#I’m just talking about rwby here

[empresslesbiace]

If you look at the ribbon tied around the blacksmiths head, you’ll see the same bow (or at least one that looks incredibly similar) that’s on Alyx. Here’s some pictures to show what I mean:

(Sorry for poor quality!)

Look at the ribbon, it looks very similar right??

Just a theory, but I think it makes sense.

Yk that blacksmith lady that's been kept in shadows the whole time?? I think that's Alyx. I think she went back to Ever After, because she wasn't the same girl anymore.

[majoringinsarcasm]

“I hate people who mindlessly praise RWBY and deny any of its awful writing choices”

I have no idea what circles you’re in that have people like this. I won’t deny they exist bc I’m certain they do, but I’ve seen so many ppl who love RWBY with all their hearts talk about multiple things across the volumes they didn’t like or wish had happens differently or where a scene was weak or where the pacing was off. Especially after people politely explained issues they had with V9 while still throughly enjoying the volume as a whole.

Again I’m not denying the existence of mindless praise but I have to ask WHO you’re coming across who In Earnest and not as a joke say the show is 100% Perfect For Real. Bc in the 10 years I’ve been watching the show I have not seen those people. Which maybe means I’m lucky?

But I feel like RWBY specially gets so much hate and shade and ppl talk about “bad writing” every other episode for the past six volumes like. Bruh if it’s THAT bad HOW are you still watching? There’s thinking it’s bad and hoping it’ll get better and then there’s hate watching and being confused why people seem to love a thing you hate and that doesn’t sound fun At All

[cerealforkart]

Wow. I am reeling unexpectedly hard from the RT news

I can’t say I didn’t see the writing on the wall, especially after they cancelled RTX but… jeez I’m a lot sadder than I thought I would be

That was a huge chunk of my childhood, something I loved, something I shared with my sisters, and now it’s gone I’m a lot more upset than I thought I would be

[awsydawnarts]

Okay this one might be a bit of a weird thing to discuss (and will be much less relevant if there’s a time skip on Remnant) but I wanted to talk about Ruby and Oscar’s height difference and how much it means to me in light of this recent episode.

I’d like to start this off by saying that I’m actually (conveniently) Ruby’s height. One source is saying 5’4” and ones saying 5’2” and I’m about 5’3”, and something I’ve been noticing a lot recently as I accept that I’m done growing and this is my permanent height is that there’s always going to be something that intimidates me about the majority of the population. As much as I want to think that I’m a confident, capable person, it really takes away from your confidence when you have to look way up at someone to have a conversation with them. On top of that, I’ve noticed that 1. People tend to get really close to me when having conversations, much closer than I’d like, possibly because they’re trying to make up for the fact that there’s about a foot between us that wouldn’t be there normally, and 2. This is a problem, because a) it’s intimidating to have someone larger than me get in my personal space, and b) it just makes me so much more aware of how much taller they are because I have to really lift my head to look at them, only to see them looking down on me.

My point in saying all this? The last few volumes have been really leaning into that with Ruby. This happened a lot in V 7, where Ironwood would be framed as looking down at her, and it really jumped out at me in this last episode with that one shot after Jaune yells at her and she’s left staring up at him with tears in her eyes as he gets up in her personal space.

This scene to me really highlighted how small Ruby is compared to most of the people around her who are supposed to be equals to her-Jaune, Ironwood, Qrow, Robyn, Clover, any of the ace ops-but not Oscar. Oscar is one of the few characters in the show that Ruby is taller than. And speaking from personal experience? It’s so much more comfortable interacting with people who don’t use their size to physically intimidate you (even if that’s not at all their intention).

I know realistically, Oscar is probably going to get taller than her (and when that happens I will find it cute) but right now it’s just so incredibly important to me and really serves to (once again) emphasize how good Oscar is for Ruby and how much his very existence supports her and takes stresses away. In a world where ticking time bombs like Ironwood, Jaune, and the ace ops can turn on her and use their size as a weapon, Oscar can’t (and wouldn’t) do that. Oscar has Ruby’s back, and she trusts him in a way that I don’t think she trusts anyone else in the show.

[pocketweiss]

The inevitable has been delayed, but the battle still lies on the horizon. We must stay strong, my friends

[arc-misadventures]

What are those

Winter " weiss mom wants me to marry jaune

All the girls who do want to marry him hug winter " welcome sister

Weiss 😱

The Dragons Dowery

Weiss: Ughhh… Gods that was a nightmare…

Yang: Yeah, that was… That was a mess…

Ruby: Going to have some words with, Blake. She… she…

Yang: Has no chill?

Ruby: Yeah, that… How did this all happen? I was too busy trying not to get attacked by crazed faunas that I forgot.

Weiss: Jaune said he eats dust, I wanted to test that out, and then he started belching up fire. Apparently, the quality of, Dust made by the, Schnee Dust Company is considered… cheap to his literal taste.

Yang: Cheap? What do you mean by cheap?

Weiss: I… I don’t know. When he started hacking, and belching out fire, and when he had a chance to speak all he said was that my father was a, ‘cheap bastard.’

Ruby: So, he thinks the dust is of poor quality? What does that mean?

: Mr. Arc considers the, Dust made by the, SDC to be of poor quality. As is it unrefined in his opinion. Therefore it… tastes rancid…

Ruby: Huw? Who are you?

Weiss: Winter; You’re here?!

Winter: Hello, Weiss it’s nice to see you again.

Yang: Is this your aunt, Weiss?

Weiss: Aunt? No this is my older sister, Winter Schnee. Why did you think she was my aunt?

Yang: She’s taller, older, has breasts…

Weiss: Hey!

Yang: She’s the complete opposite to you, so I thought you were family, just not siblings.

Winter: That is a fair assessment.

Weiss: Winter?!

Ruby: Hello! I’m Ruby, Ruby Rose leader of, Team RWBY!

Winter: Ruby of, Team RWBY?

Ruby: Yeah… even I get confused at times too…

Yang: Well, I’m Yang Xiao Long! This little gremlins cool hot older sister, nice to meet you!

Winter: Pleasure. There should be four members, where is the fourth member of your team?

Weiss: Our fourth member is, Blake Belladonna, and she is… somewhere…? I don’t know where she is, last time I saw her she was trying to linch me because she thought I tried to kill, Jaune.

Winter: And… why did she try to do that?

Weiss: Blake is a faunas, and she’s part of the more… fanatic devotees towards my friend, Jaune Arc.

Winter: I suppose it has to deal with him being this supposed, ‘Dragon King?’

Weiss: That’s more, or less it.

Ruby: So, what brings you here, Winter?

Winter: Mother, and I came at the request of your summons.

Yang: Summons?

Ruby: Are you talking about the time, Weiss yelled at your dad to get her diamonds checked?

Winter: Yes, Weiss wanted, Mr. Arc to authenticate the authenticity of our family’s family jewels.

Yang: Was that a correct sentence?

Ruby: The auto correct says so.

Weiss: And, how did the grading go?

Winter: Well… two thirds of them are fake…

Weiss: Eh…?

Winter: A fact that, Mr. Arc proved by eating the fakes…

Ruby: He ate them?

Winter: Even mother’s engagement ring was a fake, to which he proved by eating it.

Yang: Ouch.

Winter: But, based upon what, Mr. Arc said, the person father bought these diamonds from was an infamous swindler specializing in fake diamonds.

Weiss: Oh… Well, I guess that’s okay…

Winter: And, Mom offered the, Schnee Diamond as a dowery for, Jaune.

Weiss: Eh…?

Ruby: The what?

Yang: The Schnee Diamond? The hell is that?

