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#I’ve been tempted to fan cast some of the characters but I don’t want to make up a canon voice for them in my head just to be disappointed
parasolcopyability · 9 months
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voice actor announcement save me…save me voice actor announcement….
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bluedalahorse · 3 months
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I’ve been thinking about the fairy deal question of would you want more YR forever but the price is no longer having fic and I don’t know if I would change my answer but I’ve thought through my answer a lot more and I want to put so many more asterisks on it.
So for me I answered from a place of like… creative ethics, I guess? YR was Lisa’s story first, and she had a beginning and end for it and wanted to write it in three seasons. It’s obvious she cherishes it, but she has other stories to tell now. The actors gave us their all for three seasons, but they’re all growing up and will be moving on to new projects and I’m excited to see what they do next. So the notion of some fae queen putting Lisa and the cast and the crew in a magical prison of having to perform for us forever just feels… not so great. I know that’s not what the question was asking but now I can’t unsee the fae nightmare scenario. Blame Jonathan Strange & Mr. Norrell if you must!
On the other side of creative ethics is that I feel like what we call fanfic is intrinsic to the human condition, and therefore humans should be allowed and encouraged to do fanfic. Like centuries ago someone would tell a story about Robin Hood to their kids and then eventually one of those kids would tell a story to their friend like “ok here’s my Robin/Little John/Maid Marian OT3 hurt-comfort epic” and their friend would be like “excuse me no the vibe is Robin/Sheriff of Nottingham enemies to lovers” and then they would have had a ship war about it. Lisa et al might own the legal rights to Young Royals but everything about the way they ended the series felt like they were lovingly handing it over to the fans. They trusted us to envision an infinite number of futures for the characters. And that feels worth mentioning.
And, even if Lisa wanted us to never write fanfic again, I feel like we’d still have the right to write it, and we should probably write it more actually. I had a friend growing up who was on the secret underground Vampire Chronicles mailing lists Anne Rice disapproved of. I think this is badass.
Here’s where the fae queen would try to tempt me… they’d remind me that my favorite characters aren’t always featured as heavily in fanfic, and that sometimes they’re featured in ways that don’t vibe as much with what I love about canon. That I am more likely to get the characterizations I want from Eternal Canon. And I admit, I am very likely to click backward when I see stories where August is flattened to an uncomplicated villain, Sara and Felice are solely Wilmon’s cheerleaders/flatterers, and Good Mom Linda vs Bad Mom Kristina plays out with No Nuance. Among other things! Like, yes, sure, I know there would be a great temptation for me even just to see more incredible acting from my kids Frida and Malte. I do like watching what they do with their faces and body language. You’ve got me there, fae queen…
However! I am still not ready to surrender to the fae queen and give up fanfic just yet. Because the reality is, we’re all writing fanfic to express our relationship to the text and wrestle with it a bit, and that includes me. Getting to explore August’s continued recovery, and his relationship to family and friendship with Nils, is something that mattered to me. I enjoyed figuring out the balance of writing Nils in his early 20s, and figuring out what it would be like for him to openly date boys and have a boyfriend, while still not having him be like… a gushing hopeless romantic of a person who makes Pinterest boards for his wedding? And then thinking about another story I haven’t written yet, connected to that fic linked above, where Vincent ends up being the first to get married but also the first to get divorced, and his daughter has ADHD too and he’s seeing so much of himself in her, and he confesses late at night to Nils and August that he’s worried he’ll fuck her up the same way he got fucked up by his parents. And then, in the story I’m writing now, I found an opportunity to write Linda as like a full-on human who sometimes wants things for herself independent of her kids, but also that’s really fraught for her, for reasons. Also I want to explore Sara as a grown up—sometimes strong and sometimes vulnerable—and have her break free of toxic capitalism, because she’s gotten better at her relationships to people but she’s fallen into the “work should be your life’s calling” fallacy and her bosses are taking advantage of her. I have a lot of things I want to write. And those things matter too, even if I’m not always sure who the audience for them is, and even if I wish sometimes that they were fics available for me to read that I didn’t have to write myself.
So the fairy queen can go skipping off to play with some other mortal for now. I’ve got chores to do and a heatwave to avoid anyway.
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edhayne · 4 months
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The One with the Smart Design System
It’s been 20 years since the lights went off in Monica’s apartment and Friends came to an end. The concept, the talent and chemistry of the cast, not to mention the brilliant script writing, have attracted a legion of new fans to a show that the top TV networks still fight over.
However, as tempting as it is to write about Rachel’s haircuts or the comedic genius of the late, great Matthew Perry, I want to focus on an aspect of the show that gets less attention but is highly relevant to our industry. DISTINCTIVE ASSETS.
Now before you accuse me of being a tragic Byron Sharp tribute act, my musings are more concerned with how we can look beyond our day job for some practical inspiration, rather than trying to impersonate the legendary Professor (Sharp, not Geller).
But why Friends you might ask? Well, what better place to go looking for inspiration than a show famed for developing and deploying assets that didn’t just operate as separate entities, but as members of a carefully considered design system. Spoiler alert, do this and your brand is far more likely to grow.
Of course, there are many elements to explore, but in the interests of brevity, I’ve selected what I believe to be the most influential.
Element 1 – Costume Design
Just like their familiar catch phrases, when it came to the costume design, it was important that each character stood out on their own, but also complemented each other. So, designer Debra McGuire assigned each character a colour palette in season one. For the girls, Rachel typically wore greens and blues, Monica stuck to black, white, grey, and burgundy, and Phoebe got brighter colours and floral palettes.
As for the guys, Chandler's clothes were often vintage and racing stripe shirts, Joey's signature style was "defined by texture," and Ross, because he was a professor, "dressed appropriately," according to McGuire.
Element 2 – The Set
It’s no coincidence that Monica’s apartment and Central Perk live so vividly in our minds. Both provided the perfect canvas for the visual identities of each character to become established, whilst also giving the show itself a distinctive aesthetic. My old CSO at Ogilvy, Kev Chesters always stressed that a brand ‘owning’ something like a colour was “laughable, hubristic, utterly delusional & over-ambitious”. He argued that the best course of action was “to just claim it, and then once you spend enough time telling and showing the world that you are the one who is associated with it, then anyone else can’t be.”
As luck would have it, this is exactly what Production Designer John Shaffner did with the colour purple. As well as enhancing each character’s wardrobe, his rationale for Monica’s apartment wall colour was simple: "When you switched to 'Friends,' you saw that it is purple, and you stayed tuned." Furthermore, it helped other design flourishes to become distinctive assets, most notably the iconic golden frame that hangs on the apartment door.
The orange sofa in the coffee house is another example of using colour effectively. Found in the basement of Warner Bros studios, it literally serves as an emotive piece of brand furniture and is proof that you don’t need to unceremoniously dump as many brand signifiers as you can find, to secure attribution. In fact, the lesson here is the exact opposite. Namely, if you want an asset to become distinctive, give it room to breathe and think about its relationship with the environment it exists in.
Element 3 – Easter Eggs
Like any brand at the top of their game, Friends is a brilliant example of refreshing and building memory structures. Importantly, this was never at the expense of having some fun and driving visual intrigue amongst their audience. Take for example, the Magna Doodle on Joey’s apartment door. Fans became obsessed with the drawings and messages that changed subtly in every episode, and even started looking for hidden meanings.
Similarly, only the most eagle-eyed fans will have noticed that the colourful dots in the F.R.I.E.N.D.S logo have a hidden meaning. In case you didn’t know, each dot represents the main characters in the show. There are six dots for six friends and if you pay attention at the beginning of the opening theme, you will notice that each character holds an umbrella that corresponds to the colour of the dots. The likes of Aldi (think Cuthbert the Caterpillar getting arrested in their Christmas ad a couple of years ago), are expert practitioners of this approach, and it’s something I’d love to see more of in our industry.
Are little details like this why Friends is watched by millions across the world? Of course not, but they add personality to the design system and enhance the viewing experience for those who want to engage with the show on a deeper level.
A quick word count check has revealed that this article is in danger of turning into 18 pages (front and back), if I’m not careful. So, now’s probably a good time to sign off.
If nothing else, I hope it’s underlined the fact that there’s more to building a design system than painting every object in the brand’s primary colour or slapping the logo on screen throughout a telly ad. Recognising that each asset is only as strong as the other elements of that system, is essential in understanding how brands grow. Evidently, the team behind the world’s most famous sitcom got the memo.
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the-enzyme · 2 years
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I repainted my 3D-artist-resin-cast 1:6 scale Leon S. Kennedy head sculpt, for the millionth time! DX I knew I was going to do so eventually; I was just hoping to not f-up again. Which, I kind of think I might have done, again! Fortunately, I feel like I have discovered a way to make him look more accurate, without being wasteful (of MSC, which is toxic, expensive and a pain in the gut to get). I always considered watching a tutorial or two, about how to paint realistic 1:6 action figures, since way back in the day when 1:6 started getting more realistic looking head sculpts and facial paint apps. I even attempted adding pigmented skin texture to some of my DIM Minimee. However, I was doing that with pastels, with small amounts of acrylic paint for just the line work. Which can be heavy and get really “make-up-like’ for my taste. That’s why I thought why not watch a tutorial now, since I was also looking for tutorials on how to gloss eyes properly. I found it’s pretty much what I’ve been doing (the glossing the eyes part), but my terrible shaky hands are huge handicap, that I’ll probably always mess that up. 
The painting is so much easier than anything, but it does take a million watered down layers. I don’t know if should be getting model-grade paints, instead of using my artist-grade Liquitex, which might be too saturated and viscous for this kind of paint work? I don’t know, the artist whose tutorial I saw used only model-grade paints, so I am not certain. From the little bit I found on google searches, it seems any acrylic paint will work but the model-grade paints are more like water, than what Liquitex is like and going from the video, they are a lot less saturated/pigmented as well. Oh well, I’ll settle for what I have for now.
Regardless, I was able to get my Leon to look somewhat closer to what I always envisioned him looking like. I’m not a professional by any stretch of the imagination, and not even remotely good at this yet, but I hope that with the little bit I was able to learn, I’ll improve the next time I try repainting him again. I am kind of tempted to get more 1:6 action figures heads to attempt repainting, however, I am not into real people and those are the only heads that are popular in the 1:6 genre of figures. That or 3D printed unlicensed massed produced heads, which I am not okay with. It’s one thing to commission an individual to make a fan-art version for a small number of people, and another to mass produce every single character from a single brand’s licenses (squareenixfinalfantasycharacters), without even blinking. DX
I am fine with repainting this head as many times as it takes, as I have mentioned before, I just wish I didn’t suck as much at tiny miniature work. So that I could get to the point I will feel satisfied with him, sooner. I took a million photos, so I do believe I like him a lot better already! I can’t wait until I can feel like trying again! Which will probably be sooner than later, you never know when you’ll kick the bucket and that’ll be that! Lol! (: My cell phone that is older than dust, but takes “nicer” photos was dying, so I took most of these with my newer cell phone that takes sharper photos, but less pleasant to the eyes (IMHO). The last two were taken with my old-cell phone, I feel they show the texture a lot better. Although he’s not quite as tomato red, IRL.
He’s not wearing his black shirt that came with this set because I am planning on attempting to recreate the game’s version of the 5.11 tactical shirt that HT made. I am also not wanting to have to remove any stains on the body, as it is partially painted on the upper torso. This body is the Damtoys RE2R Leon’s body, so it’s pretty large, but the head is so big, it makes it look tiny....Lol! I am still angry that the head sculpt was made to be so large. From some angles, you can even see a huge gap at the nape of the neck, because the head is so freaking massive. T__T;;
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lord-of-the-ducks · 2 years
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Ok but everyone collectively having a Dracula book club is perfectly timed because I literally just started coming up with a Dracula AU for Our Flag Means Death yesterday for reasons completely unrelated to Dracula daily. I was a little worried that I’d be the only one who actually has any interest in that sort of thing, but I guess I’m very wrong lol
Anyway, so here’s a basic outline of what I’ve got so far. If anyone wants to run with this and write their own fanfics or something, go ahead, just tag me so that I can read the hell out of it
Blackbeard as Dracula because if you really think about it, their characters are EXTREMELY similar. In some of the more humanizing moments, Dracula laments that even if he knows how to speak English, that doesn’t mean that he’d actually fit in London, and that he’d still stick out like a sore thumb. Pretty much exactly like Blackbeard’s desire to fit in with the nobles in episode 5. Dracula isn’t even a name, it’s an epithet, and so you bet your ass I’m gonna run with the parallels to the Blackbeard title
Stede as Jonathan because they’re both chronic dumbasses who have no idea what they’re doing and completely disregard the red flags that everyone around them have been begging them to look at. Also because it is my firm belief that Jonathan and Dracula should have kissed.
Mary as Mina. I love Mina Harker and don’t want to just dismiss her as “the female love interest”, and I think that Jonathan and Mina have a very sweet relationship, but in a theoretical Dracula AU fit, Mary makes the most sense as “woman who doesn’t hear from her fiancé for months before he finally gets found in a hospital in Budapest with PTSD”. If I do end up writing a full fan fiction, I’ll try to make sure that she isn’t just an obstacle to Blackstede and that she gets to have the cool moments that Mina has in the book
Lucius as Lucy because they’re both polyamorous and they both get killed/almost killed by Dracula/Blackbeard. Also, someone on discord pointed out that their names are basically the same already
Jim as Van Helsing because the prospect of Jim as a vampire hunter who acts first and then explains nothing until the very last minute is perfect to me. Also, I’m pretty sure Van Helsing’s wife was killed by vampires, and that could easily translate into Jim having their family killed by vampires as a motivation.
Oluwande as John Seward. This is something I still need to work on a bit since a large part of Seward’s character is that he’s in love with Lucy, but besides that, Seward is one of the few characters who actually has brain cells, and he’s also paired up with Van Helsing for most of the novel and since Jim is already filling that role, it makes sense to have Olu as their sidekick.
Black Pete as Arthur Holmwood just because he’s dating Lucius in the show and Arthur is boring enough that it’s very easy to copy and paste Black Pete in his place.
