#I’m trying to be like a professional artist and they usually include those right??
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runningforabel · 6 months ago
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Practicing drawing his hair because I cannot draw hair please send help how do people draw him
Uncoloured version below the cut!
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amethystina · 1 year ago
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Oh gosh, sorry to hear you’ve been getting lots of critiques recently. Even when it’s valid and solicited criticism can be rough, and the out of the blue stuff is always worse :/ And I say that as someone who works in the arts for a living.
I wish I had something better to say than that every artist you admire has likely felt the same way at one point or another, as even the best of the best of the best get complaints, but I don’t, so know at least that you’re in good company. (In theatre we actually have a saying that the day you can truly call yourself a professional is the day you get your first really bad review, so I always take comfort in the universality of the experience, even if it super fucking sucks lol)
I know I could also tell you that your writing is phenomenal and for every person who has a complaint there’s a bunch more who are having the BEST time (myself included xD), but I also know that doesn’t fix it when someone’s made you doubt yourself. For the record though, I will say it. Your writing IS phenomenal, and it DOES bring both me and others quite a lot of joy. I get very excited every time I see you’ve updated (either fic that I’m reading xD), and I find it genuinely a bonus that this particular story is so long. Because it means that the experience of reading it for the first time doesn’t have to be over yet.
I’m VERY much rambling now, but try and be kind to yourself is I guess at the heart of what I’m saying. Take care of yourself, take your time, and come back to things when you’re ready. You’re allowed to feel hurt, or doubtful, or whatever, and if time is what you need to take care of yourself, then you should take it <3.
To be honest, I would be genuinely surprised if I was somehow able to avoid getting criticism. It's just a natural part of posting online, it would seem, no matter one's skill level or the fandom.
And, usually, I can handle it pretty well. It just so happens that everything piled up on the same day and that got a little overwhelming. It honestly felt a bit like the universe was ganging up on me for no apparent reason xD
Thank you so much for your kind words, though 💜 It's true that there are no immediate fixes to the kind of doubts that arise from unsolicited criticism, but it certainly helps to know that there are people who enjoy what I do. Because, in the long run, it's not about writing the most perfect, flawless fic, but rather sharing the joy and excitement I feel over the stories that I write. So thank you so much for taking the time to tell me 💜
And yeah, I'm doing my best to rest right now, partly because I did end up getting sick. So I've mostly been drawing highly questionable Strangers From Hell fanart and, earlier today, I hyper-fixated for hours and randomly did a playlist for Who Holds the Devil. Which is VERY unexpected since I don't really connect music to my writing?
I blame @sofapup17 who made a wonderful playlist for my Strangers From Hell fanfic, which I've been looping while drawing the aforementioned fanart xD (and I also stole three songs from it to my own playlist ;D ) And that of course made me wonder if I could do one, too. Turns out that I can! It's hella long but, uh, that's both on-brand and appropriate considering the fanfic, I guess? I honestly didn't expect to find as much music as I did.
So yeah. While I'm not writing on Who Holds the Devil right now, I'm keeping busy with other creative projects. There never seems to be a shortage of those, somehow x'D
Thank you again for your kind words. The fact that so many people are willing to take time out of their day to cheer me up is so incredibly humbling. Thank you 💜
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figofswords · 2 years ago
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hi !! so i’ve followed you for a while now and i like all your posts but i’m really interested in whenever you post about your art classes in college! i want to be an art major myself but my college doesn’t have that good of an art program and i also don’t really know how art classes usually work. obviously if this feels like it’s too prying or would be too much information than is safe to give online then u can ignore this but if you don’t mind/have time could you tell me a bit about how being an art major works or what classes you took? your art is really cool and a huge inspiration to me and i want to try and be where you’re at one day. thank u :)
Sorry for the very late response to this! I have been In Hell with final projects which I guess is the first thing I have to say about art school: every class gives you a huge final project at the end all at once and expects you to have time for it. haha
So I was actually in a similar situation to you when I started college. I was originally a music major at a university that had really great programs for performing arts but was sort of lacking in the visual arts department. By my second semester of freshman year I was taking an art minor, by sophomore year I switched to an art major and a music minor, and by spring break sophomore year I knew for sure the existing art program wasn’t going to give me what I needed, and so I transferred schools in between sophomore and junior year. I knew I didn’t want to go to a private conservatory school because a) the prices are exorbitant, b) I have a lot of interests and wanted to have options in case I changed my mind again, and c) the lack of exposure to other academic areas means the rate of burnout at those schools is ridiculously high. I ended up at a university with a highly rated art program in a major that includes courses in the subject matter I wanted (namely comics/sequential art and concept art).
for how art classes work: generally your art classes will take the form of “studios”, which at my school are ~3hrs long twice a week. during that time you either sit through lectures and demonstrations or just work in class, or sometimes a combination of both. Professors assign projects to be completed based on a given rubric. It’s pretty standard to have 3-4 projects per course, sometimes with additional smaller homework exercises that are usually either graded lower or not graded at all. At the end of each project most classes will hold in-class critique, where each student informally presents their finished piece and receives constructive feedback from classmates and the professor. Some professors allow you to make adjustments after crit before turning it in again, and some don’t. Generally I’ve found most art professors to be pretty flexible about stuff but there are a few bad eggs in any department.
Generally I don’t think majoring in art is necessary for being a professional artist. There are tons of wonderful resources (YouTube videos, online workshops, in person workshops at your local arts center or artist studio collective) that can give you the same things you would be getting in college just for a fraction of the price. The benefit of art majoring is, I think, mostly about making connections with people in the industry and with your peers. It’s been the right move for me because I have trouble self-motivating and I’ve loved having access to student publications and clubs, as well as having access to student-organized art markets and other similar events, but I also have always done well in academic settings and college scheduling in many ways mirrors the way I was homeschooled which fits my learning style very well. Again, though, it’s not for everyone and it 100% comes down to the individual person. You could also always do a combination of things: getting your associates at a community college will get a lot of your gen ed coursework out of the way if you then transfer to a full university to finish your bachelors.
Hopefully that was helpful! Let me know if you have any other specific questions I didn’t address.
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sutcliffe-v · 2 years ago
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| Admin Info
Blogs
; @poohwhin — personal
; @deux-ombre — art
; @sakamaki-richter — canon
; @deciipula — other oc blog
Admin Aesthetic
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Name
; venwhin | whin | literally whatever idgaf SKSK
Age
; 19 ( i have the mental and emotional capacity of a toddler)
Gender/Pronouns
; Nonbinary ( i’m just vibing so perceive me however. or don’t perceive me at all actually ) | They/Them
Occupation
; failing artist | professional screamer | ceo of creating things then abandoning them halfway through
Other Facts
; i am mentally ill and anxious. if that shows through text™️ i apologise SKSK.
; social cues aren’t my strong suit so pls tell me if i say/interpret smth wrong or smth you don’t understand!
; i’m broke™️
; if i say i’m going to do something there’s a chance it won’t be done for a solid year.
; i suck at this art thing but if you’ve been here long enough you might see some improvement.
; i’m actually out of it or delirious during most conversations so i may or may not start spewing shit that doesn’t make sense sksk.
; don’t trust anything i say after 10pm, if you’re flabbergasted that’s on you /j
; i’m a pro at making up words on the spot, some of which may be jarring. (rip to people who talk to me regularly)
Boundaries (pls read!!)
; i’m currently not roleplaying with this character. as much as i would love to keep up with threads, and develop relationships with characters, i simply cannot right now. (wanting to focus more on his canon content.)
; i may sometimes keep up crack threads with friends, or you may see me send in silly starters to others; this is nothing against anyone else, but i’ve likely talked about these scenarios with them in private beforehand, and just felt like seeing the in-character reaction. while this may seem exclusionary, or may ‘picking favourites’, trust that i love each and every admin and character that interacts with me.
↳ to build off this: there is a chance that i will hold up a few threads for the holidays, or at least give one response to people for holidays and events, as a treat for the occasions!
; this is a problem i’ve had in the past with toning down my character for fear that he may have been ‘too boring’ or perhaps ‘too rude’ for some (i suppose its affected how some relationships develop, but i won’t worry about it that much now); however i should say that virek is not a nice character. he isn’t of course the same level of fucked up as the diaboys (at least i don’t think(?) idk they have a few centuries of atrocities on him), but he’s certainly up there in terms of fucked up
; while all of my posts are tagged accordingly in the off chance that those under 18 stumble upon here, i run my blog as if it is 18+ (i’ve really only kept the 17+ tag for the few exceptions) . which means that there will be mature content here; that isn’t exclusive to NSFW, but includes darker content and serious topics as well. (i mean this /is/ a dl blog, so i’d hope you understand what you’re getting into)
; PLS READ THIS ONE ITS VERY IMPORTANT: okay i say very important but it’s just something that happens a lot sksk. for ask games, i try to give people at least two days to send in their ask, before i stop accepting (just to make sure that the game was seen.) i would like to say to pay attention to the tags on each post! i’ve recently started tagging ask games with ‘last one’ or some rendition of that. if you see that tag, i’d like to ask that you don’t send one in. this may seem rude, and limiting, but it honestly just kind of ruins my workflow when i mentally check something off as done, only to receive a few more. but i usually take a while to answer things, so please please please pay attention to tags!!
; something that’s more non-serious i guess, even though i’m not rp-ing, i love love talking about how relationships could potentially develop/sillier and smaller scenarios with characters. and that’s something you’ll see me implement a lot of my blog (through art or writing). a lot of the scenarios you’ll see me portray are likely things that me and other admins have talked and joked about in conversation. so never be afraid to reach out!! (even if i do suck at conversation SKSKS)
Other Other Things to Note
; i’m notoriously all over the place, so i’ll do my best to keep my blog organised.
; i’ll usually try to use ‘(( ))’ on this blog whenever i’m talking in the tags. (i don’t do that on my other blogs though, SKSKSK)
; i yell™️. no speak only yell.
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pudgy-planets · 2 months ago
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"Thank you; I'm just glad you caught it. These pens don't exactly come cheap." Halara gave a quick bow as they put the pen back, now closer to the quartet. Their voice was meek, breathier than their usual tone. The impostor artist mustered an apologetic smile as they stood back upright, their bag right in front of them.
"I must have dropped it when I lowered the sketchbook I was drawing on trying to get a better view... Which was... rather careless of me, I will admit." They looked over the quartet with fake, saccharine curiosity. None of them would be quick to "take down," but they only needed a second of attention away from them. On something else.
They took out the sketchbook from the bag, flipped open to an unfinished sketch of the view of the street, including the darkened alleyway. They'd only practiced the skill over the course of a few days, but it passed as the work of a seasoned professional. "You're free to look if you want."
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“It’s fine, dear~ The pen is the mightiest tool, even greater than the sword by which you can translate your imagination onto paper. Do be mindful next time, though. Not everyone is as amiable as we.”
CereCere respectfully bowed in a ladylike manner, dainty fingers grasping the frilled edges of her skirt as she greeted the other that only a mature woman like herself could.
Their curiosity piqued and buying the act hook, line, and sinker, three of the four inspected the sketchbook with varying levels of interest. From intrigue and appreciation for the classical arts to a philistine’s scowl from an inability to understand its appeal.
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“That’s pretty damn good! I’m amazed anyone can get decent drawings done, let the creative juices flowing in concrete jungles like this. It’s stifling as hell.”
JunJun huffed with a disgruntled tone, folding and stretching her strong arms beneath her head as green eyes panned the page back and forth. She hadn’t paid much mind to the breathless artist, given their “blending in with the crowd” appearance-
Adjacent to JunJun, VesVes glowered with disinterest.
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“…There’s no passion in this, I’m getting bored just looking at this. You professional artists can oh so talented, but if there’s no soul behind it- What’s the damned point?”
VesVes scoffed in a scathing manner, a mild amount of acidity staining those harsh words. Not to mention, bewilderment at this oddball’s choice of attire. Who dons a heavy coat like this in humid, summer weather? You’re practically begging the sun to turn you into a hard boiled egg…
As for the fourth quartet member-
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“Oooh! A coin! And another one too! Today must be PallaPalla’s lucky day!”
Completely oblivious and a fair distance between her associates, crouched down and picking up the assortment of coins littering the asphalt like precious stones.
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thedisneychef · 1 year ago
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Are Recipes Protected By Copyright
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As a passionate home cook, I'm always looking for new recipes to try out. But have you ever stopped to think whether or not these recipes are protected by copyright? It's interesting to consider how the law views something like a recipe – is it just an idea that anyone can use and repurpose, or is it actually subject to certain regulations? In this article, I'll be taking a closer look at what Copyright Law has to say about recipes. We all know that books and music come with certain restrictions on their usage; but what about food creations? Can chefs legally protect their unique culinary inventions from being stolen or replicated without permission? We’ll dive into the details of this complex issue and explore the implications for both amateur cooks like myself as well as professional chefs. Maybe You Also Like: - Are Recipes Intellectual Property - Can A Cake Recipe Be Used For Cupcakes - Canadian Pumpkin Pie Recipe What Is Copyright Law? I'm sure you've heard of copyright law before, but do you really know what it is? Copyright law is a set of rules that protect authors and creators from having their work stolen or copied without permission. It applies to any type of creative work, such as recipes, cookbooks, and recipe databases. This means that when someone creates a recipe or cookbook, they can expect the same level of protection under copyright law as other authors who create books and articles. Copyright protection doesn't just stop at written works either - it also includes music, movies, photographs, blogs and computer software. If an author has created something original then it's protected by copyright law on both a national and international level. This ensures that no one else can reproduce or distribute the material without first obtaining explicit permission from the copyright holder. The real benefit for recipe authors is that if someone were to copy their content without permission, they would be liable for damages through legal action taken by the author in order to protect their rights. So while anyone can use recipes from cookbook authors or recipe databases as inspiration for creating their own unique dishes, they should always respect the intellectual property of those who have come before them! The Difference Between Recipes And Other Creative Works I'm really curious to know the difference between recipes and other creative works when it comes to copyright. Are ingredients even protected by copyright? Is the process of making a recipe protected by copyright? Can someone else copy a recipe and pass it off as their own? I'm also wondering if copyright applies to recipes the same way it applies to other creative works. Ingredients Cooking is an art form, and like any other creative act, it can be protected by copyright. When you think of recipes, the ingredients are usually what come to mind first; however, it's actually the cooking techniques used to combine those ingredients that are often protected by copyright laws. This means that a recipe for chocolate chip cookies may have variations due to different types of chips or nuts used in the mix, but if you use someone else’s technique in combining them all together then you're infringing on their rights as an artist. That being said, there are still some protections around specific recipes such as particular ingredient combinations that aren't commonly known yet. So while copying exact measurements and cooking instructions isn't allowed without permission, experimenting with different flavors to create your own unique dishes should remain safe from legal consequences. Copyrightability Cooking is a unique form of art that requires creativity and skill. While the ingredients used to create dishes are often what come to mind first, it's really the technique of combining them together which can be protected by copyright laws. But just because recipes have some degree of copyrightability doesn't necessarily mean they're totally enforceable or without infringement risks. For instance, when it comes to exact measurements, these may not be able to be replicated without permission from the original chef. However, experimenting with different flavors is usually safe from legal consequences - provided you don't copy someone else’s work too closely. So while there are limits on how much protection recipes get under copyright law, this shouldn't stop creative cooks from developing their own signature dishes! How Can Recipes Be Protected? I have often wondered if recipes are protected by copyright. The answer is yes, but there are certain conditions that must be met in order for the recipe to be considered eligible for protection. Recipes can actually be registered and licensed through a variety of organizations, allowing them to monetize their creations. The first step to protecting your recipe is identifying it as an original work. This means ensuring that all components of the dish are unique and created by you or someone who has given permission for its use. It's also important to consider how much information about ingredients or preparation instructions will need to be included in the registration process; this will help determine if more detailed descriptions should accompany your registration application. Once your recipe has been identified as an original work, it can then be registered with agencies like the US Copyright Office or other international licensing authorities. These organizations provide licenses for copyrighted works, which allow owners to control how their recipes may be used and even earn money from them through legal channels such as cookbooks or online outlets. Monetizing recipes through these avenues provides additional income streams while still respecting intellectual property rights of others. Implications Of Copyright Law For Home Cooks Cooking is so much more than just following a recipe - it's an art form, and one that has been passed down through generations. As home cooks, we want to be able to freely share our recipes with others without worrying about copyright infringement. But the truth is, if you're using someone else's cooking techniques or recipe variations in your own dishes, there are implications of copyright law that you should take into consideration. In the United States, recipes themselves cannot be copyrighted — only original literary works can receive this protection — but other aspects of food preparation such as photographs and descriptions may fall under existing laws. In addition, some states have enacted specific statutes protecting certain culinary creations as intellectual property. This means that while a copycat recipe might not constitute a breach of copyright law, chefs could potentially sue for misappropriation if their unique dishes are replicated by another cook. Knowing these legal considerations is important for any serious home chef who wants to create something truly unique and special from scratch. With the right knowledge and creativity, we can explore new flavors and ingredients while still respecting each other’s work in the process! Implications Of Copyright Law For Professional Chefs I'm a professional chef, and I know that my recipes are valuable assets. Copyright law can help protect my work from being used without permission or proper compensation. It's important for me to understand the implications of copyright law so I can monetize my recipes and build a successful brand as a chef. There are several ways to make sure your recipes comply with copyright law. Registering them with the U.S. Copyright Office is one of the best options available -- it establishes legal ownership and creates a public record of authorship. Additionally, you should always include an appropriate licensing agreement when sharing your recipes publicly, even if they're not registered with the copyright office. This will ensure that anyone who uses them has agreed to abide by certain conditions in order to avoid infringement issues down the line. Building a successful brand as a chef requires having control over your intellectual property rights, including those related to your recipe creations. By understanding how copyright law works and taking steps to legally register and license recipes, chefs can better protect their work while ensuring they receive fair compensation for any use or reproduction of their recipes outside of their own kitchen environment. Frequently Asked Questions Are There Any Exceptions To Copyright Law For Recipes? Yes, there are some exceptions to copyright law for recipes. Generally speaking, while the ingredients of a recipe cannot be copyrighted, the instructions on how to prepare it can be - that is, the cooking methods used and any other creative elements such as descriptions or illustrations. So if someone were to copy your exact list of ingredients with your specific instructions on how to put them together, you could take action against them using copyright law. How Long Does A Copyright Last For A Recipe? When it comes to recipe authorship and copyright infringement, the duration of a copyright is determined by the laws specific to your country. Generally speaking, a copyright lasts for 70 years after the author's death but this may vary depending on where you live and any additional rules set out in that particular jurisdiction. It’s important to be aware of your rights when writing recipes so make sure you check up on what applies to you! Is It Possible To Copyright A Recipe That Has Already Been Published? It is possible to copyright a recipe that has already been published, however the patentability of such recipes may vary. While the recipe itself can be copyrighted in order to protect it from infringement risks, other factors like specific ingredients and instructions need to be considered before determining if a recipe qualifies for protection or not. Additionally, any changes made to an existing recipe may also affect its patentability as well. Can I Use A Copyrighted Recipe For A Commercial Purpose? Yes, you can use a copyrighted recipe for commercial purposes, however there are some copyright implications to consider. Recipe ownership is an important factor when looking into using a recipe commercially. If the recipe was created by someone else and they own the rights, then it’s important to get permission before using it in any way that could make money or generate revenue. It's also wise to check with your local laws and regulations as each country may have different rules about recipes and their usage. Can I Modify A Copyrighted Recipe And Still Be Protected By Copyright? It's possible to modify a copyrighted recipe and still be protected by copyright, as long as you don't use the original cooking techniques or ingredients. For example, if you make changes that are significant enough to create an entirely new dish, then your modified version will be protected by copyright law. Of course, it’s important to note that even when modifying recipes for food products like sauces or condiments, the original creator of the recipe can still take legal action against you if they feel their intellectual property has been infringed upon. Conclusion In conclusion, recipes can be protected by copyright law. Depending on the individual circumstances of a recipe, the duration of protection may vary. Generally speaking, however, it is possible to obtain copyright protection for original recipes that have not been previously published and this protection can last up to seventy years after the creator’s death. Furthermore, if you wish to use a copyrighted recipe in a commercial context or with modifications, permission should always be obtained from the rights-holder first. Ultimately, understanding how copyright works when it comes to recipes is essential for anyone wishing to create their own dishes without infringing upon someone else's work. If you're looking for more delicious recipes to try, be sure to check out The Disney Chef's recipe categories! Whether you're in the mood for something sweet like a cake recipe, something savory like a chicken or pork recipe, or something fresh like a vegetable or seafood recipe, there's something for everyone. And if you're a meat-lover, don't forget to check out the beef recipes category for hearty and satisfying meals. With so many options to choose from, you're sure to find a new favorite recipe to add to your collection. Read the full article
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hihopelessromantics · 2 years ago
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Oh actually we CAN. Look at him. What he doin? Like, this is a professional ballerina level stunt combined with warrior intent. And he pulled this out of his arsenal like it was just your average kick. I’m sure the Dance and Gymnast and Martial Arts communities can confirm for me how damn difficult it is to maintain an expert level of flexibility. Considering how Fitness works, and that we’re talking about Meliodas here, we can infer that he has spent 3,000 years keeping up this level of physical ability. A person COULD say “it’s just anime logic” but then I’d yeet them to the other end of my dashboard. Inferring is way more fun.