Weiss: It’s our family’s heirloom; My grandfather, Nicolas Schnee found it decades ago during a mining expedition when he was founding the SDC. He named it after our family to be a moniker of our family’s legacy. Ha… you know it’s actually funny…

Ruby: What’s funny?

Weiss: All the diamonds my father acquired were fakes, and yet our grandfather’s diamond has more valuable than anything father could ever hope to acquire.

Winter: Fufufu~! That is quite funny.

Weiss: But, wait… Mom offered it as a dowery… F-For whose hand…?

Winter: …

Winter: M-My hand…

Weiss: W-W-What?!

Yang: Seriously?

Ruby: Congratulations!

Weiss: Ruby?!

Ruby: What?

Weiss: No, I… Okay, no… W-What did you say about all of this? No! What did, Jaune say about all of this, because based upon what he said, I will kill him!

Winter: Well… he was inspecting the, Schnee Diamond when, Mother made this offer. And, well… he seemed highly conflicted.

Yang: Was it because of, Jaune’s obsession of precious stones?

Winter: I would believe so. He seemed genuinely interested in accepting mother’s offer, but he eventually put the diamond back into its case, and shook his head. Jaune then told my mother that while he was genuinely tempted to accept her offer, it would remain my decision to accept this marriage proposal. And, that he wouldn’t accept anything until he learned more about me. Considering at most he knew about was that I was, Weiss’s older sister, and that I was more… full bodied than her. Whatever that meant.

Yang: I think he was talking about how, Weiss is flat, and you have booba.

Weiss: I am not flat!

Winter: Oh… that makes sense…

Ruby: So… you want to marry, Jaune?

Winter: …

Winter: Because of my position in the, Atlas Military I never thought about marriage. But, now that it has been presented before me as it has… Well… I am uncertain of how to react to all of this.

Yang: Probably should get to know, Jaune before you think of marriage then.

Winter: That would be an appropriate option to take. Should I ask him on an outing to get to know him then?

Yang: A date?

Winter: Yes, a date. Do you think he’d prefer dining at the, Chatou Chriteline?

Ruby: They serve food there right?

Winter: It’s a restaurant, the most famous high class one in all of, Vale. Have you not heard of it?

Yang: Lady, do we look like high class, hoty toty kind of gals?

Winter: Well…?!

Weiss: Don’t answer that.

Winter: Very well then…

Ruby: You could ask, Jaune’s girlfriends for help.

Winter: G-Girlfriends…? He already has a girlfriend?

Weiss: He has two actually…

Yang: And, if I play my cards right he’ll have three~!

Winter: You want to become a part of his… His…!!

Yang: Harem? Hell yeah I do~!

Winter: But, why?

Yang: I’m in love with the blond goofball. What more needs to be said?

Winter: You’re in love with him…?

Yang: Yeah. I can give you a list of reasons why, but all that matters really is that I love him.

Winter: Is that really all that matters…?

Yang: …

Yang: What are you asking?

Winter: I’m asking if you love him.

Yang: No, you’re not asking me that.

Ruby: What is she asking you, Yang?

: You should ask, ‘Have you ever been in love before?’

: She’s an, Atlasian. I doubt they understand the concept of love.

Winter: What? Who are you?

: Hello~! I’m Pyrrha Nikos, and I am, Jaune’s, First Chosen.

: Hi there pretty lady~! My name is, Coco Adel, his, Second Chosen.

Weiss: What are you two doing here?

Pyrrha: Yang texted me about the dowry. And, we decided to see who actually managed to get, Jaune’s attention.

Coco: And, I must say, Jaune has impeccable taste~!

Winter: Actually my mother put me up for this whole arranged marriage by offering him a dowery he couldn’t deny, well, barely could deny. This whole thing wasn’t my idea.

Pyrrha: Yeah, he’s been dealing with that a lot lately.

Winter: I’m willing to believe that. But, I must ask, what did the two of you mean by, ‘Chosen?’

Pyrrha: Oh it’s just a name we were given by the faunas because we were the… the… the first that…

Coco: The first girls that, Jaune fucked~!

Pyrrha: Yeah, that…

Winter: Y-You’ve slept with him?

Pyrrha: Yes we have.

Coco: Several times.

Pyrrha: We’ve slept with each other actually.

Coco: The future threesome we will have will be legendary~!

Pyrrha: Hopefully we won’t be walking out with a limp next time.

Coco: You kidding? The limp is the best part!

Yang: How good of a limp is it?

Coco: Why spoil the surprise~?

Weiss: Stop it. I don’t want to hear this. You can have your perverted sex lives all you want. I just don’t want to hear you explain it to me. Also, you broke, Ruby.

Yang: What?

Ruby: Bwhaaaaaaaaaaaaa…

(Thud!)

Yang: RUBY?!

Pyrrha: Oops…

Coco: Ha! Blushing virgin.

Pyrrha: So… are you interested in dating, Jaune, Winter?

Winter: Well… to be honest, as you guessed I never dated before… or, be interested in anyone romantically. So, I don’t know…

Pyrrha: That’s fair, I’ve never been in love until I met, Jaune. And, after we first met I fell head over heels for him on the spot.

Winter: You’ve never been in love until after you met him?

Pyrrha: Nope. I’ve had plenty of famous people, and the like come on to me, but they never sparked anything in me. They were all just trying to use me to their advantage in one form, or the other. But, then I met someone who knew nothing about me, relied on me for who I am, and not who appeared to be. I’m more happy now than I have ever been since I met him, and becoming his girlfriend has made me more happy than I could ever imagine.

Winter: But, are you okay with… sharing him?

Pyrrha: I was hesitant at first, but the benefits of being part of a harem are quite… enticing~!

Winter: They are?

Coco: Ignore her, unless you want to hear something juicy~?

Winter: I would rather not.

Weiss: Me as well.

Yang: Well I would!

Coco: Later, hot stuff. So, tell me; are you interested in dating, Jaune, or would you prefer to brush this all aside, and forget this all happened?

Winter: …

Winter: I am willing to… investigate the possibility of a relationship if that is possible…

Weiss: You can’t be serious, Winter?

Winter: Have… have you ever seen a person, and thought, ‘what if?’

Weiss: I have…

Winter: Did you ever try to find out what, ‘what if’ could become?

Weiss: I have, and honestly I regretted trying to.

Winter: Then would you have regretted trying to, or never trying, Weiss?

Weiss: …

Weiss: Haa… I would have regretted never trying… Go… Go, and see if things could work between you two.

Winter: Thank you, Weiss.

Coco: Then come with us beautiful, and let us tell you all about our little dragon~!

Pyrrha: Little? Coco, honey, what part about, Jaune is little?

Coco: Good point.

Winter: I would prefer to learn more about his personality, habits, interests, and the like, before… before learning about those things.

Coco: Probably for the best if we do so.

Pyrrha: We wouldn’t want to scare her away now doubt we?

Coco: You coming along, Yang? Certainly you’ll want to hear this~!

Yang: Hell yeah I do!

Winter: I’ll see you later, Weiss. Shall we have dinner together later?

Weiss: I would love to, Winter. Have fun you… (Pa-Ping~!) Oh, Jaune just sent me a text.

Weiss: …

Weiss: W-What the hell…?

Pyrrha: What’s wrong, Weiss?

Weiss: ‘Weiss! Save me! Your mom is trying to seduce me, and it’s working! Save me before I do something I will (Slightly?) regret! Help!’

Coco: W-What…?

Pyrrha: Your mother is trying to seduce, Jaune… Why?

Yang: And, it’s working…?

Winter: How would I know?

Ruby: …

Ruby: Uhh… aren’t you going to go save, Jaune?

Weiss: Huw?

Winter: Beg pardon?

