#I want to know if this is a me problem or if others experience this
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SHH... WE CAN'T GET CAUGHT.
nsfw (18+). includes fingering, breast play, dirty talk, huge cock, unprotected sex, creampie, fwb relationship (it's pretty obvious you like each other tho), mentions of your first time experience with caleb (and other times after that), having sex when another person is just a few rooms away, too much cum, slight praise kink. filthy, filthy, filthy smut from top to bottom. likes and reblogs will be very helpful !!
“Shh... you don't want Gran hearing us, do you?”
You're covering your mouth to stifle your whimpers, but there's no hiding the wet squelches beneath the blanket. You wrap your hand around Caleb's flicking wrist, his fingers buried deep inside your cunt. When he adds another digit, a loud cry of his name is pulled out of you.
Caleb presses a soft kiss against your nape. You're both turned on your sides, your back against his solid chest. “As much as I like hearing you say my name, it'd be a problem if someone came to interrupt us. Remember the last time?”
The last time he's referring to is your risky tryst from a few days back; Caleb joined you in your bath, claiming he wants to “wash your back” for you. As expected, 20% of your time was spent in a relaxing soak where he massaged your shoulders and washed your hair, and the remaining 80% was spent with his head between your legs, coaxing out wave after wave of cum with his fingers and tongue.
The tip of his cock was already inside you when a knock on your door interrupted you, your grandmother asking if you knew where Caleb went because he wasn't in his room. Needless to say, you had to stop what you were doing and Caleb had a difficult time sneaking out of the bathroom.
“That... mmph... and this... is all your fault...” you struggle to say while biting back your moans as he grinds his fingers against a good spot, his thumb flicking at your clit. Caleb has always been too good with his hands. “You always—ah!—do this even when there are other people around...!”
“You wanna know why?” Chuckling, Caleb leans closer to whisper to your ear, lips brushing over your soft skin. “You squeeze me so fucking tight when we're about to get caught.”
You gush around his fingers as he mouths on the shell of your ear, moaning into the palm of your hand. He hums in satisfaction, pulling out his hand from your panties to admire the stringy release between his fingers. “You always cum too fast, pipsqueak. You pent up these days?”
How on earth could you possibly be pent up when you've been fucking Caleb at every opportunity? Every time you're left alone at the house, he fucks you against any flat surface he can find—the door when he's too impatient to go to your room, the bathroom sink because he likes making you watch yourself in the mirror when he's fucking you stupid, and even ate you out on the kitchen countertop at some point.
But the thing is, Caleb is undaunted by the possibility of being caught. So even when your Gran is around, he sneaks into your bedroom to fool around, just like what he's doing now under the pretense of “we watched a horror movie today, aren't you scared to sleep alone?”
Evidently, Caleb has no intention of letting you sleep tonight. He fondles your tits beneath your shirt, the tent in his sweatpants grinding against your clothed ass. “Don't pretend like you're innocent,” he mutters, making you yelp when he pinches your nipple. “You strutted around all day wearing my shirt without a bra, bending down in front of me on purpose... Did you know how hard it was to hold back from fucking you on the spot?”
“T-that was...!” Your cheeks flush with warmth. Sure, you were kind of riling him up on purpose, but that was under the assumption you'd be alone tonight.
“This ass...” he rubs you above your shorts, groaning as he palms at the soft flesh. “...was in my mind the entire fucking day. I held myself back until now, but I can't hold back anymore, fuck.”
He strips you off of your clothes, only leaving his shirt scrunched up above your breasts. He pulls down his sweatpants, and you feel his huge cock slap against your lower back, his pre-cum smearing across your skin. He holds the back of your knee to raise your leg, positioning his cock to your soaked pussy.
“Been waiting for this for so fucking long... Oh, shiiit,” he moans, long and drawn out and dirty as he slides right home, the tip of his dick pounding at your cervix. You squeal into your hand, your cunt clamping down on his cock so tightly but it doesn't deter his fast pace at all.
He reaches so deep like this, hitting spots he normally couldn't when you're in missionary. His huge cock feels like it's carving its own space into your body, coring you out from the inside, and it feels so good that you can't hold back your voice at all.
“Nn... Don't do that,” Caleb pulls away your hand from your mouth when he notices you biting down on your skin to hide your moans. He replaces it by putting his fingers in your mouth, cooing softly to your ear, “Suck. You're going to hurt yourself.”
You suck on his fingers, eyes rolling back to your head as he continues to pound you, fucking your pussy so good. Only Caleb knows how to make you feel so much pleasure to the point you can't think properly anymore. Your fingers could never hope to reach the places his cock touches.
It's how this twisted relationship started in the first place, Caleb catching you touching yourself when you forgot to lock your door. He taught you how to make yourself cum because you didn't know anything, until all you knew was him and his cock. But he was too big the first time you took him in that he had to fuck you loose with four fingers, sucking and licking at your pussy to make you wet enough to accept his thick girth and length. Now, he could slide inside you easily, your body having taken his shape.
Caleb stares at your messy face, utterly endeared. “Fuck, you're so fucking cute...” He takes out his fingers from your mouth, using them to tilt your jaw to meet his lips. He kisses you sloppy, no finesse as you slide your tongue against his, moaning into each other's mouths. “Mm... open your mouth more... yeah, that's it, baby... good fucking girl...”
“Ah, fuck, Caleb!” you sob, desperately rocking against his cock. “I'm gonna cum, cumming, I can't anymore...!”
“You're gonna cum?” Caleb stops thrusting, making you whine and attempt to move yourself, but he holds onto your hips and pushes you into the mattress, laying you flat on the sheets on your front. He settles behind you, using his weight to pound you to the mattress harder. “Then fucking cum.”
You moan uncontrollably into the pillows, completely forgetting you're meant to stay quiet. Caleb fucks his cock harder, faster, deeper, failing to hold back his own grunts as you tighten up around him, wet heat melting around his dick. “Shit, I'm gonna cum too... I'm gonna cum hard in your slutty fucking pussy... fuck, I'm cumming!”
You squirt around his cock as he fills you up with cum, your fluids making a mess between your bodies and the sheets. You don't realize you're crying out up until Caleb grabs your chin and kisses you once more, muffling the lewd moans you're letting out while he's still cumming inside you, hot and thick. He gives you tiny, slowing thrusts, cock still spurting out semen. “Oh, baby, you did so good...” he sucks on your bottom lip, staring intently at your orgasm face. “Such a good fucking girl for me...”
“So... full...” is the only thing you can say, feeling the sheer volume of one load of his cum in your pussy, warming you from the inside.
“Not full enough, baby.” Caleb peppers your face with kisses. It is then that you realize—with no small amount of fear and arousal—his cock hasn't softened at all. “I still have a lot to give you.”
#love and deepspace#lads#love and deepspace x reader smut#love and deepspace x reader#love and deepspace smut#caleb#caleb x you#caleb x reader smut#caleb x reader#lads smut#lads x reader#lads x reader smut
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Part 2 of Golem!Prowl AU!
_____________________
“I hate it,” Orion sighs.
“It's understandable. But you can't change the system from the inside without becoming part of it first.”
“I was hoping I could become part of it without becoming a murderer.”
“It's okay” says Prowl ”You don't have to. That's what you have me for.”
Orion twitches.
Part 1.
The fic under the cut⤵️
Orion looks...sick. Worried. Scared.
“Prowl, do you know what the Great Hunt is?”
Prowl tilts his head keeping up with the lists he received from the Council.
“Traditional raids on monsters made to consolidate control over the land holdings of regular Mechs.”
Orion rubs the bridge of his nose
“It's a massacre.”
Prowl twitches his wing.
“It is a measure of intimidation against creatures that cannot be negotiated with. Brutal, I don't deny that, but experience shows it works. The destructive activity of monsters lessens considerably if they know their actions can be followed by punishment.”
Orion stares at him. For a long time. Silently.
Tensely studying him, as if seeing him for the first time.
“You think killing them instead of finding a compromise is...right?”
Prowl thinks he must be treading on unstable ground.
“I think it works. That is all. Monsters do a lot of damage with their existence. They kill, destroy and pillage. If periodically reducing their numbers reduces their damage, it confirms the effectiveness of the strategy.”
“They just want to live. Primus' sake, they want to eat.”
Prowl sighs. More for appearances than for any real effect.
“I suppose I can't judge them for wanting to survive. It makes sense.”
Orion nods.
He looks oddly pensive.
“Ratchet keeps picking up wounded...” he stammers, apparently trying to find a suitable alternative to the word monster “...wounded beastformers. I've been to his house. It's generous, but I'm afraid of what will happen if he gets caught doing it.”
Prowl frowns
“He should have stopped.”
“You wouldn't understand.” sighs Orion ”Him. Shockwave. We want to help. To make things better. I don't need you to chide me for disobeying the rules, I need you to figure out how to change them. Ghosts and insecticons deserve freedom as much as we do.”
“But...”
Orion looks at him angrily.
“No. Whatever you're going to say in response to that. No. I know you're driven primarily by logic, but I need you to remember it well. All sentient beings deserve to live free. Do you understand? All of them. Period.”
Prowl rolls up the lists and interlocks his fingers in front of him. There are small scuffs on his thumbs and index fingers from constant writing. He occupies himself with running his fingers over them, feeling the difference in texture.
“Mech's freedom in such a case ends where someone else's hungry jaws begin. You can't expect monsters and Mechs to just coexist in peace if you give them freedom.”
“No” sighed Orion ”That's why I support Shockwave's idea with creating an academy for magically gifted Mechs. He's helping to show the world that so-called 'dark creatures' can be as civilized citizens as any Mech. He teaches them to find that compromise. We can't just expect centuries of hate and fear to be forgotten once the laws change. We must direct this process. To help the Mechs understand and accept each other. Guide them, you might say.”
Prowl feels a headache coming on, as it always does when Orion requires him to logically solve a problem the answer to which lies in the feelings rather than the intellect. He's not built for this. It irritates him.
Orion stops right in front of him and puts a hand on his shoulder.
“Tell me what you think of this. If...let's pretend for a second that my morality fiddles don't matter anymore. That the problem of Mechs and monsters coexisting is something you alone need to solve. And solve it in such a way that the outcome is optimal for us as a society. To maximize the number of happy citizens. What would you do?”
Prowl is silent for a moment.
Orion squeezes his shoulder lightly before continuing.
“'Free from my judgmental conclusions, Prowl. From the standpoint of pure logic. What should we do?”
What to do...Prowl's thought process finally finds a direct and understandable train of thought. Monsters make up a paltry few percent of the population of all living Mechs. The numbers fluctuate depending on which region is being considered of course.
In some cities, some types of monsters are considered just fancy Mechs. Some monsters have risen from the status of savages to being respectable Mechs over the course of history. Even Orion's best friend, Shockwave, could be regarded as a mystical creature in some regions due to his gift of flight.
Nevertheless. The percentage is still minuscule.
But even that tiny percentage takes a significant toll on the economy and quality of life, because just one uncontrollable creature can terrorize an entire city.
He notes the weight of Orion's hand on his shoulder. Not judgmental. Orion promised he wouldn't judge.
“I'd get rid of the monsters.”
“Oh” Orion blinks ”Locked them in cages? Chased them away? Killed them?”
Prowl twitches his wings
“Banishment will only move the problem in terms of space, and imprisonment isn't secure enough. It would make sense to get rid of the monsters. Once and for all. It wouldn't be pretty or merciful, but it would greatly improve life for everyone, at the cost of a tiny percentage of living beings who were already of no use.”
“And you believe that would be a good outcome?”
“I believe it would.”
“But you're not a Mech yourself.” Orion reminds “Would you be willing to be exterminated along with the rest of the creatures if your plan were put into action?”
Prowl tilts his head slightly. Just to make it easier to look at Orion.
“You created me to, as you put it, help you make the world a better place. Sometimes in order to improve something you have to cut out the factors that get in the way. It's simple logic.”
“You didn't answer my question” Orion points out ”How would you feel if I decided to take your advice and destroy all mystical creatures, including you?”
“I am not made to feel” straightens Prowl ”My job is to find solutions to problems. I gave you a solution.”
“You don't include yourself in the reckoning.” snorts Orion “Again. You talk as if you will never be affected by anything.”
As it should be, Prowl thinks. He's a conscientious worker and a ..seemingly law-abiding citizen. He does what he can to make Mech's lives better. Even though he may not be a Mech, he's doing the right thing. Why would something happen to him?
Orion removes his hand from his shoulder and shakes his head.
“'Alright. I've heard you. But I want to make it as clear as possible - what you suggested is immoral, cruel, and should never be implemented. Do you understand me? Never. If you want to build a better world, you cannot and will not build it on other people's deaths. Have I made myself clear enough?”
“Perfectly clear.”
“Good.”
-----------------
Ratchet looks...many words could be used to describe him.
He's standing in the center of the trial room with a lot of emotions written all over his face. But if Prowl had to describe - he'd say Ratchet practically radiates rage. Not violent. More of a powerless one.
The rage of a Mech who knows he's cornered, but refuses to even consider giving up and admitting defeat.
Prowl sits in a far dark corner, silently documenting the whole process.
The council is furious. They apparently discovered that Ratchet has been dragging wounded monsters to his house and healing them all this time.
Which is ... very much as expected from Ratchet.
Prowl wants Orion here, but both Orion and Shockwave are now on a diplomatic mission a few days away, so the only support Ratchet has is...Prowl. Who can't help in any way, so he just sits there and meticulously documents the whole process so that Orion can then be informed of every single detail.
The council doesn't look happy. They say that Ratchet is sabotaging the hunters' efforts to contain the monsters by his actions.They are angered by Ratchet's absolute determination to insist that he was doing the right thing.
Prowl would be impressed, if only Ratchet's stubbornness made sense.
It's simple math. Ratchet saves lives. Monsters take them.
Thus Ratchet's life has much, much more weight and is more valuable.
If Ratchet would just accept the Council's decision now and promise to stop curing monsters, the whole problem would be solved as efficiently as possible.
But Ratchet, of course, persists. Probably just because that's his nature.
Ratchet can also afford to be so stubborn because his skill level makes him incredibly valuable to the Council. Prowl knows for a fact that if any other medic were in Ratchet's shoes right now - they would have been sentenced to banishment or execution by now.
When Ratchet realizes exactly how the Council caught him, his rage is instantly replaced by shock.
This revelation is enough to startle him and make him back down. To nod and numbly swear that he will end his "blasphemous hobby."
Prowl carefully folds the scribbled scrolls into the case as the Council doors close behind both his and Ratchet's backs.
“Orion will be happy to know that you were prudent enough to avoid death.”
Ratchet shifts his gaze to him
“You knew? Knew they could see through our optics? Did you know they could find out anything about any Mech at any time?”
Prowl tucks his hands behind his back and nods politely
“Knowing things is my job.”
Ratchet sighs. Heavy. Exhausted. Doomed maybe.
“How does Orion deal with it...”
“Orion has a reputation with the Council. They consider him a decent, law-abiding Mech, so they see no point in keeping tabs on him.”
“Are you kidding?” Raetchet raises his eyebrows “Orion can't do everything he does and remain ‘decent’ in their eyes. He and Shockwave practically cuddle with every possible creature every day and all they get is a little reprimand????”
Prowl tilts his head
“Orion learned to look away in time. And he has me for everything else.”
Ratchet doesn't answer him. He rubs the bridge of his nose tiredly and starts to walk away.
His shoulders look oddly tense. He looks defeated, but not in the way a Mech would describe a slain turbofox. No. There is a deep-seated, angry determination.
A willingness to act dictated by desperation.
The news of the surveillance has thrown Ratchet off balance but not knocked him off his feet as the Council had hoped.
Prowl looks at his back and walks off in the opposite direction. The problems of living, feeling Mechs have always been and will always be mysterious to him.
Ratchet does what no one expects him to do.
He doesn't stage protests. He doesn't accept the verdict.
He leaves silently, taking with him only medical supplies and an old lantern.
The council is furious, turning over every stone in an attempt to find him, but all in vain.
Prowl's daily duties now include “keeping track of any possible news related to Ratchet.“
And then, no matter what he finds, report to Orion that he's found nothing.
Put on a little regular show for all concerned. Show the Mechs in the Council that Orion remains loyal and does his best to find and bring to justice any blasphemer whether it's a friend of his or not.
He is his purpose. But the more time passes, the harder it becomes for him to trace the path to the fulfillment of that purpose. He envies the golems whose only function is to scrub floors. Their lives are understandable. A clean floor is a temporary but easily attainable goal. They are happy to fulfill the goal for which they were created. And then they're happy knowing their job is done well, until the floor gets dirty again.
Prowl is walking towards his goal, but it's not getting any closer. He knows what he needs to do to get there, but the variables are constantly changing and he has to adjust his course of action each time according to new information, conditions, and Orion's opinion on them.
Politics is infinitely more complicated than mopping floors after all.
————————————
Orion doesn't turn around on him as they walk down the hall. But Prowl can physically feel the attention focused on him.
“Prowl. Did you know I was awarded today for my ''outstanding service'' by the entire Council?”
“I did not.
“They've gone through all the reports and discovered that according to the logs me and my mechs are performing excellently when it comes to eliminating mystical threats.”
“Congratulations.”
“It's funny that you feel the need to congratulate me too” Orion continues ”Because I certainly didn't give orders to eliminate anyone.”
Their pacing doesn't falter. They continue to walk calmly down the hallway as if nothing is happening. But Prowl can practically taste the increased tension.
“Prowl” says Orion “Why is the Council rewarding me for murder? And where are the Mechs they think I killed now?”
Prowl checks the scrolls. Not because he doesn't remember. Just to buy some time to formulate an answer.
“They were the inevitable casualties. I took charge of their destruction. On your behalf.”
“You know how I feel about killing.”
“I know.” nods Prowl for some reason. Why? Not that Orion can see it “I also know how the Council feels about Mechs showing suspicious activity. They would have started watching you as soon as they noticed you were letting monsters slip away from you suspiciously often.”
Orion...sounds... conflicted. He sounds struggling.
“You killed them.”
“I gave the order. As any other hunter would have done in my place.”
Orion stops so abruptly that Prowl doesn't catch the moment and bumps into his back.
“We're supposed to be better than other hunters Prowl! How can you still not grasp that concept!!!”
Orion looks furious. Prowl discreetly looks around.
