#I want her to have a vigilante arc
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Pastry Cookie Headcanons
... Which may or may not originate from my main AU and personal interpretation of her character. Yeah, I have a tendency to do that. This contains slight spoilers for the Tower of Sweet Chaos and Cookie Odyssey.
- She views herself as aroace, but now she’s uncertain if that’s how she really feels or if it’s one of the effects of the Order’s brainwashing. She’s curious to explore her identity further, but fears potential consequences from Reverend Mother Cookie
- I feel like she wouldn’t be a big a fan of anime just because of the amount of fanservice, especially with younger-looking characters
- She wants to escape from the Order. She really does, but she’s aware that her every movement is being watched by the Shadow Sisters. She doesn’t know where they are, but she knows they’re there
- After the Tower of Sweet Chaos storyline, she started becoming haunted by the memories of those she “purged” due to being “unclean”. Some days are better than others, but it doesn’t help that the Order’s method of therapy is just praying, especially with what she now knows about the Witches
- She finds it harder to get out of bed now more than ever. She’s lost all motivation to pray and carry out her duties as a Sister of the Order, with the one thing keeping her going being the fact that her life is on the line now
- Really, she thinks of herself as more of an agnostic or atheist now, rather than someone who genuinely believes in the Order’s teachings. She doesn’t know what to believe anymore
- She desperately wants to uncover who she was before she joined the Order. She’s pretty much entirely forgotten who she was before she became a Sister, not even remembering her name, and she’s uncertain if her body is really her own
- She’s trained to be ambidextrous, but was baked right-handed
- The reason she tends to have one eye closed in her sprites is because she’s actually blind in one eye! It can either be a baking defect (this is why we don’t rebake our Cookies) or it could be the result of one of her missions
- I have two ideas for her background story. One idea is that she was an orphan from the Creme Republic who got brainwashed and indoctrinated, and the other is that she experienced something so traumatic before joining the Order that she repressed all of her memories, which is why they considered her “rebaked” as she stepped into her new life
- She sleeps on her stomach, drools, and has a very messy bedhead when she wakes up
- Her favorite color is periwinkle
- She wears a binder. Interpret that as you wish
- She has the virtues of chastity, diligence, humility, and temperance. She has the sin of wrath
- She’s very much aware of who the Cookies of Darkness are, aside from Dark Enchantress Cookie, Red Velvet Cookie, and Pomegranate Cookie. She knows who Dark Choco Cookie is, for example, and what he’s done
- ^When Dark Choco ditched the CoD and word got to the Order, she thought “Damn... maybe I can do that too”
- She would become a vigilante if given the opportunity. She doesn’t feel comfortable being in a normal Cookie society, given everything she’s been brainwashed into believing and everything she’s done, but she doesn’t feel comfortable with the Order existing either
- I can’t really see her going back to Red Velvet Cookie if she were to leave the St. Pastry Order. Not only do I feel like that would be a bad environment for her (surrounded by the Cakes she was taught and trained to slaughter, stuck in the place that traumatized her and shattered everything she thought she knew, stuck with the person she tried to kill due to those teachings and beliefs), but I also feel like Red Velvet Cookie wouldn’t trust her enough to let her stay. Which makes sense; she DID try to kill in the name of the Order, after all. How could he know if this was a trick or not?
- ^Besides, if she does leave the Order, what she needs is to discover herself and make her own choices and identity. Not become a blind follower of another Cookie/group. Plus, with all of her guilt and horror over knowing she was purging innocents the entire time, I don’t think she’d be onboard with attacking Cookies just because Dark Enchantress Cookie is going against the Witches
(Not to mention I feel like she’d be uncomfortable with how Pomegranate Cookie and Licorice Cookie both sorta hold Dark Enchantress Cookie in a god-like view, when she’s religious traumatized because of her own godly entities. She’d probably see too many parallels with the Order for her liking)
- This girl can’t cook to save her life (this will appear for a lot of characters)
- She also can’t style her hair to save her life. One of the other Sisters has to help her make her hair not look like a hot mess. But on the plus side, her hair is naturally that voluminous and very, very soft and fluffy
- She’s tall. Like, really tall. She’s actually taller than Reverend Mother Cookie
- Muscular Cookie woman. Big strong arms. Hug me
- She would be a fan of Melanie Martinez’s music and would listen to Lady Gaga’s “Bloody Mary” and “Judas”
#cookie run#cookie run kingdom#pastry cookie#cookie run headcanons#cookie run kingdom headcanons#I am ignoring her Shadow Sister costume#I want her to have a vigilante arc#And a Magic Candy#I actually give her both of those in one of my OC stories
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#LITERALLY what i thought the whole time watchin it#like we establish hes anti government distrustful of authority doesnt believe all crime is wrong is willing to operate outside the police#and not only witnesses police misconduct and injustice but him and his partner are consistently the victims of it#but then......actually hes a cop lover 🥰🥰#insane#everything abt his character means he would say acab with his whole chest#he would use his police radio to barge onto every crime scene just to yell not to say anything without a lawyer#also the way itd fit so well with like 90% of the plots to just have him work against or at least not with the police#like they usually end up doing it anyway??? @skeleton-squid-boy
yeees that's it. it's not like... listen, we watch shows that have cops in them occasionally, we enjoy a crime show, we like to see a little bit of murder being solved, w know it comes with some of this and some of that, we're adults
it's specifically this show with this protagonist, it's like the writing hits a brick wall (or the audience does, like a loony tunes hand-painted tunnel you just smack into). it's not so much a "I want this character to be xyz because that's a fave," it genuinely is a "wait i really don't think he would say that" situation
elementary is very close to being a perfect sherlock holmes show, and I will say OG sherlock holmes did work with the police at times, (but not nearly this often and with some more ambivalence towards them), but its real failure is that it's such a procedural format that it sometimes accidentally became about policing rather than detective work, which is really a sign of the times it was made in. it's chill, we know how to watch things with An Critical Lens, but it's also... that cartoon tunnel
i will say -- and this isn't news to anyone who watches elementary -- but there's such a cognitive dissonance between the episodes where sherlock and/or joan are doing things blatantly outside of the law in order to protect A Victim (for example the episode where Sherlock knows the killer is the teenage boy who was abused by his father, or when Sherlock went to see Kitty as she was considering murder and kinda went "you may not like being a murderer, have you considered acid?") and episodes that are like. super pro-cops
and yeah yeah any show related to crimes will have copaganda, it's not an indictment of anything more than what happens on a million other shows however I do think it's more whiplash in this one, because those episodes are like. "Cops. we look out for each other. Cops who narc on corrupt Cops are more the enemy than the corrupt Cops themselves. I will literally begin a harassment campaign against this civilian (Joan) for looking into whether a Cop was corrupt even though her findings cleared her. this is not A Bad Person Thing To Do. because I am A Cop. and if you try to complain about harassment I'll know you're not To Be Trusted around Cops. who put their Lives on the Line. Brothers In Arms who can never ever be questioned because of The Sacrifice. that episode where Gregson's daughter had been assaulted by her partner and she was begging him not to do anything about it, because it would tank her career." and none of this ever has real follow-through in any way, because then the show would have to be about how there are a lot of corrupt cops and even the ones who aren't are bound by an immoral system, which would defeat the point of crime-of-the-week format (although I note they could've solved this issue by just not going so hard on the weird pro-cop episodes in the first place and just left it at an ambient amount of expected copaganda)
it's an interesting insight into the tension that exists between some of what the show is sort of trying to do with Sherlock Holmes and Joan Watson as the main protagonists (acting outside The System), but someone on that writing team has the most cognitive dissonance about what that means in a show that's also about policing. maybe everyone on there.
but it introduces a whole different set of ideas than intended (if you're the kind of audience that isn't super unquestioning about police) which is, "hey this is like. really messed up. cops really think like this? that's kind of culty. anyone else think this is culty? and this is pro-policing??"
I think a different show that had a similarish remit in characters, that is "protagonist is investigating crimes but is operating outside of the system, and there are also cops" could do something with this attitude by having the protagonists go "huh. that. is messed up. get a different job if you all have PTSD? also how many people have you manhandled who were innocent, just... curious. and uh... how many internal crimes have you covered up for the Good Of The Team?"
alas, this iteration -- while certainly getting us some of the way -- will not have Sherlock sincerely questioning the American prison system. but it will have Joan challenging a cop to an Honours boxing match and winning, which sort of nudged on the above ideas so, will take it and play with it in my mind
#there's a few real specific Instances this season#i think s1 was more anti-authoritarian on the whole#and s3 has the kitty narrative#BUT s4 does have this interesting throughline with the police officer who wants to *recruit* joan to target bad guys#which is very very interesting -- because it's framing her as like. The Most Thin Blue Line hyper-paranoid it's us against them Type#but she's One Bad Apple... but her attitude about policing has been echoed to varying degrees by every cop we've seen on the show#including marcus and gregson -- whose main positive traits AS police officers is that they never go outside the law#(there are some things here and there that i will allow as Tv Suspension Of Disbelief)#but it's just. you're giving me this character who is meant to be The Worst Version Of Cop (vigilante)#but actually the good cops on your show aren't... thaaaaaaat dissimilar in the end#im watching tv#im watching elementary#i do like a lot that this character is telling joan she'll end up just like her#and joan's response is mainly to tell her to go fuck herself essentially. very enjoyable#(but it WOULD have been more powerful if joan had had an arc from trusting policing to distrusting it)#(ooooh there's a fanfic there. no TIME TO WRITE IT)#long post#elementary meta
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"And? What did you decide on?" Duke asks, fork slipping from his mouth and chewing, focused on Danny.
The boy in question hums. "Oh yeah, I'm totally joining in on the nightlife."
The statement has all of them stopping in their tracks, blatantly staring at the still eating boy.
