#I want to actually make the music to make visualizing the event more clearly at some point
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There are screws loose in my head and they rattle around in my skull like rice in a maraca
#world tour but noco are the only ones kissing#wtbnatook : other#author notes#that title is misleading for reasons you’ll find out later#but GOD#making music is not my strong suit but I’m busting my butt on this anyway#I want to actually make the music to make visualizing the event more clearly at some point#there’s this and boyfriend kisser and this is how we will end it and Greece mix#AAAGGGHHHHHHRRRAAAAA
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oh my god so a while ago i submitted the amadeus demo to a certain not-to-be-named indie event, not really expecting it would be accepted but figuring it's worth a shot and either way i get feedback. right.
now i have had... mixed... experiences with the particular group putting on this event. i think they do some genuinely awesome work and provide an invaluable service, but the overall community still feels wholly unprepared for anything even remotely artsy or weird. like even though it's an indie scene it feels very normie core. i don't even consider amadeus that artsy or weird, but i am occasionally reminded that i may have a skewed frame of reference compared to a lot of folks.
(a few months ago i attended a narrative feedback thing with them that was such a dumpster fire it pissed me off so bad i went and wrote 43790248932 paragraphs about it on here. like just genuinely some "have you, like, ever read a book?" tiers of utterly baffling "criticism." one of them pointed out to me that i may not have considered this, but Amadeus comes off as slightly rude. ....NO FUCKING SHIT.)
anyway. i submitted the demo because i figured the feedback would be useful, i can use any positive quotes in future trailers, etc. i have as of today learned that the game didn't get in and also received the promised feedback.
first of all i think it says a lot that from seeing in the email "we regret to inform you," my response was oh thank fuck. I don't really want to deal with tabling at an event cuz I have other shit going on and would rather focus on finishing the game since I've just made a lot of decisions I'm excited about; they also didn't get these responses back far enough in advance to actually prepare tabling materials if I HAD been accepted so it would have been more stress than anything else. I've also been salty at things like the above narrative feedback debacle so I was absolutely just like "this is completely fine with me."
But I made the mistake of reading the feedback provided and now I am going insane again.
TO BE FAIR! SOME OF THE FEEDBACK IS GENUINELY THOUGHTFUL, I may take or leave a lot of it, some of it raises good points I've already addressed, some of it clearly understands what I'm going for etc. I appreciate all of that.
But man some of this is pissing me offfffffffffff.
Some quotes that are making me particularly want to kill someone:
"When first meeting the witch the dialog is just incredibly long and boring and I ended up skipping through most of it. Given how linear this story seems to be, I think it would be better suited as a webcomic or a motion comic, not a visual novel."
DO YOU KNOW WHAT THE WORD NOVEL MEANS. JESUS CHRIST.
I am extrapolating a hint of potentially meaningful feedback from this which I'm already addressing (the personality of the Witch in that conversation should come through more than it does) - but this person gave that "feedback" in the douchiest most insufferable way possible. Luckily for them, I've since made that conversation even longer. Fuck off.
"Some of the music is very harsh and dissonant while being very repetitive, which made me less enthusiastic about listening to it."
This was the same person which just tells me they have no taste. Like hmm I wonder if there was an intentional reason I am using dissonance in the soundtrack about someone going through something insanely fucked up. The repetition is an understandable critique even if I'll be ignoring it, but "some of the music is harsh and dissonant" is not a valid critique. Soundtracks aren't supposed to just sound like nice flowery music all the time, or at least not good ones. I'll be making the full soundtrack more dissonant just for you.
"Is there a reason for the Amadeus's bracers to be colored in but not the rest?"
[different person] THIS . THIS. F. ARE YOU FUCKING SERIOUS
NO. THERE'S NO REASON. I TRIPPED AND FELL AND ACCIDENTALLY ONLY SOMEHOW ENDED UP COLORING HIS ARMS IN EVERY SINGLE ASSET THAT DEPICTS HIM BY ACCIDENT SOMEHOW! THANK YOU FOR CATCHING THIS OVERSIGHT! SILLY ME!!!! IM TEARING MY HAIR OUT
"Not all of the music is equally fitting. There's at least one track that gets a bit techno."
yeah and im adding another track inspired by Bad Taste Aquarium from Sonic Adventure and another one that's basically GoldenSlaughterer 2. girl help I'm being "critiqued" by lame people with absolutely no taste
im so glad i read this after i finished moving my to-do lists to a new project management platform and getting really excited/motivated about where i'm at with the game because if i had seen this 2 days ago it would have just fucking killed my motivation. man. it's literally so hard being the only person with #vision
#im not saying my game is the greatest game of all time even though it is#but holy fuck some of you hav eno idea what youre talking about and it is making me want to kill people#personal#on the other hand i know that my game cannot find its audience of 'people who like weird janky VNs that do crazy shit' until all 5 eps exis#because there's so much that can't be appreciated until it's totally done#so im trying to be patient until then#anyway sometimes i just am forced to behold the takes of people who are annoying and boring. it sucks
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Who fumbled the trope better: The Rise of Skywalker or Picard Season 3? (long post by a hater)
1. Everyone's Related
- TRoS: retcons the story to make the protag someone's kid; it's a big reveal with little time to process; odd things are apparently genetic (like shooting lightning and being evil and goth); she rejects her heritage and chooses a different family, who are all dead; the emotional peak is a father ('s ghost) redeeming his wayward son; nepo kids get together, sorta; a claustrophobic sense of being trapped in the past and made intentionally inferior to the famous
- PIC S3: protag has had a secret kid this whole time; it's a big reveal with little time to process; odd things are apparently genetic (like bravery and accent); inconsistent with other legacy character's parental experiences (Geordi's daughters are second-tier characters who parallel Jack's rejection-acceptance-nepotism arc; Riker and Troi's kids are briefly but emotionally discussed; one emotional line about Wesley; one unemotional line about Lal; utter absence of Alexander); the emotional peak is a father redeeming his wayward son; as Picard's unqualified son and Geordi's qualified daughter get jobs on the bridge of Starfleet's flagship, Picard says, "Names mean almost nothing," and his son responds, "Names mean almost everything;" nepo kids get together, sorta; a mind-numbing sense of conservative family values and reassuring some very insecure people
2. Lesbian Queerbaiting
- TRoS: in the final celebration homage to RotJ, two minor characters kiss in the background; this spawned the "live slug reaction" meme that has now manifested as a homophobic inside joke in Jedi: Survivor
- PIC S3: Seven and Raffi got together in S2 and became Trek's first lesbian couple between two major characters (DISCO already gave us Trek's first major gay couple), but they broke up before the events of S3; they are coworkers in the end of S3, but are not back together because of...
3. Fear of Shippers
- TRoS: Finn is clearly into Rey, but it's unclear if she likes him back; Rey and Kylo kiss sans romantic music, but then he dies and she does not see his ghost; two more women are introduced to pair with Finn and Poe, but none of them get together either; it's unconfirmed, but the vibe is that they didn't want to commit to anything to try to please everyone
- PIC S3: the vibe is the same and it is confirmed:
(by "that scene," he means Picard returning to Laris)
Both franchises also had a focus on an interracial relationship (Finnrey and Saffi), then have the Black person hang out mostly with another Black character (Jannah and Worf) while the white person hangs out with mostly white characters.
4. Bad Boy Braincontrol
- TRoS: somehow Palpatine returned, and he's been in Kylo's mind this whole time; that's why he's evil, not anything of his own free will, just the old story impressing itself upon him (he still has to die though); you know this villain, just defeat him with the power of love like you did last time
- PIC S3: somehow the Borg Queen returned, and she's been in Jack's mind this whole time; that's why he has intrusive thoughts, not because that's a thing that happens to people, just the old story impressing itself upon him; you know this villain, just defeat her with the power of love like you did last time
The visual similarities of Zombie Palpatine and Zombie Borg Queen are remarkable -- physically trapped in dusty corners by creepy machines -- and would be even more interesting if I could actually see them in these dark rooms. This design, which suggests an elderly person immobile in a hospital, actually makes me feel a lot of pity and affection for them. It certainly would have felt far more heroic to help these poor creatures than to rather easily defeat them.
5. We Love Objects
- TRoS: Kylo's private room is literally a museum with curated displays of old props; fetch quest video game-y plot; lots of attention paid to whose lightsaber does what and goes where
- PIC S3: let's break into the museum of old props; kitschy oil paintings of the Enterprise and Picard on the walls; the most unearned and half-hearted "long shots of beloved ship leaving space dock" sequence in a franchise full of such sequences
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PART I of my super long aotd thoughts (and prayers) commentary/analysis extravanganza🤪
warning: spoilers. repetition of words/expressions hehe. badly written (english is not my first language lol). looong text. biased opinions because this is my blog and i get to do with it as i please.
Press conference and failed plan: i love how there’s practically no time jump in the beginning, i find it both dynamic and realistic. as the world’s most famous band/people, they’re always right at the center of attention, even more after such major events like the ones in dsr, so the press conference is great: is sudden and painful to watch, it’s awkward as the boys try to answer the clearly triggering questions in their usual laid-back, disinterested manner, and barely succeed in doing so. also, this scene establishes three elements that i’m so grateful for: 1. Toki is safe with them again but still visibly fucked up, 2. the boys Don’t Remember what happened after they found Toki (the dethlights and stuff), 3. Nathan is the exception, he remembers but doesn’t quite understand wtf happened, and it haunts him. i love how Magnus is talked about in this movie and this scene, the public and the press don’t have much information about him and the band (i guess?) so calling it a tragedy is practically the easiest way to label it, but the reality is waaay deeper, and the fact that this comes back later on? i love it. i also like that the band’s plan announcement shows exactly what i wanted personally: how much Charles' guidance is missing. the boys are erratic and messy, and considering their actual behavior throughout the show it’s actually very rational for stars like them to want to jump right into action. bc it’s their job, their passion, and there’s pressure on them to do something: either talk about what happened, acknowledge their trauma and heal, or get to work and give people music so they can shut up and stop asking questions the boys are not prepared to answer. the tour fails before it begins and it’s great. the fact that Nathan only gets exhausted right after announcing they were back and ready to kick ass adds so much weight and drama, i love it. here we get a beautiful, stunning, amazing sequence with great voiceover and visuals. 10/10 i love the black/white/red sequence with Nathan’s silhouette falling and falling and a bunch of menacing shadows haunting him while the deththeme plays on the background. Masterpiece me thinks.
Crozier: the voiceover is AMAZING (i always loved his voice tbh). Crozier was kind of an annoying character to me throughout the series. he’s the typical american military authority and i’m not a fan, but i have to say i was very excited to see him get more depth in just one scene! i couldn’t help but feel for the guy as he failed to deliver what could’ve been his last words. it feels desolating to see him once again be left in the hands of these mysterious and shady people who are constantly preying on him. this sequence also gives much insight to the Tribunal, which is great to make the audience feel more on edge with their plan and see Salacia as a threat. the song of salvation is mentioned, the metalocalypse, Charles and the Army of the Doomstar. it’s great exposition without taking too much screen time. big fan of scenes like that.
The Church: what can i say, i love the (found) family dynamic. it’s always been there on the show, but this movie really took it to a whole new level and i’m living for it. Ishnifus’ funeral is a great detail. my man did nothing wrong in his short appearance on the finale of the show+dsr, and as a high priest, it feels only right to remember him and pay respects even if it’s for such a short scene. moving on, Toki with headphones is so important to me. he seems a bit recovered but it’s obvious something changed in the band’s behavior toward him. it seems it’s already normal for them to look out for the youngest and tend to him without as many reservations as they once would’ve shown, at least Pickles looks very used to it, even if it’s also clearly a lot of responsibility and he most likely has to deal with by himself (Murderface doesn’t really help and Skwisgaar is very cold and kept to himself. even if he complies with Pickles’ orders, he seems painfully closed off, and Nathan might actually be of help when present, considering Toki wanting to go to the bathroom with him and hinting that this is something they do now. but Nathan is not very present so yup, that’s that). moving on, Charles is…different. he was always calculated and cold but i kinda feel bad for Pickles (and Nathan later on) when they talk to him. Charles uses very mystical(?) language now and talks to the boys in a mysterious and ominous tone, it feels very impersonal, but it’s so good story-wise that i just can’t complain. Pickles’ reaction to Charles telling him that his role in saving the world is just: to be a friend to Nathan is AMAZING. Pickles is clearly nervous and expectant (it’s the end of the world, after all) but then he just asks “that’s all?” and it’s literally the BEST thing he could’ve said. he already IS a friend to Nathan, he has been so for years, even when things had already gotten ugly, so what more should he do? is it not enough? would he even be able to be such a good friend to Nathan if the frontman is being so closed off? the honesty in Pickles’ doubt is great and i love him so so much. moving on, that Edgar exchange with a very dozed-up Nathan almost made me cry. Edgar’s face when Nathan brushes him off is ugh, my heart hurt so so bad for him :( i’m sooo happy this wasn’t his last appearance and final interaction with Nathan. moving on, Nathan and Charles speak and it’s pure exposition, but i like it bc, again, is made clear and dynamic. i reiterate my point about Charles being too ominous-y (?) in his way of talking, making an already exhausted Nathan even more tired and overwhelmed. it feels even a bit out of touch and cruel of Charles to do this but, again, it fits just perfectly in the narrative so i like it.