Around them is a relatively empty hall. Windows covered by heavy curtains. The cleaning golems scurrying back and forth.
“I understand” he says “But let me remind you that you cannot test their trust infinitely. Your 'being better' rests on your reputation. And it's my job to make sure your reputation lives up to it.”
Orion looks at him...Prowl isn't even sure how to describe it. Usually he has to argue with Orion's logic, proving his point but this time...Orion is the one arguing with him.
It feels strange. Uncomfortable.
He's doing everything Orion wanted him to do, but for the sake of it he has to do something Orion can't stand.
Orion clenches and unclenches his fists helplessly. Rubbing the fabric of his cloak.
“Shockwave can save lives without killing anyone.”
“Shockwave is one unfortunate act away from serious consequences” shakes his head Prowl “His academy is looking more and more like his own small army every day. His students are not loyal to the Council, they are loyal to Shockwave. And the Council knows that. And will use it. And it won't be pretty when it happens.”
“No...” shakes his head Orion, not addressing anyone in particular ”No no no no no...”
Prowl can understand why Orion is upset. But he also knows he's right this time. Shockwave may look like a fine example of mercy, but he walks on the very edge of the law and any wrong move will instantly turn him from “out of the box thinker” to renegade.
The Council will come for his head and the Council will get his head because Shockwave will have nothing to prove his loyalty with.
Orion will. Prowl made sure of that.
Orion can bend the rules, can borrow the Council's trust, can do all sorts of reprehensible things. He can stumble and fall and then fall a couple more times and find that it doesn't hurt him because Prowl caught him even before he stumbled.
He did it at the cost of lives. Yes.
But Orion's life is far more valuable than the lives of monsters.
Society doesn't need monsters to become better, but society needs Orion. Monsters need Orion. Because if Orion is gone, no one else will care about his idealistic goal.
“Sometimes I forget how creepy you can be...” mutters Orion ”You're going to betray me sooner or later.”
“I could never betray you.” Prowl twitches his wing.
“You've successfully betrayed what I believe in.”
“It's fine with me if you hate me for it. As long as you are alive, safe, and can continue your quest.”
Orion falls silent.
He turns away to stare at a strip of light from a nearby window. There are beautiful, wrought iron grates that cast an intricate, curved shadow on the floor and walls.
A golem janitor hurries past them.
“I hate it,” Orion sighs.
“It's understandable. But you can't change the system from the inside without becoming part of it first.”
“I was hoping I could become part of it without becoming a murderer.”
“It's okay” says Prowl ”You don't have to. That's what you have me for.”
Orion twitches.
Shockwave falls.
Prowl isn't there to see for himself, but a lot of rumors reach him. Lots. Lots of rumors.
The Mechs say the time of the Great Hunt has come.
They say that when the hunters arrived on the Academy's doorstep, Shockwave didn't let them in.
They say. He stood in front of the gates.
With sword in one hand and the Primus Covenant in the other, and declared that his school was a sanctuary for all living beings in need of protection.
Claimed that anyone who dared set foot inside with a weapon would have to go through him.
“And they retreated!” gestures Orion frantically ”They didn't dare test him! They backed away from the walls of the Academy. I don't know how many monsters were left alive in the forests that night, but none of Shockwave's students were harmed...”
Prowl listens with a healthy dose of wariness
“The Council wouldn't just let him do that.”
Orion begins nervously winding circles around the room.
“You're right, you're right. You're right now and you were right back then. They're going to bring him before the Court by tomorrow, and...”
“There's no chance of that ending well,...is there?" Prowl finishes his thought.
Orion looks pained
“They'll be going through everything he's been up to. Every forged document, every enrolled Mech who by all criteria should be considered a monster. Every time he sheltered them from the Council instead of destroying them. They'll realize what he's been doing and they won't like it at all.”
Prowl...trying to sound reassuring.
“Shockwave has tremendous support from his Academy. There's a chance the Council will be afraid of invoking their wrath and won't judge Shockwave too harshly.”
Orion continues to walk in circles
“You think so?”
“There is a good chance.”
Prowl finds Orion in Sickbay. Which is very disturbing and wrong, because Orion was supposed to be at the Trial. Supporting Shockwave and begging the Council to relent.
But Orion is in Sick Bay. When he shouldn't be.
And he's covered in ugly dark burns. From something Prowl can't recognize.
This is all wrong. It's all--
“What happened at the trial?”
Orion sounds. Startled.
“There was no Trial.”
“What?”
Orion sounds as if something inside him has cracked. In every sense of the phrase.
“The Trial hasn't even had time to begin. He...” Orion clutches his trembling fingers, hoping to still them, but it has no tangible effect. His shoulders are trembling.
He looks like his whole body could be torn apart with one careless touch. “They asked him if he would plead guilty to aiding and abetting dark creatures. All they had time to ask was if he realized he was wrong.”
An uncomfortable, prickly feeling settles in Prowl's mind.
"And?”
Orion squeezes his fingers so hard the creaking of hinges becomes audible.
“It...I...Prowl, his very spark began to ooze dark magic. It was horrible, it was like.. it was eating him from the inside. The entire courtroom became darker than night, many Mechs got burned. I've never seen anything like this before! He..It.. started attacking Mechs and destroying everything...it was like it went crazy...it attacked me and I had to...Prowl I had to fight it! I didn't...I'd heard about it happening but I believed until the last minute that I wouldn't have to face it...”
Gears of chaotic detail fall into place in Prowl's mind.
“Shockwave...turned into a demon...?”
Orion nods shakily
“The Council didn't even have a chance to sentence him or spare him or even sort out what happened.....
He stated that he did not consider himself guilty for what he had done and...Primus was the one who made the judgment before anyone else could...”
That's... terrifying really. For a number of reasons. Losing a close friend is awful, being subjected to such merciless punishment is awful, but also...
What sends a chill down Prowl's back is the moral implication that such punishment carries.
Orion, as if reading his thoughts, raises his gaze to him
“Is what we are doing...wrong? I don't...does Primus think helping monsters is worthy of punishment?”
Now that's a really reasonable question.
Shockwave would say that Primus is merciful and would never condemn a Mech for an act of kindness. But Shockwave ended up being condemned.
Ratchet would say that he doesn't care about Primus' opinion because Primus isn't real. But Ratchet isn't here.
Prowl wants to say that it doesn't matter whether or not Primus thinks they're wrong, what matters is that he can at any moment force his justice on any living spark, so his concept of right has to become Orion's too, or else he's doomed. But Orion is definitely in no state to have a philosophical argument. He looks shattered and Prowl almost instinctively is about to go and find Shockwave, but remembers that option is no longer available.
He's not made for this. Shockwave has always been the one to cheer Orion up on a bad day. Not Prowl, no. Prowl isn't sure what to do so he just sits down next to him and gently places a hand on Orion's shoulder. The one where he can't see the burns, so it shouldn't hurt.
“I don't. I'm used to always relying on your point of view as a reference for what's right and what's wrong.”
“I know” runs a shaky hand over his face Orion “But it's not like I'm perfect. I try, god, I try but just like with the logical part - my vision isn't flawless. Have I been...wrong all this time? Trying to disrupt Primus' intended vision? Maybe what I've been trying to fix never needed fixing. Maybe it's just me being so stupid and not understanding things maybe...???”
Orion cuts himself off mid sentence, realizing that he's started raising his voice and waving his arms around again. He sits back down on the medical bed and curls back up into a miserable ball.
“What should I do....”
“I don't know,” Prowl repeats awkwardly.
He is his goal. But his goal ..doesn't exist anymore?
He doesn't know where to put himself.
Golems are made to fulfill requests. But Orion's request system has been evolving and complicating for so long that Prowl can't tell where its boundaries are anymore.
He feels lost.
——————————
Orion stops cold.
“What...”
Prowl, standing at his right hand looks equally puzzled.
They are in a spacious courtyard bordering directly on the Council building. It's a very beautiful, open and spacious place because it was originally built with large crowds of Mechs in mind. There's wide walkways, a massive circular plaza with fountains and statues.
And right now, it's filled to the brim with Mechs, most of whom Prowl is seeing for the first time. They're all wearing knight armor and carrying weapons, however still kept in their scabbards.
They look like a small army. A very, very diverse army, Prowl realizes. Because there are almost no regular Mechs among them.
Orion looks... distraught.
Mechs? Monsters? A few knights separate and come closer, bowing their heads respectfully.
“Orion Pax.”
There is so much grief and disbelief in Orion's eyes that it physically hurts to look at him.
When he begins to speak his voice sounds hoarse, like someone has poured sand down his throat.
“What...what are you doing here...?”
The knight standing in front of everyone ceremoniously places his palm on his spark.
“We are here to fulfill the last will of our mentor and your friend. Shockwave has decreed in his last will that in the event of his death his legacy must pass to you and those of us who wish to carry on his work must publicly pledge our allegiance to your will.”
Orion clutches his hands together to keep them from starting to shake again.
“But...I was there. I...your mentor was slain by my hands...how can you..."
"It doesn't matter. Everything that was his is now yours." smiles the knight sadly "We will make sure his legacy lives on. And even if the Academy falls - you can always count on us."
At the same time as he finishes speaking, the knight in blue armor drops to one knee, pulling Shockwave's sword from its sheath and holding it out respectfully to Orion... who looks like he's about to start crying.
He dazedly accepts the sword, twitching in surprise when it turns out to be heavier than expected and probably tries to say something, but all that comes out is a short sorrowful sigh.
He just.
Clutches the sword to his chest, watching in disbelief as all the arriving mechs get down on one knee following the blue knight. There aren't that many mechs, but at this point - they seem to rival the sea.
Prowl knows some of them. Many of them made their way to Shockwave after Orion found them. There's the harpy over there who nearly ripped Orion's head off the first time they met. A few ghosts he can remember the faces of but doesn't know the names. He'd had a long argument with Orion that day, trying to convince him that he shouldn't take their word for it when they promised to make it up to him.
And now they're all here. In beautiful new armor. Executing their mentor's last will and testament.
Just like regular Mechs, only a little eccentric looking.
The crowd of hunters that has come to find out what's going on looks as speechless and dumbfounded as Orion.
" What" Orion also gets down on one knee to be on the same level as the knight "what's your name?"
Prowl squints warily from behind Orion's shoulder. The blue mech looks normal, but to be honest, there's no way someone coming out of the Shockwave Academy is going to be an normal plain mech. There has to be a catch somewhere.
"My name is Skids," smiles the knight shyly. "I am...was...Shockwave's best student."
"You are very brave Skids" smiles Orion sorrowfully "I promise to do my best to take care of Shockwave's legacy. And you."
Orion drops his head on the table tiredly.
"This is crazy..."
Prowl pulls an important document from under Orion's head
"It's also quite devious. Shockwave told them specifically to swear to you where all comers can see it. So there's no way for the Council to accuse you of purposely swaying an army of monsters to your side. Everyone saw that this gift was given by force. Now you have many allies with unique skills who are loyal to you and the Council won't try to take them away because they are firmly convinced that you are loyal to the Council."
Prowl examines the document for damage before setting it aside.
"It is..."
"Shockwave gave you an opportunity."
"And I don't know what to do with it!" raises his head Orion "Shockwave was smarter than me and made a lot of plans in case of...I don't know...anything?? I didn't...Prowl. We've been down this path for so long and I was always sure there would be something good at the end of it. Or at least better than it is now..."
Orion rubs his chin and shakes his head awkwardly
"...But if there's only the wrath of Primus and endless darkness at the end...I can't ask anyone to follow me there. I'm not sure if I can keep going myself..."
He sighs helplessly
"I'm not even sure if that even matters."
"The chance that Shockwave would try to use you in some way was about twenty-eight percent."
Orion twitches
"What?"
"I understand that you're hurt by his...fate." Says Prowl "But have you considered the possibility that Shockwave was being punished for betraying you rather than the Council?"
Orion doesn't even answer at first. Just looks at him dazed and bitter.
"Prowl...no. He couldn't have."
"I'm just speculating" shrugs Prowl "Shockwave was punished but as far as I know God didn't bother to name the exact charge. We don't know one hundred percent what exactly caused his...sentence. He may have betrayed the Council's ideas, or he may have betrayed yours."
They both just exist in silence for a while. Processing the information.
"If...and I mean if!!! If Shockwave was convicted of harboring monsters, then everything we've been doing all this time can be considered useless blasphemy..." says Orion slowly "...but if he was punished for something else..."
"...then that would mean there's nothing wrong with your idea." finishes Prowl.
Orion frowns
"It would also mean that Shockwave lied to me..."
Prowl nods. The situation is ugly no matter which way you look at it.
Shockwave, as Prowl knows him, would hardly have framed Orion, but Mechs tend to go to great lengths to avoid execution.
If Shockwave had shifted some of the blame to Orion then, it would have partially saved him. Was that what he was going to do? Was this what Primus had stopped him from doing?
Orion's finials twitch slowly
"I don't know Prowl. I don't know what to do. I don't want anyone else to get hurt because of my fantasies."
Orion is hard to read, but right now he's an open book.
Prowl tilts his head
"You're scared."
Orion looks. Defeated. Crumpled.
Discolored.
" I am."
Prowl can't work with that. He's used to solving logical problems and making lists and strategies.
He doesn't know how to get someone to stop being scared.
"Is there anything I can do for you?"
"I don't know." mutters Orion "I don't know, I have no idea. It's too much...All these new knights, this whole council situation and now you're also saying that the mech I treasured the most could actually be a liar and...just leave me alone."
"But..."
"Just go away!" shakes his head Orion "Go find something else to do, find a hobby, I don't know! Get out of my head and out of my personal life!"
Prowl nods silently.
Places a couple papers in their places and silently walks out the door.
Gestures a greeting to some mech passing by.
And is completely unsure of what to do with himself.
Orion's too stunned by everything that's happened to give him a clear purpose. And without a purpose, he...he's gone.
He continues to stand by the closed door.
A thought runs obsessively through his mind.
If Shockwave was sentenced for something no one knew about, then punishing him the moment of that trial was a truly terrible decision and even worse timing.
But if Shockwave was sentenced for helping monsters...Prowl isn't sure why his mind resists the idea.
Maybe he's not being objective because he shares Orion's views and aspirations.
Maybe because he has looked at the entire square filled with dangerous monsters and has seen nothing but sorrow and respect in them.
The idea comes naturally.
Then God must be wrong.
He looks at the cleaning golems again. He envies them.
They are peace and contentment.
They are a clear and simple goal.
Probably the biggest stress that happens to them is random mechs passing by and interfering with their cleaning.
And then there's Prowl, standing by with no meaning or purpose and wishing he could throw something heavy because the one who gets in his way is an indefinable force of nature and a complex system of values and beliefs created by millions of years of cultural development....
But Primus can't stop him, can he?
Prowl is not alive. He has no emotion so that his intentions can be categorized as evil, but more importantly he has no spark so that its magic can turn him into a demon.
He is his purpose. His purpose is his god. And Primus stands in his way.
He turns around and walks away.
#maccadam#transformers#tf mimics au#prowl#Prowl’s beef with God#Orion pax#shockwave#senator shockwave#Ratchet#Skids#Oh no Prowler#Orion doesn’t want you around right now#go find someone else 👁#I’m done with Prowl’s backstory. Now you know how he thinks so#when you see him being weird later you will know exactly what is wrong with him haha#also eheheh. the great hunt lore#the reason there was almost no foxes in Ratchets part of the story#I have a lot of thoughts about religion and all the ways it fucks people up
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OMG, OP!
I was just about to suggest "Now & Then "
but I saw it in your tags.
I'm so sorry this may look like an unhinged rant no one asked for, but someone has to tell people younger than me what I know, so I spent 2 hours crafting a reply/follow-up/addendum to you post, OP. Please forgive any formatting errors. I tried to keep things simple and engaging but a few things may look a little bit odd depending on what sort of device you're viewing it on. I couldn't take the risk of making all the text too small
https://www.youtube.com/watch?v=RQLVzTtt2Ws
The biggest problem trying to find similar films is that they often involve at least two of the girls having some kind of relationship to boys causing drama (I'm looking at you, "Sisterhood Of The Travelling Pants "... and others) whereas a film like "Dead Poets Society " is definitely in that pseudo-homoerotic and explicitly homoerotic range of storytelling.
Why do you think "Little Women" was popular for so long? It was the 1oth century literary equivalent with the requisite brush with death and loss so common to an era before even antibiotics existed... and loss and grief still happen today.
It's true that so few are like "Newsies " and "West Side Story ", but DON'T sleep on hits like "Annie" &
🥁 drumroll, please 🥁
Want to guess what was the first obviously gay song featured in a film from Hollywood (after the Hayes Code)?
The First Gay Anthem: Calamity Jane's 'Secret Love'
It's not "West Side Story " because it's a western frontier musical, and they skirted the lines as hard as they could to have a nice Christian young woman fancying a "tomboy": Calamity Jane (who by historical record seems to have favoured women and men).
Though based on American Western folklore, this premise clearly imitated the successful 1950 film version of Irving Berlin's Broadway musical Annie Get Your Gun, about Wild West sharpshooter Annie Oakley.
But instead of a make-over, Calamity Jane gives its tough-gal heroine a powerfully symbolic pistol; her masculine aggression plays with sexual identity through gestures enlarged to the point of farce. And then it goes deeper--into emotional confusion that grows from Jane taking on supposed male habits. Doris Day brings comic overstatement to Jane's complex repression of her own instincts. Like many a closet case, she exhibits a self-defeating willingness to fit into a male-dominated culture. Her tough mannerisms are also designed to protect her hidden, vulnerable emotions.
You have to dig.
Dig deep, and be willing to watch a film with a different spoken language and culture, but there are some parallels.
Consider the Britney Spears film, which I believe is called "Crossroad(s)" in English. [Sorry, I don't have time to look up the title.]
Now— what if there were a film that's something a bit like a lesbian equivalent?
Touch
A Chinese movie produced/sponsored by the sapphic dating app Rela. It follows three girls on a road trip. Chinese language with English subtitles.
I've never, EVER seen any website draw direct comparisons to other films that way, such as:
If you loved "She's The Man" but want it more sapphic (though ultimately thwarted by the producer), you can't miss "Bend It Like Beckham"!
