#I want to feel confident I can do that for every episode before I actually post them

[piracytheorist]

Gotta love how Loid arranged all the stuff he was holding in such a way so that Anya would lean her head on the books as she slept off. We stan a balancing king.

[toastsnaffler]

woke up feeling ruffff but took my meds and went back to bed for a while n I feel a bit better

[giritina]

Lately I've been dipping my toe into the mess that is transandrophobia discourse, and in the process I've been presented with one question in many forms:

"Do trans men experience misogyny?"

My initial answer was "these terms are all theoretical frameworks for a vast range of human experiences, why would you choose to frame your pre-transition experiences as that of a woman?" This makes sense to me, but clearly isn't satisfactory to many of the people sending me anons. As much as I might want to use my own life as a case study, I can't very well tell these people in my asks box "no, you've never experienced something that could be categorized as misogyny." Still, the question bothers me.

I think that's because the question obfuscates the actual debate. It's clear to me the question we are debating is not one of "experience" but "authority." That is:

"Do (binary) trans men understand what it's like to be a woman?"

My answer? No.

How can I justify that when we have, since birth, been raised as women? Well, because we also have, since birth, been trans men. If we cast aside the idea of transness as a modern social construct or anything other than an innate and biological reality, this has to be true. Even before you ever came out to yourself, you were transgender. Transphobia has dictated every moment of your life. Your idea of what "womanhood" is is not at all the same as a woman's, be it cis or trans. Why? Because a woman does not react to "being a woman" with the dysphoria, dissociation, and profound sense of wrongness that you do. [If you do not experience these things, a cis or trans woman, at the very least, does not identify as a binary trans man.] A woman sincerely identifies as a woman, and identity plays a pivotal role in how we absorb societal messaging.

Let's take homophobia as an example. While any queer person has probably experienced targeted episodes of bigotry, the majority of bigotry we experience must necessarily be broad and social. Boys learn to fear becoming a faggot as a group, but the boy who is a faggot will internalize those messages in a completely different way to the boys who only need learn to assert the heterosexual identity already inherent in them through violence. All of them are suffering to some extent, but their experiences are not at all equivalent. This is despite the fact that they've all absorbed the same message, maybe even at the same moment, through the same events. Still, we don't say that a straight boy knows what it is like to be a gay boy. Similarly, cis women do not know what it is like to be a trans man despite being fed the same transphobic messaging in a superficially identical context. It isn't a stretch to say the same can apply to misogyny.

Because I can't speak for you, I'll use myself as an example for a moment. I'll give my bonafides: I am a gender-nonconforming, T4T queer, white, binary trans man. I am on T, and I have recently come out to my family. I do not pass. My career as a comic writer is tied to my identity as a trans man. I can confidently say I have never been impacted by misogyny the same way as my friends who actually identify as women. This manifested early on as finding it easy to shrug off the messaging that I needed to be X or Y way to be a woman. In fact, most gender roles slid off my back expressly because breaking them gave me euphoria. I was punished in many ways for this, but being this sort of cis woman did help me somewhat. It's easy to be "one of the guys" in a social climbing sense if you really do feel more comfortable as a man. It also helped me disregard misogyny aimed at me or others because it seemed like an shallow form of bigotry. It was something you could shrug off, but it was important for building "unity" among women. I thought this must be the case for all women, that we all viewed misogyny as a sort of "surface level" bigotry. However, for whatever conditional status I gained in this role, there was a clear message that if I did "become" a man, every non-conformist trait about me would just become a grotesque and parodic masculinity.

That was the threat that was crushing me, destroying my identity and self esteem. That was what I knew intimately through systemic, verbal, physical, and sexual abuse. I could express my nonconformity as a cis woman, but if I took it so far as to transition to male? I would be a pathetic traitor, a social outcast. I truly believe that throughout my life people were able to see that I was not just a failed woman, but an emasculated man.

I do partly feel that the sticking point for many is the idea that the sexual abuse suffered by trans men is inherent to womanhood, and therefore inexplicable if trans men are men from birth. While this disregards the long history of sexual abuse of young boys, especially minority boys, I do see the emotional core. I'll offer that the sexual abuse I suffered was intrinsically linked to my emmasculation, my boyishness, despite the fact that I was not out to myself or anyone else. I believe many trans men have suffered being the proxy for cis women's desire for retribution against cis men, or for cis men and women's desire for an eternally nubile young boy. I also believe they have suffered corrective assault that attempts to push them back into womanhood, which in itself is an experience unique to transness rather than actual womanhood.

I'll note quickly that many, many trans men cannot relate to the idea of feeling confident and above it all when it comes to womanhood. Many of you probably tried desperately to conform, working every moment to convince yourself you were a woman and to perfectly inhabit that identity. I definitely experienced this as well (though for me it was specifically attempting to conform to butchness) but I can concede many of you experienced it more than I did. I still believe that this desperate play-acting is also not equivalent to true womanhood. It is a uniquely transgender experience, one that shares much more in common with trans women desperately attempting to conform to manhood than with true womanhood.

One key theme running through the above paragraphs is the idea that "womanhood" is synonymous with "suffering." A trans man must know what it is like to be a woman because he suffers like one. It should be noted that actual womanhood is not a long stretch of suffering. It often involves joy, euphoria, sisterhood, a general love and happiness at being a woman. It wasn't until I admitted to myself I had never been a woman that I was able to see how the women in my life were not women out of obligation, but because they simply were. The idea that you are a woman because you suffer is more alligned with radfem theory than any reality of womanhood.

When I admitted my identity to myself I was truly faced with the ways that my ability to stand up to misogyny did not equate to being anti-misogynist. I was giddy to finally be able to admit to being a man, and suddenly all that messaging that "slid off my back" was a useful tool in my arsenal. Much like cis gay men feel compelled to assert their disgust for vaginas and women after a life of being compelled towards heterosexuality, I felt disgust and aversion to discussions of womanhood as an identity. I didn't even want to engage with female fictional characters. I viewed other people's sincere expressions of their own womanhood as a coded dismissal of my identity. Like many people before and after, I made women into the rhetorical device that had oppressed me. Not patriarchy, not transphobia, but womanhood and women broadly. It wasn't explicit bigotry, but the effects were the same. I had to unlearn this with the help of my bigender partner, who felt unsettled and hurt by the way I could so easily turn "woman" into nothing but a theoretical category which represented my personal suffering.

This brings me to another point: I sometimes receive messages from nonbinary trans mascs telling me that it's absurd to think they don't understand womanhood and identify with misogyny in a deeper way. I would agree that, if you sincerely identify in some capacity as a woman, you are surely impacted by misogyny in a way I am not. However, why are you coming to the defense of binary trans men like me? Less charitably, why are you projecting a female identity on us? Perhaps my experience frustrates you so deeply because we simply do not have the same experience at all. Perhaps we are not all that united by our agab, by our supposed female socialization.

So, no. I do not believe that binary trans men know what it's like to be women. I don't believe we are authorities on womanhood. I do not believe that when a trans woman endeavors to talk about transmisogyny, your counterargument about your own experiences of misogyny is useful. I ESPECIALLY do not believe that it is in any way valid to say that you are less misogynist, less prone to being misogynist, or-- god forbid-- INCAPABLE of misogyny because you were raised as a girl. I also don't believe your misogyny is equivalent to that of a woman's internalized misogyny in form or impact.

For as much as many in this movement downplay privilege as merely "conditional," those conditions do exist. They do place you firmly in the context of the rest of the world. Zoom out and look at the history of oppressed men, and you'll find the same reactionary movement repeated over and over. Attacking the women in your community for not being soft enough, nice enough, patient enough, rather than fighting the powers that be. Why do I believe your identity is more alligned with cis manhood than any form of womanhood? Because this song and dance has been done a hundred times before by men of every stripe. Transphobia is real, and your life experience has been uniquely defined by it since birth. This is a thing to rally around, to fight against, but you all have fallen for a (trans)misogynistic phantasm in your efforts at self-actualization. You are not the first, and you will not be the last. Get out of this pipeline before it's too late.

[longing-for-rain]

Katara and Mutuality in Relationships

There are lots of conflicting opinions about which characters Katara felt attraction towards, which characters she didn’t, and how long she felt that attraction. I see in most cases, people point to quick clips of her faintly blushing or kissing another character on the cheek as evidence, but I think these kind of takes miss the nuance of the purpose attraction serves in a story.

Most importantly, I see these characters treated as if they are actually people capable of making their own decisions. It’s important to remember that these are fictional characters. They don’t make their own choices; the writers make their choices for them for the purpose of telling a story. From that standpoint, it’s more valuable to examine how a character’s story and narrative themes tie into their relationships with other characters. Animators can shove in a kiss or a blush wherever they want, but it’s harder to demonstrate through storytelling how and why two characters might feel attraction towards one another, and how a relationship between them would develop both characters and contribute to the overarching themes of the story.

In other words, when discussing which characters Katara is “attracted” to, I’m discussing which relationships and actions within the narrative build on her established story and arc. Romance is always integrated into a story for a reason, and considering that reason is important.

Unfortunately, ATLA is very much a product of its time in this way. It’s easy to see what romance adds to the arcs of the male characters—but not so much with the female characters. All three canon relationships (kataang, sukka, and maiko) follow this trend to some degree. The primary purpose of the woman in this narrative is to act as a prize for the man for performing some good deed. Once they’re together, she ceases having her own motivations and becomes an extension of the male character she’s dating. This is pretty blatant with Suki—she barely had a personality in that later seasons; she is there to be Sokka’s girlfriend. Similarly, Katara becomes a completely different character—she’s even animated differently—when the narrative pushes her into romantic scenes with Aang. Her character is flattened.

So what is Katara’s arc, and how do the romantic interactions she has throughout the series contribute to this?

Well, that could be a whole other essay itself, but to put it simply, Katara’s arc is one of a young girl devastated by grief at a young age clinging to hope that she has the power to fight and change the world for the better. Which she does as she gains power and confidence throughout the series—culminating in her defeating Azula in the finale.

But the part I want to focus on here is how Katara connects with other characters. She connects with them over shared experiences of grief and loss.

Take Haru, for instance.

Haru: After the attack, they rounded up my father and every other earthbender, and took them away. We haven't seen them since.

Katara: So that's why you hide your earthbending.

Haru: Yeah. Problem is…the only way I can feel close to my father now is when I practice my bending. He taught me everything I know.

Katara: See this necklace? My mother gave it to me.

Haru: It’s beautiful.

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

Haru: It’s not enough, is it?

Katara: No.

This isn’t just a throwaway moment; it’s an important character moment that leads up to growth and the progression of Katara’s overall story, both in this individual episode and in the whole series.

Katara finds her power in the connections she’s able to make with other characters. It’s a powerful driving force for her that makes her a strong character even before her bending abilities develop. Imprisoned was such an important episode to establish who Katara is and what her power is, and adds so much to her arc.

But there is one line in particular from the above exchange that also stands out: Haru says “it’s not enough, is it?” and Katara agrees. Even this early in the series, we’re establishing the fact that despite her drive and hopeful outlook, Katara feels deeply hurt, she feels a deep sense of loss that she opens up about to other characters in moments like these. But unlike Haru…Katara can’t go rescue her mother. Her mother is dead, and we see her grapple with that grief throughout the series.

Another character she reaches out to like this is Jet.

Jet: Longshot over there? His town got burned down by the Fire Nation. And we found The Duke trying to steal our food. I don't think he ever really had a home.

Katara: What about you?

Jet: The Fire Nation killed my parents. I was only eight years old. That day changed me forever.

Katara: Sokka and I lost our mother to the Fire Nation.

Jet: I’m so sorry, Katara.

Another important note about Jet is that there are explicit romantic feelings from Katara in this episode. Again, Katara empathizes with another character through a shared sense of loss. Sadly, in this case, Jet manipulated her feelings and tricked her into helping in his plot to flood the village…but those feelings were undeniably there.

That was the tragedy in this episode, but it also gives the audience so much information about Katara as a character: what motivates her, and what she wants. Katara is established as a character who wants someone who will connect with her and empathize with her over her loss—her greatest sense of trauma. She wants to help others but also receive support in return. The reason why she was smitten with Jet, beyond just initial attraction, is because he gave her a sense of that before Katara realized his true motivations.

A lot of people make the claim that Aang is good for Katara because he also feels a sense of great loss and trauma. And while on paper that’s true…does he really demonstrate that? I just gave two examples of characters Katara connected with this way, and both responded with deep empathy to what she said. Very early on in the show—the third episode—Katara attempts to connect with Aang the same way. How does he respond?

Katara: Aang, before we get to the temple, I want to talk to you about the airbenders.

Aang: What about 'em?

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

Aang: Just because no one has seen an airbender, doesn't mean the Fire Nation killed them all. They probably escaped!

Just compare this exchange to Haru and Jet. No effort to empathize, not even a “sorry for your loss” or anything. It’s a stark contrast, and the reason for that is because this narrative entirely centers Aang. Katara’s narrative always seems to be secondary to his when they’re together—which is exactly my point when I say this relationship has a fundamental lack of mutuality. It’s built that way from the beginning of the series. It does not add to Katara’s arc nor establish what about this dynamic would attract her.

And, look, before someone jumps down my throat about this…I’m not saying Aang is a horrible person for this response. I think it’s a sign that he’s immature and has a fundamentally different approach to problems than Katara. Katara is a character who has been forced to take on responsibilities beyond her years due to being a child of a war-torn world. Aang’s approach to problems is avoidance while Katara never had that luxury. It doesn’t mesh well.

This is all in Book 1. I honestly could have gotten on board with Kataang if the series meaningfully addressed these issues…but it didn’t. In fact, they actually got worse in some ways.

Back to Katara’s mother. We’ve established that this is a core part of Katara’s character and like in the scene with Haru, she indicates that this is an unresolved issue that pains her. But then, in Book 3, Katara actually does get a chance to confront this pain.

