#I’ll make it a thing y’all

[wow-an-unfunny-joke]

DnD au where Chilchuck (irl) is like 4’11 and everyone bullied him into making his character a halffoot

[rystiel]

that annoying moment when getting left for dead in the trunk of a car in your 20s comes back to haunt you 40 years later (take a shot every time ford says “stanley”)

[ironunderstands]

All of Aventio’s implications that I can remember because someone has to compile them 

Massive disclaimer: the purpose of this slideshow is not to prove that Aventio is canon (even if I personally think it is), but rather to demonstrate the relationship these two have in canon, as well as disprove the misconception that they hate one another, because no, they absolutely do not. This list is also in no particular order so expect a lot of jumping around in the story. I hope you enjoy reading! 

Dr. Ratio added gambling to his update for the Simulated universe, and said a certain gambler would enjoy it, despite Ratio’s known dislike of gambling. 

He put his all into carrying out Aventurine’s betrayal plan, and Aventurine trusted him to execute it correctly, despite the plan/going to Penacony having no obvious gain on Ratio’s end.

Dr. Ratio gave Aventurine this note urging him to keep on living despite the pains of his past and the agony of the present, wishing a man who is already known for his luck the best of it, something which helps Aventurine survive the manifestation of IX. I am insane about this note and could yap on and on about it, but I will spare you the delusions for now haha. 

Dr. Ratio wears his headpiece around those he finds to be unintelligent and not worth his time, but he has never once on screen worn it around Aventurine, signaling that he finds the man to be both intelligent and worthy of his attention. 

Aventurine doubts his own intelligence and worth in his voiceline about Dr. Ratio, believing that the scholar doesn’t care for him. However, in Ratio’s voiceline about Aventurine, he commends Aventurine for his competence and skill, pointing out that his success is not in-fact just due to his luck, and if he keeps doubting himself he will meet the fate of those praying on his downfall.

Aventurine is also the only person to actually have voicelines about Dr. Ratio so far, despite Ratio having interacted with many others, meaning he’s the closest in canon to Aventurine, seeing that he’s the only one who talks about him. (Hopefully Screwllum has a line on Ratio when he comes out bc I am starving for Ratio content lmao). 

Aventurine’s first eidolon name is Prisoner’s Dilemma, which refers to a game theory in which two people can only achieve the best outcome of their situation if they put their faith one another while being unable to communicate/physically separated, and it mirrors the dynamic Ratio and Aventurine had on Penacony while acting out the betrayal plan. Which could mean nothing. 

His 6th eidolon name is Stag Hunt Game, which refers to another game theory based on trust, and is again, reminiscent of Ratio and Aventurine’s plan. Basically, they trust each other a hell of a lot, to the point where his eidolons are named after similar games of trust, which is no accident, as well, there’s countless game theories, and hoyo went with the ones specifically centered around trust between two people. For example his E4 is another one of those theories, but has nothing to do with trust, so they specifically selected his first and last eidolon to be about it, interesting.

The name of the 2.1 quest that just involves Ratio and Aventurine is Double Indemnity, which not only refers to the legal matter but also a famous romance and thriller movie in the 1950s by the same name. Notably, it shares a lot of plot points with that of the 2.1 quest as a whole, and the fmc is always portrayed as blond, just like Aventurine. 

There is also a scene within Double Indemnity that shares a lot of parallels between itself and the Final Victor lightcone. However in the movie scene she is holding the gun, whereas in the lightcone Ratio is, even if Aventurine is holding it to his chest.

Also if you want a more in depth analysis on how this movie relates to them, this person made a great one on tumblr :@anominous-user. (without the period, also it’s long as hell though be warned). 

You receive the track “Spellbound” after completing the Double Indemnity mission.

It is also the name of a 1945 film by Alfred Hitchcock, which is a Thriller, Noir and you guessed it, features romance as a major part of the plot. Its story also seems to have parallels to Aventio’s, but I’m not gonna get into that for now.

Notably, spellbound also means to hold the complete attention of someone, which is more often than not romantic, as only people you love/admire can captivate you like that. 

The bathtub couch Aventurine gets Ratio during his demo (and is the only time the seating ever changes in demos) is reminiscent of the bathtub couch from Breakfast at Tiffany’s, and you guessed it, its another romance.

