#I’M HAVING MANY EMOTIONS OVER HOW THAT LINE IS SUNG
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Thinking about the yearning when Eurylochus says “let’s just cut our losses, you and I, and let’s run”
He’s not saying to forget those they’ve lost, he’s not saying to undo what has been done, he’s not blaming Odysseus (at this moment) for the consequences of his decisions. He reminds Odysseus of this all, sure, but not to be negative or force Odysseus to confront what they’ve lived through. He’s begging Odysseus to see things from his point-of-view.
He doesn’t want to lose Odysseus on top of everything else, even though he’s watching Odysseus change in front of him from the captain that he’s known, from the friend that he’s known for years. He doesn’t want to lose what few men are left. He doesn’t want to lose another self-proclaimed brother - they’ve both lost Polites already.
He just wants to grab Odysseus and get everyone remaining home, even if that means turning and running
#epic the musical#personal#I’M HAVING MANY EMOTIONS OVER HOW THAT LINE IS SUNG#there’s an ever so slight upwards pitch when he says run#it’s the last straw for him#it’s the last chance he gives Odysseus before their relationship changes permanently#before Eurylochus is FORCED to change their relationship forever because he can’t get through to Odysseus any other way#because he’s been TRYING to get through to him as Odysseus is changed by the loss and the influences of the people/gods around him#like if someone grabbed your hand and gently pulled it#squeezed their hand in yours#and BEGGED you to look at things from their view for even a moment#and Odysseus can’t do that#not at this point in their journey#he’s already been changed too much for that#and to have Eurylochus say that he wants to turn away and run#has SUCH an impact bc this is his second-in-command#this is the person that the entire fleet would look to for direction if anything happened to Odysseus#and he wants to RUN. he wants Odysseus to RUN. imagine how Eurylochus feels as the second-in-command suggesting that they leave the men#behind on the island#these are his men just as much as they are Odysseus’ men#but he’s at such a breaking point that if it meant everyone else could remain safe#Odysseus included#then he would RUN#I know that a bunch of versions portray Eurylochus and cowardly and troublesome but that’s not true at all for EPIC’s version of him#at least in my opinion
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welcome to the final show | H.S oneshot
my masterlist!
summary: you take a beautiful sign to the final show and have the sweetest interaction with harry. then somehow bump into him in italy 2 days later.
warnings: nothing but fluff, and a few little mentions of how he saved your life!
a/n: i am so fucking proud of h. i want to give him a hug more than anything. this is for all my lovelies who love hslot so fckn much it makes them ill.
also this is such an unrealistic oneshot but like that’s just the way for it ig
———
There’s a certain type of atmosphere that comes around once and a while. It’s rare.
It’s one that no matter how many photos or videos you take, you can’t capture it. One that no word has enough emotional range behind it to convey the feeling it opens up in you.
That is the only way to get close to even describe standing where you are.
You can’t lie, you had waited hours upon hours in the Italian sun just to feel the warm metal of the barricade underneath your palms.
You’d waited years just to get here in general.
When you turn your head to look behind you, you see tens of thousands of people there. Going from visible, overwhelmingly happy faces to a sea of tiny dots.
But you’re here. At the front.
You smile because you made it. This has, albeit dramatic, been a home to you over the past 2 years.
A creature comfort. One you followed every step of the way. And somehow you can’t believe you made it here, and neither would the girl back 18 months ago watching a pixelated Instagram livestream.
Standing in your outift, which took more rhinestones and glitter than you could ever have kept track of.
But you shined under the sun like a mirrorball, so it all felt worth it. Even though you swear there’s still glue stuck under your nails.
Your friends around you shared water, staying hydrated as the show starting neared. Wetleg had already preformed their final set. And tears had been randomly springing on you all day.
You heard the power in the crowd as they sung the prelude songs, goosebumps dotting over your body as you realise he’s probably able to hear it now.
Soon enough he’ll be looking at it. In all of its 100,000 people glory.
“You okay lovely?” Sofia, an Italian girl you’d met in the line checked in on you.
You nodded with a heartfelt smile. The whole experience was so bittersweet. Full of lasts.
“I’m okay. Just so so proud.” You nodded and she softly chuckles.
Her outfit was an electric blue that contrasted her tan skin, “I have some granola bars in my bag if you’re hungry? You should eat, we’ve been standing in the heat all day.”
Your best friend from your other side peered over, drawn back into conversation after being lost in the magic of the crowd surrounding her.
“On cry number— let me guess— 24 of the day?” She said it teasingly.
“Saying that as if you don’t already have mascara stains half down your face.” You grumble back jokingly, leaning your head back to look at the pastel blue sky.
You turned back to Sofia, “We’ll save them for after, maybe lay down on the ground and eat them or something.”
You only said no because you felt like you could probably be sick right now.
“Amore sciocco, troppo testardo il tuo bene, mio dio.” She mutters under her breath with a laugh, shaking her head at you disapprovingly.
“Trash talking her again in Spanish. God I wish I knew how to speak it.” You elbow your best friend at her quip.
You could stay in this moment forever.
As Bohemian Rhapsody begins playing you watch the sun go down, and in this very moment, It is your forever.
You live and breathe every second of it. All the way into peace piece, and as you’re gripping the girls around you for dear life as the lights start to dim along with the setting sun.
Harry coming has the arena screaming so loud it would have been heard for miles. He looks beautiful.
Like a shiny star up on stage. Blowing kisses and sending thank you’s to as many areas of the crowd be possibly could.
Mouthing words in Italian, causing Sofia to almost pass out beside you she screeched that hard the first time he did it.
And him counting in Golden with their language, speaking proudly into the mic— “Uno, due— uno, due, tres!”
“HES— WHAT THE FUCK!!” You’re laughing, holding her hand as she shouts frantically.
Songs bleed into one after another, going on your part from embarrassing screaming and dancing onto equally embarrassing crying.
The overwhelming feeling of seeing him so close— so damn close you can see each individual sequin on his silver outfit when his on the main stage at his mic stand in the centre.
You don’t even realise he’s doing a sign reading interlude until Sofia hands you yours from where it leant on the bottom of the barricade at your feet.
You were enamoured by him.
Taking the sign, your hands shook a little as he was on the main stage. Right in front of you.
His eyes are scanning the crowd, glancing over some signs and smiling.
“We have a choice tonight,” he begins, voice echoing through the speakers.
“we can either move quickly through signs, in which case, we’ll be able to give you some more songs!” An array of screams come from everyone, and you feel sick just at the prospect he was suggesting. The fact he could pull out any song.
He chuckles, walking further towards the area of the pit where you are, “Just an idea, just an idea!”
You’re pretty sure the girls are yelling something about him walking over, but you’re stunned at what’s happening overall, and you can’t even process what they’re saying.
But contradictory to what he’d just said. He stops a moment.
From his perspective, he saw a handful of very bright colours in the front of the crowd. One holding up an equally eye catching sign.
But he takes a moment to blink, focus in on the person holding it.
This girl has her eyes locked dead onto him, like as if he moves an inch— something could implode at any moment. Yet it somehow comes across in a flattering way.
And then he reads the sign.
‘you saved me. i cant thank you enough for that. BTW…’
His heart immediately pangs. Already too emotional at this whole event to be reading a sign like that.
You are in shock. Because he certainly just made eye contact with you and he’s been staring at your sign for a few good seconds.
“Can— wait can you turn that for me, love?” His voice falters a little.
As if Harry Styles just asked you to do something, you move with a haste you never had.
However you misinterpreted his question, turning the sign clockwise like as if it was upside down. Feeling a little embarrassed in yourself that it was around the wrong way.
He chuckles into the mic, causing a small uproar at the softness of it.
“Wrong way, it has B-T-W on it so I’m assuming there’s more on the back.”
“Oh, god— sorry!” You shout out to him, it sounding a little shaky, and you can’t lie that tears were threatening to spill from your eyes.
You had waited so fucking long to have a chance to tell him that he genuinely saved your life. And you’re finally doing it.
Also spinning the sign so the back of it is facing him, and his eyes flit gently over it too.
‘you have by far the prettiest smile ever.’ It reads, with a few large red hearts around it, decorated with glitter and rhinestones.
A dimple pops out on his cheek and he covers his mouth with a hand, flattered as ever.
“Why thank you.” He does a little bow as well, and you’re laughing out of shock. You’re interacting with him right now.
He straightens up, “I’m flattered as ever.” Prodding one of his dimples as he shows off just how pretty his smile is.
“And thank you for coming, it means everything to me.” He flushes a little, laughing at himself and your still starstruck reaction.
“You are stronger than you probably think. What’s your name?”
A tear breaks past your waterline, and you call out, “Y/N!”
Both girls at your side are clutching you like no tomorrow, and Harry takes his in-ear out to hear you better.
You call it out again, he makes only one off guess before he gets it. And your name rolling off his accent tongue makes your stomach flip.
“Y/N? That’s right— well that was a pretty good record for name guessing—“ he laughs, walking over as close as he can to the edge of the stage.
He holds the mic up to his mouth, “make some noise for Y/N everyone!”
You are in complete shock as you hear the whole arena cheer and holler for you, and Harry has this wholesome feeling of adoration wash over him as he sees your reaction.
The tears slipping down your pink cheeks. If he could, he honestly would go down there and wipe them off.
Not something he often find himself thinking. Yet here he is.
“Thank you for coming Y/N. What do you say we do some more songs?” He asks, smiling at the shocked raise of your brows.
“Yes, please.” You enthusiastically reply.
“Alright, you heard her. More songs it is!”
And so the show continues on. The second he breaks eye contact and moves away, a sob tears out of you.
You can’t believe that just happened. And the fact the rest of the show— unless you’re delusional, and making this up in your head— he lingers anytime he’s going past where you are. Catching your eyes, and smiling a little wider.
And you’re absolutely a wreck at the speech he makes, even though Sofia has to translate every word that leaves his mouth.
But if that nearly killed you, the piano ballad was honestly your final straw.
You cried so hard you couldn’t see the fucking stage at one point. And you wish you could say you were embarrassed for him to see you as he did one last round of goodbyes. But you couldn’t.
It was all your love and appreciation for him, poured out of you through the tears streaming down your face.
To your disbelief, he stops in front of you again, blowing a kiss to your friends and then one to you.
Bending down a little further to look at you, lips starting to move— from what your could hardly hear, and mostly got from reading his lips, he said ‘thank you, I love you.”
You blow a kiss back.
And before you know it, the show has ended. And there’s this full, yet hollow feeling inside of you.
Like you’re not sure how to feel. You miss him already, but that was by far the most amazing experience of your life.
You’re overwhelmed, with love and gratitude. And you, Sofia and your best friend end up doing what you’d proposed earlier before the show.
Eating chocolate granola bars with your back up against the barricade, tears still falling from your eyes.
———
Post love on tour depression is a real thing.
There is no normal explanation for having to force yourself to get up to have an amazing brunch in Italy of all places.
But 2 days after the show day, you’re doing just that. Dressing in a nice summer outfit at the very least, and taking your LOT bag with you.
The streets aren’t too busy considering it’s midday, and you make your way through them peacefully. Stoping to peak into stores, or take photos of little things you like every now and again.
And all your adventuring leads you to a beautiful little corner-cafe. One that the second you step foot into, you are comforted by its cozy feel & strong aroma of coffee.
The building itself had all its historic bones, but had been modernised. Fitted with sleek wooden floors and new furniture. Walls painted a crisp white to brighten up the already light filled room.
You find the menu hanging above where the counter is, on large pretty chalkboards.
You’re mulling over what to get when you hear a voice from beside you.
It causes you to jump a little at it’s unexpectedness, “I like your bag.”
It’s said with the tone that you can tell someone is smiling. And you turn to greet the person who had just spoken to you.
That’s when you’re met with a sight that knocks the wind from you.
Beside you— standing tall, with his tousled brown curls and rolled up linen long-sleeve is quite literally the man you saw on stage 2 nights ago.
“Oh my god—“ you jump a little at the realisation, it hitting you like a train within seconds. But you’re trying to keep you voice down, as to not cause some kind of scene.
He laughs at your stunned reaction, the way your ringed hand goes over your mouth. It’s a reaction he’s accustomed to. But the way your pretty features portray the expression has him all the more intrigued.
He does his classic introduction, “Hi, love. I’m harry.” Sticking his hand out, smiling. Like as if you didn’t know.
“I— well I did notice that.” You rush out in a nervous laugh. Glancing around looking for some kind of film camera, gauging if this is a set up and not a coincidence.
You’re left realising it’s just the two of you, and some older guy with a newspaper a few metres away at a window seat.
But no one with a camera or phone out filming this interaction.
You shake his hand after a moment of hesitation, telling yourself mentally you’re not going to cry as your relish the feeling of his calloused fingertips against the base of your wrist.
“Hi…” You flush profusely.
“What are you ordering?” He smiles at you, and your eyes are so obviously darting over his every feature.
Which you feel like you couldn’t stop from happening when he’s this close, and you’re able to fully see the plains of his beautiful face.
The structure of his jawline— that’s dotted with a light stubble—his cupids bow lips, the definition in his cheekbones. And fuck his eyes.
That are very intensely locked onto yours…
“Oh. I’m sorry. I…” you fumble for words a little, “probably like a tea. That’s usually my go to.”
He nods, “let me get it for you, please. How do you have it?”
“No, no. It’s okay, you don’t need to do that.” You insist immediately, because even though the gestures small, it feels like too much.
“Y/N.” He tuts gently.
“Weird that you remember that.” You think aloud, unable to filter the shock at the fact he just said your name. Even though the show was only 2 days ago, when he learnt it.
“Of course I do. You had quite the sign. I won’t lie, it made me tear up a bit.” He laughs, pushing a stray lock of hair out of his eyes.
“Well, It was true. Not to be cheesy or anything, but your music genuinely means everything to me.” You say carefully. Not wanting to come across as weird.
“And love on tour was one of the best experiences of my life. So… thank you for that.”
“Thank you.” He smiled at your shyness. And you recall the fact you told him he had a pretty smile.
Prettiest smile. The fact he knows you think that?
You wonder if he’s thought the same thing at all in the last 5 minutes.
“Your support means as much to me. Wouldn’t be able t’do what I do if it weren’t for people like you.”
“Now, how you have your tea?” He reiterates, asking for an answer, not for another polite declination.
“I— okay. Since it’s clear you’re not going to take no for an answer.” You sigh. Corners of your mouth upturning anyway at his stubborn ways.
You rattle off how you have it, and he nods, mentally noting it down like this is going to be a regular occurrence.
He walks over to the counter and you shuffle over to the side that you’ll pick up the order from. Watching carefully as he goes up, you take in his much more causal appearance to the usual extravagance of the outfits he adorns on stage.
Hes got a pair of denim shorts on—strong legs on display— paired with a white longsleeve that’s rolled up his fore arms.
You avert your gaze to the older Italian man at the register, clueless to who he is serving.
Until a younger girl, say 15, walks from the back room and does the biggest double take youve ever witnessed.
Harry has to be used to it, because there was no way anyone could miss that.
You’re feeling like you’re in a parallel universe. Because Harry is just casually strolling back over to you, like you’ve known each other for more than a total of two, 5 minute interactions.
You take a breath, reminding yourself simply that he is a human. Just like you are. He wakes up in the morning, has bad days and good days, has habits and routines he follows— just like anyone else.
You keep this in consideration as you open your mouth to speak, “Thank you for doing that. How have you been?”
He smiles at your shy tone, a tiny wholesome feeling bubbling up at your question.
“I’m good, honestly. It’s been a big start to the year. I’m excited to take some time off even though wrapping it up the other night was really hard.” He nods, eyes casually trailing the man who was making the drinks.
“If it makes any difference, I was sobbing like a baby at pretty much every point of the show.” You laughed.
“I did see your very tear stained cheeks.” He shocks himself little with his continuation,
“Would’ve jumped down and given you a hug if I had the bloody time.” And he smiles with gratification as you mask your shocked reaction as much as possible. However, tiny little micro-movements in your face were still popping through. “I went a little overtime with the speech.”
Just human to human. You drew a tiny breath through your nose, “Which was great by the way. I mean my friend had to translate the whole thing, but was also another tear jerker.”
He goes to say something else, interrupted by the call of his name from the counter.
In which he collects the drinks from the lovely man, smiling at him with a warm thank you before turning to come back to you.
“Here you go, darling.” He hands over yours, and his green eyes look bright as ever.
The darling makes your stomach flip. He’s British, they use pet names like this in passing conversation often. But fuck if you didn’t know any better you’d think there was a chance he was flirting with you.
“Thank you. You really didn’t have to, but I appreciate it.” You repeat.
“You have a different accent, you’re not from Italy no?” He interjects and you’re a little confused at the sudden change of topic.
“No I’m not from here…?” you laugh.
“So you’ve travelled all this way to come see me I’m assuming, the least I can do is buy you a tea. Think of it as a thank you.”
He tests the waters a little further, “i don’t usually stay in cafes for overly long but, if you have time to sit for a bit…”
“You continue to amaze me.” You chuckle, slowly following behind him as he pulls up a chair, back to the window.
“You also made me a very flattering sign. So im just being courteous, as a way to return the favour.” He smirks almost. And you’re honestly not strong enough to endure this.
“And that little piano thing you did? Is this compensation for my mental health?” You hold the cup up and he lets out a surprised laugh at your gentle quip.
“Yes, I’ve heard word that it came across as emotional as I’d intended.”
“You could hear a pin drop in the whole arena.” You nodded, taking a sip of the tea he’d bought you.
“I was so worried I was gonna fuck it up somehow.” He shakes his head, hand running through his hair as though he was anxious just at the thought.
“It sounded amazing, Harry. Made me feel a lot how fine line did when I first listened to it.”
He looks sincere with gratitude as you talk. And it stays that way as he continues on conversation with you.
You know heaps about him— you’re a fangirl that’s practically your job— yet he doesn’t know anything about you. Leaving him curious about many aspects of your life, and also with plenty of questions. Ones he really can’t believe he is even asking given you’re a fan, and he’s never actually done this before.
Whatever this is, because it felt a lot like a first date. With the way he asked where you were from, who you came to Italy with, where you grew up.
The whole lot. Your drinks both long since finished, but the questions still flowing between you two. Like there was never enough information to be learned.
He was interrupted by a call, and it almost popped this little bubble you’d made around yourselves.
Which possibly wasn’t a bad thing for him. But it served as a reality check for you.
You’re still just a fan at the end of the day. Even though your not sure how that term stands after he knows about your favourite foods, or childhood stories from your younger years. Because you feel like now that he knows that, the dynamic feels different to you.
But most of all you dreaded the fact you had to say goodbye again. But now you have to say it knowing that he walks away from this knowing things personal to you.
You realise he’s on the phone to his mum as he talks, “Yea, tell Gem to grab them anyway… I’ll be back soonish.”
He glances up at your after a moment of brief silence, “I’m just out with a friend of mine I… bumped into. So I’ll see you soon, okay?”
A friend of his?
“Alright, bye, I love you.”
And just like that the phone hung up.
“I’m feeling very special at my label. A friend of yours.” You laugh, but not lying whatsoever.
“Was m’mum. We’re having a late lunch at her BNB.” He explained, and the fact he didn’t object his choice of wording meant even more to you than anything.
You stare at him a moment, both mutually realising that this moment was seemingly going to have to end at some point.
“I don’t often do things like this.” He shrugs, watching your eyes train on random objects around the room as you get lost in thought.
“What do you mean?” You ask.
“Never sat down with a fan and just had a drink. It was lovely, thank you for being so polite.” He smiles again at you.
It surprised him just how far he went with it. But you had this gentle aura about you. He knew of all people, you were safe to share this private slice of himself with.
“Thank you for buying my drink… to have spent this time talking, it— well it meant a lot to me.”
“I would give you my number if my manager wouldn’t kill me.”
As stated, he continues to surprise himself just how far he’s going.
Your brain stalls at his comment.
“You could just have mine? Buy a burner phone and text me off it.” You make the first suggestion that comes to mind and he barks out a laugh.
“Could just reaffirm that you weren’t going to sell my number off to fans on Twitter?”
“Ah, that could also work too.” You nod, raising your brows.
He pulls his phone from his pocket, and your heart genuinely palpitates. Because how the fuck had you managed this.
“Gimmie yours, if you’d like?” He slides it over, and you feel like you’re picking up something with more value than just a phone. I mean it’s Harry Styles’ phone of all things.
You begin to type it in, glancing up as his gaze is trained on you, “how many numbers of fans do you have banked up in here?”
He rolls his eyes at your tease, still smiling, “I’ll have you know you’ll be the first. If my mums counts though, then only two.”
“I just…” he pauses, pursing his lips as he looks for the right words, “knew I’d regret it if I didn’t have a way to get in touch with you. I’d say we’ve got a lot in common and it’s always nice to meet new people. And I don’t want to be thinking later ‘wow, she was lovely, wish I could have kept in touch’. Y’know?”
You send yourself a text, just a simple ‘:)’ so it saves in his recent messages. “Well, I suppose I’d be a little sad too. Probably start sending emails to your manager trying to find a way to get in touch again.”
He laughs at this, standing up from his chair and pocketing his phone in his shorts once you hand it back to him.
You also rise from the table, watching his movements keenly.
“Makes this part less sad.” He says, in reference to the impending goodbye, “I’m not leaving Italy for a little bit though, and if you’re sticking around as well, maybe I can buy your more cups of tea— to make you feel even more guilty about it, of course.”
You let out a soft chuckle, “Yea, I’m not leaving for a little while…”
He walks to your side of the table, not hesitating to pull you into a hug that leaves you winded.
You freeze a millisecond before jumping to embrace it. Enjoying the gentle yet strong feeling of his body holding yours. And the way his hands are ever-so-slightly caressing your lower back.
“Thanks for hanging out, alright? Don’t be shy to message me.” He murmurs into your hair.
“I— okay. I won’t. Thank you, Harry.” You smile into the crook of his neck.
He gives a final squeeze before pulling back. Fighting the internal urge to press a little kiss to your temple.
“I’ll see you around, hopefully. Bye Y/N.” He gives you a final smile before waving goodbye, and heading out the cafe.
Your head is reeling as he exits. Unsure if you just imagined that whole thing. You needed someone to pinch you, because as far as your concerned that whole interaction was something you dreamed up.
You check your phone to see the time.
1:53pm
1 new notification
Unknown Number | :)
So that actually did just happen.
———
To reaffirm that you weren’t the only person in the world to witness what happened today, you see a tweet reposted on an update account that reads,
so, i just saw harry styles in the cafe i work at, and he sat down and drank a tea with someone he talked to at a show. not naming the interaction for privacy but like… what the fuck?
And secretly you smile. Maybe this is something you’ll keep to yourself for a bit. Like he’s a new secret friend of yours.
———
part two!!
#harry styles#harry styles imagine#harry styles fluff#fanfiction#harry styles fanfiction#harry styles oneshot#harry styles x reader#harry styles x you#harry styles x y/n#harry styles writing#fanfic#harry styles smut#famous harry#fan! y/n#fangirl! y/n#italyrry#he’s so cute
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Time, Time, Time, See What's Become of Me
A/N: You know how I said “whatever you do, don’t think of an Arthur that gets to gray?” 😬 I thought about it. …and I feel some type of way about it. Sorry. Also, in my head, all of the ideas I get are kinda a follow up of that first fix it fic I wrote? Or they take place in the same universe since he’s… around and all in this one. I don’t think it necessarily means you have to read it? At the time of me writing this A/N you don’t have to at least. Still, here is the link in case you want to read.
I kinda got lost towards the end, sorry 😅
Also! Thank you for all of the comments and reblogs on the last piece. They mean the world to me! As I stated, this is a side-blog so I can’t really reply but I saw every comment and every like and reblog. Thanks! 💜
Word Count: 3k
Genre: Fix-it, Smut
Y/N had noticed it first, how could she not? Even these many years later, she still feared that everything had been a dream and Arthur had not been set free. That she had been unable to help and the beautiful, happy life they had shared so far was all in her head. So every day, Y/N hugged him tight, kissed him, loved him and burned every inch of him into her memory in case she one day woke up and he was nowhere to be found.
Thankfully, he was as real as the way her heart sung for him. He was always there with a smile and kisses and a touch as fervent and loving as hers. And now, she had been lucky enough to witness the way his laugh lines set permanent residence on the sides of his mouth and around his eyes, creating little paths for her to trace with her lips and fingertips. God, the sight of them never failed to make her fall a little more in love with him. An even newer development were the streaks of gray peppering his hair and Y/N could’ve never predicted the feeling the sight of them would stir within her.
Her fingers were constantly in his hair, twisting, twirling, caressing, and pulling if the occasion called for it. She did not understand how she could love him so much and how she could store all that love in her heart. She’d sooner invest in a new heart than ever stop loving Arthur, of that she was sure.
She did not think Arthur was as enamored with his changing hair if the frowns and tightened lips at his reflection were anything to go by.
He was currently standing in front of the bathroom mirror after his shower, a hairbrush in his hand as he combed this way and that, trying to cover up the sides of his hair where the grays were most visible.
Y/N took a moment to let her eyes drink in the sight in front of her; how the towel (which she threw in the dryer for a few minutes before Arthur’s shower was over so it would be warm) hung dangerously low on his hips, how stray drops of water caressed their way down his back, and how his arms flexed every time he fussed with his hair.
A huff from Arthur broke her from her reverie and she made her way to him, her arms automatically wrapping around him from behind and her lips tracing a path on his spine. A smile formed on her face as he leaned back into her, his body soft and relaxed under her touch.
