#I wish I could do the same here.

[inseparabiles]

For the next like, two days, Boys and Wolves will be tagged with Geta & Cara instead of Geta/Cara.

I do not anticipate this state to last any longer than that, but presently the & team of demons in our head has scored a win.

I fucking hate tagging this fic I swear to god. No matter what we do with it it's going to give the wrong impression to someone. The A/N section to explain the relationship tag is several miles long and even that I don't think helps.

Like yes it's platonic. No they're not being platonic about it. Questions? Me too.

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[demaparbat-hp]

YOOOO DEMA YOU LIKE ARCANE???!! omg who's your favorite character??? and favorite moment(s) from s1??? (and fav ship too 👀 👀) will you draw for Arcane in the future???? (peak show with peak art =perfection, just saying)

Anon, you have the. Best. Timing. Ever. I literally just finished an Arcane artstyle study with Katara of the Undercity as a subject!

My favorite Arcane character is and forever shall be Ekko (best boy). Other faves are Viktor (chronic illness baby) and Jinx (trauma gremlin).

As for the S1 scene... Besides the finale and that breathtaking Guns for Hire sequence? The Ekko/Jinx fight from ep 7. It broke me. (And turned me into a Timebomb shipper. Which was arguably worse.)

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[spoiledskullz]

sonic movie monkey paw: knuckles is more popular now than he was prior to 2022 but it's movie knuckles and his character is still misunderstood

[kosmogrl]

sometimes I think I don't miss home that much anymore and then it's almost 1am and I'm crying cause I haven't seen my family in years

[beneathsilverstars]

been thinking about the differences between SASASAP and ISAT lately. because looking just at ISAT and the two hats ending, you'd think loop went through the exact same house as our siffrin, but looking at SASASAP, it's different. it's mixed up. it's obviously a condensed prototype.

but. that doesn't have to mean it's a different universe entirely.

maybe that's just what happens after a thousand loops.

the house warped in act 5. siffrin lost their shit and the house got changed and corrupted, far past its baseline king uncanniness. so it wouldn't be too out-of-the-question for it to be able to warp in more subtle ways as well, due to a more subtle breakdown.

like a jpeg uploaded and downloaded a thousand times, siffrin changed, and the loops changed. over a thousand loops of efficiency, the house got more efficient. rooms combining. items moving. data compressing. and of course, run in a changed house, the script changed as well. it did so slowly, one bit at a time, over a thousand loops of zoned-out half-listening – and by the time siffrin would have noticed each difference, they were already used to it. (and in the moments that they did look at a room that was less familiar than it should be and realize that they had no idea where to find the key, well. that's just classic siffrin, isn't it.)

through sheer repetition, siffrin was corrupted, and the loops and the house along with them. all purpose lost, all signals distorted, until finally they couldn't recognize the meaning in any of it. it was all noise and despair.

so they made a wish. and the loop restarted. not just a reboot, but something more complete.

the data was backed up onto a star – a guide, a warning, a reference – and the loops were factory reset. and for the first time in a thousand loops, siffrin woke up to a clear mind and the crisp sound of birdsong.

[ghastlyaffairs]

for something as trivial and simple those feelings sure are hard to get rid of

also made a gif a version for fun + alt version with no tears under the cut

the gif is in very low resolution...this is a feature (i could make it bigger but that would require saving each frame individually and than glueing it all together. also i feel like low resolution suits it better. aesthetically and fits the mood)

[vaggieslefteye]

CHARLIE MAGNE from HAZBIN HOTEL (2019): Pilot - "That's Entertainment" ↳ "So, I've been thinking: Isn't there a more humane way to hinder overpopulation here in Hell? Perhaps we can create an alternative way to change souls through... redemption?"

[disappearinginq]

I really wish I could be convinced that more people would be interested in non-ship stuff for fandoms I'm in.

Look, we all know we write for ourselves. I get it. I do. But my desire (ability) to finish things is hinged on feedback. My two longest fics that I wrote the fastest were because of audience engagement. And because I knew I had people I respected and liked reading, and I wanted them to enjoy the read, I wrote better.