This would have been a powerful moment. Surely the character who is meant to be her partner, her equal, would have been there for her. Surely he would have understood and supported her, fulfilling her narrative and adding to her story.

But Aang didn’t do that. I won’t go into details because there are a million analyses out there on The Southern Raiders, but Aang’s response to Katara was the opposite of understanding. He got angry with her, insinuated that she was a monster for wanting revenge, and tried to dictate her behavior according to his own moral values. And importantly, from a narrative standpoint, he did not go with Katara. One of the most important events in her arc, and Aang didn’t support her—he actually tried stopping her. He didn’t contribute to her growth and development.

Also noteworthy:

Katara: But I didn’t forgive him. I’ll never forgive him.

Even at the end of the episode, Aang clearly doesn’t understand at all what Katara is feeling. This line demonstrates it perfectly. He thinks she forgave him when that wasn’t the case at all…but of course, he didn’t even accompany her, so he didn’t see what actually took place. His worldview is fundamentally different from hers, and he’s consistently too rigid in his morality and immature to center Katara’s feelings.

Throughout Katara’s whole arc, her most significant character moments, Aang’s character just doesn’t come through the way Katara’s constantly does for him. Their narrative lacks mutuality. When Katara and Aang are together, she becomes an accessory to him. The ending scene is a perfect demonstration of this.

Now, to address the elephant in the room.

Which character does actually add to Katara’s narrative and support her growth as a character?

Correct! I just talked about how important The Southern Raiders is to Katara’s character and story, how it’s a chance for her to finally address the grief she’s been carrying since Book 1. And who stood by her side throughout this pivotal moment? Right—Zuko did.

You can talk all you want about how he’s a “colonizer” while Aang’s people suffered genocide, but you’re forgetting that “show, don’t tell” is one of the most basic aspects of storytelling. The fact is, despite how it looks on paper, Zuko was the one there for Katara at her critical moments. Zuko empathized with Katara more than Aang ever did—as demonstrated in this episode. Zuko never once brought up his own cultural values. Zuko never once told Katara what to do. Zuko’s position was that Katara should be the one to decide, and that he would support any choice she made. He supported her decision to spare Yon Rha, but he would have also supported her if she decided to kill him. I actually found this episode to be a satisfying reversal to what is typically seen in TV—for once, the female character is centered while her male counterpart takes the backseat and becomes a supporting role to her narrative.

Even before this, Zuko is shown to empathize with Katara.

Zuko: I’m sorry. That’s something we have in common.

I think what gets me about this scene is the fact that he’s still Katara’s enemy, and she was just yelling about how she hates him and his people. But despite that, Zuko still empathizes with Katara. She is fundamentally human to him, and he expresses that to her in a way that allows them to connect. Zuko stands to gain nothing from this. It’s true that Azula entered the picture and twisted things around—but in this moment, Zuko’s compassion is genuine. His instinct was to respond to her grief with empathy, just like she consistently does for other characters.

And finally, how else does Zuko add to Katara’s arc?

I don’t think there is any more perfect of an example than the finale itself—the culmination of the arcs and development of all characters.

Zuko and Katara fight together. In a heartbeat, Zuko asks Katara to fight by his side against Azula, because he trusts her strength. She’s his equal—both in his mind, and in a narrative sense.

Then, this:

Both of their roles are so critical in this fight. They both save each other. The scene has such raw emotion to it. These characters were together at the conclusion of their respective arcs for a reason.

This is the perfect conclusion to Katara’s arc. She just played a critical role in ending the war that has caused her trauma her whole life. She just demonstrated her mastery of waterbending (another thing she’s dreamed of throughout the series) by defeating the world’s most powerful firebender during Sozin’s Comet. Even though she had help as all characters do, these are victories that belong to her and demonstrate the growth and power of her character. And to top it all off? She was able to save Zuko’s life. She didn’t have to endure the pain of feeling helpless to do anything while someone else died for her; this time, she had an active role, she changed her fate, and she prevailed. Zuko plays an important role in Katara’s story without dominating it. They perfectly represent mutuality. They add to each other’s stories. Their narratives become stronger when they’re together, without one diminishing or sidelining the other.

So, from that standpoint, that’s why I always see the attraction between Zuko and Katara and why I see it lacking between Aang and Katara. Zuko and Katara’s story doesn’t need some cheap little throwaway moments to shine. It’s integral to both characters’ stories. We are shown not told of the way these characters feel about each other. Given everything we know about Katara, her goals, her values, her past loves…absolutely everything points to Zuko being the true subject of her feelings.

Because let’s be honest. The ending I just described is so much more powerful and so much more Katara than seeing her being relegated back to a doe-eyed love interest for Aang to kiss. It hardly even made sense—Katara played no role at all at the culmination of Aang’s arc. She was relegated back to a love interest, rather than the powerful figure we saw fight alongside Zuko.

[webslingingslasher]

imagining frat!peter trying to last longer during sex so he starts to actually watch friends and forgets he’s literally inside y/n and she notices and just goes “…peter?”

the below contains smutty content.

usually there was music playing downstairs and while it was muffled it still filled the room, making it easier for you to confidently whimper and moan like peter loves.

tonight, you had snuck in around two in the morning, (peter’s pissed you didn’t tell him until you called him and told him to open the door cause it was two fucking am and you walked alone) because you were a new kind of desperate, foaming at the mouth with urgency horny. hornier than you’ve ever been in your entire life, obviously, because it made you get out of bed and walk across campus.

“for the love of christ do not tell me you walked here,” was the first thing he told you. your response was giving a sheepish smile and looking down to your feet, your pajama pants wet around the ankles from sprinklers on the campus green.

“my pants are wet,” you pull at the fabric and blink at your boy in the doorway. he sighs, and moves to the side letting you in it’s unusually quiet, while they did whind down during the week, usually one or two people would be up, tonight everyone was in bed.

the second the front door was shut you attacked peter and wrapped your arms around his torso, clinging around his neck. bringing your knee up to tap against his hip, his hand cups under your leg and picks you up, locking your ankles around his back.

“what are you doing here?” not upset, just curious. you’ve never rushed over in the middle of the night before.

in turn you kissed him, so brash it caught him off guard but he returned it. confusion spread as you kissed around his face, thinking of the most plausible thing he makes his grip tighter, his voice soft.

“did you have a bad dream?” your blown out pupils look at his mouth, shaking your head lightly you whisper out a ‘no.’

“then what is it?” his left hand scratches softly at the back of your thigh.

“i’m really horny,” you lick your lips and look at him like, ‘okay, now do something, please?’

peter nearly chokes on his spit, you’ve never flat out asked for it. instead using other signals like licking up his neck, or taking your shirt off and bouncing your breasts at him. tonight you were aching for it, and you were his girl. and he could never leave his girl high and dry.

“and what? couldn’t solve the issue on your own?” he feels you pout into the skin of his neck after you kiss it.

“you just do it so much better, and way less work on my end.”

peter exhales through his nose as a laugh, “i think it was more work to walk all the way here,” you give him a dopey smile, “isn’t it obvious how much i like you?” there were two ways to take the sentence, to protect both parties at stake peter takes it in the ‘wildly horny’ way.

two pats on your backside and you hop down, no other words spoken, just peter extending his arm towards the staircase and gestured for you to go up.

————

it was completely silent in his room, every kiss and whimper amplifies from the walls. embarrassed to wake his brothers you have a shy smile, “do you think you can make it like… not so quiet?”

peter’s already half naked, while he pulls away and reaches for his tv remote you remove your shirt and shimmy your underwear off.

hearing the familiar ‘dun dun’ of the app you look up, one row down and one click in was his saved shows and movies. number one was friends, immediately selecting it and pressing play episode from the last time he had it on for background noise.

you chewed on your cheek as he raised the volume, your legs pulled up so your knees were tugged into your chest.

“louder?” peter spoke over his shoulder.

“a little,” he clicks it three more times, you hum, “that’s good.” he tosses the remote to his desk and turns, you spread your legs and grin at him.

he’s right where you want him, he recives the message and slithers back up the bed, his hands wrapping around your knees and hooking them behind his shoulders. peter looks over your slick and blows cold air on it, you jolt and reach out to grab a handful of his hair.

“jesus christ, you weren’t lying.”

————

third episode of friends and you can’t remember the last time you had a fulfilling breath of air.

peter’s had you withering on the bed for an hour, taking his time using every part of himself to satisfy you.

tears blister your eyes while you dig your nails into his back, your hips rising from the bed to meet his, peter’s own breath hitched as he fucked into you.

peter pulled back slowly, his teeth sunk into his bottom lip as his brows furrowed. you know that look, it’s the look that says ‘no, i’m not fucking done yet.’ but you just feel so good, it’s the ‘your pussy is fucking lethal’ look.

catching sight of the TV, he thrust just as slowly as he pulled out, you hiss and pull at the back of his thighs to bring him in closer. when peter doesn’t move you try to do it for him, grinding your hips into his, but his attention is on the tv show, not the person his dick was in.

you whine and pull at his neck, when he gives you reaction you tug lightly on his dangling necklace.

“peter,” you buck your hips up and he gives a pity thrust, it’s enough to make you hum in delight, but he gives nothing else.

“peter, i need you, please?” the last word was in beg of his attention, can’t be he see how much you need him?

“shush, this is my favorite episode,” you grunt when he thrusts as deep as you can take him, while he hums watching monica and chandler kiss for the first time.

“if we switch to doggy will you please fuck me while you watch?”

a deep sigh, “if you insist.”

twenty minutes later you’re lured into sleep while posted on peter’s chest as he drags his hand up and down your naked back, melting in further when you hear him quote along with the show under his breath.

[thankskenpenders]

Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

[ressonancee]

LOVE TRANSIT S01EP01 - TEASER

♥ SYNOPSIS: Soonyoung is a man on a mission to get his ex back, even if this means enduring watching her going on dates in a reality TV show - ok maybe he didn't think it through when he thought it was a good idea to go on said tv show. Alternatively; Soonyoung love transit episode. ♥ GENRE: (this is me trying to do) comedy, romance, a little dash of angsty because they are exes and because it is me writting I guess. ♥ TEASER WORD COUNT: 437 words, FIC WORD COUNT: around 25k? I don't know it is getting out of hands ♥ FEATURING: Wen Junhui as Soonyoung's number one enemy, Xu Minghao, Lee Chan, Boo Seungkwan as a cranky panelist, Seo Changbin as a normal panelist, Girls Day Yura just because I love her, Pi Cheolin as a panelist that nobody knows why he has been cast but he makes it work. ♥ PLAYLIST: 1. VINTAGE - NIKI, 2. LAS JORDANS - TINI, 3. CALL ME - RENGGA JONES, 4. STILL INTO YOU - PARAMORE, 5. LOVE LIKE THAT - SAM KIM, 6. TENTA ACREDITAR - ANAVITÓRIA, 7. URS - NIKI ♥ LOVE TRANSIT MASTERLIST

[INTERVIEW ROOM][CAMERA 2]

“Do you know you have to think about other options too, right?” The producer asks him. The giant camera is way too close to his face and the producer is sitting just under it - in a little stool that looks utterly uncomfortable. Soonyoung wanted to face her, but she begged three different times to stare right at the camera. He is sitting so still that he can feel the energy accumulating on his body, making him almost quick in his seat.

“I am not interested in that,” Soonyoung answers - staring at the camera and trying to not blink too much even if the lights of the studio hurt his eyes. 

“But the point of this program is that you are open to dating other people and letting her date other people as well,” the producer insisted, and Soonyoung almost laughed. He knows that, for fucking sake he only got his date because he is a master in rock paper scissors and his ex went on a date with fucking Junhui. He knows the point of everything, he just doesn't really care.

“Like I said, I am not interested in that, my goal with this,” He tries to explain, using his hand to point at everything, the set actually looked way better on camera and it was very flimsy in real life, and every time he thinks he will break a fake wall. “Is that we get back together,” he grins confidently, “Sorry pd-nim but we will get back together before this end.” 

He hears the producer groan, he is pretty sure she shouldn’t be groaning and this won’t go to the final cut. He thinks the audio people will handle it, they probably will put a fade in music or whatever, they are professionals. 

[PANELIST CORNER - XX FLOWER SHOP][CAMERA 3]

“I mean,” Seungkwan starts with his broadcast voice, “does he understand the point of the program?”

“I don’t think he does,” Changbin answered him, “He still has feelings for her doesn’t he? Like he talked about her the whole date,” he said laughing.

“I am sorry,” Seungkwan pipes up again, “PD-nim are you sure that this guy is even trying? Are you guys even doing your job picking guys like this one?” 

“This one is definitely unique, he is not even trying,” Yura laughs, “But I really did like her dynamic with Jun, the date was super cute.”

“Me too, me too,” Pi Cheolin says, a little way too enthusiastic, “But I don’t think Soonyoung will let us see more of them together.” 

[where-dreams-dwell]

Dexter is a cautionary tale of the need to accept discomfort as a part of life, with Emma as his contrast and aspirational example.

Throughout the show Emma embodies determination and self assurance. The only reason she thinks she can change the world is.. because why couldn’t she? In contrast Dexter has no idea what he wants and kind of resents having to even think about it, hence his jumping between careers and looking for purpose for the whole show.

While Em knows what she wants emotionally (the satisfaction or having made a difference, the achievement of doing what she always wanted) but isn’t sure on the specifics of what that will look like (I’ll write plays, no write poetry, no I’ll teach, okay no I’ll write a book), Dexter knows the specifics (I’ll be rich and famous) but doesn’t know what he wants emotionally (‘what will that look like?’ ‘I don’t know’).

While Dex is always running from uncomfortable feelings Em faces then head on and comes out the other side, able to learn from them.

As Dex is travelling to put off making long term decisions, Em has taken the first opportunity to do what she wants: writing, be it books, poems or in this instance plays.