I’ve seen enough of professional ballerinas from a one month hyperfixation to live forever in awe of them. Flexibility is something they hone to excellence from a young age. From what I know of knights, though: there's no reason for a knight to achieve a level of flexibility THIS HIGH except for the pure Extra-ness of it all. And I'm sure demon warrior training with Chandler did Not include a professional flexibility course. Though...the mental image of him forcing kid Meliodas to do a bunch of really extravagant stretches alongside his usual warrior training is... Wait not funny at all actually, I'm sorry I imagined that could have happened to you Meli. 😭 I'm sure your child soldier training with Chandler sucked as it is. Read @7-ratsinatrenchcoat ‘s “nothing can hurt you, my love (not while I'm beside you)” fic to be as traumatized about it as I am. And I mean it, my heart was trembling for like fifteen minutes after that one chapter. 11/10 too good to wish I never read that. Have you read that one Libra? Mm angst holding hands with wholesome. My favorite genre
Which leads me of course to headcanon that one or so Elizabeths were skilled dancers and/or martial artists. She taught him this. OR he taught himself in order to dance/practice with her on her level. Then after Elizabeth died it became just One of Those Skills he held on to and treasured throughout the course of his journey, right up to this point in time. The Elizabeths wouldn't mind if her lover can't share some of her passions, but we all know Meliodas would try his best anyway if he thinks it’ll be fun. Especially if he can use the skills he's picked up to impress her later reincarnations. That's why he can do this little trick in the screenshot.
So... Flexibility. Meliodas could teach Elizabeth yoga to an expert level if he knew what it was, and they would have so much fun until Hawk barges in, finds Elizabeth in a weird pose with Meliodas adjusting her form, and tries to ban it. Actually you can't convince me they haven't done this. And other things.
This has been the daily Tumblr screenshot analysis
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Okay. But like. Can we talk about how fucking flexible Meliodas is?
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ltleflrt · 3 years ago
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Hey Carrie! You talked a little the other day about writers' tendency to start a fic too early in the story, and how you see a lot of first scenes that could have been scrapped to improve the story. My question is if you have some tips to recognize while writing that first scene that you are starting too early in the story?
Hello friend!
That's a really good question, and I'll see if I can give an answer that makes sense. I am not a professional, and I'm not educated or trained in this stuff, it's just something that I recognize from years and years and years of voracious reading. And as with all writing advice, I encourage you to take what I'm going to say with a grain of salt and remember that no writing rule is a hard rule, only a guideline.
Also, my advice is going to be pertaining fanfiction, and specifically to AUs. Obviously a published book has an editor with a razor blade going through a manuscript for you, and the problems that bother me in fanfiction crop up in AUs more than Canonverse.
Oh, and every instance of "you" is general, not specific 😜
So I think the main problem that I see is that people are starting with an Info Dump. An Info Dump is not always a bad thing, sometimes it's completely necessary, but it is NOT where you want to start your story. If it absolutely has to be done, it's better to be somewhere in the middle or near the end. When it's something that your characters need to know.
That's an important bit: Do your characters need to know this?
And related to that: Does your audience need to know this for the story to make sense?
And very important follow up: If the answers to the above questions are yes, does the character/audience need to know this RIGHT NOW?
There's a lot of information about your story that YOU need to know. Heck, my notes files are full of sooooooo much stuff that I know about the characters and plot that never reaches the final product.
So when you're reading your first chapter (I say reading, not writing, because sometimes info dumping for your own benefit is good, and then you fix it before you share the story lol), ask yourself those two questions.
So for example:
In an AU where Dean is a tattoo artist, and it's his POV. The story starts with Dean driving to work, and when he gets there he's going to find out that the empty shop next door has been purchased and is going to be a yoga studio. He meets Castiel out front, up on a ladder trying to hang a hand painted sign, and some teens go running buy and knock into the ladder and Dean has to catch Castiel from falling. (Anyone who wants to adopt this idea is welcome to it btw, I would love to read this lol)
The mistake I often see in a first chapter like this is that as Dean is walking to work, there's a whole Info Dump about why he's a tattoo artist instead of a hunter. He'll be ambling along, thinking about his nice little business, and there's info about how his mom died in a fire, and his dad was a jerk, and Dean didn't go to college because he saved his money for Sammy's college fund, and Dean's only passion was art, and Bobby Singer introduced him to a tattoo shop owner who took Dean under his wing, etc.
Question 1, does your character need to know this?: Why is Dean reflecting on his past? Does Castiel need to know this information in order to build a romance with Dean?
Question 2, does your audience need to know this?: Why does this information matter? If Dean's only reflecting on this because you want to make sure your audience knows where the timeline changed and this became an AU, then you're starting too early in your story. Dean doesn't need to know this, and honestly in a lot of cases the reader doesn't need to know this. This is information that should have been left in your notes file.
Question 3, does the character/audience need to know this NOW?: If this information is pertinent to the plot, like maybe there's some trauma there that Castiel might need to know about to develop their relationship, then you don't want to put it HERE, you want to put it in a conversation with Castiel LATER.
If I was writing this AU, I would just start with Dean sipping his coffee, he's kinda tired because reasons, he looks up to see an unusual commotion, and has to drop his coffee and sprint forward to catch Cas. If he's reflecting on anything in this scene, it's going to be whatever made him tired, or how good/bad the coffee is this morning. Since Cas is a new business owner, they can talk about the origins of Dean's business on their first date, because it'll be a relevant response to Castiel talking about the origins of his yoga studio.
And just in general, if Dean's origin story includes a lot of canon elements, like mom dying in a fire, dad being a deadbeat, Sammy being the adorable overachieving Stanford student.... try to hide that info for as long as you can so that the audience is actually curious about it by the time the info might pop up. It's the wild divergences that are more interesting earlier on.
Okay, and then I want to talk about my giant pet peeve for a starting chapter. It's a specific kind of info dump, that often includes the stuff from above, but then goes a step further.
My nemesis, The Daily Grind.
I haven't asked the authors, so I could be wrong about this, but I feel like most of the time when this type of chapter is included in a story it is because the author wants to show the reader that the character's life is boring and meaningless before the plot's inciting incident. I can absolutely see why that might be considered an important detail about the character, but keep in mind if it's boring and meaningless to the character, it's boring and meaningless to your audience.
You know how I said earlier that writing tips should never be hard and fast rules? Well this is in regards to that Show Don't Tell rule, and it's an example of TOO MUCH showing lol
It is possible to do a daily grind in an interesting way, but only if you include a Shake Up right away. And you have to look at the 3 questions a little bit differently.
So for example:
Castiel POV, and he works in an office. His daily routine is to always get up at the same time every day, he goes for his run, he grooms himself, he has his breakfast, he goes to work and talks to Kelly about how Jack's doing in kindergarten for a few minutes before going into his office. Adler comes in to be a prick, Castiel hates him for it, and then he does his reports, has lunch hiding in a corner of the lunch room so that his co-workers will leave him alone, he does more reporting, leaves an hour after his shift technically ends, goes home to a lonely apartment that maybe includes a pet who is the only being that shows him affection, has an unsatisfying dinner of leftover takeout while watching a mindless reality tv show, then he goes to bed.
Ugh.
BORING.
Which, yeah I get it, the point is that his life is boring. But now the story is too, and I've clicked the back button before I can see how exciting it's capable of getting.
Question 1, does your character need to know this?: No. He knows. Poor thing definitely already knows.
Question 2, does your audience need to know this?: Yes, but...
Question 3, does the character/audience need to know this NOW?: Yes, but new question for ya:
Optional Question 4, why does this need to be separate from your plot's inciting incident? The answer to this 4th question is usually that it doesn't.
Chapter 2 of this type of beginning usually shows the shake up of Castiel's day. My advice is to start with the shakeup, and sprinkle in the details of what you would have put into chapter 1 to show the contrast. It's far more interesting to learn how boring Castiel's day is by starting with the shake up.
So, same scenario:
Castiel's alarm doesn't go off for some reason, OH NO HIS ROUTINE IS SHAKEN UP! You're explaining his routine while also stressing him the fuck out because he has to rush, or skip something that he normally needs to do. Action! Interesting! He gets to work late, and has to miss his conversation with Kelly about Jack because she's telling him that Adler's already in his office being a prick because Castiel isn't there waiting for him like he always is. Oh shit, he's pissing off his asshole boss! Conflict! He's so flustered by the shakeups that he misses something on his report, and he gets a call from that new marketing guy Dean Winchester who asks if they can have a meeting about it when Castiel normally takes his lunch. BAM! MEET CUTE OPPORTUNITY! While Castiel is getting all flustered by how pretty Dean is while they talk about TPS reports, he can reflect on how this is both better and worse than hiding from his co-workers in the corner of the lunch room. The rest of the day after that meeting he's thinking about how weird this day is, he still goes home an hour late, he talks to his pet about his weird day when he gets home, and maybe he still eats leftover takeout, but he's not paying attention to the reality tv show because holy shit he wants to count Dean's freckles.
In this example, you're Telling the audience about Castiel's normal routine instead of Showing them. But since it's during a plot heavy chapter, it works!
Lemme see if I can TL:DR this...
As you're reading, ask yourself who needs to know this information, why do they need to know this information, and why is it important for this information to be included early instead of later?
If the answer to any of those questions boils down to "this is backstory" instead of "this kicks off the plot", then you've started too early.
I hope this helps? I'm always nervous about giving writing advice because so much of the time I have no idea what I'm doing, and I'm just feeling around in the dark. And I definitely do not ever want to hurt an author's feelings, because this hobby is so fucking hard, and we're all fragile. Even authors who welcome con-crit with open arms will have a weak point that they're unaware of that might get poked wrong and cause a crack, ya know?
I hope anyone who gets this far who might see their own works reflected in my examples understands that I have a lot of respect for their ability to put their work out into the world, and I want them to keep doing it. We're here to have fun, okay? Okay. I love y'all 💜
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fyeah-bangtan7 · 3 years ago
Text
V: “I have a desire to perfect one cool thing about myself”
As he’s being interviewed, V speaks his mind at a relaxed pace. But there was one moment where he kept on speaking without taking a breath. Look for that moment in the interview below. You listen to a lot of old music on vinyl. Has any particular artist’s music excited you since your last interview with Weverse Magazine? V: I was listening to Louis Armstrong’s music again. And I picked up some albums with a pretty jacket that’s also got a lot of really good hits on it.
How do you feel when you’re listening to those classics? V: I feel like I’m beginning to relax a bit. If I listen to a song when I’m feeling depressed and then really get thinking, the things that are frustrating me disappear, and I can feel myself becoming more peaceful. And it makes me picture things in my head. For example, some songs might make me think of seeing something in front of me while walking down the road somewhere at night when I listen to them. I think setting the mood for listeners is the most important thing. The mood will presumably be different for everyone, but for me, those songs are the ones that are good at setting a really beautiful mood in the moment.
You said that you got inspiration from artists of the past like Sammy Davis Jr. for your performance in “Dynamite.” Was there any artist who inspired you for “Butter”? V: Well, there was Billy Joel. When I shoot a music video, I think of a movie more than any one artist. And when I perform on stage, for some songs I think of the way movies like Reservoir Dogs look. For “Butter,” I watched a lot of teen movies. And musicals. After that I randomly ended up seeing a video on YouTube of some scenes from an old teen movie Johnny Depp did [which turned out to be the movie Cry-Baby]. The image I got from that was really intense. That’s the look I used in “Butter.”
“Butter” felt like a teen musical to me and now I know why. V: I did it like a teen musical, just like you say. When we shot the “Butter” music video, I really, really tried to shoot the part in the elevator so it would feel like a teen movie. Although a lot of takes were edited, so not all of it’s there. (laughs)
What kind of feeling do you get from that kind of teen movie that you find so charming? V: For me, teen movies show a youthfulness that’s appropriate for the age. I think there’s an appropriate mix of emotion, energy, and a completely different and peculiar mood that everyone necessarily experiences at that age. If you watch teen movies, they’re overflowing with energy and full of sunny emotion, but behind it all they’re not as bright as they seem. They are really bright, but the color itself almost feels like some kind of filter. They feel like they have a different filter than other movies, so I tried thinking of teen movies when we shot the music video and put on performances.
That teen movie feeling seems to be divided in two between “Butter” and “Permission to Dance.” By the looks of the thumbnails for the fancam focus videos uploaded to the BANGTANTV YouTube channel, “Butter” seems to showcase a really cool character, while “Permission to Dance” is more teenagers smiling brightly for children. V: The teen movie vibe in “Butter” and “Permission to Dance” are different from one another. We showed the sunny image people usually think of when they think of teen movies in “Permission to Dance.”
Do you think that going with the teen movie vibe influenced your vocals to be the new style that you used? In “Butter,” you still had your signature vocals but without the deep notes, giving them a new feeling. V: That’s because, when we’re given a concept, we have to come up with vocals that fit with the concept. I think my singing style matched up with the concept, so I feel relatively satisfied. There was nothing majorly difficult about actually changing the style itself, since unlike changing your voice, you only have to change your vocal technique. Having said that, even though the notes in “Butter” were high for me, I still hit them! (laughs)
I guess hitting the high notes was your assignment this time around as a vocalist. V: I’ve been working a long time to make up for my weak points. For example, I thought I was weak when it comes to high notes because I sing low parts a lot and I tend to sing in a flowing way. But I had trouble when we were recording “Dynamite” and I had to sing the high notes during the chorus. I got so mad (laughs) so I practiced a lot.
How does it feel to see the results you’re seeing with “Butter” now after all that effort? V: I’m just trying not to rest on my laurels. Like instead of savoring the feeling, I feel like I should go to bed early for everything I have to do the next day? Getting back in tiptop shape quickly is what’s important, so I haven’t really had time to bask in the joy very much. I’m just working hard at the work I had like I always do.In your 
New Year’s greeting on YouTube, you said you regretted not being able to put on the show for ARMY you wanted, and that your 2021 resolution is to “follow my own pace and pattern” when you work on music. Do you think your personal pace and your professional pace are in step this year? V: No. [My professional pace is] fast, so fast. (laughs) We have a lot we have to get ready for since we’re always promoting. It can be challenging sometimes, but in a way, I think it’s also given me a good opportunity to become a little stronger.
I imagine it’s meaningful to do the work for your own songs, because you can slip into your own world. You also made “Blue & Grey” when you were having a hard time, and it consequently became a song that allowed you to empathize with many people and vice versa. Looking back now, what kind of song do you think “Blue & Grey” will be remembered as? V: I think with “Blue & Grey” I just wanted the song to let people know how I was feeling, and how we were feeling, at that time a little better. Obviously everyone was having a hard time, but I think I wanted to share those emotions with ARMY as-is, including the pains we went through in our growth process. And, to put it another way, I think I just felt like making it obvious. (laughs) I thought it was okay to be that obvious, seeing as I couldn’t put those feelings into words. I just hope people could understand how I was feeling; it’s okay if it becomes forgotten later on.
In the “BE-hind Story” interview on YouTube, you talked about the first line of “Blue & Grey”: “Where is my angel?” You explained how, when you have any kind of issue, you close your eyes and wish for your angel to come and think. Are there times when it seems like your angel understands your feelings, as you just mentioned? V: I get a ton of answers by doing it. I’m not religious, but whenever I have some kind of issue, I close my eyes and think about it. Is this right, the way I’m thinking about this, or not? They’re just yes or no questions, like, Does my outfit look good today? Instead of just worrying about what you should do, if you tackle it in the form of a question, you  get a response with the answer.
I guess it could work when you’re looking for inspiration in your life, but what about for your music? In your previous Weverse Magazine interview, you said you make a note whenever you feel something. V: I write in my diary in hopes that it’ll help with writing lyrics and so I don’t forget those feelings. I do it constantly—I open up my diary whenever something comes up. I copy melodies that pop up in my mind, lyrics, and other things from my diary to my notes app temporarily, and when I’m taking a break or I get the urge to work, I open my notes and say, Let’s try this out today, and run over to the studio.
You released “Snow Flower,” featuring Peakboy by V, on Christmas Day. Is that another song you ran to the studio to work on after the feeling came to you? V: For that song, when I was drinking with some older musicians, we were talking about doing a song together, and then we were like, Well, do you think we’ll have time to do that? So we decided to do it right then since everyone was available. My mixtape was delayed, so I at least wanted to play a different song for ARMY, and I thought, since I’m a bit tipsy (laughs) I thought I should try writing something. So I made the song really quickly. In maybe three hours.
Even though you made it quickly, the composition is somewhat complex and it has the same unique atmosphere that “Blue & Grey” did. V: There’s times when I’m, like, in the zone (laughs) and can make a song all in one sitting, but when I’m not feeling it, I end up revising it more and more. And I don’t want the composition to be too obvious, so I try to change up the way the melody flows. With that kind of sharp image coming to you almost immediately, what were you imagining for that song? V: You might think “Snow Flower” is about a type of snowflake, but I was actually thinking about snow and flowers separately. I started hoping that flowers wouldn’t wither away and just keep on blooming on snowy days. But in reality, when it snowed, all the flowers were crushed, the world became blanketed in snow, and I felt like the flower buds turned into snow flowers. I wrote that song about how I felt after watching that happen.
