#I wanted to offer her side of things!

[stingslikeabee]

🖤 + Lawrence & Melissa !!

send ‘🖤 + pairing’ for me to answer the following . accepting

1) my muse’s initial impression of yours Intense - hella intense. As someone who gravitated towards the support group without a lot of knowledge of prior survivors and their dynamics and realistically just looking for answers, the sudden interest that Lawrence displayed in her was a mix of intensity and surprise. She wasn't scared, as some might have assumed - she was just startled and then considerably curious.

2) my muse’s favorite physical attribute of yours Honestly, the eyes play a big, big part - they are so incredibly expressive that Melissa isn't immune to falling under their spell. Of course it helps that she comes to idolize and worship Lawrence in unhealthy ways, but he could probably manipulate her through looks alone. His hands come into a very close second - she enjoys watching him do anything to do with them because of how skilled, nimble and precise they are. They cure and they take; it's one of his most godly traits.

3) my muse’s favorite personality attribute of yours His determination and iron-clad will to see his vision through - as the heir to the Jigsaw legacy and the person who rescued her from what would have been certain death otherwise, Lawrence always seemed to know what he wanted and to fight viciously for it. It's a significant contrast to her way of life before Lawrence, just drifting without a purpose and concerned with trivial matters.

4) a moment that made my muse realize how much they care about yours Melissa realized that she was somewhat protective of Lawrence before the botched trap - particularly when her regulars tried to pick on him given the obvious disability or implied something terrible about him as a person. However, it wasn't until her recovery at the hospital that she probably realized how much she cared for him - not only because of the life debt, but because of the guilt. Melissa was both astonished at and guilty of the burden she represented to him during recovery, and did not want his career to suffer any setbacks. He was just too important and the idea of anything coming to pass to him (and harming Lawrence) became too much to bear.

5) something my muse never found the words to say to yours There is nothing she hasn't really said to him - Melissa doesn't believe in keeping secrets or anything bottled down in relation to Lawrence. There is, in fact, an alarming lack of privacy and boundaries in their relationship, but she doesn't see it that way - he's everything to her: savior, husband, god, lover. Even during the few moments where they disagree or she needs to protest, she does it carefully - but she still says what needs to be said. Melissa is quite simply incapable of hiding anything from him (short of the harmless stuff like Christmas gifts or a surprise birthday party, of course).

6) something my muse wishes they had never said to yours There is almost nothing, really - perhaps before their bond solidified and Lawrence's true identity was revealed as the Jigsaw heir, Melissa sometimes struggled to understand his goal with their relationship - more than once she told him that she wasn't worth his time or attention, which generally was met with sharp disagreement. But other than these fleeting moments, she has almost never said anything that would need recanting.

7) something your muse does that makes mine feel safe Honestly, his overall presence is the biggest thing he can offer - but she does appreciate the classical reminders: holding her by the waist, keeping a hand on the shoulder, squeezing her hand, etc. All these textbook signs of possessiveness from Lawrence towards Melissa are translated as assurances and she seeks it them unconsciously. Even when they bruise - she still fails to see these things as red flags and instead wears each mark as a badge of honor. He would kill for her; she is sure of it.

8) something your muse does that makes mine smile There are a number of things that Lawrence does which will please Melissa - from letting her handle the finances of their family with no questions asked to the way his accent sometimes slips. However, out of everything, she's truly delighted when he compliments her after a job well done for the games - there is no moment where she feels as special as when Lawrence acknowledges her hard work not as his wife or mother of his children, but as a worthy disciple and ally of his identity as Jigsaw. If Lawrence is a god, then she surely is his most devoted priestess and basks in the glory of that blessing.

9) something my muse wants to protect yours from It's frankly a mixed bag here - the physical discomfort that his injury will create sometimes makes Melissa wish she could take part of it away. She understands the meaning of the missing limb, though - and while she would never want for Lawrence to be without the loss that shaped him the way he is, she does try to protect him from the excess through whatever means available. There is a lot she learned over the years to deal with the abused flesh and scar tissue that she applies to their routine as often as she can.

