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stardustizuku · 3 months ago

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So, Gushing Over Magical Girls Is The Best Thing To Happen to Magical Girls

Gushing Over Magical Girls get this bad rep. For all the wrong reasons. I’ve seen it be called an insult to Magical Girls, I’ve seen it be called “gooner bait” a term I absolutely despise but that’s a thing for another day. I’ve seen it insulted for everything and anything under the sun.

I first got acquainted with it when I was scrolling through Twitter and I saw someone complain about the PV. However, as an avid Magical Girl Fan, I wasn’t disgusted. I was intrigued.

I decided to read the manga, and oh god.

This is one of the best things I’ve read.

The story follows Utena, a shy girl that loves Magical Girls, tricked to become the evil general that will defeat the Magical Girl team “Tres Magia”.

And it’s a delight.

I binged all the episodes available to me in the manga, and had fun in each and every chapter.

The same, however, couldn’t be said by half the people who watched the anime. And I was extremely baffled. As a queer woman, this was the first time in my life, in which I had seen something so deliberately catered towards me. I saw tell-tale signs of someone who genuinely admires the genre, and is simply using it as an outlet for exploring deeper and more interesting topics that a SFW version of it would not be able to.

Yet, I turn around and I see people calling it the most horrendous stuff, and accusing everyone who likes it of being monsters or men.

Genuinely, I’ve had enough.

Gushing Over Magical Girl is not the Devil. In fact, I think it’s the best thing to come don’t even like Magical Girls AND IT SHOWS.

PART 1: “Magical girls are for little girls!”.

The first criticism you’ll see aimed at “Gushing over Magical girl” is the amount of sexually charged content it has. And it is true. It borders on straight up porn in many instances and it just gets wilder as you go on. By chapter 30, we’re way past PantyShots. Like, I’ve seen some of these girls’ vaginas, and I’m not joking.

Personally, I don’t see anything wrong with it, but there’s people who might disagree.

“Magical Girls are for little girls” some people say “and you’re corrupting it!”

Which genuinely makes me laugh.

This is because this type of argument could only be done by someone with no real concept of Magical Girls aside from maybe Sailor Moon and Sakura Card Captor.

out of the Magical Girl genre in a WHILE (Ignoring Precure, because they just gave us a magical boy and that’s my win of the decade).

People are just, you know, stupid. And reactionary. Enough that they see a boob and lose their minds like a Karen at a Christmas Eve Mall.

My point is, I love this manga. And I’m willing to risk my reputation to defend it. Cause genuinely, half the people who are clutching their pearls over this show - Magical Girl Anime haven’t always been PG, or aimed at girls.

Cutie Honey is a great example. It’s one of the most famous Magical Girl Anime you will find - and it’s a shonen. With the protagonist, Honey, being constantly naked, groped, put in suggestive situations and have outfits that show her cleavage.

And it’s one of the most famous, most popular takes on Magical Girl there is. Yet, I never see any amount of outrage towards it. (Part of me wonders if it’s because the fan service is aimed at men, rather than involving yuri).

There’s also Lyrical Nanoha, one of the most popular serial franchises there is. It spans several seasons and spinoffs, and it’s beloved by many.

And it’s aimed at older men. Yes, it’s a Seinen.

In fact, its origins are far from PG. It’s actually a Spin-off of an erotic game named “Triangle Heart”. It was most definitely not created with little girls in mind, and themes it tackles reflect as much.

There’s Fate/kaleid liner Prisma Illya too, a spinoff of the Fate/Stay Night VN, very obviously aimed at older men, it’s a Seinen. It has a lot of fanservice and scenes where the characters are half naked.

Day Break Illusion is also a Shonen.

And as much as I adora Madoka - I’ve been stating for years now that it isn’t a show meant for little girls. You could argue it’s for everyone, regardless of gender, who’s a little older. But it most definitely wasn’t for little girls.

So, no. This was never an “only girls” club. Trying to paint it as such, is not only wrong but ignorant.

Magical Girl shows can be for anyone. Men, boys, girls, women and I find it infantilizing to consider it “only for little girls”.

No one says “super heroes are ONLY for little boys”

Well, some do. But they’re, you know, bigots. Who don’t want girls playing or adults o have fun.

So no, Gushing Over Magical Girls being a sexually charged anime in the Seinen category isn’t “corrupting the genre”. In fact, I would argue it’s doing exactly what the genre has done in the OVA shadows for a while.

Not to mention, many people have screamed from the rooftop how they want “more mature Magical Girl shows” referring to the success of Madoka. But as soon as an actually mature take on Magical Girls shows up, tackling issues of sexuality and love, you all don’t want it anymore.

(We all know why, though. Americans, and western culture in general, considers mature themes, only that which involves violence. Anything close to discussing issues of sex is no longer “mature” but “Pornographic” and deserving of being shoved into a corner. With all queer themes, gender studies, and any nuance that could be had regarding these issues).

And speaking of sexually charged, have you watched so called “wholesome” magical girls? They’re still very much sexy. Not in the “on the nose” ecchi way Seinen and Shonen are - but they still are.

You’ll find transformations were the girls are naked, zoom in to their breasts, you’ll have panty shots every now and then. Even themes of growing up, having crushes, and innuendos about sex. Inappropriate relationships, taboo romance, and the likes.

Sakura had Rita and a professor’s relationship (mutual in the manga), Sailor Moon had Chibiusa and Elliot’s romance, Sugar Sugar Rune even having an element for ‘lust’ and other different types of love, and let’s not forget Mermaid Melody which has several instances of the girls naked, in compromising positions with other men. And I’m pretty sure Tokyo Mew Mew likely opened a whole bunch of doors for girls to be into CNC.

This is, by the way, normal.

Completely so.

These stories often talk about the girlhood experience. And girls and teenage girls are interested in all of these things. They’re interested in sex, romance, their bodies growing up, their own sexuality and the likes. It’s no wonder same-sex relationships and romance get included, they’re part of what experiencing the world through the eyes of a young girl is like.

And subsequently, it stands to reason that as people who engaged with MG grow up - they find comfort in exploring their sexuality through Magical Girl themselves. There’s a reason why there’s a growing section of “Magical Girl” in your local hentai site.

“Men get off on corrupting this wholesome girl targeted genre” is actually TERF rhetoric sneaking through the mainstream. It ignores AFAB ppl and gender nonconforming people, who grew up with Magical Girls, simply using a medium that originally started their journey of sexual identity, to explore more “grown up” aspects of that same identity.

In particular, I’m a Cis AroAce Woman. I wrote a lot of Magical Girl NSFW when I first started writing NSFW Twitter threads. They’re bad and they’re cringey. But it was something I needed.

Magical Girls were a huge part of my childhood and early teens. When I was mentally in the space to want to engage with NSFW content: it was obvious I would turn to what first sparked excitement.

So this idea that “men are corrupting Magical Girls with their sick fantasies” is nothing more than TERF-lite propaganda. People, including women and men, have been doing this for ages; for a variety of reasons. And doing so, doesn’t rob children of their spaces - but the gentrification of the internet is a story of another day.

The other argument I have heard is that GOMG is a mockery of the genre. Which is even more laughable in my opinion.

PART 2: Parodies and why I hate Earth Defender’s Club.

Gushing Over Magical Girls loves Magical Girls. It’s a parody, in a way, but it knows very well what it parodies. It’s not surface level in the slightest. And it absolutely is not mean spirited about it.

A lot of the time, shows that reference and parody the Magical Girl genre, do so in ways that feel like they view it as a lesser genre. They take generic images of cute girls in frilly outfits, swap the colors around, and have them chant over-the-top spells. You’re meant to laugh, not only at how silly they look, but people who would love it. Especially if they’re grown ups.

I do not like “Cute High Earth Defense Club LOVE!” For this exact reason - even tho many people praise it to all heavens.

Because

1) It feels surface level in its commentary and depiction of Magical Girls and

2) More mocking towards the genre than paying homage or doing anything with it.

The continuous use of the word “Love” is a very obvious jab at Magical Girls using these words, which feels mean spirited just for the sake of it. Their outfits are almost exactly the same, save for the colors. And they all use the same sticks as weapon, with no thematic link for the shapes of the scepters. The mascot too (a wombat for god knows what reason), I think it’s meant to be a joke of some sort for how ridiculous some of the mascots for the girls get, which rubs me the wrong way.

In general, it feels shallow and mean spirited. But no one calls this an insult to Magical Girls. Because people who like it don't actually care about Magical Girls. They see cute boys doing silly things and love it. Which is kinda sad.

Now, Gushing Over Magical girls has sort of that same problem on the Tres Magias…But they’re not the protagonists. And even then, in later chapters, they get power ups that are different in design, and thematically linked.

The protagonist, and the ones we follow, are Utena and the girls. And they all have very distinct outfits, all with motifs that are tangentially thematically linked, and speak of each character’s personalities in interesting ways.

Utena in particular has THIS outfit. Which a lot of people don’t like, but I actually do.

It’s very obvious it’s taking inspo from other iconic Bad Girls in the genre. Namely, Utau, Kraehe and Devil Homura. All “Enemy characters” that have unhealthy obsessions with other characters. In particular, I think the wings and the feathers resemble Homura - THE character known to have a massive obsession with a Magical Girl (Madoka), to the point of insanity.

There’s also Magia Azure. Who’s a clear reference to the Mean Tsundere girl that is iconic to the genre. She’s also a Miko. Which is a callback to Sailor Mars, arguably THE girl who popularized this archetype.

I also love what they do with the mascots. Unlike Earth Defenders, where the mascot is you know, a mockery of the archetype of a mascot - useless, only there to give power ups, and obsessed with food - the mascots of GOMG is taking a book from Madoka.

It considers the mascots both all-too-powerful and yet limited in their reach. Which is exactly what the mascots have always been in Magical Girls. Beings so powerful they can give mythical powers to girls, yet helpless to do anything on their own. So, they use magical girls as a vehicle to achieve their goals. Most Magical girls try to paint this as a good thing, but newer genres shine light on how dangerous that can be too.

Madoka tackles it with Kyubey as the main initial mascot, only later to turn out to be the villain of the series.

And in a Post-Madoka world, trusting the mascots is just the slightest bit more difficult. That’s why, from the get go, GOMG portrays their mascots as morally corrupt. He’s not a good character, he’s malicious and doing more harm than good. But for the majority of the series, he’s painted more as a useless harmless evil than anything genuinely terrifying or worthy of concern. The attention is focused on other things.

But I love the way that it’s heavily implied that they’re not good. It’s a very interesting take on the mascot and it helps with the themes of the series. Which yes, by the way. Gushing Over Magical Girls has themes.

Which lead me to-

Part 3: Yeah, uhm, Gushing Over Magical Girl has themes.

There’s this idea that Sex is an inherently violent act. In which a man humiliates and sodomizes a woman, and therefore the woman is exploited in some way. And 10x worse is any act that involves BDSM. It’s violence; born out of hatred.

This is TERF rhetoric. I’m not joking. This line of thought leads directly to TERF ideas.

Many on the internet have pointed out as much, and BDSM members have gone to be very vocal about it. In particular, people on the role of the submissive (or the bottoms) are loudly trying to explain the contrary. How they like the act of sex, like the idea of being vulnerable, or being humiliated. There’s also plenty of LGBT+ stories that talk about it, both in western and eastern spaces. Just jump into the section of dom/sub verse at your local manga browsing website, and you’ll find something.

That said, the same is not as common for people who like to “dominate”.

I can only think of two pieces of media that argue that, whoever is the dominant or the sadist, is also a human being. That whatever they’re doing is done, not out of hatred for the submissive or an act of violence, but love.

One, is the husky and the white cat. In which Mo Ran, among other things, has to come to terms that his love isn’t “pure”. That he cannot love someone without the want to have sex, and to completely dominate that someone.

The second one is Gushing Over Magical Girls.

It’s very clear to me that Utena’s sadism isn’t a violent act. It’s an act born out of love. She genuinely loves the Magical Girls, and most girls for that matter, and whenever she is inflicting pain and fighting with them - what she wants is to ultimately help them in some way.

She wants them to “be the cutest version they can be” and wants them to shine brighter than ever.

There’s this one scene I love, around chapter 20, in which Baiser (Utena) is fighting Magia Azura. And due to Baiser going a bit too far, Azura ends up being Mind-broken. She crawls towards her, calls her “mistress” and begs to become her servant.

In any normal Hentai you’ll find, this is a good thing. This would be the ideal outcome. A character being turned into nothing but a sex slave for the enjoyment of the dominant.

Which is why I found it breathtaking when that didn’t happen.

Baiser is horrified by this. She does not want to break the girls, she wants them to be powerful. She wants them to win. With her, the evil one, being nothing more than a vehicle for them to be even stronger than before.

This is the first time I’ve ever seen dominant or sadist characters being presented both sexually, and in such a positive light. Much less a queer woman in the same position.

It doesn’t treat BDSM sex as a disgusting taboo act, but something born out of genuine love - and a want to see the other person be or feel better.

This is reinforced around chapter 25 where Leberblume and Loco Mùsica are fighting Baiser. For context, Loco Musica wanted to be an Idol, but had terrible singing. She uses her evil power to basically force everyone to listen to her sing (which is so reminiscent of Mermaid Melody btw). When they fight, Baiser wins, and is then set to use her new found power to “punish” Loco Musica.

Originally, Loco Musica points out how Baiser’s sadistic tendencies are “the same” as Lord Enorme, who we’ve seen uses sadism as a genuine form of punishment. Something to avoid. You behave well, because you don’t want to get hurt or humiliated by her.

However, when Baiser uses her own unique type of sadism on Loco Musica, something happens. Instead of causing her physical pain by beating her or using violence, she forces her to get naked and perform her idol song like that. This causes her to get extremely embarrassed. And in the process, she actually starts to sing really well.