It must be important to feel things intuitively when you’re trying to express yourself through song. V: If it sounds pretty to me: approved. (laughs)
On the other hand, as a member of BTS, you have a job where you have to deal with a packed schedule and keep various situations in mind. How does that make you feel? When you celebrated your Billboard Hot 100 win on V LIVE and the topic of your clothes came up, you joked that you wore them to give off an idol vibe. V: It’s fun. It’s fun, but I could also say it’s hard. The performances are fun. I think idols should shine in a way that’s suitable for their age, and it’s important to do lots of things for fans like ARMY. Not just performances, but also posting pictures, having conversations on social media, making content. We’re artists and idols, so we think each and every one of those things is important. That sentiment won’t change just because we’ve achieved so much success.
You recently held an impromptu event on Weverse for ARMY. V: I’m sure there’s lots of ARMY out there who are tired of not being able to see us in person. But since the only thing we can do for them is to be on stage and stuff, I was worried that we’re not doing enough for them. And I love being able to talk with ARMY so much that now it’s like a habit that I read their posts. I have a thing today. I have a test today. I’m moving today. Somehow I feel better when I hear their stories. When I end up reading things like about how ARMY are living or what kind of lives ARMY have, I can’t help but write a response, and because of that ARMY respond, so I try to become friendlier in a more fun way, too. I want us to be more than the Billboard number one Bangtanies—I want to be ARMY’s partner, their best friend, the friend who’s always by their side when we’re not on stage. It feels like business when I talk about communicating with ARMY. (laughs) I just want to talk with a close friend. I wanna talk with a close friend—that’s exactly how I feel. It’s been a long time since I could see my friend, ARMY. Usually when friends can’t see each other they keep in touch all the time. I can talk about all kinds of things like that with ARMY thanks to the Weverse platform, and because I can hear all about their lives, I think I was able to go on Weverse and hold that kind of event.
You’ve been talking about ARMY nonstop for a few minutes. I was going to ask you how you feel about ARMY, but I think you already answered the question. (laughs) V: They’re just, well, friends I would hate to lose. Friends who seriously give me strength whenever they’re around. Sometimes you find friends like that in life. It’s like that with the other members, and I have other friends who I can share my feelings with. And I have ARMY. So I can’t help but do whatever I can do to make those people smile and make them feel happy.
Well then, is there a song you’ve heard that you want to let ARMY know about? A song that shares your feelings. V: Umm, recently … “No. 1 Party Anthem” by Arctic Monkeys. When I hear that song … I get emotional, somehow. I don’t usually listen to a lot of rock music, but I can instantly feel the band’s emotions with that song. I seriously get goosebumps listening to it, and emotional, and just all kinds of feelings. It’s to the point that, as soon as I hear that song, I think about how I really want to live well.
That song really means a lot to you. V: Actually, I don’t really know what’s up with that song. I don’t even know the lyrics, but I’m quite clear on what sort of emotions the melody and the band’s performance give me.
Don’t you feel like that’s an emotion you want to express to people, as an artist? Like you don’t have to explain your messages in detail? V: I don’t know. I just want to exchange the good, and be the one to embrace the bad. So I have a desire to perfect one cool thing about myself.
So how close do you think you are right now to becoming an artist who has perfected something cool? V: I’ll say 2%. It’ll go up someday later. (laughs)
© source
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officialleehadan · 3 years ago
Text
Phone Trace
“Hello?”
The voice that answered the phone was young, male, and muzzy with sleep.
“It’s four in the afternoon,” Will said, with a chuckle. He honestly hadn’t expected Venganza to answer the call. “Are you in Europe?”
“Detective.” Venganza woke up fast, Will had to give him that. “You found my note, I see. No, I’m not in Europe, as I imagine you already know.”
“You can’t blame me for trying. Will, of course, had ordered a phone trace before he even dialed the number, but he already knew it wouldn’t do any good. Venganza was too careful to ever be caught by something as easy as a phone trace. “Clever place to leave the note, but then, you already know I like puzzles. So, what do you have for me?”
“Are you still in the city?”
“Yes, why?”
“Good,” Venganza said, apparently aware of how scattered he was being. There was a rustle of paper, and then of clothes. Will winced when a loud thump echoed across the phone, accompanied by the sound of muffled cursing in what sounded like French. “Sorry, dropped the phone. You have a pen?”
“Yeah,” Will said, scrambling for a notepad and a pen. One of the ever-present interns of the Department hastily proffered both. Will began taking notes of everything he could hear, including Venganza’s light, non-distinct West Coast accent and the sounds of the thief’s housing. “Okay, what do you have for me?”
“Great,” Venganza said. There was more rustling. “Okay, so I was… getting lunch out between Chinatown and Little Italy and I saw something I shouldn’t have. Someone is bringing crates into town. My…. Uh, my table had a good view inside.”
In other words, he had been casing a place, and happened to see something he shouldn’t. He wasn’t about to admit any of that on an official, recorded line, but Will understood what he meant. He didn’t blame Venganza for being cautious. The thief was taking a serious risk just by giving them the tip he was.
“Right, so what do you have for me?” Will asked, and scribbled down the address Venganza gave him. He also put a note in to check for art galleries in the area. If Venganza had been casing a place, it meant he was planning to rob it if he could. Then again, he might have been scared off the place already. “Did they see you?”
“Please, I’m a professional,” Venganza said. Will heard a click and then the distinctive noise of an electric kettle in the background. Venganza yawned hugely. “Sorry. I was out late. No, I didn’t get seen. Anyway, I happened to get a little closer, and I saw guns. A lot of guns. Looked like a cash transaction, too, so I assume it was my kind of transaction, not yours.”
“You called in a tip over gun-running?” Will was honestly surprised. He knew that weapons trafficking was a problem, but it usually wasn’t hisproblem most of the time. He wasn’t in that kind of crime and neither was Venganza. Venganza was tellingly silent, and Will suddenly got worried. “What happened?”
“The delivery guys got shot,” Venganza said uncomfortably. Will made a note of that, and put a star next to it. He knew Venganza wasn’t the violent sort. “All four of them, cold as anything. I’ve seen… well, I’ve seen a few transactions go bad, and… well, I usually call it in anonymously when I can, but this… it’s too big for me.”
The kettle in the background clicked off, and Venganza clattered around a little while Will wrote everything down. When he was done, Will thought for a long minute.
“Right,” he said, and decided to roll the dice. It was a gamble, but Alexis let him gamble once in a while, and this sounded like one of those things that was worth rolling the dice. “Okay, look. We both know I’m not going to catch you with a phone trace, but I need a lot more information than you’re gonna give me over the phone.”
“Yes,” Venganza said hesitantly. “Alright, that’s true. What do you want?”
“I want two things. First, write everything down that you can remember. We both know you’re an artist, so draw me pictures if you can. Mail it all in anonymously. I know you have the office address.”
“And second?” Venganza didn’t admit anything, didn’t agree to anything, but Will thought that silence on this man, who spoke with the elegance of someone who used words as a weapon, He wouldn’t make promises, but that didn’t mean a refusal. “I’ve already put myself at risk with this phone call.”
“I know,” Will said hastily. This was the start of a partnership if he played his cards right. It was important to start it off right. Especially with the knowledge that they were tracking at least one murderer, possibly several, and a large shipment of probably-illegal firearms. “And I know I’m asking a lot. I do. And what I need next is more.”
“I’m listening.”
“I want to meet up.”
There was every chance that Venganza would refuse. Will was a law officer and Venganza had every reason to believe that Will would arrest him on sight.
He wouldn’t. but there was no way to convince Venganza of that right now, so Will just hoped that their tentative truce, offered when Venganza left his phone number and accepted when Will called it, would be enough.
The silence dragged on between them as Will held his breath, hoping.
“I pick the place. You come alone and… and I want amnesty for any nonviolent illegal activities I admit to during our conversation. No arrest attempts, and if I smell any authorities but you, I’m gone.”
It wasn’t a no. In fact, it was far, far more than Will dared to even hope for. He had expected to have at least two more conversations with Venganza before the thief ever agreed to meet in person. He was just glad Alexis had given him such a free hand with this case.
“I agree to your terms. Put the location in your care package,” he said with an elated grin. He always did like the smart ones. “The sooner we meet, the sooner we can get this ball rolling, partner.”
“Yee-haw,” Venganza said, very dry in his light, educated accent, but he was snickering under his breath, and yawned again. “Keep Wednesday open, We’re going for Italian at Michelangelo’s, two blocks from the address I gave you. And don’t try to double-cross me, Cowboy. Michelangelo’s is a bad place to flash a badge.”
With a click, the line disconnected. Will heard a string of curses form his tech guys. When he looked over, he saw the phone trace blinking unhappily. Disconnected before it could finish, no doubt. Venganza was precise. He knew how long a trace took, and he wasn’t about to stay on the phone long enough to catch him that easily.
“Looks like I have a date,” Will told Alexis, who had been listening in, and came over when she saw him hang up. “This case just got a whole lot more interesting.
+++ Confidence Scheme:
William is the finest agent on the force, with a reputation for always solving his cases in record time. Now, however, he is after a criminal as clever as him, and the situation has gotten a great deal more complicated.
Deliberate or Careless
Pure Guess
+++
More Stories!
+++
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straighttohellbuddy · 3 years ago
Note
📓 !!
Okay im so excited please know I think about How The Light Gets In's world every day still, and so anyways here is a side story I want to write but there's a lot of set up regarding the reader and eef becoming friends again. For context, they were incredibly close around 2014-2017, but people were getting creepy and invasive and demanding about their friendship (think 2012 toxic side of the Phandom, if that makes sense), and a lot of the reader's relationships were strained at that time because while they had been successful before, they were absolutely blowing up after their first album released and they became far more mainstream. They felt like they were bothering the people they had become closest to, both because they're worried that they're a bother, and because gossip rags and paps would harrass their friends looking for a scoop, and so they ended up just completely cutting off contact without warning one day right before they went on their first tour. the start of HTLGI is about 3 years since they'd been in proper contact with any of the creators they were close to at that time.
DON'T LOOK AT ME on their 2017 ep Hyperfocus was a more general song in response to everything that had been happening in their life around that time, with a focus on how they stop associating with anyone for a while, without outright addressing it, but on their latest album n o s t a l g i a, read at 5am ft. Troye was specifically written at the start of quarantine, when the reader was getting back into YouTube, about their feelings regarding how their friendship with ethan ended, as they spent a lot of this time looking back of their YouTube career, and he was the person they were closest to for a very long time, before they iced everyone out.
OKAY SO THERES MORE OF THE BACKGROUND OF THE WHOLE FIC AND THE READER BUT
Werewolf Ethan & Mark. I'm sorry I don't make the rules. They have golden retriever energy you cannot change my mind. But also because this is the HTLGI you know that supernatural characteristics are able to be activated rather than just triggered by the full moon. What I'm trying to say is since this is set in the year of Unus Annus, they film a video together that's like, you know that show where a person has to try and outwit a professional tracker? Except its the reader being tracked by two werewolves at night in a national park. Reader is wearing some sort of night vision camera on themselves so whenever it cuts to them the audience can't actually see how they're using their powers, if that makes sense.
Also the reader agreed to this knowing it would probably be when they ended up telling Mark and Ethan about them being a demon.
Video is titled Hunting Down An Old Friend
A few Moments that the boys edit out:
The reader using their stupidly sharp prehensile tail to swing from tree branches, though they leave in shots where the reader's tail can't be seen.
Knowing that with the werewolves having advanced hearing, the reader would give themselves away by talking to the camera, they take a few minutes having flown up to a high tree branch, to pull out a notebook and do a little sketch of how Mark and Ethan appear in their Demon True Sight, and holding it up to their camera.
Werewolves being one of the animals who can kind of sense demons without being able to identify them, essentially like dogs can sense natural disasters and are often good judges of character, this can be heightened on command for werewolves. There's about 15 minutes of footage cut out of the boys discussing or mentioning how this place has awful vibes and that they should have done this during the day. It gets worse as they get closer to the reader, who didn't realise that the boys hadn't thought to ever use that particular power around them before.
("I say this with so much love and appreciation for you, dude," Ethan yells, looking up at you from the base of the tree they'd finally found you in, "but I- this is making me anxious I feel like something terrible's gonna happen, and we should probably get out of here and film the rest of the video back at Mark's." And behind him, Mark's nodding, shifting his weight from one foot to the other, eyes scanning the trees for whatever was most likely the cause of this terrible impending doom.
Oh. It's you. And they don't know its you.
Now or never, you suppose.
"Can you cut the cameras for a second? You're going to be fine I promise," you called back, and though they obligingly did, they both seemed antsy. You cleared your throat awkwardly, "that... that terrible feeling, that's not the park or anything in it- well I mean, it is, but it's just- it's me."
and later
"Dude your wings smell like rotten eggs."
"To YOU Ethan! And no they don't!"
"If it makes you feel better they smell like burning and rotten eggs."
"It does not."
(for reference, when enhancing their sense of smell werewolves can kind of distinguish various supernatural creatures, or parts of supernatural creatures. Some creatures have an inherent scent, but some, like angels and demons, only have distinct scents when they've activated certain attributesor abilities; demon wings smell like fire and brimstone, which unfortunately means burning and rotten eggs. I like to think angels wings are like the love potion in Harry Potter that smells like the things you love the most. Mark and Ethan usually don't enhance it around each other because they smell like wet dog to the other)
This gets about 2k notes on tumblr. The reader likes it:
Tumblr media
Ethan finally finding Y/N at the end of Hunting Down An Old Friend (2020) Colourised.
Other things to note regarding all this:
It takes a while to rebuild their friendship to the point where they're comfortable enough to be on camera together (eef and reader specifically).
However, the Unus Annus video is the first thing they properly do together, and the reader, in an effort to connect more and make up for the past, will join in multiplayer gaming streams if asked.
Impromptu duet in proximity Among Us of Young Volcanoes by Fall Out Boy, which has their respective chats and fandoms losing their minds, except it stops abruptly after the first chorus as they both remember the opening lines of the second verse (make it easy, say I never mattered -- those lyrics hit a little too close to home)
But also the reader convinces him to join him for a proper cover in like, February of 2021, and it's something deeply sappy (I'm thinking Bon Iver by mxmtoon because I think its sweet and fits them well)
Also Ethan being reminded that the reader is kind of a much bigger deal than when they'd been friends before.
designed to hurt (touch me) from their ep Working On It is nominated for a Grammy for Track of the Year, and n o s t a l g i a wins Best Pop Album (because it's my fic and I said so)
FIRST OF ALL designed to hurt (touch me) is a beautifully produced song about Corpse (which people do not know) and the title itself is literally making fun of something he said IMAGINE his reaction to it being Grammy Nominated 😂😂😂 God he'd be proud but lowkey fuming, meanwhile the moment the nominations are announced the reader tweets:
me: here is an album where I processed my entire world view including heartfelt explorations of the trauma of existing and oversharing in the public eye from a young age without the traditional barrier between audience and entertainer
the grammys: that's cute BUT you know the song you wrote to bully your boyfriend and also be horny on main for him before you guys were even dating? THAT deserves its own recognition.
meanwhile Ethan's like..... this is the same person who I filmed a video with playing cards against humanity, and you laughed so hard you almost threw up. I am very proud but deeply confused.
The Hot Meme of Late April 2021 is "2 time Grammy Award Winning Artist Y/N" with a gif, still, or quote from the reader where they're just being an absolute chaos gremlin.
Of course we have "If I bleached my asshole for charity I'd do it tastefully."
2 Time Grammy Award Winning Artist Y/N speaking to their actual boyfriend in the year of our lord 2020: You are being executed for Clown Crimes.
ethan posts a short video to twitter simply of his screen where he's renaming a folder from "Never Before Seen Images of Grammy Award Winning Artist Y/N" simply changing it to 2 time Artist. The reader responds specifically to his tweet with a video of themselves asking Google how to hard reset someone else's computer.
So many screenshots from old videos surface that week.
I miss this world. Sorry this is rambly!!
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lilydalexf · 4 years ago
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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.
Interview with Circe Invidiosa
Circe Invidiosa has 11 stories at Gossamer, but there are even more X-Files stories at her website. Some of my favs I’ve recced here before, like Make It Worse and Slap a Goatee On Me and Call Me Evil. She also made a bunch of X-Files collage art, including some cover art for fics (hers and others), which you probably saw if you were reading fic back when authors posted fics on their own websites where art could be shared. Big thanks to Circe Invidiosa for doing this interview.
Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?
Well, it would surprise me if people did read my fic. As it happens, I don't hear much feedback from my fic these days. Probably because the bulk of it is on Gossamer and my own site rather than AO3. Also, I was never a BNA. I worked a lot behind the scenes – hosting other authors' sites and making fanart and dustjackets. I think that's what I'd be remembered for, if anything.
What do you think of when you think about your X-Files fandom experience?
I miss the collective excitement and discussions we had as groups. When you got in with a group in the XF fandom, you felt like you knew everybody there. Now the fandom feels a little faceless except for the people I still follow from my old groups.
Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?
Most of my experience was on Yahoo Groups. I joined Scullyfic while it was still there and then E-muse when it became an e-mail list, which I'm still a part of. I was part of several Yahoo Groups (can't remember all of them now), where I'd post my fic, RealPlayer slideshows (remember those?!), and collages. I never really took part in discourse because I'm shy and don't think anyone cares about my opinions (still don't!). The e-mail address I used for those groups was purged a couple of years ago, so I've lost all those messages.
What did you take away from your experience with X-Files fic or with the fandom in general?
My take away is that fanfic made me a better writer, thanks to having some great betas, and it made me a better professional writer for it (my real-life work is writing but not fun writing) because I learned to take criticism.
I also used to make a lot of fanart, collages and dustjackets for fic mostly. My big take away from that was that I really got into graphics and I got super proficient at Photoshop, which helped my own artistic endeavours and photography. I didn't realize how much skill I had developed until I've had to help someone with their graphics or photo editing.
What was it that got you hooked on the X-Files as a show?
My mother was watching X-Files before I was and she was raving about it. I don't have a great relationship with my mom, but one thing she was usually right about was TV shows. It's where I got my love of Sci-Fi.
I think the first episode I watched was Ice, which definitely hooked me. As for when the shipping started, I remember we were watching Lazarus, and when Mulder was yelling at Lula (I had to look that up) about hurting the hostage Scully, my mom said, "Oh, he's so in love with her." And I was all, "What?! Pfff." But then I could not stop thinking about it. And then I thought about it way, way too much.
What got you involved with X-Files fanfic?