The photo which was posted by OP DOES contain valid points!! (No one is going to treat you "like a man/boy" unless they truly think that's what you are, and society DOES socialise people differently, so: how would a group of teenage girls or very young adult women ever have experiences identical to those in a film like "Dead Poet's Society"?)
Nevertheless, there are some similar films that are comparable:
"Superbad" — "Booksmart".
I decided to hyperfocus trying to think up some equivalents to "Dead Poet's Society".
Here's a quick comparison I spent far too much time on:
If you’re looking for a Dead Poets Society equivalent with mostly female characters, a few films capture that same blend of deep emotional intimacy, artistic passion, and repressed desire. Here are the best contenders:
1. Mädchen in Uniform (1931 & 1958)
This is the OG queer boarding school drama. Set in a strict Prussian girls' school, it follows a young student, Manuela, who falls in love with her teacher, Fräulein von Bernburg. The film is explicitly homoerotic in a way that Dead Poets Society is only suggestive of—there’s longing glances, whispered affections, and a stifling environment that tries to crush individuality and desire. Like Neil, Manuela faces tragic consequences for daring to express herself.
Cracks (2009) — If Dead Poets Society were darker and more explicitly about queer desire, it would be Cracks. This film follows a group of girls at a remote British boarding school under the spell of their charismatic teacher, Miss G (Eva Green, in all her seductive, unhinged glory). When a new student arrives, power struggles and hidden obsessions unravel. It has all the repression, poetry, and tragic queerness you could want.
Heavenly Creatures (1994) — Peter Jackson (yes, Lord of the Rings Peter Jackson) directed this feverishly intense drama about two schoolgirls in 1950s New Zealand—Pauline and Juliet—whose bond becomes so consuming that it leads to murder. Like Dead Poets Society, it’s about breaking free from repression, but it takes a much darker turn. The homoerotic tension between the girls is undeniable, and the fantasy world they create as an escape mirrors the way the DPS boys use poetry to carve out their own space in a suffocating environment.
Picnic at Hanging Rock (1975) — This one’s all about atmosphere—a haunting, dreamlike film about a group of girls at an Australian boarding school who mysteriously vanish during a picnic. While there’s no overt romance, the film is full of lingering touches, dreamy stares, and a pervading sense of longing and repression. The rigid Victorian setting and the contrast between the natural world and societal constraints make it feel spiritually connected to DPS.
The Falling (2014) — Starring Florence Pugh and Maisie Williams, this film is weird and hypnotic. It’s set in an all-girls school in the 1960s and follows a mysterious fainting epidemic that spreads through the students. It has the same themes of teenage rebellion, deep female friendships that tip into obsession, and an oppressive institution trying to crush individual expression.
Céline and Julie Go Boating (1974) — This is a more whimsical, surreal take on female friendship and creativity. It follows two women who fall into a bizarre, looping story in a haunted house, constantly re-experiencing and altering the narrative. It has a Dead Poets Society vibe in the sense that it’s about escaping rigid reality through art and imagination, but with a queer-coded, magical twist.
If you want the closest equivalent to "Dead Poets Society"...
..."Mädchen in Uniform" or "Cracks" are your best bets, and Cracks more than Mädchen in Uniform
because the latter is so old fashioned that to further scandalise viewers they paired a teacher with a student.
If you want something more poetic and atmospheric, "Picnic at Hanging Rock" or "The Falling" will scratch that itch.
If all of that is too gay for you (gofuckyourself, tee-hee)
You really, REALLY should try
"Mona Lisa Smile".
(...and if it's not too gay for you, then go watch CRACKS right now!)
"Mona Lisa Smile" [hereafter referred to as MLS] is often called the "Dead Poets Society" [hereafter, DPS] for women, and yeah, it certainly hits a lot of the same beats—
an outsider teacher inspiring students to challenge societal norms,
a prestigious school that values obedience over individuality, and
a group of young people grappling with expectations that threaten to suffocate them.
Where DPS is about breaking free through poetry and self-expression, MLS is about that sort of thing tosome degree, but more about feminism, gender roles, and the fight for intellectual freedom in a world that wants women to be just wives and mothers.
Similarities to Dead Poets Society
The Inspirational Teacher as a Catalyst for Change
In DPS, John Keating (Robin Williams) shakes up Welton Academy’s rigid, tradition-obsessed environment with poetry and passion.
In MLS, Katherine Watson (Julia Roberts) does the same at Wellesley College, using art history to challenge her students’ pre-ordained roles as perfect housewives.
Both teachers are NOT merely instructing— they’re awakening their students, making them see the world differently, and often doing so in ways that put them at odds with their school’s administration.
The Oppressive Institution and Its Ideals
Welton Academy is a suffocating prep school that values discipline over creativity, much like Wellesley College in the 1950s. They outwardly promote academic excellence but ultimately groom women to become ideal wives. (T_T)
Both films show how these institutions uphold deeply ingrained traditions that resist change, even when it's clearly needed.
Both films show some of the human cost of trying, and giving up.
A Group of Students at a Crossroads
Just like Todd, Neil, and the rest of the DPS boys who struggle between expectation and their own desires, the young women in MLS— Joan, Betty, Giselle, and Connie—each navigate their own battles between societal pressure and personal ambition.
Joan (Julia Stiles) mirrors Todd.
Betty (Kirsten Dunst) is like a mix of Cameron and Richard from DPS.
Giselle (Maggie Gyllenhaal) is the Charlie of the group.
The Tragedy of Repression
DPS’s tragedy is clear: someone's dreams are crushed & there is a heartbreaking su*c*de [all the trigger warnings apply]. MLS doesn’t have a singular moment that tragic, but its heartbreak is quieter—seeing some brilliant young women choose societal expectations over their own ambitions because it feels like the only option... that is definitely going to haunt some people more than it may haunt white cis-hetero male viewers.
In both films, someone (one you probably like most of all, in both films) will have something horrible happen to them by their own choice, and that is very haunting.
Additionally, I dont think it's too big a spoiler to say oth films end with the teacher leaving— but to say why would spoil the endings of the films.
The last scenes mirror each other emotionally: in DPS & MLS, a quiet, bittersweet goodbye with both endings suggesting that while the teacher is gone, the ideas they planted will live on.
Key Differences
The Central Conflict
DPS is about breaking free from repression through art and poetry. It’s about passion, self-expression, and the fight for creative freedom.
MLS is about that too, though with more of a (*cough*white*cough*cough*) feminist focus on gender roles, feminism, and intellectual independence to have intellectual and self growth as an individual— and it asks whether women can truly be free when they’re still expected to conform to outdated expectations.
Homoerotic "Sub"text
[be honest: if you miss it in either film you're in denial or unobservent and that is your own journey you need to take]
DPS is filled with homoerotic tension, especially between Todd and Neil. The intimacy between the boys—the longing glances, the whispered poetry, the emotional weight of their friendships—feels deeply charged.
If you DEMAND that level of queerness, MLS ain't it.
MLS has some queer subtext, particularly with [one character], who is coded as more fluid in her sexuality, but the film doesn’t lean into that as much as DPS does because it's focused more on the pseudo-historical narrative from the book upon which it was based.
Don't forget that DPS came out to cinemas...
THEN "The Craft" did,
THEN "Cruel Intentions" did,
THEN MLS.
DPS was intentionally pushing boundaries of censors for queer story-telling when the USA was still afraid for gay people to peck each other with a little kiss on the lips on television before 10 PM.
DPS ends in a tragedy that reinforces the cost of defying the system— [spoilers redacted], and the boys are [narratively] left in a state which leaves the viewers feeling a bittersweet limbo.
MLS is perhaps a bit more hopeful; and although the school seemingly remains unchanged, things in that world have definitely shifted for the characters.
Their worlds aren't fully transformed though for MLS, it’s beginning to open up, but MLS leaves viewers with their own bittersweet limbo like DPS[-lite] with a sliver of a dash of hope.
Final Verdict:
"Mona Lisa Smile" is "Dead Poets Society" through a differing feminist lens.
It swaps poetry for art,
an all-boys school for an all-girls college, and
queer-coded male friendships for female students fighting for their intellectual freedom.
It has the same spirit—
a teacher who inspires students to think for themselves, an oppressive institution trying to maintain order, and young people wrestling with societal expectations.
However, where DPS is a tale of tragic repression, MLS leans toward quiet rebellion— not a fiery "O Captain, My Captain" moment, but a slow, steady push toward change.
just saw this on pinterest and it hit me like a truck
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‧₊˚ 🪐༘⋆ જ⁀➴ Astrology observations pt. 4 ‧₊˚🪐༘⋆
Finally back with another post… after a month 😃
⭑.ᐟ The way I like to think about the sun, moon and rising is this: Your moon is who you are when everything else is stripped away from you. It is how you process your emotions and it’s the filter through which you see the world. It is the baseline “you” that you revert back to when you are running on empty. The rising is who you are at your best. When you’re operating from your rising sign you are at your peak performance. It’s probably the you that feels happiest. It is also who you aspire to be in life, who you want to be seen as. The sun is the “middle piece” it’s essence floats throughout your entire chart. I think of it as a subtle influence that underlies every part of you. Whenever you do anything there is always a part of your sun inside that action, thought or decision. I also like to think that the rising sign is the way in which you express your sun. For example, if you’re a Gemini sun and a Leo rising, you will express your Gemini in a Leo way.
⭑.ᐟ Fire moons may have felt like they couldn’t express negative emotions growing up and had to always seem positive and upbeat. Now they might have problems with opening up or admitting that they even experience sadness and pain. They might be masters at putting on a front with people even when they are losing it completely inside.
⭑.ᐟ Venus dominant people/strong Venus ie, Venus in Taurus (or Libra) Venus in 1h, Venus as chart ruler. They might be preoccupied with looks, their own and that of their partner. They can be very picky when it comes to choosing someone to date, which can be a good thing but can sometimes stop them from making real deep connections with people. They need to be careful not to choose people just based on looks.
⭑.ᐟ Saturn and Venus conjunction can look like someone who is blessed with a lot of material wealth but feels like it could be taken away at any time. It could also look like someone who loves to be given princess treatment/spoiled but feels very guilty when receiving money and time from other people. Natives can also feel guilty about their own wealth and have a deep understanding that not everyone is as fortunate as they are.
⭑.ᐟ Women with Capricorn placements / prominent Saturn love getting tattoos and piercings. It’s something about the permanence of it and perhaps a little about the pain… as is Saturn’s “motto”; no pain no gain.
⭑.ᐟ Pluto in the 7h- extreme jealousy in relationships. Either you attract it or you are the jealous one. Also a lot of instability with friendships. Moving friend groups a lot, not having stable friendships or relationships throughout your life. A lot of projection onto the other person, mirroring back their behaviours. It’s not a comfortable placement to have especially if it’s in synastry too.
⭑.ᐟ Sagittarius moons are super extroverted and love being out in the world BUT they also really love spending time in their rooms. Maybe this is bc the 2 sag moons that I know both have earth suns but I’ve noticed that they spend a lot of time in their rooms gaming and hiding away.
⭑.ᐟ Nobody talks enough about how funny Aquarius placements are, especially moon and sun. In my experience they are the best at coming up with hilarious inside jokes.
⭑.ᐟ People with planets in the 1h (especially if it’s the sun or moon or a stellium) are so genuine and you can tell they are not hiding who they truly are, they just couldn’t if they tried. They have a kind of congruency to who they are, and not as many layers to peel back (this does not mean that they aren’t complex people, just that they are real!) what you see is what you get! Also they really tend to embody the planets that are within this house. For example, my friend is a cancer rising with her mercury in there. I always thought she was a Gemini rising because she talks so much, even more than me as a Gemini rising LOL and she’s very analytical, but she just has a 1h mercury!
#astroblr#astrology#astrology community#astrology signs#astrology observations#astro placements#astroloji#astro observations#astrology content
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i caved and bought the legacy collection out of curiosity
i bought it on steam by the way, no way am I going anywhere near the ea app
random thoughts as i go along:
game loaded up straight away with no issues (what a strange feeling)
got into pleasantview within 2 minutes (obvs I have no cc installed right now so its gonna be faster anyway)
a bit of a jumpscare to see the game again without reshade ngl
straight into the lothario household. don you look... different without all my defaults
screen resolution defaulted to the right size without me having to change anything by the way, which was nice
turned up all the graphics setting to max and going to visit the goth household as that always gives me lag, even vanilla
this experience is already making me realise I need to cut down my 12gb downloads folder, cos man this is so smooth and fast without all of that in my game
well everything is working perfectly straight out of the box. had no issues with multiple sims on the big goth lot
going to quit and load up again with my ui mods and defaults next (along with hugelunatic's ikea pack as cc)
legacy collection has an entirely different file path by the way, so won't mess with existing ultimate collection installs (i wouldn't have dared to do this otherwise)
okay all my defaults, ui mods and some others are now in (downloads folder is up to 3.64gb now) and everything is working fine still
ikea items as cc don't seem to be fully appearing in the catalog though? that might be a me problem but i dont know
adding in all my cas cc now, along with hood defaults and hood deco cc (downloads folder is up to 6.5gb now). i'm also adding in anything else I can think of like camera mods, user startup cheat etc etc
getting into pleasantview in less than 2 mins still
heading into cas for the first time now...
... and it loaded up within 10 seconds even with ALL of my cas cc? and this is the first time too so I would've expected major lag. normally cas takes about 60 seconds to load in my game
update on the ikea pack as cc... the build items are definitely there, but not the buy for some reason?
biting the bullet and adding in the remaining 6gb of my 12gb downloads folder
all of my cc is now in the game and loading times were about 30 seconds longer than before. still no issues
took darren dreamer to a community lot and there were no crashes/issues/lag. normally going to a community lot is very dangerous for me cos its where I get the most crashes or issues, its why all my community lots are incredibly small lot sizes
also I have the hood deco view set to extra large... normally I have to have it set to extra small just to play in a small household
i dont think I'm being delulu here to say things are running better
next up is adding in all of my mods, then after that I might dare putting in my mega populated uberhood save, and try reshade?
another ikea update: everything is showing up now. it was me being an idiot
so all of my mods are now also in (so my entire downloads folder now) and i haven't been able to trigger any crashes or pink soup yet through normal gameplay? even with extra large hood view from lots
reshade keeps crashing my game on startup... damn, what am I doing wrong
RESHADE IS NOW WORKING (ver 6.1.1)! thanks to this guide
I finally added in my uberhood save (which is packed with hood deco and and has 35 playable families).... and it's working! I also played with a household for a bit and everything was working fine
final update before I go to bed (as its gone midnight here lol)
i now have all of my mods, cc, saves, and reshade installed, and I've yet to have any pink soup or crashes (apart from the crashes when I was *incorrectly* trying to install reshade). honestly... i'm surprised. i dont want to speak too soon obviously, but things seem better. i was just playing in a household with extra large lot view on and that would usually IMMEDIATELY crash my game, but nothing happened. tomorrow i'll actually play for an extended period of time, so i'll be able to tell more for sure then.
i hope this has been helpful to at least a couple of people, and i'll leave with you a shot of my pleasantview newly loaded up in the legacy collection 😅
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This month, we're launching the Anti-Fascist Action Of The Month Challenge, where we call on you to take an anti-fascist action! February's challenge: Show Them Where You Stand! Wear an anti-fascist pin, patch, shirt, or hat. Put up an anti-fascist poster or sign. Fly an anti-fascist flag. Do something to show people that you oppose fascism and stand with the people targeted by fascists.
This action may seem small and insignificant, but it does three important things:
It tells fascists and far-right goons that there is opposition in the area, which may be enough to make them think twice about taking action in your community.
It also lets the people in your community who are targets of fascist abuse and violence that they have allies and supporters nearby who will back them up if they need help.
It encourages other people who feel the same way you do to be open, public, and vocal about their opposition to bigotry and fascism.
But Is It Safe? We don’t know you or where you live, so we’re going to trust you to do what you feel comfortable with here. That said, we asked the member of our own collective who is most frequently out around town wearing antifa shirts or hoodies about his experience. Here’s what he said: ”I’m a uhhh how shall I put this? A larger and more substantial looking individual. I’m also white cis/het. It’s not uncommon for people to mistake me for a cop! So it’s possible that my experience wearing antifa gear has been different because people are less likely to try to mess with me. That said, after wearing antifa shirts, hoodies, pins and the like everywhere, I have to say that the number of people/strangers who’ve reacted very positively outnumbers the negative reactions I’ve seen by 10 to 1! I can only think about two or three times I’ve had a negative reaction, and those times it amounted to nothing more than staring at me disapprovingly.”
OK, So Where Do I Get Antifascist Stuff?
You could make your own stuff! If you’re looking for ideas, check out our photo archive for some inspiration!
If you’re less crafty, you might want to buy some antifascist stuff to display. Best place to get stuff is from a group doing antifascist work and selling stuff to fund their work. You’ll find a list of some of those groups here. Our collective have been selling anti-fascist shirts and hoodies and donating the proceeds directly to specific antifascist groups and causes for a few years now - you’ll find our online shop here. The next best place to get stuff is from businesses run by antifascists and/or support antifascist groups to one extent or another. We have some examples of places worth checking out here. The one kind of place we would not recommend buying antifa gear from is for-profit operations that aren’t contributing back to the movement. These compete directly with anti-fascist groups trying to fundraise but pocket all the money they collect. If you’re unsure where the money is going, ask the place you’re considering buying from and then verify with the group(s) they say they donate proceeds to (if they say that they do).
Send Us Photos!
We’d love to see how you took on this month’s antifa action - if you feel safe doing so, please feel free to send us some photos (we don’t need to see your lovely face or other identifying features if you’re shy/security conscious)! Let us know if it’s OK for us to share the photos or if you want us to keep ‘em to ourselves.
What If I Don’t Like This Antifa Action Of The Month? No problem - feel free to skip ahead and choose one of the other 29 actions we came up with! Or go with one of the 40 actions from 40 Ways To Fight Fascists. Or go completely off-book and come up with your own action!
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Ok so I’ve been umming and ahhing about making this post for a while. I’ve always kinda planned on it, but seeing these tags on a previous post of mine (no hate to this user) made me want to post something now. It’s also gone 3am. So it’s not really going to be very clean and tidy, and will probably be a bit rambling, but I can always post a ‘tidy’ version another time.
