#I was still MOM I'M GETTING TO IT.

[alicedrawslesmis]

my mom (set designer) just got a call from a guy being like 'I'm working on an opera for the Municipal Theatre (huge theatre) and we want to do a big showstopping set for it, have you seen Les Miserables?'

[biggest-gaudiest-patronuses]

real talk having the 2nd worst new years eve yet 🤢🤢🤢 (throat infection, twisted neck, banged-about-foot, ego AND the rest o' me all bruised like misjuggled peaches 🍑🍑🍑)

im bent outa shape and suspectin the universe owes me 8 buck if anyone wannsa chip in

[technically-human]

Hey, don't cry. Ghost yuri, okay?

(Now that you know the girls, they need to meet the boys!)

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[claraoswalds]

#mrs flood who are you: time lord edition

[htub]

I really like that they made Jor-El speak Kryptonian and Clark unable to understand him. The whole "aliens speak English" thing that happens in every goddamn media has bothered me all my life. Ik sometimes Clark just gets zapped in the brain for insta-second language but that always felt like a cheap shortcut.

Jor-El had a lot on his mind when he set up that magic spaceship okay. The world was ending and he was trying to do as much as he could before time ran out so he could be there for his son. He was rushing. He likely didn't consider Kal would be raised with a whole different language and not know any Kryptonian nor have anyone to teach him.

[cosmicwhoreo]

.... Okay, so I might have made a ahit oc during my downtime. Based on the idea of "yeah the idea of hat kid being a little space orphan doing a job is sad.... But what if they were separated from their family and needed to get back home instead?"

And what if their worried mother came to the planet they were on, looking for them after they'd JUST LEFT like a month ago?

SOOOOOO HERE'S SUMMER!

I may have gotten carried away with myself on this idea-

[moomeecore]

Hey guys. So I know we've all gotten some very bad news, and anyone with a conscience is deeply upset. But one of the things this means is that the situation in Palestine is even more urgent, because we know that while Kamala might have, Trump isn't going to listen to any calls to lessen America's support of violence in Palestine. So, I'm putting out my next fundraiser post a bit earlier than expected - I really, really encourage you all to read these and try to match at least one of my donations, and reblog if you can't. I wish you all the best.

Waleed Ayman Alanqar and family - vetted (#107) - The fundraiser is for Waleed, his wife Areej Haniyyeh, and their 3 year old son, Ayman. They were forced from their home almost a year ago. The fundraiser is to help them raise the money needed for the family of 3 to evacuate to Egypt. They have €1,606 raised of their €20,000 goal - only 8%! - so I'm donating a little more than the usual €5 (€7). Waleed's tumblr account is @ayman-waleed, if you want more info.

Alaa and family - vetted - Alaa and her husband were displaced from their home on October 7, while Alaa was pregnant. Alaa's husband died before their daughter was even born, and now Alaa is raising her baby without him, after having to give birth without the needed medical care. Because of the poor conditions, her daughter has been suffering from illness, including a viral stomach infection and histolytica worms. Alaa needs to pay for her daughter's medical treatments, and for milk and diapers which are very expensive in Palestine right now. They have $14,280 raised out of their $30,000 goal. Alaa's account(s), for more information: @alaa-gaza / @alaa-gaza223

Wafaa Abdul Karim Abu Al-Rish and family - vetted / vetted - The fundraiser is for Wafaa (@wafaaresh3) and her family, which includes her mother, her brother Mohi (@mohiy-gaza), her sister Fidaa (@fidaa-family2), and Fidaa's two children (Sila, who is two years old, and Mohamed, who is 6 months old). They also have a cat. They have been displaced more than 10 times. Wafaa's mother has chronic illness (hypertension), and is unable to access her medicine, which means her health is getting increasingly worse over time. The main goal of the fundraiser is to help the family evacuate to Egypt. Wafaa's fundraiser has $74,018 raised out of her $85,000 goal.

I'm going to post a second part with three more fundraisers soon!