Dracula’s wives are Izzy, Ivan, and Fang, just because that’s Blackbeard’s crew. The wives aren’t really developed in the book so it’s very easy to just throw them in. I am also incredibly amused by the prospect of Izzy being Blackbeard’s malewife and getting scolded for almost eating Stede
Buttons is Mr. Swales and I will not be taking any questions at this time. I’m correct.
That’s everything I have so far. I’m still trying to figure out who to cast as Quincey Morris, the third of Lucy’s suitors and resident cowboy. I’m tempted to throw in Calico Jack purely because of the cowboy vibes he gives off, but it doesn’t make much sense besides that.
I do have an idea of what the story would look like, and I’m VERY excited because it’s surprisingly easy to tweak the story of Dracula to fit OFMD, but I don’t want to throw all of my ideas out here since I’m genuinely interested in seeing other people’s ideas of what this AU might look like
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brian-in-finance · 3 years
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FOLLOWING A HUGELY SUCCESSFUL DECADE IN MODELLING, SHE HAS RISEN TO STARDOM ON THE SILVER AND SMALL SCREENS, AND IS NOW TIPPED FOR AN OSCAR
One is tempted to argue that “Caitríona Balfe’s moment has come”. That doesn’t sound too ludicrous. Right? The Monaghan woman’s role as a head-spinningly glamorous variation on the director’s Ma in Kenneth Branagh’s upcoming Belfast – Jamie Dornan is the no-less-dazzling Pa – has propelled her to the front of the awards conversation. An Oscar nomination seems in the bag. Every magazine wants her on the cover.
In truth, Balfe has been at or around that “moment” for close to 20 years. She is a phenomenon. She is an industry. In the early years of the century, she was among the most successful models of her generation. She returned to her first love of acting and worked steadily before securing the lead role in the hit fantasy series Outlander. A legion of fans have been hanging on her every utterance for a decade. She shoots Outlander around Glasgow. She offered strong support to Matt Damon and Christian Bale in Le Mans ’66. Currently she is in London. It’s a life.
“I am a bit of a nomad. I sort of split my time between Glasgow and here,” she says. “I think I’ve been living out of a suitcase since I was about 18. But now I definitely feel I need to stabilise things a little bit at the moment. But for the last eight years I’ve been in Glasgow so much that in a way that has sort of felt like home.”
She and her husband, Tony McGill, announced the birth of a son last August. That is sure to offer some opportunity for stability.
“Well, you begin to realise that travelling as freely as you want gets a little bit harder when you have a child,” she says merrily.
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Balfe, tall and dark with facial features bordering on the aquiline, casts off golden-age charisma in Branagh’s monochrome Belfast. That’s fine. This is a proudly romanticised version of Northern Ireland in the early years of the Troubles. Judi Dench and Ciarán Hinds are the platonic ideal of Ulster grandparents. Jude Hill is charming as a kid who shares the young Branagh’s love of popular cinema. I wonder how consciously Balfe’s character was modelled on the director’s mother.
“I think, for Ken, a lot of this is very much what happened in his life,” she says. “And it’s a very close version of his childhood, heightened in certain ways. But he never made us feel like he wanted us to do his Ma. He wouldn’t say: ‘Don’t do that. My mother would never do that.’ But we definitely spoke a lot about his parents and spoke a lot about their struggles and what they were going through.”
The conversation seems to have wound around the actors’ own upbringings.
'Monaghan town has one accent and Castleblayney and Carrickmacross are completely different'
“On the first day he had Judi and Ciarán and Jamie and myself sit with him. And he would ask us about our childhoods and our parents and their parenting styles and what would they have done in such-and-such a scenario. I think, in his very clever way, he was drawing out certain specifics that he wanted us to explore and think about.”
One might reasonably assume that this was something of a homecoming for Balfe. She has never really filmed in the old country. Cinema is, however, a great deceiver. There is some striking second-unit footage of Belfast, but the action was largely filmed on a set in England.
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“When I found out we were doing this I didn’t have all the details,” she says. “I thought: This is great. I get to work in Belfast. It’s so close to home. My parents are an hour and a half down the road. But of course, then we ended up filming in Surrey. It is funny, because I’ve been looking for something to do in Ireland for such a long time, and the people attached and everything was so exciting. I feel doing something from home touches you in a different place. You understand it on a whole other level.”
The outside world will assume her perfect accent in Belfast required no effort. But no Monaghan person would mistake the real Balfe – the characteristic vowels still remain after decades abroad – for a citizen of that distant metropolis. The idea is ludicrous.
“It’s crazy. Even in Monaghan, Monaghan town has one accent and Castleblayney and Carrickmacross are completely different,” she says. “But it is the closest to doing something that feels similar to home. When you’re growing up in the 1980s and 1990s, that accent, Belfast, is on TV all the time. So it was very much in my ear. I didn’t need to do much work on it. It lives in you.”
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Born in Dublin, Balfe grew up outside Tydavnet as the daughter of a garda. In earlier interviews, she talked about becoming a voracious reader and working her way through all the greats. But she is frank about the difficulties encountered growing up with a dad in the force.
“I think when we first arrived in Monaghan … It’s not exactly an area that you’re particularly welcomed in, especially in the ’80s,” she says. “You know, I definitely remember certain families and stuff – they wouldn’t really interact with you because you’re a guard’s daughter or a guard’s family. More so in primary school. By the time you get to secondary school, that stuff goes away in the wash, but, for sure, I think it had an effect.”
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She drifted towards acting at an early age, signing up for whatever youth theatre was available. That offered escape and diversion. It also fired ambition. Her father’s enthusiasm for amateur comedy and acting must have been a factor. He was apparently gifted in that area.
“I think it must have had some kind of influence for sure,” she says. “It’s quite funny to think of my dad – who on one hand was this very strict police garda sergeant, quite stoic, and then on the other hand he was doing skits, maybe dressed up in a wedding dress! He was something of a performer and that influenced me. Also, being child number four in a big family had an influence.”
'There’s a lot of dark, terrible stuff that goes on in [modelling]. And it’s not quite had the reckoning that it needs to clean it up, quite frankly'
Life soon took an extraordinary swerve. She went off to study drama at DIT in Rathmines, but, before she had the chance to properly tackle Desdemona, a model scout spotted her and launched her towards a dizzying catwalk career. The story behind that discovery is now part of the Balfe legend. Lana Turner was famously discovered drinking a Coke in a malt bar. It is said Balfe was minding her business in the supermarket.
“That is more or less true,” she says. “I was in a supermarket. We were collecting money for multiple sclerosis, and a Dublin agent was in doing his shopping. He gave me his card and was like: ‘Do you want to do this?’ I started doing it part time in Dublin while I was still in drama school, and then a couple of months later somebody came from Paris. But yeah, I’ve had a funny trajectory.”
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Balfe had an extraordinary decade in the business. She stepped out for Chanel, Givenchy, Dolce & Gabbana and Louis Vuitton. In a 2009 article for the Irish Independent, Derek Daniels, founder of Assets Model Agency, described her as “arguably the biggest model to come out of this country”. We have heard a lot in recent years about how women are mistreated in the acting business. The stories from the fashion industry are, if anything, more worrying.
'To be able to say that I’m now in my eighth year working on a show that has increased in popularity and that opened so many doors for me … I feel incredibly lucky and blessed'
“I think I was very lucky because, at the very ripe old age of 18, I had already done a year of university in Dublin and that’s quite young to start modelling,” she says. “You are among the older girls. So, in a sense, I had a little bit more street smarts or maybe wariness about certain people and situations. I know many, many horror stories from many people I know who were in the industry. I feel very fortunate that I managed to not be a part of that. People look at models and modelling and they think: ‘Oh, well, they’re young, they’re pretty, they get too much money. Why should anybody care about them?’ But in a lot of instances it’s akin to trafficking. There’s a lot of dark, terrible stuff that goes on in that business. And it’s not quite had the reckoning that it needs to clean it up, quite frankly.”
After a decade in the fashion game, she returned to her first passion. She moved from New York to Los Angeles, attended some prestigious acting schools and soon secured smaller roles in films such as Super 8 and Now You See Me.
“Well, I never intended to leave acting,” she says with a laugh. “I thought, I’ll take a year out of drama school and I’ll go back, which sort of turned into a decade. But I’m very grateful that it did happen like that. Because, in my 20s, I wasn’t worldly enough. I definitely wasn’t mature enough to bring anything of worth to a role. I had a lot of living to do. And I had a lot of the world to see.”
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She really hit the seam with Outlander. The lavish TV adaptation of Diana Gabaldon’s novel sequence – concerning a second world War nurse transported to 18th-century Scotland – may not have the name recognition of Game of Thrones, but it has one of the most loyal fan bases in contemporary pop culture. She has been nominated for four Golden Globes. Balfe and Heughan, her co-star, are social media megastars. The online attention seems, indeed, a little exhausting at times.
“It has been amazing,” she says. “To be able to say that I’m now in my eighth year working on a show that has increased in popularity and that opened so many doors for me … I feel incredibly lucky and blessed. There is always the small tiny element that step over the line. But I think that’s there in any walk of life. With the good there has to come a tiny bit of bad, but it’s not even worth mentioning.” A very civilised approach.
Belfast is released on January 21st
Remember… when you’re growing up in the 1980s and 1990s, that accent, Belfast, is on TV all the time. So it was very much in my ear. I didn’t need to do much work on it. It lives in you. — Caitríona Balfe
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aceofthegreenajah · 3 years
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I’ve been watching wot show with my spouse, a rewatch for me and a first for him.
First of all: I love it even more than I remembered. Today we watched episodes 4-6 and I bawled. I knew exactly what was coming all the time and I cried so much.
Second of all: there are things that I’ve vaguely nodded along when others say them about the show and it’s faults that I actually realized I don’t agree with, now that it’s fresh in my mind again. The most important of these is how Perrin is handled, which I actually really appreciate on rewatch.
Now disclaimer: I’m not a huge fan of book!Perrin. He is absolutely my least favourite main character, at least of the two rivers folk. No contest. Multiple times reading the books I was tempted to skip his chapters. Some books are worse than others, but generally his plotline is the least interesting for me, and some aspects of it are super frustrating.
I don’t know precisely why the people who love book!Perrin love him, so I don’t know how the show compares for them. But for me, everything I see with how they’re handling show Perrin gives me hope that I’ll like him more by the end.
Many book spoilers under readmore...
Now Perrin has two main problems in the books:
- his relationship with Faile is at points extremely frustrating. tDR was good but then they went downhill fast. They can’t communicate, they never listen to each other or see eye to eye, they claim to love each other but frustrate each other to now end. If this was a first crush of thirteen year olds I’d buy it, but adults? Nuh-uh. I’m supposed to believe they don’t just have the hots for each other but are in fact deeply in love? Give me a break.
- His plotline in the middle books is way too sparse. He waffles a lot and delays the inevitable.
Point two results in this: unless they want to add a bunch to his plot, he doesn’t have enough to have an arc in each season. So instead they drew an arc for him for the entire series, and we’ve seen the first eight of it:
- episode 1 shows why he would have trouble trusting himself with power of any sort, why he hates violence so much, and why he would have relationship trauma and issues that are near-insurmountable and that he would have trouble communicating.
- episode 2 has a nice moment where we talk about how Laila made tools, not weapons, which is both thematic for Perrin’s arc and gives us a reason why he would hesitate to choose the axe – he’s honoring his dead wife, not just stubborn for the sake of it. There’s a wolf moment.
- episode 3 shows he has become extremely protective over Egwene, which makes sense after episode 1, and also makes sure we know that he’s not just overprotective of Faile later on for no good reason. The wolves are also here.
- episode 4 he has very nice thematic and deep conversations about way of the leaf – aka violence vs pacifism.
- episode 5 he finally talks to someone about his episode 1 trauma and we see his self-loathing goes deep. We also get first proper wolf stuff, even if no explanations yet.
Now I might find some more moments in 7 and 8 once we watch them, there’s at least some in the last episode, but episode 6 is dedicated to Moiraine and 7 and 8 to finishing the season, so this is the bulk of it. I expect in season 2 he will:
- meet Faile while they hunt down the dagger and the horn, they’re into each other but Perrin is not ready for a relationship at all. He might admit he’s in love with her in the finale, but still won’t trust himself in a relationship. He also won’t be able to properly explain it, so Faile will be hurt by this.
- get some actual explanation and training montage for wolf stuff – we know Elyas has been cast and have guessed he’ll replace Hurin, so he migth be on the hunt as well.
- I’m not surprised if the dreamworld stuff will fall on season 3 but we might also get the beginnings of it. I guess we might see a dream training montage for Perrin with Elyas and for Egwene with Siuan, if Siuan is a dreamer in the show?
This all sets his whole series arc nicely, and justifies a lot of his more frustrating decisions and characteristics. It’s mildly frustrating now since a lot of his angst will be needed down the line, and so nothing was resolved in season one – but all in all, I really trust the showrunners to make it work in the long run.
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captainsspnanon · 2 years
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C2E50 - The Endless Burrows - rewatch ‘reaction’
I don’t know how my reactions to this episode will be, I’ve been having a very rough few days mentally, and I just want to watch CR.
I’m also a bit distracted because I now officially fall into the category of ‘started to play dnd because of CR’, and am working on my own PC’s backstory and character creation and sending it to the DM for review and feedback.  (I feel legit.  It’s scary!)
I love how Nott and Fjord reverse the buttonbeard play with Nott tempting Fjord with a captain with tons of eyeballs to consume, and Fjord going ‘this fucker’.  This is the best show of their dynamic, that they give each other shit constantly, but they do it on equal standing and will quickly reverse the shit as soon as it’s funny to do so.
I wonder if Caleb collecting the crystals from the geode chamber was him already thinking of the stained glass windows in the tower, and planning to use those before he got actual stained glass shards from the cathedral.
I like how Liam is freaking out over the ropers and is going this is bad this is bad, Travis asks “is it?” and Liam then goes “you don’t know, I don’t know!” moving again that distinction between Liam’s knowledge and Caleb’s knowledge.  They are all good about consistently doing this, and I appreciate every moment where it’s clearly acknowledged in game.
….I just completely lost where I was because I was just working with my DM.  XD  COMBAT.  Right.