This is important for two reasons

1) Baiser is actually taking into account who Musica is. It’s later revealed that Musica wanted a more frilly idol-like outfit but Lord Enorme shut it down, for the sake of a more ‘unified’ aesthetic. Baiser is not just throwing around the same treatment and punishment for all girls - what one might like, the other might hate.

2) At the end of the day, while she did the punishment, it was both embarrassing, but ultimately something that helped Musica and made her feel better.

And that’s really the key here, and why I love the series.

Sadism, sex and kinks in general are not tools of degeneracy. They’re treated as part of our experience.

Also, it’s just fun?

Part 4: Gushing Over Magical Girls is just extremely fun when you don’t have a dumb bitch yapping abt how unholy it is to see tiddies on a screen

Yeah, GOMG just has one of the most creative depictions of the most insane of kinks you’ll see - I could spent hour gushing over Nero Alice.

Seeing all these different kinks being depicted as powers and abilities that these characters have - and seeing how they interact with other people is just interesting.

The sex scenes are both hilarious and kinda sexy. Specially if you do like to see women all hot and bothered. Personally I’m not into girls (or anyone for that matter) but I have to admit the scenes were pretty hot. And there is no shame in admitting as much. No matter what the puritanical Christian on Twitter crying abt “god honoring lesbian sex” Will tell you.

I cannot begin to explain just how hype and relatable it was to see Magia Baiser defeat Lord Enorme with the power of straight up delusion, we STAN.

So, yeah.

It’s been a while since I last saw a Magical Girl Show so unashamed of being a Magical Girl Show. Unashamed of being weird, of praising the genre and just enjoying it.

My essay is titled, in part, as a joking reference to my much more popular series “MLB is the worst thing to happen to the magical girl series”. Which I still think is true.

And while, yeah, maybe GOMG isn’t the best thing to come out of the genre…I still think it’s good that it came out.

A lot of people say they want a more “mature” take on Magical Girls but - this proved to me that just isn’t the case.

Gushing over magical girls proves that the Magical Girl Genre Can Be so much more than what people think. More than glitter and sparkles, more than vapid action scenes, or what little girls want.

Much like any other genre, it can be raunchy, it can be messy, it can explore things outside of the status quo. But it can still deeply respect the source material, and the origins of it.

GOMG proves Magical Girls can be fun. Just. Straight up fun. Regardless of your age. They can serve and connect you to parts of yourself you didn’t realize you could connect to.

I hope it proves to more people that the genre can be so much more than “just for little girls” that parodies can be more than pointing and laughing, and that it can have themes beyond just, “friendship”.

Magical Girls can be so much more. You just, have to have an open mind about it.

#gushing over magical girls #2k magical girl essay #cute high earth defense club love #sailor moon #puella magi madoka magica #shugo chara #I will defend this show with my life it’s genuinely so much fun #yes I am willing to tank my reputation for it it’s so fucking funny 😭😭

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ponderingmoonlight · 9 months ago

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Chapter 1: From Tradegy to Fantasy - Awakening in Another World

Pairing: Gojo x fem!reader

Warnings: reader's death, language

Genre: Isekai, Romance, Fantasy

Synopsis: Your life takes a tragic turn as you perish in a car crash, only to awaken in a whimsical world of fantasy with none other than Jujustu Kaisen characters as its main protagonists. But as if that wasn't enough, you're about to marry the prince version of Gojo Satoru. How will you navigate through this world of history and fantasy? Does your life take the same sudden twist of fate as that of your favorite characters?

Next Chapter ->

„Are you reading those strange stuff again…What was it called? Manga?”

“I’m only watching the anime because of that hot blindfolded guy.”

You don’t even try to look up from your phone, currently reading the newest publication of the Jujutsu Kaisen manga over some sketchy site online. That hot blindfolded guy…You’ll never understand why some girls are only watching Jujutsu Kaisen because of him, Gojo Satoru. This world has so much more to offer, so much more than this overpowered character not even Gege himself likes.

“It’s not exactly reading”, you mutter, so sunken into the drawn fight in front of your eyes that you simply can’t look away.

“(y/n), come back to reality. We have some classes to attend.”

Out of instinct, you roll your eyes. You’ll probably have to listen to that one professor who always talks about himself and simply reads through his presentation for three hours straight, not even allowed to look at your phone and do something useful instead. Urgh, being an uni student sucks.

“Give me a minute, I’m just finishing this chapter.”

When your friends start walking, you follow them without paying attention. This is it, the fight you’ve been waiting for. Maybe this time someone is able to defeat Sukuna, maybe this will be the day you’ve been waiting for. Fuck plot armour, fuck all the horrible things that happened last, all the beloved characters that had to die. Damn, you still miss Geto to this day. If they would have noticed sooner, he might be still alive-

“(Y/N), WATCH OUT!”

You always wondered about how death must feel like. Getting consumed by darkness, getting dragged into sheer empty space. Does it hurt? Will you die right on the spot and feel absolutely nothing? What about that myth about reminiscing your own life shortly before your death?

The second you looked into those blinding car lights, you knew exactly that you are next, that there is no way you’ll survive the hit that will sweep you off your feet, that throws your body into the air like a plastic bag.

How pathetic to die like this. Getting hit by a car while being glued to the sketches of fictional characters on your phone. What will your parents say, your family, your friends? You don’t want to die like this, but still…

You allow your eyes to rest against your harsh light, your phone dropping to the phone. You can’t escape the hit. Maybe, just maybe, you will wake up in a better world.

If stuff like that even exists.

When you open your eyes again, you brace yourself for an immense wave of pain hunting down your body, for getting greeted by those way too harsh hospital lights. But instead, your eyes open with ease. Instead, you get greeted by the dim light of a golden chandelier in and a well-painted ceiling in all different shades of purple.

“Where on earth…Am I?”, you mutter to yourself.

The second you look down on you, your heart drops to the floor. You aren’t wearing a pair of leggings and an oversized tee like you always do. No, you are covered in the softest white fabric you ever felt from head to toe, an elegant lavendel ribbon tied around your waist. And that delicate jewellery...

Immediately, you yank out of bed and almost trip over the hem of the white dress, coming to a stand in front of a mirror.

This isn’t possible. No, this has to be a feverish dream. Maybe they put you into coma after…

You swallow hard, reality hitting you with full force. You died. As soon as the car hit you, you were dead right on the spot and you knew it instantly. But why does everything feel so damn real? Frantically, your hands wander around the sweaty face that looks back at you in sheer horror through the mirror, stare at the lavendel eyes that don’t look like yours at all. But those facial features, the way your hair falls.

Is it…you?

A violent scream escapes your lips before you’re able to stop it, guts turning so uncomfortably that you feel like puking every minute. This can’t be true. This can’t be your reality now…Just before your feet give in, you grab the cool golden frame of the mirror, allow your spinning head to rest for a second.

“Lady Zenin, are you alright!?”

That distant voice, who is it talking to? Lady Zenin…Like Toji, Mai and Maki Zenin? Maybe you didn’t die but got kidnapped into a pervert cosplay party. Slowly, you turn around, face sticky in cold sweat.

But the man standing in front of you doesn’t look like a creep at all. No, he’s a truly elegant man. Maybe in his 50s, but it is clear that he’s taking care of himself. His eyes look at you worried, his gloved hands stretched out in order to help if you fall.

“Where…Where am I?”, you press out.

This isn’t your hometown. Fuck, this isn’t even your home country, not even your timeline. The stuff in this room looks so old and somehow magical, let alone that dress you’re wearing.

“I don’t understand, Lady Zenin. You are in your room”, the man replies visibly worried.

“What country?”, you probe.

“My lady, we are still in Avaloria…Are you feeling unwell? Shall I call the doctor-“

“In Avaloria. And I’m Lady Zenin…”, you mumble to yourself.

This doesn’t make any sense. You didn’t pay that much attention to geography, but you know for a fact that Avaloria isn’t a real country and that your last name definitely isn’t Zenin. But oh that last name is definitely familiar to you, so familiar that it’s frightening. Suddenly a shiver runs down your spine, dark foreshadowing letting your fingertips shake.

“What is my father’s name?”

You don’t want this answer. No, all you want to do is waking up from this dream, from this nightmare. You aren’t a lady, you aren’t a Zenin. You are nothing but plain (y/n) who adores anime and manga a little too much and still goes to university. You are nothing but a normal young woman.

“Your lordship…Your lordship is called Naobito Zenin, my Lady”, he stutters.

“And my brother’s name is Naoya, huh?”, you huff out.

This has to be a bad joke, right? What is this man, a stand-up comedian, maybe? You cross your arms in front of your chest, force your body to stop shaking. You need to put this madness to an end right now.

“Yes, exactly my Lady!”, the man in front of you literally cries out in relief while the ground is pulled underneath your feet.

No, nothing about this is right. These men, their names…They are nothing but an invention by Gege Akutami, nothing but drawn figures in a book adapted into an anime. They are nothing but fantasy, nothing but fiction.

“B-But…”

Your voice fails as your mind can’t process anymore. Is it really possible that…You were reincarnated into a world like this?

“Are you causing a scene again, sister?”

You don’t recognize the voice speaking behind you, but something inside you tells you that if you turn around, you will be greeted by…

Cold, sharp brown eyes.

Your very own orbs widen in sheer horror. Those dark green roots, the annoyed look on his face, his tall muscular frame. He looks exactly like the manga made him appear. But instead of wearing a kimono, he is dressed in a black uniform with golden and purple details.

“You’re looking like a fucking prince…”, you breathe out.

“Are you trying to upset me, (y/n)?”

“Master Naoya, the lady doesn’t appear like herself today. Shall I call the doctor?”, the older man speaks with low voice.

“Did you have a bad dream?”

He grabs your chin before you’re able to stop him, his cold glare hitting you with full force.

Naoya just touched you. Fucking Naoya Zenin is standing in front of your very own self, his fingers wrapped around your chin, staring at you so intensely that you feel like fainting any given minute.

“Don’t you dare to mess today’s meeting up because of your weird acting. It took father and I months to arrange a meeting with that lousy prince. Let’s hope that he finds liking in you or else I’ll marry you below your status”, he hisses into your face.

“You can’t just arrange my wedding. Who the hell do you think you are?”, you spit into his face out of instinct.

“All the attention must have gone to your head, (y/n). Who do I think I am? I am your big brother, father’s right hand. And you are nothing but a woman. Your only worth is to marry into a wealthy and influential family. I will never understand why the prince of our country found a liking in you. Apart from a pretty face, you have nothing to offer.”

He yanks your chin away roughly, forces you to take a few steps back and almost sends you onto the floor with the sheer force of his fingertips. Your body quivers in anger, hands balled into fists so tight that your knuckles stand out white.

“I don’t need a prince, I know my own worth you fool!”, you demand.

“Who taught you to talk like this? You are a lady, (y/n). Finally start to act like one or I will tell father about your behaviour. Maybe a venesection will cause your mouth to finally shut, what do you think?”

“A vene-what?”

“Urgh, just be quiet and get yourself ready. You will meet the prince as soon as you are presentable. And don’t you dare to disappoint us”, he hisses through gritted teeth.

And then he’s gone in the wind while you stand in the middle of the room, still unable to catch your shaky breath. Who the hell does this guy think he his? Where exactly are you, what world is this? Your head begins to spin so violently that you fear to lose your balance, your whole life crashing down on you like a house of cards.

This isn’t 2024 on mother earth anymore. This…this is something completely different. And that man who introduced himself as your brother made it all too clear that there’s no way you’ll survive here if you don’t play along. Maybe it’s like in that anime you just watched, the one with the girl names Raeliana. If that’s the case…

“Please call in my maids. I wish to be dressed”, you speak out monotone.

“Of course, Lady (y/n).”

You will play along. But there is no way in hell you’ll let him force you into a marriage with some strange prince you don’t even know. Your eyes are fixated on themselves, the new lavender color gleaming back at you being so unknown as well as all those women who scurry around you.

Who is this prince, anyway? If you’re really in some strange jujutsu kaisen verse, it must be another character. Maybe Geto…Oh, that would be nice. But what if it’s Sukuna? You shake your head, haunt away your stinging imagination. No, you won’t marry the king of curses. Actually, there aren’t many men you’d like as your husband.

How is this supposed to turn out good?

-at the salon-

You feel like fainting any given minute, heart pounding so roughly against your well-dressed ribcage that every beat sends a shiver down your spine. If the man standing in front of you isn’t called Geto or Nanami, you don’t want him. And apart from that…Aren’t you too young to marry anyway? Why does your family want to get rid of you so badly?

“It is so nice to finally meet you in person, Lady (y/n).”

Your heart drops to the floor.

That voice.

Fuck. It’s no doubt that it’s him.

“Let me introduce myself properly: I’m Prince Satoru, the future king of Avaloria.”

The second your brother steps aside, you get greeted by bright blue eyes and a cheeky grin.

This is Gojo Satoru, that “hot guy with the blindfold”, one of the last men you’d like to marry even if he’s dressed in a fine suit with red and blue details. Out of instinct, you cross your arms in front of your chest, narrow eyes staring him into the ground. You will never understand the hype behind his smile and eyes when it’s all too clear that he’s a player, a womanizer. A man like Gojo Satoru isn’t the husband you were imagining, not the man you were looking for since you were a child.

“I’m not marrying that man”, you announce into the silence of the room.

