#I’m also reading the books

[monsterbananatv]

Things from Lockwood and co because I can part 4:

Episode 7

“Oh, Jesus. Look at the smile on him”

George being left out again

Flo telling Lucy to be careful cause there is a lot worse then ghosts

The other agent trying to help them

The barrels…

Lockwood, back again with his death wish

The scene in the warehouse. Damn the emotions in there…

“Nothing good comes from letting people in. Everything ends and everyone leaves.”

Georgie

The horrid buzzing noise

Those poor children

Oh no Lockwood!

Lockwood grabbing Lucy’s hand as they run away

The agents helping them in exchange for his life

Lockwood’s panic attack

Lucy taking charge and pulling Lockwood around

“What did he die for?” “It’s because they’re bastards.” “It’s because I am”

The whole scene where Lucy’s trying to snap Lockwood out of it. He’s holding onto her for dear life but he’s also holding her so gently too

Flo being the only one who sees something is wrong with George

George drawing his rapier on Flo, and the birds snapping him out of it

The fight with the Golden Blade

What does he know???

The fact that Winkman already knew the guy was an agent, so it wasn’t Lockwood’s fault

Get him Lucy!

Its like a bad game of football they’re playing tossing the bone glass around

The fact that pink socks wearing Lockwood is wearing blue socks. We all know whose colour blue is…

Them jumping off the roof into the Thames

Flo inviting George to go bird watching

George calling out to her to say that he wants to do it

Lockwood and Lucy crawling out of the water and you think they might have a moment, but Lucy just shoves Lockwood away (on beat with the song I might add) and storms off

George being mesmerized by the mirror and not giving it to DEPRAC

Episode 8

Lucy being mad at Lockwood because his suicidal tendencies put all of them in danger again

The scene where she’s yelling at him and he just stands there

The scene of both of them after, Lucy looking at the necklace and Lockwood getting dressed. I like that because Lucy looks at the necklace but doesn’t put it on because she’s mad at Lockwood, but she doesn’t throw it away either, and instead of putting on comfy clothes, we see Lockwood putting on his regular get up, his armour, because he’s not sure how Lucy’s gonna react to him

Lockwood apologizing

“I just wanted to say, don’t give up on us. Please. Or what I really should say is don’t give up on me”

“To be honest the bottom of the Thames used to be a far more appealing place to be. And really no one would have cared, but now…”

Now he has something, someone to live for. People who care (I’m fine I’m fine totally fine)

The two of them finally realizing that something is wrong with George and finding all the spirals

George feeling left out by being left behind to do the dorky stuff

Joplin weirding me out

The skull calling Lockwood and Lucy a happy couple

Lucy and Lockwood both blaming themselves for what’s happening

Both doing anything they can to save George, even if it means going in with some measly salt bombs

“but if anything’s worth dying for…” (George. George is worth dying for)

Them realizing how wrapped up they were in each other that they didn’t stop to help George

Kipps is losing his talent

Joplin basically kidnapping Kipps

“You couldn’t resist. Nor could he. Who knows what he might see. Mummy and daddy maybe” SKULL WHAT DO YOU KNOW

“I need you to be the right amount of reckless”

“Let’s draw our swords and kick in the doors like we’re cool and really know what we’re doing”

Lockwood and Lucy working with Kipps crew

“Just reckless enough, okay”

“What’s the secret weapon?” “She is”

Lockwood complimenting Kipps crew

“And I’m Anthony bloody Lockwood”

“This isn’t a park, it’s a graveyard” “Then let’s bury them.”

The fight between them and the relic-men

George figuring out that Joplin isn’t what she seems and what she’s planning to do

The fact that Joplin was gonna use George to look in the mirror

The knife being the twin to the one in Carvers back

Personal space Joplin, jeez

“That bastard had a plan” “A suicidal one” “That tends to be a feature of all my best plans”

“To save my friends… and Kipps”

Oh George… (My heart… they care about you George, I swear. They need you)

“You’re not a third wheel or an oddball or whatever it is that you think you are. You’re the best of us”

“We are not losing you Georgie” He’s their family. Hers and Lockwoods (I’m fine. Totally fine)

Lucy sacrificing herself to save George

The golden blade. WHO IS HE. WHAT DOES HE KNOW.

Pfffft the blade pulling out a gun (this is just so funny to me)

(Twice I’ve shouted at the screen when he pulled out a gun “you don’t bring a gun to a knife fight!”)

“And whatever happens, this wasn’t your fault” She doesn’t George to blame himself like she blames herself for what happened to Norrie and the others

Lucy using the skull to look in the mirror instead of herself

The images before Lucy passed out. One of them was Lockwood… why?

The glass being a trap. A trap for what????

George breaking the mirror (Go my boy!)