I miss bearded Liam.  He’s been clean shaven all of C3 so far (that I recall off the top of my head), and I miss the scruff.  XD
Having now seen C1, I have much more insight as to why Sam freaks out when Jester casts Banishment.  Vecna callbacks, anyone?
Ah, I saw a lovely animatic of this section where Jester is singing and Beau does the live reading of Tusk Love.
It’s now SEVERAL days later, and I’m feeling better, but a bit sick.  We’ll see if my commentary will fare any better, or if it’s gonna remain the shit sandwich it is now.
As classic and iconic as Chris as Spurt is, I’m almost sad we didn’t get to see Matt be Spurt, just because Matt is SO freaking good as the Kobold leader.
Also once again highlighting that Caleb is actually really good at intimidation, even though he doesn’t use the skill much.
This was a big moment of realizing that Caleb had a crush on Jester, him leaving Frumpkin to get the creature out of the cage.  But hindsight?  Man, you can see signs of the crush for ages before this. I think this is just the biggest ‘dramatic’ moment for it. Oddly, I’m a huge fan of this ship, but only one-sided.  I’m not against it by any means, and I’ve read some good fic with it, but I prefer the canon one sided pining the most.
I do love how the introduction of Chris just causes the entire attitude of the table to shift and now they’re cracking up over EVERYTHING.
Travis asking where the other giant is, Matt pointing to the mini, “I thought that was the citadel!”
The polymorphed cow attacking Fjord.  This is the start of an absolutely beautiful tradition.
I really enjoy this fire giant encounter because it starts with them having a fucking amazing plan, it falling through instantly but then also going fine, until the very end at which point they now all have to scramble.  Usually the plans either fully fall through or don’t even get implemented well.  If Fjord and Yasha had been together in initiative, this would have been near flawless.
I’m sad that I haven’t had the energy to react for this.  I really do love this episode!  Just….no spoons.
@suicidallyreckless
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thestraggletag · 3 years
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Roll for Initiative, a Rumbelle D&D Fic
Summary: Tales of the Enchanted Forest was the hottest online D&D game, in part for its charismatic players, in part for the twisted turns of the DM's mind and in part because of the outrageous chemistry between its greatest OTP, the party's beautiful bard and the Dark One, an anti-hero side-character who is there to provide information and uncomfortable levels of UST. Mr Gold thinks it's a harmless flirtation that could never become anything else, just like his silly little crush on the town librarian, Belle French.
He's wrong.
Rating: Explicit.
Author’s Note: Surprise, @argoslight​, it is I, your Gifter! Sorry to make you wait till near the end but I just had way more banter to write in me than I thought. I hope you enjoy your gift. I’m so sorry to not be able to add more D&D elements but since I don’t play I don’t have a lot of idea of what could be done. Also I apologise for any mistakes! And thanks so much to @little-inkstone for her help and D&D knowledge.
The castle was quiet when she entered, her steps echoing against the stone. It was gloomy inside, curtains obscured and decor sparse and sombre, the castle living up to its name. But there were flowers on the table, moon lilies, her favourite flower. They bloomed only in the Eastern Mountains past the Old Wall, but she had long since suspected he grew some on one of his enchanted hothouses, with the excuse of using them for potions. 
“Where’s the rest of your pretty little troop of do-gooders, dearie?”
The voice came out of nowhere, echoing around the empty halls of the castle. Thankfully she did not need directions, knowing exactly when to turn and where to go. Soon she found herself in a vast room, with a table on the centre and curios filled with oddities and the like. Some others were displayed on pedestals, including a rather fearsome sword and a nasty-looking crown made of thorns. None of the artefacts were what she sought, but she was not there to bargain for an item, but rather for information.
“Off on their own quests, taking care of other things that need doing.”
The voice tsked, seeming not to approve.
“They let you enter the lair of the beast alone? Some heroes.”
The woman lowered the hood of her cloak and walked towards the unlit chimney. Immediately a fire blazed to life, as if the castle itself was trying to cater to her comfort. The fire provided much-needed light as well, revealing the profile of a man in the shadows. Or something that looked like a man, at least, if not for the reflective scales that covered his body and its strange eyes: gold irises around catlike pupils.
“I asked to come alone. I felt like we could talk more openly this way.”
She removed her cloak, ostensibly to drape it across a chair near the fire and let it dry. The creature, however, seemed to read more into the gesture, tsking again.
“You come here all alone, a pretty little lamb, and take off the only real bit of protection you have. Reckless, dearie, most reckless.”
 The creature stood up, walking slowly towards the light, revealing more of its form as it approached her. Leather pants and a long, reptilian-looking vest and coat. It wasn’t particularly tall but power emanated from it in suffocating waves. She closed her eyes, finding his cloying presence strangely comforting. Then again, she had always been odd. 
“Once again your pitiful little party of friends needs my help. How they weigh you down, Beauty.”
He stepped fully into the light then, revealing a being more creature than man, the reptilian skin and claws as off-putting as his unnatural eyes. She should’ve taken a step back, should’ve gone for her blade or the dagger tucked into her left boot, but she didn’t. As much as she knew she shouldn't, she felt at ease in his presence. Well, perhaps not quite. She certainly felt a strange sort of anxiousness in his presence, a fluttery sort of feeling that she attributed to being particularly attuned to his magic. None of the other members of her party felt that way. If anything, he repulsed them, which wasn’t something she could understand. To her he was… magnetic.
“Are you in the mood for dealing or not? I can trade for information.”
He snorted.
“With what? Your little band of misfits is dirt poor. That idiotic paladin of yours ruined your last mission. You really should think about ditching the man. All brawn, no brains. At least your rogue is a smart woman.”
His gaze left her briefly, running down the length of her clothing: sturdy black boots, a nicely-cut dress that stopped around the knees and a sturdy belt with a few pockets for her spells. But the clothing, as well-made as it was, was dated, old. Looked worn and was signed and stained in places, and it left a lot of her frail human skin exposed. She had not been able to afford an upgrade in a while, preferring to spend her coin in what could benefit the group.
His moue of distaste disappeared once his eyes fell on her cloak. Well, his cloak, since he had been the one to make it. It was a lovely thing in varied shades of green, shot through with golden thread, his trademark. She had bought it off him a long time ago, a simple thing to keep her warm during cold nights and dry when it rained. Miraculously, though, it also did not sustain damage, looking exactly the same as when she had first put it on.
“I’m glad at least my protection is serving you well.”
He ran a claw along the seams of the cloak, making it glitter, like to like, magic calling for its own. He looked smug, as if pleased she was wearing something he had made.
“It does more than we bargained for. I’ve been blasted with magic strong enough to burn through most fabric but it has not even frayed. How strange of you, Rumplestiltskin, to lose out on a deal.”
He shivered when she said his name, walking behind her to the safety of the shadow she cast next to the fire.
“Can’t help it if my magic is just that powerful, my dear. I’m glad you are a happy customer. Always thought that cloak was a nice bit of magic. Can’t fault you for always wearing it.”
She felt him close in on her from behind, to the point that it almost felt like they were touching.
“It smells like you. That’s why I wear it all the time.”
The noise he made behind her was inhuman, a cross between a whimper and a growl. His claws scrapped against the back of her dress, the feeling muted by her stays, but she could feel his breath against the back of her neck and that alone was-
“Hey, this is a decent stream! Keep it PG for the kids, you weirdos.”
“Damn it, Grumpy, I wanted to see how long it would take them to snap out of it!”
“Sorry, Snow, but I ate a big dinner and I aim to keep it down.”
The messages in the chatroom wheezed by, mostly disgruntled complaints about their OTP never catching a break. The other participants in the stream were mostly silent, their mics muted likely to hide the amused snickers. There was no video feed on any of the members of the party, all of them represented instead by artwork to preserve their anonymity. Once upon a time that had been a fanciful choice, and perhaps a way to stay safe when interacting with strangers on the internet. Now it was mostly to keep their private lives from being overtaken by the popularity of their stream. “Tales of the Enchanted Forest” was shaping up to be one of the hottest D&D online streaming shows, already on its third campaign and counting.
“Beauty is just trying to get us some answers, Grumpy. We can’t just go stumbling about hoping to run into some fairy wand by chance.”
“Oh, it’s that what the kids are calling it these days?”
“Enough! Can we get back to the campaign already? It took me weeks to plan and it kinda hinges a bit on the Dark One helping, which needs to happen today.”
“Fine by me, dearie, if the dwarf can curtail his temper.”
The party was composed of five characters, a paladin, a cleric, a bard, a rogue and a thief, which along with the Dungeon Master made up the regular cast of every weekly stream. But given the popularity of the show, and the amount of time they had been playing, they had managed to amass a good amount of side-characters, guests invited every now and then to help the campaign move along and keep the interest of the audience. And by far the most popular of those guests was the Dark One, a wizard of unknown lineage and tremendous power that served both as an antagonist and a pseudo-ally depending on the situation. 
His presence was likely the reason why the livestream’s numbers looked so robust. He had amassed quite a fanbase, due in part to the commitment the player put on the character (the voice-acting was above and beyond what anyone could’ve expected from an amateur performer, and the backstory was quite complex, revealed in bits and pieces fans had meticulously assembled together) and in part to the chemistry he had managed to develop with the group’s bard, a half-human named Beauty.
“Okay, let’s all go back to what we were doing.” The DM’s voice was authoritative, though also more than a bit pissed off. “Okay, Beauty, you were about to try and cajole the Dark One to sell you the information you needed in return for a vial of water from Lake Nostos. Though the water is valuable, it’s not guaranteed to be enough to tempt the wizard. You have to roll at least a 13 in persuasion to make the trade. Roll when you’re ready.”
...
Rumford Gold stretched within the confines of the small backroom of his shop, where he had his computer stuff set up. Initially he’d bought the computer to better conduct his online business. His laptop at home wasn’t cutting it and it was better to photograph the antiques, update the website and handle the deliveries from his place of business. He had bought a good camera, some light fixtures and, on a whim, a microphone, for instances where he might need to virtually communicate with clients. It was something that was happening more and more, especially because a lot of his clientele was European. The internet had truly turned his antiquing- more of a hobby than a profession originally- into a profitable business.
He had gotten into watching D&D while waiting late at night for a client to become available in Austria. He had played as a lad, one of the few happy moments he could remember from his childhood in Glasgow, but had given it up once he had met Milah. And after they were over he had been too involved in making something of himself to remember past childhood enjoyments. But apparently D&D had evolved with the times and he had gotten into the habit of searching for and watching online D&D campaigns in his spare time. From that to actually being a side-character in one of them took almost no time. It was frightfully easy to go back to that frame of mind of playing make-believe, only now he had a distaste for the clean-cut heroic types and more of an affinity for the morally-grey, shady characters.
So he had auditioned for the role of evil-wizard when there had been an opening for a side-character in his favourite D&D stream, The Enchanted Forest. And though the DM had written what he considered to be a very flat, uninteresting character, he had been able to give it his own spin. He knew the DM hated him for it, hated when he deviated from what was expected of him, but people loved him. It was half the fun, pissing the DM off.
The other half, he had to admit, was Beauty. The one with the brains in the group, clearly, a half-human, half-fairy bard with an uncanny ability to think ahead, and arm herself with knowledge. Most of the other members of her party were more apt to try and decapitate something than negotiate with it, or even befriend it. Beauty prided herself on more of a gentle approach, which sometimes got her treated as the “fragile” one. He thought it just made her all the more interesting.
Their flirting had just kinda happened. He was half into it before he realised it had begun at all and by the time he had grown conscious- and self-conscious- of it fans were lapping it up and loving it. Even the DM, as loath as he was to admit it, found the banter engaging, even as if stole the spotlight from his story and where he wanted it to go. So every now and then he got invited into a stream, sometimes to interact with the whole party and sometimes, like the session he had just finished, to speak only to Beauty. And what was supposed to be a brief conversation before the party moved to greener pastures became a whole session, with the chatroom full of engagement and the view count off the charts.
But the DM had had a short tolerance span tonight, and had nipped things in the bud much sooner than usual. He felt… unfulfilled. Unsatisfied. Itchy, almost, in a way. So he was more than happy when he received an email from Beauty, who seemed to share his dislike of how the session had played out. They had started doing that more often, sharing emails after a session, even when he did not participate in it. It was harmless, he thought. Just an innocent online flirtation that could never realistically turn into anything. Not that his more in-person romantic overtures could ever pan out. He was in his third year of being completely smitten by the local town librarian, and in his second year of being able to put two words together in front of her without the help from Scotch, something he was perhaps a bit too proud of. And though he had decided very early on that the whole thing was utterly hopeless he had not been able to steer his thoughts or affections away. Realistically he was perhaps more in love with the idea of Belle French than the reality itself, given how little he had personally interacted with the woman. But he knew just enough to fill in the blanks and create a beautiful picture of how he imagined her to be: bookish- an easy assumption given how many times he had caught her in public places absorbed in a book-, kind, generous and delightfully able to hold a grudge and enact revenge when the time came. A bit reckless, and sometimes quick to form opinions, but also quick to revise them. A tactile person, with a great sense of fashion and a carelessness about what was expected of her.
He saw her in his head as clear as day, but little of that image was based on any personal knowledge of her. So, perhaps, he had found in Beauty a fictional substitute, someone he could talk to, and flirt with, without consequences, adopting the persona of someone more confident, more at ease with that sort of thing. The Dark One was comfortable in his skin in a way that he could only pretend to be sometimes. All the money and power he had accumulated over the years had helped him evolve from the spineless, cowardly lad he had once been, but when it came to certain situations, especially those that necessitated a level of vulnerability, he was still hopeless.
Perhaps, he wondered, it was better to think about his online liaison with Beauty as the real thing. They wrote to each other often, in and out of character, and over the course of their correspondence he had confided in her more than he had in any other person alive. Small things at first, every day peeves and details. Nothing that could identify them, certainly, but surprisingly intimate nevertheless. And over time it had grown to stuttering confessions and barings of the soul on both sides. She had told him of her teenage years in a mental asylum, the product of an overwrought widowed father trying to do right by his grieving daughter. He had had a few choice words to say about that, uncharitable thoughts about her father prompting his own willing sharing of the sad story of his childhood, neglectful father and all. It had felt nice, to confide in someone, someone he trusted.