Y/N took a hold of the brush in his hand and set it down on the counter before turning him to face her with a gentle hold on his hips. “Talk to me?”
Arthur sighed as he stared past her shoulder and a dusting of rosy pink spread on the apples of his cheeks. Y/N cocked her head to the side, surprised by his reaction. She took his hands into hers and rubbed soothing circles on the back of them as she waited for him to speak. Arthur was good at expressing emotions and thoughts, so long as he didn’t have to speak. He preferred writing his thoughts down and sharing them with her that way or speaking through his actions. He could speak, of course, but she had learned to give him time to organize his thoughts. He would speak when he was ready, and she would be willing to listen whenever that was.
“I’m old.” He paused then and she knew she would have to help by prompting and guiding the conversation if she wanted it to happen. Which it clearly did if the scene she walked into was anything to go by.
“You’re older, yes. We both are. Just yesterday I got up from the couch and my knees made a crackling noise I had never heard before,” she confessed, hoping humor would alleviate his discomfort. It did.
Arthur snorted and rolled his eyes at her, his lips placing soft pecks to her eyelids seconds later. “You look fine though. You look great!” he amended, as if afraid to offend her. “But me… You can tell I’m getting older.”
At this, his fingers combed through his fluffy locks, the gray in his curls more prominent now that his hair had begun to air dry.
“Arthur, you don’t like your graying hair?” Y/N questioned, surprise and disbelief evident in her voice as she stared into his eyes, watching as the surprise in her voice reflected in them.
“You do?”
Y/N gasped and immediately began apologizing. Her hands cupped his cheeks, and she couldn’t help but alternate between mumbled apologies and kisses to his soft and weathered face. “Baby, I thought you knew. I am the worst; I am so sorry!”
Arthur stopped her then with his hands on her face, shaking his head vehemently before pressing his lips to hers. As was the norm, Y/N turned into putty under his ministrations and had she not understood how important it was that she reassure Arthur, she might have allowed herself to get carried away.
Instead, she pulled away with one last brush of her lips to his before taking his hand and turning him back around to face the mirror. “Wanna know what I see?”
Arthur nodded, his eyes on her through the mirror and she caught the exact moment his lips quirked up into a small smile when she grabbed a stray curl and placed a kiss to it.
“I see an intelligent, sweet, handsome, beautiful, courageous, and strong man living his best life despite all the obstacles he has faced. I see a man who got the opportunity to grow older and experience life; the good, the bad, and the worst, and still managed to smile and bring smiles to those around him. I see a man grateful for this second shot at life that was finally afforded to him, and I see him making the best of it every day. I see the love of my life growing old with me and lighting up my life, day after day. I see him making me a better person just by being by my side.”
She smiled when he turned in her arms and hid his face in the crook of her neck. Still, she continued, “We can go to the drugstore and buy some hair-dye for those bad boys if that is what you choose. But you must know I don’t dislike them, and I don’t see you as anything less because of them. As a matter of fact, I like them a little too much and I’m appalled you haven’t noticed.”
He perked up at this and pulled back to look at her, his brows quirking up in question while his arms tightened around her.
Y/N laughed, loud and bright as she brushed his hair back from his eyes and leaned into his ear, her lips brushing against the curve of it, “darling, you and your beautiful grays are sexy and you’re driving me fucking insane.”
She pulled away from him with a wink and sashayed away from the bathroom and into the bedroom, knowing she wouldn’t make it far.
Y/N heard the click of the bathroom light and seconds later, Arthur’s hands were on the swell of her hips, turning her to face him as he walked her back on to the bed. His lips found hers, soft and hot and needy. In turn, her fingers tangled in his hair, tugging in the way that had him pressing against her with a grunt.
Y/N laughed against him, moaning when he nipped her bottom lip in retaliation. Arthur tugged at the sash on her robe, pushing it down her shoulders and letting it fall to the ground, his lips moving to trace her jawline. His fingers hooked on the sides of her panties, his nails ghosting over her skin and Y/N helped by kicking them off.
She pawed at the towel around him, allowing herself a satisfied hum as it fell before Arthur stopped moving and lightly pushed her on to the bed, joining her seconds alter. His arms were on either side of her face as he looked down on her, his curls a halo around his head and a smile on his face as he looked into her eyes.
As he nestled in the space between her legs, she could feel him; hot and firm against her thigh and she shuddered in response. Arthur smirked, one of his hands brushing up from her hip up to the side of her breast and Y/N could do nothing more than press up into him, her thighs tightening against him in search of friction.
In the years she had been gifted with Arthur, she had had the pleasure of watching him grow in every aspect of his life. She’d watched him become happier, his laughs and smile constant and bright. She had seen him become more relaxed, no longer looking over his shoulder waiting on the other shoe to drop and for his life to fall apart before his very eyes. She watched him become more confident, aware of his charm and allure and she felt victimized in the most delicious way.
Arthur knew of the effect he had on others, yet he paid it no mind. When it came to the effect he had on her, though? He would tease her in the most discreet and innocent ways that a part of her wondered if she was making it up in her head. But then he would raise a brow at her, a smirk on his lips and she had no choice but to take it out on him when they got home. She was never quite sure when the game began nor if either of them ever won but she knew both of them enjoyed it thoroughly.
His fingers caressed down her stomach until they nestled inside of her, warm and calloused and perfect. “Is this how much you like it?” he murmured, a smile on his lips as he inched his way further inside, meeting no resistance with how worked up she was.
If Y/N possessed control of anything, she might’ve rolled her eyes or even responded with a witty remark. As it was, the hot tendrils of desire licked at her body and she could do little else than whimper, her hips rolling as she tried to get him deeper within her.
Arthur clicked his tongue in mock sympathy, cooing as his thumb joined the mix and gently circled her clit. He swirled and he prodded, pride in his eyes as she writhed and whined. Through the haze, Y/N gazed up at him, pleading and begging for him to give her what he knew she needed.
He smiled and nodded, placing a kiss on her forehead as he gently withdrew his fingers. Y/N pushed herself up, creating enough space for Arthur to kneel on the bed and press his upper body into hers. His teeth, uneven and endearingly his, grazed her collarbone, marking her and then soothing with his tongue.
Her thighs found their way around his hips on muscle memory alone. Y/N’s right hand wrapped around his shoulder and her remaining hand entwined with his. When they were as connected as they could possibly get, Arthur thrust into her in one fluid motion, their twin moans reverberating in the room.
Y/N could’ve sobbed at the feeling. Even these many years later, having Arthur become one with her was always a magical experience. He was rigid and warm and real and Y/N felt complete.
Then he moved. As his hips pulled back and he unsheathed himself, Y/N cried out for him, her fingers digging into his skin as he pressed his hips into her again. Arthur brushed his lips against her cheek, his breath tickling her neck as his hips snapped into her. Again, and again. Hard, relentless, and unhinged. His soft moans and grunts sounded in her ear; her teeth grazed his shoulder.
There was no need for words as he pushed his chest off from hers nor as he pinned her wrists on either side of her head. Words were still not needed as he stretched her walls repeatedly when his hips snapped into hers, the sound of skin on skin, her moans and his throaty grunts mixing in the darkened room.
Still, even though no words were needed as sweat dripped down the side of his face or as their eyes met and glimmered under the moonlight, Y/N still spoke. “I love you, Arthur. I loved you then, I love you now and I’ll love you forever.”
He stilled then, his eyes like two lonesome stars in the midnight sky, and he smiled at her. For her part, Y/N took advantage of his distraction and flipped him over. She perched over him and teased herself by grinding her body on his firm abdomen. He hummed a laugh, then stilled just as fast when she took him inside once more.
It was now her turn to gaze down on him, humming contently when his hands settled on her hips again, mirth and adoration in his darkened eyes as he guided her every move.
Y/N’s fingers found their way to her core, her touch lazy and barely there as she teased the sensitive bundle of nerves within her. Her eyes squeezed shut as she teetered closer to the edge.
Beneath her, Arthur cursed, and he planted his feet on the bed. He met Y/N’s every thrust and he made it his goal to make her come undone.
Y/N’s hands splayed on his chest, her focus now on grinding into him. Arthur traced the curve of her lower back, his touch like hot coals as her body undulated over his. Her every breath was short and labored now and that familiar tightening in her stomach was making itself known.
Arthur cupped her breasts, his thumbs caressing the pebbled skin there as his eyes drank her in. He thought she looked the most beautiful like this; with parted lips, flushed cheeks and eyes struggling to stay on his.
After a particular set of rapid thrusts into her, Y/N tightened around him, coming undone with a shout of his name and her nails dragging down his chest.
Arthur followed two lazy thrusts later, his fingers tangling in her hair, and he pressed their lips together, her name on his lips.
With no strength left in her, Y/N face-planted into his chest. She whispered confessions of love against his skin, which Arthur thought sounded adorable with how muffled and slurred they were. With a gentle hold on the nape of her neck, he moved her so her cheek was resting on his chest. Arthur moved stray pieces of her hair from her face, and she hummed contently as the ceiling fan above them cooled off her sweaty skin.
Soon enough she was shivering, and she would have dozed off to sleep had Arthur not gently coaxed her into cleaning up, reassuring her she would regret it in the morning if she didn’t. Oh, how she loved him.
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Y/N had opened a can of worms she was not ready to deal with and now she was reaping what she had sowed. Granted, this was a wonderful problem to have. In the months since that conversation, Arthur had fully embraced this new facet of life. His hair was predominantly gray now and he had allowed for his matching facial hair to grow. The new look was detrimental to her mental health.
She was currently perched on the couch. Having heard the front door, her body angled towards the door and her arms rested on the back of the couch, supporting her chin. Her eyes widened at the sight of him, sunglasses over his eyes, pep in his step and a smug grin as he combed his fingers through his hair.
Arthur took his glasses off and bent down to brush his lips against, a soft greeting on his lips. She was almost convinced she was imagining his teasing until his teeth sunk down on her flesh, his tongue soothing right after.
As if heeding a silent call, she straightened up so she was kneeling on the couch and fully facing him. Her arms locked around his neck and his hands slid under her shirt, pressing her close with slight pressure on her lower back.
As was the norm, her fingers tangled on the curls resting on the nape of his neck and he huffed a laugh against her lips, not breaking contact yet. Their lips danced with each other, soft and sensual and full of love and her heart flooded with emotion. This was living. With Arthur in her arms, his lips against her, showing her visions of the love, passion, and desire he felt for her, the same she felt for him.
Arthur pulled away first, his lips peppering a path from her cheek up to that spot under her ear that could make her sing. He could make her do anything and she would not ever question it, if she were honest with herself.
“Arthur, you’re killing me. I love you, but fuck! You’re killing me,” she moaned, her fingers tugging on his hair when he laughed.
“Would never,” he denied, pulling back to gaze at her with those glimmering pools of moss he called eyes. His lashes framed his eyes so beautifully that she almost missed what he said next. “You promised me forever, my love.”
And, when he looked at her like that, weathered skin stretched with a soft smile and eyes crinkling in delight, how could she give him anything less than a lifetime?
#arthur fleck#arthur fleck x reader#arthur fleck imagine#arthur fleck x y/n#arthur fleck smut#arthur fleck fanfic#arthur fleck fix it#sorry for any mistakes. i will probably come back and edit later.#also. let me know if the spacing is weird? it was giving me issues for some reason.ok bye!
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skz + when your anxious
maknae line + gn reader! ☁️
warnings: anxiety, crying, kisses, stress, cuddling, thunderstorm, panic attack.
genre: fluff + comfort
notes: sorry this took so fucking long, i legit forgot and also i have no motivation. im so so so sorry my loves. enjoy & reblogs would be appreciated!
hyung line
han: you walk into your shared bedroom and lay on the bed. resting your head on jisungs chest, closing your eyes. “hey sweetie, you okay?” you looked up at him. “not really ji, feeling anxious” he ran his fingers through your hair. jisung also has anxiety frequently so he knows how to calm you down. “how come my pretty hm?” you grab onto his waist, snuggling into his chest. “i don’t know i just am” he continues to play with your hair. “i understand, i feel that way sometimes too” you look up at him and smile. “you made me feel a little better, but I still feel awful” He kisses your forehead. “It’s okay love, you don’t have to feel okay. it’s okay to feel this way, and don’t worry it will pass eventually” “will it?” he laughs. “Yes I’m sure of it my love” he kisses your lips. “how about we take a nap hm? that always helps when I’m anxious” “okay sung that sounds good” he pulls the covers over your body. he then wraps his arms around you. “sleep well baby” he kisses you on the cheek. you doze off to sleep as jisung admires your face peacefully sleeping in his arms.
felix: you open the door to your apartment, setting down your things and then sitting on the couch. you were so stressed from work, your boss just kept giving you work even though you couldn’t get any of it done by the deadlines. even if you worked 24/7 you would never get it done. but still agreed to do the work because you didn’t want to seem as a “bad worker”. you just laid on the couch, tears forming at your eyes. you laid there for a couple minutes slightly crying, until you were full on crying. you felt like you couldn’t breathe, you hated feeling anxious. you just kept crying, you couldn’t stop. you quickly stopped crying (or at least tried to) when you heard the front door of your apartment opening. you quickly sat up and wiped your tears away. your boyfriend felix sat next to you, “hi beautiful! i missed you” he said as he hugged your waist. “missed you too…” your voice was soft, sounding like you’ve been crying. “babe…you alright?” he said as he grabbed your face to look at you. “aw bub were you crying?” he said with a pout. “yeah” you said looking away. “why? what’s wrong” he grabbed your hand. “it’s just work” you said starting it cry harder. “hey, hey it’s okay” he said as he put your head onto his chest petting your head. “it’s okay” he kept saying. “it’s okay love, breathe”.
seungmin: “hey weirdo” your boyfriend seungmin said to you as you walked into the kitchen. “hey” you said not even looking at him, or showing any emotion. you just quickly opened the refrigerator and got a energy drink. you walked out of the kitchen back to your room, as you sat in your desk chair you heard min walking in. “min…im really busy” you said typing in your keyboard. “yeah i can see, could you please take a break? it’s been hours. im worried you are going to get body aches” he looked at you concerned. “no babe i’ve got to finish this…” your eyes were glued to the screen. you opened the can and took a sip of the energy drink. “baby how many of those have you had?” min says walking to you. “normal amount… seriously min, i’ve got to get this done go away” he could tell how anxious you were. all he wanted to do was shut your laptop, pick you up, cuddle, and fall asleep. but of course you have been working like a maniac (haha) and not taking any breaks. “fine i’ll go away, just take a break soon” “uh huh…now go away” you said not even looking at him. min left the room and you started to get annoyed with your work. it was due in 30 minutes and you had only gotten half of it done. you were so confused what you were even writing, everything made no sense. you didn’t even think the lack of sleep & nutrition was making you not able to function. you realized that you were not going to be able to finish, you were so annoyed with yourself. you just excepted how you were gonna fail. all you wanted was minnie cuddles, so that’s what you did. you walked out your room to find seungmin on the couch. you sat on his lap facing him, “did baby finally realize they should take a break?” you sighed. you knew he was right. you laid your head on his shoulder. “be quiet i just need cuddles please” “of course my lovely” he said as he then kissed your forehead.
jeongin: you sat up in your bed as you heard a loud noise outside your window, you looked at your phone and saw it was 2 am. it was a thunderstorm, you hated thunderstorms, they always scared you ever since you were little. you were wishing your boyfriend was next to you but he was at his dorm. you so badly just wanted to bury your face into his chest and have him stroke your hair. he always was the best boyfriend when he comforted you when you were scared or anxious. he knew you hated thunderstorms. you looked over at your phone to see a notification from “innie the loml” it read “baby your handsome boyfriend is here outside, please open the door it’s raining really hard 😭” you smiled. you jumped up and ran to the door. you saw him smiling at you. he walked in drying his shoes on the mat and taking them off. “baby… why are you so perfect?” you said hugging him. you didn’t even care if you got wet from his soggy clothes. you were so happy he was here. he kissed your forehead. you went to your bedroom as he followed behind you. he changed into dry clothes as he then crawled into your bed. he wrapped around you as you sunk into each others warmth. the thunder got louder and louder, the rain was so heavy. you hated the loud sounds of storms. you hid your head into his chest. “aw baby it’s okay” he started to run his fingers through your hair, as he whispered sweet nothings into your ear. “it’s okay love, im right here” “shhh, it’s alright my love” “fall asleep with me” “you are safe with me sweetie”.
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[INTERVIEW] 230222 IU for Harper's Bazaar Korea March 2023 Issue
IU and LEE JI EUN,
This generation’s icon IU, who cannot be defined in a single word, and the bare-faced Lee Ji Eun.
Q1: Today’s photoshoot intended to capture the duplicity of your two sides, IU and Lee Jieun. You looked relaxed during the shoot, but once it was over, you confessed that today’s shoot was actually quite tough.
IU: Honestly, it’s always tough to work on Gucci projects. It’s probably because there are a lot of experimental outfits, scenes and messages. In particular, the goal for today was to visually represent my alter ego. When I saw the 2023 S/S collection in Milan, I thought it was really shocking and interesting. With those memories in mind, upon hearing that the motif of today’s photoshoot was based on the collection, I thought to myself ah, it’s not going to be easy. But it turned out to be really fun too. It’s my first time having such thick smoky makeup and I’m grateful for the chance to be part of this refreshing experience from the photoshoot composition to the props and the studio design.
Q2: The last cut was a scene of an IU with thick smoky makeup, standing in front of a wall filled with a picture of an almost makeup-free Lee Jieun. Honestly, I didn’t know the photo on the wall was taken today and thought it was a still cut taken from ‘Love Set’ in the film, ‘Persona’. I’m aware that you show many different faces of yourself, but I also realized that you show faces of different time periods too.
IU: My staff said something similar in the waiting room just now too. I have smoky makeup on right now, but just now, we had as little makeup on as possible and since it’s early in the morning, my face was swollen like I had baby fats (laughs) which seemed to go with the concept. Seeing the printed picture, I thought of the past too.
Q3: You’ve been in a partnership with Gucci for a while. I think judging from IU’s personality as an artist, it would not have been possible if you did not agree with the philosophy and values of the brand. In terms of artistic vision, how are Gucci and IU aligned?
IU: I think Gucci is a brand that places emphasis on diversity and finds aesthetic in things that are unrefined. If I were to pick a characteristic that is similar to myself, I think this would be it. When I write lyrics, I tend to infuse thoughts and emotions that have not reached a conclusion or that come to my mind during an incomplete process.
Q4: As you said earlier, you have always been honest about yourself at each moment, and that alone is brave. As an artist, aren’t you obsessed with the idea of displaying only your perfectly crafted side to the public?
IU: When I was young, I didn’t really know any of that. (laughs) I think I had no choice but to say, “This is what I think right now”, “I’m at this age now” due to my personality, that is having to say what’s on my mind. On the other hand, I have always known that I am not nearly as perfect (person) as a sculpture. And that isn’t something that I can simply achieve by imitating. As long as I chose this profession as my career, (I know) this was my own battle that I had to come out winning or losing, and there is also a side of me that wants to make no bones about showing myself. What started out like that has now established itself as one of the ways of expressing myself.
Q5: So the piecemeal activities you’ve done recently can be understood along those lines? You lent your voice to MIRAL School’s song sung by their teachers for the students. The composer of ‘Through the Night’, Kim Jehwi made the song based on what he felt while working at the school, and you participated in the song as a featuring artist.
IU: Musical talent aside, Jehwi is my precious friend too. Frankly speaking, when he first told me that he’d be teaching the students in school, I was worried about whether he could do well more than anything else. But being affable, he adapted well and eventually said, “Noona, I want to make a song as a gift for the school”, which made me so proud and want to cheer him on too. To be honest, I didn’t expect this to make such news, but I poured so much effort into recording the song that I somehow joked, “I think I work harder on this than I do for my album”. (I worked so hard on this) so that the students can gain strength, and go to school happily while listening to it.
Q6: The drama “You Have Worked Hard” (literal title) has created a buzz with the combination of IU, Park Bo Gum, and writer Im Sang Chun of ‘Fight for My Way’, and will soon begin its pre-production. What is your reason for choosing this work?
IU: I think everyone will think this way when the drama is released, “Ah, even I would have wanted to do it too.” I really enjoyed the previous works of writer Im Sang Chun, and this one seemed to carry a new story of its own so it was refreshing. It’s just words (writing), but they manage to make people feel such emotions, so much that as someone who likes to read and write, I was envious of the writer’s talent. The theme of the drama is good, but I especially liked that it’s a heavy story delivered in a way that’s not too heavy.
Q7: Your character, Ae Soon is a ‘young girl of literary interest who isn’t well off but remains positive and ambitious, and whose voice trembles like a goat whenever she rebels’. It is noteworthy that “You Have Worked Hard” will be your first korean drama comeback in four years since “Hotel Del Luna”, and that the character is the total opposite of your previous role, Jang Man Wol.
IU: Man Wol in “Hotel Del Luna” is certainly an unusual character. However, Ae Soon has a unique point too. Ae Soon may seem like the type of person you can easily see around you, but should I say that if you look closely, you’ll find her individuality as a human being stands out? I think I’m attracted to people of that sort (gyeol: personality, belief, preference, etc).
Q8: Some actors look for traces of themselves in the role they are assigned to in order to immerse themselves into their character. Are you one of them? How similar is IU with Ae Soon?
IU: There are definitely characters with gyeol (personality, belief, preference, etc) that I can never comprehend, but if that is the case, I won’t be able to bring myself to choose the work (willingly). It’s a matter of confidence. This also proves that all the characters I have played so far have been those that I could understand at some point. Among them, Ae Soon resembles me more than any other character I have portrayed. The writer has incredible observation skills. They said they wanted to incorporate the characteristics that I have that are not too obvious into the character. It was to the point where I said, “Oh my, how did you know that I have this side to me?” after reading the script.
Q9: From “My Mister” to “Hotel Del Luna”, and from “Shades of the Heart” to “Broker” and then “Dream”. Whether it’s a drama or film, should I say that your next step is always super bold? To the extent that one may think playing a different work and a different character from your previous work is your first and main criteria for selecting a project.
IU: Just like how when you have long hair for a long time, don’t you want to dye your hair or get a haircut at some point? It may not be my criteria, but I think once I have lived as a character for more than a few months, I’d unconsciously want to try out something different too.
Q10: There are many people who want to try a bob or short haircut, but they end up sticking to their long hair for the rest of their lives just in case the former doesn’t suit them.
IU: But if there’s something I want to do, I’m the type of person who must (and will) do it first (before I worry about it). It’s much easier for me to bear regretting doing something than regretting not doing it.
Q11: I suppose you are not the type of person that separates your actress’s ego from your singer’s. How similar or different are your state of mind the day before the concert and the day before crank-in (starting to shoot a drama/film)?
IU: If a concert stage is like a (one-off) live broadcast where you only get a chance to put out a (perfect) performance that stays forever in the audience’s memory, then the filming set has a different premise in that you can exchange opinions with the director or your co-stars on the spot, select the best outcome from several take opportunities, and subsequently share it with the audience. However, once the concert begins, the overwhelming moment of finally becoming one with the audience after feeling all alone under a lot of tension for some time is very similar to the moment I realize that I am truly working and keeping in tune with the crew after seeing these many people (including myself) gradually moving forward as a team with a shared goal on a new and unfamiliar set. Both fields are attractive in that they are things that I can never do alone. Whether I'm singing or acting, I'm just someone who puts in the best of my share (of work) at every moment.
Q12: At the 14th anniversary concert <The Golden Hour: Under The Orange Sun> last year, you said, “I thought this concert might be the final destination of the things I dreamt of and wanted to challenge myself to since my teenage years, but at this moment, I’m hopeful that this could be a new starting point, a new beginning (for me).” Normally, settling down is always the easier option wherever you are. And yet, you are still constantly trying to head somewhere else. Which direction are you headed? What lies at your ultimate destination?
IU: It is no exaggeration to say that I lived my twenties obsessing over the idea of ‘direction’. Should I say it was the subject that kept me ‘hot-blooded (passionate)’ at that time? Those ardent worries were enjoyable, but honestly draining too. After turning 30, I don’t have any particular direction in mind. It’s my first time being like this too.
Q13: Are you wandering around (floating/drifting) right now?
IU: That expression is accurate. I’m wandering around (floating/drifting). This itself could be my present direction now that I’m in my 30s. Throughout last year, I kept thinking, “I want to maintain this mindset” and “I enjoy living like this.” On the other hand, apart from feeling at peace, it was also a year where interesting events exploded. I used to cling to the idea that ‘If I miss something, the world will always give me something else in return’ throughout my 20s. But once I let go of the things I was clutching onto for dear life, the ‘other thing’ the world gave me was surprisingly such events. As I emptied my mind, the world filled it with fun stuff instead. Later when I look back as I get older, I will surely put a bookmark at my 30s (chapter).
Q14: Looking back, you were always doing something for the past 14 years, like singing, holding showcases, communicating with fans, etc. So what is rest for you?
IU: To be honest, I can’t quite grasp the concept of rest. I don’t feel particularly recharged just because my body is resting. In a broad sense, if getting rest is considered a means to de-stress and recharge one’s body, then ironically for me, the things (stress) that have piled up inside me are relieved in the most refreshing way when I’m working. (I feel relieved) when I have satisfactorily accomplished my work to the point where I get a good sense of pleasure. I feel much more refreshed during those times than when I’m just lying down at home for days. Otherwise, there should be something engrossing enough for me to not think about work at all. But in my case, there isn't much stuff that I’m into to that extent. Some of the (fun) stuff that I can recall now are: when I’m in a deep sleep, when I’m catching up with Yoo Inna, when I’m making silly jokes and laughing with my friends or lover who deeply understand me, when I’m rewatching my favorite movie, and when I’m having something really delicious. As I live, there are quite many people who do not need so much of that sort of mental relaxation like me. That said, stamina is another story, so as I enter my 30s, I try hard to take care of my body to make sure that it can keep up when I need to work harder. When I get to rest, I spend time lying down as much as I can. (laughs).
