#I’m critical

[caycanteven]

Motti appreciation 🙌 cause Mothie inspires me… ;3;

Motti belongs to @mothiepixie 🫶

[bajoop-sheeb]

PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here

Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn

[bixels]

Baffled.

[angelofdumpsterfires]

how i feel about all the changes in s3

[floweroflaurelin]

I’m still hungry.

[gilmores-glorious-blog]

this is so fucking funny of him actually

[chelbunn]

A moment of choice, sometime in Aeor [2022]

[midnightcrows]

Emhira my love

[aardvaark]

i don’t mind suspending my disbelief for leverage’s person-sized ventilation shafts bc that’s pretty standard for the genre, but that doesn’t mean i won’t laugh a bit at some of the egregiously large vents. particularly in the crowning acheivement job (lev: red s2 finale) because - well just look at this lol! harry and parker, two adults, can kneel side by side in those vents. parker can sit upright.

that museum was made for vent crawling purposes. that’s just an extra room in the museum they forgot to decorate. the leverageverse has a thief union that successfully lobbied for a better working environment. these vents double as a playground for museum-goers’ children. i was crying with laughter thinking about this and harry’s vent crisis was NOT helping me remember that there was a serious heist thing going on lol, i love this show.

[sunfyrisms]

the writers were very deliberate with the horrific oppression of zaun and caitlyn’s spiral into fascist dictatorship, and yet, nothing got resolved. only one individual was made a representative of zaun, while piltover has several. zaun won’t be heard, because it wasn’t given the chance to, even when one of their own was put on the council. caitlyn didn’t redeem herself, because nothing that she sacrificed or did could undo the fact that she gassed the people who her society oppressed. she quite literally weaponized the gas that was created as a result of the labor of the oppressed, which we know permanently disables and decreases the lifespan of those who are exposed to it longterm (the only ones affected by this are zaunites). her story feels wrong because she suffers no actual repercussions for her horrendous actions. the story falls flat and the writing seems disingenuous because decisions like this were made. they cared more about a ship than they did about either caitlyn or vi and both characters suffered for it. caitlyn faces no consequences for her actions and vi is made a narrative device who has no opinion and immediately sacrifices her morals and forgives caitlyn. this results in them having sex in a jail cell very similar to the one vi lived in for years because of people like caitlyn. it is very… weird.

[dungeons-n-draw]

Fearne Calloway, Fey Scion of the Ancient Flame

[alliekitaguchi]

Robbie really rolled up the CR Headquarters, looked Liam in the eyes, and said, “I believe I have what it takes to match your freak.” And Liam just smiled, beckoned him inside, and said back, “You can certainly try.”

[bluesinterstellaire]

has this been done yet

[andi-o-geyser]

oh god he even named his new home the brass skull he’s literally never gotten over them

[bicth-and-in-that-order]

Not sure how to word this but people pushing back against arcane s2 criticism with “mEdiA LiTeRaCy” when said media literacy amounts to microanalyzing a character’s facial expression screams a disconnect in storytelling. I shouldn’t have to pause the screen and look at Cait’s eye crust to know that “akushally she never trusted Ambessa🤓☝️” when we should’ve naturally been led to that conclusion.

In s1, we know that Powder is desperate to prove herself and we know why she decided to go to Silco’s liar despite being told to stay put. Imagine if they cut out all those scenes of Mylo teasing/berating her, the moments where she screwed up on the mission, her feeling like a failure only for Vi to encourage, and inadvertently, enable her—imagine if they got rid of that and instead had a few scenes of her looking sad bc her gadgets broke and then deciding to go to Silco’s liar bc ??? like should we analyze the symbolic meaning of Powder’s shoes and Mylo’s eyebrows to understand why she did what she did? Is that good storytelling to yall? Idk

There’s a reason why s2 is getting a lot more pushback than s1 and it’s not because people just “don’t get it”.

[canawrites]

aabria nation we’re just constantly on top. she’s everywhere. she’s devastating you emotionally on this podcast. she’s devastating you emotionally on d20. she’s committing shenanigans unheard of on cr. summer of aabria? fall approaches and she’s STILL HERE . it’s three years later and she’s still KILLING IT. we just cannot lose!