#I’ll stop someday

[angelic-petty]

@angeltannis

“Sweet Besties Series” by POP MART x Sanrio ˚₊·—̳͟͞͞♡.

[crystalliumdaisy]

heart stealers

[hoshizoralone]

bite size vocaloid (up to v5)

[ohno-the-sun]

Found this old comic in my drafts

[drunkenlion]

I literally screamed

This episode was insane. Absolutely insane.

[okartichoke]

quotes are taken almost directly from my calculus professor over the last 2 classes (best two classes of my life) (i lost my mind abt it here)

bonus:

he’s like, scarily good at mental math

[grandwitchbird]

This is as much as I’m going to say on the debacle at the moment.

Veilguard as a text worries the audience is at least a bit racist on the whole. It wants to somehow prevent this from playing out in gameplay this time and also avoid the whole issue altogether maybe thankyouverymuch. This is in no way an actual ethical shift from previous BioWare games. They’ve just finally said ‘oppression bad’ in the text instead of hoping you’d know that and added some extra weight and consequence just in case you really wanted to kill the black dude or side with the fascists for noreasonatall.

To contrast. Disco Elysium knows most people are quite racist. It has zero interest in the audience’s response to its approach. And its approach is to call racists clowns right out the gate.

I know which approach I prefer, and I know I prefer it because it’s ethically stronger and not built on a codependent relationship with the audience. I also know why Veilguard did things the way it did. If you’re mad about it, maybe just check in the mirror for greasepaint first. And at least consider acknowledging that BioWare’s audience holds stock in the clown shoe factory.

[chantalstacys]

the inside of my head right now 💭

[moldypumpkins]

^_~

[wereshrew-admirer]

15daysoffatt day 1; Departure

DRE (as CHINE): Duvall, can you take It?

ART (as DUVALL): Uh, yeah, but—you don’t have to—it doesn’t have to go like this.

DRE (as CHINE): Apparently it does.

AUSTIN: It looks up at Chine again. At you, Chine. A little sad, but mostly confused.

DRE (as CHINE): You need to go with Duvall.

AUSTIN: It like, headbutts your shin a little bit.

DRE (as CHINE): I know, I don’t like it either.

[shorthaltsjester]

downfall has me thinking about the prime deities far more than is best for my mental health and so i’ve been rewatching c1 just because so many of the pcs have relationships with the gods — even percy and keyleth who hold lower opinions of the gods still have relationships with them — and good grief . you ever think about whitestone as this bastion of love that the gods still have for one another and the love that a party of idiots have for one another. that the centrepiece of the town is a tree from the dawnfather, one used for the builders of castle whitestone to take shelter from the tumultuous lands of the alabaster sierras. a mountain range that came about out of the conflict between the dawn father and the chained oblivion.

the fact that the family that whitestone’s lost son found and brought back with him amounted to two temples being erected, and how fitting that after defeating the briarwoods, the two gods that are given new houses of worship in whitestone are the gods of death and redemption, fate and compassion. do you ever think about how many of vox machina are champions but how much the ones who are not are still held in good faith by the gods, whether or not that is returned? do you ever think about the raven queen telling percy he is broken and reminding him that does not mean he is alone, that means he is mortal, as are all those whom he loves. do you ever think about percy’s death letter, read by vox machina in a tavern as he tells them that the raven queen calling him broken finally opened his eyes to the fact that he has chosen his life (and thus, he might choose better), writing “one the lie [that vengeance would bring my family back] was shattered, I scrambled to find a solution, to make a deal, to undo my mistakes and balance the scales. I now understand that there are no scales. There is no redemption, and no ledger that judges me good or evil. I am free to simply be myself and live with the terrible mistakes I’ve made. Tomorrow, I start upon a path beyond the gods and demons who have tormented me, and it’s your friendship that makes this possible. […] I will try and do my best for you all.” and signing it Percival, of Vox Machina - the family he found and chose, not the one he lost and buried himself in vengeance to avoid. and fucking, vex having just heard percy forgive ripley also hearing those words and having carved the word forgive on the weapon she carries who has a conversation with him to remind him (and herself) that committing to forgiveness over grudges and vengeance means also forgiving the person he’s been that prioritized vengeance. the fact that one of the main things they bond over is that they have similar dispositions to justice and a similar unwillingness to forgive but they both see that in themselves as something they wish to improve at, and that when they eventually marry, each time is by someone devoted to a god neither of them necessarily worship but each of which oversees a domain particularly relevant to that connection - keeper yennen is a worshipper of erathis, and thus the justice that both percy and vex care to honour; pike is a worshipper of raei, and thus the redemption that both vex and percy seek (and see in one another). do you get it.

