#book spoilers under the cut
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daily-odile · 10 months ago
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everything is the same except Odile is the one looping
oh. heheheheh. muahahahaha. hold on *digs through my pile of disorganized sketches*
Odile loops au; a sketch compilation!!
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Some old fic drabbles + associated sketches under cut (a6 secret spoilers):
hc: Since equipment carries over, as long as Odile uses her book in a fight, she can write down notes and have it carry over loops
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toxic doomed yuri (for a more fleshed out fic I highly recommend The Sweetest Thing by soreimoon, it's amazing)
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cait-sith · 6 days ago
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Day 19: Glass
Background details hidden by the bottle under the cut.
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regallibellbright · 1 year ago
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So, I've been thinking about Toby's knives.
Well, okay, I specifically think primarily about Toby's main knife, but there's something interesting to be said about all three of the knives she "regularly" wears (silver, iron, and the new one.) All three of them are gifts. All three of them are given to her by someone expecting Toby to be a hero.
"Ms. Daye?" "Yes, Dare?" It was like trying to leave kindergartners with a babysitter. If I was lucky, they'd run out of questions before the sun went down. Maybe. "Here." She pulled a knife out of her sleeve, offering it to me. I didn't recognize the style of the blade, but if it was street legal, I'm a Kelpie. "In case you don't scream fast enough." "Good idea," I said. She looked almost disappointed by my reaction - she was still young enough for the rules against saying thank you to seem pointless. I winked, sliding the knife into my belt with the edge facing outward to keep me from cutting myself. She brightened, reading the unspoken gratitude in my eyes. She was pretty smart when she let herself be.
(Rosemary and Rue, Chapter 21, pages 239-240)
The first and most important, of course, is Dare's knife. And yet, this is a pretty minor moment. There's no sign this particular knife is special to Dare - it's mentioned earlier she's got enough weapons on her at the moment to clank. Manuel will ask for it later, claiming it was a loan, but that's the most he can say - and May, who would know, corrects him that it was a gift.
By this point, Dare's already told Toby she wants to get away from Devin and take Manuel with her, and Dare asks because Toby's already her hero. She got out. Dare doesn't get to, in the end. And so the knife that Dare all but offhandedly gave her becomes a keepsake, and one of Toby's most valued possessions. As Toby says taking it in A Local Habitation, maybe Dare's knife would help her be someone else's hero. Eventually, it does. Dare's knife is Toby's promise to herself not to fail anyone again. It's the justification she uses when she needs to go back and confront Blind Michael. (Incidentally, May tells her they can get a new knife in response. For all that she remembers being Dare, she doesn't yet understand what the knife is to Toby.) It's so tied to Toby's identity that when she loses her way home, among all the allies she can't recognize or only knows as enemies -
[Quentin] walked toward me, pausing to bend and gingerly retrieve a silver knife from the floor. It looked sharp. It also looked well-used; there were flecks of blood dried on the hilt, and streaks of something much fresher on the blade. "I'll just, um, hold this for you, for now," he said. "I promise I'll give it back when you're ready." "You can't give it back when it's not mine," I snarled. At least I could talk.
(A Killing Frost, Chapter 19, page 266)
Toby thinks at this point that she's sworn to Sylvester and can return to him, not knowing she's banished. He's not part of her way home anymore. But the knife is. When Toby can't recognize the knife, it's because she's not herself anymore. (Incidentally, it says a lot about how thoroughly Sylvester fucked up, particularly in AKF, that Shadowed Hills isn't home anymore.) On top of that, because of its link to Dare, the knife is also Home - the shitty flophouse for changelings with nowhere else to go run by an exploitative crime lord, but also the place where Toby learned to fight and survive. Sylvester's tried to teach her, but she's not the kind of knight to use a sword.