Soo, this was the very first chapter of my new series and it makes me beyond excited! So please, if you enjoyed it, it would make me beyond happy if you like/comment/reblog that work of mine and let me know what you think. Thank you guys so much for your constant support, it means the world 🤍

Tags: @m0k0k0 @lees-chaotic-brain @sanicsmut @risuola @fire-loving-siren @sunshine7queen @gatitam @kentocalls

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bunnwich · 5 months ago

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Uh just a heads up, did you read/saw the Leona and you meeting in the novel? I kinda wanna talk about it

Leona and Yuu Meeting in the Novel

ANON ANON. YOU REALLY BROUGHT MY ATTENTION TO SOMETHING W I L D BC I HAD NEVER ACTUALLY READ THE NOVEL VERSION OF THE MC MEETING LEONA???? Also, I was gonna see if the EN translation had been released but it doesn’t in my area until 8/27 so RAAAAAAAAAAAA. OKAY SO LET'S BREAK IT DOWN. (Using @/yuurei20’s wonderful translation) So as we know, in the game and manga Leona comes off as very… aggressive?

He threatens to “rip out our tooth” which, sir???? Like from the first time, I could tell that this was just a “flex” and he absolutely was saying it in a facetious manner. Though in the manga they further escalate it, even going as far to have him going to kick Yuuken.

BUT, HERE???? IMO this interaction is much more indicative of his character as a whole. There is so much more nuance to his intentions here. Protecting his dorm, deescalating, being smart. All the stuff that I’ve been saying from when I started playing twst about him just keeps being proven to me. Also that perhaps Leona, actually doesn't like fighting. These are my main takeaways.

1.) Leona is a well-respected and liked dorm leader who is looking out for his dorm's best interests.

And his dorm mates follow his word like gospel for the most part. I feel like ppl tend to gloss over this bc he is lazy or w/e but the Savanaclaw students mostly love Leona and would do anything for him.

It’s just nice to see so much of the stuff you get reading between the lines at the forefront here. He’s so much more calm and menacing here than cranky and aggressive and that feels so much more him? Leona’s intimidation IMO doesn’t come from his physical strength per se, it comes from the authority he commands, his demeanor, as well as his magic I’m sure.

-- He is wrapped in a strange atmosphere that attracts the stares of everyone around. Even hidden under his school uniform it is clear he is well-muscled, with a scar over his left eye that lends all the more power to his chiseled face. The fists of the older students froze in mid-air at the command, completely throwing off their momentum. Now, like small animals under the watchful eye of a predator, they shrink away, murmuring, 'Leona-san'. Ignoring the confused Deuce entirely, Leona raises an eyebrow at the formerly brawling group. 'Move up a grade and the first thing you do is start a fight in the street--are you all stupid?' 'But that brat is the one who started it first.' 'Huh. And? Don't like what I have to say, then?' 'Impossible! It's not like that at all.' Leona is dressed down, wearing neither the jacket nor the tie to his school uniform, but he does wear the same yellow vest as the three students who had come so close to exchanging blows with Deuce. All three have become properly obedient in front of their fellow dorm member, Leona. --

2.) HE DID WHAT???

SO in my head I always imagined Leona stepped a bit close and sniffed the air around Yuu/MC but in this version HE SNIFFS THE NECK?? LIKE FULL ON PUTS HIS NOSE TO THE BACK OF YUU’S NECK?? WHAT THE HELL???? THATS SO WILD SIR?? I’M CALLING THE POLICE??? YUUYA ,ARE YOU OKAY??

-- ‘Hey. You.''Y-yes?' Yuuya's response leaves him in a sound that is almost a yelp, because Leona has suddenly drawn close enough to place his beautifully-sculpted nose near to the base of Yuuya's neck.Yuuya breaks out in a cold sweat. Having his neck so exposed is frightening in a way he cannot put into words: he is frozen in fear of Leona tearing out his throat at any moment. --

3.) In this Ruggie CALLED Leona over to help Yuu and Deuce fight off the Savanaclaw goons.

That just gives such a layer to Savanaclaw as a whole, that neither one wanted to see Yuu and Deuce get beat up. Leona continues to show he has a soft spot for his underclassmen perhaps. I do think it mostly was about him protecting his dorm mates and not wanting them to get in trouble bc he knew Yuu was taken in by Crowley, the headmaster.

-- 'My name is Ruggie Bucchi.' Ruggie responds, with a deliberate shake of his whole body. 'And this scary personage is Savanaclaw Dorm Housewarden, Leona Kingscholar-san. We already know you're dumb enough to pick fights with upperclassmen, but even you know you won't be winning against our Housewarden, yeah? Times like this, you gotta side with whoever will benefit you the most.' 'Benefit? They're the ones who started this fight, and now they're trying to run away!' 'My my, aren't you a hot-blooded kitten--and here you should be thanking me. I called Leona over because I saw you were in danger, y'know?'Leona looks to Ruggie. 'Tch. Patronizing bastard. You just wanted to give me more to deal with.' 'Shi-shi-shi. That's our housewarden! Settle brawls in an instant like that, and people will start relying on you.' The three students who had been scuffling with Deuce and Yuuya look down at their feet, snickering; they seem to have cooled off after being chided by Leona. As his position in the dorm would lead one to assume, Leona seems to be well-liked.) (!!!) --

4.) Perhaps, Leona’s Lazy demeanor is just a front to something more.

-- Though he has a languid stare, his narrow pupils send a shiver down Yuuya's spine. Yuuya knows, instinctively, that challenging Leona on their own would be disastrously reckless. --

Anyways its just so funny that I never read this bc I assumed (wrongly) that it was just similar to the other version of this meeting and like…whoa.

I know it doesn't seem like much of a difference now but when twst was newer and we got less depth to Leona, andhe came off as very one-dimensional guy who was aggressive for aggressive sake and most of my HCs were really were speculation for the most part, and at that time as not many bothered to read between the lines about him.

Yes, he is scary (stop sniffing ppl) but also a bit teasing, but lowkey a caring and good leader. I do think his intimidating persona is two-fold. Like…half is so he can command respect from his dorm mates and it’s needed to be the Savanaclaw dorm leader in the first place. And the other half is a front to hide the softer parts of his personality that he denies at every turn, like being idealistic and a good mentor.

5.) Leona sort of defends Yuu when the 3 goons make a comment implying that Yuu needs to watch who they tangle with.

-- 'Nothing wrong with having guts, but prepare well enough to know who your opponent is.' 'Hahaha! Yeah, just like the Housewarden says!' 'I'm talking to you three, too.' --

IMO He’s clearly looking out for his Savanclaw member’s well being here but I think he does some inkling of respect for Yuu, whether that bc they are strange or simply bc they are affiliated with Crowley and he doesn't want trouble, either or both is interesting to me.

(TBH I’m still NOT over the neck sniffing thing.)

I will be interested to see the official EN translation of this scene, so I’ll update ya’ll on that once I see it! I NEED to know if they change any of it. Sorry for the ramble but YES please anon, feel free to talk about it with me! I love to yap, thank you for bringing it to my attention!!

(Thanks again to @/yuurei20 for all the translations for this scene!! Your work is so so appreciated!!)

#leona kingscholar #twst #ask #leona twst #ren speaks🌱#Sorry for yapping...it will happen again #twst character analysis #twisted wonderland art #ALSO CAN I SAY NOT A “HERBIVORE” IN SIGHT

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fujoshimenacecw · 7 months ago

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A conversation between Moto Hagio, Hideaki Anno, and Shimako Sato

In our first ever translation work we share a riveting conversation between Moto Hagio, Hideaki Anno, and Shimako Sato! Read on our wordpress or keep reading on tumblr under the readmore

For the 189th issue of the Magazine House publication Hato yo! published January 1st 2000, movie director and screenwriter Shimako Sato leads a three way conversation between herself and her acquaintances, the anime and live action movie director Hideaki Anno, and manga artist Moto Hagio. Together they discuss their respective admiration for each other’s work, Anno’s past statements on otaku, their takes on parent-child relations, how to escape puberty, and why Anno finds it scary to be around children.

To Me, There is 5 Ways To End a Story

Hagio: I got really into Neon Genesis Evangelion after it finished airing (laughter). I had been told by an acquaintance that Eva was a work that had “fans who were looking forward to watching the series so enraged by the developments in the final episode that they broke their TVs” (laughter). I wondered what could a work that evokes such strong emotions be like? I was really interested, so I borrowed the VHS tapes from a friend of Shimako-san’s, then I started watching.

Anno: I’m a big fan of Hagio-san’s manga, so when Shimako-san first said she could introduce us and arrange this meeting I was truly happy. The fact that you took an interest in Eva is an honor but… When I first heard “to me, there are five ways to end a story” I thought “as expected; amazing!” So after several twists and turns I finally reached a conclusion

Sato: Anno-san, when did you first encounter Hagio-san’s work?

Anno: The first one I read was They Were 11! during its serialization. In elementary school I read it at the Ear-Nose-Throat Doctor. I generally read manga at the waiting room there or at the barbers, since I didn’t really get any manga to read at home. When I read They Were 11! back then I was blown away. After that I read Hyaku Oku no Hiru to Senoku no Yoru [trans: Ten Billion Days and One Hundred Billion Nights, original story by Ryu Mitsuse]. My favorite work is Half-god [Hanshin]. The fact that such a meaningful story could be told in only 16 pages is amazing. I think Hagio-san is a genius storyteller, but her art is amazing as well. In middle school I thought that if I copied Hagio-san’s art I’d become better at drawing.

Sato: If you had also imitated her storytelling would that perhaps have changed Eva’s final episode? (laughter)

Saving the world, love and hatred

Anno: You know, I don’t have much interest in concluding a story.

Sato: Do you hate wrapping a furoshiki? [trans note: a traditional wrapping cloth]

Anno: No, it’s that I think you can do more with a furoshiki than tie it up pretty. Like break it or tear it to shreds, all kinds of things.

Sato: If we include all that, isn’t that still doing the act of wrapping?

Hagio: In your case Anno-san, I find your way of grasping the world unique.

Sato: For both Anno-san and Hagio-san, even with the differences between manga and anime you’re making a serialized work, right. When you make a long-form work, is the ending something that is already decided? Or is it something that changes?

Anno: For me it’s something like a live performance, and ends up gradually changing as I create the work.

Hagio: I’m a bit too careful, so I can’t draw if I haven’t thought of the ending. An exception is when I made Star Red. Otherworld Barbara which I made later also ended up becoming an exception

Anno: Star Red’s ending was magnificent. I was also influenced by Star Red. Actually, I’ve written some dialogue similar to the one in Star Red’s ending

Sato: Which of the characters do you like?

Anno: Well, the protagonist.

Sato: I like Elg. At first I thought he was a rather unreliable person, but he gradually came to play an active role. By the end he revived a dead planet through love.

Hagio: I also like characters like that!

Sato: When I watch Anno’s works like Eva I feel like you are more the kind of person who saves the world through hatred, what do you think?

Anno: I don’t know

Hagio: That feeling of uncertainty becomes the foundation of your storytelling doesn’t it? I come to think that that feeling is something so overflowing you can’t tie it all together.

Sato: It seems you have some differences when it comes to making a story, but I think one thing your stories have in common is perhaps parent-child relations?

Anno: That is true, Hagio-san. Your relationship with your mother appears in your work…

Hagio: When I was a child, my older sister was my mother’s favorite, I was always compared to her. It seemed my mother thought that compared to my sister I was unreliable so she always worried about me, even when I was into my thirties she’d tell me to quit making manga.

Sato: And that was during The Poe Clan’s heyday wasn’t it?

Hagio: (laughter) When I was watching Eva, something that really caught my attention was Shinji-kun worrying about whether or not he was useful to his father. Yet there was a distance between them. During that time I was very interested in, to put it into words, “broken relations.”

Otaku Are Generally Uncool

Sato: Anno-san, in your work I think father-son relations is something that makes an appearance. Are there any real experiences behind that?

Anno: My family was normal. If I have a complex it would be that we were a poor family rather than a just normal one, and my father has only one leg. Regardless, I think stories about parents are the simplest to make, it’s easy.

Sato: So since Eva is a parent-child story it ended up like that?

Anno: What makes it easy is that we have some preconceived assumptions about [parent-child relations], “have you argued with your parents?” and such.

Sato: What appears in your work isn’t those things, but your own internalized problems don’t you think.

Anno: That appears to be it. As for my family we truly were the archetypical lower middle class household. My father was a good person. A sensible man. When you’re under circumstances like my father was you have to live sensibly or else you’re excluded.

Sato: So in opposition to that, you became an otaku.

Anno: That might be it. Your most important model for what normalcy is is your family. But I have a younger sister and she is exceedingly normal. She doesn’t read manga, there is nothing twisted about her at all.

Sato: And by twisted you mean?

Anno: That she’s not an otaku.

Sato: Anno-san, you’ve said that you hate otaku, haven’t you.

Anno: It’s not hate. It’s just that I think otaku are uncool. To otherwise not notice that you’re uncool or purposefully suppressing that fact makes me feel disgusted.

Sato: What about The Matrix? Isn’t that a cool otaku movie?

Anno: That one is also uncool.

Hagio: Even though Keanu Reeves is cool.

Anno: Keanu is cool. Because he is not an otaku. The otaku are the Wachowskis. They can’t get out of the confinements of their otaku-ism. So for example, even if they make something cool, part of it will for certain be otaku-like Even though I say this I don’t hate it. If I truly did I’d quit being an otaku.

Sato: Hagio-san, would you say your family was normal or was it perhaps affluent?

Joh (Hagio’s manager): Hagio-san and her mother actually have a similar biorhythm. It was perhaps due to that fact that Hagio rebelled by pursuing the path of becoming a manga artist.

Hagio: I might have been running away by drawing. But, if I had rebelled by becoming a delinquent I think it perhaps might’ve been more enriching to me as a person.

Anno: To become a creator is not something I think is a happy path to go down. In order to not be unhappy you have to work for dear life. At the very least create works as if you’re going back to zero [from the negatives].

Hagio: Is it a negative? Because you are an otaku?