Ruby: Jaune just called for your help, are you two going to go save him, or are you going to let your mother sleep with your friend, and your, potential, husband?

Weiss: …

Winter: …

Weiss: Well… It’s, Jaune.

Winter: He seems like a pretty nice guy.

Weiss: And, the message he sent shows he doesn’t want to do it.

Winter: But, Mother is trying to seduce him, and succeeding… somehow.

Weiss: Mom sleeping with my friend just sounds wrong.

Winter: Not as bad as the thought of Mother sleeping with Father…

Weiss: I feel like throwing up just thinking about it…

Winter: Is that why she trying to seduce him, to have… to have a good time?

Weiss: Possibly, Pyrrha, and Coco gloat constantly on how good he is in bed. Maybe, Mom wanted to see that for herself.

Ruby: Uhh… Are you two trying to justify, Jaune sleeping with your mother?

Weiss: Uhh…

Yang: Sounds like you’re gonna let him bang your mom.

Winter: Well…

Ruby: Do you want, Jaune to sleep with your mom…?

Weiss: …

Winter: …

WW: Well…

[anthurak]

Takeaways from the Volume 9 Epilogue:

--

One thing I really like about Oscar’s ‘If there was anything I wish I could borrow from you…’ monologue is that it laid out/confirmed something I’ve always felt was a major aspect of Oscar’s dynamic with Ruby that I nonetheless feel a lot of the fandom has missed: That Oscar very much sees Ruby as a mentor and an example to follow, and how their dynamic is specifically a foil to what we saw between Ruby and Ozpin. That Ruby acts as a mentor and example to Oscar in the same way Ozpin was to Ruby, and that Ruby is a far BETTER mentor and example to Oscar than Ozpin ever was to her. Which, as an aside, is a dynamic I can’t help but feel a lot of people have been misinterpreting as ‘ship-teasing’ and is one of the main reasons I’ve simply never been able to see Oscar as any kind of viable love-interest to Ruby. Frankly the dynamic of ‘Ruby is the mentor and example to Oscar that Ozpin couldn’t be for her’ is simply so much more INTERESTING than any kind of romance could ever hope to be.

--

Even in animatic form, Winter basically going overdrive on the maiden powers was a sight to behold. And her own monologue had all the self-deprecation we were expecting. Our girl is clearly holding on by a thread and it’s going to be REAL interesting seeing how she reacts and adjusts to her sister not actually being dead. As in, I can imagine a situation where Winter tries to throw herself into a heroic sacrifice with the belief that Weiss would make a better Maiden than her.

Also, Winter’s monologue giving major focus to how Penny is super-super-dead-dead-and-definitely-not-coming-back-for-really-realsies, as she is talking to the sister who she ALSO believes is DEFINITELY also dead? Specifically with the words that Penny is gone, when Penny’s last words to her were that she’d be ‘part of you’?

Yeah, there is no way in hell we’ve seen the last of Penny XD

--

The CROWN. Like it was only a few shots, but as someone who read the CFVY Books (which you totally should if you haven’t, they’re great), holy shit I was NOT expecting them to pop up here.

I mean, in hindsight it makes perfect sense that they’d be involved in Volume 10. They’re basically Vacuo’s equivalent to Vale’s criminal element and the White Fang splinter faction as Salem’s co-opted insurgency group, with Jax and Gillian joining Roman, Adam and Jacques as the latest of Salem’s unwitting patsies. It’s definitely going to be real interesting seeing the crew deal with them. Like it’s really fun to imagine Team RWBY in particular being kind of exasperated at seeing Jax’s probably doing a whole ‘With Salem’s help I shall be King!’ shtick after everything they’ve seen with Roman, Adam and Jacques.

Oh and if you don’t know, Jax has a mind-control semblance, so him trying to use that on Yang could actually lead to a sneaky callback to the Justice League crossover, ie; Yang doing a ‘Yeah, I’m not doing THAT shit again.’ XD

--

Qrow’s whole vibe through this is fascinating. Like his section may have been the one we already saw, but after seeing the abject depression and growing despair of all the other characters, Qrow actually being OPTIMISTIC hit so much harder.

--

Raven showing up at the end is… interesting.

I’ll admit that ever since we saw that specific clip a few months back, I’ve been rather conflicts about Raven showing up to deliver RWBY+J to Vacuo, particularly after Ruby’s tree vision. Like for one it felt a bit random and unnecessary. The tree already deposited the Ever After team outside of Vacuo so they didn’t exactly need help getting there. Not to mention that it kind of clotheslines the story-thread set up by Ruby’s vision; that she now has a reason to track Raven down to get the ANSWERS to what happened to Summer. Finally, it’s just kind of… random? Like where did Raven even come from to get the team?

But now having seen the clip with its intended context, I’m definitely more on board with it. Particularly hearing from Kerry and Eddy that the original ending for the penultimate episode had RWBY+J going through the portal to arrive at their memorial stone, and met by a ‘Mysterious Figure’, ie; Raven. Here it feels like were getting more set up to get answers later as to what Raven was doing at the memorial.

And really, now that I’ve thought about it more, this method kind of puts the thread of Ruby going to Raven for answers even MORE into focus. Like the story reintroduces Raven in the present right after Ruby got a vision basically saying ‘hey, Raven is important’. And now going into Volume 10, we’re pretty much perfectly positioned for Ruby to pull Raven aside for those all-important ‘Why were you fucking my mom? What happened to my mom?’ questions.

--

Finally… yeah that ending hit me a LOT harder than I was expecting. Like that ending was HOPE in its purest form and it was honestly beautiful to see. Particularly right now with the future of the show seeming so uncertain. I’ve personally been optimistic about RWBY’s future (in a manner not unlike Qrow’s vibes I suppose lol), but damn the hopefulness of that ending hit especially hard, and was something I’ll admit I needed. And I imagine the rest of us could use as well.

We'll be getting Volume 10. And 11, and 12, and however many more it takes to finish this story. At this point, I have no doubt of that.

[sir-adamus]

i've got the blu ray for volume 1 playing and i'm watching the behind the scenes video and Monty explicitly spells out how important collaboration with other creatives was in building RWBY, saying how he wanted to work with Kerry and Miles on it in creating the world and how he mostly gave them broad strokes. and it's mentioned how they all put the show bible together - i'm gonna put the whole transcript for the video under the cut (which i'm having to do myself because no one has uploaded this video anywhere as far as i can tell and there's no fucking subtitles)

Monty Oum [Creator and Director]: It’s the stories I’ve always wanted to tell versus the idea I came up with about, a little over a year ago. And we were talking about doing another show, and I just kind of half-asleep came up with the idea of a color rule for a bunch of characters. The red, white, black and yellow color scheme was something that was very prominent even in my previous work, so I started matching names up, matching ideas up. Also thinking about like, some of the ideas I’d stored up over the years. At some point or another the word ‘RWBY’ came to me.

Monty: Starting the show out originally, I designed the original character, Ruby, as well as going into the other characters. So once I had the first trailer done, and thinking about the rest of the characters for the show, I started bringing in other artists who I had watched for years. People I’d always said “someday I’ll work with them, someday I’ll have them design for me.” And when I was certain about having certain characters, I first contacted an artist I admired and found over DeviantArt. Her name was Ein Lee, she’s actually from Taiwan, and I found her art probably well over five years ago, and just loved her art style, and therefore wanted to incorporate it into my characters. So, I would do rough designs for team RWBY as well as designs for team JNPR, and she would flesh that out to be even further. To the point where eventually I didn’t need to design characters anymore, she started designing a bunch of the rest of the characters down the line.

