#I was thinking about other people and how they also get upset that they aren't magically healed and happy 24/7

[cuntylouis]

what i don’t get is if armand loved louis lol i mean,i guess he did but i really don’t know and assad on sdcc iirc kinda said he didn’t he just wanted what louis had to offer or something like that. also many people say armand is actually all about lestat so idk,if he is,i hope louis really didn’t love him so much bc damn the guy gaslighted him and made him a prisoner while pining for lestat??? crazy shit if so and so unfair to louis. i really don’t know why nobody questions armand side,the guy orchestrated a public humiliation,almost killed him and killed his daughter but somehow is louis’s love into question but not armand’s 🤔

I think him loving Louis and wanting him for what he had to offer aren't mutually exclusive. It comes down to Armand being a selfish creature with this greedy emptiness that can never be filled. Armand is strongly drawn to Louis who's so full of life and emotion because he hopes Louis could complete him and bring him alive, but instead he ends up snuffing out all that life in Louis. Even in healthy passionate romantic relationships people often feel like the other person completes them and their life and gives them something invaluable, and what makes it different from unhealthy/abusive relationships is that you still see your partner as a full person on their own and respect their needs that could be different from yours. Armand constantly prioritizes his own needs in his relationship with Louis, it's all about Louis filling the role and purpose Armand wants. I think Armand does love Louis but that empty despair inside him rules his existence and ultimately everything, even his love for Louis and for some few other people, has to serve that emptiness.

That's actually an interesting point about how Louis' love for Armand is often questioned but Armand's love for Louis rarely is. I think Louis is much more loving and forgiving than people give him credit for. Throughout the show we constantly see him express kindness and forgiveness toward both Armand and other characters, often more than they give to him. I think in 2.05 that's particularly clear where after Louis and Armand's fight and Louis' subsequent suicide attempt, Louis is the one apologizing and trying to connect with Armand and be kind to him, whereas Armand is cold and angry and intentionally hurts Louis physically and emotionally. In the beginning of their relationship Louis forgives Armand for trying to kill him, their relationship is arguably already ruined from that moment because of Armand betraying him like that, but he still forgives him. He gives Armand so many chances, and when Claudia tells about Armand's threats he still wants to give him a benefit of doubt. Even in Dubai he's deeply upset when he realizes Armand has messed up with his memory and you can see from his face that a part of him still wants to believe Armand when he says he didn't do it or did it with Louis' permission. Even though Armand says he couldn't trust Louis' love to last that long, Louis is actually remarkably loyal despite Armand not really deserving it and it's Armand who isn't giving Louis that trust and loyalty back.

Wrt people who say Armand is just all about Lestat they're usually book fans who watch the show through those lenses. In the books Lestat is the center of the universe and Louis mostly just a stick figure. In the show Lestat and Armand (and other characters like Daniel) are likely to perceive their relationships in the context of their relationship with Louis

[notmeowse]

Curious to know why you wanted the veil to come down? I personally would’ve liked the option because it sets the world to how it was meant to be, BUT came to the understanding (idk if understanding is the right word but that’s what I’m using here lol) that because it would bunk up everything for everyone in the world currently, it was kinder/safer for everyone currently alive to leave it in place. After all it’s all anyone has known and not knowing the result of tearing it down was too big a risk. To let people keep living their lives instead of essentially turning back the clock was the safer option which is why I’m actually not super upset about not having “tear it down” as an option. It would’ve been nice to have it. In fact that’s probably the route I would’ve taken had it been available, but I can understand why the team and Rook don’t see it that way.

I think if we look at it from a developer standpoint it does look like them wanting to keep the status quo, but if you look at it from an in-world standpoint of “the world as it is now had been in place for thousands of years and it’s all anyone knows. It’s too risky/scary to tear it down just because you (Solas) can’t move on from your regrets that led to its creation in the first place” makes sense to me. Like a “you made your bed, it’s time to finally lie in it” kind of way. If they do make a DA5 (doubtful since it seemed like this game was meant to tie up or throw out loose ends) maybe it will be about finding ways to tear it down that wouldn’t idk…risk also messing up the world people currently reside in

Also question, because I mighta missed it, but if the veil is torn down completely would that not release the blight in its entirety? I thought that was also why they couldn’t take it down. I know Solas said he “had a plan” but was that a plan to not let the blight out if he took the veil down? I think that because that was my understanding of the blight that’s also why I wasn’t as pressed about not getting a tear down option, but now I just can’t seem to remember if that was the case with the blight or not

Hello and thank you for this ask! I so appreciate you leaving this for me so I can iron out my thoughts, because in many ways, the ending really did not go the way I thought it would. Spoilers/novel-length response under the cut!

