#I’m so glad I’m gay

[the-dramatic-sapphic]

I just got 1,000% gayer by turning a Jesus song I used to listen to into a sapphic yearning anthem

[deep-space-lines]

happy trans day of visibility it was nice seeing u all. see u again next year 🫡

bonus rainbow flag version. im probably gonna make a few more For Me when i am not sleepy bc i can Edit That Thing, if u wanna request a specific flag version or smth leave a comment and i’ll see if i can get to it <3

[amnestyliketaz]

in honor of the nimona movie (it’s so good i’m gonna scream and cry for the next million years) i must share my favorite nimona art ever

drawn by ND stevenson ofc and posted on twitter a few years ago i believe

do i even have to SAY anything? the shark, it’s not rocket surgery, baby nimona, the DOMESTICITY of it all im gonna explode

UPDATE!!!! GAY DADS AU THREAD https://twitter.com/gingerhazing/status/1676058949504892928?s=46

[junglejim4322]

Chappell roan the first campy female pop star to have 0 gay male fans

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[bisexualnonsense]

My partner made a comment about how this episode fed into “bury your gays” and like, while his heart was in the right place with the critique, I felt so strongly the opposite way

Like on its face, yes, two gay men died…. But like, in a show about a zombie apocalypse where we’re tracking at least 1 Major Character Death per episode, Bill & Frank are triumphant compared to every other character. They got to live to be old and gray together after a life of relatively peaceful flourishing. They chose their deaths on their own terms, a luxury most people don’t get in this world. They got to die together, in each others arms, neither left to live and suffer alone. They got to go with dignity, autonomy, and love, in peace, together. They got to choose. They made their end meaningful. They were happy and satisfied and fulfilled. Everything that gay characters are so often not afforded in life, much less in death.

Not only that, but narratively speaking, their deaths were used in exact opposition to “bury your gays.” The trope was created to reinforce that being gay is a sin, that gays must die as punishment for their evil ways. It’s intended to be a narrative consequence, the moral of the story, a warning to its audience.

But the deaths of Bill and Frank were used as closure to a story arc about living a happy, fulfilled life with your partner. Even further than that, their arc was used to demonstrate that there is meaning in life because we choose to create meaning, that purpose is found in each other, in loving someone, even at the end of the world. They are held up as an example of what to strive for, of a reason to keep living, of something to pursue. It is completely antithetical to bury your gays and is in fact a brilliant subversion of it in that it grounds the purpose of the narrative itself.

Tl;dr: TLOU really said love wins.

[funhouse-mirror-barbie]

I just. I don’t really want to keep talking about it, but I have to get these feelings out because the more I think about Somerton’s excuses video the angrier I get, ESPECIALLY given his insistence in the video that there isn’t a real community within LGBTQ spaces—specifically this quote; “We wanted it to be a channel where every queer person could feel welcomed... And we failed at that. That is something that, in hindsight, I think is impossible to create.”*

Because wow! Aren’t you the one who called Becky Albertalli, a bisexual woman, straight ?? Aren’t you the one who has consistently stolen queer and lgbtq people’s work as your own , profiting off of their labor and research and time? Aren’t you the one who sicced your fan base on smaller creators who noticed your plagiarism??? Aren’t YOU the one who LIED blatantly about lesbians “historically having it easier” than gay men ?? That LIED about Radclyffe Hall’s book being banned and destroyed???? What was it you said?? That she got to go on with “her merry little life”???

Fuck you. How dare you.

How dare you say there is no community, no safe space for all of us, when you have literally done NOTHING but maliciously and consistently stolen from, lied to, manipulated, and put down and bullied the community.

You have done nothing but try to break apart and put down your lgbtq siblings, so of course you believe that solidarity, safety, and intersectionality within our community is not something that can exist.

There are lgbtq people who are actively working to make those spaces, where everyone feels welcomed, but you clearly see yourself as being above that, above collaboration and community, above listening to other’s experiences.

You only think that a space where all queer and lgbtq people are welcomed and feel safe is impossible because your goal was never to carve out that space. It was to make money and take advantage of the people who looked up to you.

You think it’s impossible because you never once thought about the people you were stealing from, never once cared about the community, our history, the activism of our elders and all they did, never thought about how your actions and lies would hurt the community.

Stop making excuses and lying. Be fucking better.

———————————————————————

*(Somerton, James. “A Measured Response.” YouTube, uploaded by James Somerton, 26 February 2024, https://m.youtube.com/watch?v=kCNByQ6WopM)

(And that’s how you cite a FUCKING source, James. It took me a minute, after two seconds of research on how to source a YouTube video. Fuckhead)

*I added the link to the video to make a point, as you need to have it in citations. The video is monetized, so please either don’t click it and watch elsewhere OR watch with ad-blockers.

[kissnpunch]

imagining creating a minecraft server where the streamers stay together talking theories, they’re so into the lore and events they got the past weekend talking through discord at late night, after that just playing random games, some of them off stream, because they ENJOY and LOVE to talk with each other. imagining creating a minecraft server where everyone can talk and have a solution if they have a problem instantly, they try to communicate every single thing if is uncomfortable for them to do. with different languages, cultures, personalities, time zones.

qsmp is something just alex would create, and the admins put so much effort into everything, every small detail, attending everyone. i learned so much with them, i’m so grateful to follow this project.

[thewingedwolf]

this thread is killing me……..devil’s minion reveal next episode 🅱️lease i’m begging…

[igelmanz]

Angry Danny? ANGRY DANNY!!!

[the-dramatic-sapphic]

Is it just me or are the cis men way more obnoxious tonight than usual?? I just wanna hit them oh my fucking god

[totallyboatless]

Amazing, motivating, beautiful: the gay pirate show Our Flag Means Death makes me actively want better things for myself

Devastating, painful, existential: the gay pirate show Our Flag Means Death makes me actively want better things for myself

[i-am-a-fan]

For every note this little post gets, i’ll work on my art projects for 2 minutes this month.

[horseshoemybeloved]

YAAAAASSS!!!!

[tinka-tank]

Twink Tom Truth

And also my unfinished sketch of Jake

[fantasykiri5]

FINALLY IT’S THE DAY OF MY HORRIBLE LITTLE FAVORITE!!! One Mr. Joel S. Beans for day 30 of @hermitadaymay !!!!!