So! Tackling Dick Grayson’s Romani/GRTSB heritage (warning: it’s a long one)
So, as usual, a few disclaimers: 1) I am not American. 2) I myself fall under the GRTSB umbrella - for clarity, I am from the fairground/circus so a Showman, but my family were simply ‘gypsies’ before getting involved in that in the Victorian period, so I use gypsy/traveller/Showman for myself. I also speak Romani and grew up in the culture and on the grounds. I’m not just talking out of my arse, I promise. 3) I do not pretend to have read every comic. However, this post will be based in things which DC have published (yeah I know it gets retconned every two minutes but hey, I’m working with it), even if some of it is more speculative/Headcanony, it will all be canon-compliant/what makes sense based on my own experiences. 4) That being said, everyone who does in some way fall under the GRTSB acronym will have different experiences and opinions, and all are equally valid and should be respected. 5) I use the term ‘gypsy’ a lot. Where I am from, it is not a slur, but is used almost a catch-all phrase for GRTSB people, by us. We also see Dick use it so I’m going to. I personally don’t mind if people use it (so long as they don’t use it as an insult) but not everyone will feel that way, so it’s always better to ask individuals. 6) this post is intended as a fun exploration of a character whom I relate to based on our shared heritage (when it’s really rare to find characters like that). I’m not trying to dictate to you how you should interpret Dick’s character. You’re welcome to different opinions and interpretations - this is just one of mine! :)
So, first, what is GRTSB? Well, it’s an acronym which covers all aspects of the gypsy/traveller umbrella. It is used in British legislation. It stands for Gypsy Romani Traveller Showman (aka fairground and circus) Boater. Under British legislation, only the first three (Gypsies, Romani, and Travellers) are considered an ethnic identity, whilst Showmen and Boaters are considered a cultural identity.
This is absolutely FULL of problems and has been hotly debated for years, with different people identifying in different ways. People who share the same/very similar ethnic heritage (i.e. siblings, or cousins) can have completely different points of view on what they identify as. As such, don’t take it as gospel - it’s more of a guideline than anything. Especially since a) these groups often intermarry, meaning that someone can be multiple at once; b) if a Showman stops travelling with the fair and settles, they don’t become a non-traveller, because it’s in your blood, not just a job; c) people can trace their heritage back past a particular group - e.g. my own family (circus and fairgrounds aka Showmen) can be traced back to at least the 1600s, before fairs were really a thing - at the time, they simply identified as gypsies. They didn’t stop being gypsies just because they changed their job/founded a circus/fairground. As such, many in my family identify primarily as a gypsy or traveller, and a Showman secondarily, whilst others do the opposite, or identify as just a Showman or just a traveller/gypsy. Like I say, this classification is not perfect, and is hotly debated, especially at the present time.
So, now, onto the subject of Dick Grayson. I included the tags above mostly because of the ‘tell me you don’t know a character without telling me you don’t know a character’, because, firstly, rude. secondly, the poster makes reference to the Golden Age. And yeah, obviously DC aren’t going to make reference to Dick being a gypsy in the Golden Age - do you really expect writers in the 40s to care enough about the nuances of a character’s ethnic heritage, especially a gypsy, at a time when it was still common even in countries like England (where legal segregation wasn’t a thing) to have signs on pubs like ‘no blacks, no Irish, no dogs, no gypsies’ - btw we still get those occasionally? However, if we look at the comics which have been published in the eighty five years since Dick’s debut, we see a lot of references to Dick having Romani/GRTSB heritage. Again, I’m not well read, but in Grayson’s run, at least, we do see Dick speaking Romani and self-identifying as a gypsy (Nightwing #91 btw). So I’m sorry but it is definitely canon that Dick has at least some Romani heritage (since Romani, by culture, is not taught to non-travellers on purpose, and is thus only passed down from parent to child. Hell, even some of my cousins who are half gypsy - Diddakois - don’t know the language!), and the fact that he speaks it and IDs as a gypsy does suggest that this is something important to him and his character. I know that being a gypsy is certainly a big thing to me (with how the world treats us, you have to be proud of it and have it be important to you to make it worth it).
So now we come onto the second part of my rant: wtf is going on with Haly’s Circus.
So, an important bit of context is, what makes a gypsy a gypsy? And the answer to that, in my opinion, is a mix between culture and blood. You can’t be a gypsy (unless in circumstances like adoption) unless you have both. What I mean by that is, if you’ve got one gypsy great great great grandparent, but weren’t bought up with the culture and morals, you have gypsy heritage but are not a gypsy. However, if you are a gypsy and you decide to settle down in a house, work in an office, and never speak Romani again, you are still a gypsy. Similarly, if you suddenly decide to take on the gypsy lifestyle (maybe work on the fairgrounds or in the circus, or go travelling like the New Age lot), you are not a gypsy, because it’s not in your blood - hence why it’s an ethnicity, not a cultural thing really. As such, it is common for there to be a us vs them mentality even with those working on the ground - you have the gypsy/traveller/Showman who tends to own/run things, and then you have hired non-GRTSB staff (traditionally called chaps, but this has fell out of fashion in recent years).
Now, I make this distinction because Haly’s Circus is really odd in that regard.
Most gypsy (or Showmen - like I say, it can be both at the same time) ran circuses and fairs tend to be family affairs. For example, it might be John Doe’s Circus on the tin, but the Smith family (which Mr Doe’s sister married into) will often work with and alongside the Does in the running and operating of the events. Largely, this is on an ownership level, with various relations then owning the surrounding supporting elements (e.g. sideshows, fairground rides and joints, food kiosks). Other family members might then help ‘mind’ the stuff, or you can hire non-GRTSB staff to help.
Now to draw on my own family history: historically, in the Victorian period, etc, it was common for the gypsy family who owned the circus to also perform in it. For example, in my grandfather’s circus, my grandmother was a lion tamer and equestrian performer in parades. They did also hire non-traveller performers, but there wasn’t such a distinct line. However, by the 30s approximately, this had changed to be a more managerial role, with it being more common to have purely hired performers in the main event. The exception here was for sideshows and fairground rides - it is still common today for these to be ran/worked by GRTSB people (e.g. my grandmother did the dookering - fortune telling - and my grandfather did the boxing; today, we still run and operate the rides and kiosks).
However, we know that Haly’s circus was not like that. We honestly don’t know if Haly was a gypsy or not. Also, usually, gypsies have such big families and are surrounded by them, but we know that the Graysons died with no living family (no William Cobb does not count here) and had no relation to anyone at Haly’s. I suppose if you want a canon answer, you could point to how Haly’s was used by the Court of Owls, but it could just be Like That. This is unusual but not unheard of, but still worth pointing out I think. Alternatively, it could originate from one of the non-GRTSB started circuses which were popular around the turn of the 20th century. Since being a gypsy is really tied to your family name and, ethnically, means you have to be born into it - you can’t just start a fair and claim to be one-, even 120 years later, these families are still met with scepticism - they could marry into a 100% gypsy family in 1901, and have all of their descendants do the same, and still the older generation would look at their surname and scoff and say they’re not a real traveller because that one great grandfather 100 years ago was not a born-and-bred traveller. But honestly, I think 100 years is enough to integrate. So, to summarise, Haly’s circus is quite unusual in that it does not appear to be operated by only gypsies/Showmen, even if it still common for circuses not to be performed in by just gypsies.
Now, to answer, how Romani is Dick Grayson?
Like I say, canon does explicitly tell us that he has Romani heritage, placing him firmly within that second category of the GRTSB acronym (and he also identifies with the more general Gypsy identity). However, it’s frankly unlikely that the writers really went in depth with the whole GRTSB thing, so I think we can tentatively suggest that he might have also identified (keyword here being ‘might’ - this is more canon-compliant HC here y’all) as a Showman (called a Carney in the US) because the whole deal with being a Showman is the circus/fairground aspect (but, like I say, it is still a ‘gypsy’ identity as you must be born a Showman, you can’t just sign up, because it is based on a mutual gypsy heritage which predates fairgrounds/circuses, which means it still fits into what we know of Dick in canon. As such, Dick being a Showman is hardly canon, but it is 100% compliant with what we know of Dick in canon). As I’ve said, they are not mutually exclusive. He could ID as both or either, or just prefer the all-encompassing ‘gypsy’.
Now, we also know that Dick is not 100% gypsy (but tbh who is nowadays? I have two non-gypsy great-great grandfathers). Although Dick’s family history is limited, we know that his great grandfather William Cobb was likely not a gypsy (he could be ethnically, it’s not ruled out, he might have just settled, but let’s go for safety’s sake here and just say he’s not). Similarly, his partner was from a wealthy non-gypsy family, meaning that ethnically, their baby (John Grayson’s father) was likely not a gypsy (though could potentially have been a Diddakoi aka a half-gypsy, if we believe William Cobb to be a settled gypsy). However, since this baby still grew up amongst the circus, it is not impossible that he ended up marrying a gypsy, which would make John Grayson half gypsy - aka a Diddakoi. In fact, I would argue that it is even likely, owing to the fact that Dick speaks Romani, and the fact that Romani is only taught to other members of the family, meaning that somewhere in the Grayson family, a Romani speaker had to be introduced. Mary Grayson (formerly Lloyd), on the other hand, probably was Romani/GRTSB herself. I say this, based mostly on her closeness with the OG Richard aka Raptor from Seeley’s run, who was Romani, and the fact that it is really common in gypsy circles to mostly mix with other gypsies, meaning that it would make sense for the pair to meet based on the fact that they were both gypsies/Romani. Therefore, I would argue that even if Dick is not wholly Romani/gypsy ethnically (but, like I say, who is nowadays?), I think there is enough both blood and culturally to make a pretty good case for him IDing as such, and foregoing the need to make any distinction. (Also, especially nowadays when Diddakois are increasingly more common, it’s not even that prejudiced to be a Diddakoi. A lot of my cousins are and you don’t even think to mention it). Aka. He’s a gypsy. Nuff said.
Then, I suppose, the final thing I’ll address is the ‘whitewashing’ issue, or, what I really think is a non-issue.
Sure, a lot of ethnically Romani people are dark skinned. There is a reason why the term gypsy exists. Now, as my grandad will tell you, gypsies originated from Northern India about 2000 years ago, before moving into Europe. However, a lot can happen in 2000 years. There are a lot of people in the UK, at least, who identify as purely Romani who have very pale skin. My family has a real split: my dad’s side of the family is quite dark, and are often mistaken for being South Asian in the summer due to how dark they get when they tan. Meanwhile, he refers to my mother’s side of the family as being ‘poxy and pasty’. My mother is a full-blooded traveller btw, same as my dad (barring their singular non-gypsy great grandad they each had). You just can’t paint everybody with the same brush. Take me for example: I am pale af and take after my mum’s side of the family, but I’ve still got the stereotypical dark curly hair and blue eyes of gypsies (which my boy also shares). Genetics are weird. So whilst I am a big fan of dark skinned Romani Dick Grayson, it’s also still ok and accurate for him to be paler. This does not make him any less Romani. (Like I say, this is all based on my experiences in the UK).
SOOO… TLDR:
Dick definitely has Romani heritage. This has been canon for decades and cannot be taken away from him.
He canonically self-IDs as a ‘gypsy’ (as well as the Romani heritage), and may also be interpreted as being a Showman (even if this is more of a European term) if you want to see him that way, especially since a lot of Showman families (mine included) can trace their families back past the origin of the fairground to when they simply identified as gypsies or Romani (hence why Dick might ID as a gypsy with Romani heritage. Honestly, this is mostly in the realm of canon-compliant Headcanon now)
The GRTSB classification system is a mess y’all and everyone has a different opinion. Just roll with it and don’t get into the debates is my professional opinion.
Being Romani/a gypsy/a traveller/a Showman is something you are born into. You can’t just become one, or stop being one. So, if we presume that William Cobb had no Romani heritage/was not a settled-down Gypsy, even after he joined Haly’s he did not become one. It really is in your blood, and is tied to family.
Haly’s circus is unusual because it’s mostly not a family affair (though points for the Graysons sticking with it and inheriting their roles - that is realistic!). It’s unclear how many of the members of the circus are Romani.
Dick also has non-traveller heritage due to the William Cobb thing. His grandfather, at least, was probably not ethnically Romani (though he might have been half if we want to view William Cobb as having Romani heritage/being a settled gypsy). However, since Dick canonically has Romani heritage, IDs as a gypsy, and speaks Romani (a language which is closely guarded amongst gypsies), it had to come in somewhere. Honestly, I think we can comfortably view him as being at least 3/4 ethnically Romani/a Gypsy, but also since modern Dick Grayson was not born during prohibition, this really isn’t a problem as it’s really common for Diddakois (half gypsies) to be treated as full gypsies nowadays.
As much as I love darker skinned Dick Grayson, it’s not a requirement. A lot of the GRTSB community (especially in Western Europe/Britain/Ireland) are on the pale side. This does not take away from their identity.
So that’s my rant. It’s like 3.30am so it’s probably a complete mess but hopefully it gets down the basics, at least insofar as it relates to my experiences and understanding as a gypsy from the fairground/a circus family. People will probably have different experiences (especially since I’m in the UK). Although I have based all of this on canon, and as such it should all be canon-compliant to my knowledge (I’ve still not read all the comics!), it is also equally based on my experiences, so you may interpret it completely differently. The beauty of Dick’s character is that he has been built up over 85 years, and as such, we have to do our best to interpret what was laid down in the Golden Age by writers with no idea of what Dick’s character would grow to be. As such, canon really is a bit of a sandbox, and this is my own go at it!
If anyone has any questions/wants clarification/notices any obvious contradictions with canon since I’ve not read them all yet, please feel free to point it out! This is not intended to be a lecture/call out post/dictatorship on how you view canon, just a small exploration of my interpretation of a character whom I relate to as a Romani speaking gypsy from the fairground/circus myself.
#I’m low-key terrified to post this pls don’t hang draw and quarter me#batman#batfam#dc comics#dick grayson#nightwing#romani dick grayson
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I really love that Wa and Yotha are good exes to each other now that they are in other relationships fifteen episodes into Perfect 10 Liners. And I love that they keep talking under the "Don't text your ex" sign.
Because even though Wa's relationship with Klao has more than its share of problems, they balance each other out. Klao needs someone to save him from himself, and Wa wants to be a savior.
And Wa couldn't be that person for Yotha. Wa couldn't rescue Yotha all the time. Yotha needed a guy who saw all his darkness and embraced it.
Sometimes a Black Brooder doesn't need to be saved by a Heavenly Human. Sometimes he simply needs a chill Green Guy to remind him that the world isn't such a dark place.
And Yotha found that light in Gun.
Much like Red Rascal Arc realized he could experience happiness every day instead of believing every day was a fight through his love for Yellow Yal Arm.
And Blue Boy Sand and his elite Mean Girls shirt found the perfect guy to understand him in Orange Oddity Pond.
Pond makes him breakfast and leaves little orange notes with daily encouragement.
And Sand loves every second of it!
So it's time for these color-coded boys in love to follow their seniors into domestic bliss, so now that Yotha has apologized for hurting his Green Guy, all is well.
Regardless if Faifa likes it or not.
They could have at least waited until Faifa was pretending to be asleep. The disrespect!
But our pretty Blue Boy still comes out on top after becoming the newest campus star, and he gets a beautiful crown of flowers for it because he deserves nice things.
So while his brothers and brother-in-law are about to go through trails and tribulations, Faifa is just going to be enjoying his win.
And while MY HEART IS BEING RIPPED OUT OF MY BODY, Faifa is going to be celebrating in the bar with his friends.
AND WHEN YOTHA'S HEART IS BEING RIPPED OUT OF HIS BODY AND BEING SMASHED IN FRONT OF HIS FACE, Faifa will be drinking the night away knowing he is the bestest boy on campus.
Narrator: Faifa will, in fact, be very pissed off.
But thank goodness Newton is about that business and decided to bring a gun to a knife fight, so the Jets and Sharks will have to sort out their differences another day.
(These two are so dramatic and constantly remind me that this is a JittiRain series)
But, thankfully, Faifa and his "Where there is love, this is life" shirt exit quickly once he sees everyone is okay and notices that Gun is wearing Yotha's black shirt since he knows that shirt isn't going to stay on long now that Yotha is aware of his feelings.
Gun is pulling a Sally Field right now and is shocked that Yotha actually loves him when all of the signs pointed to Yotha being in love with him, but I love this journey of realization for Gun.
And now Yotha has to negotiate how many cows he is willing to give Gun's family so he can keep him and Gun's dad said he just needed to pay a utility bill every now and then (probably electricity, am I right?), and he can keep his son for life. I love this for them!
BUT I DON'T LOVE THIS! Love does not heal trauma, babes! NO! You are not certified to perform exposure therapy! Don't make Gun cry like this. IT HURTS ME!
*rocking back and forth* I'm going to look at the parents' books about colors and design to calm down. Just leave me here for a second. I'll be fine.
Now this is more like it. Just be there for him when he wakes him. Comfort him. Love him.
Be his sunshine in the darkness.
But do NOT do what you are thinking about doing in his childhood room in his parents' house.
You know what? Actually, go for it! They deserve this.
I have a sister to put to bed anyway.
AYEEE
#perfect 10 liners#color coded boys in love#the colors mean things#they have been in love#the colors told me so#but glad Yotha admitted it#episode fifteen#this show's color coding is elite#but once the sister entered the screen‚ I forgot all about the colors#but I can never forget this is a JittiRain piece
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Hmm, but why do they have a file then? Just because they were a human? Otherwise the file attribution theory suggests that the game generates a nubered Save File to any entity with enough DT to use it, be them humans, monsters or anything else, which works pretty nicely. Assuming that Chara didn't have the required level of Determination but still had a file muddies the waters quite the bit. It would mean that all humans are inherently born with Save Files, wheter they have enough Determination to use it or not. Monsters on the other hand born without Save Files but they can spontaneously generate one should they aquire enough DT.
While that works, and I'm not saying it can't be the case (also a Chara who lacks Determination is an amusing contrast with popular fanon) I think it's really not the only reasonable conclusion we can draw from canon.
For one, yeah, we know for sure that Saved data survives even if the file's owner loses the ability to Save and Load, but to my knowledge, we have no canon info on what's the case if the owner willingly gives up and, as Flowey puts it, lets the world move on without them.