On holiday Dex can’t allow himself to admit that he fancy’s Em and to leave it at that, he has to run from the honesty and vulnerability of that moment by adding on ‘but I pretty much fancy everyone’. In doing this you could argue that he looses his chance with her for several years, where as Emma’s confidence could have resulted in them getting together much sooner.

Dex misses his mothers last birthday because he doesn’t want to face reality. Instead of reacting to the fear and anger and pain of her diagnosis by spending every moment he can with her, or sitting down to have heart to heart talks with her, or helping her out in any meaningful way Dex runs away and numbs himself with substances, and is passed out for the little time he is in her presence.

When he’s nervous people won’t (or already don’t) like him on TV he again turns to substances to numb his feelings, and (instead of taking Em’s advice to ignore them) looks for reassurance from hangers on who don’t actually know him that well. He can’t sit in that worry/fear/discomfort so he finds a way to stop feeling.

When Dex’s marriage falls apart we see him running away to Paris to visit Em. And sure there are ulterior motives here (his hope and assuming that this could be the start of their romantic relationship) but the writer shows him literally traveling away from the country where his failed marriage, child and previous life were as he is show to be angrily talking about his divorce. As an image it appears like he’s running away from the reality of the divorce or running to Em for a distraction. It definitely supports Ems assumptions that he’s not serious about a relationship with her; she’s seen this behaviour in Dex before.

It’s even funny how in small ways we don’t see him handle upsetting things until the very end. Talking about his first marriage and the production the day became? Dex admits he didn’t want to rock the boat so he didn’t fight anything/reject anything/ have much say at all in his wedding. Sylvie drops off Jasmine? Dex is still at the cafe so Em is the one managing slightly awkward small talk. Jasmine practising her violin? We get a brief moment with Dex too but mainly it’s Em sitting through the recitals. In that last episode when they’re struggling with fertility, Em is the one who sits down and talks out her anger and fear and worry, where as Dex (who probably knew what the root of it all was) was happy to leave her to process it how she need to and support her while she did. If she hadn’t brought it up he wouldn’t have said anything.

That’s not becisarily a bad thing (Dex could have known that Em needed to process it herself before talking to him) but it is interesting that the writers engineer Dex to avoid all these moments of emotional discomfort. It reinforces his characterisation of being avoidant when confronted with conflict.

In contrast we kind of constantly see Em having to face hard moments and working through them.

Don’t know what to do with your life? Move to London to try and aim to work in your dream field. London life and restaurant job not going the way you planned? Commit to Dex’s suggestion of teacher training. Time to confess a secret? Here’s a hugely personal one about my past feelings for you. Past crush admits he kind-if fancy’s you? Stick to being honest about your past feelings and don’t take the opening to downplay them. You feel shit about your life and your secret affair? Well let’s turn that into motivation to finally write that book.

Not happy with your long term partner? End the relationship.

Emma’s whole confrontation with Ian is a masterclass in facing difficult conversations and emotions, being vulnerable and open and honest about your feelings, and finding empathy for another outside your point of view. And look what she gains from facing that hard in comfortable conversation? Closure, and a kind of friendship, one that lasts even after she dies.

When Dex confessed that he hoped they would start a romantic relationship in Paris, Em sits him down and starts that hard conversation about how she doesn’t think that is 1) what he even wants and 2) would work between them. She doesn’t brush off of hide from the conversation. And then when she has more information and time to think she commits to Dex.

Even after they sleep together there’s a scene of Em laying the ground rules, making it clear to Dex what she will and won’t stand in this relationship. That’s an awkward conversation to have but Em doesn’t hesitate and makes sure he knows from the get go what she expects and deserves. The writers are constantly showing us ‘Em doesn’t run from uncomfortable feelings’.

And then the tragic twist of fate: Emma is gone and Dexter finally has to learn to live with emotional discomfort. He can’t keep running because there is no escaping this, not like he did with his mum. Like he says to Imaginary-Emma ‘why would time change anything’. He is going to feel like this forever, there is no escaping it. Finally he is learning to face it, manage it, and work through it.

Of course Emma is far more than a literally device and is her own layered and well established character. But in this regard for Dex it’s almost as if she’s the final lesson for him to work through to grow up enough so he can eventually choose to return to the place they met.

And it could even come across as a reward for him; in learning to live with those difficult emotions, his reward is being able to remember Emma fondly, and to return to the place they met to seek out those memories. The memories are bittersweet, but now he remembers Emma as she was and not how she never got to be.

Like his dad said, he is eventually able to ‘live [his] life as if she were still here’ but in order to do that he first had to accept that she was gone.

[russenoire]

on first watch as an anime-only, i remember feeling like ritsu kageyama's descent into evil in episode seven needed a little more air, more space to breathe. i... no longer do. if that slide down the slippery slope feels a bit sudden, there is a reason; and if you know what to look for, it's not actually all that sudden. bear with me here.

from the first episode, the anime sets ritsu up as shigeo's kind, solicitous younger brother. we don't see much of him for the first three episodes, but when we do, he's making bids for shigeo’s attention: helpfully straightening his spoon when it bends and deposits a bite of his dinner on the dining table; noting that he seems out of it and offering himself up as a confidant at least twice; checking in on him in the morning so they can both leave on time. (i actually love the anime for doing this. ritsu doesn't even show up as a character until maybe the middle of the manga's second volume?) except for the spoon, shigeo gently turns him down every time.

and yet. the interview ichi mezato snags with ritsu in episode four confirms a distance between the kageyama boys. you are not seeing things here. he initially refuses her desire for detailed information about shigeo’s powers, only indulging her to find out what shigeo’s been up to. ritsu holds those powers in such awe that he uses a rather hyperbolic phrase to describe shigeo for her: '世界の基本', or sekai no kihon, literally the standard for [his] world.

after he coldly walks out on her, she reviews what little she’s gleaned from their chilly meeting: he's hawt, at the top of his class, athletic, very popular... all things his older brother decidedly is not. the story establishes a duality here between ritsu’s image—indirectly revealed through mezato’s notes—and the reality of ritsu, sat hunched across from her, sullen, barely tolerating her until she coughed up the information she promised him. later on that evening, we see just how deep ritsu's awe goes... or rather, how snared up it is in resentment and envy as he attempts in vain to bend a spoon, just like shigeo did when they were younger. all the trophies of others’ esteem already gathering dust on his shelves don’t mean shit if he can’t have this.

ritsu intercepts shigeo as he leaves for class the next morning: no student council meeting, so an opportunity to actually talk to him. this is rare, his brother notes. and of course dimple is haunting shigeo. when the specter comments on their apparent closeness, the boy side-eyes him hard. this can easily be read two ways: ‘why the hell are you talking to me when no one else can see you?’ and ‘man, fuck you for sticking the knife in deeper.’ ritsu doesn’t ask about the cult meeting here or ever in the entire series. was he really all that interested in mezato’s news? no, he only wants to know why his brother doesn’t use his powers anymore. and this is the first time they’ve talked about this.

it’s such a neat little mystery, these breadcrumbs the story leaves for us until ritsu’s formal introduction in episode six. even though they share the same home and appear to be on friendly terms, the kageyama brothers may as well live on opposite sides of the planet. we don’t even get a sense of why this state of affairs exists until episode five, where teru chokes the breath out of shigeo and his pissed-off soul levels teru’s school before catapulting him into the stratosphere to reflect on his sins: several years prior, shigeo nearly killed ritsu (and possibly ended three much older boys) in an accident neither boy understands; fragments of memory flash before his eyes as his consciousness shorts out.

‘brother, you’re home late, sopping wet. here’s a towel. are you hungry? you seem down; is everything OK? if you need to talk, i’m here for you.’

instead of turning down this bid for connection like all the rest and turning inward again, shigeo actually opens up. he apologizes for the accident—for the first time—then asks for some clarity, since his memories of it are broken. and ritsu clenches the knob to his brother’s bedroom door tighter. he lies to his face, tells him to ‘get over it already.’ this after asking shigeo to confide in him again, no less: too terrified to be honest with him, too used to being shot down. this boy is soaking in fear he has no context for, and he heads downstairs to soak in it alone. shigeo at least has reigen to process his own fears with, though he never trusts the man enough to take full advantage.

ritsu has no one.

he’s already keeping up appearances at home and has been for years; over the course of the spring cleaning big cleanup arc, we learn the extent to which he’s been doing so at school.

(all those expectations of him weighing him down for so long… he can’t hold out forever.)

student council vice president tokugawa calls him out on trying to melt into the scenery like his brother; his considerable gifts make that impossible. said gifts, however, are so ego-dystonic for him that they’re yet another part of Ritsu Kageyama’s Big Lie. the academically-gifted, popular sprinter so many of his fellow students swoon over isn’t real: why does everyone praise him for things anyone could do? he doesn’t actually have friends, just associates. who cares about charisma? why does everyone think he’s perfect when the only thing he truly wants will never be his? and why does his locker leak chocolate every valentine’s day?

gentle reader. are you still wondering why he snaps when he finally gets his wish? and why it looks the way it does?

[astranva]

Andrew Garfield talking about his girlfriend for 8 minutes video

Word Count: 1.2k

Category: Fluff

Warning: None

Summary: A fan makes a YouTube video of Andrew Garfield talking about you for 8 minutes straight.

..

When the news of you and Andrew dating got out three years ago, fans and the media had a field day.

It wasn’t because you were anyone famous—quite the opposite. Being someone with a normal job, you and Andrew had basked in finally going outside as a couple, and it was how adorable the pictures looked that had everyone freaking out.

One picture was of you laughing, Andrew’s arms around you from behind as he wrapped his coat around you as he wore it, a grin on his face.

Another picture was of you looking at him, eyes set on one another with his hands tangled in your hair, while the other was of him kissing you and despite the photo not being one in high quality, everyone could still see the small smirk he had as you kissed.

It was no surprise when fans posted edits of you together, and although the content they got was minimal, considering your lack of presence in interviews and public press, it was always a field day when you appeared beside him on a red carpet or when you both did as little as grab yourselves some coffee.

Andrew Garfield talking about his girlfriend y/n for 8 minutes straight

The 8-minute and 29-second video started with lofi music over an advertisement for marvel hoodies that everyone seemed to promote, before a sound of glitching television sounded and the video started.

The video started with Andrew and Zendaya’s Actor on Actor interview when they first started talking about Zendaya’s performance on Euphoria.

“Makes me want to cry. I didn’t feel like there was any acting. It felt like you were living through something in such an authentic way,” Andrew said, “And I remember I watched episode 5 with Y/N—with my girlfriend, and she was just like, ‘Andy, can you check up on Zendaya?’”

Zendaya smiled, being her usual self who got flustered at any compliment or praise, “She did text me that night, I remember.”

“She did,” he nodded, “She was so heartbroken over the episode.”

The video then moved to show Andrew during his Wired Autocomplete interview, the foam board in his hand as he took off the sticker that hid the question.

“Does Andrew Garfield sing in Tick, Tick…Boom?” He read, “So, Andrew Garfield does sing in Tick, Tick…Boom, yes. Thank you,” he answered, “I worked very, very closely with an amazing vocal coach, Liz Caplan, and all of Lin Manuel Miranda’s amazing musical direction team. They enabled me to open my voice up to the point where I could honor Jon’s songs and feel confident enough to belt them out as he always did when he was doing his one-man show,” he nodded slight, “It was a privilege to be able to learn a skill that I’ve always wanted to attain but my girlfriend wouldn’t really agree,” he chuckled, looking at the camera, “Y/N’s had enough of my singing, because every time I’d learn something new, it’d be the only thing I’d be doing around our home and she’s incredible, she has a job that she needs to focus on and rest from, but I was always there singing and annoying her,” he laughed, “She’s a gem for putting up with me.”

Another clip then played as Andrew read Buzzfeed’s thirst tweets, headphones on his ears.

“Andrew Garfield if you see this on your secret Twitter account, I’m free this weekend if you want to get lunch or drinks or something, just let me know. If you want to do it earlier, I can do dinner during the week,” he chuckled as he read the tweet, “But I’m usually busy before six,” he finished with a laugh, leaning back in his seat, “I love that. That’s very, very—I like hyper-vigilance. I like specificity of plans,” he said, “But I’m going to have to give you a rain check on that because I’m actually busy on the weekend, unless you want to join in on my girlfriend and I’s date, then it’s fine by me,” he laughed, “I can do lunch during the week though, but we’re going to have to have that at Y/N’s office because that’s where you’ll usually find me having my lunch.”

The clip then moved to Andrew on the Ellen show, getting asked about Spider-Man: No Way Home, and having to lie to people.

“Who knew? Beside your agent, who knew that you were doing this? I mean, how hard is that? To keep it to—I mean, your family knew?” Ellen asked him.

“Yeah, my dad, my brother, and my mother at the time,” he answered with a smile, “Yeah, just kind of us. It was fun to keep it secret,” he grinned, “Because you know when you’re planning a surprise birthday party for someone, and then you’re like, tell me, you know I hate surprises, but I can see it on your face that you’re just like ‘I’m not gonna tell you’,” he shook his head with his wide grin, “So it felt like I was part of organizing a surprise birthday party for a bunch of people whom I knew would appreciate it.”

“Did your girlfriend know?”

Beaming even more, “Y/N had no idea,” he said, laughing, “And—lying to the media, to the fans, that was easy and fun, but lying to my girlfriend has got to be—it was one of the most agonizing and terrible things I have ever done.”

“You lied to her for what? Two years?”

“Technically, it was a year and a few months,” Andrew pointed.

“And how—how did she take that? I’d be pretty offended.”

He laughed, shaking his head, “She wasn’t, she wasn’t. I knew she’d appreciate it because she knows how I feel about my experience with the character, and it was—I’ll tell you something,” he sat up, smiling, “It was worth every single moment where I had to tell her I was shooting for another movie when I saw her reaction when we went to watch it together,” he said, “We had to watch it again because she couldn’t really focus after I was on screen,” he laughed, “But yeah, it—it was definitely hard having to lie to her, and it definitely made her tease me about trust for a while, but she supported me throughout without even knowing.”