Anno: Being an otaku is a huge negative. You make up for it either by relying on others or by producing creative works. With that said, I think my generation has it easier than yours, Hagio-san. This is an era where even old men read manga. My parents even now have no issues with my line of work. I appear in Asahi Shimbun, I appear on NHK, they have nothing to worry about. That is also why I will try not to ever refuse any coverage from my hometown newspapers.

Hagio: But don’t you think parents don’t truly understand? Even if I become famous, my parents will say; can’t you quit drawing manga? And just appear in the newspaper? (laughter)

Sato: But if you quit drawing manga you won’t appear in the newspaper. (laughter)

Hagio: In that context, a part of me still expects too much affirmation from my parents. Not externally but internally. Even if I appear in Asahi Shimbun I still end up thinking it’s not good enough.

Sato: The fact that you still worry so much about what your parents think at your age Hagio-san, it’s so strange.

Hagio: Yes, I think so too

Anno: Could it be that you have to become a parent to change that part of you that worries so much about what your parents think?

Sato: I don’t worry at all about what my parents think.

Anno: I also don’t care even a little bit. As far as I’m concerned, I’m bored if I get my parents’ approval. When I did Nadia: The Secret Of Blue Water for NHK I felt that feeling.

Sato: Do you have a replacement parent figure?

Anno: Well, a man without imaginary enemies is no good. For me right now, I think I want to make works that have Hayao Miyazaki beat.

Sato: Hagio-san, your worries might also be what gives birth to your works.

Hagio: That might be the case.

Sato: Anno-san, earlier, you said “you have to become a parent to change.” I personally don’t think if you don’t have children you can’t become an adult. I think that being an adult is being independent in everything you do. That’s why I think marriage or having children doesn’t change anything.

Anno: You can become a parent without being an adult. At 17 or 18 you could become a parent. To become a parent without even being an adult, that is the problem I think.

Sato: Do you consider yourself to be an adult, Anno-san?

Anno: I guess I’m a child.

Sato: I don’t consider my parents to be adults.

Hagio: I’m very discontent with the fact that my parents aren’t adults.

Anno: I’m not discontent.

Sato: For me realizing that my parents aren’t absolute adults was a relief during my middle school years. Until then I had played the role of an exemplary student, but when I realized that fact I stopped playing that role.

Hagio: So you’re a child who didn’t fit into your parents’ expectations. I was also a child who didn’t fit into my parents’ expectations, but the fact that they didn’t shrug their shoulders and say “that’s fine,” filled me with anxiety. I thought that if I become an adult I’d lose that anxiety. But I want recognition from people. I continue to request affirmation.

Sato: Anno-san, in Eva you portrayed children like this, but are you like this yourself?

Anno: The affirmation? Hmmm. That kind of thing changes with the project.

Hagio & Sato: ?

Anno: I don’t believe in the supremacy of the director of a work, but rather the work itself. What would be best for the work, I only base my judgment on the total. Although I won’t hand over the executive decisions.

Hagio: Manga is a one-man job, but with a movie there’s the director, the scriptwriter, the actors, etc. Each of them sees themselves as a leading part. Furthermore as living beings the things we do will sometimes diverge from the plan we made in our heads. The fun of living is discovering what those differences will be.

Is Eva The Rite of Passage That Will Get Us Through Puberty?

Sato: The movie Love & Pop that you directed Anno-san, the original creator Ryuu Murakami-san and yourself are both men, yet the story is about high school girls. I found that interesting.

Hagio: I thought that both of you wanted to be very similar to an archetypical girl. You said you wanted to see a part of puberty, and girlhood that you couldn’t control. After all, men aren’t just made up of boys. I believe that femininity and masculinity is something we have combined within us. Sort of androgynous.

Sato: The boys you create not having that vivid true-to-life quality to them I think is a representation of that. Anno-san, as a man, what do you think of the boys in Hagio-san’s manga?

Anno: I think they have empathy. I think what I like the most is that all the characters are smart. Because they have such a high intelligence it feels good to read.

Hagio: Like a washing machine right at the peak of its cycle, I want to leave my characters on the verge of that kind of critical point [of merger]. To be honest, the idea that once you’re past 30 you’ve become an old lady, that sense is something we’ve left behind.

Sato: I’ve found that when men become old they lose their ability to be nihilistic in their work, is it the same as that?

Anno: In the case of men, as you age, the world view [of your fiction] rather than your characters come to reflect your nihilism. You don’t aspire to be nihilistic, you yourself are becoming nihilistic. Your world view is what gradually utilizes nihilism. Isao Takahata, for example, is a nihilistic person. Nothing is born from being nihilistic. As nihilism is Plus-Minus-Zero, eventually your heart can’t be moved.

Hagio: A world that doesn’t change, isn’t that comfortable?

Sato: Even though in order to grow you have to fight. By asking like this, Anno-san, did you not experience puberty?

Anno: That might be it.

Hagio: I thought you were right in the middle of puberty.

Anno: I thought I’m losing it, but it might be puberty. Generally speaking, otaku don’t go through puberty.

Hagio: I thought otaku went through a prolonged chronic puberty.

Anno: It’s not what society ordinarily calls puberty.

Hagio: A never ending puberty, in this age, could it perhaps be because there are no more rites of passage?

Anno: Sure enough, you have to bungee jump. (laughter)

Hagio: A ritual to let your childhood die and then replay it, such a thing doesn’t exist now. Taking entrance exams may be the closest to [a rite of passage].

Sato: Don’t you feel like lately that around age 30 is when the coming of age ceremony actually happens?

Hagio: For that part, that’s when the stories takes on that role I think.

Sato: As a ritual?

Hagio: It’s not a ritual, but perhaps more intuitive? A trial run on a mock life. By that definition, I noticed Eva is just like that. I had an acquaintance who is a teacher from the Kyoto Steiner school. They saw the Eva movie in theaters. At that time they found the reactions of the people watching to be more interesting than the story. They had thought, isn’t it like we’ve all come to see the rite of passage which we all failed? I thought so as well “that’s right, that is interesting.” The rite of passage to become an adult after entering puberty, be it��Gundam or Eva those stories put people in a position where they are observing the world, observing themselves, experiencing war and such.

Sato: Anno-san, were you considering all this…

Anno: I didn’t make it like that. But when I was making the movie I was thinking of this a little.

Hagio: When I watched Eva it ended up overlapping with the book Childhood [by Jan Myrdal]. It’s a book about a mother who can’t love her child. She thinks “I have to take care of this child”, but even so she can’t love him. I wonder what happens to children raised like this. Children learn from their parents. In truth there will be consequences for the parent, but the question on my mind was children who can’t find their place with the parent, where can they find their place instead? Although I thought you were such a person when you were making Eva, Anno-san. (laughter)

Sato: Speaking of, the other day you were on a TV show teaching grade schoolers about anime, Anno-san. What do you think of children?

Anno: I was scared of being in contact with children. I don’t understand the appropriate distance to take. I believe even the most casual thing an adult says mustn’t traumatize them, I end up becoming oversensitive. In grade school during still drawing class, I’d draw roof tiles and other detailed things, but humans moved around and I found it annoying, so I never drew people. Because of that my teacher said “this isn’t a child’s drawing,” which deeply hurt me. In the end, from that experience I think it was a part of the reason why I decided on working with drawing. Even though I opposed standardized education, I really felt the difficulty of dealing with not having a basic manual.

By the way, how much longer until Zankoku na Kami ga Shihai Suru [trans: A Cruel God Reigns] ends? I made a mistake. I wanted to read it all at once, right, so I refrained from buying it but… when volume 6 came out I ended up buying all of them.

Hagio: Oh yes, right. July next year I think.

Anno: Understood. Then the final collected volume will be out in the fall of next year. Hmm well that means I can enjoy it for another year. Understood.

Sato: Isn’t that great.

------------------------------

Translated by mod Juli, with assistance from two financially compensated native speakers.

A scan of the full interview raws has now been added to the wordpress version!

#translation #hideaki anno #moto hagio #shimako sato

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cry-stars · 2 months ago

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Komaeda and Dementia: Part 1 of 5: Introduction and Overview of FTD

Hi everyone!

I’m an aspiring Komaedologist with an interest in dementia. I often see people doubting Komaeda’s stated diagnosis of frontotemporal dementia, since it presents differently in him than in the common portrayal of dementia in the media. While his portrayal may not be completely accurate, there is a lot of truth to it, and there are many symptoms visible in-game. I wanted to share a few posts about dementia symptoms that we do see canonically in Komaeda’s portrayals in SDR2 and DR:AE, and share some information regarding his specific diagnosis as opposed to Alzheimers, for example.

I work with people living with dementia as a recreation worker. This means that I see them living their daily lives, and know about difficulties they might have with recreational or day to day activities. There are a lot of observations that I might make that can’t be backed up scientifically yet, but do make sense in a practical way. Everyone with dementia is different, and since I work with seniors for the most part, some observations won’t transfer onto Komaeda. However, I’ll do my best to back up whatever I can with sources.

This post is just for fun and to give people ideas. It means a lot to me to see a fascinating and endearing character like Komaeda portrayed with dementia, since it is a sad and terminal disease, and I usually see it end badly in my job, so I hope to give people ideas on how to portray it, or just to notice things in a different way they might not have before!

My main sources for this post and the following ones include “Dementia Diaries,” which is a really cool project where people with dementia talk about their experiences, National Institute on Aging, Alzheimer’s Association, Alzheimer’s Society, and my own work experience. I plan on doing more posts about specific symptoms that we see in Komaeda later, but I would be happy to hear from other people who have dementia knowledge, or to answer any questions that I can.

For the most part, I'm only going to be talking about SDR2 and a little bit of DR:AE. I haven't finished watching the anime yet and have not read any of the manga. If anyone has ideas from any of those sources, I would love to hear about them!

Overview of FTD: Which Variant does Komaeda Have?

There are two major forms of frontotemporal dementia. The first, which Komaeda likely has, is the behavioural variant (BvFTD), which is also the most likely for young people to develop. This variant of FTD mainly affects behaviour, empathy, judgement, and planning.

Komaeda is less likely to have the other variant of FTD, primary progressive aphasia. This form of FTD mainly affects language skills, including speech and comprehension.

Komaeda doesn’t seem to have very much trouble with understanding the concrete content of what people say to him, but he does occasionally seem to have trouble fully comprehending hidden meanings behind statements (for example, taking statements literally rather than as sarcastic). To me though, this is less connected to him not being able to understand the words or content of statements, and more not picking up on the emotions hidden in the statements (which I’ll address more in the behavior post). He does seem to have some trouble with word-finding in the Japanese version of the game, but again, it doesn't inhibit his ability to express himself given enough time to speak.

Another thing to note about FTD is that, in its early stages, it mainly affects behaviour and language processing, as stated above, rather than memory. In later stages, memory does start to be affected as well, but it’s different from Alzheimers (probably the most well-known form of dementia) in that memory loss isn’t the main symptom.

FTD’s prognosis is about 6-8 years. Komaeda states in his fifth free time event that his life expectancy is between half a year and one year. However, he is also referring to his lymphoma diagnosis, meaning he expected to die from a combination of both illnesses within that time frame. In SDR2, Komaeda is probably in the early to middle stages of FTD, since he was diagnosed right before entering Hope’s Peak, and was a Remnant of Despair for some time without treatment, so while we can see evidence of memory issues (which I will address in another post), it’s something he’s able to cope with and isn’t a debilitating symptom yet.

One more observation: while dementia as a whole is usually seen in elderly people, Komaeda’s specific frontotemporal dementia diagnosis has an earlier age of onset, usually between ages 40-65, and is rarely seen in elderly people. Even though being diagnosed in high school seems unlikely, it is not impossible. According to Alzheimer Society Canada, early-onset or young-onset dementia (between ages 18 and 65) accounts for 2-8% of all dementia cases.

Thank you for reading! I plan on making five posts total. The other post topics will be Outward Behaviour, Judgement/Thought Processes, Other Symptoms, and Writing Ideas.

#nagito komaeda #danganronpa #sdr2 #komaedology #danganronpa analysis #i'm really excited to do these #they might take me forever (even just this one took me a million years dfjkhfdfd)#but i hope they can be interesting or useful to someone #thank you to windcarvedlyre for the encouragement to post these #and for the help looking for sensory overstimulation moments in the game #i feel a bit shy tagging someone in the body of the post but i want to acknowledge you here hehe

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brucebocchi · 12 days ago

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Ranking 2024 anime, Pt. 5: #10-1

hey, this post is also available on my ko-fi, so please check it out and consider tipping/donating as i do this for free and am currently between jobs. you can find part 1 of the list here, part 2 here, part 3 here, and part 4 here. all of my seasonal reviews are on my ko-fi and under my anime reviews tag, mixed in with my occasional musings. thanks!

And we are in the home stretch! I didn't want to split up my top 10 like last year, so it took a couple days to get it all together. Thanks for your patience.

As you may have noticed, some of these reviews are longer than others. I've reviewed most of these shows before, so I didn't want to be too redundant while talking about shows I've already reviewed. You can, of course, go back and read my initial reviews in my previous seasonal roundups.

Also, I just wanted to quickly shout out a few shows that I haven't watched much or any of, but would likely have placed well in these rankings, namely Dead Dead Demon's Dededede Destruction, YATAGARASU, the Spice and Wolf remake, Orb: On the Movements of Earth, Sound! Euphonium's third season, and the late Akira Toriyama's SAND LAND and Dragon Ball DAIMA. I only have so much time in a day, week, month, and year, but those series have been on my radar and I do intend to pick them up sooner or later.

But for now, let's focus on what I did watch. Off we go:

10. Blue Box

This is a slightly biased placement on my end because I picked up the manga this year and quickly fell in love with it, and I’m just happy that it got a faithful, well-made anime adaptation. If you have an issue with that, I’m gonna let you in on a little secret: This whole list is biased. It’s MY list, after all.