The fucking PROPOSAL!!!: oh god, ok. i love Abigail, believe me. i remember being so desperate to see a female character appear on the show for more than 1 episode and not be killed off immediately that i screamed when Abigail came around. seeing her again in this movie, alive and well and receiving help really augmented my lifespan. that said, i am happy this is The Abigail Scene of the movie. she’s shown strong, confident, and most importantly, wise. she couldn’t say yes to Nathan, that’d be absurd, but she declined very elegantly. and though Nathan was already going through a lot, she was clear, direct and honest, while expressing respect towards him as a man and towards his feelings for her (though confused and not very well-founded, were honest). she wasn’t cruel but she also didn’t sugarcoat the stuff that Nathan Needed to hear. especially considering how he was acting, how uncharacteristic and weird he was behaving. and no, i won’t say “oh Nathan Explosion would NEVER get on his knees and beg” bc we all know that’s not true lol, but it was very erratic behavior, desperate and needy for all the wrong reasons, and please let’s again remember how much xanax/red wine/coffee this man had on his system !!! and oh, don’t even get me started on how important it was for Abigail to clear up how her kissing Nathan at the end of dsr was an act of shock and thrill of what they just went through. they barely knew each other but Nathan still went and saved her, and while Nathan was just out of all the fucked up shit that happened in dsr‘s last act, she kissed him. they almost dies, and in such extreme conditions they did what they did and that’s ok. but to think there would be more after that was, well, kind of an illusion. and that’s sad but true. in summary, Abigail is a queen and i love her with my whole heart and lungs. if you ask me, i’d love to have seen her more and i actually think her and Nathan could’ve worked out if things were different, or maybe they could be great friends. but for the short scene she got, i think she was great. Nathan breaking up with the fans right after is such a good scene too. he’s lashing out and it makes perfect sense for him to do so. and tbh i will go and say it: he wasn’t wrong in what he said. yes the fans are always there to support the band (i’ll talk more about this in the ending) but they also are constantly setting expectations. the fact that they’ll go and celebrate 99.5% of whatever the band does, the constant fear of losing them is still there, and for Nathan it’s infuriating bc it might get difficult for him to believe that these people will love everything he does, especially bc he, in this moment of his life, doesn’t feel loved.
last part of the church scene: Rockzo. i’m glad his scene was short, i dislike him and don’t enjoy him at all, but i will admit that after witnessing such a painful heartbreak/horrendous proposal, hearing Rockzo start singing Amazing Grace made me laugh very hard. great comedic timing, i liked it.
Dethklok tries to cheer up Nathan: i talked about this before, when they released the teaser clip and all. when i saw that with no context i did feel like Pickles was acting especially concerned toward Nathan here, and he even sounded a bit needy. now that i know it’s because of what Charles told him, it makes so much sense. he feels almost obliged to support and even comfort Nathan in ways that he hadn’t done before, but of course it is! the world is at stake! he is trying his best and he even goes against what he thinks, shown by how he actually doesn't appreciate Nathan treating them like crap and calling them “fuckbags” and “jackshit”. i love how those little details build up tension between them.
#long text sorry!#clade's aotd thoughts and prayers#clade talks#army of the doomstar#metalocalypse#aotd spoilers#army of the doomstar spoilers
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weird question but do you know any place i can find a summary of chapter 5? or if you have one? i dont like vil so i cant really make myself sit and read the whole chapter but i wanna move forward and read chapter 6 but ALSO feel like i should know the important plot points so im not like "wtf is going on"
I mean 🥲 I don’t like Vil either, but I’d still highly encourage you to read episode 5! Getting a summary isn’t really the same as experiencing the story for yourself; the visuals, songs, and voice acting really helps to sell the emotions and the stakes. Who knows, maybe you’ll leave episode 5 with a little more appreciation for Vil (or the other characters; they all have various cute or heroic moments)? He’ll come back to play a major role in episode 6 anyway, and his character moments won’t hit as hard if you didn’t read 5. For example, there’s a particular line of Rook’s in 5 that Vil repeats in 6 which really hammers home his character development since 5.
… Although I won’t lie, episode 5 has veeery slow pacing because it’s basically one long, dragged out training arc 😂 so I’ll summarize what happens anyway; just know that I’d still recommend actually playing through the story yourself, especially if any of these plot points seem too cool or too interesting to not witness yourself. I’ll be glossing over things that aren’t relevant to the main conflict, so 💦 please keep that in mind!
Sooo Yuu starts off Book 5: A Beautiful Tyrant by finally starting to put the pieces together; they visit the Great Seven statues and confirm their own suspicions that the figures in their dreams are the same as the people depicted in the G7 statues (though their actions are framed as more “evil” in the dreams).
Yuu tells Adeuce and Grim about Mickey! They suggest that Yuu takes a picture of Mickey with the Ghost Camera so they can use it to investigate who or what he is.
There’s a dorm leader meeting to give exposition about an upcoming event. NRC will be having a two-day cultural festival in about two months! They will put on a bunch of activities, as well as showcase their clubs and give presentations on the art and research their students have produced.
One of the biggest events is the Vocal and Dance Championship (VDC). In EN, this has been changed to Song and Dance Championship (SDC), so I will refer to it by the English name to avoid confusion. It’s basically the music industry equivalent to what the Magical Shift/Spelldrive tournament was in episode 2; it’s a golden opportunity to launch many people’s singing careers in the entertainment industry. (A lot of talent agencies will apparently clamor to sign you on for a professional debut if you’re a SDC finalist!) The favorites to win this year are Vil and Neige Leblanche (twisted from Snow White).
I won’t mention every single time this happens, but throughout the chapter Vil has these segments where he asks his phone assistant Mira (TWST Alexa or Siri, basically) who the fairest of them all is. Mira always replies with “Neige Leblanche”, which seems to greatly frustrate Vil.
Anyway, Adeuce and Grim are interested in entering SDC because if the team representing their school makes it to the finals, they’ll get a cash prize of 50,000 thaumarks (5 million madol in JP).
Ace and Grim are pumped about trying out for NRC’s team, but Deuce is hesitant and bails.
The group eats lunch and then chills in the courtyard; it’s here that they hear singing and follow the song. It was Epel who was singing down a well (a Snow White reference), because he thought the well would help project his voice more clearly.
Deuce recognizes Epel as the crying boy he ran into at the end of episode 4! Epel says he recognizes Yuu and co. from the Magical Shift/Spelldrive tournament; he also heard about them from his classmate Jack.
Epel tells them about how his dorm leader Vil wants him to practice singing and that he’ll be a part of the SDC auditions. However, it seems that Epel isn’t eager to do this (which Deuce notices).
Vil comes to check on Epel and catches him talking to Yuu and co,; he is disappointed in Epel for “slacking off” and tries to drag him off. When Epel resists, Vil reminds him of a promise they made, which makes Epel fall into line.
Ace, ever the nosy one, picks a fight with Vil (because he doesn’t think he should be bossing Epel around). Epel begs everyone to not do it, but they fight anyway and Vil is, of course, victorious.
This reinvigorates Deuce’s motivation to be in SDC; he wants to help Epel, who seemed to be so hesitant about taking part.
Adeuce and Grim practice dancing on the basketball court. Here they run into Kalim and Jamil, who are also planning on auditioning since they already enjoy singing and dancing. The Scarabia boys give some pointers on dancing to Adeuce and Grim.
Azul shows up; he needed to find Jamil (they’re classmates) because Professor Trein needed his help with handing papers out. The boys banter a bit and Azul reveals that he was bluffing in episode 4 about live streaming Jamil’s breakdown and OB to the world. Only the Scarabia dorm members are aware of the incident.
Tying up loose ends from the ending of 4!! Kalim was able to convince everyone to let Jamil stay on as vice and to give him a second chance. Jamil claims that he is behaving for now to atone what he did, though he also says he will work hard to prove his worth.
The Scarabia boys tell Adeuce to sign up for SDC auditions via a “Rook Hunt”, who is in class 3-A. They go and do this and uh (well, Leona cameo but that’s not important) 🤡 well, Rook does what he does best and spooks them.
Cut to the VDC auditions! We see other competitors, one of which is Lilia (who delivered a holiday card from “M.D.” to Yuu) and Cater! They share some tea about the mysterious Shroud brothers, who enrolled at the same time and seem to do everything together.
Cater wants to show Grim a video, but he’s forced to sit through an ad first. It’s an advertisement for an apple soda featuring Neige (who, if you’ll recall, is one of the favorites to win SDC).
We get to hear various characters (Cater, Ruggie, Kalim, Jamil, Epel, Ortho, and Lilia) sing part of TWST’s opening song, Piece of My World!
Auditions wrap up and at first Vil wants to pick only the best performers, a she believes this will give him the greatest chance of beating Neige. However, Rook stops him and suggests that he instead pick people who are rough around the edges so Vil can polish them to perfection. Rook points out that he sees a lot of potential in Adeuce in particular.
Rook shoots an arrow at Adeuce with a letter attached to it letting them know they passed auditions, so they should report to Pomefiore dorm. Yuu is also told to come along.
The gang pulls up to Pomefiore and meet Kalim and Jamil there. Turns out the Scarabia duo have also passed!
A bunch of Pomefiore students start attacking them, but they manage to battle their way to Pomefiore’s ballroom where Vil is waiting. This was all a test he arranged so they could prove their worth to him.
So the SDC team is: Vil, Rook, Epel, Jamil, Kalim, Ace, and Deuce.
There’s only a month left until SDC. Crowley wants Yuu to let the NRC team hold their training camp at Ramshackle, since he is convinced that living together will help them build teamwork. He originally thought of holding the camp at Pomefiore, but he didn’t want some students to feel out of their element. They get bribed with a cut of the prize money and the promise of Ramshackle renovations 😂 so Yuu’s like “Okay, sure. C’mon in.”
Everyone moves in, and Vil starts imposing new rules on the SDC team members. For example, he takes away their snacks (including an apple pie and chocolate cake that Trey sent with Adeuce) and says he has designed low calorie yet nutritional meals for them. (I want to be clear here: some people misinterpret this part as “Vil is starving them like Mama Rosehearts starved Riddle!” which is NOT true. Rook says that this is not a diet in that sense, but to help them be in shape. Vil wants them to eat healthily so they can perform at their best.)
Vil gets a phone call from his manager who says he has been offered a role in a biiig movie production… as the villain. The hero for this movie will be played by Neige. Upon learning this, Vil becomes irritated and insists his manager reject the offer. He doesn’t care how much money he could earn from this, he says that all he wants to do is “stand the stage until the very end”. Vil then tells his manager to not contact him again until SDC is over.
It is revealed that the voting for SDC is done via audience poll, not by professional judges. This is an important detail to keep in mind for later.
Vil shows the group an original song (Absolutely Beautiful). In EN, he says he commissioned it but in JP he is more vague with his wording, which has led some fans to conclude that Vil personally worked on producing this song. (Uhhh, they also sing Piece of My World at some point.)
He tries to show them a video to help everyone get a feel for the dance choreography, and another ad featuring Neige plays. The boys talk about how Neige is such a popular celeb these days, and how he’s a student of Royal Sword Academy so that makes him their rival. Vil says something cryptic about how he’ll finally defeat Neige this time.
Vil picks himself, Epel, and Jamil as the main vocalists. Jamil is surprised and starts to say that Kalim should be picked instead of him, but Jamil stops himself and accepts the role.
Epel says he isn’t sure about being picked, but Vil again brings up their promise which makes him comply.
They keep practicing and Epel pisses Vil off when he says the dance is too girly. Vil chews Epel out for having outdated views on gender and then places him on a solo ballet regimen. Deuce asks to join Epel for his ballet lessons!
A ghost delivers 10 crates of apple juice to Epel. This is unsold stock from his family’s business, which is struggling at the moment. They all chill and sip on the apple juice!
Vil interrupts to lecture them on skincare. Ace asks isn’t there magic to make them instantly beautiful? This seems to annoy Vil, who says that he’s not interested in “beauty that only lasts until the strike of midnight”.