After all, it was foreshadowed multiple times in the previous games. The biggest foreshadowing was Sandal's prophecy back in DA2, which was clearly the first draft of the events of this game:

One day the magic will come back - all of it. Everyone will be just like they were.

The "everyone" in this scenario could very well have meant the dwarves, but it also could have meant everyone. Elves, spirits, dwarves, everyone that lost something from the Veil going up. That was supposed to be what was coming. Every tear in the veil, every claim that it was weakening or failing in any way, served as (I thought) foreshadowing to it coming down.

And the series gives us very valid reasons for it to do so.

The main reason the Veil should have come down, for me, was to save the spirits. They're essentially trapped in the Fade, pressing against the Veil and constantly twisting themselves into the wrong shapes to be able to get to the waking world because they do not understand why they aren't part of it. Yes, it is kinder and safer for everyone in the waking world to not disrupt it by letting the world bring itself back together -- but what about the spirits? The ending, in its current state, disregards them completely. As if we haven't spent the last 3 games building them up as people. Not just that, but as the other people (besides elves) that Solas wronged by throwing up the Veil.

The games have had multiple instances of (for lack of a better word) humanizing spirits for us, by giving us characters like Justice and Cole, the All New, Faded For Her spirit, and now the demon Spite. They're naturally drawn to the waking world, to people, to strong emotion. The Veil acts as a barrier for them to truly experience the world, and when forced through it, they tend to become demons. But we are very much meant to see those characters as people, and Solas's entire argument in Inquisition was that they suffered from the Veil, too -- and no one else alive in Thedas seemed to care. Now that he's gone, that's actually the case.

In Trespasser, he was originally tearing down the veil for the spirits, not just the elves, and ended up killing Mythal to be able to have the power to do so. Veilguard wants to pretend it was for her, all along, despite the fact that he quite literally snuffed out one of the last shreds of her existence in the previous game in the name of helping the spirits and the elvhen.

But of course, we learn that the Veil doesn't just contain the Evanuris in this game, right? It also contains the rest of the blight! And shortly after we reach this revelation (depending on when you watched all of the memories) we discover that the very first Tranquil beings in Thedas were the titans (sundered from their spirit + achievement for the memory is quite literally called Tranquility), and that the blight comes from their madness. It is essentially the titans' nightmares!

Now, when we learned that in-game, I absolutely thought the next course of action would be to help them. Not just because it would stop the blight in its tracks and remove one reason for the Veil being up, but it would also snatch away the main weapon of the Evanuris, AND ALSO heal them for the sake of the dwarves. To help them reclaim that part of themselves long-since sundered. Veilguard actually gives us no explanation as to why we DON'T do this. Reversing the damage is briefly considered by Emmrich as a possibility, and never brought up again -- why didn't the team immediately pivot to that, given Harding's presence and connection to the stone? She alone (being the only dwarf currently in Thedas who had that connection) could have led us right to the remaining titans, and we could have used the dagger (the same one used to sunder their spirits in the first place) to heal them, much like the Inquisitor used the anchor to heal.

I had thought this was foreshadowed heavily in Inquisition, given that Solas learns (and is deeply intrigued by) the Inquisitor using the anchor not to rip open the Veil, but to heal it instead -- there's even a codex entry on it in this game. We also learned in Inquisition (Nope, actually DA: Asunder) that Tranquility can be reversed, but very little is done with that revelation in that game's plot -- surely it was meant to set up reversal of the titans' Tranquility in this game? For us to go fix it? Apparently not.

