#I want to break into their world and experience it too

[imnotyetfound]

My take on Five/Lila - and why they were endgame

I’ve seen so many people say that Five and Lila didn’t make any sense, and I just disagree. I've tried to really motivate why, and also why I see them as endgame. Feel free to agree or disagree.

First of all, Five and Lila share a common background of being raised plus trained as survivors and weapons. Five was molded by his time in the apocalypse, the Commission and his ruthless upbringing within the Hargreeves family, while Lila was similarly trained and manipulated by the Handler. Both of them were forced into brutal, high-stakes environments from a young age, developing a sense of independence, ruthlessness, and survival instincts that the rest of the family can’t fully relate to. We see this especially in Five and Lila’s difficulties in showing emotional vulnerability and trusting others. This shared experience means they both understand the cost of their traumatic upbringings and can relate to each other’s emotional scars in ways others just won’t be able to. So already by this, they’re somewhat bonded from the start.

In other similarities both Five and Lila possess extraordinary intelligence and tactical thinking. They challenge each other in a way no one else does. This has been an ongoing thing between them, bouncing off each other and sometimes teaming up. It’s also what drew them to work on another mission together in S4, there has always been some kind of pull/push there. Personality-wise both Five and Lila have a dark sense of humor and a cynical outlook on the world. But despite the cynicism, they still manage to eventually relax and find humor in each other’s company. The lighter moments we’ve seen between them at times have been an interesting contrast to their otherwise serious and violent lifestyles. 

I do believe their shared backgrounds and personalities created a bond that was then further strengthened during the years they spent lost in the subway together. Isolated from the rest of the world, they literally only had each other for company. The intimacy and trust that grew between them was inevitable. When you have no one else to rely on, you’re going to develop a relationship stronger than under normal circumstances. So over those years, they must have grown close in ways that no one else could fully understand. Even though we didn't get to see every detail of how it unfolded (because the season was way too short), it’s not difficult to imagine.

I’d also say they naturally grew a bond stronger than with any other character at that time, except for the one between mother and child which is why Lila’s need to be with her children would always make her go home if given the chance. Five knew this and it’s the reason he kept the solution from her for months. 

Now, to my thoughts about their actions in regards to Diego as this is often brought up. The argument that Lila cheated on her husband with Five is understandable from a moral perspective, if we see it as just that without any context. But when you consider the circumstances it is way more nuanced. You have to look at not only the environment they found themselves in, but also the emotional and psychological journey they went through together. Their relationship was ultimately forged over a shared background and then several years of isolation. Then you add to the fact that Diego seems to have treated Lila like crap in the years leading up to the isolation, she said it herself he was always moping around and complaining while she sacrificed her life to stay at home and take care of the kids. She even told him she needed a break to reassess their relationship. I do believe her and Five had somewhat already begun an emotional affair before the isolation, the way they were sneaking off together and clearly wanted to keep their thing separate from Diego and the others. Yet they still didn’t get physical until they settled down, believing they weren’t gonna find a way back.

Also, it’s important to here consider the strength of the bond, as I mentioned earlier, that Five and Lila must have developed over those years. They knew each other better than anyone else by the end. Spending every day together in a survival situation with nothing else around would likely create an unparalleled level of intimacy and emotional closeness. This bond would probably transcend Lila’s previous relationship with Diego, and maybe even Five’s bond with his siblings. It’s been years since he returned to them and they had all grown in separate directions. Lila and Five however had recently experienced something life-changing together, and it is unfair to dismiss the strength of their connection as something unethical or out of character when their reality had shifted so drastically from when the show started.

Another important point here is how the relationship with Lila allowed Five to finally be "human" and emotionally open in a way he hadn’t allowed himself to be before. Five was obviously emotionally detached as a result of both his past trauma and the burden of being a hyper-intelligent man in the body of a boy. With Lila, he had the chance to just feel love and trust without worrying about anything else. So I do think this outweighs his “betrayal” against his brother as people claim.

Now on to how and why Five and Lila were endgame. I’m convinced that Lila did love Five despite her choice to leave their isolation. To me this was cemented as she didn’t deny her feelings when Diego asked her straight out. If she wanted to make Diego feel better she could have easily denied her feelings for Five to reassure him. Yet even when asked twice she couldn’t do it. There was also Lila’s look of relief when Five returned to them at the end. It was Five who Lila allowed to comfort her after she said goodbye to her family, trusting him in her most vulnerable moment instead of blipping back to Diego and the others. These events showed the deep trust and emotional intimacy that still existed between them after returning to “the real world”. Despite her saying it was over. I also want to add here that Lila took Five’s hand as they were dying, the look between them was for me at least silently saying they loved each other. 