Here's my previous fundraiser posts: Post 1, post 2, post 3

[sleepyorchidmonster]

So, with Chapter 7 being (another) event of Cataclysmic proportions on a global scale, I can't help but wonder about the direct fallout to the whole thing, be it the world's opinion on Malleus and the fae, how S.T.Y.X. will handle everything....

...and whether we may end up meeting Mrs. Rosehearts by the end of the book or not.

Since she is a famous magical healer/doctor, and her son is currently on Sage's Island, it'd make sense for her to work alongside other paramedics when help finally breaches the barrier (especially considering how she doesn't take no for an answer).

The main problem is that, after finally dealing with an overblot of such magnitude, the last thing anyone needs is another potentially triggering situation (and we saw what happened with poor Trey in Riddle's dream).

So here are my ideas:

1- Mrs. Rosehearts makes an appearance, but manages to keep things professional and just hugs her son before going her merry way (she's wondering why so many students are glaring at her, though);

2- Mrs. Rosehearts attempted to join the paramedics, but S.T.Y.X. vetoed the idea and were quite adamant about it;

3- Mrs. Rosehearts makes an appearance, but the other members of the cast hide Riddle from her (he's so tiny he can just stay behind Adeuce and be done with it) while Chen'ya kidnaps Trey and takes him to Heartslabyul to bake the stress away;

4- Mrs. Rosehearts makes an appearance, causing Adeuce to panic and throw Riddle out of the window (the Tweels had to fish him out of the lake);

5- A combination of options 3 and 4: Adeuce throws Riddle out of the window, but Cater manages to save him. Now Riddle is hiding behind Leona or Idia while Cater scolds the freshmen;

6- Idia undergoes a character development arc and stands up against a Karen (he just fought Malleus Freaking Draconia, he's not afraid of her).

[tgtbata]

my year in art, including two pieces from @semifinaldraw. thank you guys for being here and talking to me and looking at my art. it's a joy every day <3

[kaereth]

Me wrow I'm so excited to finally have some more freetime for the next few weeks!

also me taking in a new 2 week old foster kitten suddenly:

[vaguely-concerned]

I think the most defining thing about kremy as a person is that he desperately wants to be a man with a mustache -- while being physically, biologically incapable of producing hair follicles lol. like no wonder he takes to drag so much, that's basically most of what he's already doing with his outward identity! and the physical aspect of that is smaller, I feel, than what he's got going on psychologically. he's someone who doesn't want to be -- can't be? -- who and what he is, and who can't be what he wants to be because what he wants to be doesn't really exist, so he lives his life somewhere on the border between them. the almiraj might be no mirage, but the perfectly clever and charming and utterly untouchable version of kremy that kremy would like to be -- instead of the vulnerable neurotic mess of longing and fear and striving for control he clearly actually is -- absolutely is, I'm afraid. it's just a shadow on the wall with nothing real to cast it.

(all of this also goes into the many Gender and trans readings of him too, of course! men will say they’re fighting demons and the demons are trying to live up to a very specific brand of toxic masculinity they've sort of invented for themselves lol)  

the one deep down entrenched assumption we see kremy make again and again especially interpersonally is that if he's open with who he really is and what he feels or thinks at any given time, he would be revealed as fundamentally unacceptable and at best discarded and abandoned, at worst endangered. (it's literally spelled out with the cyclops in the witchlight carnival, but you see him go through this process all the time through the rest of the story too! being unable to lie or dissemble was a catastrophic event in this dude’s inner landscape. I’m sure that means nothing) and because he is also frequently kind of awful this assumption may not be entirely off base some of the time lol (deeply affectionate), but I think it comes from a much deeper place than that. kremy is ashamed of where he's from and who he's been -- that dirt poor wide-eyed kid from the swamp who saw all the fancy gentlemen in town and Wanted. wanted to be that, wanted to have that power, probably some confused sexuality want mixed up with it all as well for spice. wanted more than anything, perhaps, to BE something, because next to that he feels like nothing. which means abandoning the earnest kid who guilelessly loved unicorns and his meemaw and cooking without meaning to impress anyone and silly soft things in the swamp he came from while he went off to the big city and modeled himself after men like garou. (and his relationship with garou surely also had some effects on just how shifty he's become at intimacy too, aside from the building a facade of it all, that might be some secondary damage that was not his fault nor in his control at all)