After an uneven summer output between My Dear Friend Nokotan and Suicide Squad Isekai, WIT Studio is in full form adapting Kouji Miura’s gorgeous high school sports romance. Rising first-year badminton player Taiki has a huge crush on his basketball star senpai Chinatsu, who practices in the same high school gym he does. He’s happy enough to keep a friendly distance as they improve at their respective sports, but that distance is closed significantly when her parents go abroad for work and she ends up moving in under the same roof as him. The spirit of competition is in the air, and is that a whiff of romance I smell as well?

The reason I felt the need to call out my own bias at the start is because Blue Box’s debut cour is, on balance, probably just “pretty good,” but I was just so overjoyed that this anime even exists that I was willing to overlook the early story’s growing pains. Taiki, of course, is the POV character for most of the first cour, and most of the romantic tension we see so far is entirely from his end as he swoons and huffs and goes into cardiac arrest over any and every gesture Chinatsu throws his way. You know, teenage boy stuff. There have been criticisms that Chinatsu doesn’t get much interiority for a bit and that she’s a bit of an enigma in terms of her role in the central “romance,” such that it is so far, which is a valid criticism of a lot of shonen romance stories. I’m generally of the mind that these things are more potent when the object of the protagonist’s affection is treated as more than a puzzle for him to solve, but I think Blue Box does a fine job of establishing what Chinatsu means to Taiki before we do indeed begin to get a feel for how she operates and what she might think of him. If you found that part a little maddening early on, trust me when I say it’s worth sticking it out.

Regardless, the character writing is what made Blue Box such a hit in Weekly Shonen Jump. Taiki is a flat-out good kid, if a little naive, and his boundless determination to achieve and exceed his goals in both badminton and romance makes him easy to root for. Chinatsu is fairly taciturn, as mentioned, but that’s by design; she’s a notoriously difficult person to read, as even her friends and teammates note that they can rarely decipher what she’s thinking. She’s still an effortlessly charming character, and it’s not hard to figure out why Taiki’s got it so bad for her. The real highlight of the series, though, is Taiki’s classmate and longtime friend, Hina, a rhythmic gymnast and an absolute troll. She is an absolute delight in every scene she’s in, whether she’s knocking Taiki’s knees out from under him, focusing on rehearsing her next routine, or prying into Taiki’s love life and realizing that, oops, she really cares about him too. Hina is wonderful and I just want the best for her.

Characters this likable will need the voices to match, and I am over the moon about this show’s casting. Shouya Chiba is tremendous as Taiki, in a far cry from his Epic Based Stoic Chad role as Ayanokoji in Classroom of the Elite. Every line read for Taiki sounds exactly as gung-ho about sports and devastatingly down bad for his crush as you’d expect of a hormonal 15 year old. Reina Ueda is terrific as the soft-spoken Chinatsu, but I’m looking forward to hearing the always-delightful Xanthe Huynh (Haru in Persona 5, Marianne in Fire Emblem Three Houses) take on the role in the dub just as much. Akari Kitou channels much of the same gremlin energy she did for KamiKatsu to portray Hina’s mischief, and I look forward to hearing her nail Hina’s excellent upcoming character moments. And although it’s a secondary role, the casting I was most excited to hear was Chiaki Kobayashi (Mash in Mashle, Stark in Frieren) as Taiki’s teammate Kyo. Kobayashi’s languid tsukkomi affect was exactly what I had in mind whenever Kyo would put Taiki’s lovelorn antics into stark relief in the manga. It’s like he was born for the part.

This show looks tremendous, perfectly adapting both the soft, doe-eyed character designs from the manga as well as the lower-detail gags. The pastel color palette and gorgeous lighting effects are exactly what I was hoping for while reading the manga. If I have any complaint, though, it’s mostly that I want to see more of the sports action. The granular details of the badminton matches and basketball games are hardly the focus of the story, but the action panels are usually the best part of Miura’s art in the manga. Shot-for-shot, it certainly does hew close to the manga presentation, but it’s mostly a racquet swing or close-up jump shot followed by an onlooker’s reaction. I’d have liked a bit more follow through. The CGI used for background competitors can get a little distracting after a while, too, but it’s easy to forget about.

Blue Box is continuing into 2025, and I’m waiting for every new episode with bated breath. If you liked the first cour enough but still have doubts, trust me when I say it just keeps getting better. I look forward to coming back to the second half of this season in another year for my victory lap.

9. Girls Band Cry

This is one of the most inventive girls-band anime out there, certainly the most so since that one from 2022 that I swore I wouldn’t bring up by name. Gorgeous 3D-CG animation, stirring original music, and a compelling cast of characters combine to make Girls Band Cry even more than the sum of its parts.

More than anything, I think what makes Girls Band Cry a terrific showbiz series is that it depicts the uncomfortable reality that a lot of artists are just flat-out unpleasant people and often don’t mesh well with one another. Protagonist Nina is messy, stubborn, and angry at the world and her parents and will not hesitate to make it your problem. She butts heads with her friends and bandmates at any provocation, but stubbornness is a major driving factor in the plot: Each of the five members of Togenashi Togeari has something they’re trying to move on from with their music, and while they each have an opinion on how to get there, they do come to realize, after a lot of silly yelling matches, that they want to do so together.

As a vehicle to push Girls Band Cry and Togenashi Togeari as a real-world multimedia experience, this show is a success. It’s a terrific-looking show in ways we rarely see outside of Studio Orange productions (and allegedly Love Live! Sunshine!!, which director Kazuo Sakai also had a hand in); the 3D computer-generated character models and animations are terrifically expressive and lively, and creative visual effects add a compelling sense of synaesthesia to Nina's emotional highs and lows. The voice cast, all pseudonymous contest winners, are also the real-life band members, and they fully nail both elements of their roles. TogeToge’s music in the show is terrific, and as an already-existing Gorillaz-esque virtual band, I’m excited to dig into their back catalog.

Girls Band Cry finally got an official English translation, so there’s no longer any excuse to sleep on this one. It’s funny, it’s heartfelt, and above all else, it fucking rocks. Don’t let this one fade away just because you might’ve missed it when it aired.

8. Frieren: Beyond Journey’s End, second cour

When I ranked the first cour of Frieren as the best anime of 2023, I wrote:

The debut season of Frieren will continue into 2024, and if the quality remains a constant, it could very well be one of the best anime of next year too. It has remained as MyAnimeList’s top-rated anime ever for its entire run, warding off the legion of Fullmetal Alchemist Brotherhood fans. Frieren deserves it.

A year later, it is still MAL’s top-rated anime, and by a healthy margin. Another 12 episodes aired to kick off 2024, and it was indeed one of the best anime of this year as well. I stand firm in my convictions that not only is it one of the best anime of the decade so far, it’s one of the best anime I’ve ever seen.

I really shot my wad by praising Frieren so profusely midway through its run, to the point where I still don’t really feel the need to add much more here. The second cour mostly focuses on the First Class Mage exam arc, allowing us to learn more about the present state of magic in the modern day and adding some much-needed depth to the cast. It continues to strike a lovely balance between the quieter moments and bonkers action sequences, as well as the more serious moments with laugh-out-loud goofiness. It may be a lesser arc in this story, but it would be a standout in so many others.

If I haven’t been clear enough, I remain over the moon about Frieren. The second cour looks and sounds just as incredible as the first, and this show’s success should serve as a reminder to the industry that investment in quality pays off. Madhouse knows they have a banger on their hands, and if the next season can maintain this level of production value for the major arc that is still to come, Frieren may very well earn GOAT status. Even if another season somehow never materializes, I’ll still be talking about this season in five years when it comes time to talk about the best of the decade. Watch this goddamn show.

7. A Sign of Affection

For all the romance anime and manga I consume, I’ve shamefully been lacking on the shoujo/josei front. I really gotta fix that. If reading more shoujo was what spurred Yukinobu Tatsu to make DanDaDan, then who knows what it might do for me? A Sign of Affection isn’t my first shoujo, strictly speaking, but it does feel like one of the first I’ve seen of the good old-fashioned flowery romance type.

What a gorgeous show. A Sign of Affection looks terrific, sounds terrific, and above all feels terrific. This is just a lovely, fluffy romance with low stakes and easy payoff; just two pretty people getting to know each other and learning to overcome their differences. It’s low on gimmicks and plot contrivances, and for as much as I like romcoms and romance stories with a unique bent, I love a good straightforward romance just as much sometimes. Everyone looks beautiful and likes each other and Jesus Christ look at the lips on these boys. There’s even a double-date to Costco, and what better depiction of marital bliss could there be?

I’m still pleasantly surprised at how this show handles the main character’s disability. Protagonist Yuki’s congenital deafness isn’t a single-note character quirk or a plot device to make her seem helpless; it simply is. It’s a part of her life that serves as the lens through which all of the people in her life see and treat her, and it leads to the only thing that resembles a major conflict in the show. Itsuomi, the main romantic interest, doesn’t baby her or walk all over her; he instead gently tests her boundaries while learning to accommodate her in a way to ensure her comfort. Her childhood friend Oushi, on the other hand, is very jealous of this development because he seems to feel entitled to her just because he did the bare minimum to accommodate her. The circumstances aren’t common, of course, but it’s a good lesson for a shoujo to have: Don’t settle.

My praise for A Sign of Affection mostly boils down to “it’s just really nice,” but it does “just really nice” so goddamn well. It’s fluffy, it’s comfy, it’s cozy, all of those adjectives that would set off my fight-or-flight response if I heard them from someone else, but I was enthralled by this show week in and week out. I can’t believe I neglected to start reading the manga, and I’m gonna have to get on that ASAP because I can’t wait for another season.

6. The Apothecary Diaries, second cour

I found myself more intrigued at The Apothecary Diaries at the end of 2023 than most other shows I’d watched that year. I grew more and more invested in the idiosyncratic Maomao as she investigated mysterious ailments and navigated imperial palace politics, all the while being a lovable little shit.

Before I’d realized it, though, the 2024 half of its run knew it had its hooks in me and took me for a ride. What looked at first like a series of one-off puzzles quickly began entangling into a much larger mystery, rapidly gaining momentum until exploding into a massive emotional payoff. So many of the small details in what you assume are episodic mystery-of-the-week mini-stories become relevant in unexpected ways and draw you in ever further. I adore this kind of lowkey long-term storytelling, and for it to be part of such an appealing package is basically catnip for me.

For as gorgeous as The Apothecary Diaries can be visually, sonically, and sometimes even emotionally, it’s worth mentioning that this show is also hilarious a lot of the time. Maomao is on permanent goblin mode whenever she isn’t carrying out official business, and any time the palace officials have to rein her in is a delight. The push-and-pull between her and Jinshi is endlessly entertaining to the point where I can wait forever for that payoff if I have to.

I neglected to read the Apothecary Diaries manga after the first season went off the air (though I nearly bought all of it sight unseen), and with the second about to drop, I guess I’m holding off for another six months. Can’t say I mind, though. I’m along for the ride and I want this show to keep surprising me for as long as it can. This is easily one of the best anime of the 2020s so far and I’m gonna be there front row center for every new episode.

5. Bang Brave Bang Bravern

People say “peak fiction” too goddamn often these days. Not that it was a meaningful term to begin with, but it’s been memed to hell and back and is mostly just thrown out ironically to mock garbage writing. To be honest, I’m not above it myself, but I prefer to ascribe it, even jokingly, to stuff that can only truly come from a brilliant and/or deranged mind. Preferably both. Peak fiction, to me, is the intersection where talent meets insanity, no matter the degree of either.

Bang Brave Bang Bravern is peak fiction.

I gushed about this show after the winter season, and I almost don’t want to say anything further about it, mostly for two reasons: Firstly, because I don’t really want to give the game away any more than I already did back in April, and secondly, because I think it may have permanently burrowed into a specific part of my brain and then melted it. All I’m left with is “this show fucking rocks, dudes rock, you need to see it, it’s peak, don't ask questions, just watch it.”

Indeed, Bravern is the Dudes Rock anime of the year, and an essential piece of Dudes Rock media. It’s Top Gun with aliens and a giant talking robot. And the robot wants to fuck his pilot. This show is loud, horny, stupid, and self-aware, combined just so into a cocktail of legitimate brilliance that is, for better or worse, unlike anything I’ve seen before or since. Nearly every single episode had me clawing at my hair and shrieking “WHAT THE FUCK AM I WATCHING,” and that is the highest praise I can give just about anything.

I might be overselling it just a touch, but Bravern is just as earnest as it is utterly wild. It’s an intentionally hilarious show, but it means everything it does and says. It’s a love letter to mecha anime and tokusatsu, and with its top staff sporting Gundam and Macross bona fides, that love oozes into every aspect. The mechs, both manmade and alien, all look tremendous, the music is a throwback to the goofy bombast you’d find in series like this as far back as the Showa era, and the ensemble cast outside of our silly leads are just as gung-ho and serious about Saving The World as you’d find in just about any other mech show. Anything that can be this goofy with a completely straight face is going to hook me in.

All in all, Bang Brave Bang Bravern is hypercompetent lunacy with heart. Call it weaponized genre awareness if you must, but it knows exactly what it’s about, grabs you by the collar, and takes you for a ride, all while doing badass tokusatsu poses and calling out special moves with silly names. This is legitimately what fiction is all about.

Also, if you don’t like Lulu just because she screeches a lot, you’re a weakling. Gaga-pi, motherfucker.

4. The Dangers in My Heart, season 2

This was a series whose first season was conspicuously absent from my 2023 rankings, but I caught up shortly after finishing that list in order to catch up to the second season. I’d watched a glut of slice-of-life romances in 2023 and figured I could afford to miss this one. I’m overjoyed at how wrong I was.