Moving on:
Then Acacia's hand was on my shoulder, and a knife was landing in the dust beside me. "Kill him or let him go, Amandine's daughter, but don't torture him," she said. "Make your choice. You haven't got much time." I looked up. "Acacia -" She looked down at me, the short tendrils of her hair curling around her face. When I distracted Blind Michael, that must have broken his hold on her, allowing her to rip herself free. "No. You let others make your choices too often. Kill him or let him live, but do it now. No more games." "I don't know what to do." "You always know. You just don't listen to yourself." She shook her head, turning, and started to walk away. The Riders parted to let her pass, still silent, still staring at me. Choices. Oh, Oberon's blood, choices. I put the candle between my teeth, keeping my knife pressed tight against Blind Michael's throat. The flame licked at my cheek, filling the air with the hot smell of singed blood as I reached out and picked up Acacia's knife. I almost dropped it when the metal hit my hand. Iron - it was made of iron. It would have to be; did I really think I could kill one of the Firstborn with silver alone? That was never an option. Not really. ... "I'm sorry," I said. "I can't forgive you." I lifted my hand, bringing the two knives together, and slammed them together down into his throat. Iron slices through faerie flesh like it's nothing but dry leaves and air. That's what iron exists to do: it kills us. Silver can do almost as well, if you use it properly. Acacia's knife was iron, Dare's was silver, and I held them together as I thrust downward. ... It didn't really matter; he was dead, I had won, and I couldn't fight anymore. No more children would suffer because of him. In the end, I'd proved myself as a child of Oberon's line, no matter how much I tried to deny it; I was a hero...
(An Artificial Night, Chapter 31, pages 295-296)
A longer passage there because Acacia's knife is by far the one that gets the most dramatic focus when Toby receives it, for obvious reasons. But it's also more significant than the moment itself. Up to this point, the closest Toby comes to considering herself a hero in more than Dare's eyes is just before the Ride, where she thinks that all her kids are safe (except Katie, who she can't save,) and that she should run before the Ride begins, even if it kills her, because at least then she'd die a hero. There's even a moment early in the book where the Luidaeg calls her a child of Oberon (five pages after Toby reflects to herself that the children of Oberon are heroes,) and Toby thinks to herself that the Luidaeg's wrong, since she still thinks she's Daoine Sidhe.
But she claims it here, because she has no option not to. You can't kill one of the great monsters of Faerie and not accept that you are, ultimately, a hero. So long as she's herself, Toby won't deny that she's a hero again.
Toby carries Acacia's knife with her regularly for the period of time between the end of An Artificial Night and the events of Late Eclipses. This is all but exactly six months - she receives it on October 31, 2010, going back to confront Michael almost immediately after being freed from the Ride. She stops being able to carry it regularly once Amandine changes her blood, in early May 2011. (I’d have to reread Late Eclipses in full to get the exact point it ends, since she’s still carrying it even though she can feel it in the scabbard at the very end.) After that, she keeps it secured at home unless her blood’s changed far enough back towards mortal that it’s safe. But she always keeps the iron knife, and she always brings it with her when she IS more mortal than fae. In The Brightest Fell, she notes the hilt fits perfectly for her. She has to throw it off her when she changes back in Chimes at Midnight, but once the False Queen’s been ousted, Toby apparently makes sure to reclaim it from the treasury. It’s not a good idea to lose a gift from one of the Firstborn, after all. And you never know when you might need to kill another one, especially when one of them is your (terrible) mother. Which she considers, to some extent, at the start of The Brightest Fell, and openly threatens in its ending to get Tybalt and Jazz back.
In short, Toby thinks of the iron knife as being a part of her life for much longer than it actually was, consistently. Part of it’s definitely that it represents the balance of her blood the way she was used to for most of her life - after all, when she gets another blood choice vision in CAM, the choice is presented as iron and silver knives for human and fae. But it’s also the knife she used to kill one of the Firstborn. Dare’s knife is Toby’s promise to be a hero going forward. Acacia’s knife is Toby choosing the title, and all the danger that comes with it. She stabs them both into Michael at the same time. When she’s rebalancing her blood, in CAM, she does the same thing to herself.
