#I want to know if this is a me problem or if others experience this

[violentdelightsandviolentends]

Forbidden Fruit.

That’s the thing about Declan - he always gets what he wants. It might be wrong… but it feels so right.

declan o’hara x female reader

warnings - smut. cursing. use of the c word. age gap. cheating. declan’s filthy mouth needs its own warning.

word count - 2.3k

authors note - that man is a munch and I cannot be convinced otherwise. my crush on aidan turner has returned tenfold and i’m about to make it everyone’s problem. read declan’s dialogue in that gorgeous irish accent of his for the full experience.

masterlist. inbox.

You’ve fake laughed so much this afternoon that you can’t remember what your real one sounds like.

Finally breaking away from a conversation with Freddie’s wife, you swan across the garden in your sundress towards the food and drink table. You absentmindedly pick at the strawberries, hoping and praying that no one bothers you for a moment. All you need is a minute to yourself, away from all of these faux smiles and boastful exchanges.

Reaching towards a raspberry, you feel fingertips ghosting across your back quickly.

“Y’alright?”

You’d recognise that voice anywhere, of course, and not just because he’s the only Irish man in The Cotswolds.

“Bored out of my mind, actually.”

“You’d never know.”

“I’m a good actress, these days. I’ve done one too many of these stupid garden parties.”

He chuckles all genuine and honeyed, and you’d be lying if you said the sound didn’t settle warmly in your bones.

“Whatcha doing tonight?”

He’s keeping his voice low, inconspicuous. You’ve both turned so you’re looking out over the garden, backs to the table, watching the crowds of people and their gossiping. To anyone else, it looks like an innocent conversation between two acquaintances. They can’t see his hand playing with the hem of your dress behind you, or the way his fingers keep brushing the backs of your thighs, sending shivers down your spine.

“My boyfriend is coming over. You know that.”

“What time?”

You roll your eyes but answer anyway.

“Nine.”

“So what I’m hearing… is that you’re available from whenever this crap finishes until then?”

“That’s a stupid idea.”

“You usually love my stupid ideas.”

“Well maybe I’m trying to be smarter.”

He laughs with his full chest while you fight to keep the grin off your face, shaking your head.

“You’re already the smartest person here. Any smarter and we’re all doomed.”

“Flattery will get you nowhere, Declan.”

He pauses for a moment, pressing his side into yours and running his thumb across the soft skin of your thigh underneath your dress.

“I think we both know that’s not true, sweetheart.”

Your breath stutters as you will yourself to get it together, desperate to not repeatedly give in to his murmured promises and flirty remarks. It’s wrong. You know it is, both of you do, and yet…

“I want you gone by eight at the latest. I don’t need the two of you bumping into each other on my front step.”

He smirks like the cat that got the cream, looking down at you with lust drunk eyes.

“Good girl,” he whispers. “Promise to make it worth your while, yeah?”

“You always do,” you breathe out, so quietly that you’re surprised he hears.

He’s about to reply when you’re both startled by Rupert, striding over with the confidence of ten men and a bottle of champagne in his hand.

“Have they run out of glasses, CB?”

He slings an arm around your shoulder, laughing that rich man’s laugh right into your ear.

“Live a little, darling. Walk with me, will you? I have a story that might be worth your time, and I thought I’d bring it to my favourite journalist before anyone else.”

Rupert all but drags you across the garden, already chattering on about a scandal in the local constituency of the Conservative Party. You cast your eyes back to where Declan hasn’t moved, his gaze roving over your figure as you walk away.

He winks cheekily, dirty smirk slapped across his face.

You hate the way it sends electricity running through your veins in anticipation.

✵  ✵    ·　 ✵ 　　 *  · ✵

It’s six forty five when there’s a knock on your door.

The devil himself is standing on your front step, leaning against the wall with his arms crossed over his broad chest.

“Hi darlin’.”

His accent is like molten honey, golden and warm and laced with sweetness. There’s mischief running through it though - as there always is.

“Come on,” you urge, grabbing his tie and pulling him inside, worried that one of your neighbours will see.

He laughs as he shuts the door behind him, unphased by your urgency.

“Thought you had a meeting. CB was telling me all about it earlier.”

“Rupert would tell you anything,” he chuckles. “He’s got a soft spot for pretty girls.”

“Sounds like someone else I know,” you giggle, undoing his tie from around his neck and hanging it on your coat rack.

“No. I have a soft spot for one pretty girl.”

“Sweet talker,” you tease as you roll your eyes, undoing the first few buttons on his shirt. “How about you put your money where your mouth is, hmm? We don’t have all night.”

He clicks his tongue, hands finding your hips to pull you against him.

“Patience, sweetheart,” he murmurs, leaning in so his lips brush yours. “Good things come to those who wait.”

“Less talking,” you scold, grabbing at his biceps to kiss him desperately.

Declan pushes you up against the wall, hips pressing into yours as he slips his tongue into your mouth. He tastes like cigarettes and whiskey and those mints he keeps in a tin in his back pocket. He scatters open mouthed kisses across your neck, licking across your skin and sucking the spot underneath your ear.

“I’ve been thinking about you all day,” he mumbles. “Ever since I saw you in this dress.”

“You like it?” you breathe, head rolling to the side to give him more access.

“I fucking love it.”

“Good. Bought it for you.”

He groans, grinding his hips into yours.

“You’re a minx,” he pants, biting at your shoulder. “You know exactly what you’re doing.”

With that, Declan wraps his arms around your middle, practically dragging you into the living room to throw you onto the sofa. He pulls your dress over your head, throwing it onto the floor with reckless abandon.

He instantly gets on his knees in front of you, spreading your legs with rough hands.

“Been waitin’ for this cunt all fuckin’ day.”

Your underwear is tugged down and discarded before you can blink, leaving you naked and high on the anticipation of it all. Your lungs are heaving, hands shaking as you will him to do something.

Declan sits back on his haunches, making a show of rolling up his sleeves. He looks so broad and commanding in his blue jeans with his shirt undone. He might be the one on his knees, but he’s definitely still in charge here.

You tangle your fingers into his dark hair and tug, pulling him closer.

“Please, Dec.”

“You sound so beautiful when ya beg.”

He grips your thighs tightly, ensuring they stay apart, as he leans in and presses kisses to any skin he can find.

“Don’t tease.”

“Or what, hmm? What are ya gonna do, sweetheart?”

“Stop it,” you chastise, head dropping back onto the cushions. “Please, baby.”

He chuckles before diving forwards, licking a stripe through your core. He wastes no time, tongue flicking over your clit like he’s done so many times before.

“Yeah,” you breathe out, fingers gripping his hair tightly. “Fuck, Declan.”

You’re convinced he enjoys this just as much as you do. He’ll eat you out for hours, never once expecting something in return - happy to feel you fall apart on his tongue again and again and again.

He knows exactly which spots will have you arching your back, how much pressure to use to have you writhing on the sofa cushions, where to put his hands to push you right over the edge. He can play you like a fiddle, observant and experienced.

His nose nudges your clit as he fucks you with his tongue, messy and wet and completely committed. The grip he has on your thighs is getting tighter and tighter, fingertips bruising your skin. You pray you’ll be able to see the marks when you look in the mirror tomorrow.

You’re teetering on the edge of your release, legs shaking and abdomen tightening. Declan can read you like a book, knowing exactly where you’re at - and taking advantage of it.

Just as you’re about to come, he pulls away and sits back, grinning like a deviant.

“No,” you’re panting. “The fuck are you doing?”

He laughs, leaning down to rest his head on your leg. He looks up at you with a gaze that’s half lust and half mischief, biting at his lip as he watches your chest heave.

“What do you want, darlin’?”

You pout at him, tears welling in your eyes.

“Come on, let me hear you say it. I want you to beg me to make you come. Tell me how you’ve been waiting for it all day, sweetheart.”

“I-Declan, I just-”

“Come on smart girl, use that big brain of yours. Why don’t you tell me all about how you think about me when you touch yourself? No - why don’t you tell me how you think about me while he fucks you?”

Your hips buck up into the air, desperate for any kind of friction. Declan laughs cruelly, wrapping his arms around your thighs again to pull you to the edge of the sofa, the strength he exerts only turning you on more.

“It’s okay,” he soothes against your core. “You don’t have to tell me. Your dripping wet cunt tells me everything I need to know, darlin.”

All you can do is moan, breathing like you’ve run a marathon. All you can see, all you can hear, all you can feel is Declan O’Hara.

“If we had the time, I’d edge you some more. Eat you out until you cried. You always look so pretty when you’re crying f’me.”

He finally takes pity on you, curling his tongue inside you as his nose repeatedly bumps against your clit. He’s practically making out with your core, saliva dripping down your thighs and onto the sofa. You can’t bring yourself to care about the mess, more focused on the older man’s mouth and the skills it possesses.

You’re whining, fingernails digging into his scalp as you grasp for something to hold onto. He’s groaning too, having just as much as fun as you are.

“Come for me, pretty girl. Show me how fucking beautiful you look.”

Your back bows off the sofa as you grind against his face, riding out your climax. Your thighs tighten around his head, desperate for him to keep going for as long as possible.