Yuu wakes up in the middle of the night to find Kalim singing outside Ramshackle. He confesses that he’s frustrated about not being chosen as a main vocalist. Kalim’s so used to having everything handed to him that the experience of being overlooked surprised him. He says that he wants to try hard so that he will genuinely be picked for something because he’s actually the best choice for it.
It’s revealed that Jamil was listening in on Kalim!
Adeuce sneak bites of Trey’s apple pie and chocolate cake. Vil catches them in the act 🤡 Adeuce suddenly fall over and can’t move!! Vil tells them he put a curse on the baked goods using his unique magic/signature spell. Fairest One of All allows Vil to lay a curse for anything he touches. The conditions he sets must be fulfilled, for even the original caster cannot lift it. (Vil cursed the pie and cake so that if anyone eats it, they cannot move until morning comes.)
Yuu sees Mickey in the mirror again but fails to take a picture of him. They begin to wonder how their original world and Mickey’s may be connected.
This isn’t relevant in the story of 5, but it may be important overall lore-wise. Apparently it is possible to transfer into NRC; Kalim originally did not go to NRC but the dark carriage came for him one month after Jamil enrolled.
Epel becomes frustrated with practice and wants to quit the team. He fights with Vil and loses, prompting Epel to run off.
Deuce suggests maybe Vil be nicer, but Vil snaps that Deuce has no room to be worrying about others or taking back when he’s falling behind the rest of the team. Vil compares Deuce to Ace, saying that the difference between them is too obvious. Ace tells Deuce to focus on himself more, and Deuce gets mad because someone naturally gifted like Ace wouldn’t understand him.
The team is really fractured at this point, so Jamil suggests taking a break. During this break, Rook advises Vil that he show Epel “the power of beauty”, to which Vil agrees.
Rook and Kalim give Deuce a pep talk! It leads Deuce to nabbing a magical wheel (blastcycle?) from Ignihyde and driving himself and Epel to a local beach. (They also see RSA on the way!)
The two shout their frustrations at the sea, and Epel’s dialect comes out full force which shocks Deuce. Epel then explains how he doesn’t want people to underestimate him because of his looks. On his first day (before he was sorted into a dorm), Vil tells him to button up his shirt and comments on his cute face, which causes Epel to instigate a fight.
Vil wins and tells Epel that “the weak obey the strong”, so until Epel is able to beat him, he has to listen to everything Vil says. This explains why Epel usually hides his dialect; Vil says that he doesn’t have a problem with Epel’s love for his hometown, but that there is a time and place for the dialect and his rude attitude. In this case, he must address his superiors properly.
The two first years have a heart-to-heart! Epel talks about wanting to become stronger, and Deuce talks about how how his own strength is how amazingly stupid and stubborn he is.
Epel gets a phone call from his mom!! Their business was suddenly flooded with orders from all over the world, and she says a customer told her it was because of “Vil”, whom Mrs. Felmier recognized as Epel’s dorm leader. She asks him to thank Vil for her.
Vil made a Magicam post featuring the Felmier family apple juice! All of his fans want to try the same juice, so they’re buying it en masse. This is the “power of beauty” Vil wanted to show him, that being beautiful and being strong can be powerful in their own rights, and that until Epel understands that, he can never defeat Vil.
They’re interrupted by some random NPCs that want to ride on Deuce’s (borrowed) ride. The NPCs get aggressive, but Epel is able to catch them off-guard with his cutesy looks. This lets Epel get some hits in!
The NPCs are beating them 😔 but suddenly…?! Deuce’s magical power overflows…!!
We cut to a later point that day when Epel and Deuce return, apologize to Vil, and rejoin the SDC group. Deuce confronts Ace and swears to him that he doesn’t plan on losing to him!
Crowley gives everyone in the team tickets for them to invite people to see the show. Yuu gives their ticket to Malleus.
The cultural festival has arrived at last! Yuu spends some time looking around at the attractions with Grim. We get a bunch of cameos from other characters.
While looking through some of the exhibitions, they see some NRC mob students bullying some short RSA students. The NRC boys intervene, and then Chenya comes to pick up the short kids (which are twisted versions of the Seven Dwarves).
Yuu and co. go to the SDC location (the Purple Stage) for rehearsals. Surprise?! Neige appears!! Vil is curt but professional with him.
NRC does their practice run and, for a brief moment, Vil is considered “most beautiful” (he checks with Mira). Buuut then Neige and the dwarves do their practice run (EN removed the song Minna de Yahoo), and Neige is on top again 😭 (Their performance isn’t even that well-executed, they’re very clumsy and everything. The song also isn’t very unique; it’s an arrangement of a popular children’s song from the Shaftlands. However, it still makes the filming staff feel nostalgic and they gush about how cute Neige is and how pure he makes them feel.)
Vil gets a scary look on his face and leaves; Rook, Kalim, and Jamil notice the look he made 👁️ 👄 👁️ Errr, Vil shatters his phone (“mirror”) in a fit of rage.
Yuu follows Vil backstage because they have a bad feeling. They see Vil offering apple juice from Epel’s family to Neige.
Neige is about to drink it until Rook intervenes and tells him (his “Snow White”) to hurry away because the staff need him. Rook takes the juice for himself and tries to drink it, but then Kalim cuts in and knocks the glass out of his hand.
It starts bubbling on the ground 💀 Vil cursed the apple juice! Kalim says he recognized the face Vil was making; it’s just like Jamil before he went mad over winter break.
Rook says he wanted to drink the juice even knowing it would harm him because he wants to believe that Vil wouldn’t tarnish his beauty and hard work by stooping so low.
The spilled juice vaporizes into a toxic mist, and Vil begins to Overblot 😔 He is different than the previous Overblots in that he is somewhat self-aware of what is happening to him (he shouts at everyone to not look at him, at his “ugliness”; the ugliness here is not literal, Vil is most likely referring to his “ugly” actions (ie the attempt to poison Neige, perhaps even kill him).
Jamil comes on the magic carpet to whisk everyone somewhere safe! He lets them know he used Snake Whisper to get Neige to put on a performance. This performance lured people away to watch him (plus, the first years went around getting rid of loiterers), so the SDC stadium is empty except for OB Vil, Grim, Yuu, and the NRC SDC group.
Deuce saves the day by directing the damage he has taken so far back at Vil…! This is the unique magic/signature spell he unlocked on the beach, Bet the Limit (Double Down in EN).
In the post-OB flashback sequence, we learn that Vil’s dad was a famous actor as well! It seems that Vil has consistently been casted as the villain ever since he started his own acting career. He resents this, because according to him, “a villain never stands on the stage until the very end, they can only watch the happy ending from the sidelines”.
Vil was also bullied in the past, although it is a different kind of bullying than Azul suffered. Other kids assumed he was as cold and cruel as the villains he portrayed in films, dramas, and musicals. (We see young Jack defending Vil!) He worked very hard in hopes of landing a hero role—but he was still never chosen.
Vil wakes up and finds himself upon a ruined Purple Stage. SDC can’t happen like this…
Malleus shows up with his ticket and uses his magic to repair the stage—he came to see their performance, after all. (It is also here when Yuu finally learns who “Tsunotaro/Hornton” truly is.)
SDC happens!! More cameos from characters in the audience as they vote.
RSA wins by one vote. That deciding vote was… Rook! Now, he gets a lot of hate for this move, but 🥲 he explains that he couldn’t lie to himself; he was genuinely moved more by Neige than his own group’s performance. Additionally, he says that even if they technically didn’t win a competition or get the most votes, so long as Vil has the strength to believe in himself… then no matter how old or disheveled Vil is, he will always be fairest of them all.
Vil collapses and cries…
Neige comes over and??? Turns out that Rook is a HUGE Neige fan 😂 (When first moving into Ramshackle, Vil remarks on a thick book Rook brought with him. They never looked at what was inside, but it was a bunch of Neige bromides.) Neige says he recognized Rook as his fan (“R”) because Rook called him “Snow White”.
Aaand Neige says everyone should sing together :)) (Again, this was removed from EN.) Vil suffers a lot :)))
Crowley is mulling over another loss to RSA and encounters its headmaster, Ambrose the 63rd (twisted from… Merlin???). Ambrose remarks that he senses strong magic in the area (probably residual from either Malleus or OB Vil) and that he’ll have to keep an eye on Crowley’s students.
Yuu finally grabs a picture of Mickey, but then notices Grim is missing so they leave to find him.
They see Grim on the Purple Stage eating Vil’s OB stone. When Grim notices Yuu there, he attacks them.
We finish off on a preview to Ignihyde. Idia gave a presentation at the cultural festival that made a lot of people interested in having him as an intern. Ortho offers to read the email opportunities to him, but in a resigned tone, Idia says to delete them all because he thinks he “doesn’t belong anywhere” so it’s not worth trying to.
#twst#twisted wonderland#Vil Schoenheit#Jamil Viper#Idia Shroud#Ortho Shroud#Kalim Al-Asim#Epel Felmier#Rook Hunt#Grim#Yuu#Dire Crowley#Pomefiore#Malleus Draconia#Scarabia#Ignihyde#disney twisted wonderland#notes from the writing raven#question#Ace Trappola#Deuce Spade#Mickey Mouse#Jack Howl#Neige Leblanche#Seven Dwarves#Chenya#Che’nya#Cater Diamond#Lilia Vanrouge#Ambrose the 63rd
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4, 5, and 21 for the vidder asks!
Gonna allow myself to ramble and answer with two vids thanks to this double jeopardy lol
Vid you're the proudest of?
I consider Spring Awakening to be my most polished/some of my best editing yet. Not only did I really start to nail some techniques like light leaks and color correction, but I think it has a good balance of tight sync and thought-out structure.
Beyond just a romance vid, I wanted to make sure it was clearly a vid about a queer awakening, which did involve me having to bend Bloom Into You a bit (not bc it isn't that, but everyone's self discovery journey is a bit more complicated than a 3 minute vid can visually capture) but it was so satisfying when others picked up the whole flowers/nature vs. train/mechanical symbolism I had going on. I worked really hard to build up to Yuu and Touko getting "together" with verse 1 showing Yuu mostly alone and pining, verse 2 about being close but still no touch yet, until we get Yuu actually reaching out in the bridge, before the final chorus is like a victory lap of them being happy on a date and self-actualized
Then this has new vid freshness to it and new breakthroughs in mediums, but I am also pretty proud of To Have Without Holding, 2023 I really got interested in mmvs and I never expected to be able to put out a 3 minute one within a year's time. If you have been paying attention to this blog at all, you know I am obsessed with the series Aono-kun, so it was really great to edit out those feelings and convince a few more folks to give the series a read
Hardest vid to edit?
Due to the difference in medium, it is pretty clearly To Have Without Holding probably makes sense as a clear contender. But aside from mmvs just being slower bc of the composition work and masking that has to go into it, I would also say The Storyteller's Burden is up there as well
Rakugo Shinjuu is not the most visually interesting show to look at, and the song both has a lot of intense musical cues but each verse takes forever to say a complete idea, so I had to really stretch out every scrap of footage I could. The fact the song is so specific and I only watched 3/4th of s1 of the show added to the pain. Ultimately it is a vid that lives and dies by its storytelling, and there is still a lot I am unsatisfied about it, but I am glad I at least got it out the door and out of my head
How would you describe your vidding style?
A fellow editor describing their philosophy said that song is queen, and I totally picked that up as well. My first goal is to maximize as much sync as I can in any section, then I want to make sure the lyrics and overall themes of the song line up with the visuals as much as possible. For the length of the song I am dedicated to making sure these two sources feel literally made for each other, and I want to make sure it all flows together seamlessly enough the viewer never feels pulled to click away
Because of these goals, I would say I try to make the most of what the footage itself offers in internal sync and other little quirks I can use, but I am not against using more and more special effects, again I want their inclusion to feel like a natural choice, and overall for fans of a series, I do want the vid to itself feel like a heightened version of the show, maybe not literally looking like how the events happened, but feeling it
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Day 24: costume pairing/outfit combo
So what this prompt essentially means it their best (in your opinion) ‘look’ on the ice (or off if you want to go in that direction). Because they often would wear costumes that don’t necessarily “match” but do pair well together, then occasionally they’ve have had ones that are obviously a set- ie those black & white costumes with the paint brushed print for What’s Love (I think maybe only worn once).
My answer for this prompt is quite easy to answer:
I adore this set. I said in a discussion a while ago about The Seasons dresses that I loved these costumes because they reminded me of ones from my favourite ballet. Coincidentally the theme of the dance- costumes worn in this part of the ballet- is imperial Russian- so basically exactly the choreographic theme of this program- russian music, in Russia, T dressd as a Russian princess, S a prince. I don’t want to say they were wasted on the team event, but inevitably because they did wear them for that there are less- circulated photos, content, replays. Also because of what they wore for the individual- T had a new dress but Scott didn’t have a “new” costume for the event (he wore the navy at nationals) and of course the individual event mattered the most (their special, truly individual performance). Anyway.. I’ve never heard anything about why they wore what costumes for what event (I would love to know why as well in PYC- which I agreed 100% with what dress she wore when), but either way this above costume combo exists and it’s stunning and they are stunning and look like royalty.