Now I feel like I'm just stuck in No Man's Land of fandom, and while I have like a dozen things half finished, they never seem to actually BE finished because if the audience is me, then I know how it ends. There's not much point writing it down.

So this is basically my To Do List.

The Rookie - I just don't care about what 90% of the fandom cares about

1. Series of one shots that establish Angela and Tim's BFF status that may or may not lean Tim aspec because I'm me.

2. Pre series flashbacks to Tim in his time in service when he survives an airstrike that kills two of his friends and almost kills him.

3. Trauma Tim post season 6, because in rapid succession, he loses his job on metro, he witnesses his old team die in a way eerily similar to the way he was almost killed in the airstrike, had a friend commit suicide in front of him after confessing to being dirty, gets accused of being dirty himself, and is again almost killed in close quarter combat (among other things that will remain unmentioned here)

Slow Horses

1. Do not ask me why but I love the idea that Lamb potentially met River was he was a kid because he had to work closely with David Cartwright and River is always where he's not supposed to be

2. River goes missing, and for once, not his fault. Lamb has to come to terms that just because he pretends not to care, doesn't mean anyone buys it

3. Post season 4, somebody finds out that River is the last remaining son of Frank's assassin cult, and it goes about as well as can be expected. I fully intend to have Lamb use this line: "trying to detain you is like trying to nail jello to a tree".

Magnum PI (yes, I still work on these)

1. Finish Wrong Side. I actually have like another 10-15k words on it, but it's not in order or complete scenes, but it does include Thomas’s recovery and discovery that Hannah is the one who sold them out

2. I have like 6 other chapters to Bad Things Happen that I half wrote but then retired the card

3. Crossover with MacGyver because I thought Mac could use some down time in Hawaii after season 4 and the last half of season 3

Tracker 1. Colter goes missing during one of his cases, and I borrow heavily from an episode of Lethal Weapon wherein Colter will be held hostage in an illegal drug trial that he stumbled into and now finds himself an unwilling participant, and I drag Russell into it because that is how big brothers work

Hudson & Rex - honestly, I have the most written for this fandom, even though the fandom itself is pretty quiet, but it's most of a bingo card 1. Finish Oh The Weather Outside is Frightful because damn son it's been years

2. In no particular order, I have Bad Things Happen Bingo It's Not My Blood, Stitches, Caught in a Snare, Falls Through the Ice and three others that fit other prompts - a boating accident, Charlie finally finds himself at the bottom of a well (sort of) and completes his "Timmy and Lassie Scenario" bingo card, and where Charlie realizes he's developed claustrophobia after having a mine collapse on him, being locked in a freezer storage, almost crushed by a shipping container, buried alive, etc and gets stuck in an elevator with Jesse

[fishandshesmygills]

i fucking hate winter i want to [remembers threatening suicide just harms my loved ones] take down a deer with my bare hands and rip its throat out with my teeth

[iamfuckingsorry]

"Do you know where we are going next?" I asked ART.

Y'know what, I think maybe I don't need any more Murderbot books. I think maybe ending things here is fucking perfect and as much as I love Wells's writing I'm genuinely not sure it can get better for me.

Like, so much of the books are about MB learning how to be a person, about becoming okay with being a complete individual with everything it entails. The first thing it does once it's actually allowed to decide on its own is it runs away from it all (admittedly to go on a mission to confirm some things about its past, because it genuinely just wants to be *good*). It shoves all its emotions away as much as it's able to. Then shit happens, and it makes its first friends, makes decisions based on these friendships, goes through a lot of emotionally intense situations...

And we get to this point here. MB having zero doubts about going with ART says a lot about its relationship with ART, but it also says a lot about its relationship with its humans - it knows that wherever it goes, when it comes back, the humans will still be there. Its humans actively acknowledge its struggles with being a now-free SecUnit and MB is willing to entertain the discussions to an extent and share information about its deeply personal experiences. Hell, System Collapse ends with MB admitting it might be somewhat broken, but that's okay as long as it can keep doing its job, and agreeing to basically do counselling - this is the guy what would rewatch its favourite TV show again and again in order to avoid acknowledging it even had Emotions a couple books back.

