#I want to shake him by his shoulders

[kanene-yaaay]

One day I am going to have money to commission beans and then it will be over for me because the FIRST thing I will do is to ask for a drawing of a gremlin that appeared in my tickle dream and the moment I see him again I will fall on the floor dead ♡

[24601orwhatever]

KYLE ADAMS as GRANTAIRE

mastered by @bikinibottomdayz

[fun-esta]

[ghostlycleric]

This one really obvious lip glance Mike does at the roller rink WASNT RANDOM.

When Will admits that El’s been lying to him, Mike calls bs, and then Will NUDGES HIM. He does it when he says “no listen to me” but his hand is offscreen. It’s very subtle but I swear u can literally see Mike shake like Will grabbed his arm and shook it a bit to get his attention.

That’s what that look was, it wasnt a completely random lip glance from Mike, it was cause Will shook him. Mike was defensive at first, calling bs, but then Will touches him and suddenly the defense is down and he believes him. His tone of voice completely changes and everything.

Something something Will has a tendency to nudge Mike like that during all their arguments where they aren’t seeing eye to eye and Mike is getting defensive. Something something Mike has picked up on that and now takes that as a sign that Will is being serious and he needs to slow down and listen to him. Something something theyre such a good team even when theyre arguing.

[lordoflucky]

Quick over-analysis of the ways Barok and Albert address one another, because ace attorney loves showing personality through how characters refer to each other, and I love analyzing it.

Easy one out of the way, Albert exclusively refers to Barok as "Barok" regardless of the situation. He is the only character to do this, with every other character referring to him as some variation of "Prosecutor/Lord van Zieks". This establishes their friendship from the get-go, while also being a bit jarring to the audience as literally no one calls him just "Barok". Even characters who are closer to him, like Gregson and Stronghart, still call him "van Zieks". As far as Albert is concerned, that's just his good friend Barok, not the intimidating Prosecutor Lord van Zieks.

Barok meanwhile has two major ways of referring to Albert:

Firstly, "Albert". This one's simple, he's just reciprocating Albert's first name address, and further cementing their friendship. This is used almost exclusively outside of the courtroom, meanwhile within the courtroom he almost only uses "Professor Harebrayne". An exception to this is right after Albert is forced to accept that the experiment is a failure Barok says:

"And as for you… …Albert. You can't ignore this any longer."

It's a sudden departure from the distant, professional address he's been using the entire trial. It's also a much kinder approach than Barok usually takes when referring to defendants (or anyone really), something Susato comments on directly by saying she's "Never heard him speak that way before." He's breaking the Reaper Persona for just a moment to give his friend a firm, yet ultimately gentle, push.

Back to "Professor Harebrayne", while on the surface it seems distant there is one scene that shows an extra dimension. During the "Laudable not Laughable" scene, a sequence dedicated to Barok giving Albert what is essentially a pep-talk, you would expect him to return to the "Albert" address as seen earlier. Instead, he continues to use "Professor Harebrayne". My interpretation is that Barok is specifically calling attention to the fact that Albert is Professor Harebrayne. He has a title which he earned that is proof of his abilities as a scientist. Following that logic, "Professor Harebrayne" isn't just for formality's sake, but also a representation of the respect Barok holds for Albert separate from their status as friends.

However, Barok actually has a third way of referring to Albert that is used exactly once. In the line directly preceding Albert's (false) confession to murder, Barok says:

"What's all this about… Mr Harebrayne?"

Mr Harebrayne. Not Professor, not Albert, Mr.

If "Professor Harebrayne" is meant to show respect, and "Albert" is meant to show fondness, then clearly "Mr Harebrayne" is the absence of both.

He's not "Brilliant Scientist Professor Harebrayne" and he's not "Dear Friend Albert", he is Mr Harebrayne and he is about to do something so, so stupid. And there's nothing Barok can do to stop him.

My chosen interpretation is that this is Barok's desperate attempt to verbally smack some sense into Albert. This is like the Barok equivalent of grabbing Albert by the shoulders and yelling "What the hell do you think you're doing???"

As an aside, this comes right before the "...Albert. You can't ignore this any longer" line. Meaning the latter can almost been seen as an apology for being so harsh moments before.

Just, Mr Harebrayne. It's such a minor change, but I adore it so much. With how much care ace attorney puts into the way characters refer to each other, I have to assume it was intentional.

[flowerakatsuka]

a while ago, i started working on something meant to explain the lore behind this kurokara drawing i did back in may, but i never ended up finishing it. it popped back into my head again so i decided to redraw one of the panels from it to see how much my art / style imitation has improved since then. i'm pretty proud of how much my art's grown!! 😊✨

the original sketch is under the cut!

[bri-cheeses]

“Have you ever been in love?”

