Another reason why I’m a firm believer in letting Bruce get old is because the idea of him looking and his dark haired children without his glasses on and genuinely not being able to tell them apart is unparalleled
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happy international women’s day!!!
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I’m sorry if I was in any version of the pjo universe I would’ve clocked that Percy was the son of Poseidon as soon as the bathroom incident occurred. Tf you mean “I wonder who your dad is” he EXPLODED A TOILET. Chiron this is the second water incident you have witnessed how are you still confused
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changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.
I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.
Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.
No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.
But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?
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yuri being held to a higher moral standard than yaoi is preventing me from reading mafia boss daughter x pathetic lesbian tortured by loan sharks. and that is just such a shame…
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if genital selection becomes the next big thing in RPGs we need to push beyond a binary application of “penis” and “vulva” (even if there are additional options past that binary gate) and make a single slider. x and y axis type of thing like chusing the depth and width of your chin.
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Kids have it so right. Be weird without shame and cry about anything that so much as dares to inconvenience you
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Like the majority of society I’m obsessed with Nimona
And I rewatched it a million times and one thing always sticks out to me
There are moments when Ambrosius is surrounded by light like a little protective bubble
That keeps him away from the man he loves more than anything
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Read Lost Legends again recently and I can’t stop thinking about them (tears rolling down my cheeks
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