When Frisk dies in the game we can't just sit back and watch how the rest of the timeline plays out without them before deciding to Load or not. It seams reasonable that it works similarly to other humans dying in universe too - time freezes in the moment of their death and they're given the choice to either Reload a Save or just leave. We know that Chara's Soul was conscious after their death, just like all the other human Souls are implied to keep at least some of their agency and personality after death, as we see in the Neutral Ending. We know that at least some of those humans (and presumably all of them) could Save and Load. So why don't they just do it?
Well, because they already given up. I think for a human Soul to stay behind and be able to be absorbed by a monster, the human has to give up first - that is, die, then renounce their power they have over the timeline, which presumably all six children before Frisk did at some point.
What's up with the empty Save File then? If Chara could (and probably did) save in their life then where is that data?
Let me get even more meta here.
Let's say you just got your butt kicked the seventh times by Whosua and Aaron Sans that day and you had eough. You quit the game and go and do literally anything else. A day, a week or a month later you come back, open the game, and you're still able to continue from where you left off. Time obviously didn't move in the game world.
It can't. Not as long as you have your Save data. Even if you never come back, as long as there's only a theorethical chance of you wanting to continue, that universe in that 640x480 window will wait, perfectly stay, for your return.
So, for Chara's plan to work, for Asriel to be able to absorb their Soul Chara had to make the greatest sacrfice: not just giving up their life, but all the power and control they ever had, bringing themself down from a Player toying with the word and the people within, into a mere Character within its story. And the only way to do that would be to erase their Save data.
(Which again, the other six humans had to do as well. Kind of makes sense - while being in a heart in a jar is not very exciting, it probably beats staring at the Game Over screen. Assuming they all hit an obstacle they couldn't avoid, neither bypass, they probably just grew frustrated and wanted it all to be someone else's problem.)
For why neither Chara, nor Asriel reloaded after their plans went awry, despite being access to both a perfectly good Safe File and more than enough Determination to do it, there are several possible explanations. Following the logic earlier, Chara probably couldn't do it on their own, as they already given up. Asriel might have had the ability to do it, but he had no experience with this power, and he might have been wary using it especially if Chara tried to push him to do so. But honestly, I don't think any of them really wanted to do it. At the end of the No Mercy route, Chara admits to being confused about their own resurrection, since their plan already failed. And the monsters in New Home on a Neutral Route describe Asriel as dying with a smile. Whatever went down between them while fighting for the control of their body, it was a heavy blow to their friendship, and after seeing how disastrously their schemes ended, I don't think they wanted to keep existing trapped in a shared body.
Chara did not have the SAVE power when they were alive
In Undertale, all humans have high amounts of determination compared to monsters.
Considering that Frisk has it, and that it is hinted on multiple occasions that some if not all of the fallen humans also once had that power, one would assume that the answer to the question of wether Chara once had the power to most likely be yes.
But… Looking at it with more attention, its far from being so simple.
For instance, Flowey has been heavily projecting his views and actions on Chara’s past ones. Had Chara been SAVING and LOADING in life, it would seem really very unlikely that Flowey would have never reflected on things Chara did in the past and concluded that they must have been like him too on that regard. He did this regarding many things which Chara did not even really do, would he really have missed something he knows the signs of so well and would have been so glad to pin on Chara if it had it actually been true ?
Well, there are actually a number of things that suggest that Chara did not actually SAVE/LOAD at all during life.
(Note : A lot of the following evidence for this comes from file attribution theory. I would suggest reading that post first in order to understand what’s said in this one better)
Keep reading
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Lessons for first-time Audiodrama creators I learned making Lavender Evening Fog
Today marks the four year anniversary of the first full episode of @lavender-evening-fog-podcast. If you want to make audiodrama, here are some lessons that I learned along the way, that will make it easier for you. We went into it loving the audiodrama artform but not knowing a lot about it, so please learn from the experience we gained making the show over four seasons.
Cut the volume you plan to put out in half. And then maybe cut that in half. There are a few ways you can do this-- for example if you are planning on every other week, put out monthly episodes instead. Or maybe rather than doing a 12-episode season, you do a 6-episode season. Or maybe rather than doing 12 half hour episodes, do 12 fifteen minute episodes. One of these ways of reducing may make more sense for your story than the others, but the takeaway is the same--producing an audio drama is a lot of work, and if you have never done it before, it is likely more work than you expect. You can still tell your story, it might just take more time. "But Victoria," you say, "I am already being very pragmatic about this!" I believe you dear reader. When we started LEF we intentionally made the episodes monthly because we knew more frequently would be difficult. Yet the plan was to have two 12-episode seasons that would involve dropping an episode every month for two years without break. About six episodes in we realized that we would burn out if we did it that way. Fortunately, because of how we mapped the story, it was very easy to convert that to four six-episode seasons. This allowed us to take breaks while still having consistency in our release cadence, because that consistency is incredibly important, and it is easiest to sustain over time if you have a handle on the work.
Have as much as possible done before you develop a release schedule. This may be the exception to #1--if you have everything done, by all means, go forward with whatever schedule you like. But it is easier to have a season done and drop episodes than to be working on it up to your release day.
If you can't have everything done before you start thinking about a release schedule, at least have the writing done and polished. Sometimes, you will need to revise pretty heavily. Especially at the beginning when you are getting the voice right. Because writing and getting feedback can take awhile, you want to give time to think about it, try to have your scripts done if nothing else.
If you find yourself relying on some part of your story too heavily, try writing a scenario without it. At the end of Season 1, we introduced the idea of Nick voicing Billy, and by the Season 2 premiere, we felt comfortable recording more interactions (remember, this project started during peak Covid). I was so excited to write for more than just myself, so I wrote a bunch of Billy scenes that didn't move anything forward. Once it was pointed out that this was a problem, I decided to send Billy to a conference. That gave me an opportunity to reframe rather than relying on a narrative crutch. This resulted in the Anna-Georgina is sick episode, which I still think is one of my favorites.
Create frameworks that make writing easier. For example, we wrote the show in little fragments of Anna-Georgina's audiodairies. That made it so much easier to plan (we know we need 8-12ish segments per ep), to write (again, if I wasn't feeling like tacking a particular big of the plot, I could work on another), and to record (The Lucy letters and the long pieces of exposition were always recorded last)
Figure out your tech before you record your first episode. We didn't fully and I'm still kind of embarrassed. Like I'm proud of what we produced starting out, but I wish we (mostly me, Nick always knew what he was doing) had figured it out earlier.
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A Cornucopia for You!
Steve Rogers; secret dating; corporate; fluff
Your feet felt the sweet relief of solid ground as you slipped your heels off in the elevator ride up to your penthouse. The artificial light in the small box was bright, so much in comparison to the darkness outside. You swore you wouldn’t have seen the sun today if it weren’t for the floor to ceiling windows in your CEO suite.
Channing, the newest board member who had just taken over for his late father, had been relentless for the past few months. He forced you to work late hours, constantly tried to embarrass you every single chance he had, and never took your word for anything, claiming the only reason the company held onto a female CEO and put up with you was “because you’re single.”
He wasn’t quite right about that, though. Sure, you weren’t married, but for the better part of a year, you’d been dating someone so sweet, so kind, and so perfect, except for the fact that he was the CEO of a startup company. One that the board considered a rival.
So you and Steve kept a few simple rules: keep the relationship private, and do your best to keep work talk out of your homes. The second rule was a little more flexible, though. The two of you often found yourselves helping each other with problems, pulling on your collective experience, and of course Steve knew about how terrible Channing was being. Especially since he believed you to be a single workaholic that wouldn’t hop off your back.
Work had gotten you twisted so much so that you’d even forgot what today was until the elevator doors opened and you stepped out. Fluorescent light was replaced by candle and moonlight, vases of your favorite flowers lined your tabletops, and lounging in the middle of your living room sat an all too familiar large figure.
“Steve.” It came out as more of a gasp than anything as you watched him stand and gracefully walk over to you.
“Hi, Sweetheart. Happy Valentine’s Day.”
He greeted you with a hug and the sweetest kiss on the lips. You could feel yourself melting into his arms, almost all the tension releasing from your shoulders, but when you pulled away, concern furrowed your brows. Steve clocked it immediately, of course he did. His warm hands gently brushed up and down your arms.
“Hey, I know this week has been a lot, but you’re home now. You and I can just relax.”
Your eyes fluttered shut and you nodded, placing your forehead against his shoulder with a sigh.
“You’re right. I’ve got some leftovers in the fridge. I know it’s not the most romantic, but we can heat them up and eat them in the tub?”
Steve laughed, his eyes lighting up with genuine affection before he pressed a kiss to your forehead. “You heat up the bath and I’ll heat up the food?”
As the two of you sat opposite each other in the oversized tub, bubbles up to your shoulders, you were so grateful for him and the peace he provided you. The sanctuary.
Steve finished off his glass of wine and set it to the side. “I know we agreed no work talk, but I just wanna say one thing. If you think it’s a bad idea, feel free to forget it and move on, but this offer will always stand.”
You shifted, putting a leg in Steve’s lap for a foot rub and you stifled a groan as he began.
“Come work with me.”
Your eyes quickly shot open at that. “What?”
“Be my co-CEO. Heck, be the sole CEO if you want, but I really don’t wanna see you torn up by shareholders anymore. I don’t have those. You’d be your own boss. We’d be unstoppable.”
You set your wine glass aside and sat up, making your way to straddle Steve’s lap, your hands gripping his steady shoulders. You leaned in and watched as his eager eyes shifted between yours, your lips brushing his, sharing shallow breaths.
“Okay.”
Oh, Steve is so perfect! ❤️ Essie, you are amazing, and I love everything about this. I wouldn't hesitate to give Channing the finger on my last day. And the image of the flowers and Steve sitting there both sweetly and full of power. We all need someone like him in our lives. ❤️
Love and thanks! ❤️
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Hey there lovely Sheezu 💚🩶❤️,
I am 🌌 anon,
You have recommended me a post for shifting beginners by @empyrealoasis and I am starting to understand the basics of shifting, so thank you for that‼️
Although, now I know about shifting, I realised that I can really be, do and have anything and it is giving me so much comfort and relaxation that nothing in my life has given me till now ☮️.
But my problem is I see so many people attempting to shift for so long but haven't succeeded.
Recently I read on Reddit about a person who just managed to mini-shift once in 26 years, and it is making me anxious that it will take a very long time for me to shift 😭.
I just really want to permashift to my Waiting Room/Base DR, and then explore the multiverse from there as fast as possible, but sometimes it just feels impossible or it feels like it will take a very long time :(
So love💜,
I just wanted to request you to guide me how can I do it as fast as possible, any tips or any post of yours that you can suggest that will help me out 🥹🙏🏾.
➕ and also can you give some Waiting Room ideas to me, like the home, surrounding, people, technology, or any other cool ideas you can share through your shifting experiences💫💫💫💫.
Thank you for being such a cool Shifting Blog and being a breath of fresh air in this community, we all love you 💚🩶❤️.
Hiii!!!
There is nothing, nothing in this reality which could extend your stay here!
If I were to explain it through LOA: think this, if you believe that your successful shift would be tonight, than there is not blockage there.
Second, shifting isn't a slow burn, in the middle of the night, affirming, sweating, no!
The way I see it, when you shift, you let yourself forget of your previous reality, and EVERYTHING associated with it, which also include the time period of shifting, and the fact that you were ever shifting realities- this makes it so, shifting isn't a graph, where your shift is rising up, but instead, an on and off switch- which is switched on by giving utmost importance to your dr, like the creator you are.
Waiting rooms, ideas below!
1. A familiar place:
My main wr is actually my grandparents house in this reality! It's nostalgic, and makes me feel warm and relaxed when I'm there, like once again I am a carefree toddler, just running around.
2. This lovely waiting room by @wonsters
Your wr could feature a vibe akin to this well put together paradise, also the mechanisms and needs of a waiting room are explained such nicely.
3. Other ideas:
Go on pinterest, dear.
You'll find lots of idea. And one pin after the other you'll fall into a rabbit hole and soon design your own scrapped together wr, which you'll get to experience as soon as you'd like.
Your wr could be themed around
• A tree house in the middle of a peaceful forest
• A grand, luxurious house, which has all your comfort characters
• A secret garden
• A realm made of clouds
• A wr based around your favorite aesthetic
• An infinite library
• A wr centered around a ethereal waterfall
• Heaven- tall fluffy grass, pleasant weather, wide fields to run around in, fresh air which gives you euphoria when you inhale in it
• A wr where along with other important utilities, features infinite portals, which all lead to your other realities.
Must have in wr:
The ability to manifest and shift on command, a LIFA app, and script that you are always satisfied.
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@chimneyz encouraged me to come off anon and take credit for my horny headcanon and I thought I'd do it by turning it into a fanfic. This kind of ran away from me. It was supposed to be quick and smutty but sweet, achy feels managed to sneak in, culminating into a pretty unhinged combination of tags. Don’t even ask. If you’re in the mood for hurt/comfort and self-indulgent smut this is for you. You can find it on ao3 here:
The Mechanisms of Pain Relief
BuckTommy | 9k | rated: E
Summary:
For Evan and Tommy, intimacy is as natural as breathing, and the idea of going long without sex feels almost unthinkable. If it were up to them, they’d stay in bed all the time. But life happens—sometimes their shifts don't align, they're exhausted, or they prefer to cuddle and comfort each other after a particularly rough day at work. Those things are to be expected. What isn’t predictable or acceptable is when Evan ends up hospitalized with a head injury. Or: Tommy takes care of Buck and Buck is overwhelmed in so many ways.
Symptoms of a concussion may include headaches, dizziness, confusion, sensitivity to light and noise, fatigue, sleep disturbances, memory problems, slowed reaction time, irritability, anxiety, depression and sensitivity to stress.
If you experience any of these symptoms worsening, you should speak to your healthcare provider.
✦•······················•✦•······················•✦
For Evan and Tommy, intimacy is as natural as breathing, and the idea of going long without sex feels almost unthinkable. If it were up to them, they’d stay in bed all the time. But life happens—sometimes their shifts don't align, they're exhausted, or they prefer to cuddle and comfort each other after a particularly rough day at work. Those things are to be expected.
What isn’t predictable or acceptable is when Evan ends up hospitalized with a head injury.
Tommy’s heart stops for a moment when Eddie’s text comes through, and he doesn’t even wait for his supervisor’s approval when requesting time off work to rush to the hospital. This isn’t like a dislocated shoulder, where it makes more sense to wait until his shift ends to check on Evan, no matter how agitated he felt at the time. This is much more serious.
A sigh of relief escapes Tommy’s lungs as he steps into the observation unit and sees Evan awake, propped up in bed. Evan’s face is pale but relaxed under the fluorescent lights. A bandage covers the treated head wound, and the sunglasses perched on his nose—definitely Eddie’s—give him an oddly fashionable look despite the circumstances. Blocking the harsh hospital light in style. The tension in Tommy’s shoulders eases slightly when Evan greets Tommy with a sleepy, sedated smile and the reassurance that it’s “not too serious of a concussion.” CT scans have been done and pain relief has been given.
“Don’t even need to stay the night… pr-probably,” Evan continues, his speech more slurred than Tommy would like. “I-I told Eddie it’s not a big deal. Head wounds are a lot worse than they look.” Evan pauses, confusion flickering across his face before he corrects himself. “No, wait. Other way ‘round.” He thinks for a moment, visibly rearranging the words in his head, taking longer than necessary. “They look worse than they are!” Evan exclaims with more energy, pleased that he got it right. “The head has so many blood vessels that—that even a small cut can look like… like a crime scene… b-but it’s usually not that bad—”
"Evan." Even when he keeps his voice low, Tommy delivers the name with a seriousness that he knows will make Evan pause, hold his breath for a moment. "How long until you can leave?" Tommy has hundreds of other questions on his mind, but he doesn’t want to put any strain on Evan. He’ll squeeze out all the information he needs from Eddie later.
“Uh… they said they wanted to watch me for a couple of hours. I-I don’t know how long it’s been. Eddie will know. He wanted to—he’s…” Even with only half of his face visible, it’s clear that Evan is scrunching it up in puzzlement. “Water!” he exclaims after a few seconds, as if the word had just clicked into place. “He’s getting me more water.” Evan slowly turns his head toward the entry, as if mentioning Eddie's name might make him return more quickly. When Evan realizes that no one is standing there yet, he shifts his gaze back to Tommy. A dopey smile spreads across his lips. “They asked me if… if I had someone who could take care of me at home.” Evan sluggishly lifts his arm, fingers bumping into the back of Tommy’s hand before he manages to take it, his grip weak but warm. “I said yes.”
Tommy’s chest tightens, a mix of relief and affection flooding him as he squeezes Evan’s hand gently. He isn’t sure whether to feel glad or disappointed that Evan is wearing shades. On one hand, it’s good that the sunglasses are providing Evan with some comfort, but on the other, he’d give anything to see those sunny eyes of his—the ones that have the power to melt him inside and leave him weak in the knees. Right now, Tommy knows he needs to be strong for Evan, but he can’t help giving in to the widening grin on Evan’s face, returning it with a soft smile of his own. He brings Evan’s hand to his lips and kisses it gently.
“Yeah. Yeah, you have.”
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Evan hit his head on a car door. That’s the short version of the story. Eddie almost makes it sound like a slapstick sketch with how casually he remarks on it. Tommy knows, though, that Eddie’s calm demeanor is just a cover for how worried he is. Tommy knows that feeling all too well.
The full story is far less comedic. Two cars collided, leaving one severely damaged. It ended up wedged against a concrete barrier, with the passenger side crumpled like tissue paper. Thankfully, the father and son had been seated on the driver's side, and they managed to pull the unconscious father through the broken windshield. Extracting the son was more difficult. The child, sitting in the back seat, was trapped by twisted metal around the rear door, crying, panicking and in pain from a broken leg.
Evan was tasked with prying open the car door using a hydraulic spreader. He placed it between the door frame and the car body and began to apply pressure. The metal was severely bent and difficult to move—until it suddenly gave way. With a loud cracking sound, the door swung open so abruptly that Evan lost his footing and fell face-first into the swinging metal, a sharp edge striking his temple. The force was so strong that it cracked Evan's helmet.
Tommy’s stomach churns as he listens to Eddie’s retelling. Seeing Evan in his patched-up state is already bad enough; Tommy can’t picture what a terrifying sight he must have been to their friends—unconscious, blood gushing from the wound down his face, soaking into his clothes and hair. He doesn't even want to imagine what Evan's head would have looked like if he hadn't been wearing protection.