The question seems to take Evan by surprise. “What?”

Barty repeats the question, shifting up into a sitting position. His hands dig into the ground, still damp from last night’s rain. “Have you ever been in love?”

There’s a beat of silence. Then, looking down at his feet, Evan quietly answers, “Yes.”

Suddenly, Barty is mad at himself for asking. He can’t even say why he asked in the first place; he simply had the thought, and being the impulsive person he is, he asked without thinking. Now he wishes he hadn’t, if only to have avoided this odd burning in his chest caused by Evan’s answer. And really, he should drop the topic, based on downcast tint to Evan’s response, but he can’t seem to let it go. So instead, he presses the issue.

“When?” he asks, looking intently at Evan.

At that, Evan looks to his left, purposely avoiding eye contact with Barty. He stubs out his cigarette on the grass next to him, a thin curl of smoke rising up from it as he does so. “A long, long time ago.” His voice is dark with something Barty can’t name.

“Did it end well?”

Evan cuts him a look. “Who said it ended?”

At his words, something twists inside Barty. Suddenly there’s a lump in his throat as he works to get out his next sentence. “Well, you said a long time ago. So I thought that it was a, uh, past thing.”

“Yeah. It was a long time ago. When I… fell in love.”

Barty knows he’s the one who started this conversation, but he really hates the way Evan says love in reference to some mystery person. At least he used past tense, though, meaning it’s a thing of the past.

“So what happened?” Barty questions.

“They didn’t want me in the way I wanted them. Still don’t want me that way.” There’s something bitter in Evan’s tone, and he’s gone back to refusing to look at Barty. In contrast, Barty stares at him intently. He feels as though he’ll be able to see through Evan’s exterior and into his insides, where all his secrets are hidden, if he only looks hard enough.

“Who was it?”

“Does it matter?” Evan’s voice is biting as he sharply turns his head back towards Barty.

“Yes. No. I don’t know.” Barty leans back onto his elbows, tearing his gaze from Evan. It’s almost comical how their positions have changed; now, Evan stares at Barty, and Barty looks out over the lake in an effort to avoid his gaze.

“It was no one important, okay?”

“Oh.” Something settles in Barty when he hears that, even if Evan’s tone contrasts with his dismissive words. “They were—still are—an idiot, though. Just for the record.”

Evan laughs in that disbelieving way of his, as if he’s sharing an inside joke with himself. “Yeah?”

“Yeah,” Barty says definitively. “I mean, you’re perfect. And whoever can’t see that is an idiot.”

“Perfect?”

“Yup.” Barty means it, too.

“Yeah, well,” Evan scoffs, “it isn’t good enough for them. So it doesn’t matter.”

“Well, you’re good enough for me,” Barty says hotly. “So don’t worry about that idiot. Because you and me? We’re best friends, and you’ll always be good enough for me. You know that, right?”

Evan is avoiding Barty’s gaze again. He picks at the grass next to him, focusing on that instead. “Right,” he says somewhat bitterly.

“I mean it,” Barty insists. “You are.”

Evan looks at him, smiling sadly. “Thanks, Bee. But it’s getting cold. I think I’ll head back inside if that’s all right with you.”

“I—okay. Yeah, uh, sure.”

With that, Evan gets up and begins the walk back to the castle. Barty watches him go, thinking their entire exchange over.

He’s not entirely sure where the conversation went sour enough to get Evan to leave, but clearly something must’ve caused his abrupt departure. Even if Barty had thought he had said the right things to get Evan to cheer up again. He had meant what he said, too; Evan always would be good enough for him. Barty honestly couldn’t imagine a better best friend.

So Evan shouldn’t, Barty thinks heatedly, have ever been hung up on some random person who couldn’t even see how amazing he is.

Barty continues to sit there, close to the shore of the lake, and watches Evan’s retreating form. And as he watches Evan reach up to wipe at his eyes, trying and failing to act like it was nonchalant gesture, he resolves to find out who Evan was talking about. And he’s going to make them, whoever it may be, pay for how they hurt Barty’s best friend.

[sorrelpaws]

GOTTA KEEP THOSE RECEIPTS, DAWG

[moeblob]

Simon was my favorite and I think that people will think "of course you like the blonde guy, salmon" but it wasn't actually intentional!

[coffeeghoulie]

a bunch of unmasked ghoul pictures from drag talk last night (I AM A CHANGED PERSON AND I DO IT AGAIN TONIGHT)

@st-danger as promised <3

[valictini]

BBH’s “Wants to act evil but actually feels bad raiding the green base”

Vs

Aypierre’s “There’s no mercy to have, let’s steal and burn everything. Oh and btw I just condemned them to death.”