A close runner up is actually from The Seasons as well:
While these doesn’t follow the idea of the previous answer- their two costumes clearly don’t “match” in the sense their are common motifs through each of them, but nonetheless I LOVE this pairing. The colours just work beautifully together. I adore this dress. I adore him in those trousers- they make his legs go on forever. The softness of the red in his shirt- it’s got a deeper, more pink undertone to it- a very romantic red paired with the texture of the trousers I think is what almost invisibly ties it together with her dress. It’s not as ‘Royal’ of a look as the Olympic costumes which is fine- dressing them differently can make the program read different ways. With this softer look you get more of an innocent feel to the dance where as for the Olympics it is like royalty dancing for you, and for the occasion I think framing the dance as that worked really well, same as later on with MR, the costumes can help in visually changing the tone of the dance.
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STAR! STAR I LOVE IT I LOVE IT! Gosh that fic was amazing body and soul whole once more tell me your thoughts of the game! Your ideas! I NEED ANGRY DAD HENRY WITH AN AXE CHASING AFTER WILSON FOR WHAT HE DID TO HIS INK DEMON SON PLEASE!!!
Joey you lost dad rights Audrey and bendy are Henry’s kids now
Friend! Thank you!! I’m glad you enjoyed it, I had an absolute blast writing it. Saw the art and was like, “WOW, I need to write something like that right now immediately.”
I think the game is awesome! They outdid themselves! I’m in the middle of a second watch-through with a more in-depth exploration of the game, and I’m really enjoying seeing it all again. I originally just breezed through a no-commentary video from someone who had clearly finished it before and did everything very quickly, because! I had no intention of falling back in the fandom! A friend asked if I was going to watch it and that she was going to, so I figured I’d just check it out for the sake of it!
(spoilers below, if you missed the spoiler tag)
But then Henry was in it?? HECK. But even beyond Henry’s inclusion, I really like Audrey, I love baby Bendy, and the visuals are incredible. I don’t even mind that it was the same “animator gets trapped in the studio, needs to survive and escape” premise because I felt that the differences built on the original rather than copied it.
My only complaints, therefore, are extremely minor. One, I don’t love that they made the Lost Ones hostile. They were my shivering, skeletal, mostly silent, tragic babies in the first game! The deep despair they exuded just really hit me hard, so I’m kinda meh that they have a mindless sort of violence now. That’s what the Searchers are for. That being said, I did like that some had personalities.
Two, the Ink Demon. “Bendy.” Whatever you want to call him. His wandering in the original was probably one of my favorite parts, so I wasn’t a huge fan of how he only seemed to appear for scripted events, and even then, you didn’t really even see him most of the time, just heard him growling. And c’mon… “The Ink Demon is coming. Hide.” Really? What happened to the player needing to pay attention, listening for the heartbeat and watching out for his inky wall shadows? And then hearing the heart-attack inducing music when he spotted you? I think it would have been cool if they just had that darkness and the warmth being drained out of the color, and preferably, that heartbeat. I did like his voice, though, it’s a good choice for him with the emphasized demonic appearance.
Still unsure about his new design, to be honest. I really liked his tall skeletal form and the way he sort of trudged around. I don’t hate it or anything, I just don’t know if I like it, lol.
Now on to my ideas!! Angry dad Henry is actually one of the other stories I’m working on! Along with one where everything is nice and nothing hurts and Joey just one day says to Henry “I want to make a child with the Ink Machine” and Henry has to take several very deep breaths before choking out “I’ll get right on that.” There’s another I haven’t started yet but the premise is that Allison actually remembers pre-Wilson stuff like Henry does and she breaks him out (inspired specifically by a shot in Rockit Music’s song “Revive My Soul”) so it’s her, Henry, and Tom running around the studio pre- and during Audrey.
I also want to do something with either Audrey asking Henry about Joey or Henry meeting Joey’s memory ghost thing. Maybe both.
But yes, Joey has lost all dad rights and Henry will be calling dibs! Sorry, them’s the rules!
#i answered a thing#flippythegodzilla#batdr spoilers#star's thoughts about stuff#star's feelin' the love#life and times of star
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Thoughts on across the spiderverse in whatever order my brain comes up w because I need to write it down while it's fresh in my mind:
Starting with things I was wrong about (based on minor spoilers I'd seen beforehand):
1. Thought spot was another spiderman. Was proved wrong instantly. All I knew was that he was a silly little guy and I LOVE that he's a silly little guy but also fucked up with it <3
2. Thought miguel was the main villain. Sort of right, will go into my thoughts on his character later because he's SUCH a good villain
3. Thought hobie would have more screen time, purely based on the amount of fanart and gushing abt him I'd seen. Disappointed he wasn't around as much as I thought he'd be but I still love him and understand the hype
MOVING ON, scenes I really enjoyed:
1. The opening scene (obviously). As a percussionist every time I see gwen on the drums I get so excited. The visuals along with the music made me have to restrain myself from bouncing my legs a lot because I didn't want to shake the chairs of the people next to me lmao
2. The scene where spot explains his connection to miles and actually becomes legitimately threatening/scary. No longer villain of the week!
3. Every scene with gwen and her father. The way the background steadily becomes more abstract the longer they talk is so good. The way it reflects their emotions and also makes them seem more defined in contrast.
4. Miguel's intro. When his theme kicked in I was like oh yeah. This guy is a villain for SURE
5. When they first entered the HQ and all the spidermen were making quippy one-liners. Made me smile real big. Also the sheer amount of individual spider designs they made was incredible.
6. The chase scene in the HQ had me leaning forward with my heart pounding. Just. Everything about it. The music was amazing (as usual)
7. The way they make you think gwen is listening in on miles' conversation with his mom was so clever, made the reveal that he was in the wrong dimension so much more impactful
8. WHEN THE PROWLER THEME KICKS IN. THE PANTIES HIT THE FLOOR
And now the main event - thoughts on miguel because he's incredibly well-written and I'm obsessed with him:
Finding out that spot was the "main" villain surprised me because of my impression of him before I saw the movie, but after watching it I still don't feel like he IS the main villain, because really, there's two. Spot is a villain because his actions drive the plot forward - he's the Bad Guy that the Good Guys need to stop. His reasons for hating miles are understandable (if misplaced. It's not like miles hurt him on purpose), but ultimately, the viewers aren't supposed to sympathize with his cause. His actions are clearly Wrong, and the heroes' attempts to stop him are clearly Right. While his actions upset miles and the rest of the spidermen (who wouldn't be upset by someone threatening to kill their loved ones?), they don't present any moral conflict, or provide character growth for the heroes.
That's where miguel comes in. He doesn't give a lot away from his first introduction - he's more stiff and serious than other spidermen, but the way he fights with gwen and jessica shows that he's used to working with a team, and is ultimately willing to let gwen join them. When he sees her argument with her father, he sees a like-minded individual - someone who's willing to do what they think is right, even when it's not easy.
When he meets miles, we've already seen glimpses of his life with his daughter - but it seems like typical Spiderman Tragic Backstory. The longer he talks with miles, the more he loosens up (his quip about how their official name for the spider-verse is also kind of dumb stuck out to me the most). He becomes more complex and relatable, easier to like when he's not acting like batman. It's easier to understand why so many spidermen across multiple universes follow him, and why gwen and peter listened to him and hid the truth from miles.
He truly and completely believes that what he's doing is the right thing, and that alone makes him feel more like the "main" villain than spot. When he tells miles that saving the captain was the wrong choice, because it means that that universe will start to fall apart, it's both shocking and understandable, to a degree. It's a classic use of the trolley problem: allowing one person to die when you can save them seems extreme, but when you let someone die in order to save an entire world, it's the right thing to do... right?
THIS is the main conflict within the story - not what the heroes should do to stop spot, although that's still important - but whether allowing someone to die is the right thing to do (and by extension, if it's what spiderman would do). Because miles is the main character, it's clear to the audience that miguel is wrong, but the other spidermen don't know they're in miles' story. And generally in media, the option to sacrifice one person to save many is shown as the correct option, or the heroic option. Believing that their loved ones HAD to die, and the idea that nothing they did would be able to stop their deaths from happening, makes it easier for all of them to cope. When miles stands up to miguel, it's clear why the rest of the spidermen would try and stop him.
Miguel's belief that certain people have to die in order to maintain balance, the reveal that miles wasn't supposed to be bitten, and the fact that he turned miles' friends against him is what drives miles' character development. Miles' actions in response drive the development of the rest of the cast - from main characters like gwen and peter, to the spiderwoman who allowed miles to escape. Suddenly, they're found questioning whether what they're doing is right.
But miguel unshakably believes in his cause, and is willing to do whatever it takes for the Greater Good. Which, to me, is the hallmark of a compelling villain. He's angry at himself for inadvertently destroying a universe. He grieves the loss of his daughter and his chance at a happy life. And he projects this onto everyone around him. To him, everyone is as likely to make the same mistakes as him, because they weren't calculated decisions. They were simply the actions of a man who just wanted to live a good life with the people he loved. And if he couldn't have that, why would the universe make an exception for someone else? Why would it be kind to miles, who wasn't supposed to be bitten, but was still able to exist in his universe without consequences? It isn't Fair.
The reveal that the other miles became prowler adds an extra layer to miguel and miles' dynamic: miguel took the place of the other spiderman because in his universe, his family was alive. From what we see of prowler miles at the end of the movie, he feels the same. His uncle may be alive, but his father is dead. (Cue the "we're not so different after all" speech.)
To summarize: miguel provides the bulk of the moral conflict to the story, is a relatable and compelling character, and this is why he feels like the "main" villain, despite all of spot's hard work to not be Villain of the Week.
Also, rip to noir and pig john mulaney for getting like two seconds of screen time
#BEFORE CLICKING READMORE: BE WARNED THAT THIS IS SUPER FUCKING LONG#i spent like 45 minutes writing all of this and its all very rambly#idk if i got all my thoughts on miguel as a character across properly. just imagine me with a bunch of sticky notes on a corkboard#connected by yarn. youll get the idea#anna says stuff
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Hiii let me chacha real smooth in your inbox for that "X or Y" game!
The Untamed or Word of Honor? Pat or Pran? To my star or To My Star 2? Pawin in Star in my Mind or in The Eclipse or in Never Let Me Go?
Gmmtv whiped boys edition: Palm or Tinn?
And would you rather eat Noey's over salted food OR Tan's 'dr bun wont eat that' instant(ly failed) noodles? -☆
<33 what a smooth sliding into my ask box 🥰 it's a tough road ahead from here on though, go make a cup of tea, i've prepared you a read
The Untamed or Word of Honour?
ohhh shit, okay. so.
cql was the most draining show - it's amazing and so enticing but i had never watched anything from the wuxia genre before so it was A Lot..i would not rewatch it tbh, maybe the special addition if i miss wangxian too much 💞 it's so tragic and i'm always at risk of The Feels when i come across any cql or mdzs post, not to mention the yi city arc which fucked me up in a particular way...
woh doesn't make me as emotional because everyone is insane? it's actually impressive how unhinged every single person in the show is, the stories are tragic too, especially the last episodes but i was kind of numb to it, decided to focus on my guys and their happy ending only ✌️
woh gave me wen kexing, visuals (the designs of the characters are wild, espeecially the ghosts, they're straight out of a children's book, so expressive and individualistic) and the most blatant expression of romance they could - not only could you feel the love through each gaze, touch and action but boundaries were pushed in terms of script and the portrayal of physical affection was more than what they had to do. also i'm obsessed with the lipreading videos <3
cql and mdzs are still distant to me and i feel like an outsider to the fandom but i feel the same way about woh. cql introduced me to wuxia, i see posts about it more often and i feel like i remember the characters and events better. not to mention i got into mxtx bc of it so i have it to thank for the blast i have when im reading svsss. so ig i have to pick the untamed? but woh really is special, i hope ppl watch it
Pat or Pran?
boyyy i would usually say pat no questions asked but i think about pran and how he's handled all that his mom put him through and how he clearly struggles in so many ways and my protective instincts are screaaming, he's such a brave patootie (or, yknow, patootie)..but yeah no, i'll say pat, he is so loving loving loving despite everything, so considerate, so caring, he's a bit of a jock, a bit of a theatre kid, a bit of a band member - he's straight out of high school musical but adorable
To My Star or To My Star 2
TMS2!! i am sure s1 is great but it just didn't leave a lasting impression on me, it was the second season that had me shaking in excitement and yelling at the screen and going through tumblr to read analyses and stuff. it made me care about seojoon and jiwoo soo much and even if in the future i find the first season better in retrospect, s2 is my baby (and it got me so excited bout daseul's vision for blueming 2 🥰)
Pawin in Star in my Mind or in The Eclipse or in Never Let Me Go?