Reading this, I know that MB will be okay. It has hopes and goals and genuinely believes in itself and it has an amazing support system that its willing to lean on for the first time in its life. I'm convinced it'll go on to do great things with ART. And that's really the only thing I need to know.

[jackoino]

been really into dead games lately

[brucie-baby]

sentient gotham post still suck in my head and i had more thoughts about the alfred side of things

imagine that you are Something. you don't quite know what that Something is. maybe you used to and you've forgotten or maybe you never knew in the first place but either way, you don't know what you are and so you have never met another person (?) like you. you've had an existence full of love and joy but you've also been so lonely. so incredibly lonely.

and then you meet thomas and martha wayne. it's random, you bump into them in the street - maybe she spills her coffee on you and insists on buying a new one, maybe he drops his wallet and is genuinely so thankful that you gave it back. it's one of those meetings that isn't supposed to mean much in the grand scheme of things but if there's one thing you've learned during your long time here, it's that sometimes significance lies in the mundane.

they don't see much of your face, not enough to remember it, so when you find out that their butler has passed on and the son supposed to take over came into tragic trouble on the way over, you take the chance. your name is now alfred pennyworth, butler to the wayne family.

time goes on and they have a little boy. you were never supposed to stay this long - not because of some misguided refusal to get attached (attachment is a part of life and if there is one thing you are good at, it is living), but because there is something Wrong with this city; something primordial but never seen before, something ominous but not quite evil, something sinister but not quite bad. a city that is more than a city. a city that is less than a city.

your instincts are warring with each other but you ignore them all. for them. for thomas and martha and little master bruce.

and then there's an alley and a gun and the blood along the concrete seeps into the city itself and changes it, awakens it, resurrects it. the city that is more than a city. the city that is less than a city. it's his now. it's bruce's city, you know it in the same way you know a lot of things - inexplicably but with certainty. you know it in the same way that you know you should run. you should run right now and never look back. you should forget about gotham and thomas and martha and bruce--

bruce. you see him there, when you go to drive him home, with a too large coat over his shoulders and eyes suddenly much older than they were a few hours prior. he is different now, beyond the tragedy and trauma. he is Something else. a boy that is more than a boy. a boy that is less than a boy.

imagine that you are Something. you don't quite know what that Something is. maybe you used to and you've forgotten or maybe you never knew in the first place but either way, you don't know what you are and so you have never met another person like you. not until now. not until you look into the face of an eight year old ancient being whose voice cracks around the word 'alfred' and suddenly your existence is just a little less lonely.

your name is alfred pennyworth, and it will be this until the day you die.

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[xenocorner]

(If you're someone who enjoys my work, and also happens to like/support AI generated images, please give this a read? Just hear me out, please. This is not a bashing post, I promise. It's not pro-ai either though. But please hear me out)

This whole AI art stuff is just getting... Honestly exhausting. If you are someone who supports AI generated images, I beg of you, hear me out? I'm not here to bash, to say you're a bad person or a thief. I know it's more complex than that. I'm just, trying to express how I feel about this whole ordeal. I'm not here to get angry either. I don't have the energy for that. I'm also not trying to change your mind. Just, hopefully help you see/feel a different perspective? That's all.

Long rant under the cut because. There's a lot.

I'm not even angry anymore. I don't have the energy for that. But I keep seeing AI images all over, everywhere. The thing is getting better (because of course it is). And I see more and more people support it. And sometimes those people are also artists or people who like art and support artists.

And then I also see artists be laid off. I see how it gets harder and harder to make a break in the industry. And even after you make it you get laid off because... People don't wanna bother with it anymore. Corps would rather cut costs.

And then I see people defend AI images. Say it's okay, that it isn't stealing from artists, that it is just a tool, ignoring a huge part of the problem (whether willfully or not).

And it just makes me so incredibly sad. So utterly devastated.