Regardless, that solution (helping the titans) would also have rendered the Evanuris blight-less, defanging them and taking away their favorite toy thus truly evening out the playing field and making the final fight of the game far more believable. Like, in its current state, my little Antivan Crow Rogue Rook kills Elgar'nan. The first of the firstborn. The oldest and strongest of the evanuris. At full power. Something Solas could not do. And Rook did it without even a single power boost -- and yes, I do think that Rook should have taken on the essence of Mythal, leading to Solas having an oh my god there's two of them moment. But that's not really my point in this absolute essay I'm writing you (I'm so sorry if it's more than what you bargained for lol)

My POINT! Is that we finished out Trespasser with Solas treasuring the possibility of being wrong about his plans. We are led to believe that the Inquisitor (or, you know, the protagonist of the next game) is going to find an alternative route, or a reason for him to leave the Veil up -- something that would prove him wrong. Ultimately, my point is that the revelations about the titans should have been that reason. Fixing them, rejoining them with their spirits and curing their tranquility, should have been the alternative that Rook/the Inquisitor presented him. And frankly, that should have been his fucking atonement. None of this bullshit at the end of the game with him binding himself to the Veil, he's quite literally reinforcing the band-aid he slapped over the world instead of getting to the root of the problem. Which is the titans. He should have helped them. He alone probably knows fucking how, since he broke them in the first place. It doesn't make any sense that he didn't... consider that avenue in the first place?

So by the end of the game, it's like oh, great! The Veil is now reinforced so the spirits will continue to suffer. And there's also a very real possibility that the one dwarf in Thedas with stone sense just died, jeopardizing any chances the dwarves had of reconnecting with or helping the titans. So now the titans will continue to suffer too! Yay! All of this buildup was completely pointless!

Given that they're doing a hard reboot of the series (the south was destroyed anyway, any future games likely won't take place there and Thedas as we know it pretty much went through an apocalypse/had way more death than the original ritual would have created), it would have made perfect fucking sense to boardwipe the world and change everything in it by BRINGING DOWN THE VEIL. It would quite literally have accomplished the exact same thing the superblight did, but with added benefits of spirits being free to roam about the cabin, and we could potentially have gotten the freaking titans back. Holy hell. The worst part is that they're still alive. Like, they're more scattered and disparate, clearly, but we're just leaving them in the past? Oh my god, they're still alive! What are we doing! Why aren't we helping them, why aren't we giving the dwarves back their dreams and their magic! Are we seriously supposed to accept that these are just the way things are now, despite the fact that we have a dwarven success story in the party with us? The new postergirl for dwarves getting their magic and their dreams back with very little negative side effects?

Like, the game doesn't do anything to try to convince us it would be a bad thing to save the titans, doesn't do anything to suggest that we should leave this any of this stuff (which, apparently now includes the Dalish, because Arlathan was given to the Veil Jumpers) in the past. It also doesn't put up a great argument for keeping the Veil up, either -- Rook repeatedly says Solas will drown the world in demons, and he doesn't correct them simply because he doesn't respect them -- but we, the players, know that would not be the case. He would have quite literally reunited the world with itself, on multiple levels.

I'm sorry. I'm so irritated about it all, if that wasn't clear by the novel. Thank you again for asking, it was good to get this out. Veil should have come down.

[swinging-stars-from-satellites]

with a few minutes' reflection and a second conversation with my parents I have realized that I may have overblown things and overreacted a bit and also in some ways they're correct even if I think they're also harsh about it

[aeolianblues]

every fucking time I wonder if I might be allosexual me: if a guy looks at me the wrong way I will have a panic attack, throw up and think about it for four business days

[that-was-anticlimactic]

just got in an argument with my mom and sister because they said that comedians making offensive jokes are funny because “they’re not talking about a specific person, you just don’t have to take it personally” like HELLO??? i used an example with ts since, you know, i have ts and they were like “i’d laugh at a ts joke because they’d be joking about the stereotype” like yOU DO SEE HOW THAT’S EXACTLY THE ISSUE, RIGHT??? and i said that there’s a difference between Me making ts jokes and someone who Doesn’t have ts making ts jokes because 1. mine are actually funny aND TRUE 2. coping 3. I’M NOT MOCKING TS like God

comedians aren’t funny and if you need to insult other people to Be funny then you were never funny to begin with UGH

[sureuncertainty]

officially covid negative!!