ohh that's interesting..maithee, namo and phum are all annoying but supportive losers lol
i dont have much of an opinion on any of them like phum was a villain for most of the show and then he had a glow up and became a rich hottie with a cute boyfriend, namo was a decoy that suddenly became a part of the squad and i dont remember much about maithee in the og show honestly.. based on the our skyy 2 episodes, i'll go with namo - he gave off sweet supportive kid who just wants to be loved and that's pathetic and cute <3 (tho maithee deserves betterrr)
Palm or Tinn?
in terms of whipped, i think i'd go with palm. man is borderline crazy for nueng, it's impressive. with their our skyy 2 eps out it's confirmed it's not just teen hormones lol
when it comes to my personal fave...they're both precious and frustrate me a lot but ig i'd go with tinn - i think of his reaction to gun rawring at him, about him coming back with those grocery bags.. he's so intense and awkward and devoted but it's not in the way palm is (which makes even me a bit uncomfortable hahah)
eat Noey's over salted food OR Tan's 'dr bun wont eat that' instant(ly failed) noodles?
i cannot deal with salty food, i'm more sensitive to salt than others so whatever noey's cooking has got going on that makes others spit it out immediately? not for me. nuh uh.
i can't find tan's noodles but i found the chicken scene and boyy that is probably salty on top of burnt and with disgusting texture soo (also burnt on the outside raw on the inside is wildd)
yeah. noey's food. small bites, lots of water - if it's otherwise tasty then i'll take a day to finish it, it's cool. :') (on a side note they'd both look with such anticipation and nervousness and wide eyes and aaa reminds me of dfqc, i love it when bad cooks try their best and realise they suck lol)
#april 25 - neither too hot nor too cold - the perfect date - all you need is a light jacket :)#ask game#petri replies#thank you for this it was so hard but fun
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Honestly I kinda hate how random or nonsensical some of my thoughts while I'm alone are. I tend to think more clearly in the presence of other people because I become more self conscious about what I say and do, and in the event I'm wrong about something I get corrected immediately so it is nice to have that immediate feedback as well. So when I do long posts like this they are honest to a fault. Take the color post for example. Who other than me would actually give a f* what my logic is for my favorite colors? Pretty much no one. I still see blue orange black as an extremely satisfying solid color scheme to shape myself around identity wise but ultimately it is still a personal preference thing.
But I guess that's just one instance. My mind has an imagination when it comes to visualizing how I feel. When I feel dread, anger, sadness, love, or happiness or even any kind of physical sensation, I try to tie it down to images and words or even sounds and music. Love for example has a distinct sensation in the chest that is particularly tempting to describe with imagery like butterflies or more personal ideas like sweetness or boiling water. So I like to describe that feeling whenever I'm crushing on anyone for thoughtful reasons beyond just the natural urge to actually be able to express them to its subject.
In any case I sometimes feel the more I talk the worse things get for me and the more I start to lose whatever perceived audience I might have. Because what I say is too personal, or too direct, or too obscure, or things that are simply better left unspoken for one reason or another. For example I love the compliments I receive on my avatar. And who wouldn't really? The stars that glitter on my fur make it perfect for dance worlds and beyond that it is a cute avatar with some decent coloring that appeals to a lot of people. And I take pride in it even though I don't really get the same kind of attention a streamer or of literally anybody else had my avatar instead of me.
That is one thing I always pay attention to, my lack of attention. Even with one of the best looking avatars some people have seen by their own words, I didn't get much out of it beyond that. People still hardly ever like my videos or care, and nothing I do changes that. I get a like here and there once in a blue moon and that's it even if it looks really nice and sounds really nice. And that plays with my self esteem in ways that I would be better off not thinking about.
And that is the original reason I used to check my likes all the time. Why I used to practice drawing in the long forgotten past or make music. I wanted people to like and enjoy my work. I never got into art hardcore but my odds of doing so would've been better if there was enough support. And I never received it. So hobby after hobby ended up being discarded. Twitch too come to think of it.
A part of me wants to enjoy the glory of the limelight and a part of me wants to enjoy my privacy at the same time at certain times of day. It can be frustrating though how some of the best stuff I could show people never gets any attention no matter how good it is compared to some stuff other people post that always gets visibility. Even after my social journey on vrchat even, even after all the friends I've made on discord. My circle grows and I still end up invisible again and it's silly to care so much about that. But when I really think about it, such basic thoughts are ever present on any kind of social media. It's why people make memes. It's why people go through all this effort to be funny or meaningful in some way to get people to notice them. And the people who don't care about it have most likely grown to repress or hide it.
So maybe I do want "fans". Maybe I do want people that like my posts that actually put whatever work I have on display into consideration. But I try not to care because it always seems so impossibly hard to do so. My best posts usually get 0 views 0 likes besides my own views and it can sometimes be difficult not to think about it. Yet I know the kind of attention I want to have is not something I would be able to sustain for a prolonged period of time.
So I want my one-off posts that gain a lot of traction. Like the art I got from Hyrika. I wish I had maybe a few more posts like that where over time I just keep getting another like here and there and it's something pretty or something I'm proud of. And then maybe that'd be enough to scratch whatever itch that's causing me to doubt myself so much.
The past months since I met Choskey have hands down been the best experiences I've had for who knows how long now. It still amazes me how madly in love he is with me or how much I sexually excite him despite him being an ace, to the point he's questioning his own acehood. And I find that extremely hot in a way. And Red is growing a bit more adapted to Choskey always being there too. Choskey is extremely thirsty for me. xD In ways he didn't know he was capable of. I keep him constantly hard 24/7 just for existing. That is wild, and also very promising of a successful and happy relationship. It's hard not to be happy about that. And we're still instantly seen as a couple on vr like always except it's actually true this time. Should be old news but we haven't been on vr much for a good while. Mostly because Choskey's headset is dying and I'm experiencing problems with my headset too due to the cable. The way the linkbox precariously hangs down without anything to support it meant it was doomed to be this way since I got the headset without gluing it to the wall or a command strip like we started doing now. Would have prevented a lot of damage.
But finances have to recover before I can even think about getting a new one, and there's a backlog of other stuff we need.
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my thoughts on the pjo tv show (spoilers for episode 8) pt 1
i want to preface this with: I have exactly zero (0) beef with the actors themselves personally i think they all did a great job with what they were given and all gave incredible, heartfelt performances so 10/10 on that front. I acknowledge that the TV series was not made to be a shot-for-shot remake of the books, and I accept that.
also, i only watched it once through and don't really want to rewatch just to make points so i won't remember everything clearly so if i get anything wrong feel free to correct me in a polite, constructive way. that being said,
i didn't like it. shocker, i know. but hear me out.
I'm not here to diss the show or just spew a bunch of hate. I'm here to make nuanced points and arguments for both sides, but the general overall conclusion will be that, in my personal opinion that is mine alone, i didn't like it. Starting with the critiques:
In the months leading up to the show's release I'm upset to say that there was a lot of racism surrounding the casting of Leah Sara Jeffries and Aryan Simhadri, something that left me extremely disappointed in the PJO fandom as a whole. Annabeth being white has absolutely NOTHING to do with the story and it shouldn't have mattered to anybody when Leah was cast. I never pictured Grover as white in the first place, but even if I did, Aryan as Grover wouldn't have fazed me. My only concern was if the writers were going to get their characters right. (I had no concern about their acting abilities or their ability to portray the characters correctly. If Rick cast them, I have complete confidence in them as well.) As far as casting went, the only person I actually had any issue with was Lin-Manuel Miranda. It was the equivalent of seeing a d*sney channel actor on a serious show I guess? I couldn't take Hermes very seriously mainly because the whole time I was like "okay Hamilton". I'm not even a musical fan I just couldn't take him seriously. Nothing against the guy, it's just what my brain did. When it comes to casting, you have to be very careful about just how big of a name you cast. And in this case Miranda's presence just kind of stood out too much and ruined the suspension of disbelief.
Pacing. I was going to put this first as this was the main issue I had with the show, but I felt that what I had to say about the casting was more important. Every time they entered a fight, there was no sense of mystery. There was no build up to when they figured it out. There was no suspense. It was just "oh hey Medusa." and then they killed her shortly after. At first I had benefit of the doubt, and then the Crusty scene happened and I just kind of sat there like "...really?" The writers felt the need to balance "We don't need to reintroduce this, book readers will be watching!" and "New viewers who are unfamiliar with the source material will be watching, we have to reintroduce this concept" which in theory could have worked, but it always seemed to tip the wrong way at the wrong time. As a book reader, I feel as though I should not have been confused with the way the story was going, instead, the suspense in seeing exactly how they were going to portray something through TV, and how they were going to add to the story via visual format would change the storytelling. But I ended up being extremely confused in most of the scenes. I didn't see how things added up and I didn't understand most of the changes. It made the plot feel very choppy and random, like they were trying to add too much and in the process took away from an actual linear story, leaving me to watch a series of scenes rather than an even-paced flow of events.
Mischaracterization. Percy and Annabeth were really good, actually. It was very true to character and Walter Scobell and Leah Jeffries' acting really brought out the reality that they were 12. The characters felt very organic and childlike, leaving us with the hard truth that the gods sent literal children to the Underworld to retrieve the most dangerous firecracker of all time. Back to critiquing however, Grover's character felt very off. Grover is an extremely anxious 28 year old satyr who has the misfortune of having to be in middle school for the past six years. He's not timid by any means, but the way that TV!Grover interrogated Ares in the diner a) led no where, at the very least the scene felt unnecessary, b) felt extremely out of character, and c) kind of took away Grover's role as the protector of the group, as he didn't get to save Percy and Annabeth from an untimely demise from the Thrill Ride of Love. Chiron was also given a much smaller role, as he doesn't give Percy Riptide and his wise words of advice before sending him off on Half-Blood Hill. Sally. I've seen a LOT of controversy on the characterization of Sally in this series, so here's my piece. Sally Jackson is by no means someone who backs down or is submissive. She is an extremely clever woman who knows when to pick her battles. While Smelly Gabe may have just been around to mask Percy's scent, he was still a very real threat to her and Percy in their ordinary lives. I know everyone says that Sally is perfect, and I love her so much as a character and person, but we also as a fandom have to accept that there is no such thing as a perfect person. That's kind of one of the big points in the series. It shines a flashlight on the darker parts of peoples characters, to show that even the so-called "perfect" immortal gods aren't all the myths made them out to be. Percy is an unreliable narrator, meaning that he has certainly exaggerated certain parts of Sally's character because she's his mom. Some people have defended the scenes in which Sally raises her voice at Percy and gets frustrated with him with this argument. It's a valid thing for her to do! She's human! She's a single mom raising a son who has multiple learning disabilities and can't stay in the same school for more than one year. She has no living relatives and is married to an asshole! But Percy also stated that Sally never raised her voice at him, and he's never pushed her because he knows that if he does, she'll cry. They are both careful with each other. Which makes the car scene and the pool scene make so little sense. Book Percy apologized to Smelly Gabe because he knew that even if it was something he really didn't want to do, it would make his mom happy. Sally, although not stating the specific reason, actually did manage to explain in a patient way why she felt the need to send him away, which is something she continually brushed off in the show. Gabe. I've seen a lot about this as well, with some arguing that he should have been "more abusive" and others pointing out that that could be dangerous and triggering to put in a show. My take walks the middle line. Don't show Gabe's active abuse, but continue to show it passively. Instead of Percy walking to the window, have him walk into his bedroom, taken over by Gabe's stuff. "Oh, but Gabe's stuff dominated the living room!" Yeah but it was super dark and I couldn't see a thing. Plus, that's a communal space. Having it in Percy's room as well would've been a brilliant but subtle way of detailing what little respect Gabe had for both Sally's and Percy's privacy. (also what was up with the complete lack of Gabe in the last episode? I'm so confused by that-)
Dialogue, but Percy's specifically. I understand that most of Percy's funny quips are said in his head, but the "jokes" he made out loud just...weren't funny? Like the original lines from the books were, I have no idea why they didn't just take some of those. It felt like an adult trying to relate to "the youth" rather than Percy actually quipping. The other main thing I can think of off the top of my head were whenever he was speaking to a god. Ares made a little more sense because of his aura making Percy angry, but when he spoke to Zeus? Hades? Book Zeus would've smited Percy there and then. Percy at the very least starts respectful, beginning with formal titles and being as polite as possible. TV!Percy just immediately started arguing with him and it was more tense than any of the actual "battle" scenes.
