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🍋 What’s your favorite spicier trope to write?
I avoid writing spice 👀 I've only written it once before, though I have two fics lined up that will require spice (the characters are bullying me), so I don't know what my favorite to write is yet but maybe I will figure it out 🤣😭
🍏 Is there something you overuse, whether it’s a certain phrase, trope, or piece of punctuation?
so, many- commas,, and- other,,, separators-
Thanks for the ask!!
fruity ask meme
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I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears
I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!
The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.
More:
Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.
Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)
Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.
Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.
Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.
The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.
They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.
And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.
I could go on, but this is already so long. But yeah, I hope this gave you an idea.
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Thoughts on alys/aemond and alys in general
It's very hard to get a proper reading on Alys' character because she is tied with the supernatural and the maesters writing the histories do not understand and tend to dismiss magic. She is supposed to be twice (or thrice??) Aemond's age, but looks unusually young. Is she just a MILF with a good skin care routine? Is she a fire priestess like Melisandre? Can she even get pregnant anymore? Does she conceive the child via magic?
Their dynamic is also open to discussion. Aemond puts House Strong to the sword, but spares Alys. What does she feel about this? Some of those children must have been in her care; she must have breastfed them herself. Is it true that she gave them up willingly? Did she betray them because she was afraid? Did she give them up because she hated them and felt mistreated by them? Did Aemond abuse his power differential in regards to her? Is Alys the one actually manipulating Aemond here?
In any case, Aemond's relationship with Alys is a norm-transgression. This is where I disagree with the majority of green takes on Aemond. By entering in a relationship with Alys, he disrespects his betrothal with the Baratheon girl. Green Knights like to argue that dutiful Aemond would lawfully marry Alys, so that their child wouldn't be born a bastard, but the text isn't clear on whether this actually happened. I would counterpoint that Aemond marrying Alys makes things even worse. The reality is that he can get away with having bastards because he is a man. If he marries her, he completely breaks off the Baratheon pact, bamboozles his brother's alliance with an important military player and effectively endangers the lives of his family by making them vulnerable to a Baratheon coup.
We joke about Robb being irresponsible with Jeyne Westerling, breaking his betrothal and ultimately contributing to his own downfall. We should extend the same type of criticism to Aemond. Bear in mind that, as compensation, Robb offered Walder Frey another very profitable marriage pact. Edmure was not just Some Guy, he was the Lord of Riverrun and Walder Frey's liege lord. And, yet, Walder Frey still orchestrated the Red Wedding in revenge. He wasn't content with Edmure, he wanted the King as his brother-in-law, as promised.
Similarly, the Baratheons were promised Aemond, the second son, with the biggest dragon. Would they settle for Daeron, the third son? Maybe, maybe not. But what about the shame of one of the Four Storms being set aside for a bastard wet nurse? Rhaenyra also has sons they can request for betrothals. This is why Alicent moves quickly after Aemond's and Helaena's deaths to betroth Aegon to Cassandra Baratheon. They are important military allies they need to keep no matter what.
From a story writing standpoint, by introducing Aemond's and Alys' relationship, the author places Aemond on a slippery slope towards the point-of-no-return. Aemond cannot come back from the God's Eye now, because there is no place for him in the narrative anymore. He cannot reunite with his family, because he would have to set Alys aside and marry the Baratheon girl. That is impossible, because his obsession with her becomes all-consuming. He is effectively snatched away from his own story by the paranormal. Alys is a witch with a terrifying aura about her; as an extension of the supernatural, she cannot be contained within the Red Keep as Aemond's mistress.
Their relationship signals the beginning of the end for Aemond. It traps him in a limbo from which he cannot exit, but also cannot go on indefinitely. His arc can only end with Daemon and Caraxes.
My reading of Aemond is that he is a person struggling with his sense of duty, after keeping to his principles and to societal rules for so long. He receives no compensation. He loses an eye and is denied justice. He becomes more suited than Aegon for kingship, but it is all in vain, because unworthy Aegon will always be ahead of him in the line of succession. Aemond has followed the rulebook to a tee, only to end up feeling slighted and disregarded.
The one time he unleashes his buried feelings of injustice and rage, he loses control of Vhagar, kills Luke and inadvertently starts the war. He will blame himself for Blood & Cheese, for causing his family unimaginable pain, for crushing his sister's soul. He will spiral and lose impulse control and drown before he can save himself.
Aemond is a very tragic character and the story advertises his doom very noticeably with the inclusion of Alys. But, ultimately, an analysis of Aemond shouldn't ignore the fact that, textually, he is an oathbreaker and a hypocrite. He interacts with the issue of bastardy both by sleeping with a bastard of House Strong (!) himself and by fathering a bastard child on her. He endangers his family by breaking his vows to the Baratheons. Dutiful Aemond fights for his brother's claim till the very end, but he threatens the success of his brother's campaign precisely by not carrying out his duty.
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