The clip then moved to the last one, being from a recent interview with GQ of 10 things Andrew can’t live without.

In a t-shirt and sporting a full beard, he held a silver necklace with a compass on it.

“This is a necklace with a compass on it,” he said, holding the necklace in his hands before the camera zoomed on it before it showed him again, “My girlfriend Y/N gave this to me in a period where I needed to trust the direction I was going, even if I didn’t know where I was going,” he chuckled, looking at it, “It’s become such a symbol of our relationship because in a way, to me, it feels like it navigates us both back to where we have always met, toward our common interests and our differences that initially made us attracted to each other. But she’s always been very persistent on her support for me and my journey in my career, and my journey as a person, so this necklace is just a reminder from her that the direction I’m headed in is always one I can find value in,” he smiled, “My relationship with Y/N is very essential to me. She’s just—She’s truly my person, and this necklace is a symbol of the deep connection we have with each other.”

[saintmagx]

Chamber of Horrors 😈

Grayson Waller x reader

an: just came across Grayson Waller on Chamber of Horrors with Scarlett and Shotzi and it gave me some inspo 👻 IF YOU HAVENT WATCHED IT, YOU SHOULD! He is literally polite, respectful, funny and hella scared. This story doesn’t follow the video exactly because my memory is bad and I started writing this so long ago I forgot so much stuff, plus trying to rewrite a video is kinda hard 🫣

‼️ Warning: swearing, bad story telling, cringe writing, not proof read, just rambles no actual good storyline‼️

“Our final guest of the night is the current WWE Woman’s Champion y/n!” Kayla says excitedly.

Walking out into the cozy studio my nerves settle slightly, I’ve never been on the bump before, nor had any kind of chat show interview before, so I’m a little overwhelmed. I make my way over to the other guests Scarlett and Shotzi and sit down next to them.

“So welcome to your first ever bump appearance, how has it taken us this long to get you here?” Kayla asks.

“Honestl-”

Cut off before I could even answer, a strong accent fills the studio, Grayson who was also a guest - who was joining us via video chat - had to pipe up - it’s what he does best.

“Let me answer that.”

“You see, yn wouldn’t come on the show unless yours truly was also a guest. I mean can you blame her, who wouldn’t want to be on the same show as the Aussie icon.”

“Ah yes Grayson of course, every time they asked me to come on the show I would say unless you have thee Grayson Waller on your show, I ain’t interested.”

He smiles and slightly chuckles, unable to retaliate.

We continue to hype up the next PLE. Shotzi and Scarlett then go onto speak about the release of more episodes of Chamber of Horrors.

“Yn we would love to have you as a guest on the next season! It would be so fun.” Scarlett suggests.

“Absolutely not.” I say - little too quickly.

“I might come across as someone who is tough but deep down I’m scared of most things. And being in an area that is high on the paranormal activity is a definite no for me.”

“We would be there, nothing would happen to you. It’s completely safe.” Shotzi tries her best to convince me to appear in the show, but her words fill me with little confidence.

“I’ll go on if you do yn.” Grayson declares.

“What?”

“If you do the show, I’ll do it with you. Moral support and all that. Plus if you get too scared you can always hold my hand.” His signature smirk creeping onto his face.

Feeling like my back was against the wall I agree to appear and anyway they might not ask me to be on it for a long time and we might not even go to somewhere that is extremely haunted. I was unfortunately wrong on both fronts.

The call to appear on an episode of Chamber of Horrors came all too quickly. It was decided that we would go and see Bloody Mary in New Orleans, which involved a seance and an independent ghost hunt around the haunted house.

Sitting around the table in a circle, Bloody Mary describes how the evening will go and says a few incantations to start of the seance.

“First we will go around the table and introduce ourselves to the spirits. Squeezing from left to right on our hands.” She tells the table.

She introduces herself then squeezes my left hand. My turn I guess

“My name is yn.” I then squeeze Grayson hand for him to start

“My name is Grayson Waller, Maddison square garden main eventer.”

“I’m Shotzi”

“I’m Scarlett”

We continue to hold hands until Bloody Mary continues. She introduces us to a doll named Henry. Scarlett picks him up and places him onto a clearly uncomfortable Graysons lap.

“He likes the ladies, he’s a bit of a flirt.” Bloody Mary explains to us.

“Aw yes lad! We could be brothers.” Grayson says, “however I have to move you closer to Shotzi and Scarlett, can’t have you making moves on people you shouldn’t be.”

I look at Grayson confused, why would he say that?

“So is it true someone at this table hasn’t seen a horror film.” Bloody Mary questions. Looking around the table I find it hard to believe. Shotzi and Scarlett are literally horror queens and I’ve dabbled in horror movies myself, like who hasn’t. That only leaves Grayson…

“You haven’t seen a single horror movie? Like ever?” I quiz Grayson.

“Nope, I just like laughing. Why would I watch something that would make me scared?”

Stunned.

“The fact you haven’t seen the all time classics, I’m shocked. We have to change that.”

With a playful glint in his eyes he reply’s “are you asking me on a date? I mean I suppose if you were there to hold my hand I wouldn’t mind watching a scary film.”

And that right there is the famous Grayson Waller charm. I roll my eyes and laugh off his flirtation.

“I’ll ask theory to show you some of the classics. It’s gonna change your life.”

“I’d rather you show me them. I think I’d appreciate them more with you.”

He smiles slightly and shifts his attention back to Bloody Mary. Not noticing how his response had affected me.

The part I had been least looking forward to, the ghost hunt. We had been given free rein around the house to look and interact with any spirits we may encounter.

There had been a few words here and there but nothing that was concrete evidence that the spirts were among us. It could all be explained or passed off as a coincidence until I heard Scarlett and Grayson in the bathroom.

“Shotzi, yn come here quick.”

We entered the bathroom and were met with both Scarlett and Graysom standing in the bathtub. We join them without question and wait.

“Can you tell us your name” Scarlett asks the spirits

“Zach”

“Zach is there anyone else here with you?” She continues

“No”

“Killed her.”

“Sorry”

Scared, I find myself gravitating towards Grayson who instinctively grabs my hand. I’m not sure if he sensed my fear or if he too was scared however in that moment we were a comfort for each other.

“Killed who?” Shotzi asks this time. However there is no reply.

“Hey Zach can you say hello to Grayson?” She continues

In a mimicking tone

“Hi Grayson”

The mood is slightly lifted and I can’t help but chuckle this spirit has went from confessing to horrific crimes to making fun of Grayson and I’m here for it.

Unamused Grayson replies “oh, you think you’re funny do you?” The spirit did indeed think it was funny.

We move to a different room due to the activity in the bathroom dying down. The room we enter is a playroom, legend says that the small cupboard is where a small child still plays. We decide to have a game of rock paper scissors to see who will go in the cupboard. Shotzi is our first, then Scarlett.

“Can’t you just go in the cupboard? I think I would die of fear if I had to go in.” I say pleading with Grayson.

“Sorry love, fairs fair. Ready?” He replies.

Rock, paper, scissors shoot. I went with paper and Grayson well he went with rock. With a smug look I go stand next to Scarlett and Shotzi awaiting for Grayson to climb into the small cupboard.

“I’m literally in skinny jeans, I can’t do this.” He complains while backing into the small enclosed space. Not even a minute later he is screaming and scrambling to get out of the cupboard.

“Something touched me. Something touched my leg.”

“What?” We all ask.

“When I was in there I felt something grab and pull my leg.” He reiterates.

Finding his way next to me, he slides his hand into mine, again to find comfort. I squeeze his hand as a reassurance that everything was going to be okay. Looking down at me I can see the appreciation in his eyes.

Scarlett sits on the floor and asks the spirits some final questions - much to our dislike.

“Do you like Grayson?”

“No”

Grayson on hearing this throws a little tantrum

“I’m here, I’m trying to learn, I’m being respectful” before he can continue the spirt cuts him off

“Nerd”

The mood once again has been lifted at the expense of Grayson.

Shotzi continues to question the spirit.

“What about yn? Do you like her?”

“Yes”

“Pretty”

“You’re damn right she’s pretty. But ima have you ask you to back off mr ghost, she’s off limits.” Grayson replies

Shotzi and Scarlett share a knowing glance while i remain calm and composed- on the outside that is. On the inside im screaming.

That has got to be the most frightening experience of my life. The cameras have stopped rolling and we are standing in front of the Bloody Mary’s ready to part ways.

“Okay, I’ll admit it was kinda fun, however under no circumstances will I ever come back on your show.” I tell them.

They both laugh and tell me I’m a baby.

“I don’t know how I’m going to sleep tonight.”

Grayson jumps in “oh I don’t mind helping you out there. I can think of a few ways to help you sleep.”

Scarlett and Shotzi dismiss themselves sensing we need some time alone.

“What’s with the heavy flirting? You’ve been at it all night?” I question.

“Well what normally happens when a guy flirts with a girl?.”

“You’re not just any guy though, you’re Grayson Waller. Serial romancer.”

Slight offended he replies “I thought my actions would have been louder than my words? I like you yn, I like you a whole fucking lot. My mind, body and soul is captivated only by you.”

Silenced by his confession in struggle to think of the right words to say. I want to tell him I feel the same. I want to tell him how my every fibre and being yearns for him. Slowly I see the hope in his eyes fade as I’m taking too long to reply.

“Listen if you don’t feel the same way just say it I need to”

Before he could finish his sentence my lips meet his. He returns my kiss with a need and passion I’d only ever read in books. This is what he needed, this is what we both needed. Each other. Pulling away our foreheads rest on each other while catching our breath.

“How about a nightmare on elm street? A classic franchise to break that horror movie virginity of yours.”

He chuckles “as long as you’ll be there, I’ll watch anything.”

I honestly dunno what this turned into but here we are…….if you would like tagged in any of my stories let me know and I’ll add you to the list.

Tagged:

@jeysbae

@blueflowermentality

@co-sharkie

[dropthedemiurge]

Boys Be Brave [EP.3] // Translation notes

Alright, I got prompted by @turndon100-blog @okiedokie2216 @lurkingshan and the ending of Ep.3 gave me hype boost so I'll try to write some clarification and translation for the scenes from my phone while I still remember everything xD Sorry if this is not going to be as well formatted as my other language posts tho...

Kiseob wants to prove to Jinwoo that he perfectly fits his entire "My ideal type" checklist and he lists all the things he nails. This might've been confusing to many in subs, but the thing is - 첫눈 (chot nun) in Korean can both mean "first sight" and "first snow". So Jinwoo immediately argues that Kiseob failed to achieve being perfect in all to-do points because Jinwoo hasn't fallen in love with him at first sight (as he mentions it in the beginning of the episode). But Kiseob confidently argues that no, there was no first snow this winter yet and shows the December article that says first snow is late this year and might only fall in January.

So technically Jinwoo can still fall in love with Kiseob at first snow and achieve perfect 10/10, therefore no failure yet! Poor Jinwoo can't argue with that logic... (That frustrated little jiggly stomping lmao)

This message also said that he better pay that credit back until Friday, otherwise there will be extra fee.

He said "Choi BalgEum. Look at me" (or focus on me) 🥺

눈치 없어 (nunchi opseo) is a phrase that literally means "have no sense" (it also was formed from 눈 - eyes, as I can guess), but it's used in the context of being perceptive (눈치 있어/nunchi isseo, having sense), feeling the subtext or nonverbal clues - and, well, the lack of it on the opposite, like being clueless.

So Balgeum actually means "Can't you see? Don't you understand the implications?"(of him holding Kiseob's hand) "I asked, don't you realize?" Stop following me around like a clueless fool" (he said that "having no sense" phrase 3 times in a row, who are you trying to fool here yourself, my guy lol)

Balgeum also curses twice at his piano not-friend-situationship. Here he says after asking to stop following him: "It's fucking embarrassing". Probably, the fact that he keeps showing up and asking to talk to him, but can also mean doing this while he obviously "has a boyfriend".

When they meet in evening, he also curses again "why the fuck do you keep appearing?" Balgeum is just definitely trying to hurt him as much as possible :(

This translation works but just to clarify - Kiseob says "Why do you often hide?". So he doesn't just ask why Jinwoo were still hiding under bed while he was talking to him, he was asking why Jinwoo was running away and hiding from him all the time (while he likes him).

"I hated you back then and I hate you now, that's why I run away."

And I just love the phrase 아니잖아... (anijanha) that he gets in response. Because it means "That's not true... (and you know it too)". There's literally a grammar point in Korean that lets you insist on something you know that the other person also should be aware of. So Balgeum angrily claims he ran away in the past and he runs away now because he hates Inho (I hope that's his name, forgive me if anything), and Inho counter argues that no, he doesn't hate him. And implies they both know it. That's why Balgeum resorts to less angry "Think whatever you want".

And the fact that even after this, Balgeum kept playing up his masquarade and saying he wants to vomit even thinking about that they had something, that he regrets it every day - no wonder Inho finally snaps and calls him an asshole/scum when he didn't use cursing before, unlike Balgeum, and so the i-dont-wanna-hurt-you-but-i-am-emotional "fight" begins.

But here we have a silver lining!

"- Meet me only three times... - I got it (what you want), so... (let go of me)"

알겠다 (al'getta) literally means "I know/I understand" but (going with my intuition) it's used naturally in cases that you understood the information you were given, received instructions and will follow them.

I'm not sure what Ep.4 will bring, but I won't be surprised if Balgeum and Inho actually will go to 3 dates because Balgeum sounded like he was giving in, after letting out his anger/fear/frustration/etc through wrestling with Inho. His final verdict for Inho pleading him to go on 3 dates with him is: "Let me go. I told you, I understand (your request and I will consider it most likely in a positive way)"

Here you go! These guys grow on me more and more with every episode. I am fascinated to see Jinwoo ditching his perfectly planned schedule, Kiseob finally refusing to follow where other people drag him, Inho fighting to make his love exist despite brutal rejections and punches, and Balgeum's carefully crafted defense walls breaking as he lets a glimmer of hope and love return to his life.

