#I won't say plot is overrated but

[randomnameless]

what do you think about people saying unicorn overlord's worst point is its plot?

Hmm...

I'd say plot or not plot, what matters the most is execution.

You can have the grandest and brightest idea ever, if your execution is lacking, no matter what the plot was supposed to be, it won't lend which makes you wonder what the frick did you actually play.

However, if you have a vanilla plot but a good execution, while the story will seem to be milquetoast, ultimately you will have spent a good time/neutral time playing through it.

UO's plot is kind of simple, blue lord is ousted of his kingdom and must retake it by making allies all around the world, to gather all of his friends and forces and get rid of the usurper red emperor. Vengeance being empty, the blue lord must learn the reasons/greater plot behind the red emperor's, well, rise and while not giving him a pass because they can walk together, blue lord eventually defeats the evil sorcerer who was behind the red emperor.

But the execution? Is why I really like this game!

In the same vein, Baten Kaitos (1) is also a story about finding mcguffins to prevent an evil god from being resurrected, but when it is you must gather allies and rely on the friends you made through the game to defeat it, after/while learning that there's more to that evil god than first thought (that's BK2!)...

It's pretty standard JRPG wise, but it still works because of the execution.

For the lowest/weakest/worst aspect of UO to me it'd be, without any contest, the fanservice.

Sure, the devs designed Linharagos with exposed legs to make him "sexy", but compared to the elven fencers it's... like saying you're eating sesame, when you're only eating a burger with sesame seeds on the bun.

The M!Mercenary and Landsken-Landsknecht sprite has huge muscles that would make some people from the FEH redshit uncomfortable, and yet, they can't be compared to Scarlett or Celeste's jiggle physics.

I know fanservice is VW's bread and butter, and yet it still makes me a bit upset that for all the praise and enjoyment I derive from this game and its goodies (the artbook!), ultimately I know the reason why Aramis wears pants when Melisandre doesn't, even if they are in the same class.

[moolthecow]

i ain't gonna sugarcoat it.

[acid-ixx]

last night, i just had a terrible nightmare where someone sent in a really long ask that was straight up hating and criticizing every part of my writing. calling out the insecurities/faults, plot inconsistencies, and insulting my writing style—

which i admit: yeah, it's wordy and really long, sometimes i focus too much on one scene or on the emotions solely, and i focus on every single detail; i'm a very emotional and hypersensitive person who likes to overanalyze on the scenes and characters. i acknowledge that it's unconventional and unprofessional at times; but it's what makes me happy and it's up to readers to continue reading or not despite the length. it's my own writing, i write content for free and everything i post are indulgent on my part, hence why i explicitly state i don't really wish for constructive criticism since again, it's all for free and it's all done for fun.

though, in that dream, it came to the point where the ask straight up told me i should just quit writing, that whatever i'm writing for is utter trash (overrated, it says. there are better writers out there and, yeah, i agree. i've the passion and drive but not so much for talent) and not worth the effort to read. so i did what was told and deactivated my account and went on to never write anymore fanfics after just how shaken up i was, then i woke up HAHAHAH.

and it genuinely felt so real, ngl. i couldn't get it off of my mind even until now, so here i am rambling about it. sorry if anyone expected me to post a drabble, or a fanfic; but right now i need more time to ponder upon whether or not i should change my writing style 'cause chapter five pt 2 will be posted soon but it's longer and who knows? maybe my worst nightmare may come true if i post it and it's subpar, not up to expectation.

and if people don't really wish for something long that borders on boring or filler scenes, then maybe, maybe not i will change how i write (but i probably won't lmao). either way, i have to remind myself that i am writing for myself, and posting it to simply archive in this account. i just hope people won't be as cruel as that mystery person in my dreams if i ever do

it's genuinely the audience's choice to read my works or not if the length or style bothers them. and as entitled as i may sound, i wish to remind some that writing a chapter with more than 10k words is my choice, and it's an arduous process too that takes hours of my time. writing fanfics is for me is purely indulgent and are reflections of my real life experiences, if it's lengthy, then yes i chose it to be, but it's not like i'm writing a thesis or an essay, i'm writing a goddamn fanfic with stereotypical tropes (most especially yandere) because it what makes me enjoy my passion as an author.

i apologize again for the long ramble, i really just need this out of my thoughts. this is my own blog too so yeah 😭. if you guys follow me solely for my fanfics, then filter out the "🍨... yael's talking" tag if you wish to avoid these types of talks.

[pressplay-if]

im on my knees begging u for zima's nsfw alphabet🥹🥹🥹🥹(also hope you're having a lovely day! love the IF so far!)

Alright alright haha. I've had a bunch of ppl begging for Zima's version now; don't worry, I hear y'all, I was just busy.

To preface: Zima would act very different with the MC as opposed to any other partner, so all these answers basically only apply to MC. With others, Zima is way less affected. Also, this is the longest of the RO alphabets, because Zima and MC's relationship is by far the most variable out of all of them.

A = Aftercare (what they’re like after sex)

Depends. If it's a hatefuck, Zima is just gonna zip up, f!Zima maybe lingering for a second to redo her makeup, but won't say a word. They'll be too overwhelmed to talk. They're seething, but they're also really disappointed in themself and just plain scared. So no, there'll be no cuddling, no pillow talk, nothing.

If the hookup happens after a truce has been achieved between Zima and MC, they won't be as angry, but still really overwhelmed and sad. I don't want to go into what Zima would be like in an actual relationship too much bc there's so much that needs to happen in the story for them to get to that point that it'd make this answer highly spoilery.

B = Body part (their favorite body part of theirs and also their partner’s)

Zima fluctuates between feeling incredibly sexy and absolutely hating everything about themselves. Sometimes, f!Zima loves her slight abs, other times she's downright scared they make her look like a man. Sometimes, she adores her large ass, other times, she thinks it makes her look fat. M!Zima loves his muscles and towering over people, but it only takes one bad memory to resurface and suddenly, he hates how heavy he is and wishes he was more toned and graceful. It's a constant up and down.

In a partner, Zima likes just about anything. It's always different things that draw them to someone. Fun fact: They actually like bigger stomachs, butts, etc., even though they're deadly afraid of having one themselves. They love smackable parts xD of course, it's not a requirement. Zima always finds sth else to be drawn to. To them, any person can be hot.

C = Cum (anything to do with cum, basically)

It's a big shrug. Zima thinks cumming is overrated.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

No secret of their own, but here's a plot point that kind of fits and might be cool to know: as the band's rise goes on, Zima turns into a sex symbol. They openly enjoy this.

E = Experience (how experienced are they? do they know what they’re doing?)

They are the most experienced out of all the ROs!! DEFINITELY knows what they're doing.

F = Favorite position (this goes without saying)

Anything that has the other person lying down and Zima above them. Zima likes being in control, and watching the other person react to whatever they're doing. This might be different with the MC if it's a hatefuck. Zima might turn MC over to face away from them in that case.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Not humorous whatsoever. They're serious to the point of seeming methodical.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

F!Zima waxes her legs and bikini zone, like, religiously. She prefers this over shaving because the wax makes it so the hairs come back soft and not stubbly, and she has a high threshold for pain.

M!Zima has a lot of soft body hair which he rather likes, but he does shave his chest sometimes, because he sometimes goes onstage shirtless and oiled up to show off his muscles, and the oil makes the chest hair look all weird.

I = Intimacy (how are they during the moment? the romantic aspect)

messyyyy.... so messyyyy. It's too complicated to really describe; you'll have to wait and see how it is in the game.

BUT with a partner that's not the MC, Zima's pretty detached.

J = Jack off (masturbation headcanon)

They masturbate a lot, and they love using toys on themself.

K = Kink (one or more of their kinks)

They like being in charge, and they like having the other person beg. Also they love using toys on the other person.

L = Location (favorite places to do the do)

A bed.

M = Motivation (what turns them on, gets them going)

Could be anything! With the MC tho, it's mainly strong emotions. When they harmonize or sing into the same mic, Zima could melt right into a puddle. When they fight and tension is rising, there's a part in the back of Zima's mind that makes them want to tear their own clothes off right then and there.