Q15: During the concert, you also said, “I’ll reflect on what I experienced today and go on for another 14 years.” Have you ever imagined yourself 14 years from now?
IU: Based on last year’s calculations, if I were to picture myself as a 44-year-old… I think I’d still be working by then. Other than that, I honestly have no idea too… that is, if we (were to imagine it) based on the premise that ‘I am a person who can change’. For instance, the mindset that constitutes me 14 years from now will be very different from my current mindset.
Q16: Maybe change can happen because people are flexible. But if I am to be honest, I’m the type of person who believes that people do not change until they die.
IU: I do agree with your statement to a certain extent. But I used to be someone who despised competition and (thus) kept myself from competing 14 years ago. Going through my diary back then, I wrote “I find this competitive society so exhausting. I’m worried (about myself) because I don’t have a desire to win, and I hate competition.” But looking back, I realized that I’ve been enjoying competitions throughout the last 14 years since my debut. To the point where I wondered, “maybe I’m actually crazy about competing (for victory/defeat)?” I thought perhaps I failed to notice that I was a competitive person or I just wanted to deny it on purpose.
Q17: Either way, I feel sorry for the young girl who had just debuted and scribbled “I hate competition” in her diary. Is there anything that IU, who(se mindset) has changed quite a bit, would like to say to the IU of that time?
IU: “You actually like yourself a lot.”
Q18: You once said, “Even if we’re sick of this world, I hope we will live on while loving each other.” In this harsh world, is love still the hope that you have faith in?
IU: It’s a bit embarrassing to say this, but nevertheless, I believe that love overcomes hatred. In the end, love wins. Even when I lose my balance and I’m swayed, I repeat to myself, “But love will win in the end though” and either try to put together my logic, build up my thinking muscle or control my mind like that. The proposition that love will win is something that I’ve experienced enough through living my life. I will continue to believe it moving forward.
Q19: Singer-songwriters are blessed in that they can turn their personal thoughts and emotions into the end-product that is music. In particular, we sort of know how important lyrics are in your music. What lyrics have been running through your mind these days?
IU: This may sound ridiculous but I happened to be writing about something we just talked about earlier. I was surprised deep down when I heard the word ‘wandering’. To wander around (float/ drift) without a destination. I think this will be the theme of my next album.
Q20: Back to today’s pictorial concept of ‘duality’, I feel that you are leading your life with both egos — icon IU and ordinary person Lee Jieun — faithfully. How do you maintain a balance between these two?
IU: Changing between slightly uncomfortable yet pretty clothes that make me shine and slightly average yet comfortable clothes I can freely move around in, and being moderately satisfied and moderately wary at every moment seem to be the way to balance… whilst naturally accepting the obvious fact that there are times I shine and times I’m just ordinary.
Q21: “I can’t take out all the words from my diary, but…” (lyrics from Through the Night) — What is the one sentence that can describe you right now?
IU: (I can’t take out all the words from my diary, but) that child / she has decided to live as a spore (홀씨), instead of a flower.
[*T/L note: Although IU didn’t specifically mention dandelion (민들레), ‘홀씨’ is often used when talking about ‘민들레’ (dandelion). Referring to what she said earlier about ‘wandering around (floating/drifting)’,‘홀씨’ can be interpreted as ‘민들레 홀씨’ (dandelion puffs) too.]
Source: https://www.harpersbazaar.co.kr/article/75198
Translated by IUteamstarcandy with love
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[INTERVIEW] 230222 IU for Harper's Bazaar Korea March 2023 Issue
IU and LEE JI EUN,
This generation’s icon IU, who cannot be defined in a single word, and the bare-faced Lee Ji Eun.
Q1: Today’s photoshoot intended to capture the duplicity of your two sides, IU and Lee Jieun. You looked relaxed during the shoot, but once it was over, you confessed that today’s shoot was actually quite tough.
IU: Honestly, it’s always tough to work on Gucci projects. It’s probably because there are a lot of experimental outfits, scenes and messages. In particular, the goal for today was to visually represent my alter ego. When I saw the 2023 S/S collection in Milan, I thought it was really shocking and interesting. With those memories in mind, upon hearing that the motif of today’s photoshoot was based on the collection, I thought to myself ah, it’s not going to be easy. But it turned out to be really fun too. It’s my first time having such thick smoky makeup and I’m grateful for the chance to be part of this refreshing experience from the photoshoot composition to the props and the studio design.
Q2: The last cut was a scene of an IU with thick smoky makeup, standing in front of a wall filled with a picture of an almost makeup-free Lee Jieun. Honestly, I didn’t know the photo on the wall was taken today and thought it was a still cut taken from ‘Love Set’ in the film, ‘Persona’. I’m aware that you show many different faces of yourself, but I also realized that you show faces of different time periods too.
IU: My staff said something similar in the waiting room just now too. I have smoky makeup on right now, but just now, we had as little makeup on as possible and since it’s early in the morning, my face was swollen like I had baby fats (laughs) which seemed to go with the concept. Seeing the printed picture, I thought of the past too.
Q3: You’ve been in a partnership with Gucci for a while. I think judging from IU’s personality as an artist, it would not have been possible if you did not agree with the philosophy and values of the brand. In terms of artistic vision, how are Gucci and IU aligned?
IU: I think Gucci is a brand that places emphasis on diversity and finds aesthetic in things that are unrefined. If I were to pick a characteristic that is similar to myself, I think this would be it. When I write lyrics, I tend to infuse thoughts and emotions that have not reached a conclusion or that come to my mind during an incomplete process.
Q4: As you said earlier, you have always been honest about yourself at each moment, and that alone is brave. As an artist, aren’t you obsessed with the idea of displaying only your perfectly crafted side to the public?
IU: When I was young, I didn’t really know any of that. (laughs) I think I had no choice but to say, “This is what I think right now”, “I’m at this age now” due to my personality, that is having to say what’s on my mind. On the other hand, I have always known that I am not nearly as perfect (person) as a sculpture. And that isn’t something that I can simply achieve by imitating. As long as I chose this profession as my career, (I know) this was my own battle that I had to come out winning or losing, and there is also a side of me that wants to make no bones about showing myself. What started out like that has now established itself as one of the ways of expressing myself.
Q5: So the piecemeal activities you’ve done recently can be understood along those lines? You lent your voice to MIRAL School’s song sung by their teachers for the students. The composer of ‘Through the Night’, Kim Jehwi made the song based on what he felt while working at the school, and you participated in the song as a featuring artist.
IU: Musical talent aside, Jehwi is my precious friend too. Frankly speaking, when he first told me that he’d be teaching the students in school, I was worried about whether he could do well more than anything else. But being affable, he adapted well and eventually said, “Noona, I want to make a song as a gift for the school”, which made me so proud and want to cheer him on too. To be honest, I didn’t expect this to make such news, but I poured so much effort into recording the song that I somehow joked, “I think I work harder on this than I do for my album”. (I worked so hard on this) so that the students can gain strength, and go to school happily while listening to it.
Q6: The drama “You Have Worked Hard” (literal title) has created a buzz with the combination of IU, Park Bo Gum, and writer Im Sang Chun of ‘Fight for My Way’, and will soon begin its pre-production. What is your reason for choosing this work?
IU: I think everyone will think this way when the drama is released, “Ah, even I would have wanted to do it too.” I really enjoyed the previous works of writer Im Sang Chun, and this one seemed to carry a new story of its own so it was refreshing. It’s just words (writing), but they manage to make people feel such emotions, so much that as someone who likes to read and write, I was envious of the writer’s talent. The theme of the drama is good, but I especially liked that it’s a heavy story delivered in a way that’s not too heavy.
Q7: You character, Ae Soon is a ‘young girl of literary interest who isn’t well off but remains positive and ambitious, and whose voice trembles like a goat whenever she rebels’. It is noteworthy that “You Have Worked Hard” will be your first korean drama comeback in four years since “Hotel Del Luna”, and that the character is the total opposite of your previous role, Jang Man Wol.
IU: Man Wol in “Hotel Del Luna” is certainly an unusual character. However, Ae Soon has a unique point too. Ae Soon may seem like the type of person you can easily see around you, but should I say that if you look closely, you’ll find her individuality as a human being stands out? I think I’m attracted to people of that sort (gyeol: personality, belief, preference, etc).
Q8: Some actors look for traces of themselves in the role they are assigned to in order to immerse themselves into their character. Are you one of them? How similar is IU with Ae Soon?
IU: There are definitely characters with gyeol (personality, belief, preference, etc) that I can never comprehend, but if that is the case, I won’t be able to bring myself to choose the work (willingly). It’s a matter of confidence. This also proves that all the characters I have played so far have been those that I could understand at some point. Among them, Ae Soon resembles me more than any other character I have portrayed. The writer has incredible observation skills. They said they wanted to incorporate the characteristics that I have that are not too obvious into the character. It was to the point where I said, “Oh my, how did you know that I have this side to me?” after reading the script.
Q9: From “My Mister” to “Hotel Del Luna”, and from “Shades of the Heart” to “Broker” and then “Dream”. Whether it’s a drama or film, should I say that your next step is always super bold? To the extent that one may think playing a different work and a different character from your previous work is your first and main criteria for selecting a project.
IU: Just like how when you have long hair for a long time, don’t you want to dye your hair or get a haircut at some point? It may not be my criteria, but I think once I have lived as a character for more than a few months, I’d unconsciously want to try out something different too.
Q10: There are many people who want to try a bob or short haircut, but they end up sticking to their long hair for the rest of their lives just in case the former doesn’t suit them.
IU: But if there’s something I want to do, I’m the type of person who must (and will) do it first (before I worry about it). It’s much easier for me to bear regretting doing something than regretting not doing it.
Q11: I suppose you are not the type of person that separates your actress’s ego from your singer’s. How similar or different are your state of mind the day before the concert and the day before crank-in (starting to shoot a drama/film)?
IU: If a concert stage is like a (one-off) live broadcast where you only get a chance to put out a (perfect) performance that stays forever in the audience’s memory, then the filming set has a different premise in that you can exchange opinions with the director or your co-stars on the spot, select the best outcome from several take opportunities, and subsequently share it with the audience. However, once the concert begins, the overwhelming moment of finally becoming one with the audience after feeling all alone under a lot of tension for some time is very similar to the moment I realize that I am truly working and keeping in tune with the crew after seeing these many people (including myself) gradually moving forward as a team with a shared goal on a new and unfamiliar set. Both fields are attractive in that they are things that I can never do alone. Whether I'm singing or acting, I'm just someone who puts in the best of my share (of work) at every moment.
Q12: At the 14th anniversary concert <The Golden Hour: Under The Orange Sun> last year, you said, “I thought this concert might be the final destination of the things I dreamt of and wanted to challenge myself to since my teenage years, but at this moment, I’m hopeful that this could be a new starting point, a new beginning (for me).” Normally, settling down is always the easier option wherever you are. And yet, you are still constantly trying to head somewhere else. Which direction are you headed? What lies at your ultimate destination?
IU: It is no exaggeration to say that I lived my twenties obsessing over the idea of ‘direction’. Should I say it was the subject that kept me ‘hot-blooded (passionate)’ at that time? Those ardent worries were enjoyable, but honestly draining too. After turning 30, I don’t have any particular direction in mind. It’s my first time being like this too.
Q13: Are you wandering around (floating/drifting) right now?
IU: That expression is accurate. I’m wandering around (floating/drifting). This itself could be my present direction now that I’m in my 30s. Throughout last year, I kept thinking, “I want to maintain this mindset” and “I enjoy living like this.” On the other hand, apart from feeling at peace, it was also a year where interesting events exploded. I used to cling to the idea that ‘If I miss something, the world will always give me something else in return’ throughout my 20s. But once I let go of the things I was clutching onto for dear life, the ‘other thing’ the world gave me was surprisingly such events. As I emptied my mind, the world filled it with fun stuff instead. Later when I look back as I get older, I will surely put a bookmark at my 30s (chapter).
Q14: Looking back, you were always doing something for the past 14 years, like singing, holding showcases, communicating with fans, etc. So what is rest for you?
IU: To be honest, I can’t quite grasp the concept of rest. I don’t feel particularly recharged just because my body is resting. In a broad sense, if getting rest is considered a means to de-stress and recharge one’s body, then ironically for me, the things (stress) that have piled up inside me are relieved in the most refreshing way when I’m working. (I feel relieved) when I have satisfactorily accomplished my work to the point where I get a good sense of pleasure. I feel much more refreshed during those times than when I’m just lying down at home for days. Otherwise, there should be something engrossing enough for me to not think about work at all. But in my case, there isn't much stuff that I’m into to that extent. Some of the (fun) stuff that I can recall now are: when I’m in a deep sleep, when I’m catching up with Yoo Inna, when I’m making silly jokes and laughing with my friends or lover who deeply understand me, when I’m rewatching my favorite movie, and when I’m having something really delicious. As I live, there are quite many people who do not need so much of that sort of mental relaxation like me. That said, stamina is another story, so as I enter my 30s, I try hard to take care of my body to make sure that it can keep up when I need to work harder. When I get to rest, I spend time lying down as much as I can. (laughs).
Q15: During the concert, you also said, “I’ll reflect on what I experienced today and go on for another 14 years.” Have you ever imagined yourself 14 years from now?
IU: Based on last year’s calculation, if I were to picture myself as a 44-year-old… I think I’d still be working by then. Other than that, I honestly have no idea too… that is, if we (were to imagine it) based on the premise that ‘I am a person who can change’. For instance, the mindset that constitutes me 14 years from now will be very different from my current mindset.
Q16: Maybe change can happen because people are flexible. But if I am to be honest, I’m the type of person who believes that people do not change until they die.
IU: I do agree with your statement to a certain extent. But I used to someone who despised competition and (thus) kept myself from competing 14 years ago. Going through my diary back then, I wrote “I find this competitive society so exhausting. I’m worried (about myself) because I don’t have a desire to win, and I hate competition.” But looking back, I realized that I’ve been enjoying competitions throughout the last 14 years since my debut. To the point where I wondered, “maybe I’m actually crazy about competing (for victory/defeat)?” I thought perhaps I failed to notice that I was a competitive person or I just wanted to deny it on purpose.
Q17: Either way, I feel sorry for the young girl who had just debuted and scribbled “I hate competition” in her diary. Is there anything that IU, who(se mindset) has changed quite a bit, would like to say to the IU of that time?
IU: “You actually like yourself a lot.”
Q18: You once said, “Even if we’re sick of this world, I hope we will live on while loving each other.” In this harsh world, is love still the hope that you have faith in?
IU: It’s a bit embarrassing to say this but nevertheless, I believe that love overcomes hatred. In the end, love wins. Even when I lose my balance and I’m swayed, I repeat to myself, “But love will win in the end though” and either try to put together my logic, build up my thinking muscle or control my mind like that. The proposition that love will win is something that I’ve experienced enough through living my life. I will continue to believe it moving forward.
Q19: Singer-songwriters are blessed in that they can turn their personal thoughts and emotions into the end-product that is music. In particular, we sort of know how important lyrics are in your music. What lyrics have been running through your mind these days?
IU: This may sound ridiculous but I happen to be writing about something we just talked about earlier. I was surprised deep down when I heard the word ‘wandering’. To wander around (float/ drift) without a destination. I think this will be the theme of my next album.
Q20: Back to today’s pictorial concept of ‘duality’, I feel that you are leading your life with both egos — icon IU and ordinary person Lee Jieun — faithfully. How do you maintain a balance between these two?
IU: Changing between slightly uncomfortable yet pretty clothes that make me shine and slightly average yet comfortable clothes I can freely move around in, and being moderately satisfied and moderately wary at every moment seem to be the way to balance… whilst naturally accepting the obvious fact that there are times I shine and times I’m just ordinary.
Q21: “I can’t take out all the words from my diary, but…” (lyrics from Through the Night) — What is the one sentence that can describe you right now?
IU: (I can’t take out all the words from my diary, but) that child / she has decided to live as a spore (홀씨), instead of a flower.
[*T/L note: Although IU didn’t specifically mention dandelion (민들레), ‘홀씨’ is often used when talking about ‘민들레’ (dandelion). Referring to what she said earlier about ‘wandering around (floating/drifting)’,‘홀씨’ can be interpreted as ‘민들레 홀씨’ (dandelion puffs) too.]
Source: https://www.harpersbazaar.co.kr/article/75198
Translated by IUteamstarcandy with love
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ALRIGHT. i got my brainrot list of 50+ songs down to.... still too many, probably 😂 but i'm decently satisfied with these finalists 🥰
tiny disclaimer that these are just MY favorites! this is in no way meant to be all-encompassing so don't come yell at me about forgetting something. there are some obvious songs that aren't on here bc i had to pare the list down, and frankly i live in the back half & japanese albums of bangtan's discography so that's gonna be where most of my favorites are!!! you can MAKE YOUR OWN LIST if you disagree with me 👹
with that out of the way, i present to you, my hobi hoes: ~my favorite hoseok vocal moments~ - join me under the cut, won't you? 🌹
jamais vu: starting here bc this is the one that gave me the brainrot 😵💫 his super low melody on his verses at 0:23 and 1:46 (sounds even better in this live version omg) and then the backing vocals on the final chorus???? slut me all the way out. i'm obsessed with this subunit frankly
for youth: A PERSONAL FAVE I JUST WHEIUGHRKRJGDFG he's so smooooooth with it !!! and giving srs milf energy in this performance lmao (i'm also obsessed with his dance moves in this one !!!)
i like it: clears my skin every time 😩 just such a fun little bop of a verse, and he fucking eats it live!!!
tomorrow: listen, if there's one thing hobi's gonna do it's have insane breath control. bc tell me how my man went from rolling around on the floor doing choreo for his life to hitting notes at the BOTTOM of his register like 30 seconds later? do you know how much fucking air that takes???? ok i'm done being a voice nerd i'm just never not impressed at his vocal stamina. that shit is HARDDDDDD!!!!
spine breaker: this is just one of my favorite bangtan songs i won't even lie lmao 🙈 i live for them nasty low notes ty goodbye (and tae and jin sound SO GOOD here too wweeeeoooowww)
equal sign: i mean come on, i can’t not mention it. i’ll never forget hearing the chorus and those sweet high notes for the first time - i fell out of my damn chair lmaooooo. love that he traverses nearly the whole range of his voice in this one - and the technique on his mixing up there makes me so happy like that shit has some weight to it!!!!
lights: the japanese singles will always do what needs to be done i swear!!!! i fucking love this verse i want to eat it for breakfast lunch and dinner. so effortless, so bouncy and pretty 🥺 (i also feel this way about stay gold and for you but i was trying to have self-control and not put every japanese single on here BUT THERE U GO)
save me: these lines always put a smile on my face but like SPECIFICALLY this tiny desk version - that live hopekook harmony just lights up every fucking atom in my body 😩 they sound incredible
rain: IT'S ONLY LIKE TWO SUNG LINES BUT I PROMISE THAT SHIT WILL CHANGE YOUR LIFE
born singer: i fucking can't get enough of the tone of his voice in this one and i die over how emotional he looks when he does it live??? and ~we go, we go, we go~ is hobi all over, so catchy and fun
you never walk alone: there’s a lot of stuff showcasing the ends of hobi’s range on this list but i looooove me some MID-RANGE HOBI and my god. he belts this so open and free with so little tension wheuihegkdjg. if he ever wanted to take his solo albums in a more pop or even rock direction i’d eat it the fuck up, he absolutely has the voice for it!!! (for further evidence, see this part of outro: wings)
24/7=heaven: HONESTLY i blush when this song comes on my headphones and i’m in public lmaoooo. he’s so smooth, so playfully teasing, the “daaaaarling”????? would scream like a fangirl if i heard this live, bark bark bark
airplane pt.2: ahhhh yes. this will forever be the verse that makes me a whore. it’s a pavlovian response at this point. i hear gureum wireul maeil and my tongue is out, it is what it is. (also further evidence for hobi's insane vocal stamina bc he literally does NOT STOP MOVING lmfao)
path: it is literally HOMOPHOBIC that this song isn't on spotify 😩 but wooooof his entire verse is just insane, the flip from gorgeous low notes to growly rap to lovely open chest voice in the span of like 4 lines????? HOW HOBI! HOW!
mama: TAKE ME TO CHURCH!!! i am gonna be so real, i cannot watch this video without crying omg. talk about heartfelt and singing with your everything. plus the ad libs he throws in like it's nothing???? ALL ROUNDER SHIT!
blood sweat & tears: I MEAN this chorus is just iconic and then he came back and killed the verse too?!?! HELLO!!!!! i couldn’t not include this song, BST was like THEEEEE jihope era imo
epilogue: young forever: SPEAKING OF SONGS THAT MAKE ME CRY LOL - it makes me so happy that they gave hobi the emotional BUILDUP of this song because man he fucking sells it. this song makes me sob like a baby and his verse is entirely to blame 😭
OKAY I AM FORCING MYSELF to stop here 🙈 what do you think??? what's on YOUR list???? let me know~ 💌
#mposting#jihope month 🌹#i had maybe too much fun compiling this hehehe#go forth and spread the hoseok vocalist agenda#honorable mentions include: ON; fly to my room; run#i had to make some cuts and figured you'd probably heard those songs!!!!!
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Things Forgotten and Reforged Part 3
It was sunset into proper dusk and twilight when the bard walked the cobblestones of the Lion’s Rest. Trist could walk them in his sleep even after years of absence. Somewhere in the distance he heard a harper playing having staked his claim to one of the white marble walls, echoing in the natural acoustic shell that the half moon memorial fountain created. The memories rushed back, the joy… but so much of it soured now… he’d once been determined to play through the pain, sing, perform, smile, dance… Be the one that was above emotions, that would never let the barbs and attempts to bully him show the damage they inflicted. And in the end it hadn’t been those… but rather someone who he’d loved with all himself who’d lied, who’d made him a monster… the same Bard that now hooded himself lest someone see that “Trist’Ayran, the Fountain Bard” had returned at long last to his post. No couples orbited each other tonight, his old spot mercifully unoccupied apart from a Light-forged mage reading with a sneer on her face at what she was paging through, a human con-man in a top hat sewing tricks into the inner lining of a vest, and a druid in feline form slumbering on one of the benches.
He was Alone.
“Hello Fountain.” He murmured in that decibel that was so soft no one that was any further than his shoulder could hear, “I’m sorry I’ve not come to sing you your Lullaby all these years.”
Trist scrubbed at his face feeling a rush of tears threaten now. Every night… for almost a year he had sung those soft words of goodnight to the trickle of pure water that spilled from bowl to bowl… and the weight of every missed evening crashed onto his thoughts with a guilt that he did not expect. What had happened to all the friends he’d made here? The students he had taught? The laughs… the dancing… the moments that made the Fountain so much more than a fountain, the night he thought he could fly when every voice around him sang the same words.
They’d taken that from him… now the fountain was just… stones… and water… and bushes he’d tackled lovers into… shadows he’d memorized in the hedges and branches… lines on the marble.
He looked up and spoke softly, as if the burbling fountain could understand, “I cherish every moment beside you you know? Even the hurts… even the moments where people hated me… punished me… broke me… Because you’re the place I met and loved so many. Thank you for staying when they’re all gone…”
There was a moment he thought maybe he was going mad speaking to an inanimate water-feature… but he kept on, “I don’t know if I ever told you how much I owe you for those moments I would never take back… especially the one where I met him…”
The fountain burbled as the last of daylight faded behind the horizon leaving Trist alone to speak to the dark, whispering secrets to the silvery catchlights that ran seamlessly like glass down the tiers of the white marble bowls, meeting them as he would the eyes of a dearly missed friend.
“I’m marrying him… Well… again, We’ve been wed since the night I shared his soul with mine… when I felt him reach a part of my broken heart and place each piece back together… He made me whole… but he found me singing behind our mask… stars what a show I could put on…” He managed a rueful laugh but reached out to touch the lip of the fountain’s base and asked gently, “May I please?”
As if in response to Trist’s soft request the old Grey-white fountain burbled and caught his attention just over a shattered bauble of broken glass in the darkest hue of violet and blue that was amid the coppers and silvers of those wishing for something. Trist hadn’t wanted to take anyone’s wishes… but he retrieved the old glass with a sweep of his hand into the fountain’s deepest base and looked up at it again. “Thank you…” Trist would normally have hurried off… but this place… He felt rooted to the marble like he had been a part of the stone and the water and the melancholy breeze that perpetually swept through… the harper that had been playing was gone and it was only the Bard and the stars… the place painfully silent, the emptiness of it hallowing him out before he sang softly. “Weep you no more sad fountains
What need you flow so fast?
Look haw the snowy mountains
Heaven's sun doth gently waste
But my sun's heavenly eyes
View not your weeping
That now lies sleeping
Softly, softly, now softly
Softly lies sleeping
Sleep is a reconciling
A rest that peace begets
Doth not the sun rise smiling
When fair at ev'n he sets?