I was in my late 20s, and it was around the end of S7 and I kept thinking about what if these two dumb idiots actually talked one day. And I kept thinking about dialogue in my head about what they'd actually say. The internet was still in its infancy back then, but I'd seen fan sites here and there. So I decided to search around to see if other people were talking about it and thinking about it like I was. I was such a noob I'd never even heard of fanfic. Imagine my delight when I discovered it. I found a few stories and thought, 'Well, I can do that.' And I wrote up my first story, found a place to post it (wasn't Ephemeral the best?), got some kind feedback, found a really nice person (not sure she wants to be named since she used her real name in the fandom back in the day) who encouraged me a lot and directed me to all the e-mail lists and Yahoo Groups that I needed to be on, and then, Bob's your uncle, I wrote more and more.
What is your relationship like now to X-Files fandom?
Periphery. Most of my experience in any fandom is now on Tumblr because that's where my attention span is. Show me pretty pictures and funny stuff. I am old now and don't want to think hard.
Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?
Veronica Mars was my next fandom experience. A number of my XF friends got me hooked on VM. The VM fandom was a LOT younger compared to the XF fandom. When I joined the XF fandom, I was the kid compared to most of the other fans who were all goddesses and royalty in my eyes. But in the VM fandom, I was in my 30s and the rest of the fandom were all in their early 20s if not younger. It often showed, so I stayed out of discussions and just posted my fic once I started writing it. I took a new handle (invida) when I started writing VM fic. Just in case these kids felt like my writing sucked, I didn't want it getting back to the XF fandom that I’d branched out and failed spectacularly.
By then fandom experiences had moved over to LiveJournal. I never really got involved in the discourse or the fandom fights. I knew what people were saying and where the schisms were, but I was all about the fanfic and the pretty pictures. Most of my LJ friends just discussed the episodes and posted their fic and that was good with me.
What got me writing fic for VM was Anjou's brilliant VM fic Into the Blue. Seriously, if you love VM S1, read her fic. Just so beautiful.
VM was also where started writing a WIP, which was a wild trip. I wrote a much-loved WIP called Damn, Damn the Circumstance which people still ask me about finishing to this day. Someday…*wistful sighs*
Who are some of your favorite fictional characters? Why?
Scully. She was everything! Lapsed Catholic, degrees in science, skeptic, always trying to work within the rules but still not taking crap. Yeah, she was the best.
Veronica Mars was great until she wasn't. I have a lot of issues with her beyond S2. And don't even talk to me about S4. For me, S1 was the best, I enjoyed the movie, the books were okay, but nothing else happened after that. NOTHING.
And the first character I ever loved was Princess Leia. She was also everything to me growing up. I wanted to be her. I still do.
Do you ever still watch The X-Files or think about Mulder and Scully?
Now and then. Not as much as I used to. I sometimes have it on in the background when I'm doing other things. Back before the pandemic, my BFF and I would have get togethers where we would play Scrabble, eat a lot of candy, and binge several XF episodes. I miss doing that. Hopefully, we will get back to that soon.
Do you ever still read X-Files fic? Fic in another fandom?
I am not an active XF fanfic reader right now. I will read any stories my friends put out. Otherwise, I only occasionally read some I come across on Tumblr in my feed, but I am not seeking them out. I will beta for any XF author who asks me as well.
I am reading fic in other fandoms though – Endeavour, Broadchurch, Sherlock…huh, I'm just realizing that's a lot of British stuff. I have been really into British detective series for the last few years.
Do you have any favorite X-Files fanfic stories or authors?
I used to run an XF fic recommendation site called How Will It End usually with at least one other person (I went through at least 4 partners on that project because I'm a control freak). We'd compile our recs and then I'd post them on my site. We'd also feature authors we really liked and interview them. Not unlike these interviews!
I'm terrible at giving feedback/comments. So I solved that problem by making a rec site. That way I could tell authors I loved their fics by recommending them. I didn't have to comment, I'd just say, 'I'd like to rec your fic'. And then they'd get promotion. Win-win. Back in those days, the fandom would absolutely roast you for promoting your own fic, so to get on a rec site was a big deal. Not that I had a popular rec site or anything. But I think authors really enjoyed being asked.
All that to say I've liked a lot of fics. I can pull up the archives of HWIE and show you all the faves I liked. :)
What is your favorite of your own fics, X-Files and/or otherwise?
Back in the day, E-muse would hold Improv Challenges, where other members would give you a prompt that you had to include in your fic. I was always really proud of the stories I created from those challenges (No Earthly Means and Elephant in the Room if you want to read them).
I enjoyed writing Dead to Rights which is an XF/Dead Like Me crossover because I loved the challenge of writing a crossover. It was the first crossover I ever tried writing even though I only recently published it.
Otherwise, I like re-reading In a Graveyard, Importuning Life for Life, and Some By Virtue Fall. Of my more recent fic, I like Slap a Goatee on Me and Call Me Evil because the premise was ridiculous and I think it's funny as all get out.
Probably my favourite of my VM fic was Stay Outta Riverdale. Because: 1. The title is a Simpsons reference who doesn't love a Simpsons reference? And 2. I think I was hilarious throughout it.
Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?
I'm always open to writing more fic (and, of course, I don't mean my WIPs…don't look at me like that). Lately, my only motivation has been from writing prompts on Tumblr. I haven't had anyone give me a prompt in over a year, so here we are. I have snippets of dialogue in journals and word documents that have never found their way into stories. I'd be happy to dust off any of those and shoehorn them into a new story.
Do you still write fic now? Or other creative work?
The last fanfic I wrote was a mini-fic over a year ago (with a prompt from Lilydale!). I've written a bit of original fiction but I haven't been able to finish it. Otherwise, I do have a number of real life hobbies which are where my creative outlets lie now.
Where do you get ideas for stories?
Lately, challenges and prompts. It used to be from wanting to see more from a scene. I really had a thing for fill-in-the-blanks or scene continuations. And sometimes my motivation is just plain old spite. :)
What's the story behind your pen name?
Circe Invidiosa is the title of a painting by John William Waterhouse. Love the colours and the absolute malice on the face of the subject. It felt like a good pen name – the envious witch. That's me!
I chose it when I posted my first XF fic (which I cringe to read now, ugh so terrible) without knowing there was already a Circe in the fandom. Whoops. I tried to go by the full Circe Invidiosa or Invidiosa as much as possible after realizing that (invidiosa is my url and my username on a lot of sites, etc.). Now I think that I've been around long enough that it doesn't matter as much but I still like it.
As I said, I took the name Invida for the VM fandom which is just a shortening of Invidiosa.
Do your friends and family know about your fic and, if so, what have been their reactions?
My significant other knows and that was quite a reveal (oh how awkward). However, the SO has been very supportive and has read all my stories since the reveal and sometimes betas them. The SO also wants us to collaborate on writing some original fiction but we haven't found a project that works for both of us creatively or timewise.
My BFF knows because I dragged her into the online fandom. We've known each other since we were 14, but our love of XF really solidified our bond in our 20s. She wrote some short but sweet fics under the penname Helen Quilley which I bullied her into posting, and we wrote Of Ladies Most Deject and Wretched together. She is mostly embarrassed that she wrote fanfic now but we still fangirl together.
No one else really knows other than fandom folks I've met in real life. And some friends know I've written 'short stories' but I don't elaborate. I work in a stodgy, uptight industry where anything fun or actually having a life is frowned upon.
Is there a place online (tumblr, twitter, AO3, etc.) where people can find you and/or your stories now?
Over the first lockdown, I got my shit together and got my fic site, invidiosa.com, up and running again. My site houses fic by Rain (now @doctorhelena on Tumblr and AO3), Helen Quilley, ML (who I miss so much), Folieadeux, Shelba, TLynn, Oracle, Piper Sargasso, Diehard, and me. And I made all their dustjackets (except Folie's). The site got hacked a few years back and it was so much work to get running again that I put it off for years and years. I still feel terrible that I did not get the site back up before ML passed away, especially when ML had asked me about it a few months before she passed.
Anyway, all my XF fic is here: circe.invidiosa.com. I have 3 of my newer XF stories on AO3. And my fic-LJ also has some of my stories. Some of the newer stories are on Tumblr but the tagging is so erratic that I'd have to list several tags before you'd find them all. I don't know why I haven't moved everything over to AO3. Probably laziness.
I'm @invidiosa on Tumblr. I'm still on E-muse. I'm still on LJ. I'm always reachable by e-mail (invidiosa at gmail).
Is there anything else you'd like to share with fans of X-Files fic?
Thanks for reading, writing, and commenting. It is always appreciated.
(Posted by Lilydale on January 5, 2021)
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TOSHIYA PERSONAL INTERVIEW SPECIAL HEADBANG VOL.27 TRANSLATION 2/2
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The upcoming new chapter of the bassist who established himself while evolving his playing style in the middle of fierce battles he experienced overseas. “When it comes to digital releases, it just feels like data” “I don't think there is another album that makes me want to die so much inside while I’m listening to it as this one (laughs).“ “If I have the opportunity to do music out of DIR EN GREY, this is the genre I want to try “ “If there's a world in front of you that you didn't know before, look at it, and if there's something you think that would be even better, you can pick it and bring it home.”
Notes before reading:  This is the second part of personal interview of Toshiya from the magazine Headbang Vol.27 released on 18th August.  The interview is 11 pages long, this part covers the last 5 and a half. You can read the first part here. You can get the magazine at Amazon Japan or CDJapan.  Feel free to correct me if you spot any mistake or any confusing parts.  
----- ----
Text by Hiroko Goto (First part here) - Even as the start of a new chapter, I think it will be a great time for those who have been waiting for it. I’m looking forward to the reactions towards the new single.
T: That’s right. Also, this time, it’s the first time we are releasing a single in this way, so I wonder how is going to feel. It’s a little wait-and-see.
-Because Dir en grey have never been available in almost any music streaming services before too. This time, are you releasing the single in this format due to Corona?
T: That’s right. Originally, we tried to put it out as a physical one.
-I see. Do you see this digital release format as something positive?
T: I have no choice but to think positively for the time being (laughs)  Because if we release a single, and it’s not going to listened, there is no point on doing it but, after all, as we do it, if there is a way for people to listen to it, I think it should be used. However, to use any method to release it because there is a way to do it, I think that’s different for me. While we were carefully checking those aspects, I think I would like to take into consideration several things. Simply, because I’m a coward (laughs). It’s kind of scary because I feel like the songs are all over and the songs are our best asset. After all, I want to cherish/value them. Of course, I think there are many positive things in distributing them but now that we are doing it, I think we must distinguish between plus and minus sides of it. -Especially for Dir en grey, the package is usually elaborated and you can also feel the sense of commitment/pickiness on it.
T: That’s right. When it comes to digital releases, it just feels like data. So that’s why it’s a matter of the value of the things. The value that you can give it them, or the level that you can take it at. I would like to think about the future as I’m looking at this release.
-After this single, what direction do you want to move towards from now on as a part of Dir en grey?
T: As a band, while constantly incorporating what seems new to us, we want to challenge both, our activities, and songs. Right now, once again, we want to try it with the feeling that Dir en grey can do anything。
-I see. Comparing yourself to the Toshiya from the past, you have a better judgement about what you can do and what you can't, and you want to think about it properly. Each member thinks that way as well, so I think it would be nice if you could absorb each one’s good points and bring it to the band. Nevertheless, as everyone simply has a different age, a different personality, and the environment in which you grew up is different, I think there are different things that each of you want to do. Among them, for me, I don't think it's necessary for each of you to achieve 100% of what each one of you wants to do. Combining several % well, I think you are a band that eventually will reach the 100%. If you can keep that way, there  will  simply always be an interesting taste and you can keep being an exciting band.
“The first band I came across was Guns N' Roses. It was an encounter that felt like ‘what on Earth is this?”
-From here, I would like to ask you about the 'Inspirational albums'  you have selected and approach your personality when it comes to music. Personally, I feel that your musical tastes are less visible than the other four members.
T: Hahaha. I get that a lot (laughs).
-Are you aware about the things that are not appealing to you?
T: I am. I mean, I know what I like, but I don’t know why I like it (laughs) Basically, I like music.
-You chose 20 albums in particular, what was your criteria in order to choose those?
T: I simply chose these ones because I think these might the ones, I was listening to at the time I was more sensitive/impressionable by music.
-There are a lot of works from the 80's and 90's as a whole, Were you listening to these before you got in the band? T: There are also some that are after the formation of the band and I also include some that I was listening to before playing in the band. There are many from the time when the band was formed, and we made our debut.
-The genres are quite wide, it’s firmly pressed line-up to of iconic masterpieces. In what specific areas have you been affected by them?
T: For example, Guns N'Roses 'Appetite for Destruction' (1987), when I was in middle school, I was like ‘What on earth is this?’ when I came across them. It was a time when LA metal (80s metal/glam metal) was popular. Van Hale was also very popular, and Europe's "The Final Countdown" was being played all around. That's how I met Guns, but the first thing I heard was 'Use your Illusion I','II' (1991). Then, I heard there were more amazing (from them) albums before those, so I listened to 'Appetite for Destruction'.
-When you came across Guns N’ Roses, did you think "the band is cool"?
T: It’s a very stupid idea but, it was a time in which music was equal to delinquency, and live houses had the image of being a sink/den of iniquity* (laughs). At first, I was like ‘What is this?’ and then I got interested. Including such an atmosphere, I think it was cool and I had a strong sense of admiration.
*a place where immoral or illegal things are done.
-When you go from there in chronological order, what kind of transition are you going through?  In your selection, there are a lot of grunge (albums) too.
T: That’s right. Exactly after that, the wave of grunge came. But if you say which one is the one ruling the movement,  for me it’s not Nirvana. When I dug down while listening to that genre, I personally fell in love with Pixies. It was a time in which listening to one artist made us feel more connected. Here and here there would be good friends, here and here there would be people that you don’t get along with. I got worried about that when I listened to them. I went to see Pixies’ performance in Japan a few years ago and it was really good. If I have to say something about that time, at the Pixies live, the lighting goes red through one song and it's just red.I was impressed by the effect of only using that colour in the scene. After that, when we talked about what kind of production we wanted to do on our tour, I said "I went to see Pixies and I  said “ I want to do this in the same way because such lighting was interesting" (laughs)
-Is that so?
T: It's a band that's influenced me from that perspective.
“I had a friend who liked thrash metal. He told me that this kind of music existed”
-While there is a trend from hard rock to grunge, on the other hand, there are also metal elements  you are interested in such as Metallica's “Master of Puppets” (1986) and Pantera's “Vulgar Display of Power” (1992), which are known as masterpieces. When did this kind of metal music get into your life?
T:  When I was in high school. At that time, I had friends who liked Metallica and slash metal such as Pantera and Slayer. I learnt  this music existed, and I started listening to it.
-This didn’t come to my mind until now but, in fact, some of them can be called the roots of metal.
T: Yeah, I really liked it. I also liked to listen to the band that guitaris Steve Vai made as a solo band under his name (Vai). When I was in high school, I had a lifetime friend who was shredding his guitar and looked like a bakateru* guitarist (laughs). I had a lot of fun. *Bakateru (A Japanese made-up word from  “baka” and “techniques”) is a person who plays an instrument using simple/stupid techniques that made them look like professional players.
-That’s good (laughs) While there are hard rock and metal in your choices, the overall impression is that there are many bands and works with a slightly downer atmosphere.
T: Certainly, I think I like downer style a little (laughs).  Stone Temple Pilots has also a part of hard Rock and a strong grunge effect, bit I like the indescribable downer feeling. Then, I chose Alice in Chains for the selection. Alice in Chains is another downer band that I like. When I first heard it, I couldn't understand it at all. I didn't even know what was good about them (laughs) From them, I like Dirt (1992) which I chose this time for the selection.
-By the way, it has the same name as your apparel brand….
T: It has nothing to do with it (laughs).  But, as it is an album I like (even if it has the same name) I guess it’s fine.
-And, when it comes to downer works, you listed “OK Computer" (1997), from Radiohead. T:I don't think there is another album that makes me want to die so much inside while I’m listening to it as this one (laughs). When I was in the states with Yoshiki producing the single, I have the impression I listened to it a lot.
-Radiohead also has had several changes through their career, but if you have to choose, is this one?
T: If you ask me which one from Rahiohead I would pick, as expected it’s this one. Maybe I like feeling like dying (laughs)
“If I had the chance to play music elsewhere, I would like to try an industrial band”
-(Laughs). As for genre, you also included industry albums such as Nine Inch Nails and Ministry.
T: I like industrial because I have the strong impression  it’s not only about the band sound. For me, it has something, like asking for the impossible. If I have the opportunity to do music out of DIR EN GREY, this is the genre I want to try, an industrial band.
-I definitely want you to try to do it.  I can tell you are listening to music with several components but, what are your roots as a bassist?
T: After all, I like Guns's Duff McKagan the most. The one who shocked me like “This…. this is bass!” was Japan’s bassist Mick Karn. I felt like ‘What’s this?’.  He had the magical image of a man that lived in Greece (laughs). I also like the bassline of Alice in Chains or Stone Temple Pilots, which I mentioned earlier.
-I see.
T: Also, in terms of bass, Pantera's 'Vulgar Display of Power' was made in a way that the original cd was only vocals, guitar and drums (laughs). But in their 20th Anniversary Edition (Deluxe Edition In 2012) I was happy to be able to hear the bass properly.
-When it comes to types of bassist, rather than someone who slaps the bass, comes to the front, and stands out, many artists (bassist) have the image of keeping the groove.
T: That’s right. Originally, I didn't really like finger playing or slap bassists. My first motivation was Guns, so I had the image of rocking, like holding the base down and playing with a pick. To me slapping had an image of a fusion style.
-In fact, considering your own play style now, I think they are connected.
T: They are. However, there was a moment when my thoughts changed a bit in that aspect. When I went abroad and went together on tour with Deftones and went to festivals, the bassist Chi Cheng looked very cool. KORN was on the same tour, so I was watching Fieldy’s playing as well.
-It was at the "Family Values ​​Tour" in 2006.
T: That’s right. That was the moment in which there was a change of era not only musically but also of my self-consciousness. Of course, I still liked my play style then, and of course I still like it now, but the idea that I can only do that, and I can only do that…. I started to want to see more things (that I could do). Compared to that time, there is a lot of information, isn’t it?
-Indeed.
T: There are a lot of ways and you choose yourself from that huge amount of information, so you can pick only the good things. But at that time, there wasn’t that much information available, so all I knew was from my own experience. It was like that for things, the length of my ruler was fixed. That…. it overlaps with the story of 'Clever Sleazoid' that I mentioned earlier, when I starter to look overseas, I realized that I could clearly see that “this kind of world exists”. I started to think differently about it, hating without trying it. If there's a world in front of you  you didn't know before, look at it, and if there's something you think would be even better, you can pick  it and bring it home. Looking back at it again, I think my playing style has changed since we made a full-scale expansion overseas and  I turned my eyes to overseas.
“Deftones are the band that influenced me the most once I saw them playing live and went on tour together with them”
-From Deftones, you chose White Pony' (2000)
T: I was shocked when I first heard them. As I said, at the time I saw them live and went on tour with them, if I had to say an album that I felt strong about and affected me, it would be this one.  I think their latest work at the time of the tour was the 'Deftones' (2003) or 'Saturday Night Wrist' (2006), but when they played the songs of 'White Pony', the audience went crazy. I was very impressed.