"... You do make the first cut, though, and you use my knife to do it, since yours is probably covered with something unspeakable that would despoil my beautiful creation." "Or she can use mine," said a male voice, from behind me. I turned. There was Oberon, still in his mostly-unassuming buise, the antlers on his brow small enough not to attract more attention than he wanted. He was wearing red, which was a little odd, since he wasn't part of the official wedding party, but he was also Oberon, which meant absolutely no one, not even his daughters, was going to tell him "no". And he was holding a knife by the blade, offering it to me hilt-first. I blinked, first at the blade, then at him. "Sire?" I asked. This was one of those things that probably held some great meaning and import no one had ever bothered to explain to me, assuming it wouldn't be important enough to matter. ... "I would be honored," I said, and took the knife from Oberon's hand, turning to face the cake. ... Oberon was gone when I turned around, leaving me holding his knife. I tightened my grip on the handle. I wasn't putting this one down until I could return it to its owner.
(And With Reveling, the novella/epilogue to When Sorrows Come, pages 360-361)
Today would be the first day I carried two knives to Arden's Court. The first, the silver, was familiar. The second was relatively new, although it felt natural and easy in my hand, and was made of a material I still hadn't identified. In a very real way, it was the only gift I had received on my actual wedding day. ... The knife was different. I hadn't even realized it was a gift at first; I'd thought it was just something I could use to cut the cake. But when I'd tried to return it, the Luidaeg had interceded, explaining that once her father - you know, Oberon himself - handed someone a weapon, it was a grave insult to hand it back, and did I really want to insult my grandfather, the Lord of All Faerie, on my wedding day? Was I that eager to become something genuinely unpleasant and leave Tybalt functionally a widower? I was not. And so now I carried a gift from the father of us all on my left hip, sharp and deadly and ready to be used. But no pressure.
(Be The Serpent, Chapter Two, pages 9-10)
Oberon's knife is given with so little ceremony Toby doesn't realize it's truly a gift at first, at a time where - for once - Toby does not actually need a knife for standard stabbing purposes. Oberon's knife immediately has the kind of importance that Toby isn't entirely comfortable with it, in stark contrast to how quick she is to accept the iron knife and how thoroughly the silver knife has become an extension of her identity. She's gotten used to being a hero, and even a hero of the realm - she lets/asks Aethlin to re-recognize her hero status so she can help investigate, which may or may not mean she's now a hero of the entire Westlands as a realm, not just Maples. (Neither of them bothers to specify.) But when a god gives you a knife, it's understandable to be a little hesitant about it. It's given under the most gift-like circumstances of the three - Dare's was a preemptive gift for self-defense, and Acacia's came with a direct request: Kill Blind Michael, or not, but choose. Oberon's gift is more to have than to cut that cake, even if it's not laid out until later.
Dare's knife's metal isn't actually specified in Rosemary and Rue - it's specified when things are iron in that book, but Toby never actually bothers to mention what they use instead. It comes up for the first time in A Local Habitation, instead. What's important to know at the time is that it's a knife, and a pretty unexceptional one, because Dare thinks Toby might need it. Acacia's knife, of course, is immediately singled out as iron. Oberon's knife is just left as "a knife" in And With Reveling (most importantly, a CLEAN knife,) but when it first comes up in Be The Serpent its material is explicitly mentioned as unknown. We immediately know that will be important. Oberon's children are heroes. The man himself does not give weapons lightly.