Monty: The second person I brought on to RWBY was Kerry, because we had just been having conversations about the kind of show we could make. I’d been working with Miles on Season 10. He was writing scenes while I was making scenes, and so the three of us would have a lot of meetings and collaborate on the show to the point where I just started coming up with the broad strokes eventually and they had pretty much written the bulk of the show. Collaboration’s a big deal here, and I tried to include as many people as I can.

Kerry Shawcross [Co-writer]: Right after RvB ended, we wanted to just go straight into RWBY, but that was like right when we were going into commercial season. So we would work our normal hours here. Like 10 to 7-ish, then we would go back to one of our apartments and just start writing.

Miles Luna [Co-writer]: Monty really was enthusiastic about having these characters that may appear really one-dimensional for like the first few scenes that you see them, but the longer you get to know them, you realise “Oh, Yang isn’t just a dumb blonde party girl. She’s a very caring and nurturing girl, that has had to essentially be there for Ruby when she was young.”

Kathleen Zuelch [Producer]: When Monty and Miles and Kerry came to me, and really took me through the story. I started becoming a huge believer, because I’m a big fan of old school, traditional fairy tales, I love the Brothers Grimm, I love all the Snow White, and I love Little Red Riding Hood. I grew up with all of those stories, and the way that they were very clever in creating this whole world that’s kind of making homage to all of these amazing stories really inspired me to get more on board with what they wanted to do with this whole anime show.

Taylor McNee (née Pelto) [Art Director]: The world of RWBY, it looks very familiar. We wanted a blend of very classic looking architecture and clothing and cars, but we’re also mixing in this really kind of futuristic feel, like these little touches of some really futuristic stuff like holograms and things that you wouldn’t find in a classic [inaudible]. And that’s how we’re making this world unique. Our assets have to go through this pipeline of concept, modelling, texturing, and then finally being able to be put into the 3D program. So we start out with the concept and we usually bring that image into Maya, which is the main 3D software that we use. We have to make a 3D model that looks exactly like the concept that we were given, and it’s quite a process. Basically, we’re pushing polys and extruding stuff until we make the perfect shape, then afterwards we have to UV unwrap it, and then lay everything out on a texture sheet and then paint it, and that will put the image on the model. After that we’re basically done with the model and texture, and then we have to give it to the animators. So then we will set it up in Poser so the animators can grab it and use it for their characters.

Gray Haddock [Lead Editor]: There’s a lot of people working on this show, and there’s a lot of different elements in the pipeline. Editorial kinda serves as a hub between all the different departments, so we help all the communication and coordination between all the different pieces of the show, depending on what part of development that they’re in. Editorial’s getting involved way early in the process, we work alongside the director and the writers and the storyboard artists, and we use the scripts to help develop the storyboards and the camera angles for all those boards. So editorial is responsible for building up the moments of any given scene in terms of the timing and what you wanna look at, at any given moment. So we take the script and we help develop the camera angles and how long you wanna linger in a particular camera angle, look at one character or another or the scene as a whole, and the rhythm of the scene in terms of how long is it gonna take to spend on a particular line or when you want the music to come in, things like that. So we build up a set of animatics with the storyboards, and the first pass of all the audio. This is what then is handed off to the animators, so they can know exactly what is in what shot and how long do they have to animate it in a given shot. And once they’re done animating and their shot’s been approved, then their shot goes to the render farm, we get the rendered shot back and we drop it into the timeline for our episode and finesse the cut a little bit if we have to. But for the most part, we’ve done our job right and everything should pretty much be locked in for the most part by the time we’re getting animation.

Kerry: What’s kinda interesting as we’re creating the characters is, we kinda knew what kind of character they’d be. We knew Ruby would act a certain way, we knew Weiss would act a certain way, but we didn’t really know much about them. So we would get to the point where we’d be figuring out plotlines or figuring out dialogue and we’d be like “What would Weiss say here? What would Nora say here?” And then it turned into “Oh well now we know.”

Miles: Obviously we put a lot of thought into Ruby, Weiss, Blake and Yang before we started writing the dialogue. I remember sitting upstairs and we made a show bible, and we’re starting- we talked about likes, dislikes, personality traits. One of the first things I remember making was “Weiss drinks coffee. Blake drinks tea.”

Kerry: It’s important. It sounds not important at all, but it’s very important. It says so much about them

Miles: But it’s so important. So much about them, also it says nothing about them. It was just like- that’s just what it is.

Monty: I want the show to have resonance with people who are growing up. Cos everyone’s story is the story of kind of becoming who they are. Especially these days when the path of becoming who you are tends to be marginalised with reality. Having done what I’ve done, where I’ve essentially dropped out of high school, started learning this stuff on my own, and therefore land in a position where I get to take the things I was dreaming about when I was growing up and make it real. I tend to get a lot of response from people who are also not sure what they’re meant to become, a lot of them also have the same bright imaginations and with the way the world is, the hardships of what it means to grow up tends to marginalise who you are, and I would hate that to happen to anyone because the future is in creativity and that’s not something you can just manufacture. I actually would like this show to grow up with the people, so unlike most shows where they tend to be ageless or age very slowly, I’d like our fifteen-year-old fans watching fifteen-year-old Ruby, when they’re twenty-five, to be watching twenty-five-year-old Ruby, and to actually have some resonance with the character. Probably one of my favourite types of feedback is to say “I know this person” or “this person is just like me,” and that’s probably one of the best things about coming up with these characters.

[rachetmath]

RWBY x Video games pt 2

Ruby: Okay so this time we were paired or geouped for some games. Me and my team were in Borderlands.

Jaune: Really? Which one?

Yang: All of them.

Jaune: *laughs* Okay. Okay. So who was right, the hunter or the deemed villains?

Ruby: Simple it was-

Weiss: Villains.

Blake: What?!

Yang: Babe we have to admit in a world like Pandora it might as well be the insane, and probably the most irredeemable place to live in.

Ruby: Doesn't matter. Jax is more evil than all those psychos. He knew what he was doing.

Weiss: Yeah but he was trying to get rid of psychos and provide people who are less crazy a safe place to live. Even though it's madness considering he’ll tax people.

Blake: What about the twins?

Yang: I mean shoot they were more of an after-product. They might as well represent that being a hunter ain't all what it is cracked up to be. Cause there will always be somebody bigger and badder who will one-up you in every way. Not just that they probably have brought more order to Pandora than we ever did.

Ruby: But-

Jaune: Okay! Forget I asked before you tear each other apart.

Ruby: Fine. Anyways what games were you guys in?

Nora and Ren: It Takes Two.

Yang: Oh. I mean it's easy considering-

Nora: No, we had issues.

Ren: A lot of them.

Nora: But the levels were beautiful. And Jaune.

Jaune: ?

Nora: If you ever want to talk I’m here.

Jaune: Hm.

Ruby: Wow you and Jaune have… tension.

Nora: I know.

Yang: Anyways, what about you, Jaune?

Jaune: O well I was by myself-

Emerald: Oh hell no. You lying ass bitch.

Weiss: Woah, hold on, Emerald why are you mad?

Emerald: I was with his pussy ass in the game. It took hours to get out.

Jaune: Cause you couldn't let me do my objectives.

Emerald: And make the game easier to where the Grimm will suspect us? No.

An incoming message saying, “The objective is to clear the game. The NPCs would have made his job hard enough considering there is no save button. You just made it more difficult for him by getting in his way. You could have stood still.”

Jaune: See.

Emerald: Well I gave you a fair shot.

Jaune: Please, it took you killing me I don't know how many times for me to even want to settle the score. By the way, I didn't appreciate the dry humping.

Emerald: Fuck you.

Jaune: Fuck you too. Don't be mad because I managed to outplay you. You are just trash.

Emerald: Okay. See-see we can fight. We can settle this now.