10) ways my muse says ‘i love you’ without saying those words First of all - she says it; Melissa isn't afraid of uttering these words at all, particularly in private. Nevertheless, she does practice it often - in addition to taking exemplar care of Lawrence's injury, there is a lot about her that changed to embrace his preferences: dressing in his favorite colors, learning to make the food he enjoys, raising their children to be the perfect legacy to the Gordon name, honoring Jigsaw by serving as an accomplice and supporter... The list goes on. Melissa fundamentally lives for Lawrence and their children; the 'I love you' moments are hidden in everyday actions.

[crystalpallette]

frye inspires this sort of manic "i can do whatever i want" kinda will in people and god. I sure did do whatever I wanted here

[quietwingsinthesky]

no wonder missy is insane about him. she just mindmeld trauma bonded with him and got confirmation through him that she was right the whole time about the thing that happened to her, AND then they traded life-saving moments. of course she wants her friend back. she needs him to see her again, as clearly as he did in that moment. she needs him to be like her, because among time lords, she is alone, but with the doctor, she isn’t.

[jackass-jones]

My madoka magica hot take is I like sayaka/kyoko as a ship more than madoka/homura

[iniziare]

Tag drop: Seele (Honkai: Star Rail). Listen, I used to write her and I miss her a bit, and also: there's Belobog people around. And also, well, she's much more interesting than people give her credit for. Also, prepare for some 'rewriting', because Belobog's pacing in specific ways kind of blew a little bit much.

[ofide]

so um. my mom lied about that money thing and it was her idea. so she told me “your father wants you to pay out of your own pocket because he’s so mad :(( i’ll give you back some but don’t tell him it’s our little secret” instead of. asking me. like wtf what was the point of turning me against him like that, we could’ve talked about it if she thought i owed her money. i don’t know i feel so bad bc i thought we were getting along and she had stopped pulling this shit

[themyscirah]

Was thinking about how I would write a Suicide Squad book if I got the chance to post (hypothetical) Absolute Power and like... I would totally rock this guys

Won't go totally into it here I don't think because time and also feeling pumped about the idea so may write something for it (which I have an AWFUL track record for finishing, but also if current Waller appearances piss me off enough who knows) but anyways it would have Amanda Waller and Ben Turner (Bronze Tiger) as dueteragonists, (especially for the first few arcs, although moving to a greater Waller focus [at least for a bit] around issue 10? 15? When she really starts to do things). Anyways the main story (at least at the beginning) would follow Ben Turner as he leads the squad both in the field and at home (essentially acting as the "Waller" along with his normal field leader duties) while secretly having Waller herself in residence at Belle Reve pretending to be a prisoner.

Early issues would focus on Ben saving the world (and keeping the squad in check) while also struggling to hide Waller from the government, heroes, and the rest of Belle Reve (save an accomplice or two). This of course works great, until it doesn't

[orchideae]

Uncle Tian. The importance that is Uncle Tian. ... With a "cameo" of Yelan in the second half, exactly at 1:00, which is incredibly so very important if you really want to get a proper glimpse into her 'professionally'.

[crehador]

.

[sluttyten]

Now I sit in my room anxiously for the next hour and a half waiting for tickets to go on sale, and then I drive anxiously across town too

[lavenderyoonji]

pretend this isn’t me you’ve never seen me i don’t exist

[cashmoneyyysstuff]

ring pop proposal ♡

fem reader, pure fluff, childhood friends to lovers lemme alone do not perceive me yk the drill by now, lil self indulgent fic cus i love childhood friends to lovers and puppy crushes, polar opposite’s trope, this reeks of my oc x canon katsu ship sooooo shh shh do not perceive.

the first person who realizes katsuki has a crush on you is his mom because when she comes to pick him up one day from kindergarten he suddenly mentions you. it’s an innocent little interaction he had with you that mitsuki doesn’t think much about at first, simply surprised her son managed to befriend someone outside of his little group of friends until he starts mentioning you more and more.

soon you’re the only thing he talks about and katsuki even starts begging her to have you come over to play. mitsuki is extremely curious to know what kind of person you are to have been able to enchant her son the way you have, she says it’s fine as long as your parents agree.

you’re a sweet little thing, almost the complete opposite of her little devil’s spawn. you’re polite and a little shy when you ask “ is it okay if i come to play at katsu’s house, please miss katsuki’s mom ?” and how could she say no to you ? she pulls at your cheek lovingly and her son almost snarls at her.