Eddie says he’s pretty sure Evan put too much pressure on the spreader, trying to get the boy out as quickly as possible.
Tommy doesn’t give in to the urge to rub his eyes. Instead, he quietly jokes, “Well, kids are a weakness of his.”
Eddie exhales a humorless puff of air in reply. “Yeah.”
They are whispering back and forth in Evan’s kitchen, the only illumination coming from the faint streaks of light peeking through the edges of the closed blinds, loft darkened to keep the fading day from hurting Evan’s eyes and allowing him to sleep peacefully upstairs.
“Hey,” Eddie adds softly. “Thank you for taking care of him.”
Tommy shifts his weight from one foot to the other, hoping the lack of light conceals the awkwardness of it. “You really don’t need to thank me for that.”
“I’m gonna do it anyway. How many of your vacation days did you use to get two weeks off work? Just to be stuck in the Bat Cave?”
“You’ll keep us alive by providing us with food and supplies, so who’s the real Batman here?” “I think that makes me Alfred.”
"Who has been called Batman’s Batman," Tommy points out, raising a finger at Eddie.
“Yeah, yeah, okay, we’re both awesome,” Eddie relents, batting the finger away. “I’m just saying, I… I would’ve looked after him at my place, but I just got Christopher back and I don’t think it would be good for him to see Buck like this, so…”
“I get it. You can count on me, all of you.”
“Well, except that one time,” Eddie drawls.
There will likely never be a time when Tommy won't feel shame when reminded of how he ran away from Evan out of fear of getting hurt. At the same time, it floods him with relief knowing that Eddie and the others are casual enough about it to use it as roasting material. He would listen to their quips every day if it meant being with Evan. However, that doesn’t mean he will just take it lying down. “Yeah, we all need to make a monumentally stupid mistake once to learn not to do it again, right, Eddie?”
The blow makes Eddie close his eyes for a moment, and Tommy can practically see the Kim fiasco flashing behind them. When Eddie opens his eyes again, Tommy is met with an unimpressed look. “You’re lucky this ended well for both of us.”
Fond amusement quirks Tommy’s mouth. “So are you. And this will turn out well for Evan, too. Alright?” Tommy assures Eddie.
The first genuine smile of the day brushes across Eddie’s lips, so small that it's nearly unnoticeable. “Yeah. Alright.”
Shoulder bumps turn to hugs turn to goodbyes. Tommy holds the door open, promising to regularly send Eddie updates, lists of groceries and other things he needs from his own place, while Eddie swears he’ll come by as often as possible. When the door closes, Tommy listens for a moment until he can no longer hear Eddie’s muffled footsteps. Then he turns to face the dark.
✦•······················•✦•······················•✦
The recovery time is a bit of a whirlwind. Or rather, a tornado.
Tommy learns to navigate Evan's loft almost blindly because he refuses to turn on any of the bright lights at night. Who thought open-space architecture was a good idea? The evening he broke up with Evan was filled with many moments that make him shake his head—mostly at himself—but Evan asking him to move into a place that was essentially one big room was certainly one of them. Then again, even through walls, Tommy feels an odd sense of guilt whenever he has to make a sound louder than his toothbrush. It will probably be a while before he stops cringing every time he needs to flush the toilet.
The stairs end up being Tommy's biggest source of stress. Through eye contact alone, Tommy knew that he and Eddie were on the same page about the desire to simply carry Evan up the stairs and into bed if Evan hadn’t insisted on climbing them himself. Instead, Eddie led the way, walking backward and holding on to Evan's arms, with Tommy behind Evan, hands on his back, ready to catch them both.
Tommy keeps having nightmare visions of Evan stumbling and falling down the stairs or over the railing. He considers taking Evan’s bed apart and moving it to the lower level, but their current situation isn’t exactly ideal for playing IKEA. Not for the first time, he curses his neighbors for having the most obnoxiously noisy construction work done on their house at the worst possible time. Otherwise, he would take care of Evan at his place. As it stands, he plans to keep Evan as far away from the stairs as possible until he’s healed.
Thankfully, it seems to be quite easy to look after Evan, his dizziness and confusion turning him pliant and receptive to Tommy's care. Tommy ensures that Evan stays in bed, always having water and Tylenol within arm's reach so he can remain hydrated and pain-free, and regularly prepares light, nutritious meals for him—though, trying to make sandwiches by the dim light of the open refrigerator is certainly an experience. He tends to Evan's wounds with gentle hands, is by his side when he takes a bath, washes and combs his hair, and stands by the closed but unlocked door whenever Evan needs to go to the bathroom, ready to help if needed. Evan sleeps a lot, but rarely a full night’s worth in one session, waking up every couple of hours, and Tommy is there to give him whatever he needs or simply keep him company.
His demeanor softened by the lingering haze of his injury, Evan soaks up all the attention and care Tommy gives him, and Tommy is more than willing to provide it. Evan is sweet and easy, and Tommy really should have learned from Billie Boils' “curse” that it wouldn’t stay that way.
After a couple of days, dizziness turns to irritation. Evan keeps getting up from the bed, desperate to move, run around, exercise, and he argues till his head aches when Tommy tries to coax him back to bed.
After getting the okay from Buck’s doctor, Tommy researches suitable activities for someone with a concussion and begins to incorporate light, slow seated stretching and range-of-motion exercises into their daily routine. They don’t work out for very long, only a couple of minutes at a time, until Evan realizes this isn’t what his body actually wants while it’s healing.
Tommy can tell what Evan misses the most is going outside and running in the park, but since that’s not possible, Tommy tries to bring the park to him. One afternoon, they lie in bed together, both of their eyes closed, as Tommy tries to create scenarios for Evan to imagine.
He describes the scene in a soft, soothing voice, painting a picture of clouds drifting overhead, leaves rustling in the wind, and even attempts to mimic the sound of the breeze, puffing out his cheeks and blowing air through his lips.
Evan cracks one eye open, unimpressed. “Your wind sound is almost as bad as your fake mouth static.”
Determined to make up for his apparently less-than-convincing sound effects, Tommy pulls up a video of city park ambience for relaxation, which turns out to be a huge mistake.
"I miss my phone," Evan whines behind his hands as the pads of his fingers rub his eyes in frustration, having remembered that the internet, with all its vast knowledge, exists.
"You're not allowed to look at screens, you know that," Tommy retorts, his voice gentle yet firm, as he lies on his side on the bed next to Evan, propping up his head with his hand.
Evan lets his hands thump to the pillow next to his head, his face sulky and disgruntled. “But I want to know how big jellyfish can get!”
Tommy’s brows furrow slightly and he can feel amusement tug at the corners of his mouth despite himself. “Why?”
"I had a dream about an ancient god-like jellyfish the size of a whale. It talked to me but I forgot what it said," Evan says, arms crossed and pouting, as if the universe itself has wronged him.
The largest known jellyfish apparently belonged to the Lion's Mane species, boasting a bell diameter of 7 feet and tentacles around 120 feet long—if one can trust the Wikipedia article which Tommy slowly reads to Evan. Normal research often sends Evan spiraling down a never-ending rabbit hole of information. However, Tommy is happy to discover that research-via-boyfriend, listening to the calm, deep rumble of his voice, helps Evan fall asleep.
The research bouts aren't the only way Tommy engages Evan's mind. A nurse advised Tommy to regularly assess Evan's cognitive function. Initially, Tommy tries using crossword puzzles and simple math problems, but Evan quickly becomes bored. So, Tommy starts asking questions to jog Evan's memories—about birthdays, how their friends take their coffee, recipes and special events.
"What was the first city I flew Eddie to?" Tommy asks, fingers brushing through Evan’s curls as he’s sitting behind him on the bed, Evan leaning against his chest.
Evan grumbles, "I have a concussion, not amnesia."
"Do you know the answer or not?" Tommy presses.
"Vegas, and I also remember that you stood me up for it," Evan says, lifting his chin defiantly to look at him with accusatory eyes.
"You did get to buy me a beer later.”
Scorn tinges Evan’s voice. “Oh, it feels so good to be a second priority.”
Tommy stifles a sigh, managing to keep a straight face. "What was the name of the restaurant we went to on our first date?"
"Abandon-me-at-the-fronteria."
Laughter threatens to break out of Tommy's chest but he suppresses it as well, pressing his lips together and burying his face into Evan’s hair. Evan can be really fucking funny when he's acting like a brat, Tommy will give him that. That’s not a compliment Tommy should ever say out loud, though.
"Close enough," Tommy deadpans.
Eddie isn’t spared either during his visits. One time, he foolishly believes that Evan would be interested in hearing about the science project he’s working on with Cristopher and how well it’s coming along, only to throw a startled look at Tommy when Evan replies with a curt, “Good to know you’re having so much fun without me.”
Eddie texts him later.
Eddie: Please tell me he doesn’t act like that all the time
Tommy: He does sleep occasionally
Eddie: I bet you fluff his pillows and tuck him in after he curses your ancestors
Tommy: Don’t forget the kiss on the forehead
Eddie: You have the patience of a saint, man
Tommy: You’re patient with him too
Eddie: Because I get to leave
Tommy: I very much plan on screaming into a pillow when I can be loud again
Eddie: TMI
Laughter spills out of Tommy, and he just finishes replying with an emoji wearing a halo when Evan pipes up, “Rub it in my face that I can’t talk to anyone, why don’t you.”
“You just talked to Eddie.”
“That’s not the same.”
Tommy spends the rest of the evening catching Evan up on the 118 group chat, reading messages aloud and typing out Evan’s replies. Unable to resist, he puts on a different impression for each person—like a deep and steady tone for Bobby or a high, nurturing one for Maddie. He keeps it up until Evan starts to complain about his headache getting worse.
Not everything they do requires patience. In fact, there is one moment in particular that will forever be etched in Tommy's memory as one of the happiest of his life.
Only a small light in the living room is on, casting a warm, indirect glow up to the bedroom on the upper floor. Tommy has Evan in his arms, giving him support, and they're gently swaying back and forth, Tommy humming the melody of a song whose title has slipped his mind, intermingled with nonsensical lyrics he only half recalls. Slow dancing counts as low impact exercise, right?
Evan seems to agree, judging by the way he happily sighs into Tommy's neck, his warm, wet breath sending shivers down Tommy's spine.
If heaven exists, and if Tommy were allowed in, this is what it would feel like.
Until Evan starts kissing his neck. Tommy mindlessly leans his head back, giving Evan more room to explore Tommy's skin with his mouth. Evan's movements become more heated and demanding, and Tommy hisses when Evan bites a bruise into his throat. Only when Evan begins to open the buttons of his shirt does Tommy put up any resistance.
"Evan..." Tommy half-heartedly tries to push him away. "Evan, we can't—not yet."
Evan keeps clinging to Tommy and insists, "Come on. It's been so long. I'm almost healed." Nuzzling into the spot where neck meets shoulder, his breath comes hot and uneven against the sensitive skin. Fingers fumble with the buttons of Tommy’s shirt, lips trailing downward until they reach the coarse curls of his chest hair. Evan buries his face into the dip between Tommy’s pecs, inhaling deeply and moaning as if intoxicated by the scent.
The sensation sends a flush of warmth through Tommy, electric currents racing up his spine. He can feel himself getting hard in his pants at a speed that makes him dizzy, his body betraying him even as his mind fights to stay in control. Still, he doesn’t budge. "Almost isn't fully."
He tugs at Evan's hair to lift his head, which in hindsight isn’t a great idea—Evan moans at the feeling, a soft, involuntary sound that sends a jolt of heat straight to Tommy’s core. Evan follows Tommy's lead for a moment, but then leans in, pressing his forehead against Tommy's. "Tommy, please," he begs, his voice barely above a whisper, plush lips brushing his. "I need you." The yearning in his voice reverberates in Tommy’s chest, and it’s just as delicious as the feeling of their bodies rubbing together when Evan starts to grind against him.
It’s impossible not to entertain all the vivid images flooding Tommy’s mind. It would be so easy to give in. They could be gentle. Tommy could blow him or ride him or hold on to Evan’s spread legs as he carefully rocks into him, letting Evan do nothing but lie there and look pretty, his breath hitching and thighs trembling as Tommy surrenders to his wishes, gives him what he wants. Evan’s back would arch, his hands gripping the sheets, and his moans would fill the room as he throws his head back in pleasure—
"No." Tommy tears himself away, allowing no contact between them. His voice has been in quiet mode for almost two weeks now, so his rejection comes across as startlingly loud, despite it still being softer than his usual conversational volume.
The ceiling lights don’t have to be on for Tommy to know that big, fat tears are starting to well up in Evan's eyes. The wet huff escaping his lips and the way he hugs himself tell Tommy enough.
"I don’t actually need you, you know?" Evan spits, voice corrosive with acidity and venom. "I can take care of myself. You can't stop me."
A pit wants to open in Tommy’s stomach, and he’s holding it together by sheer force of will.
Evan doesn’t mean it like that. He’s just upset. He doesn’t mean it. This isn’t about you.
Tommy closes his eyes for a second, as if that could help him ignore the ache in his chest, and reminds himself to breathe. Squaring his shoulders, he focuses on the situation at hand. Part of him actually wants to try to stop Evan, but he knows he won't win this fight.
"Be careful then,” Tommy says, his voice purposely steady. “Make sure to do it lying down. And don't finger yourself. Your coordination isn't quite there yet, and you could move your head too much trying to get the right angle."
The next sound leaving Evan's mouth is less of a huff and more of a snarl. " Fine. Have it your way." Evan takes off his clothes and climbs onto the bed, all of his movements filled with spite, uncoordinated as they may be.
Tommy picks up the clothes that Evan has haphazardly thrown across the room and says, in the calmest voice he can muster, "I'll be downstairs if you need me."
The short, bitter laugh that bursts from Evan makes him realize how unfortunate his word choice has been.
"I’d say the same, but clearly you don’t need me,” Evan talks back, his tone dripping with resentment. “So I’ll just stay here, all by myself, moaning and begging for it."
Tommy balls his fists into the clothes he’s carrying to keep himself from arguing about how wrong Evan is. That wouldn’t actually be doing Evan any favors right now. He doesn’t mean it. Instead, he feigns an unaffected hum. "Have fun."
The pillow Evan throws at him nearly makes it to the lower floor, but Tommy manages to catch it just in time. He drops Evan's shorts in the process, but oh well—Tommy takes a deep breath—he can just pick them up again.
Tommy puts the pillow back in its place, unable to resist stealing a glance at Evan, who lets out a performative moan when he wraps his hand around himself. Tommy quickly averts his gaze and hurries down the stairs.
If Tommy spends longer than necessary in the bathroom, that is between him and the sink. And the floor. And Evan’s shirt, which he presses to his face, inhaling deeply and moaning into the fabric as the muffled, exaggerated sounds of pleasure from upstairs make his stomach twist with arousal and longing. He's just here to do laundry, that’s all.
✦•······················•✦•······················•✦
For Evan and Tommy, intimacy is as natural as breathing, and the idea of going long without sex feels almost unthinkable. If it were up to them, they’d stay in bed all the time. But life happens, and sometimes one of them is stuck in bed for entirely different reasons, needing the other to care for them while they're recovering.
That makes it all the sweeter when the doctor finally gives Evan the green light to return to normal.
They could just attack each other's lips and exchange blowjobs or handjobs for quick relief when they get home. Evan could fuck him. Tommy would be more than happy to spread his legs for Evan and let him do as he pleases. But he knows that's not what Evan wants right now. Once Evan gets his hands on him, he will want all of him. Once he gets his hands on Evan, he will want to give him all.
‘All of him” requires some work, though. If Evan gets fucked regularly, he generally has a pretty easy time taking Tommy without too much preparation. Getting fingered or licked open is usually enough. A dick that big leaves a lasting impression, Evan has joked—multiple times.
However, when there's a long break, Evan needs to go through an entire routine to prepare himself for Tommy, to get his hole adjusted to that size again, similar to what they did when he made love to Evan the first time—good hydration, some stretching and breathing exercises, a hot bath to relax Evan's muscles and ensure he's nice and thoroughly clean.
Tommy starts by massaging Evan's back, digging his fingers into his shoulders and along the curve of his spine until Evan groans. He tries to keep it relaxing for Evan, but soon Evan begins to wiggle, urging Tommy to hurry up. Evan demands it knowing that Tommy won't.
It's moments like these when Tommy enjoys teasing Evan's hole with his fingers without ever actually entering it for a while. Instead, he taps, strokes, pulses and circles around it until the ring starts to pulsate as if trying to draw him in—until it remembers him.
Evan has gone through his prep routine, and now it's time for Tommy to go through his, which involves tongue and finger-fucking Evan until he's crying and begging into the pillow.
He licks and sucks at Evan’s hole, devouring it like it’s candy and moaning at the taste. Excess saliva fills Evan up from the inside, dripping down his taint and balls, making him even wetter than he already is. Tommy spits on it for good measure.
When it’s not Tommy’s lips and tongue teasing Evan—his stubble providing a fine rasp against sensitive skin—it’s his fingers pumping and scissoring inside him, massaging his prostate regularly but nowhere near enough for Evan’s liking. Every now and then, Tommy hooks both his index and middle fingers into Evan, spreading him wide so he can push and flick his tongue into the gaping opening.
Tommy is scraping together the last remnants of his patience for this, and he has no idea where they’re coming from, other than the knowledge that he doesn’t want to hurt Evan.
And maybe, just maybe, he wants to chastise Evan’s hole for having forgotten him.
"Tommy, I can't," Evan whines, punching the mattress with his fist in a pitiful release of frustration. "I need it so bad! Come on, give it to me—"
Tommy must be closer to his breaking point than expected, and he only realizes it when he hears a loud smack followed by Evan throwing his head back and fucking yelling at the top of his lungs. With a startled flutter of his lashes, Tommy registers what just happened.
He just spanked Evan's hole.
There's a moment of stillness as Tommy tries his damned best to assess the situation based on Evan's reaction. Then Evan turns his head, and Tommy catches a glimpse of his beautiful face—red and splotchy to the point where his birthmarks are almost invisible, with pillow creases marking his skin and lashes damp with tears. Both his lips and eyes are shiny, red and wide open with surprise and something that Tommy would like to call wonder.