N = No (something they wouldn’t do, turn offs)

Pretend like everything's alright and this is healthy.

[Okay guys I accidentally clicked "post" way too soon so Imma post the other letters separately. Sorry ;-;]

[cerealboxlore]

I has a headcanon that billy can understand felines, whether that's because he has a tiger familiar or it's just from spending so much time around tawny os up to you, take your pick

I love imagining damian being secretly super jealous that billy can hold a conversation with Alfred the cat even though it's his cat but he low-key gets over it because now he knows what Alfred the cat actually likes and can pamper them more thoroughly

I also love the idea of billy having to play telephone with any other animal because it only works with felines for example billy needs information on [insert plot information] and the only witness was a raccoon and so billy needs the street cat relay what the raccoon is saying and to ask the raccoon specific questions

But these are just my thoughts and I wanna hear yours

Every time Billy gets a cute headcanon, an angel gets their wings 💖

I am so sorry I am answering this super late, hun, just know that this ask has always been drawing a cute visual in my head where Billy is surrounded by cats like a little disney prince 🤴

I do think that his omnilingualism does expand to all the languages of the universe that has ever or will ever exist, so I feel like it's safe to say that he can understand the ancient language of little meow meows.

I do agree that spending so much time with Mr. Tawky Tawny could possibly influence Billy's language abilities to learn animal languages, but I also believe that with Billy being the Champion of Magic, Billy might sometimes absorb the magical effects from being Captain Marvel. Just as a headcanon of mine.

For example; Captain Marvel can fly? Billy can levitate a little (as a treat) if he concentrates enough. Captain Marvel speaks every language? Billy can talk to animals like a tiny Dr. Doo little.

Gosh imagine that, Billy using his magical talents to help magical familiars and beasts, maybe that's how he earns his money to pay rent as a homeless child. Can't get a job? Just use magic to open up a magical veterinarian clinic, no body will raise alarm at a child doctor if the patients are mystical animals!

Woops I went on a little ramble there, buddy, back to your ask! I always adore any chance to have Billy interact with the supersons, so it would be insanely funny to have Billy hold this ability over Damian's head if ever ever doubts the power of magic to Billy's face.

Damian: Magic is overrated. The only people who depend on magic are the ones who can't do anything without it.

Billy: Oh okay, that's alright, I guess. It's just too bad you won't ever know what Alfred (the cat) wants for his birthday.

Damian: ...what?

Billy: Yeah, the poor little guy is going to feel so sad when he doesn't get what he wants on his big day. All because his owner doesn't understand what he's saying, nobody does...oh wait a minute, somebody does :3

Damian: you son of a-

[thewriteblrlibrary]

A Step-by-Step Guide to the Weirdest Mush of Storytelling Techniques Known to Human Beings (that works surprisingly well)

SPOILERS - basically you combine anime/manga storytelling with tumblr character obsessions.

Okie dokie human beings, let me just come out of the gate and say that I've been hyperfixated and doing obsessive researching on storytelling methods since I was ten. You hear it all when you deep dive into this:

'You need conflict to drive your story' (wrong... well, not always true. Conflict isn't required but you can use it for funsies)

'Your characters need to be flawed. Give them flaws so they aren't Mary Sues' (Wrong. Traits in and of themselves have both nice and not-so-nice aspects, depending on the situation.

Take 'loyalty' for example. Loyal people can be apologists for those they are loyal to/not be objective when they think about their friends. But they will also be there for their friends... does that mean they are a people pleaser and won't be as nice to themselves? Mary Sues are only there because they are cardboard cutouts and people aren't having fun with them. *See remakes and pointless cash grabs* When you're self-indulgent and ignore the 'don't make the characters too cool' rules, people can tell. You all will have the time of your lives.)

Then you have... the discourse. As a storyteller, reading those made me so insecure about writing characters because I was worried I would anger someone. This method won't assure avoiding all discourse, but it makes the characters more believable and fun to watch. Everyone else can avoid the story. (It isn't for them anyways)

Anywhosies, after years of researching, I've finally, finally found a storytelling methodology that is structured yet insanely flexible, works for any story you're telling (watching tv will never be the same), and is pretty much the exact opposite of trashy Hollywood blockbusters.

So basically, it's: exploring a facet of existence through complex characters and an easy-to-follow plot.

So yea, I've talked in the land of general for too long. This is my modified method from the resources down below. Have fun!

Step One: Characters Concepts.

This will help you a lot when you make characters. Let's go through an existential crisis!

What concept about "how life works/philosophy/the unknown/viewpoint/question" do you want to explore?  This will be the aspect of life that the story attempts to make sense of and give the reader some new understanding or comfort about it. It will be the groundwork and foundation for your story going forward, so feel free to explore as many aspects of this topic as you wish. 

Specific memories can help with this. For example, I used the memory of crying over unfinished crafting projects to write my main WIP. (I was supposed to make this doll dress with my mom and we did part of it, had a lot of fun, then never finished it. A few months later, child-me sat beside the bed and waited for my mom to come out of the bathroom so I could ask her something. In the meantime, I looked underneath the bed and found that unfinished crafting project. I started bawling.)

This memory led me to make my concept: Happiness chasing. Those who want that happy ending so bad so they can have their childhood happiness back. Mostly because they are filled with regret over all the happiness they didn't have when they were little (the 'smart and didn't like to play because they wanted to read books' children... anyone else do this? And regret how little time they spent with other people?)

The second aspect of this concept that came up was the 'avoiding being happy right now because you need to earn it for a happy future' also the 'happiness needs to be perfect... but what exactly does happiness feel like?' and the 'happiness is overrated. I'm satisfied as an observer wandering around the world'

So yea, explore a concept and see where it takes you! It's okay if it's abstract, you can refine it in the next step:

Step Two: characters

~Here we go~

Here we are picking a dynamic, an internal conflict, 'the two wolves'.

Aka: desire vs fear.

And these will be in direct opposition. The character will want something, but the fear will stop them from getting it. Because to get what they want, they have to face what they fear. They cannot exist at the same time.

This took me the longest time to figure out... mostly because no one else spelled it out for me. But it works! Very well! Probably the fastest way to create a complex character!

So you'll take an aspect of your concept. Like: 'trying to replicate the happiness you had when you were little because you are full of regret about not being happy'. Then create a duality/ warring desire and fear off of it.

(Feel free to include all the extra character trait funsies here... just don't get too carried away. That becomes overwhelming fast. We'll talk about that more in the next step)

Here's an example from my WIP:

Anuli the dryad wants to have faer happy ending that fae wanted when fae was little. (I get very specific here because I wrote backstory, feel free to write a very specific image about what a 'perfect world' would look like to the character. What will having that perfect situation mean to them?)

Anuli the dryad fears being happy. Fae thinks that by being happy, fae will make a mistake and ruin others' happy endings. Then fae will be left with nothing but regret. It's wrong for faer to be faerself. (There's a misbelief about the world here. Typically, fears are rooted in false worldviews. So, you can write an opposing viewpoint and create a 'worst case scenario' based off of that.)

Ta da! Now you have a dynamic where the character has a conflicted view of the world and themself. Perfect for angst, fluff, whatever your story needs are! (Why does this sound like an old car salesperson?)

Step three: First meeting

My major issue when writing a new character is how to translate their unique prose style and convey their internal conflict, whilst also trying to figure out plotlines.

This step is entirely my own, and has been SO EXTREMELY helpful. (I'm proud of myself.)

What you'll do is some random writing of your character's internal monologue/how they see the world. Go through your writing from the previous steps and try translating that into prose. Play around with it until you are comfortable. It does not have to be perfect, it just has to be comfortable. If you're having trouble, pick a mini-topic to write about (perhaps something that's been on your mind lately) and see how your character would react to that. Or you can change the style of writing (more parenthesis? be ridiculous? stream of coconsciousness? Third person? Poetic? Change it up until you enjoy writing this character.)