I was angry. I really used to be angry. I'm just hurt now. Hopeless for the future. And tired. Really really damn tired.

Tired of artists having to justify their existance in the professional world. Tired of people just saying... No.

No, you don't get to thrive. And you're selfish and entitled for wanting to thrive. No, you don't get to feel hurt when your work gets scrapped without your permission to feed a data base designed to replace you. No, you don't get a say in this. Don't like? Bohoo, don't see.

Well, how can I not see when this issue directly affects how I live? How can I not see when this issue affects my future? It's not just a matter of "Don't like x kind of content, don't interact with it". It really is not. I really wish it was, I wish it was that simple. But it's not. Because this is not something like a ship or a trope that one can ignore and not be affected. This is like trying to ignore a dumpster fire in your neighborhood. Yeah, you can avoid looking at it. You can avoid talking about it. But the smoke is still getting into your house. You're still breathing it. It's still hurting you. It will have effects on your life, whether you like it or not.

I threw away 12 years of my life building up my skill to work in a field that feels like it's dying out. Am I (and countless other artists) just supposed to start over? How? Time is unforgiving.

Bohoo for your bad choices, suck it up. Your fault for pursuing art as a career.

Was I supposed to just, KNOW, somehow, that the career I choose, that used to be viable, would just... Take this turn? Was I supposed to have a 10 year look into the the future?

You should create for the joy of creating!

I do. I love creating. I love making people happy with my work. Work I spent years perfecting. It's the most beautiful feeling in the world to know that someone smiled or cried or felt something because of something I did. It makes me smile and cry too.

But I also like to be able to eat. To have a roof. To pay for my meds. And the joy of creating honestly dwindles each time I see people talk about AI images the same way they talk about a painting in the Louvure.

Becaus they do. I've seen people talk about images generated by a machine (built upon stealing artwork from unconsenting artists) like they're the work of God. And they write such beautiful things too. And I'm left baffled, confused, uneasy.

And then I go to see artists, living, breathing, feeling artists, who create marvelous pieces, who pour their heart into their work, who shed sweat blood and tears to get their skills to where they are, who are still shedding sweat blood and tears to keep improving... And they don't even get a 'nice'. They've been job searching for 3 years. They can't get a steady flow of commissions. They're scrambling to be able to get a table at a con.

And it hurts to my very core.

It hurts in a place I don't even know how to describe, because it's so deep and so personal and so raw that I don't think there's a name for it.

I love art. I love it so damn much. I love making it, I love sharing it, I love teaching it.

I think many other people love art too. I think many other people who love art don't even consciously realize they do.

And it hurts seeing art just... Become this.

It hurts seeing the artistic souls of this earth be pushed down and down again and again over and over and be told to just. To just suck it up.

To die off.

Because when people support AI images, they are telling us to die off. It feels like they are telling us to die off.

And I don't think the people who do realize it at all, because a lot of people who support AI images are not bad people. They are not. They enjoy art too. But they are, consiously or not, directly or indirectly, hurting the artists whose work made the data base AI generators use possible.

They're telling us to die off because they already have our work. And they can use it to generate new, regurgitated work faster, cheaper. They don't need us. So while they may like what us, artists, do, they're feeding a system that is killing us off. Both metaphorically and literally. Metaphorically by killing the will to create. Literally by taking our living off of us (or at least to those who's art is their living. Like myself).

And again.

It hurts so damn much.

And I don't think a lot of people manage to see the hurt past all the anger.

I, personally, have grown exhausted and there's no anger left in me, only sad and hurt.

But I promise you, behind every angry and fighting and barking and bitting artists there is out there, there's hurt. There's some form of hurt behind each and every one of them. Of us.

I really hope this reaches the right people. Whether that be a fellow artists struggling to get their feelings into words to let them know they're not alone. Or someone who supports AI images, and supports artists too, and can maybe get a glimpse into a side of this whole issue. Not necessarily to change their mind but, maybe help them understand better where all the anger from artists may be coming from.

Please, I'm not here to start any fights or debates. I really am not. I just need to get this sort of thing out there, because I think talking about it is important.