Rest you then, rest, sad eyes
Melt not in weeping
While she lies sleeping
Softly, softly, now softlySoftly lies sleeping…”
Every line drew a soft sob or whimper from him, trying to suppress each to no avail. And clutched his finding tight enough to leave an imprint of its shape on his hand.
He composed himself and cleared his throat, and in his most desperate attempt at the lightness he had put on for months as he forced his fingers to pluck strings when the music was like wringing blood from a stone… “Goodnight Fountain…”
Trist then stood, adjusted his cloak, and vanished into the streets of Stormwind once more. To those with the keenest eyes, some would see the shadow of broken wings cast behind the bard, slowly re-knitting themselves into something whole the further he walked from his old stage.
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Character Playlists: BAU Edition: P2
Part 1 of ?: Reid
Second of an Untold Number: Gideon
Isle of Flightless Birds by Twenty One Pilots
Initial Inspiration: And it’s time you pick your battle, and I promise you this is mine
Explanation: Technically, probably every line is equally apt, but the last line in particular seemed relevant. Mostly, I’m thinking of Gideon’s final days with the BAU.
Dead Hearts by Stars
Initial Inspiration: They were kids that I once knew/Now they’re all dead hearts to you
Explanation: Again, the entire song and vibe say “Gideon” to me, but the chorus especially.
Sound the Bugle by Bryan Adams
Initial Inspiration: Now I can’t go on, I can’t even start/I got nothing left, just an empty heart
Explanation: After Gideon loses Sarah, he and Spirit (the eponymous horse from Spirit:Stallion of the Cimarron) are basically in the same mental and emotional place. This song and his goodbye letter feel like they’re cut from the same cloth, hence the inclusion.
Got My Mind Set On You by George Harrison (Cover)
Initial Inspiration: It’s gonna take patience and time/Mmm, to do it (x5) to do it right
Explanation: Harrison’s cover is so upbeat and catchy, which I think is a fun juxtaposition to A. Pursuing serial killers/criminals or B. Pursuing someone for good reasons (like romantic or other)
Somewhere Only We Know by Lily Allen or Keane
Initial Inspiration: I’m getting old and I need something to rely on. . ./I’m getting tired and I need somewhere to begin
Explanation: From the viewer’s introduction to Gideon in the wake of his leave of absence and the death of the six, he’s a man near/at the end of his rope. To me, whether sung by Lily Allen or Keane, this song speaks to the mental place Gideon inhabits, particularly toward the end.
Message in a Bottle by The Police
Initial Inspiration: Love can mend your life, but love can break your heart
Explanation: Sarah’s loss might have been one of the reasons Gideon left, but the team was the reason he came back/stayed before, and Stephen had to be one of the reasons Gideon didn’t commit suicide. Despite all the darkness, things got better for Gideon.
One Night in Bangkok by Murray Head
Initial Inspiration: One town’s very like another/When your head’s down over your pieces, brother. . .It’s really such a pity/To be looking at the board not looking at the city.
Explanation: Chess? The Ultimate Test of Cerebral Fitness? The knife’s edge between winning and losing and ignoring the place for the people? I don’t know how I could exclude this. Never forget, chess was Gideon’s game first.
House on a Hill by The Pretty Reckless
Initial Inspiration: But the children are doing fine/I think about them all the time
Explanation: As dark as this song can be, and it’s apt in that regard too, this reminded me of Gideon’s Saved/Success pictures.
Human by Rag’n’Bone Man
Initial Inspiration: I’m only human, I do what I can
Explanation: The BAU team can seem superhuman—comes with the TV show territory—but I think it’s worth remembering that they’re only human, and Gideon especially can back from a painful case.
Cat’s in the Cradle by Harry Chapin
Initial Inspiration: “When you comin’ home, Dad?”/I don’t know when, but we’ll get together them/You know we’ll have a good time then.”
Explanation: For Gideon, not Hotch or Rossi, or any of the others. Because Gideon really did put his work/the killers and victims first for so very many years. To a certain extent, in later seasons, you could say Reid is fulfilling the role of the son, but Stephen is also good.
Suicide is Painless by Johnny Mandel
Initial Inspiration: Suicide is painless/It brings on many changes/I can take or leave it if I please
Explanation: Like many of Gideon’s tracks, it’s the vibes more than the lyrics, but fitting for the final song here and how he left, I think this one. Might be the influence of M*A*S*H* that suggests this one for him, but c’est la vie.
#criminal minds#cm#jason gideon#gideon#ssa jason gideon#song lyrics#character songs#BAU playlist#BAU#song recs
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My Moments Out Of Time In Film 2023
My Moments Out Of Time - Glenn Gaylord’s Look Back at 2023 In Film
I’m of the opinion that every year can be a really good year for movies if you’re willing and able to do a little digging. But transcendent, formula-defying, unforgettable work seems to come along much less frequently. In 2023, I repeatedly saw a rare level of greatness, almost a rewriting of cinematic language. I think of how the marriage of sound and imagery achieved a type of singularity in The Zone Of Interest, or how the camera’s omniscient point of view in Poor Things seemed to reflect the mind of its protagonist. All Of Us Strangers and Past Lives seemed to run on pure emotional poetry. Bottoms and Rotting In The Sun opened up a new type of comedy in which queer people unleashed powerful levels of fury and unapologetic lust. Origin ignored most rules of screenwriting structure to forge a compelling and new way of looking at societal systems. Although not quite as trailblazing as the above-mentioned titles, I also loved The Holdovers, Are You There, God? It’s Me Margaret, May December, Killers Of The Flower Moon, Oppenheimer, BlackBerry, Air, M3Gan, You Hurt My Feelings, Passages, Huesera: The Bone Woman, Anatomy Of A Fall, Saltburn, Dream Scenario, Ferrari, Rustin, The Color Purple, Fallen Leaves, Godzilla Minus One, The Teacher’s Lounge, Mission: Impossible - Dead Reckoning Part One, and Wonka. Now that’s just scratching the surface. It was that kind of year.
So, instead of compiling a Top Ten List, which from what you can see above, would prove nearly impossible, I like to pay homage to a long-discontinued but influential annual column called “Moments Out Of Time” from Film Comment magazine. Their critics would cite their favorite scenes, images, or lines of dialogue, even from films they may not have liked. I may have hated the sappy, Hoosiers wanna-be, The Boys In The Boat, for example, but the image of the coxswains sporting those cone-shaped bullhorns strapped to their mouths made an impression. So, here, in no particular order, are my Moments Out Of Time for 2023.
A father looks over his brood as they splash around in their backyard pool. We see the billowing smoke from an approaching train as it crosses the horizon. That the father is a Nazi commandant and the train is arriving at Auschwitz makes turns a seemingly innocuous image and makes it bone-chilling - The Zone Of Interest
“Owwwwww” a perfectly droll and hilariously delivered reaction from Duncan Wedderburn (Mark Ruffalo) - Poor Things
A father (Jamie Bell) tells his grown son (Andrew Scott) that he wishes he could have been more attentive and supportive of him when he had been bullied as a child. The emotional truth on the faces of these two exceptional actors left me sobbing. It’s a dream conversation for so many - All Of Us Strangers
Two students toss a football in the wintry commons of a Massachusetts Prep School as the folk strains of “Silver Joy” by Damien Jurado plays on the soundtrack. It not only perfectly evokes films from the time such as Hal Ashby’s Harold And Maude, but feels like it was actually made in 1970 as well - The Holdovers
A high school principal uses the intercom to blare, “Could the ugly, untalented gays please report to the principal's office?”, which serves to announce a film which, dare I say, takes Heathers, upends it, slathers on layer upon layer of lesbian horniness, to result in something truly subversive and unique - Bottoms
Two South Korean childhood sweethearts reunite in Manhattan decades later, and Nora’s (Greta Lee) incredulous reaction of “Wow” as she walks beside Hae Sung (Teo Yoo) sums up the immense warmth of this gloriously poetic film - Past Lives
That insane twist midway through had me whispering to myself, “Holy Janet Leigh!” - Rotting In The Sun
Speaking of twists, the year’s biggest WTF moment happens towards the end of this film. You’ll know it when you see it as this girl crush of a story turns into something unexpectedly sinister - Eileen
A woman explains to an author why her father named her Miss. The monologue, filled with equal parts pride, anger and despair, and delivered by a never better Audra McDonald, should be studied by actors for decades - Origin
The slow-moving grocery store conveyor belt as it carries sanitary napkins for our protagonist and her friend proves to be a beautifully sustained, hilariously awkward coming of age moment - Are You There, God? It’s Me Margaret
A mom takes her teenage daughter dress shopping and traumatizes her with the cringiest, most passive-aggressive speech of 2023, “Oh Mary, I want to commend you for being so brave and showing your arms like that. That’s something I always wished I could do when I was your age. Just not care about these unrealistic beauty standards.” - May December
Godzilla’s attack on Ginza, which had a similar visceral impact on me as Spielberg’s War Of The Worlds first set piece did - Godzilla Minus One
After the bombings of Hiroshima and Nagasaki, Oppenheimer gets a hero’s welcome by a roomful of cheering, stomping Americans. As their faces melt away, he sees the horrific devastation he has wrought and questions his own “heroism” - Oppenheimer
An Osage woman in 1920s Oklahoma, who truly loves her husband, knows she has to bite her tongue despite knowing he’s slowly poisoning her. The conflicting emotions on the wonderful Lily Gladstone’s face masterfully conveys her impossible situation - Killers Of The Flower Moon
The flashback which reveals Valeria (the incredible Natalia Solián) isn’t the happily pregnant, maternal, heterosexual, married woman as initially presented. It’s the moment this somewhat traditional Rosemary’s Baby homage transitions into something far more radical - Huesera: The Bone Woman
Flora (Eve Hewson) and Jeff (Joseph Gordon-Levitt) write the beautiful duet “Meet In The Middle” over Zoom, cementing their chemistry and more importantly their deeply emotional connection to music - Flora And Son
In one of my favorite transitions in cinematic history, a Nazi commandant looks down a dark hallway to see his future, a soberingly mundane yet impactful vision. We then cut back to the commandant as he descends into the dark hell of his own making - The Zone Of Interest
Canadian Jim Balsillie (Glenn Howerton in one of the best, most surprising, and scariest performances of the year) threatens the NHL board when things don’t go his way with the immortal, “I’m from Waterloo, where the vampires hang out!” - BlackBerry
A woman accused of stealing from a teacher angrily denies culpability with a series of lies. This tense tiny gem is an astute analogy for the alternative facts age we’re experiencing - The Teacher’s Lounge
“A shoe is just a shoe until my son steps into it” - Michael Jordan’s mother Deloris (Viola Davis) skillfully negotiates his Nike contract with Matt Damon’s Sonny Vaccaro, and with quiet assurance gets everything Michael deserves - Air
Entity: Put the knife in your eye - Skinamarink
The office hallway dance before the kill - M3Gan
A novelist (Julia Louis-Dreyfus) overhears her husband (Tobias Menzies) denigrating her latest work, which challenges her notions of honesty and whether it’s something she really needs or not. A great microcosm of the human condition - You Hurt My Feelings
A blisteringly narcissistic film director (Franz Rogowski), fresh out of relationship with another man, refuses to engage in a conversation with his pregnant girlfriend’s parents as they pry too much and question his motives. Bonus points for his choice of outfits during said conversation - Passages
Danielle Brooks’ Sofia mightily kicks a door in at the start of “Hell No”, cementing her legendary status in film history - The Color Purple
Pop music of the 1960s gets a lovely tribute as the strains of “A World Of Your Own” evoke The Monkees’ “Daydream Believer” with a little nod to Sgt. Pepper era Beatles. The psychedelic visuals of Willy Wonka’s shop, with its cotton candy clouds and chocolate river, only enhance the magic - Wonka
Sure, one could easily talk about the slurping of the bathtub water or the graveyard sex or the naked dance sequence, but none felt as urgent and squeamish as when Felix (Jacob Elordi) surprises Oliver (Barry Keoghan) by driving him to his parent’s house. Oliver, begging Felix not to do so and afraid of what’s to come, is the most raw, real moment in a film laden with performative interactions and deception - Saltburn
“I wish this was real” - the most heartbreaking final line of a film this year - Dream Scenario
That entire taped argument! - Anatomy Of A Fall
Bonnie (Jodie Foster) uses reverse psychology on Diana (Annette Bening) to convince her to swim from Cuba to Florida, slyly revealing the advantages of really knowing and caring about your best friend - Nyad
Barbie: You’re beautiful. The Woman On The Bench (played by legendary Costume Designer, Ann Roth): I know. - Barbie
A deadpan couple in a movie theater watch Jim Jarmusch’s The Dead Don’t Die, a cheeky homage to what clearly has influenced the fantastic filmmaker Aki Kaurismäki - Fallen Leaves
Before the March On Washington, history was really made when Bayard Rustin (a great Colman Domingo) proved himself indispensable by demonstrating every detail that went into the planning - Rustin
Rebecca-Diane: (to a roomful of tween actors) But you so deserve it on every level, you guys are so talented, so unbelievable, this will break you. This will fully destroy you - Theater Camp
Any scene in which a couple engages in a serious discussion as a Macy’s Thanksgiving Day float glides by their window is gonna make this list - Maestro
THE SCENE - you’ll know it when you see it and will never forget it - Ferrari
The motorcycle over the cliff stunt. When Tom Cruise says he’ll die for us, believe him - Mission: Impossible - Dead Reckoning Part One
Tilda Swinton meets her match in Michael Fassbender and has that haunting moment of realization that she’s not as clever as she thought she was - The Killer
The unnerving sight of hundreds of planes plummeting to the ground - Knock At The Cabin
Put Margo Martingale as Ranger Liz, with her delightfully terrible aim, on a gurney in an ambulance being chased by a bear high on cocaine, add Depeche Mode’s 80s synth classic “Just Can’t Get Enough” and you have my favorite chase sequence since To Live And Die In L.A. or maybe even The French Connection - Cocaine Bear
Remind me never to crawl across a ladder precariously propped up between two apartment buildings. I can feel the acrophobia kicking in as I type this - Scream VI
If you’ve ever experienced a maintenance request being ignored, just be grateful Hong Chau’s self-involved Jo isn’t your landlord. Every time she shrugged off Michelle Williams’ pleas, I wanted to call HUD myself - Showing Up
Maybe you’re just inviting trouble when you prop your apartment building door open with a rolled up newspaper and quickly run across the street to buy some water - Beau Is Afraid
Although I found the overall movie to be “cute” at best, the combination of Awkwafina and the word “Scuttlebutt” was comedy gold - The Little Mermaid
It broke my heart when one of television’s most beloved icons thought of herself as “a failed dancer” instead of as a successful actor - Being Mary Tyler Moore
It’s impossible to measure the courage it took for Michael J. Fox to repeatedly fall down (and get back up) on camera while working with a trainer. He risked humiliation to bring the plight of those living with Parkinson’s disease straight to our hearts and minds - Still: A Michael J. Fox Movie
Presented at first as quiet, shivering victims of sexual assault, five women kidnapped by Nazis get their slow motion stroll towards camera with rifles in hand and death glares on their faces - Sisu
Although I had long ago written him off as someone whose politics don’t align with my own, I couldn’t help but be moved by Jon Voight’s tear-filled pride in having made a queer cinematic classic - Desperate Souls, Dark City And The Legend Of Midnight Cowboy
Priscilla (Cailee Spaeny) paces alone in Graceland as she realizes the bloom is off the rose. Her marriage, as it turns out, will consist of waiting and obeying - Priscilla
Jennifer Lawrence kicking ass while fully naked on a beach, proving herself as adept at broad comedy as Rebekah Kochan’s Tiffani in the Eating Out series - No Hard Feelings
Meghan Thee Stallion as a sensational girl boss lights up the screen when she performs “Out Alpha The Alpha” - Dicks: The Musical
Bella Baxter: I must go punch that baby - Poor Things
No melodic score will surpass the genius of Mica Levi’s compositions combined with Johnnie Burn’s sound design - The Zone Of Interest
In the final shot, the camera cranes up to reveal Indiana Jones having literally hung up his hat. Why am I crying? - Indiana Jones And The Dial Of Destiny
When Gracie loses a client from her cake business, Julianne Moore’s meltdown surpasses her amazing scene in Magnolia when she screams at the pharmacist - May December
Two book publishers (astutely embodied by Miriam Shor and Michael Cyril Creighton) envision their mysterious Black author played by Jeffrey Wright in a “do-rag and a tank top with the muscles showing”, proving stereotypes don’t die easily. When Shor caps the discussion with “Somebody call the fire department” you know you’re in the hands of a great satirist - American Fiction
Combine exploding wine barrels as two cowboys get drenched and make out as a group of women look on with disappointment, and you have a brief return to campy, over-the-top form from Pedro Almodóvar - Strange Way Of Life
Teddy Kountze: Sir, I don’t understand. Paul Hunham: That’s glaringly apparent. Teddy Kountze: No. I can’t fail this class. Paul Hunham: Oh, don’t sell yourself short, Mr. Kountze. I truly believe that you can. -The Holdovers
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“Rictus of Rage” Discusses “Emotional Journeys and Musical tributes”. The new song by Rictus of Rage “Silent weapon for quiet wars” expresses deep sadness about the death of Jeff Watson but also sounds very sincere in music sense. This is more than a tribute to Watson; it is also the story of the relationship between the singer and his friend, Mickey Masser, on the musical road that resounds in these haunting lines. The depths of societal reflections are where rictus of rage draws his inspiration from. From childhood, music was very important to them, becoming in many ways part of lifelong addiction combined with recollections of air guitar practices and in search of happiness. Although Rictus of Rage’s family is not musical, the song ‘Crazy Train‘ which is sung by Ozzy Osbourne started his journey into music and pushed towards a music career. They have learned by themselves in many musical aspects, they are constantly evolving their artistic process taking on emotions and versatile influences which reach across several genres from country ballad to doom metal. Their style continues to be organic with the core remaining despite playing with it. Their sound is difficult to categorize – proof of the varied impact on their taste in music. Join us as we get to know more about Rictus Of Rage. Watch Silent Weapon For Quiet Wars below https://youtu.be/UteYYrvS7zo Follow Rictus Of Rage Reverbnation Facebook Twitter Youtube Instagram What is your stage name Rictus of Rage Is there a story behind your stage name? Jeff was reading a book with a character named Rictus in it. He wanted to name the band that, but we found out there was already and band named Rictus. I suggested we put of rage at the end and go with that. Where do you find inspiration? Everywhere. It is all over if you look for it. Rictus of Rage primarily get most of its inspiration from news and society. What was the role of music in the early years of your life? Music has played a big roll in my life. I look back and music has been almost an obsession for me. My earliest memory’s are playing air guitar and listening to my brother and sisters albums. Just studying the music\lyrics and artwork. I always accompanied music with trying to have fun, being the life of the party and girls. Are you from a musical or artistic family? Not really, My family loved music and there was always music playing in the house. That was really the extent of it. Who inspired you to be a part of the music industry? Hearing Crazy train from Ozzy is what made me want to play guitar. Once learned to play all I wanted to do was play music for a living. How did you learn to sing/write/to play? I taught myself everything. What was the first concert that you ever went to and who did you see perform? I went to see Metallica. How could you describe your music? Man, I’m not sure how I would describe it. It is all over the place. I have so many influences. One song will sound like a country ballad and the next will sound like a doom metal song. Depending on if you listen to my old band Hand Over Fist or my Solo work or Rictus of Rage it can sound like completely different styles. Describe your creative process. I wish I could. I don’t have a set process. It comes in various ways. Sometimes something I see will spark inspiration. Sometimes it could be sitting in my living room playing guitar an something cool just comes out and I work off of that. It comes from everywhere if you are in that zone. What is your main inspiration? I know this sounds generic, but emotion. Whatever I am feeling at the time I roll with. What musician do you admire most and why? I don’t think I could narrow it down to one. I admire so many musicians for different reasons. It could be the style of playing or musicianship, it could be how they have influenced or put their mark in music history. I am just a big fan of music. I don’t care what genera it is. It could be pop\R&B Metal\Hard Rock Rap\HipHop. If it is a good song it is a good song. I don’t care the genera or artist that did it.
Did your style evolve since the beginning of your career? I don’t think I have evolved my style too much over the years. I tried to do that on my first solo album, but I think it was a failed experiment. After that I kind of went back to what I know. Who do you see as your main competitor? I don’t see anyone as a competitor. Music is subjective. Not everyone has the same taste in music. Everyone that makes music does it the way they feel it should be done. No right way or wrong way, just the way they do it. You put it out there and hope people see and hear your version and relate to it. What are your interests outside of music? Right now it’s relaxing. I don’t get much down time, so when I do I try to relax. What is the biggest problem you have encountered in the journey of music? People trying to tell you how to think and what to do. Egos and people that are doing it for the wrong reasons. If you could change one thing in the music industry, what would it be? Get away from worrying about a bands image and get back to the bands music. Labels have spent too much time on how to market a band and the image instead of worrying about how good the music is. They have ruined the creative process. We have lost so many good bands and songs because of that. What are your plans for the coming months? I still might do some solo work, but since Jeff passed away last year Rictus of Rage will be no more. Do you have any artistic collaboration plans Nothing in the works right now. What message would you like to give to your fans? Want to thank all of you that have supported us and encouraged us. I wish Jeff was here to see the result of what we made together. With that said I hope you continue to listen and keep his legacy alive.
#Interviews#RictusOfRage#RictusOfRagedropsSilentWeaponForQuietWars#RictusOfRageoutwithSilentWeaponForQuietWars#RictusOfRagereleasesSilentWeaponForQuietWars#RictusOfRageSilentWeaponForQuietWars#RictusOfRagewithSilentWeaponForQuietWars#SilentWeaponForQuietWars#SilentWeaponForQuietWarsbyRictusOfRage#SilentWeaponForQuietWarsfromRictusOfRage#SilentWeaponForQuietWarsRictusOfRage
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Review: Glowing through an easy-going soft sound, Grace & Moji’s new indie-pop single ‘Monster’ talks of embracing our internal demons and making peace with our pain
The dynamic husband-wife indie duo Grace & Moji have just began their intertwined collaboration together in the form of new single ‘Monster’, an exploration of love, creative expression, and healing in their relationship. Grace, a native New Yorker raised in a broken home by Korean immigrants, and Martin, an award-winning, platinum-selling music producer, composer, and multi-instrumentalist, hailing from the forests of Sweden unite for something special - and you won’t want to miss out on being there before they undoubtably become big.
As acoustic guitar strums lead things into ‘Monster’, Grace & Moji immediately set an easy-going undertone of warmth and familiarity, laying down a soft and safe bedding to lay down and listen along like you’re in the company of a close friend. Thudding beats hit as the first verse cascades through your eardrums, complemented by occasional backing electronic fizzles and pops, all the while Grace’s lower-toned vocals comfortingly soar atop it. With quite an untraditional first chorus, Grace & Moji incorporate the same instrumentals but a slightly shifted acoustic guitar riff, while simple vocal ‘ooh’s and ‘ahh’s are the only lyrics to be heard. As Moji takes over the second verse, things continue with the same soft glow but his lines exude more of a spoken-sung groove, almost poetically spilling each line. The second chorus then loops back around, this time adding a lyrical hook and brightly glowing instrumental introductions in the form of sparkling guitar plucks and hazy synth while the core instrumentals sleepily protrude through. Everything about their sound is utterly original and at its core it’s very clear Grace & Moji want nothing more than just to create music that bares an originality and beating heart of it’s own. As this blend of indie-pop and soft-rock intertwines it’s unavoidable to appreciate an act like this that remind what making music should be about - loving what you’re doing and not being afraid to stand out.
As the lyrical message is just as poignant as it’s sound, Grace & Moji sing of the internal battle we all face sometimes, feeling like a monster within and watching our detrimental flaws affect those we love no matter how hard we try otherwise. As they navigate through a relationship with these turmoils, Grace & Moji encourage everyone listening along to look within, introspectively confronting their flaws and embracing vulnerability for genuine connection. Showing self-awareness, they sing ‘I get triggered like a match, I explode and I burn out’, knowing their limits but being overly aware of how it can affect those around them. Attempting to get better, lines like ‘all those meditations… haven’t healed away the wounds’ show a little desperation to smooth over these less desirable parts we all have buried within, working through their hardships but still ultimately flawed as no one can be completely perfect at all times. Seeing the world and finding themselves in the most picturesque locations, lines like ‘all the trips to Bali, stayed in so many temples, but the shadow dominates my moods’ almost show an external desire to escape from these feelings, but continually being loomed over by the same thoughts and feelings as they come from within - regardless of the beautiful locations we may find ourselves in. Other people’s validation and opinions adds another weight on their shoulders, struggling to balance every emotion and be the partner that theirs deserves: ‘so caught up in what people think.’ Closing things out with the hook that ‘it’s not your fault, I’m a monster, only I can save me’ , ‘Monster’ hauntingly captures the sorrow that comes with knowing you’re a little damaged, wanting to love and be loved but carrying their burdens wherever they go.
Filmed in an old Los Angeles warehouse, the ‘Monster’ music video delves even deeper into the concept of these inner demons and how they play out in our relationships. Through symbolic visuals, rotating performances, and dancing/choreography by Just Jet, this experience fleets through the dark elegance and gorgeous shifting visuals, all wrapped up in differing colour tones and scenes. Concluding with the artists partying with and befriending the monster, it’s clear there’s light to be found even in our darkness.
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Check out ‘Monster’ here to appreciate Grace & Moji’s poetic lyrical journey and sound you’ll feel comfortable resting within.
Written by: Tatiana Whybrow
Photo Credits: Unknown
// This coverage was created via Musosoup, #SustainableCurator.