He glanced at her email, where she lamented how their scene had not been as long or as satisfying as she had wanted, and saw she was proposing to meet later in a private stream to finish it the way they had both wanted. She had proposed something similar once or twice before and he had politely declined but now he wondered why not take her up on her offer. What was stopping him? His imaginary idea of Belle French, who in reality had never given him more than a polite smile in passing? Too young, too good, too beautiful to ever see him as anything other than an old cripple? Whatever he had built with Beauty felt infinitely more real, and attainable. A relationship without ever meeting in person seemed ideal in many aspects and, perhaps, if and when it came to meeting in the real world, his physical shortcomings would not be relevant, nor would it his rather uncharitable reputation.
He sent her a quick reply to arrange a meeting, feeling like a bit of roleplaying was, in the end, quite harmless. And if it were to lead to something a bit more meaningful, well, perhaps it was about time.
“Water from Lake Nostos. A key ingredient in most powerful potions and even some spells. I’m sure it could prove useful to you.”
The bard showed him the glowing crystal vial hanging from a long chain around her neck, with the glowing milky-white water from the cursed lake in it. He made a move to get closer to inspect it but the woman took a step back, tucking the vial back inside her bodice. The wizard’s eyes lingered there, hiz gaze growing intense. The bard felt her skin flush in response, something that felt a bit like fear but wasn’t running down her spine.
“And I’m sure a new wardrobe could prove useful to you, dearie. You’re practically wearing rags.” Rumplestiltskin made a show of running his eyes up and down her form with just enough disgust in his face to make it seem as if he was only noticing the rather sad state of her dress. 
“It’s my best gown, I’d thank you not to insult it.”
He made a moue of disapproval, shaking his head for good measure.
“You’re far from your days as a princess. I hope seeing the world is worth putting up with your band of idiots that waste most of the gold they earn with your wit in pointless goose chases that you know will lead nowhere.”
Beauty didn’t respond. There was nothing she could say to contradict what he thought of her party, none of which was charitable to say the least. And she also knew that he was aware that all of it was worth the freedom she had won when she had left her life in her father’s castle behind. She did miss one or two things, perhaps. Her mother’s vast library being one and, perhaps, some of the fashions. Not so much the silhouettes- she had never liked how the sea of petticoats she was always forced to wear restricted her movement- but the fabrics and colours, certainly. And the shoes.
“I’m here to make a deal, Dark One. Are you doing business today or not?”
Lesser creatures would’ve rather bitten off their tongues that throw cheek at the Dark One, but Beauty did not even bat an eye, lips curling in a defiant little smile that had the wizard smirking, something like admiration blooming in his chest. It’s what he loved most about his little bard, her spine of steel. And perhaps her blue eyes, but that was neither here nor there.
“I don’t do business with raggedy urchins, dearie. If you want to sit down and negotiate you’ll need a bath.” He made a face, as if he could smell her across the room. “And a change of dress, while I put your current outfit to wash… Or set it on fire, I haven’t decided yet.”
She could tell that he was pulling his punches, that he was playing at being repulsed by her state of dress and hygiene just bad enough that she would see he did not really mean it, not in any real way. She would’ve been able to tell either way, but it was nice that he thought it important to spare her feelings. And she couldn’t deny that a bath sounded heavenly after so many weeks on the road, sleeping out in the open and washing in freezing-cold creeks whenever possible.
“Well, if you insist…”
He took her to a well-lit and spacious bathing chamber, with the biggest copper tub she had ever seen, already filled with warm, soapy water that smelled of vanilla. She wasted no time after the door closed behind him, stripping quickly, careless of her worn and mended garments, and slipping into the tub. It was heaven on her tired muscles, and her dirty skin, and though she would’ve stayed there for hours she knew that every minute spent bathing was a minute less with the Dark One. Their time was limited. If she didn’t return to camp in the morning her party would venture into the castle, likely thinking the most dreadful scenarios. She could picture Charming attempting to kick the front gate open and getting hurt for his troubles. She could not let them worry for her, or risk the rapport she had developed with the Dark One by coming in unannounced. 
She got out of the tub with only a bit of reluctance and found a towel that she was convinced was enchanted to dry her faster than possible. She found clothing laid out in the adjoining dressing room, the undergarments soft and made of pale cream fabric and the dress of a lovely velvety, forest-green fabric, with a belt embroidered in small pearls that matched the detail about the neckline. She put it on gladly, twisting every which way to lace it up at her back. Living a less princessy life had made her acquire a number of small skills, including the ability to dress up mostly by herself even in gowns that did not lace up at the front, like most of her travelling clothes.
She did not spot her mauve travelling dress or her boots, but she was sure that Rumplestiltskin had whisked them away and would subtly mend them with magic, though she was sure he would deny it if she were to point it out. The green dress was accompanied by matching slippers, butter-soft and silent as they touched the stone floor. She made sure to dry her hair out, noticing how it shone red-gold in the flattering light of the candles, and took her time brushing it and styling it out of her face, so it fell flatteringly down her back. Her neck and most of her upper torso was bare but for the chain keeping the vial of water tucked safely against her breasts, the wide neckline of the dress dipping low enough to leave her collarbones bare, but she didn’t mind it. She was inside the Dark Castle, with the Dark One. She was safe there. On the road she always had to think about not attracting unwanted male attention. Here she rather felt like the opposite.
It was a silly infatuation, and many would argue any interest or desire on her part was due to the wizard’s power, which some would say was an aphrodisiac potent enough to make some look past the Dark One’s rather unfortunate exterior. No one would ever believe her if she confessed she rather… liked his appearance. The green-gold skin, the wild hair, the talons, but also the exquisitely-tailored pants and vests, the frothy cravats, the slim coats. A beast and a gentleman. A rather enticing combination, she had found.
She went downstairs into the trophy room once more, where two massive chairs were pulled up next to the roaring fireplace, the main source of light. The Dark One was sitting in one of them, a snifter gingerly held by a clawed hand, containing some sort of brown-gold liquid. He glanced at her the moment she entered the room, unwilling or unable to hide his appreciation for what he saw. He had removed his coat, leaving only his high-collared vest and one of his open shirts to cover his upper body, no forty cravat in sight. He seemed less guarded, more adventurous than he usually was when it came to matters of intimacy.
“You clean up well, dearie. Wish I could say the same for your dress. A wash will only do so much for it, but I refrained from throwing it into the fireplace. You’re welcome.”
“Good, as it’s not your property to destroy.” Beauty sat down, with a poise that betrayed her royal upbringing, and primly crossed her legs at the ankles. “So, Dark One, are you prepared to deal with me now?”
She had dealt with him dozens of times before, she had no idea why it all sounded so much like innuendo now. She couldn’t say she minded it.
“Of course, my dear. I’ve had time to think about our deal whilst you were splashing about in the tub.” His sing-songy voice broke, getting suddenly deeper for a second or two, as if he was struggling to retain his composure. “The vial is certainly a good start, but perhaps not quite enough. Now, I’m prepared to be generous given our long and fruitful history of dealmaking together, but I must also keep up certain appearances. So I thought I would also demand… an evening of your time.”
He tried to make it sound sinister, but she was past getting scared of him. At least in the traditional way. She raised an eyebrow, adopting a rather coquettish expression.
“And what would an evening of my time entail exactly?”
“Oh, well, you know. Companionship, perhaps a game of chess, some good wine, conversation and the like.”
She made a show of thinking it over before offering her hand, which he shook without delay.
“It’s a deal.”
Several hours later she had won two games of chess, one game of checkers, and was sipping from her third coupe of sparkling wine as she listened intently to a story about a deal the Dark One had once made with a king from a distant land. He was a gifted storyteller, engaging and funny, knowing exactly when to pause or gesticulate to keep the flow of the story just right. The king in his tale was rather unfortunate, in the sense that his hubris and arrogance had led him to make a deal with the Dark One that he did not understand. Most of Rumplestiltskin’s deals seemed to be like that, Beauty thought. And when he came to collect people dared be indignant that he demanded what they promised in the first place.
“The king was furious. Never let go of the grudge. Hired several assassins to try and kill me. A waste of gold, of course.”
He let out a trilling laugh, which soon proved to be contagious. Somehow, over time, it felt like their chairs had moved closer, because if she stretched out a hand she could easily touch him. Odd.
“Serves him right, for making such an open-ended deal. What a rookie mistake.”
She didn’t recall removing her slippers but she must have, because her feet were enjoying being pressed against the soft cushion of the chair. He made a gesture for her to lean close, which was a bit of a balancing feat, but she managed. Her heart skipped a bit when he leaned close too, almost pressing his mouth against her ear.
“You have no room to talk, sweet. You struck a very vague deal yourself, committing to an evening of conversation, chess ‘and the like’. That little turn of phrase is an invitation to all manner of sins, even the darkest and most decadent of debaucheries.”
He hissed the last part, making her shiver. Not content with letting him have the upper hand she turned her head so their lips were inches apart.
“That’s what I was hoping for.”
She could tell she had shocked him into inaction. Cocky Dark One, always in control of the conversation, always one step ahead of everyone else. It was nice to see him floundering, to catch him unprepared. Finally he gulped and put a little distance between them.
“Aren’t you the bravest little poppet.”
“My mother always said ‘Do the brave thing and bravery will follow.’ I’m a firm believer of the principle.”
Slowly, almost painfully so, both his hands clutched at the armrests of her chair, effectively pinning her to it. She knew she was supposed to be scared but she felt nothing but excitement, a buzzing just beneath the skin that made her strangely needy for something. Touch, perhaps, or more. The feeling was so overwhelming she did not realise at first that the laces of her dress were coming undone, as if invisible hands were painstakingly pulling them loose. She tried to make eye contact, but he ducked his head, pressing his face against the base of her neck, where it met her shoulder. She sighed, noticing how gentle he was, his touch feather-light, and discovering that she would not mind a rougher treatment. He was restraining himself, she realised, trying to be a gentleman. Sweet, but not what she wanted from him at that moment. Feeling bold Beauty carded a hand through his hair, pressing his face more firmly against her skin.
“Please, Rumple.”
Those two words seemed to have a magic of their own, producing a sudden and radical change in him. He moved too fast for her to see, wrapping her up in his arms and depositing her on the long dining table on the other side of the room. She did not know whether he used magic or simply moved inhumanly fast, but either possibility excited her, reminded her of the power of the creature looming over her, claws tugging at the unlaced bodice of her dress, dragging the velvet down to expose her undergarments. She was wearing the underbust corset he had provided over the snowy linen shift he had also left for her, so it was easy for him to simply tug the shift down a bit to expose her breasts. He leaned forward, nuzzling the space between her breasts, making a sort of satisfied purring noise as he sniffed up her clavicles and down her throat. Then, once he was happy with the level of squirming she was doing, he finally gave her what she wanted, closing his mouth, with all of its sharp teeth, around one of her rosy nipples. It was a strange feeling at first, more unfamiliar than pleasant, but when he began to suck it changed completely, little shocks of pleasure running from her nipple to between her legs. It was amazing, more than she had ever achieved with her own hands whenever she could get some privacy at night, and the feeling doubled when he grasped her untouched breast, his long claws estimulating the other nipple.
She sunk both her hands in his hair, fisting it in an effort to keep herself from squirming too much, feeling both aroused and impatient. She kept waiting for him to tire of her chest and move further down but when he was finally done sucking her nipples his head moved north, his lips blinding searching for hers till they were kissing. It wasn’t anything like any kiss she had experienced before, not even the unpleasant smack her former fiance had forced on her. Though it was just as forceful there was a wild quality to it, one she had never associated with the affectionate gesture. It was heavenly, the release of passion, far from cooling her down, setting her on fire, stoking her need for him till it felt like she would explode if he didn’t give her relief. 
He must have sensed it, her desperation calling to him like a siren song, because at some point he let go of her mouth to travel south, past her aching chest, and velvet-covered belly to where the skirts of her long gown kept her modestly covered. He wasted no time dragging the heavy fabric up, letting it pool around her hips along with the white linen of her shift. She did not have any other undergarments, having not been provided with any, so she was completely exposed to his gaze, from her milky things to her round hips. She squirmed, trying to picture what he must be looking at, the trim thatch of chestnut curls at the apex of her legs, obscenely drenched by this point and making a poor show of trying to hide the pink, glistening flesh beneath.
“What a lovely cunt you have.” His voice was dark, guttural, a monster trying to speak like a man. It thrilled her. “Let me drink from it, precious.”
He didn’t wait for her reply, choosing instead to simply bury his head against her flesh, his tongue rough and wide as it lapped at her field parting them to seek out the bundle of nerves that was throwing for attention. She arched her back, feeling like it was only her firm grip on her thigh and hip what kept her anchored to the table. She fell into a rhythm of sorts, her body seeking out something she could not find but his mouth striving to compensate, to give her what she needed. It was heavenly and seemed to last an eternity, the sensations building up till everything but them faded away, all sensations muted. She felt him move to, thrusting his hips against the edge of the table, making it rattle in a way that spoke of his sheer brute force. It was heady to have someone like Rumplestiltskin, who had always strived to don the mask of a gentleman around her, be so unhinged, so animalistic. More than anything it was that complete loss of control what drove her over the edge. She cried out, feeling her inner muscles coil and her senses spiral out of control, her orgasm leaving her dizzy. It seemed to last forever and not nearly long enough. She laid there for a while after the feeling passed, feeling satisfied and wanting at the same time. A few seconds later he also keened, slumping against her still-parted legs, his hair tickling the soft skin of her inner thighs.
They lay that way for what seemed like ages, while they scrambled to try and collect themselves. The afterglow did not feel awkward or uncomfortable, and it loosened up her tongue enough to venture out that she had hoped for an even more intimate act, a joining that was even deeper than what they had done.
 “A deal for such a prize would have to involve all my deepest secrets, my most valuable truths.” He paused, pressing his forehead against the silky inside of her thigh, like a penitent would. “One day, perhaps.”
...
“Do you want to meet? I think it’s time.”