“That’s it. Atta girl. There we go.”

You’re trying to catch your breath as Declan stands up, sitting down next to you and pulling you into his side. His fingers draw patterns on your hips, absentmindedly calming you down as you nestle into him, seeking out his body heat.

You lean up and kiss him, slipping your tongue into his mouth eagerly. He tastes like you, and the realisation makes you whinge.

“Let me return the favour, please,” you whisper against his lips.

“As much as I’d love that, darlin’… we can’t.”

You quirk a brow at him in confusion, his rejection more than unusual.

“It’s twenty past eight.”

“Oh, shit,” you groan, finding your underwear and pulling them up your legs.

“I wish I could stay,” he reassures as he kisses you again sweetly. “You know I do.”

You nod, running your fingers through his sweat soaked locks to move them out of his face.

“Promise I’ll repay you next time.”

“I’ll hold ya to that.”

The phone ringing startles you both, your heart jumping in your chest. You pick it up quickly, wrapping the cord around your finger.

“Hello? How are you? Ah, good. Yes, fine. Alright, I’ll see you then. Yes, see you soon. Mhmm… I can’t wait either.”

You put it down just as quickly as you picked it up, finding your dress from the floor and pulling it over your head.

“That was Patrick. He’s at the train station, about to start the drive back here. He won’t be long.”

“I best get going then,” Declan says as he buttons up his shirt. “Don’t need a family reunion in your living room now, do we?”

You shake your head, scoffing at his attempt at a joke. Walking him to the front door, you press his tie from the coat rack into his hand so he doesn’t forget it.

“I’ll see you tomorrow, won’t I? You’re coming for lunch at the house?”

“Wouldn’t miss it,” you say as you lean up to kiss him, sighing at the taste of his lips. “I’ll wear that lacy white lingerie under my dress just for you.”

“Great,” he groans. “Now I have to think about my son seeing that on you when it should be me.”

“You might,” you tease, smoothing out his shirt. “There’s a lot of rooms in that house, Declan.”

“You’re a minx.”

He kisses you once more, big hands cradling your face as he pulls you in.

“See ya tomorrow, sweetheart.”

“Yes, you will.”

You watch him go from your front step, making sure no one sees him leave. As soon as he’s out of sight, you’re shutting the door, trying to tidy the living room frantically. You open the windows, lighting a candle and picking up everything that was knocked to the floor in the lust filled frenzy. You’re covering your tracks as best you can, just like you’ve done countless times before.

You don’t need Patrick asking why the room smells like his dad’s aftershave.

You don’t need Patrick asking questions at all.

a little gift for you, as promised…

@do-it-for-kicks @whytheylosttheirminds @laverna-fanfictions @graceflorence

and of course, if you enjoyed this - throw me a little reblog if you so wish… help a girl out… <3

[catis15]

I'm in gen Z and I've got friends who think like this

I wasn't too sheltered as a kid or a teen so like I don't agree with some but I can see the reasoning. Though the asking to masturbate one is wild, like wtf dude that's just like... A weird thing to ask. Also thought it was like a canon event for some ppl to masturbate to like the idea of ppl they found attractive. I've never done that cuz yeah it feels really fucking weird like dawg I know that person, but ASKING is so fucking wild man 😭

And actors younger than 18 what's that about? If it ain't got sexual content I don't see the problem as long as like workplace abuse isn't happening because it's pretty common to my knowledge in the industry.

Like how am I on the other side of my own generations BS 😂😭 I think I should be grateful??

Don't think not smoking and drinking is a bad thing though lmao. But I know a lot of my friends and I were shamed for sex related stuff by our parents. I mean when I was i think 16 or 17 my mother went through *private* ifykyk messages and continued to shame me for things that were said for a month or so after, even getting my MUCH younger sisters involved by telling them "Leaf is doing nasty things' or "Leaf is doing things she knows she shouldn't" and then she'd directly quote things I said to my partner as a way to embarrass me. Kinda weird looking back on it but my mom's kinda fucked up lol

But I had a lot of friends with similar experiences. It doesn't really create a safe place for what are pretty normal feelings :/

But then on the complete opposite side we have shows like Big Mouth and sites like AO3 where it's a very normal thing to be horny and have kinks and it's not shamed, sometimes even encouraged. We grew up wack y'all lol

So lines had to be drawn SOMEWHERE and for a lot of ppl my age it gets to be a little much

Like I have a friend who hates like any sort of sexual reference to underage characters. Which is totally fair they're underage it's whatever. But it's to the point he gets like defensive about it. And he's the dude who's pretty steadfast in his beliefs, but it got to the point even i thought it was a little weird. Like sometimes he'd get mad about making out or slightly heavier relationships between minors, eich again I can see the thought process, but also ppl are having sex by 16 or 17, and it makes sense that characters those ages would be doing similar things. I grew up reading books where teenagers did teenager things, and I feel like there is a level of age appropriate stuff? Like no dawg don't make full ass bdsm shit for teens but I feel like referenced or even vanilla type shit is fine????

I don't have a license so I can't talk-

Working on it though ;v;

And yeah lmao masturbate it's good for you (no literally there are studies saying it's good to do lmfao, like drinking a single glass of red wine before bed once a night is good for you... Unless your a recovering alcoholic then maybe not)

Sorry went on like a whole tangent lol but I'm bored and wanted to throw my two cents as someone who's got friends who think like op mentioned but I... Don't lol.

weird anti ideology finally leaking out into the mainstream

[lady-griffin]

Jinx's Hallucinations + Ekko

Before Act III drops, I wanted to talk about an aspect of Timebomb that I'm quite fascinated by -

Ekko isn’t a trigger for Jinx’s hallucinations.

He has even stopped her hallucinations – not intentionally or anything, but more than once Ekko's presence seems to have a nullifying impact on Jinx.

Which is odd, right?

One would assume due to their history Ekko would be just as triggering to Jinx as anyone else, if not more so, and yet the opposite seems to be true.

In Jinx's first reunion with Vi, she quickly becomes overwhelmed and has an episode due to a whole combination of factors, but notably because her hallucinations of Mylo and Claggor start attacking her, largely because she's starting to breakdown and is getting overwhelmed (a self-perpetuating cycle).

Jinx can't even begin to calm herself down, in fact she yells at everyone to shut up, because she needs to think.

Then she hears Ekko’s hoverboard and suddenly the hallucinations are completely gone.

Jinx isn’t sure if what she heard was real or not.

Which is a great detail, since it indicates Jinx is aware that the voices she hears aren’t “real," meaning she knows other people can’t hear them too. So, it's rather telling (at least for me) that she asks Vi to confirm if she too heard the hoverboard sound.

It's also impressive Jinx was able to instantly recognize the sound of Ekko's hoverboard, despite her being in the midst of a mental breakdown and unable to think properly.

It’s almost like Jinx’s brain went into fight mode or something, because seemingly all the hallucinations stopped at once because there’s now a much bigger threat Jinx needs to be on guard for – Ekko is heading her way.

I really can't emphasize how much I love that.

While not traditionally romantic, in any sense, this shows the amount of respect Jinx has towards Ekko and the threat he poses to her. He’s someone she actually has to take seriously when fighting.

Which is a bit unique for Jinx.

Throughout S1 we saw Jinx being far more scared of her hallucinations then actual real, physical threats, but in this moment it’s like her brain recognized Ekko as being the far greater threat than her hallucinations.

Which he is - but that’s also true for many of the other things Jinx faces and isn’t scared of.

Jinx does “glitch out” while fighting Ekko and the Firelights in “When These Walls Come Tumbling Down,” - but it’s more of an asset than a problem, as she easily dodges the Gorilla Mask Firelight (at least I think it’s a gorilla).

Then when Ekko disappears, Jinx's psychoses come rushing back; obviously, this has less to do with Ekko himself and everything to do with him taking Vi, but nonetheless, it's still a slight repetition of the pattern that keeps happening between them.

In "The Boy Savior," during Jinx's bridge fight with Ekko, she once again specifically doesn't experience any hallucinations; even though she was just experiencing them not too long ago.

Mylo was this 'demon' on her back that while she could initially argue against, the more upset she became, the bigger his presence was.

She saw Caitlyn as this devil figure, laughing and mocking her and her psychoses even blocked Vi almost entirely from her sight; whether literally or symbolically, Jinx clearly wasn’t fully aware she was shooting at Vi, despite her obviously seeing Vi and then shooting in her direction.

Then Ekko bursts onto the scene and suddenly no more hallucinations. Which is just...

I honestly don’t know what this is. I really don’t.

To be clear, I absolutely love this whole thing despite not knowing what it is exactly, because honestly, I'm just fascinated by this dynamic, because for whatever reason, Jinx isn't triggered by Ekko nor does she hallucinate him.

In S2, Jinx’s hallucinations have significantly decreased, but in “Paint the Town Blue," she's suddenly bombarded with pretty much everyone’s voices because she’s beyond upset and panicking about Isha being taken by the enforcers.

She sees pretty much everyone - Silco, Vi, Mylo, Claggor, Sevika, and Isha.

Jinx seeing Vi, Sevika, and Isha shows us that she can/does hallucinate people who she knows are alive.