This show isn't deep at all, it's foolish and yet I'm starting to see layers and development and I'm intrigued where they all will go.

If you've got any other questions about this or previous episodes, let me know! (With timecodes preferrable)

[galactic-rhea]

how do you think anakin (or your anakin) would take clovis? i found those episodes to be really ooc😭

Oh boy, I knew this day would come,,,the day in which someone asked me about these awful episodes, thanks user @songspirits now this conversation won't have to wait any longer NKLJnjfdf

To quote a friend of mine that only watched the movies when I told her the summary of the Clovis arc: "I think Anakin would've asked padme to held her wig instead while she personally goes to fight that guy, the anakin i know at least"

Jokes aside, I'll have to break this down on a few points because there's just,,,a lot going on in these episodes (to be clear I don't intend to change anyone's mind in the matter, since i already know many ppl believe these episodes to be good for anakin's ehh,,,going-evil characterization). This will get long.

So first of all: The very first episode where Clovis shows up is just alright, could've been done much better but seriously I don't have many issues with it.

The problem arises with the new ones in season 6. The why I feel Anakin is out character in these episodes is because his very, very well known and yet somehow missinterpreted flaw is that he reacts with extreme violence, especially when scared, scared not for himself but for someone he cares about.

So him reacting badly and going directly for a bloody fistfight against Clovis wasn't the problem of the episodes. It was how he treated Padmé. Like, literally telling her he would leave her in jail if she kept mentioning Clovis, lmao. Also the "You have no say on this" yadayada. I think the writer for these episodes was probably taking their confrontation at Mustafar as a reference point, which...No, that shouldn't have been the case bc in Mustafar that guy literally turned evil (literally!) and he had lost touch with reality. And also the stakes were higher. And also his anger was completely different there.

But, at the same time, if I play the devil's advocate, I can see some...eh, explanations there. For example he had recently lost Ahsoka and one of his men, the War was on the third year, and Padmé was decidely working with someone that already almost got her killed once, and she wasn't listening to him. They didn't even actually discussed the situation very well. And when Anakin says that "as your husband, I ask-" he turns around and is completelly unable to look at her in the eyes, so it could very well be that not even himself believed that, he was mostly throwing onto the table every single card he had. And one could argue that there's no way he didn't hear/notice/sense/ whatever that Padmé wasn't okay with that kiss.

But even then, the writers were clearly going for your very average possesive-sexist-angry-jealous- boyfriend, which isn't Anakin's problem, like I said, his problem is how deeply scared he is of Padmé being hurt. So Anakin's main concern shouldn't be that he's being cheated on, but that Padmé could be hurt, and they kinda touched on that but they failed at portraying that well, and I think it's because:

a) This episode shows us an extremelly common trope in shows with many episodes and many one-time-plots: The classic add-another-person-so-main-character-gets-jealous-. And almost always this type of episode gets us very ooc characterizations, no matter the show, because this society usually can't see any other reaction that isn't angry-possesive-violent jealousy. He also treats Padmé quite badly even before she decides to keep working with him, which is a no-no for me.

b) The shows forgets that Anakin does, actually, has a lot of faith and trust in Padmé's abilities. Yes, he worries, a lot, but he still is very confident on her being a more than capable person. He doesn't want to keep her in a cage or something, part of the reason he's so in love with her is because of how capable and intelligent she is. In ROTS is different because he quite literally had a prophetic vision that proved to be true before, and there's very little to do in this case, it had nothing to do with abilities or someone else. Also, if AOTC tells me anything, is that they're fairly talktative aka they communicate fairly well. Even in previous episodes we see that Padmé is great at communicating and discussing (look at how she reassured Ahsoka when Ahsoka was worried about her. Or that little bit where she's concerned about a party.); in this episode there was none of that until after Anakin almost kills a guy.

c) I think they simply, and flatly, just wanted to show Anakin being dangerous and darker and have Padmé concerned and all of that. And what better way to show a man becoming evil than being a jealous boyfriend. Isn't like Anakin has already murdered a lot of people, amirite. This is a bit of a problem with the simplification of a character. If they're bad or becoming evil, they also surely must be hyper jealous and possesive, there's no other way.

TO SUMMARIZE: I don't think Anakin was handled well, at all. Because the episodes were rellying on a very basic trope, which needed them to break the characters to fit the cookie cutter. However I can see some attempt at deepness there. It's like if it was the characters pretending to be more cartoonized version of themselves, if you know what I mean.

HOWEVER,,,,that said, the biggest sin for me isn't Anakin being OOC...IS HOW PADMÉ WAS TREATED.

They seriously had to put her into a sexual harassament plot, only for it all to be about how Anakin is evil (tm), and not have her respond at all? They really had her to put up with a creepy rapey dude just because.....What is even the narrative trying to tell us at all, that Anakin was actually was actually right, but overreacted? The plot is so contrived, Lmao.

She was the one that got harassed and yet she had no say on it, she's extremelly passive in the whole arc (which we all already know isn't Padmé's personality, even Anakin tends to follow the narrative in more passive way than she does). Then they also had to have her on the trope of "If a woman is going to be a spy, then she must use all her goods and being a femme fatale", and then they didn't even made her fatale. They could AT LEAST give us a moment of her reflecting about having been lowkey assaulted? No? Huh,okay.

Also, Padmé is actually very good at, let's say, handling Anakin. Or more like, reassuring him/discussing stuff with him, and I say this because of bits of the novels I have seen. She's more self-assured and confident, and experienced with social stuff, she's definitely not naive, and can stand her ground fairly easily, and she knew what type of guy was Clovis, so yeah, it's just...she was badly written here, she lost almost all of her agency. I'm not saying it was her fault or anything, or that it was her responsability to calm down her clown of a husband, but it goes against what we know Padmé is like.

Also apparently throwing himself onto the void was Clovis' apology for...almost getting her killed several times, kissing her without consent, being a creep and also using her as hostage. You know, so he's more of a deep character, I guess.

The good points for this arc though, are:

° Ol' Sheev doing what Sheev does best, and actually having some interesting stuff going on, they should've focused on that.

° They (miraculously) remembered a bit of Anakin's and Padmé's actual personalities, and when she told him to back off and that she needed a time, he accepted her desires to leave her alone and looked like a sad wet cat, like Anakin tends to look like. Also thank god they had Padmé's behaviour being nothing like the one of what you would expect from a victim of abusive relationships (Anakin was making his ooc scene and she just looked like 'bitch,what the hell has gotten into you', she had the audience's response, which is 'anakin? what?', which at least tells us this isn't Anakin's normal behaviour at all, i guess?)

° Obi-Wan and Anakin talking a little bit. Also Anakin's room had a poster of the Boonta's Eve race, he also had a little ship-toy, showing us that Luke really takes after his father, lol.

°...Idk what else to highlight from these episodes 😭😂 Did I already say Sheev's scheming? Uhhhh,well, uhh, idk, Padmé taking Clovis to the opera in an attempt to get info from him is kinda ...Ironic.

[prapaiwife]

"Thank you for waking me up from my nightmare"

"It's my duty as your lover"

After reading @secriden post here about how prapai takes "it's okay" and doesn't say it to say it! but as he says he shows sky with his actions. It reminds me of every time i watch episode 13 and I get to the ending scene here when sky tells prapai thank you for waking me up from my nightmare listen that THAT is so emotional, it leaves you honestly so misty-eyed cause sky is truly saying he is able to finally begin to rest. Something he hasn't been able to for a very long time. This has been a reoccurring nightmare for him and early on in the story you can see sky accept it for what it was.That this was his life now that he's going to have to just have these sleepless nights he's never going to rest. He's gonna comfort himself and tell himself it's okay though he doesn't believe it for a second.

Sky doesn't rest and so as a domino effect when u don't rest u don't stay healthy. We see sky neglecting himself he doesn't eat or often forgets to. It's so bad that he drives himself to be sick. And He's forced to actually not work and rest or atleast attempt to. Cause when he's sick the nightmares dont go away till pai stays with him that night and day. Holding his hand not leaving his side.

Sky has accepted that love is not for him as I said before it's a trigger for him just a clear threat in plain sight. And so he's accepted that he's not going to think for a second waste any thought or time that he's even actually worth of thinking that someone will actually be serious about him. Let alone believing that someone will find him endearing and cute and just wants to dote on him constantly. Not when sky doesn't believe it himself he doesn't think he's anything special handsome beautiful.

But meeting Pai and sky truly seeing what he deserves!! Seeing love truly in its most selfless and most beautiful ways while also being reciprocated! Pai didn't fix him as people like to say but he gave sky that second chance of hope just a simple try. Try to open your heart to me, try to see me as not someone who's going to hurt you, try to allow yourself to trust yourself and your feelings. And sky felt feelings as we saw that he tried to deny and play it off and tell himself constantly it's nothing it won't be anything prapai is the last person on earth to be ever serious about anyone. With all the while we saw how he likes how pai has been cheesy with him very consistent with how he's been showing up. He shows up even on the days when sky doesn't think he will hence when he's sick at the freshman orientation project. But he does even when prapai physically isn't there just with the simple lunch, dinners on his doorknob as a reminder for him to eat. I think it's so beautiful that sky is able to finally say that he can rest and allow himself to begin the healing process.

With a partner who has the utmost respect for him. Whoever loves him more than anything in the world and would do anything for him. Prapai is constantly overwhelmed with his love for sky it's so endearing. He tells him how his smile and hugs makes his day. Sky could now go to sleep with the man he loves and wake up with the man he loves in his arms. Even simply just laying in bed with him and his heart will immediately just felt like ease in this safeness. He doesn't have to second guess it cuz he's confident in his relationship and the love they have for each other. The nightmares have taken so much of his life. It's time for him to fully rest and embrace this calmness and warmth that he thought he would never feel from anyone is so touching you really think about when he says that to him.

Prapai saying it's his duty! As in it's his absolute honor to take care of him he doesn't see this as a burden or an inconvenience or hindrance. What sky went through won't just go away and they know that. But prapai has put in the work and will continue to make that commitment to them. They will continue together to grow together while building their relationship.🥺

[skzkiof]

kiss me;

ivantill, 8.7k read on ao3

For a second he just stood there dumbly, eyes wide open. He heard a gasp from the side then a whispered, “I thought they weren’t actually supposed to kiss here?” Till hadn’t prepared himself for this, but he knew he couldn’t risk ruining the scene even more. Eyelashes fluttering, he closed his eyes and cupped Ivan’s face, kissing him back with fervor.

Till couldn’t believe what he’d just heard. Surely he had misheard, or maybe he hadn’t actually woken up this morning and he was still dreaming.

His manager looked as real as ever, though, staring at him with a hint of knowing amusement. He couldn’t stand her sometimes. (He loved her.)

“I thought you’d be excited,” she sighed dramatically, crossing her arms. “I guess maybe we should consider pulling out of the movie and – ”

His hand jerked out without his permission, fast as lightning, grabbing her arm. “Don’t even joke about that, Mizi.”

Her answering grin was all teeth. “They’ll want to do a chemistry read, first,” she put her hand over his. “Don’t get too excited. Nothing is guaranteed yet.”

For all they knew, he wouldn’t even get cast. Or if he did, maybe they’d kick Till off the project and replace him if their chemistry wasn’t promising enough. He really hoped it would be. But either way, he would be meeting him.

Till felt himself grinning before he could stop it, “I’m meeting Ivan.”

-

Till couldn’t recall the exact moment he discovered Ivan. To be fair, most people probably couldn’t. He was everywhere, it seemed – commercials, movies, television, even music videos.

What he could recall – as clear as if it’d happened yesterday – was the feeling he had felt. It was like a dam had opened and there was no stopping it. He realized he wanted more out of life.

He didn’t just want to continue being an extra on every set, the side-character who was killed off after one or two episodes.

Since then, he’d been able to build a decent name for himself. He wasn’t Ivan, by any means, but he was well-known enough to get the lead in an upcoming highly anticipated movie. And if the universe smiled upon him, just one last time, he would hopefully get to have Ivan as his love interest.

-

“I am running on exactly two hours of sleep, by the way.”

Mizi snorted, side-eyeing him. “I can tell,” she teased, and he knew it was just that: a joke but he still couldn’t help the sudden rush of insecurity.

As if sensing it by some form of magic, she slowed to a stop in the hallway and took his arm.

“You look great, Till. You haven’t even gotten makeup done yet and you still look amazing.” She squeezed his arm. “You’ve got this, you know that, right?”

He forced a smile. “Don’t you know confidence is my middle name?”

And usually it was true. If there was one thing he had over most of his competition in the industry, it was overflowing confidence.

Mizi smiled back, far more sincere. “Come on,” she said, tugging him along gently. “We don’t want to be late.”

-

Before the chemistry read, he went to get his makeup done as scheduled. Hyuna was no better than Mizi, grinning wildly as she gently applied a bit of concealer under his eyes.

“Let me guess,” she said, “didn’t sleep much?”

Till rolled his eyes, but made sure not to move. “I wonder if every actor has such a nosy makeup artist or is it just me?”

“Hmm, I would say you’re just lucky.” She winked and stepped back. “You look good enough to eat.”

He snorted. If he wasn’t so nervous underneath it all, he might’ve cracked a joke. Like how the only person he wanted to eat him was —

The door swung open, startling him. “Come on – ” he relaxed when he saw it was just Mizi. “We only have a few minutes.”

Quickly stumbling out of the chair, he rushed to her side and followed her into the hallway. As they walked toward the room set aside for their scheduled chemistry read, Mizi looked him up and down, not even trying to be discreet. Till made sure no one was around before quietly flipping her off.