The Luidaeg waited until the door was closed behind her before she spoke again. "I saw my father hand you a knife at the wedding," she said. "I know he didn't take it back. Do you have it with you?" "I do," I said, and touched the knife belted to my hip. "Show me." Pulling the knife from its sheath felt like a promise I didn't want to be making, as if by doing so, even when asked, I was committing to using it for its intended purpose. The Luidaeg held her hand out and I dropped the handle into her palm, letting her take the blade for me. She lifted it toward the light, squinting. "Hmm," she said. "I think it's antler, rather than bone, but it should still work." "Oh, go- Wait, what?" "Antler. You know what those are, don't you?" She offered the knife back. I took it. "They're the handles on the stag. Not that I'd suggest grabbing them if you don't have a damn good reason, since the best-case scenario when you do that is being stuck on the end of a pissed-off stag. Bone would be better, but I guess Daddy has a renewable source for antler. He drops them every spring, right around Moving Day, and we used to use them for all sorts of things. There's a piece in every hope chest." "You're telling me that I've been carrying around a piece of Oberon?" I demanded, staring at the knife in my hand. The Luidaeg nodded, apparently untroubled. "He isn't good at showing people he likes them, but he must like you, if he's giving you one of those. He tends to keep them close, given what they're used for." "What's that?" "Murder, mostly." She said it so lightly, like it was nothing out of the ordinary. "Silver and iron for a Firstborn, silver and bone - or antler - for our parents. Not that we know that for sure, of course. It was just what the magic seemed to indicate, and what the oracles Saw, back when there were enough of us to ask." I kept staring at the knife. I couldn't seem to take my eyes away. "So you're telling me this knife could - could -" "Could kill Titania, if you used it correctly and caught her off-guard, yes, I am," said the Luidaeg.
(Be The Serpent, Chapter Twelve, pages 161-162)
Oberon's knife is a piece of himself, and it is the ability to kill one of the Three, if Toby dares, if Toby deems it necessary. Granted, that last part was also the case with Acacia's knife - she's Firstborn too, after all. (And of course, ANY knife has the capacity to kill a changeling like Toby starts the series, or Dare.) But coming from the King of All Faerie, it feels even more tremendous, particularly because it's given when the only one of the Three active is Oberon himself. He's actually surprised when Toby discusses killing Titania or threatens him in Be The Serpent. He isn't actually expecting her to start thinking about killing gods with her god-killing knife. Oberon doesn't think about things he knows A LOT. Toby probably gets it from him.
But he's already given her his absolute trust. You don't give someone the one kind of knife that can kill your wives and yourself if you think they would use it irresponsibly.
Toby's wedding is in many ways, in- and out of universe, a recognition of her heroism. Oberon's knife is, as well. And with it comes the burden she's locked herself into: She's the one who brought Oberon home. She's the restorer of the Roane. She's the one who will go to the Heart of Faerie. She has broken the bindings on Titania, set on her by Oberon himself, and destroyed the illusions of Titania; unraveling something of Maeve's seems as inevitable as finding her and bringing her home as well. The antler knife isn't just marking her a hero, it's marking her as something all but mythic.
Even a hero would be nervous about that responsibility.
But for all the weight it carries, it still feels natural to use, just like the iron knife. The antler knife and the role it brings with it are just as much a part of Toby as the silver and iron. And by the time she receives it, she's more than earned it already.
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chosenasmodean · 5 months ago
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Forsaken Week Day Two: Aginor
Not much to say for his look, he gets a torn lab coat and a hooded cloak. I do like how his sunken eyes look in a silly little chibi style.
Spoilers under the cut. Knife of Dreams chapter 3 is where it's laid out on-page, but it's possible to know sooner. If you know, you know.
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Of course I also had to do Osan'gar! He's actually one of my favourite characters. I was reeling after Fires of Heaven and immediately latched onto Osan'gar in the Lord of Chaos prologue... and then again onto Dashiva in Crown of Swords all the while having no idea it was the same character lol
The premise for him was 'disheveled', so he's got a scraggy beard and moustache and an unbrushed mop on his head.
The Asha'man outfit is basically just a World War I jacket. At the Forsaken Coffee Hour he's described as wearing a coat with too much embroidery, so I drew that too.