He constantly flirts with Ratio in the pinball section of the Double Indemnity trailer, even going so far as to a) have the “Doctor you’re huge” line become a massive meme in the community b) he literally says the view is breathtaking when the only view is the giant Ratio he’s staring at. Honestly this entire section is so chock full of romance tropes (seriously what writer let their size difference kink into the story) that I have no idea how it passed censorship.

Aventurine also flirts with Ratio in the 2.0 scene by asking where his alabaster head is, which means he’s seen him wear it before. However, even when Dr. Ratio is acting, supposedly yelling at Aventurine for being a useless fool, he doesn’t wear the mask meaning he doesn’t truly feel that way.

They also have designated nicknames for one another, that are exclusive to them only. Dr. Ratio only ever calls Aventurine “gambler” while in his presence, and although Aventurine calls him Ratio sometimes, he often refers to Ratio as Doc/Doctor (Professor too in the CN) when talking to him. What’s interesting is that nobody else seems to refer to either of them with these names, meaning they made them for one another.

Despite the fact that throughout Penacony, Dr. Ratio’s job is to sell the betrayal plan, he still apologizes to Aventurine in the 2.0 argument scene, and looks away during Aventurine’s sentencing presumably out of guilt/to not break his poker face when the other looks at him. He also not so kindly tells Sunday to visit a shrink (therapist), which should tell you how much his actions concern and upset Ratio.

He also breaks his act again to check in on Aventurine. Hmm. 

Anyways time for the Aventurine keeping up with starrail speedrun because OH LORD, I’m gonna number these by image so I don’t exceed the count LMAOO. The first few are numbered by image, and the next are numbered by the columns of images, and I can clarify in the comments if you’re confused!

1) Owlbert calling them good friends (which Mr. Tsundere denies, although he says Aven isn’t awful to work with) 

2) PRAISE OWLBERT

3) This line is very significant because only 3% of Dr. Ratio’s students ever pass his classes, in which they become experts in their fields. So, if Aventurine earns a passing grade in Dr. Ratio’s book, that means he’s exceptional to him as almost nobody does. 

1) Ratio says his flashy outfits just make his job harder which ??? What do you mean by that sir do you not like seeing other people lay eyes on Aventurine serving cvnt? Why are you so worried about how his jobs go? Hmmm? Throughout the whole video he also keeps saying Aventurine shouldn’t take up fights in the first place, and the more logical thing to do would be to run away. Worried about our dear gambler Ratio?

2) How well do you know this man that you know his personal motto 😭 look genuinely idc if you leave this shipping them or not, how the hell are you gonna deny their friendship after this at the very least. 

Ok homoverse/j Anyways basically what’s going on here is that the little showcase of Aventurine’s kit ended and Ratio gave him a compliment. Owlbert says it seems like there is some mutual respect between them. Interesting, instead of denying it, Ratio asks, “What did he say about me?” implying that Ratio respects Aventurine, but he did not realize the other respected him back. 

1) Which causes Owlbert to spill this, which speaks for itself, Aventurine believes Ratio is the person who knows him best, so he invited him to be on the show. 

2) Which results in perhaps the greatest display of Ratio’s tsundereness to this day, also Owlberts face I can’t 

1) It seems Ratio didn’t think Aventurine knew him so well, but oh boy it gets better (worse for Ratio though LMAOO)

2) Caught your ass in 4k, also please just go and listen to this demo again I don’t think Ratio could sound more flustered if he tried. 

Apologies for the fuckass title card getting in the way no I don’t know how to remove it, but if you look closely in the first one, you can see a little sweat drop by Ratio’s face, which is again, another common trope with Tsundere’s when they get called out on their bs. “I really can’t tell what the deal is between you two,” me too Owlbert, me too.

Aventurine knows Ratio is in the council of Mundanites, information that is only a rumor to the rest of the galaxy, and Ratio trusts him with this information.

Acheron calls them friends, thank you Queen louder for the dumbasses in the back! Apparently there’s also a note somewhere in Penacony that talks about her, Argenti and of course Ratio being the ones to save Aventurine, so if I can find it, I’ll include it in the next part. 

Oh and don’t you think I’m done w this ridiculous lightcone for one second. I’m  well aware it’s a display of Aventurine’s su1c1dal tendencies, hell I was and still am the biggest supporter of that, however I also have eyes and yeah this fucking thing is really h0rny oh my god. “He provocatively looks at the man before him,” ok, could have picked any other wording but you picked that one 😭.