Couldn’t tarnish his reputation and all that.

She giggled, light and airy. “I was just going to say,” she bumped their shoulders together, gentle, “you look good. Don’t let anything bring you down, okay?”

And he knew it wasn’t just empty words; Mizi had been there for him since the start of his career, long before he’d managed to actually make a name for himself. She’d been there with open arms (and an extra large pizza) every time he’d been turned down from a role, every time a casting director had scoffed like he was hilarious for even thinking he had a chance.

It had been hard, then, but motivating. He never wanted to be underestimated ever again. He thought he’d never feel so scared again, walking toward an audition room. It was a pointless fear. He had joked but surely they wouldn’t actually try to kick him out, even if the chemistry read wasn’t a success.

“Break a leg,” Mizi whispered just as they stopped in front of the door.

Till could hear voices through the wood. He concentrated and tried to see if he could pick out Ivan’s voice, in the sea of them, but he wasn’t sure if he could trust himself. He thought he heard him, a familiar drawl he had heard on television a million times, but he could’ve just been imagining it.

Mizi glanced at him, a silent question. He just nodded.

Without another word between them, she turned and opened the door.

-

Till didn’t even realize he’d been holding his breath as his eyes scanned the room: it was all the usual people – the casting director sat at the table with two other staff members on each side, a few other stray staff members were scattered around the room.

In the middle of all of them was Ivan.

He was smiling politely as others talked to him, a small quirk of his mouth. Till must’ve stared for a second too long because suddenly Ivan was lifting his head and their eyes met.

Till had seen him a hundred times, at least, through a screen but he wasn’t sure anything could’ve prepared him for this moment.

For seeing him, here, like this, in real life. Ivan was even more stunning in person.

Ivan’s smile stretched just a little wider, barely noticeable. Till should’ve smiled back but he felt like he was frozen.

“Okay,” the casting director – Luka – stood up from the table. “From what I’ve been told, this is your first time meeting, correct?”

Till didn’t even realize he was addressing them until Mizi gave a gentle nudge at his side. He flushed, standing a little taller. He might’ve been meeting his idol, for lack of a better word, but he was still a professional.

“Yes,” he answered, cursing the slight shake to his voice.

Ivan nodded. “I’ve seen him plenty, of course, but never met, no.”

Till felt a shiver down his spine. Ivan. Ivan had seen him before, too, which shouldn’t have been surprising. He had been on a number of notable series by now, but for some reason he still hadn’t been prepared to hear it.

“Wonderful,” Luka said, “Everyone – ” He did a little twirl with his finger, making a point to address everyone in the room. “Out.”

Till knew the process by now. Luka’s process, at least. He could be a little unorthodox. Usually he didn’t mind it, but right now he was already starting to feel sweat pool at the small of his back.

Mizi let out a tiny huff of amusement as she helped to herd everyone out of the room. Last to go was Luka, who didn’t even say a word before closing the door.

If Ivan was confused, he didn’t voice it. For a moment, the room was silent with just the two of them.

“Sorry,” Till said eventually, clearing his throat. He dared a glance in Ivan’s direction; he was standing just a few feet away, a thoughtful quirk to his head. “Luka can be a bit, uh. Unorthodox in his methods. He always likes to give actors a few minutes by themselves before starting the read.”

He was proud of himself; his voice was steady and clear.

Ivan hummed, but still didn’t say anything. Till took advantage of the moment to really look Ivan over. He was beautiful; dark hair swept back with a few loose strands, eyes lined with black – not too much, just enough to somehow make his dark eyes look even darker, his lips shined with a thin layer of gloss, skin clear and perfect.

The way his mouth was twisted, Till could even see his fang. Not literal, of course, it was just his canine – especially sharp and pronounced – but it had always been one of his selling points that fans seemed to like.

He looked like he was conjured up in a lab somehow.

And Till, well. He wasn’t naive. He knew he was attractive – wouldn’t have gotten this far in the industry if he wasn’t – but he felt lacking compared to Ivan, more than he had in a long time.

Without thinking, he reached up and ran his fingers through his hair, trying to tame it. But the wild look was part of his appeal, Hyuna had always said. Made him stand out.

“Are you going to keep staring at me or actually introduce yourself?”

Till startled, yanking his hand out of his hair hard enough he winced a little. He opened his mouth, ready to apologize, but then he saw Ivan was smiling. Barely, really, more like a smirk.

Clearing his throat, he wiped his hands off on his jeans in what he hoped was a discreet move (he was still sweating like crazy) and stepped forward. “Why should I introduce myself when you apparently already know my name?”

He froze as soon as the words were out of his mouth. He was so stupid.

This was Ivan – the Ivan – and here he was already messing everything up because he never quite knew when to shut his mouth. He waited, expecting the worst. He wouldn’t have even been surprised if he’d pushed him out of the way and stormed out of the room.

But instead Ivan did the complete opposite. He gave a little laugh, eyes crinkling just a little around the edges. Till felt something warm blossom in the pit of his stomach.

“I haven’t had someone talk to me like that in, well, ages.” His eyes were still sparkling when he finally stopped laughing. He extended a hand. Till moved quickly before he could think too hard and just make himself more nervous. Ivan’s hand was warm, smooth.

Till knew his own hands weren’t nearly as smooth, from playing guitar. It was just a hobby he had picked up on the side, nothing more, but his hands still suffered for it.

“You must play an instrument,” Ivan said, startling him. For a moment, he wondered if he’d accidentally spoken his thoughts but then Ivan tilted his head. “Guitar?”

Till swallowed around the lump in his throat; Ivan’s thumb gently moved over his knuckles, once, fleeting, before he was pulling away. Maybe he’d imagined it. “Yeah. Um. Just a hobby.”

“I would love to hear you play, if ever given the chance,” Ivan said. Normally, Till would’ve brushed it off as empty words but there was something oddly sincere about the way he said it.

He dropped his gaze, focusing on the collar of Ivan’s shirt. Anything to make sure he didn’t keep staring at his face. “Yeah. Sure.”

Before he – or Ivan – could say anything else, the door was opened without even a knock. Till spun around as Luka entered the room followed by the rest of the staff and finally Mizi alongside a woman he didn’t quite recognize. He wondered if she was part of staff and somehow he had just never noticed her until now.

That question was answered quickly when she went to Ivan’s side. “You’ve totally got this,” she said, hushed but just loud enough Till could hear.

He wondered if that was true. Didn’t want to get his hopes up.

“Okay, since I’ve given you both more than enough time to get acquainted.” Luka nodded at the scripts on the table. “Go ahead.”

Till forced his hand to not shake as he reached out and grabbed his version of the script; the part they’d be rehearsing, today, had been highlighted. It wasn’t too long. He just had to get through the scene without any mistakes.

He skimmed through it quickly, saw Ivan doing the same, even though they had both already read the script. Ivan, possibly only one or twice, but Till had read it nearing a dozen times.

So how did he manage to forget what happened at the end?

They didn’t kiss, not in this scene, but they almost did and that was enough to have Till suddenly rethinking everything. You’re a professional, he reminded himself, and tried to believe it.

He had certainly kissed plenty of people on set by now but admittedly he had never found any of them quite as alluring as Ivan.

Still, this was a chance to prove himself. He wouldn’t let that get in the way of doing his job properly.

“We don’t have all day,” Luka said, as impatient as ever.

Till resisted the urge to glare at him and simply set the script aside; it wasn’t frowned upon to read from the script during chemistry reads, of course, but he had the entire thing memorized already.

Ivan probably hadn’t been able to memorize it in such a short time but Till was surprised to find he set his script aside as well. He was always called an acting prodigy by media, the best the industry had seen in ages, and it seemed like it went beyond just a good performance on screen.

They both stepped closer to each other, waited until Luka gave the final nod.

All jokes aside, Till really was a professional. He felt like he was a different person when he got into character. Immediately he felt his eyes start to sting, his bottom lip tremble a little.

“You lied to me,” he said, voice thick with emotion.

It was surprisingly easy to look Ivan in the eyes all of a sudden. Ivan stared back just as intensely, reached for his hands. He held them, loose and gentle. “You know I didn’t have a choice.”

Till jerked his hands away. “But you promised me.”

“I know, I know,” Ivan’s eyes were glossy too, brimming with so much emotion Till had to remind himself they were acting. He couldn’t remember ever having to do that before. “But I need you to trust me, okay?”

Till swallowed. “I – I don’t know if I can,” he whispered, just loud enough for Luka and the others to hear.

Ivan frowned, looking thoughtful for a moment. “How can I convince you to trust me?”

He opened his mouth, closed it, cursed himself because – he’d fucking forgotten the line. How could he have forgotten the line? He dared a quick glance at Luka, who was watching him with slightly narrowed eyes.

He was so screwed. Ivan was definitely getting the role, no doubt, but not before Till was probably kicked off the project.

And now he was so nervous he was shaking a little, hopefully not enough to be noticed by Luka and the others but there was no hiding it from Ivan, as close as he was.

So much for being a professional.

Maybe it would be better just to get it over with and admit his mistake, take whatever consequences would follow, even if that meant being kicked off the project. Even if it meant not getting to work with Ivan.

But as soon as he opened his mouth, Ivan surged forward and kissed him.

For a second he just stood there dumbly, eyes wide open. He heard a gasp from the side then a whispered, “I thought they weren’t actually supposed to kiss here?”

The only thing that followed was silence, but Till knew the answer; he might’ve forgotten his line but he still remembered how the scene ended – Ivan’s hand on his neck, thumb stroking his jaw as he begged him for one more chance.

Not a kiss, but something close. The actual kiss came far later in the script.

Till hadn’t prepared himself for this, but he knew he couldn’t risk ruining the scene even more. Eyelashes fluttering, he closed his eyes and cupped Ivan’s face, kissing him back with fervor.

It was like something out of his wildest dreams but also not at all.

After a few seconds, he dared to open his eyes, surprised to find Ivan already staring back at him.

Suddenly Ivan was pulling away, turning toward Luka. “Sorry, I got a bit carried away.”

Till licked his lips, flushed when he realized what he’d done and quickly pursed his lips into a thin line to ignore the urge to do it again.

“Well,” Luka looked torn between amusement and annoyance, “I supposed you were going to kiss him eventually one way or another.”

Till blinked as the words settled. “Wait, you mean – ”

“Don’t get too excited,” he interrupted, already standing, “but you should be optimistic.” Weirdly, he said it while staring at Till like he was the one auditioning for the spot, not Ivan. There was no way he knew, right? Or maybe he was letting him know he was going to be kind enough to ignore his obvious mistake. “We’ll call you once we’ve discussed it and made a final decision.”

Till watched as Luka left with the staff, not even giving them a glance back. For once, he was thankful to be ignored.

Once they were gone, Mizi rushed to his side. “Are you okay?” she asked, side-eyeing Ivan skeptically.

He appreciated her concern, as always, but he was fine. If kissing strangers was an issue for him, he probably would’ve picked a different career path, but even those kisses were usually planned for and this wasn’t, which was jarring, yes, but he wasn’t upset.

Ivan’s manager was at his side, too, looking at him with disapproval. Till wondered how often he did unexpected stuff like that.

Finally he brushed her off and stepped forward, closer to Till. Mizi pursed her lips but didn’t intervene; she really was the perfect manager for him.

“I apologize,” he said, giving a slight bow. “I shouldn’t have done that without warning, but…”

He trailed off, and Mizi finally spoke, “But?”

But Till already knew the answer. Ivan smiled, but it wasn’t mean. “You forgot your line,” he said. It wasn’t a question. Mizi startled, glancing at the script still laid out on the table. “An honest mistake. I didn’t want you getting chided for it, and I thought it’d work as a good enough distraction.”

It certainly had. Till could still feel the press of his lips – plush, but just a little dry.

“You did that for Till?” Mizi asked, sounding skeptical. Till couldn’t blame her; people in the industry rarely looked out for each other like that, nevertheless strangers.

Ivan nodded, his smile growing just a little wider. “I guess you could say I’m intrigued.” He extended a hand and Till took a second too long to move, realizing his intent. Ivan squeezed his hand. “I look forward to working together.”

Till envied his confidence. Technically, nothing was confirmed yet. But even he knew it wasn’t up in the air. Luka just liked making people sweat.

“Me too,” he said.

-

“Did you see Ivan’s manager?” Mizi asked the next day. Shooting wouldn’t start for a few weeks but she came over often just to hang out.

Till blinked. “The girl with the, uh, blue hair and piercing stare?”

He didn’t miss the way her mouth twitched, forming a smile for only a second. “Yeah.”

Till had recognized that smile, however brief. He looked back to the television. “You should go for it.”

“Wh – what?” she stammered, nearly spilling their bowl of popcorn. “I don’t – I mean – ”

He grinned, side-eyeing her. “I always knew you were into the stoic types.”

“She wasn’t – ” Mizi pursed her lips, looking down. “When you two were doing the read, you know how we all left? Well, we talked some.” Her cheeks were flushed, nearly the same shade of her regularly-dyed hair. “She was nicer than you’d think, looking at her.”

Till wasn’t sure how much he believed her. Everyone was nice to Mizi. She was just that kind of person. You would have to be pure evil to be mean to her. “I trust your judgment,” he said instead, reaching out and squeezing her arm.

She peered at him from under her eyelashes. “But what if it complicates things? Especially when you’ll be working with Ivan for the next few months. And I mean, I don’t even know if she’s, you know.”

“And you’ll never know if you don’t ask,” he replied, making sure to soften his voice. “And don’t worry about me, okay? I can take care of my own shit.”

-

Till was confident. It was something Mizi always said she admired about him; he knew what he wanted, and he wasn’t afraid to work for it.

But he was also well-aware of his own shortcomings. He could be testy and impatient, and didn’t always take being corrected or criticized well.

“What if I say something wrong?” he whined, standing in front of the oversized mirror in his living room.