So all in all I do believe that the connection and love between Five and Lila was authentic. It also made sense. They’re able to understand each other’s emotional complexities, including their darker tendencies, without needing to change who they are. Still their time together seemed to actually have softened them both when they finally had the chance to settle down, almost as if they were healing from past trauma together. This would forge a relationship that no one else could replicate without going through the same experience. Making Five and Lila a reasonable endgame, which they also were in my eyes considering they died holding hands.

----------------------

Summary:  Five and Lila's shared background of trauma, matched intelligence, and similar personalities means they make sense. They shared a bond that was only further strengthened during their years of isolation. For 7 years they only had each other to rely on. This inevitably created an intimacy and relationship that couldn’t be compared to what they had had with anyone else. Outweighing what they did to Diego when you consider all context. Lila and Five ended up being human and vulnerable with each other on a level they hadn’t been with anyone else. Ultimately Lila’s refusal to deny her feelings for Five, her relief when he returned, him comforting her as she sent her family away and then finally them dying hand-in-hand, showed that they were endgame.

[forcedagere]

I personally really like the idea of Bill x Reader x Ford. This one kinda ties into my previous post, but it’s not required reading. I suppose this would be an AU where Ford accepted Bill’s offer during Weirdmaggedon, or something else went wrong resulting in Bill staying in power :)

Contents: forced age regression, yandere, implied mental manipulation

Whereas Bill is far from the best caretaker (though he tries, in his own way), Ford takes care to create a semblance of structure in your life. He doesn’t have tons of practical experience with children or little ones such as you, but he makes up for it with dedication. He takes to caring for you as if it were a newly discovered, fascinating field of study. In other words… He reads many, many books, and tries all kinds of things to figure out what you like best.

Ford is not entirely fond of the kind of dynamic you have with Bill. It's not because he doesn't want to be referred to with parental terms, that's simply a matter of preference, but that he insists on you being friends above anything else. Considering the dynamics at play here, Ford cannot help but view it…

"As simply pedagogically irresponsible, Bill." The triangle in question rolls his eye. "Oh, boohoo! Fancy McFancypants over here knows what’s up!” Bill glances at you from the corner of his eye. Seeing you crack a smile while you’re sketching away with your crayons, he’s encouraged. “You read one book on how to raise a kid, and now you wanna tell me what to do? Get lost. Kid, c'mon, prove him wrong-- I'm your favourite, right?" You look up from your latest piece of art. You are drawing all three of you, in fact. You're usually deaf to their arguments, it's such a constant that you've grown used to the noise and stopped viewing it as a threat. (Your daddy calls it 'bickering'; Billy, when daddy isn't listening, calls it 'flirting'. That makes you giggle.) But you don't like getting involved in it yourself! So you firmly shake your head, and drop the pacifier attached to your necklace to speak. "No favourites… I love you both," you say with the confidence only someone as little as you could have. Billy's eyelid flutters, and your daddy smiles.

To put it simply, Bill is the ‘fun, rule-breaking parent’ and Ford is… A little less that. One should not take Bill Cipher as the benchmark of taking good care of a human, though.

Ford will make sure your meals are more varied than the endless stream of candy that Bill feeds you, and get you tucked in for sleep at regular times, too. Compared to Bill, who enjoys playing games with you and ‘roughhousing’, Ford prefers calmer activities. He’s definitely up for the occasional board game, but, most of the time, he’ll read to you, make drawings upon requests (or give you lessons!), or toy around with science experiments safe for someone who gets the urge to put anything that looks interesting inside their mouth.

He might’ve taken you for an adventure or two outside, but… The world hasn’t been the same since Bill got his hands all over it. He may be technically immortal now. You decidedly are not, as far as he knows. Either way, he doubts that Bill would let you out of this room to begin with. He doesn’t have to ask to be able to know that. If there is any reason he would keep someone locked up the way he does with you, it must be because you have some form of special connection to him. Ford does not believe he would risk that.

Really, Ford isn’t stupid or blind. It’s not that he’s going along with all of this because he is ignorant of Bill’s manipulation of your mental state. Bill can call it a ‘nudge in the right direction’ all he wants. He’s keeping you regressed. But everything has changed. He has changed, and Ford doesn’t know if he made the right decision. He fears he hasn’t. (Somewhere out there, in an alternate universe, a Stanford must live who made a difference decision. Ford hopes he’s happy.)

Spending time in this little contained room, with something dependent on him and eager to be looked after by him, who doesn’t know better and never will… It’s not good, it’s the very definition of selfish, but it’s comforting to him. Grounding, in a sense. With an eternity of time left ahead of him and the foundations of his previous life all but crumbled, he has something steady to return to. It doesn’t matter how much he rationalizes it. It’s twisted and fucked up, plain and simple.