Also, a key detail of this lightcone that people miss is that it’s, well, a lightcone. A lightcone we get in 2.0 as soon as it drops, and since lightcones are canonically condensed memories, this happened way before the events of 2.0, and is likely how Aventurine convinced Ratio to join him jn the betrayal plan. 

Moreover, Aventurine says “remain amicable,” meaning this isn’t their first meeting, and him and Ratio had at least been talking to one another for some time before this, which could mean their friendship/partnership/whatever the hell this is has dated back to perhaps even prior to 1.6 when we meet Ratio for the first time, but ultimately that’s just speculation. 

Lastly, for this mini lightcone rant: the animated version of it. Oh lord. 1) Camden and Jordan put their all into it istg 😭 2) Ratio pulls the gun back but Aventurine stops him, meaning that a) Ratio didn’t want him to get hurt, but he b) accepted Aventurine’s provocation, 3) Aventurine LEANS CLOSER to him while teasing him with his whole “why not doctor~,” sh1t and 4) if you look closely at both the animated and still versions of it, there’s a tiny spark of light in Aventurine’s normally dead eyes, which is just, yeah. 

Ratios party voiceline for Aventurine. This is a complicated one because it is meant to be b1tchy in both languages (this is a tumblr post on it by @devxoid which goes over the nuance surrounding it. The TLDR is: directly translated, it means “take care of yourself, gambler, I need not your worry/concern,” but its actual meaning is far closer to the “fuck off” vibes in the CN. However, two this complicate this, 1) he sounds far calmer/neutral in the CN and 2) Ratio is the biggest goddamn tsundere on this planet, so even if he sounds mean, he does genuinely want Aventurine to take care of himself, as Ratio’s tried and true method of getting people to better themselves is by being rude to them, so it’s actually fairly in character, it’s just I think the way the line was directed in EN was a bit too harsh and threw some people off 

Finally, here’s some more silly ones that don’t really mean anything on their own until you put them into the context of everything else:

Their status as package deal do not seperate in both the data bank and the profile pictures is extremely funny because they have no reason to be next to each other like that, they just are.

Their kits are also designed to synergize perfectly with one another, and in the livestream Ratio was put in the team to demonstrate Aventurine’s kit because well, they are made to work together. Aventurine is by far Dr. Ratio’s best sustain unit due to the debuffs he provides (alongside everything else) which only gets better with eidolons + his signature lightcone, and if you have ever played Ratio you know how much he likes debuffs. As for Aventurine, his arguably  best team is the FUA one with Robin, Topaz and well, Ratio, who is the main dps of the team. Honestly besides trying to zero cycle MOC there is no reason as to why you would run Ratio with any other support unit if you have Aventurine. 

I hope you enjoyed reading! Also, this is absolutely not everything, just all the stuff that’s easy to point out, and I’m not even getting into an actual analysis of the plot and how that demonstrates their relationship. Moreover, I don’t expect you to leave this shipping them if you don’t already like them, but I at least want to demonstrate that they are without a doubt close friends in canon, and there’s no denying it. I definitely missed some so feel free to point out more, as I might make a part two, as these are just all the ones off the top of my head. Continually, for the people who like Aventio, hopefully this serves as some sort of guidebook/reference to their implications/interactions, and if you have any moots who love this ship, I’d recommend tagging them in this bc I think they would love it! Have a good day :D

[konoharfts]

Look Alive Sunshine ~

New Bulletproof Hearts AU lore just dropped

Here, have Kakashi and Genma’s character intros and thumbnail designs and notes for 6 out of the main 7!!! (I’ve already posted Anko ;) )

(If this is the first Bulletproof Hearts AU post you’re seeing, for context this is my Danger Days inspired AU featuring the tokujo squad and also Kakashi :) )

And now for the official intro:

In the fallout following the Resource Wars , and shortly after we lost Kiri to the waves, the Senju company in collaboration with the Red Fan company establish Neo-Konoha, the new capitol of the remnants of the Land of Fire. A shiny new city free from the troubles of post-war faction life, and the dizzying desert heat.