In addition, Isha being one of her hallucinations shows us that Jinx doesn’t need to have negative or even complicated feelings towards someone for them to become a part of her psychoses, as Jinx largely thinks/feels positively towards Isha.

Though it should be noted, the hallucination of Isha isn’t acting aggressive towards Jinx, not like the others are.

Finally, Ekko or Vander are the only two she doesn't hallucinate, but we know Jinx has hallucinated Vander in the past, making Ekko the odd one out when it comes to Jinx's hallucinations once again.

Which for the millionth is absolutely fascinating to me.

Because why?

Why doesn't Ekko trigger Jinx? Why isn't he one of her hallucinations? How come he's the only one we've seen having the ability to stop Jinx's hallucinations altogether (even if it's completely unintentional)?

For whatever reason, Jinx’s mind has seemingly categorized Ekko as being different than everyone else and while it’s obviously not this big thing the show brings your attention to, it’s also clearly there, albeit subtly.

And yeah...

I don’t really have much more to say, I just wanted to talk about this interesting aspect of Timebomb before we get to the last and final arc of Arcane.

[timmydraker]

Thinking about Vampire Tim AU and him saving Bruce via turning.

None of the Drakes are actually Vampires, at least not permanently. It was a very strange instance that occurred out of pure chance and coincidence.

A pregnant Janet Drake in a foreign country having a run in with a starving vampire rouge that bite her just a few days before she gave birth.

Instead of the curse spreading to her, the labour of her child pushed and the spreading of lifeform spread to her baby as it was born. The child looked healthy, had no inhuman features, and they assumed her being so sick was simply the fact she was about to give birth.

Tim doesn’t realise what he is for a while purely because his parents are vegan and, until he was seven and had some beef from a classmates lunch, hadn’t had any blood enter his mouth.

Having to teach himself everything, Tim learned to manage both his hunger and abilities as quickly as he could. He studied history and mythos and did several test to figure out the limits to what he needed and could do.

He learnt that he could heal via blood, that he could go without air for days, and that his hearing was normal though his sense of smell was enough to distinguish blood types.

He learn that he could go two weeks without blood before it became a problem, but if he pushed it past three weeks he would start to experience literally decay.

Tim disconcerted his saving grace was that the hunger wasn’t as uncontrollable as people made it out to be in movies and books. At most, it was just like normal human hunger or thirst, and he was aware there was a huge variable in him being raised rather poorly.

He keeps it hidden for years, but then when he’s nineteen Bruce dies.

Not Batman, Bruce.

They got in a car crash of all things, the other drive running after they drove them off the road on the extremely rare instance that Alfred wasn’t driving.

Tim watched the tree branch in his foster father’s chest for several minutes as he thought about his options. Bruce was dead upon impact, gone with only the last wisps of life hanging to him.

Bruce was a father.

Batman was needed.

Even though it would out what he was, Tim forced his several sharp teeth out, all needle sharp and long enough his jaw had to unhinge slightly, and bit into his own wrist. The fangs, an inch long each, dug into his skin painfully before moving to dig into each of Bruce’s wrist and then finally his neck.

Tim smeared the blood into all three wounds and then squeezed as much as he could into Bruce’s mouth.

He had no idea how he knew what to do, trusting the instinct the curse seemed to just… give him.

When Bruce begins to breath again, Clark finally shows up. It’s been a total of eleven minutes and Tim only realises that the other took so long because he had been off planet, yet he is grateful because if he had been there…

Tim instructs Clark on how to cover up the scene, removing the cars and getting Bruce to the cave.

Dick is freaking out, worrying over his brothers ripped clothes and Bruce’s clear injuries, but Tim is quiet.

He takes Bruce’s medical cot and leads them both into a containment cell and then seals it, implementing his own lock as well as one of Bruce’s so no one can open it. He can hear someone banging on the glass a few times but he ignores it to stand over his father’s side and wait for him to wake up.

Naturally, when the older man does he’s panicked and screening Tim’s name.

Tim smiles at him sadly before taking hold of his hand, which Bruce immediately process as wrong.

“Why aren’t I dead?”

Smile growing sadder before fading to an almost formal look, Tim squeezed his hand before pulling away.

“I know you’ve had your suspicions and I thank you for trusting me regardless, but you are right. I’m not human Bruce, and now… you aren’t either.”

He lets the worlds settle for just a moment before continuing, knowing the other will want all the information he can. They’re both so similar in that way.

“I was born a vampire, I will always be a vampire. I will explain that all to you soon, but what you need to know is this: you do not need to drink human blood, you will not loose control over your thirst if you allow me to train you, and yes I had no choice. Gotham needs Batman and I-… I need my father. I will not apologise for my selfishness, but I am sorry you have to be like me.”

Bruce is quiet but he doesn’t move to kick Tim out, nor does he shout at him or cry in betrayal.

He’s surprised, but not more than Tim had ever seen before.

It’s almost an hour of silence between them before Bruce speaks again, “You… you are actually nineteen?”

Tim scoffs and Bruce glares, which makes Tim smile more, “I am. My body will age until around twenty five, at least that’s my hypothesis. If you are turned you stay the age you were, but I was born.”

Bruce nods and after a moment reaches out for his son’s hand.

Another silence before he squeezes it, “Have you told the others about… this change?”

Tim winces, “I tried to keep us separated because I knew you would worry for hurting someone, but I knew Damian would break in if he couldn’t listen so…”

“Ah. Understood.”

Then, in another rare instance that Tim thought he wouldn’t see for at least another few years, Bruce opens his arms to him for a hug.

Naturally, Tim crumbles into his father’s arms and sobs louder than a war drum.

Bruce kisses his head and holds him tight, a vampire embrace.

[vigilskeep]

Do we know enough about how Crow succession and talonship works to believe it would be possible for Viago to take the seat of first talon either through some sort of non-violent coup in the absence of an heir to house Dellamorte or through marrying his kid (rook) off to Lucanis? Asking because I really don't know and would love to write something in that direction...and you seem a crow enthusiast...also love your blog

THEORETICALLY. yes.

we haven’t seen the talons shift directly, but they do shift, with regularity. house arainai was first talon in living memory and then fell slowly downwards to their current point where they’re struggling in and out of eight talon like a drowning man who keeps finding his way to air for just enough breath

the eight talons system, if you’ll allow me the tangent, is a really fascinating choice of fantasy hierarchy because it is such a clear hierarchy. among a bunch of ambitious killers whose prime goal is notoriety. you can only hold each position here if everyone below you is too afraid to do anything about it. what an anxiety trip it must be to decide whether to push someone down just one rung or to try to destroy them entirely; do you want to leave your rival with more opportunity or more motivation? but crow power is also all about theatre, all about perception—you are first or fifth or seventh talon primarily because everyone agrees that you are—so making a failed gambit for a higher talon has got to be incredibly damaging. which is a risky setup. it discourages attempts, but when someone does make an attempt, they will not be fucking around

anyway ignore all that we’re talking about soft takeovers today. okay so house dellamorte has a dying core family, theoretically. we’re making the assumption that no surviving young children from any branch of the family are mentioned because none exist. we have two heirs, neither very acceptable (my apologies to caterina’s delusions), both men in their 30s with (again, assumed) no children, and neither making much progress in that regard. (arguably dependent on player choice when it comes to lucanis, but since he can fall in love with and express his undying devotion to any kind of rook, we can at least say he’s not making that much effort.) within a generation the core family may die out. but that is a LONG TIME to wait. you still have to deal with the current ones, they’re pretty robust

lucanis is the current first talon as of the end of veilguard. can he be convinced to give this up and hand first talon over to someone better suited? i do believe it. mostly because i need to believe, for my mental health, that we can get him out of there. but he also now has a fairly bulky support system full of people who love him and will notice how bad this is going to be and convince him he deserves things like a life he doesn’t hate

as always your main problem is caterina. caterina is not going to allow a takeover, soft or otherwise, while she is still alive. caterina didn’t give up first talon when they murdered her children. there’s probably an emotional plot in here where she can be made to accept what she’s done to her family, far too late, but with time left to save just one by letting him go. on the other hand, i’ve also been experimenting with plots in my mind where she tries to quietly get rid of viago or romanced rook for having too much influence, with the added benefit on hopefully being able to steel & refocus lucanis on defending the house against whoever she frames. or plots where she blames lucanis trying to leave and not being the boy she remembers on his, you know, demonic possession, and attempts to forcibly remove or destroy spite. so. there’s potential ups and downs, here.

i don’t know how helpful rook de riva/lucanis is. most of your problem here is that everything that sets this ending up by giving the de rivas more power, and by giving any rook more power over lucanis, is something that in my mind would crank caterina’s wariness all the way up. house de riva surely has to move up from fifth already after the events of the game and look more like a contender, and i don’t think even caterina’s delusions about lucanis’ suitability for first talon could make her blind to the effect rook can obviously have. i definitely think she would delay on a marriage and have the power to do that

i think it’s worth saying that rook de riva at any point bringing up to lucanis the idea of handing things over to viago would be a hell of a conversation. i know lucanis never remotely suspects rook of any agenda and trusts them completely, and i know i agree with rook here, but you’ve GOT to see how “i love you and having power is bad for you and what you should do is hand it all over to my talon” sounds. i truly could not blame him for a bit of doubt here especially if caterina was around to suggest it

sorry this is a completely messy and disconnected response. i don’t even know if i had a point. you might have to wait for caterina to actually die? is that my point? i can see rook de riva/lucanis being helpful to ease a transition of power to house de riva then. i also think it’s worth pointing out that teia might be the better contender for all this out of the two lovebirds. what quietly makes teia probably the most dangerous talon in the crows, if she ever chose to be, is that everyone likes her. i’m not joking or trying to handwave crow politics, it’s a form of soft power and the result of her cultivated skill that nobody ever suspects teia of anything. even caterina treats her gently, and literally a talon who tried to murder all the others in tevinter nights was delaying murdering her because she was his favourite. if anyone can handle a gentler transition like what we’re talking about, maybe it’s more likely to be teia

[questionablehuman444]

THANK YOU. Someone put my thoughts into the correct words, and it makes me thoroughly happy.