Here's an example from my writing (this is my second WIP and it's a biology fanfiction.). I'm including it all because I messed around a bit and tried different things. I ended up setting for an informal semi-stream of consciousness style (partially to offset the complexity of biology and partially because that's who Cassiah wanted to be):

(It is... long. So scroll and skim, this is a messy example.) <3

I ended up going for first person instead of third. And I always go for past tense...plus a poetic style is a bit.. much for a biology fanfiction... and I wanted Cassiah to be a nervous mess on the inside while keeping up a 'full of themself' exterior. Therefore:

Feel free to include notes for yourself! This is a great place to refine and edit the writing you did in the previous steps! You can also do some exploring about worldbuilding (I may make another post for that) and congrats! A lot of what you are writing here becomes the character's behaviors that they've gotten from their internal conflict. These are a lot more specifc (and a lot more helpful) than character traits like 'loyal'.

Okie dokie, you can always come back to this for some writing relaxation, and now we go towards everyone's favorite part:

Step four: the plot the tragic backstory:

Note that this doesn't necessarily have to be tragic. All this has to do is showcase the exact moment where the character got their internal conflict. You can do this with the desire, with the fear, or both! (Although typically you'll see the fear backstory... unless it's a Disney movie or Haikyuu)

'But wait!' You ask. 'Plotting is hard! And I need to have this backstory be perfec-'

So the method I followed had this thing where you would write one backstory scene where the fear came from, then three more backstory scenes where the character chose to follow the fear instead of the want and became more conflicted. You can do that if you wish (I'll give you a resource to help with plotting in a bit.)

What I like doing is... having fun? I rewrote my backstory scenes so much and got so stressed with it. (My main WIP has been my writing project since I was ten and I worked on it nonstop... but it JUST got a full backstory written.)

My method for writing backstory changes for each character I write. For that main WIP, I started trying to write the backstory for the backstory, and tried stopping myself from doing that. Which was a mistake. Nowadays I'll write pre-backstory for fluff, and how the fear complicates things after a twist. (Usually I get this specfic aspect of my concept that I want to explore through storytelling and I'll write a snippet about it), and my MC just gets more ridiculous every time I write faer.

All in all... you can just use the plotting method discussed in the next step for the backstory: kishotenketsu. If you do this, then I recommend that you use ki and sho for the 'want' portion. (some fluffy childhood goals if you will.). Then use ten and ketsu for the fear that complicates things and the aftermath.

But overall I recommend (for all scenes that you write) that you always connect whatever is happening to the character's internal dynamic. This is what gives weight to your story. And you've already practiced writing your character's internal monologue, so now it's time to relax, be ridiculous, write some bad stuff, and find the exact moments where the character's internal conflict came from.

I haven't gotten to this point with my biology fanfiction yet (been executive dysfunctioning until recently... the stars have aligned or smth.) but here's my initial prose-sketch:

From here, I'll write a more specific backstory (I tend to get bored of long scenes though, so I imagine I'll do my 'tiny section prose snippet style') to depict how Cassiah got their fear, then I'll write a bit showcasing how they started envying others and their confidence (the desire). Afterwards it'll be Cassiah being internally conflicted hijinks until they inevitably get themself in a ton of trouble.

Okie dokie everyone... now it's time for the plot present-day character explorations.

Step Something-or-other: Keep doing what you're doing, but technically this is the start of the story.

So there's this whole 'inciting incident' and blah blah blah.

Start your story when it becomes impossible for the character to avoid their fear anymore, which causes them to chase after their desire.

...I'm going to include a video for kishotenketsu because... I've been typing... for hours.... and I'll do an overview but video.

So kishotenketsu is the overall plot structure that anime and manga uses. Very flexible, very nice. I keep it in the back of my mind when I'm writing, making sure to connect everything back to the character's internal conflict (make sure they react to things and make decisions.)

Here's a scene card to help you with 'smaller scale' plotting:

So instead of the plot part I use kishotenketsu. And usually I'll write actual prose for the character's monologue (like we did for the freewriting) for the 'why it matters'. (What is the plot causing them to think and feel like? And what do they want to do to fix things?)

'And So?' is usually a decision that effects the plot moving forward. You can also just have a change in perception. Just something new to give the scene meaning.

Whoopdedoo so I'll do a quick overview of kishotenketsu, and then I'll list my resources if you want to do any further digging. My advice in general is to make up your own methodology for writing, and figure out what works best for you.

Kishotenketsu:

Ki - introduction: introduce the characters, their world, where they are at, what matters to them, and most importantly - their internal conflict/what aspect of your concept they represent.

Sho - development: The plot develops toward the twist later. You can use the scene cards for this part, it should have some cause and effect and it should develop and explore the character's internal world.

Ten - twist: this is where an obstacle occurs. Bonus points if it relates to the fear/desire. The character now has to change their perspective and deal with the aftermath of the twist.

Ketsu: I forget what this stands for - the aftermath. How do they deal with the effects of the twist?

Okie dokie fellow storytellers! Now go forth! And Remember! I SPENT WAY TO LONG WRITING THIS IT"S SO LONG WTFUDSICLE ICEPOPS IS THIS LENGTH IT"S TOO LONG

Resources:

Books: Story Genius (where I got the scene card from.)

Videos on kishotenketsu: First one. Second one.

Someone rewrote twilight and it was so helpful for my writing

And... funny story... my brother got viruses on his computer and now I can't pirate anime see 'restricted videos' on youtube because of ristricted mode.

So the Hannah person that rewrote Twilight? Search for 'physic distance' Very helpful.

Also look up. 'Zoe Bee poetry.' the basics of poetry are extremely helpful.

Things you should watch (the gifs)

Rise of the Teenage mutant ninja turtles

The promised neverland

Your Name

A silent Voice

Hilda

Avatar: the last airbender

Wolfwalkers

Song of the Sea

Amphibia

The Girl from the other side

Haikyuu (how did something get me to like a sport this is insanity)

Good Omens (I can't actually watch it because homophobic parents but I've seen all the clip compilations.)

[error501blog]

Overthinking Ghost Cole...

I personally would've enjoyed more Cole Angst as a ghost. However, I think we got enough in Possession. We saw him be shocked and sad in the Temple on Haunted Hill. Next we see him deal with reality of the situation and grow to accept it. I think one more episode of being bummed out about not being human would've been nice. Specifically, before that mountain one. He does grow to accept his ghost-ness within the season. It felt a bit rushed to me, but I don't mind it too much. Cole isn't an angsty person. I think he'd adjust quickly, and he did. It would feel weird if he was moping for a while on what happened to him. He moped for a little bit, but was more concerned with the fact he can't help his friends the same way he used to. His arc is growing to accept he is still valuable even though he's a different now.

I think the main issue of ghost Cole is in Skybound. We never see him continue to deal with reality of being a ghost. We don't see him interact with his father, have issues on the film set, not much. We only have cool power up moments and some gags. (Which are great, I can be nice) Why can't Cole get a separate prison cell when they go to jail? Why does vengestone have to now apply to ghosts? Cole is no longer human, he's something else. He's something other. But in Skybound he's treated as a human, but he can go invisible occasionally. He can still eat food. Nothing is lost, he's better off as a ghost. You lose the feeling of sacrifice.

In Possession we see him jump around water (like when Nya uses her powers, when they fortify their base etc) We have lines which highlight his new change. (Borg saying he built the mech out of deepstone)

Now on Ghost Cole Angst. The only opportunity for ghost Cole angst in Skybound would’ve been from the other characters. Cole’s arc was about accepting his changes and coping with his new reality. Then loving himself again. In Skybound there’s nothing to cope with because he finished his arc. Lou or Lloyd are people who weren’t there with Cole much in season 5 and probably would have a lot of feelings about what happened. A side plot that Skybound could’ve had if we wanted to expand on Coles character is an outsider coming to terms with his transformation. It would’ve shown off Cole's growth and give characters with nothing to do something. (That’s why I suggested Lloyd)

This is just a big ask for a season that came out in 2016. As for what we got in canon, I think we’re just lucky he stayed a ghost in Skybound. The season was meant to focus on Jay, a character who got a backseat in previous seasons. I think this is one of the many issues of having a Jay focused season after a more ensemble focused one. All the other characters took a hit. Having more focus on Nya focused plot line outside of her romantic relationships would've been beneficial for her character. A lot of big changes were made to the story and the Ninja didn't get to recover much or still be affected. Lloyd's father died, he was more affected by this in Possession. Maybe Lloyd or someone from his family giving us a speech about Garmadon in the beginning. Hopefully not from Master Wu. We know his shit, he won't have anything new to the table. My mainpoint being Cole isn't the only one that got messed up in Skybound.