Here in the city everything runs on chakra energy. No more nuclear or fossil fuels, that’s for the old-world now. By tapping into the “dragon veins” flowing through the earth chakra can be cultivated and converted into the fuel that powers all of Neo-Konoha’s beloved bright lights, hover-cars, gadgets, and gizmos. It’s even opened up the doorway to cybernetics and body-modification. With chakra being an energy source that resonates with life it’s never been easier to merge man and tech. Now, many new companies wanting to make their mark on chakra-tech industries have sprouted up, and Chakra City (Neo-Konoha) is very kind to those wanting to contribute to the expansion of the city, and the growth of the economy.

The city is split into three main branches. The tall buildings and neon lights of the inner-city, the seedy bars and backroom deals of the under-city, and the plastic smiles and white picket fences of the residential district. Everything inside the city walls is labeled as Neo-Konoha, and everything outside in the wide open desert plains is labeled as the Outer-Ring, where many live in the little non-radiated pockets of barely habitable land. Made barely habitable thanks to the over mining of chakra, causing the land to be drained of its vitality. Life in the O.R is rough, it’s a lawless wasteland filled with criminals, thugs, and the kindest and realest people you’ll ever meet. It’s the home of all of those who don’t belong inside the city walls. Those who were cast out, or those who chose to leave, and those who had no choice but to be born.

After the tragic death of chairman Minato Namikaze the Golden Era of Neo-Konoha has been replaced my Sarutobi Hiruzen’s age of radio silence, aided by president of ROOT Danzo Shimra who’s company specializes in keeping the people “in line”. A powerful regime threatened only by a newly established pack of desert rats out in the Outer-Ring consisting of two of Minato’s former bodyguards, the previous head of the intelligence division, a woman who’s more machine than human, a sickly smuggler, and more recently a once-double agent turned pink hearted. These anarchists call themselves Wildfire.

Operating out of an abandoned gas station from back in the old era of gas powered vehicles Wildfire’s unofficial leader Genma Shiranui runs a 24h radio station - titled S.E.N.B.O.N radio - where you can tune in to all of the greatest punk-rock hits AND get all the information you need regarding the movement of Neo-Konoha’s exterminators, soldiers, and SCARECROWs out in the O.R. How to best avoid them, and how to best blast ‘em to one of the four respectable levels of dead without sending yourself sky high with ‘em. Unintentionally Shiranui becomes somewhat of a guardian angel for the people struggling against the chains of oppression out in the wastes. What was once a station created to provide some musical escape with just a sprinkling of survival tricks turned into the stage in which the revolution is set.

In that same gas station that’s home to such an iconic station are all of the other main members of Wildfire. We’ve got Anko Mitarashi, who has a mechanic shop where she can do just about anything given the proper materials. Anything from mods to prosthetics, vehicle repair and customization, making whole new gadgets, and making cyber-cycles from scratch. Meanwhile, when he’s not out on an assignment Raidō Namiashi’s running the “convenience store” that’s really just a front for the whole fence thing they’re running. Ibiki Morino is used as the group’s ‘intimidation and muscle’ but when he’s not scaring Konoha dogs shitless he’s slaving over his pride and joy, a car that’s more modifications than car. Hayate Gekkō manages their connections to the smuggling routes and also makes it his life mission to act like the station’s cat. Agent Yūgao Uzuki, former SCARECROW assigned to take down the rebels, turned double agent, turned Wildfire loyalist tries to take charge of planning as much as she can. After witnessing the state of the leadership in the revolt rocking konoha she’s flabbergasted they accomplished as much as they did.

On the side of Neo-Konoha Kakashi Hatake, Mad Dog, agent #07, and Hiruzen’s top SCARECROW, is assigned to take Wildfire down. The group consisting of his old comrades and friends, before they turned traitor. With his soldier prowess and the use of the advanced AI program ‘B2’, created by Obito uchiha, Kakashi is the only individual able to stand against Wildfire, the question is, does his loyalty to Neo-Konoha and his trust in “Obito” outweigh the ache he feels. The niggling feeling that there’s something very wrong, something he’s missing.

This is not a tale about heroes. This is not a tale about glory. This is a tale about people. People living, and people dying, and people clawing their way through life, and people snapping at the hand that tightens the leash. There is no victor, there is no clean cut, just what is left when the fire burns through. The embers that sparked the Wildfire are doomed to fizzle out and die in the infancy of the flame. But as long as you stick around to witness the trees burn, they cannot claim it hadn’t happened at all. When a tree falls in a forest, tune in to the sound. Because remember, they can’t control you if you don’t give in to the silence.