It's fun looking back on Eye of the World after seeing a lot of Osan'gar. Agnior ends up reading less like a stock villain and more like a complete dork lol
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armandslestat · 6 months ago
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The backstory crumbs we got in this episode for Armand...
not to be a Marius hater on main how annoying right but I hate Marius so much and I always have and I hope this is a good sign that they will not be just skipping over the shitty no good noncery of his character I was genuinely concerned due to the long standing fandom love of him (i am not talking with the last 2 - 5 years btw i am fully aware how fandom has shifted on this - do not even try me). Marius is a character that is vital to the chronicles, he is even a character I can tolerate reading the POV from, he absolutely is interesting and has nuance and... I hate him. All of these things can exist at once.
What I am trying to say, however, is... OK AMC I see you are not shying away from it, now let's see how you actually handle it...
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officialbillhader · 4 months ago
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Ok hes definitely dead now bc we're in achilles pov
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babaroqa · 1 year ago
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i just love how self absorbed and delusional this guy is. like i definitely can think of a few reasons, but even within this book's universe, even within the world of capitol's elite, yeah, i could easily hate this arrogant little prick who values stuff and appearance and judges everyone around him like they're dirt under his too small shoes. a hypocrite and a snob, could there be some other reason he hated coriolanus "i hope my cousin doesn't whore herself out to get me a nice shirt because that would be so embarrassing for the family name" snow so much?
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knickety · 4 months ago
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WAIT ONE MORE POST
warriors graphic novel stuff below
assorted ss that I liked.
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Cindepaw my baby girl
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Graystripe cringefail rizz (Silverstream is into it)
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SANDPAW YAY
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smokewars · 1 year ago
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made these for funsies. extra two blinkies under the cut (f2u credit appreciated but not needed)
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three--rings · 6 months ago
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Oh oh and another thing
Now that we have the Talamasca and "Raglan James" involved (which, like, what? is THAT the time? OH WAIT...holdon
OKAY no, wait, brainstorm cancelled. I was getting the scene at the end of Memnoch the Devil where Lestat returns and goes to the penthouse after returning from Heaven confused with the end of Body Thief. So, nevermind. Also I have only the vaguest of memories of that book I read it once, hated it and that was upon release in 96 or whatever. Memnoch I mean.
I was like, wait what if at the end of this season fucking Lestat shows up like, OH BOY you'll never believe what I've been up to, I was in some fuckers body.
But also what if Lestat shows up and it's NOT LESTAT. I mean they're setting SOMETHING up with this Raglan James shit, right?
ANYWAY what I started typing to say was WHERE IS MY FAVORITE CHARACTER DAVID FUCKING TALBOT???
I need him. I want to see David.
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destroy-some-evil · 6 months ago
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I wonder if the main conflict of part two of this season will be
finding out about Lady Whistledown or if it's going to be Colin being jealous about Pen's writing like what I remember from the book. Though maybe it wasn't that big of a deal in the book either because, honestly, I don't remember much about what I read.
The only thing I remember was Colin being upset because he couldn't hold in his head that his writing might be good but it could still use an edit.
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bitegore · 1 year ago
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woah I just finished reading licanius and I'm feeling lightheaded. do you want to yell about licanius because I want to hear you yell about it. I'm prepared to be so so normal about nethgalla
GOD. AHAHAHAHAA. i always want to yell about licanius
okay first my personal hashtag licanius hashtag experience is worth adding because it explains a lot about which parts i am most insane about. So I first found the first book Shadow of What was Lost back in the ancient years of like 2015 or 2016 or whatever before Islington got his book deal while it was still self-published on Kindle Unlimited instead of being published by any kind of publisher. Back in these years it was just the first book and the others weren't out.