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“Reading this isn’t enough, I need to inject this into my blood stream”
Ok I’ll play, so fun fact, I’m actually studying child psychology and based a lot of child y/n’s & anyone who interacted with y/n’s behaviour off of that.
So like I didn’t know how old y/n was supposed to be here (I saw some math in past posts but um I have Dyscalculia..) so instead I just followed major developmental stages for emotional development in children for the story. At the very oldest I assume y/n to be on the cusp of their teens (the awkward tween phase) which is why I didn’t really portray the ability to feel two emotions at once yet. Since the ability to start feeling two or more at once is a very teen thing to do. The ‘oh I’m sad & mad’ is a clear adolescent emotional milestone trait. Whereas younger children will commonly only feel one emotion at a time.
Also when going through any kind of trauma it’s really common for kids to age regress (though this can apply to any age) in some way. Which is why y/n’s words, especially when talking to Moon later is very internalised. The little, ‘I messed up, it’s my fault’ kind of mentality is very on par with how kids respond to emotional distress and their stages of development. What a child can and cannot handle when put under an immense amount of emotional distress.
Which is why I wrote Moon to be so gentle (that and I saw mention of both Sun & Moon being guardian to children) with y/n.
At first I wanted y/n’s fear to be highlighted when first interacting with him. Unable to look past the blood red eyes, blood stained clothes and the bodies lining the street. But even with this clear fear of the god present, Moon was never angry with them (and yes I nabbed that ‘i sung for the villages children to go somewhere safe, go’ from a past post haha) for getting caught in the crosshairs. He knew what a traumatised child looked like when he saw one and decided to be as gentle and patient with them as possible.
This behaviour on his part also explains why Moon was so calm and silent under the tree. He picked a spot where both of them could contemplate their thoughts/emotions and feel safe enough in each others presence. That and Moon was going through some shit (emotionally) himself here and on top of that had to watch over some traumatised child. He didn’t want to overwhelm y/n with words or too many distractions that may throw them out of balance once again.
Which is why when y/n says, “My auntie…sh-she’s going to be mad at me”
Moon doesn’t ask, “Why?” because ‘why’ is often seen as a confrontation in the eyes of children. Like you have to prove yourself and your emotional distress to an adult, someone much bigger and stronger than you. Which for a child (rather it’s right or wrong) the support or lack there of from an adult can mean life of death.
So Moon instead asks, “How come?” in a very brief amount of words (cause he introverted like that) and wants to validate y/n’s emotions while talking to them. Without causing any needless emotional distress on the poor child.
There was also going to be a part where Moon carried y/n back home and all of that. With a whole eepy bedtime routine taking place and Moon reassuring he’ll come back….but I got too tired at the end so…haha oops.
What if y/n met Moon when he attacked the village? I assume he wouldn’t recognise them by the time they come to the celestial realm looking for Sun and this scenario played out in my head.
I can imagine Moon being disinterested in y/n and turning to leave them alone. When y/n uses an old childhood nickname they gave him that day that makes Moon stop in his tracks.
y/n: wait, we’ll find him quicker if we work together
Moon: *walking away* not interested sorry and I don’t know you
y/n: Moonikens, wait!
Moon: *freezes in place & turns on his heel*
Moon: ….who are you?
(ok I’ll leave your inbox alone now)
OHH THAT'S SO LOVELY. I never even considered the Moon-met-y/n route going past the angst of Moon just vanishing, but there is actually so much potential in that
Okayokay, also consider this. Since in the original AU Sun tells Y/N about Moon, Moon tells Y/N about Sun this time. And so when they find Sun bleeding out in the forest at least over a decade later, they freeze like, "oh. Ohhhhh no no nononono, I think I know who that is." There would not be an overnight wait this time, Y/N would instantly drop everything to fix Sun up, at least for Moon's sake. Even if they don't know why Moon left, or if it was even voluntary.
Sun: I attacked you because that's what Moon would have done
Y/N:
Y/N: that's honestly worse
Sun starts talking about his "friend" and you're not sure if you should say something orrrr
#this is really nice to read after waking up from a nightmare about spiders#still scared of it crawling on me#I’m like awwwww but also ahhhhh#but thank you uwu#i haven’t written a story in 5 years so I was worried how it would come out#giggling#kicking my feet#{my fics}#there's a full version on ao3
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To Sail Beyond the Sunset ft. Sidney Crosby | Chapter 2
gif credit @/hannovers
A/N: As always, I can't wait for you guys to read this chapter. I know it's very early on but I would love to know what you guys think of the flashback scenes! TW: parental emotional abuse
“Alright my lovely ladies, are we ready to dance?” June asked as she stepped into the studio she worked out of for the past five years, smiling at all her students lined up and stretching on the barre just as they always did when they came in. Their pink tights, dance dresses, and pointe shoes brought back so many memories for her every time she stepped in the room.
“Yes Miss June!” they sung out in unison, taking their usual places in the classroom and assuming first position.
June smiled at them warmly. While there were only eight girls, they were a great bunch. June had been teaching all of them since they were pre-teens. They’d essentially grown up with her, and she cared about them on more than just a ballet level. “How was your week, girls? Anything exciting happen?”
“I aced my last chemistry test before our exam,” Franny Louton said.
“Good for you, Franny!”
“And I got a 90 on my English essay, Miss June! The one I was so worried about!” Isabella Bouchard was giddy just speaking about it.
“I told you you’d ace it!” June smiled. She waited a moment to see if anyone had anything else to say. “How are we feeling, girls? Are we good? Is there anything bothering us? Not just physically – anything I should know before we begin?”
June asked these questions because she wished someone had asked her these questions when she was taking ballet classes growing up. Nobody had ever really cared. Not her instructors and definitely not her mother. It was all about dancing and perfecting technique instead of mental and physical health. She wanted the girls (and their parents) to know she wasn’t going to be that type of teacher – that she couldn’t be that type of teacher. It definitely made for a healthier environment, and an environment where the girls actually wanted to come to ballet class. And with these girls – the cream of the crop – it meant more opportunities for them, more auditions and performances. In fact, almost all of them had already been to auditions or sent tapes for various ballet companies around Canada, and they were all anxious to hear back.
“We’re all just anxious to hear back from the companies, Miss June,” Anna Fitzgerald said. “Have you heard anything?”
June shook her head. “I haven’t, girls, but be patient,” she encouraged them. “It’s going to take a few weeks, especially those of you who auditioned with the National Ballet. You were very lucky to get those invitations to audition, anyway.”
“Cause it’s not like you were the best principal dancer they ever had, and now we’re learning from you,” Franny commented with a cheeky smile. “I’m confident in us, ladies!”
June couldn’t help but giggle. “That’s the spirit! Now let’s begin, girls. Aaaaaaaand tendu…tendu…tendu…first arabesque…”
***
Sidney woke up that morning and went straight to a training session with Andy O’Brien. It was gruelling, but it always was – nothing he didn’t expect. And because Nate was still in the playoffs with Colorado, he was alone, which meant Sid only had to deal with his own ultra-competitive nature, and not Nate’s too. Colorado was playing a game tonight though, so he’d still “see” Nate, maybe even get a phone call from him, depending on the outcome, while he did whatever he thought to do tonight. Sid thought about inviting June over and grabbing some takeout before heading to his house. Now that it was the summer, he wanted to spend as much time with her as possible – as much as his workouts, media commitments, interviews, commercial filming, and training allowed. He also had to keep reminding himself that June couldn’t just drop everything and be with him at his beck and call, either. She had her own commitments – studio time, paperwork, auditions, correspondences, and other important things to do with her work.
During the half way point in the workout, Sid and Andy took a hydration break. Sid sat on one of the benches and drank half of his water bottle in one go, with Andy wiping the sweat off his brow as if he was the one doing all the work. “What are you up to the rest of the day?” Andy asked.
Sidney shrugged. “Lunch. Wash up. Probably go surprise June and her ballet class.”
Andy couldn’t help but smile at the mention of June. It took longer than usual, he thought. “When’re you gonna make an honest woman out of her and marry her?” he demanded.
“What?!” Sid exclaimed. “Andy, come on.”
“You know I’m right,” Andy shook his head, chuckling at Sid’s reaction. “You’ve known each other since you were kids. She’s a beautiful girl, Sid. You know everything about one another, she’s always been there, you guys spend all your time together, she’s the only other person who’s as competitive as you are and who knows what it’s like to be at the level you are…Sid, I’m telling you – you’re in love with that girl and you don’t even know it.”
“She’s my best friend, Andy. It’s not like that at all,” Sidney bit his bottom lip. Andy’s words made him think about how others perceived them. Did everybody think this way about them? Was it only Andy? His teammates had said some things to him before, but he thought they were all in good fun – it was just ribbing him…right?
“I think it is like that and you’re just too stupid to realize,” Andy said, giving Sid a look. “Anyways, break’s over. Let’s go.”
***
“Relevé…wait for the cue…aaaand one-two-three-one-two-three-one-two-three-aaaaand-one-two-three…good ladies!-two-three-one-two-three-pirouette and hold! Good! And one-two-three-one-two-three-and-one-two…girls…girls why are we giggling? What’s so funny? Girls, I—”
“Behind you, Miss June!”
June whipped her head to look behind her. She saw Sidney in the doorway, a giant goofy smile on his face, dressed in jeans and a zip pullover sweater. “Oh, you’re here!”
“Hi Mr. Crosby!” the girls all said in unison. They knew that Miss June and Sidney Crosby were best friends – June told them early so it didn’t come as a surprise if he did something like this, dropping into their classes unannounced. He’d done this at least once a summer since they’d been her students, and every time he did, they giggled like schoolgirls. Sidney would end up staying and watching the end of their practice, and afterwards he’d take pictures and sign autographs if they wanted it. The girls’ brothers were always extremely jealous – June would often see them the next day in the car with the parents during drop-off, which was hilarious.
“Hi girls,” he said, nodding at them as he stepped into the room carefully, knowing he wasn’t allowed far with his shoes on. He noticed June walking towards him. “Hey Junebug.”
“Take off yo—”
“—Take off my shoes, I know,” he said, slipping out of them and pushing them away from the doorway so no-one would trip on them. “Can I watch the end of class?”
“Yeah of course,” she nodded, smiling slightly. “God, their brothers are going to be so jealous again when they get wind of this.” June turned around to address her class, who still had some giggles and smiles left in them as they watched June and Sid whisper with each other. “Would you girls like to show Sid what we’ve been working on?”
“Can we show him our Swan Lake numbers instead?” Claire Dempsey asked.
June checked her watch. Though it was cutting it close, she could indulge them with five or ten extra minutes of her time. “Well, alright. I think Sid will be very impressed.”
Sidney remembered Swan Lake. He remembered Swan Lake because at one point in her life, it was all June could talk about. He even remembered the music – well, the more popular pieces – and how much June would practice. But June’s girls now were so much different than she was at their age. They were so much more well-adjusted, and that had to be 50% their parents not being as bad as Miss Hockley, and 50% June’s teaching and mentoring methods. Having gone through hell and back, Sid knew that June wanted better for these girls, and she’d told him as much when she got into teaching. She didn’t want history to repeat itself with any of them.
While June loved ballet, and was ultracompetitive just like Sidney was with being the best, there were definitely times it turned more into a love/hate relationship. Another reason why they understood each other so well was because of their similar experiences. Growing up and getting a lot of attention in hockey, there was bound to be negative attention too – from parents, kids, teammates, and various other people. There were times where Sidney felt like everything was completely out of his control. He didn’t understand, especially as a kid, why some people were so angry with him, why so many people wished him ill, complained about him, told their kids to target him on the ice. It was the same for June. Some of the girls could be vicious, and they were vicious because they knew they could never be at her level. They resorted to mental tactics to try to tear her down.
But nobody was as bad as Miss Hockley herself.
June had a tough time with her mom while developing as a ballet dancer. Miss Hockley always expected excellence from June, and when she didn’t get it, she’d get disappointed or mad – and she definitely let June know about it. When Sidney lost a game in hockey, he’d be more disappointed than his parents. They’d talk to him in the car and tell him it was okay and that they were still proud of him, and all would be well. If June placed second in a competition or fell out of a turn, June would never hear the end of it from Miss Hockley.
1996.
Sidney didn’t know why Miss Hockley was so upset. She kept shaking her head as she sat in her seat, muttering to herself words that he couldn’t quite make out. She sat down the row, and it was hard to see in the dim lighting since all the light was focused on the stage, but he could tell she was angry. June had just performed her dance, and she was amazing. Even Trina thought so. Miss Hockley didn’t.
When all the dancers in the age group were done, the lights turned on and everybody started to get up. Trina got up from her seat and held out her hand for Sidney. “C’mon, we can go backstage now and see June.”
Sid jumped up and held his mom’s hand. He was thankful that the dance competition just happened to be at the local high school, which meant that he could go. But the school was much bigger than his own elementary school, so he was a bit spooked. “Is Miss Hockley going to come, too?”
“Of course she will,” Trina said, eyeing down the row, only to see Miss Hockley almost already out of the auditorium and on her way to the classrooms, which were being used as dressing rooms. “Miss Hockley will talk to June first and then we can go in, okay?”
Sidney nodded, and they made their way through the crowd. There were girls everywhere in sparkly, fancy costumes; they were dressed up as princesses or sailors or even baseball players. Some of them even had lots of makeup on, so much that even Sidney could tell. Sidney saw that June’s lips were red on stage, which meant she was wearing lipstick. He wondered what it would look like up close.
As he and his mom approached the classroom, even amongst all the chatter outside, Sidney could hear yelling. Yelling from Miss Hockley. “You turned out of all your turns!!! ALL OF THEM!!! How are you so stupid, Juniper?!”
“I d-d-didn’t mean—”
“How often did we practice?! How often?! And then you go out on stage and you perform like an amateur!!! You made yourself look like an idiot!!!”
“B-b-but mommy—”
“I don’t want to hear your stupid excuses, Juniper. And you can cry all you want – you’re not getting any sympathy from me. You don’t even deserve to place. I want to hear nothing from you on the way home, do you understand me?! Not a word. You’re an embarrassment.”
Sidney and his mom were waiting against the wall outside the classroom, hearing every word. Trina was standing behind him and had placed her hands over his chest, hugging him to her. They watched silently as Miss Hockley burst through the door, marching off in the opposite direction, not even seeing them. He could feel his mom take a deep breath before she bent down to be at eye-level with him. “I think you should go in first,” she said, her voice so much more soothing than Miss Hockley’s. “I think June will appreciate that very much. You can tell her how much you loved her dance.”
Sidney nodded, and his mom let go of him so he could go inside. He closed the door behind him. He looked around the classroom to see June curled up in one of the chairs, knees to her chest, sobbing. “Hi Junebug,” he said, loud enough that she could hear over her tears.
June raised her head slightly to see Sidney. Her makeup was running down her face, and her red lipstick was smudged. “Hi S-S-Sid,” she managed to say through a sob, trying to wipe away her tears but only smearing her makeup more.
“Are you okay?” he asked, even though he knew she wasn’t. He didn’t want her to know he’d heard everything her mom said. June shook her head, trying to compose herself and keep in her sobs. “You looked beautiful out there…” he tried to say.
June’s face scrunched up, and no matter how hard she tried to hold it in, she let out another sob. “No I didn’t,” she huffed out, tears streaming down her face.
“Yes you did!” he said. “I thought you looked beautiful. And your dance was amazing!”
She shook her head. “I f-fell out of all my t-t-turns. It was so bad. I’m not going t-to place and now my m-m-mom is mad and I…I…I just ruined everything!”
Sidney realized he couldn’t say any encouraging words that would get through to her. Nothing he could say would make a difference. But then he remembered a saying his dad always said to him, about bullies on the ice. “Actions speak louder than words.” It meant that his skills and what he did on the ice would always speak louder than any names other kids would call him to try and get in his head. Sidney knew that he was only nine years old, but he knew that it could be applied in this situation, too.
So Sidney did the only thing he could think of: he wrapped his arms around June and hugged her tight. She wrapped her arms around him too, hugging him just as tight, and she cried and cried and cried.
“Okay girls, let’s set up for the Dance of the Cygnets,” June announced as Claire, Franny, Zoë, and Malika stepped forward, joining hands and assuming position. When June started the music, the girls began moving, dancing in almost perfect sync with each other. Sidney remembered this dance – it was one of the dances a pre-teen June knew how to do as a teenager. She’d perfected it in no time, and her teacher had pressured the other girls June was paired with to be up to her standard. None of the other girls could reach it; they found it impossible.
1998.
“Sidney! June’s here!” Sidney heard Troy call out from the front door as he was reading in his room. If it was any of his other friends, he would have heard their loud footsteps making their way through his house and towards his room. But this was June, and she was a ballerina in every sense of the word – she moved like one everywhere she went, which meant there were no loud footsteps. She practically floated. It was only when he heard his bedroom door open that he realized she had moved through the house.
“Hey Junebug,” he said, setting down his book spine-up so he didn’t lose his page. He noticed she brought her dance bag with her, flung down beside his door before she closed it (Sidney’s parents allowed the door to be closed only with June because, well, it was June), which meant that she had just come from class and Miss Hockley was probably going in for a shift at work at the supermarket.
“Hey,” she said, looking away from him.
“How was dance?”
She shrugged her shoulders in response. “What’re you reading? Is that for our book report?”
Sidney tried to get a good look at her, and when he did, he saw something that he always hated to see. “Why’re your eyes red?” he asked. “Were you crying?”
She was caught. There was no use hiding it anymore. June could only nod. “Yeah, I was. Just a bit.”
“Why were you crying?”
“I got yelled at a lot today because my pirouettes were horrible,” she informed him.
Sidney’s eyebrows furrowed. That was the stupidest thing he’d ever heard, considering what he knew about June and her dancing ability. “Didn’t you tell me you’re the only one in your class who can even go up en pointe?”
“Yeah.”
“Well then why would they be mad? How could they even be mad if you’re the only one that can do them?”
June couldn’t help but smile slightly at his tone of voice, even letting out a slight chuckle at how incredulous he sounded. “Because I was doing them perfectly just yesterday. And now all of the sudden I can’t do them. I’m not doing the dance bad on purpose, I swear. I just—I need to be more consistent.”
Sidney wanted to roll his eyes. That was Miss Hockley or her teacher talking, not June. June was one of the most consistent people he knew – like him. “Well I bet they were great,” he said, ending the conversation so he didn’t upset her even more. “What book are you reading for the book report?”
“It’s this new book I found at the library. It’s called Harry Potter and the Philosopher’s Stone. Have you heard of it?”
Sidney was clapping loudly, another giant, dumb grin on his face at what he just saw. “Wow girls, that was impressive!” he exclaimed. “You guys were so in sync!”
“You’ve seen Miss June dance when she was our age, Mr. Crosby. Are we as good?” Zoë asked as a joke, already knowing the answer.
“Aaaaalright alright alright,” June cut them off, laughing along with them. “Don’t put him on the spot like that. Now go change girls, I’m sure your parents are waiting outside.”
“Will Sid—”
“—Yeeesss, Sidney will take pictures and sign autographs for you outside,” June said, placating them. The girls were antsy as they scurried away to the dressing room, leaving Sidney and June alone in the studio. “They all have massive crushes on you,” she told him, if only to get him riled up.
“Oh geeze,” Sidney blushed, shaking his head. “Don’t say that. I’ve known them since they were, like, twelve.”
“That’s exactly why. You always visit.”
He shook his head, his smile still on his face. “Wanna get takeout and watch Netflix tonight?” he asked. “You pick the food.”
June frowned. “I wish I could,” she began, “but I have to work late.”
“Work late? Really?”
June nodded. “Some of the girls are actually coming back tonight for some extra sessions. They all just had their auditions so they want to fine-tune everything, you know…”
June had never stayed late at work before. She was always done by a specific time. Part of him was suspicious, because it was so out of character for her to stay so late at the studio, even if the girls asked for extra lessons. But he guessed the reason was plausible enough – the girls did just have their big auditions for various ballet companies. “Well, okay then,” he nodded.
“You’ll have to choose the food on your own,” she joked.
“Well, if it’s not too late, feel free to come by,” he offered. “I’m sure I’ll have leftovers. You know me and how I order.”
“It will be late, and you know how I don’t like to drive in the dark,” she said. She could see disappointment in his face, and she was disappointed, too. But what she had to do had to be done. “We can meet tomorrow for lunch if you’re not with Andy,” she offered.
“Yeah, for sure,” Sidney nodded, looking down at the ground to find his shoes. “I better get out there. They’re probably waiting.”
As he signed autographs and took pictures with all the girls, hearing chorus after chorus of how this would make their brothers soooooo jealous, Sidney kept thinking about his reaction in the studio. Why was he so suspicious of June? She told him she had work to do and she was going to do it – she wasn’t going to skirt out on a responsibility. He had to accept that, and he did. But why was his first feeling suspicion? She’d never lied to him before, and he had no reason to not believe her.
June eventually came out and had an amused look on her face, as she always did when watching the girls interact with Sid. He watched as she stepped away behind her desk at one point, typing vigorously into her phone. When the last of the girls left, he watched as she scrolled and typed, scrolled and typed. “I’ll see you tomorrow, Junebug,” he said softly, not wanting to startle her too bad since she seemed so concentrated.
When she heard his voice, she gave him her complete and undivided attention. “For sure,” she nodded. “I’ll call you. Don’t order too much food.”
“I can’t make any promises.”
#sidney crosby#sidney crosby imagine#sidney crosby fic#sidney crosby fan fic#pittsburgh penguins#pittsburgh penguins imagine#pittsburgh penguins fic#pittsburgh penguins fan fic#sidney crosby blurb#pittsburgh penguins blurb#nhl#nhl imagine#nhl fic#nhl fan fic#nhl blurb#hockey#hockey imagine#hockey fic#hockey fan fic#hockey blurb#to sail beyond the sunset series
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Lonely this Christmas
summary: you and Harry broke up earlier in the year, but at Columbia’s Christmas party you see each other again, and you both realise just how much you miss each other
author's note: ahhhh i don’t think i've ever been so excited to post one of my works as i am this one and i hope you all enjoy my baby. the reader in this is musician!yn and i have so many other ideas for the little story line, so if you'd like to hear them, please let me know!
word count: 11k of baso angst, really fluffy fluff and some of the best smut I think i’ve ever written. there’s deepthroating... face-sitting... really just the whole shebang.
masterlist | please speak to me about LTC here!
You truly believed that Christmas was the best time of the year.
You loved everything about the festive time of year. From decorating the house, to listening to the music. From spending time with your family, to cosying up on the sofa and watching Christmas films. It was a special time of year, where everyone seemed to relax and walk around with joyous looks on their faces because no matter the year they’d have, it was nearly over and it’s finally time to celebrate the best aspects of the time that had passed.
You found yourself thankful for the year, but also thankful that it was over. This year had been one of the best, but also one of the worst years of your life. The thing that caused the year to not be the best that it could was the split you had with your long-term boyfriend. It was messy, and absolutely heartbreaking on your side and because it was such a big part of the year, it became one of the memories that you wished to ignore but you found yourself struggling too. On a brighter side, you had won your first Brit award this year for Best New Artist. It was a turning point in your career, for certain.
One thing that you’ve never enjoyed about Christmas is parties. You would much rather stay within the walls of your own house and spend your evenings alone, but being in the industry that you are it becomes a little harder. The Columbia Christmas Party happen’s every year, but this was you first year signed to the Record Label, so the first year you had been invited. You were shocked to be invited, but found yourself to be excited and dreading the experience all at once.
The thing that you found yourself thinking and worrying about the most was what you were going to wear. You wanted to impress everyone there, since you had found this new stardom for yourself and you had created this name for yourself which you hadn’t had before. After consulting with your stylist, you settled on a custom Gucci dress that was made for you to wear specifically to this event. The dress itself was a Christmas-green velvet material, which landed to about your mid-thigh with a square neckline. Attached to the square straps of the neckline, were tulle sleeves of the same colour that bunched at your wrists. It hugged your curves perfectly and once you’d added your black scrappy heels you really felt beautiful. Your natural features are accentuated, and you, for the first time in a long time, feel beautiful within your own skin.
That all changed the second you walked into the party.
You felt as though all eyes were on you, as though everyone was watching every step that you took to see what you’d do. It made you feel uncomfortable and immediately feel as though the dress you are wearing wasn’t right, it was too short and you needed to cover up. You were maybe 98% certain that they weren’t thinking about what you were wearing, but more so who you’ve just clocked eyes with.
You knew he was going to be here, and you had prepared yourself for the inevitable, but seeing him stood there completely changed everything that you had prepared for. You both were signed to the same record label, years after the two of you had met though, so it was no surprise that he was sat at one of the tables with a group of people around him as he spoke and laughed at what they were all taking about.
You tried to ignore the pinch within your heart, but it was hard. You weren’t the one who broke it off, and if things had gone according to your plan, you would still be together right now.
You had met Harry a few years ago, when you had first moved to London and you were bar and pub hopping, singing and hoping that you’d somehow stumble upon someone who could help you start your career. It was completely by accident that you both had met, and looking back at it quite embarrassing on your part. You were in the middle of your set when he walked in, as well as Mitch and Sarah, but you hadn’t seen them at that point. You had recently learnt how to play Sign of the Times on the piano and you had purposely brought your small keyboard out with you so you could play the song. Looking back on it, you probably wouldn’t have sung the song if you did know that he was there, but you didn’t know so you sung it. It was a little shaky at the start due to your nerves about playing the song for the first time out of the comfort of your room but you quickly found your groove, and you finished strong. Harry had later told you that, after a little bit of teasing from Mitch and Sarah, he knew that from how in awe he was of you he just had to speak to you. He walked up to you whilst you were in the middle of throwing your celebratory shot back that you always take after finishing your set and the first thing you ever said to him was, “Fuck!”