"This will be my emo arc, daylight vigilante turned dark."
Tim snorts, Jason gives a smirk, nudging the eldest sibling next to him from his frozen state.
"Ooooh," Steph leans forward. "Have you decided? Bat or Bird?"
"New name?" Cass jumps in on the questioning with a small smile, eyes crinkling.
"Will you be joining us tonight then, danyal?" His twin speaks up for the first time during dinner, eyes narrowed and calculating.
"Yes." Is the short reply, with the way damian's lips turn down and displeasure makes itself clear, the intention of giving such a short answer has been met.
"Danny," Bruce gains the attention, leaning forward with his fingers interlocked and brows furrowed with what must be worry.
"Are you sure? I don't want you to feel pressured into this just because everyone else is—"
"I'm more than sure, B!"
The man sighs. "And I won't be able to stop you?"
"Mhm." He gives a nod.
"Okay," his shoulders sag in defeat. "Do you have everything then—?"
"Yep!"
"Even—"
"B, I'm pretty sure I got everything, you can, if in your opinion I am missing something, give it to me later!"
Danny grins, pushing himself up from the table and rounding around towards the door.
"Besides! My whole get up will be a suprise!! So stay awake folks because I'm gonna blow ya all away."
As he leaves, Steph and Duke make sounds of anticipation, curiosity eating at all of them.
(They dont know whats gonna hit 'em.)
"I'm betting 50 bucks that he's gonna be a bat."
Alfred shakes his head at the newfound excitement.
—
What an exciting night.
There is still no sight of their newest, despite oracle's teasing, having apparently already been included in the suprise.
"Well well well," a sly, yet teasing voice makes itself into the open. Catwoman, in all her glory, walks up to the group of bats and birds.
"If it isn't the bat, what's with the gloomy face?"
Batman gives her a nod. "Cat."
Her eyes roam the group and she tilts her head. "Everyone seems to be here tonight." She comments.
"We're waiting," the man shares. "Our newest decided to be more secretive about his debut."
Catwoman gives him a smug smirk. "So I have heard," a chuckle. "I've come here to introduce you to someone, truthfully."
"Oh? Who is it?" Nightwing perks up, having finally decided to join in.
"Me."
Some yelp, whip their head around and away from the lady in black, gasps and cooing (particularly from steph) fill the roof and Danny joins them.
He wears black combat boots, they're heavy just from the look, but make no sound as he jumps around. The front of the boots look like cat paws, they're reaching up to his knees.
Then comes the baggy black pants, knees protected by poleyn and his belt acting as a cats tail. The hoodie he is wearing is also black, with fingerless gloves (only the middle finger is covered) and reaching up to his neck.
Instead of a domino mask, he wears a hood with cat ears and a dark face mask. Cass claps, knowing fully well he took inspiration from her own get up.
The whole outfit is detailed with orange spots, some parts brown and others grayish.
"Meet my new mentee, Calico."
Danny, Calico, waves.
#dcxdp#dc x dp prompt#dp x dc crossover#dpxdc#dp x dc prompt#my boy becomes CAT#is it a bird? is it a bat?#NO#its a CAT#best mom selina catwoman kyle#not really shown but implied demon twins#demon twins#B: D– Calico do you have—#C: B i have the whole armor and weapons underneath my clothes#B: are you sure—#C: Yes B! im literrally a walking armory!#RH: *giving C a considering look*#Steph: WE ALL LOST#S: HE ISNT A BAT OR BIRD#S: HES A CAT#S: A ITTY BIFTY KITTY CAT#C: *looks at camera* the only reason i became a cat is because im aware that Dick probably already used all available Vird and Bat puns#fic prompt#writing prompt
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Skulker's Boring Hunt
“And now that we have located the proper biome, we are able to safely release the beast back into the wild.”
Skulker opens the cage door and turns the camera so that the virtual audience can watch as the peryton returns to the wilderness of the Ghost Zone, all the while silently bemoaning how he got here.
Ever since the existence of ghosts had become public knowledge, the Whelp had been determined to improve relations with humans. Part of that outreach effort included a handful of ghosts selected to begin ‘virtual relations’ through a process called ‘streaming’ and ‘vlogging’ so that they could ‘show the world that they weren't that different from everybody else.’
Skulker, honestly, couldn't give less of a damn about humans and what they thought of his kind. The only reason (and he very much means only reason) he had put his name on the volunteer list was for the easy access to the Living Realm and the new variety of hunts.
The Whelp, though, had put stipulations on Skulker’s ticket out of the Ghost Zone. Firstly, if he ever hunted in the Infinite Realms, he had to document and explain the animals he hunted so as to provide ‘educational value to his viewers’ or other such nonsense. Secondly, if any dangerous (non-sapient) ecto-animal was loose in the Living Realm, Skulker had to drop everything and stop its rampage. And last, and certainly least, Skulker couldn't kill anything.
Skulker had tried to reason his way out of that one, claiming that it contradicted his Obsession. The Whelp had tried to reason right back, claiming that he could still feed his Thrill of the Hunt without slaughtering something on live air. They had settled on a compromise: Skulker would run a poll with his viewers, and they would decide whether he gained a new pelt or not.
The fickle humans had, to date, always voted for catch and release.
“As this week's hunt has now concluded, it is time to decide what or who I will be hunting next week. The polls are now open.”
Skulker scrolled through his Fenton-Foley-Phone as he let his puny audience make their decisions. Ember had posted a recent picture of a restaurant in Barcelona, the latest city on her grand tour. Skulker gave it a like and looked back at the now concluding poll, a little surprised at the results.
Of the ten options given by his chat and selected by his moderators, there were a few picks that were always nominated but never won. It seemed his viewers desperately wanted to see him take on a dragon, a gorgon, a vampire, and some human named Lex Luthor. This week was no different, as all four of those options were just barely beaten by a new entry to the lineup.
“It appears that next week I will be hunting the Joker.”
Immediately, the chat exploded into chaos.
wonder_womanSIMP: pog
StardustSinger: skulker vigilante arc?? 👀
Penglow: RIP watch out for the Batman!
rock-mayo: RIGGED
golfAceVendetta: pog
OpperantParrot: LETS FUCKING GO!!!!
the_general_plum: :D
carbon-ham: D:
LizardSquid: E
egg_composition: gotham is going to chew you up and spit you out lmao
OtterCat: D:
“And once again, it’s time to decide my prey’s fate. Type one to vote kill, type two to vote spare. Voting is now open.”
That prompted another flood of responses, and Skulker returned to his phone, scowling a bit at his girlfriend’s posts. He was happy for Ember, of course he was. She was fulfilling her dream and chasing her Obsession, how could he be anything but ecstatic and proud of her success? He just missed her, though he would never admit it aloud.
Hm. Perhaps he could do a little solo hunting and send her a new pelt. Something to remind her of the Ghost Zone while she was away.
The timer went off, and Skulker dejectedly checked the results of the poll, only to do a quick double-take before smiling sharply at the results.
“Results are in. It seems this week I will be hunting, and killing, the Joker.”
The chat exploded with excitement right before Skulker started saying his outro and mentally mapping out his hunt in the coming week, unaware that at that very moment, a complication had arisen in his plan.
TheBloodSon: It appears that this may be a problem.
#dpxdc#skulker#skulker hunts the joker for sport#this has been sitting in the wip docs for over a year and i am posting it now to see if popular response will make me write more#if y'all make me write this please know it's going to be with skulker x jason x ember endgame
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POC Batfam Members Reading Guides + Starter Comics
The Batfamily has a lot of excellent POC characters, but I know comics can be hard to navigate. This list compiles the main POC Batfam members, their reading guides, and recommended runs to start out with. Not including Dick, but if you want a reading guide for him check out this one from @fantastic-nonsense (it actually covers all the Batfam members, it's a great one-stop resource!). This is not an exhaustive list by any means, so feel free to comment/add on with any additions!
Damian Wayne / Robin
The biological son of Bruce Wayne and Talia Al Ghul, Damian Wayne's character growth, complex relationships with his family, and general adorableness has endeared him to the hearts of many.
Reading list from @dailydamianwayne
Recommended starter run: Batman and Robin (2009)
Cassandra Cain / Batgirl
Raised to be an assassin, chose to become a hero. Cassandra Cain's unique abilities, stubborn personality, and amazing character journey make her one of the Batfam's most lovable characters.
Reading list from @dailycass-cain Recommended starter run: Batgirl (2000)
Duke Thomas / Signal
After his parents succumb to Joker gas and disappear, Duke Thomas throws himself into the world of vigilantism. He is beloved for his dedication to his family, unique connection to Gotham, and headstrong personality.
Reading list from @duketectivecomics
Recommended starter run: We Are Robin
Helena Bertinelli / Huntress
A child of Gotham's most powerful mafia family, Helena Bertinelli seeks vengeance after an assassin murders them. Her passion for the people she cares about, her Catholic background, and her sometimes volatile personality make her an interesting and unique beloved character.
Note: Helena was originally portrayed as White, but was retconned in Tim Seeley and Tom King's N52 Grayson run to be mixed race and/or Black. She also has an extremely messy publication history, and it's debatable whether N52/Rebirth is even the same character. She is not to be confused with Helena Wayne.
Reading list from @purpleladyofthenight
Recommended starter run: not a comic, but Justice League Unlimited's episodes "Double Date," "Grudge Match," and "Question Authority" are a great introduction. Then Huntress (1989).
Luke Fox / Batwing
The son of Wayne Enterprises CEO Lucius Fox, Luke Fox inherits the mantle of Batwing from David Zavimbe. Inducted into the Batfam during Rebirth, Luke is known and loved for his genius-level intellect, his complicated relationship with his father, and his unwavering dedication to the cause.
Reading list from @lornahs (includes David Zavimbe)
Recommended starter run: Batwing (Luke shows up in #19 onwards, but the rest is worth it too!)