“no touchin’ !” he snarks, pulling you against him like you were his teddy bear.

mitsuki was the first to realize her son had a crush on you when you were always around. when he found something cool during a class trip you were there and whenever he was upset it was always because you had argued about something irrelevant that seemed so much bigger in the eyes of a child.

she realized because katsuki had, and in some ways, will always be rowdy. he’s rough and temperamental and moody—basically, he can be quite the brat. (she wonders where he gets that from a lot) but he’s different with you.

he’ll always be a little rough around the edges but it’s the thought that counts. he drags you around a little too hard but it's to show you something he knows you'd like and you repay him by being patient with him and letting him drag you around to his hearts content. he let’s you use the crayons he’d just denied another classmate seconds ago and when it’s really early in the morning and you’re still sleepy unlike your more energetic friend, he waits for you. sitting with you in the reading corner quietly commenting on a little bit of everything in the book you’re sharing until you’re awake enough to start the day because katsuki wanted you to be together through anything no matter what, starting the day without you was simply unimaginable.

you offer him your kindness and he repays you with his loyalty. acting like your guard dog, protecting you from everything and everyone he considers a threat to you. he goes a bit overboard but it’s the thought that counts and he’s definitely got the right intentions.

“ i’m g’nna marry yn when i grow up !” katsuki proclaims from the backseat of the car after mitsuki had come to pick him up. she looks at him through the rear view mirror only to see he’s not even looking at her, looking out the window somewhat longingly, watching as his school fades away from his sight, further and further and further away from you. she smiles to herself.

“yeah ?” she asks “yeah !” he responds proudly, crossing his arms “ i asked yn if she wanted to be my wife an’ she said yeah, so we’re gettin’ married !”

“huh. how’d you propose ? you don’t have a ring.” she jests.

katsuki responds immediately and exclaims he does have one, shuffling around to reach for something in his pocket. he pulls out a plastic ring pop holder, the candy on top is missing and mitsuki can imagine what happened to it.

“gave her one of these !”

“so that’s why you had me buy those from the store last time,” she hums. “ you ate it, though.”

katsuki tries to roll his eyes but just ends up looking up and to the side, mitsuki recognizes it as him trying to mimic what she does a lot and she snorts.

“well duh, we both did ! ‘f i kept it in my pocket it woulda gotten gross !” he defends. mitsuki simply responds with a hum, smile on her face growing larger as she hears her son happily chatting about the rest of his day with you.

she knows her katsuki is hard to handle. extremely so. but when she sees the way you both interact she can tell something is there. you don’t ‘handle’ him. you like being around him. you like playing and talking with him, she sees how happy you make him whenever you come over for playdates. he holds your hand when you get scared and you hug him tight and beam when you see him again after he’s gotten over a nasty cold.

she can tell you make her son happy and he does the same for you in the way children do with pinky promises and shy cheek kisses, kisses over tiny wounds and refusing to be separated whenever the rowdier one of you both gets his recess time taken away for being naughty.

mitsuki hopes this crush, this love you have for her son can grow along with you. she hopes you’ll stick around as katsuki grows up more and potentially more rowdy and rougher around the edges but even more enamored with you. and with the way her son is squirming around in his seat and tugging at his seatbelt, giddy about you accepting his ring pop proposal, she has a funny feeling you’ll be sticking around for a long time.

[ebodebo]

The Bewitching

—thinking about roommate!simon riley seeing you in your halloween costume… MDNI

"Where's your sexy roommate anyway, babe?" Your friend, dressed as a sexy witch, purred from her spot on a stool around the kitchen island. You had invited two friends over to spend Halloween with you since your roommate, Simon, had to work.

"He, uh, had to work," you say, taking a sip of your wine. Your witchy friend's eyes widened as she carefully dipped a pita chip into some hummus.

"On Halloween?" She gawked, pushing the chip into her mouth, eyes wide. You also take a chip and swirl it around in the hummus before shrugging.

"Seems so," you say, inhaling the chip. You turn to pull open the fridge, reaching for a bottle of champagne. Once you turn back, you see your other friend dressed as a sexy police officer, head slightly titled in confusion, her eyes carefully observing your costume.

"So, what are you supposed to be? A sexy nurse?" She questions. You raise your brows, perplexed that she couldn't tell who you were.

"You're kidding, right?" You urge, waiting a minute before continuing to see if she is joking. She shakes her head no, pursing her lips. You shake your head in disbelief. "Debs, I'm one of the nurses from Silent Hill."

