#I’d like to see more of this

[fuckedupforkhahn]

Oh Agatha you are the gayest

What a great day to be gay

And to be in love with this woman

[rystiel]

i keep seeing people say the doctor shouldn’t have feelings for rogue because he’s married to river…? river song… who has also married multiple people… one of the most polyamorous characters in the show…?

[remxedmoon]

y’know what? fuck you. *UNGRAYSCALES YOUR ISATS*

no wait come back there’s greyscale versions under the cut :(

[gojoest]

they’re finally back together 🥹

but i am not going to lie, seeing them all gathered together feels like satoru will pop up anytime and take them on a mission, but he left letters instead…. :,)

[doodleswithangie]

more from my au, in which stan and bill have a reluctant agreement to build the portal (x)

bonus thought: they always tie in their card games, because they both know when the other is cheating and when the other is letting them win

[Image description: Fanart of Bill Cipher and Stanley Pines from "Gravity Falls." Alt text is provided and copied below the cut. End ID]

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Image one: Stan wears his Mr. Mystery outfit in the Shack, complete with an eyepatch and magic 8-ball cane. Bill nudges him, saying, "Ooh, eyepatch? How flattering!" Stan snarks back, "Can it, cyclops."

Image two: Bill and Stan float in a mindscape similar to Ford's, except they're playing cards on folding chairs and drink Pitt Colas.

Image three: In front of the broken portal, Stan sits on a toolbox with Journal 1 and other documents scattered in front of him. Bill hovers over his shoulder.

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[chloesimaginationthings]

THE FULL SET IS COMPLETE YAY!

WOULD YOU GUYS LIKE MORE OF THESE THREE?? (Phone dude, phone guy and tape girl)

Let me know on this post!!

[otaku553]

New blorbo :)

Also a silly interaction with this piece

[sandeewithtwoe]

Trust fall!

Fresh belongs to loverofpiggies

Core Frisk belongs to DokuDoki

(Unblur version below cut)

[sublimerences]

Wammy kids Evangelion au… aka pain and suffering squared

[dykedvonte]

Jimmy tries so hard to not let Anya haunt his narrative but she is his narrative and he hates that.

Everything loops back to what he did to her and every hallucination, action and choice he makes or does directly goes back to her and he deserves that strife. She persisted and spoke up and he hates her for it. He can erase her but not her presence over them and that’s the best type of ghost.

[tryingonametaphor]

when they make byler canon i’m so sure that all the duffers are gonna say in an interview is “we’ve been planning this for a while. if you go back and watch the seasons you may pick up on some things you didn’t before” and just move on to the next topic

[foolsocracy]

he forgot about UV

[ecoterrorist-katara]

The tragedy of Katara’s parentification

Sokka and Katara were both parentified, and it’s a profoundly life-changing thing for both of them. One of the saddest things in ATLA, though, is how Sokka sort of got to outgrow parentification, but Katara never did.

Sokka’s told to be the man. The provider, the protector. He’s not so good at the former (his hunting failures are a consistent source of comic relief), and he takes failures of the latter very, very hard. He doesn’t manage to save Yue, and that wrecks him. After Yue, he becomes extremely protective of Suki in a way that’s borderline offensive to her. He’s willing to do anything to protect his friends and his family, including something as irresponsible as breaking into the Boiling Rock. I don’t think it’s a coincidence that Sokka is the only one of the Gaang who unambiguously kills. The rest of them may technically have clean hands because of cartoon logic, but Combustion Man is very dead, and Sokka is the one who killed him. We don’t know how he feels about it, because the show never goes there, but I have a pet theory that Sokka is so uncharacteristically (remember he was team “leave Zuko to freeze to death”) against Katara confronting Yon Rha in The Southern Raiders because he’s the only who knows what killing feels like and wants to protect Katara from it.

But by the end of the show, Sokka’s in a place where he can start to let go of his need to protect. Objectively, all his friends are unbelievably powerful and can take care of themselves, including his sister and his girlfriend. Suki is the one who saves him in the final battle, representing not only a reversal of his initial cartoonish misogyny, but also demonstrating that he is worthy of protection. And of course, he and his friends saved the world, so there isn’t really an enemy that he has to protect them from anymore. Sokka’s loved ones create the conditions under which his parentified behaviour is no longer necessary. Sokka would still have to take the first step to stop seeing himself as the one who has to lay his life on the line, but at least it’s possible for him.

But not Katara.