Maps Mizoguchi / Robin
A student at Gotham Academy, Mia "Maps" Mizoguchi is the newest Robin on the scene! Energetic, ever-curious, and a huge Batman and Robin fan, she's a fan-favourite for a very good reason.
Reading list from @emilyarmadillo
Recommended starter run: Gotham Academy
Other characters who are Batfam adjacent include Talia Al Ghul, who I would recommend using fantastic-nonsense's reading list again, and Jace Fox, for whom you should read The Next Batman: Second Son.
POC characters are still few and far between in comics, and it's important to support the characters we already have to show DC that there is a demand for diversity. All of these characters have truly interesting stories, personalities, and character arcs, and deserve our love and support!
#batman#batfam#damian wayne#cassandra cain#duke thomas#helena bertinelli#luke fox#maps mizoguchi#reading list#comic recommendations#seriously all these characters are bangers it's insane#they deserve so much more (besides dami and even he gets shafted sometimes)#show them the support you give jason dick or tim's comics!
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some changes i would have made to the characters storylines in tua s4
disclaimer: i am no writer, it's just fun to think about the possibilities. btw anyone feel free to use any of these ideas for fics idc
lila doesn't cheat for starters. instead she and diego have both been secretly doing vigilante missions and keeping it from the other because they think they'll be mad. on one of these missions the two run into each other and rekindle their spark. basically the five and lila story but with diego and lila instead thanks. maybe one or both of them almost die or their kids are put in danger, and they decide to find a much less dangerous hobby, because while its thrilling in the moment they realize they wouldn't sacrifice their family for it
luther is shown to be much more depressed about sloanes absence (if there really is no way for her to come back) but he's trying to hold it together to be there for his family. would be nice if he bonded with characters like klaus, viktor or allison who have also lost their lovers. diego and lila shenanigans means they need luther to babysit a lot and luther finds happiness caring for his nieces and nephew. maybe he also finds a fulfilling job where he can meet a lot of people and help others.
five still finds the time subway but without lila. we get more time exploring the alternate timelines and seeing different ways the apocalypse has happened including ways the other sibs have ended the world. his PTSD and reliving his trauma is also explored. he eventually ends up in the five diner where he's told that they end the world every time but instead of excepting defeat and making everyone sacrifice themselves he finds another way (what exactly that is im not so sure) and becomes the first and only five to successfully prevent the apocalypse forever
allisons relationship with claire and ray are explored more heavily as well as everything she did in s3. i like the idea that she takes care of klaus because 1: hes the only sibling that will still talk to her and 2: because of the guilt she feels after getting him killed. i just wish her arc focused on something OTHER than saving klaus because thats basically all she did this season. would be nice if she spent more time with viktor and luther the two people she wronged most heavily in s3.
i would keep viktors confrontation with reggie but alternatively i would make this reginald umbrella reginald so it has much more weight to it. either that or have viktor express that even though he said his piece toward this reggie he will never actually get closure with their real father and nothing will remove the pain from his childhood. the rest i would keep pretty similar. reginald wants to kill ben and viktor wants to stop him at any cost. viktor knows what its like to be "the bomb" and doesn't want the same thing that happened to him to happen to ben. instead of working together to find ben however they're more in a race against eachother. maybe allison joins him and they make up on the way. i would have liked for ben and viktor to have had a heart to heart in the beginning of the season, maybe about how ben felt like a monster sometimes because of his powers, and viktor relating. idk how this would work with sparrow ben because he doesn't seem to hate his powers the same way brelly ben did but it would have been nice to show another reason why viktor is going through so much trouble to save him. and the ending where he trys to talk him down would be more impactful i think.
for klaus i would keep everything pretty much the same up until he runs into that quinn guy. instead i would have him travel to the subway with five in lilas place. five and klaus' powers are the most mind boggling out of the bunch not to mention time and death are inherently intertwined and this needed to be explored. also, you're telling me klaus literally has the power to talk to GOD and this never has any plot relevance???? klaus should have been involved in finding the solution to the apocalypse imo. also we needed klaus and ben interactions. idk how or when but it NEEDED to happen
ben and jennifer being the catalyst for the apocalypse is making it very hard for me to figure what to do with him tbh. i just wish he had more time with the other sibs and didn't turn into a horrific blob monster at the end 😭he felt less like a character this season and more like a plot device and he deserved to have some scenes that actually fleshed him out. it would have been cool if the reason he causes the apocalypse was actually because of his powers and not just because he happened to be the one to make skin contact with jennifer. i really thought that the twist was gonna be that the squid that jennifer was stuck in was the one that ben summons and that was why they were connected. not the fact that they both just had reactive magic particles in them that anyone could have set off. like what if jennifer being cut out of the squid was what killed ben?
OH! what if jennifer was an eldritch horror from the same dimension that bens tentacles are from and for some reason she wants to kill the brellys/end the world and because bens powers are linked to her she can control his mind ???? c'mon i feel like i've got something here
a have a couple of other ideas but don't know where they would fit in rn so yeah.
#the umbrella academy#tua s4#tua spoilers#tua s4 spoilers#tua season 4#umbrella academy#diego hargreeves#five hargreeves#allison hargreeves#klaus hargreeves#viktor hargreeves#luther hargreeves#ben hargreeves#lila pitts#reginald hargreeves#jennifer grossman
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Summary: Shinsou Hitoshi, a vigilante with the goal of exposing the corruption of the hero world, meets you, and that causes tornado of events that spins your life around
Pairing: Shinsou Hitoshi x black!fem!reader
Word Count: 27, 459 (i'm so sorry)
Warnings: vigilante!shinsou, stripper!reader, miruko is reader's boss, reader's followed by a man briefly in the beginning, some innuendos, reader's quirk is half and half, kind of a slow burn if you squint, mentions of shindou x reader, lot of sexual tension in the beginning between reader and shinsou, mentions of blood and injuries, reader's father is a pro hero but didn't treat her or her mother well, lots of kissing, strip tease, usage of weed, orgasms under the influence of weed, so much smut LMFAO, shinsou gets hit with an aphrodisiac (everything is consensual), groping, fingering (f), oral (f + m), multiple orgasms, overstimulation, squirting, unprotected sex, grinding, 69ing, reader has a confrontation with her father, shinsou knocks out reader's father, shinsou's really big and hairy LMFAO, little bit of an argument between shindou and reader, deku makes and appearance, bakusquad works with shinsou, canon divergent kinda (takes place after the Paranormal Liberation Arc), mentions of things being blown up, lots of angst at the end with a happy ending (*sighs* i think that's it, if I missed anything let me know!)
A/N: Another long one boys, so sorry about that. Another favorite of mine lmfao, and I was also ridiculously horny while I was writing this LMFAO, so yeah. Thank you for reading if you can make it through this long ass fic, and reblogs are greatly appreciated!
You yawn loudly as you step out of the building, shoving your hands in your jacket pockets as you walk. You finished later than you wanted, but money needs to be made, so you're leaving a little after two in the morning. The moon and streetlights allows for enough light so that you can see pretty far ahead of you. You wonder if you should hit up the convenience store on your way home for some food, and you briefly falter when you hear footsteps behind you.
You roll your eyes, wondering why this night, in particular, might be the one where you're fighting for your life. You don't let the person behind you know that you've heard them, but you need to figure out what to do quickly because you don't want to lead them to your house. It's practically a straight shot from where you work, but you don't want to risk them following you home another night.
An alley's coming up, and you hope that you can catch the person off-guard. You can hear their footsteps speed up once you make it about halfway down the alley and right as they try to break out into a sprint toward you, you quickly turn around, activating your quirk out of your hands. The force throws them against the wall, and you immediately harden it, keeping them against the wall.
You groan loudly in annoyance when you finally see who it is even though their face is just barely lit by the streetlight. "We've told you about this, Kenji," you sigh. You know this man all too well, and the fact that you've caught him again makes you sick. He has a history of harassing the women that you work with, even following them home. Mirko is very aware of his behavior, at first banning him from any private shows, but then she quickly banned him altogether.
Of course, that didn't seem to stop him, but there was only so much she could do. You've always been able to stop him, but some of your friends don't have the best luck, so they always go home together. "You know I don't mean any harm," he tries, but you don't believe his bullshit.
"I'm not fucking stupid. You're following me home, you fucking creep." You grab your phone, wondering if you should even try and call for someone to get him. Once most of them figure out what you do for work, the judgmental looks start, and they become either less willing to help or more willing for a price. It's a lose-lose, and you're about to just walk away when you hear something hit the ground right next to you.
You lift your arms up, getting ready to shoot them as well, but something's wrapped around your arms before you can even shoot. They're suddenly tied together, and you struggle against the restraints. "Relax, sweetheart. I'm not gonna hurt you."
You don't back down right away, only calming down as he slowly walks toward you. He immediately lets go of your arms, pulling the wraps back to him, and you can see they're sitting around his neck. "Can I help you?" you wonder. You can only see his eyes, his head covered with a hood and his face covered with some mask.
"It seemed like this guy was bothering you." You raise an eyebrow at him. "But you clearly have everything under control."
"So, why are you here?" you question, putting your hand on your hip. "Matter of fact, where did you come from?"
"I can take care of him for you," he says, ignoring your question as he steps toward you. You back up a little, and he's gently pushing you out of the alley. "How am I supposed to get him out of this?" You squint at him, but release the guy from the wall, the material turning into a kind of liquid.
Kenji tries to run for you, but the mystery man wraps him up before he can even get away from the wall. "Give me a second yeah?" he tells you, and he throws him over his shoulder before he scales the side of the wall, disappearing into the dark roof.
You stand there, looking at the now empty alley for a couple of seconds before you shake your head, throwing your hands up. You just want to go home. You're too tired for any of this. You continue your journey home, not even wanting to process the events that just happened until you're home in your bed.