Mizi glanced up from her phone. “Then you – and I know this is an abstract concept to you – but you apologize.”

Till glared at her through the mirror. “And what if he says something wrong?”

“You wait it out,” she replied just as easily. “I mean, he seemed nice enough at the chemistry read.” She set her phone aside, seemingly done with it for now. “He didn’t have to help you like that.”

Till felt his cheeks grow warm just remembering the kiss. In the moment, he had been able to control himself, too caught up in making sure he didn’t ruin the scene more or – worse – lose his role. But now, looking back, he couldn’t quite believe he had kissed Ivan.

It was always going to happen, Luka was right, if Ivan got the role but somehow that didn’t make it any easier to believe.

And he had gotten the role; Luka had called him this morning with the good news. After that, Till had thought about texting Ivan, congratulating him. They had exchanged numbers for a reason.

But he couldn’t quite work up the guts to do it.

He must’ve waited too long because eventually a text had popped up on his own phone from ‘Ivan’. (He had debated adding a heart before realizing that was asking for trouble.)

“Since we’ll officially be working together,” it had read, “I would like to get to know each other better.”

Till had mulled over how to respond for so long he had eventually texted Mizi instead for help. With her help, he had responded back with a simple, “How about brunch?”

He still wasn’t sure people actually used the word brunch in real life but he had trusted Mizi more than himself in the moment, and either way it worked out because Ivan said yes.

He said yes with a little :) to be precise and Till felt like his heart was going to burst. He was playing a dangerous game, he knew, letting himself feed into this when they were coworkers, nothing else, but he couldn’t help it.

And Mizi was enabling it.

After their conversation, Mizi had invited herself over to help him get ready. Fair enough, because without Hyuna he wasn’t really too sure how to do much more than throw on a shirt and jeans.

She had helped him with some basic makeup – a bit of eyeliner and gloss – then picked out his outfit for him, which he still wasn’t sure about.

It was brunch, after all, but she had picked out a long-sleeved silky blue shirt and black jeans. He felt a little overdressed but she had assured him it was perfect.

“I should get going,” she announced, tearing him out of his downward spiral. She jumped off the couch and walked over, peering in the mirror alongside him. “You look hot.”

Till snorted, shaking his head. “I used to dream of you hearing you say that.”

And it was true; when they had first met, when his career was still new and fresh, he had immediately developed a crush on her. Now, he was glad they were just friends. Now, they were so close it didn’t even feel weird joking about it.

Mizi winked playfully and patted him on the back. “Just be yourself.”

That was what he was afraid of.

-

Mizi left after that, which was expected – it was only an hour until Ivan was set to arrive – but being alone didn’t help his nerves at all.

Nearly exactly on the dot, Till’s doorbell rang. Old-fashioned, really, because most people just texted when they arrived.

Smoothing his shirt down in the mirror, and reminding himself this wasn’t a date, he walked over and opened the door.

Thankfully, he hadn’t been the only one to get dressed up. Ivan wore a long-sleeved black shirt, tucked neatly into dark blue slacks. His hair was swept back out of his face; if he wore makeup, it wasn’t obvious enough for Till to be able to tell but either way he was as stunning as ever.

Till realized – belatedly – that he had just been staring at him without saying anything for at least a minute. Flushing, he stepped out of the way, a silent invitation inside.

Just as he opened his mouth to say something, anything, Ivan was saying, “I almost feel bad for what I’m about to suggest,” he smiled, small, “considering how good you look.”

Till blinked once, twice. “Oh. Um. What?”

Stupid. He was so stupid.

“You obviously got dressed up intending to go out,” Ivan continued, still smiling with a hint of amusement dancing in his dark eyes, “which I know we discussed, but…”

Till swallowed; why was his mouth so dry? “But?”

“But,” Ivan tilted his head a little. “I can’t speak for you, of course, but getting recognized in public is daunting.”

Till was suddenly reminded of their differences. He’d been recognized a few times, sure, but undoubtedly nothing compared to what Ivan went through. His face was plastered everywhere – billboards, magazines, commercials – so no wonder he was tired of getting recognized everywhere he went.

Even if you didn’t know Ivan, you’d at least seen his face. And most people can’t control themselves around a celebrity, regardless of personal interest.

“I understand,” he said finally, not sure what else to say.

Ivan smiled a bit wider. “So do you mind?” Till wasn’t quite sure what he was asking, but thankfully he continued before he could make a fool of himself. “I know it must also be daunting to have a stranger in your apartment.”

The dots connected quickly, suddenly. Till didn’t even have to think about the answer. “I don’t mind at all,” he said, but then, “I just – well.” Warm in the face, he gestured weakly at his kitchen. “I don’t have much.”

“No problem,” Ivan was already pulling out his phone. “We can just order something.”

-

That was how they ended up on his couch, shoes thrown off, eating a pizza. It was oddly comfortable, even though Till kept catching himself staring at Ivan’s mouth.

It was hard not to remember the kiss. It had just been part of the script, albeit a little early. Not to mention, Ivan had only done it to save him from making a complete fool of himself.

But it was still hard to forget, or brush off. After all, Till had admired him (and possibly had a crush on him) for so long. He never imagined just meeting him, nevertheless anything more.

“Do I have something on my face?”

Ivan’s seemingly innocent question was what finally drew him back to reality.

Till startled, nearly dropping his slice of pizza. It was starting to get cold anyway. “Um. No. I mean. Your face is fine.”

He winced at his own words, cursing himself internally.

Ivan smiled – no, that was a smirk. “I’m glad to hear you think my face is ‘fine’.”

“Well, I mean, I didn’t – your face is more than fine,” Till stammered, even as he cursed himself more with each word.

For a moment, there was silence and Till was sure he had finally properly screwed things up. But then Ivan threw his head back and started laughing hard enough he shook the couch a little.

Once he quieted down, he gazed at Till with a crooked smile. “You’re funny.”

Till flushed. “I’m sure you hear that kind of stuff all the time.”

“Mmm,” Ivan tilted his head back and forth. “Yeah, but people are usually a lot more suave about it.” When Till frowned, he nudged him with his foot. “That’s a good thing. I prefer when people don’t try so hard.”

Till couldn’t fight back a smile even if he tried. “Oh.”

“I was gonna suggest we do a readthrough of the script tonight but,” Ivan checked his phone. “It’s getting late.”

Till tried to hide his disappointment. He was surprised how much he’d enjoyed Ivan’s company. He had hoped he would, of course, but he was never sure how these things would go. Like mentioned, he didn’t always get along with people easily. And Ivan was, well, Ivan.

Famous, beautiful, rich. Till expected him to be a lot more conceited or snobby. Most of the famous people Till met were like that, after all, but not Ivan. He was sweet. A little odd, but wasn’t everyone?

“Are you free next Friday?” Ivan asked.

Till didn’t even have to think. If he had plans, he would just have to reschedule.

“Um, probably,” he said, aiming for casual and probably failing.

Ivan smiled again; he had one fang that Till was starting to think was unfairly adorable. “We can meet, then, go over the script.”

“Sounds good.” Amazing, actually, but he didn’t dare seem too eager, even though he was starting to think Ivan wouldn’t mind.

-

“Soooo,” Mizi slung herself over the couch ungracefully. “How did it go, hmm?”

Till snorted, pushing her out of the way to sit down. “I – ” His smile fell. Mizi was quick to adapt, sitting up properly. She had always been good at adapting to his moods. “I think I might be screwed.”

“What?” she leaned in closer. “Did he do something?”

Till appreciated her concern, as unfounded as it was. “No, he was… he was great, actually. We ate pizza and talked about a lot of nothing. He mentioned coming over next Friday so we can actually go over the script.”

“So… what’s wrong?” She was frowning, eyebrows drawn together in confusion. He couldn’t blame her.

He sighed, peering down at his hands folded together in his lap. “I think I could really like him, Mizi. Like… a lot.”

The thing was, he had never really liked someone before. He had certainly never dated. Beyond his short-lived crush on Mizi, passionate as it was, he had never even gotten the urge to date, or even do what a lot of other actors did and sleep around casually.

And now he was worried if he spent too much time with Ivan, that might change. Turn into something more than a crush from afar.

For a long moment, they were both silent. Finally, Mizi reached for his hands, cradling them gently.

“You are a really good person, Till.”

He rolled his eyes, an automatic response. She squeezed his hands harder.

“You always undervalue yourself, Till,” she continued, and he couldn’t look away from her determined gaze. “You act overconfident to make up for it, but I know you too well for that. You don’t know think someone like Ivan could ever like you but you fail to realize he’d be lucky to have you.”

He swallowed around the sudden lump in his throat. “I – ”

But she apparently wasn’t finished, “I met with Sua.” She paused for a moment, like she was realizing something. “Ivan’s manager,” she clarified. “We really hit it off. She cares for Ivan like I care for you, I think.”

He just nodded, unsure where this was going but happy for her either way.

“I probably shouldn’t say this, it isn’t my place but,” she smiled, small, “I will, because I think you need to hear it. Apparently Ivan can’t stop talking about you. Sua said he’s never been so interested in another person. She even asked me about you.” Her smile widened a bit. “I only said good things, of course. I knew she was just worried.”

Till couldn’t believe it. He had also never known Mizi to lie, especially about serious stuff.

“But I – I can’t,” he stammered, looking down at their hands. “Even if he was interested,” which was so hard to believe he almost felt like he was dreaming, “I can’t risk it.”

Mizi ducked her head, forcing her eyes to meet again. “Why not?”

“You know why,” he said, and he wasn’t even embarrassed that he sounded like a petulant child. “I would be risking the movie. If we had a fight or – or broke up, I don’t know if I could pretend like nothing happened.”

He was making a lot of assumptions anyway; assuming Ivan was interested in something more, when maybe he just wanted something casual or temporary. But still the details didn’t matter. Either way, Till knew he couldn’t go back to acting like only coworkers.

“Till, I know you care about this movie,” she smiled again but there was something sad about the curve of her mouth, pitying. “But sometimes life is about taking chances. You can’t just depend on your career for happiness forever.”

He wanted to argue because he couldn’t find the words. Mizi squeezed his hands even tighter. It was almost painful but also oddly comforting.

“What if you got a role a few years from now – your dream role – but then suddenly you were kicked off the cast.” Till waited, knowing she wasn’t finished. “You would be devastated, obviously, but you would be even more devastated if you had to go home to an empty apartment.”

Till licked his lips; when did they get so dry?

“Plenty of people are satisfied never having a partner. Dating.”

Mizi rolled her eyes. “I know that but I also know you’re not one of them, Till.”

She really did know him too well. “But we’re both famous, Mizi, and he’s – he’s a household name. If we dated, we couldn’t keep it from the public for too long. Someone would find out.”

“And that is something worth discussing,” she finally released his hands, choosing instead to squeeze his wrist. “With him.”

Till suddenly felt like crying. He didn’t, but his eyes burned. “What if we’re wrong? Even Sua?”

“Then you can come to me and cry it out.” She smiled, warm and sincere.

It was a decent enough backup plan. Without warning, he lunged forward and hugged her. “Have I said recently how you are the best manager in the world?”

“You don’t have to tell me, I already know.”

-

Till decided not to rush it, even if Mizi suggested texting Ivan and setting a closer date to see each other again.

When Friday finally rolled around, he felt like he was going to be sick.

He made a point to not dress up, just a pair of his usual jeans and a black t-shirt. If this was going to happen, he wanted to be sure it was because Ivan really liked him. Not because he thought he looked good enough to settle for.

A few minutes after 12, his doorbell rang.

Brushing by the mirror without looking, he opened the door. Ivan had apparently had the same thought; he looked as gorgeous as last time, obviously, but he was wearing a white t-shirt and jeans too with a thin jacket. His hair also wasn’t slicked back, hanging loosely around his face.

He also had a bag, probably to carry around the script and whatever else he might need.

Like last time, they ordered food and ended up on the couch. This time, however, they had the scripts. Till noticed a ton of highlighted parts in Ivan’s copy; maybe he shouldn’t have assumed he just had a natural gift for memorizing things. He had obviously worked just as hard.

For a while, they just rehearsed through the easy parts. Didn’t bother acting any of the parts out just yet.

Most of that stuff – gestures, movements – would be changed before they actually started filming anyway so Till didn’t usually worry about it, just focused on the actual dialogue.

But then they flipped the page and Till saw it: the scene where they kissed. The actual scene.

For a moment, neither of them spoke. When Till finally chanced a look up, he noticed Ivan was already looking at him.

“Do you usually practice these parts?” Ivan asked.

Till tried to decipher his voice, his expression, but it was all perfectly neutral.

“Sometimes,” he answered, because it was true. “Makes it less awkward later.” But other actors preferred keeping any kissing strictly in front of the camera. Till didn’t really have a preference.

Ivan hummed thoughtfully. “Well then, I’m up for it, if you are.”

He could almost hear Mizi in his head, telling him he shouldn’t do this. He should confess, first, otherwise it wasn’t fair. To him or Ivan. And he would confess tonight. He had already made that decision but…

Couldn’t he be just a little selfish first?

“Sure.” Understatement of the century.

Collecting their scripts, Till set them aside on the coffee table and was relieved when Ivan made the first move to scoot closer. He still couldn’t quite read his face, perfectly blank.

“Let me know if you want to stop,” Ivan said, a hand already reaching out and settling on Till’s neck, warm and heavy.

Till was pretty sure Ivan could’ve done anything to him in that moment and he still wouldn’t have asked him to stop, but he appreciated the sentiment.

Not trusting his voice, Till just gave a tiny nod and that seemed to be enough for Ivan. He leaned forward, slowly, like he was giving Till the chance to stop him if he wanted to.

He didn’t.

Finally their lips touched, just a gentle press. Ivan’s lips were even softer than he remembered, warmer too. The script didn’t detail the kiss; that would be decided later with help from the director but – Till supposed Ivan was preparing for everything as he tilted his head, pressing their lips together with a bit more fervor.

