Or is it when you get a little melodic idea?
McCartney: It was a bit of both. As it kind of always is with me. There’s no fixed way. People used to ask me and John, “Well, who does the words, who does the music?” I used to say, “We both do both.” We used to say we don’t have a formula, and we don’t want one. Because the minute we get a formula, we should rip it up. I will sometimes, as I did with a couple of songs on this album, sit down at the piano and just start noodling around, and I’ll get a little idea and start to fill that out. So the lyrics - for me, it’s following a trail. I’ll start [sings “Find My Way,” a song from “McCartney III”]: “I can find my way. I know my left from right, da da da.” And I’ll just sort of fill it in. Like, we know this song, and I’m trying to remember the lyrics. Sometimes I’ll just be inspired by something. I had a little book which was all about the constellations and the stars and the orbits of Venus and...
Swift: Oh, I know that song - “The Kiss of Venus”?
McCartney: Yeah, “The Kiss of Venus.” And I just thought, “That’s a nice phrase.” So I was actually just taking phrases out of the book, harmonic sounds. And the book is talking about the maths of the universe, and how when things orbit around each other, and if you trace all the patterns, it becomes like a lotus flower.
Swift: Wow.
McCartney: It’s very magical.
Swift: That is magical. I definitely relate to needing to find magical things in this very not-magical time, needing to read more books and learn to sew, and watch movies that take place hundreds of years ago. In a time where, if you look at the news, you just want to have a panic attack - I really relate to the idea that you are thinking about stars and constellations.
McCartney: Did you do that on Folklore?
Swift: Yes. I was reading so much more than I ever did, and watching so many more films.
McCartney: What stuff were you reading?
Swift: I was reading, you know, books like Rebecca, by Daphne du Maurier, which I highly recommend, and books that dealt with times past, a world that doesn’t exist anymore. I was also using words I always wanted to use - kind of bigger, flowerier, prettier words, like “epiphany,” in songs. I always thought, “Well, that’ll never track on pop radio,” but when I was making this record, I thought, “What tracks? Nothing makes sense anymore. If there’s chaos everywhere, why don’t I just use the damn word I want to use in the song?”
McCartney: Exactly. So you’d see the word in a book and think, “I love that word”?
Swift: Yeah, I have favorite words, like “elegies” and “epiphany” and “divorcée,” and just words that I think sound beautiful, and I have lists and lists of them.
McCartney: How about “marzipan”?
Swift: Love “marzipan.”
McCartney: The other day, I was remembering when we wrote “Lucy in the Sky With Diamonds”: “kaleidoscope.”
Swift: “Kaleidoscope” is one of mine! I have a song on 1989, a song called “Welcome to New York,” that I put the word “kaleidoscope” in just because I’m obsessed with the word.
McCartney: I think a love of words is a great thing, particularly if you’re going to try to write a lyric, and for me, it’s like, “What is this going to say to that person?” I often feel like I’m writing to someone who is not doing so well. So I’m trying to write songs that might help. Not in a goody-goody, crusading kind of way, but just thinking there have been so many times in my life when I’ve heard a song and felt so much better. I think that’s the angle I want, that inspirational thing.
I remember once, a friend of mine from Liverpool, we were teenagers and we were going to a fairground. He was a schoolmate, and we had these jackets that had a little fleck in the material, which was the cool thing at the time.
Swift: We should have done matching jackets for this photo shoot.
McCartney: Find me a fleck, I’m in. But we went to the fair, and I just remember - this is what happens with songs - there was this girl at the fair. This is just a little Liverpool fair - it was in a place called Sefton Park - and there was this girl, who was so beautiful. She wasn’t a star. She was so beautiful. Everyone was following her, and it’s like, “Wow.” It’s like a magical scene, you know? But all this gave me a headache, so I ended up going back to his house - I didn’t normally get headaches. And we thought, “What can we do?” So we put on the Elvis song “All Shook Up.” By the end of that song, my headache had gone. I thought, you know, “That’s powerful.”
Swift: That really is powerful.
McCartney: I love that, when people stop me in the street and say, “Oh, I was going through an illness and I listened to a lot of your stuff, and I’m better now and it got me through,” or kids will say, “It got me through exams.” You know, they’re studying, they’re going crazy, but they put your music on. I’m sure it happens with a lot of your fans. It inspires them, you know?
Swift: Yeah, I definitely think about that as a goal. There’s so much stress everywhere you turn that I kind of wanted to make an album that felt sort of like a hug, or like your favorite sweater that makes you feel like you want to put it on.
McCartney: What, a “cardigan”?
Swift: Like a good cardigan, a good, worn-in cardigan. Or something that makes you reminisce on your childhood. I think sadness can be cozy. It can obviously be traumatic and stressful, too, but I kind of was trying to lean into sadness that feels like somehow enveloping in not such a scary way - like nostalgia and whimsy incorporated into a feeling like you’re not all right. Because I don’t think anybody was really feeling like they were in their prime this year. Isolation can mean escaping into your imagination in a way that’s kind of nice.