"You're still going to try and walk home alone?" You hear the familiar voice, but it's definitely not coming from in front or behind you. You look around before you look up, seeing him crouching on the corner of the top of a building. He jumps down once you locate him, stopping in front of you, and now that you're back on the street, you can see the color of his eyes.
"I've dealt with him before, and I can handle myself." You continue walking, and he falls into step right next to you. "He'll probably be back anyway."
"You don't have to worry about him anymore."
You look over him as you walk. "And how are you so confident in that?"
"Trust me. He won't be bothering you anymore."
"You're telling me to trust a stranger?" you jest, and even though you can't see the lower half of his face, the way the skin around his eyes crinkle tells you that he's got some version of a smile on his face.
"You can trust this stranger," he counters, placing his hand on his chest.
"So, what brings you out here at this time of night, stranger?" you ask playfully.
"It's a secret," he answers, lowering his voice a little as he leans down to talk to you. "But I could be asking you the same thing," he continues as he stands straight up again.
"I'm getting off work, and don't bother asking what I do," you immediately add, not wanting to go through that conversation right now.
"Noted," he says. "Where you headed?" he asks after the both of you are silent after a while.
"Heading home." You look ahead before you look at him. "How do I know you're not a threat or something?"
"Wouldn't I have done something already if I was?"
"Maybe you're trying to see where I live, or maybe you're just trying to get my guard down," you claim, and he stops walking when you do. "And I don't trust you enough to show you where I live."
"Until next time then."
"What makes you so sure there'll be a next time?" He just gives you a shrug before he starts walking the opposite way, backtracking. You watch him until he disappears, and you shake your head again before you start walking to your apartment.
"So, he walked you home? Was he really attractive?" You shake your head as you laugh, finishing up your makeup. Amina was one of the first people you met here, and she's been your best friend ever since. You both come from a similar childhood, so it's nice to have someone that can understand what you've gone through.
"I couldn't even see his face," you say. "And he didn't walk me to my door exactly. He might've helped me, but I wasn't gonna let him see where I live."
"And what about that creep? Is he really not gonna bother us anymore?"
"Dunno," you answer with a shrug. "I guess we'll just have to see."
The night goes smoothly without any hitches, and it starts to feel monotonous after a while. You've been doing this for a couple of years, and sometimes you want to divert on a different path, but there's a part of you that likes the repetition. It gives you a sense of security that you know what you're going to do throughout the day.
Honestly, you never really had an idea of what you wanted to do when you grew up because your father already had a path made for you before you were even born. It didn't take you long to see how corrupt the hero society actually was, especially since you were at the hands of it at such an early age. Your dad didn't treat you or your mother right, and she ended up leaving once she could.
You knew that she would've taken you with her if she could, but you don't blame her for getting out of there as soon as possible. Your dad ran you into the ground with training day after day, trying to solidify your abilities to use your quirk. The entire time though, you were plotting how you were going to escape from this. Once you finally turned eighteen, you just left. You were still in contact with your mother, but you didn't tell her that you were leaving so suddenly.
She wasn't anywhere near home anymore, so there was no way she could come get you. You were couch hopping for a couple of years, some of your friends had their own places you could crash at, and you worked odd jobs here and there. But that couldn't last long, and Mirko was suddenly picking you up before you could end up on the wrong side of the street.
She gave you work and a place to call home, which took you a little bit to get used to, but the friendships you created made it so much smoother. Your dad had been looking for you for a while, but then you never heard anything from him again. With him being in the top twenty pro-heroes, you always heard about him on TV or in the news, but you didn't think twice about it. He went on pretending that you didn't exist, treating you like a mistake since you didn't become the hero that he wanted you to be.
This obviously isn't where you saw yourself, but it gives you a powerful feeling that you didn't have when you were still with your dad. And your apartment is actually a really nice set-up, and you're making money. If anything, you're glad that Mirko found you when she did, and she also goes to lengths to make sure you and your friends are protected at work as well.
Private shows are always a little unsettling especially when the person is treading the line of being weird or off-putting. With your quirk, you could try and stop a situation from escalating, but if you're not fast enough, it could do from bad to worse in a second. There are no cameras in the rooms, but you all wear a necklace that detects sudden movements or if your heart rate begins to rise suddenly, and if you can manage, there's a button on it that immediately alerts the bouncers if there's something wrong.
Sadly, all of you have had to use it on more than one occasion, but you know that you'll never see that person again and that they won't harm any of you again. You all usually get breaks for as long as you want if something like that does happen and even if it doesn't. If you just need a break, Mirko is always understanding, and you've taken them on more than one occasion, especially when you first started working.
You finish the night with ease, and you decide to shower in your dressing room before you head home. You stuff all of your tips in your bag once you're done and dressed, checking in with Mirko before you head out of the back door. "You sure you don't want me to walk you home?" Shindou asks once you step outside.
You shake your head as you chuckle. "I'm sure. I can handle myself, I promise."
"Let me know when you get home, okay?" he relents, and you give him a nod before you walk off.
The walk isn't long, but you still check your surroundings as you walk, making sure you're keeping track of everything you're hearing. It doesn't take you long to feel like you're being watched, and you finally stop walking, looking up and turning in a circle as you look in the direction of the rooftops.
Something falls behind you, and you lazily turn around. "This kinda feels like stalking," you muse, letting your head fall to the side as the mystery man walks closer to you.
"I'm just making sure nothing happens to you on the way home," he replies with an easy shrug, and you turn around to continue towards your apartment as he walks with you.
"Really? You sure you don't have any ulterior motives?"
"Even if I said I didn't, you probably still wouldn't believe me." You look over him, realizing that his shoulders are no longer covered, and it really shows you how big he is.
"What happened to your...?" you trail off, circling your finger around his neck and chest area.
"I don't need it tonight." He holds out his hands. "Wanted to show you that I really mean you no harm."
You hum, squinting a bit before you ask him another question. "So, what's your deal? You trying be like that vigilante dude or something?" He laughs loudly at that, and you can't help but smile at the sound.
"I'm actually really good friends with him. I help him out sometimes."
"Really now? So, what's he like?"
"Some people that work with him thinks he's too laid back, and kind of an asshole."
You snort. "I can't say I'm surprised. My friend would be happy though, she's always going for the assholes."
"He's got a fanbase, huh?"
"I think the mask concealing his identity is what's really doing people in."
"Does the mask do something for you?" he asks, and the both of you stop walking, turning to face each other. You hear a hint of curiosity in his voice as you look into his eyes, the only thing beside his forehead that isn't covered. You stare at him for a bit, and he doesn't look away, his gaze strong.
"I'm honestly more interested in the guy behind it."
"Yeah?" You nod quickly, biting your lip to conceal your smile before you continue walking. You giggle a bit as you look over your shoulder since he hasn't started walking and before you can even turn your head back, you can hear his footsteps gaining on you.
Neither of you pick up the conversation after that, but the silence is filled with a certain kind of tension that quickly appears. It's not too long until you reach your place, and you stop in front of your building, spinning on your heel to face him. He looks over the building before he looks down at you, pointing towards it.
"Didn't take you long to show this stranger where you live," he jests, shoving his hands in his pockets.
"Well," you hum, shrugging your shoulders. "You're defenseless this time, and I'm pretty confident I can take you."
"In a fight, or...?" You can tell he's wearing a smug smile on his face even though you can't even see it.
You him softly, a smile pulling at the corner of your lips. "What're you trying to say, stranger?" you question, stepping closer to him as you cross your arms.
"Nothing," he responds. "I'm just clarifying."
"Really?" you hum. You walk backward towards your building, and he stays right there, watching you walk towards the door. "Third floor. Three twenty-one," you tell him before you open the door. "See ya around."
You haven't seen the mystery man in a while, and you're not really surprised since you've been watching the news. No one knows a lot about the vigilante because he's so good at covering his tracks. Some people speculate that he's working with other people; you don't really care to know, but you do know that he's making the pro-heroes nervous.
His specialty is exposing the heroes that are corrupt. He's somehow able to get access to things that gives him so much power. He's stated before that he wants to show people how corrupt the hero society is, and you have nothing bad to say about that because you know how corrupt it is, and what it can do to people. You and your mother have seen it first hand.
You shake off those thoughts as you walk home. Even though you can walk home by yourself, you find yourself wondering if he'll jump down from a building or magically appear next to you. You try to tell yourself that you are not disappointed that you didn't see him. You walk into your apartment, deciding to watch your favorite show to unwind and get him off your mind.
You throw your keys on the counter before turning one of your lamps on, and you nearly scream when you see a familiar face laying in the middle of your floor. "Can I help you?" you ask, walking over to him, and your face falls when you see him holding his side. Once you get to him, you realize he's bleeding, and you're quick to crouch down to him.
"Sorry, I didn't come sooner," he tries to joke, but when he laughs, he winces.
"What the hell happened? Why didn't you go to a fucking doctor?" you ask, pulling his hand away to look at the damage.
"It's not that bad," he tells you, and at least he's right about that. You sigh when you see that it just looks like a graze that cut just a little too deep. "Got into it with someone who was not happy that their secrets were out."
"Yeah, I saw that on the news," you say as you stand to get some things to clean his wounds. "Also, if there's blood on the floor, you're cleaning it up!" you shout from the bathroom, and he winces as he sits up to shed his shirt.
"Sure thing," he answers after laying back down and closing his eyes as he listens to you rummaging in the bathroom. He slowly opens his eyes when he hears you walking back to him, and you sit down on the floor with everything you need. He winces as you clean the wound before treating it and neither of says a word. You're mostly not talking because you're trying so hard not to focus on how ripped he is. You didn't expect him to be so hairy.