[the-adas]

when i say any pronouns it is a test and i will be judging you based on your answer

[windupaidoneus]

now some people may not like to hear it but even the worst people who exist are still people & there is no human being who has More right than others to decide whether others deserve to live or die (does not mean i personally condemn murder in self defense or anything of the sort or killing fascists or whatever i'm just saying as a baseline This Is How it Is) & this is why the death penalty is not a good thing no matter how good & trustworthy the people in any government might be. people on average also deserve the chance to learn to do better. & no, someone who's been forcefed propaganda their entire life will not let go of that deeply entrenched mindset so easily, it's not particularly unrealistic & it absolutely sucks to deal with but in the context of tangibly working toward world peace it's also not an issue to try & help such people both in material ways & in helping them learn better rather than cut them down or abandon them to a grim fate. all this to say that's why i don't think garlemald is written badly, as unpleasant as the experience might be. walks off the stage

[mahou-no-momo]

What people don't tell you about the Healing Journey™️ is that it's very similar to mental wellness journeys. It's not linear, there's still trauma to unpack, you'll be sad sometimes. Sometimes you'll feel really hurt about the past. The thing is, just like mental wellness journeys, you need to learn to treat yourself right when you get like that. You have to give yourself the space to feel those emotions, to handle them, to move on when it's time to move on to something else instead of wallowing in that. You need to know what to do to love yourself at your lowest and feed your inner child. Feed your soul. Don't beat yourself up when you're trying to live your best life and suddenly feel like shit or remember bad things that make you sad. You're a human being and you're supposed to feel those things. Healing is not linear. Mistakes will be made. Sadness comes and goes. And that's okay.

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[2024skin]

it's your God given right to judge everybody but passing judgement onto strangers based on preconceived notions you have about them is probably not effective political practice

[not-a-space-alien]

I've seen a lot of "You have to communicate directly/don't expect other people to read your mind" posts going around tumblr lately and while I really do appreciate them because it's a skill a LOT of people need to work on, I do want to remind everyone to please meet people halfway sometimes.

I recently read a story on Reddit about a guy's pregnant wife texting him "I'm craving donuts but we don't have any in the house 😔" and he DIDN'T stop to pick up donuts on the way home from work. Everyone was taking his side because "she needs to communicate" and "he's not a mind reader" and "How was he supposed to know she wanted him to get donuts???" People, ffs, why on earth would she text him that while he was at work if not because she wanted him to get donuts? I was flabbergasted everyone was taking his side. "How was he supposed to know??" What? Like yeah it's true she didn't say "I want you to get me donuts" with those exact words in that exact order but the reason why people get upset if they hint they want you to do something and you don't do it is because they feel like you don't care about them and aren't actively thinking about their feelings. Especially in a marriage or LTR they are in a situation where the assumption is you care about filling the other person's needs.

Someone who loves and cares about someone will get the donuts "without being asked" just because their partner expresses a want or need. That's what someone is fishing for when they say "Aaaah I'm craving donuts 🥺🥺🥺" It's less about the donuts and more about feeling cared for. Sometimes straight up asking "Can you get me donuts?" defeats the purpose.

Also, women are typically socialized to communicate this way because they're punished socially for being too direct. I've heard that people of color, especially black people, often do this too because they're likely to be branded as "aggressive" if they're too direct with white people. So it might be a good idea to be a bit intersectional if we're trying to encourage people to be more direct.

Take the stereotypical example of a wife gets a new haircut and then gets upset that the husband doesn't notice. She's not literally mad at him for not saying the exact words "I like your new haircut." She's upset because she feels like he doesn't look at her and appreciate the efforts she's putting in anymore.

Obviously this will vary widely depending on the nature of your relationship with someone, but especially when it comes to intimate partnerships, there are certain things your significant other should not have to tell you directly. It's probably safe to assume your wife or husband wants a birthday present even if they don't ask for it. It's probably safe to assume your bf or gf would appreciate a valentine's day present or a compliment without them having to literally ask for it, unless they explicitly say otherwise.

This is difficult for a lot of neurodivergent people to learn manually if it's not instinctual and they didn't learn it growing up (lord knows I didn't) and yes, it's true that most people (especially NT people) should learn to communicate more directly. But also, your relationships would probably benefit from learning to read indirect cues and just pick up the donuts on the way home because you heard your wife is craving them. Sometimes what someone wants is for you to think about what they're feeling and what they want and do it without them asking directly. It's up to you whether or not you do that, but sometimes that is asking. I think this is what people generally mean when they say their partner is "thoughtful."