"Should've gotten Simon to dress as pyramid head," your sexy witch friend instantly says. You flick your eyes to hers to see a smirk spreading on her lips.

"Oh, please," you laugh out. "Over his dead body would he ever willingly dress up." You take a sip of your wine, stalling when you hear the sound of a familiar truck pulling into the driveway.

"Oh, looks like your big guy is home," Debs winks. You roll your eyes, set your wine glass down, and head for the front door. You step out to see Simon searching for something in his truck.

"Hey," you greet. "What're you doing back so early?" He doesn't avert his attention from some loose papers he was scanning over.

After a minute, he says, "Price had a Halloween thing for his kid." He continues sifting through loose papers. "So, here I am," he dryly says, eyes still focused on the papers.

"Okay. FYI, the girls are inside—" You start before he interrupts, finally turning around to face you.

"If you want, I can just go to a bar, or—" He abruptly stops, eyes wandering down your body, taking in your costume—which included a very provocative dress. He swallows deeply as his eyes sweep over your exposed thighs, up to the deep dip of your breasts on display.

"Simon?" You prod, trying to understand why he has stopped speaking. He drags his eyes up to look into yours.

"You—what are you supposed to be?" He lazily questions.

"Um, a nurse," you say; he tilts his head to the side.

"Never seen a nurse look like that," he sticks his tongue out to wet the seam of his dry lips. You feel a sudden rush of embarrassment.

"It's from a—a game," you quickly say, rocking back on the heels of your feet. "It's kind of stupid," you turn your head away from him, trying to hide some embarrassment from his gaze.

"I like it," his eyes shamelessly drag down the length of your body. You flick your eyes back to him, offering him a small smile, noting the way his eyes become darker as the seconds pass.

"Ya?" You're shocked that you managed to get a word out since your mouth had turned to ash. Dry as a bone.

"Mhm," he hums as he takes a step towards you. You swallow hard as he steps closer to you, close enough for his fingers to graze the hem of your dress, tugging it down gently so it covers a little more of your thighs.

"Simon," you breathlessly say as you feel his fingers graze your bare skin.

"Dress ridin' up a little high," he murmurs, though he doesn't take his fingers away from you. He looks down at you, taking in your lazily closed eyes. "Have you gone out yet?"

"Wha—no. Didn't really want to," your tone is a little wobbly now as his hand slowly skimmed under your dress. You release a shallow breath.

He tilts his head back slightly. "No? What is it you wanted to do then?" He continues his movements, skimming his fingers up your thigh, slowly maneuvering between them. You find yourself gripping his shoulders. "Huh?" He tuts.

"I don't—I don't know," you choke out, dropping your head slightly as his hand grazes your cunt over your already wet underwear. You find yourself pushing yourself into his palm.

He leaned in closer to you, his hot breath grazing against the shell of your ear. "Did you want me to see you in this little outfit?" He whispers. You lean into his words flowing in your ear. "You knew how badly I wanted to touch this pretty pussy. Didn't you?" You let out an involuntary moan at his words, tightening your grip on his shoulders.

His pointer and middle finger slip into you through your underwear, grazing your clit. You find yourself rocking against his fingers to get more friction. "Ah, fuck. That's it, pretty girl," he groans, moving his fingers faster. "Keep fucking my fingers—just like that."

He pulled you closer onto him with his other hand, gripping your ass tightly to get you more friction. You leaned your head into his chest, moaning as his fingers continued to move in you.

"Fuck, baby. Look at me—look at me," he commands. You flick your head up to look him in the eyes; his mouth is slightly parted from panting. "Just like that," he pants, watching your mouth agape as he coaxes your orgasm, making you come in your underwear.

He holds you up as your body spasms, gifting him with the sweet mewls you spew. Once your orgasm subsides, he grips one side of your soaked underwear, slipping it down your thighs and tucking it into the pocket of his cargo pants he wore.

You look up at him, doe-eyed, before you look around in horror. "Oh my—you just, you just fingered me in the front yard," you frantically say, taking a step away from him. His lip quips at your genuine anguish.

"I know. I was there," he monotonously says. Anxiously, you bring your hands to thread through your hair. Your eyes widen even more.

"Oh my—my friends," you exclaim, whipping your head to your house.

"Guess you'll have some explaining to do," he casually says.

"Fuck you," you remark.