To paraphrase the second season’s exceptional OP, The Dangers in My Heart is indescribably beautiful. As I said with A Sign of Affection, I love me a straightforward anime romance, and this middle school slice-of-life is just that: Underdeveloped edgelord boy ends up making unlikely friends with, and falling for, the cheery popular girl in his class. This is easy wish-fulfillment on paper, but that’s hiding the trick: Kyotaro isn’t gonna get anything he wants by keeping his quills out for anyone who comes near, and he has some growing up to do if he’s ever gonna get what he wants.

Season 2 picks up right where the first left off, with Kyotaro’s arm still broken from his family trip and Anna feeling guilty because she thinks her distraction was what led to the injury. Right out of the gate, we see the care these two have developed for one another: Anna wants to help while he can’t do his own schoolwork, while Kyo is quick to try to cheer her up when she no longer feels like she’s able to. Already we’re seeing Kyotaro’s character development coming to light: The Dangers in My Heart isn’t a story about a Nice Guy getting the girl just by being there; it’s a story of self-improvement, of trying to become the type of person whom your crush would want to fall in love with. For a story about and ostensibly marketed to early teenagers, that’s a good lesson to have, and I absolutely devour stories like that.

As can be the case with plenty of adolescents, most of the conflict here is internal. Kyotaro spent the early part of his middle school education keeping a safe distance from everyone in order to avoid getting hurt, and as you can imagine, that did a number on his self esteem. Though he’s mostly kicked the chuunibyo mindset, Kyo still prefers to keep his distance, less because he doesn’t want to get hurt, but now because he doesn’t want to hurt anyone else. Specifically Anna. So much of this story is about him learning to be okay with letting people in and not just falling in love, but making friends and becoming somebody whom people just want to be around. It’s a chuuni rehabilitation story. You love to see it.

With all due respect to mangaka Norio Sakurai, the biggest surprise that came from reading the manga was how much better the anime looks than its source material. The anime looks tremendous in its own right, but compared to Sakurai’s doodly, occasionally messy style, the love put into the show stands in stark relief. Characters, backgrounds, and lighting are all soft, squishy, and warm, almost like the entire thing was run through the filter through which only a 13-year-old in love can see the world, even as a little edgelord. Little flourishes in the environment and music highlight the minute but consequential motes of progression in Kyo and Anna’s relationship. The OP ended up shaking out as my favorite of the year, even with 2024 being bookended by Creepy Nuts bangers. It’s that special to me.

And just like that, The Dangers in My Heart went from “eh probably not for me” to “yeah this is one of the best anime of the decade so far.” It’s a simple slice-of-life romance on paper, almost literally so in the manga, but this is a transformative adaptation. There’s much more of the story to tell, and I wouldn’t complain about more, but as it stands after two seasons, The Dangers in My Heart is damn near perfect as it is.

3. Oshi no Ko, season 2

Another year, another season, another top-four finish for one of the best manga adaptations I’ve ever seen.

The anime adaptation of Aka Akasaka and Mengo Yokoyari’s showbiz-revenge manga made shockwaves last year following its thunderous feature-length premiere, and its source material made even more waves due to some questionable plot developments that fortunately went nowhere. Doga Kobo was undeterred by any negative attention brought to the brand, though, and pressed forward into the next arc with a level of swagger you rarely see brought into an anime’s sequel season.

The 2.5D stage play arc in Oshi no Ko’s manga wasn’t my favorite, but it was one that you could tell just from reading it would translate well to the screen. Even then, I wasn’t prepared for just how hard Doga Kobo would go in adapting it. Character animation is sumptuously fluid, color used to amazing effect, and personal expression bursts forth into impressionistic abstraction to such a degree that it made manga artist Yokoyari cry. Everyone looks and sounds incredible beyond any way I could’ve imagined from reading the manga, which, at the risk of sounding defensive, is still very good as a whole.

This being a story largely about the music industry, the music remains as on-point as ever. It’s too soon to tell if the second season’s OP/ED pairing tops the instantly-iconic “Idol” and “Mephisto” from the first, but these are no slouches. This season’s OP, “Fatale,” is a whiplash-inducing banger by Tatsuya Kitani and idol Kento Nakajima, performing under the collaborative name of GEMN (itself a relevant name to the show; twins without the i/Ai, DO YOU GET IT???) with visuals that might actually top those of "Idol." The new ED, “Burning,” is Hitsujibungaku at their fuzzy, 90s-style alt-rock best, and it takes on a brand new meaning by the end of the season. Of course, there’s also the story-relevant music; while the bulk of the season focuses on the stage play, the last few episodes give us a glimpse into the pop music process, with the season capping off with an in-universe music video that, while not sonically my exact cup of tea, features 90 seconds of some of the best-looking dance animation I’ve ever seen in my life. That’s a flex if I’ve ever seen one.

And just like the first season, the second capped off with an announcement that Oshi no Ko will indeed be returning for another season. At this rate, and with the anime’s success, they will adapt the entire work, which will raise some eyebrows. I’m not going to litigate the manga’s later controversial developments nor its widely-panned ending, but if Doga Koba was able to handle everything that came before those things with such aplomb, I have faith that it will at least be done well.

2. DanDaDan

I want to preface this by saying that I agonized over whether this or the final entry is my anime of the year. I’m comfortable with what I chose, but if I’m being realistic, DanDaDan is basically 1b. This is a masterpiece already.

Although the source material was a bit of a cult hit until this year, DanDaDan came with a considerable amount of hype. If you were even peripherally familiar, it wasn’t hard to see why: Yukinobu Tatsu’s art is absurdly detailed in almost every panel, character designs are easily recognizable (one of the leads dressing similarly to a Persona 3 character was fortuitous for the anime to drop in the same year as Reload), and so many bizarre things happen in the plot that relaying them to anybody who wasn’t already familiar would make their brain briefly touch the void. Above all, though, Science SARU was tabbed to animate it, and any project by them is immediately worth your attention.

Sure enough, DanDaDan made an instantaneous splash, its first episode adapting the manga’s bombastic, twisty 63-page opening chapter nearly beat for beat. I’m not gonna “don’t look it up, just go in blind” this one, but almost too much happens for me to properly detail it all without just writing a complete synopsis. It boils down to “lonely nerd boy believes in aliens, angry kogal believes in yokai, it turns out both are real and now they have to deal with it.” It’s silly, it’s wild, it’s action packed, and if you can stomach the sexually-compromising alien abduction of the girl, you’re along for the ride.

I’m not gonna harp too much on that last point. It does stink that the female lead, Momo, is stripped to her underwear for the sake of alien sexual “research,” but said aliens get their comeuppance before anything happens to her. It’s still not great, and it’s not the last time female characters are portrayed in their underwear, but I do promise it’s for story reasons, it takes a backseat to the onscreen action and is pretty clearly not done for the sake of fanservice. I know such things can be beyond the pale for some people, but if you think you can compartmentalize that, I recommend you watch the first episode with that caveat in mind and decide from there. You may be pleasantly surprised.

DanDaDan is effectively two stories at once; on one side, we have Momo and the boy, Okarun (a nickname Momo devised for him to preserve her own sanity), gaining wacky supernatural powers in order to fight back these occult threats and regain what was stolen from Okarun from his first encounter with the unexpected (IYKYK). Because these threats can come out of nowhere, their daily high school lives can completely pop off without warning. On the other side, we have quieter slice-of-life tension as Momo and Okarun get to know (and frequently misunderstand) each other and realize they are completely and hopelessly head-over-heels for one another.

Surprise, motherfucker: DanDaDan is a romcom.

Yukinobu Tatsu, formerly an assistant on the first saga of Chainsaw Man, long struggled to get his own work serialized. At his editor’s urging, he read something like a hundred manga for inspiration, including several shoujo romance series. That research shows through in DanDaDan; although the bonkers action sequences and off-the-wall monster designs are what draw in readers and viewers alike, what’s kept this many people along for the ride is the beating heart just barely under the surface in the form of the romantic tension between Momo and Okarun. It’s easy to write this off as some “lonely nerd gets the cute gyaru just by being a Nice Guy” wish fulfillment, but that’s not really the case here; Okarun was a weird little twerp right from the jump. Similarly to Kyotaro in the aforementioned Dangers in My Heart, Okarun believes early on that he’s nowhere near Momo’s league, completely unaware that she quickly grows to actually like having him around, so he puts in the effort to become a more well-rounded person so that he can be confident enough to be seen next to her. He also just wants Momo to think he’s cool, and she thinks that’s adorable. And she’s right! These two are cute as fuck together.

So you come for the wild action and stay for the tremendous character dynamics. It should go without saying that Science SARU nailed all of the above, but I’m gonna say it anyway. Reading the Manga+ comments on each chapter as I read through the manga, readers were begging a top-flight battle shonen studio like MAPPA or WIT to pick up the series, and I think these fans got more than they bargained for. Masaaki Yuasa hasn’t been in charge of a series at the studio since Eizouken, or anything they’ve put out since Inu-Oh, but his influence is all over their recent works, including last year’s fellow top-three series, Scott Pilgrim Takes Off. It’s beyond impressive how, much like Scott Pilgrim, this series manages to maintain the source material’s art style while still looking very much like a Science SARU anime. Everyone is bouncy and malleable as their moods dictate, line weights are wildly varied, and action animation is kinetic and unpredictable. Each fight with an alien or cryptid is awash in eye-searing color or eerie greyscale. The music is a boatload of fun as well; even putting aside the Creepy Nuts OP (banger after banger after banger from those dudes) and Zutomayo ED, regular proceedings are punctuated by a wildly varied score, from funk to folk to an insane chase scene set to an electronic mashup of the “William Tell Overture” and the can-can. Everything about DanDaDan keeps you guessing.

I was looking forward to DanDaDan enough that I went to the theatrical premiere of the first three episodes and was sufficiently blown away. If you’ve seen the show, it shouldn’t come as much of a surprise that it looks and sounds incredible in a cinema setting. I left the theater positively buzzing, telling anyone who’d listen that they had no idea what was coming, but even knowing the entire story, I wasn’t prepared for more of what was to come. The literal next episode after what I’d already seen in the theater had one of the most bonkers action setpieces I’ve seen since Gurren Lagann, and just three episodes later an unbelievable emotional gut punch, prior knowledge of the manga be damned. Every single aspect of DanDaDan as an anime was given the same level of love and care that Tatsu put into his own work. It’s one thing for an anime adaptation to be faithful to its source material, and another entirely for it to elevate and transform it. DanDaDan somehow does both.

If there’s anything that held this back from being the anime of the year, it’s that this season kind of just… ends. With the 12-episode runtime that was given to the debut season, DanDaDan ends its first run right after the beginning of the manga’s next arc, which feels bizarre. There’s no resolution, but there’s no real cliffhanger here either. Which I kind of get, the story is driven by a constant forward momentum, but a little warning that the season was ending would’ve been nice. It’s only a six month break until the show comes back, but judged on its own, the way this season ended left me feeling a bit cold and the season itself feeling incomplete. Even shows that have year-long breaks between cours rather than seasons tend to put some kind of cap on each individual run, but DanDaDan just kinda left the toilet unflushed, and next to it a Post-It note promising to come back later. For something this lovingly crafted, that seems like a bizarre oversight.

That was hardly enough to temper my enjoyment though. Anything this well-made is deserving of the attention and success it’s attained, but to have this story, with these characters and this level of bonkers action made this well, is just an embarrassment of riches. And God help me, I’m shamelessly greedy. July can’t come fast enough. I need all of it.

1. Delicious in Dungeon

At the end of its run midway through the year, I declared Dungeon Meshi the best anime of the year up to that point and that I’d be impressed if anything would manage to overtake it. Though the other two entries in my top three made extremely strong cases, nothing else quite hit the spot and nourished the soul quite like Dungeon Meshi.

Barely a year removed from one of 2022’s best anime, Cyberpunk Edgerunners, Studio Trigger kicked off 2024 with another Netflix original, this time with its first proper manga adaptation since the studio split from Gainax a decade prior. It seemed an odd fit at first to have a studio known for wacky, hyperkinetic action productions like Kill la Kill and Promare to adapt this quirky fantasy dungeon manga, but hey, they also did Little Witch Academia. It turned out to be an odd fit, but in the best way: Dungeon Meshi is pretty offbeat as it is, so for it to get picked up by one of the more oddball prestige studios ended up making a tasty stew.

I struggled to elaborate on what makes this show so good after each of its cours, and six months later I remain a little lost for words. It’s an exceptional story adapted exceptionally well. Between the characters, the story, the setting, the emotional stakes, the comedy, the highs and lows, they nailed it all. Trigger just gets it. Even when characters go off-model for the sake of an intentional animation quirk, it still has that inimitable Trigger charm to it. It sounds just as good as it looks, too: The orchestral score highlights the quieter, sillier moments just as well as the tenser action setpieces, the foley work behind the dungeon’s bizarre and varied flora and fauna is immaculate, and the cast is perfect in both Japanese and English (I rarely ever say so but seriously, shout out to the dub).

I’m just as sick of saying “this show speaks for itself” when I have trouble finding the words as you probably are of reading it, but I have little else to add here. I’ve written plenty already. Just go watch it. This is already one of my favorite manga ever, and by the time the series wraps up at the end of its second season, it will easily end up as one of my favorite anime ever.