In summary, MY FAVES ANGST WAS SIDELINED IN SKYBOUND, SO NOW I'M SAD!

so that’s why I never mentioned the missed potential of ghost Cole in a post about Possession. It’s meant for a post about Skybound.

Tell me if you disagree with the take. This take is oddly not so controversial for me. (My drafts are mostly x is overrated) So agreeing with fellow members of the fandom or just sharing an idea is probably beneficial for my relationship to the Ninjago.

[wastemanjohn]

2, 11, 14, 19, 20, 31!

THANK YOU! <3

2. Anything that you'd like to write but feel like you're unable to?

i'd love to be able to write a proper, well thought out in depth case fic. but i... just don't know if i'd be able to pull it off. i have three kind of "c-plot" case fics going on in my deanbobby epic but 2 out of three are quite basic and i have struggled with them so hard! i think i'm more of a moments and emotions writer than a plot writer generally so. can't have everything!

11. Three tropes that are fine but overrated. just in my opinion... not going to say officially they're overrated bc everyone enjoys different things... but soulmate AU, bed sharing and fake relationships just don't do much for me (sorry!)

14. Write and share the first sentence of a new fic. Just that. from technically my newest but a while until finished: When Dean shows up on Bobby's doorstep under witching hour skies, he insists it's not as bad as it looks. (this isn't THE deanbobby it's another oneshot)

19. Share a snippet from a wip without giving any context for it.

a bit of hellverse just for you hehe:

Eternity is all wires, rhythms and staccato beeps.  John tunes into his surroundings at random moments, like a busted radio. 

It’s morning now, he thinks. The room feels bright even if he can’t open his eyes to see it. He can hear the beep-beep of his heart monitor. Worn sneakers squeaking against floor Cloroxed within an inch of its life.

As the nurses move around him, John can feel the heat of their bodies. Hear the flow of their blood. The rhythms of their breaths. He feels attuned, somehow, to their basic, mundane aliveness. His body trying to relearn just that.

One of them helping to reposition him on the bed is wearing this sickly floral perfume. It rushes his nose every time she leans over him. John has to wonder what the point is of trying to smell pretty when you’re surrounded by death and disease every day. Maybe it makes her feel better about it all.

20. Do you work on a single project or many at the same time? How does that work for you?

just one. if i start a project and then move onto something else there's a good chance i won't finish the original project. that's why i haven't posted in forever lol i'm not allowing myself to finish anything, even if i start it, until deanbobby is done dusted and posted! which hopefully won't be too much longer!

31. What was the most difficult fic for you to write (but in the end you made it)?

this be the verse: https://archiveofourown.org/works/47426149

it was hard going emotionally due to all the rape involved in the past and present lol. and it was also just so complex, weaving all the narratives and emotions together. i worked on it on and off for nearly six months and its only around 7k words!! I'm extremely proud of it though!

writing asks

[daylander1000]

Will you watch season 2 of HotD or you've lost interest in the show? I wasn't thrilled with season 1, but I do like some characters and I'm curious to see if they'll do them any justice in the next season(s). I'm still trying to be optimistic (which is definitely against my nature 😁), although the latest leaks from Spain (which I desperately hope to be false) doesn't sound promising.

Idk it you read Fire & Blood, but that book is often overrated imho, almost all the characters there are painfully one-dimensional, shallow and bland, while the plot is full of illogical things (especially the Dance part) . So, as you can see, I'm not the biggest book fan, and I do believe that the show did some things better and gave a bit of depth and complexity to certain characters and fleshed them out. However, at the same time it seems to me that they didn't complete what they started, like, you see the potential of the characters and understand their motivations, but then out of the blue they do or say something totally nonsensical and OOC. Take Alicent at the end of episode 8. Rhaenyra says something nice to her and she suddenly forgives everything and forgets that's the same woman who wanted to "sharply question" Aemond after her son Luke maimed him over an insult (a fact, actually), the woman her husband always favoured at the expense of Alicent's own children and finally, the woman who is married to Daemon, the sociopath who hates Alicent and her children and who will kill anyone (and apparently with Rhaenyra and Viserys' blessing) without remorse if it benefits him and his side. I mean, the guy even had the gall to look annoyed during the prayer for Vaemond. Still, according to the show, Alicent somehow needs to "misunderstand" Viserys' last words to crown her own son, and not because it's probably the only way to keep her and her children alive and safe and because her son actually has the strongest claim to the throne according to Westerosi laws avd tradition. And don't get me started on the Velaryons who are collectively depicted as "Dae and Rhae fan club". Like, what is Corlys even thinking?! I won't ask about Baela and Rhaena because they obviously don't get to think and are just unconditionally supportive of Rhaenyra and the Strong boys. Rhaenys is contradictory and inconsistent. It's frustrating, really. Also, the fact that the narrative/the framing of the show heavily favours team black is also off-putting. Nevertheless, I'm still curious and just a bit hopeful that season 2 will balance these things a little. Maybe I'll just be terribly disappointed, but oh well. Sorry for the rant :D

Anyway, as a fan of your fic, I would like to know your opinion. Does the show deserve our optimism and what are your predictions regarding season 2?

S2 predictions? 🤣🤣🤣🤣🤣

Why would you ask me this? This is a show where someone in a professional HBO writers room said, "So what if a dragon just bursts up from the underground?" And the showrunner was like "Fuck yeah!"

I don't think they even thought to do a camera pan of the carnage. It's like they wanted to make Rhaenys look badass but did a Koolaid Man scene instead.

Tell me that this isn't Rhaenys

Predictions? This is not Leftovers where you could do a whole video essay on foreshadowing and subtext and hidden clues. This is a series where there's a horse running loose in a writer's room and nobody knows what it's going to write next.

This is the most bizarre thing I've ever seen.

My prediction for S2 is that during the time off at least one person realizes that they failed to make Aegon into Joff 2.0, that instead of having him be affably evil, he's onscreen affable and offscreen evil, and they'll try to double down on actually showing that he's evil and actually showing that he's worse than Daemon and Rhaenyra.

We've seen Daemon in brothels, grooming and marrying children, killing Rhea, killing innocent people and murdering lords at court, but we've only been told (by very minor characters) that Aegon is a baby-eating rape monster. It's all extremely "tacked-on."

I think Aegon's the biggest problem that they have to work on. Just getting at least this one character to make sense moving forward.

When Jahaerys is killed, I think they'll use that to really commit to making him the bad guy. Like he'll have to be killing a baby or raping someone or eating someone so that it's not Rhaenyra and Daemon killing a child but "Look at what this bad man was doing instead of protecting his son."

As far as predictions go, that's all I can see. If they only develop one character in S2, it needs to be him. Rhaenyra has Rockstar!Daemon, Rhaenys and Corlys on her side, so they'll have to upscale the green threat otherwise it's a bunch of grown people and veteran soldiers fighting two children who have no experience at anything because the oldest one is a 20-year-old frat boy and his brother is still a teenager. Aegon's going to have to really be villainous.

I feel like there's a reason all his nude scenes are with his mother, it's one of the few consistent things between them through the time skips and actor changes, and I feel like they're going to go fully 500% in that Commodus direction

and have him just be creepy and rapey with her in a "bad incest," how-the-turntables, "be careful what you wish for" way. Alicent's defining trait seems to be "perpetual victim," so I feel like they'll go this way and frame it as if she's getting what she deserves for slapping him around. Ten extra points if they have Rhaenyra or Rhaenys there on hand to be like "Is this your king?"

I don't see them doing anything with Rhaena besides sending her away, and I actively don't want to see Baela going out there getting her dragon killed and her face burnt off in defense of Rhaenyra.

I honestly try to not think about s2 of this.