....and surelyt you remember that fucking epilogue thing that Islington loves to do where he puts the Big Reveal right at the end of the book, right? So i spent like a full three or four years going absolutely Bat Shit about just the whole "caeden is also aarkein devaed" bit and then . book 2 comes out and. AUGH. AUUUUUUUGHHHHHHH AAAAAAAAAAAAAHAHAHAAAAAA the fucking. MALSHASH is CAEDEN is AARKEIN DEVAED is TAL'KAMAR why does this man need to be every character. and THEN the fact that CAEDEN DOES NOT KILL DAVIAN. HE GETS HIM FUCKING SELF.
insane. this series makes me insane. literally foaming at the mouth insane.
nethgalla was just like. okay actually i cant lie i kind of love that she fucked up every romantic plotline caeden/tal could've been involved in because i am so glad he did not have any actual romance plot with karaliene or anyone else but how do you invent a character as cool as The Demon Shapeshifter From The Torture Dimension and then fuck it up by being like "and she's obsessed with this guy and exists mostly to be a femme fatale" like come ON. come ON you FLUBBED it. i wish she had more going on with her because even just the idea that she's tied to bhim because he summoned her by fucking up resurrecting his dead wife is like spicy as fuck but then the actual execution is so. like. mid at best? it truly saddens me especially because when Tal shows up she's lame about him but every other time she is SO badass. when she's pretending to be that one hunter she was so badass. when she was tormenting ashalia in the name of making her stronger that kicked ass. they should've kissed. i said what i said
also FUCK LMAO MELDIER AND ALARIC AND ISILIAR AND THE OTHER VENERATE i am SO not normal about them I am obsessed with them I want to put them in my mouth and EAT THEM. i wrote a crossover where Vortex gets recruited into their ranks for an exvent once. i love them so dearly. i spent multiple years bullying my girlfriends into reading the books exclusively so i could get them to write fanfiction about them for me. i love them i want them so dead i'm so glad the story went the way it did but also they deserved better and i wish it didn't happen in the first place. literally the best fucking tragedy ever. i wish we got to watch Wereth's death and Andrael's betrayal and i also wish everything were worse and there was more bad. i am so normal about them.they are so important to me
the fucking shape of this narrative also. this is so circles ever. it makes me lose my fucking mind. look at it it is a self-contained loop (derogatory) (aspirational) this thing is soooooooo the chicken and the egg. its so. its so! i am normal and not insane about it i promise come closer etc etc
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homosekularnost · 1 year ago
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leech by hiron ennes truly the only book ever ever ever
rape as assault not on ones purity but on ones autonomy solidarity among people robbed of it through coercion the illusion of consent present within a power imballance abusers humanity acknowledged and discarded as irrelevant abusers humanity recognized as a vehicle for their violence the slow realization the abuser had full control of narrative Her voice cutting through nonetheless Her voice taking the narrative back...............................
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gillianthecat · 2 years ago
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I just read Naomi Novik’s final book in her Scholomance trilogy, The Golden Enclaves. This was the first book I’ve read in I don’t know how many months, possibly since last winter. Historically I’ve been a huge reader, usually a binge reader. I’m in an odd lull from it now, and pretty much only watching things. A flip from the previous two years when I lived on fanfic and romance novels and could barely watch a thing.
Overall I liked it, and the whole series! My appreciation of this book was more intellectual than emotion, but I’m not sure if that’s the book or just my current state of mind. I have many thoughts about it, which I may eventually write something about. Particularly about the way she writes romance, and the role it plays in her stories, across her original fic and fanfic. And also about how she mapped the magical world onto the mundane.*
Mostly I’m posting this as a time stamp of when I read it, since I found going back through my blog useful when trying to reconstruct my watching life. And also as a note to self about what I was thinking of.
(This reading was triggered by the post someone reblogged about how there is a recurring character in Supernatural fanfic named Naomi Novak.)