[postracehair]

a small request

max verstappen x reader | 2k

even world champions deserve love letters. after missing the mexico gp, you're determined to see max have a good weekend in brazil. maybe all it takes is a handwritten note.

cw: fem!reader, being in love, softness, a track-side kiss, love letters. and google translate, sorry to any dutch speakers.

a/n: was this inspired by that video from austin? yeah, it was! sue me! also, written/posted before the gp, so. no race details <3 xx

__

You miss race weekend in Mexico. It happens. You can't be there every weekend, much as you'd like to be. You're even more peeved about it after, considering you quite like Carlos and wish you had seen him earn what very well might be his last win with Ferrari. But you're mostly upset because Max, though he won't say so, could probably have used your support.

Years of experience have him calm, cool, and collected despite the team troubles. Flippant, some headlines say. Mad Max, others. But you know he's probably just tired. Tired of the media, of the FIA, of the churning conflict between him and Lando -- something you all knew was coming someday, but maybe not so suddenly. The longest season ever continues to drag and drag and drag.

"Twenty seconds was...Christ, Max," you say. You know what happened, of course. You watched what you could, saw the sharp moves around the corner and heard the radios. It never gets easier, watching him take risks like that. Usually, everyone else backs off, but McLaren can see victory on the horizon and won't let it go. You can't blame them, either of them, you just wish it was all a bit less tense.

"I know," he says, voice raspy over the connection. "I -- well, you know how I feel about it. Don't want to say anything in case the FIA is tapping my phone."

You laugh into your hand so you don't disturb the other people in the airline lounge, not entirely used to places like this, still. Max has told you over and over that it's absurd for you to spend your own money when you're coming to see him all over the world. When you told him you moved things around so you could come to Brazil, he booked you the nicest ticket, per usual.

"Oh, ha, ha," you say. "Don't give them any ideas, Mr. Community Service." You sigh. "Do you need anything? Be honest."

"Aren't you at the airport already? Your flight should be leaving in --" A pause, like he's checking his watch -- "forty minutes."

You glance up at the departures screen. He's right, but you don't give it to him so easily. "Know my schedule, do you?"

"Well, I booked your ticket, so I should think so."

"Your assistant booked it, you mean."

He hums and you picture him in his hotel room, maybe at the window, looking over the city. "I know your flight information. Don't be silly."

"I mean it, Max," you say again. "Is there anything I can do to make the weekend better?" It's a bit of a useless question and you expect him to answer with a snarky get me a new car or apply for the position of steward.

But he doesn't. He clears his throat.

"I'm just glad you're coming," he says, softly. "I've missed you."

You never doubt how Max feels about you, but he must be pretty tired to admit it like this. He's all about actions, this man. Making sure you have what you need when you're at the track, arranging your travel, remembering your schedule. He shows you how much you matter, and that's more than enough. He never wants to make you feel bad for having a life beyond being his girlfriend. And this doesn't, not really. It just makes you ache, fills your chest with the hopeless affection you've felt for him for so long.

"I've missed you, too," you reply. "But I'd like to be useful."

"Oh, I can think of a few things, then," Max says, all of a sudden all cheek. Such a boy, sometimes. A boy in love.

You can't help but laugh, face hot. "Hush, you!"

He huffs. A few beats of silence, the comfortable, well-worn kind. Sometimes, when he's halfway across the world and up late on the sim, he'll call you just to hear you breathe.

"Max?"

"I -- do you remember what you did for my birthday?"

He'd wanted something small, quiet. There was a lot of work to be done with the team but three weekends off meant you had a little time to yourselves. A few days hardly leaving his place, a dinner with some of the guys, a cake you made yourself, hand-delivered in bed. Gifts for a very wealthy man are difficult, especially since Max doesn't seem to want much.

"Oh, the pillow with my face on it?"

Max laughs. The lounge loudspeaker announces that your flight is going to board soon, so you gather your things but keep your phone wedged next to your ear.

"No, the other thing," he says. He clears his throat and summons some of that World Champion courage. "The letter."