Dick definitely has eldest daughter syndrome, but Tim was "really mature for his age"

(more below cut)

Okay, Dick holds the weight of the world on his shoulders as the oldest. He's the one everybody goes to when they're having problems with Bruce. He's the "trusted adult". He's the guy who has the ability to get people to open up, and let him help them. It weighs on him a lot as a result.

Dick feels that if he isn't constantly there for people, then he's failing, not only as a hero but as a brother and a friend. (I could also talk about how he leans into the himbo persona because his self esteem is a tripping hazard in hell, but that's for another time)

Then, you look at Tim. He's self sufficient, he's easy, and he's smart. Tim has gifted child syndrome. People think that since he's more mature, he can handle more. So they start treating him like an adult and whenever it's convenient, they double back to treat him like a kid.

So often, the adults in his life were emotionally inept, and their love for him was so often conditional. He had to grow up quick because nobody else wanted to.

Something I think about is how, despite Dick and Tim having similar experiences and bearing the weight of the world, they don't want to hurt each other more. Dick doesn't want to fuel Tim's gifted kid syndrome and Tim doesn't wanna fuel Dick's eldest daughter syndrome. They can't talk to each other because they're aware of the other person's situation, and don't want to continue fueling the other person's problems when, in reality, it would probably be the best course of action for the two of them.

They're so afraid of making the other's problems worse by talking, that they're don't realize that they're actually just harming the both of them. They fail to realize that they're stripping away the only other person who could fully understand in a way beyond just comprehending the words and feelings being told, the only other person who knows the family on a personal level and can empathize from a place of mutual feelings. They taking away the one person who *Gets It* fully and completely.

Anyway, sorry for rambling, I really like talking about things like this. Thanks for reading if you made it this far lol. I had a lot of fun writing all this.

Dick is for the eldest sibling while Tim is for the parentified children and I think that's the most important difference between them

[kurosagi-h8r]

Hii love your little headcanons so I wanted to ask if you can do "what happens when mc asks the ghouls for dating advice"

I don't think mc would ever realistically ask them that but the reactions would be funny💀

WWWWWW SURE DO~~ But i'm gonna make this into parts because i don't think i'm strong enough i'm too frail to write for all of 'em in one go (no joke my shoulder pain has been killing me). so sorryyy ╯︿╰

Jin

Bold of you to assume he's gonna give you relationship advice when he can't fix his relationship with his papa

tbf he's probably gonna look at you weirdly and uhh remind you that you're his slave and nothing more and that any thought of being in a relationship with other people is forbidden

or ask you a bunch of question that will make you feel ashamed that you don't marry rich (with him as the standard) idk

Tohma

Will actually be a pretty decent guy to go for when it comes to dating advice... I think...

"blablablabla who's the guy? is it someone i know? blablabla I suggest you do this and that blablabla why not use me as an example? It won't do you any harm, no?"

"Will you update me on the progress? I don't want to be nosy, I'm simply looking out for you. Too many potential danger lurking in this place and I want nothing less than to sleep at night knowing that you're safe."

Very much biased but he can manipulate me all he wants and i will give in i won't even think twice about it

Kaito

This loser will start crying on the spot thinking that you found someone else already

"I-I never said I found someone..." and a lightbulb will come out of his head thinking that you were asking him SPECIFICALLY because HE is the one you're crushing on. "I've read somewhere that this is one of the things people do to find out more about their crush... THIS IS IT! THIS IS MY CHANCE!"

And all the advice he's giving you are the things that he wants you do to him

Not even gonna be ashamed about it go for it kaito

Luca

Most earnest in giving dating advice. He genuinely wants to help. He's even honored to be the one you go to for such important decision making.

Even if you do it to find out more about him, he's gonna be oblivious 😭 good luck

Honestly i don't have much words to back him up but personally, deep in my heart, i would go to this guy because i don't believe in myself when it comes to this kind of thing. i will trust you to set me in the right path luca ❤ i'll even trust you to beat up the shitty guy in my stead (lol)

Alan

Look me in the eye and tell me he has any dating experience

Not good with words but will stand behind you few steps away as you do what you want to do. Be it confessing your feelings or setting boundaries with your partner. For support 👍

Whether your partner finds it scary or not it's their problem

Surprisingly good at comforting maybe? If your partner breaks your heart and you don't feel like talking it out he will drive you around to clear your head.

Leo

"You're asking me? Oh my God you must be THAT desperate huh."

GIRL JUST ABORT MISSION ATP WHATEVER YOU'RE STRESSING OUT ABOUT IT'S GONNA GET WORSE IF YOU'RE SEEKING THIS GUY'S ADVI-- *got dragged away*

"Not gonna listen to all that. Why don't we just try making them jealous? You have me and I'm always down for a challenge~"

Ask yourself, which one is worse, making a deal with the devil or Leo?

Sho

Alright listen, depending on how dire the situation is i would want him to pretend to be my bf to make my partner jealous. HE'S PROBABLY GONNA HATE IT but i'm not one to pass up such opportunity /j

biker boyfriend to make your partner jealous??? why the hell not

I can feel him looking at me weirdly "you seriously coming to me for a relationship advice...?"

"How the hell would I know? Get them back with their favorite food? A way to someone's heart is to their stomach or whatever the saying goes." If it's cooking skill you're lacking maybe he can help a little.

[hyperions-light]

hey I was planning another post today but instead let’s talk about how much I love that there’s not really a ‘good’ ending to the companion plotlines in Veilguard. It reminds me of Leliana and Alistair’s plotlines in DAO in that what you choose says more about the player/protagonist than anything

I just finished Isana Negat a second time, and I did the other ending and I thought it was just as good. Like, yeah, Harding does deserve to be angry! They did fucking get everything taken away from them! It’s so painful and horrific; yes you can, and should, be mad! But also Harding prioritizing her very real love for and compassion towards other people is not wrong. It’s just different! It’s just Rook’s friend/lover asking them for advice, and Rook giving it! You know, like in real life except with huge magical rock giants

And okay I’m never going to kill Illario because I think it would make Luca really sad and he has enough problems, Whoops I misremembered this, I don’t think you can kill Illario actually. I love that for Luca <3 But yk, I’m probably still not going to imprison him. but I can see it! Because the cycle has to end, right? The violence and infighting of the Crows endlessly attacking each other over power is part of what allowed the Antaam to get a foothold in Antiva, because there was like a double agent or something (if I’m remembering right from Tev Nights). Some kind of ending needs to be made to this endless violence. And I suppose it depends on how retributive Rook is, which is a great question to ask of the player (one that is asked repeatedly throughout the game). It’s not like Illario didn’t do anything, you know! He probably deserves punishment. But Rook, as they always can at various points, can be merciful, can choose absolution. Wow no, I’m glad I was wrong I love it more like this.

And oh boy, I LOVED the ending of Emmrich’s quest, don’t even get me started! Like!! I thought it was going to be ‘well obviously we HAVE to save Manfred’, but how Emmrich talks about accepting his death and his sacrifice convinced me! I was like alright man, this is a real choice! I actually did make him a lich last time (made a lot of sense from a Watcher perspective, imo) and not only was the cutscene sick as hell, but the follow-up was so funny and I got some really sad Spite dialogue which fucking wrecked me. It was great— seriously, his plotline is one of my favorites in the whole game.

And Davrin’s! I’ve already expounded at length about how much I like his quest line and how it ties into the Grey Wardens, but I really think both of his options for the griffons are so workable, because you know the Grey Wardens, especially under Antione and Evka, aren’t going to hurt those little guys again! But also the scenes with Eldrin are so endearing, and Davrin’s hope for a brighter future for them is so sweet and genuine. It’s hard to pick! It’s about Rook's perspective!