*on the enclave politics of the magical world: I kind of wish she’d made it either less of a match for the cities and international politics of the real world, or more so, and leaned into the political allegory. As it was, it felt too much like relying on stereotypes as a shortcut.
on romance: I found Orion completely uninteresting as a love interest, although fascinating as a concept and a narrative foil. His boring personality was partly the point of the character—what happens when someone really is the hero, and only lives to slaughter monsters?—but it also made it hard to understand why El loved him, or to feel emotionally invested in her grief for him and her performing impossible feats just to save him. Intellectually I understood them, and they make for great storytelling, but I personally didn’t care much about his fate. And then at the end I realized that he performed the same role as the flat generic female love interests in so many stories about male heroes. Where they exist to be saved but aren’t fully fleshed out on their own. (thequeenofsastiel, I won’t tag you in case you haven’t read these books, but it’s making me think of our conversations about women in media.) Someone to motivate the protagonist, to be rescued. (I do also have many vague thoughts about all the interesting things she was doing with Orion and El (and both their mothers) that wasn’t romance, but I have a headache and don’t want to write anymore.)
Which made me look back to the other two novels of hers that I read, Spinning Silver and Uprooted, and in those the male love interests of the young female protagonist are similarly sidelined and… not necessarily one-dimensional exactly, but underexplored. They’re both significantly older than the protagonist, and the story of the romance is really a sideline or an afterthought. I know many people were bothered by the age gap in Uprooted, but as I recall it didn’t bother me because it felt like the story was about the protagonist growing up and coming into her power, becoming someone who was an equal of the old man wizard at the end. Like in so many stories where the hero gets the girl, the "romance" isn’t about him, it’s symbolic of the journey she went on… not a reward exactly, but also more about her than him. In Spinning Silver the romance is even less fleshed out—she goes into the woods with the fairy king (or whatever he was, I read it long ago) and they come out married. My reaction to that was mostly huh? It more or less made sense for the story, but she gives so little explanation of why and how they fell in love that it felt jarring.
If these three books were all I’d read of hers I’d assume she simply wasn’t interested in romance. The fact that 2/3 of the love interests are so much older and given so little page time reminds of that story (not sure if it’s true or apocryphal) about Louisa May Alcott being told she had to put a romance in Little Women and, in irritable defiance, making Jo fall in love with a boring old man. But much of her fanfic is romance, and when she puts it in I can usually feel the love and attraction between the characters, understand why they want each other. Which makes me curious about why it’s so different in the three published novels I’ve read. Is she less interested in het relationships? (I’ve read very little of her mf fan fiction so far.) Does it get in the way of the stories she wants to tell about young women? Is it something about the way she’s using YA genre conventions?
It does feel a little weird talking about her work on Tumblr where I know she has an account (which I even follow) but presumably she isn’t doing name searches out here.
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themagnificentmags · 1 year ago
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Saving this for fun later: a month ago I read a book (Out of the Dark by David Weber) and did not like it. and then I wrote an essay about it in the group chat.
I'm gonna actually give a book ANTI-rec here because I finished it last night and I'm still thinking about it: Out of the Dark by David Weber. tl;dr the last 10% of the book wrenches the genre away from hard sci fi in a way that undercuts the first 90% of the book and comes across as a huge ass-pull
The premise: aliens (the Shongairi) are attempting to invade modern-day Earth to bring it into the fold as one of their many pre-FTL slave/"client" states
The first 90% of the book is basically a brutal beatdown of humanity. The Shongairi start off by destroying every major city and military base via orbital kinetic strikes, then move in with ground troops across the world. Since it's military sci-fi there's a lot of enthusiasm over all the cool military tech humans have (fighter jets, tanks, machine guns) and some dubious politics about US intervention in afghanistan/iran (again par for the course), but the overarching theme, over and over, is that despite any individual battles humans win, they always are losing overall -- even if the Shongairi are comically unused to fighting anything more sophisticated than crossbows and plate armor, they always control orbit and frequently use more orbital bombardment to deal with human insurrection. Again: it is brought up by basically every POV character that it is completely impossible for humans to win the war, but every human of course chooses to go down fighting. (There are a lot of sad dads with dead wives and children.)