"Hungry for more already?" He smirked, pulling you by the arm closer to him so you rested flat against his body.

"No—you know that's not what I meant!"

a/n: happy almost halloween! take my treat to u all! divider!

reblogs & comments are encouraged!

[stompandhollar]

Honestly the most revolutionary thing about Gravity Falls to me is its commitment to sincerity.

I’ve been listening to Alex’s podcast where he goes into the details of each episode with different storyboard artists and writers who worked on the show, and it just baffles me how… cared for the story is. Right now in media there’s been an uptick in satire, and shows making fun of themselves for existing, or taking the piss at their own content to “win” fans to their side. It’s like whimsy is gone from so many pieces of media. But Gravity Falls just doesn’t… do that. It completely embraces itself. Weirdness and all. And so does the team behind it. I’m not used to something I care about being so cared about by everyone surrounding it.

Here’s this cartoon, written and illustrated by an entire team of people saying, “no, we’re serious. we mean this. we made this on purpose and we made it important.”

Throughout the podcast, Alex discusses little ins and outs of each character, offering so much deep internal struggles and enriching the story even farther. And listening to him unpack it with the utmost sincerity just warms my heart. Each character is so dynamic because they were cared for by people who imbued them with sincerity.

That’s exactly why we get quotes like “Shame is powerful, but it grows in the dark,” as Ford realizes the trauma he’s hidden for so long is being embraced by his family, diminishing it’s weight on him through their immediate support.

It’s why we get Alex describing Stanley with quotes like; “I always in my gut thought of him as somebody with a huge well of sadness, a loss of human connection. And that need to please? That need to get laughs from the crowd, and putting on a big show? He’s trying to get from them the affection he never got from his family, and that he lost with his brother.”

Or detailing how Mabel might be a goof… but half the time she’s doing a bit, because she’s really more mature than her brother and doesn’t want him to grow up too fast. She’s trying to help ground him and bring lightheartedness into his life. Because she knows otherwise, he’ll become too self isolated.

And those two mini character studies he dropped so casually in these podcast episodes just… color the show. It’s why the show survived so well even after ten years. It’s gruff-old Stan always calling his niece “Pumpkin” and “Honey”. It’s the family always holding hands without it behind laced with a joke, and falling asleep on one another in the car. It’s Alex explaining that people toyed with other endings, other plot lines, other twists, but it was always going to end with Stan and Ford mending the family tie they severed thirty years ago. Because that was their story. Messes and family and care.

Ten years ago, watching it for the first time as it came out, I felt all that. But now, as an adult, knowing that all the other adults who made it felt the exact same way? :,) What a special story we all got to grow up with, and get to continue being apart of.

[backinmyphase]

"A gift from our village for the king, the great Lord Sukuna!"

There was cheering behind you, firing up the hatred for these people who threw you out for the lion the second their life was threatened. The king was sitting there, chin on his hand as his eyes went over you. You knew he was making out your worth right now. Deciding if you were really good enough for a gift.

He was a strange looking man. Four arms, two different sides of a face, marks everywhere and you could see with just how he was sitting that he had a tall frame.

He was strange, but more like fascinating strange. However, that wouldn't make you hate him any less. After all he was the reason these people, you called your people once, gave you away that easily.

If only he didn't exist.

"You are staring."

His voice is deep but with a tint of mockery. Normally you would lower your head. If you were normal thinking, you wouldn't have risked your head for a snappy comment. No, you would have just kept your mouth shut.

"You are too."

There were many gasps. The strange monk with white hair next to him frowned. But the Lord didn't even raise an eyebrow.

Instead he stood up and you saw you were correct with your assumption, he was towering above everyone here. He slowly made his steps towards you. Now you were realizing how dangerous your action was. Just the way his presence made you want to hide was enough prove that he was danger. He stopped before you, looking down on you.

His hand found it's way to your chin lifting it, so you kept looking at him. You knew you shouldn't move. One snap with his finger and you would be... Oh well.

"I am." he grinned, while meeting your eyes. His were red. So unbelievable red, only blood could be.

"I hope I am allowed."

The silence spoke loud. You knew he was mocking you. He was making out right now if he should kill you or not, you were sure. There was just no way out of it, the decision was purely relying on his mood.

"Of course the king is allowed!" you heard screams from the people behind you.

"Lord Sukuna can do whatever he wants, no commoner can speak with him that way!"