#anime reviews #blue box #girls band cry #frieren #a sign of affection #the apothecary diaries #bang brave bang bravern #the dangers in my heart #oshi no ko #dandadan #dungeon meshi

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astrea16 · 3 months ago

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Piers and Pirates

So I've never watched One Piece before the live action, and I was curious about the anime but wasn’t sure I’d be into it so I started with Skypiea right away. The interesting thing I’ve noted about the structure of the story is that it reads a lot like a DnD campaign: one big journey divided into story arcs with their own atmospheres and challenges, and of course the iconic “you want to go now?” that turns into a ten-episode prep before the sky islands. I’ve briefly mentioned them before, but some of the encounters are so creative. I’m thinking for example of the Swamp Priest with the body control of a toddler who can’t cross his arms on his chest and forgets to say things out loud; or the old lady at sky customs who will let you pass because she can’t do anything to stop you but then sends an entire squadron after you. It’s a shame the anime is so poorly paced because the worldbuilding is genuinely phenomenal—but then again, it’s like watching a really long DnD campaign.

You can tell that Oda put a lot of research into his manga because every piece of information feels believable, whether it be Robin’s knowledge on ancient civilizations—the fact that Skypiea itself was inspired by the Mysterious Cities of Gold makes so much sense—or Nami’s navigation skills. It feels like you could sail in any direction and find an island with incredibly rich lore and characters. I’m just in awe of how unique each of them feels. Character creation is HARD, and yet no two are the same in Oda’s world. I could only achieve this level of depth with consistent roleplay, and he did it with all of his characters. They speak for decades of reading stories and consuming art blooming into one personal mindscape.

But the most remarkable one is Luffy. As opposed to the typical hero on a journey, Luffy doesn’t stand out because of a major personal growth or anything of the kind. toraheart put it perfectly in their analysis by calling him a catalyst: the story isn’t about Luffy, it’s about how he changes the world around him. How he inspires people to break free from their chains, how he stands for an ideology. More than an actor, Luffy is a symbol. And you can see that as clear as day in One Piece Fan Letter (2024) where he receives less than a minute of screen time, yet his presence resonates throughout the entire episode. The Marine who was inspired to save his brother in a moment of crisis, finding his strength in the boy whose own brother had died before his very eyes. The little girl looking up to Nami as a beacon of hope and rebellion, the same woman who found the courage to ask for help so that she could free herself from a decade of child exploitation at last. The teenager who works at the bookstore, listening to Brook’s music to get through her day. All of these were informed in some ways by the unstoppable force that is Monkey D. Luffy. He quite literally jumped out of a fire in that episode, and we know that epic imagery is one of the most evocative means of inspiration. If the boy wasn’t an anarchist, he’d be the face of revolutionary propaganda.

Speaking of anarchy, some people have called him a terrorist and I think I can stand with that. Luffy is kind, yes, but he is also selfish and stubborn. Despite his desire to help people achieve their dreams, he is entirely unconcerned with casualties when he’s fighting. He has only one goal in mind and will do anything to see it to the end. What compels me isn’t his beastly strength or his extraordinary abilities, it’s the fact that he wants everyone to do the same. To find their one piece, and to add it to the puzzle. It may not fit the first time around, but there will be people riding the same wave as you. And if someone stands in your way, well then screw that! Why do you think Luffy was so happy to have his face on a wanted poster? I’ll give you a hint, it’s not because it confirms his power. It’s because he knows that the world finally sees him. Luffy doesn’t really care about the treasure, he wants to become King of the Pirates so that he can have a place in a world that doesn’t want him.

To finish up on Fan Letter because it’s a masterpiece and I need everyone to acknowledge it, you really get this sense of carelessness from the Strawhats making their escape out of Sabaody. Yeah, everybody knows what they’re up to and they’re not exactly subtle about it (see: Luffy), but since when do they give a damn? The whole world is watching and they’re not even looking back, they’re just feeling the wind in their backs and staring straight ahead. Doesn’t that make you want to go on a grand adventure yourself?

By the way, if you liked the feel of the animation I highly recommend checking out the Gobelins channel on YouTube. It features several shorts by aspiring filmmakers in art school and they’re all a freaking delight to watch.

#i like watching things out of order don't come for me #im a film major so i can do whatever i want #one piece #one piece fan letter

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enriquemzn262 · 2 months ago

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Talking about anime, time to mention the shows I’m watching this season:

Dandadan

I remember trying the manga when it first came out, dropped it after the second chapter since I fucking hate high school shit, but the anime looked well animated and the intro kicks ass, so I gave it a second chance and hooooly shit, it’s really fucking good! The start is indeed sloppy, but once aliens and spirits make their debut, it’s all uphill from there!

Great animation, characters and fight scenes galore, plus a surprisingly heartfelt and tragic story in the seventh episode, 10/10 so far!

Ranma 1/2

I grew up with the OG series, so it holds a special place in my heart, and man if the remake hasn’t disappointed me in the slightest! Great animation, amazing music, the characters feel even more charming than before, and even Akane got toned down from her bitchy self I still clearly remember from way back when.

Apparently the adaptation is much closet to the manga than the OG series, hence why it has faster pacing and somewhat more mellowed characters, and after reading that that means that piece of shit happosai is no longer becoming a recurring nightmare, I can honestly say I’m even more excited for this one !

Dragon Ball Daima

I’m latino, if I don’t watch this I’ll be banned from ever enjoying arepas again… Naw, I’ve been watching Dragon Ball for basically all my life, so of course I have to watch this one, plus OG DB was always my favorite, and this one truly captures the essence of that story!

Also, since its kid Goku again, his stupidity, which Super turned up to 11 for no good reason, finally makes in-universe sense, so that’s another plus!

TsumaSho

What everyone, myself included, wrote off as yet another ultra degenerate anime, this time about a dead wife reincarnating as a 10-year okd child, turned out to be quite the wholesome, if ultimately tragic (especially after the last episode ) series about a broken family of a dad and an adult daughter slowly recovering from 10 years of grief and darkness after the said death wife AND mother comes back and basically tells them “time to get your shit together you stupid idiots”, which, they do.

The mom character is the best, as while she’s reconnecting with her old family, she has to deal with her new one in the form of a broken divorced mom who keeps unintentionally hurting her, all because her own home life was a living nightmare, while her love life is nothing but betrayals.

It sorta reminds me of the weird telenovelas I used to watch at a friend’s house, but in a good way, don’t let the weird premise drive you off, it is not perverted in the slightest!

And that’s about it! I tried another anime about a slime girl, dropped it one episode in (I didn’t like its humor), then another about a sentient robot arm thing, dropped it after the third episode (mainly because the tone was all over the place), and another about the fan of a magical girl accidentally becoming evil, kinda like THAT degenerate anime from the beginning of the year, only not degenerate, gave it a try because of that, turned out to be the most boring shit I’ve ever watched in a long while.

Honestly, this season has been weak in terms of number of good shows, but man the ones that are actually good are FANTASTIC!

#anime #text #dandadan #ranma 1/2 #tsumasho #dragon ball daima

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wyllaztopia · 9 months ago

Note

You mentioned that if we know Denji’s characterization of Killer and Killer’s original backstory that we should understand why he’s so touch starved and has such a messed up definition of love. Is there any way you could tell me who Denji is?? I’m very curious now lol

Denji is a character from Chainsaw Man. I recommend you read the manga or watch the anime - though just the anime alone won't grasp the inspiration I derived from the character into Killer.

I also took inspiration from Gojo Satoru (Jujutsu Kaisen) but more so from his younger self more than the present Gojo.

(These are just drawn for the sake of meme-ing, not actually AG Killer's design)

Further down is explanation and slight spoilers. I don't talk much about it since I want most information to be a slow burn reveal for the characters, as if the audience is getting to know the AGDT cast in real time. (I am a sucker for narratives where it keeps you wanting to psycho-analyze a character rather than revealing everything upfront.)

Starting off with Denji, he's a teen boy who suffered through poverty and taken advantage of for labor just because he's willing to do anything just to get by in life. He's a boy who will do anything to live a normal teen life without having to worry about if he'll die from starvation. Along the story of CSM, he's been treated poorly due to how easily he can be manipulated - he literally has no idea of his own rights as a person. He's also very emotionally unaware because he's lived all alone his life except for a friendly devil named Pochita, who gave his heart to Denji so he can live and become chainsaw man to protect himself. Again, this is just a rough summary I made of Denji's character and I can't exactly explain it here! I recommend watching character analysis video that can further explain him or- you can also check at the original source (manga or anime) yourself which I believe will be worth it since CSM is such a good story.

In AGDT, I suppose you can consider Chara as Killer's Pochita, but in a more unhealthy / partners in crime way. I'll leave that up for the future to explore since at the moment, that's not what I want AGDT to focus on.

As for young Gojo, he's also complicated. He believes himself to be invincible and he can rub off as cocky most of the time. In the story, he holds no compassion or positive feelings for people who are weak - which is essentially everyone for him since he views himself as the strongest. This changed for a while when he was tasked to protect someone - he grew fond of them. However, later on this care disappeared when he perfected a technique - his feeling of pride for himself was stronger than his care for the person he was meant to protect. Gojo is usually nonchalant and playful, also emotionally unaware most of the time as he only thinks about himself (and a fellow 'strongest one' ahem, Geto but that's something I'll ramble for another day). However, he does go absolutely crazy when he's in intense fights since he's absolutely determined to win out of pride.

I would love to talk about what else Killer takes from Gojo but I'd feel like I'd be spoiling everything so I'll leave it for another time to talk about or explore.

There's other medias I took inspiration from for other parts of AG Killer but again, it's a subject to navigate around another time.

I hope this gave some insight on how this variant of Killer is and I hope you enjoyed reading through it!

#lore dump #my artwork #csm denji #jjk gojo #agdt killer #ardent gospel #ag dreamtale #agdt #killer sans #ask

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sacchxrine05 · 11 months ago

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Yuumori Characters as Disney Princesses (cus I’m bored :))

I’m gonna preface this by saying that some of these you’re just gonna have to trust me on cus I chose them just from pure vibes alone and went from there. I also haven’t re-read/watched Yuumori in a while nor have I watched any Disney movies as of late so again, just trust me bro lmao. I came up with most of these at 2am so sorry in advance.

Also, if someone has already done this, I’m sorry and I hope my choices aren’t just the same lmao.

Liam - Aurora/Sleeping Beauty

So this one is mostly just cus they both ended up sleeping for a long ass time lmao. Liam was in a coma after the fall for x months and Aurora was cursed to an eternal sleep unless her true love kissed her awake (we won’t talk about the horrors of the original fairytale, I’ve tried to blank that out of my memory tyvm). They’re also both blondes…uh huh. Aurora doesn’t have much personality that I can remember other than being an animal lover and a good singer so…that’s just all I have lmao. I also just think Liam would make a very cute Sleeping Beauty lmao.

Albert - Jasmine

I did consider giving Albert Rapunzel cus of the whole locked away in a tower thing, but outside of that and having shitty mothers (Mother Gothel wasn’t even Rapunzel’s real mother but still) there isn’t much similarity personality wise? Idk. I picked Jasmine just cus they both come from rich families yet have no patience for other rich people. Jasmine also disguised herself and went into the town/city to pretend she was a normal person and that feels kinda Albert-ish? They’re also both smart and sarcastic so Y’know.

Louis - Cinderella

This one feels kinda obvious lmao. Both were raised by awful rich people who treated them like a servant, both were orphans and both tended to the upkeep of their homes. I do think Louis has more of a backbone than Cinderella, especially towards the end of Part 1 of the manga. Also again: both are blondes lmao.

Moran - Merida

So…this one is mostly vibes but also not. I think Moran has a similar wild streak to Merida and accidentally turning a loved one into a bear because he didn’t watch his wording when asking a witch for a spell sounds like something Moran might do? Bear (hah) in mind I haven’t re-read Yuumori in a while so I may be wrong on that. Also I guess bows and arrows were the guns before guns were invented so…so there’s that lmao.

Bonde - Mulan

Feels like another obvious one? They both disguised their genders to achieve a goal (although I did interpret James to be a trans man whereas Mulan wasn’t rly? Cus she went back to presenting as female after the war so idk). They’re also both pretty outspoken and don’t care for the roles society has put them in as women and actively break that stigma (Mulan by going to war and James by often dressing as men even before he transitioned). Idk I just like this one lmao.

Fred - Snow White

Again, this is mostly vibes. I’m pretty sure Snow White is the youngest of the Disney Princesses at 14 (Don’t quote me on that cus I could be wrong), so I feel like that parallels Fred being the youngest of the Crime Gang. Snow White also has a connection to animals which can also connect to Fred’s love of cats and nature in general as he does most (all?) of the gardening. I think they’re both pretty quiet and shy and that’s all I really have lmao.

Mycroft - Megara

Okay, okay, relax, I know Megara isn’t an official Disney Princess (she SHOULD be, but whatever), but she’s the only one I could really see as being similar to Mycroft? Ya’ll are really just gonna have to trust me on this one lmao. I just think they’re both pretty independent and cynical and sarcastic and just…I really don’t know the vibes just fit, I can’t explain it.

Sherlock - Ariel

OKAY👏HEAR👏ME👏OUT. This is the only one I’m 100% confident on BSJDNKFS. They both have a niche obsession that they collect items from, Ariel with humans and Sherlock with Mysteries/Crime. They both make massive life changes for the man they love (a man which, by the way, they barely knew lmao), Ariel in becoming human and Sherlock by leaving his life, family & friends behind to live with Liam in New York. They also almost died to achieve this, Sherl from leaping off a goddamn bridge to save Liam and Ariel by her deal with Ursula. IT WORKS, I’M TELLING YOU.

That’s all I have, I was gonna do other characters but I just hit a brick wall with it lmao. (I considered John to be either Tiana or Belle, but I’ll leave that up to you 👀)

If you made it this far thank you for listening to my bullshit lmao.

#moriarty the patriot #yuukoku no moriarty #sherlock holmes #william james moriarty #albert james moriarty #louis james moriarty #sebastian moran #james bonde #fred porlock #mycroft holmes #sherliam

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raven-at-the-writing-desk · 5 months ago

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Do you think it's okay for me to write for TWST even though I don't play the game?