Your eyes gloss over the plane of abs he has, and you try not to let your hands linger too long on his skin. He's got tattoos covering his arms, and you look over them as you clean his wounds, but you don't ask about them. When you're done, you activate your quirk, putting a little on the wound, and he lifts his head to see what you're doing.
"What's this for?"
"It'll speed up the healing process," you inform, holding your hand out to help him sit up. He groans in pain as he lifts himself up.
"A healing quirk, huh? And you asked me why I didn't go to a hospital," he muses.
"Yeah, yeah. Just keep an eye on it," you tell him before you gather everything and bring it back to the bathroom.
"So, you can heal and trap people against the wall?" he asks, referencing when you first met. You sit down on the couch, and he follows suit, leaving a cushion in between the two of you.
"Basically," you sigh. "I don't really have a term for the material that I can make, but I can harden it and loosen it as much as it wants. I just have to be careful because I can also poison people as well." You smirk when you see him tense, and a laugh bubbles out of your chest. "Don't worry. I have to have really, really bad thoughts about the person for that to happen. So, you're in the clear."
He rests his back against the couch, letting his head fall back, sighing heavily. You don't say anything, but you keep your eyes on him, having a bunch of questions running through your mind. "I know you got questions, so ask away," he says, not even opening his eyes when he speaks.
"How do you even manage to find out all of this stuff?" you ask, and a smile tugs at the corner of his lips.
"They suck at covering their tracks," he answers. "You'd be surprised at how easy is it to find out about stuff like that." You don't respond, turning your head to look at the floor. "Is there where you try to talk me out of what I'm doing?" he questions after you're silent for a bit. You look up to see that his eyes are open and his head is turned toward you.
"No," you answer, copying his position before relaxing on the couch. "Just thinking that I wish you were around a long time ago."
"One of your parents?" he asks softly, and you nod your head as you look at the ceiling.
"I'm only here because my dad couldn't be what he wanted," you whisper. "The shit he put my mom and me through," you continue sadly. "Maybe if someone was doing what you were doing, we wouldn't have been in that hellhole for as long as we were."
"Can still do it," he offers, and you can't help it when a big smile forms on your face. You look over at him to see that he's smiling with you. "Better late than never."
"Yeah," you hum. "He's a suck-ass hero anyway."
"Doesn't mean you can't rub salt in the wound."
"Maybe one day," you respond before you let the silence fall between the two of you.
"I'll put in a word to boss man," he says softly, and you chuckle as you shake your head. "What?"
"I know you're the ring leader, mystery man," you respond, looking at him. "The cliche, "I'm friends with him" bit is so predictable," you tell him lightly.
"Was wondering how long it was gonna take you," he says. "I bet nothing gets past you, huh?"
"It tears my friend up that I can see through her lies," you laugh, and he quietly copies it. You stand shortly after, pointing towards the kitchen. "You want some food? You probably need it."
He grunts when he shifts. "You don't have to do that, I'll be fine." You roll your eyes before you walk away.
"I bet the people you work with get tired of how stubborn you are."
You smile when you hear him laugh before he winces. "They might get a little annoyed."
You don't fix anything fancy, just enough for him to get his energy back. You both eat quietly, the silence welcoming for you since you went down a painful lane of memories, and he doesn't seem to mind either. You hear something in his pocket buzz once you're finishing up, and he takes the last bite of food before he rummages through his pocket as he pulls it out.
You grab your dishes taking them to the sink, and you put in the dishwasher as you hear the chair softly scrap across the floor. You turn around to see him walking towards you, and you lean against the counter as he gets into your space. "Thanks for patching me up," he tells you softly, a small pulling at the corner of his mouth.
"Of course, but maybe go see someone who's more qualified," you jab, returning the smile.
He laughs quietly. "I think you did a pretty good job, so I'll be back."
"Just for that?" you question, knowing he's catching on to what you really mean. He doesn't respond, only leaning down until he's right in front of your face. You hold your breath as your eyes search his face as his stay on your lips.
"Maybe," he whispers, and when he leans in, you follow, but just as he moves forward, he's backing away from you. It takes you a moment to collect yourself, and you have to fight the urge to roll your eyes when you see the smirk on his face. "I'll see you around," he says as he walks to your window, and you scoff softly, shaking your head as you finally roll your eyes.
You look back towards the window, expecting him to be gone, but you jump when you see that he's standing right in front of you again. You don't even have time to say anything, his lips softly touching yours in a kiss that's way too short for your liking. Just as he was there, he's gone, and you can't even register him leaving, the feeling of his lips on yours putting you in your own world.
You can't help but smile as you gently touch your lips with your fingers, and you chuckle a bit before you walk over to close the window.
You surprisingly don't have that many private shows tonight, only having two so far during your shift. You're not complaining on one hand because that means less work, but on the other hand, not as much money. You're walking out of your dressing room after fixing your makeup, getting ready to go back out when Miruko stops you in the hallway.
"I don't know who's in there, but someone paid a lot of money to see you," she tells you, and you frown softly as you stand in front of her.
"You don't know who it is?" you question.
She shakes her head. "He wanted to remain anonymous," she answers. "My bet is it's probably a hero who doesn't want his reputation tainted or something," she says with a roll of her eyes. "But if he does anything weird, you know the drill." You nod before she walks off towards her office, and you walk to the room you're supposed to be in, but you hesitate for a split second when you get to the door. You take a deep breath before you open the door, already starting to get into character.
You freeze when you close the door, seeing a familiar face sitting in the chair in the middle of the room. "What are you doing here?" you ask as you walk towards the one and only.
He shrugs as he leans back in the chair, his eyes heated as they look over your body. You slow your steps as you get closer to him, realizing that this is the most skin he's seen of you. "Dunno. Somehow just ended up here," he replies lazily, his focus on something else. He leans forward to try and touch you, but you stop him, softly wrapping your hands around his wrists.
"No touching," you tell him playfully, and he smirks as relaxes his arms a bit, and you let his arms go so you can turn on the music. When you turn around, his eyes are only focused on you, and you usually play it up a little bit more to get more tips, but you feel like you don't need to do that.
You walk slowly towards him, running your hands over your body once the music starts. He's leaning back in the chair again, and you sway your hips, letting your arms rest over his shoulders as you bend at the waist. He keeps his eyes on yours as you slide your arms over his shoulders, stepping closer to him until your lips almost touch.
You slowly work your way behind him, letting your arms slide down his torso, and you rub your hands over it, feeling his muscles through his shirt. "Y'know, I paid a lot of money to see you," he tells you quietly. His voice is barely audible over the music, and the only reason you were able to hear him is because of how close you are.
"I heard," you hum, letting your tongue gently run down his ear, and your smile widens when you feel him shudder just a bit against your arms. He turns to face you, and it takes everything in you to not lean in by just a hair and kiss him. You don't move, and when he starts to lean in, you quickly move away from him, pulling away from him entirely.
You bite your lip to hide your smile when it looks like he's frozen for a bit, and you walk back in front of him again. He follows you, and you turn around, rolling your hips in a way that makes your ass move. Your fingers slide in between your skin and the tiny shorts you're wearing, and you slowly start to pull them down, holding them as you slide them down your legs, revealing the clear thong you're wearing.
You bend over until they're at your feet, and you turn to the side slightly so you can look at him. His eyes barely cut to yours, focusing on your lower half. You slowly stand up straight, kicking them to the side before you carefully walk backward until you're right in front of him.
You bend over again, moving your hips side to side, and you nearly jump out of your skin when you feel his hands on your ass. You let them linger for longer than you should, but there's no part of you that doesn't want his hands off your skin. You grab his hands before you sit down on him, and you can't stop the gasp that comes out of you when you feel his bulge on your ass.
"No touching, remember?" you scold softly as you lean back against him, but he ignores you, running his hands over your tits before they travel down to your legs. He rubs over your thighs, and when you spread your legs just a bit, he moves them inside, closer to your center, and there's no way to ignore the throbbing that's happening in between your legs.
You're standing up again, but this time, you straddle his lap facing him. His hands run over your ass, and you push your chest into him. "What's a guy gotta do to get all this off?" he asks quietly, and you smile as you roll your hips to the rhythm of the music.
"Buy me whatever I want," you joke, and his slides his fingers under the strap of your thong. He starts to roll your hips for you, and you can't think when he grinds you right into his dick, and you bite your lip to try and fight the moan that was building up in your throat.
In your hazy state, you can feel one of his hands leave you, and you try to see what he's doing, but his lips suddenly touch your skin, and you melt into him even more. You let your head fall back to give him better access, and the soft kisses he plants over your neck is enough to drive you insane.
He says something against your skin, and even though it's muffled, you can tell that he's saying numbers. "What?" you breathe, and you let your head fall back to his level when he pulls away.
He repeats the numbers again as he slides his card into your bra. "Buy whatever you want," he tells you, and his hands slide up your back, on a mission to unhook your bra, but you're quick to stop him.
"Now, wouldn't this take all the fun outta this?" you tease, and he pushes you closer to him even though there's barely any space left in between you and him.
"What I have in mind is a lot more fun than this," he says against your lips, and then the music stops, so the only thing you can hear is how heavy the both of you are breathing.
"Really? Why don't you take me home then?" you question, and your fingers dig into his shoulders when he picks you before you've barely gotten your sentence out. He starts toward the door, and you're quick to slide out of his arms, opening the door and peeking your head out.
You check to make sure the coast is clear before you grab his hand and quickly make your way to your dressing room. "Wait outside for me," you tell him. "Use the back door," you add before you make your way inside, shutting the door softly.
He was the last person for your shift, so you're quick to put on your clothes and check in with Miruko before you make your way out of the back door. When you walk outside, you don't see him, and Shindou comes into view.
"You're leaving already?" he asks, and you nod as you start to walk away.
"Yeah, I'm done for tonight. I'll see you later." He tries to say something, but you're already walking away, wondering where the hell he went.