Jaune: Girl I will have you on your knees, begging. In fact I will have you scream my name and call me ‘Daddy’ like you ain't my daughter.

Nora: Are you two trying to insult each other or-

Emerald: Yes!

Jaune: Probably both.

Ruby: I feel disturbed to ask but what game was-?

Jaune and Emerald: Death Loop.

RWBY: Ew.

Nora: Gross.

Ren: I mean-no, I- I second that. Ew.

Emerald: *blushes* Shut up!

Ruby: Anyways where’s Oscar?

Oscar: Here.

Ruby: What game were you in?

Oscar: I wasn't in a game.

Jaune: What?!

Emerald: Don't tell me you have been sitting here the whole time.

Oscar: Yep.

Jaune: Oscar we are going through hell trying to stay alive. You didn't think to go and try to find us a way out?

Oscar: Sorry.

Jaune: Damn it!

Emerald: Stupid ass- Hazel made a damn mistake sparring you!

Jaune: Hey now don't get out of line.

Emerald: Or what?!

Jaune: I-

A door appears.

The message said, “If you two need to blow off steam then take a break here.”

Yang: Seriously? Like they are that tense to-

The door closes immediately with Jaune and Emerald gone.

Blake: *jaws dropped*

Weiss: They-they… impossible…

Ruby: Weiss claim down I sure-

Emerald: Ah~ Yes~ Harder. HARDER!!!

Ruby: Oh I hate being wrong.

Weiss: Fuck.

[major-comet]

one of the things that’s most interesting to me about red vs blue

[and this is true of a lot of the shows i’ve watched over the years (here’s looking at you, star trek and rwby volumes 1-3), but i find it particularly true for rvb]

is that the writers seem to have very little grasp on what some of the most interesting and compelling parts of the show actually are, especially from a character perspective

so much stuff only gets kind of brought up, or honestly never even really touched on that would fully be enough to compel me as a character plot for an entire season At Least

like the whole “sarge is apparently some kind of robotics/surgery Wizard because not only did all of simmons’ cyborg parts not get rejected, none of the bits of simmons that grif now has rejected either. this is a medical miracle and it’s something about the pair that is almost Never brought up” thing. they barely even acknowledged that simmons has a whole ass robot arm, much less that grif is physically almost as much simmons as simmons himself is

or the “hey actually epsilon kind of just taking over as “church” actually has a lot of potential for body snatchers-esque horror that they never ever lean into” that i was talking about the other day

or how they only really explore the deeper effects of ai-human integration from a negative aspect - o’malley and the meta and such, but don’t *really* dive in on the effects it might have on a pair that works really well together. epsilon and carolina kind of get the closest to that, but even then it’s still pretty surface level. where’s the weird shit about a pair slowly becoming more of a *we* and those boundaries of human and ai blurring into human&ai in a way that feels not parasitic, but symbiotic? where both parties are not only aware of what’s happening, but perfectly content with it? like maybe i just have venom on the brain, but the ai are like the coolest shit burnie ever wrote and i feel like even though they drive the plot for huge chunks of the show they were barely explored. (i’m saying that delta and york should have had weird freaky mind sex. hello is this thing on-)

or the implication (confirmation? idk man it’s been a long time) that sarge may have been an ODST is actually a Massive addition to rvb’s underlying (and i think sometimes only dubiously intentional) themes of “once a soldier has outweighed their perceived usefulness, the government will not hesitate to cast them aside completely, no matter what they sacrificed for the cause, and this has negative lasting effects not just on that veteran but on society as a whole” that they do kind of sort of explore with locus a bit, but the implication that sarge was highly specialized and did a lot of particularly risky shit for the unsc only for him to, unbeknownst to him, wind up as a training dummy for soldiers perceived as “better” than him (and not even really that, picked explicitly because florida thought he would be totally harmless to the alpha) is INSANE and “sarge was an odst” mostly exists in rvb canon just as a joke but Jesus H Christ, man

there’s so much great material here that just got totally ditched for something else and it makes me SAD sometimes

[bestworstcase]

Anything from Volumes 1-3 that is setup that you don't think is given enough attention or respect for good setup?

Sidenote to this:

Open seat with no person in it + Salem having someone looking for the Choice Relic was hinting at Summer Rose. Did we have anything hinting at her pre Beacon's Fall or just things that she fits given additional context?

regarding summer specifically, while i wouldn’t call them hints per se, there are a handful of beats in v1-3 that smell like foreshadowing to me:

the first is “she was right about you; such arrogance.” – cinder might well be referring to salem here, of course. however. what strikes me about this remark is that arrogance is not a characteristic that salem seems to perceive in ozma; rather she describes him, in her soliloquies and songs, as a self-destructive, deceitful, manipulative fool blinded and trapped by his faith in the old gods. cowardly. fallen from grace. think of what she says to oz in 8.9—look how you’ve diminished, how you’ve lessened yourself—she sees him groveling at the feet of tyrannical monsters and sees debasement.

does it follow for salem to characterize ozpin to cinder as, primarily, arrogant? i’m not convinced it does. but summer rose? well… hm. consider, also, that the full line is “this whole time, right beneath our feet… she was right about you; such arrogance…” <- i think it is more likely than not that “she” is someone inside the brackets of “our,” and in context “our” is either [cinder + ozpin] or [cinder + her associates physically present at beacon].

in the event that “she” is not part of “our” the more naturalistic phrasing is “beneath our feet… salem was right about you” – because “she” otherwise has no antecedent. of course, some allowance here for this to be a narrative choice not to name salem yet, but we’re one (1) episode off from revealing her face and by this point we’ve known for a while that cinder works for someone else, so the choice to drop the name here or in the volume credits is of fairly trivial importance. unless of course cinder isn’t talking about salem.

second: “Oh! We've also stopped some bad guys, too! I guess it's like they say: "like mother, like daughter"! I still wonder why Ozpin let me into the school early…” [laugh track] – obv this part of ruby’s address to summer’s memorial headstone foreshadows ozpin’s conspiracy and team strq’s involvement therein. but it also foreshadows this exchange:

RUBY: We don’t have to kill you to stop you, and we will stop you. SALEM: Your mother said those words to me… she was wrong, too.

and i think it bears pointing out that ruby is wrong here, and later in the volume qrow specifically calls attention to this and lays out why she’s wrong. team rwby didn’t stop the bad guys; they cut off one avenue of attack and cinder circled around from a new direction that took advantage of torchwick’s imprisonment, and this also resulted in the public break between ozpin and ironwood which eroded the cohesion of the inner circle. ergo, ruby thinks she stopped the bad guys but in the long run the consequences of the breach all benefited salem.

looks into the camera like im on the office.

like mother, like daughter!!!

further, that sequence of events ultimately leads to the final confrontation between her and torchwick – wherein he declares “if you can’t beat them, join ’em,” and shortly gets eaten by a grimm right after making it clear that he intends to kill her. torchwick’s death is thematically motivated – a narrative rejection of his cynical every-man-for-himself, dog-eats-dog outlook – but consider that:

summer rose, if she is indeed salem’s willing agent, is certainly at beacon tonight – because she’d be the one who stayed behind to hold the fort.

summer is thus the one salem instructs to “reinforce our numbers at beacon,” meaning the grimm; that instruction only makes sense if the person receiving it can communicate with or command grimm. ergo, summer must have some degree of control over grimm.

ruby is disarmed and on the ground getting beaten by a man who fully intends to kill her, and a grimm swoops down out of nowhere to eliminate him faster than he can blinks. and then… the grimm rears up, roaring at her, and comes down with a sweep of its wings that creates a blast of air that pushes her away. that isn’t aggression!! that’s a defensive threat display!! (the feilong in v4 does the exact same thing – trying to push the boat away). it’s ruby who charges the gryphon, and while it lunges forward in reaction to her charge, all that happens is she gets her feet on its head and pushes off to leap over it, and the grimm goes fucking flying so hard it crashes into the ship’s interior and never emerges. the point being,

math.