-From that perspective, many of the bands you chose have co-starred with DIR EN GREY. Are there other bands that impressed you?
T: We were with Metallica together at overseas festivals, but after watching it live, I thought it was really amazing. Since Pantera stopped before I could see them, it was nice I was able to see Metallica. In that sense, I was very excited to be at the same festival when Faith No More restarted their activities. I originally liked it and thought I couldn't watch it anymore, so I was excited when I realized I could see them live.
-That sounds good.
T: Also, we had been with Alice in Chains in a festival.Then, I heard from the dressing room that the guitarist was playing the guitar all the time. I remember thinking “Ah, I like that guitar” (laughs)
-As expected, you have many stories with the bands you were appearing together.
T: That’s right, that's a good thing (laughs)
-You've appeared together with Tool at OZZFEST JAPAN 2015.
T: That’s right. At that time, Tool was active, so we also have appeared together at overseas. I didn't actually watch the live then. Thankfully, I had the opportunity to watch them from a wing* of the stage later, which was really amazing. It feels like being on a trip. Thinking that way, I think I might like bands that makes me go a bit on a trip.
*The wings are the hidden areas to the left and right of the stage
-Also, since Japanese bands were not going abroad as much as now, that you were actively expanding and constantly playing overseas, looking at it, it seems like a good era.
T: Now, I think we were able to go abroad at a really good moment, so it was really a good era. I think it's normal for nowadays bands to go abroad but there are bands you can't see live now; at that time, I could see the music scene. It was good that we were able to go there at that moment.
-Tool’s '10,000 Days' (2006) is the newest work you've mentioned. Since then, there has been a big change over time, and now there are more choices such as music streaming services. Has the way of listening to music, or the variety of it, changed?
T: At that time, you couldn't hear a CD unless you bought it. Furthermore, in the old days, you couldn't afford to pay about 3000 yen each time you buy an album. There are many works that I was interested but I couldn't listen to. In that sense, I think it's a good time to listen anything. But at that time, I paid for listening to that one album, and since I bought it, it was nice to listen to it for a long time. When it comes to streaming, it sounds like "something  you are playing while doing another thing”. Going back to what I talked about, that's why it's a scary part, and I'm still a little behind the times.
-As you are in the artist creator side, you feel like you want people to face your work firmly.
T: As expected that’s it. Well, it’s the selfishness of a creator (laughs). That’s the truth of these things, to be honest, I think that music and magazines are just for entertainment. Because, if had to think about if I will live or die tomorrow, I think I would pick food, not music or books (laughs). If you think about it in that way, I wonder what really entertainment is.I think that because of the entertainment, it is possible to obtain the richness of a human heart. It has become more difficult than it used to be, to determine what kind of value to add there.
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thedisneychef · 1 year ago
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Are Recipes Protected By Copyright
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As a passionate home cook, I'm always looking for new recipes to try out. But have you ever stopped to think whether or not these recipes are protected by copyright? It's interesting to consider how the law views something like a recipe – is it just an idea that anyone can use and repurpose, or is it actually subject to certain regulations? In this article, I'll be taking a closer look at what Copyright Law has to say about recipes. We all know that books and music come with certain restrictions on their usage; but what about food creations? Can chefs legally protect their unique culinary inventions from being stolen or replicated without permission? We’ll dive into the details of this complex issue and explore the implications for both amateur cooks like myself as well as professional chefs. Maybe You Also Like: - Are Recipes Intellectual Property - Can A Cake Recipe Be Used For Cupcakes - Canadian Pumpkin Pie Recipe What Is Copyright Law? I'm sure you've heard of copyright law before, but do you really know what it is? Copyright law is a set of rules that protect authors and creators from having their work stolen or copied without permission. It applies to any type of creative work, such as recipes, cookbooks, and recipe databases. This means that when someone creates a recipe or cookbook, they can expect the same level of protection under copyright law as other authors who create books and articles. Copyright protection doesn't just stop at written works either - it also includes music, movies, photographs, blogs and computer software. If an author has created something original then it's protected by copyright law on both a national and international level. This ensures that no one else can reproduce or distribute the material without first obtaining explicit permission from the copyright holder. The real benefit for recipe authors is that if someone were to copy their content without permission, they would be liable for damages through legal action taken by the author in order to protect their rights. So while anyone can use recipes from cookbook authors or recipe databases as inspiration for creating their own unique dishes, they should always respect the intellectual property of those who have come before them! The Difference Between Recipes And Other Creative Works I'm really curious to know the difference between recipes and other creative works when it comes to copyright. Are ingredients even protected by copyright? Is the process of making a recipe protected by copyright? Can someone else copy a recipe and pass it off as their own? I'm also wondering if copyright applies to recipes the same way it applies to other creative works. Ingredients Cooking is an art form, and like any other creative act, it can be protected by copyright. When you think of recipes, the ingredients are usually what come to mind first; however, it's actually the cooking techniques used to combine those ingredients that are often protected by copyright laws. This means that a recipe for chocolate chip cookies may have variations due to different types of chips or nuts used in the mix, but if you use someone else’s technique in combining them all together then you're infringing on their rights as an artist. That being said, there are still some protections around specific recipes such as particular ingredient combinations that aren't commonly known yet. So while copying exact measurements and cooking instructions isn't allowed without permission, experimenting with different flavors to create your own unique dishes should remain safe from legal consequences. Copyrightability Cooking is a unique form of art that requires creativity and skill. While the ingredients used to create dishes are often what come to mind first, it's really the technique of combining them together which can be protected by copyright laws. But just because recipes have some degree of copyrightability doesn't necessarily mean they're totally enforceable or without infringement risks. For instance, when it comes to exact measurements, these may not be able to be replicated without permission from the original chef. However, experimenting with different flavors is usually safe from legal consequences - provided you don't copy someone else’s work too closely. So while there are limits on how much protection recipes get under copyright law, this shouldn't stop creative cooks from developing their own signature dishes! How Can Recipes Be Protected? I have often wondered if recipes are protected by copyright. The answer is yes, but there are certain conditions that must be met in order for the recipe to be considered eligible for protection. Recipes can actually be registered and licensed through a variety of organizations, allowing them to monetize their creations. The first step to protecting your recipe is identifying it as an original work. This means ensuring that all components of the dish are unique and created by you or someone who has given permission for its use. It's also important to consider how much information about ingredients or preparation instructions will need to be included in the registration process; this will help determine if more detailed descriptions should accompany your registration application. Once your recipe has been identified as an original work, it can then be registered with agencies like the US Copyright Office or other international licensing authorities. These organizations provide licenses for copyrighted works, which allow owners to control how their recipes may be used and even earn money from them through legal channels such as cookbooks or online outlets. Monetizing recipes through these avenues provides additional income streams while still respecting intellectual property rights of others. Implications Of Copyright Law For Home Cooks Cooking is so much more than just following a recipe - it's an art form, and one that has been passed down through generations. As home cooks, we want to be able to freely share our recipes with others without worrying about copyright infringement. But the truth is, if you're using someone else's cooking techniques or recipe variations in your own dishes, there are implications of copyright law that you should take into consideration. In the United States, recipes themselves cannot be copyrighted — only original literary works can receive this protection — but other aspects of food preparation such as photographs and descriptions may fall under existing laws. In addition, some states have enacted specific statutes protecting certain culinary creations as intellectual property. This means that while a copycat recipe might not constitute a breach of copyright law, chefs could potentially sue for misappropriation if their unique dishes are replicated by another cook. Knowing these legal considerations is important for any serious home chef who wants to create something truly unique and special from scratch. With the right knowledge and creativity, we can explore new flavors and ingredients while still respecting each other’s work in the process! Implications Of Copyright Law For Professional Chefs I'm a professional chef, and I know that my recipes are valuable assets. Copyright law can help protect my work from being used without permission or proper compensation. It's important for me to understand the implications of copyright law so I can monetize my recipes and build a successful brand as a chef. There are several ways to make sure your recipes comply with copyright law. Registering them with the U.S. Copyright Office is one of the best options available -- it establishes legal ownership and creates a public record of authorship. Additionally, you should always include an appropriate licensing agreement when sharing your recipes publicly, even if they're not registered with the copyright office. This will ensure that anyone who uses them has agreed to abide by certain conditions in order to avoid infringement issues down the line. Building a successful brand as a chef requires having control over your intellectual property rights, including those related to your recipe creations. By understanding how copyright law works and taking steps to legally register and license recipes, chefs can better protect their work while ensuring they receive fair compensation for any use or reproduction of their recipes outside of their own kitchen environment. Frequently Asked Questions Are There Any Exceptions To Copyright Law For Recipes? Yes, there are some exceptions to copyright law for recipes. Generally speaking, while the ingredients of a recipe cannot be copyrighted, the instructions on how to prepare it can be - that is, the cooking methods used and any other creative elements such as descriptions or illustrations. So if someone were to copy your exact list of ingredients with your specific instructions on how to put them together, you could take action against them using copyright law. How Long Does A Copyright Last For A Recipe? When it comes to recipe authorship and copyright infringement, the duration of a copyright is determined by the laws specific to your country. Generally speaking, a copyright lasts for 70 years after the author's death but this may vary depending on where you live and any additional rules set out in that particular jurisdiction. It’s important to be aware of your rights when writing recipes so make sure you check up on what applies to you! Is It Possible To Copyright A Recipe That Has Already Been Published? It is possible to copyright a recipe that has already been published, however the patentability of such recipes may vary. While the recipe itself can be copyrighted in order to protect it from infringement risks, other factors like specific ingredients and instructions need to be considered before determining if a recipe qualifies for protection or not. Additionally, any changes made to an existing recipe may also affect its patentability as well. Can I Use A Copyrighted Recipe For A Commercial Purpose? Yes, you can use a copyrighted recipe for commercial purposes, however there are some copyright implications to consider. Recipe ownership is an important factor when looking into using a recipe commercially. If the recipe was created by someone else and they own the rights, then it’s important to get permission before using it in any way that could make money or generate revenue. It's also wise to check with your local laws and regulations as each country may have different rules about recipes and their usage. Can I Modify A Copyrighted Recipe And Still Be Protected By Copyright? It's possible to modify a copyrighted recipe and still be protected by copyright, as long as you don't use the original cooking techniques or ingredients. For example, if you make changes that are significant enough to create an entirely new dish, then your modified version will be protected by copyright law. Of course, it’s important to note that even when modifying recipes for food products like sauces or condiments, the original creator of the recipe can still take legal action against you if they feel their intellectual property has been infringed upon. Conclusion In conclusion, recipes can be protected by copyright law. Depending on the individual circumstances of a recipe, the duration of protection may vary. Generally speaking, however, it is possible to obtain copyright protection for original recipes that have not been previously published and this protection can last up to seventy years after the creator’s death. Furthermore, if you wish to use a copyrighted recipe in a commercial context or with modifications, permission should always be obtained from the rights-holder first. Ultimately, understanding how copyright works when it comes to recipes is essential for anyone wishing to create their own dishes without infringing upon someone else's work. If you're looking for more delicious recipes to try, be sure to check out The Disney Chef's recipe categories! Whether you're in the mood for something sweet like a cake recipe, something savory like a chicken or pork recipe, or something fresh like a vegetable or seafood recipe, there's something for everyone. And if you're a meat-lover, don't forget to check out the beef recipes category for hearty and satisfying meals. With so many options to choose from, you're sure to find a new favorite recipe to add to your collection. Read the full article
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storiesforallfandoms · 5 years ago
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proud ~ cillian murphy
word count: 2015
request?: yes!
@shady80smusicsingercolor​ “The reader was always tried to get them proud,but nothing,one day the reader remembers their parents how they were never supportive or proud,the reader cried, cillian was passing by their dressing room,he stop cuz he heard the faithful tears,he came in,he ask what's wrong,and the reader explain how their parents never were proud of them but their siblings yeah,and ask him"what's wrong with me"and cillian reassures the reader nothing wrong with them but with their parents yeah,he told the reader he was Damm proud of them”
description: when you’re reminded of your rough childhood, your co-star is there to lift you up when you’re feeling down
pairing: cillian murphy x female!reader
warnings: swearing, angst
masterlist
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You were in the middle of taking a picture of yourself in your costume when your phone buzzed. A notification at the top of the screen read that you had you were tagged in a post on Facebook, by your mum.
You cringed, immediately knowing what it would be.
A picture of your mum, dad, and sister sat around a table at a restaurant popped up on your screen. The caption for it read, “A special dinner for our beautiful daughter, who just scored another win on a case!” As per usual, she had tagged your dad, your sister, and you. Not because they wished you were there, but to remind you of your sister’s accomplishments and their pride in them.
Your parents made it very clear at a young age that your sister was the favourite child. They had a vision for the future of their kids, one that included a high paying job and eventually a family, and your sister was the one to follow this vision, in their eyes anyways.
Your sister was a straight A student all throughout her school years, and was accepted into law school with a full scholarship right out of high school. You, on the other hand, found yourself falling in love with acting. You were in drama club all through school and often starred in the school plays and musicals. When you graduated high school you were accepted into one of the biggest art schools, and of course you went.
Your parents were less than enthusiastic about your path, even after your acting career took off. They viewed acting as not being  a “real job” and often ridiculed you, comparing you to your sister or reminding you of your sister’s accomplishments at every opportunity.
You took a deep breath to calm yourself. You had to remind yourself that just because your parents weren’t proud of you didn’t mean you should be so hard on yourself. You had a successful career, you were happy as an actress. You weren’t going to let them bring you down.
You went to the family group chat to send a congratulatory message to your sister, one that your parents would see and realize they weren’t going to get to you this time.
“Congrats on your case win sis!”
Your sister responded a moment later, “Thanks sis! you're fantastic on Peaky Blinders! I can’t wait until the next season!”
The text gave you a brief moment of happiness. You and your sister never had bad blood. You both understood that you took your own paths and there was no reason to give in to your parents patronizing.
The happiness faded when another message came, this time from your mum, “Did your sister tell you she was seeing someone? It’s pretty serious, we might have our first son in law soon.”
You tossed your phone to the floor and buried your head in your hands. Of course they were going to start taking jabs at your love life now. Now that your sister had a serious boyfriend they had something else to belittle you about.
You were trying to hold back your tear when a knock came at your dressing room door. You sighed and swallowed the lump in your throat. “Come in!”
Your co-star, Cillian, opened the door. You looked at him through your vanity mirror. “We’re about to start filming soon, are you ready?”
You nodded. “Yeah, just give me a minute and I’ll be out.”
“Are you okay?”
Being asked if you were okay when you were on the verge of tears was always the worst question. You had to look down so Cillian didn’t see the tears forming in your eyes.
“I’m fine,” you replied. “Tell everyone I’ll be out soon.”
Cillian crossed the room to sit next to you. You kept looking down at the vanity’s desk.
“For an actress, you’re not the best at acting like you’re okay,” he teased, causing you to laugh. “What’s wrong? And don’t say it’s nothing because you know I’ll force you to tell me.”
You knew there was no use in lying. Cillian knew you better than most people, he’d know you weren’t telling the truth.
You picked up your phone and passed it to Cillian, allowing him to read the most recent messages. His eyebrows furrowed together in confusion. “I don’t get it, what does her love life have to do with either of your jobs? And why would your mum make a comment about him being a future son in law? Your sister even told her that she’s only been seeing the guy for six months.”
“Exactly!” you snapped. “It has nothing to do with the conversation, my mum just wants to tell me she has a new reason to ridicule me. I don’t have a real job, I haven’t had a serious relationship, I’m nowhere near having a kid or being married. But my sister, oh she’s the star child - a lawyer, has a boyfriend now, will probably give my parents their first grandchild.”
You buried your head in your hands again, finally allowing the tears to start flowing freely. You knew the makeup artist was going to be pissed, but you could care less at that moment. You couldn’t leave this frustration to build up while you were filming, it would just guarantee that you'd fuck up the scene and feel even worse.
Cillian took you into his arms, resting his head against yours as he ran a hand soothingly over your body.
“It’s alright,” he said. “It’s alright, let it all out.”
You felt comfortable in his arms, like it was the best place to be, and honestly, it was. Cillian was your closest friend on set of Peaky Blinders, probably your closest friend all together. There were many a times when he would hold you like this, whether it was a friendly hug, a scene on set, an idle gesture when the two of you were hanging out together. Being in Cillian’s arms was so soothing, it was exactly what you needed.
You finally pulled away and looked at yourself in the mirror. Luckily enough, since you were filming a show that was taking place in the early 1900s you didn’t have to wear too much makeup, mainly mascara and enough foundation that you didn’t look shiny on screen. The makeup artist on set had given you waterproof mascara, which again was lucky for you, but your foundation, however, was ruined from water streaks running down your cheeks.
You grabbed a makeup wipe from your vanity and began wiping the foundation from your face. You had foundation in your dressing room for moments like this, so that you could fix your makeup before scenes so no one would realize you were so upset.
“I get that they may not have viewed acting as a possible job back when I was in high school,” you said as you fixed your makeup, “but I’ve made an actual career from it. I’ve been in countless shows and movies, I’ve been nominated for awards and even won countless ones, and they can’t accept that. They can’t be proud of me for making a name for myself in my own way. They’ve never been proud of me. What’s wrong with me?”
“Nothing!” Cillian told you. “Nothing is wrong with you. You’re an absolutely amazing person, and you’re so talented and amazing. Just because you chose a different path from your sister and because you’re not following in their footsteps or the path that your parents wanted you to take doesn’t mean that there’s something wrong with you. There’s something wrong with your parents, they’re the assholes here.”
You sighed and shook your head, putting the foundation away. “This thing with my sister having a boyfriend is what’s really gonna start getting to me, I already know that. Being an actress I don't really have the time for a relationship, and I haven’t found a genuine guy that I want to be with because so many Hollywood guys are fake assholes who want to date you for their own professional gain. By the time I find someone to be with, my sister will probably be engaged with a child along the way and my parents will never let me live that down.”
As you spoke, Cillian was listening intently, until you got to the end of your rant. That’s when he cupped your face in his hands and pulled you towards him, pressing his lips to you. The gesture shocked you at first and you almost jerked your head away, but, just like being in his arms, kissing Cillian just felt so right. You relaxed into the kiss, cupping his face as well to hold him close.
He pulled away after a brief moment, smiling at you as he did so. “Am I one of those asshole famous people do you think?”
You giggled. “Oh God no, you’re the nicest person I’ve ever met.”
“Well then, this nice person thinks you’re the most amazing person he has ever met, and that your parents couldn’t be more wrong in the way that they treat you. And this nice person wants to take you out on a date when we’re finished with filming today.”
You smiled brightly. “I would love to go out after filming today. But to do that, we should get to filming.”
Realization passed Cillian’s face. “Shit, you’re right. Let’s go.”
“I’ll be there in a minute,” you said as Cillian stood. “You go and tell them I’m sorry I’m late but it’s family issues.”
Cillian nodded, leaning down to kiss you once more, before leaving the room.
You took your phone in your hand and checked the family chat to see that the last message was from your sister, explaining to you that her and her boyfriend hadn’t even been together for long and chastising your mother for her message. You took a deep breath and began to type out one final text message.