You're nearly at home, and you still haven't seen him yet. "You look eager." You turn around at the sound of his voice, and his eyes still look as hungry as they did at the club.
"And you aren't?" you bite back, and you start walking towards your building with him in tow. It's when you make it to your door that things don't go as planned. You both freeze when you hear that familiar buzz in his pocket, and the swear he releases is loud enough to echo in the quiet, empty hallway. You visibly deflate, neither of you saying a word, and you slide his card out from your bra.
"Keep it," he says when you try to hand it back to him.
"No," you respond, pressing into his chest. "You come back after you've bought me something." He smirks, grabbing your wrist as he crowds you against the door. He wraps his arms around you as he kisses you deeply, and you're glad that he's holding you because you're sure that you would've fallen because of weak your knees become.
You moan when he slides his tongue into your mouth, claiming every inch of your mouth as his. You wrap around arms around him when you hear the buzzing again. He groans against your mouth, giving you one last long kiss before he pulls away. Your breathing is heavy, and you know that your lips are swollen just like his.
"I'll be back." And you know that's a promise.
~
For some reason, you're still wired even though you swore you were tired when you were getting off work. You haven't seen mystery man in a while, and you're disappointed to say the least. You were so close to getting laid after the tension and been built up, and then the chance was ripped away from you in a second.
You try your best to shrug it off as you change into some comfortable clothes and fuzzy socks since it is pretty chilly outside and you're still a little cold. You don't have to work the next day, and you look at the clock on your stove to see that it's only one in the morning. You get off earlier than usual, and you don't have to go to work later in the night.
The first thing that comes to mind is weed. It'll definitely put you to sleep, so you decide to cook something because you get terrible munchies when you get high. You turn on some music, connecting to your phone to your speaker and playing it on a low volume.
You hum and swing your hips to music softly as you start cooking, completely engrossed in your own world. You're in the middle of stirring your pasta when something rasps at your window. You scream as you turn towards the window, jumping in place. You catch yourself on the counter as your eyes land on a familiar face, and he's sans mask this time, so you can see that he's laughing at you.
You groan loudly as you walk towards the window, unlocking it before sliding it open. "How ya doin', princess?"
"You are the worst," you sigh, stepping to the side to let him in. You walk back to the stove as you hear him step inside and close the window.
"You always scare that easily?" he teases, and you roll your eyes, but you can't help but smile.
"Of course, I don't. I'm in my comfort zone, in my own world right now, and you come out of nowhere."
"You weren't expecting me to show up?" he questions, sitting down at your island, and you don't answer right away because you don't know how to. Because not walking home with him kind of sucked, and you were disappointed to say the least. "You upset about me not walking with you tonight?" You wonder if his quirk has something to do with mind reading, and you tense a bit when you hear his words. "I'm sorry, baby, I got caught up with some shit."
"It's no big deal," you shrug. "You had stuff to do."
"I'll make it up to you." You've been looking at the pasta you've continued stirring, glancing at the clock to see how much time has passed since you starting cooking it. You haven't looked at him since he's sat down, and all you do is hum in response to his words. "Whatcha making?"
"Chicken alfredo." You grab a noodle out of the water, blowing on it to cool it off before you try it to see if it's soft enough. "I'm gonna smoke, and I get really bad munchies. Just preparing for the future." The pasta is to your liking, so you grab your oven mitts so you can move the pot off the eye before you start prepping to cook the chicken.
It already comes in the package, but sometimes you have to doctor it up a bit, and you set a pan on the eye, spraying it before putting your chicken in it. You strain your pasta water, shaking it just a bit to make sure the majority of the water is out. "Is this what you always wear when you're home?" he asks lowly, and your movements slow a bit as you realize that you're not really wearing anything.
You have your apartment pretty warm right now since your cooking, so you're completely comfortable in your thin camisole and shorts that barely cover your ass. As you move the pasta back to the stove, you don't even have to look at him to know that's starting hard at you. "I like to be comfortable," you chuckle with a shrug. All he does is hum, and you feel yourself growing warm, but you continue to focus on finishing your food.
You grab the alfredo sauce from the fridge as you try to keep yourself calm. As you start to finish up, your thoughts drift to how long it's been since you've had sex. Really good sex. And it's been more than a while, and it would honestly be the icing on the cake right now after what happened that night. He stays quiet, but the tension in your apartment has changed and both of you know it.
You turn the oven on so your food can stay warm, and you know it won't be long until you're chowing down on it. You finally turn around to face him, and you can't control the inappropriate thoughts that fill your head as you look over him. His arms are resting on the island, and you don't remember them being that big. You stay silent as you walk towards your nightstand where you keep everything you're going to need.
"You staying?" you ask, holding up the remaining weed you have. He wordlessly answers as he stands up and walks towards you. He walks past you, and his scent alone is enough to make your knees weak. You're quick to stop him though when it looks like he's about to get on your bed. "You're insane if you think I'm gonna let you on my bed in those clothes," you say, pointing at what he's wearing.
You don't care how it sounds, but you will not let any dirt get onto your bed. He just smiles at you, and you turn around so that you can figure out if you have enough for two blunts or just one fat one. It looks like you're just gonna have to fit it in one, and when you're done rolling it, you turn around to see him laying against your headboard in nothing but his underwear.
He has his arms resting behind his head, and the sight stops you in your tracks. "What's wrong?" he asks, a big smirk on his face at your reaction. You ignore his jab, slowly getting on the bed on your knees. You copy his position, getting comfortable before you light the blunt. His eyes are on you as you take a hit before offering it to him. The music is the only thing filtering through the apartment as you start to relax and let the weed fill your system.
You eventually turn your head to the side as it starts to swim, and you're able to catch him blowing out the smoke. You definitely can't stop yourself from looking over him now that you're under the influence, and your eyes start from his neck and make their way down.
You still can't get over how hairy he is, and how he seems to be covered in it everywhere. His arms, his legs, his chest is just covered in dark hair. And you thought he was big in height. You honestly want nothing more than to run your hands over his body, seeing how small your hands are compared to him. Your eyes continue down, and you can feel arousal wetting your shorts when you can see what's in between his legs.
"My eyes are up here, sweet thing." Your eyes are slow to finally meet his, and you see that he's holding the blunt your way. You carefully take it from him before taking a long drag, both of you holding eye contact as you do. You shift a bit until your shoulder touches his arm and goosebumps immediately cover your skin.
You turn a bit towards him, and it seems like he knows what you're thinking, so he does the same. He's practically kissing you when you blow the smoke out, into his mouth, and you only focus on his body breathing it in. You feel a little lightheaded, and you think it's because you stopped breathing for a second. He inhales the smoke deeply before turning away from you to blow it out.
You're mesmerized, barely registering when he turns back to look at you. You forgot how horny weed makes you, and you're practically soaking your shorts right now. You don't know if you want to make a move or not, but as you both finish the blunt off, the tension only gets thicker. He lets you take the last hit, and you stamp the blunt out in your ash tray.
You haven't thought about eating because all you're focused on is him. "Are you ever gonna tell me your name?" you ask. "In my head, you're just mystery guy." He smiles softly at you when you giggle a bit. He hums quietly before he reaches for your leg furthest from him.
You frown a bit at his movements, but you don't fight against them, letting him move you until you're his lap. When you let your weight rest on him, you suddenly feel how hard he is, and you wonder how in the hell you missed that. You can't help but moan when you feel him throbbing against your core, and you don't know how you're going to focus on anything else.
You let your hands rest on his shoulders as his rest on your waist before they move to softly squeeze your ass. "Shinsou." He's watching you carefully, and you're about to respond to him but he grabs your ass again, pulling your shorts up higher to expose more of your skin. He grabs your ass again, this time spreading you open, and you gasp softly as you have a hard time keeping your eyes open.
"Is that all you're gonna give me?" you manage to ask even though you're so turned on right now it's starting to hurt.
"Maybe," he whispers, and you don't really think you'd care right about finding out the answer because his hands rubbing over you feel too good right now. He rolls your body towards him, effectively grinding you against him, and you gaze falls to his chest as another soft moan falls from you.
You can't help but let your hands slide down his shoulders and to his chest, rubbing over his skin just like you thought about doing earlier. Your hands follow the curve of his muscles, and you keep going until you reach his happy trail which you desperately want to keep following.
"Hitoshi."
"What?" you mumble, still zeroed in on his chest, and you can feel the vibrations of his chest when he talks.
"Shinsou Hitoshi is my full name," he answers, and you smile as you look up at him, finally happy to put a name to his face. You let yourself fall forward a bit as you wrap your arms around his neck, arching into him.
"I like the sound of that," you respond, your face inches from his.
"Sound even better if you're moaning it," he replies quickly, and you don't hesitate with your response.
"Well, you know how to make that happen." He hums at your words, and he's suddenly flipping you over, and the quick movement combined with the weed make your head spin. When it finally stops, your eyes focus on him above you.
"You still with me?" he asks you softly as he sets his legs on either side of yours. You nod quickly, softly grabbing his shoulders to pull him down to you. He easily moves, planting his lips on your for another hungry kiss that you can't seem to get enough of. You know that you're already soaking the fabric of your shorts, and kissing him only makes you even more wet.
You guide his hands to your body, and he quickly follows through, running his hands under your tank top, and you arch into his touch. His fingers feel like they're burning a path into your skin, and you can feel yourself starting to get warmer. You spread your legs as far as you can when he starts to move down towards your shorts, and you lift your hips so that he can pull them off with ease.
He pulls away to look in between your legs, and he groans quietly. "All of this for me?" he asks as he throws your shorts to the side. You go to answer, but it's replaced with a soft moan when he runs his fingers through your folds. He grabs one of your legs, pushing it towards your chest as he rubs over your clit.