I was a hardcore asoiaf fan but I didn't like Feast or Dance. I read Dunk and Egg, but he didn't finish that either. And when F&B came out, I got the audiobook and I listened to it for a few hours, probably less than five, and I couldn't concentrate because I kept thinking "Did this bitch seriously package his story notes as a novel for sale??? This is an insult to storytelling."

And I deleted it.

It's the quality for one thing. It's the lack of diversity, it's the author not finishing anything, it's the fandom being 20% fantasy fans, 80% trump rally...

Like, in just 10 episodes HotD has managed to give a voice to pro-rape feminists. Didn't even know that was a thing until I saw it on Twitter.

I saw some of the leaked pics of Helaena at the funeral on my feed, didn't have to scroll far to see people just casually r-wording Helaena and acting like having six fingers is a killing offense since eugenics rhetoric is apparently thriving in this fandom.

And on top of all that, the story doesn't even make sense.

I don't want to be like "dramaturgically speaking" but narrative coherence is a thing. Just from bing chat (yes, I'm using bing 😣):

Narrative coherence is the degree to which a story makes sense. Coherent stories are internally consistent, with sufficient detail, strong characters, and free of significant surprises. The ability to assess coherence is learned and improves with experience. Individuals assess a story's adherence by comparing it with similar stories. The ultimate test of narrative sense is whether the characters act reliably. If figures show continuity throughout their thoughts, motives, and actions, acceptance increases. However, characters behaving uncharacteristically destroy acceptance.

This show has curb-stomped narrative coherence.

Like, take that scene where they killed Vaemond. The way they write it, Rhaenyra has come back after 6 years of never visiting her father to drag him off his deathbed so he can support her in taking Driftmark, the seat of house Velaryon, away from Velaryon people to give it to her son by Harwin Strong. Vaemond is killed for telling the truth.

With different lighting and music, that's peak tyranny. That's some Mad King Aerys shit. In full view of all the lords at court. Every single person in that courtroom is aware that Luke is a bastard and they've just witnessed a lord like themselves get beheaded over it. This isn't Daemon killing commoners. He's killing the lords and ladies of Westeros.

But there's no fallout. Nothing. All the lords of Westeros cease to matter. It's just another Tuesday to them.

Hell, they go even further and frame the scene like Viserys is Old Theoden fighting off the curse of Wormtongue. Otto, Alicent and her goblin children all but shrivel and wither from the sunlight that Rhaenyra brings as Vaemond is cut down by noble Daemon. In that scene, Dark Sister might as well be Andúril, Flame of Old Valyria, sword of justice.

There are shows that are easy to watch that we say are "no brain cells required," but HotD is like, "No brain cells allowed. Switch them off or put them on silent so you don't disturb anyone."

I have no hope for season 2. I would never rec this to anyone or say that I think the writing will improve. The foundation is shit. You can't build a strong s2 on a shit s1 unless you're writing a procedural or an anthology where nothing that comes before matters.

You can't undo things like Alicent supporting Aegon as king because of a misunderstanding. There's a limit to how many things you can retcon without destroying all sense of continuity and they've already gone beyond that in s1.

They're past plot holes. They have whole parts of the world that are just void of all thought. Alicent and Rhaenys are characters who respawn and disintegrate from scene to scene as needed. Corlys is three lines of dialogue in a trenchcoat. Daemon Targaryen is somehow, impossibly, a less-developed Damon Salvatore.

No optimism here.

I'm that jaded ex fan who's like, "hotd is a barren wasteland, riddled with racists, ableists and toxic stans, and those are just the writers. The very fandom air you breathe is a poisonous fume. Not with ten-thousand Lindelof-level writers could they fix this shit."

But that being said, I have a really bad habit of watching shit TV.

I've seen Catwoman more than 5 times.

Waterworld, Jonah Hex, Elektra, Daredevil (Ben Affleck and Colin Farrell), Battlefield Earth, Supernova. At least 8 of the Fast movies. All the Transformers. Dracula 2000. All the old school classics of bad cinema.

I haven't watched Morbius as yet and the only reason why is because I feel like Jared Leto is intentionally trying to become Nicholas Cage and I don't want to support that.

There is something about the cringe that hooks me. And with a TV series? That weekly cringe? That is peak entertainment.

It used to take me 4 sometimes 5 hours to watch and digest a single episode of Titans because there were so many questions to think about.

I hyperfixate on bad writing. Trying to figure out all the ways it went wrong and why and what they were trying to do. Once I start, I can't stop thinking about it. I'm hoping swhhw gets it out of my system, but I don't know.

Like, anybody can make good TV. Anybody can do that if you try hard enough. But truly horrible TV isn't supposed to exist. It's like 20 million an episode to make HotD? Nobody is supposed to invest that in a show where the showrunner doesn't even know how old the characters are. Bad TV shows are supposed to be snuffed out before they see the light of day.

But HotD is something special.

You don't accidentally end up with a Koolaid Dragon busting up through concrete. A director described that scene to a VFX crew. The actors had to rehearse that repeatedly. They had to do a read-through...

Like, just think about that.

And then they announce that they're going ahead with s2 without writers?!

That is insane. Part of me says look away, and the other part of me says that s2 of HotD will be something the likes of which I'll never see again.

I really don't want to watch S2, but honestly, I might. Not because I think it will be better but because I'm dead certain it can only get worse.

[stardustcasti]

Anime I actually finished watching that aired in 2024

Meaning- not including those I dropped or will finish watching somewhere in the future (probably)

If you read all of this I love you. (And also if you don't but it's very appriciated.)

Winter 2024

I had an exam period and at some point I flew to japan so there are some anime I started and never finished.

(One photo since tumblr won't let me have more than 10 per post)

Akuyaku Reijou Level 99: Watashi wa Ura Boss desu ga Maou de wa Arimasen

My 👑🌧anime of the season🌧👑

Recomenede! Aspecially if you like Villianess, fantasy and comady anime, but not only.

High Card Part 2

Could be my anime if the season if the finale was a little bit better. I still think High Card is one of the best anime out there, and definately one of the mos overrated. Go and watch it.

Watashi no Shiawase na Katachi (My happy Marrige OVA)

I actually watched this one recetly with a friend.

Momochi-san Chi no Ayakashi Ouji

I don't have a lot to say about this anime. It was nice. The opening was a banger.

Spring 2024

Karasu wa Aruji wo Erabanai

My 👑💐anime of the season💐👑

How could it be so underrated?

Hananoi-kun to Koi no Yamai

Again, not a lot to say. Made me realize that I dislike the 'destained partners' a little bit. It has it's own pros and cons. The first slice if life anime I watched after being in jspan and it was an experince of its own.

Vampire Dormitory

If you love yourself (and even if you don't), please don't watch this anime . Finished it only bc I wanted to talk to my friends how bad it is.

Hibike! Euphonium 3

Wasn't as good as it could be imo (espacially comparing to the previous 2 season I ADORED). Still, I play the euphnium and it was my last year of highschool so could relate to it in a personal level.

Tadaima, Okaeri

I don't like omegaverse I don't know how (or why) I finished it tbh.

Tonari no Youkai-san

It's fine but I am probably going to forget I watched it in 2-3 years.

Summer 2024

Senpai wa Otokonoko

My 👑🌻Anime of the season🌻👑

A hard time to decide bc dahlia but- this is one if my favorite webtoons. And they did such a good job with the animation. (I low-key talked about it here) Also - this story is so precious to me. Please watch it. (Or better read it!)

Madougushi Dahlia wa Utsumukanai

Just- Yes. Otome Isekai, fantasy, femminism atmoshpere, girly girl who is also a bissuness woman. Love, fantasy, reincrnation. I love this.

[Oshi no Ko] 2nd Season

Cool. I- knew what to expect bc I read the manga (till a certain point and I wondere WHAT broke me) The opening is probably my anime song of the year. Nice, nice very nice.