"Was that okay?" Tommy asks, his voice extra gentle as if to compensate for what he just did.
A shivery, wet exhale flows from Evan’s lungs before his arms give out and his head falls back onto the pillow. Tommy can still see Evan’s pretty profile, and it takes him a moment to realize that the way Evan is rubbing his face into the fabric is meant to be a nod. “Yeah. Yeah, that was okay,” Evan whispers.
"You want more?" Another nod. That wouldn't do. "Words, Evan."
A kittenish noise escapes Evan and he starts squirming again. "Yes, Daddy. Please, Daddy, I want more." Evan stretches his back and lifts his ass, as if he thinks he needs to bring his hole closer to sway Tommy.
A ball of arousal tightens its grip on Tommy's insides before bursting, sending bolts of intoxicating pleasure through his body. It's reminiscent of the rush he feels when he's flying—that swooping thrill so addictive in nature one can't help but crave to relive it again and again. As Tommy's eyes flutter shut, he takes a moment to savor the sensation, his mind already replaying the sight and sound of his boyfriend trying to entice him—and succeeding. God, Evan is exquisite. Always, of course, but especially when he falls into a mood like this.
Tommy takes a deep breath and calms his nerves. He needs his bearings for what's to come.
"Evan." Tommy's hands settle on Evan's waist, his thumbs lightly digging into the curve of his spine as he holds him steady. He trails his fingers along the line of his back, shaping Evan’s form to his liking and making him arch prettily. Tommy’s body follows the upward motion of his hands until he can speak into Evan’s ear, attempting nonchalance, though the rasp in his throat betrays him as he asks, “How many days has it been since I last fucked you?” “Seventeen,” Evan replies without a moment's hesitation, a breathless hitch in his voice revealing his anticipation. The corners of Tommy’s lips curl up at that. Of course Evan would know the answer. Tommy could probably ask him about the hours, the minutes, the temperature, and Evan would fondly reminisce about the last time Tommy's cock was buried in his ass, down to the very last detail. Over the past two weeks, Evan hasn’t answered any of Tommy’s questions with as much eagerness as this one. Cognitive function? Check.
“And why is that?”
“C-cause I got hurt?”
Evan’s reply is endearingly timid, which is why Tommy doesn’t tsk before he retorts, “Close, but no. Try again.”
A miserable little mewl escapes Evan’s mouth, disappointed that he didn’t get it right the first time. Happier noises start filling the room—musical, airy notes—when Tommy’s dick finds the cleft of Evan’s ass. “Please—” Evan starts begging, distracted by the contact. Tommy’s grip on Evan’s shoulders tightens before he can lose himself completely. “Evan. Evan,” he repeats with more force when Evan continues to writhe. “Try again.”
Evan fusses and hides his face in the pillow once more, his voice muffled as he admits, “Cause I was careless.”
Evan's curls feel damp as Tommy begins to stroke them. The gentle touch gives Evan the courage to glance at him again from the corner of his eye. Tommy leans in and kisses his cheek, cooing, "Good boy, Evan." Another one of Evan’s sweet sounds chimes through the air, but Tommy doesn’t let him bask in the praise for too long. He continues, "Yes, you were careless. But that's not the reason either."
"Wha—why then?" Genuine confusion furrows Evan's brows, and he pouts in a way that Tommy can only describe with one word: adorable, adorable, adorable.
Tommy leans in, his forehead touching Evan’s temple, careful of the healing wound there, and nuzzles against Evan’s cheek. “Because you’re precious and I had to be gentle with you. Wanted to be, so you can heal properly.” His tone shifts from soft explanation to a husky tease, a wicked, feral edge creeping into his words when he rasps, “But I can be rough with you now, can’t I, Evan?”
Pouting lips part to release a floating, weak little gasp, followed by a needy, “Yes, pleasepleaseplease—”
Tommy plants a quick kiss on the corner of Evan’s mouth to quiet him before continuing, “You know what that means?” Evan shakes his head as best as he can. “I will give you seventeen hits, baby boy, one for each day we couldn’t do this.” Tommy emphasizes the last word with a thrust, making Evan moan eagerly. “And you will count them all and say ‘thank you, Daddy’ after each one. Alright?”
“Yes! Yes, thank you, Daddy, yes—” “After I spank your hole, Evan, not before.” Tommy lets sweet condescension drip from his tongue, underlining the lewdness of the words, ensuring he voices what Evan is begging for out loud.
Another high-pitched mewl leaves Evan, followed by a distraught cry as Tommy pulls himself away from him. Tommy keeps one of his hands on Evan's back to prevent him from following his movements. “Stay.”
Evan goes still, except for his fists kneading the sheets, desperate to release his pent up energy somehow. Tommy should give his hands something better to do. “Hold yourself open for me.” Evan scrambles to follow his order. “Very good, sweet boy.”
Tommy takes a few precious seconds to enjoy the sight in front of him—Evan presenting himself for Tommy, his hole wet, puffy and pretty in pink, winking at Tommy eagerly.
The first smack comes as a surprise to both of them. For a moment, Tommy considers dragging things out, but apparently, he doesn’t have that in him anymore. The sound of shock that shoots out of Evan’s lungs tells him he made the right call. Evan likely also assumed Tommy would tease some more.
Tommy waits, then chides when he hears nothing. “Evan.” Evan gasps, realizing his mistake and hurrying to correct it. “One! Thank you, Daddy.” Two, three, four and five follow in quick succession, the slapping sound made even more obscene by the wetness of lube and saliva spread between Evan’s cheeks. The next strikes follow a more irregular pattern, keeping Evan on his toes, each impact ripping through him like an earthquake. Tommy spanks with enough force to make it sting, to make the nerves feel raw and exposed—the kind of pain that makes you hiss and lean into it.
Evan’s howls turn into keens with each hit, but he doesn't forget Tommy's instructions again. He does struggle to maintain a firm grip on his cheeks every now and then, his hands slick with sweat, but he manages to regain control each time.
Tommy takes a break at ten to check on Evan’s condition. Evan has stopped burying his face in the pillow, head tilted to the side again, likely because he needs air. His chest heaves beneath him and soft whimpers leave his mouth with each exhale.
“You okay?” It takes Evan a couple of seconds to realize he’s being spoken to, but once he does, he nods. “Seven more, you think you can take it?” Tommy asks more clearly. A nod, again. “What did I tell you about using your words, Evan?”
“Yes, thank you, Daddy,” Evan rushes to deliver breathlessly, having reached the point where he mindlessly uses the phrase like a punctuation mark. Tommy couldn’t be prouder.
Tommy leans down to kiss Evan's skin, first grazing his hand and then his ass with a gentle brush of his lips, punctuated by another sharp smack to his hole.
All the sweet reactions he used to elicit from Evan come flooding back as he remembers slapping his dick against Evan's cheeks and hole, teasing him with the heft of it before letting him feel it from the inside. He should have realized earlier just how into this Evan would be.
By the time Tommy reaches the end, an endless string of sobs is wracking Evan’s body, interspersed with heartbreaking hiccups whenever Evan is forced to inhale. Tommy makes sure that the last spank is the hardest one.
“ Ah! Hah- oooh, s-se-sev'nteen, th'nkyuDaddy,” Evan barely manages to slur in between his whimpers, but like a dutiful little trooper, he perseveres.
Tommy takes a good look at his creation.
Evan’s right cheek is squished into the pillow, his mouth slack-jawed, and he’s either uncaring or unaware of how much he’s drooling. His eyes, red-rimmed and glazed over, appear to gaze at nothing at all, unfocused, feverish and fuck-drunk, despite Evan not even having had a dick inside him yet. Maybe next time they do this, Tommy will place a vibrating egg against Evan’s prostate, see if he can come from that and the sting of spanks against his hole alone. A different kind of fucking.
Evan’s cock is a mess, just like the rest of him, twitching when air touches it and slowly but steadily leaking an obscene amount of precum onto the towel beneath him, thoughtfully placed there just for this purpose. Tommy’s mouth is watering with the urge to lap it up, but he resists. No distractions. He can still taste a hint of Evan’s ass, rich and carnal, on his tongue and that is enough to sustain him for now.
Speaking of... Tommy's eyes fixate on the focal point of his masterpiece. A bright red circle glows around Evan's hole which pulsates to the rhythm of blood pumping beneath the skin. Tommy hovers his hand above it, dead certain he can feel the radiance of heat emanating from the area. He’ll have to treat it later, with Evan spreading his cheeks for Tommy so he can apply cooling, soothing aloe vera gel to the skin.
A deep, primal groan rumbles up from the depths of Tommy’s chest, and he can feel the last shreds of his self-control coming apart. He hurriedly grabs some lube to slick his cock, hissing in discomfort as he touches it and quickly pulls his hand away as if burned. His dick has been neglected for so long, and it’s letting him know just how displeased it is—angry red and overfilled with sensitivity. Tommy softens his touch; the caress of his feather-light fingers gradually gives way to careful strokes, maintaining the movement until he no longer feels like he might burst out of his skin. Once he feels ready, he gives Evan’s hole a soft parting kiss and crawls up his body, making sure his chest is fully pressed against Evan’s back.
Evan isn’t begging anymore, too out of it to understand what’s happening when Tommy starts feeding him his dick. Tommy didn’t forget that it’s been a while, but he isn’t taking it anywhere near as slowly as he usually would. He can’t.
A beautiful, silent O forms on Evan’s lips when he realizes that he’s finally getting what he’s been panting for all this time, eyes widening in pleasure-shock at the feeling, and his hands clawing at any part of Tommy he can find. His feet begin to lift off the bed at the same measured pace Tommy is entering him, as if every muscle in his body contracts more and more the deeper Tommy goes. All muscles, that is, except for the ring around Tommy’s cock, stretched wide and striving to stay open. Tommy can only imagine what it must feel like to be filled after such sweet torture to his hole—nerves oversensitized and rewired to perceive pleasure and pain as one and the same.
Only when Tommy’s hips are flush against Evan’s ass does a wanton moan break out of Evan, his legs thudding down onto the bed as his eyes roll into the back of his head from the pressure of Tommy’s cock against his sweet spot.
Evan chokes on a sob, saliva-garbled exclamations of “guh-good, s-so good” spilling from his lips, and tries to call for him, if his broken “Da-!” is supposed to mean anything, letting Tommy know that he can start moving and—
God.
This.
This is the moment Tommy has been waiting for over two fucking weeks—the moment where he’s finally allowed to snap, not a single cell in his body capable of patience or self-control anymore.
He practically throws his cock into Evan’s hole, not holding back on the power in his muscles, pistoning in and out as if trying to punch Evan’s prostate with each snap of his hips.
Tommy should probably put a hand over Evan’s mouth, muffle his howls and wails and sobs, his cries of yes! and please! and Daddy!, but he’s too far gone to deny himself the reward of Evan’s ecstasy. If Evan’s neighbors end up struggling with eye contact after this, that’s their issue.
For some reason, Evan’s orgasm takes him by surprise, untouched and early as it is, even though it really shouldn’t, considering how long Tommy has been dragging him along. The tight, spasming clench of Evan’s hole makes his hips stutter, but even that isn’t enough to restrain him. He grabs a fistful of Evan’s hair, both to pin him down, to stop him from thrashing around too much, and as leverage to put even more force behind the relentless push-pull-shove of his thrusts.
Normally, he would comment on how quickly Evan came, especially when it happens solely through prostate play. Evan has told him how much he adores it, unpredictable as it is—both the physical sensation and the meaning Evan has given it, the feeling of being a good hole for Tommy. Depending on the mood, Tommy either rewards him with soft words for surrendering to his pleasure, or teases him for being easy, praise glazed with honey-sweet mockery. Tommy doesn’t even have that in him anymore.
“I’m not stopping,” Tommy warns instead, voice guttural and feral with savagery, unrecognizable even to him.
Evan accepts his fate if the way one of his hands shoots out to the headboard is any indication—support to hold on for the ride. He could say his safeword if he truly wanted Tommy to stop. Instead, Evan grabs the pillow and bites into the fabric, bearing the overstimulation with scrunched shut eyes, gritted teeth and desperate grunts, unable to sing his pleasure through pretty moans anymore with how shot his voice is.
The tight heat of Evan around him—his body safe and sound beneath him, right where he’s meant to be—consumes Tommy entirely. He pounds into Evan’s hole with enough force—hard and deep—to make the flesh of his cheeks ripple with each slap of skin on skin. Evan’s knees start to slip on the sheets, drifting further and further apart with each punishing pump, until the insides of his thighs must be aching. Tommy imagines the tip of Evan’s cock brushing through his own spilled cum, steadily leaking a delicious mess onto the towel, as it bops up and down each time Tommy’s hips bounce off of his ass.
His climax creeps up on him like a bird of prey, lurking but undetectable until it grabs him by the throat—pleasure clawing its way through his body until it releases itself in unrestrained, rapturous groans resounding through the loft as he fucks his load into Evan, filling him up with hot fluid. That of all things earns Tommy a small delighted squeal from Evan, sweet, little cumslut that he is.
Tommy doesn’t give Evan a chance to think it’s over. While his length still twitches and jerks with the force of his orgasm, he reaches for Evan’s. He doesn’t know if Evan’s cock has refilled or if it never really went down, and it doesn’t matter. All Tommy cares about is the silky-wet feel of it in his hands as he begins to stroke it.
“Nnng-ooh—!,” Evan whines pitifully, reflexively placing his hand on top of Tommy’s but doing nothing to move it away. Tommy’s not sure if that was a moan or a no, and Evan likely doesn’t know either. Another thing that doesn’t matter. Tommy’s hand is wet in seconds from how much Evan’s cock is drooling for a fist to fuck into.
“You’re not done yet,” Tommy growls. It will take a few more minutes for Tommy’s erection to fully go down. He clenches his jaw against the sharp sting of overstimulation coursing through his body and makes the most of that timeframe, rolling his hips into Evan and scraping his sweet spot in staccato rhythm. “Come on, sweet boy, give it to me,” Tommy urges, echoing Evan’s earlier plea, the gentleness of the pet name contrasted by the roughness in his voice.
Evan doesn’t stand a chance against the double stimulation, torn between arching back into the stretch of Tommy’s cock deep inside him and thrusting into Tommy’s fist as he empties his balls again, thick ropes of cum adding to the mess already on the towel. Evan makes his own anguished bliss known to the walls as his body convulses uncontrollably, giving Tommy a reminder of just how strong Evan is. It’s almost as if he’s trying to put his feet flat on the bed and lift up to get Tommy off him, bucking like a mechanical bull that doesn’t understand it’s meant to be ridden. Tommy puts Evan in a loose chokehold to gain better control and then flings them to their sides, still milking Evan for every last drop. Only when the hand on top of his starts pulling at his wrist does Tommy let go.
Tommy stares at his hand for a second, moving his fingers in a come-hither motion to marvel at the beauty of the pearly white fluid covering it. He contemplates licking his skin clean but ultimately decides against it. He knows he would get lost in the taste, and his desire to touch Evan takes over. Instead, he wipes his hand on the towel and then rests it on Evan's heaving stomach, mindlessly playing with the trail of hair there. Tommy buries his nose in Evan's hair, inhaling deeply as he catches his breath and holds him through the twitches and trembles rocking his body.
Peppering sweet, light kisses along Evan’s neck, Tommy waits for him to calm down—keeping them connected, Evan filled up the way Tommy knows he likes—until Evan feels ready to part.
After a little while, Tommy lifts his head in confusion when he notices that the shaking doesn’t subside, sniffling sounds filling the air.
“Evan?” Tommy asks carefully, receiving a hitching breath in response. “Evan, what’s wrong? Is it your leg?” he adds in alarm.
Evan digs his stubby nails into Tommy’s wrist and shakes his head, his voice thick with tears as he stutters, “I-I-I’m sorry, ‘m s-so sor-”
Tommy tightens his grip on Evan and hushes him as gently as he can. “Shh, sweetheart, there’s no need for that. Why would you be sorry?”
“I-I d-didn’ mean t-to hurt.”
Tommy tries to make sense of the phrasing. Hurt who? Himself or others? Regardless, his heart aches for Evan at the thought of how exhausting the last two weeks must have been for him—physically and emotionally vulnerable, feeling both overwhelmed by and disconnected from the world. He must have felt incredibly isolated and confined when everything he usually loves caused sensory overload—stuck in a dark place in more ways than one.
“My sweet darling,” Tommy soothes. “I know you didn’t. This wasn’t a punishment. You know that, right? I just wanted to make you feel good.”
“I-I know. And y-you do— you take s-such good care of me…”
A shivery exhale escapes Evan and he starts curling in on himself. Tommy mirrors the movement, embracing him more securely—as if holding on firmly enough could stop the shaking of Evan’s body. He caresses the skin beneath his palms and responds in a gentle, calming tone, “Of course I do. I care about you.”
“M-me, too. Me, too,” Evan returns, the words spilling out in a breathless rush, as if trying to convey far more than they can express. He gently squeezes Tommy’s hand and lifts it, pressing it to the rapid beat of his heart. Tommy takes a moment to treasure the words and the proof of Evan alive beneath his palm, his mind already racing for ways to make him well again. He infuses a teasing lilt into his voice as he jokes, “You care about me or yourself?” Thankfully, that has the desired effect—soft, wet laughter bubbling out of Evan as he lightly slaps Tommy’s wrist. “You, of course.”
Tommy hums gently at that. “Well, you should care about yourself. Make sure you come back to me safe, healthy and happy every day.” The light-heartedness fades from his next words, but there’s still a casualness to them, proof of how self-evident they are. “But even if you don’t, I’ll be right beside you.”
“Right beside you,” Evan repeats, his voice carrying a dreamy cadence as his breath evens out more and more.
A sound of agreement rumbles in Tommy’s throat. “For now, we’re going to cuddle a little longer, then I’ll clean us up, we’ll drink some water, and after that, we’re going to sleep. How does that sound?”
Evan nestles his face into the crook of Tommy's arm and gently kisses the skin, his reply a soft brush of lips against it.
"Perfect."
✦•······················•✦•······················•✦
Bright sunshine is streaming through the window, warming Evan’s skin and making him glow. Just as it should.
A small, content smile curls on Tommy’s lips as he watches his boyfriend sleep, a picture of sweet serenity. When Tommy woke up, he considered getting out of bed to make coffee, but then he decided he was allowed to indulge in the beautiful and dearly missed sight before him: Evan bathed in sunlight.