Orrrrr

The tokujo gang fight against the oppressive fascist regime of Neo-Konoha while spreading chaos through the wastes and making Kakashi’s life way harder :)

So yeah, I hope that makes sense T~T it’s so late at night when I’m writing this I fear I may be too cryptic…. BUT PLEASE TELL ME YOU GET THE VISION!!

If anyone is interested in more lore feel free to ask anything <<33 I’m going to try and post some mini comics and blurbs for this AU often-ish (for art practice and also I want to push my brainworms onto y’all) so stay tuned?

Alright I think that’s enough yapping (for now ;) ) if anyone read all of that I shall give you one (1) soft little forehead kith :) 😙💋

Okay byeeee~~~

[emily-mooon]

Rovickie Stares and Glances

[dekusleftsock]

I think that there’s a fundamental misunderstanding of what exactly is…happening with Izuku’s character. Specifically in regards to chapter 425.

I’m glad that a lot more people generally recognize that Izuku is not a character that can be read at a surface level, given that he’s both a repressed person with built up emotion of basically everything and also a very glaringly HUGELY unreliable narrator, but that doesn’t necessarily mean I agree with the ways I’ve seen this most recent chapter spoken about.

I see posts, comments, etc with ideas like “Izuku don’t suppress your emotions! Open up with people! It’ll be okay I promise!” When that’s fundamentally not what is happening here.

There’s always always ALWAYS been a distinct difference in character throughout horikoshi’s writing when he is showing that a character is:

A—Avoiding emotions, thoughts, ideas less than ideal for them. Not opening up when they probably should about their problems given that they’ve been handed the space to do so. Just genuinely not acknowledging, feeling, or expressing emotions that they don’t want.

B—Reflecting on the ways they feel about the world, themselves, or other people given their new perspective on a situation. Not outright reaching out to others to talk about these problems/feelings, but instead waiting until the moment they feel they have the most confidence to do so with their new outlook on their own life.

And genuinely, guys, to grab your BkDk attention rn, this is the exact reason why Ochako’s reflection on her feelings for Izuku and thereafter decision to pull away from them WAS NEVER GOING TO END IN OCHAKO EXPLODING WITH HER LOVE FOR HIM.

This was another common interpretation I saw of Ochako and Izuocha for a long time. That because she pushed these feelings away, they were somehow going to explode in this unbelievable way and she would “get the boy” because of it. That her arc would surround accepting her romantic feelings and that she can’t just push away how she feels for a career.

But yk. That didn’t happen. At all. Nowhere close even.

The same kind of goes for Katsuki, allmight, etc. They all had moments in their arc where it was spent genuinely reflecting, and the only reason we as the audience never connected it in the same ways we do ochako or Izuku was ALWAYS BECAUSE the narrative showed their inner thoughts while doing so (mostly because Allmight’s arc after losing OFA and Katsuki’s arc on what it means to be a hero were so intrinsically tied, both starting at the same time and ending at the same time during the final war. And because they were so tied this caused their own reflections, development, and thought process to be broadcasted to us frequently throughout their arcs… to each other. They also somewhat shared aspects with Izuku, but these were cherry picked more often than not, like dvk2 for example).

To us Katsuki never seemed to be.. idk, suppressing his anger in any way because we were always told what he was doing and why (side note: this is why I’ve always thought arguments against Katsuki were so weird, bc unlike characters like endeavor or Ochako he wasn’t like… hiding who he was and how he was changing. Ever. Like the audience knows at all times past basically season 3 what Katsuki is thinking and doing. Like how do you watch this happen, stare me dead in the eye, and tell me how much of a terrible and awful teenage boy he is. Like damn I didn’t think we were this dumb. This is also my theory as to why he’s most popular, his arc is very… in your face if that makes sense). Katsuki’s entire mini arc on reflecting his mistakes and his childhood and his future is spent TELLING YOU that it’s what he’s doing. (I’m referring mostly to the endeavor internship arc, the provisional license exam makeup, and basically everything in the war arc related to him leading up to bakugou Katsuki rising here)

And see, Horikoshi will stare you dead in the eye, tell you “this girl has taken into consideration that she doesn’t want to waste her time training her career focusing on a boy because he kinda caught her fancy”, and y’all will still say that this will explode in her face.