“I’m really happy for your relationship, sis, and I’d love to meet him, but this is my final message in this groupchat. I’ll be leaving the chat and taking mom and dad off of Facebook. I also probably won’t even tell you guys when I’m visiting home since you’ve made it clear that you don’t even want to see me. I know that I haven’t conformed to your beliefs of “success”, but I love where I’ve gone in life and I’m happy with my career. I’ve been in countless TV shows and movies and I’ve won awards for those things. I love my job, and I wouldn’t change that for the world. As for my love life, if either of you ever cared enough to check in on me instead of flaunting (Y/S/N)’s accomplishments in my face you’d know that I too am seeing someone. Too bad you’ve officially burned all bridges and won’t be meeting him now, but what can you do? Feel free to call if you ever decide to be proud of your youngest daughter for where she is in life and not just for your oldest because she followed the life that you tried to force upon us (I love you sis, don’t take this as an insult)”
After hitting send, you left the chat and promptly blocked both of your parents on Facebook. You took a deep breath and sighed heavily. It felt like a weight had been taken off of your shoulders then.
You inspected your makeup in the mirror to make sure it looked fine before getting up and finally walking to set. The rest of your co-stars were gathered, waiting, when you finally arrived.
“Sorry I’m late,” you told them. “Family stuff. I’m ready to go if you guys are.”
Everyone started getting in place. As the camera was being set up, Cillian looked at you with a little concern on his face. “Everything alright?”
You smiled at him, suddenly feeling more confident than you ever had. “I feel great. Let’s kill this scene.”
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mostlycompetentwriter · 5 years ago
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On Track
F/M Pairing: Y/N x Lee Minho
Genre: Married Life AU, Romance
Warnings: Smut and Language
Word Count: 11K
Summary: Despite her reputation, Y/N is considered one of the very best agents in the music industry. Of course, it doesn’t help that she married one of her clients---notoriously stubborn and arrogant Lee Minho AKA the extremely talented Lee Know whose silky voice and amazing choreographies appeal to an enormous fan-base. A pop singer who prefers to work alone, Y/N usually obliges Minho’s preferences...until her boss demands that he collaborate with the up-and-coming and multi-talented trio, 3racha.
Well, nobody ever said that married life is easy.
For: @hwngjn​
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There’s a certain decorum involved with the management of arrogant pop singers who think the entire world revolves around their singular existence. In my experience, if you want to tame these wild inclinations, then it’s best to do one of the three things: 1) leave the company ASAP with a two-week notice and a heartfelt plea for a good recommendation, 2) tolerate the existence of this pop singer and hope that he matures with age, or 3) marry this pop singer because you fell in love without understanding the fraternization clause of your contract. 
Allow me to elaborate: options one and two will leave you with enough room to continue rising through the ranks without much conflict with upper management. You see, I have firsthand knowledge because I lived through the ensuing outcomes, leaving my first job at the tender age of 23 with very little knowledge and then arduously suffering at my next position with a female artist who insisted on testing my patience. But then again, if you choose to skip options one and two and pursue option three, then you better learn to live with the consequences because it will bring the most long-term effects.
Let me start from here because, for the most part, the consequences for me were fairly minimal. The record company was, of course, incensed when they found out about my unauthorized affair. Unfortunately, Minho liked to brag about the things he cherished, and he made no secret of our relationship outside of the company. I knew it was only a matter of time before the issue was brought to the attention of Mr. Park, the company’s CEO and head producer. 
I can still remember sitting in his big office, ignoring the lingering smell of smoke, while Mr. Park shoved my management contract in my face. “What the hell is wrong with you?” he asked, to which I had no response other than my weakness for Minho’s cunning smile. “You’re done here,” he announced and my heart broke in my chest. 
Fortunately, before I could finish packing my belongings on the same afternoon, Minho had appeared at my desk with a very unhappy Mr. Park trailing behind him with an intense scowl. “Tell her,” Minho growled.
“Y/N,” he sighed. “You’ve been reinstated. Mr. Lee made a convincing argument on your behalf. Apparently, he can’t possibly work here and renew his contract without you as his manager.”
I remember glaring at Minho for his intervention, since our impromptu marriage was entirely his fault. “Thank you, sir.”
Thereafter, I was determined to do the best job I could as famed singer Lee Know’s manager, even if it meant facing scrutiny from jealous fans or bowing my head when I faced another agent in the hallways. I suppose I could deal with their scrutiny because it was better than the alternative of finding myself lounging away in Minho’s expensive condo unemployed and ruined because of my reputation. Even so, I was walking on thin glass everyday, and Minho continued to make things hard by insisting that he didn’t need to follow the rules, especially since he insisted on some one-sided feud with Mr. Park. 
For example, today Minho was scheduled for an interview with a very distinguished magazine, but my husband had decided to prioritize his never ceasing libido over regular responsibilities. “Hold still,” Minho said, smirking against the side of my neck while his hands made quick work of my skirt and panties, shoving them harshly down my legs to make room for his greedy touches. Inhibited access to the heat between my legs, presented to him in just the way he liked, meant that his fingers were currently teasing the swollen folds of my labia while I fell apart at the seams. 
I could tell that Minho wanted to take his time, but one glance at my wristwatch told me that we weren’t allowed such liberties today. “No, sir,” I said, reaching behind me to scratch my nails along his forearm. “You have an interview in ten minutes!”
“Relax,” he said, kissing delicately down the individual knobs of my spine. “I missed you today.”
“How romantic,” I deadpanned. “Can you hurry before the agency sends someone to look for us?”
As I said before, Minho was never the type to follow clear instructions, and he didn’t like the fact that his agency was rather strict when it came to scheduling. He liked to spite the men upstairs whenever an opportunity arose, such as prolonging needless foreplay when I was already dripping down my thighs because of his ministrations. I reached behind me for his belt, attempting to undo the zipper and release the erection straining the material.
“What’s your hurry, sweetheart?” he purred, knocking away my hand. 
“My job as your manager,” I returned, fervently trying to hasten our unexpected intimacy. 
“Well, as your favorite client, I suggest you bend over for me so I can fuck this little pussy.”
His words went straight to the tight coil offering no resistance the longer Minho continued to speak dirty words into my ears. “Did you lock the door?”
“Why? Are you expecting someone?”
I frowned, ready to offer a snarky retort before the words were wiped clean from my head when I felt the tip of his cock sink into my awaiting heat. “What was that, sweetheart?” he asked and I moaned loudly because he was suddenly intense with his movements, leaving no room to gather my bearings before he was fucking at a harsh pace.
Actually, in hindsight, I should’ve seen this coming when I met Minho in my office for the very first time. He walked in wearing a loose-fitting tank top and tight skinny jeans like he was attending a fraternity party instead of a company meeting. Minho’s steps were completely assured, sunglasses framing his face perfectly and standing out against the smooth tone of his skin. “Y/N?” he asked with a smirk.
“Miss Y/L/N,” I said with a roll of my eyes. “The agency assigned you to my care.”
“Really?” Minho asked, cocksure and smiling bright as he made himself comfortable on my futon without permission. “Miss, you say?”
“We go by professional titles, Mr. Lee,” I said, glaring at him from behind my computer screen. 
“Sure,” he dismissed, reaching for the flower vase on my coffee table. “How does this work exactly? You do whatever I ask, right?”
“Put the vase down and pay attention.”
Minho’s smile vanished at my tone. “What did you say?”
“Mr. Lee, the agency forewarned me about your...behavior. I must assure you that it won’t be tolerated because my job is to make sure that you do everything outlined in your contract. I’m sure you didn’t bother taking the time to read it, but there are certain things the company expects of you other than posting to your Twitter at 3:00 AM in the morning.”
I took a deep breath, satisfied that he appeared to be listening. “For example, the company expects your first album release this October. It’s my job to make sure you attend all recording sessions. Furthermore, promotions will be anticipated leading to the album’s delivery to applicable streaming platforms. That means interviews, photoshoots, award shows, and radio performances. Please understand that I’m one of the very best this agency has to offer, which means my clients demonstrate respect and high aptitude for their work and how it reflects on the company. From the moment you first stepped through that door, I knew that you lacked both of those capabilities.”
I stood up from my desk, walking around to the front to regard the man who suddenly found it difficult to look at me. “Here’s a warning, Mr. Lee. If you fail to adhere to my standards, then I won’t hesitate to ask the company to find you a new manager, understand?”
Minho scoffed, snatching his sunglasses away before nodding his head. “Fine.”
Satisfied, I reached behind me for the manila folder I prepared for his arrival. “Now, let’s review your schedule.”
Of course, that was two years ago and despite the whirlwind of mischievousness that encapsulated Minho, including several scandals, an endless barrage of paparazzi, and several intense arguments with upper management, I wouldn’t trade our relationship for anything else in the world. You see, I never counted on falling in love with an idol singer, but he managed to charm his way into my good graces with an irresistible smile and warm personality masked beneath his arrogant facade of indifference. He always brought a smile to my face, even in the midst of an intense orgasm bent over my desk as his cock hit deep inside. 
He fingers wrapped around my wrist, dragging my watch into his line of vision. “Two minutes, Y/N.”
I groaned in complaint, wondering how someone who graduated college with a flawless 4.0 GPA continuously broke company rules on a daily basis.
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The following morning, I found myself crushed between several executives for an undisclosed company meeting. “Everyone!” Mr. Park announced. “I have exciting news for this year’s Christmas theme.”
A chorus of groans greeted his words. “Sir, I thought we were leaving the decision for the talent?” another agent spoke up.
“Yes, but I think this will work better for our core demographics,” Mr. Park said. “Y/N!”
I sat up straighter, attempting to look more alert than I felt inside. Unfortunately, Minho had kept me up all night in the small recording studio he built in our shared condo, asking me for continuous feedback on his latest project. “Sir?”
“Mr. Lee gave us a very interesting demo last week for a recent project.”
“Oh?”
“I’d like to make it a collaboration effort with our talent,” Mr. Park said and my heart seized in my chest because I knew firsthand just how much Minho despised working with other people. “3racha have landed their first platinum album. We need to capitalize on their success!”
“You want a collaboration between 3racha and Minho?” I asked, swallowing hard at the idea of telling my husband. 
“Exactly,” Mr. Park said with a smile. “For the music video, I was thinking we could also invite Hwang Hyunjin and Lee Felix to choreograph something for the project.”
“How...exciting?” I offered, cringing at my tone. Thankfully, Mr. Park was already addressing 3racha’s manager while I stared at my empty coffee mug and wondering if I would need more caffeine to survive.
Afterwards, Mr. Park adjourned our meeting and I returned to my office to find Minho waiting for me perched on the edge of my desk. “Sweetheart,” he greeted me, pulling me in by my waist to press a welcoming kiss to my pout. “You seem worried?”
I leaned back enough to meet his gaze. “You better promise me that you won’t get upset and scream.”
Minho rolled his eyes. “When have I ever done that?”
A million scenarios filtered through my mind before I decided to leave those memories in the past. “I just finished a company meeting.”
“Oh yeah?” he nodded, playing with the necklace resting against my collarbone. “What happened?”
I took a deep breath, searching for the right words. “Mr. Park had an... interesting suggestion.”
Minho glanced up and narrowed his eyes. “This doesn’t sound good.”
“He wants a collaboration,” I said, deciding to go for the killing blow before I could lose any more of my fading confidence. “The new demo you played for the company. He wants you to work with 3racha.”
Minho was quiet for a moment before he chuckled. “Really? Well, I don’t think so, sweetheart. You know how I feel about those things.”
I released an unsteady exhale. “It might be an opportunity?”
He shook his head. “You just march your cute little ass back into Park’s office and tell him I’m not interested.”
I groaned, pulling out of Minho’s arms to walk around my desk. “I have no power to tell Mr. Park anything.”
“Why not? You’re my manager!”
“Yeah, but he’s the head producer and owner,” I remarked, offering him an unimpressed look as I sat down to unlock my computer. “Besides, I think it’s a cool idea for the fans.”
Minho frowned. “Fuck, if I’m collaborating with anyone, then it’s gonna be Sam Smith or Post Malone.”
“As likely as that sounds,” I started with a dramatic sigh, “I think you should start small and work your way to the top.”
“But 3racha?” Minho grimaced. “Those fucking guys think they’re the absolute shit around here.”
“That sounds familiar.”
“Not funny,” Minho grumbled. “It’s my demo. I should be able to choose who I work with.”
“I think you’ve forgotten the fine print in your contract,” I said, reaching across the desk to offer his hand a gentle squeeze. “Please don’t make a big deal out of this. Can’t you make an exception...for me?”
Minho sighed, and I offered my absolute best pout in return.
“You’re lucky that I love you.”
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Later that afternoon, I was surprised to meet Mr. Kim in the elevator on my way to the lobby. It was heavily rumored around the office that 3racha’s manager was notorious for locking himself away in the studio with his favorite clients. “Y/N,” he greeted me. “Are you busy?”
“Not really,” I said, holding up a folder. “I was bringing some files to Mr. Park.”
“Leave them with his secretary,” Mr. Kim insisted. “I thought it might be a good idea for you to meet my clients since we’ll be working together.”
“Minho is busy with an interview right now.”
“Oh, that’s fine,” Mr Kim said. “Maybe it’s better if you talk to them first?”
I considered his offer, noting the disheveled appearance of his suit. “How long have you been trying to find me?”
“Does right now work for you?” he continued, pointedly ignoring my question.
“If you must insist,” I grumbled. “But they’ll have to meet at some point.”
“Yes, but I think we can delay the inevitable,” Mr. Kim said with a pointed look which I knew was directed at my husband.
“Fine.”
My easy agreement was met with a satisfied smirk to which I resisted the urge to remind Mr. Kim that I was only meeting his clients to make things easier for everyone involved in the collaboration. Of course, I had no room to talk down to my superiors and Mr. Kim’s credentials were practically golden compared to the minimal mark I had left on the company and its prolific talent. Instead, I let out a shaky exhale, wondering if it was too late to reconsider the fight I endured on a regular basis to keep my position with the company.
“Here we are,” Mr. Kim grinned. The elevator stopped on the top floor with a resounding alarm. “I think you’ll find my clients to be satisfactory.”
“In comparison to Minho, you mean?” I asked, narrowing my eyes as Mr. Kim urged me to follow him down a narrow hallway. I vaguely recognized our destination, but I usually never lingered around the studios.
“Did I say that?”
“It was implied,” I sighed, crossing my arms.
“Well, that wasn’t my intention, Y/N. You, of course, understand that nothing between us is personal?”
“We’re colleagues, Mr. Kim,” I replied. “That defines our relationship.”
“In that case...” he trailed off, pausing outside one of the doors. “I’m excited to work together.”
I rolled my eyes when he turned his back, but held my tongue as he reached for my hand to drag me inside the room. Immediately, my eyes were drawn to the plethora of monitors and screens dragging the walls of the entertainment studio. It reminded me of my early time as an intern during college, overwhelmed by the inner workings of the record company I was privileged to support, learning everything about the business. There was also a time, however briefly, when I first entered my current company as nothing more than an executive assistant for Mr. Kim who enjoyed reminding me of the fact, especially when his clients continued to eclipse mine in popularity. And that included the three men who offered us polite smiles when we interrupted their session. 
“Y/N,” Mr. Kim said, dragging me further into the room. “I thought it might be nice to formally offer introductions. I’d like you to meet Bang Chan, Han Jisung, and Seo Changbin.”
“I’m very excited,” I said, taking on a professional tone as I extended my hand to Chan. “My client is looking forward to your future collaboration.”
Chan accepted my outstretched hand, curling his fingers around mine. “Likewise.”
I withdrew my hand slowly, offering Jisung and Changbin a courteous nod. “Mr. Kim insisted that we meet today.”
“Yes,” Chan nodded. “But your client is noticeably absent.”
I swallowed hard as I met his gaze. “Minho is busy with an interview.”
“I see,” Chan remarked, taking a step back. “Well, 3racha is working until this evening. Perhaps Minho could join us here after his meeting.”
I turned around to look at Mr. Kim who only shrugged in response as if it hadn’t been his idea to keep Minho as far away as possible until necessary. I rolled my shoulders, schooling my expression as I gave Chan an airy laugh. “That only makes sense, doesn’t it? Let me send him a message.”
“In the meantime,” Changbin sighed from behind us. “We can continue with the recording.”
“Keep us updated, Y/N,” Chan said, returning to his work while I started on drafting a message for Minho.
To Minho: Tell me when your interview ends
“Y/N,” Mr. Kim cleared his throat. “I hope Minho’s schedule is cleared for tomorrow?
I raised one eyebrow in question. “Tomorrow?”
“We’d like to start the first recording session,” Chan replied. “Mr. Park played us some of Minho’s demo and we have some ideas for the track.”
“Oh,” I responded, completely out of my element when it came to the actual creation of music despite the many nights I spent with Minho in our home studio. “I’m sure we can make it work.”
“Perfect,” Mr. Kim declared, pulling out his cellphone with a grin. “I’ll make the arrangements on my end.”
Mr. Kim stepped out into the hallway, leaving me alone with his clients who were all watching me with barely concealed curiosity. “You know,” Chan started, “I’ve listened to Minho’s albums. He doesn’t seem like the type of person to write love songs.”
“He likes to experiment,” I said, blushing when I recalled the way he had intimately explained the meaning behind his new demo, but there was no way I was telling anyone that the song was about me. 
“Is he...open to criticism?” Jisung asked hesitantly.
“Why? Is there something wrong with the demo?”
“Of course not!” Jisung immediately corrected. “I just thought I’d ask because we have some cool suggestions to improve the overall quality. But I don’t know if Minho would listen.”
It was highly unlikely. “I’m sure he’s open for improvement,” I lied, wincing when I felt my phone vibrate from inside my pocket.
Minho: Call me.
“One second, gentlemen,” I said, cringing at my tone before escaping into the hallway. I held up my cell phone reluctantly, tapping on Minho’s contact name to place the call. He answered almost immediately. “Minho?”
“Sweetheart,” came his voice from the other end. “I’ve been looking for you.”
“Yeah,” I said with a heavy exhale. “I’m with 3racha.”
He was silent on the other end for an uncomfortable duration. “Why?”
“Mr. Kim caught me on the way to Mr. Park’s office,” I said. “He insisted we meet.”
“Really? Are you having fun?”
I inwardly groaned at Minho’s tone, recognizing it as the same one he reserved when he was feeling particularly annoyed. “They want to meet you too.”
I was met with another long silence and then- “I’ll be there in ten minutes.”
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I paced outside the studio entrance, wondering if Minho had suddenly had a change of heart in the brief amount of time he had been notified of the collaboration project. After all, everything would be a lot easier if my husband wasn’t so stubborn, a perfectionist in every sense of the word who had trouble delegating work to other people, especially when he didn’t trust them. But for this to be successful, Minho would need to respect 3racha as capable artists who knew what they were doing when it came to creating hit singles.
“This feels more like an intervention,” Minho suddenly announced, trudging down the hallway and pulling me out of my foreboding thoughts.