The fights. Oh my gosh they were so underwhelming. Whoever green-lit the show had to know how action packed these scenes needed to be, and then blatantly ignored that fact. I understand that VFX teams are overworked and underpaid, but I also understand that the sarcastic narration and quick-paced action scenes were written to keep neurodivergent readers (hi) engaged, which made it very difficult for me to take any of the so-called "fights" seriously. In my opinion, if you can't, don't. And by that, I mean if you couldn't find the time to adequately pay a good team to do cool effects for the action heavy series, then don't make the show. (1/2)
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Fear of the dark
What does "fear of the dark" actually mean?
Have you ever experienced constant nighttime anxiety and awakening? Have you ever noticed your heart rate rising when it's dark and you can't see anything clearly?
The fear of the dark, often known as a fear of the dark, can then emerge. This form of fear development is typically experienced by young children, and to a lesser extent, by adults as well. A severe dread of the night or the dark might contribute to symptoms of excessive anxiety and sadness. Darkness phobia is typically first experienced as a youngster and is common in later life. Agoraphobia is also known as photophobia, scotophobia, and agoraphobia, all of which may have evolved names. The fear may have had less to do with the darkness and more to do with a hidden threat. Darkness is used in thrillers and horror films to frighten viewers for this reason. Why do individuals find the dark so terrifying? Studies show that people's extreme dread of the dark is caused by their perception of a lack of visual clues. The human brain has a propensity to anticipate events constantly in order to effectively prepare the body and mind. They are terrified of everything because they are blind.
How do I get over my fear?
How do I get over my aversion to the dark? Top 10 recommendations for kicking the dark obsession.
Establish a bedtime routine:
You should surround yourself with uplifting energy to ward off any unfavourable emotions, like fear. By reading a tranquil or enjoyable book before night, avoiding using electronics, or listening to soothing music, you can divert your thoughts from the agony of the dark.
What makes you afraid?
Inform someone about your nightmares caused by dread or worry. It crystallizes your issues, which makes the root cause of your awful experiences in the dark easier to identify and address.
Turn on the light:
If you have a strong and unconquerable agoraphobia, go slowly and don't push yourself. Giving oneself some grace now and then might also result in improvement. Try using the nightlight at first while you're sleeping, and then, as it suits you, gradually turn it off over the course of a day or a week.
Learn how to breathe properly:
You should disregard any indications of agoraphobia such as a quicker heartbeat or sweaty palms. Watch out for indications of a panic attack as well. Avoid leaving the area and focus only on your panicking. As you take slow, deep breaths, place your palms on your tummy. By assisting the mind in becoming accustomed to handling panic, intention helps decrease fear.
There shouldn't be a flood of frightful thoughts or images:
If you want to go past your fear, you must first control your thoughts. You must have control of your mind and the ideas you put into them. Limiting your exposure to horror media will help you do this.
Visit Goodlives for more information.
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Should We Try That In A Small Town?
We find ourself in the midst of another controversial moment in music. This time it is Jason Aldean’s latest single ‘Try That In A Small Town’ that has resulted in quite the uproar. Though the song was released a while back, the music video just recently came out. Which is where the outrage began, as initially the song wasn’t known by those beyond his fans and country music listeners. The music videos location of choice resulted in media talking about the song and opened it up to more of the general public. Now the conversations started to occur around whether the song had racial undertones and is Jason Aldean a racist. Now of course the cohort that makes up for the majority of listeners of country music would have not been able to pick up on the racial undertones, as they clearly lack intellect and since they’ve not experienced racism themselves. If you want to hear the breakdown of the racial undertones then you can find several content creators on TikTok in particular give an in-depth insight to them. However as expect the Right have denied it all and claim that there is nothing of the sort present in the song and all that it is about is that the folk of small towns will not standby and let people cause havoc.
They’ve gone as far as to say that those that are pointing out the racism are the racists. Which everyone of them has regurgitate under every comment section of content relating to the song. To them its the ‘I can’t see anything wrong and thus there isn’t anything wrong with it’ mentality that they are staying hellbent on sticking to. Just because you fail to see it for what it is, doesn’t void its actuality. The Right will always deny and deflect. As they find it hard to accept that there could be anything wrong with America. Their patriotism isn’t genuine love for their country, as if you loved your country you’d want it to be the best it can be. They so desperately want to avoid acknowledging what is so obvious and in turn not hold those that are propagating racism to be held accountable. They continue to claim that they are fighting cancel culture, however who actually has been cancelled so far? No one, its more about accountability than it is about wanting to want someone to be cancelled. As accountability leads to growth, however they want to stay stuck in the past and not progress for the better. Their false claim of all they want is unity and that those that oppose them are trying to divide the nation. When in fact they are the most divisive.
They have gone on to make comparisons that don’t function the way they think they do. Such as saying that films have also used the location which is a courthouse where someone was lynched by a mob. So why didn’t people get worked up then. Well because the films themselves didn’t host racial undertones that then find link to the events that occurred at the location. Then they brought up rap music and claimed that people don’t get mad over the lyrics featured in the genre. Again if they put a little thought into it, they’d be able to tell that the two aren’t the same. That them bring rap or hip-hop music up here isn’t a comparison that works. Maybe we expect too much from them. As they put no thought whatsoever behind what they are consuming and what they are saying, however are quick to add their voices to a conversation that has no need for insertion from them. They believe people want to be offended and go searching for something to get worked up over. They try so hard to deny what is right in front of them that it all becomes comical to witness. Even if the things they are bring up were the same or similar, does that then make this particular situation okay? As two wrongs don’t make a right, just because one person does something bad, it doesn’t in turn make it right for the other to do the same.
Now Jason Aldean didn’t have a role in the songwriting process or the creation of the visuals. So it could be that to him when he heard the song he interpreted it to be about community spirit in a small town. However the writers and those on the creative team of the music video definitely were aware of what they were doing. All the while using Jason Aldean as a puppet to propagate what they wanted to put across. If it was about community spirit, then they should have filmed communities from small towns coming together and being there for one another. Instead they had the backdrop to the performance scene be a location where a racially motivated attack occurred, featured clips from BLM protests and other clips placed out of context. On top of that the lyric video featured a newspaper clipping that further points to it being a song with racial intent. They’ve since gone on to edit the visuals and remove certain clips from the original video released. Think on it a little, if there was nothing wrong with what was released then why go and edit it. Lets not go and say that they were pressured into doing so. Because that is far from it. It is silly to play ignorant and disregard it as coincidence. On top of that what link do protests have to with small towns. As it would not be effective to protest in a small town, you’d want to do so in a major city where you could make the biggest impact.
As they did with Morgan Wallen, they decided to do so for Jason. They went out of their way to support the song leading to it climbing to the top spot on the Billboard Hot 100 chart. Marking his first chart topper on the all genre chart. All just to prove a point that they can’t be cancelled. You had his fellow country artists like Cody Johnson and Brantley Gilbert show support during their concerts. Though on most part they were trying to use this moment to get some publicity for themselves, as they know those that were supporting Aldean are easily played. Could it be that the label used the Right to push the song to success? It could very well have been a promotional ploy all along. CMT had decided to take the music video down and no longer have it in rotation on the channel. To which the Right screamed that the media outlet should be boycotted. There was an article that claimed that Luke Bryan and Blake Shelton were cutting ties with CMT in solidarity with Jason Aldean. Which the Right bought into and celebrate, all for it to be a satire piece. Going to show how easily they can be fooled and that they don’t actually read things properly. As the article clearly mentioned that it was satire.
The Right went on to say that white liberals where the only ones outraged by it, choosing to neglect all the POCs that spoke out in regards to it. Also they brought up Jason Aldean having Ludacris feature on the remix to his hit single ‘Dirt Road Anthem’ as a way to claim he couldn’t be racist. Which is like clutching at straws in desperate attempt to defend something that can’t be defended. It is like saying ‘I can’t be racist because I have friends that are POCs’. That isn’t how it works. Now as I said earlier Jason initially may have not looked beyond the surface level interpretation of the song and thus bypassed what others picked up on upon release. However once the racist undertones were brought to his attention, he could have acknowledge that and said that he could now see how it presents in that manner. That in future he’ll be more aware and do his due diligence. Instead he regurgitated the same line as his defenders that if you see a problem with the song then it maybe that you are the problem.
Now the Right are fast to label their opposition as ‘snowflakes’. However the ones that truly define that word are they themselves, as they are the ones that get offended by things that aren’t offensive at all. They choose to boycott the beer brand Bud Light simply because it associated with a trans person, which was nothing to get worked over. Then Tyler Childers released the music video for his single ‘In Your Love’ and it featured a gay couple, which for some reason caused offence to the Right. Who were saying they were no longer fans of his, as though this was the moment they’d released he didn’t align with their views. Which is something that’s always been apparent. However making same love the centre piece of a music video isn’t something to get worked up over. Why can’t that be highlighted, however straight couples are constantly the focal point of music videos and media in general. Even now that holds true. So how exactly is the LGBT+ being shoved down your throats by simply being highlighted in the same way. They’ll get worked up over those getting offended over something that is offensive, however they want you to be understanding of why they are offended by something inoffensive. Tyler’s music video was nothing more than a love story.
Like when have we actually seen listens of hip-hop or rap music reenact what the lyrics depict? However we’ve seen the impact of racist mentality or the hate towards queer people that is being propagated in physical form. Recently a fan of Beyoncé’s who had just attended her concert on his way back was killed outside a gas station simply for being queer, similarly again very recently in the UK queer people have been attacked out in public simply because of who they are. Then again recently three were killed in a racially motivated attack in the ever so great United States. Can you not see where influence actually is having consequences that are harmful, thus the comparisons the Right make aren’t fair in the slightest. I mean Ron DeSantis is trying to change the history that is to be taught in schools, as an attempt to give it a ‘positive spin’. Hiding actuality that is typical of the Right to make it seem like America isn’t as bad as it is made out to be. However like previously stated the Right will remain delusional and deny what it so apparent.
There is so much more that can be discussed in terms of politics, racism and more in that line of conversations. I got more into it in my first draft, however decided to keep it short here. There is things such as POCs on TikTok pandering to the Right, the Sound Of Freedom film that they are propping up that is supposed to be about child trafficking, however the focal point isn’t that at all. Also where the Right not aware of child trafficking prior to the films release? It seems though they’ve only now come to discover it. That if child trafficking was the focal point then they’d have done more to leave viewers with sources and charities tackling the issue and supporting victims. That they’d be giving the proceeds from the film to those causes. The so called patriots claim that the opposition hate America and the flag. When in fact that is far from the truth. The opposition love the country, however their love isn’t blind and they want to tackle the issues that are still so rampant. The democrats/left have only detached from the flag because of who’s attached themselves to it.
We’ve got Donald Trump supports driving around waving the American flag and blaring Jason Aldean’s song in hopes to trigger passersby. With one of the Trump supporters filming themselves doing so and using arrows to point towards people walking by, claiming that they were triggered by his patriotism. When none of those the arrows pointed to reacted or were bothered by his display. They seem to make scenarios up in their heads just so that they can act as though they are doing something heroic and that they are fighting the ‘greater fight’. They are rather pathetic. One person posted a comment under Jason Aldean’s recent album announcement, claiming that she’d worn a Jason Aldean shirt to a doctors appointment due to which she was treated poorly by the doctor. When questioned in regards to the credibility of the incident, she responded with ‘Why are you jealous of my bad experience?’. Making it clear that she just made it all up to make it seem that wearing merch of an artist at the centre of a controversy was a brave act on her part.
Many of them lack a basic education and thus you find that they have little to no substance in the responses they give when you decide to converse with them. They tell you to do your own research and not be a ‘sheep’. Yet they are the sheep as you see them regurgitate the same thing their fellow right-wingers throw about. Or they’ll use what you present against you, their lack of originality is enough to signify their level of intellect. Their limited scope and inability to see past what they’ve always known hinders them from seeing things for what they are or exaggerating actuality to fit the agenda they want to push. These are the very people that will tell celebrities to stay out of politics, however are the ones that voted in a reality tv star to become President of the United States and still are advocating for him to be elected again.
I’ll leave it at that and I hope that we are able to make the world a better place, rather than pushing for regression. Remember denying the existence of a problem, doesn’t make it go away. Also accountability allows for growth, so yes we should continue to call out those that deserve to be called out. We should also give them a chance to show that they’ve learnt from their shortcomings.
#Jason Aldean#Morgan Wallen#Controversy#Racism#LGBTQ#Beyoncé#Cody Johnson#Donald Trump#Right Wing#Republicans#Patriots#America#USA#Politcis#Music#Try That In A Small Town#Music Video#Sound Of Freedom#Billboard
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hey cowboy! for the ask game, I have a lot: 13, 16, 24, 46, 57 and 74
Howdy!