Y’all this is a series about learning how to manage emotions, maturity in relationship to one’s emotions, how to feel an emotion, but in a way that is helpful. Horikoshi isn’t telling you “go buck wild, feel everything all the time and always express it”, in fact he explores why you DONT do that! Through Toga or Shigaraki, they show how grief and anger can genuinely consume you. But he also shows why you shouldn’t just put everything in a box to never look at or acknowledge, or why you shouldn’t just let your grief destroy the world around you, or pretending that some emotions simply don’t exist.

I can’t say this enough, so let me say it now, mha is about the extremes of your psyche. That you should control something, but not too much. Everything can be harmful. Everything can be good.

Izuku is not controlling too much, he’s expressing just enough.

I LOVE shaming this dickhead at all times in all my posts. I love saying he’s an ignorant dipshit with a weird amount of distaste for a girl who just confessed to him. I’ve joked that chapter 348 is basically an entire chapter spent on Izuku calling Himiko a mean dyke. And yet I also believe he’s doing nothing WRONG here.

In fact, I’ll even say that this moment right here?

ISNT EVEN IZUKU DOING THE SOCIALLY APPROPRIATE THING ABOUT IT! But he’s still TRYING to reach out to someone he thinks MIGHT be able to understand. (And frankly, this moment is far deeper than what it’s being made out to be, to me it reads more like an unrequited friendship that Izuku both desires and has thought of them to have, while simultaneously showing the distance Ochako has successfully wedged between them for her own sake. Maybe it was always there though, maybe in weird, miscommunicated Horikoshi fashion, this is a representation of how Ochako always read all those “fun friend hangouts” as a little more than that, and without those feelings the friendship never really held any substance to her in the first place. Where Izuku saw his first real friend at UA, she saw little more than acquaintance)

Simultaneously, Izuku is genuinely reflecting on what it means for the world to change, to be a hero, to live after loss—and trying and failing to gain the connection he desires from individuals who can not and will not afford him that.

Izuku is ready for the world to change, a few select characters are also ready for the world to change (mirio, for example), but not nearly enough are. So maybe I’ll have to take this back if I’m proven wrong and I accidentally looked into this far past what everyone else did for no reason, but I genuinely believe with moments like this

And this

Aand this

That Izuku has come forward with that aspect of his character development. He’s reflecting on his new beliefs, not repressing his emotions for them.

[royaltea000]

Is that a gun in your pocket or are you just happy to see me ;)

[short666bread]

drarry underscore 2009 dot gif

[thedaythatwas]

I’m just thinking long and hard about the way Akiren and Akechi are written as foils for each other. Because of course, the game drives it home for us that the two are narrative foils: Akiren is the champion of free will who finds power through his friendships, Akechi represents the ways society binds us. He is chained by his desire to be wanted (importantly, by the wrong people– I’ll get to that).

At first glance, Akiren and Akechi’s point of divergence has to do with their relationships– Akiren has confidants, Akechi doesn’t, and this is the deciding factor in Akiren’s victory over Akechi on November 20th and in the engine room. Still, while this is certainly part of what makes their relationship important as a narrative device, it’s not the full picture. That, I think, has more to do with the fact that they both desperately want the very relationships that are used to foil them. They have common ground, and that’s what makes the emotional beats of their differences hit as hard as they do.

Even though Akechi doesn’t have the close bonds that Akiren does with his friends, he is defined as a character by his desire to belong. He wants to be praised and given everything he feels he was denied by Shido’s callous disregard for his mother and society’s unjust treatment of him after her death. He was a self-proclaimed “undesirable child” who spent his young adult life doing everything in his power to never feel unwanted again. He literally spells it out in his engine room monologue– “I was extremely particular about my life, my grades, my public image, so someone would want me around!”

Akiren, like Akechi, begins his character arc as a social outcast. Unlike Akechi, who appeals to systemic power to claim social clout and chase his own sense of belonging (the Shido revenge plot, which would, uhm, theoretically end with Shido acknowledging his son’s worth), Akiren finds family with other outcasts. All of the Phantom Thieves understand his struggle, and because of this they foster a sense of understanding and community that Akechi never gets to experience.