“Then don’t give me a reason to be nervous,” I said, accepting his brief kiss before reaching out for the door handle. “Promise me you’ll behave?”
“I’ll try,” Minho grumbled, and that was the only confirmation I received before letting the literal beast into the jungle..
Chan was the first to realize Minho’s arrival, standing up from the couch to greet Minho with a professional smile. “It’s nice to meet you.”
Minho glared at Chan’s outstretched hand. “I’m not thrilled about this collaboration.”
I shook my head, resisting the urge to grab Minho’s hand and force him to feign politeness for once in his life. “Oh,” Chan said, retracting his arm. “I just thought we should get along since we’re working together.”
“A temporary arrangement,” Minho said, clicking his tongue as he turned around to look at me. “Y/N can handle the PR stuff.”
“That’s what I’m here for,” I quipped, trying to lighten the air even though Minho had more or less successfully generated enough tension to last a lifetime. 
“Mr. Lee, my clients were hoping to schedule a session tomorrow,” Mr. Kim said. “We’d like to start on the collaboration as soon as possible.”
“Sure,” Minho said, jaw clenching to betray that he wasn’t entirely happy. “I’d like to work quickly.”
A long, insufferable silence ensued while Minho took his time studying the three artists he was expected to share his newest creation. Finally, Mr. Kim interrupted the never-ending staring contest, flashing a forced smile. “Bring the demo with you, Mr. Lee, and anything else you’ve been working on.”
Minho nodded. “I’ve already finished most of the song.” I took a deep breath, waiting until Minho turned around to look at me. “I have something to do, so I’ll see you at home.”
I bowed my head, holding my tongue until the sound of the door closing broke whatever spell Minho had cast over our sullen group. “Pleasant isn’t he?” Changbin snorted.
“He’s just busy,” I tried to excuse, but the sentiment fell short and I suddenly had the desire to run down the hall with my arms flailing above my head.
I guess we can consider day one a complete and total failure.
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Despite the awkward tension of Minho’s first meeting with 3racha, I was determined that the remainder of the collaboration would endure no further obstacles. Accordingly, I woke up early the next morning with every intention of playing the part of the mediator, which meant doing everything possible to improve Minho’s mood. For example, my husband was notorious for being intimidating at work, but he was nothing short of soft at home and I took advantage of his early-morning clinginess by surprising him with breakfast in bed and open arms without worrying about rushing through our usual routine. 
“You want something,” Minho said, one arm pulling me close to his chest while his other hand made busy work of his breakfast.
“What makes you say that?” I asked.
“In general? Maybe it’s the fact that we’re already twenty minutes behind schedule and you aren’t losing your shit.”
I opened one eye, watching him as he swallowed down the remainder of his orange juice. “I’m comfortable.”
“Really?” Minho snickered, looking down with a knowing glance. “Sweetheart, you’re usually pushing me out the door right about now.”
“Well, things have been hectic at the company, so I thought it might be nice to treat ourselves.”
“I assume you’re talking about my required collaboration with the three idiots,” Minho said. 
“I’m concerned,” I continued. “Minho, you hate working with the other artists, but this isn’t something we can just walk away from.”
“I understand,” Minho sighed. “I don’t want you to worry about me or the collaboration. I promise to be a good boy.”
I rolled my eyes at his tone. “That’s a great way to instill confidence.”
“They’re irritating,” Minho continued. “My inbox is full of messages and I hate email.”
“Welcome to the 21st century.”
“Are you sure Mr. Park wanted this?”
“Minho,” I said, slowly pulling myself out of his arms. “Stop thinking about the project like it’s some sort of punishment. Consider it an opportunity instead.”
“Please feel free to elaborate.”
“3racha are incredibly famous and they have a considerable fanbase,” I said. “When those fans hear your voice on the record, they might start paying more attention to your music.”
Minho exhaled, chest falling beneath my hands. “I see your point, but I don’t like it.”
“Nobody said you had to like it,” I reminded him. “Be nice to them.”
“What are you asking me to do?” my husband groaned, rolling over onto his stomach.
I quickly straddled his waist, working my fingers into the tense muscles of his shoulders. “I know you don’t like the collaboration, but it won’t last forever and then you can go back to working on your solo projects.”
“I guess, but only if you come to all the recording sessions.”
I grinned triumphantly, even if it was only one victory in a long history of tedious arguments with my stubborn husband. 
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Mr. Kim was a very impatient man, and I was only somewhat surprised to see him standing by the main entrance when we finally arrived at the company.  “Minho, you needed to be in the recording studio...” he trailed off, glancing at his wristwatch with a frown. “Ten minutes ago.”
My husband scoffed. “I don’t work on your time, Mr. Kim.”
“We had a late start,” I intervened. “I’ll make sure he gets there soon, Mr. Kim.”
The older man grunted, clearly displeased with Minho’s behavior. Thankfully, Minho had the decency to wait until he was well out of hearing range before further disparaging Mr. Kim’s character. “Sweetheart, I’m doing this for you,” Minho said, glaring over my shoulder at Mr. Kim’s retreating form. “But I don’t appreciate being told what to do.”
“That’s how he is,” I said. “I used to work for him as an assistant. He was always keeping everyone busy. Time wasted is money lost.”
Minho snickered at my poor imitation of Mr. Kim’s accent. “I’d kick his skinny ass if I was any less patient.”
I resisted the urge to laugh at Minho’s “restraint” because my husband was notorious for acting without consideration for the consequences. “Don’t be late for your first recording session.”
Minho pouted, looking down at me with wide, brown eyes. “You aren’t coming?”
“I’ll be there soon,” I promised him with a quick kiss. “I have something to do first.”
Minho was hesitant to leave me behind, but I offered him another encouraging kiss before retreating in the opposite direction to my office. It seemed that I would need reinforcements for this particular occasion, and I knew there were only two men who I could force to help me. As such, I found Jeongin and Seungmin loitering around their desks, passing back and forth what appeared to be a paper airplane. “I wasn’t aware I made any prior aviation requests.”
Jeongin let out a small whine, quickly disposing of the distraction in the bin next to his desk. “Sorry, Mrs. Lee.”
“Look, I’m actually in a hurry today and there’s too much going on for me to handle your hijinks,” I said, beckoning the interns to follow me into my office. “I have an important assignment for you.”
“Of course!” Seungmin agreed, walking ahead to grab the door. “Whatever you need, Mrs. Lee.”
“It’s about Minho.”
“Lee Minho?”
I turned around to glare at Jeongin. “Who else? Or did I receive notice of another client with the same name?”
Jeongin shook his head furiously. “I’m sorry, Mrs. Lee. It’s just...”
“Minho has a history with interns,” Seungmin finished. “And maybe people in general.”
I laughed at their suggestions. “You’ll be with me the entire time, alright?”
They both visibly relaxed. “So we don’t have to help him?”
“Not directly,” I affirmed, moving around my desk. “Sit down, boys.” They both complied quickly, looking up at me with wide and innocent eyes that reminded me of my days in university. “Minho and 3racha have a recording session scheduled for this afternoon.”
Jeongin squealed from his chair. “The 3racha! I love their music! Oh, do you think it’d be too much to ask for an autograph?”
Upon seeing my glare, Jeongin quickly apologized. “Would it be too much to resist that urge, Mr. Yang?”
The younger boy sighed. “Sorry, Mrs. Lee.”
“Anyway,” I continued, ignoring their antics. “I have your assignments.”
Seungmin leaned forward expectantly. “Whatever you need, Mrs. Lee!”
“Your job,” I said, glancing back and forth between Jeongin and Seungmin, “is to make sure that Minho doesn’t piss off 3racha.”
“How?” Jeongin asked with sad eyes that almost forced me to change my mind on the spot.
“Just make sure you’re at their recording sessions with me,” I said. “Intervene whenever it seems like they might argue.”
“Intervene?”
I sighed impatiently. “I don’t know, improvise or something, but nothing bad needs to happen or Mr. Park will chew my ass out for disrupting a perfectly good collaboration opportunity.”
Seungmin and Jeongin looked at each other before sighing in defeat. “Does this mean we’ll be getting a raise?”
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Here’s the thing about my job: despite Minho’s insistence, he was not the only client I represented. For example, I was also currently working on the debut of a new boy group who were incredibly talented and highly charismatic. They were also obedient and respectful, doing whatever they could to make my job easier even though I never asked them to sacrifice their free-time to practice their dancing and singing. When I worked with their leader, I couldn’t help but think that my job was considerably easier in comparison to the extra effort sometimes required to fix Minho’s mistakes, like the time he showed up an hour late for an interview because I forgot to set the alarm in our bedroom. Nonetheless, it always seemed like I was doing something extra to remedy Minho’s abrasive nature, which explains why I was prepared to sacrifice two of the company’s interns for the betterment of the future.
“Are you ready?” I asked the younger boys, lingering by the doorway to the studio.
Seungmin managed a nod while Jeongin murmured something that I decided to interpret as his approval. I knocked on the door expectantly, slightly relieved when Minho greeted me on the other side. “There you are,” he said. “We couldn’t possibly start without you.”
I rolled my eyes, but followed him inside with my interns hot on my heels. Minho retired to the couch, hunched over his laptop as he worked with a frown. Meanwhile, Chan, Jisung, and Changbin were busy adjusting the sound equipment while Mr. Kim watched his clients with eager eyes.
“Stay here,” I said to my nervous interns before joining Minho on the couch. “Do you actually plan to help them?”
“Believe it or not, Y/N,” Minho said. “I’m not actually procrastinating...just putting the finishing touches on the initial demo.”
He lifted one of the earbuds, offering it to me with a grin. “Are you trying to ask me something?”
Minho scoffed. “Will you please listen to my finished demo?”
I snatched the earbud from him in response, plugging my right ear and blocking out the lingering noise from the studio. The soft cadence of the piano started to play from the computer, shortly followed by Minho’s familiar breathy vocals that never ceased to amaze me. My husband was gifted with a profoundly gorgeous voice that could reach high notes that even I would struggle to obtain.
“My voice sounds angelic, wouldn’t you agree?” Minho asked.
“I see your ego has somehow managed to grow overnight.”
Minho chuckled, leaning in to press a chaste kiss to my lips. “Don’t worry, I don't intend to sabotage the collaboration...I worked too hard on this demo.”
“I guess we can start then,” I said, stretching my arms high above my head as I waited for Minho to eject his flash drive. From the corner of my eye, I spotted Jisung approaching the two of us with a hesitant smile. “Good morning, Jisung,” I said, nudging Minho when he continued to remain silent.
“Let’s get this over with,” he said, holding up the flashdrive. “I prepared most of the song.”
“Really?” Jisung questioned, accepting the device from Minho. “I’d like to listen.”
Jisung returned to the sound booth and Chan accepted the flash drive with a brief glance over his shoulder at Minho. My husband remained silent while Chan opened the corresponding file on the computer and everyone listened with admirable concentration while Minho’s sweet music and tender voice filled the empty studio space.
“It’s good,” Changbin acknowledged at the end, even though his tone was somewhat reluctant.
“Good enough on its own,” Minho muttered and I shot him a warning look. “Fine,” he begrudged. “I have some ideas on the arrangements.”
“Sure,” Chan nodded, leaning back against the sound booth. 
“We can split up the parts,” Minho continued. “I’ll handle the chorus.”
“I see,” Chan acknowledged. “I guess that means you want us to take the verses?”
“Logical, isn’t it?” Minho snarked. “I suppose you can add a rap verse or two since that’s your...thing.”
“I could try and sing as well,” Jisung offered. “We could harmonize over the final chorus.”
“You sing?” Minho snorted. “I thought you were a rap group.”
“Does that automatically disqualify us from being singers?” Changbin asked gruffly.
“Of course not!” I interfered, inserting myself effectively between Minho and Changbin. “I’ve heard some of your vocal work and it’s absolutely beautiful.”
Minho grumbled something indecipherable under his breath from behind me, but I ignored him and continued to do my absolute best to ensure the recording session progressed as smoothly as possible. “I hope you don’t mind, but my interns will also be joining us today for their field work.”
“That’s fine with me,” Chan spoke up from his position behind the sound station. “Should we start with finalizing arrangements?”
I ushered Minho forward whose expression revealed his reluctance. However, since he was on his best behavior, Minho started conversing with Chan and the others about arranging the vocals and rap verses for the song. In return, I sat down on the couch with my interns since I wasn’t skilled enough to comprehend their impressive knowledge of song production. I knew Mr. Kim was also quite unfamiliar with their vernacular, but the proud man continued to linger around the artists as if he could possibly offer something beneficial to the professionals.
I scoffed at the idea, turning to look at Seungmin who was busy playing some sort of application on his phone. “Is this your way of doing a good job?”
He jumped at the sound of my voice, closing out of his game before shoving his phone back into his pocket. “I’m paying attention!”
From my other side, Jeongin sighed happily. “Han has the best voice.”
I tried not to laugh at Jeongin’s starstruck expression, especially since Han Jisung was a very impressive vocalist, singing Minho’s lyrics like they had come from his own imagination. “He’s quite talented,” I agreed, studying my husband to try and determine if he also shared the same opinion.
But Minho was difficult to read when he was focused on his music. He never spoke during Han’s performance, waiting until the younger boy was finished before addressing him expectantly from the recording booth. Minho sighed, pressing the button to allow him to speak directly to Jisung. “It was alright for a rapper.”
I resisted the urge to bang my head against the wall as Jisung glowered at Minho. “I’m not just a rapper.”
“The tone isn’t right,” Minho carried on as if Jisung hadn’t spoken, “we need tighter vocals.”
“My vocals are fine!” Jisung bristled and I shoved at Jeongin’s arm who immediately jumped into action. The younger intern stood up abruptly, the unexpected action commanding the attention of the entire studio...
“Who wants coffee!”
I sighed at his dramatics, but it was a decent distraction. “Why not?” Chan asked, reclining back in his chair. “It seems like we have a lot of work to do.”
Sadly, truer words had never been spoken.
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Graciously, Minho managed to keep his more radical opinions to himself for the remainder of our scheduled recording sessions with 3racha. Of course, my husband always had his ways of insinuating an insult through carefully chosen words. Nonetheless, I think all parties involved knew it would be to everyone’s benefit if we finished recording the new song without arguing about Minho’s dismissive comments. 
In any case, Mr. Park was thrilled with the final result, inviting me and Mr. Kim to his office after listening to the finished product. “This is exactly what I envisioned,” he said with a bright smile. “The fans will love this!”
“It was a process, sir,” I admitted, sheepishly offering Mr. Kim what I hoped was a sincere apology.
“I’ve scheduled a shooting day for the music video,” Mr. Park said. “I have the perfect concept for the song!”
“I’m sure it’s brilliant, sir,” Mr. Kim added.
“Lee Felix and Hwang Hyunjin have agreed to choreograph the track,” Mr. Park said. “They have some very interesting ideas for your clients.”
It was only then when I remembered that Minho liked to arrange his own dances, but since we were already this far into the collaboration, he might reluctantly agree once more. “We’ll be there,” I reassured my boss.
Unfortunately, I knew it would be a horrible shooting day when I walked outside with Minho and saw a gray sky and light misting of rain. “This is already a mess,” I said, dragging my still sleepy husband to the car. 
“How long will this take?” Minho grumbled.
“If you’re willing to cooperate,” I said, fixing him with a stern glance, “then I’d imagine we can finish by this evening.”
Minho yawned. “I hate music video shoots.”
“You poor thing,” I sighed. “Whenever you finally decide to become a director, then I’m certain you’ll insist on controlling that aspect of music production as well.”
“I feel like you understand my vision, Y/N,” Minho said with an airy laugh. “I’m too tired to argue today.”
I exhaled a sigh of relief, hoping that he was being honest. “Mr. Park invited the company’s best choreographers. Please don’t insist on doing your own performance.”
“As long as they won’t have me doing anything less than artistic,” Minho said. “We should be fine.”
I chose not to take my husband’s words to heart as we drove to the shooting sight together in silence. It had started to steadily rain the longer we drove, and I had a feeling that the sky itself was foreshadowing the impending breakdown threatening to destroy all the progress we made. But I was also an optimist, and Minho was usually the least abrasive when it came to shooting music videos.
I parked my car next to the company’s van, watching a few regular staff members unload equipment from the back. “Y/N, it’s not too late for us to drive to that adorable little breakfast restaurant we like so much,” Minho reminded me.
“Shoot the video and I’ll treat you to a gourmet dinner,” I said, reaching across the console to squeeze my husband’s hand. 
He was still reluctant, but I was proud when he reached into the backseat for our umbrella. We stood close together, Minho’s hand firm around my waist. In the distance, I easily found Mr. Kim talking with his clients as they fought to stay dry under one of the company’s tents.
Mr. Kim saw me first, letting out an exaggerated sigh. “Y/N, you’ve decided to keep us waiting again.”
“Blame it on the weather,” I said, closing the umbrella as Minho wandered over to talk with one of the directors.
“Oh! You mean the rain pushing us into a delay? I guess I didn’t notice,” Mr. Kim returned, rolling his eyes as he led me further into the crowd of people. I faintly recognized the younger men dressed in gorgeous outfits, recalling their appearance in various music videos from some of the company’s most distinguished artists. “Y/N,” Mr. Kim smiled. “I’d like you to meet Lee Felix and Hwang Hyunjin. They have some excellent suggestions for the music video.”
“The honor is mine,” I said, bowing respectfully to Felix and Hyunjin. “Minho is eager to work with you.”
Felix smirked. “You don’t have to lie to us, Mrs. Lee. We know your husband prefers to work alone.”
“Ah,” I murmured. “His reputation precedes him.”
“I hope he can appreciate our efforts,” Hyunjin added. “Felix and I have been working on some new choreography for the track.”
“He’s being compliant today,” I said. “I’m sure he’ll appreciate everything you’ve done.”
“There isn’t much of a choice,” Mr. Kim said, startling when the director attempted to speak over the white-noise of the tent’s occupants.
“Attention! We’re starting inside the school for the first scene.”
I met Minho’s eyes over the crowd of moving staff, nodding for him to obey the director’s command. “What’s the concept, Mr. Kim?”
“Friends-to-lovers?” Mr. Kim shrugged. “Your pretty husband is the main character, which I’m sure will please him greatly.”
“It’s a high school setting?”
“Yes, and he has a crush on a school girl,” Mr. Kim said. “You should know this very well, Mrs. Lee, didn’t he seduce you in the same way?”
I ignored his jab. “And 3racha?”
“Protective friends, I guess,” Mr. Kim said. “The director assured me that it wouldn’t take long to film.”
“I hope not,” I said. “The less Minho has to be here, the better.”
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“Cut!” the director growled. “Mr. Lee, this is not the same choreography that we discussed with Felix and Hyunjin.”
“I tried to improvise,” my husband defended himself.
There were less than two scenes left to film and I was very close to dragging Minho away from the film shooting and knocking some sense into him. “Follow the script we discussed,” the director said. “Let’s take five.”
Chan glared at Minho as he snatched a bottle of water from the snack table. “Is it too much to ask you to cooperate, Minho?”
My husband ignored Chan, pausing in front of me to bring his forehead against mine. “I’m tired.”