it’s plausible that the grimm was drawn to torchwick’s murderous rage. but the way it behaves immediately after it swallows him – that very clear “get away from me please” body language, and ruby -apparently- kicking a grimm the size of a goddamned clydesdale dozens of feet and then through the hull of a literal warship? ruby is strong, but she’s not… that strong. but if the grimm didn’t want to engage her and propelled itself under and past her at the same time as she vaulted off its head? that would explain what happens perfectly – ruby’s kick altered its launch trajectory just enough that it crashed.

minutes later, someone loyal to salem scraped a very badly injured cinder off the top of beacon tower and left ruby alive where qrow would find her. salem’s vested interest in keeping ruby alive is VISIBLE throughout the battle for beacon, and notably include a perfect opportunity to capture her while she’s in a coma atop beacon tower that isn’t taken – suggesting that salem makes her singular attempt to capture ruby solely to reassure cinder that Something is being Done.

and if summer rose has command over grimm and was at beacon that night… the gryphon’s behavior is exactly what i’d expect if all the grimm had marching orders to insure this one girl in particular – the spitting image of their commander – doesn’t come to serious harm. there’s a nonzero chance that gryphon did in fact save ruby On Purpose!

…and that happens in the context of a fight between ruby and the bad guy she thought she stopped (but she was wrong), who joined salem because “if you can’t beat em, join em.” (salem voice) she was wrong, too…

also

<- like mother like daughter. summer had a nevermore’s eye view of the battle for beacon, in this essay i will –

third: this one is something i didn’t really Think About until v9 and specifically the v9 ost dropping, but some of the things cinder says in v2-3 strike me as like – she got that from summer im sure of it. for example, in midnight, cinder’s view of huntsmen is that they’re free, they have power, they can go anywhere and do whatever they want, and rhodes never contradicts this. where did she get “huntsmen and huntresses should conduct themselves with honor and mercy”? who taught her the aspirational moral ideal?

summer rose, maybe.

but in the deeper sense,

where did cinder get the ‘destiny’ conceit? her underlying beliefs about how the world is are a product of her childhood, but the overt framing of fate/destiny isn’t present in midnight; nor has salem ever spoken of destiny and her philosophical views are in many ways a rejection of destiny – salem does not believe in fate, she is the woman who dedicated her life to toppling the gods.

and on close examination this looks like yet another suspiciously summer rose shaped hole!! “you’re special, ruby […] special the way your mom was special […] it was said that those born with silver eyes were destined to lead the life of a warrior.” – in after the fall, ozpin gives coco an entire pep talk whose central conceit is embracing and submitting to the turns of fate – sacrifice “show them gods and deities/blind and keep the people on their knees” & guide my way “you were born to hypnotize them all/they all said their prayers/can you hear me up there?”

cinder, of pyrrha: “people assume she’s fated for victory, when she's really taking fate into her own hands. interesting. add her to the list.” & “it’s not about overpowering the enemy; it’s about taking away what power they have.”

<- that second statement is salem’s strategic doctrine, through and through. but the ‘power’ cinder is talking about here is derived through manipulating the perception of destiny; the self-fulfilling prophecy. the invincible girl cannot be touched because she makes subtle adjustments to insure that no one is able to try. it is pyrrha’s belief in destiny that destroys her, as it destroys ozma. ozpin invokes fate to justify and explain his choices. those born with silver eyes are destined to lead the lives of warriors.

summer rose was destined to live and die fighting the grimm – so the world promised her. maybe she believed, maybe she felt like she had no choice but to accept her prescribed fate. until she met salem, and took fate into her own hands. made a choice. broke the chains. it’s about taking away what power they have, like salem did when she tore the scales from summer’s eyes, like summer did when she refused her destiny and joined hands with the grimm instead.

what does summer rose look like through cinder’s eyes? she was a huntress. she was literally destined to be one of the greatest huntresses in history, a hero, the shining pillar upholding the world order that chose the enslavement of children as a fair price for peace. fate dictated that she be the icon, the idol, the embodiment of the system that brutalized and subjugated cinder – she had every privilege cinder could ever dream of, freedom and security and a home, a loving family – and she chose to walk away.

and if they talked about that like, ever, and specifically if summer talked about that warrior’s destiny as a cage, a curse she had to escape – is it any wonder that cinder would adopt that framing to make sense of what happened to her? if summer rose was fated to stand at the pinnacle, then does it not follow that cinder fall was fated to be ground into the foundations? and likewise, if summer rose can shatter her pedestal and fall from grace, then cinder fall can shatter her chains and rise. summer proves that the idea of destiny is powerful but not inviolate. and it is hollow, it is a lie, a fiction, and that means it can be taken away. revealed as a deception. destroyed.

anyway

to the broader question

i think people really, really do not give the jaundice arc enough credit for the long-term set up it’s doing.

(or the very overt textual statement from THE HISTORY PROFESSOR! placing the blame for the violent radicalization of the white fang squarely on human bigotry and persecution of faunus in general; the white fang arc is clunky and hamstrung by the inadequacy of its vocabulary, but the fandom talking point that the narrative perspective on this subject has “evolved” or “improved” is just. not true. v1 is very emphatically clear that 1. terroristic violence is not activism, 2. ascribing the terroristic violence of a few to an entire minority group to rationalize bigotry is bigoted in and of itself and completely unacceptable, and 3. violent radicalization is created through relentless discrimination and hate, which creates a self-reinforcing circle wherein the justifiable outrage of the persecuted outgroup and the extreme violent reactions provoked by the persecution are distorted into a justification for further persecution by those of the in-group who materially benefit from perpetuating this cycle!!! all of this is explained in an almost afterschool special manner by the main character faunus rights activist and the history professor!!! in volume one!!! what changed is that the writers developed the skill and vocabulary necessary to weave these ideas into their storytelling in a more effective and more cogent way!!! literally begging the rwby fandom to start listening to the actual words the characters say)

ahem. the jaundice arc lays so much of the groundwork for jaune’s and ruby’s character arcs reaching all the way to v9 and undoubtedly beyond; it sets up the first pieces of the ozlem fractal; it foreshadows the white fang arc and sets up blake’s character arc of self-reclamation and figuring out how she wants to use her voice as an activist; it draws attention to the misogynistic cultural norms that define and are defined by the history between ozma and salem; it lays the foundation for the scene in v2 where ozpin questions blake, which hits the way it does because we have the context of anti-faunus harassment occurring openly at ozpin’s school and nobody doing anything about it, and by extension is the first stroke of the salem-faunus connection that is almost certainly the keystone holding the entire narrative together because it is her relation to the faunus that provides the key to decipher the lost fable.

the jaundice arc is a crucial load-bearing pillar that supports the entire narrative and people revile it because nobody in this fandom can be fucking normal about jaune. lmao

[midnightechoes]

So this week is going to go down as maybe the most sapphic week in animation history. It’s going to have a great case, there are so many sapphic shows or shows with prominent sapphic couples airing this week.

Don’t know what I’m talking about? Here’s a quick rundown:

Yuri Is My Job!

Premiering on Crunchyroll on April 6th.

Yuri is My Job! is based on a yuri manga of the same name. It follows high schooler Hime, who cares deeply about her image as sweet and helpful, even though she’s actually selfish. She accidentally injures the manager of a cafe, and agrees to work there to make up for it. But this is no ordinary cafe, it’s like a cafe dinner theater where all the waitresses play characters from a fictional high school and act out skits for the patrons. Hime’s character is supposed to be in love with one of the other waitresses’ character, but she starts actually falling for the girl. Only problem is, behind the scenes the other waitress seems to hate her.