Neve's I'll admit I don't vibe with as much just because of the like 'trust the authorities' angle, but i haven't tried saving Minrathous yet and I think it would be sooooo involving as a Shadow Dragon especially. Because that's what they're fighting for, right? That better Minrathous where they CAN be sure that if they send the insane cultist lady to prison she’s going to stay there? But there’s always the practical consideration of people’s lives being at stake NOW, of Neve needing her friends safe NOW. And just killing Aelia ensures she will never be an issue again. So I can see both angles for sure

And Taash ;-; oh, Taash. I haven’t posted about them that much yet because they make me very emotional and it’s hard to organize thoughts like that. But I really love their quest, and their struggle to define themselves. And look, I know people wanted the option to tell them they could be both, but like as a person who has lived a similar experience, it really feels sometimes like the world is making you choose. It can feel like you’re not enough of either thing for anyone. And there are parts of your identity that you will have to make a choice on, and I think it’s trying to speak to that. I did the Rivaini one, and it’s like… well, they’re embracing the culture of Rivain, but it’s not like anyone is ever going to look at them and NOT see a Qunari. You can’t get away from that. What you choose to do in response is a real dilemma and I think that if you engage with the text genuinely you can see what Trick was doing. Also, there is a really great dialogue from Rook that I think gives more context to the discussion; they can say that they have been many things, and it’s important to take what works from each experience and make it part of yourself. So I don’t think Taash’s plot is trying to make them throw away any of themselves, just defining priorities. (Sorry, that got long. Feelings, opinions about that one)

And I don’t think Bellara’s is obvious, either, especially with how they involve the Nadas Dirthalen in her personal plot. This is a thing that is really emotionally and culturally significant to her, but at the same time it is part of what hurt her brother and ultimately took him away from her. She’s really preoccupied with not causing harm by her actions; she spends the whole game worried about it! And even though Rook doesn’t see the dangerous elements of the repository, that doesn’t mean they’re not there. The puzzle quest you can find in Arlathan proves that other people besides Cyrian were taken in by Anaris. And also, there’s the plot thread they briefly touched on in the last game which is that the culture the Dalish have built, that they have RIGHT NOW, is not wrong. But it’s also important to remember history, even if it’s unpleasant or could be dangerous, which is another thing you can discuss with Bellara during the game. So there’s no wrong choice! It’s just about Rook and Bellara and what’s important from their perspectives.

Anyway it was super refreshing to have these kinds of choices! It reminds me of the best character choices in DAI and DAO, especially, and I’m so happy they carried those things forward and improved on them.

[fallenfrommars6277]

Okay, I've seen the cameo where George hints at Edwin's "first adult experience" with the Cat King and I wish to share my two cents about it.

First of all, disregarding which pair anyone ships, I believe we can safely say that Payneland will eventually be endgame: it is left as an option by Charles in Hell, it is hinted in the show and it is basically sustained by Jayden and George themselves.

I am, for one, a Payneland shipper. I admit that at first I wanted them to stay just friends because I am a sucker for great friendship stories, but rewatch after rewatch I started to see them as soulmates in a romantic kinda way.

Nevertheless, I think (and honestly have thought since the beginning, not just because they said that now) that it would be great to see how Catwin would evolve and in particular I think it's just right that Edwin has his first experiences with the Cat King, maybe not straight away sex, but in general intimate experiences.

Let me explain.

Yes, it would be nice to see Edwin and Charles getting together and awkwardly kissing and having together their first intimacies: it would be a first for both of them, because I believe that while Charles may have fooled around a bit, he didn't ever actually make love to anyone, let alone a boy. So it would be all romantic and gentle and blushing virgins and it absolutely would be great.

BUT.

Both Edwin and Charles are on a journey to self discovery, in general but especially in the love and sexuality area, but they are at different stages of it. While Edwin has been repressed for over a century, he has been now awakened (by Charles, by Monty and above all by the Cat King) to feelings and sensations and wants that he now needs and IS READY to fulfil.

On the other hand, Charles isn't there yet, he just now learns that his best mate is in love with him and he feels nothing but love and adoration towards him but he fundamentally doesn't know what actual love (as in being in love with someone and being the one someone is in love with) looks and feels like, also they're both guys and while he has been nothing but supportive of Edwin about him coming to terms with his homosexuality, considering the time and especially the household in which he lived in, I don't think he wouldn't have problems realizing and admitting to himself that he is bisexual (I know it's not canon, but come on) or at least that he fancies another boy. And even when this happens, I think that he would have a lot of holding back, being insecure about his "ability" to love and not wanting to hurt Edwin.

That said, I think that Edwin has always loved and will always love only Charles, but it is only fair for him now to start having his experiences and exploring his sexuality and, while Edwin and Charles have been a whole for over 30 years, doing everything together, I believe this is something he has to do by himself and the best person with whom to do this is the Cat King because they're both attracted to each other, because the CK is very experienced and I think this would be someway reassuring for Edwin (like he's doing this, he's experimenting with someone who knows very well what he's doing), because the CK would never be judgemental of his inexperience, and above all because the CK cares about him, but also knows that no matter how much he can care about him and be affectionate towards him and even love him, he will never actually have him because Edwin's heart belongs to Charles since that night in the attic.

I expect (yes, I'm talking like this is actually happening because maybe I'm delusional but I've not given up hope yet about a second season) that while Edwin does this and experiments and learns things about a part of himself that has always been hidden and repressed, Charles someway does the same, of course not realizing that he wants to have sexual experiences because he is, if not actually experienced, more acquainted with this "area", but that he has to explore his sexuality to understand how he can fit loving Edwin into it and then actually act upon this, but to do this he also needs to find a way to separate himself from his father, from his painful childhood, and control his anger and navigate and accept his own emotions, all the shades of them, to start appreciating himself and considering himself worth of loving and being loved.

In conclusion, as I said before, they both are going through a journey, but while Edwin's at the end of his and is ready for what comes next, Charles has just now started it, so it's just right that just this once they don't do this together, because they KNOW that even if they take metaphorically different roads, they eventually will find each other at the finish line.

[troglobite]

(i agree w op and it's a good point; i'm pushing back against a couple things in this second addition/rb & some implications in the op, as well. still not trying to be argumentative, but push the conversation further & challenge certain entrenched ideas. bc again, i agree & am coming from that angle.)

hotter take: the demonization of "ultraprocessed foods" is damaging no matter what. highly recommend this nutritionist for any info abt that. if [general, not op/rb] you won't listen to me, maybe [general] you will listen to a thin and licensed nutritionist.

the intent here is good: don't deprive your child of unifying and delightful social experiences. let them enjoy food. don't give them complexes about food. don't micromanage your child's diet to the point where they resent it, etc.

but also, maybe, just let them enjoy food. and teach/show them how! they are CHILDREN. unless they have allergies, sensitivities, or other serious health concerns, they will be FINE if they eat some candy MOST days of the week for various stretches of time. or ANYTHING sweet. or salty. basically every person in the world (with medical exceptions, exceptions for taste/preference, etc.) would be fine having at least 1 dessert every day. (and also this is only using "health" as a reference, which is a Whole Thing in and of itself)

maybe, also, as is the solution to most things: simply treat children like people who are just learning how things work.

instead of limiting what they eat without their involvement, instead of demonizing food and scaring them away from it or shaming them, or even acting like certain kinds of diets are even accessible to most people, how about we instead:

teach kids abt what we currently know abt how food works. why do they crave sugar and salt? why do these foods taste really good, and these ones don't? can we make them taste better? sometimes tastes change over time, so every few years we can try this food again, if you're up for it. how do you feel after you eat A LOT of food, regardless of what it is? what do you want to eat at different times? how do different foods make you feel? what kinds of tastes do you like? here are traditional and culturally relevant foods, and how/why they're important. how do we MAKE food? what abt food safety?

give them knowledge and choice in what they eat and how they eat it and when.

this is only possible if we education ourselves abt food, as well! which is why education around this is so important. but even the basics: hunger is this, food gives you energy, you need different kinds of energy, you probably should have a wide variety of it, etc.

for example, there is no such thing as junk food, there's just food. nutrition isn't just about calories or vitamins, etc., it's also abt social connection (covered well in this post), cultural connection, and emotional regulation.

it also looks different for everybody. no two people will require the same kinds of food in the same amounts prepared in the same ways. and what we know about nutrition is actually quite limited! not to say what we have is Completely Wrong, but that it's silly to paint with such a broad brush when we keep having to research and revise--and there are so many factors to health and diet that are difficult to account for, and make each person's needs individual. food & movement aren't the only two. and your socioeconomic status & geographic location control what you eat way more than anything else.