Fall 2024

(It's like, a week ago, help)

I liked all of the anime I finished this season si they are all recommended. My notes frkm this season are

*no another season*

Acro Trip

My 👑🍁Anime of the season🍁👑

Tbh- we need more anime like this one. Shoujosei comedy anime are the best, that's true, but I mean like. Helrious unhinged clever parodies. If you like either magical girls, comedy or better both, THIS IS THE ONE FOR YOU. WATCH ACRO TRIP. I like losers who dont take sh*t from anyone like the main trio here. /pos

Raise wa Tanin ga Ii

Reminded me I have a weakness for sociopathic fuctional men. I also love girlbosses who don't take sh*t from anyone like Yoshino. /pos

Rekishi ni Nokoru Akujo ni Naruzo

That's what I am talking about when I say I LOVE villianess anime. I love girlbosses who don't sh*t from anyone like Alicia. /pos

HIGH CARD: THE FLOWERS BLOOM (High Card OVA)

Felt like a very unhinged shameless Fangirl wrote the plot for this one/pos(?)

Kamonohashi Ron no Kindan Suiri 2nd Season

One of my favorite shonen series and for a reason. The main dou is simply the best. INEED A THIRD SEASON.

Hoshifuru Oukoku no Nina

I heard from manga readers the animation could be better. I am not a manga reader of this series so I enjoyed it without nececerly noticing it. I NEED A SECOND SEASON.

Mahoutsukai ni Narenakatta Onnanoko no Hanashi

Yes. Just yes. Very fresh and entertaining. Colorful characters (by all means), interesting catchimg plot. Probably best character desingnes of the year and I am not even exaggerating. I NEED MORE.

[slvrrseifier]

Random rant, today's topic : Aarmau

I wanna start by saying this my opinion and I do not expect anyone or everyone to agree, we all have our own thoughts on the ship. I won't start any trouble as long as you don't as well. Also warning messy writing/wording ahahsjsjs

POSSIBLE SPOILERS BELOW THE CUT

I also want to make it clear I'm talking about the characters, not the actual people.

I kept on seeing a lot of people on tt say "check jess' account" whenever someone says the age gap between Aarmau is weird. Jess was addressing herself and Jason, not Aphmau and Aaron.

• Why am I talking about Aarmau?

Okay well 1 I was actually bored and 2 I also wanted to talk on how overrated it is (just in case: I have watched MCD, PDH and MS since I was very young though I don't remember much because my interests have shifted but Aphmau is still one of my favourite ykyk).

- Aarmau, Overrated?

Ok so, you can say it's basically because of the series I watched which of course will consist of Aarmau. In MCD, I found Aaron's relationship with Aphmau very rushed, too quick for me to say it was properly developed (my opinion) and, yes, you can say they probably did things off camera but I feel like it still lacks. They banged in the forest and then have a baby? What?? That's so random?? I will not be bringing Laurence or Garroth in this conversation. I used to find Aarmau cute because young me was very obvious to it's flaws and now I see them and, I'm sorry, I just can't unsee it 💀. Personally Aphmau should've been single in MCD.

- PDH

The age gap was a huge reason why I disliked Aarmau like oh god a minor and an adult that is CRAZYYYY

- "But it's based off Jess and Jason"

Yes I know it is but it's the characters I'm talking about. Yes I know that JESS addresses the situation with JASON but the Aarmau age gap wasn't talked about, or was- I'm not sure. What I notice when others, who dislike Aarmau as well, talk about the Aarmau age gap, a majority of the comments are like "my parents age gap are blah blah" and "my grandparents age gap is blah blah" and I'm like ??? Is your parents/grandparents in the show 😭? The only connection is the age gap tbh

- ES (emerald street) this is me making fun of Aaron despite him being my favourite character.

Mnhhhhhhhh I don't remember much about the series since I haven't caught up yet but I remember bits. The biggest one was Aaron screaming when he saw Aphmau's bruise like ohhhhhh daddy alpha sigma mad his omega got hurt, somebody gonna die 😈😈😈😈😈😈

LIKE HOLYYYYY SHITTTT THAT WAS SO EMBARRASSING I LITERALLY CLICKED OFF THE VIDEO TO WATCH SOMETHING ELSE

I'm so sorry but god that moment physically made me revolt.

Ok but on a serious note; so much has happened ever since Aarmau became a thing. Yeah, it could be plot reasons but I feel like they're doomed like, doomed "you shouldn't be together" doomed. Is that just me? Maybe? Yes? No?

I absolutely did NOT feel some sort of sympathy when Aaron died. To me, it felt like Aphmau was grieving over someone she barely knew.

The relationship felt like Protective Alpha with his OP omega wife. It makes me tweak.

Edit : I also noticed how everyone became OOC when Aaron appeared so that he looks good, so that he fits the role of the perfect MMC (male main character) for the FMC (female main character) and I'm just a lil pissed off GRRRAHHHHH

Okay uhm, I think that's all? Sorry it's messy nd shit but I've been awake since 1 am lawlwlalwlwlals sorry

Again, this is all my opinion. I will respect yours as long as you respect mine.

[cerisia76]

the character everyone gets wrong

which ship fans are the most annoying?

what character did you begin to hate not because of canon but because how how the fandom acts about them?

worst part of canon

worst part of fanon

it's absolutely criminal that the fandom has been sleeping on...

part of canon you think is overhyped

your favorite part of canon that everyone else ignores

ship you've unwillingly come around to

Okay a character everyone gets wrong in winx club would definitly be... well it's a group of people but I really think people don't really give Wizards of the black circle the credit and recognition they deserve. Maybe it's because they come from season 4 that today more people like to bash but they actually were so interesting as villains. Like to me what makes them stand out is how they don't give a f^ck about the Winx. in the episode where the girls get their believix (still one of my favs) there is a moment where they have total control over the girls and Ogron basically says "don't be afraid they won't do anything to you, all that we want is Roxy". And actually they already told the girls they had nothing against them and well it is actually true. Like Valtor told Bloom he just wanted her to stay out of the way two seconds before making Aisha/Layla blind. Wizards started being really dangerous to the girls when they became an obstacle for them. They don't care about the Winx because they don't care about the Magical Dimension. They have something to do, a mission to complete and it's their goal. They also have one of the most interesting dynamic as a group and I feel people should talk about it more instead of... fangirling over Duman for the part that cares about the wizards. Nothing against him it's just that I feel like he's the least interesting in the group sorry not sorry.

Also Riven and Roy. Really should explain more about Roy. But I think your other questions can help me.

(tumblr had nothing better and as I'm on my computer I don't have my collection of gifs of them)

Which ship fans are the most annoying? Oh a though one because I don't really interact with fans of ships I don't like. However I will have to give the palm to some representative of the Rivusa fanbase and I'm sorry for you all Rivusa non-toxic fans who have to deal with such problematic people who think that defending a ship is insulting people. Also sorry to those who are good but I had many problems with some Bloom x put the name of the villain you prefer fans. Like sometimes I just want to talk but they take everything as an insult like when I ask "how did you come to ship Bloom with Valtor?" they see it has "lol how on earth can you be stupid enough to ship her with the guy responsible for her parents' fate". Once again not everyone but these fanbase were my worst experiences.

Bloom is basically me dealing with toxic fans

A character that the fandom made me hate: This time I have to go with Mirta. I never was a fan of Mirta but the way the fandom praises her made me feel so out of it that everytime I rewatched season one, I was trying to understand why fans loved her so much and the more I was rewatching, the more I hated this poor Mirta. Today i won't say I hate her because I feel like she had a pretty decent arc and a character that is good for a supportive character (not for a permanent member PLEASE DON'T) and she's cute but for a time I really couldn't stand her face because I felt like she was so overrated by the fandom it made her dislikable.

Worst part of canon: I would say the fact that instead of being very clear when they decided to do their soft reboot in season 5n they chose to do things without being clear enough. Plus they kept things from past seasons but with the new timeline it makes no sense and gives so many plot holes. Even if I kinda like season 5, this soft reboot is still the worst part of canon for me. Plus and this is unpopular as hell, Nabu and Layla's love story. I'm sorry to you fans of this ship who love to say it's the best love story of the franchise but I never was able to buy it. It came definitly out of nowhere, still is a part that annoys me in season 3 and was forced and way too fast. If they had introduced Nabu sooner in season 3 or made them meet the group sooner maybe that impression I had of being forced something in my throat wouldn't have been there but it's here.