even when he's acting seemingly shamelessly, he is fundamentally a shame-based psychology, is what I'm trying to get at. the only times he lets his thoughts and emotions out into the world unfiltered is when he's brought to a point of frustration where he throws up his hands and abandons manipulation or subtle machinations as an interpersonal tactic -- see: the several times he argues something with frost or gricko and then finally admits 'I literally don't actually care about this! you guys figure it out and deal with this if it matters so much to you I'm going to bed ffs' haha. his depression shines through when he’s too tired to hide it, especially in the later episodes. every open emotion is an admission he really didn't want to make and thinks is tactically disadvantageous for him. (and sometimes when he's being really for real he'll even admit to being worse than people gave him credit for, like when he admits he suspected mr. witch and mr. light were capable of doing something really really bad to torbek and handed him over anyway. kremy being that blunt and open is like. remarkable and also a sign that he's actually taking it seriously, for all that he's also revealing himself to be even more of an asshole than previously suspected lmao. that's not nothing, for kremy. BUT at the same time he is also the person who cried to see a unicorn broken and abused, and who saw something in gideon upon meeting him that no one else did or cared to at that time and offered him genuine companionship and support — as the story goes on he’s starting to admit to more things about himself, the bad and the good.)

all of which of course also is why he's having such a hard time being honest with gideon about how he feels (and the sheer immensity with which he feels it too, probably) -- that's incredibly vulnerable for a person who’s built himself up around the idea of never being vulnerable. ('i'm just a shadow, nothing you do can really touch or hurt me.') And yet if there’s peace and redemption to be found for kremy, if only within his own soul, between these versions of himself, I feel that discovering and accepting his own capacity for loving someone else so much that it transcends all selfishness or fear would be integral to it. (he loves gideon. So much it makes me a bit dizzy you guys)

[ad4m-bit-th3apple]

hey what if I fuckin cried

[backpackingspace]

I am once again thinking about how odysseus who witnessed the horrors that the captured women went through (one of his main duties in the iliad was taking the women back home and making sure they were as comfortable as possible and safe because he was the only one trusted not to violate them further due to his devotion to penelope. And in the odyssey part of the reason circe sent him to the underworld was so that he'd have to listen to all these women's stories (before he could talk to the prophet) ). Who was one of the few that saw women as people and respected their space and opinions. And was then put in those exact same situations. I don't have the motivation right now to do a full literary analysis of this (I'll site the sources too) but oh man one day I'm going to write a full essay on this.

[yoroshiu]

Love how in the universe of Kingdom Hearts, there's no therapy, there's only sleep, repression, darkness, and extremism (or all of it if you're feeling a little bold)

[crimeronan]

people being like "hunter needs structure and stability" respectfully hunter DOES need stability - in that he needs an environment where he's no longer afraid of the people around him & is confident that he'll always have a safe place to stay n safe people to call - but the kid absolutely DOES NOT need structure. if anything hunter needs LESS structure. this is mister "teens are probably into the same things as me, like authority and rules" please be nice to him.

my absolute favorite hunter darius dynamic is one with like, hunter asking to stay out late on a school night or whatever bc luz has some cool-as-shit event happening in the human world that he wants to attend & darius is just like "you can do whatever you want forever" & hunter's like "aren't you...??? going to....??? give me a curfew????"

darius: why would you need a curfew?

hunter: because i-! what if i'm TIRED before SCHOOL

darius: then you can skip a day.

hunter: [HORRIFIED GASP]

darius: kid. look. you already extensively weighed the risks and benefits of going to this thing on a school night. right?

hunter: ......i did make three charts.

darius: and you determined that the benefits outweigh the risks. with your three charts

hunter: .....yes

darius: ok.

hunter:

darius: so.

hunter:

darius: in conclusion. you can do whatever you want forever.