[a-tale-of-legends]

Like I love Piers. I do. But it will forever erk me on how he just. Pushes so much on Marnie. I don't think it's malicious by any means, it's clear he adores her. But again, the " team yell situation would've been out of control if it wasn't for her" as if he's not the adult there. Or the " I'm not much of a gym leader, so I want my sister to take over for me", despite her interests being. Not that atm.

And I don't exactly hate these flaws for Piers. I think they're really interesting! But both the game and masters kinda don't do anything with it. At least masters goes " yeah, my sister wants to be champion, so I'm still gonna be a gym leader for now and let her do her own thing " but it's still banking on the fact Marnie will eventually become the gym leader in her place. Like he doesn't mean to do this, but he's putting so much pressure on the girl. Him and team yell! And I don't think that's fair! But nah, they still have a good relationship - and I want them to! But I also want them to address this. I think their entire situation is just messy, and pokemon isn't exactly showing that.

I do think it's interesting, according to Marnie, she feels like the reason her and Piers don't argue is because Piers is holding back on her. And that she would want that sibling squabble. Like! God that's so interesting! And kinda sad! To know your older brother is holding back emotions for your sake! There's so much you could do with these two I swear, and yet! We don't get much!

[barbieaiden]

second? deadliest pirate sibling duo on the continent?

[crumbleclub]

Conflicting dynamics between Michael and his siblings are so intriguing. I feel like a lot of people slant strongly one way or the other– he's either protrayed as a good brother who's been thrust into a parental role and does everything for his siblings, or as a complete monster of a kid who spends all of his spare time tormenting his little brother– but it's more interesting to me when it's both.

The Michael who cruelly locks his brother in a room surrounded by the things he fears most and the Michael who tries to redirect his father's abuse away from Evan and towards himself are the same person.

The Michael who did his sister's hair every morning is the same Michael who tore apart her toys when he was angry with her, and both parts of him were there when he found himself crying in her room at the realization she was never coming home.

On top of that, they probably had a lot of very normal moments, too. They played outside together in the summer and tried to pawn their chores off on each other. There was one song they all liked when it came on the radio, and they made fun of the adults they knew when nobody else was around. None of them knew how to talk about their feelings, but, when one of them had been having a really rough time, they'd find that the breakfast Mikey made the next morning was their favorite, or Evan's favorite show had been put on even when Elizabeth had the remote, or an anonymous party had left a really cool rock on Michael's bedside table.

It must have been strange from the younger kids' perspectives, especially Evan's. Your brother keeps making you cry on purpose, and he's so, so mean, for no reason at all, but you know the bruise under his eye had been meant for you.

[tauforged]

i still haven’t unlocked all of the grimoire lore pages because RNG hates me but i’ve read them (or rather. vik read them to me over call while i was doing tank maintenance. hehe) and ohhhh the implications are all so compelling but what gets me the most off the top of my head:

- tales of duviri was based on stories albrecht used to make up for euleria as a young child, complete with goofy character voices. he also somehow considers himself a complete failure of a father, despite all evidence pointing to the contrary.

- loid was not only fully aware of exactly what albrecht was trying to accomplish the whole time, but very much an active participant. he was the one who gave al the idea for the vessels. he knows exactly what was happening and was in fact an active enabler in most of his crazy science shenanigans

- albrecht came FRUSTRATINGLY CLOSE to actually finding the ‘correct’ answer to beating back the indifference when he was in duviri but basically ‘this sign won’t stop me because i can’t read’-ed right back out of it and decided that he alone was uniquely irredeemable and deserved to suffer for his mistakes and needed to continue digging this hole even deeper

- the reason bird 3 doesn’t have a proper name like fibonacci tagfer and minn is because he was literally just picked at random as an ‘expendable’ animal to balance out the diversity of the test subjects. he also considered kalymos a viable test animal, but couldn’t bring himself to potentially cause her any harm. he somehow finds a way to feel just as guilty about not potentially killing an animal as he is about killing countless other animals. this guy has ISSUES

- the vessels are made in part from tissue samples from arthur and aoi that he brought back to deimos

- he has been to 1999 and back several times before and interacted with arthur and aoi seemingly fairly extensively. they believe him to be a doctor trying to protect people from the technocyte plague, and he used this as a front to secretly start turning them into partial warframes.

- he basically became so consumed by the guilt of his cavia experiment being a failure that he decided his only option to redeem himself was to graduate to unwilling/unknowing human test subjects instead. 10/10 no notes keep up the good work 👍 this will only go well

[stevethehairington]

the way the "she sees me" line about natalia is like a thousand times more tragic in context of it all because like no, she very much does not. like buck is so earnest about her and thinks he and natalia are making a genuine connection, when in reality it's just natalia chasing her morbid fascination and curiosity that had nothing at all to do with buck and everything to do with his experience. it is SO achingly tragic.