13. what’s a common writing tip that you almost always follow?
I don't know if this is a tip I saw or a rule I came up with myself, but I try not to start a sentence with the same word twice in a row. That usually applies unless I'm making a stylistic choice to repeat. One that I do know is a tip I saw once was how to tell when to start a new paragraph. I do think I'm a little too excitable when it comes to starting a new paragraph, but I think reading on my phone makes paragraphs look longer than they actually are.
16. already answered
24. Worst writing advice anyone ever gave you?
I remember it clearly: sophomore year, accelerated English II. We were learning about passive and active sentences, and the teacher told us that in both creative and professional writing, you should aim to mostly use active sentences to keep your reader engaged. I then wrote a report that included a fair amount of passive sentences, and when he called me up to ask about it, he said he highlighted all the passive sentences--spoiler alert, he missed more than half of them because, like I'll say next, they didn't matter. He said I should've written those sentences he highlighted in active form, and I said "but I don't care about those sentences--they don't matter in keeping the reader engaged" because in my mind, they're transition sentences that are only there because of necessity. If you only have active sentences, it can become too much or bog down the entire piece of writing because nothing sticks out. If I want to build tension of scare the reader, I'll start by writing passively and build up to only active sentences, or if something's boring or depressing, I'll use passive sentences to portray something dull and monotonous. I still follow my own advice (and ignore his) to this day.
46. How would you describe your style?(Character/emotion/action-driven, etc)
Hm, this is a hard one. I guess I would say my style aims for the reader to be able to visualize it exactly as I do in my head: I try to paint it as a picture or a movie, one that you can see every expression or twitch of the muscle, can feel the environment around you, or hear the swell or decrescendo of music as the scene moves on. So depending on what I'm writing, it changes between character, emotion, or action-driven.
57. Do you prefer editing as you write, or waiting until it’s finished?
Usually, I wait until after I'm finished so I don't get distracted. However, with the recent big bang event, I was editing as I went, which cut it very close to posting time lol
74. You’ve posted a fic anonymously. How would someone be able to guess that you’d written it?
This is also a bit of a hard one, but I think there's two things. The first is "lore"—I tend to over-explain, if you couldn't tell by my lengthy answers, so I'll always stick in some explanation for characters' reasonings and actions. This is also because I don't like characters being two-dimensional, so I want to give a history for the 'why'. Another would be symbolism. I like to have a deeper meaning and purpose for objects, actions, or dialogue, and for my longer works (like Monster Party was going to build to), have stuff that will make things click in the reader's brain. I'm also a slut for Chekov's gun, so I like to sprinkle that in there when I can, but that's almost solely for longer works, like mp or some original works
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𝐞𝐲𝐞𝐬 𝐨𝐧 𝐦𝐞; { 𝐝.𝐦. 𝐱 𝐫𝐞𝐚𝐝𝐞𝐫 }
SYNOPSIS; you catch draco eyeing pansy parkinson at a party despite him insisting he has no eyes for her. no one likes a liar. all characters are aged up to 20 in their 6th year and it’s the early 2000s. i repeat, there are NO underage characters in this. hogwarts functions as a college.
RESTRICTIONS; 18+ only. i don’t consent to minors viewing this content.
WORD COUNT; 4.9k
WARNINGS; smut, edging, bondage, name-calling, degradation, blow jobs, hand jobs, rough sex, size kink, sex toys, alcohol, drugs
The night was growing old, but yours was far from over. Three drinks down and another in your grasp, you could feel the effects of intoxication overwhelming you by now. You were never much of a drinker, but this was a Slytherin party. It would be considered nearly an insult to not finish what was supplied. And as much as it was a Slytherin gathering, it was also your birthday celebration. Of course, the birthday girl was expected to indulge in the night more than anyone. You felt special as this event was already contesting with one of the better Gryffindor House parties of the year.
You hadn’t expected your boyfriend to make an appearance this evening. He thought himself above parties as his arrogance would lead him to believe. Yet when Draco emerged from the men’s dormitories so late into the festivities, Theodore Nott could be heard howling his excitement and rooting Draco on. The young man quickly thrusted a drink into Draco’s hand and began urging him to ‘loosen up’ over several other hoarse voices that were worn out from yelling over the music. You turned away and smiled to yourself, taking another sip from your goblet.
The commotion over Draco’s appearance would draw more attention to him than he cared to receive. If he was truly here to enjoy himself, it was unlikely he would ever partake again after the spectacle Theo put on.
But by Draco’s protest you could faintly hear, it became obvious Draco did not come to celebrate. He was irate. A soft tap on your shoulder a moment later alerted you and you spun back around.
“Break this up. It’s four in the morning.” He said.
“Don’t be a party pooper.” You frowned. “I see you have a drink. I think Nott was on the right idea.”
“I’m tired. Silencing charms aren’t working.”
“One drink and I’ll break it up. For me? You may even thank me later.” You winked and Draco subtly rolled his eyes.
Pushing his free hand into his pocket, he began drinking away at his beverage and walked away. You sniggered to yourself, bemused by your own wit. You were the only person in the world Draco would yield to at this point and it felt vigorous. Knowing you had the solidity to command Draco by sex appeal alone. He could hardly resist how tempting you were and obeyed without resistance.
You knew you would marry him one day.
It could have been predictable Draco was a lightweight and Nott gave him a particularly strong drink. Theo himself was a heavy partier and could take as many drinks as a 7 foot three hundred and fifty pound man and still feel fine enough to play beer pong efficiently. Draco was never the type to drink or engage in any kind of activity involving impairment. He seemed to think it stunted his magic. Something he wasn’t keen on for reasons you couldn’t identify. But after thirty minutes had passed, Draco was visibly impaired. He was trying to conceal it which only made it more obvious.
You purposely hid yourself away when he came looking for you, having held up his half of the deal. You giggled with another Slytherin girl, watching as Draco was clearly looking for you without much success. Yet when his eyes fell onto Pansy Parkinson, his gaze seemed to act a little too familiar with her. His eyes rested on her backside, lingering far too long to be an accident. You shot a look of malice to the girl beside you. She looked at you and shrugged her shoulders.
When you looked back at Draco, he was now observing his surroundings to make sure no one saw that. He was still aware enough to be mindful of consequences. It occurred to you then that he wasn’t that drunk. That excuse wouldn’t hold to defend his wandering eyes.
You’d have to remind him that his eyes were meant only for you.
Walking towards him, his eyes widened a bit as though you startled him. But he quickly relaxed again.
“I was looking for you.” He held the goblet upside down, showing there was nothing left in it.
“How do I know you didn’t just dump it?” You said.
He huffed out a vexed sigh.
“Maybe you should have been watching me if that was a concern.”
“I was watching you. I saw everything.” You smirked and quickly flicked your eyes towards Pansy.
Draco began massaging the bridge of his nose in a visually exasperated gesture. How he would dig himself out of this one, he seemed unsure. You crossed your arms over your chest and smiled.
“Fine. I’ll just deal with it.” He grimaced and nearly began walking away.
“Excuse me. You think I’d let you off the hook that easily?” You half chuckled. “I catch you burning holes into Pansy’s arse with your eyes and you think you can just go about your night?”
“I’m sorry, darling. Truly, I feel a bit fuzzy.” He shrugged one shoulder. “I mean, honestly. You know how I feel towards Parkinson. That was highly uncharacteristic of me. I do only have eyes for you.”
“Prove it.” You challenged him.
“What do you want?” He sounded skeptical.
“Hm, it depends. Whatever might satisfy me.”
As you said this, you wrapped his tie around your hand and pulled him closer to you. Your lips met with his. He did taste like alcohol. You knew he wasn’t a cheater, you just wanted to give him a hard time. He was the most fun to peeve of anyone as he always took everything so seriously.
Maybe if he made it less fun, he wouldn’t always be at the butt end of every joke.
You used your tongue to part his lips and leaned in closer to him, pressing your chest into his as you stood on the tips of your toes to better level yourself with him. He was still taller, but Draco leaned down into you to deepen the surprisingly erotic moment. Which was also unlike him. A benefit of the drink.
He pressed one hand gently against the nape of your back, traveling lower until his hand would rest directly over the curve where your back met your ass. He pulled you closer into him with the same hand and returned your kiss tenfold. Your pussy began throbbing already, taking you a little off guard. Draco never kissed you in such a venereal way to elicit this kind of response from your body. Maybe you would encourage him to drink a little more. He was more relaxed. Even the devil’s lettuce could do him some favors.
Draco typically preferred to keep this intimacy between the two of you. But now, the heat of his breath and the way he pressed his pelvis into you signaled that for once, he was a bit looser. You loved every moment of it. Of course, he still pulled away from you first with dazed eyes.
“You can show me your proof in the dormitory. If I broke up this party now, we wouldn’t have our privacy. Would we?” You stared up at him with big eyes.
Draco swallowed hard and modestly nodded, setting the goblet down on a table beside him.
You signaled for him to follow you by gesturing your head forward. When you took a left up the stairs, you made sure to sway your hips more than usual with each step. Halfway up the set of stairs, you glanced back to see if his attention was fixated where you intended. Just as you hoped, his watchful gaze was lingering on the curvature of your hips and bottom. He looked up at you. You bent forward a little to expose more of your panties beneath your skirt and continued up the stairs.
“Like the view?” You joked, giggling a little.
Though you couldn’t see him, your mind’s eye already pictured Draco shaking his head to himself.
You reached the room you shared with a few other girls first and pulled him inside by his collar, slamming the door behind him by shoving him into the door with such force, the foundation shook. You pressed yourself into him and sunk into his lips with ardent force. Draco forcibly grabbed onto your buttocks, squeezing hard. You pushed his hands away and planted a firm smack on his cheek that cause his hair to fall over his face. It actually looked better that way.
A soft breathy chuckle escaped your lips and Draco quickly grabbed hold of your wrists, making you spin around so that your back was now pressed against him. He pushed you onto the nearest bed and mounted you, grinding himself against you. You could feel him growing harder with each passing moment.
“Watch it, Malfoy. You’re biting off more than you can chew.” You warned him, already having an idea of how this wanted to go.
He began undressing himself quickly, getting rid of his button up shirt and tie first. You could hear him fumbling with his buckle now.
“Try me.” He sounded almost angry, but in a lustful way.
As he always did, he placed two fingers into your mouth to pull your head back while he unzipped his trousers. But this time, you bit down. He hissed and pulled away. You promptly kicked him away while he was distracted and reached for your wand in your waistband.
“Accio!” A chair came hurling towards you.
With another flick of your wand, you pushed Draco into the chair and acted quickly to bind his hands behind him with a temporary binding hex.
“What exactly are you doing here?” He sounded annoyed again and you laughed.
“What satisfies me.”
You shrugged and got up. Getting on your knees in front of him, you took his belt off for him and teasingly snapped it in front of him. You got back up and tied his hands behind the chair, careful to not cut off any circulation. But to be certain it would be difficult for him to escape, you placed a sticky charm on the belt.
“Too tight?” You asked, peeking your head over his shoulder.
Much to your surprise, he chuckled and shook his head.
“I didn’t know you were into bondage.” He observed. “You know your knots. It’s not too tight.”
“Maybe next time, I’ll let you tie me up. But I think you deserve this.”
You circled back around in front of him.
“Now, your punishment. You can’t touch me. Or yourself.”
“That’s it?” He asked.
“Oh, love. I’m not going to make this easy. Not even a little.”
His eyes narrowed on you and you returned the same look. You used your wand again to lock the door behind him and began circling around him. First, you traced your fingertips along his clavicle. He felt hot from the alcohol around his neck. His head followed you, looking around to the other side when you emerged from behind him. Casually, you ran your hand over his hair before grabbing a fistful and snapping his head back to expose his adam’s apple. You placed a sweet kiss on his lips.
“Safe word is baboons.” You whispered against him.
“That bad?” He asked with a smile. “I might act out again.”
Again, you placed another firm smack on his other cheek. He was aroused by this as you noted his pants move a little.
“Don’t be a pig. If you want something, you don’t resort to childish antics. You take them like a man.”
“I’ll keep that in mind.” He snarled back when you brought his head forward and let go of his hair roughly.
You walked away and positioned yourself in front of the bed. Still turned away from him, you began to strip off your skirt first. He loved your ass the most. The creaking of the chair told you he was either shifting uncomfortably or already attempting to work himself out of his restraints. You made sure to struggle with getting the skirt past the girth of your thick bottom, bending over slightly to make it appear even bigger. Draco sighed at the sight of your panties finally peaking through. A designer pair he bought you as part of an early birthday gift a week ago. Again, the chair creaked. Your skirt finally hit the floor.