You always thought that would be a story you’d be able to tell your grandchildren, and you both had even spoken about it, but it just hadn’t worked out.
He seemed okay, which you were happy about. His new album had just come out, and you don’t think you’ve ever cried at a record as you did at that one. You knew it was about you, it was hard not to. All of the little hints that he left throughout his songs would blow over anyone else head, but you knew the true meaning of them and you think that’s one of the reasons you found it so emotional. He was smiling as he spoke to the people, briefly taking sips of his drink every now and then, which was only water so you wondered whether he’d drove there. You both would be flying home soon, but this would be the first time in three years that you’d be flying home alone.
To stop yourself from crying, you quickly make you way over to the bar. After running your eyes over the cocktail menu, your eyes immediately pricked at the sight of one, and you could stop the words as they left your lips: “A cherry bomb fizz please.”
You watched as the bartender added a cherry and some maraschino liqueur, before topping the drink off with Champagne. The drink was quite sour, but you quite liked it. It caused your lips to purse and eyebrows to widen, in a good way you must add.
“Could never handle your alcohol, could you?”
You could feel him before you heard him, but you didn’t want to turn around. Why he felt it okay to come up and talk to you were unsure about, but at the same time you had been hoping that he would. Why you were hoping that he would you were also unsure about, but you’re certain it had something to do with the fact that you weren’t quite over him.
“I think you’re mistaken.” You say, taking another sip of your drink, “You were the one who could never handle your alcohol. And this is just sour.”
He hums, as though he isn’t believing a word that you say, “If you say so, love.”
“Love?” You say, raising your eyebrow at him whilst throwing back the rest of your drink, “Thought those days were well over.”
“Force of habit, ‘suppose.” He shrugs, “I have a few of them when it comes to you.”
“You grew out of them.” I shrug, “Can’t remember the last time you called me love whilst we were together.”
He drops his eyes to the counter, and you know you’ve done what you’re supposed to. This is the first time you’ve spoken to since you broke up, and you can’t believe that it’s at a Christmas party of all places. He also had the audacity to call you love, something that you couldn’t believe he had the balls to do. The last few months of your relationship you were lucky if he even looked at you, and here he now was calling you love as though it’s totally okay to do so.
“I’ll always call you love.” He says, lifting his eyes up from the counter to look at you once more, “I’ll always care about you.”
“Where was this five months ago?” You ask, unable to stop yourself.
Your break up, in your opinion, came out of nowhere. You knew something had changed in your relationship, since he hardy had the time for you at the end of your time together. He’d get up in the morning and wouldn’t touch, or even kiss you. Then, when he’d come home it would be the exact same thing, he’d slip into bed and to stop yourself from feeling as though you were going to cry, you’d pretend you were asleep and hope that you’d actually fall asleep. He never told you a reason for breaking up with you, apart from that he needed space and that he couldn’t be with you. That was probably the thing that hurt you the most. He broke up with you, but you never really had a real reason why.
“I just needed to leave.” He says, “That was my main focus.”
You try to ignore your heart breaking all over again but it’s hard to, when it’s the only thing you can think about.
“Why now?” You say, “Why are you doing this now?”
“YN—”
You shake your head, “I don’t think I want to hear it. I’m going to go.”
“Don’t—”
“—YN!” You feel an arm thrown around your shoulder, one that you immediately realise is Jeff once you register his voice and his face once you turn to him, “I haven’t seen you in months! How are you?”
You can immediately tell that he’s drunk. From the slight slurring of his words, to the smell of alcohol on his breath as he speaks. You’re just as shocked to see him as he is to see you.
“I’m good, Jeff, thanks.” You smile, at him, trying to push the conversation you’ve just had with his friend out of your mind, “How are you?”
“I’m drunk.” He laughs, squeezing your shoulder slightly, “But! I’s nice to see you two together again!”
The whole ignoring the situation doesn’t quite go to plan. Once he’s said those words you immediately draw your eyes towards Harry. You’ve never wanted to leave a conversation as much as you did this one. You look at Harry, but he isn’t looking at you.
He gasps, “You should come over to the table! We’re all here and it’ll just be like old times.”
“I couldn’t possibly. . .” You shake your head.
“You can!” He says, “Come on, I won’t take no for an answer! And H, hurry up with those drinks.”
Jeff walks you away from the bar and towards the table that you noticed earlier when you noticed Harry for the first time this evening. Glenne, Mitch and Sarah are there, as well as Kid and a few other producers that you recognise from working on Harry’s album, as well as a few songs from yours also. You knew that just because you and Harry broke up you couldn’t expect the friendships that had formed because of you two to just stop altogether.
“YN!” There’s a course of cheers and Sarah’s the first to stand up and wrap her arms around you. Out of everyone, Sarah was the person who you were closest with out of Harry’s band. She had joined Harry’s band after you and Harry had been dating for a year or so when Sarah joined the band, and you two instantly clicked and became the closest of friends. You had spoken a few times with her since you had broke up, but nothing compared to what you used to. You weren’t surprised though, she was Harry’s drummer first and your friend after — or that’s what you told yourself to make you feel slightly better.
“Hi.” You smile, dropping down into the spare seat next to Sarah. Words are thrown around the table of glee that you’re there, as well as questions as to why you haven’t been in contact. You know they’re drunk, and you suspect that is why they’re saying all of the things they are. You were quick to fall out of the conversation as it moved onto the show that they did the day prior to celebrate the release of Harry’s album. You suppose the reason your feelings were so heightened today was due to your hearing the album for the first time yesterday and then replaying it today.
It was completely different to Harry Styles but still so Harry. You hated how his music made your feel, the sad and the happy ones, as well as all in between. Harry returned to the table shorty after clutching drinks in his hands, and under his arms. Why he didn’t just make two trips, you would never know, but it’s lucky that all the drinks made it without any spillages.
“We were just talking about yesterday.” Glenne says, taking a sip of her drink as she does before turning towards you, “Have you heard the album, YN?”
“You don’t have too—” Harry turns to your briefly.
“I have.” You nod, “It’s good, a masterpiece even. You should be proud of it, H.”
You can see his shoulder tense, and from knowing him as well as you do, you wouldn’t be surprised if his heart just sunk to the bottom of his stomach. If you’ve listened to the album, it means that you’ve heard the song that Harry hoped you hadn’t.
“What would you say is your favourite?”
You look directly at him as you say the next words, and you hope he listens to them, “Probably Cherry.”
The other’s carry on talking as though you hadn’t said anything at all, but Harry doesn’t open his mouth again. He doesn’t stop looking at you though, and the way you look gorgeously defeated. A part of him wondered whether he was the one who caused you to be this way. About a month ago he asked some producers he knew that were working on your album with you how you are, and they said that you just seemed sad. It broke him to hear those words, just the words he had said to you all those months ago had broken you. Out of the blue, probably not but due to you not paying any attention, the group all move in, including you and Harry to have a reminiscent group photo.
He does open his mouth again when the group disperse to the dance floor, leaving the two of you all alone at the table.
“I’m sorry.”
You don’t lift your eyes up from the end of the table cloth you’re messing with, an exasperated laugh leaving your lips, “What for? Breaking up with me? Taking everything from me? Or, I don’t know, using that in your song?”
“I thought you wouldn’t mind.”
“You thought I wouldn’t mind.” You shake your head, completely baffled at his words, “Why would you think that? I trusted you with that, and now it’s on the end of one of your songs.”
“I’m sorry about everything, but especially that.” He says, and you can tell he’s being genuine with the look in his eyes. He looks as though he’s about to cry.
“Why did you do it?” I asks, “You could’ve asked me. I would’ve said yes, I swear to you.”
“I was nervous.” He says, “We didn’t leave on the best of terms, and I felt as though asking would’ve have been the best.”
“So you decided to do it anyway?”
“Will you forgive me, please?” He asks, and you can tell his voice is about to break, “Please.”
“That’s it, Harry.” You say, “I don’t think I can.”
The next morning you awake with a slight hangover, which wasn’t surprising because once you’d left quickly after saying your last words to Harry, and opened a bottle of vodka that you had in your cupboard. That bottle now sits on your bedside table, three-quarters of it drunk and the cause of your hangover. You were thankful that you hadn’t gotten too drunk before you left the party, due to the wraths of paparazzi that were there as you left. You remember leaving with your head down, ignoring their calls and questions, as well as their their cameras flashed at you. You had gotten into your car, your driver had smiled at you and the second the car started moving away from the club you found yourself unable to stop the tears that streamed down your face.
This wasn’t the first time that you’d done this since you’ve broken up with Harry, but this was certainly the worse you’ve felt since you’ve done so. Your head had its own heartbeat, and you felt as though your were stable on your feet as you trudged towards the kitchen to have some orange juice, your remedy for your hangovers to say the least. It was always something that Harry thought ahead about when you were together. If he knew that the two of you were going out he’d always stock up the fridge. The amounts of time since that you’ve gotten drunk and not had any orange juice within the house is quite atrocious and he knew from experience that they never ended well.
You drink your first glass of the drink quickly, and pour your second one before making you way back into your bedroom. Due to the amount of time you spent in LA, you had purchased your second apartment here, your first being in London. It wasn’t the nicest ever, but it was good enough for you when you were here, and something that you were thankful to have when you woke up from nights like these.
You fall back down upon your bed and the first you think you pick up is your phone, shocked at the thousands of notifications your found on it. You’re still slightly asleep so you rub your eyes a few times before clicking upon the instagram app. The thousands of notifications are dm’s and comments upon your photos. After clicking through the notifications, you find the culprit sat with a lovely love heart emoji on Glenne’s story.
At some point that morning, probably whilst you were growing your sorrows away with vodka, she had posted the photo of you all on her story with the caption ‘the band’s back together,’ a heart emoji and tagged you in it. All the messages were asking whether you and Harry were back together again, not because you’d ever gone public with your relationship, but Harry had gone public with your breakup in his interview with the Rolling Stones and with Zane Lowe. He was very respectful in the way that he spoke about it, which was all you ask for. You hadn’t actively gone out to watch and read what he was saying, but your manager had warned you about them before you had done some interviews and you were curious to say the least what they were about.
In the photo you could tell that you and Harry were the only ones who were sober. Everyone else had drunken grins on their faces whilst you and Harry, to say the least, had very uncomfortable smiles across both of your lips. It annoyed you slightly that the two of you couldn’t even be in the same place anymore without having messages upon messages about whether or not you’re back together. Anyone with a brain could see that you certainly weren’t just by the expression on both of your faces.
You weren’t annoyed, or angry that the photo had been posted because you wouldn’t have taken the photo if you didn’t want it to be posted, but you did take the photo. You were always taking photos together before the breakup, and photo booths were you speciality. It’s another thing that you had hardly done since the breakup, so it was nice to see the photo but deep down a part of you wished that it hadn’t have been taken.
It’s all over all of the social media’s, and you decide that it’s probably best if you just put your phone down. You’re about place it on your bedside table when a notification pops up on the top of your screen, and without thinking, you tap on it, sending you straight to the messages app and to who had sent you the message.
Harry: YN?
Why he was sending you a message in the first place, you had no idea. Why he was messaging your so early in the morning was also something that confused you even more.
Harry: I know you’re reading this.
Harry: Your read receipts are on.
You curse yourself for being so click-happy when you see a notification, and more so for having your read receipts on because you know you can remove them but you don’t quite know how to. You contemplate for a few seconds what to say in your drunken, tired haze, before typing out the message:
YN: Can I help you?
His reply comes in a few seconds later.
Harry: Are you free?
YN: Why?
Harry: Meet me at Beachwood. Usual time.
YN: Why should I?
Harry: Just be there. Please.
YN: I will.
When you walk down the pavement towards the Beachwood Cafe, its as though you’re doing so without actually thinking about it. When you and Harry were together — this was your place. You can’t even remember the amount of dates the two of you have had here, tucked away in the corner whilst the music played, chatting away endlessly about things that popped into each of your minds. It got to the point that when you two were free, and managed to get to go, you had been that much that the waitresses knew your order by memory. The first time they had done it, you remember the way you both smiled sheepishly at each other and back at the waitress.
It was decorated for Christmas. You could see a tree in the corner of the cafe, as well as lights and tinsel across the windows. If you weren’t so nervous you probably would have smiled at the sight of it.
You push the door open and hear the familiar ding of a bell that rings whenever someone walks through, and you’re catapulted back to last year when you did the exact same thing but with a smile on your face from your excitement of seeing your boyfriend, one who you cared and loved very much.
The low hum of Mud’s Lonely this Christmas fills the room, very apt for the current situation and you’re guessing the mood of the conversation you’re about to have. It was late, close to closing time but you and Harry found that to be the best time to come, because hardly anybody else did.
He’s already sat at your usual table, the one in the corner because the two of you often liked to people watch. It had started off a silly game once when you were both tired and didn’t really want to talk about your lives, so you started brainstorming what other people’s were like. As much as you hated to admit it, Harry’s stories were always the better of the two of you but you didn’t mind, because you could little to the words he spoke to you for every minute for the rest of your life and you wouldn’t mind.
He’s already gotten your drinks, you can see the two glasses upon the table in front of him. You pull out the chair, making him look up from his phone at you. You can see his features immediately soften at the sight of you stood there.
They always used to do that.
“I thought you weren’t coming.” You don’t reply, “I got you a peppermint hot chocolate. I know It’s one of your favourites.”
It was one of your favourites, and you haven’t been able to have one in a while because, surprise surprise, they remind you of Harry, and the time you used to spend together.
“Thank you.” You say, picking up the drink and taking a sip of the hot liquid, dropping it back down and looking at him directly in the eyes, “Why did you invite me here?”
He clears his throat, and the movements of his elbows suggest he’s wiping his hands upon his trousers.
“I want to apologise. For everything, this time.” He says, and you watch as he places his hands back upon the table, messing with the rings on his hand. He still wore the one you got him for your anniversary a year ago, “For how I acted yesterday, the day we broke up and the months before hand. I was a dick, and there’s no excuse for it, but I just hope that you accept my apology.”
“I do.” You say, after a couple of seconds of contemplation, knowing that there was no point to having this dragged out for any longer than it already was, “I just want to know why, that’s all I want.”
“I.” He stops and lets out a shaky breath, “I don’t know, if I’m honest with you. I was just so investing into getting the album finished, and for some reason in my mind I thought that it would be best if I was single to do that.”
“Why would you think that?” You ask, the tears brimming on your waterline.
“I don’t know. The second I watched you walk out of the door, and when you didn’t turn around to look again but just drove away, I knew I’d messed up.”
“Why didn’t you say anything?” You choke back a sob, trying to be quiet to not draw attention to the two of you, “You should’ve stopped me. Explained. I love you Harry, I would have done anything to help you. You needed space, I would’ve given it to you. You needed me, I would’ve been there.”
He drops his head, “I know.”
“Then why didn’t you?” You suck in a breath and bite your head to stop anymore sounds from escaping, “You let me leave. You watched me leave. Why didn’t you stop me?”
“I felt guilty. I’d just broken up with you, love, do you really think that it would’ve been a good idea for me to all of a sudden say I wanted you back?”
Silent tears stream down your face, “You had months to, Harry. Months. You did nothing.”
“And it’ll be the biggest regret of my life, YN, I promise you.” He says, and you can tell that he’s trying to stop himself from crying, “It will be. I’ve been a mess without you.”
You still love Harry, and you know that you do, and you hate seeing him so upset. You believe that’s why you reach forward to take his hand in yours.
“I have too.”
Somehow, you and Harry had been booked on the same flight home, and you managed to get seats next to each other. Spending that time next to each other was good, you believed. It gave you the opportunity to properly speak and catch each other up on everything that had happened. Harry had apologised, yet again, for everything that had happened and you had too. You gushed over his album once you had done, and that was when he invited you to the Secret London Show he was holding at the Electric Ballroom.
That takes you to now, stood in front of your mirror looking over your outfit to make sure that it was presentable enough. You knew you had to look presentable, but it wasn’t as fancy as the Christmas party. You dressed yourself in a long sleeved black lace top, and paired it with some black jean flares and your docs. Simple, yet quite effective in the grand scheme of things.
You were nervous to say the least about what what the evening was going to hold, especially since Gemma and other people who you hadn’t seen since the two of you broke up were going to be there. You weren’t exactly prepared, and if they asked you any questions you’d have no idea about what to say, but once you had brought that up with Harry, he said to just answer with the truth, which you were going to.
The entire way to the electric ballroom you were nervous, your heart was beating out of you chest and you felt as though you shouldn’t have been going. You thought that up until you arrived, when you walked backstage to see Harry and Gemma stood talking whilst Harry was getting ready. Once he saw you, his features rose into a smile and yours did too, and you walked over to press a kiss to his cheek in greeting.
“YN!” You could hear the shock in Gemma’s voice as she noticed that it was you and she immediately stood up and wrapped her arms around you, “I haven’t seen you in so long. How are you?”
“I’m okay, thanks Gem.” You smiled, pulling away and tucking some of your hair behind your ear, “How are you?”
“I’m amazing.” She says, “I certainly didn’t expect you to be here. Are you two back together? Please tell me that you are.”
Instead of answering straight away, you turn to look at Harry briefly. You both knew exactly what was running through your brains, and the way you both smiled at each other made that completely obvious. He nodded, and then you knew exactly what to say.
You grin and turn back to Gemma, “Trying to.”
“Oh, I’m so happy for you.” She wraps you in another hug, “He was a mess without you, and I know you were a mess without him. You’re soulmates. I can’t believe he even did it in the first place.”
“I think we all couldn’t.” You laugh.
“Hey!” Harry whines from the chair beside the two of you, “I made a mistake, we all get it.”
You and Gemma laugh and from then it’s like the past six months hadn’t happened and you were still the best of friends. That was one thing about being with Harry, you loved his family just as much as you loved him. Gemma was like a sister to you, and she was even when you broke up but you just hadn’t seen her. Anne, well she was like a second mother to you. She always made sure to make you feel included at family gatherings, and she even came to stay with you sometimes when Harry went away for a while and you couldn’t go with him. You had missed Harry the most during this time, but Anne and Gemma were two people that you had also missed more than anything.
The majority of people make their way to where they’re watching the show soon after, but you tell Gemma that you’ll meet her on the balcony later because you wanted to have a quick word with Harry. He was in the middle of shrugging his jacket upon his shoulders when you walked through the door, and he immediately stopped his movements and turned to look at you.
He furrowed his eyebrows, “Everything okay?”
You shrug and bite your lip, stepping for arms a few steps towards him, “Just wanted to see you.”
You find your eyes flicking up and down his body, taking in the monochrome yellow suit he had on with a black tie. You always loved and supported Harry’s wardrobe choices, and you had missed in the time you hadn’t been with him picking them out with him. You felt as though this was an excellent choice.
“You look amazing.” He says, taking a few steps forward so that you’re directly in front of each other. You watch as he lifts his hands up, about to place them on your waist but he stops himself and drops his arms back down. Without hesitation you grab his wrists and place them upon your waist. His eyes widen, but the second he feels your skin underneath his hand, just separated by the thin material of your lace top.
“Thank you.” You bite your lip and wrap your fingers around his tie, lightly picking up the material, “You look so handsome, H.”
He almost lets out a sob at your words, but he quickly stops himself and smiles at you. Without thinking, you lean forward and press your lips upon his. They feel so familiar, yet so foreign at the same time. You want to cry. You’ve dreamt of this for months, the feeling of having him this closer to you again, and from the way he wraps his arms around your back and pulls you even closer to him, so that your body is fully flushed against his. You pull away with a smile and immediately drop your head to his chest, wrapping your arms around his waist under his jacket and hugging him close to you. You finally feel a tear escape from your eye.
“I’ve missed you so much, H.”
“I’ve missed you too.”
He sings the entire Fine Line album from start to finish, and from how much you’ve listened to the album you actually know the majority of the words. You sing and dance away with Gemma, posting instagram stories of the two of you, and then one of how proud you are of Harry. You don’t need to explain yourself, there certainly isn’t a need to so you do so without any hesitation. You realise you’ve missed watching him perform, the way he can entertain a crowd with his talents has always been something you’d been jealous of. You’ve done shows here and there but because your album isn’t due to be out until the start of next year, when you plan to do your first world tour, and even though you try your hardest, you don’t feel as though you’ll ever be able to work a crowd the way he does. Where Stormzy came from, you still have no idea, since you hadn’t seen him downstairs but all of a sudden he’s singing Vossi Bop with Harry and your watching with your mouth dropped open in shock as he does so.
You and Harry make the executive decision to go to Harry’s house after the concert. It’s how you both found yourselves sat on Harry’s sofa, a glass of wine in each of your hands. You head is leant against the back of the sofa, whilst Harry’s hand leans upon the back of it, running his fingers through your hair. It’s comforting, and the smile hasn’t left your face since he started to do it.
“You’re so beautiful.” He whispers, moving his hand from your hair to run his finger along your cheekbone, then down until he’s running it across your lips, “I can’t believe I ever pushed you away. You were my girl. I was going to marry you, I needed to marry you, still do.”
“I’m back now.” You whisper back, lifting your hand to place on his cheek, “And I’m not going anywhere. No matter how hard you try and push me away, I’m not leaving.”
“I don’t want you too.” He shakes his head, “I’ll never want you too again.”
Without really thinking, you take the glass out of Harry’s hand and place both of yours upon the table in front of you, listening to the sound as glass meets glass. He leans back on the sofa with a puzzled look, immediately realising what is happening when you move to straddle his hips, placing your hands upon his shoulders to steady yourself. His hands fall upon the small of your back, his hands dragging up and down to tease your skin.
You lean forward, moving so that your faces are inches apart. You knock his nose slightly with yours, causing his cheeks to curl upwards with a smile before you capture it with your lips. immediately responds by kissing your back, pushing his body so that it’s placed even closer to yours if it’s physically possible.
Without a warning you pull away from him, slipping off his lap so that you’re on your knees in front of him. His eyes never leave yours as you so, and he immediately opens his legs so that you can slip in between them, his finger running over his bottom lip as he watches you.
“What are you doing?” He asks.
“Want to feel you.” You reply, resting your hands upon his thighs, “Want to feel you in my mouth. Can I?”
“Go ahead, baby.”
You feel excitement bubbling in the pit of your stomach, and with shaky hands you move to unfasten his belt, and unbutton and unzip his trousers without much struggle. He lifts his hips up so that you can manoeuvre his trousers down and off his legs, leaving him in his black boxers. You bite your lip at the sight of the tent within the flimsy material, already growing and ready for you. You feel slightly overwhelmed that after so long of waiting, and wanting him to be in front of you again, he actually is.
“Already so hard for me, H.” You say, running your hand over the fuzz upon his bare thighs, “Have you thought about this as much as I have.”
“I thought about it everyday.” He replies, quickly at that, “It’s etched in my brain, the sight of you on your knees for me.”
You bite your lip as your grin, leaning to press a kiss to his stomach, just above the happy little trial that slips underneath the hem of his boxers. You feel his stomach tense underneath your lips, especially when you hook your fingers into the hem of his boxers, wiggling the material down until you can completely take it off once he’d lifted his hips again. He’s fully hard for you, and you can feel your stomach doing little flips in excitement for what is going to happen.
Sex, as it is in most relationships, was a big part of yours and Harry’s. It’s important that couples are comfortable with each other when revealing such intimate parts of themselves, and you and Harry were. If any of of you wanted to try anything, you could do so because of how comfortable you felt with each other. Whenever the other wanted to try anything, you’d do so without any hesitation and in such a way that you both enjoyed it. You both had your kinks, and your shared ones, and over the courser of your relationship you both explored those feelings. You were just happy that even though you had spent such time away from each other, you could still feel that confidence bubbling between the two of you, and those feelings bubbling between each other. Harry made you feel a way no other human being has ever been able to, and you were thankful because you felt as though you’d never be able to find that with anyone else, and now you didn’t have to worry because you were back together.
“You ready to take me in your mouth baby.” He says, placing his hand upon your cheek, “Ready to take me the way you used to.”
“Always, baby.”
Your tongue slips from between your lips and you lick a stripe up his throbbing cock, causing a low groan to escape through Harry’s lips. You can’t help but smile at the sound, knowing that you had caused that. Another groan escapes his lips once you wrap your lips around his tip completely, taking it into your mouth and you can help but giggle slightly. He smiles down at you and pulls your hair up so that it’s off of your face, making a makeshift ponytail to help move you up and down his cock.
“Look so good with my cock in your mouth.” His tongue slips out of his mouth to wet his lips, “Always could take me so well. Show me, baby, show me how deep you can go.”
You comply, taking him as deep as you can until you can feel him in the back of your throat. You eyes start to water, and you look up at him through your eyelashes. You hold for as long as possibly can before he lightens his touch and allows you to pull away. A string of saliva connects you two together as you and you wipe your lips with the back of your hand to remove it.
“Can you do it again?” He asks and you sheepishly nod, flicking your eyes between his throbbing member and him a few times before wrapping your lips back around him, “Fuck, baby, no one can do this like you can. No one.”
His words spur you on and you deep throat him as far as you possibly can before you need to gasp for air, taking a few seconds before starting to bob your head again, taking a few seconds at each time to run your tongue over his throbbing tip, collecting some of the salty pre-come that had started to bubble there.