You'd written him a fairly long love letter, thinking it would be a nice thing to carry to the races you couldn't be at this fall. It was tempting to be embarrassed about it when you gave it to him the morning of his birthday, but his cheeks had gone pink and he'd buried his face in your neck.

"Oh, that," you say. The airport is busier outside the lounge and you push your case in the direction of your gate weaving between. people.

"You could write me another, maybe."

Max is direct. He is honest, at work and at home, but this surprises you a little.

"You do know I'm about to get on a plane to see you, right?"

He huffs, and you imagine his cheeks pink, eyes bright. "You asked!"

"I'll write you another love letter, Max Verstappen," you assure him. "I'll write you a hundred."

"One is a fine start," he says firmly. "You should be boarding soon, and I've got to go to the press conference. Text me when you've landed?"

"Of course," you reply, eyes rolling though he can't see. "I'll see you soon, okay? Love you."

"Love you, liefje."

On the plane, you tear out some pages from your journal. You'd prefer to have some nice stationery like what you wrote on for his birthday, but maybe this is more romantic, more real. Making do with that you've got because he asked.

In the last one, you told him your memories of when you first met. How your stomach swooped when you made him laugh, how his blue eyes wouldn't leave your dreams. In this one you tell him about when you first realized you loved him. How absurdly early you were sure, how badly you wanted to tell him for weeks. The way you remember every second of when you blurted it out -- his face, his smile. His voice in your ear, telling you over and over, geliefde, ik houd van je, zo veel. I love you, so much.

"You're working hard on that," someone says. You look up at your seatmate, a woman a few decades older than you with a heavy accent.

You feel a little like you've been caught doing something illicit, but you just smile at her. "For my boyfriend," you tell her. "A love letter."

She flattens her palm over heart and sighs. "How lovely," she coos. "I hope he takes care of you, too."

We take care of each other, you want to say. You could tell her about how he sends you postcards from every country he goes to after you told him you like to put them on your fridge. You could tell her how sometimes you text him during his streams to make him laugh on camera. How he remembers your favorites, how he saves you his special team gear, how he sends you flowers all the time. How he likes to sit on the couch, your toes under his thigh, fingers around your ankle. How you've been learning Dutch and how he patiently corrects your pronunciation. You could go on and on and on.

"He does," you say instead.

__

The plane lands safely in Brazil, but the pilot tells you that there is no open gate and that you'll be sitting for a while. You text Max.

stuck on tarmac, will be later than expected! :(

He must be in media responsibilities still because he doesn't reply until you finally get off the plane.

go relax at the hotel. i'll see you for dinner!

You find your ride easy enough and take a deep breath. The letter you wrote on the plane feels heavy in your pocket, and you just want to see Max. To be near him again. To give him this small thing he asked for.

"Excuse me," you say to the driver. "Do you think we could go to the track, instead?"

You text Max's assistant to say you're headed there, hoping it's not too much of an inconvenience. You're told he's almost done, maybe an hour left, and when you arrive you're led to his driver rooms. His shit is everywhere, per usual. Max is quite neat except in here -- Carmen once told you that George is the same. Clothes strewn about, his race boots unlaced and left in the way, warm-up equipment in a pile. On the table are a few of his things -- his wallet, a notebook, some papers.

Wait a second. One of those papers looks...familiar. It's been folded in three, the envelope it came in nowhere to be seen. His name is scrawled on the blank side in your hand and when you tug it from the pile you can see that it's creased, the edges a little more worn than when you gave it to him a few months ago. Max Verstappen, three-time World Champion, actually carries around the love letter you wrote him. Brings it to the track. It's darling. You love him so much. You pull the new one from your pocket and set them side-by-side on the table where he'll find them.

You ask to be taken to the pit wall, please, so you can see whatever the drivers are doing on track. Some dedication, you're told. The timing ends up being perfect and you get there just as they're finishing. You lean on a gap in the barrier where, on Sunday, crew members will be holding timing signs as the drivers zip around the hot pavement. The crowd in the stands is loud, as always, and maybe you imagine it but it seems to get a little louder when you look out.

The guys are talking amongst themselves and a few of them wave at you. You spot Max as he turns away from Charles and you can't help but grin. His eyes meet yours under his cap and his entire face chances, softens, and he breaks into a jog. You lean out over the concrete ledge and meet him in a kiss that's more two smiles pressed together than anything else.