You move into his touch, shamelessly getting louder the more he touches you. "Come on, Shinsou," you sigh impatiently even though you feel like a few more circles of his fingers could have you cumming in an instant. He doesn't wait to slide his fingers into you, and your hands grip your sheets as he slowly makes his way in.
"God, baby, you're so tight," he whispers, watching his fingers move. They glisten in the moonlight coming in through the window every single time he slides them out, and he can feel his mouth watering the more he watches. "You always this wet?"
"Only for you," you reply, the smile you have on your face slowly disappearing when he starts to rub your clit with his thumb. He speeds his fingers up, and you moan louder when he finally finds that spot inside of you. He zones in on it instantly, pressing it every single time he goes back in, curling his fingers in a delicious way that has your eyes crossing.
He grabs your ankles in one hand, pushing your legs up towards your body when you start moving too much for his liking, and you suddenly find yourself trapped between the bed and his fingers. "'T-Toshi," you whine, and he groans loudly as you continue to repeat his name like a mantra. He's the only thing you can think about as your mind starts to go dumb.
Even if you're able to move your hips a little bit, he follows you no matter where you move. The squelching of his fingers moving in and out of you is audible in the room, and your legs start to shake when you feel your orgasm start to rush up on you. "I can feel you, princess," he tells you. "Lemme feel you cum around my fingers," he orders softly, and one more press of his fingers on your clit and inside of you is what sends you over.
You breathe his name as you cum, soaking his arm and the sheets underneath you. Your legs tremble in his hold as he fucks you through your high, and you squirm when the overstimulation starts to sting your nerves. He slows his fingers down, but he doesn't stop, his eyes watching how you try and fail to move away from his fingers. He finally stops after what seems like forever, and your chest heaves when he puts your legs down as he slides his fingers out of you and into his mouth.
He moans as your taste hits his tongue, and he makes sure to get every drop before he slides them out of his mouth. Even though your head is spinning from your orgasm and the weed, you know for a fact that you want all of him, and your eyes slide down in between his legs, and you can see how hard he is through his underwear.
His phone buzzes suddenly, but he ignores it, spreading your legs as he looks at your cum smeared all over your legs, but then his phone rings. He growls loudly as he gets off the bed, snatching his pants off of the floor, and he takes his phone out of his pocket.
"Shit!" he whispers.
"You have to go?" you mumble, and he slides his pants on before he grabs his shirt.
"I'm sorry, angel," he tells you after he walks to the side of the bed that you're on. He kisses you deeply, and in your influenced state, you follow after him when he pulls away. "It's an emergency. You gonna be okay?" He stays in front of you, making sure that you're okay.
You nod softly, and he turns around like he's looking for something. You're starting to feel tired, your eyelids feeling heavy, and they open when you feel something in between your legs. You look to see him gently cleaning you up, and he moves the blankets, covering you with them.
"I'll fuck you real good next time," he says against your lips, giving you another long kiss before he makes his leave. You smile at his words, listening to him make his way out of your window before you let sleep take over.
When you wake up in the morning, you sit up, upset that he had to leave, but it doesn't last long because you got a really good orgasm while he was here. You didn't get a chance to eat your food last night, and you walk down to your kitchen to see the oven's been turned off. You notice a bunch of stuff on your island, and you frown as you walk over to it.
You see a note on one of the boxes, and you pick it up to read it.
Noticed all the art on the walls, so I figured this would be good enough
Every box that you open has expensive art supplies in it, and even art pieces that are going for six figures. You scoff as you look over everything, and you happen to flip the note over.
I expect you to hold up your end of the deal ;)
You stir awake, and a chill immediately runs up your spine. You're very much awake now as your body goes on full alert mode, and you move carefully, slowing rolling over onto your side. You're confident someone is in your apartment right now, and you can see that it's about two in the morning.
"You awake, baby?"
You recognize the voice instantly, and you sigh heavily as you sit up. Even though you know it's Hitoshi, you still jump when you see him standing at the foot of your bed. "What the fuck, 'Toshi. You scared the hell outta me." He doesn't move, and you slide out of bed, crossing your arms over your chest when the cold air hits your skin. It's pretty dark in your apartment, so the only light on his face is from the moonlight coming in from your window.
"You okay?" you ask softly, your brows softly furrowing in concern when he doesn't say anything. You notice that the look in his eyes is darker than it usually is, and at first you're wondering what could've happened, but then you remember where you've seen that look before.
"I got hit...with something," he mumbles, and then he starts to walk toward you, and you keep walking until your back hits the wall. "I dunno what."
"Okay," you say quietly. "Why didn't you go to a doctor or something?" You don't know why you're asking. He could be on the verge of death, and he'd still come to you to heal him.
"I don't think I need one." He rests his head against yours as his hands rub over your body.
"How are you feeling?" you whisper, making no move to stop him since you have an idea of what's going on.
"Feel really warm," he answers, and that's very much obvious when you touch his face. "And...tingly?" You chuckle a bit, and he smiles when you do but it doesn't last long as he lets his body press into yours. "And I'm fucking hard." You gasp when you feel it, and he moves his head down so he can start kissing your neck.
"I think you were hit with an aphrodisiac," you say even though both of you know that very well.
"Mmh, what should I do?" he asks against your skin as his hands slide around your body to grope at your ass.
"You can wait until it wears off," you breathe, your legs going weak as he starts to suck marks into your skin.
"Yeah, I'd rather just fuck your brains out." He's quick to pick you up in his arms after that, finally meeting your lips in a heated kiss that has you dripping. He makes the short walk to your bed, getting on it on his knees before he lays you down. You wrap your arms around his neck so that he can keep kissing you, but his hands aren't touching you anymore.
"You want this too, right?" You can barely hear him over your heartbeat in your ears, and he softly grabs your face with his hand, causing you to focus on him. "You gotta answer, baby, I don't have much time."
"Yes, 'Toshi. I want you, c'mon," you answer, pulling on his shoulders, and your consent causes his last string to snap. He's got your clothes off in a second, and then your thighs are suddenly by your ears. You jump as he puts his mouth on you instantly, and your hands grab into his hair as you prepare yourself to hold on for the craziest ride of your life.
He moves one of his hands to your ankles so that he can keep your legs out of the way as he slowly slides his fingers inside of you. His tongue works at your clit as his fingers press at the most sensitive spot in your walls, causing your moans to grow louder. "F-Fuck, Shin," you mewl, your breathing heavily now, and your stomach is starting to burn because you can't breath freely with your legs pinned to your upper half.
He only groans in response into your folds as he works you closer and closer to your orgasm. Your back arches as the pleasure starts to build up in the pit of your stomach, and shakily warn him of what's to come. If he heard you, he doesn't respond, only continuing his ministrations, and you swear he tries to reach deeper in to you, the squelching of his fingers moving in and out of you rivaling your noises.
When you start to squirm, he moves with you, not letting up for a second. "T-Toshi--!" Your soft shout tapers off into a gasp as you cum, and his mouth never leaves you as you squirt on his face. He makes sure none of it goes to waste as you try and fail to push him away from you to give you a breather. He sits himself up as he finger fucks you through your high, but he doesn't stop, and you try to grab onto his wrist.
"C'mon," you huff, tears forming in your eyes as you screw them shut from the overstimulation. He smiles down at you before letting go of your legs so he can lean down and kiss you, allowing you to taste yourself on his tongue, but he's still fingering you. You can barely kiss him back, whining into his mouth.
When he finally pulls his fingers out of you, it feels like you can breathe again. Your chest heaves as you try to catch your breath, peeling your eyes open to watch him clean his fingers off by sliding them in his mouth. "God, you taste so good," he moans, savoring your taste before he kisses you again.
He slides his hand around your neck as he kisses you sloppily, sucking on your tongue before he pulls back with your bottom lip between his teeth. He starts to move himself up, taking you with him, and when he gets off the bed and stands, you realize that you're completely naked while he's still fully clothed.
You lean back, letting your hands hold your weight behind you as you spread your still shaking legs, grimacing a bit at the oversensitivity. You can't help but lock onto the massive bulge in his sweats, and he unties the string and shows himself before you can even say anything. Your mouth nearly drops open at how big he is, your mouth starting to water just from looking at it. It's so thick that it's hanging there even though he's rock hard, and you tilt your head to the side as you admire the thick veins that run from the base to the dark red tip.
"I wasn't sure if I wanted to have you suck me off or fuck your tits, but it looks like you've already decided," he comments, and you look up at him through your lashes before you get on your knees, moving closer until he's right in your face. The tip is shiny and dripping with pre, and you lick your lips before bringing your hand up to touch him. He hisses when you do, gritting his teeth a bit. "Fuck, it hurts," he groans quietly, and you waste no time licking over his tip with your tongue flat, the saltiness hitting your tastebuds.
Shinsou moans softly, his body seeming to be ridiculously sensitive, that he's pretty confident he won't last long. He looks down to watch you spit on his dick, stroking him to make him even wetter. You try to take him down your throat, but you can't, only getting about halfway before your throat starts to close up. He swears loudly, letting his hand rest on top of your head as he tries his hardest not to move.
You pull off of him, stroking him again as you suck at his balls, and you smirk when you physically see his legs give a little. You make sure to show each one enough attention, swirling your tongue around them before you focus on his dick again. You place your hands on the bed, steadying yourself so that you can shake your ass just a bit while you suck him off, and he moans as he zones in on the movement.
His balls twitch in warning of his orgasm, and he holds onto the back of your neck before he starts thrusting in and out of your mouth. It causes you to gag, and his eyes roll as your throat closes around his dick. "Jesus," he sighs, letting his head fall forward so he can watch you take it. He knows for sure that he'd be able to see his dick print moving in your throat, and that thought is what sends him over the edge, pulling you off of him so he can cum all over your face.