"ultraprocessed food" serves so many purposes: it lasts longer, it's typically more reliable and widely available, it's generally more affordable, and it's, crucially, more consistent and predictable, which is a HUGE thing for children (not even speaking of neurodivergent people in general). for ppl who can't afford the money or time of fresh foods, "ultra processed foods" are GREAT. (and they're also great for anyone who loves them)

if you have a problem with them, take it up with the government! we can have "ultra processed foods" that don't hurt people--it's the hormone disruptors and unnecessary food dyes that are the problem. they're outlawed elsewhere. we could follow their lead. preservation of foods isn't inherently bad. (and on the labor side, again, take it up with the govt: all workers deserve to be safe at work, protected, have a more than livable wage, benefits, etc.)

all of this is an overarching pipe dream about how we talk abt, teach abt, and interact with food, particularly as it pertains to raising our kids. but that's the point i'm going for here.

op is completely right, as is the addition; my hackles rise against "more wholesome foods" and "ultra processed foods" and the "let them have it every once in a while". you can go a month eating "junk" food (again, no such thing), and unless you have particular allergies or health concerns, you'll probably be fine.

determinants of health are so much bigger than what we eat and what we physically do.

so when it comes to teaching kids about food, we have to stop categorizing some foods as bad and others as good. it seems to be easier, but oversimplifying things for kids never goes well. if you're gonna simplify, at least be accurate and at least don't give them fucked up complexes abt shit.

tree nuts are WIDELY considered a Good Food. but they hurt me and could possibly even kill me, because i'm allergic.

fresh greens are WIDELY considered a Good Food. but they're raw, uncooked, and staring down the barrel of fewer safety regulations--so not only are they inconsistent in quality and texture (bad for kids & anyone with sensitive tastes), but they're also riskier. and ALSO, i have hEDS, and my body Cannot Digest fresh greens very well. (if accessible, an opportunity to teach kids abt where food comes from and maybe grow your own! but also [stares at heavy metals in most of the US soil] so y'know. ymmv.)

they're no better or worse than an "ultra processed" version of greens. that includes things like salsa, flavored veggie smoothies, premade soups, frozen veggies, etc.

the sum of my response to op & addition is: yes, absolutely. but also, there are no bad or good foods, and nutrition is more complicated than that. as per uszh, the solution is to treat kids like people and give them what knowledge you can, then let them make their own choices.

and the sum of everything else is: basically what i wish more people knew so that they COULD teach their kids that stuff. and also for themselves! and also this doesn't even get into the concept of "health" as a Whole Fucking Thing.

This is a controversial take that everyone will hate but it's one thing to feed your kid better, more wholesome food than twinkies and hot pockets daily, it's another thing to force them to adhere to a crunchy granola beige colored diet where they cant share the snacks their peers are eating or have a normal childhood or have fun. None of you were raised like that and if you were you know what im talking about.

[eerna]

i was one of the people who saw the early leaks post and i remember trying not to read too much of it but i had a moment of being like wow this cant be real but also it definitely could be. i remember reading about the damn caitvi sex scene and i thought to myself thats so ass why would they do it in a prison and then i realized the writers probably thought it was some meaningful parallel or something about vi being able to transform being imprisoned with something good

then the act dropped and i saw the damn parallels with cait finding her in the cell and i was like ok yeah. they basically had that as an idea. amanda overton was talking about it in a watch party and said they love their parallels and it was meant to symbolize vi addressing her trauma and im like. i see what they were going for and i get it I GUESS narratively but i really feel like this is such monkeys paw shit like we got this scene at what cost. and like the scene ITSELF was very good and sweet and lovely but like could it not have happened ANYWHERE ELSE?

i feel like the biggest problem with arcane s2 was that the creators rlly wanted to push the bar with animation storytelling. amanda talked about this too and like i feel like it kind of highlights the problem. where bc this show is so amazing graphically the animators wanna highlight that with as much action as possible instead of focusing on smaller scenes and more intimate quiet moments. i watched arcane s1 all at once after it came out and there were def parts that felt a little rushed in certain acts but it was nothing like s2. it just feels like they had all these story beats they wanted to hit but didnt give it the time it deserved and it sucks bc they said they always meant it to be 2 seasons so like why does it feel like this. they wrote them back to back around the same time what happened between s1 and s2. i just feel like the caitvi sex scene is a microcosm of the larger problem. they had these emotional beats and story moments that in isolation are really powerful but its almost like we didnt get a proper A to B transition. its like we skipped several steps for sooo many story beats.

such complex characters with real ass lives causing real ass problems. cait's privilege being an issue, how gratifying that could be to have explored. viktor's experience being explored more in depth. just so much more about zaun. like all of it was there in tiny slivers but it was never given the depth to GROW or properly BREATHE bc five million action scenes and plot points had to be squeezed in.

ultimately i love arcane overall. i think it has broken boundaries and done some amazing things. but its blemishes are really... painful at the same time. and knowing how the writers did such a good job in s1 makes me just like. cmon guys. you had it. YOU HAD IT

anyways sorry for blowing up your ask with so much rambling i just... idk. what are your thoughts on this stuff do you agree with my assessment or do you think the culprit is something else

No prob, welcome to the symposium~ Yeah, I totally get what the writers were going for with Vi. Which is why I am so shocked they thought it was a good idea. Like, okay, she is addressing her trauma in the sex scene... But why should her trauma get addressed by being locked in a jail cell by her sister, who just spent days being wrongfully imprisoned in there by the girl she's about to have sex with, and who then told her she was gonna off herself. If anything, the thing I was feeling was pain because it happened again, a Zaunite was thrown in jail by the Enforcers after she helped and saved them without any rights, and she was reminded she was less than them and her life is worth nothing... Mmmmm, the perfect memory to overwrite prison abuse!

I too felt s1 had some strange pacing choices, Vi and Jayce teamup comes to mind first, and that was, surprise surprise, a fight scene. But those were pretty minor, and still left time for other scenes to develop properly. It only becomes a real problem when it happens scene after scene, character after character, until no one is acting in character and you constantly feel like you have skipped a scene or two. I too remmeber them saying they wrote the seasons back to back, but. Dare I say it. I think s2 was so majorly rewritten by the time it went to recording that only the bare bones remained. In fact, that might be why we feel this way - maybe they DID have a frame they wanted to follow, but the rewrites warped and twisted the characters so intensely they ended up making no sense in the context of that frame. That's right, I'm talking about the way they decided to more closely follow and collaborate with LoL in s2. Jayce's final speech to Viktor only makes sense for game Viktor, and goes completely against s1 Viktor. Vi deciding police brutality doesn't really matter all that much makes sense for game Vi, and foes completely against s1 Vi. Jinx giving up on ever being loved or accepted by others makes sense for game Jinx, and goes completely against s1 Jinx.

So yeah my thesis is: Arcane knows it looks good, and sometimes it prevents it from being well written. It also decided to throw in its lot with LoL in s2, and no amount of good intentions from the writers could have saved it from crashing and burning.

[olderthannetfic]

Knitting question!

Intellectually I know failure is fine. I'm a beginner! I'm learning! Mistakes are part of the process! But I find it really hard not to be demotivated by projects not turning out how I want

I spent all this time and materials on this and it's just kinda shit?

Did you experience that/have any advice?

--

I definitely experienced that when I first tried knitting. I don't remember, but I suspect it's why I drifted away from the craft for nearly two decades.

I have a couple of semi-failures from my current re-entry into knitting. I intend to frog or partially frog them and re-knit, but there are other projects I care more about that are taking priority so far.

Right now, I love watching youtube videos with little tricks to improve one's knitting or deep dives into technical matters. I find information on fiber fascinating. I think that has helped me avoid many of the problems I experienced the first time around. Even if I run into an issue now, I can probably redo the project to make it how I want.

I think the first thing to figure out is how it's kind of shit. Yes, yes, you're a n00b, but there are lots of reasons projects turn out shitty. Some issues require a lot of practice. Many issues require reading a blog post explaining some technical thing and instantly upgrading your knowledge.

--

For example:

When I first got back into knitting, I got some pretty green yarn and made a Medieval-looking hood. I had no clue how alpaca behaved or that it would be waaaay too flowy for the look the pattern was supposed to have. I was also knitting the pattern with the wrong size of yarn, needle, etc. It turned out way too big for me and a formless blob. It was also itchy.

A year or two later, I threw it in the dryer, and now it's an epic rainy day hood. It's mostly not itchy because the felting stuck down all those hairy ends. It has a lot more body now because it's felt instead of flowy hand-knit alpaca. (And, hey, it's even more Medieval since those hoods were often felt but not often knitted as far as I could tell.)

What went wrong here was mostly that I knew fuckall about fiber. I knew I was making it in some randomass size and didn't really care that it was too big, but I didn't know it would slither off of me due to alpaca's drape. I didn't need practice: I needed someone to tell me how alpaca behaves.

--

Example 2:

I knit that Owls sweater and didn't like how it had no shaping... so I winged it. I ended up with really bizarre shaping because 1. I had no idea what I was doing and 2. I didn't close the underarm holes until the very end, so the sweater appeared to fit when I tried it on.

I could open the underarms back up and knit a separate piece for them, but I realized that I dislike the fabric overall. I knit it on a too-big needle (in my opinion). I thought I liked that looseness in my swatch, but I have changed my mind. I was also worried about running out of yarn (since it's a used yarn that I won't find again), but I had tons left over. I also think I want it more cropped. The yarn has a sort of nasty texture but beautiful color, and I knit quite a tight (and thus scratchy) sweater. I don't think I wet blocked it though, so that might fix the texture.

What I should actually do here, assuming I don't just get rid of the thing in favor of better yarn, is frog it and reknit from the top down, reversing the pattern and not having a phase with the underarms open like that. I should also knit it at a tighter gauge but with a little more positive ease, and I should trust that the stretchiness of wool will make it conform to my body just fine without a lot of shaping. Before any of that, I should wet block it and see how the texture changes.

I don't really consider this a permanent failure. I like the Owls themselves. I can easily just knit this again and get a sweater I want to wear... possibly a cardigan, now that I think about it. The yarn is a relatively robust wool that will be fine being frogged and reused, and knitting it gave me more experience with finishing a whole sweater. My various fuckups taught me things about both knitting and my personal taste.