“So good to me.” He lets you stop for a minute, and you place your head upon his thigh so that you can catch you breath. It was almost as though he knew that you needed to take a breather. You had the slight problem of always trying to do more than you’re able too and you almost always end up loosing too much of your breath, “Even though I’m an absolute twat. You’re always so good to me.”
“You deserve it.” You say, your throat a little coarse from your actions before.
“I don’t.” He shakes his head, “I broke your heart.”
You hesitate for a few seconds, “But you’re fixing it.”
“I shouldn’t have broken it in the first place.”
You move so that your higher up and able to place a kiss to his lips, whispering against them, “You’re fixing it.”
He kisses you back with more passion than before, moving his hand to grip under your thighs so that he can pick you up and place your on his. His fingers tug at the hem of your lace shirt, so you detach your lips so that you can pull it over your head. He groans at the sight of your bare chest to him, your nipples hardening into stiff buds at the feeling of the cold air immediately on your skin.
“No bra?” He presses a few open mouthed kisses to your neck, “You’ve been with me all evening, and I never even fucking noticed that you didn’t have a bra on.”
“You used to have a special talent for noticing when I didn’t have a bra on.” You giggle, sighing slightly at the feeling of his lips on his neck, and then the subtle feeling of his teeth grazing your skin.
“I must’ve lost my touch. But don’t worry.” He pulls away and looks you directly in the eye, “I’ll soon get it back.”
“Of course you will.” You laugh, but he stops it with his lips. The first time you and Harry kissed, you were so nervous. You felt as though you were going to mess up and he’d never want to kiss you again. You were completely wrong, and he actually ended up saying that it was one of the best kisses of you life. You couldn’t believe his words, and since then you completely found yourself wanting his lips to be on yours. Just as they were now, his tongue slipping between your lips and the feeling always transporting the two of you to where it’s just you, and you have the time in the world to kiss as much as you want to.
He moves his kisses down your neck, leaving sloppy ones against your skin until he was at the curve of your breast. Harry was a boob man, you knew that for a fact. As much as he loved to hold onto your ass every now and then, you always noticed that he spent the majority of his time focusing on your boobs. Whether it be sucking blemishes into the plushly skin whilst you fucked, or laying his head on them as you both calmed down from your activities, he always, without fail, focused on your boobs.
He knew that if he attacked your nipples skilfully with his tongue, he could have your dampening your panties and clenching your thighs together so much that he couldn’t resist it. He starts by wrapping his lips around your right nipple, tugging on the flesh slightly with his lips before letting it go with a pop.
“Fucking love your tits, love.” He sighs and you giggles slightly before gasping at the feeling of his pinching your other nipple with his fingers, “Fit in my hands, and in my mouth, so nicely.”
You moan in response to his words and throw your head back as he wraps his lips around your other one, sucking and sending flutters all the way down to your core. You wanted him, yearned for him, and you were beginning to grown inpatient.
“Can we go to your bedroom?” You run your fingers through his hair and pull his head back so that he’s looking at you, “Bedroom.”
“Is that where you want it?”
“Want it in your bed.” You say, placing your hand upon his cheek, “Our bed.”
He stands up with you still on him, your legs wrapped around him as he carries your upstairs. You rest your head upon his shoulder so he can look over yours and direct you safely to the comforts of his bedroom.
This place didn’t hold the best of memories from the last few months of your relationship but if you ignored that and focused on the positives, you had some of your best times in this room. It was a place where the two of you could completely be yourselves, and have a place to call yours. The pillow talk that occurred in this room was out of this world, and it was where you planned your future. One that was put on hold briefly but now seemed to be ready for the two of you again.
“Will you strip for me?” He asks as he places your down in the room, “I want to watch you slip out of those jeans, baby.”
You nod but at first undress him. You slip the jacket from his shoulders, skilfully loosen his tie and pull it over his head. Next is his shirt which you start to unbutton, but Harry grows impatient and rips it off, the buttons flying in all sorts of directions.
“Harry!”
“Oops?” He laughs, sitting down on the bed.
You had given Harry one strip tease before, for his birthday a year ago and it had gone down a treat. You had dressed up in your fanciest lingerie, which happened to be a black set that he had bought specifically for you for your birthday with ‘Styles’ embroidered on the inside. There was something, for the both of you, that you loved about seeing his name all over your the undergarments you wore. Whenever you wore them out in public, the two of you couldn’t keep your hands off each other, as though you were hiding a naughty secret that you didn’t want anyone to know about.
“Are you going to?” He urged, not taking his eyes off you’re, “I’m waiting.”
“Might make you wait a little longer.” You smile, running your fingers along the hem of your jeans, “Seeing as though you left me waiting for how long?”
“Don’t tease.”
“Why?” You shrug, “That was your speciality, wasn’t it?”
He had a love for teasing you, always had done. From the first time the two of you had sex, you knew he liked to tease. He liked to tease you all over, having your body withering under his touch until you couldn’t help but beg for him to touch you. You had a slight suspicion that he enjoyed hearing you beg for him, whimpering under his touch until you were crying for him to touch you. You remember that once, he had been teasing you all day whilst you had been out and about, but once you had gotten home he was teasing you so badly, overstimulating you over and over until you were crying for him to make your come.
“Just strip, my love.” You laugh and his words and unfasten the button to your jeans, turning around so that your ass is facing him, pulling your jeans down to reveal your black lace panties to him. You’re not surprised when he smacks his hand to the flesh of your ass, causing you to turn around with a gasp.
“That wasn’t nice.” You move so that you’re straddling him again.
“When have I ever been nice?” He raises his eyebrows, “I don’t think you want me to start now.”
He leans forward and places his lips to yours again, his body falling back upon the bed so that you’re hovering above him. His fingers run down from the small of his back, to her ass again until he’s gripping the flesh between his fingers, quite harshly you must say so which goes straight to your core. You know that the front of your panties are ruined by your wetness, and you know for certain that Harry does also.
“Sit on my face.” He mumbles against your lips.
“What?” You whisper back.
“Sit on my face.” He places a kiss to your jaw, “Wanna eat that pretty cunt, want to have you trembling above me.”
You would squeeze your thighs together, but you can’t because of his body between yours. You nod your head and clamber off him, pulling your underwear down your legs quickly. You move up the bed until you’re next to his head, spreading your legs and placing your knees on either side of his head. His hands grip your thighs, dancing his fingers along your thighs.
“Please, H.” You say, pushing his hair off of his forehead as you look down at him.
“Didn’t think you’d be begging so soon, baby.” He chuckles, pressing a few kisses upon your cheeks.
“I’m doing no such thing.” You shake your head, “You’re just being slow.”
He certainly isn’t being slow when he leans his head forward and starts to attack your clit with his tongue. You have to quickly lean forward also and grab the headboard to steady yourself, a moan escaping your lips as he does so. He attacks your clit quickly, and you can’t help but grind your hips forward at the feeling. He curls his hands around your thighs, stopping you from moving anymore. You cry out as he doesn’t slow down, and you pull his hair slightly. It emits a moan from him which vibrates against your clit, creeping your closer and closer to your peak.
It becomes a cycle. As you pull on his hair, more moans and groans tumble from his lips again sty your clit. He knew the more that he focused upon your clit, the closer you’d find yourself to your orgasm. He had learnt this, and he certainly hadn’t forgotten it.
You bite your bottom lip and close your eyes, rocking your hips back and forth against his tongue. He knows your close, due to your thighs clamping around his head. He doesn’t slow down, but instead he flicks his tongue even quicker.
“Fucking hell.” You moan, your body starting to shake as you feel your orgasm wash over you. He continues to attack your clit, coaxing you through your orgasm until you’ve finished and catching your breath.
“You taste so fucking good.” He says, dancing his fingers upon your thigh, “Missed your taste.”
“Fuck me, H.” You say, breathlessly.
He doesn’t hesitate. You manoeuvre yourself off of his head and lay so that you’re head is rested upon his pillow. He leans to open his bedside drawer but you stop him, grabbing his arm and pulling his back to you.
“Did you sleep with anyone else?” You ask, knowing that this could make or break whether you were going to be fucked or not at this moment.
“No.” He says, immediately shaking his head, “I didn’t. Did you?”
You also shake your head, “I wanna feel you, H. Want you to come in me.”
He groans without even touching you yet, or you touching him. He immediately drops his lips to yours, and you can’t help but giggle and smile into the kiss. You wrap your arms around his back and pull him closer to you. He pulls away slightly, just to grip his cock, running his thumb over his tip a few times.
“Are you sure?” He says and you nod, threading your fingers into the curls at the nape of his neck.
“Please, H.” You nod, hips bucking towards his, “I need you.”
“Need you too.” He kisses you again, “Always need you.”
He leans forward, looking down between the two of you to line his cock up with your entrance. He runs the tip over your clit for a second before pushing into you. Your walls immediately envelope him, tightening around him with every inch that he moves in. You sigh against his lips, wrapping your arms around his back. He starts to move in and out of you, your walls clenching around him as he tries to find his rhythm.
“Fuck.” You can’t help but moan that into his ear.
“Taking me so well.” You drop your hands to rest on your pillows next to him, to which he takes your hand in his as he starts to quicken his pace, “Missed your pussy so much. Never leaving again.”
Instead of replying, you place your lips upon his again. From the way his eyes are screwed closed, you can tell that he’s close. If it’s possible, he starts to thrust his hips harder towards you, hitting a point so deep into you that causes a whine to fall from your mouth.
“You’re gonna come, aren’t you?” He says against your neck, moving in and out until your thighs are shaking beneath him, “Can feel you, fuck, can feel you clenching around me. Milking my cock, aren’t you?”
You hum, “Feel so good, H. I’m so close.”
When you do come, you see stars. You clench around him, and profanities escape your lips. The feeling is completely how you remember it. You hadn’t been completely celibate since breaking up with Harry, since you do own a little bullet vibrator that had been your friend. You had it for years before you met Harry, and you used it whenever he was away or if the two of you fancied spicing it up every now and then.
You come down from your high just as Harry is catapulted into his, coating your walls with his as does so. His body collapses on top of yours, his head rested at the side of yours. He’s still inside of you, and both of your chests are rising up at down at a quick pace.
“Fucking hell.” He laughs, and you turn your head to look at him. He has a grin upon his face and you lean forward to kiss his dimple, “I’ve missed this. I’ve missed you.”
“I know.” You smiled, “You’ve told me multiple times. I’ve missed you to.”
He finally pulls out, and you immediately felt empty. You whined slightly and he moved off of you, dropping down upon the bed next to you. You take this as the opportunity to slip from your bed. Due to not having sex in a long time, you flip your legs over the edge of the bed and prepare yourself for having to take a few steps. Taking a deep breath, you stand up and waddle your way towards Harry’s bathroom, scooping up Harry’s shirt on the way.
You know the way like the back of your hand, and it’s oddly comforting to you. Once you’re in the bathroom, you clean yourself and do your business. Once you’re satisfied, you shrug Harry’s shirt on and do up a few buttons so that you’re covering at least a bit of yourself as you do so.
Harry’s underneath the covers as you return to his room, smiling at you with dimples and all as you walk back through the door. He’s on his side of the bed, and you clamber into yours. The feeling of having someone in bed next to you makes you happy inside. You lay upon your side, with one of your hands beneath you head and Harry copies your movement. Your faces are close, and he leans forward to place a kiss to your nose.
You smile, “Hi.”
“Hi, love.”
“Are you okay?” You ask and he nods, “Do you think we’ve rushed this?”
“No.” He’s quick to say, “I don’t think we have. We needed this. I’ve never felt closer to someone as I do to you right now.”
“Me neither.” You smile, moving to grab his hand that was rested upon his side, “And I don’t think I will again.”
“Darling.” Harry says, pointing his finger in the air as he does so.
Chloe hesitates for a second before letting out a, “Ding!” to say that he was right.
It was Boxing Day, and after spending Christmas Eve and the majority of Christmas Day with your family, you had driven from your family house up to Cheshire to spend the rest of Christmas Day and Boxing Day with Harry’s family. You were all sat in the living room playing a game, sporting glasses of wine and basking in the Christmassy feeling of being together again.
After Harry’s show on the nineteenth, and the acts that happened afterwards, you and Harry had many conversations. There was a few tears from the two of you, and the conversation got heated in some aspects but you were together again, and that was the main thing. Originally, you had decided to spend Christmas separate, without each other’s company just because it was such a sudden change and you wanted to make sure that you fully weren’t rushing into things. Then, whilst sat on the sofa after devouring your Christmas dinner, with Mud’s Lonely this Christmas playing through your speakers that you realised that you missed Harry, and a Christmas without seeing him now was a Christmas that you didn’t want in your life.
You had contemplated surprising him and just turning up, but you felt as though that wasn’t fair on the rest of his family, and that’s why you messaged and asked him. He replied asking whether you were certain that you wanted to do this, and you said yes and he said that he’d have a cup of tea ready for you whenever you arrived.
He did have one ready for you, and it was everything you needed to warm yourself up after the long journey.
Anne, Gemma and Michal asked no questions to you, but you had no doubt that they had asked Harry some on your journey. Anne had welcomed you with a hug, and so did Gemma and once their prying eyes were away, Harry kissed you as though his life depended on it, pressed against the staircase of his mother’s house whilst fairy lights twinkled around them.
Anne’s next to go, hoping that her answer of, “Sweetheart,” was at the top of the list.
Chloe replies with, “Uh huh,” to which everyone “Ooo’s” in response at.
You’re rested upon the back of the sofa, with a flute of Champagne in your hand. Harry, in his flat-cap almost breaking your hear with how handsome he looked, turned around and pointed his finger at you.
“Come on, now.” He says, “Be smart with this. It’s sticky stuff.”
“Babe.” You immediately reply, knowing that was one of pet names that Harry called you the most.
People around the room laugh at Harry’s phrase of ‘sticky-stuff’ but that doesn’t mask Chloe’s exclamation of, “Ding!” followed by, “Top answer.”
You smile at the knowledge and Harry turns to you also, holding his fist up for you to fist bump which you both laugh at. He holds his hand out and you pass him your drink, which he takes a sip of quickly before returning it to you so you can carry on playing the game.
Michal is next, and for some bizarre reason to all of you he says, “Cutie-pie,” which certainly isn’t on the list. The room chuckles around you, and Harry says something about him “returning to the mines’’ which you all laugh at, but you specifically roll your eyes at.
The game soon wraps up, and you have your meal. Harry sits next to you, and had his hand upon your thigh the entire way through. The table around the two of you chatted about all sorts, many of the questions being about when your music was coming out which you certainly didn’t expect. You started to feel as though your album, when it came out, wouldn’t be very complimentary of your relationship with Harry, and you were starting to regret it slightly, but you loved all of your songs and you hoped that when you showed Harry, and the world for that matter, that they would too.
You and Harry, after the meal had finished, had offered to be on washing up duty. You had been given the task of washing up, whilst Harry dried because he felt as though his skills were better there. You let him believe that and carry on with drying all of the special Christmas cutlery that didn’t go in the dish-washer.
Once you had finished, and you were drying your hand upon the towel, you felt hands upon your waist, more specifically, Harry’s. He place a kiss to your neck and you giggled, turning around so that upon were facing him. He immediately captures your lips with his, and you wrap your arms around your neck to steady yourself from the attack of his lips. His hands immediately again go to your waist, slipping his hand underneath the material of your jumper to rest upon your skin. Once you pull away, you look at him with a smile upon your face.
“What was that for?”
“What?” He shrugs, “Can’t I kiss my girlfriend?”
“Girlfriend?” You ask, unable to hide your smile.
“Girlfriend.” He nods, “That’s what you are, aren’t you?”
You nod your head and place another kiss to his lips, the feeling running through the two of you without really knowing how significant he really was.
“If you want me to be. I want to be.”
He lifts one of his hands and places it upon your cheek, running his thumb ever so delicately along your skin.
“I love you.” He says, with no hesitation in his voice, “I know I’ve been shitty, and I probably shouldn’t be saying this to you, especially not in the way that I am, but I do love you and I never stopped. I swear to you, that from now on my love for you will be the most important thing, and I won’t ever, ever make you second best again.”
“That’s all I want.” You reply, leaning forward to place a kiss upon his lips, “I love you too.”
With the year that you had, and the feeling as though you’d never be with this man again, you couldn’t believe that here you were with him. He was with you, and he was yours and there was no doubt in your mind that what happened earlier this year will never happen again. It was almost as though this was something that your relationship needed to grow stronger in itself, and it surely was now.
He wraps an arm around your neck and pulls you onto his chest, “I’m never letting you go again. I probably won’t let you out of my sight again.”
“I can’t say that I’d ever complain.”
#harry styles#harry styles one shot#harry styles imagine#harry styles fic#harry styles fanfic#harry styles x reader#harry styles x yn#harry styles x you#harry styles angst#harry styles fluff#harry styles smut#harry styles smut fic#harry styles writing
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Ayesha Liveblogs Business Proposal S1
“Can you believe this ad? You can hardly tell what product they’re promoting.” As much as I am immediately wary of businessmen, I also do sometimes feel this emotion LOL if I have to sit through an ad I’d like to know what it’s for
I don’t yet know Fish Girl but I like her. It was the ponytail and labcoat moment. What can I say, I am easy
President Kang Tae-moo immediately putting poor Sung-hoon in the line of fire to be attacked with a cane by his grandfather
I love how comically evil Park Bribery Incorporated is. They cackle into the night over a box of money in a golf course
I have not yet seen Min-woo but if these cutaway animations are any indication I think I will adore him:
“You think you’re the only smart one in the world.” said Tae-moo’s grandfather. “You’re just realizing that now?” replied Tae-moo, in what I’m sure isn’t foreshadowing of him immediately doing something stupid ASAP
You know, I think I like Grandpa Kang, he’s funny
TKJHKJTHKJGHKJG. Min-woo. Who invites someone to a restaurant on their birthday when u are making a cake for SOMEONE ELSE’S BIRTHDAY. I feel like the cake mishap is kinda on you
“And even if I liked men, President Kang really isn’t my style.” 1) I love you Sung-hoon, 2) This is a very bisexual way to respond to this question why do u know ur type LMAO
Subpoint to this: I think Grandpa Kang would be chill if Tae-moo and Sung-hoon were dating. He’d be like, “Great! Marry him. This saves time for all of us.”
Poor Ha-ri, I feel u on the family that rarely puts in effort on ur birthday
Omg is this ‘I need 800,000 won’ neighbour conflict the reason for what I assume will be a fake relationship between Ha-ri and Tae-moo?? Feels a little imbalanced, I hope it has Ouran High School Host Club energy LMAO
Young-seo might be the sugar mama in this situation bc she’s paying Ha-ri to go on a blind date in her stead? I feel better about that LMAO
All the little cutaways and special effects in this show are very fun, there is no real reason why Young-seo needs to magically throw outfits onto Ha-ri like she’s Kirby after a power-up, but they decided to add it in anyway and I think that’s very powerful of them
For a guy so meticulous as Tae-moo, you’d think he’d google his dates
LMAO I love how convoluted this scheme has already gotten 30 minutes into the show. Why did Ha-ri not just run away after going to the bathroom. She did not need to come back to the table
Come to think of it. If she wanted to end it with a goodbye. She could’ve just faked a family emergency
“The one on the left is Samantha and the one on the right is Rachel.” KJHJKGHGKJH THERE WERE SO MANY WAYS TO END THIS DATE ALTERNATIVE TO ‘UR MAKING MY TIDDIES SAD’
I love how many creative options Ha-ri has for getting rid of men though. This must be a pastime for her. Or she’s very quick on her feet. Either way, admirable
Also. I don’t know if this is a cultural difference but like. What makes u think offering to have sex with a man will get rid of him. Have you met a cishet man
I assume, however, in Tae-moo’s case because he’s Mr. Smarty Trousers, he can tell she doesn’t want to be on the date and he’s gonna proposition fake dating, not knowing she’s not Young-seo
Oh my god. HE DOESN’T KNOW. And I think he secretly liked the date. THAT’S SO FUNNY
“To partners in crime?” “I’m so proud of you.” Ha-ri and Young-seo’s dynamic is perfect. No comments
I want Sung-hoon to find love. I know it’s early to suggest a throuple, but I think he should be in a throuple with Tae-moo and Ha-ri. Bye (bi).
“A regular employee will never run into the President at work,” said Young-seo, in what I assume is again immediate foreshadowing of Ha-ri running into Tae-moo at work
HA:
LMAO at Tae-moo looking RIGHT AT a picture of Ha-ri and not noticing it’s the same woman he declared he was going to marry just bc she’s wearing glasses and has her hair up. Is he faceblind or does Ha-ri have Clark Kent Syndrome?
“With my face, body, impeccable manners and flawless personality, why would she say no?” Tae-moo said: I got self-esteem baybee <3
“This goes for you too. Why don’t you get a girlfriend?” Awwww grandpa said I will hassle my honorary grandson Sung-hoon about his relationships too, equal opportunity meddling >:)
It didn’t take Sung-hoon long to find love I guess LOL
“We’re going to get married, so I should know all of your numbers.” JHGKHJGKH Tae-moo ur insane
Well, when Tae-moo decides he’s gonna do something, he commits
Ha-ri is also insane. WHO JUST JUMPS INTO RANDOM CARS!! THAT’S HOW U GET KIDNAPPED
“How do I look like [feathered bird-like dinosaur]?” “Just the overall vibe, especially the nose.” HAHAHAH SUNG-HOON COMING IN FOR THE KILL CASUALLY
Hahahaha this drunken scene has only reinforced my love for both Young-seo and Ha-ri
“Stop saying ‘female employees.’ They’re just employees. Don’t you know that’s sexist? And what, climb up the ladder? The only thing that’s climb is my blood pressure. So stop it, and get those invoices submitted.” I love Ha-ri’s boss Ms. Yeo
Maybe it says something about your personality that you think people would be interested in throwing shoes at your face, Tae-moo?????
WHY ARE YOU CHASING HER. THIS IS SO STUPID. However I love the immediate payoff of mentioning in the previous scene that he was a track and field star hahahahah
It’s a little incongruent with the whole façade of being this v pragmatic president to be chasing an employee wildly through the hallways. But it’s funny so I’ll give it to them
Also. Put your hair up and put on some glasses. He’ll never find you
I wasn’t expecting Tae-moo to actually catch up to her. But I like that every time he meets her in any capacity he’s like, ‘She’s bananas but honest and hardworking. <3 Delightful <3′
Bold of Tae-moo to describe Ha-ri as “the woman he almost married” when she flat-out rejected him and told him looked like a dinosaur
I love how Tae-moo invites himself into Sung-hoon’s apartment and cooks and cleans. Domestic. Maybe they are dating a little
With the added factor of the wig to the outfits and makeup, I guess it’s more of a Hannah Montana situation
Gfjggfkjhgkjgh Young-seo really did just throw her friend to the wolves LOL
Tae-moo having a personal vendetta against Ha-ri the Fake Young-seo over being called a dinosaur. At least he’s consistent in his petty ego HAAHAHAH
Kang is calling Ha-ri in the middle of the night just because he got mad while watching a dinosaur documentary. Extremely unhinged. I love this for them
Tae-moo must love his grandfather a lot to go on ten blind dates in a row
HAHAHAHAHAHA WE FINALLY ARRIVE AT THE FAKE DATING PLOT I UNDERSTOOD TO BE THE PREMISE OF THIS SHOW:
“You should thank Mr. Cha. He’s the reason we made up and got back together.” [Tae-moo blinking desperately at Sung-hoon for back-up.] “Yes sir. I tried very hard.” Sung-hoon proving he’s a ride or die homie
Fjfhkfhkfjhkf feels mean-spirited of Tae-moo to put tons of money on the line for someone he knows to be struggling. His motto is truly mansplain, manipulate, malewife
“Rich people are people too.” Grandpa Kang reinforcing to us all that rich people are tone deaf always
Ohhh my god Ha-min walking in on Ha-ri and Tae-moo accidentally kissing jhgkjhgkg her brother doesn’t know what’s on the horizon
Why are they just chilling, lip to lip? PULL AWAY U DOOFS
Tae-moo fully blackmailed her into being his fake date. Like don’t get me wrong, if I look at other fake dating shows, they’ve also been a little bananas, but it’s worse here cause of the money thing. Eat the rich
Also: If she signed that contract with her fake name it cannot possibly be legally binding LMAO
Silver lining: Tae-moo catching Ha-ri as she falls asleep and then tossing her at the car window bc he felt an emotion was very funny
“I won’t stop you from living on your own. But leave my credit card behind.” I guess Young-seo is going to have to get another job because only one couple in this show can pay each other to be in a relationship
“What kind of show makes the characters get together after just one kiss?” Enjoying the recurring background plot of their lives being followed exactly by what’s happening on TV
Excited and dreading seeing the Min-woo storyline and Ha-ri’s double life as Geum-hui the Fake Girlfriend collide
Unclear if Young-seo gets to keep her job at her dad’s company?? But was absolutely certain this would be Sung-hoon’s apartment building so called that one LOL
Awwww poor Ha-ri finding out Min-woo is still in love with his ex. It’s sad girl hours
Tae-moo pretending he didn’t hear her sobbing on the phone ahhhhh
Also. Girl. How did u get ur phone out of the gutter lmao
“Not her. Her.” Hahahaha Grandpa Kang realizing that Tae-moo likes flashy girls
“On top of that, you know that Tae-moo hates the rain? It was raining that day, and he still came.” I’m going to take Tae-moo’s stricken expression as evidence his parents were killed in the rain and so he has been planning to become Bitchy Batman ever since
Fhfjkhfkfhkjfh Ha-ri truly drops her bag and belongings everywhere. Realistic. Subscribed.