The mirror vaporizing Joplin and the ghosts trapped in it finally being set free

“I’m sorry about everything Luce” “So am I”

Get him Lockwood

“Fought off a load of thugs, fell down a catafalque hole, battles a bunch of ghosts. You know usual sort of thing. Oh, and I got shot”

The way they both run to Lockwood to support him, because he’s not dying on their watch

“You’re not done. Don’t say that. This is t how you die. “How do you know? “Because we won’t let you”

How gently Lucy is holding Lockwood on the way back up

Kipps being a wonderful optimist and great bringer of encouraging speeches (/s)

“Just reckless enough”

Lockwood not holding Kipps to the bet because it was the right thing to do

Both of them supporting Lockwood as they walk away (Family <3)

“Ugh this is so touchy feely”

I was right to not trust Penelope

Lucy saying she thinks she’s starting to heal now

Just them as a family getting food and living life :)

“I was wrong about George. He didn’t hate my guts. He actually turned out to be a bit of a hero”

“Lockwood almost died a thousand times but I think he’s decided he’s better off alive” (My heart)

“Cause it’s incredibly rare. Both of you are”

Lockwood and Lucy’s smiles when they look at each other

Lockwood opening up

Lucy shoving a donut in George’s mouth to shut him up

Lockwood wanting to show them what’s in the room

“No more secrets”

THE MOST VILE CLIFFHANGER EVER

I needed a season 2 a week ago

Please Netflix

[calmlb]

It’s been clear that the Tanizakis aren’t siblings from the very beginning

here’s some evidence now that it’s been confirmed canon…

everyone who’s read irl Tanizaki’s book knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

BUT just because the Tanizakis aren’t siblings doesn’t mean you can’t feel uncomfortable about them. if you feel uncomfortable, GOOD. that’s exactly what they want

the Tanizakis, Mori— they all use these disturbing ruses to disarm or distract people in order to protect themselves, or to accomplish their goals. this is a writing device that asagiri commonly employs as a way to parallel the irl literature (it’s actually ingenious)

there are 4 main indicators that have always made it clear to me that Junichiro & Naomi are not siblings:

1. most obviously— their character designs. Harukawa is extremely intentional with character designs, & she very intentionally made Naomi & Junichiro look nothing alike

their eye shapes are purposely different

their color palettes are contrasting

even their differing styles of clothing have meaning

this was all done so that the audience could PLAINLY see that they’re not related— so that WE know that they’re lying when they say they ARE related

2. how the people around them respond to their act.

the general reaction is “don’t question it”— which is exactly what they want. “be distracted by how uncomfortable you feel so that you look away from what we’re hiding” (this is likely a protective measure)

3. most importantly, this is meant to parallel irl Tanizaki’s book “Naomi,” where the main character Joji picks up Naomi to raise her into his ideal woman, but since she's so young (& a minor) they call each other cousins (Joji makes no sexual advances on young Naomi btw)

however, his plan backfires because when Naomi gets older & they get married, she flips the script on him & manipulates HIM so that he's under her thumb (which is why bsd Tanizaki is at a domineering Naomi's mercy). Joji let her have her way because of his masochistic tendencies

4. lastly is the emphasis that Asagiri and the Tanizakis themselves put on calling each other siblings.

over & over, it’s ��my brother this” & “my sister that”

like they’re desperately trying to convince us that it’s true (“don’t let your lying eyes deceive you”)

here are just a few of many examples from the light novels…

again, if you’ve read “Naomi” you knew that Junichiro & Naomi weren’t siblings as soon as they introduced themselves

just like if you’ve read irl Mori’s works, it’s clear that bsd Mori isn’t a pedophile

just like if you’ve read No Longer Human you know that Dazai’s an unreliable narrator. he makes you think he’s a bad person bc he believes he’s a bad person, but those around him see him differently (btw this doesn’t mean he’s never done anything “bad,” though bsd isn’t about morality— but that’s another discussion)

anyway, i’m so excited for the Tanizakis backstory to be revealed so that we can better understand why they use this defense!!

also let this be a reminder to READ THE LITERATURE if you’re able to!! even reading synopses & analyses of the coordinating books makes bsd make much more sense 🥹

reminder that this how you’re supposed to react while reading bsd:

also, if you’re interested in a post explaining how Mori isn’t a pedo, i wrote this analysis on twt. OR you can read this document that one of my moots sent me (remember: analyzing a character does NOT mean you condone any actions they may or may not commit!)

[bambeebirdie]

Okay consider Bruce Wayne is the very well known bankroller for the Justice League. Batman is still part of the league, but they don’t know he’s Bruce Wayne. So, due to Bruce Wayne being such a well known figure and very obviously connected to the Justice League, that has kinda made him a target for certain people which means the Justice League has decided to assign one of their members to help keep him safe. Insert notorious billionaire fighter Superman becoming the part time bodyguard of Bruce Wayne in this epic superbat romance

[polycraftory]

This came to me in a vision at 3 AM and I got out of bed to make it.