I guess it could be demotivating because it took a while, but on that bigass needle, it really didn't take that long. I would probably always have knit multiple sweaters from this pattern. I see more than one in my future anyway.

Experience was an issue here, but it wasn't experience with the literal act of knitting. My tension was fine. It was more that I fucked around and found out.

--

Example 3:

I made a self-drafted BTS sweater out of another batch of used yarn that I'll never get more of. I love the body. the sleeves are too tight in the upper arm, and my bizarre-ass design for the top of the body means that the sweater wants to be a boat neck but also fit differently in the sleeves and... gaaaaah. The tight sleeves don't feel bad, but what they do do is make the whole sleeve slide down my arm weirdly because of the fit issues around the boat neck.

Part of why the upper arm area is so tight is that I was worried I'd run out of yarn (which I did) and I wanted a balloon sleeve rather than a straight one. The yarn is so stiff that the balloon part is weird, and the two other purple yarns I added for the lower sleeve look weird. I should have reversed their order because one matches too well, and now it just looks like I ran out and had to add a last inch in a random other yarn. I have most of those two skeins left hanging around and a sweater that fits strangely.

Also... it needs hand washing but is shaped and sized to be worn against bare skin, so it gets stinky after a few hours of wear because I am a sweaty, sweaty person.

In this case, I wouldn't redo the body: this silk blend will look less nice after frogging, and I already roughed it up a lot knitting the damn thing the first time. I knit it starting at the top, so the weird fit across the shoulders is mostly here to stay.

However, I'm pretty sure the bad fit on the sleeves can be fixed by ripping back and adding a bunch of width up top. I can also start with the flowier other two yarns and maybe have bands of this stiffer one that I used in the body. I suspect the weird body fit is fixable by changing what the sleeves are supposed to be doing.

This is another case of fucking around and finding out, so I'm not too disappointed in it. I did wear it to Yoongi's concert too, and it was gorgeous, if too hot.

I do realize now that I hate boat necks, but I think I can put up with this one if the sleeves aren't constantly sliding out of place.

And if fixing the sleeves doesn't rescue this, I might attempt some surgery one of these days, but that's more of a pain in the ass, so that will definitely have to wait.

--

Now, my guess is that your "kind of shit" is not "I freehanded a sweater two seconds after getting back into knitting because I'm a crazy person, and I messed up the shaping".

The more common problems are things like:

Not realizing that you should block or not blocking aggressively enough, so your stitches look way more uneven than they need to, the shape is weird compared to the example pics in the pattern, etc.

Using assy bind-offs so the edge looks amateur instead of polished. (You can go back and fix this.)

Failing to swatch, and now you've knit the wrong size.

Picking a fiber that just cannot do what you want it to—usually seen in people trying to avoid wool and not getting that 99.999999% of trendy patterns are written specifically for wool. I have an ancient sweater from college that looks nothing like the example in the book because all I could afford was big box store acrylic. Never again the plastic horror!

Buying patterns from a size 0 lifestyle blogger aspirational knitwear designer with no boobs and a great photographer, then feeling dumpy when trying the thing on under crappy lighting. This one usually requires a little more self confidence and some bust darts.

Making things in plain stockinette in a light color and smooth yarn like cotton that shows EVERY SINGLE TIME your tension wasn't machinelike. This is unfixable. Don't do this.

--

If you're using mohair or alpaca, frogging may be more trouble than it's worth, but you often can reuse the materials. Granted, you've still sunk that time in, but the materials don't always have to be wasted. That might help it feel more like time you spent practicing and less like a complete disaster.

I'm a very product-focused knitter, so I don't really have practice pieces. I'm knitting to have a Thing and I want to wear that Thing, so I get the disappointment if you don't end up wanting to actually use what you've made.

But that also helps me not get totally demotivated. I still want that Thing and now I have a clearer idea how to make it.

So... what are these "kinda shit" projects anyway? What about them do you not like?

[greniza]

One of the consistent elements of Human Domestication Guide is that the setting's core kinks are, in-universe, institutionalized and enforced to a greater or lesser degree depending on the story. To many people, those kinks are strange or off-putting, and the premise of being forced into such a situation is (understandably) horrifying. My first introduction to the universe was the original story, which can be (and was, by me) read as a character's life and mind being wrested from her control and sculpted by a malignant and alien entity with total technological and social power, transforming the previously defiant main character into a puppet whose new master could play with or discard as she saw fit. This is not to say the story is problematic -- fiction is fiction -- but it left a lasting impression of the canon that I'm sure others share. Such is the bitter taste present in-universe.

There are people that, upon hearing someone say "I like this" about anything, will turn around and say, "Wow, you like this? You want everyone to have this? I don't want this, and therefore you are a bad person for wanting to force me to have this." These people fail to appreciate that someone could conceive of having different preferences from them. The "but" is that, as mentioned before, the bitter institutionalization of the human domestication guide universe loads the statement "I want to live there" with subtext of allowing the HDG universe's subjugation upon the unfortunate listener so long as the speaker gets to live there too.

The speaker's belief is that the subjugation of the HDG universe would be an abhorrent experience. I would agree with previous' post that it is about control, and that evaluating control and self-determination as moral goods isn't necessarily correct. I propose that while seeking control or it's simulacrums may be irrational, it is a survival instinct. If I had the ability to wave my hand, say "abracadabra," and cause anything material I imagined to come to pass, I might not be happier, but I would definitely never go hungry, and things that I noticed hurting me would evaporate. With more money, more time, more this, more that, one is necessarily able to do more. In previous's example, they trade their choice of food for automatic, free, and instant preparation; this is an increase of agency for previous and a loss of agency for another. So, previous would opt in, and someone else wouldn't.

This survival instinct extends to hypothetical considerations of the HDG universe. "What if," a skeptic might ask, "I was assigned an affini who's just sadistic and likes it when I suffer? In-universe, I'm powerless. I have no recourse! That would be awful!" and that skeptic would be correct! They would have no recourse. Such is necessarily the framing of the setting. The problem, reassures canon, is the premise of the hypothetical. There are no evil affini. All are very long-term thinkers with the happiness of the organisms they care for as the top priority. There are no need for checks, balances, or anything that could impede them, as they are as pure as angels while working in groups. This is almost paradoxical; the affini are characterized as big, weird-looking plantpeople, but still people. People, as you or I know, tend to suck and be awful, to take things for themselves at the cost of others. They’re so like us in some ways that they must be like us in every way. Furthermore, the individual characterization of affini often comes to friction with this overarching premise, as individual affini are clever and good, but still undeniably people and still undeniably flawed.

Truthfully, subscribing to the paradox of affini being both comprehensible and benevolent requires effort and a willingness to suspend disbelief for the sake of fiction. If the affini are truly people with flaws and shortcomings, as compelling narratives often require them to be, then they cannot be perfect in the way that canon demands they be. But, in order for canon to not be a narrative idealizing giving "good-intentioned" authoritarians unchecked power, the benevolence of affini must be the case. To quote, of all things, the Federalist papers, "If angels were to govern men, neither external nor internal controls on government would be necessary."

HDG critics do not have investment in the setting sufficient to justify upholding suspension of disbelief in the face of narratives they view as unsettling, while fans of the setting are able to justify this suspension due to their enjoyment of the works therein.

Is HDG problematic? Again, it's a work of fiction with a subjective interpretation. The setting explores a reversal of the survival instinct to seize control, with payouts to protagonists for doing so. Equally, the setting explores a universe where throwing oneself prostrate at the feet of an imperialist conqueror yields great rewards. It serves as a vehicle for critique of the modern system where your choice is to either submit or suffer; a system which advertises itself as at least having a choice. Ultimately, though, the core of Human Domestication Guide is the kink. It's fiction, not reality. Judging engagement with a fictional work, especially one centered around kink, is silly.

A critique I've seen of HDG is "you'd have no control over your life" and idk, I feel like I have so little control over my life now.

the main difference is here it's due to capitalism, ableism, and transphobia and I have to largely take care of myself. Whereas in HDG, I would be fed, clothed, my disabilities accommodated for, my transition would be done in a week And I'd have a large hot plant person caring for me the entire time.

If I'd have no control over my life, at least HDG is safe and sexy

[mypillowpaper]

🡻VENT

Hello, this is going to be a rather sad kind of message, the first time I have to talk about a client with such a bitter perspective for me.

Clients are always a reason to celebrate, with many I have developed super long conversations, others have seen me grow on social networks and I have seen them get married, have children or change their lives little by little just like me.

In my community I am always happy to have good experiences with my clients, because even the few times I have not agreed with something, everything has been able to be discussed and come to a good end.

I have been in contact with all kinds of personalities and moods, both my own and those of others, for a long time and I know how to work with that.

Today was not like that. Today I had to deal with something completely different

I had to talk to a person with whom I had accepted a commission 2 years ago, and the last contact or response I had was in March 2023 -1 year and 7 months-

As we are all strangers on the internet and life can sometimes be very fucked up, I clearly did not make any claim and celebrated they return.