The orgasm had mellowed him out, otherwise he was sure he would’ve at least panicked a little bit. But in the afterglow of what they had just shared, albeit virtually, a meeting did not seem like such a bad idea. In hushed voices they arranged the time and place, tomorrow at a café and bistro in Boston. Nice and public, for both their safety. They knew both lived near Boston, so it seemed natural to pick the city. The drive wasn’t too bad, and he hoped it wasn’t a great inconvenience to her either.
Reluctantly they said their goodbyes, both trying to prolong the moment a bit more till they were both close to nodding off. With a final, reluctant goodbye they both disconnected, leaving Gold to clean himself up and make his way home. With his rumpled suit, disheveled hair and five o’clock shadow it must have looked like the walk of shame. It certainly didn’t feel that way.
...
He woke up in a happy mood, perhaps the best in a long time. Far from feeling stupid or embarrassed about his little bit of roleplaying-turned-porn-session he felt smug, empowered by the notion that he had made a smart, desirable woman come with only his voice and imagination. He felt like he was on the brink of something, as if an exciting possibility was opening up for him. 
He went about his day with a bit of a spring in his step, though most citizens of Storybrooke would be pressed to notice. It was only when he saw the book on gardening he was due to return to the library that afternoon- his two Moth orchids had developed small water-soaked spots on the leaves and he had wanted to consult some verified sources instead of relying exclusively on Google search results- that his mood dampened somewhat. As nice as last night had been- bloody fantastic rather- it did make him sad, somewhat, to give up his crush on Belle French. However unattainable it was still nice to have it, that bit of feeling that did not need to be reciprocated to be real. It had been nice to feel something for someone for a change, to look forward to each smile and each small conversation. But it wouldn’t be right, and what he had now was more valuable in any case. Perhaps, with time, he would grow out of his infatuation with the librarian and they could be friends. That would be rather lovely.
He crossed the street towards the library around three o’clock, wanting to beat the rush caused by children being let off school, a busy time for one of the only kid-friendly places in Storybrooke. There were some patrons about, and the afternoon light made the library look truly beautiful. Miss French truly worked miracles with her limited budget.
He found her easily, shelving a few books in the poetry section, and tried not to preen when she smiled widely at him.
“Mr Gold, hi! Always a pleasure. Here to return a book?”
The librarian was always sunny and welcoming, but she looked even happier that day, an excited sort of energy practically rolling off of her in waves. Thank goodness he had decided to give up on his silly little crush, otherwise he might have buckled under the power of her brightness. 
“Yes. And you look particularly happy today, Miss French, if I might say so.”
The librarian smiled even more, if possible, and leaned close, as if to tell him a secret.
“I have a date tonight.”
It hurt, the slightest bit, the shock making him take a step back, but less than it would have yesterday. And perhaps, he reasoned, this would be good. This would put them both in the path of becoming friends, allowing him to leave his crush behind much faster. He forced himself to enquire politely after the lucky man, listening as she talked about someone she had been flirting with for a long time now, and it seemed like the relationship was finally ready for the next step.
“I’m really happy. And very nervous. It feels like such a risk, after all this time building something that could easily fizzle out with a first date. But I’ve always believed in doing the brave thing, and bravery will follow. It’s what my mother always said.”
She had turned back to shelve a book as she finished the last sentence, so thankfully she did not see his jaw drop and his eyes widen, his surprise so visible no one could’ve missed it. His heart lurched in his chest, sheer and sudden panic making it difficult to breathe. Fuck. Fuck. It wasn’t possible. Belle was Beauty. Belle was Beauty. He tried to contradict the notion in his head but he had known Beauty’s British accent was passable but fake, and it made sense for him not to have identified her voice when she usually spoke with her natural Australian drawl, something he associated so closely with her. Everything else he had ever found out about Beauty, in and out of the D&D setting, coincided with what he knew, or thought he knew, about the librarian, one of the reasons why he had developed a crush on her in the first place.
The initial shock was followed by a spike of elation and then a sinking feeling of dread. He needed to cancel. She would be disappointed, but more disappointed if he didn’t and she realised her crush was a man a good deal older than her that was known for being the town monster. It would be awkward and she would not be able to escape him after it, both doomed to meet each other often, given the small size of the town. He could not put her through that.
He stopped himself then, noticing the familiar dark turn of his thoughts, dipped in so much self-loathing it was almost stifling. And he wondered if he really was thinking about Belle or about himself. Being a coward, taking the easy way out. He thought about how he had woken up, the world full of promise and the future bright with the possibility of something great on the horizon. And how he had felt brave last night, to leap into something that had been so worth it. Perhaps it was time to be brave more often. Do something, however small. Put the ball in her court, somehow.
“I wish you the best of luck, then. Perhaps some other time, if you’re not too busy, you could pop into my shop. I have a few antique books I feel you would appreciate.”
It was a nice recovery, and he was happy to see her smile, apparently welcoming the proposition. Everyone knew Mr Gold’s shop was only to be entered when making deals. He didn’t really allow idle perusal of his stock and no one had the money or interest to buy his antiques. His business was conducted mostly with people from major cities on the East Coast.
“Wow, an open invitation to traipse into Mr Gold’s shop, that’s not something one sees everyday. What do you want in return? I hear only deals can grant you access to the shop.”
She made sure to make it clear she was joking, something he appreciated. Feeling emboldened by her kind gesture he adopted a slightly higher pitch and replied:
“Oh, nothing much. Companionship, perhaps a game of chess, some good wine, conversation and the like.”
Being close enough he got to see as it dawned on her, as her brain quickly processed what he had said and where she had heard it before. And he knew, knew because of the way she looked at him, as if she did not recognise him, as if he was a brand new person to her, that she understood the implication, what he had meant to tell her without actually telling her. 
“Hope to see you soon, then. Good luck with the date.”
He turned around before he could second-guess himself, feeling terrified by what he had exposed but satisfied at the same time. This way it was Belle’s choice to show up. For all she knew he had no idea that she was Beauty. She could make up an excuse and simply not meet her, and their worlds would never merge. If she did not want to pursue anything between them all she had to do is cancel the date, or not show up. He would respect her decision and never push for anything, or acknowledge their online relationship in the real world.
He sent her an email just as he was about to get into his car, letting her know that he understood that this meeting was a bit of a risk and he would understand if she backed out at the last minute. There were other things he could do in Boston, and he was not adverse to having dinner by himself. And they could still be friends, no matter what she decided. He was halfway to Boston when he heard his cell phone ping, letting him know he had a new email. As he expected, it was from Beauty:
“I’m on my way. Can’t wait to meet you! See you soon.”
He smiled.
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emilycollins00 · 3 years
Text
Two faces of the same coin
Pairing: Tenma x ghost-looking! reader Part 1.
Hey! I had this awesome ask from sadly ages ago which I appreciated a lot bc honestly, just the fact that someone sent such a detailed thing?? My heart.
Request: (...) Tenma finds someone who looks like they got out straight from a horror movie- They could literally pass as a ghost anytime of the day! But once he talks to them they are just an extremely chill introvert, and actually really thoughtful and considerate? (...) So yeah, imagine Tenma who once was shitting his pants whenever that person was around slowly starting to enjoy their presence and even better: fall for them.
Enjoy! 💕
.
Classic horror icons and other disturbing creatures share common characteristics, pale skin, dark, sunken eyes, hunched posture, sharp teeth, and the like. These images inspire fear and revulsion in many with good reason. And while Tenma would insist he was okay with them- he really was and Yuki should really just shut up- he wouldn’t go out of his way to watch or read about that specific genre. And he was okay with that.
“A ghost in the school?”
He tried to not sound as worried as he internally felt, his brain still processing what Taichi was talking about while waiting for their drinks to drop. The redhead nodded unaware, eyes fixed on the vending machine “Yeah! You haven’t heard about it before?”
“W-why should I? It’s stupid to think paranormal stuff like ghosts exists anyway.”
With a clank, both drinks finally fell. Taichi crouched down to retrieve them humming happily, handing one of them to the summer troupe leader and keeping one for himself.
“I don’t know man, it’s kind of cool!” he crossed his arms behind his head, resuming their walk and looked behind. “What about you, Juza-san? You seen anything?”
The purple-haired boy considered it lazily, but ultimately shook his head. He didn’t seem too interested in the conversation anyway, and Tenma was pretty sure the main thoughts running through his head were today’s melon bread from the cafeteria.
It had been a while since their Ouka-high group had been able to have lunch together.
“Did you see? That Sumeragi Tenma is back!”
“Gosh, he looks so handsome!”
“Wait- don’t push me!”
“I heard he’s going to be a possible cast in that famous saga-”
“Are you serious?”
Whispers and tiny squeals kept circling them as soon as they entered the boundaries of the canteen. And while Tenma barely notices it at first, he can definitely see Juza’s stance going more rigid and Taichi’s eyes glowing at the attention received.
“I’ll go get our lunch” the golden-eyed teen announces heading towards the queue, hands buried in his pockets. He motioned Tenma with his chin. “You wanted set B right, no carrots.”
“Uh? Well yeah, but I can-”
“S’okay, you two go find some seats” he shrugged, looking around. There weren’t many spaces to start with and he’d honestly prefer focus on the food rather than the stares. “It’d be difficult to keep ‘em free with just one person anyway.”
“Roger! Come on Ten-chan, let’s go!”
.
.
.
“Aw, man. Everyone has their eyes on you as usual!” Taichi looked around, still indulging himself with all the people that were staring at them, some more blatantly than others.
How he didn’t get bored of mentioning it every time Tenma didn’t know, though he was low-key grateful. Not many people enjoyed being part of those types of reactions from a crowd- Juza for example-. When they finally managed to find some empty seats, Taichi placed his own bento on the table visibly excited. Tenma frowned.
“Since when did you start preparing lunch by yourself?”
“Ah, this?” the redhead laughed proudly at his confused look “See, I’ve been practicing my cooking skills! Tsuzuru has been super cool teaching me how to prepare some dishes for my siblings- plus, I’m sure I’ll get the attention of girls if they see my new talent!”
“Right…”
Tenma couldn’t decide whether he should make a comment as he took a long, thoughtful sip from his own juice can. Taichi’s lunch was a side of string cheese, a broken omelet, and some semi-burnt rice and it just didn’t seem very tempting.
He ultimately chose to leave it aside. Omi would surely know soon enough.
“So, uh, Taichi.”
“Yeah?”
He coughed, leaving aside the can and resting his back on the chair nonchalantly. “N-not that I care about that rumor, but- where is that ghost supposed to be?”
“Ah, the one we talked about? Mmm…” the autumn member caressed his chin, closing his eyes in deep thought. “No one really knows. It’s been spotted in pretty much all parts of the school” Tenma’s stomach sank at that. “But I’ve heard it likes room 1001 for some reason, you know, from the old side of the school? No one really uses it anymore- guess it makes sense!”
The redhead took again the chopsticks and started digging on the rice carefree.
“R-right.”
Tenma shook his head. Cool. Great. Now he knew which side of the school he would never even try to approach at least.
“Tenma-kun!” a female voice, not familiar, made him jolt from his seat. When he looked up a girl followed by two others were are already making themselves comfortable on the chairs next to them- one of them even deciding to sit on the table. “Hi there!”
Third years.
"Hi” he repeated.
“We saw your appearance in that new series, it was unbelievable!”
“Are you going to be a recurring character there? I’d love if you could ask one of the leads to sign a shirt of mine!”
He simply showered them a practiced smile. He could already tell what type of fans they were. It wasn’t something out of the ordinary- people approaching him about his shows or to ask for favors- and honestly, it was better not entering in that dangerous territory. “Thanks. Nothing’s been said yet, that’d depend on the company. I’ll be counting on your future support.”
They instantly beamed at his reaction. “Of course!”
One of them clapped her hand together “That reminds me, when is your next performance in that theatre company you play? I so want to go see it again!”
“Ah, that will take a while. We just finished a month ago so next up is the autumn troupe” he motioned Taichi with his head, a proud, real smile featuring his face this time “These guys have been going all out, you won’t be disappointed.”
“O-of course!” the shortest Ouka high student practically jumped into the conversation. “If you all want, we could ask for a few tickets from our-!“
“But Tenma-kun is not in that troupe, right?” the girls looked at each other confused. As if it wouldn’t be something it’d cross their minds to do, had the child actor not participated before.
“W-well, no but…”
“Plus, the summer troupe is hilarious! I kinda prefer those types of performances, you know?”
“I totally get you!”
From his peripheral vision, Tenma could register Taichi’s face growing red- a strained smile before sitting back on his seat, not trying to add anything to the conversation anymore.
Smile. Remember to smile.
“…We all give our all on those performances, I don’t think it’s fair if you have just watched the summer troupe. You’ll definitely enjoy it if you give them the chance.”
“Really?”
“I mean… If Tenma-kun says so maybe we could go take a look.” one of them gave a chuckle, playing with their hair. “You think we could ask you to get us some tickets for-?”
“If you are not eatin’ you should leave.”
“Uh? Can’t you see we’re-” the sentence died in their lips as soon as they turned and encountered Juza. Not that he himself was proud of his reputation, but during these situations at the very least it paid to see they knew who he was.
“Move.”
The resulting glare was terrifying in its intensity, and the retreat took no longer than a few seconds. No one mentioned anything afterward- Juza’s calm and blank expression coming back as he sat down, handing the summer leader his lunch and squinting down at Taichi’s.
“What the hell are you eatin’.”
“Hehe it caught your attention too, right? You see…”
Tenma observed them. They were acting as if nothing had happened. Not so long ago people tended to stay away from him for those same reasons, so it still took him a few seconds to find the words again- For feeling this relieved at their reactions.
He left the chopsticks aside. “Sorry this... keeps happening."
They momentarily stopped the conversation, sharing a silent look before turning to the teen actor facing the table in awkwardness.
“I-It’s okay, Ten-chan! They would obviously be more interested in watching you than an unknown performance” Taichi laughs and scratches the back of his hair. He seemed to be fine- a bit uncomfortable, but fine. “Besides, that just means we have to work even harder to be recognized, right, Juza-san!”
“Yeah, don’t get stuck thinkin’ ‘bout it. We ain’t losin’ any time soon.”
“Anyway Juza-san, are you sure you’re okay with only melon bread and pudding for lunch? I can give you some of mine!”