I feel solidarity with Sung-hoon and Young-seo over their mutual hatred of bugs
“You put Mr. Kang in a difficult position by sending somebody else on the blind date to fill in for you. So I just don’t think it would be right for me to get to know you personally.” Wow. Sung-hoon IS ride or die
This is the chillest concert I have ever seen. Seems more like a recital than a concert. This is smaller than my high school auditorium
Min-woo said, unhelpfully: Just in case my comments get selected, I wanted to inform both the band and the audience that Ha-ri is single. <3 Please help this lonely woman <3
“I don’t regret [falling for Min-woo], though. I was really happy for those seven years.” This is one of the most romantic things this show has said and it’s not even about the main couple LOL
There is something to this whole forced proximity thing like these two coming to understand each other’s sensitive spots a bit more... that’s very sweet
Tae-moo heard what I said about Min-woo and immediately took it as a challenge to be more romantic:
Why does Min-woo look so aghast? Is it bc Ha-ri no longer looks at him with love in her eyes kjghkghgkh
Between the ringtone and Min-woo and the eye bruise, Tae-moo is really having a lot of puzzle pieces thrown together in quick succession. Will his supposed high intellect piece together the truth about Ha-ri Montana? Tune in next episode
“We met when we were 20, so we’ve known each other for 7 years now.” “And you’ve been just friends this whole time?” That’s an inappropriate question to ask, Tae-moo kgjhkjghgjkg
Me: Maybe he’s connected the dots
The show: He didn’t connect shit
Gjlgkghgkjh the fact that Tae-moo and Sung-hoon have been besties literally since they were kids makes the fact they address each other so formally so funny. Imagine if in Boy Meets World, Cory called Shawn, “Mr. Hunter,” that’s the equivalent scenario
Weel weel weel, the ‘accidentally got us roped into a date’ shoe is on the other foot now, isn’t it Tae-moo and Sung-hoon Who Put Fake Anniversaries in their Calendars
Dfhkjghkghkgh Tae-moo counting the rings after Ha-ri missed his call bc he’s cool and chill and not catching feelings
Lmao @ Ha-ri making the absolute worst possible impression on Grandpa Kang while Tae-moo continues to look at every iteration of Ha-ri (both as herself and as Geum-hui) and go: <3 <3 <3 <3
Omgggggggggg they’re giving each other anniversary presents in the form of bruise ointment and fried chicken. I love this <3
I’m not saying much bc I’m too enthralled in the anniversary date but I am convinced this Young-seo furniture designer neighbour is a stalker
There was immediate payoff to this comment bc he is now delivering furniture to her unsolicited. Also gjkhkgjh at Sung-hoon becoming suspicious about this guy’s glasses bc he can tell time. He could just have a low prescription or wear them for fashion. Not everyone who wears glasses with relatively good vision is a liar and weirdo. (But this guy definitely is).
We cut back to Tae-moo falling wholeass in love:
Of the two, I don’t know that I was expecting Tae-moo to be the one who wears his heart on his sleeve but every single second of this date he is showing he cares and Ha-ri is internally going [Gabrielle Aplin voice] Please don’t say you love me
It took him four full episodes and numerous occasions to look at her but Tae-moo has finally connected the dots about Ha-ri Montana by seeing her ID and seeing her chilling outside her house picking up his call
Tae-moo, stupid as hell: I cannot believe she fooled me twice
“She’s going to keep lying to me?” YOU BLACKMAILED HER INTO FAKE DATING U AND YOU’RE HER BOSS OF COURSE SHE’D LIE TO U, WHAT’S WRONG WITH U TAE-MOO
“I’m going to take my time to make her realize just how big of a mistake she’s made.” HEY! TAE-MOO! YOU LITERALLY MADE HER DATE YOU. UR JUST MAD CAUSE UR IN LOVE WITH HER. STOP BEING SO WEIRD AND MEAN
What Tae-moo did not account for in this stupid Ravioli Repetition Revenge is that if he looks directly at her he falls to pieces because he is in love with her. A problem of his own making
Even if Min-woo and Ha-ri WERE dating it would be none of ur business bc ur her boss and fake boyfriend, Tae-moo. Get a grip, my love
If he hates lying so much why is he forcing her to lie more by constantly putting her in positions that put her job at risk? EAT THE RICH!!!!!!!!!!!!!
If Sung-hoon isn’t saying it, I will. YOU ARE IN THE WRONG!!!!
I fucking knew furniture guy was a stalker. Gross. Hate it. Unnecessary
Also kind of bad vibes that he would give her an award for her work and use it to trap her. Eat the rich x3
“Why are they doing this? They never invited our family members before this.” It’s because your fake boyfriend is coocoo bananas
You know. If I saw my family dressed in a wig and heavy makeup trying to hide from eyeline. I’d let it go. None of my business
Hard to tell how much of that was a dream sequence lmao
“Why am I worried about that woman?” [Grandpa, through narration] “Look at him. It’s because he likes her.” I hope Grandpa Kang mockingly narrates Tae-moo for the rest of the show
Tae-moo 🤝 Young-seo
Expressing their romantic feelings by being as annoying as possible
“I’m Shin Ha-ri. Shin Ha-ri is Shin Geum-hui.” It took Ha-ri one (1) drunken admission and mumbled apology for her to stop every cog in Tae-moo’s unhinged little brain all at once:
“There’s no way I have feelings for Shin Ha-ri,” said Tae-moo, after searching all night for her to make sure she got home safe, releasing her from his ridiculous contract to make her life easier, and literally fleeing the country so he did not have to keep looking at her
The English switches always take me off-guard but what’s most funny about this New York scene is that Tae-moo quite obviously has more of an American accent to his English than either of the white people (who are presumably Korean by nationality) do
“Are you sorry for being so petty and messing with me because it hurt your pride when I’m not even interested in you?” I love a good romantic hallucination that calls you out for your mistakes LMAO
Well. Furniture stalker finally had his reveal. Yikes. I hope she is able to press charges
Sung-hoon took this opportunity to say: Tae-moo is not the only Business Boy who did track and field! WATCH ME RUNNNNN and catch this creep
Time for Tae-moo to prove that this ride or die relationship with Sung-hoon is reciprocal!! Go get your boy
“You’ve managed to make this far without getting caught. But unfortunately, you ran into me.” Tae-moo has been waiting his whole life for this Feminist Batman moment
“Well, who wouldn’t be upset in a situation like this?” said Tae-moo. “Yeah!” replied Sung-hoon, which, while true, is also definitely a product of the fact this secret perv footage thing happened to two women they have feelings for
“Didn’t you hear me? I’ve developed feelings for Ms. Shin.” Surprisingly self-aware for Tae-moo, what a quick turnaround
I really appreciate how the show emphasized how stupid Tae-moo is for wanting to confess his feelings and ask her out without at all considering that she is and has been his employee this entire time
I can’t wait to see Tae-moo start to try to be a normal person. Also I guess they’re finally going to start addressing all the loose threads around Min-woo
Min-woo, if you are in love with Ha-ri, as your sad faces when she mentions dating imply, WHY ARE YOU NOT DATING HER
Tae-moo asking to meet Ha-ri outside of work bc he likes her is a blatant misuse of authority but I’ll allow it because I think it’s going to be cute
But honestly, and I hate to say it: Same energy as that guy at my uni who said he was going to hold a debate club meeting but only invited one of the club members so he could trick her into a date. Cishet men do be like this
As much as I really dislike the plotline, I appreciate that they are addressing the actual trauma that Young-seo would experience after being the victim of sex crime
LOL @ Ha-ri’s coworkers immediately showing up at this theatre. Love that we’ve progressed from fake dating to secret dating
Tae-moo missing the whole event is Karmic Justice both for the False Pretenses Date and for being so snippy with Ha-ri about leading a double life earlier. THE CRAWLING OUT OF A SPACE TO GO UNNOTICED BY COLLEAGUES IS ON THE OTHER FOOT
Sung-hoon proving chivalry is not dead by ramming against the broken bathroom door so Young-seo could pee
“What excuse should I use to call her next?” HOW ABOUT U TALK TO HER LIKE A PERSON TAE-MOO U WEIRDO
“Come to your senses. You’re here for work!” said Ha-ri, proving she was the only one in this relationship who had any concept of work-life separation lmao
“She would be very touched if you told her that you called me here.” “It would be tasteless if I bragged about it.” Awwww if Tae-moo just uses all of these “work meetings” to do very sweet things for Ha-ri in secret just to make her happy then I will forgive him for 63% of his craziness
Turns out even Sung-hoon has limits to his chivalry:
Tae-moo ending the simultaneous double date by having a rain-induced panic attack and abandoning his lover on the road
Let it never be said that Tae-moo doesn’t double down on his shenanigan's. Immediately after finding her again he decided to volunteer as her fake boyfriend even though he is her real boss and their last conversation was him demanding she get out of the car in the rain, at an isolated bus stop, at night. Perhaps peak unhinged for Tae-moo
It’s definitely peak unhinged. Tae-moo must never have been in a relationship in his life he is acting like he is OBSESSED with Ha-ri it’s a bit much
Also. Announcing he is the President with NO regard for the position that puts her in as someone who 1) has received an award in his name and 2) is an employee that people may look down on for supposedly sleeping her way upwards. #JustRichManThings
You know. I’m pretty sure they didn’t actually have sex but. This broken heart is on Sung-hoon for not thinking about how someone who has recently been victimized would respond to waking up in a strange apartment with hazy memories
Min-woo really wants to have his Yu-ra and emotional affair with Ha-ri too like I know why Tae-moo is being So Much (it’s a character flaw) but your girlfriend is literally right there!!! Chill out or break-up
We’re finally getting Sung-hoon’s perspective about how all of this has been going down:
How many sad businessmen does it take to change a lightbulb
Also is the implication that Young-seo and Sung-hoon DID have sex while she was drunk because if so. Eughhhhhh don’t like that
Falling in love has really tanked Tae-moo’s ability to take a meeting lmao every single one he cancels or spends the whole time thinking about Ha-ri
“If you reject me, I’ll ask you out again and again. Until you finally like me back. So you need to brace yourself.” This is not a flex it is a red flag something that should be documented in case u need to file a restraining order 🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩🚩
Ha-ri said: Red is my favourite colour, how romantic 🌹
I’m sure the decision to makeout at a work event with a filming crew around will not immediately blow up in their faces:
Tae-moo to Sung-hoon after being kissed one (1) time: I now believe in love so take some vacation time bestie <3
“Are my lips some kind of column for you to crash into?” Tae-moo said: IT’S DTR TIME HA-RI
Hahahaha the more fun kind of blackmail where Tae-moo only makes Ha-ri go to activities he knows she’ll enjoy
I cannot BELIEVE that Tae-moo is playing River Flows in You lmao. What in the Twilight soundtrack
“There may be some things I don’t do, but there’s nothing I can’t do.” 1) Love this mentality for Young-seo 2) I anticipate her food being terrible lmao
Tae-moo said: The way to a woman’s heart is telling her she has to have fun with you forever in penance for her kissing crimes
What both Sung-hoon and Tae-moo are demonstrating with the hiking and bumper cars is that their love language is quality time/including their lover in their interests
I’m sure as pay-off for Young-seo trashtalking Tae-moo, he will be the one to get them out of this dangerous mountain excursion
LMAO finally Tae-moo’s exploitative contract has come back to bite him in the ass also Min-woo why the FUCK are you rifling through Ha-ri’s drawers get some help dude
“If you don’t have the money, pay it back with a kiss.” Min-woo must be reading this as some version of escorting vs. what it actually is, which is Ha-ri and Tae-moo’s fucked up little version of foreplay
Ha-ri playing dodgeball with a broken wrist to win a date with a man already in love with her while Tae-moo is being forced into yet another date. Both sides of this relationship aren’t doing well atm
Hoo boy on Sung-hoon going on a “date” with Young-seo’s cousin
“I’ll pay you back for that kiss with a kiss.” They decided to be emotionally forthright and then made out on a bridge. Good for them
They’re hitting their relationship’s honeymoon phase, I think:
Young-seo’s Yikes Cousin Yu-jeong announcing she’s dating someone as if Sung-Hoon hadn’t full ass told her had a girlfriend and wasn’t interested in dating her. I knew this subplot would happen but it’s still annoying to watch
God. Young-seo inadvertently encouraging her cousin to go after her boyfriend. What a mess
“And I also think it’s about time we got married.” Yu-ra and Min-woo BOTH seem to know he’s in love with Ha-ri at this point I don’t know why they don’t just break up
Also Min-woo has had SEVEN YEARS to act on his feelings. Was he concerned about losing a friend? It’ll certainly be hard to maintain his friendships if he two-times them, emotionally or physically
LMAO @ SUNG-HOON AND TAE-MOO BOTH COWERING BEHIND EACH OTHER IN THIS SCENE BUT FOR DIFFERENT REASONS:
[Text message sent to group chat] “You’re being harsh, babe. Do you think I copied it? You made me look bad in front of Ms. Kim.” Ongoing subplot that I have yet to mention: Mr. Gye and Ms. Yeo, the two older/supervisory members of Ha-ri’s team, have been background dating for like a few eps also in a semi-secret way and now that’s finally coming up as well
No one in this company cares about office power dynamics LOL
Kay I had to stop watching for a few days because this scene of Grandpa Kang YET AGAIN finding Ha-ri locked in the bathroom was too much for me but we back
“But why is a woman in the men’s bathroom?” “She must be in here by mistake. If you do this, she’ll be too embarrassed to come out. You should go to another bathroom.” This is the most rational thing Tae-moo has said over the course of this whole show and he says it with unbridled panic bc he KNOWS his girlfriend is in that stall lmao
There was absolutely no reason for Grandpa Kang to insist she be the one to come out. If I were here I would stonewall him. Bathroom filibuster. I’m never fucking leaving
I love how Tae-moo has only half a brain cell and chooses to think with his heart. What possible rationale does he have for crashing the Food Research Team Dinner LOL
“I love bomb shots.” HAHAHAH Tae-moo looks so happy and relaxed. He’s like ‘See, baby, I fit in!’ hahahaha
In other updates, Sung-hoon tried to introduce Young-seo to his nun mother and, predictably, Cousin Yu-jeong brought the whole event to a crashing halt
“Do you know what’s most infuriating? It’s how you ignored me and blindly did as Kang Tae-moo said. Are you that family’s servant?” There are a couple of flaws with this, despite the fact that Sung-hoon is clearly in the wrong for lying. 1) Tae-moo is like family to him, so of course he wants to help him out and 2) He does work for them, so yeah, there are blurred lines and 3) He’s known Tae-moo for like.... his whole life. You’ve known each other for what, a few months? Romantic love or no, of course he protects the more established bond. All of this can be summarized by “bros over hoes,” but I digress
“I want to be loved by the person you love the most too.” Ha-ri is SO GOOD at romance. I am also a little in love with her, Tae-moo
GJfigjjfdhkjghkgh loving Ms. Kim catching Ha-ri and Tae-moo covert holding hands LOL
I also appreciate Tae-moo’s hair arc. The lovey-dovey messy bangs are doing a lot for me
[Forced laughter] “I should get going too.” “Yes, it’s late, so you should.” “Yes, goodbye!” [Continued forced laughter on exit] For two people who have been deceiving Grandpa Kang for nine episodes, Tae-moo and Ha-ri act like they’ve never told a lie in their lives
“I’ll introduce her to you soon.” I really look forward to Tae-moo and Ha-ri trying to explain even HALF of what the fuck they’ve been up to together
The friendships in this show really are delightful:
Awwww Sung-hoon and Tae-moo orphanage backstory is getting me. Young-seo bonding with nun mum. Their little brothers and sister there. Call me sentimental but I love a cliché
Side note: It’s really drawing my attention that Sung-hoon isn’t wearing his glasses. Wasn’t that his entire reason for suspecting the Furniture Stalker that he could see without glasses? What, you’re the only man in this city who can wear contacts?
“One day, we’ll be able to tell each other about these things. Once we get closer with time.” YOUNG-SEO COMING IN WITH THE ROMANCEEEEEE. The women of this show have wooed me
Tae-moo’s “Thank you for accepting my feelings,” and “When you feel ready, let’s tell him,” are also up there in what has been a very swoon-worthy episode so far
Insane that while Ha-min has embezzled chicken funds and disappeared now the two couples are just having a double date running the restaurant LMAO
Tae-moo and Young-seo are finally bridging the divide between them LOL that’s growth
[Ha-ri, laughing] “Of course I don’t want to watch [Tae-moo changing his clothes]. Go to Ha-min’s room--” [Tae-moo, sincerely] “No, I’ll show you.” TAE-MOO PLS
HAHAHAHA I culturally relate to being a grownass woman who outright refuses to explain her dating life to her relatives. Western TV could never LMAO
Tae-moo is SO happy to be in Ha-ri’s room. He’s living his dream
“He’s very kind and gentle,” said Sung-hoon to Ha-ri’s parents, as if Tae-moo had not tricked their daughter into signing a contract to fake date him with untenable financial penalties and then subsequently tried to punish her for being dishonest with him mere episodes ago
It makes me laugh that Ha-ri is still calling her boyfriend “President Kang” even as he is hiding in her cupboards
The physical comedy of Sung-hoon, Young-seo and Ha-ri trying to sneak Tae-moo out is killing me
The Boyfriend Boss is out of the bag for brother. Bet you can’t say that five times fast
“Go buy yourself some clothes, brother-in-law.” HAHAHA Tae-moo has one act of service in his love language repertoire and it’s giving people money
Also his smile at being called brother-in-law was VERY CUTE
Lmao @ Tae-moo’s instinct when Sung-hoon is drunk crying about his girlfriend being to film it for future blackmail. He really did say mansplain, manipulate, malewife
Young-seo’s dad can mind his own damn business. Firstly, Sung-hoon is a key role in the company and presumably is quite rich himself by merit of that. Secondly, she doesn’t live with you!! You leave her be, Scrooge McFuck
“Can you please get out of Min-woo’s life?” We circle back to Min-woo whenever people are feeling too happy
They really wanted Yu-ra to have no redeeming qualities. That she dated him initially out of spite, cheated on him, and then is blaming Ha-ri for the fact Min-woo doesn’t feel the same about her? You should maybe get some therapy Yu-ra
“Now that I’ve seen how you act, I can understand why Yu-ra’s acting that way.” I MEAN. I FEEL LIKE THEY’RE BOTH BAD PARTNERS, HA-RI
WAHHHHHHHHHH Tae-moo being able to focus on Ha-ri instead of his rain-induced panic attack :’)))))))))))) They’re working through it together ahhhhhhhhh
The callback to the rainy day story she made-up when they were fake dating. STOPPPPPPPPPPP
The way she makes sure to distract him from the rain by going into the flower shop to delay going outside or sitting beside him and rambling about work when the rain gets heavy. I love Ha-ri. I can’t handle it, it’s too sweet
The way that they brought back the campy little animations to crumble the bouquet in Ha-ri’s hands. I knew this was coming. Damn u Second to Last Episodes of Asian Dramas
“Stop seeing Tae-moo. I don’t think you want to be in a situation that other people may misinterpret.” Honestly. Even if you interpreted it correctly, I don’t think it would leave you with the best impression
Tae-moo said: If I cannot be with Ha-ri, I will waste away inside the Go Food building like Businessman Midas with only his Golden Kimchi Ravioli for company
I wasn’t expecting Tae-moo’s Batman origin story to affect me as much as it did, but Tae-moo and Ha-ri crying together while acknowledging that the accident was not Tae-moo’s fault really got me
Yu-ra REALLY needs some therapy. What the fuck. Ha-ri has been decent ALL THE WAY THROUGH and she just decides to make up shit for the whole internet to see about this fake love triangle!!! HA-RI HAS CLEARLY SHOWN THAT MIN-WOO HAS MISSED HIS CHANCE
Well. At least Tae-moo will be confronted with the inevitable implosion that follows all of his unhinged dating-his-employee antics. It’s really a lesson to be learned
“I won’t tell him, for Sung-hoon’s sake.” Cousin Yu-jeong does not believe in bros over hoes (or sisters over misters)
“Let’s not talk badly about something we know nothing about. Also, Ms. Shin is way prettier than you.” Mr. Gye said Team 1 is Ha-ri Support Squad no matter how rough our work situation is <3
Young-seo spent her month’s salary on preventing Ha-ri’s parents from hearing about the rumours. Great friends all around <3
Meanwhile, Tae-moo and Sung-hoon have circled back to people thinking THEY’RE in a relationship. I think Tae-moo should be allowed to be mean if he does it by flirting with Sung-hoon. It tickles me:
I cannot BELIEVE that 1) Tae-moo continues to be short-sighted about how this affects Ha-ri’s career and 2) He was gonna propose by payphone. Not even half a braincell on this day, my love
“But once people find out you’re dating, do you think she’ll be able to come to work? The employees will gossip about it. You might be fine, but she’s just an employee.” UNBELIEVABLE. GRANDPA KANG HAS TO SPELL IT OUT FOR HIM!! TAE-MOO!! STEP OUTSIDE OF YOUR OWN EXPERIENCES
The other shoe finally dropped on Tae-moo being in the loop about their supposed scandal. But I love that he’s doubled down on defending Ha-ri and didn’t believe for a second the rumour that she had two-timed him
“There he comes! The handsome young owner!” “You must’ve been mistaken. That’s my daughter’s coworker.” HAHAHAHAH I fullass forgot that Tae-moo already met Ha-ri’s parents under the fake name of Mr. Gye. Oh my god
“If love is a crime, then yes, I’m a criminal. But resign? I can’t resign, sir!!” HAHAHA GRANDPA KANG DESERVES HAVING TO JUGGLE THESE BATSHIT TWENTYSOMETHINGS
“I’ll explain everything later! Mother and Father.” HAHAHAHAHA I KNEW HA-RI’S PARENTS WERE GONNA BE LIKE ‘WHAT THE HELL AREN’T YOU 40?!’ BUT IT’S STILL FUNNY
Point of clarification if for some reason you’ve gotten this far in the liveblog and haven’t seen the show: Tae-moo’s not 40. He merely cosplays as 40something-year-old in his spare time
“I know how stubborn and arrogant I’ve been. But I don’t want to be on bad terms with my only daughter anymore.” Well damn, an unexpected turnaround from Young-seo’s dad
Everyone on this show is coocoo bananas. Ha-ri and Tae-moo at least have the reasoning of wanting to protect each other from rumours/scandal and having been fake dating prior to their real dating. You two have only been together a month. What’s your excuse for getting married!!!!!
I say this. And Tae-moo proposed to Ha-ri after one (1) date without even knowing her real name. So. We arrive again at coocoo bananas
Ha-ri coming down the N Seoul Tower while Tae-moo goes up so they meet halfway is poetic cinema
Thank you for ending this episode much more kindly than it started:
Well, Young-seo’s dad’s turnaround lasted all of 10 minutes, I guess
HAHAHAHA @ Ha-ri and Tae-moo immediately getting caught on their walk of shame
“Ha-ri is the first woman I’ve met who is a joy to be around and always makes me laugh.” Tae-moo <3
Loving everyone finally being able to hang out honestly ahhhh <3
Also Tae-moo constantly telling people he fell in love at first sight while we as the audience know that Ha-ri spent that time trying to get rid of him and anthropomorphizing her tiddies which go by the name of Samantha and Rachel. LOL
“You were with Ms. Shin or whatever, right?” Power move for Grandpa Kang to call Ha-ri this as if you had not met her at length a number of times lmao
“Ha-ri, when I get back from my trip, do you think we could go back to being close friends like before?” Min-woo said when the going gets tough, the tough sell their restaurant and go to Europe
“Do you think you can you do anything without the privilege that my name has given you?” “Actually, I think I can. I’ll prove it to you. That I’ll be just fine, without using your name.” <3 <3 <3 Young-seo, love of my life
Ghkjghkghkgh Ha-ri being defensive about just having regular work conversations with Tae-moo while Tae-moo is like ‘where have we landed on cuddling in the stairwell?’
It’s clear that Tae-moo’s penchant for theatre is an inherited trait considering Grandpa Kang’s hospital antics
Young-seo immediately sharing her emotions about cutting ties with her dad and Sung-hoon offering to invest in Young-seo’s start-up!! The communication has improved leaps and bounds
“Wait, isn’t she supposed to be taking care of me? Where is she?” Hahahaha Ha-ri has won over Grandpa Kang in one (1) hospital visit. They are now doing a sing-a-long to music shows
I like that they’ve found an opportunity to drop her K-Pop history into this show LOL
“You’ve always been like a mountain to us. So please be healthy and stay that way, Grandfather.” “Being sick is kind of nice. I never thought I would hear you call me that.” SUNG-HOON <33333333333333
I thought this episode was going suspiciously well so it’s fitting that we’ve arrived at the Long Distance Parting at the Playground
I am generally not for time-skips if used to change character motives but I am ABSOLUTELY for time-skips if they are to show everyone getting advancement in their career goals and romantic endeavours and generally softening over time. I can’t wait to see all the married couples and reunion
“What if they get a divorce?” AHA, MS. YEO IS NOW MRS. GYE
Love that Sung-hoon’s ultimate form is househusband. Good for him
The campy little animations make their final triumphant return via taxi sign:
Title reference (affectionate): Young-seo = Business, Tae-moo = Proposal
#ayesha says things#ayesha liveblogs business proposal#liveblogging#television#korean television#business proposal#long post
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