Fortunately I saved they files, and I say this because many artists after a certain period of time close them, send them to avoid legal problems or exactly what just happened to me.

I never added such clauses because i have had 2 cases like that and nothing bad has happened (although never for so long)

But with today I think it was quite naive on my part, because this person began to ask me for changes on a work that had been left with the base coloring, and the lineart already finished.

I agreed to change simple things but I also warned that I was not going to accept more changes that had to do with the pose. Not only because of all the time it took (you can change your tastes, and if you liked something before, and now you don't) but it is unfair to me, to my time and my current pending work.

So I limited the changes to the color section, no different from when other clients ask me for changes once the lineart is finished and accepted.

The person first accepted, then deleted the message and asked me for a refund for the commission, since they was not satisfied with my service .

The truth is that I was quite broken down. Because I had never had or experienced those emotions linked to a client.For me it is something incompatible.

But clearly I am not going to do it, my TOS are clear with the no refunds and the situation is clearly cynical, I have plenty of reasons and explanations as to why, but i dont have the objective of humiliating anyone or generate hatred.

That's why I'm not giving names, I'm not giving pictures or anything. I just want to vent because I feel completely discouraged, because I didn't expect a right hook like that. And it's a bittersweet feeling, and finally I hit the wall after 7 years of work.

It's very easy to show up after almost 2 years and ask for a refund when the work is almost finished, and claim that you're not happy with the results.

But being nice doesn't mean I'm going to allow something like that.

So I'm going to rewrite my TOS to make the same clause as my colleagues, and I'm going to keep this low key and private.

My colleagues will know about name and screenshots, because it's important to be careful with these things. But for the rest, it's not fun for me to start any carnage.

I understand the misunderstanding, I can imagine what this person felt when I set a limit (most people don't like it, it's a bitter pill to swallow) but it's also necessary and it's true that during these 7 years, many people have responded well to it and have even given me excellent treatment or negotiated with me.

I have witnessed at least 200 responses much better than the one I had to read today, so I am able to know, perfectly, that nothing that happened was fair. And that it could have gone better if they hadn't demanded things that way, and in a situation where their actions were not supported.

I know this is different, but my head is now like a pressure cooker, and I needed to let it out, to let it go.

Thank you all, for having accustomed me to such nice treatment, that although today I felt naive, I also felt very lucky to have you to have a bar with which to measure correctly.

A huge hug, from your favorite Pillow.

[walnutcookie]

good day fellow rodger fan, i rlly love your art it gives me whimsy and joy. do you have any headcanons ab him and glisten, perhaps toodles as well? (family dynamics my beloved actually) if not either way i think your stuff is still so rad.

AHHH THANK YOU SO MUCH !!!! <333 WEEPS TEARS OF JOY.... i do have some headcanons hehehe... in no particular order/organization heres some of my thoughts on them:

- Rodger is a sleepwalker. Very Embarrassed by it.

- Toodles really enjoys drawing !!! She likes to draw with the other toons a lot (especially glisten, but he usually just watches her and then treats her art like the mona lisa so she feels good about herself)

- rodgers reaction to any sort of physical affection is really funny because he doesnt know how to react. He wants to keep his awesome and mysterious persona but also he doesnt want to be rude or anything. does he reciprocate? does he try to get away before it happens??? does he say something or does he keep quiet? Usually it just results in him freezing up and going stiff

- also adding onto above he tends to be paranoid about peoples intentions. bro gets a hug from goob and freezes and hes thinking "is this an attempt to console me does he think im mentally unwell or is he trying to find my weaknesses so he can kill me"

- in general rodger can be a very paranoid person and starts panicking at the slightest threat but hes pretty good at stopping to think and clearing his head. Logically he knows goob wouldnt kill him and doesnt know his secrets but it is a thought that pops up in his head for a brief moment

- toodles is always very quick to jump in and try to help whenever someone is upset. She wants to help people as best she can so ofc she would but the problem is that shes never sure what to say to cheer people up :'] she tries parroting some of the things rodger has told her when she was sad but also from her experience it never works so she tries to distract people instead most of the time. it makes her feel really guilty whenever she doenst try to help or if she fails to make them feel any better

- Toodles is very close with teagan!! teagan is like her fun uncle :] they take care of toodles sometimes if rodger is busy (or cough missing). Tea parties galore!!!!

- glisten is romo-repulsed i know this in my heart ok. [i know ive drawn him doing romantic things i cant explain the nuances to this in a cohesive way im just projecting ontohim as a romo repulsed person in a relationship]

- Glisten is definitely introverted but not in the "ohh hes shy and hates people" way hes just drained when he talks to people even if he likes talking to people. He needs to take breaks from socializing a lot to recharge his social battery especially since hes always so worried about what people think of him but he also dies if hes alone too long

- toodles is actually VERY fascinated with bugs if theres an ant or a beetle or a roach or something in the facility shes gonna beg to keep it and make a house for it so she can "give it a better life" (glisten will not scream or freak out but there WILL be visible discomfort on his face and he will avoid that bug like the plague)

- rodger smokes cigarettes . He knows which employee(s) carry them around and will snatch one from their pocket at the right moment when nobody is looking... he tries covering his tracks and flushing everything down the toilet and covering up the smell but ofc he gets found out when theres a clog LOL.

- There was also suspicion when toodles started pretend-smoking and saying she was doing the thing that rodger did but most everyone else just assumed it was toodles being a silly little kid

okie dokieee thats all ill do for now !!! Thank you so much for this ask GAUH im so happy people are interested in my hcs for them n stuff 🥹

[unavailableapple]

Excuse me for coming to your askbox, I am not a radfem and don't agree with a lot of it's principles, yet I find radfem spaces are the only place where discussion of nonbinary identity has any nuance. Personally I have no problem with people doing whatever they want with their own bodies/minds/labels but I did struggle to wrap my head around just how many people started IDing as nonbinary during the last few years. Now recently it's been a bit of the opposite, with a noticeable amount of previously out and proud nonbinary people dropping the label. I've heard some people discuss it like it was just "in fashion" for a while, while others insist it's a result of gender experimentation or having to go back in the closet due to the political climate. But it's not just the young, I noticed that includes some of the first nb people I knew, who were nonbinary before 2020, hell, before 2015. I know you had a similar experience, so I just wanted to hear your opinion on this whole phenomenon, why it's happening and why now, and if you expect the trend to continue?

So I’ve been thinking about this a lot and honestly the short answer is: I’m not sure.

The long answer:

I think that these things come in waves. Think about BBL surgery (Brazilian butt-lift surgery). When that surgery was really popular, I’m sure it felt like a very real need to the women who got it. Similarly, my nonbinary identity felt very real to me. But once you apply any amount of pressure to either of these, they start to break. Because really what does it mean to be nonbinary? Why do I NEED to express myself as nonbinary? Why does she NEED to have a large posterior? Eventually you realize, it is misogyny. That’s all it is. And then the whole thing falls apart…Aside from that, even if you don’t acknowledge the misogyny, these things are ultimately superficial and, as such, fall away once one reaches a certain point of adulthood.

I don’t mean adulthood as in becoming an adult human I mean adulthood as in a certain level of struggle that makes fanciful discussions of pronouns seem taxing. Eventually real life catches up and you don’t feel like wasting your precious free time thinking about whether you use they, she, he, or meow pronouns. I think the lasting effects of COVID have meant terrible things for the general public and a lot of people are struggling to pay rent or afford food. I know that what first made me stop caring about pronouns was when I was homeless and thought a lot more about finding a safe place to sleep than making sure everyone calls me he/meow/it pronouns.

Then I think there’s the climate of the trans community right now. When I was younger, there was an idea of, “Being trans is equally hard for males AND females”. But now the dominant narrative seems to be that trans identified males have it a thousand times harder being trans and trans identified females face no oppression at all. I do think this drives more trans identified females out of trans spaces and leads them to find more community with other women. This was the case for several of my friends. Once the trans community told them, “You don’t face any oppression” even though they did (by right of being female), they stopped feeling aligned with a nonbinary identity and suddenly realized they felt more aligned with being female, on the basis of shared experiences.

Finally, it could genuinely just be that it’s falling out of fashion. I’m of an era where I, like a lot of young women my age, was the froggy jumper round glasses meow/it pronoun using boyflux aligned aroace nonbinary person and that was in style. Nowadays kids on TikTok make fun of that and it’s much less “in”. Recently Mitski cut her hair short and people started calling her “theyfab”. For the uninitiated, theyfab is a rude term the trans community uses for a female person who identifies as nonbinary, especially if she doesn’t do anything to express this nonbinary identity beyond cutting her hair. They were not trying to “affirm” Mitski, they were making fun of her for being a gender nonconforming woman, and they were making fun of the women who identify as nonbinary. No matter what, it’s always “in” to make fun of women so if a lot of women are identifying as nonbinary, it’s going to be “in” to make fun of them and it is. On pinterest, Nonbinary identities are already being relegated to “2010s nostalgia” the way moustache tattoos on pointer fingers are “2000s nostalgia”, these things come and go.

So yeah, I ultimately don’t know, and these are only a couple among my many many MANY different theories. But based on my own experience and the experiences of people I know, this is what I’ve been thinking.