Tommy’s smile widens even more as he watches the tell-tale signs of Evan waking up: the way his eyes struggle to open, how he scrunches up his nose, the small grumble in the back of his throat—all betraying his reluctance to leave the comfort of rest. Until his eyes find Tommy. Then his expression transforms into one of sleepy joy, his smile slow and sweet, reflecting the bright light of the sky—Tommy’s favorite sight.
“Good morning,” Evan croaks, voice still hoarse and groggy from sleep and sex.
Tommy’s voice is steadier, filled with warmth, as he returns the sentiment in a gentle whisper.
They had fallen asleep facing each other, Evan’s head tucked under Tommy’s chin. Evan must remember this, because after staring at Tommy for a moment longer, he returns to that position, closing his eyes and burying his nose in Tommy’s neck with a pleased exhale.
“You okay?” Tommy can’t help but ask, recalling how last night ended.
Evan makes another satisfied sound. “More than,” he replies happily, a sense of satiation tinting his tone.
It’s Tommy’s turn to sigh and close his eyes in contentment, his fingers gently tracing over Evan’s skin.
For a moment, Tommy thinks Evan has dozed off again until he starts to feel him vibrating in his arms. It takes him a second to understand that the warm puffs of air hitting his skin are giggles bubbling out of Evan's chest.
Evan carefully stretches in his arms, his movements languid and indulgent, and tilts his head to look at him again. “ What the hell, Tommy,” he exclaims through breathless, incredulous laughter, his sleepy expression a mix of reverence and playful accusation, as if to say, How dare you ruin me like that?
Tommy’s lips quirk in amusement. “I take it you enjoyed yourself last night?”
Evan raises an eyebrow in mock offense. “I think I saw the face of God. And I’m not very religious.”
It’s Tommy’s turn to laugh. Evan is so damn lovable Tommy wants to squish him. He does exactly that, tightening his arms around him as he jokes, “Was he good-looking?”
The sun has nothing on the grin Evan is giving him. “Yeah. He had a cleft in his chin.” One of Evan's thumbs finds its way to said spot, a favorite resting place, as he leans in to give him a chaste kiss—morning breath be damned.
Tommy hides his smile against Evan's lips, adding another moment to his ever-growing collection of Happiest Memories. There have been many more since Evan came into his life.
Evan slowly pulls away and makes sure to rub their noses together before leaning back to look at him again. His eyes lock onto Tommy's, and for a moment, he simply stares. "Tommy?" Evan breathes, his voice laced with achingly soft tenderness. "Thank you."
“I think you said that enough times yesterday,” Tommy deadpans.
“No, I mean—thank you,” Evan repeats emphatically. “For—for everything. For being there. For being you. God, I—,” breathless laughter interrupts Evan’s words for a moment, “I-I can’t believe how lucky I am.” His eyes are filled with unapologetic warmth and sincerity, that unique brand of earnestness he exudes. It always makes Tommy feel small and delicate, as if he’s looking at something much larger than himself—something that could crush him but promised it wouldn’t. The desire to cherish is palpable, and Tommy feels like he’s staring at the sun. He has to look away.
“You would do the same for me,” Tommy shrugs awkwardly. It’s supposed to be a wave-away statement, a Don’t mention it, and Tommy freezes when he realizes the true implications of his words.
Two thoughts fill his head simultaneously. How can you possibly think someone could ever feel such devotion for you? and Of course Evan would take care of you, he’s the best person you’ve ever known. Ideas so at odds with each other that the cognitive dissonance makes Tommy’s head hurt.
Evan must see something in his expression, something that stirs his urge to comfort, because the next thing he does is take Tommy’s hand. Tommy looks back just in time to watch Evan press a kiss against it. The words he breathes against the skin carry such a profound sense of truth that they act like Tylenol on Tommy’s nerves.
“Yeah. Yeah, I would.”
Here's a horny headcanon for you. If Buck gets fucked regularly he generally has a pretty easy time taking Tommy's dick without too much preparation. Getting fingered or licked open is usually enough. A dick that big leaves a lasting impression, you know? When there's a long break between sex though, Buck needs to go through an entire routine to prepare himself for Tommy, to get his hole adjusted to that size again. A warm bath to relax his muscles and get himself thoroughly clean, breathing exercises, Tommy needs to give him indulgent massages, first his entire body, then focusing on his hole. It's moments like these where Tommy likes to play with and finger at Buck's hole without ever entering it for a while. Instead he uses his fingers to tap, stroke, pulsate, circle, until it starts winking at him. Until it remembers him. You see, Buck has gone through his prep routine but now it's time for Tommy to go through his. Which involves tongue and finger fucking Buck until he's crying. Tommy partially drags things out out of genuine concern, to make sure Buck doesn't feel the slightest bit of pain. Another part wants to tease and chastise Buck's hole for having forgotten him.
oh my goodness anon... this is beautiful. i have no words, this is perfect, this is beautiful, this is everything.
i will love you forever and forever anon
#bucktommy#tevan#tommy kinard#evan buckley#tevan fic#evan buck buckley#kinley#kinkley#911 abc#911 show#9-1-1#911 fanfiction#my posts
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But are people not allowed to have DNIs? Bc isn't that just another level of "block if you don't like it"? Which is what everyone is always saying to do, bc it's literally the alternative to censoring. Let people curate their own fandom experience, you don't have to read into their morals and "research skills" about it
DNIs are literally the person saying "don't interact with me if". If you're on your own blog and you don't want people interacting with you, YOU have to do the curation and block them. Not them block you. By pasting a DNI on your blog, you're not curating your own experience, you're telling others to do it for you. "I block if x" is a wildly different attitude than "don't interact with me if".
And usually DNIs are either: 1) full of common sense bullshit nobody should even have to list, 2) performative and half the time, the person doesn't even know what all the things on their own DNI list mean, 3) include things that the person won't even know about the individual or come up in conversation, making the vast majority of dnis, especially ones related to "if you ship x", pure performativism 4) pointless anyways, because most people aren't going to look for a list before they interact with your posts, with you in a comments section, etc. But they still embolden people into using them as an excuse to harass someone who did so much as reply to them in a post. It encourages this paranoid, safety-checking of blogs and even people with DNIs don't even do it. Half the people who interact with me in comments, who reblog my things, even who follow me, have "proshit dni" on their dni list.
Also, Fanlore (aka OTW, aka the ones behind AO3) has a definition of proship right there. This is a valid source to find definitions right away, without muddly drama and incorrect definitoons. Please add it to your favorites.
Other people can add their points to this, I'm sick having to point this stuff out so I'm tapping out here.
Posting as a response to a previous problem.
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january favs!
(first recs of the year!!!!)
ships: sakuatsu (if unspecified) ft. an oikage fic
six steps to a smile
e. 18.6k. 5+1 canon compliant.
5+1 of kiyoomi’s adorable pout leading to relationship milestones. i (unfortunately) can’t remember the last time i read a fic without even a little bit of angst. i feel like i never see friends to lovers skts! i do love tension but my heart swells at moments like “i’ll give you anything you want and you don’t even have to ask”. the sweetest boys ever.
the sakusa kiyoomi drunkness scale
m. 4.3k. canon established relationship.
atsumu meets six-drink kiyoomi. chaos ensues. such a lighthearted and short read about their relationship. i loved the little details of the characters and just how well they know each other. they’re so in love and it makes me sick (i treasure these guys).
shootin’ stars & satellites
e. 20.1k. third years skts.
itachiyama and inarizaki have a volleyball camp before their graduation!! this fic was a religious experience. i can’t describe how it made me feel. hilarious, beautifully written, sexy, gentle, and oh so tender. i honestly LOVE everything about this fic. expect this on my end of the year favs.
hold on, who’s got a boyfriend now? (yea right)
t. 9.3k. haikyu hospital.
resident cardiologist atsumu has a boyfriend! the rest of the hospital tries to find out who it is by creating a betting pool!!! this was extremely silly and light. i LIVE for gossip and i imagine hospital gossip is like the michelin star of work gossip. so (if i was there) you bet your ass i’d be betting!
daybreak
t. 8.1k. mid skip.
after a break up, kiyoomi decides to hike up mount fuji with surprise guest miya atsumu! i admire the idea of the u19 camp having a group chat and reunions together :’). also kiyoomi’s family running a tea business… it is so perfect for the rich kid hc. such a sweet and refreshing fic with some introspection!!
bane of my existence, object of my desires
e. 6.6k. regency era au.
messy skts who just can’t live without each other… you know i had to have it. in true skts fashion, this story was dramatic and chaotic and horny. but i mainly read this bc i loooove bridgerton so imagining them in their fancy suits and mansions scratched an itch in my brain.
high tides and sleepless nights
e. 71.8k. msby 4 go to the beach!
atsumu teaches kiyoomi how to swim so he can enjoy the beach <3 as someone who can’t swim, i find this plot so romantic. im gagged it took kiyoomi that long to realize the feelings between them were Real. but that just meant the ANGST was divine. (along with the characterization, dialogue, and happy ending). summer skts for the win!
go slowly with me
g. 5.6k. canon compliant slice of life.
ah yes, the joys and horrors of sharing your music taste with others. when the jackals bring a speaker to their post-practice cool downs, atsumu decided to curate an effortless playlist. along the way he learns kiyoomi listens to abba and that he wants to spend the rest of his life with him. tooth rotting fluff. dancing in the kitchen. they are domestic.
this is how you lose the time war
m. 15k. end of the world/ sci-fi au.
when kiyoomi wakes up on the last day before time loops itself, he somehow makes his way to his ex lover’s doorstep. god. i’m not ready to really think this one over (i lowkey read it in a haze), but it’s a wonder. this skts dynamic was intense, grand, and overpowering. snuzz is truly a wizard with her words.
such a constellation was he to me
e. 11.8k. canon universe.
two words: kiyoomi tattoos. two more words: body worship. truly, what more do you need? i love reading body worship because it just reminds me how special sex can be. it’s vulnerable and open and appreciating and so human. it’s nice to read a fic that highlights that. the tattoos & lore were just a bonus :P
ishigaki island, 2025 — oikage
e. 22.4k. forced proximity exes to lovers.
iwaizumi & ushijima wedding = oikage best men. only problem is they haven’t spoken in years since they broke up. and now they’re 4th wheeling on an island getaway with their best friends. i really loved this oikawa and characterizations, some classic tropes, and (more) sun!!!
#[halo reads]!#[halo reviews!]#sakuatsu#haikyuu#sakusa kiyoomi#miya atsumu#haikyuu fanfiction#oikage#i tried really hard to get a decent list out (prepped for an interview!)
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Thank you for your refreshingly honest comments about Yoko Ono. I find people’s sycophancy towards her and refusal to examine her behaviour a bit sickening, to be honest. There’s clearly an unspoken rule that Yoko is off limits, which is very strange, given that no other person or subject is. Anyway, what I would like to ask you is this: to what extent, if any, do you think Yoko was herself a victim? Did she simply find herself surrounded by bad people who manipulated her (the Sams, John Green, Fred Seaman, etc), or did she seek those people out to do her bidding? From what we know of the plan she made at the start with Tony and the fact that Dan Richter (a very unsettling character in the whole sordid tale) was an old friend who she brought in as part of that plan, I think the latter. But most people on here think she’s great and that she couldn’t help being mentally ill, so hey, maybe it’s just me and my cynicism that says she’s every bit as wicked as her ex-employees claim. What do you think?
When it comes to how Yoko is treated, there's genuinely a lot of nasty history there so fans on tumblr try to tread carefully. It's not an exaggeration that Yoko faced a lot of horrible racism when she was with John and there were even moments when John had to shield her from physical harm. And she was a lightning rod of criticism for lots of other reasons. Once John died she was essentially put in the role of "grieving widow" and boy howdy she milked that forever but it also meant that people were suddenly less willing to criticize her because they didn't want to add to her troubles.
Not to mention John and Yoko worked very hard to network with up and comers once they realized old hands like Ray Connelly wasn't going to play ball with them since they were too experienced. They created a lot of journalistic careers by making the right friends in the 1970s. Many media personalities feel indebted to them and would happily throw themselves in front of a car if Mommy Yoko and Daddy John don't suffer even a whiff of a papercut. When you read Eliot Mintz's book you realize that John and Yoko very deliberately targeted emotionally vulnerable people with empty lives and no strong parental figures so that they could become a quasi-family to them. That's what happened to poor Mintz, John would scream racial slurs at him (because Mintz is Jewish) and Mintz would just kind of. Stand there and take it while John screeched and squalled trying to pretend he was still a bigshot and not a drunkard in his 30s abusing his personal assistant. So much of the public bubble you've noticed is a result of John and Yoko's recruiting tactics. Celebrities usually get a level of protection but John and Yoko cynically courted and elevated the right people to wrap themselves in adamantium.
Fans try too hard to handle her lightly as a result of all the heat she took after marrying John, especially since a bit more is now known about her life and how she grew up and how her dad didn't treat her very well. I also think that there's an element of disbelief, like Yoko's crimes are insane and outlandish, no one wants to believe that they are true. And I know from personal experience that if you try to bring outlandish but true things to someone's attention about their favorite celebrity, you immediately get screaming and hysterics. Cult think is strong.
I don't think Beatle fans on tumblr necessarily buy in to excuses about mental illness and trauma but I do think that they're scared of being criticized or being accused of racism if they're too hard on Yoko. Tumblr users are uniquely vulnerable to that sort of thing because of this website's history and demographics so they take the easy route. I don't really blame them tbh, you never know when something is going to blow up in your face and who wants to court that trouble? There's no benefit to talking about Yoko's problems and abuse of John and Sean in depth since most people are just here for the fanart.
But to move on to your question: I think Yoko was an experienced con artist and manipulator with a genuine artistic vision but I also think she got in way over her head. Yoko's thing appears to have been that she and Tony would scam John with art pieces and that's why they did insane shit like making a contract to split the earnings they got from John 50/50. Get him to buy some plastic crap (that was quite literally all the rage in the 60s "zomg plastic!!!!") and then take the money and run. But I think Yoko sensed early that John was an easy mark and that he was someone she could pump and dump. I think that Yoko started seeing dollar signs and pursued John to get a bigger and bigger payday, she was chasing that dragon.
When it comes to the people Yoko was surrounded by, it's another case of her walking in with her eyes wide open but not realizing how completely in over her head she was. She very deliberately surrounded herself with con artists just like her because she thought it would be easier to control John and fortify her power over him. There were outliers like John Green/Charlie Swan where she believed his bullshit (the man is a masterful con artist) but she was convinced that she was much smarter and savvier than she really was and that she would see through any scams. She was blinded by her pride and never realized just how many rides she was taken for. Like IIRC Charlie Swan helped someone fence a fake painting to her that she paid millions for lol. They realized that she was an easy mark specifically because of her conviction that she was a worldly and experience player. Reader, she is not.
You can see this mindset during her life with John, they were hiring people off the street to work for them and never noticed they were being robbed blind. Like she and John were hoarders to the Nth degree, they bought all those extra condos in the Dakota specifically so that had storage units for all the useless shit they bought. Hundreds maybe thousands of shirts, pants, dresses, coats, scarves, jewelry, never worn and never catalogued, never looked after. Paintings and ancient artifacts stolen from Egypt on the black market, Yoko may have purchased as many as two different Egyptian mummies. Those people that they brought in from the street learned quickly that they could steal whatever they wanted and John and Yoko would never notice. A few of them were caught but there was one case where someone lifted 5 Hermès scarves from Yoko and she didn't notice for over a month and then dragged her heels on filing the police report. Because the Hermès scarves were not actually important since she had dozens of them in the storage apartments. I imagine the staff that stayed on learned quickly that they could steal freely so long as they were smart about it. God knows that's what I would do lmao.
But the point is that Yoko knowingly took in people who were willing to steal from her because she thought she could outsmart or control them, she had no idea how to defend against complicated tactics like "I'll put this in my bag and walk out with it at the end of my shift." I have the feeling John took the theft a lot more seriously than she did. Not that he was willing to do his bit and look after their collection of high end junk, I can't imagine what all their expensive clothes looked like after 10 years in that storage unit since neither of them protected them from pests.
Yoko willingly took these people on and invited them into her home. She and John thought they could use the likes of Charlie Swan and Fred Seaman and the Sams the same way they used journalists like Jann Wenner. What John and Yoko did not realize is that journalism is Hollywood for ugly people, that journalists are uniquely deficient in character or backbone and that journalists are always on the look out for a new Daddy and Mommy to pat them on the head and say "good job son!" Journalists and Hollywood actors are the same, they have holes in their chests were Mom's love and Dad's pride should be.
The problem for Yoko is that the scam artists she hired were extremely skilled, experienced, and ice cold. I love Charlie Swan's book Dakota Days and I believe every word of it (I can repost my review of it if you like) but especially because he coldly shows how childish and self absorbed John and Yoko really were. While they were faffing around doing rich people shit like flying around to random cities based on one guy's bespoke numerology, Charlie Swan grew up having to work for a living before getting into the astrology business. He knew what it was like to work difficult jobs for little money and even attended university and earned a degree in a time before universities became diploma mills. He was savvy and educated and lived an entire life before meeting John and Yoko, got spiritual fulfillment and assurance from his magickal practice. Charlie Swan did not have a hole in his chest where Mom's love and Dad's pride should be. Which meant he simply could not be manipulated the way a journalist can be manipulated. And Yoko Ono could not comprehend this and could do nothing about it. Nothing she said or did had any power over Charlie. She couldn't do anything to him and he frequently scammed her out of millions all while laughing up his sleeve. She thought she could control him but the truth is he had her completely under his thumb. Kind of amazing actually.
The thing that has always baffled me about Yoko is how easy it is to kick her around and stand up to her. John Lennon too as a matter of fact, I don't understand this handwringing and moaning and fear around his "great wit." I grew up on 4chan, I know people who could turn John inside out with a well placed photoshop. It's genuinely baffling to me that Yoko and John were not savagely and relentlessly bullied. They should have been. It lead John and Yoko to develop inflated egos where they thought they were genuinely intimidating. They never realized how pathetic and easily taken in they were because everyone else found it more useful and lucrative to scam them. It's fascinating that Yoko willingly brought these people into her life with John and never once realized that there was a problem.
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