McCartney: I think a lot of people have found that. I would say to people, “I feel a bit guilty about saying I’m actually enjoying this quarantine thing,” and people go, “Yeah, I know, don’t say it to anyone.” A lot of people are really suffering.
Swift: Because there’s a lot in life that’s arbitrary. Completely and totally arbitrary. And [the quarantine] is really shining a light on that, and also a lot of things we have that we outsource that you can actually do yourself.
McCartney: I love that. This is why I said I live simply. That’s, like, at the core of it. With so many things, something goes wrong and you go, “Oh, I’ll get somebody to fix that.” And then it’s like, “No, let me have a look at it...”
Swift: Get a hammer and a nail.
McCartney: “Maybe I can put that picture up.” It’s not rocket science. The period after the Beatles, when we went to live in Scotland on a really - talk about dumpy - little farm. I mean, I see pictures of it now and I’m not ashamed, but I’m almost ashamed. Because it’s like, “God, nobody’s cleaned up around here.”
But it was really a relief. Because when I was with the Beatles, we’d formed Apple Records, and if I wanted a Christmas tree, someone would just buy it. And I thought, after a while, “No, you know what? I really would like to go and buy our Christmas tree. Because that’s what everyone does.” So you go down - “I’ll have that one” - and you carried it back. I mean, it’s little, but it’s huge at the same time.
I needed a table in Scotland and I was looking through a catalog and I thought, “I could make one. I did woodwork in school, so I know what a dovetail joint is.” So I just figured it out. I’m just sitting in the kitchen, and I’m whittling away at this wood and I made this little joint. There was no nail technology - it was glue. And I was scared to put it together. I said, “It’s not going to fit,” but one day, I got my woodwork glue and thought, “There’s no going back.” But it turned out to be a real nice little table I was very proud of. It was that sense of achievement.
The weird thing was, Stella went up to Scotland recently and I said, “Isn’t it there?” and she said, “No.” Anyway, I searched for it. Nobody remembered it. Somebody said, “Well, there’s a pile of wood in the corner of one of the barns, maybe that’s it. Maybe they used it for firewood.” I said, “No, it’s not firewood.” Anyway, we found it, and do you know how joyous that was for me? I was like, “You found my table?!” Somebody might say that’s a bit boring.
Swift: No, it’s cool!
McCartney: But it was a real sort of great thing for me to be able to do stuff for yourself. You were talking about sewing. I mean normally, in your position, you’ve got any amount of tailors.
Swift: Well, there’s been a bit of a baby boom recently; several of my friends have gotten pregnant.
McCartney: Oh, yeah, you’re at the age.
Swift: And I was just thinking, “I really want to spend time with my hands, making something for their children.” So I made this really cool flying-squirrel stuffed animal that I sent to one of my friends. I sent a teddy bear to another one, and I started making these little silk baby blankets with embroidery. It’s gotten pretty fancy. And I’ve been painting a lot.
McCartney: What do you paint? Watercolors?
Swift: Acrylic or oil. Whenever I do watercolor, all I paint is flowers. When I have oil, I really like to do landscapes. I always kind of return to painting a lonely little cottage on a hill.
McCartney: It’s a bit of a romantic dream. I agree with you, though, I think you’ve got to have dreams, particularly this year. You’ve got to have something to escape to. When you say “escapism,” it sounds like a dirty word, but this year, it definitely wasn’t. And in the books you’re reading, you’ve gone into that world. That’s, I think, a great thing. Then you come back out. I normally will read a lot before I go to bed. So I’ll come back out, then I’ll go to sleep, so I think it really is nice to have those dreams that can be fantasies or stuff you want to achieve.
Swift: You’re creating characters. This was the first album where I ever created characters, or wrote about the life of a real-life person. There’s a song called “The Last Great American Dynasty” that’s about this real-life heiress who lived just an absolutely chaotic, hectic...
McCartney: She’s a fantasy character?
Swift: She’s a real person. Who lived in the house that I live in.
McCartney: She’s a real person? I listened to that and I thought, “Who is this?”
Swift: Her name was Rebekah Harkness. And she lived in the house that I ended up buying in Rhode Island. That’s how I learned about her. But she was a woman who was very, very talked about, and everything she did was scandalous. I found a connection in that. But I also was thinking about how you write “Eleanor Rigby” and go into that whole story about what all these people in this town are doing and how their lives intersect, and I hadn’t really done that in a very long time with my music. It had always been so microscope personal.
McCartney: Yeah, ’cause you were writing breakup songs like they were going out of style.
Swift: I was, before my luck changed [laughs]. I still write breakup songs. I love a good breakup song. Because somewhere in the world, I always have a friend going through a breakup, and that will make me write one.