It is important to note that these bonds are deepened when Akiren helps those around him. While there’s absolutely nothing bad about doing things for the people you care about– in fact, most would argue that this is what makes a friendship a good one– we can take a reasonable guess that Akiren craves the love of those around him just a bit more than is healthy for him. He plays therapist for half of Tokyo– he stretches himself absurdly thin for the sake of his friends. That’s a bit much to ask of one person, but Akiren seems to demand it of himself. This is the nature of confidant routes as a game mechanic, of course, but hey, reading into game mechanics is important to getting a solid reading of who Akiren is behind the mask!

The crux of it is, Akiren and Akechi are both lonely characters. Their desire to be loved quite literally drives the narrative of the game, both in terms of plot and gameplay. What makes their foiling so tragic is the fact that Akechi so obviously wants what he has himself determined he can’t have. He says as much in the engine room when he questions why Akiren has things that he doesn’t, despite being (as he says) criminal trash living in an attic.

And yet, Akechi’s isolation is frankly the result of his own decisions. He is the one who chooses to work for Shido. He is the one who acts on a worldview that requires he keep his cards close to his chest to win— against Shido and against the world that wronged him— and to be considered desirable (even despite the fact that this mindset obviously works against satiating his hunger to be loved. He really needs to go to therapy, but I digress).

I don’t think Akechi even knows how to go about claiming what Akiren managed to. Akechi has agency in the actions he takes, absolutely– he would be furious about any suggestion to the contrary– but in many ways, the choices he feels himself able to make are constrained by his circumstances and the lessons imparted to him by his past.

All this to say, Akechi and Akiren aren’t different because Akechi doesn’t want teammates, or even friends. He sincerely wants everything Akiren has. He tells us this in the engine room. He shoots himself in the foot by prioritizing approval from society and love from Shido above other relationships. But thinking from inside his shoes, what else was he going to do? Where else would he have thought to turn to find what he wanted? He was dealt a horrible hand and he played his cards according to the rule book he was given. If the world were just, Akiren and Akechi wouldn’t be foils. It’s the injustice implicit in that that really drives home the point I think P5 is trying to make when it foils Akiren and Akechi in the first place. It also, personally, has been making me want to scream all day.

On a related note, this is also the exact reason that Akechi being the one to bring up that things might have been different if only he met Akiren a few years sooner makes me want to throw things, but this post is long enough. I’ll save all that for later!

[tau1tvec]

Even tho I actually loved the first season of RoP ( and The Acolyte ), I can’t even count all the times I’ve gone back to rewatch old favorites, and either cringed through the whole first season, or just skipped out on rewatching it, and went right into season 2.

I don’t know what happened to patience, and attention spans when it comes to media, maybe it’s the price of everything going streaming, or the shift of the “television show” slowly turning into elongated, big budget movies, and the death of 15-25 episode seasons. But it is super duper weird to me watching ppl want to see something fail, b4 it even finds its footing, or in the case of The Acolyte, b4 it even started filming.

[sopuu]

hii just wanna say a quick thank you to all the likes reblogs comments and asks i got from the champion comic, the reception is FAR beyond what i expected or hoped for you guys are amazing <33

[ivyllamauwu]

It's redraw time!

New‼️:

(Click for better quality 😭)

Old👎:

I do feel like the old one is serving more cuńt but meh, I still prefer the new one. AND I CHANGED THE BACKGROUND COLOR BECAUSE I FUCKING HATE MUSTARD YELLOW, WHY THE FUCK DID I USE MUSTARD YELLOW?! 👺👿

[oddly-casual]

Homura Hc’s (or a mini appreciation post tbh)

Homura is one of those characters we see only a handful a times. I think we see her maybe three times in the show, and a couple times in the merch. Mostly Hesokuri wars.

But despite the fact that she has about two speaking roles in between three seasons and a movie, the writers try to keep her personality in tact and I like that they do that.

Most of this comes from Jyushimatsu Dolphin (season 3 Ep. 8). Where Homura sticks her neck out to help Jyushimatsu follow his dream of being a dolphin.

We don’t know exactly how cannon these skits are, but certain characters are chosen for a reason and I think we can take away a lot from some of Homura’s decisions and actions.