Juza didn’t verbally answer Taichi’s offer, merely staring at the burnt rice being held in front of him with skepticism “…nah. I’m okay.”
Taichi frowned at his own food, tilting his head confused. A few seconds later, he gave it an ultimate shrug before going for one more bite, Juza doing the same with his own lunch. Tenma scoffed at the view, trying not to smile amusedly. The autumn troupe really was made out of beasts.
“If Sakyo-san saw what you two are eating he’d skin you alive, you know.”
“Why.”
“What do you mean why, Juza-san you can’t expect-“
"Ah, that reminds me!” Taichi suddenly rambled, mouth full of rice “We should totally go to the arcade before we head up to the dorm. I heard they have these new games that are supposed to be super exclusive!”
Tenma winced “Can’t. I have a meeting with my homeroom teacher after classes.”
The other two replied with a similar expression.
“I almost forgot you came from a big shootin’ and all. We’ve been seein' you in the dorm pretty much everyday.”
“Yeah! Geez I always say I envy you, but dealing with that after working must suck!”
“You tell me…”
Taichi shook his head, giving him both thumbs up “It’s okay, we can go another time. Good luck though!”
.
.
.
“You can sit here. I’ll go bring your work in a second and then we’ll talk.”
With a lazy look on his face, Tenma caught a glimpse of his own reflection from a trophy case- one of the few resting at the entrance of the teacher’s lounge. He had never paid attention to them before; Second prize in a football tournament, first prize in some races and a few diplomas regarding different competitions, nothing too special. Ouka high had never had the best score regarding academics, which is exactly why he was able to enter.
Igawa liked to insist it wasn’t entirely Tenma’s fault he had so many troubles keeping up with schoolwork though- well, not more than the usual of not being good at studying. No one actually knew how hard celebrity kids had to push themselves- at least that’s what his parent had said. On the other hand, they hadn’t really cared much more, so long the school allowed him to be flexible with his schedules.
School time was usually done while moving sets and camera changes. He and other kids and teens were at different levels of schooling most of the time, so the teacher was forced to divide their time. Honestly, one would be lucky to get 30 minutes of full tutoring.
Anyway, it was rotten work and even Tenma knew it. He also knew what his homeroom teacher thought about it, which is exactly why he couldn’t help himself raising his eyebrows concerned as he saw the pile of papers being drop over the desk.
“Is this a joke?”
“I know you’re busy, but there’s a minimum to do keep up with your classes and… general results.” the old man frowned scratching his grey four-days old beard. He clicked here and there at the computer, probably revising the latest results of the tests they had done.
He then leaned back on his chair, trying to find a comfortable position before his wrinkly eyes turned to him again. “I wish I could think of another way, but you are getting quite behind everyone, Sumeragi-kun. We’re worried.”
Well, it was not his fault he couldn’t remember all the information they gave him like a script. Was it really the solution giving him the same amount of work as his classmates with half the time?
Before he could open his mouth to complain, the man placed his hand on Tenma’s shoulder. It felt heavy. “I already talked with your manager. It seems you’ll be having a break for a month and a half just before finals and I’d like to help you. We can’t have one of the biggest faces of the school repeating a year, can we?”
Tenma’s jaw clenched. Of course, everything was always for Sumeragi Tenma the actor. Student Tenma could go drown himself.
“Here you’ll find some reinforcement materials I think will be good for you to do in school. Less time wasted while moving and I’ll be here in case you have any questions.”
His face twitched. That would mean he wouldn’t be able to ask for Tsumugi’s help or any of the adults back in Mankai. “I actually-”
“Suguro-sensei, Someone’s calling for you about tomorrow’s meeting!”
“Is it that time already... I’ll be right there in a second! In any case, I would suggest you go work on the library Sumeragi-kun.” the man got up, finishing that way their conversation. “It should be quiet enough, but if you see any students being too loud, give them a call.”
Tenma side-glanced again at his workload, groaning internally.
Just about his luck.
.
.
.
Twenty minutes walking.
How could such a big school not have a single sign to indicate where things were?
Squinting his eyes, Tenma looked both ways across the hall annoyed, his already short temper from before increasing. He was sure the library was two turns to the right, then left, and then up the stairs from the teachers’ lounge.
...or maybe it was a floor down now that he thought about it. Damn it. It wasn’t as if he had ever stepped inside that place, shouldn’t they make it more accessible for everyone?
“This sucks…”
It had been a while since he had seen other students or even teachers around, which also made him feel uneasy. He glanced down at the paperwork in his arms, gripping it tighter. He hoped no one would see him walking around like this.
Just where was the stupid library?
It wasn’t until Tenma decided to try entering inside any room that would allow him to work, that he found many were strangely closed. He was about to gave up when he finally saw the dusty word ‘library’ at the end of the corridor. Finally. With effort he managed to open the heavy door, immediately pinching his nose.
“Ugh, stinks.”
The person in charge of cleaning the school really did a worse job than Matsukawa- at least the man cleaned from time to time and organized stuff. The place was an absolute mess; boxes over the floor, piles of books on chairs and shelves full of documents and other various things he didn’t quite distinguish.
Leaving everything on the closest table Tenma sighed when he felt his arms relaxing without the weight. Frowning, he walked around the place, smelling a mix of dirt and old- even some shelves were full of dust. Really, how did a school like this had such a gross place to study? No wonder students didn’t try to come here.
He should have asked for permission to take his work back to Mankai. Less danger of someone noticing he was behind his studies and it becoming a gossip- or worse, finding he had been walking without an absolute clue for the last half hour.
Yeah, he had more options to pass the year with Tsumugi’s help rather than on his own. Just looking at the amount of work he had he was sure it’d-
The faint sound of walking steps brought him back from his thoughts freezing him on the spot- all his breath trapped. He hadn’t heard anyone since he entered, but it shouldn't be surprising to find others studying.
I’ve heard it likes room 1001 for some reason, you know, from the old side of the school? No one really uses it anymore- guess it makes sense!
Or it was probably the wind. The wind tends to make noises, Tenma reminded himself while swallowing with difficulty.
Was the air suddenly thick?
Crack!
He strained to hear, his heart pounding loudly. “I-Is anyone there?” the nerves made his voice come out higher than he had hoped.
More cracks and sounds of steps. He couldn't see anything yet.
His stomach turned as his breath became louder. This wasn't happening. Yup! It was his imagination. What was happening could not be real, because ghosts didn’t exist. “I-I’m not afraid, you know?!” he shouted, positioning himself on a fighting stance while carefully moving backward.
That’s right- Tenma wasn’t scared. He had just rested enough, with or without a ghost in the room, and it was about time to leave. Ignoring his sweaty palms and nodding once more to nothing in particular, he turned around at the same time a pair of eyes made contact with his.
The figure opened its mouth.
And Tenma proceeded to absolutely destroy his throat.
_________________________________________________
This took so long though I’m not even sure If they are around. If you are love, I apologize! I found a few walls writing-wise. So not entirely to say I made it longer to make up for it but on the other hand... maybe. Thank you so much for sending such a nice idea so I was able to make this, really hope you like it. 💕
I promise this is a reader insert lol thank you for reading!
Part 2 soon!
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diamondcitydarlin · 3 years
Text
A lot of people are saying and talking about this, but I thought I'd maybe also help give some direction to 'taking action'. If you're choosing to interact with people on social media regarding queer representation for Loki's character and/or representation of a romantic component to Lokius, please bear in mind that it ultimately comes down to the corporations themselves whether these decisions are given the green light, I'm talking executives in suits that aren't going to be active on social media in the same way the cast and crew are.
Perhaps not a total shock, but no, sending hate, vitriol to the cast and crew is not only unnecessary and cruel, it's actively harmful to everyone's ends. I realize there's writers and directors that made decisions, I realize Tom is an executive producer, etc etc etc, that said, all of the decisions they make have to be approved by the executives and suits I mentioned above (those who direly protect the Disney/Marvel brands), and many of the things we ended up seeing in the final product were probably from notes those same executives sent back on scripts that the writers then had to do their best to incorporate. Many, many things may have been cut by the same people. I've been there, trust me.
So how does one successfully campaign and ask for better representation than what we're getting? We make them know how much we want it, and there are many ways of doing that. Marketing looks at fan works, marketing looks at what fans are engaging with the most, talking about the most.
To be clear, I'm not saying send shipping material directly to Tom and Owen. Please don't do that either unless either one of them explicitly requests it somewhere.
What I'm saying is to keep creating. Keep cosplaying. Keep writing fanfics and drawing fanart, put it on social media, tag it with #Loki and # Lokius, keep writing meta. As I've written in an earlier post, I don't think it's a coincidence at all that Lokius shares certain traits with another popular Loki pairing, Frostmaster, that became super visible in its time. They look at these things, they take notes from how fans are engaging with the subject material.
I'm also not saying this is a surefire way to force representation through, but I do know that even in this business one catches more flies with honey than with vinegar (I've seen past toxic fan campaigns against production companies get used as justification for not doing the thing). As tempting as it is, as frustrating as it is, I believe there are more impactful ways of getting one's voice across.
So, yes- create. Uplift. Retweet art, tag your creations, make the idea of queer Loki visible where it can be seen by those who would be interested.
This goes beyond one pairing, of course. This goes into the completely human desire of wanting to see oneself reflected in the mainstream art we consume, the desire to see one's reality normalized in a place where everyone can see and maybe even better understand. And it's ok to be frustrated right now, because you do deserve better, but remember that you still have a very loud voice here and it's being listened to even if it doesn't always feel that way.
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letterboxd · 3 years
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In Focus: The Truman Show.
Inspired by Letterboxd data that revealed it to be a lockdown favorite, editor-at-large Dominic Corry looks at the ever-evolving importance of contemporary masterpiece The Truman Show.
It has long been apparent that The Truman Show is an unnervingly prescient film. The story of a man who becomes aware that his superficially idyllic life is, in fact, a live-streamed television show has gone from being high-concept to every-day.
Thanks to the three Ps—the prevalence of mass urban surveillance, the proliferation of reality television and the pervasiveness of video in social media—the notion of cameras filming our every move is no longer a paranoid fantasy, but real life. The twist being that, for the most part, we all willingly signed up for it, and did all the filming ourselves. As Yi Jian saliently observes in his review: “Not to get all ‘we live in a society’ on Letterboxd but I know a person or two in real life that would actually give anything to trade lives with Truman, it do be like that sometimes”. It indeed do, Yi Jian.
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So it’s something of a cliché at this stage to point out how we are all living in some version of the The Truman Show, and you don’t have to be a member of the royal family to feel that way. Yet, somehow, the film has become even more pertinent over the last eighteen months. And it’s a pertinence reflected in the massive uptick in viewership for the film as seen in Letterboxd activity.
During the month of February 2020, the last moment of the Before Times, The Truman Show had a modest 1,235 diary entries. That number tripled in April of that year, by which time the seriousness of the pandemic had become clear. And by July, deep in the worst of the pandemic, Truman fervor peaked, with a further 178 percent leap over April’s numbers, firmly placing it in the top 200 films watched by our members in a year of lockdown. (By the way, ‘diary entries’ mean activity where the member has added a watched date; many thousands more also marked Truman as ‘watched’ in those dark months, but didn’t specify a date.)
It’s not difficult to imagine why we might become more interested in revisiting this eminently re-visitable film. During lockdown, social media—including Letterboxd—took on a greater presence in terms of how we communicated with each other. We got used to seeing footage of faces more than actual faces. We were all the stars of our own ‘Truman Show’, and simultaneously the audience of everyone else’s ‘Truman Show’.
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Christian Torres boiled it down effectively when he wrote: “Now every movie I see seems to be related to my life in quarantine. I am Truman and I want to escape.” And Sonya Sandra eloquently captured the film’s increased contemporary significance in her review: “This is a real-life daylight horror film. The best kind. Even more relevant in 2021 than ever. We are all Truman, we all want to find what is real in our fake lives filled with media, capitalism and ideology. And it’s our job to fight the storm and get to the truth of it all. Nothing is real, everything is for profit, and everyone is selfish. Go out and find what is real, because it’s definitely not here.”
With its deft, dazzling blending of the profound and the humorous, the optimistic and the cynical, it’s difficult to think of anything released since The Truman Show that comes as close as it does to being a modern-day Frank Capra movie. It’s hopeful, but has its eyes wide open. There’s a darkness in the themes of the film that is never replicated in the colors on display.
While everyone involved delivers career-best work, we must principally credit the triumvirate of talent at the center of the film: director Peter Weir, screenwriter Andrew Niccol and star Jim Carrey.
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Star Jim Carrey and director Peter Weir on the set of ‘The Truman Show’ (1998).
Weir is a director who inspires much online love whenever his name is mentioned, but he isn’t really mentioned all that often. Or at least as often as he should be. The Australian filmmaker has delivered masterpieces across multiple genres, and it’s extremely sad that he hasn’t directed a movie since 2010’s not-quite-true World War II drama The Way Back, arguably one of his lesser works. That’s also, insanely, one of only two movies he’s made since Truman, the other being Master and Commander: The Far Side of the World, the wide and rabid affection for which regularly kicks up on Twitter (not to mention demand for a sequel).
Weir doesn’t do many interviews, and while this 2018 Vanity Fair article marking Truman’s twentieth anniversary has many quotes about the film’s modern relevance, Weir doesn’t offer any commentary to that effect, presumably preferring to let the work speak for itself—though in this 1998 interview he did talk about the relationship between the media, the general public and the people we become fascinated with, as a “complex situation”.
The Vanity Fair article does, however, reveal a fascinating ‘what if’ scenario relating to Christof, the god-like director of the in-movie TV show played by Ed Harris, who offers up a pile of pretentious auteur clichés: mononymous, beret, etc. (beyond the whole god thing, that is). When Dennis Hopper, originally cast in the role, wasn’t working out, Weir considered playing the role himself, which would’ve added yet another meta layer. It brings to mind how George Miller styled Immortan Joe (played by Hugh Keays-Byrne) after himself in Mad Max: Fury Road, or how Christopher Nolan’s haircut shows up in most of his films.
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Ed Harris as Christof in ‘The Truman Show’ (1998).