McCartney: Yeah, this goes back to this thing of me and John: When you’ve got a formula, break it. I don’t have a formula. It’s the mood I’m in. So I love the idea of writing a character. And, you know, trying to think, “What am I basing this on?” So “Eleanor Rigby” was based on old ladies I knew as a kid. For some reason or other, I got great relationships with a couple of local old ladies. I was thinking the other day, I don’t know how I met them, it wasn’t like they were family. I’d just run into them, and I’d do their shopping for them.
Swift: That’s amazing.
McCartney: It just felt good to me. I would sit and talk, and they’d have amazing stories. That’s what I liked. They would have stories from the wartime - because I was born actually in the war - and so these old ladies, they were participating in the war. This one lady I used to sort of just hang out with, she had a crystal radio that I found very magical. In the war, a lot of people made their own radios - you’d make them out of crystals [sings “The Twilight Zone” theme].
Swift: How did I not know this? That sounds like something I would have tried to learn about.
McCartney: It’s interesting, because there is a lot of parallels with the virus and lockdowns and wartime. It happened to everyone. Like, this isn’t HIV, or SARS, or Avian flu, which happened to others, generally. This has happened to everyone, all around the world. That’s the defining thing about this particular virus. And, you know, my parents... it happened to everyone in Britain, including the queen and Churchill. War happened. So they were all part of this thing, and they all had to figure out a way through it. So you figured out Folklore. I figured out McCartney III.
Swift: And a lot of people have been baking sourdough bread. Whatever gets you through!
McCartney: Some people used to make radios. And they’d take a crystal - we should look it up, but it actually is a crystal. I thought, “Oh, no, they just called it a crystal radio,” but it’s actually crystals like we know and love.
Swift: Wow.
McCartney: And somehow they get the radio waves - this crystal attracts them - they tune it in, and that’s how they used to get their news. Back to “Eleanor Rigby,” so I would think of her and think of what she’s doing and then just try to get lyrical, just try to bring poetry into it, words you love, just try to get images like “picks up the rice in the church where a wedding has been,” and Father McKenzie “is darning his socks in the night.” You know, he’s a religious man, so I could’ve said, you know, “preparing his Bible,” which would have been more obvious. But “darning his socks” kind of says more about him. So you get into this lovely fantasy. And that’s the magic of songs, you know. It’s a black hole, and then you start doing this process, and then there’s this beautiful little flower that you’ve just made. So it is very like embroidery, making something.
Swift: Making a table.
McCartney: Making a table.
Swift: Wow, it would’ve been so fun to play Glastonbury for the 50th anniversary together.
McCartney: It would’ve been great, wouldn’t it? And I was going to be asking you to play with me.
Swift: Were you going to invite me? I was hoping that you would. I was going to ask you.
McCartney: I would’ve done “Shake It Off.”
Swift: Oh, my God, that would have been amazing.
McCartney: I know it, it’s in C!
Swift: One thing I just find so cool about you is that you really do seem to have the joy of it, still, just no matter what. You seem to have the purest sense of joy of playing an instrument and making music, and that’s just the best, I think.
McCartney: Well, we’re just so lucky, aren’t we?
Swift: We’re really lucky.
McCartney: I don’t know if it ever happens to you, but with me, it’s like, “Oh, my god, I’ve ended up as a musician.”
Swift: Yeah, I can’t believe it’s my job.
McCartney: I must tell you a story I told Mary the other day, which is just one of my favorite little sort of Beatles stories. We were in a terrible, big blizzard, going from London to Liverpool, which we always did. We’d be working in London and then drive back in the van, just the four of us with our roadie, who would be driving. And this was a blizzard. You couldn’t see the road. At one point, it slid off and it went down an embankment. So it was “Ahhh,” a bunch of yelling. We ended up at the bottom. It didn’t flip, luckily, but so there we are, and then it’s like, “Oh, how are we going to get back up? We’re in a van. It’s snowing, and there’s no way.” We’re all standing around in a little circle, and thinking, “What are we going to do?” And one of us said, “Well, something will happen.” And I thought that was just the greatest. I love that, that’s a philosophy.
Swift: “Something will happen.”
McCartney: And it did. We sort of went up the bank, we thumbed a lift, we got the lorry driver to take us, and Mal, our roadie, sorted the van and everything. So that was kind of our career. And I suppose that’s like how I ended up being a musician and a songwriter: “Something will happen.”
Swift: That’s the best.
McCartney: It’s so stupid it’s brilliant. It’s great if you’re ever in that sort of panic attack: “Oh, my God,” or, “Ahhh, what am I going to do?”
Swift: “Something will happen.”
McCartney: All right then, thanks for doing this, and this was, you know, a lot of fun.
Swift: You’re the best. This was so awesome. Those were some quality stories!
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