You took no time to remove your top, already braless. Turning around to face him, he immediately looked at your breasts
“You weren’t wearing a bra?” Draco quickly observed.
“What? You must hate the idea of other men looking at my hard nipples. Don’t you? Maybe I wanted them to stare. It’s my birthday, after all.”
You shrugged and sat on the bed, which made your thighs appear wider. Relaxing onto your elbows, you kept your eyes on Draco who remained just as fixated on your figure.
“They know better.” Draco said, referring to the men of his house having a certain moral code. Specifically when it came to significant others and staring.
“You didn’t.” You retorted, a little pleased with your quick response that would have angered him. It’s not like he could do anything now.
You lifted your legs up to gently pulled off your panties and wiggled them up your legs, removing them from your ankles. Now your slit was exposed to Draco. Teasingly, you opened your legs before quickly shutting them again with a laugh of mockery. He angled himself down slightly, almost as if to get a better look.
“I can tell you want to touch me already and I’ve barely started.” You swung your panties around your pointer finger before slingshotting it at Draco. “This is gonna be fun.”
“You have no idea.” He said.
You propped your heels up on the bed while keeping balance on your elbows to make sure he was still watching you. But it seemed as though he couldn’t look away even if he wanted to. With your legs now spread open, you used one hand to trail gently down your navel to meet with your nether lips. Draco squirmed again, this time flexing his arms. He was maneuvering an attempt to escape. But the sticky charm he was unaware of would make that process much more difficult. Slowly, you began massaging yourself where your clit would be while he watched. His pants appeared to subtly move again.
Draco groaned out.
“Are you already about to cum in your trousers?” You giggled out.
“My pants are killing me. It’s — I’m hard.”
“Obviously. Maybe you shouldn’t wear such tight pants all the time. Although I do like how it accentuates your bulge.”
“What? People can see that?”
You tossed your head back and laughed. Getting up from the bed, you quickly moved onto his lap to straddle him. The heat between your legs caused him to tense even more. Draco tossed his head back and gently groaned again, already physically quelled by the influence of your tempting body. He was going to be easy to break. Only to you.
Your slit met with the outline of his erection. You began grinding against it and Draco’s breathing sped up, growing deeper with each breath. He was now squeezing his eyes shut, attempting to calm his arousal. It would be embarrassing to cum now.
“Are you alright, love? If you say pretty please, I might be kind and let you out of these painful restraints.”
Draco nodded, his eyes still shut tight.
“Please, for the love of god. I’m fucking dying.”
You got back up off his lap and spread his legs apart sensually, running your hands up and down his thighs. This elicited another involuntary response from his body. Close up, you could see his v line flex with the straining of his abdomen. It was arousing you now. The heaving of his chest and the outline of his neck tightening. Observing how his body naturally responded to you without sex was extremely lubricious. Inciting sexual desire in you. Your nipples were now painfully hard in a satisfying way.
You finished unzipping and unbuttoning his pants, slowly pulling him out of his boxers. It was true, he was completely solid. He was enjoying this even more than you were. The thought started to make you wet.
“Wow, you’re kind of a whore.” You smiled up at him, resting your hand around the base of his cock. “You love being tied up and helpless, don’t you?”
“You better hope you tied this belt tight enough.” He warned.
“Or what?” You teased, licking up his shaft. His arms moved again to release himself.
Draco snapped his head back up now to look directly down on you.
“I will fuck the absolute shit out of you.” He pressed through gritted teeth.
“I’d like to see you try.” You smiled up at him and winked, starting to squeeze the base of his cock as you moved up and down with your hand.
Using your other hand, you began massaging deeply into his pelvis while jerking him off. You used a little spit to lubricate him which only seemed to deepen his arousal. You began speeding up in slow increments, using your hand to stimulate the area beneath the head of his cock every time you moved up. He leaned back into the chair once again, somewhat straightening out his body. Again, he was attempting to get out.
Now moving fast, you focused your attention closer to his head. Every time you felt him contract in your hand, you’d let go. This frustrated him visibly.
“Fuck you.” He mumbled out a few times.
With this, you began using your mouth to stimulate the base of his cock while still jerking his head. Draco moved up in a sharp movement that told you he was now close. When you felt that familiar pulsating sensation, you immediately pulled away and walked off.
“You fucking bitch.” He breathed out heavily.
“You love me.” You cooed out while looking through your panty drawer.
“And you’re so god damn lucky I do.”
“Ah, here it is. I think I’ll go first. And then you. I’m not done with you” You pulled out a vibrating toy.
It was a simple muggle toy and relatively small, but it was effective. Of course, there were many magical toys, but you somehow preferred these ones. With five different settings based on speed and frequency, you really couldn’t go wrong with these little guys. They were simplistic and nearly comforting.
You positioned yourself back on the bed the same way you had before, certain Draco could see everything. You switched on the middle vibrational setting and moved it gently against your clit. Immediately, you gasped out before relaxing into it. It was slightly cold due to the make of it, but your warmth would immediately change that and it would become comfortable.
This time, you didn’t care to watch Draco. You were far more invested in pleasing yourself now. Making yourself cum while leaving him high and dry would be the sweetest punishment. Laying your head back onto the bed and closing your eyes, you began using your other hand to insert two fingers inside of you and stimulate your g spot by curling your fingers up while the vibration of your toy continued to hum against your clit.
You heard something, although you figured it was merely Draco once again enjoying himself too much. That was fine. If he could cum without being touched, it wasn’t as though you could prevent that. You squirmed beneath your toy, feeling heat rising in your core.
Time passed, although you weren’t sure how much. But you could now see the horizon turning a deep blue color and morning was almost upon you. And with each passing moment, you felt yourself getting closer. Your abdomen tightened and small little shocks throughout your body indicated you were now closer than ever. Easing into your climax, you cried out with ecstasy. And even though the quivers of your orgasm pulsing through your body were intense, they weren’t enough to satisfy you the way Draco’s cock did.
You wondered if he was worth quenching that thirst right now. But remembering how he could slide into you as though you were made for him, there was no second guessing. You needed him inside of you.
Slowly, you got back up and looked at Draco who was still hard, his large cock resting against his abdomen. It twitched slightly when you looked at him and your lips pulled up into half of a grin.
“Shall I go again or is it your turn?”
“I quite enjoyed the show.” Draco said.
You began walking back towards him and tossed the vibrator into the air a few times, catching it each time it fell back down. When you knelt in front of Draco again, he visibly tensed.
“I think we should try the strongest setting. What do you think?” You asked him while holding up the toy for him to see.
“I guess that would depend on what you already believe I deserve.” He let out a breathy chuckle. “I would think you’ve already made up your mind.”
“You know me so well.”
Switching the setting up to the highest vibrational speed with a fast frequency, you didn’t hesitant to trace the vibrator up his shaft and tease it around his tip. This was exactly the response you had been yearning for. Draco nearly cried out which was an accomplishment in and of itself. While his body leaned away from it, his pelvis gravitated into the touch of the vibrator. His body was communicating all green lights and his words didn’t protest.
He fucking loved it.
All you could think of now was having him inside of you. Watching him break beneath the weight of his carnal lust was so painfully arousing, you could feel your wetness traveling down your thigh. It was becoming more torture for you to refrain from having him. His legs were tensing so hard, the muscle in them was now clearly visible. He was practically shaking now.
This was all for you. Not Pansy. Not anybody. He was yours.
You angled the vibrator against his shaft and began sucking on just the tip of his cock. Again, a few subtle whimpers escaped his lips as he was attempting to control himself. You swirled your tongue around this part of him, focusing again on the area just beneath the tip where it met with the rest of his cock. He was absolutely reeling with the intoxication of you.
And just as you had hoped, you finally felt his hand close around your neck. He had worked himself out.
Knowing what was to come, you let go of the vibrator. Not a moment of hesitation and Draco had one hand wrapped around your neck and the other, tangled roughly in your hair. He began fucking your face, forcing you to gag on him as you took his full length down your throat. You wondered if this is where he would decidedly cum. Mentally, you’d prepare yourself for the warm liquid that always caught you a bit off guard.
You braced yourself on his legs, feeling him invest a lot of strength into using your mouth. He was raging with lust and that was just how you wanted him. It was difficult to get him this way, but when he was, it was all you ever wanted.
He pulled you off of his cock by your hair and smacked your face more gently than the treatment you recently subjected him to. But he knew you loved being treated this way. It just took effort to be able to get him to act upon it.
He lifted you to your feet and quickly picked you up, throwing you onto the bed. It took you a moment to gather yourself, the impact startling you. But when you did, you were feeling pain from your arousal. You needed him to fuck you. And it seemed that was what he was readying to do.
“I already warned you I would fuck you silly if I got out. So now we can see who the whore is.”
Lifting you back up, he forced you into a straddling position against him as he held you up by your ass. He didn’t hesitate to start slamming his erect cock into your pussy that was already dripping wet. Your preparation had made this part simple. It felt as though you were already gaping, ready to receive him. And just as promised, he fucked you mercilessly.
You cried his name out loudly, assuring anyone in close proximity would know Draco was pounding into you. The clapping of your thighs against him also presented loud enough to issue a noise complaint.
Holding onto him to keep yourself supported up, you bit into his shoulder to stifle your cries that only grew louder. The way he felt inside you was perfect. Your pussy fit over his cock like a glove and the slight curve of him made it so he scraped frequently against the nerve endings of your g-spot. It wouldn’t take long to make you see stars this way.
The way his strength was able to hold the full weight of your body while simultaneously fucking you meant you were now his to do with as he pleased. You were completely at his disposal. He was much stronger, taller and more agile. The only advantage you had over him previously was having him tied up. And he even managed to undo those difficult binds.
Again, he pulled you off of him and set you back down on the bed. Quickly, he removed the rest of his trousers and climbed on top of your trembling body. He placed an endearing kiss on your forehead and wiped tears away on both of your cheeks. You often cried with overstimulation and now was a perfect example.
“Now, I’m going to fill you up and I don’t ever want to hear you doubt my devotion to you ever again.” He spoke gently, seeming to mock what was to come.
“No woman in this world can hold a candle to the riches of your sweet cunt.”
“Then take it.” You taunted him through a few shallow breaths.
He flipped you over onto your stomach and angled you so that your ass was now in the air. You could hear him pump himself a few times before thrusting his cock back inside of you. Gasping out, you grabbed hold of the bed sheets and took all of him into you.
Draco loved this position because he could feel you deeper. On the seldom occasion he would cum inside of you, he preferred to be as deep as possible. Sometimes, due to his length, he would go a little too far. But he had more recently acquainted himself with a healthy medium he was able to maintain. You also felt more of every inch in this position. And because of leverage, he could move much faster and harder. This was perfect for the times either of you wanted rough sex as simple as it was.
Each thrust was mind numbingly pleasurable. Draco eventually placed his hand over your head to keep you against the mattress. The precise angle felt better for both of you. But the idea that he only did this for his own pleasure made you wetter. It was the idea of your only purpose here being to please him. You loved it.
Your core tightened when you felt that familiar sensation that indicated Draco was ready to cum. His hips tensed and jerked more upwards while his cock would start pulsating. And when you felt his warm liquid fill you up, you nearly cried with elation. It was your favorite place for him to cum. You had been on birth control for awhile and never risked pregnancy, but the thought of him claiming you in such an intimate way made you happier than words could say. You sighed out when he pulled out of you, quickly followed by his cum dripping from your cunt. Quietly, you let your body collapse onto the bed. It was a good thing this was your bed. Your roommates may not have taken kindly to all the body fluid on their sheets.
Draco laid himself down behind you and hugged you close to him, burying his nose into your shoulder. You began caressing his soft cheek with your knuckles.
“I love you. I love only you.” He whispered.
His arm moved up between your breasts so that his hand could cradle your chin. Despite his callouses, he had the most gentle touch you had ever known.
“I just hope you’re prepared to be my wife once we graduate.”
With large eyes, you gazed back onto him with a soft smile.
A loud knock on the door alerted both of you.
“Draco, lad! We know you’re in there fuckin’ the lovely birthday gal, but there’s been a bit of an accident, mate!” Theo’s voice sounded through the door. “I think someone stopped up all the toilets and it’s leaking from the pipes when anyone tries to flush!”
“It’s your fault, you prick.” Blaise could now be heard talking to Theo.
“Shut it, bell end.” Theo whispered back. “I’d really appreciate if ya could help me out, friend!”
“You better go handle that.” You joked at Draco as he rolled his eyes.
Draco started getting up and fetched his clothes with sophisticated poise.
“I don’t suppose this is over?” He asked you while pulling his boxers and trousers back on.
You shook your head with a coy grin.
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