…He supposes he can understand why Bill finds him so amusing, even now.

A little whimper snaps him from the spiral of his thoughts. Your bottle is empty. He should get youa refill, then pull you back on his lap.

[thefloatingwriter]

Abt victors being complex - that's why my personal unpopular headcanon is that most of them didn't have positive feelings about Katniss or Peeta. Because let's be real for a moment, even if you're the nicest person in the world or the most broken and beaten down by the Capitol and the Games: you would think "why wasn't I enough? Why didnt people care enough about me to riot? Why do I have to go through this hell again? Why did they get to break the rules?" And tbh, KP's naivety as victors, from that perspective, would be absolutely grating, they never really seem to Get It until its too late and everyone else has to pay for their mistakes.

yes!!! this!!!! you get it!!!!!

katniss and peeta never had to go through the normal Victor Experience with the pain of mentoring or victor prostitution or the companionship within the victors. they just don’t Get It, like you said. and that’s not their fault!! the capitol shows these people hanging off capitol citizens arms, oohing and awing at everything in their path every year, fully convincing everyone that the victors are happy. that they want to be here, away from their home and families hanging off of strange men and women’s arms. they depict the perfect victors, who smile and wave and sign autographs. victors like chaff and haymitch get about five seconds of screen time before being pushed aside because they’re not interesting, they’re not the focus, they’re not complying with the image we are depicting. they don’t conform with the images we are showing to our citizens.

i truly believe that there was no way all of the victors liked katniss and peeta. actually, i don’t think many of the victors liked katniss and peeta. as in, there was probably like two that genuinely liked them. and also, from their perspective, these are the reason they’re going back into the arena!! none of the victors wanted to do that!!!

we really need more complex victors representation in this fandom…

[siremasterlawrence]

Museum Of Horror’s 3: Stan’s Nightmare

Actor Sebastian Stan has no idea that when he woke up the morning after he woke up from his award winning world premiere at The Berlin Film Festival as he drink himself to death and woke up with a hangover over in his head because he feel into a deeper state. The coma like spiral as he falls in to a whole of his own making as the floor falls flat from under him sliding away in to the distance of a shadowy organization and I want him as my next experiment will soon learn what it means to be captured and altered for good and for life.Poor Sebastian Stan his life took harsh turn last night while he slept a full day away as his body automatically on pilot with such apowerful level of precision over taking him as he fell forward and slid off to the edge of bed in to his slippers walking in to the bathroom as he strips off his clothes for the man in the mirror.

“Time for a shower “

“Most attend the gym”

“The gym is life”

“Slavery is life “

“I am Stan the man “

“Master’s puppet “

“Wow! This is hot”

“Master loves it”

“Mmmm….steam”

“My body rock hard”

“I am in pain…”

“Everything is losing focus….ugh”

“My mind…my memory “

“Who am I?”

“I look like a wet rat”

“Hot wet rat”

“Mmmmm”

“Fuck”

“I am on my way”

“I am in the car Master”

“Sir Yes Sir”

“I am here Master”

“Thanks for the greeting “

“Get to work”

“Yes Master “

“Change your clothes “

“Of course sir “

“I bought the gym”

“Excellent! Clean up”

“Open up and work out”

“Intense one yes “

“Follow me inside when you complete it”

“Kneel at my feet and make love to me”

“Mmmmmmm”

“Yes Master!”

“I love you !”

“I love you too boi “

“Kiss me”

“Get to work”

Sebastian states that he is all prepared for the day exiting the room as he states in the mirror quickly getting undressed as he sort through his bag for his clothes in a excited state because he could not wait for that’s the oh uh moment.The lights blow up even brighter covering up the changing room showing off his tight body as his underpants shines in a glorious light showcases the spandex touching his body and therefor it is smack its extremely tighter the ways I want it. He smirks brightly he plays with his cock as I hear moaning blaring through the rooms loud speaker, I am in heaven walking down to him through the buildings super immaculate new hallway that Sebastian cleans multiple times all day and everyday actually

“You know my love “

“Keep flexing”

“Show off the body “

“Do a dance for me”

“I mean move it “

“Yeah! Move your body “

“So hot! So cute “

“I’m hot “

“Yeah motherfucker”

“Oh Master!”

“What boi?”

“Fuck me!”

“God! Your ass”

“I love you!”

“I love too Master”

“Use me!”