And, at one point, it could have gone mega-meta. Weir, in the 1998 interview, talked about a “crazy idea” he had, a technical impossibility back then but easily achievable with live-streaming now. “I would have loved to have had a video camera installed in every theater the film was to be seen [in]. At one point, the projectionist would … cut to the viewers in the cinema and then back to the movie. But I thought it was best to leave that idea untested.” Imagine.
Weir also played a role in helping to shape the originally much more overtly dark screenplay into the cheerier (on the surface at least) shooting script, which is solely credited to fellow antipodean, New Zealand-born Niccol, also a producer on the film. Both men have done the majority of their work in America, but it’s tempting to credit the film’s tone-perfect sense of heightened Americana to the degree of separation offered by their foreign provenance. In any case, it’s clear that open-air mall designers were paying attention.
Niccol’s original screenplay made his name in Hollywood, and revealed a storyteller excited by big ideas. He moved into directing with the smaller-scale Gattaca, released a year prior to Truman (itself delayed to meet Carrey’s availability). Niccol’s subsequent filmography includes several legit bangers (Lord of War hive step up!), and his endearing dedication to lofty allegories in a genre setting makes him an increasingly rare breed in Hollywood.
Like Weir, he is not the greatest fan of giving interviews, but the Vanity Fair piece quotes him making an interesting point: “When you know there is a camera, there is no reality,” thereby making Truman “the only genuine reality star.”
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It’s a sentiment echoed by MusicMoviesMe, who writes that “‘Truman Show’ beats all other reality shows out there like Bachelors, Survivors and Kardashians. Come on, when you know there’s a camera at your tail, there’s no reality. So yes, Truman beats all reality shows out there bar none!”
The role was perfectly suited to Jim Carrey’s affected mannerisms, and his status as one of the world’s biggest stars meant he could relate to Truman more than most people. Then, at least. Nowadays, of course, we are all Truman.
“It is always incredible to see how far The Truman Show was ahead of [its] time,” observes The Closer79. “In a world where celebs are monitored 24/7 and we are showered with unnecessary private information on the web, where talent-free wannabes become famous and where you sometimes [wonder] what kind of surreal show society you are in—Truman and his fake show life cleverly have anticipated all of this. Only Truman knew nothing of his luck and he was granted an escape from his glass prison. We don’t really have this possibility… Aren’t we all Truman? Sometimes even voluntarily…”
Austin Burke concurs: “I have always known that I really enjoyed this film, but I had no clue that it would hold up so well years later… Could this be because the strange world that he finds himself in is far more similar to our world today? Possibly, but the idea and themes are so much more relevant now compared to when this originally released.” And while DallasFrance is conscious of piling on about the film’s prescience, his review highlights how there really is no limit to the film’s meta qualities:
“Instead of writing a review about how this film predicted social media, or how we’re all Truman, or yadda yadda yadda, I’ll instead fixate on the miraculous fact that two absolute legends were cast as primary viewers of the Truman Show:
1. The old lady from The Running Man who starts betting on Ben Richards (Arnold Schwarzenegger). ‘He’s one bad motherf*cker!’
2. The villain from The Karate Kid Part II:
‘Live or die, man?!’ ‘Die!’ ‘Wrong!’ *hooooonnnkkk*
I’ve never seen either of these actors in any other roles. With the second one, I felt like I was watching a character from my childhood watch a character from his childhood come to realizations about the characters in his childhood. So actually… the movie’s really about me.”
Never change, LB membership.
We are all generally pretty aware of how ahead of its time The Truman Show was, but that doesn’t lessen its impact. Maddie’s review shows that there’s always some new angle to consider: “Imagine being an extra in this movie… You would be an extra, playing an actor, playing an extra. Think about that long enough and tell me that doesn’t make you want to walk into the ocean.”
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Kev goes even further: “Watching other people watch somebody else while also watching that person while also watching the person watching over that person is a great reminder that watching is weird, and to be watched is to not own yourself. Don’t watch, don’t try to be watched. Just live.”
Or perhaps Will encapsulates the film’s ability to present an ever-evolving message best, writing that, “clearly, this is video proof that we live in a simulation.” Beyond mere prescience, The Truman Show is a telling mirror to whatever era it is viewed in. Its message will continue to evolve.
Now that we’re finally (touch wood) emerging from the pandemic, it will be fascinating to see what The Truman Show has to say about its audience and the world they live in, in years to come. Rest assured, it will be well-documented by you, the Letterboxd audience.
Also: can Peter Weir please make another movie? Like, seriously.
Related content
A Meta-Reality: Robert’s list of layers of film in life and life in film
Follow Dom on Letterboxd
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rwby-sk · 4 years
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My ship thoughts
This will be a long post, so I’m putting it under a ‘keep reading”
Bumbleby  - Until Vol.4 I wasn’t sure if the Bees liked each other. Like yeah, we’ve had solid evidence since, like, their Vol.1 trailers. But still. I wasn’t sure CRWBY would do it. But wow was I impressed.  - Probably my favorite well-known ship - Their EYES are the colors of each others SOULS what more do you want??? - I wish my gf would throw a motorcycle at my abusive ex...
Nuts and Dolts  - I tried pushing this ship out of my mind for so long. I did. I wasn’t ready for it  - I appreciated the things people made for the ship. I knew it had potential  - But wow. Vol.8 really said “Nuts and Dolts rights” and I respect that - They’re so cute together. It’s like if Pyrrha came back to life and could be with Jaune again.  - But healthier this way (see Arkos)
Renora  - Wholesome - Cute - ‘Boop’ is one of my favorite songs - We all saw it coming. But how we got there was the fun part  - That Vol. 4 finale though...
Arkos  - First off, Arkos is my favorite ship from Vol.1-3 - Himbo is taught how to drink his respect women juice by an Amazon? Sign me up  - The character development, the mutual respect, the CARE - ForeverFall still fucks me up. I cry when I listen to it - I love Pyrrha, she’s my girl, but... She really betrayed Jaune’s trust at the very end. He told her specifically he never wanted to be helpless and watch his friends fight for their lives again. And she did exactly that to him. Making him wonder if he could have made a difference had he been able to fight by her side with her in the end.  - But it’s not really even Pyrrha’s fault. Ozpin’s expectations and Cinder’s plan are more to blame - Still high tier - It’s just so tragic
WhiteKnight  - Cute in theory  - But it’d have to be done so carefully to be a good romantic pairing  - As friends? I LOVE IT. Make these two best friends right now! - But Jaune moved past his feelings for Weiss in Vol.2 when he finally realized she meant it when she told him she didn’t like him  - I’m shocked though that so few people pick up on Ep.3 Vol.1 when Weiss is making fun of Jaune and mockingly calls him a “cute boy”. I think Jaune just thought Weiss liked him already, and went from there. He hits on Pyrrha pretty quick in Ep.4 too - I think it could work with who they are now, but I think they’re better as friends 
WhiteRose  - The sole reason I didn’t ship Nuts and Dolts sooner  - Vol. 6 messed me up okay? That red scarf really threw me for a loop - Chasing each other in the Argus Limited?  - Weiss sassing Ruby non-stop Vol.1-3?  - It also completes the RW BY JP NR pairings. I like to joke that the Emerald forest is actually “true love” forest. And whoever you lock eyes with first you fall in love with them. But that only works sometimes  - Also that part where they call out each others names when Jinn shows them Ozpin’s past 
Ladybug  - Cute and interesting  - I’m not against it. I would just need more of it to ship it myself - They just have such solid connections with other characters  - I do love Blake’s introduction to the main cast though, and how much Blake looks up to Ruby 
Freezerburn  - Similar to LadyBug  - Cute, but I just ship them more with other people  - That hug in Vol.5 was a bit sus though - Yang does seem to open up the most with Weiss - And Weiss defended Yang so quickly after the Mercury fight  - It’s not unfounded, I’ll say that  - Analyzing it has opened my eyes 
Crosshares  - Yes  - Just  - Yes  - High femme fashion ICON Coco Adel  - With fan-fave Velvet Scarlatina - WLW powercouple  - I wish I was Coco and Velvet is cute, not much to understand here, keep scrolling 
RoseGarden  - I have my concerns  - Oscar is a wonderful kid  - He probably has a crush on Ruby  - And he is a wholesome boy who deserves all the happiness  - But he also has a manipulative immortal Wizard in his head  - So - You know
Lancaster  - I never saw Lancaster. Jaune is the first boy Ruby meets. And Jaune calls her cute and quirky once, but... - I love Ruby’s talk with Jaune about failure in Vol. 1, then his return to that speech in Vol. 4 in return.  - I think they lean on each other as leaders - But I don’t see it going further - Cute though. I’ve seen nice fanart 
BlackSun  - I read an analysis a long time ago that really sat with me  - Blake asked for space (not out loud, but in action) when she ran away - Yang gave her what she wanted. She didn’t like it. But she gave Blake what she asked for.  - Sun on the other hand, didn’t. He followed and helped her anyway. (Believe me, Blake could have used all the help she could get in Vol. 4-5) But in doing so, he kinda took himself out of the running as love interest.  - He’s and excellent Foil for Blake though, so I love him
SeaMonkies  - Two bros, chilling in a hot tub... - Is it gay to become junior detectives with your best friend and only hang out with him for like 3 seasons?  - These two are just  - So fucking stupid  - Apart, they are fine. Very competent.  - Together though - They are just so dumb I think its cute as hell 
JNR  - Wholesome  - I could see it in Argus. In front of Pyrrha’s statue - They love each other  - Maybe its not 100% romantic  - But they love each other  - I could be happy here
JNR+Neo  - CRIME + Ren  - The pure chaos of Nora and Neo  - The exhausted mom-friend energy from Ren and Jaune - The power polycule that could take on Salem alone and maybe win? - I think it’d be cute, but I personally ship them in the two pairs a bit more. 
Bees Schnees  - We add Blake and Yang’s angst, Yang and Weiss’ trust, and Weiss and Blake’s mutual understanding and growth  - Wow okay  - I have to give it to you, I kinda like it
Neo x Jaune x Ruby  - Based on my response to Lancaster, you might be able to guess my answer here - I think a lot of the ship’s points lie in “What’s better than one short girl dating the tallest guy in the cast? Two short girls dating the tallest guy in the cast!” - Cute though, I think it’d be chaotic and wholesome  - But poor Jaune would be exhausted trying to make sure the house doesn;t burn down every five minutes 
May x Winter  - Look - If I hadn’t made a Neo x Jaune side blog  - I would have made a May x Winter side blog  - The comparisons  - The family legacies  - The pure amount of how attracted I am to both characters  - What happens when two tops date each other?  - What if they were partners in Atlas?  - What if May was Winter’s first crush. And after May came out, Winter was like “Oh thank the gods, I was worried I liked all women and only one guy for some reason. Cool, crisis adverted. So anyway, Marigold, here’s how you do your makeup” - I could go on - Haha don’t tempt me - I’m serious  - Please let them sass each other at some point
GuardDogs  - Marrow = Just doing his best  - Jaune = Just doing his best  - Marrow and Jaune = two himbos just vibing in this world  - If we don’t get Silentknight, I’d be proud to get GuardDogs - Marrow sure has been worried about “Juan” this whole time, huh?
Emercury  - The sass - The pure sass  - Mercury’s unearned confidence paired with Emerald’s quick temper  - Wow, I hope Em can turn him away from murdering people.  - If Em gets 1 friend, I hope its Mercury and not Cinder  - At least Mercury cares about her (But he’s too cool to admit that outright) - Mercury is going to see Em on RWBY’s team and just immediately walk over and join up. No questions asked. “I guess we’re good now. Sorry Tyrian, its been cool, not really”
Happy Huntresses - Yes - Look at that HUG - Ladies, is it gay to go off into the tundra and form a rebellion against the fascist government with three of your hottest gal pals? 
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365days365movies · 4 years
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February 14, 2021: Brokeback Mountain (Review)
SORRY! This one was never published. So, rewind to yesterday for me, and stay tuned for the Recap and Review of the next film tonight! Anyway, in terms of Brokeback Mountain...
This sums up my feelings exactly.
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I tell you, I enjoyed this movie FAR more than I thought I would, and it definitely wasn’t what I was expecting. It’s heavy, it’s tough, it’s not afraid of moral ambiguity and complex characters, and it’s a VERY good character study, holy shit. And that actually has led to something...interesting in my analysis.
But I’ll get there. Overall, this has managed to further cement Ang Lee was one of my favorite directors. Seriously, he’s been fantastic for me this year, and I’ve now seen 4 of his films. Winning me over. Oh, and one more thing. Remember how I said my girlfriend was a huge fan of Jake Gyllenhaal? Here she is, by the way.
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Well, I’m a big fan of Heath Ledger. And, yes, it’s partially for the obvious The Dark Knight reasons, but also...honestly, he’s great in 10 Things I Hate About You.
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Takes some GODDAMN TALENT to make me like a character like Petrucio, who is maybe one of Shakespeare’s biggest pieces of shit in any play. Plus, I also remember him in The Brothers Grimm! That was a movie I liked when I was, like, 15. And it always greatly saddens me that he’s gone. Ugh. Guts me.
Speaking of being gutted, let’s talk about this movie! Recap’s here and here!
Review
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Cast and Acting: 10/10
They’re perfect. Yeah, uh, Heath Ledger and Jake Gyllenhaal COMPLETELY DISPPEAR in these roles, as Ennis and Jack. I was 100% involved and convinced by these two, and that’s one hell of a feat, considering that both of them are actors I know very well. I expected to see Mysterio and the Joker the entire film, and they both vanished into these roles, I CANNOT emphasize that enough. And their chemistry, while complex and nuanced as SHIT, is fantastic. Not necessarily my favorite couple (sorry, guys, Fonny and Tish still take it for me), but arguably the most fascinating. That might be because of the environment and setting of the film as a whole, but they expertly dance within those lines.
Oh, and the supporting cast? WHOO! Yeah, Michelle Williams knocks it out of the part, Anne Hathaway also vanished into her role, Linda Cardellini had a memorable scene or two, and Randy Quaid was also surprisingly good! Seriously, no slouches here. An all-around perfect cast for a near perfect film.