I shot Chan an apologetic smile as I smoothed my hands through Minho’s hair. “I’m sorry.”
He pulled back to look at Chan who was engrossed in conversation with Jisung and Changbin. “He’s impossible to work with.”
“What’s wrong now?” I sighed, feeling another impending headache courtesy of Minho’s behavior.
“I hate Bang Chan,” Minho said. “He keeps looking at your ass.”
“Who cares?” I nearly shouted, attracting the attention of a few camera workers. “Minho, the shooting is almost over. Please, for the sake of my mental sanity, can you try to listen to the director?”
Minho’s eyes betrayed his exhaustion. “I want greasy food for dinner and a cheesy movie when I get home.”
I laughed, amused by Minho’s behavior. “Whatever you want.”
“Minho!” the director yelled. “We need you back on set.”
Minho closed his eyes and sighed. “He’s lucky I’m a professional.”
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I was lingering by the snack table, picking my way through the bowl of skittles because I only liked the red kind, when I heard the unexpected sound of yelling from somewhere inside the school. My husband’s voice was easy to detect about the noise, and I stuffed a handful of candies into my mouth before deciding to investigate. As much as I’d like to imagine that the yelling was a part of the music video, common sense told me that my husband had likely gotten into another confrontation with the director.
However, the last thing I expected to see was Minho marching through the open doors of the school with Chan following him with clear annoyance. “I’m telling you it’s not good enough,” Chan said, frowning when Minho stopped by my side.
“I don’t want to film it again,” Minho said. “Besides, your reaction was genuine. The best ‘acting’ you’ve done all day.”
“What’s going on?” I demanded.
“Nothing,” Minho said, glaring at Chan as he reached for my hand. “The collaboration required a song and we have a finished copy and a music video. I’ve done my part, so if you’ll kindly excuse my wife and I...”
Chan shook his head. “Do whatever you want, Minho. I don’t care anymore.... But the sad part in all of this is how much I was sincerely excited to work with you, despite your reputation.”
Minho seemed at a loss for words, glancing back and forth between me and Chan. “I can’t share your sentiment, Chan,” he finally said. “I think it’s best if we make this a one time thing.”
“My thoughts exactly,” Chan agreed with a disappointed sigh.
I could only helplessly stand aside as the two bickered, wondering if it was too late to formally retire.
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Sunday was the only day of the week where I could actually enjoy myself without having to worry about the company or the never-ending demands of my clients, with the exception of my husband. “Y/N,” Minho slurred from next to me in our bed.
I made a vague noise of recognition, pulling the blankets closer to my chin because it was too cold in the apartment. “What?”
“Your phone is vibrating,” Minho said, and I managed to crane my head back just enough to realize that he was right.
I reached out my hand to feel for the stupid thing on the nightstand, pulling it close enough to read the message displayed across the screen:
From Mr. Kim: Mr. Park planned some sort of elaborate interview/performance for the new collaboration. Make sure Minho is at the company tomorrow by noon.
“Who is it?” Minho asked, using one arm to drag me closer to his welcoming heat.
“Mr. Kim,” I murmured in return.
“Why?” Minho growled.
“Apparently, you have an interview with 3racha tomorrow. Mr. Park wants a live performance for the debut of the collaboration.”
“I thought I was done with them,” Minho said with a tone that suggested he was anything but pleased with the news.
“It’s just one performance,” I argued. “And you promised me that you would finish all your responsibilities.”
“You keep adding more things,” Minho gruffed.
I smirked, rolling onto my side to face my husband. “I think it’s a great idea to let the fans hear it live on the same day it starts streaming.”
“Can’t they just play the recording of my parts?”
“It won’t be the same,” I said, leaning in closer to brush my lips across the seam of his pout. “I’ll be the loudest fan screaming your name from the back.”
He chuckled, allowing one hand to pull me in closer. “Aren’t you always my biggest fan?”
“Lee Know, will you sign my albums?”
“You’re a good negotiator, sweetheart,” he said, diving in for a passionate kiss that reminded me of when we first started dating and Minho was always eager to shower me with affection. 
“Minho,” I gasped, barely restraining a moan when he suddenly moved between my thighs.
“I’m sorry I’ve made things difficult,” he said, pressing sweet kisses to the skin around my calves. Tender moments like this reminded me of the person I fell in love with, slowly learning that there was more to Minho than his arrogant stage persona. 
“Please,” I whispered, helping him remove my sweatpants before weaving my fingers through his hair.
“Anything for you,” Minho said, breath hot against my sensitive skin. He stuck out his tongue, tasting the heat between my legs with languid strokes that promised the best wake-up call to start the day. Not that Minho and I did anything substantial on Sundays since we preferred to watch movies and indulge in the glorious high of junk food.
More often than not, we always ended up in this position with my husband doing his best to please me. And I had no room to complain because Minho was awfully talented with his tongue, and he had me writhing against the mattress like a complete mess. “You’re too good at this,” I complained halfheartedly.
His nails dug into my hips, holding me in place while he continued to drive me over the edge. “Are you going to cum for me?”
I always broke at his husky tone, lying spent in my post-orgasmic haze as Minho feathered light kisses across my legs. In moments like this, it was impossible to think about the negative aspects of working for the company, or the drama of the collaboration. Besides, it was only one more day and Minho never broke his promises.
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I found a strange, but calming quality to pacing back and forth when I came across a problem that was incredibly difficult to solve. For example, arriving at the office early to prepare last minute forms while fully expecting my husband to show up to his scheduled interview and performance without my intervention. Yet, despite my expectations, I was currently backstage with Mr. Kim and his clients while we listened to a crowd of eager fans waiting to hear the new collaboration. Unfortunately, my husband was nowhere to be seen, and that meant our schedule was in jeopardy.
“Where’s Minho?” Mr. Kim nearly screeched, raking his hands through his balding hair while remaining heavily engrossed in his phone screen.
The performance was supposed to start ten minutes ago and the fans were clearly confused. A distinct murmuring of intermingled voices echoing throughout the soundless concert hall. “Y/N?”
I turned around, using every last ounce of strength I could muster to meet Chan’s gaze. “I don’t know where he is.”
“Is that so?” Chan asked, and the anger in his eyes was enough to nearly give me a premature heart attack.
“I’m sorry,” I whispered, desperately ringing Minho’s number once again only to be met by the familiar greeting of his voicemail inbox.
“I knew that bastard would ruin this,” Changbin said. “He was determined from the start to see this fail.”
“It was one performance,” Jisung bemoaned, and I could only feel absolutely miserable listening to their shared complaints. But, in the words of my formidable boss, the show must go on and I couldn’t bear to disappoint the eager fans waiting to hear the song they loved.
Speaking of which, I reached out a hand to support myself against the wall when I saw Mr. Park walk backstage with his assistants. Our eyes met from across the room. “Mr. Park,” I managed, but my throat was suddenly dry despite the three empty bottles of water I had consumed.
“Y/N,” Mr. Park sighed, eliminating the distance between us. “Tell them to have 3racha perform without Minho. Our phone conversation today has certainly changed my mind about the viability of his collaboration.”
“You talked to him?” I growled, feeling nothing short of betrayed since my husband had repeatedly ignored my phone calls.
“We’ve reached an impasse,” Mr. Park explained solemnly. “Please tell Mr. Kim about the change.”
“But sir!” I tried to protest because I was extremely confused and had no idea what we needed to tell the fans.
However, Mr. Park was already focused on a new task and instead of delaying the inevitable, I found Mr. Kim talking urgently to a stage hand next to the curtain. “Introduce 3racha,” I said. “Tell them that Minho had an unexpected emergency.”
Mr. Kim, if it was even possible, grew even redder to the point where I hesitated to call for help backstage. “This is an outrage!” he finally growled, crowding me against the wall. “If this goes wrong, then I hope you know that it’s entirely your husband’s fault and his mistakes reflect poorly on your performance.
I bowed my head, because I knew that part of the blame rested on my shoulders as Minho’s manager, especially in regard to the mysterious phone call he shared with Mr. Park. In the meantime, I could hear the crowd cheer for the arrival of 3racha who performed to the best of their ability without my husband. Still, it broke my heart to know that he had somehow been excused from the performance after promising to complete the remainder of his responsibilities. 
But I still wanted to give Minho the benefit of the doubt. Perhaps something happened when I left for the company and he was forced to call Mr. Park? Still, my optimism didn’t stop my hands from shaking from my grip around the steering wheel, pulling into my usual parking spot with a heavy sigh. Before our marriage, there were plenty of times when Minho tested my patience. For example, on multiple occasions I had come very close to handing in my request to have him transferred to someone else because he was sometimes impossible to handle. However, each time I would threaten to leave, Minho always convinced me to stay, turning his entire attitude around and doing his best to make up for his mistakes. He was usually successful, but today’s mishap forced me to question whether or not he was capable of recovering from this unexpected slight. And it wouldn’t just jeopardize my relationship with him as his manager, but also the close intimacy I shared with him as his wife.
I paused at the door to our apartment, trying to listen for any sound of movement from inside. “He’ll have a good excuse,” I attempted to justify, unlocking the door before dragging my feet into the entryway. “Minho?” I called out, greeting nothing but silence before I walked downstairs to his studio where Minho often liked to escape when he wanted to be alone.
I was surprised to see him inside, working on his computer as if today was just another ordinary session. “Minho,” I snapped, opening the door without bothering to knock. “We need to talk.”
Minho sighed, glancing away from his computer screen. “I know Mr. Park cancelled my performance.”
“Yeah? And you don’t think that there’s something wrong!”
“Y/N, don’t worry about the interview,” he replied. “Park called me earlier and told me he would take care of everything.”
I slowly exhaled. “I know he called you, but I don’t understand why it happened.”
“He said it wouldn’t be the last time I was involved with marketing,” Minho continued. “I told him I was under the impression that today would be the last performance. We argued for a while and he told me that I shouldn’t bother showing up today if I wasn’t committed to the project.”
I blinked twice, trying to process his words. “Why didn’t you tell me?” I asked, barely restraining the anger. “I called you several times before Mr. Park showed up backstage.”
“I knew you’d be disappointed,” Minho said with a vulnerable tone I could hardly tolerate. “It’s not a big deal. Park knows about everything, and tomorrow we can forget about the collaboration.”
He looked at me like he was expecting me to just agree with him, but I was beyond words. Instead, I turned my back to him and retreated upstairs to our bedroom. I had fought with my husband before, but this was an entirely new level of anger and frustration.
I could hear Minho following me, but I refused to acknowledge his attempts to gain my attention. “You’re an asshole sometimes,” I growled, storming around the bedroom to find a spare set of sheets in the closet. “Let me know when you’re done being the world’s biggest jerk.”
“What are you doing?” Minho asked, blocking my path to the doorway. “We’re not done talking about this if you’re upset.”
“Yeah? Well, I’m done and you don’t always get your way,” I snapped, pushing past my husband into the living room.
“Y/N,” Minho said, reaching for my arm despite my attempts to ignore him. “I’m sorry.”
“No you aren’t,” I said, spinning around on my heel to confront him. “If you were sorry, then you’d try to make things right, but your ego has grown to such a monumental size that you can’t even accept the added weight of another mistake.”
“What are you saying?”
“You can’t make this right,” I said, tears obscuring the vision of my husband. “I don’t know what to do.”
“Sweetheart,” he said, expression transforming completely when he realized I was truly on the verge of a breakdown. “You know I’m not mad at you! Park knows everything, he was the one who told me not to show up!”
“It doesn’t matter,” I cried. “I asked you to do something that’s surprisingly simple for most people. Not because I wanted to punish you, but because I saw an opportunity to help Lee Know! But after the stunt you pulled today, I don’t think I’d bother helping you anymore.”
The single tear that fell from Minho’s eye would have normally been enough for me to recognize his guilt, but I wasn’t in the mood to fall back into the tedious cycle of forgiving him only to deal with another mishap in the future. “Y/N,” he said softly. “Please don’t leave me.”
I shook my head. “I need some time to think about things.”
“What do you mean?” he asked with a desperate tone. “We should talk about this, I can make it better!”
“Just let me sleep,” I begged him and he broke even more, releasing my hand with an uncharacteristic whine.
I tossed my blanket onto the couch, attempting to find a comfortable position on the leather. It was a far cry from the mattress in our bedroom, but I desperately needed space away from Minho. For now, I didn’t want to deal with the reality of our situation, which is why I was more than willing to drown myself in the familiar darkness of sleep.
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The smell of bacon was surprisingly overwhelming when I woke up the next morning with lower back pain. I groaned, attempting to sit up despite the near constant throbbing. Apparently, leather sofas were built for style instead of comfort.
I opened my eyes slowly, feeling my heart jump inside my chest when I saw Minho holding a plate in my direction. “Y/N, are you okay?”
I swiped a hand across my face, remembering my argument with Minho from the previous evening. “I’m fine.”
“You should eat,” he insisted so I accepted the plate from him, shaking my head when I realized the toast was burnt, but Minho had never been a great cook. “I want to talk about last night,” Minho said. “Because you’re obviously hurt and that’s the last thing I wanted.”
“What did you expect?” I asked. “You weren’t there for the performance, you ignored my calls, and then my boss tells me that one of his artists decided he was done promoting his new single?”
Minho winced at my tone. “It’s all my fault because I decided to take everything personally. He forced me to do the collaboration when I didn’t want to participate, and it felt like he was taunting me...like I had no control over my music and he could do whatever he wanted.”
“He can, Minho,” I said. “You signed a contract with the company.”
“I know,” he sighed. “I keep forgetting that part, and it’s really stupid how much I let it affect me, but I hate it when things are out of my control.”
“But that’s no reason to take it on the people who were only trying to do their job,” I snapped. “Or refuse to tell your own wife!”
“I understand,” Minho nodded. “I was too caught up in my problems to realize that everyone was suffering because of my decisions.”
“What are you going to do about it?” I asked, holding my breath because I was dreading his answer.
“I’ll apologize to them,” Minho said, hanging his head in shame. “I need you to know that I’m sorry for everything.”
My heart broke at the sorrowful expression he wore, completely uncharacteristic of my husband...as was his decision to apologize since I halfway expected Minho to threaten his leave from the company. However, I also sometimes forgot that Minho was more than the way he acted around other people, and his sincerity was perfectly evident for me to recognize. “I know you are, but sometimes you do things without thinking about the consequences.”
“I’m aware,” he chuckled. “And I usually don’t really care, but that’s selfish...especially when it hurts you.”
“It is selfish,” I agreed. “How do I know you won’t do this again in the future?”
“Because I’ll remind myself of this moment,” he said. “I’ll remember what happened last night and do whatever I can to prevent it from happening again.”
I was stunned by his determination. “Are you really going to apologize to everyone?”
“I am,” he nodded. “Of course, your forgiveness matters the most.”
I took a deep breath, processing his words and the steady way he continued to hold my gaze. “You know I forgive you.”
“Thank you,” he said quietly, leaning in to press a chaste kiss against my lips. “I need you more than anything else in the world.”
My heart warmed at his declaration. “I wonder what everyone at the company would think if they saw how cheesy you are.”
“Are you going to tell on me?”
“Not as long as you behave,” I returned, laughing at the way he held me tighter, feeling nothing short of safe and secure in his familiar embrace.
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Mr. Kim was surprisingly calm when I requested a meeting between our clients. In fact, I was shocked that he even accommodated my request considering our bad relations. However, I recognized an opening, walking down the hallway next to Minho who was clearly nervous as he hugged the bottle of champagne we brought as an apology gift.
“Good morning, Y/N,” Mr. Kim greeted us upon our arrival, sparing Minho a grimace before inviting us inside the studio.
Chan and Jisung were sitting together on the couch, glancing up only when Minho paused in front of them. Meanwhile, Changbin stood against the wall, watching my husband with narrowed eyes. Minho held tightly to the bottle of champagne in his hands, glancing between the three men who all wore similar expressions of disdain. “I’m sorry for the interview,” he said. “It was really selfish and immature.”
Chan arched one eyebrow, glancing between me and Minho. “Really?”
I quietly offered Minho a small push against his lower back, encouraging him to continue. “I rehearsed this,” Minho chuckled, “but it’s hard to swallow my pride.”
“Take your time,” I whispered to him softly.
“Well, let me start by saying that I was wrong about the whole collaboration thing,” he said. “It wasn’t as bad as I thought it would be and you guys did everything to help us succeed.”
Changbin scoffed. “You certainly made it more difficult.”
Jisung nodded furiously in agreement. “I don’t think I’ve ever had this much trouble with promotion.”
“I know,” Minho agreed. “I was just upset because I have this stupid thing with Park and he knows that I have...problems working with other people.”
“That’s an understatement,” Changbin said, glowering at my husband with obvious disapproval.
“Honestly,” Minho said, swallowing hard. “The song is one of my favorites. I wouldn’t mind collaborating again in the future.”
“Well-” Jising broke off, staring at Mino with something akin to shock. “Huh?”
Chan frowned. “You really made us look bad on stage.”
“That wasn’t my intention,” Minho sighed. “I was being an enormous jerk, trying to stick it to the man or something ridiculous and it played out better in my head.”
I reached out a comforting hand, squeezing Minho’s shoulder for support. “I think he knows his decision was wrong.”
Minho nodded. “You might be upset with me and I understand. I’m sorry for everything that happened, and if you decide I don’t deserve to be taken seriously, then I won’t blame you.”
Minho ended his speech with a nervous cough, thrusting out the bottle of champagne in Jisung’s direction who accepted the bottle hesitantly. “Minho,” Chan said, closing his laptop with a sigh. “I know about your history when it comes to working with other artists.”
“It’s not exactly a glowing resume,” Minho admitted.
“No, but that’s the only reason why I know that your apology was sincere,” Chan said. “If you’re really serious, then I think we can move past this.”
Changbin nodded his agreement. “Mr. Park also explained some of the...politics behind the interview fiasco.”
“I guess it’s hard for you,” Chan shrugged. “I’m glad you came here to make things right.”
“And the champagne is nice,” Jisung added quickly to which Minho managed a smile.
“I’ll do whatever I can to make it up to you.”
“Well, if you were serious about collaborating again, we can start with line distributions,” Changbin said, leaning in with a smirk. “I want to sing next time.”
Minho laughed, nodding enthusiastically. “I think that’s a great idea.”
“In that case, we have cause for celebration,” Jisung cheered. “Mr. Kim, do we have spare glasses?”
In the meantime, I took a step back to allow the four men space to talk together, distributing several glasses of champagne before laughing at Jisung’s failed attempt not to spill anything on the carpet. It was certainly admirable, and I found myself simply watching Minho from across the room. This was nothing short of substantial progress, and I cherished the moment because it promised very good things for the future.
And at one point, Minho snuck away from his new collaborators to join me at the sound booth. “I love you,” he whispered. “I’m glad you’ve always been at my side.”
I reached out for his hand, watching Chan, Changbin, and Jisung hold up their champagne glasses in our direction. “You know? I’m really excited about your next project.”
Minho grinned, leaning his forehead against mine. “I think I could get used to this...as long as you’ll be there.”
I sighed happily, closing my eyes to remember this moment. “That will never change.”
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