Hardly complaining, Till kissed back, scooting a little closer. That should’ve been it. Given the scene, it was doubtful the kiss was going to be anything more than this.

But Ivan didn’t pull away, and Till wasn’t going to be the first to end it.

Opening his eyes, he finally wasn’t surprised for once to find Ivan already staring back at him. What was difference, however, was the look in his eyes. Intense, but somehow warm.

Till felt a shiver down his spine and decided this was it. Words had never been his specialty. Moving quickly, he shifted up onto his knees and swung a leg over Ivan to settle on the other side, kissing him the entire time.

Only once he was settled, straddling him, did he finally pull back. “Is this okay?”

Ivan’s eyes were always dark, nearly black, but this was something else. “Depends,” he replied, low but steady. He lifted his hands, placing them on Till’s hips. “Is this okay?”

Instead of replying with words, Till just leaned in and kissed him again. This kiss was immediately different from the first, filthy and almost aggressive. Ivan bit at his bottom lip, just the edge of too hard, and Till let out a sound in the back of his throat that was outright embarrassing.

He only pulled back for air when he absolutely had to, panting a little to catch his breath. Ivan’s eyes were half-lidded; he somehow looked the best he ever had. Till swallowed. This was his chance.

“I have something to confess,” he forced the words out before he could reconsider.

Ivan blinked, once, almost immediately looking more alert. “What?” His hands shifted on his hips but didn’t pull away. “Do you want to stop?”

“Quite literally the opposite,” he replied, feeling nearly delirious. This was it. “I know this is – probably not what you want at all, and I’m probably reading too much into everything, and – and I know this could get in the way of the movie, I’m not an idiot, but I think I would really regret not saying it.”

Ivan squeezed his hips, then, and it was enough to make him feel a little more grounded. “You’re kind of scaring me here, Till.”

He stared at Ivan for a moment, appreciating every detail of his face, before he took a deep breath, “I think I could end up liking you.” He paused, letting the words settle properly in the silence between them. “A lot.”

Till wasn’t sure what he was expecting. The silence lingered so long he was starting to feel an ache in his chest.

Without a word, he went to move off Ivan’s lap but his hands tightened around his waist. “Stay,” he said, the softest Till had ever heard his voice.

“You don’t have to try and – and placate me,” Till stammered, but he didn’t try to move again. “I’m not gonna be mad at you for not feeling the same way.”

Ivan opened his mouth, closed it. Till watched his face flicker through about ten different emotions before suddenly he was kissing him again, hard and messy. Till gasped into his mouth, surprised – confused – but hardly disappointed.

He curled his fingers in Ivan’s hair, eyelashes fluttering. He could do this forever. He also knew he needed a real answer.

He deserved that.

Mustering all his courage, he pulled back. Ivan stared up at him with a newfound intensity. He forced himself to speak around the lump in his throat, “I’ve admired you for a long time. I know that might not be – appealing, in this context. But I don’t think that has anything to do with what I’ve felt since we met.”

Ivan continued to stare at him. Till gulped.

“You’re just not what I expected,” he paused. “In a really good way, and I’ve never done this before. Not just with another actor. Or, uh, coworker. I mean, like at all.”

The corner of Ivan’s mouth started to quirk up. “You’re cute.”

“Oh.” Till flushed. “Thank you?”

Ivan let out a soft laugh; gently, he moved Till off him. Under different circumstances, he might’ve overthought what that meant but Ivan was still smiling, warm and small.

“Are you asking me out, Till?” he asked, not even trying to hide the mirth in his eyes.

He supposed he was, in a way. “I mean, that’s – that’s assuming a lot. I just, I wanted to let you know. I didn’t – ” He hadn’t expected anything, he meant to say, but he suddenly stopped, finally connecting the dots. “Wait. Does that mean – ?”

Ivan leaned against the back of the couch, watching him with that same sparkle in his eyes. “I liked you the second I set my eyes on you,” the confession felt like igniting fire in Till’s very core. “I wasn’t sure why, at first. I’d never felt that way before, and we barely knew each other.”

Till didn’t dare speak; he didn’t trust his voice anyway.

“But you’re… different,” Ivan hummed. “I can’t quite put my finger on it.” He smiled, that fang poking out again. Till wanted to feel it against his lip again. “And frankly, I don’t really care to.”

He paused, reaching out. Till didn’t even think twice, moving as if commanded by something out of his control. Ivan held his hand gently, thumb pressing into his knuckles, not hard but comforting. Grounding, like he somehow knew Till felt a little untethered.

“But I’m assuming you know by now I can’t promise you this won’t get out. Even when you’re surrounded by people you think you can trust, it’s not quite true in our line of work, is it?”

Till had already went over this in his head. “I don’t mind. I think it’s worth the risk.”

“We should at least keep it between us,” Ivan said softly, and Till wasn’t sure yet what he was going to say next. If he wanted to keep this hidden because he was ashamed or embarrassed to be seen with him. But then – “Just until the movie is done shooting. I don’t want them to project or assume anything just because we’re together.”

Till nodded. “I agree,” he said, meaning it. It was the smart move. “And if anything happens, if this doesn’t work, I need us to be on the same page.”

“I hope we won’t have to worry about that,” Ivan replied, “but the fact you even want to discuss it...” He smiled again, almost approvingly. Till didn’t want to admit how much that did for his confidence. “I promise you won’t have anything to worry about from my end. I could even give you something to use against me, if it would give you peace of mind.”

Till let out a sudden laugh, surprised by the odd offer. But just as Ivan kept saying he was different, he was starting to think Ivan’s oddness was what had really captivated him. “I’ll just have to take your word for it,” he said, still smiling.

-

They never ended up having to worry about. Months later, when the movie was wrapping up, they all celebrated by having dinner at Ivan’s house. The place had always been beautiful, from the very first time Till had seen it, but now it felt more like a proper home.

Pictures lined the walls that used to be empty, mostly of the two of them, but some were just of Till. He complained about them, sometimes, embarrassed but secretly he liked it.

Some were of all of them – Ivan, arms wrapped around Till. Mizi and Sua, heads tilted together.

Till was pretty sure he had died and gone to heaven. Or maybe he just should’ve been more hopeful when he was younger because sometimes he still struggled to believe this was real.

Sitting at the table, Ivan on his left and Mizi on his right, he wondered what he had done to end up lucky enough to have met both of them.

Or maybe Ivan was right, as he always liked to say: “You deserve good things, Till.”

Till still remembered the first time he’d said it when they were laid out in his bed. He had kissed Till’s forehead and he had suddenly felt the urge to cry, eyes burning.

Maybe, just maybe, he was finally starting to believe it.

“Can you believe they still haven’t figured it out?” Mizi was saying, giggling around the rim of her wine glass. “’How is their chemistry so good?’” she said, repeating what the director had said earlier.

Till hadn’t really heard him. He’d been too busy kissing Ivan with as much fervor as he kissed him every night. He supposed there were benefits, actually, to dating your costar.

Sua smiled at her side. “You can’t blame him. I’m surprised they were actually able to keep it hidden until the end of filming.”

Till chanced a glance at Ivan, who was already staring back at him. He smiled. Ivan smiled back, giving a nod.

“About that, actually,” Till cleared his throat. “We are planning to disclose that we’re dating. Not how long, obviously, but… we thought it might make things easier, especially since Ivan can’t stop complaining about wanting to take me places and not being able to.”

Mizi smiled, shifting to take Sua’s hand where it was resting atop the table.

“We’re happy for you.” She glanced at Ivan. “Both of you.”

-

At the end of the night, Till was surprised to have Mizi pull him away from Ivan’s side. She walked them to the edge of the porch, grasping his hands tightly in her own.

“I know this is going to be cheesy and you’ll hate every second of it,” she said, “but I just really need to say it.”

Till tilted his head with a confused smile.

“I used to worry about you.” She squeezed his hands tighter. “You always acted like you were fine on your own but I just – I could tell you had so much love to give and for a while I almost felt guilty, turning you down.”

Till tensed, already opening his mouth, but she continued, “I know you never wanted me to, and you never did anything to make me feel that. I promise. It was just – normal concern for a friend, okay?”

She gently shook their hands, smiling now. “But now I see you with Ivan and… Till, I don’t think I’ve ever seen you so happy.”

He couldn’t fight the smile off his own face, small and sincere. He stared down at their hands. “I – ” He paused, swallowed around the lump in his throat. He hadn’t even said this to Ivan, yet, but somehow it felt right. Saying it, now, to Mizi first. “I think I love him.”

For a long moment, there was silence. When he finally glanced up, Mizi wasn’t looking at him. She was staring over his shoulder, eyes a little wide, and –

He dropped her hands and spun around. Ivan stood there, frozen with his hand in the air like he had just been about to tap his shoulder. Mizi squeaked and scooted past them, rushing to join Sua at the other end of the porch.

“I was going to ask if you were cold,” Ivan said, dropping his hand. It was chilly out, middle of autumn now, and Ivan knew he ran cold. The simple but sweet gesture made his heart feel like it was going to burst out of his chest.

Till just nodded, not trusting his voice. Ivan shucked off his jacket and moved to wrap it around his frame.

“I didn’t want you hear that,” Till said finally, clutching the jacket to keep it from falling. “I was going to tell you soon. Just needed the right moment. I know it’s probably too soon or I don’t know, I don’t really know how to gauge these things – ”

Ivan moved, smooth but fast, wrapping an arm around his waist and drawing him in close enough to tip their foreheads together. If he remembered they still had company present, he didn’t seem phased by it. “I don’t believe in there being a right time for anything,” he breathed softly. “I love you, Till.”

He smiled so big he knew his cheeks were going to hurt later. He didn’t care. Happiness was worth it. “Good,” he said before cupping both sides of Ivan’s face and kissing him.

It reminded him a lot of their first kiss but this time the roles were reversed. Ivan seemed surprised for just a second before he smiled against his lips, tugging him even closer.

When they separated, Till was breathless. He wasn’t complaining.

“I hate to say this,” he let out a shaky laugh, still catching his breath, “but I think we need to send a thank you card or something.”

Ivan raised an eyebrow, searching his face. “To who?”

“I’ll tell you later,” he replied before moving in to kiss him again. He heard Sua’s groan from across the porch. Ivan laughed against his mouth.

-

A week before they left for their first vacation, just a couple days after the news of them dating had hit the media, Till went to the store and picked out a card. It was the vaguest card he could find in the store, just a simple “thank you” with a smiley face on the front. He signed it just as simply – Ivan and Till – and left it like that. He trusted Luka to figure it out.

[lurkingshan]

We Need to Talk about Love in Translation

I caught up on Love in Translation this week at @bengiyo’s behest, as he’s been talking about how good it is. It’s a Thai bl on iQIYI, and in this current deluge of shows, it’s flying mostly under the radar. But this week’s episode convinced me this is a show we should be prioritizing even with so much to keep up with, and I wanted to talk a little bit about why. 

Ben already covered some of the basics about the show, and I agree with all of that, but what is really blowing me away is the confidence of the writing and the control the writers have on the pacing of this story. Because this show? Moves, and it moves fast. The relationships are evolving rapidly, and our leads are moving closer every week, and yet nothing ever feels rushed or unearned. They start out adversaries, but it’s all based on a misunderstanding, and once that gets cleared up and they get to know each other, they come to like each other rather quickly. The narrative gives us good reasons for their rapidly shifting perspectives, and crucially, this is a story that is fundamentally about kind people with emotional intelligence, so their openness to changing their minds about each other tracks.

So in episode four, we begin with a classic drama set up: Phumjai, our inexperienced but enthusiastic protagonist, is finally going on a date with his crush, Tammy, and he asks his new friend and business partner, Yang, to go on a practice date with him. Yang is, of course, already half in love with Phumjai and this set up is torture for him. And so the “fake” date commences, and of course the two of them have a fantastic time, forgetting Tammy exists for long stretches before Phumjai inevitably brings her up again and Yang’s face falls. Before the date ends, they end up lounging alone under a tree, Phumjai asks Yang about what kind of lover he would want, and Yang takes the opportunity to make his feelings clear. 

Their almost kiss is interrupted, but here’s the important part: Phumjai is extremely aware of what almost just happened, and what it means. He knows Yang was about to kiss him, and he was going to let him. And he knows the implications of that, unlike the typical trope where a character like him would remain confused about Yang’s intentions or his own feelings. Phumjai is inexperienced, but he’s not ignorant. Still, he has committed to a date with Tammy, and so he goes. And the whole time he’s with her, he can feel that it’s not right. He’s not feeling the same things with her that he was with Yang, and his mind wanders back to Yang continuously throughout his time with Tammy. He is not doing the typical drama thing of sublimating or ignoring his feelings. He notices what is going on with his heart and what it means. 

And here is where the show wows me again: Phumjai does something about it immediately. He ends his date with Tammy without kissing her despite a clear invitation to do so and runs straight to Yang to talk to him about what he’s feeling. He tells him with total honesty that he’s been thinking about him all day, and that he didn’t feel the way he thought he would with Tammy, and that he wants to understand what is going on between them. Yang listens to him patiently as he works it out, and once he’s given an opening, he doesn’t hesitate to lean in and finish the kiss he started earlier in the episode.

Let me just emphasize again: all of this happened in one episode. This show deftly covered the emotional groundwork and character development that most dramas would take several weeks if not half a season to unpack, and it all felt organic and authentic to who these characters are. I sat up and stared at my screen in awe several times throughout this episode because I was so delighted by what was happening and how confident the underlying writing was. We are now halfway through the show, and we have ample time to work through the fallout of Phumjai’s realizations and see him and Yang actually figure out being in a relationship together (my favorite thing in any romance drama). This is a new screenwriting team (it’s literally their first credit) and they certainly have my attention. I can’t wait to see what they have in store for the second half of this story.