Obviously I also have to give Rivusa a palm but I would say the worst part of their story is THE FACT THAT THEY GOT BACK TOGETHER IN SEASON 4. They both finally had grow up and were mature enough to realise that they weren't good for each other. But instead of accepting it... well they got back together.

Look how babyboy is adorable here holding this thing (don't really know what it is supposed to be like it's a wall but not a wall) like it's his teddy bear... Adorable.

Worst part of fanon: The way some people can't stop fighting for their headcanons against other people. Like we all have the right to have our headcanons it doesn't mean we should fight. For example I have the headcanon that Timmy and Tecna are an asexual couple and it goes against many of my friends headcanon that Tecna is aroace. I will never fight with them about it because it's an headcanon. Just respect your neighbour and let him ship Driven without pissing him off for no reason.

It's absolutely criminal that the fandom has been sleeping on Roy. This guy isn't bland and without a personality like some of his haters may say. He's a sweet guy who never liked a girl before and falls in love with his princess who is also dealing with grief and he's respectful enough to not want to piss her off or be too much. If he got along with the girls and the guys even if this season and season 6 criminally lack of Specialist's friendship moments, it's because he's a sunny guy with a great humor and a personality that goes along with people. He's an extrovert who loves to go and talk with people discovering what interests them and who loves to try new things. And this is absolutely not in my headcanons that are really numerous for him, all of this is shown in the show when he's here and people should stop hating on him just because he appeared after Nabu's death. Plus this reason to hate him is also unfair considering he has nothing to do with the writers decision to kill Nabu in season 4 (unpopular opinion: they were right to do this).

He has so few gifs it hurts me.

Part of canon you think is overhyped: Season 3 and Enchantix. Don't get me wrong, the concept and execution of Enchantix was great and I loved it, it's definitly one of the best transformations in Winx Club. But it also has problematic parts that are for me the way Tecna, Stella, Musa and Layla have clothes that are way too over-sexualising them.And I say that with Stella's enchantix being my favourite transformation for her. An yes I know every transformation has this problem at least once but the thing is that here, it's on almost everyone and it's so obvious. People keep saying it's the most incredible transformation and the "only one where they look like fairies" as if weknew what fairies look like. My fairies are Tinkerbell and her friends and Enchantix doesn't look like them. But WHATEVER. It's a good transformation, definitly has the best way to be earned but is that a crime when someone says it's not their favourite? No and we shouldn't see so many comments saying "if his/her favourite transformation isn't Enchantix...." on youtube rankings of the transformations.

But it's also relevant for season 3. The thing is that season 3 is good but wants to do too much at the same time and loses its own timeline. The first part of the season varies from episodes were everything happens at the same time and others where the plot installs itself. Which leads to the second part of the season where everything goes downhill with many boring episodes and a rushed and deceiving ending. I don't get why people praise it so much because objectively it's not better than seasons 1 and 2 and subjectively not than season 4 in my opinion. It looks like the season was being written episode by episode and suddenly they realised they had ten episodes to conclude the season and started doing WTF and rushed endings of arcs. Plus I don't like the Water Stars scenaristic facility. Sorry not sorry.

Let's be honest, if she had the choice, Tecna wouldn't wear it because it's absolutely not practical. And I also dislike how they decided her hair was too short. Magix Winx, Believix and later seasons transformations except Harmonix showed you could do a transformation with her hair not changing from the rest of the season.

Your favourite part of canon that everybody else ignores: For once I'm not gonna go with easy choices like season 4, Wizards of the Black circle or Roy. I'm gonna go with a plot point everybody keep forgetting and that is: Darcy is a fucking romantic girl. Did she chose power over her boyfriend? Yes but it doesn't mean she's not a romantic person. In season 1, the way she falls for Riven everytime she sees him shows how she wants to build something with him. In season 2 she mentions at the start of the first or second episode that she sometimes thinks of a simple life when she was watching that in love couple (it was a movie I think) and her sisters KNOW she is romantic because they keep laughing at her about it. I'm really sad they decided to forget about that later because it made her character more complete. She's kind of a bitch who dreams of power but she also has a soft heart beating for romantic comedies and who sometimes allows itself (the heart) to dream of a romance. With Riven of course.

Ship you'v unwillingly come around to: There are many but I would still say that the one I wish I never saw is Faragonda x Bloom. How gross it is to imagine the influence this woman has on Bloom since she's sixteen turning into a gross love story? I want to forget it. I do ship Bloom with people and considering the only canon Winx pairings I like in the original group are Brandon/Stella and Tecna/Timmy (Flora/Helia is fine but I prefer her with someone who wakes her baddie and flirty side like Anagan for example or Layla). Bloom to me would fit SO WELL with Nabu. Like he is the soft guy who understands her but also the one who's not afraid to tell her she fucked up and who would treat her right and not let her insecurities win because that's what Sky does by NEVER putting a term to Diaspro's fantasy. But this is mostly linked to the writers loving to torture Bloom and Diaspro.

And this is both Bloom after she finally found peace in a relationship and me after finishing to answer these questions by talking WAY too much!

[spaceorphan18]

1. It was not my intention, I really I didn't even remember you are a fan of her, I know your blog because of Klaine and I follow many blogs. I love unpopular opinions about characters, I tried to encourage you to share yours. My opinions were kind of random, I think she is much more liked now than years before and I think commenting against her is disliked in fandom? Does is make sense? I'm not a fan of her so she was first when I was thinking about example of unpopular opinion. Her plots were

2. not interesting for me. I disliked her in season 3. Kurtcedes was cute, but I don't think they were as good friends for each other as some fans say. I don't think she was there for him when he needed and he also was rather spending time with Rachel and Blaine later than her. Quinncedes had I think only one scene and I don't really care, but the amount of time I read about their plot as a missed opportunity made me think the idea of this friendship is overrated.

So. I hear ya, Nonny! And I believe your intentions.

But I'm gonna just lay out a general PSA (for everyone, this isn't just directed at you, Nonny)

I don't expect you guys to remember everything about me or my blog, especially if you're someone who has, like, 900 blogs you follow. That's a lot to keep track of. And that's fair.

What I would like you guys to remember is the fact that when you come into someone's inbox as anonymous, you are leaving me with zero context as to who you are and what your intentions are. I know nothing other than the words you give me and my own interpretation of them - and I guarantee I probably won't interpret them the way it is in your own brain.

And when you come in with something that might be more controversial, as with an unpopular opinion, it's better to err on the side of caution and provide context, otherwise, it may lead to unfortunate miscommunication.

That said, here's the thing about Mercedes. Mercedes is a great character idea. I love Mercedes for being a positive character on the show, and the representation that she brought. But here's the thing -Here's this big, beautiful black woman played by an incredibly talented actress that... and she was given almost no good writing for her almost during the full run of the show. Ryan and Co just never knew what to do with her and kept either pitting her against Rachel (and losing) or saddling her with unfortunate and sometimes racist stereotypes.

I get why one might not think much of the character in a general sense, they didn't give her enough to do to really let her develop fully as a character. But I think that's a criticism of the show and its production more than the character herself. And unfortunately, for a lot of the show's initial run, Mercedes herself was met with a lot of dislike and racism that wasn't warranted, and made the conversation more complicated than just liking or not liking a character.

And it's fair not to like something. Believe me, I get that, and I don't think you should force yourself to like something that just does not appeal to you. And no, I don't think you have to come at every thing in media with as much scrutiny as I just laid out, sometimes you have a gut reaction to not liking the thing, and that's okay.

But linking up to my original point - when having internet conversations anonymously, context is key.

<3

[courtneysmovieblog]

"Deadpool and Wolverine": Both a love letter and a middle finger to Fox/MCU

We all knew Hugh Jackman's retirement from Wolverine wouldn't last. Both he and Ryan Reynolds still needed to properly atone for the trainwreck that was X-Men: Origins. It took years and a buyout from Disney, but we finally got the teamup we've been all waiting for in Deadpool and Wolverine.