“Don’t fucking move”

“I am about to break you in half bitch”

The end

[nail-art-no-jutsu]

🎶🌹 Rojuro 'Rose' Otoribashi headcanons 🌹🎶

Soundtrack: Alexis Ffrench - A Time of Wonder

Y'all I'm back on the bleachwagon and I can't stop thinking about this man, I especially love to imagine how he got to where he is, and finally I'm putting all my ideas in one place. So without further ado:

I don't think he grew up in Soul Society, but I definitely think he died at the worst possible time, when he was young and life was good and easy, and he had time to indulge in his hobbies, music in particular

like Toshiro, Rose heard the calling of Kinshara before he knew what it was, he just thought it was just something that happens to artists after they die

but unlike Toshiro, I imagine Rose told everyone, cause he just talks a lot in general lmao, and someone or other must have told him that what he's describing is called a zanpakuto

otherwise he wouldn't have gone and become a Shinigami at all

he was only interested in the training he needed in order to understand this creative force inside of him that he absolutely must express outwardly, and no instrument seems to be good enough

... except for a sword ...

he absolutely hated the Academy though, not enough room for creative freedom, too much structure, no composing daydreaming in class allowed, not to mention how he always got the best ideas for songs he wanted to write while he was in the middle of a training session

the only good thing about the Academy was meeting many of the people he would call friends for way over a hundred years

Rose didn't acquire shikai or even bankai in order to advance in his career or to become more powerful, he did so because it would have been impossible not to

Kinshara is very insistent and when it has something to show him, he has no choice, not that he doesn't absolutely love the experience, it's so magnificent that it moves him to tears of joy, it's ecstatic, it's sensory heaven

Rose: look at this thing I just learned to do, isn't this wonderful? Any of his friends: my dude, that's called a shikai, go apply for the position of Lieutenant. right now!!!!

he goes through a phase where he's uncomfortable with the fact that Kinshara doesn't just entertain, it kills

he'd be a lover not a fighter if it wasn't for how much farther he got artistically after learning to use his love for music for fighting

he overcomes this dilemma by telling himself that it's fine actually because he's one of the good guys, and promising that he'll only blur the line between creation and destruction against opponents who really deserve it

how do you identify that? he'll cross that bridge when he gets to it. don't worry about it

Rose didn't have a good time as a Lieutentant, again, too much structure, but he actually did apply for the position of Captain himself, at least that way he'd get to make the rules and he could take breaks whenever he wanted and procrastinate with his paperwork until he found the perfect background music for it and so on

this did not work out that great, because he had a very hard time working with Iba's mother as his Lieutenant, she had no patience for *gestures towards all of this*, and I also suspect she might have been resentful that someone so carefree ended up as her superior

and to fast forward just for a bit, Izuru is not like that at all, and it's one of the first things that Rose appreciates about him, Izuru does respect structure, but he's not above doing the work in all kinds of unusual ways as long as it gets done

a thing that Rose shares with Shinji is that he's always been interested in what's going on in the world of the living, especially when it comes to music, and then he branched out to literature, philosophy, pop culture, and other things that are referenced in lyrics, that's how he learns about things, even if after that he starts enjoying them for their own sake

I can see them both taking trips to music stores or to concerts on Earth, separately or together, especially when they were supposed to be doing something else

Rose just really needs a lot of enrichment in his enclosure or else he absolutely will wilt and perish, most gracefully, of course~

he is in fact not a snob when it comes to music, he knows the lyrics to songs you'd least expect, and he can appreciate the artistic value of artists or genres that he doesn't really listen to

you wanna rickroll him? nice try, he loves that song

and yeah, this is getting so long someone pls take my keyboard away from me

just kidding, this is way too much fun 💖

[pueraeternal]

Agape: Greek for unconditional love

This poem explores the theme of unconditional love. It emphasizes a love that is all-encompassing and accepting, one that sees beyond superficial flaws and insecurities. The poem suggests that this kind of love is essential for human connection and understanding. It encourages us to look at each other with compassion and empathy, recognizing and accepting each other’s true selves.

[treasureplcnet]

anime-only fans please please please consider reading dungeon meshi because once you hit ch76 your life begins anew

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[giantkillerjack]

Uh-oh! You are like, SOOO awkward!!

You're so awkward that it is occasionally mildly uncomfortable for people!

You're so awkward that sometimes people are confused by you and then there are awkward silences!

You're so awkward ...... that ultimately no one is harmed!!

Oh damn!!! What a vile crime you have committed! What an unforgivable thing it is to make a fellow human briefly confused!

Why, if *I* were ever briefly confused and kind of uncomfortable as a result, I'd be devastated.... by the absolute net zero change in my happiness and health! - From which I might never recover!! Yes indeed! No punishment can ever be enough for you!!