Eventually the Shongairi decide to cut their losses and start working on how to kill all humans without getting in trouble with their bosses (they try to develop a bioweapon and are thwarted, then they decide to pull out their troops and just crack the planet with massive bombardment). However, only now, like 4 months into the invasion, 90% of the way through the book, does one of the secondary characters show up with a solution: actually, the entire time, he's been Vlad-the-Impaler Dracula, and he has magic powers that can kill entire Shongairi bases, steal their retreating ships, and capture their flagship (including "neural education" tech to train humans in galactic tech and the intended industrial base for Earth-the-client-state.
So instead of, like, a heavy and kinda depressing alien invasion novel, we get an 11th hour shift to fantasy when it was not remotely foreshadowed (yeah he's good at woodcraft/stealth, yeah he's a little weird and possessive of the POV character that interacted with him but TBH I thought he was just gay, yeah I looked it up after and it says the name he gives is one of Vlad's brothers/father/whatever) and like! Why now! Why not 4 months ago before billions more people died! Who gives a shit what the rest of the cast have been doing, them trying to survive in the unpopulated wilderness of South Carolina/Russia/Romania literally doesn't matter when fuckin Dracula could have saved the day any time! It just completely undercut the stakes of the rest of the novel.
also at the very end of the novel someone had squished a full mosquito between the pages. chefs kiss
if it had been the middle of the book turning point (or, to be fair, if it wasn't rather dry military sci fi that I was already skimming the "play with military toys" bits), I think I could have enjoyed the twist, even! like it's a cool concept! You just can't do it in hard sci fi yknow?
I think there's also a connection somewhere between the Ur-Fascism [Fascist societies rhetorically cast their enemies as "at the same time too strong and too weak".] (https://en.wikipedia.org/wiki/Definitions_of_fascism#Umberto_Eco) with how the Shongairi occupy the equal categories of hypercompetent interstellar conquerors and comedically incompetent commanders and footsoldiers, who throughout the course of the novel never even discover that humans can hear their stealth drones coming and react to counter them. They're strong when the story calls for humans to lose, and weak when the story calls for humans to win.
Ok I should get back to work but I have one more gripe. The pacing on the Dracula reveal is also fucked. The reveal, from the reader's POV, is: Romania POV character has most of the civilians he's protecting killed by Shongairi and he nearly dies. Dracula-as-human says "ok we're [me and my elite Romanian army unit] gonna Really kick their ass now" and POV army guy demands to go with them. Cut to aliens getting killed mysteriously. Cut to aliens in orbit saying "they were killed so mysteriously, go on high alert! Also they stole some tech and tortured the lead scientist alien for info". Cut to some Carolina crew filler. Cut to aliens getting killed mysteriously, this time the soon to be dead alien sees some gas, maybe it's a gas? Some speculation about illusory hologram humans being backed by other alien factions. Cut to aliens in orbit saying "fuck this, everybody leave and we'll glass the planet." Cut to aliens in orbit realizing some of the returning alien ships were highjacked, and then Dracula and Co rock up to the alien flagship, magically paralyze everyone but the commander, and save the day wooooo!!!
In a different, better book, we could have spent so much more time on like getting to know Dracula and his newly made vamps, doing prep and buildup for highjacking the ships, etc, but instead the writing is contorted to preserve the twist for the reader as long as possible. No dramatic irony, no tension on "but can they make it?", no possiblity to do character building with Dracula since preserving the twist is more important.
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rocicrew · 2 years ago
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head goes brr brr abt nolden again
ive been thinking abt this since i read pr, to make a piece that's you know that last scene where naomi is looking towards the sky from freehold thinking if she and holden are looking at the same stars, and it'll be half naomi on freehold leaning against the roci and half holden at laconia looking out the tiny window of his cell
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