Katara had to take on the mom role after their mother was murdered, which meant she was responsible for domestic labour and emotional support. Sokka says in The Runaway that her role was to keep the family together. Unlike protection, that’s always a full time job regardless of the war. We see Katara spending more screen time than anybody cooking, getting food, mending, and generally doing women’s work. We see Katara giving everyone emotional support, including strangers and her enemy. We see Katara putting aside her own discomfort and her own hurt in The Desert because if she falls apart, they all die. Nobody ever showed her that she doesn’t need to be the only one who cooks, or that somebody else can be responsible for the emotional wellbeing of her friends, or that — god forbid — someone else can actually be responsible for her emotional wellbeing.

That’s why I never cared for the Ka/taang argument of “he teaches her to be a kid again!” Putting aside the fact that Katara ends up taking care of Aang a lot more as the series goes on, the whole tragedy of parentification is that you can never again be a child. That part of your childhood, your god-given right, is robbed from you. It is extremely precious and important to still be able to be a kid, but breaking free of parentification is not about seeing yourself as a kid. It’s about breaking free of being responsible for everyone’s feelings and behaviours.

For Katara, that responsibility is not problem of perception, but of reality. Unlike Sokka, who was told and shown that his loved ones are capable of protecting themselves, Katara has zero reason to believe that her loved ones are able to feed and clothe themselves and not fall apart emotionally. Between Toph and Sokka who emphatically don’t want to do this work, it all falls on Katara. Telling a parentified child that they just need to loosen up is akin to telling an overworked mother that she needs to just relax (“happy Mother’s Day! You get a break from chores, which you will catch up on tomorrow because nobody else is doing them”). It doesn’t accomplish anything if nobody creates the circumstances under which it’s possible to let go of responsibilities. A lot of Zutara fans, spanning all the way back to the early days of the fandom, like the “Momtara and Dadko” trope where Zuko also does chores. Why? Because even without the concept and language of parentification, many fans recognized that Katara’s performance of domestic and emotional labour is inequitable and probably very taxing.

Growing out of parentification is about more than just letting go of old expectations: it’s also about finding a new way to value yourself beyond the role you grew up with. I’ve said this before, but it’s very important to acknowledge that just because a kid is parentified doesn’t mean they’re actually good at being a parent. In fact, it’s probably a given that they’re not, because they’re kids performing roles that are developmentally inappropriate! Sokka remains a shit hunter; he becomes a decent fighter but he’s still miles behind his friends. A big part of healing from his parentification is finding another area — strategy, engineering, project management (what else do you call that schedule) — where he actually excels, to which he can dedicate his time and from which he can derive satisfaction and a sense of identity. For Katara, fighting for the oppressed and combat waterbending give her that. Crucially, however, Katara does not stop being a girl when she becomes a warrior. She’s still responsible for domestic and emotional labour. Unlike Sokka, whose protector duties were more or less relieved as the series went on and he found new ways to contribute to the group, Katara continued to perform her old role in addition to her new one (which is depressingly realistic btw, look up feminist theory around the concept of the second shift). Still, it’s important that she found these new ways to value herself and her contributions…

…which disappear in her adult life. Where’s adult Katara fighting for the oppressed? Where’s adult Katara enjoying her status as a master waterbender? Where’s Mighty Katara? Where’s the Painted Lady? Where’s the person who vanquished a whole Fire Lord?

What do we know about adult Katara? She’s no longer a rabblerouser or an ecoterrorist. She did not translate her desire to help the downtrodden into a political role, like being Chief or on the United Republic Council. She’s not known as the best waterbender in the world, only the best healer, even though her combat abilities are what she took the most pride in. Even as a healer, she established no hospitals, trained no widespread acolytes (except Korra, I guess?), and made no known contributions to the field.

What Katara is known for…is being a wife and a mother. The same role she was forced to take on at age 8. One which she performed for the next 80+ years.

[ukei-ok]

wish we could see more of him …

[faceeeeee]

Did someone say banban 👹

[doodleswithangie]

au where stan and bill make a not-quite-deal (because stan’s not falling for that) to build the portal

(and they hate each other so much)

[Image description: Fanart of Stan Pines and Bill Cipher from “Gravity Falls.” Alt text is proved and copied below the cut. End ID]

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Image one: Stan possessed by Bill leers at the camera and says, “Hey, Sixer!”

Image two: Bill appeals to a younger Stan after the portal accident, saying, “I think we can help each other out! We both need that portal. Whaddya say?” Stan reluctantly considers the offer.

Image three: A seething Bill looms over the shoulder of an oblivious Stan, saying “Stanley…”

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