Yeah, that sounds kind of bonkers! I can already see the story now, Hime starting out playing a role, and eventually having to legitimately earn the love of Mitsuki.

Birdie Wing: Golf Girls’ Story

Season 2 premiering on Crunchyroll on Friday, April 7th

Ah Birdie Wing. If you saw season one, you know just how delightful wacky this show is. It follows the stories of Eve, a golfer that plays in illegal underground golf matches for the mob, and Aoi, a golf prodigy and the new sensation of the golf world. Their lives crash into each other and the chemistry is overwhelming and immediate.

Technically Eve and Aoi aren’t canon as of the end of s1, but it’s hard to imagine that the show isn’t heading in that direction. It makes no effort to hide the fact that these two are into each other.

I’m so excited to see what season 2 has in store for these two. Birdie Wing is just a delightfully weird little show.

Princess Principal: Crown Handler Chapter 3

Premieres in theaters in Japan on Friday, April 7th

Alright, so this won’t be useful to a lot of people reading this, as this is only premiering in Japan this weekend. But I wanted to mention it because (a) it’ll come over to the US sometime this year, and (b) Princess Principal is awesome and I want to promote it when I can.

Princess Principal was a 12 episode series that aired in 2017, and Crown Handler is a six-part sequel OVA series.

In a nutshell, Princess Principal is a steampunk spy thriller set in an alternate universe European kingdom that has been divided by a wall, Berlin-style. It follows a team of spies, masquerading as high school girls, as they try to prevent the two sides from going to war.

I know, “why is this on a list of gay shit?” Well, because it is. Two of the main characters, Ange and Princess Charlotte, are big-time into each other and while the original series does the anime thing of “we’re only allowed to go so far with this”, the OG series has a lot of intimate scenes between the two and does end *SPOILERS* with the two of them sitting on the beach together while holding hands.

And perhaps Crown Handler, being made years later, can finally take their relationship farther.

RWBY Volume 9

Volume 9 episode 8 airing on Crunchyroll on Saturday, April 8th

RWBY has been ongoing, and the current volume has been airing since February, but there’ll be another episode this Saturday. Right now RWBY is in the middle of dealing with a lot of trauma, BUT, the bees are canon and dating so every episode of RWBY is now officially gay. So says me.

The Owl House: Watching and Dreaming

 Series finale airing on the Disney Channel on Saturday, April 8th

I’M NOT READY TO LOSE THIS SHOW! 😭

*ahem* The third and final season 3 special airs on Saturday, and promises to be mega emotional and super gay.

I’m grateful that this show had a chance to finish its story, something a lot of sapphic media doesn’t get to do. But I am still pissed about it getting cancelled in the first place simply because it didn’t fit their “brand” (read: this show is too gay for Disney).

But I just know that Dana and her team put together a sensational finale.

Mobile Suit Gundam: the Witch From Mercury

Season 2 premiering on Crunchyroll on Sunday, April 9th.

Affectionately called G-Witch, season 1 of this show was a revelation in the fall. It follows the story of Suletta Mercury, precious cinnamon roll and the most talented mobile suit pilot around, and Miorine Rembran, daughter of the president of the Benerit Group, a mega-corporation that has massive political power.

The show revolves around a school that’s mostly full of the children of powerful people. And then there’s Suletta, a nobody that just wants to be a normal girl and have a normal school life but through a series of events ends up in a mobile suit duel that she easily wins, earning her the title of Holder, which makes her Miroine’s groom.

At first, the two treat the arrangement as a business arrangement, both seeing practical value in this arranged engagement. But it’s obvious that Miorine is actually pretty into Suletta from the start, and we see Suletta slowly falling for Miorine too.

G-Witch is incredible. Part awesome mecha fights, part political intrigue, part romance between two useless girls who’d rather die that admit their actual feelings.

I am SO EXCITED for season 2!

LGBTQ media hasn’t had it great as of late, with a ton of frustrating cancellations and it almost feeling like Hollywood is going backwards in terms of its commitment to giving us space to tell our stories.

But animation, both in the US and in Japan, seems to be making great strides, being our light in the dark.

All five of these shows are airing episodes this week, and Crown Handler will be in theaters this week and on streaming/blu-ray later this year. RWBY has been airing for weeks and its been the gayest volume yet. the Magical Revolution of the Reincarnated Princess and the Genius Young Lady just finished airing and was wonderfully sapphic. I’m In Love With the Villainess is scheduled to air sometimes this year. And just maybe we might get Arcane season 2 before the end of the year.

I’m excited for how sapphic and yuri animation is progressing, I hope it keeps going forward.

[sakiyaki-sashimi]

Heeeeeeello hello hello! I just realized that a lot of ppl have some sort of intro pinned post but I do not! LETS RECTIFY THIS >:D

(Btw I’m highlighting important info for ppl that need/like to skim!!)

My name is Sakki! I don’t use these names much anymore but you might see Enoki or Sai used too!

“sakis zatsudan” is a tag I use for text posts and just kinda whatever I want? But it’s (usually) not for fandom stuff! (IM SO LIBERAL WITH IT ITS CRAZY)

I 👏 am 👏 not 👏 an 👏 adult :D keep that in mind plzzzzz

My pronouns are she/her but also idk just like do whatever you want? Men are cool, enbys are hot, and genderfluid ppl are the sickest fucks alive so I’d be honored to be one frfr btw I am pansexual also!

I draw and talk about stuff I like (mostly fandom stuff) as well as chilling with my muts! (Become one??? :D)

If I mention I’m gonna make a side blog, don’t expect it to last XD it never does XDD (Except @i-draw-any-precure-ever)

I’d do a list of my fandoms, but that’s a lot so here’s a list of my mutuals!:

@milkfroggo @ponderous-ferret @transmascpetewentz @chaoscentral23 @eternalshiningstar @pastelcatnip-x3 @starfilledsky2810 @citrushomie @a-trench-coat-of-confused-worms @kneecoal-mooma @touratoura @leafy-mints @xx-ma11ory-xx @discarded-like-your-roses @spacingoutwards @drinks-battery-acid @prestonmonterey @losingobjectively @mitski-slope @pastelcatnip-x3 @insaneloligoth @mizuribbons @landmineloli @drunkwithoutalchohol @4thegays @thespoinkyspunge @wonderhello @kkat-astrophic @xmoonshardx @bon02 @loser-otaku-girll @stars-and-cows

Juuuuuuust one more thing before I go :D DNI iffff….

- You are a bigot in ANY way, shape, or form (homophobic/transphobic/racist/anti-religion/etc.)

- You are intending to look for a fight/comment negatively on my posts (looking at you, RWBY and TCOAAL fans..)

- You support genocide (can’t believe I even have to say this one :( )

That’s really it! I hope we can have some astounding vibes over hereee!!!

Happy scrolling :D

[calxiyn]

Hey everyone! I’m not very active on Tumblr (but with how Twitter is going that may change). I just wanted to thank everyone who has posted about my videos here 🥺🥺🥺 I’ve seen a few posts talking about my content and sharing my takes and I really appreciate it. I do respond to all my YouTube comments but I may use Tumblr to try to answer people’s specific questions(?) or if y’all have anything you want to ask me about my videos / songwriting!

This Tumblr was also an account for my main channel (Calxiyn) so there’s a lot of RWBY / Gaming stuff reblogged here but like I said, I don’t really use Tumblr for that anymore anyway ^^ so hopefully it’s not too cluttered!