"This is a surprise," he says when he pulls away. Eyes sparkling, he shows no signs of rejoining the other drivers as they head to whatever their next thing is. Photos, probably.

"I missed you," you tell him. "I've left you something in your room."

"Oh?" He straightens the lanyard of your credentials with careful fingers.

You reach for him, palm on his cheek. His stubble tickles and he leans into it ever so slightly. It doesn't feel like there are thousands of eyes on you, not even a little.

"Yeah," you say. "As promised." Someone calls his name. "Go on, then. I'll be waiting."

He kisses you again, a quick brush of his lips on the corner of your mouth.

Later, you'll wake from your nap in the hotel room to those same kisses on your cheeks, your forehead. Max will gather you in his arms and tell you all the moments he almost told you he loved you, how he could hardly believe when you said it first. You'll tease him for how many times he's read that first letter and he'll cheekily say that's why he needs more. And you will write him more, you'll write him as many as he wants. As many as you can, for the rest of your lives.

But now, in front of thousands of screaming fans, he smiles at only you, boyish and pleased.

[queenkatluv]

Impersonations

Hi, Kat here! Usually, I don't interact in the community openly. I do scroll through Tumblr, YT comments, Discord, etc whenever I get the time, just because I love to see how people feel about the series/episodes/characters. I'm no stranger to people pretending to be me/Davis/Reed on other socials. There's not much I can really do about it but spread the word and hope people will figure it out on their own! But what really surprised me was a certain account on TikTok. I won't be spreading the account as I don't want to ignite anything, though it would be relatively easy to find them once I describe the material they are posting. Someone has been impersonating Davis, not correcting people who think it's the real them (from what I can see in their comment section) and post sexually graphic material. Some of their comments are...questionable, some of them seeming to be sexually directed at minors or myself. Implying things such as 'liking them young' or finding sex toys in my bedroom. This in of itself is very worrying, and I would like to let people know that Davis DOES NOT HAVE ALTERNATIVE ACCOUNTS! SAME WITH ME! The fact that there are some people under the impression that Davis would behave like this is upsetting, and we have tried reporting this account/specific videos but have had no success. Hence why I'm trying to spread the word to not believe everything you see online! I'd also like to take a moment to be real here. I understand that as a person with a following online, I have no control over what people say about me or do with my pictures/persona in private. But the amount of accounts that I believe belong to minors openly sexualizing me is really disturbing to me. I realize there's not much I can do about that, and in all honesty I don't mind characters I portray to be sexualized (as long as they are adults) but it's very different when it's ME, MY FACE people are sexualizing. Maybe that's something I need to get used to as a micro influencer (haha) but it makes me uncomfortable. This is not me calling anyone out (aside from that one TikTok account owner, I hope you read this and kindly either stop or clarify you aren't Davis/it's a strange joke) but I want to let people know my boundaries. Thanks for reading! I'll go back to lurking!

[k8lynjoy]

I'm so tired of people telling those of us who are upset about the LA atla remake that we are "being too dramatic" or are just "finding things to be upset about". We are allowed to be upset that something that we love so dearly has been butchered, AGAIN. If you liked it, then that's your personal opinion, but don't sit here and tell those of us who didn't that we're the problem.

I personally think the CGI, costumes, and sets all look terrible. None of it is immersive. Sure, it LOOKS like atla, but it doesn't FEEL like atla. The heart of the og is gone, and people are allowed to be upset about this. They've altered characters to the point that they aren't the character anymore (looking at you Aang and Katara), which is a huge upset for me personally because Katara is one of my favorite characters ever. So watching her be turned into someone meek and docile is more than a slap to the face. Not to mention them removing her as the narrator as if Bryke themselves didn't state that Katara is the person the story is being told through. And before you start telling me that Aang is the same. No, he isn't. Major parts of his development through season 1 (him coming to terms with the fact that he's the avatar and embracing that role, and him also accepting the fact that he RAN AWAY and how he is never going to do that again, which is also pivotal to his character later on) are completely removed. And don't even get me started on what they did to Kataang. Regardless of whether you ship them or not, those 2 are deeply connected to one another from the start, and their relationship is a big part of the show, so to see that butchered is heartbreaking for me.