and god the entirety of the final arc of vox machina is truly some of the most interesting cr content for me just because you get the silliness and depth of vox machina in the face of these Beings On High and they all gaze at these idiots trying to save the world with fondness and the realization with downfall that in many ways those gods were just as much idiots trying to save the world makes that so, so interesting. and i wonder what might’ve happened if one of the gods they’d gone to see had been the lawbearer or the wildmother, what might have been made of percy and keyleth. i wonder if the lawbearer might have taken an interest in a calculating and curious man who loves to strike a deal and stick to it, even if manipulating the contents of the deal made to better suit his ends - especially given that percy was rejected by ioun for his propensity not to share his knowledge, and especially given that whitestone has a historical precedent for worship of the lawbearer. and i wonder what the wildmother would make of an angry girl who is fated to watch the people and places she loves be irrevocably changed and die, who wields her vestige, and who favours the world and it’s people over the gods and their rules — something i’m willing to bet melora would find some common ground with.

there’s also some beautiful symmetry between the relationships of the gods to which vox machina become champions and their own relationships with one another. and i’ve made my post about vax and vex vs. the matron of ravens and the dawn father, but i also think quite a lot about vex and scanlan vs. pelor and ioun. vex and scanlan who can be quite antagonistic to one another but also understand each other as few others do; scanlan who tells the dawn father that vex is not perfect but she is the most perfect among them, vex who hears the knowing mistress tell scanlan that his stories give vox machina strength and genuinely tells him it’s true and that he is very powerful, even when he tries to joke about it. ioun and pelor were the ones to take on tharizdun, ioun nearly perishing and having to hide away to recover. when vox machina asks pelor for her location he doesn’t know it. and fuckin. dalen’s closet. should be a silly little wedding oneshot ends with fuckin. vex glowing with the light of the dawnfather as her and percy, the living son of whitestone, are married by pike who is a cleric and is also the champion of the god of redemption, where the champion of ioun turns into a. dinosaur to walk his friend down the aisle and then grants a wish so that she can see her brother again and the champion of the matron of ravens comes to visit - something that is explicitly stated to be allowed by the matron of ravens. where a twin glowing like the dawn and a twin darkened by raven feather embrace. do you get it . do you see it. the fact that the first story we all heard in exandria was one of a family threatened by fate who could not beat it but did their best with it and that now downfall, the newest story but with parts of the oldest story in exandria’s timeline, is the same. a family who is doing the best with what they have, and what they have isn’t always great.

[plunderingpennies]

I am incapable of drawing Black Butler art without using Calvin and Hobbes as my muse

Ref under the cut

[holycalf]

doctor who au where everything is the same except rose tyler was goth and looked like this

[redhotarsenic]

Throwing this through your window

[cable-salamdr]

People ask me how I listen to The Crane Wives’ songs without crying every three seconds at how relatable the lyrics are and my honest answer is to gaslight myself that the text only fits my ocs and other fictional characters and not me nope no siree only oc animatics being thought up over here

[karaspal]

I just remembered about the existence of the Supergirl Special #1 and I got annoyed again. So now I shall copy and paste the review I left in comic geeks.

Perhaps Mariko Tamaki should stay away from Kara. I’m yet to read a good Supergirl story from her. I get that this story has some message about girlhood somewhere in these pages, but it poses an issue Kara has never had. She has never felt like she’s falling behind. That’s not a part of her character. So why use her to tell this story?

Another problem I have is her risking the lives of innocent people, and for what? Because she is jealous of Karen? She’d never do something like that. Helping people has always been her number one priority. And she’d never be jealous of someone else. Especially someone who had their entire charm assassinated by Leah Williams.

Kara can be arrogant and stubborn sometimes, yes, but not in the way it’s presented here. She is arrogant and stubborn in the sense she wants to save everyone and would never stop, even if she’s on the brink of death. Call it the indomitable kryptonian spirit, if you will. Call it stupid stubbornness, if you will. But it is who Kara is. Sometimes she can feel like she’s the only one who can do what it needs to be done, to save the people who need saving, and yes, it is arrogant, but the reason she feels so is because she can’t have anyone dying on her watch. Those “toxic” traits of her come from a place of selflessness and compassion, not jealousy. Everything she is, it comes from a place of selflessness and compassion. She suffered so much in her life, you better believe she’d do everything in her power and more to make sure no one else has to suffer the same way she did.

Kara is a competent woman who knows what she is doing. She’s confident and strong. Phillip Kennedy Johnson once described her as always being “the smartest person in the room”. It still baffles me how DC turned PKJ’s Supergirl pitch down, but green lit this.

It’s been half a year and somehow, I hate this more than the day it came out. Perhaps, it’s because this is last Supergirl thing DC published and it was last year. It’s never too late to let PKJ write her, you know.