There was loud mumbling of agreement behind you, which made your body stiffen. They were trying to get on his good side, there was no doubt.

"Offering such a pretty flower, just because they heard I was coming. Assuming I would destroy this place." his fingers were slowly caressing your chin. "You must be angry they were so willing to give you to me, are you not?"

You blinked at him, seeing his grin growing.

"Want me to kill them?"

The mumbling immediately died down, the tension now palpable in the air. Sukuna was still staring, watching your every move, even just the glancing of your eyes. You were shaking. But not just out of fear.

"I don't need them to die." You saw how Sukuna raised an eyebrow while there was small sighing behind you, just until you spoke again. "But...

If you did want to kill them, I wouldn't be mad enough to stop you."

The only thing you heard was your own breathing. The people behind you were quiet like they were not even there. You didn't look at them no, you didn't dare to.

Not when the king was looking into your eyes.

Then he let go off your chin and started laughing. Just laughing for an unbearable long time. Time, in which you wondered if you were dead now.

But he just shook his head while his laughter died down.

"Uraume, bring her to the estate." The white haired monk was already by your side. They were looking at him with a curious glance.

"And you my lord?"

"I have a Village to kill."

Part 2

[ambrosiagourmet]

I've been thinking about Laios' succubus lately. Mulling it over a bit.

Because I've seen these pages brought up a fair bit, but almost entirely in the context of shipping (on all sides, really). And I really want to understand what they are doing for the story beyond that.

When I went back to reread the scene and section, a few things caught my interest: the way Laios responds to both forms of his succubus, the themes of the volume the chapter is found in, and the other events of the chapter itself.

So let's dive into those three things, and what I think they say about the succubus scene's purpose.

Laios is never fully frozen by the succubus

So. If you compare Marcille and Chilchuck's reactions...

to Laios':

-

There is a difference. Sure, the basics may look the same once it turns into Scylla Marcille, but even then, it functions differently.

Chilchuck and Marcille are completely frozen once they catch sight of their succubus. Izutsumi, as well, isn't able to look away, and completely freezes up once her 'mom' starts talking to her. As Chilchuck describes, "just looking at them makes you unable to move."

And yet, Scylla Marcille has to actively convince Laios to comply. He even looks away from her at one point!

Laios accepts this succubus, but he is never actually helpless to it in the same way. Taken in? Convinced? Sure, at least enough to let things happen that he probably should question more than he does. But magically compelled? Not really. Not the same way as everyone else is. So that's interesting. But let's move on for now.

2. Volume 9 is all about drive and desire

I don't often look at chapters within the context of the volume they are included in, but I think there's some really fun things to be found with that perspective in mind.

For one, volume 9 starts with an exploration of what desire brought Laios to the dungeon:

And ends with a question of what desire brought Laios to the dungeon:

It's also very concerned in general with questions of why people do what they do. Why they are in the dungeon, why they are with the people they are with, why they stay, what they fight for.

In addition to Laios, we see it with Marcille...

Izutsumi

Kabru

and Mithrun

Hell, we even get it for the demon!

It's certainly not the only volume concerned with desires and motives, but it is particularly focused on these ideas.

The succubus scene fits quite well into the ongoing question about desires, especially Laios' desires. It is even placed at an interesting spot within the volume. The volume is six chapters long, and the scene takes place at the start of the 4th chapter. It's almost smack-dab in the middle.

With all this in mind, it is interesting that, with both versions of the succubus Marcille, it's not totally clear which parts of her Laios is rejecting.

The first version of Marcille looks human, but Laios attacks when he identifies her as a monster. The second Marcille looks like a monster, but he seems to believe that she is the real (human)(ish) person that he knows. So is he rejecting the monster at first, and then accepting the person? Or is he rejecting humanity and only interested in the monstrous?

Something to consider as we look at the next point...

3. the rest of the chapter is a seduction, too

This is one of those things that might not be apparent on a first reading, but is crystal clear on a revisit. We see the succubus try and charm Laios over 7 pages, and then see the Winged Lion do the same thing for the next 19.

Much like the succubus, it offers the mingling of monsters and humans. Much like the succubus, it offers belonging.

(and this is the point where I absolutely must also link this post by fumifooms on the succubus, which has some great ideas on how the scene is informed by Laios' trauma and desire for acceptance!!!)