This isn't just about them "making some changes" or it not being a 1:1 adaptation. I'm fine with adaptations that aren't 1:1. What I'm upset about is that the changes they are making are VITAL changes to characters and dynamics between characters. They're rushing through the plot and condensing the story (and I will scream if I hear one more person say that it's because they couldn't fit it all in with their runtime. The runtime is an HOUR LONGER than the og, so yes, they did have the time). The changes they are making make it evident that they do not understand the og show, and if you don't feel like that, fine, once again, that's YOUR opinion, just as this is MY opinion. So stop telling us we have no right to be upset and that we just want to hate everything. That's not true. What is true is that we are expressing valid complaints about another bad adaptation of something dear to us.

Edit: If you also come at people who are upset bc they were expecting a faithful adaptation and didn't get it bc "its not supposed to be the cartoon," you're missing the whole point. An adaptation is ADAPTING SOMETHING from one medium to the other, not rewriting it. "Yall expected it to be just like the cartoon." No, I expected a FAITHFUL ADAPTATION and was met with poorly written fanfiction.

[rmbunnie]

I see so much of "is post-crisis Robin Jason an innocent little sweetie-pie or a mean aggro delinquent" and after reading through all of his batman and detective comic issues post-crisis I think i can safely say he's... an introverted and distrustful, but altogether friendly teen boy who has convinced himself to the deepest level that he is an Adult Man, and also does not hold a particularly good view of adults.

The sweet little babypie characterization falls a little short (assuming we aren't being too silly with it, there's plenty of that in the comedy issues of tec) because it disregards the part where he's a jaded teenager who is constantly going off and trying to take care of his own problems like "his own man" and reacts negatively to any breach of trust or move to take care of him. But negative doesn't mean "violent and rageful." The delinquent angle is incorrect because not only is his disposition peppy, silly, and agreeable most of the time, but assuming the problem upsetting him isn't a predator or the guy who killed his dad (and three out of four canon instances it is a predator to be clear) he reacts to emotional turmoil with Bruce by bedrotting, sulking, communicating through notes, and overall being avoidant. The only times he lashes out are when Bruce is calling him out or after Bruce told him to his face that he chose to look for the Joker over looking for him, and that case of "lashing out" is just getting a little snarky.

More than anything his main personality trait (besides being silly, a robin staple) is kinda coming into this parentified as fuck. Not that it's Catherine's fault, but it really shaped his character, like one of the first things he says to Bruce (after he promised not to turn Jason in to the foster system) is that he kept her fed and warm as long as he could like he wasn't her ten year old child when he started. It's why he views himself on the same level as adults and why he gets all closed off at any insinuation that he needs to be taken care of, both of which heavily inform his dynamic with Bruce. He's constantly checking in on Bruce's wellbeing, like half of Batman: the Cult is just him taking care of Bruce while he recuperates from being brainwashed. (Side note, he's also constantly asking Bruce stuff like "what's your relationship like with this woman or this rogue or the concept of religion, how did that play out, how do you feel about it?" he is Very chatty like that.) The first thing he does when Sheila tells him her (revised to exclude medical malpractice) life story is hold HER and try to affirm her struggle. After a while he starts to act more childish with Bruce (although he doesn't really stop trying to brush off attempts to care for him) but as soon as Bruce admits he prioritized crimefighting over Jason and didn't show up to look after Jason like Jason assumed he came there for, Jason snaps back to acting very independent and rejecting any attempts to be looked after on any terms other than some kind of "equals" thing, which he isn't, as he's a 15 year old boy. Like. He's very sweet to his former neighbor, but also he refers to being a homeless child and the sole provider in his condemned building living situation as "getting by" to her.

He's definitely not. some bloodthirsty delinquent, at least to anyone who's not an uber-misogynistic predator, and he like demonstrably is a pretty sweet kid. It's just that when people say he's a sweet kid they kinda just jump to "untraumatized eight-year-old who grew up in a loving family and just got a new puppy from Santa" instead of "good hearted and curious teenager who has trust issues and is deeply uncomfortable with being taken care of, so kinda just compromises by pretending his dad is a Friend Doing him a Solid and acts like his kid only when he has plausible deniability so he can't get the rug pulled out from under him." Of course. He does kinda get the rug pulled out from under him despite all that. So there's that.