Like the fact that she even agrees to help Jyushimatsu at all despite not knowing him (in this skit at least). She tells us directly that it was because she was moved by his passion, but staking your job on something as flaky as passion would be- what some people call- a dumb risk.

Despite being the only one in his corner, Homura gives her all into training him. In her first appearance in season one, Todomatsu call her “Weird” And I think this skit goes into depth about how weird she actually is. Homura hardcore trains him in the ways of being a dolphin that she is familiar with, even if that means nearly drowning him.

This girl that we met in season one, who we knew as soft and sad, is in fact a weirdo.

Like just look at how everyone reacts to her! Go off queen!

I really like how this skit gets rid of any assumptions about Homura’s character. From her first appearance alone you would think maybe she’s weak willed or fragile- but she really puts her all into the things she cares about and doesn’t let anyone slow her down.

Homura doesn’t even call it out or try to explain herself, it’s just how she is and I love that for her.

We also see pretty consistently how she handles conflict, or failing.

In season 1 she calls off ever seeing Jyushimatsu again because she has to go home, and you can tell it hurts her to just outright reject him like the that.

The fact that we possibly know her background also adds context to her decision.

It’s possible she just wants to get away from that industry and the people, maybe too many people know her from the porn dvds and she just needed a fresh start somewhere else. Maybe she felt like she was lying to Jyushimatsu because she couldn’t tell him all she’d done- who knows?

There’s a lot of ways you can look at it but I think most of all, the skit in season 2 could reshape how we looked at her reaction to conflict in season 1.

When faced with failure, Homura gives up.

She gave it her all, and it still didn’t happen. Homura is grounded in reality to an extent. While the Matsuno’s live by their own rules and do whatever they want- it feels like Homura found a way to work within the rules. To try everything she can, but not to exhaust herself with something that’s not baring fruits.

She doesn’t seem disappointed that Jyushimatsu will keep trying, she’s angry. Homura yells at him and calls him a block head because he’s being stubborn- but why try so hard to get him to give up when it’s his dream? Why does she want him to quit? He will continue with it without her so why?

There’s a possibly that she doesn’t want to see him hurt. Like season 1, Homura distances herself from Jyushimatsu specifically after he confesses.

We can assume it’s because she would be in a whole other city, and with the past attached to her, she didn’t want to hold him back. Either that, or she didn’t want to face rejection if things didn’t end up working out.

But I also think it’s important to note that Homura was moments away from ending her own life. In the end, she chooses to take herself to a familiar place rather than to attempt again- showing signs of gaining some perspective or some motivation to keep going.

My main take away from Homura as a character, and outside of her potential relationship with Jyushimatsu, is that Homura is a character ground in reality who is a little silly.

Homura takes things seriously, no matter how goofy they are (like wanting to be a dolphin- like an actual dolphin), but she also likes to laugh and have fun like everyone else.

Homura knows not to spend time on something that possibly won’t work out, and this could be because she’s been beaten down before and knows the prolonged pain of hope. She also has a past we know nothing about that could’ve shaped the person she is today.

Homura is a silly weird girl, but unfortunately life got to her first. That doesn’t stop her from being weird and silly though.

[ninkaku]

“they had something” and it’s gihun and frontman ?? im sick

[lunabug2004]

Okay but if I get another “reasons why st5 will fail/reasons why I’m not watching st5” recommendation/TikTok/POST OF ANY KIND….. IM GONNA GO INSANE

Like, good for you ig 🤷🏼‍♀️ I couldn’t care less if you’re not watching tbh, and I respect your opinions/decisions… but don’t try to make others feel bad about still wanting to watch it. We are all humans and are all capable of making our own decisions thank you!

[mcls899]

ok but why the fuck did tumblr fans suddenly decide chat blanc never traumatized marinette in any way? like genuinely how did you get that from watching this show? we saw her having a nightmare with him in it— i forgot what season it was— but like… a gazillion things happened since that time. she fought her boyfriend’s dad and saw him go to the afterlife hellooooo? if anyone’s her prime source of trauma it’s gabriel now and it’s very much made clear in the intro. why does marinette have to think about chat blanc every second of her life damn?

also the antikuma thing… i’m not gonna lie, chat blanc didn’t even cross my mind till i saw people making connections. that’s just chat in a grey suit i’m crying y’all decided he’s reminiscent of chat blanc on your own, dont be mad at marinette for not thinking of him 😭