So you better absolutely hate yourself for it.

Better be SO MEAN to yourself about every single missed social cue so you don't forget your horrible crime! Meaner than you'd ever dream of being to someone else for the same thing! This is YOUR responsibility!

You need to show the world that you KNOW you are bad by punishing yourself constantly! After all, think of all the people who BENEFIT from you punishing yourself! - No, really! Think about it! Think about who benefits from your pain.

Think of alllllll the definitely-good people that your definitely-necessary self-torment definitely helps! I mean, you can't just cut off their definitely-life-sustaining supply of your suffering, right?? Sure, everyone else has a breaking point, but you're probably the only person in human history who doesn't, right? Best not to question it probably. Sure, it's a symptom that billions of people with trauma have had, but who knows? You could be a one-in-seven-billion exception. Anything's possible!

Instead, better just accept that idea that bullies carry like guns in holsters - the idea that people who have trouble with social cues deserve to suffer. Better carry on the burden they placed on you until you drop. Aid the cause of the callous by enforcing shame and suffering upon yourself extra hard; try your best to do their work for them. They're very busy.

Better not recognize that you need patience and kindness to heal from your trauma. Better not find out that it was trauma rather than personal weakness filling your head with self-hating thoughts. Better not find out it wasn't your fault.

Better not find out that awkwardness is not inherently harmful or unkind, and, in fact, the people who act like it is *are the ones enacting harm and being cruel.*

Better not get righteously angry when you realize just how much unnecessary damage this has done to you. After all, if you get mad, you might realize you deserve better. You might even feel brave enough to DEMAND better! You might build boundaries that keep you safe! You might make other people think they deserve to feel safe too! And we obviously can't be having that, so...

Better not show yourself even a little kindness a little bit at a time.

Better not make a habit out of it after all that practice.

Better not get confident.

Especially if you can't first wipe out every trace of awkward. (And you probably never will. Because people who experience absolute social certainty at all times tend to be insufferable assholes that enforce the status quo. And you just don't have the stock portfolio for that.)

Better not be confident and awkward because then you might confuse and delight people

- you might accidentally end up making other people feel less shame for their social difficulties

- you might make isolated, traumatized, and shy people feel like they deserve to be included in social situations

- you might even make them feel they can be themselves around you

- you might start loving the effect you have on a room

- you might enjoy conversations more

- you might forgive yourself and bounce back from shame more easily and frequently

- you might come to enjoy some of those moments of harmless confusion you cause because NOBODY expects the Confident Awkward, and that can genuinely be an advantage in social situations

- you might stop apologizing so much.

- you might find that socializing is like a video game: it requires practice but also a safe space for it to be fun and positive.

Or if you can't become assertive and confident, better not remain awkward and shy and quiet, and then love and forgive yourself anyway!

Why, it would be carnage!!

In either scenario, you run the risk of finding out that it's not your fault that safe spaces full of kind people can be really hard to find, create, and nurture. You could end up building a skillset that helps you do those things if you're not careful!

If you start giving yourself even the tiniest amount of grace at a time, you will find that you've accessed a gateway drug with extreme long-term side effects:

- You might realize that it was never your fault that it took so long to like yourself.

- You might realize that you were always worth talking to, even when you didn't like yourself and communication felt impossibly difficult.

- You might realize that you'll still be worth talking to even if communication becomes harder as you age and/or experience disability.

- You might come to know that you deserve to be heard even on bad days when words come slow and blurry.

You might discover that you were always deserving of kindness, first and foremost from yourself.

So. As you can see, it's FAR too much of a risk to start granting your awkward self free pardons for your many heinous and harmless crimes. Better to just leave it there.

[neon-danger]

call me crazy but I don’t hate the umbrella academy season 4

[theygender]

The funny thing about playing BG3 right after its release is like. Usually with RPGs I obsessively look up the dialogue for every interaction to make sure I choose the Right Thing but since this game just came out those kinds of guides just... don't exist yet. Like sure I can look up general walkthroughs for different quests, but there's not any articles detailing the approval/disapproval rating for every character on each individual dialogue option like there is for, say Dragon Age, so I'm having to actually fuck around and find out for once

[neverendingford]

Therapists have two genders:

Professional Asshole and

Well-meaning Incompetent

[swinging-stars-from-satellites]

I have got to go for a long drive or take a flight out of here someday soon

[discoreptile]

Wee ha

[terraos]

Three days of hard work! My sims are living luxury lives (they're all so mad all of the time)

[anothermonikan]

Man high school was fucked up. You ever think about that. Thank fucking god I'm not in high school anymore