Personally, I don’t think anyone ever “needs” to play a game in order to enjoy it and create for it. Sometimes you can just observe art from a distance and appreciate it, or you like hearing about how it brings joy to people you know. Maybe you like the aesthetic of it but can’t really see yourself getting heavily involved with it. Perhaps you don’t like gacha games so you can’t be motivated to engage with the mechanics. There are many possible avenues.

In the case of a game like Twisted Wonderland, there may be accessibility reasons why you don’t play since the game is only in English and Japanese—and even then, maybe your country doesn’t have a server to host it. In fact, I know there are many people who are TWST fans yet only read translations or watch videos about it without having played the game themselves. Maybe they found the manga or the light novel first. Whenever the anime comes out, people might discover TWST through that. We have to consider these aspects and be more open-minded about what constitutes as a “fan” rather than gatekeeping the label of “fan” to only those who play tie game for no discernible reason. What defines someone as a fan or not isn’t the labels other people put on you—you are the one that decides what you want to label yourself, and whether you are a fan or not.

I believe that also extends to content creation in fandom spaces. No one’s stopping you from making fan art or writing fanfic (or whatever it may be) just because you don’t play the game, and nor should you need anyone’s thumbs-up to do so. When you think that you do, you’re only imposing an arbitrary limit and holding yourself back. You have to be confident in deciding what you want to make without worrying how others might perceive you for it.

Now, that being said 💦 I don’t mean to scold anyone for asking me questions, but I feel that I again need to stress this: I am an internet stranger. My opinion or approval/disapproval shouldn’t hold any more weight than the next person’s. You should not put too much value in the advice of an internet stranger either. You shouldn’t care whether or not I think something is okay for you to do. The only person who can give you “permission” is you!

I understand that maybe people may feel uncertain about themselves or are looking for reassurance from a third party, but I do not feel I am the right place to go to for these kinds of things. Even though I answer in earnest, questions of this nature make me feel like I’m being put on the spot and pressured to provide timely comfort.

I don’t feel comfortable continuously being asked for very personalized advice like this; asks like this push on the boundary and start getting into uncomfortable territory for me. I’m here to talk about Disney anime pretty boys. I’m not here to be a fandom counselor 😅 Does that make sense?

This isn’t the only time I’ve received asks of this nature, nor is it the only time I’ve had to give a public warning about this. Please be mindful and respect the boundaries I have set.

#twisted wonderland #twst #notes from the writing raven #disney twisted wonderland #disney twst #advice

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melon-fodder · 1 month ago

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personal sappy sort of vent but not really? bnha melon origins under cut hahaha

Once upon a time at the start of the pandemic, I was getting back into writing fanfic thanks to bnha. I read some fics on this site, my introduction to ‘x reader’ and I thought to myself “ya know I have a lot of time on my hands, and these people look like they’re having a good time posting these stories, so I’m gonna try”.

And so I did. I wrote and posted a little mirio shot first, and then a shinsou shot, and then I wrote a soulmate AU for Aizawa that gained a little bit of attention followed by an endeavor fic that gained more.

And because it was the pandemic and everyone was online all the time, the engagement was high. My inbox was full of asks about those two, and I just got to talk and talk about them. I made mutuals. I made friends. I joined my first discord server. I kept writing.

@lady-lauren and I started DMing, going from writing to like life stories basically. The paragraphs we were sending back and forth lmao thinking about it makes me laugh. And she introduced me to Nyki, and we all just existed and created and consumed.

There was a lot of toxicity in the bnha fandom back then, though. I mean, there still is, but it was different back then somehow. I had my favorite characters, and Aizawa was a really big one, but I ended up sort of drifting. Or distanced myself, I guess. Because of another writer. The way that they created and interacted with fandom, with characters. It felt… weird to write for him while sharing a space.

Anyone close to me or who has been around for these almost 5 years (omg kill me) might have an inkling about what/who I’m referring to, so I do want to state that in no way was I told to stop writing for Aizawa or that I was bad at it or anything like that. That person actually liked my version of him and told me! So the whole feeling like I couldn’t write for him was entirely self-imposed.

Anyway, a lot of stuff happened that made it harder and harder to enjoy being a part of the bnha fandom on tumblr, including the passing of one of my best friends. I still found inspiration here and there, usually for nighteye, but I was mostly out of it. I even stopped keeping up with the manga after a while.

There’s just so much personal shit wrapped up in a series that’s already full of emotion. I haven’t felt equipped to deal with all of it

Until recently.

I don’t know what clicked tbh. I was at my mom’s recovering from surgery, and I just decided it was time. The epilogue was leaked or whatever and so many blogs that I used to see post every day woke up and started interacting again, even if it was just to comment on the leaks, and it got me so nostalgic and…

I don’t know. A lot of time has passed. A lot of people have come and gone. I feel like… it feels like I don’t have eyes on me anymore. For a long time when I was posting for bnha it just felt like people were watching me with less than good intentions. It’s one of the reasons I’ve switched blogs multiple times.

But I feel better now. I feel safe. I feel a lot more stable than I did back then. Those were kind of wild times on tumblr I do not think I would want to go back.

Except for in this one particular way which is to let myself fall back in love with the series that got me into anime as a whole, the series that got me writing again. The character that made me want to sit down and write again.

I have a few favorites from the series, but tbh I think Aizawa will always be the most special simply because he was my spark. He symbolizes so fucking much for me, and that sounds so dramatic, I know, but he is quite literally the character that got me on tumblr. He was my beginning, and then I felt like I couldn’t even enjoy him for years and it sucked and I just

I’m emotional. I just. Have a lot of feelings from over the span of 4 years that I’m trying to process.

tl;dr: if it wasn’t for bnha and Aizawa specifically I wouldn’t be on this site, and I am very happy to be creating for the series and his character again

#anywaaaaaaay um.#yeah the present-mel days were #they were something lol #and to anyone who has been with me from then til now #who saw the weird shit that was happening within the fandom spaces #if you’ve stuck with me then thank you lol

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pinkanonwrites · 2 years ago

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It’s You I Like

Vash/Reader, songfic, 1500+ words I don’t normally write Isekai stuff for Vash but this was too good an opportunity to pass up, and I ended up liking it a lot so maybe I’ll do more little drabbles with this specific isekai!reader

"Well, at least we managed to stock up on everything before we left."

“...”

“You said the next town was, what? About forty iles? Doubt we’ll make that tonight, but it’s not too bad considering.”

“...”

“So I can set up the sleeping bags if you want to get a fire going, how ‘bout that Vash? …Vash?”

“...Hm? Oh. Oh! Y-Yeah, no problem… Here, here’s this.” Even though Vash responded to you, his gaze hadn’t yet left the direction the two of you had just come from as his bag thumped into the sand next to you. Or rather, not so much came from as fled from. You were just about to make yourselves comfortable at the local inn for the evening when someone managed to recognize your red-coated traveling companion, and it wasn’t long before the entire town was hot on your tail. Miraculously, somehow, the two of you managed to escape the hailstorm of bullets completely unscathed and with all your meager travel gear intact, but now you found yourself far past the outskirts of the town and left to your own devices in the barren wasteland.

Not like you had any room to complain though. Considering your sudden and unorthodox appearance in one of your favorite series, you'd much rather cling to the familiar presence of Vash the Stampede than risk your luck bumming around any other town on this desolate rock. How fortunate were you to not only find the spiky protagonist, but also to have him listen to and believe your wildly unbelievable tale of woe. Mentioning the SEEDS ships helped, you supposed. Now wherever Vash went you had no choice but to follow.

Again, though. Definitely not a complaint.

Vash was still quiet as the two of you cobbled together your camping site at the base of a large outcropping rock. There was a small smile on his face, framed by the fire's amber glow. But even without having read the manga and watched the anime you could tell it wasn't a real one. It didn't quite reach his eyes.

"You were probably looking forward to an actual bed tonight, huh?" He joked, gaze never leaving the small fire. "Welcome to the life of an outlaw! I assure you, it's always this glamorous."

"It's no big deal! Camping's not bad either, at least when you have the sleeping bags."

He didn't look convinced by your words, but he nodded anyway, an uncomfortable silence falling between the two of you. You kicked your boots off and pulled your knees to your chest on top of your sleeping bag, watching the fire crackle.

"...Is it hard?"

"Hm?" When you glanced over to Vash he was finally looking your way, elbow propped up on his knee and his cheek resting in his palm. Despite the casual pose there was a melancholy behind his eyes, a deep remorse. "Is what?"

"Running around like this. I doubt you're used to it."

"It's… Well I won't lie to you, it isn't easy." Vash barked out a laugh at your brutally honest response. You pushed forward, unabated. "But honestly? I'm probably safer with you than I am anywhere else on this planet. I don't know any people, any places… The only thing I really know is you." A prickling heat began to crawl up the back of your neck at your openness, and you rested the side of your head down on your knees as if it would deter the sudden fluster. "I'm really lucky you found me."

That seemed to catch Vash off-guard, as he began to awkwardly fiddle with his cybernetic hand as his gaze flitted around. "That's, uh, I mean… you've got a pretty skewed idea of luck, I think. Heh…"

There was an awkwardness that fell in the next extended silence too, but it wasn't quite the same. It was a little softer around the edges, more vulnerable. Off to your side you could hear the soft clinking of Vash disassembling and cleaning his gun, bits and pieces placed carefully across his sleeping bag to make sure nothing was lost in the shuffle. As you stretched your legs out in front of you in a v-shape, you hummed softly to yourself as you watched the embers stir and crumble into the sand.

"What song is that?" You glanced at Vash, biting back a chuckle at his furrowed expression, tongue peeking from his teeth as he stared down the empty chambers of his revolver with a cleaning pick and a look of intense focus.

"It's a children's song from home. It's from an old TV show, I think." You hummed the first line a little louder, just enough so Vash could hear the melody over the fire's crackle. You doubted he even knew what a "TV show" was, but he didn't seem too fazed by it.

"Do you like to sing?"

"I like it. I'm average, I think, but I always have fun when I'm singing." Out of the corner of your eye you could see Vash looking at you again. "Oh, absolutely not. Not gonna happen."

"Hey, I didn't even say anything!"

"You didn't have to! I could tell by your face! I'm not gonna sing, it's embarrassing."

"No it's not! Besides, you said you like it. And it's a song from Earth, too! I wanna hear it." He probably didn't even realize it, but he was flashing you those big, sad puppy-dog eyes that he didn't yet know you couldn't resist. You let out a small, irritated whine, hand finding the back of your neck and resting on the flushed skin there as you drew your gaze back to the crackling fire.

"...Fine. Just this once. And don't… Don't say anything weird."

"You got it!" You could see him salute out of the corner of your eye, and couldn't help the quiet snort of laughter that came from you in response. Dork. The quiet click-clack of him beginning to reassemble his firearm returned, so now was as good a time as ever, you supposed.

"It's you, I like."

There was a sharp tink! of Vash fumbling part of the barrel and it clattering down into the remaining pile of gun parts, but you were far too self-conscious to glance over and gauge his expression.

"It's not the things you wear. It's not the way you do your hair, but it's you I like."

You could feel him staring, but you kept your eyes locked on the low, rolling flames.

"The way you are right now, the way down deep inside you. Not the things that hide you…"

Stretching your foot out just a bit, you tapped next to the pile of gun parts sorted neatly on his sleeping bag.

"...Not your toys, they're just beside you."

He chuckled, so quietly that he probably didn't expect you to hear it. But you did, and it made your face positively burn.

"But it's you, I like. Every part of you. Your skin, your eyes, your feelings, whether old or new."

You couldn't ignore Vash's continuous shifting around any longer, flicking your gaze over to him. He'd turned himself completely to face you, cross-legged, chin perched in his palm, a look in his eyes so soft it made your heart feel like it was thundering right up against your ribcage. Your voice wavered for just a note, but you pushed forward.

"I hope that you remember, even when you're feeling blue."

Blue, so blue, his deep cyan eyes finding yours and not flitting away, watching you so gently, yet so intently. Despite your embarrassment, you couldn't find it in yourself to look away either.

"That it's you, I like. You yourself, it's you…"

He seemed to lean in at your every word, like a sailor to a siren. You hardly found your singing to be enough to hypnotize like mermaids in old fairy tales, and yet here he was.

"It's you, I like."

With your song ended, the silence that stretched between you was only interspersed by the soft crackle of the fire. A sharp humiliation suddenly rushed through you, face burning hot at your own vulnerability. Seeming to blink his way out of a trance, Vash began to speak.

"That was-"

"GOODNIGHT VASH!" You yelped, quickly rolling over and burying yourself in your sleeping bag facing away from him, the edge of the fabric pulled all the way up to your nose. He didn't push, letting you curl up and wallow in your own embarrassment, the clicking of his continued gun reassembly peppering the background silence.

And then he began to hum. Quietly, carefully, he felt out the unfamiliar melody.

"It's you, I like."

You could hear the smile in his voice.

"It's not the things you wear."

Warmth blossomed in the pit of your chest, curling up around your heart and settling fluffy and light. He was a good singer as well, his lack of familiarity with the song the only thing slowing him down. But he continued, metal bits and parts snapping together under careful hands as he sang your song.

"It's not the way you do your hair…"

Eyelids dipping heavily, you let them slide shut, Vash's voice filling the empty wasteland and pooling low and sweet in your tired mind.

As sleep began to fog at the corners of your mind, you were completely oblivious to Vash's fond gaze upon your bundled-up form as you began to drift into unconsciousness.

"...but it's you, I like."

#vash x reader #vash the stampede x reader #vash the stampede #trigun #trigun stampede #trigun imagines #trigun x reader #my writing

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