But, back to the point. The Winged Lion wants to feed on Laios just as much as the succubus did, and it uses similar strategies to try and make that happen. Though this chapter isn't really the turning point for the next Lord of the Dungeon (it is Marcille who will, eventually, become the Lion's next victim), it certainly behaves like it is.

Laios is convinced. The succubus gets its meal. By the end of the volume, the reader begins to understand how concerning his desires are. Together, it is all very good at building up that sense of dread and pending disaster, as we see exactly how and why Laios might just fall into the Lion's open arms and bring about the end of the world.

-

So that's the three things I noticed. But there's still something I want to touch on by looking at the way these observations overlap, and what they reveal, together.

As I said, by the end of the volume, you can feel the tension growing. Just as Kabru and Mithrun do, you look back for an answer to the questions that have been built, chapter by chapter: why is Laios here? Where will his loyalties fall? This chapter, and scene, seem to prove the inevitable truth: he will choose the monster, of course. He will choose the seductive, easy power of the Winged Lion.

But the details of what actually happens tell different story: one in which the Lion is wrong.

First, as a reminder - even in Scylla Marcille mode, the succubus never fully entrances Laios. It convinces him, but it doesn't have him completely under its thrall.

Similarly, in the dream, the Lion does convince Laios to embrace the world he is offering. But even within that dream, Laios continues to ask questions that will be vital to him later. It is because of those questions that Laios comes to a new understanding about Thistle.

And it's this realization that he cites later as part of his reason for refusing the Lion's offer.

He is thinking through things the entire time, just like he continues to question the succubus even after it turns into Scylla Marcille.

Laios also expresses an interesting reason for why he wants to see the future of this world. He's not just invested because it would mean people liking what he likes, or him getting to spend time with monsters. The thought that comes immediately before his acceptance is about what he wants for monsters and people.

I don't think it's a coincidence that this statement - "we're living beings that share the same world, but all we can do is keep killing each other" - can apply to the various humans races just as much as it does to humans and monsters. The thing he is thinking about here isn't just a matter of his personal daydreams. It's an idea that underpins every conflict in the story.

Laios caring about how people as well as monsters in this manner is something that the Lion gets wrong every time. Even at the end, he still frames Laios' desires entirely around hating people and loving monsters.

The Lion has heard him express an opinion about the future of the world! It happened right there in the dream, right in front of him! He just didn't take it seriously, and didn't view it through any lens other than "Laios likes monsters more".

He's convinced that he understands how to get to Laios. Maybe the Lion can't truly see everything, or maybe his vision into everyone's deepest desires has made it hard for him to realize how much choice still matters. That people can, and do, choose which desires to act on, and how to act on them.

Whatever the case, he's wrong about Laios, and the story shows us this over and over again.

After all, look at how the succubus interaction plays out:

A monster uses Marcille to appeal to Laios...

He realizes that something about the situation is wrong, and rejects her.

It changes strategies, and makes new offer: to turn him into a monster.

It also assures him that his friends are, or will be, taken care of.

He accepts. Or rather, allows the monster to have its way with him.

But Laios is not as helpless as he initially appears, and what the Lion thinks is a successful seduction also contains the seed of an idea that will allow Laios to later resist him.

We even get to see Izutsumi playing a similar role in both instances, as the one person fully able to take action in the face to the illusion.

The story lays out what is going happen, and then explicitly tells us that the demon and the succubus are thematically related.

The chapter performs a great sleight of hand here - everything about it seems to indicate that Laios is doomed give in to the option to have his deepest desires realized. But if you look closer, it also contains the evidence that he won't. There's a lot more going on for him.

Yes, he still falls for obvious tricks. He is still extremely into monsters, and he still doesn't feel like he fits in with other people. He may, deep down, crave to surrender to the monstrous - to let it absorb him. But he questions more than he seems to. He considers more than people realize. He cares so much more than anyone gives him credit for.

And I think this is part of why we see the succubus called back to so many times, especially with the wolf head addition to his Monster Form, which he specifically added due to his encounter with the Scylla Marcille.

This all stays with Laios. It doesn't just foreshadow the path of the story, it is fundamental to how and why he walks that path. It's not about him choosing monsters, and it's not about him choosing people. It's about how he considers both, and cares about both.

And it's about the forces that think they already know his answer. Mithrun and Kabru. The Winged Lion. The succubus.

It's about how they are wrong.