I kept away from spoilers for nearly a week. It nearly killed me, but it was worth it. Now I'm going to do the same and say as little about the plot as possible.

Within the first 10 minutes, it's obvious that Deadpool is more irreverent than ever. Nothing is sacred--and I mean nothing. No Disney paycheck is going to keep him from calling out the MCU on all its crap, and the mess the Fox movies left behind. For those still grieving over all the OC Marvel movies that were rebooted, abandoned, or simply a hot mess, you finally get some closure. Or at least some acknowledgement--Kevin Feige will never admit when he's wrong, but he is willing to mock some mistakes.

And, oh, it was so to see Jackman as the hard-drinking, hot-tempered badass that is Logan/Wolverine. Since him and Reynolds have been taking the piss out of each other throughout the whole promotional tour, you won't be shocked that some meta jokes take potshots at his other projects and personal life. And Jackman gives it right back, because Logan hasn't got any time for Wade's crap.

The fights are amazing. The soundtrack is perfection. Emma Corrin makes an fantastic Cassandra Nova. And the cameos elevate beyond mere fanservice.

Critics have dismissed the movie as relying heavily on nostalgia instead of actual character development. Well, gosh, Avengers Endgame did the exact same thing. Deadpool and Wolverine is at least honest about it -- and it still has more character development than that half-assed overrated finale.

I don't know if this will be the last we see of either Deadpool or Wolverine, but I sure hope not. Those two are just too much, both on-screen and off-screen.

9 out of 10

[gamingstar26]

Yes, you are exactly right about totk!! A lot of my own complaints come from the story (or lack thereof). To be honest, it's a rare LOZ game that has a particularly complex or nuanced story, but in my opinion, the best ones more than make up for it with their characters.

My favorite game that I've played is Skyward Sword, and I desparately want to play Wind Waker, because the both of them have such fun and compelling characters that I don't really mind the simplicity of the narratives (and Wind Waker even hints at nuance the other games won't dive into!)

Tears of the Kingdom tries to use plot driven storytelling, but... expects us to be far more invested than most of us ever really are. There's hints of character driven story in there, but it all just falls flat in the end and feels really superficial, ESPECIALLY when you look at how they treat the women in this game. Zelda is JUST the sacrificial maiden (again) whose only autonomy comes from choosing to give up her autonomy. Mineru is JUST the smart character who magically technobabbles the solutions. Purah is JUST the scientist that tells you where to go. Most indicative of Nintendo's attitude in this, to me, is with Riju. The way they treat her, it's clear they want her to fill the role of the sexy one, but they know that won't go well if they go all out because she was canonically a young child in the last game. Still really gross, Nintendo you're not subtle.

All this to say that TOTK thinks it's more clever than if is, and fails to pull its own weight in any meaninful way.

All of this!!

I’ll add a bit more that I forgot to add:

Yea usually zelda games have simple plots overall (with some expectations of course) but they do make up for it with memorable characters, etc, etc…

My favorite zelda game is Ocarina of Time cause of the lore (also gameplay of course) and the how interesting it is to me and the overall themes it goes into being tragic and relatable, even tho the surface story is simple overall.(the hero of time games being my favs cause of the story driven nature yet also have fun gameplay) Also other games like skyward sword having a good engaging story with good characters (Groose is the best), wind waker being a simple coming of age story, but also having the king and ganondorf both cling on to the past, etc.

Like you said totk thinks it’s clever and fails to deliver on making us invested in a meaningful and exciting narrative, in a way it’s using tropes from previous zelda games like oot, botw, SS and link to the past without even knowing why they worked in the first place. While failing to reuse tho tropes in a more unique way like previous games have done. It’s true there are hints of character driven story it’s just ignored or mentioned in a half assed way.

Also like I said in the post the lack of consequences with the main story at the end, like Link’s arm just being restored even tho furry rauru had said it was beyond saving, and zelda being recalled back to normal, so her “sacrifice” was not worth it at all (master sword is also worse somehow like wtf zelda)

I’ve also noticed the way totk treats the main women it’s very not good, like you said with zelda she’s just sacrificial maiden turned into a dragon, mineru being exposition dump lady cause that’s all she does tbh, also has the worst Sage ability in the whole game, etc.

zelda being the worst one. (Tbh botw/totk zelda is mixed overall she’s overrated) cause she’s dumb as hell didn’t even recognize that Ganondorf and Calamity Ganon could be related, she does nothing until furry rauru and sonia are dead. Also being a terrible princess, she didn’t even do any meaningful things to hyrule’s rebuilding efforts other than build a school and some small memorials and fuck around doing whatever the hell she was doing pre totk. Also she stole links house damn it.

there’s also the way the gerudo are treated in the zelda series as a whole, but that’s a whole other topic others have done better at that. Like with totk and botw (mostly totk) being helpless yet also warriors needing help from hylians to even survive in their own home?! Like how ingame they explain that zelda of all people was the one to help them get to know the desert and how to survive better wtf? And the secret heroine side quest end, how it’s just some random hylian guy to be the hidden 8th. (There goes the 7 sages and the 8th being the hero of time theory)

Also the way the botw events are treated. they just pretend that none of the ancient tech never existed at all and refuse to mention anything about botw, only in small passes. And the side quest with the Hateno school mentioning the original calamity.

The depths having potential to be better but we’re just empty and massive instead, I like the bargainer statues those are cool as an concept. And the sky islands being boring and copy paste the same few islands throughout.

Holy shit this game makes me write entire essays of complaints. I’m sorry if I repeat myself I’m terrible at explaining stuff at times.

Now I’m going to play the zelda games I’ve never finished to cleanse myself of totk.

[ilikekidsshows]

Gabenath and Felila.

Rate Your OTP Game

Crème de la crème | Excellent Taste | A Worthy Sailing Vessal | A fine ship it is | The Finest Crack in the Den | Unorthodox yet not Unwelcome | It is a good | Overrated | It is acceptable | Forgive me but I am not familiar with the source material | I would not consider myself a fan | Just because you are contrarian doesnt make it good | What dump did you find this? | In the lowest pits of the Abyss is where your taste was forged.

Unpopular opinion time: I liked Nathalie better when she was a villain motivated by her simping for the winner of The Worst Guy Ever Award. She was a villain, it was obvious she was a villain and she actually kinda leaned into it. The evil smirks and smug attitude while being aloof to almost everything that wasn't about Gabriel worked. She was a great contrast to Gabriel's more bombastic villainy, and their relationship was a brilliant dark parallel to the Love Square. They were codependent in every aspect, like a warning of what the Love Square could become (and did become once the writers decided to romanticize codependency), and they used their powers for evil. What's not to like?

This new "I totally no longer support Gabriel even though I won't work against him because that would instantly end the story because I know too much" angle is really bad. The writers want Nathalie to be redeemable now for no real reason, considering how she is contributing jack shit to the plot, but I just find her utterly uninteresting and irredeemable, not because she's done anything that absolutely heinous, but simply because she has done NOTHING to undo her past evil actions. You don't get to redeem a character just because you make them feel bad for a bit.

Crème de la crème | Excellent Taste | A Worthy Sailing Vessal | A fine ship it is | The Finest Crack in the Den | Unorthodox yet not Unwelcome | It is a good | Overrated | It is acceptable | Forgive me but I am not familiar with the source material | I would not consider myself a fan | Just because you are contrarian doesnt make it good | What dump did you find this? | In the lowest pits of the Abyss is where your taste was forged.

I've already implied that if I got a chance to "fix" Félix, I'd make him an ally to Lila and not Gabriel, this is me ouright saying it; Félix would have been better if he was kept as a petty jackass and eventually teamed up with Lila with some suitably unhealthy romantic undertones to underscore how much better the heroes' relationship is.

They had the parallels. Adrien could see through Lila and defang her attempt to act against her grudge towards Marinette in 'Ladybug', while Marinette saw through Félix's scheme against Adrien without knowing Félix was a thing in 'Félix'. Adrien protects Marinette from Lila and Marinette protects Adrien from Félix. Why wasn't this a thing? Because Félix acts like he's been replaced by at least two different identical Sentimonsters with different personalities and motivations by this point.