[kittyprincessofcats]

Okay, short version: I know everyone’s freaking out about old man Jaune, but my main takeaway from this episode is that one way or another, Penny’s not dead-dead.

With the explanation of how reincarnation works in the Ever After and the Blacksmith saying “Nothing - no one - is ever truly lost” specifically in relation to Ruby asking about Penny’s sword  and the sword then showing Penny’s reflection right afterwards? - yeah, I don’t think the writers could spell out “Penny’s not truly gone” any clearer if they tried.

Actually the, “Little is Penny” theory is seeming crazy likely right now!

2 moments specifically stood out to me here:

1. Right after the moment above^ with Penny’s sword, the Blacksmith asks Ruby if she’s lost and if she’s alone, and right after that Little wakes up and answers the “Are you her guide?” question with “Yes, Ruby is my friend!”... mmm hmm, that had the same Penny-vibe as Little being excited to be called Ruby’s friend in E2. Also just like at the auction, Little is again involved in a “Ruby with Penny’s sword” scene, while the rest of Team RWBY is doing something else. Everyone else being busy with other stuff while Little is always in these “Penny’s sword” scenes in ways that feel meaningful is... well, it’s giving me *something*.

2. The curious cat’s explanation of reincarnation perfectly lines up with this theory. If the “central location” (the doorway-place between Atlas/Mantle & Vacuo) was already part of the Ever After, then Penny couldn’t have truly died there and would have instead gotten reincarnated as someone else without her memories.

And very specifically, when the Curious Cat talks about the Red King getting reincarnated as the Red Prince, they say this line: “While the Prince may not remember Alix’s deception after ascending, the heart very rarely forgets.”

THE HEART VERY RARELY FORGETS

Why have this line if not to foreshadow that someone else’s heart didn’t forget their fondness for Ruby?

Little is Penny. I was half-joking before, but I'm actually serious now.

[thatguythatdrawsalot]

Yang - Atlas Design Critique.

Sorry I took so long I just wanted to catch up on some shows I’ve been missing out on and prepare for college next month- but I got to work on Yang! Who honestly was SO HARD TO MAKE A REDESIGN! And even HARDER, make a CRITIQUE for.

RWBY Archives

Reading her archives she’s reminiscent of a pilot and that’s a pretty odd choice, her design should’ve been at least a skier or a party girl but whatever. She’s never hinted at wanting to learn how to fly an airship, she just drives around a crappy motorbike in Mantle at best. It’s misleading but again, whatever. Jaune dresses as a knight and I don’t expect him to protect anyone, Weiss dresses as a princess but isn’t ruling a kingdom, Yang dresses like a pilot and I don’t expect her to fly an airship when she can just leave it up to Maria and Pietro. But other than the odd aesthetic for Yang, the outfit does look moderately warm with a cool bomber jacket, an orange scarf… and an exposed thigh. Accompanied by a white tube top that just wouldn’t be practical to have in the Great North. I get it, they said aura can keep the characters warm but is Yang really wasting her life-saving aura to be fashionably exposed rather than just, wearing warmer clothes? This outfit can work if she is solely stuck in Mantle but she’s a huntress taking missions out in the tundras! 

There’s not a lot of heat generators out there to depend on!

Hair

No, I’m not going to critique the model, her model is fine. I just wanna talk about her hair. Yang has her hair unchanged which is in character for her, she’s pretty strict about her hair being left untouched. I just really think the hair gets in the way of putting Yang in yellow. Trust me, it is. Yellow is very bright and Yang has such large yellow hair with weapons that are two large yellow chunks. I can see why they barely put Yang in yellow anymore. Here’s the thing, they’ve made Yang’s hair no longer yellow but instead an average blonde, the same tactic they did for Blake so they could put her in pure black except they didn’t. To me, Yang isn’t defined by her large yellow hair, she’s defined by her hair shining bright like fire. If they need to cut her hair or just have her hair in a ponytail to put yellow in her yellow, please do so! 

Primary Color - Yellow?

I love how her bomber jacket is auburn-red for Ruby, I adore the white tufts on the jacket for Weiss, and I certainly love that more black in on the look for Blake. When she stands next to Blake it looks like they should be a pair… just wished Blake wore yellow/gold in return- but with her teammate's colors on her, I still think Yang has too many colors. She reads to me as muddy and unfocused with the different shades of brown all around! And worst of all they rely on dirty gold-brown and orange to compensate for yellow. Yang IS NOT wearing yellow, at all. Remember when I said I liked her auburn-red jacket? I bet you didn’t know it was supposed to be auburn-red, cause in the show, it’s brown. This is something I’ve been wanting to say for years. In the concept art, they show Yang’s gold matching her hair to be more in line with yellow. Even in the 3D model sheet, the colors follow the concept art with actual auburn-red, tan skin, and a brighter yellow for her weapons. In the show, the colors are just muted or completely changed. Yang’s weapons are now an ugly shade of yellow; Highlighter Yellow. Her jacket is legit brown. The pretty tan is now ugly beige. I don’t understand… her model follows the correct colors but in the show it’s different! Is it the lighting? Was the model tweaked and I’m just using a faulty image? What is going on??? They can put her in the prettiest colors that flatter the gold but it all gets washed out! They need to put Yang in colors that flatter yellow cause this engine or lighting isn’t working.

Negatives?

Yang’s look isn’t great or awful, she’s a neutral positive. Yang does have the second-best look on her team even with silly exposed leg and chest, and lack of yellow. In the end, I think the biggest issue with Yang’s Atlas design is the coloring I mentioned above. They keep making Yang wear anything other than the color yellow and when she does have yellow on her the animation engine turns her yellows into the ugliest shades of it! Highlighter Yellow, Brown, Dirt Gold, Sandy Beige, and Dull Yellow. Whatever is going on with the lighting or model, It seriously needs some tweaks or adjustments, I hope in Vacuo where it’s super sunny and bright, her yellows can pop rather than be muted.

Redesign

I understand that yellow is super hard to work with for Yang so here’s the trick, put her in minimum yellow than NO YELLOW AT ALL. I took inspiration from Emerald Sustrai’s Atlas look since she wore limited green but still stunning, and from Mami Tomoe from Madoka Magica where she has limited yellows because of her hair. The least amount of different colors on Yang, the better. Her aesthetic is a motorbike fun girl which I might’ve flopped on, her sleeves are rolled up on her jacket, she has a large purple scarf with an Ursa pattern on the end to help her allusion of being Goldilocks and the three bears, and since she’s the mom/big sister of the team I thought it’d be nice for her to have some of her teammate's emblems on her as patches for her pouch. To top it off I loved Yang’s socks in the concept art that I wanted them to poke out of her boots. It’s not perfect but a good blueprint for me if I ever want to return to this redesign and make a few changes.

Conclusion

Yang’s Atlas outfit is again, a neutral positive for me, despite the odd aesthetic of being a pilot to the bizarre colors on her, she’s fine. I just expect Yang to wear yellow, and I also expect her to look like she belongs with Team RWBY since none of her teammates wear yellow in return. They rely too much on Yang wearing browns and oranges rather than yellow, the presumed teaser image for Volume 10 seems to have Yang in yellow by putting her hair in a ponytail. That way the large yellow hair doesn’t act like a cape, comparable to Ruby’s large red cloak. I always think Yang’s design could work if she just had tweaks of colors if anything else, don’t be afraid to put her in yellow, and don’t be afraid to ditch a color of hers even if it’s a staple to her design. Yang doesn’t need to wear brown, and she doesn’t need to wear orange or lilac. The less colors, the better. I’m tired of Yang always coming out, wearing brown, and reminding me of potato sacks.

But of course it’s just my opinion. If you love this design or hate the design, please share your opinion. I’d love to hear it! :D