- Gabe

[aria-greenhoodie]

Have some meme redraws of the radioactive old man yaoi ft. my Human Bill design again‼️

Click for Quality!

[sableeira]

this skk trc au is probably my most self indulgent artwork to date. If this sounds confusing, random, and very niche. It is! You can check out this post for more info on what the hell this au is about (I fear it’s not getting less confusing tho!) or you can read The Raven Cycle 👍

[finchers-ipad]

MY 1999 ‘SIGHT AND SOUND’ MAGAZINE ARRIVED!!

[arithmonym]

re-reading the locked tomb, and i'm thinking about how harrow identifies alecto as a "girl" rather than a "woman."

obviously, john had other sources of inspiration... but did you know that the original barbie doll was only supposed to be nineteen years old?

[myokk]

She chances a glance at Sebastian before getting out her copy of Divining the Undivinable from her bag and wishes she hadn’t. He looks uncomfortably big sitting on the tiny tea chair across from her, barely any hints of the boy who had completely swept her away two years ago visible on the sharper planes of his face. When had he - had they - grown up?

Sebastian Sallow was - is - charming, and that had been her downfall. She had successfully avoided his charms the year before, and she isn’t going to let that happen this year, no matter how much her body rebels against her mind and resolve. Because, as she reminds herself, Sebastian Sallow is also manipulative, and cold-hearted, and selfish.

“Well,” she says archly, opening her book. She will not look at him. “I suppose I am still quite ignorant of the practice of Divination, so do forgive me if I have to double-check my readings in the textbook.”

He says her name as she opens the book, and she ignores him. He says her name again. She continues to ignore him. He grabs the book from her hands and puts it the correct way for her. She was looking at it upside-down. Her cheeks heat up and she continues flipping through the pages, as if nothing has happened. She finds page two-hundred and thirty. She pretends to be interested in what she sees.

(Divination is unfortunately not interesting.)

Oh, fine.

“Do you want to start, or should I?”

These are the first words she has voluntarily spoken to him - not including the events of last week, which do not count as they were most decidedly not voluntary - since he called her ignorant a year and a half ago. He somehow looks surprised to see that she has addressed him, and for some reason this fills her with rage and a strange sort of confidence. Why shouldn’t she be able to talk to him?

“Here,” she says, putting her hand out towards him, palm up, ignoring the strange fluttering feeling in her chest when he gently grabs it with one of his. Sebastian looks up at her, waiting for her to continue speaking, and were she not looking at him so intently she would have easily missed the bob of his throat as he swallows nervously. “Show me how it’s done.”

from my oneshot, clumsy🫶🫶🫶

[demigod-shenanigans]

Fun fact: according to the ultimate guide, apparently it’s very common for children of Hephaestus to have acrophobia (fear of heights) due to the whole “their dad got tossed off Mount Olympus as a baby”-thing.

Now, isn’t it so interesting how that was never a problem for Leo…

I think we could have so much fun with this for Valgrace purposes. Either actually have Leo have that fear of heights and slowly unlearn it because he realizes Jason will always be there to catch him if he falls.

Or. Make it so that it’s just never been a thing for him at all. (Maybe the Fates decided with the whole “storm or fire”-prophecy and him needing to defeat Gaia, having him be afraid of heights would be a little inconvenient. Maybe Hera made him unlearn it as a child, since she’s the reason children of Hephaestus usually have that fear.) Either way, none of Leo’s siblings understand the inherent comfort he feels in the air. The excitement he feels over fixing Festus and attaching his wings. The way he grins when he feels the wind against his face as he’s falling, knowing he’s going to be okay even before Jason slams into him, holding him fast.

[lordsketchers]

we got robot yaoi and yuri in the same month guys we’re winning

[heirloommtomatoes]

the way kaladin is like. the only character who gets an arc relating to overcoming his prejudices but it’s…him overcoming his “prejudices” against lighteyes…like huh……?

[sweattyspaghetti]

Edit: Tyler with celestia tee existed. Same brain. Same brain..

Hello fight club fandom. It is absolutely abysmal and also a crime how no one (at least to my knowledge) has drawn Tyler Durden in the princess celestia t shirt. We missed out

I have brainstormed multiple fc drawing ideas and hope that they become real.

[ghostdrinkssoup]

dorian only thinks his portrait is beautiful because he sees it as a depiction of his fleeting youth and identity, but the truth is the portrait is actually a reflection of basil, the artist, who put too much of himself in it. it’s not dorian who is beautiful, but rather basil’s pure love for him, which in turn is a reflection of basil’s soul and true nature. by loving dorian, and embracing his love through art without shame, basil has created the most precious thing, even if it is fleeting. much like romance, all art is quite useless, but it touches the human spirit nonetheless, and that’s important

[fakesorbet]

is to be in love with blue, then, to be in love with disturbance? or is the love itself the disturbance?