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Plot and Writing: 10/10
...Near perfect. I will say, there will be a few negative points in here. But writing? Naah. Plot and writing are SUPER goddamn strong here. The original short story by Annie Proulx is definitely one to look out for, but its adaptation by Larry McMurtry and Diana Ossana is...well, it’s basically perfect. It’s not overly sappy, it’s very realistically romantic and heartbreaking, it’s surprising, it’s engaging...what else is there to say? This is some of the best writing and plot that I’ve ever seen. I can’t think of any prominent flaws.
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Directing and Cinematography: 10/10
...Ang Lee is legit one of my favorite directors right now. Like...hot damn, this movie’s gorgeous. Oh, and don’t worry, I didn’t forget Rodrigo Prieto’s gorgeous cinematography; not sure how I could if I wanted to. This movie look amazing, the direction is spotless...look, this is a great movie, OK? If there anything that isn’t absolutely perfect about it? Well...
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Production and Art Design: 7/10
Yeah, production design is kind of odd. Don’t get me wrong, it’s great, but it NEVER feels like the 1960s, ‘70s, or ‘80s. And while that might actually be the point to a certain degree...the film also somewhat relies on this taking place in those time periods. So, yeah, that is a legitimate weak point in the film for me, one of very few. And don’t get me wrong, this movie LOOKS fantastic! It’s just not quite as timely as I think it’s supposed to be.
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Music and Editing: 9/10
Music likewise is fantastic, especially the sweeping orchestral ballad that I’ve 100% heard outside of this context. However, it’s not quite soundtrack worthy for me. Still beautiful, and Gustavo Santaolalla’s score is gorgeous, but not necessarily my favorite. And the editing is fantastic, and I have no complaints about that. Good job to you too, Geraldine Peroni and Dylan Tichenor!
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92% feels good for this one!
This is a film I recommend to everybody. Unsurprisingly, it’s pretty big on Tumblr, but it’s also big...everywhere. Oh, and before I say anything else, in today’s edition of the classic show The Oscars are Bullshit, this film 100% deserved the Best Picture Win over Crash. Like...VERY much so. The Oscars suck.
Speaking of the Oscars, I was tempted to do Moonlight next, but that movie (from what I understand) is a bit broader than a romance in terms of genre. So instead, let’s continue the LGBT-rain with another romance between two men, but more recently this time. And hey, why not one that miiiiiiiiight have been snubbed for that coveted Best Picture award, huh?
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February 15, 2021: Call Me By Your Name (2017)
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Good morning/night/afternoon/evening/day/time hello!
So after seeing how many friends mc have, like wait let me count-----
26! in the friendlist not including, the unofficial friend like Corey,...
With how many friends there are, are there any friends that you would delete in favor of flashing out the other characters or would you like to keep it that way?
I have some ideas on who to delete in favor of flashing out the more main characters, but i fear that this might be a bit... yikess.. I understand that people like this characters and me saying that they "should not exist" might get people mad, i hope this does not give you to much problem.
1. Tulip to Penny ( thks one is still debateable)
I know we have too much Penny especially at year 5/6, sidequest and all tht, but I feel like Tulip doesn't have to exist because her existance can be taken by Penny which flashes her character more.
Hear me out, Tulip is great. But after year 3 or maybe 4 her existence is uneeded anymore. In year 3 we can instead use Penny, Penny is a popular person with many friends. It wouldn't be out of character for her to try to understand Merula maybe try to befriend her ( i mean she did befriended Talbot, who isn't exactly the nicest or the most approachable ) but later, on something happend and now there is more substance in Penny hating on Merula rather than yeah, she such a bully or smth.
2. Barnaby to Ben
Ben is really untouched at the early years ( 1 to 3) I feel like the whole ark of Barnaby can be dealt with Ben. Like imagine Ben was Merulas lab dog, but because of Jacob's sibling kindness and all that, he finally have the courage to stand up to Merula proving his Gryffindor side. This could also explain Rowan sudden suspicions of Ben in Year 4, (its quite mean of Rowan tbh) I mean like after year 3 aside from the dating tlsq, Barnaby doesnt really do much does he? I mean you can argue that he have some influence on the last curse vaults but nah-
3. Badeea Ali to Rowan
Simple, we need more Rowan! I think the thing Badeea did in year 5 can easily be done with Rowan, i mean she just disappears later on anyways.
4. Instead of Bea, Rowan should be in the potrait.
5. Talbot as Ben? I'm not so sure about this one but yeah, they could put aside Talbot so we can flash out Ben. The flying solo quest can be switch into Ben losing his Bear again but we get more background to what the Bear meant to him ( maybe about his muggle life?? ) the tlsq could be at around year 5 or 6 to help Jacob's Sibling understand more about whats going through Ben's mind.
6. Diego = Ben
Ben is told to be good at charms we never really get to see it until around year 4 with the red cloak shenanigans. I would like to see JC explore more of his charms ability by teaching mc.
Anyways im not here to bash on your favorite characters im just saying that a lot of the characters are wasted pottential. To much characters can kill a story, rather than adding more characters jc should focus on the current one.
Sadly, they never did
Year0 Rowan
Year 1 Ben, Penny, Merula, (Chiara)
Year 2 Bill, (Chiara)
Year 3 Barnaby, Ismelda, Tulip, Andre Tonks, Talbott. Year 3 is definitely the worse case of it.
Year 4 Charlie
Year 5 Bea, Jae, Badeea, Liz, Diego
Year 6 Alanza
Year 7 Corey
The problem is, the more jc adds the characters the more they just stack up in the background, clogging the story. Imagine the characters as dept and the currency is good writing.
Anyways love your content, keep it up!
Personally, I couldn't begin to imagine doing this.
Not that I'm saying it's a heartless idea, mind you. I've worked with this line of thinking before. I work in children's theatre, and when we adapt scripts for different sized casts, we have to often cut characters or absorb them into others. So this isn't unheard of, and I get it. Still, having grown emotionally attached to each and every one of these little misfits, and feeling like they all have potential in different ways...cutting them is not what I would do at this stage. I believe the TLSQ system should be completely overhauled, and in doing so, used to give screen-time to characters that don't always get a lot. Imagine if each character had a TLSQ that starred them at maybe LV 5, and then a sequel quest at LV 10. Might seem excessive, like too many quests...but again, this goes back to the idea of a revamp. Allow players to hit pause, and put a TLSQ on a "waiting list" so to speak. Allow them to reroll so they can skip one if they want to for whatever reason. Stop having TLSQs disappear forever if they're failed twice.
As far as your first suggestion...I realize that my status as a Tulip fan might be affecting my reaction, but absolutely not. I have no issue with Penny, but if it comes down to omitting one of these two...well, Penny does come with Beatrice, and that whole emotional arc during Years 5 and 6. But I'm not sure if keeping that is worth losing Tulip. Because her storyline with Merula is quite compelling, and it adds to the backstory of one of the mainstay characters. Plus...Tulip is kind of way more interesting than Penny, if I'm being honest. Actually, if I was to have anyone be "absorbed" into anyone else...I feel like Tulip could have easily been the "detention" character in Year 5? And that would have been a way to keep her relevant? Again though, I love Jae so much that I couldn't imagine doing this. But it's one example of how this idea could be done give more focus to fewer characters. You know who could be absorbed into Penny, though? Andre. Just, so long as we're actually thinking about this.
Barnaby is a character who sadly has not done much since his arc ended in Year 3, you're right about that. However, I feel like Ben is just too complicated and too tied to the main story for him to be shuffled with anyone. We still have unanswered questions about the gaps in his memory from Year 2. Did he cross paths with R? With Merula? Then there is the question of his time as the Red Cloak in Year 4. His transformation into "New" Ben, after going into the Portrait Vault with MC. I suppose these things could be transferred over to Barnaby, but that would leave the Year 2 stuff up in the air. And as for transferring it the opposite way, cutting Barnaby to give Ben more prominence...I mean, it could be done, but Ben already has plenty, if you ask me. And I don't see him being able to take on the role of Merula's lapdog, given their history from Year 1.
I'll never say no to getting more of Rowan, and this is something I could actually see working. The idea of Badeea being absorbed into Rowan and that screen time being given to them. I love Badeea, but it's definitely tempting. By in large, the Year 5 characters did feel at least a little gimmicky. They're all wonderful, but the fact that there were four of them, one for each House, and they all had a specific interest that was central to their character? The fact that all things considered, they didn't really matter to the story apart from perhaps Jae? Yeah, I would never want to lose any of them, but I can see why that might work. As for Rowan taking the place of Beatrice...well, that's an idea. For sure. It could give MC the same kind of immediate emotional context. Allow Rowan to be heavily relevant without them actually needing to have any lines. But their entire character would have to shift after that point. If they're absorbing Beatrice' character arc...I mean, the Forbidden Forest comes to mind. Does that still happen? Does Rowan's personality change? What becomes of them after Year 5?
I still believe Ben is doing just fine in terms of his relevance, but I'll admit there's definitely something to the idea of Diego being absorbed into him. And I've grown to truly like Diego. Ben having talent at dueling could show how far he's come. If they depicted it prior to the end of Year 4, it could be foreshadowing of him being the Red Cloak. If he still helps MC prepare to challenge Rakepick in Year 5, it could play into his fear of her. And I like what you're doing with the idea of Talbott being absorbed into Ben....but no, I can't endorse that one. It's just not needed for Ben's story, and Talbott is already so fascinating on his own. I dig the Ravenclaw representation, I dig the Animagus representation.
Either way, it's an interesting topic to think about. Not to worry, I don't take offense at all. I get that people have different opinions and there are certainly valid critiques of this game's writing. I still enjoy it though, and I think the characters are the strongest suit. Their placement in the game, perhaps not quite so much. But it's because of this that I wish for all of them to be handled better, without having to lose any of them. Thank you for the kind words and I hope to hear from you again!
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doks-aux · 3 years
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Alrighty. I collected all my posts about my burgeoning horror story under the same tag. (Just calling it that until I have an actual title of sorts.) And here I’m dumping all the brainstorming and shit posts I made about it on my priv Twitter so I have them all in one place and can see the progression of it.
It still hasn’t quite come together, but I’m having fun poking at it.
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*steeples fingers* I should make a horror story
Well, technically the haunted amusement park thing is, but it's more comedic. It's about two security guards who work the nightshift at an amusement park and have to contend with ghosts, possessed animatronics, and serial killers.
One is an engineering student and robot/monsterfucking horror fan who's having the time of her life, and the other is a very nice girl who recently was moved to this position as punishment by her shitty boss and has no idea beforehand what goes on at night.
The first girl has a pet domesticated fox who might be a former witch's familiar. Still not sure what's happening with that.
But it's just dumb and silly and gay and spooky and maybe gory, and might be part of a larger setting that includes a library with a history of cult activity and a night shift crew at a 24hr grocery store who protect their town from monsters and the end of the world.
Birget and Simon are well-suited to horror, but I can never quite pin their story down. It's more on the supernatural side, too. And then there's a set of characters that I've put in both a DnD-like vampire setting and a magic girl/urban fantasy horror one.
But I feel like I want a more... grounded universe to play in? Or at least a more slasher-styled story. Hmm.
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What if I made a story that's to Saw what Scream is to slasher movies? 🤔
But then I'd have to actually watch the Saw movies. Ugh.
I just like the idea of like... a Saw story in a world where the Saw movies exist. Someone who got inspired and tried to be a Jigsaw figure would probably be some judgmental anti-vaxxing asshole and also would be really, really BAD at it.
Who the hell is gonna have the ridiculous varied expertise and connections to pull some Jigsaw shit off? No one!
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I like... characters... that wear animal ear hats…
Am I making a new character that wears one? Ooh, mysterious~
What's better? A wolf-eared hoodie or a wolf ear hat?
This character is a grown person, btw. You're never too old in your heart for animal ear accessories.
I think this is my horror protag
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What if I went full 14-year-old girl and made an Easton expy for my horror protag to gently romance?
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My horror story has only the vaguest concept and the vaguest idea of a cast, but it sure does have a song already.
It's “Death Valley” by Fall Out Boy.
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I should get back to my horror protag and crafting a little meow meow for them.
Protag doesn't even have a name yet. I've been calling them Wolf in my head 'cause of the hat.
They'll be about as self-insert as I can comfortably get. Which isn't much, but I'm trying to expand my comfort zone.
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Horror protag isn't so much a self-insert as they are my raging id personified.
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I need to stop finding songs for Wolfy, they don't even have a name or motivation or an actual plot.
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What I know about Wolfy so far:
33 years old
Works in a comic shop (assistant manager?)
They/She/He
Probably has liquified gummy candy in their veins instead of blood
Monsterfucker
Only takes off the hat to shower
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Wolfy has Shane Madej's aggressive disrespect for ghosts and monsters while wholeheartedly believing in and liking them.
They just wanna start some shit.
"LET'S FUCKING GO, MOTHMAN!"
"BEST ME NOW IN COMBAT OR SUBMIT AND BE MY BRIDE!"
Ghosts and monsters are much more fun than masked serial killers and septic death traps.
Hotter, too.
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Easton expy might be the only one actually initially injured. For the sole purpose of being able to provide comfort.
I mean I have potential plot reasons for it but it's mostly to fuss over him.
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Very tempted to call my horror story (or at least the first part of it, depending) "Little Pig, Little Pig."
🎵🎶Who's afraid of the big bad wolf, the big bad wolf, the big bad wolf?🎶🎵
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Wolfy vibes are like... "What's My Age Again?" by blink-182 but it's 33 instead of 23.
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On the one hand, I want to make goofy stories about weirdos dealing with lots of different horror genres.
On the other, I want to make an at least semi-thoughtful deconstruction of Saw that leans heavily on the idealistic side of the scale and works under the belief that people are basically good and want to help each other.
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Wolfy might have a real name.
Bellamy Logan
Lam
Though some other characters probably do call them Wolfy at least once.
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Not sure if the cast of my horror story should know each other at all or be complete strangers at the start.
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I barely have my horror cast imagined, and I'm already pairing them off.
Spoiler alert: Nobody's straight
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Bellamy is my little snarl snarl.
Small and ready to brawl.
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