You open your mouth to catch his release as he pumps himself until his skin starts to tingle from the oversensitivity. You swallow what lands in your mouth before wiping the rest of off your face with your finger and sliding it in your mouth. "Shit," he huffs, and you notice he's still hard, so you know he's nowhere near satisfied.
You haven't had much experience with aphrodisiacs, but you do know that they are intensely strong, and your pussy throbs at the thought of more to come. He sheds his shirt before he pulls you up to him so he can taste himself when his lips meet yours. You feel his fingers glide through your folds before they rub over your clit, and your nails dig into his shoulders as you feel yourself getting wetter once again.
You easily fall back when he moves, and he's on you again in a second, lifting his hips a bit so that he can line himself up. He makes you spread and hold your legs by your knees so he has room, and your toes curl in anticipation. He rubs at your clit before slapping it with his tip which makes you jump. "Hurry up, 'Toshi," you whine, and he doesn't waste another second. Your mouth drops at the stretch you start to feel, and he continues to rub at your sensitive bud as he slides in.
"Fuck, baby," he moans, "you're squeezing me so good." You've never felt a better stretch when he finally bottoms out, and you let your head fall back onto the bed as you feel yourself fluttering around him. You honestly don't know how he's holding out so well, but you appreciate the short grace period you're not sure you'll get again.
You give him the okay to move, and he pushes your legs down further than he did when he was eating you out. Your voice gets caught in your throat as he slams back into you with so much force that your headboard knocks against the wall. It doesn't take long for him to find that magic spot inside of you, and when he does, you're practically rendered speechless.
Your eyes continue to roll into the back of your head as you can only think about moaning his name. You try to grab any part of him you can as you hold on, the air feeling like it leaves your lungs every time he thrusts into you. "T-Toshi--f-fuck," you cry, tears forming in your eyes again. "O-Oh...my God--!" Your words are chopped up with every thrust, and he can feel how close you are because you're squeezing him tighter than before.
"'M'cumming--ah--!" Your nails dig into his skin as you cum, coating the both of you in your release as he struggles to stay inside of you as your pussy tries to push him out. He changes the angle of you hips as he throws his back, and the tears from your eyes keep coming.
"Ah, shit," he groans. "You're such a good girl for me, angel. Taking me so fucking well," he continues as he lets his forehead rest against yours, and you can feel his hips twitch before he fills you up, a loud groan following as he fucks his cum into you. When he finally slows and lets go of your legs, they flop onto the bed as it feels like your heart is going to be out of your chest. "That's some good shit," he mumbles, his breath fanning against your face.
He's still hard inside of you, feeling him pulsing inside of you, and you think he might give you a bit of a break, but then he's suddenly sitting up and taking you with him. You bite your lip to conceal your moan of surprise as his the tip of his dick sits snuggly at your cervix. You wrap your arms around his neck as he kisses you deeply as he carefully moves inside of you with shallow curls of his hips.
Your face scrunches up in pleasure as your spine tingles with overstimulation, and he watches you intently as he holds you close to him. He's hitting that spot inside of you so good while barely moving his hips, and all you can do is take it.
"'Toshi," you whine, your nails digging into his shoulders, and all he does is smile in response before your toes curl. You don't even have the leverage to move away from him, and you sigh heavily when he finally pulls you off of him.
He carefully lays you down before he flips you over, propping you up on your knees. You try to catch your breath as he runs his hands over your ass. You moan softly when he runs his fingers through your folds, and you jump when he gently pinches your clit.
He takes his dick in his hand, smacking it against yours as as he continues to play with your clit. "You ready for me again?" he whispers, and you nod your head, looking at him over your shoulder.
He pushes on your back, forming it into a deeper arch. "Spread 'em, baby." You move your hands back, spreading yourself open for him, and the sound it makes due to how wet you are is close to making you flush.
You feel him rub over your back as he slides into you, and he holds your back when you try to move away from him. "You got it, angel, just take it," he coos quietly, and your mouth falls open as he fills you up again.
"Oh, my God," you breathe as you let your face fall into your pillow. He gives you a shallow thrust that has you gasping, and you put your hands back on the bed to brace yourself. He's so big, you don't know if you'll be able to walk after all of this.
You push back against him to silently tell him you're ready, and you hold your breath in anticipation when he slides out of you. You cry out when he slams back into you again, your fingers gripping your pillow as your eyes roll back in your head.
He's ruthless, ramming into your sweet spot so well that words aren't even forming in your head. Hitoshi grabs the headboard with one hand as he keeps his hand on your back, and you can hear him swearing softly as he fucks you.
Tears dot your lashing as you squeeze your eyes shut, taking him all, and you moan when his hand slaps your ass hard. You say his name like a mantra, feeling your orgasm building up in your tummy. Despite that, you're still trying to move away, trying to find his arm to stop him.
He suddenly moves both of his hands to your wrists, pinning them to the bed as he rests his top half on your back. "Don't run," he whispers, and you swear you can hear a smirk around his words. He speeds his hips up, and you're trapped by him and your own pleasure, and you call out his name as you start to cum.
His hips slap against yours, and he groans in your ear as he cums right after you, filling you up again. Your nerves tingle with sensitivity, whining as he keeps fucking you while he rides out his high. When he stops, you can feel that he's still hard, and when he finally slides out of, your lower body collapses onto the bed.
You're breathing so hard, and you can barely move your legs. You hear Shinsou shift behind you, and you whine quietly when he rolls your over. He sits back against the headboard before moving you onto him, and he pulls you into a sloppy kiss as soon as you sit on him.
Your makeout is audible in the room, and you moan into the kiss, wondering if it's possible if the aphrodisiac can be transferred because you feel dizzy just from this alone. He starts kissing over your face before he kisses down your neck as his hands run down your back and to your butt.
"Wanna give you a break," he mumbles against your skin before he gently sinks his teeth into it. "But you're making it so hard," he groans, and you let your head fall back as he continues to mark your skin.
You start to roll your hips causing him to moan, and his fingers dig into your ass. You can't keep it up for long, but he immediately takes over, rubbing you over him. It feels good for you too, but it isn't as overwhelming, so you let him use you, reveling in the sounds he's making.
He thrusts up into you, and you hold on to him as you take your turn to put marks on his skin. "Fuck, 'm so close," he grunts, his hips lifting up to meet you so hard that it nearly sends your head into the headboard.
He says your name right before he cums, and he bits down on your shoulder, holding you tight in his arms until he relaxes again. You pull away when his grip loosens, and you look down to see the mess that he's made.
"God, why am I still hard?" he groans when he looks down with you.
You giggle softly. "You feel a little better though, right?" you ask him gently, moving some of his hair that's stuck to his forehead.
"Yeah," he sighs with a short nod. He watches you move backwards until you're between his legs, and he spreads them to give you room, knowing what you're going to do.
He watches you with dark eyes as you clean up the mess he's made, and he moans when you finally lick over his dick. You arch your back, sticking your ass up as you take him into your mouth, and his head rests against the headboard as his eyes roll.
You keep your eyes on his as you take all of him, moving your tongue so you can lick at his balls, and his hips jump softly at the sensation. You keep your lips tight around his dick as you pull off, swirling your tongue around his tip before you dip into his slit.
"S-Shit," he moans. "Fuck. C'mere," he groans, and you pull off of him, wondering what he's talking about. He softly pulls you up by your arms, and you shuffle closer to him on your knees. You let him turn you around, and he slides down on the bed until his face is right in front of your pussy.
"Toshi, this is about you--!" you try, but he's already put his mouth on you, his tongue nailing your sensitive bud.
"Then let me taste you again," he says against you, and you don't have it in you to fight him. You can't even move away from him, his grip on you so strong, you're confident there'll be bruises. "Keep sucking me off, angel."
You moan as he eats you out, but you put him back in your mouth, focusing your mouth on his tip as you use your hand on the rest of him. You can't keep it up for long as your concentration is split, and you can feel your legs trembling.
Shinsou suddenly grabs your hips, pulling you down until you're sitting on his face, and you sigh at the relief you feel once your legs are relaxed. "W-Wait, Toshi, you can't breathe," you moan, and he responds with a slap to your ass.
You hear him say something against you, but you can't hear him, moving your hips against his face as you feel yourself getting close. You swirl your tongue around him again, the only thing you can manage since your mouth is stuck open as you moan his name while you wrap your hand around him.
You cum not too long after, your body tensing as that knot snaps before you ride out the high. He cums right after you, a loud groan muffled by you as he paints himself and your hand white.
You fall over, getting off of him as soon as you can move so that he can breathe, and he's already on you again. He kisses you hard, allowing you to taste yourself on his tongue, and you moan when he rubs his fingers through your soaking folds.
"You better call outta work," he says against your lips.
Yeah, you probably should.
~
You've never been more grateful that Miruko is understanding and let you take the night off on such short notice. When you wake up, Shinsou is snoring loudly next to you, but you couldn't even tell because you were drained yourself. You try to roll over and everything pulls painfully as soreness blooms between your legs. "Good lord," you hiss softly as you try to sit up. Shinsou barely stirs, and you slowly reach for your phone so that you can order some food.
You weren't sure how long the effects of the quirk would last, but five hours was definitely not what you were expecting. He tried to give you breaks every and now and then, letting you tap out when it was too much for you, but it wasn't long before he was in between your legs again. He just couldn't get enough of you, and you honestly want to know what kind of aphrodisiac it was and lock that person up.
After the last round, the last thing you remember is Shinsou pulling out of you and laying you down. He must've fallen asleep right after you did, but now it's about to be late in the evening. Even though you've slept the day away, you still feel like you could sleep for another day. It'll take a while for the food to get here since you ordered enough to feed a small family, possibly more. Once you confirm the order, you flop right back into bed, letting sleep take over again.
You try your hardest to get to the door when you hear the knock because you just woke up, and you don't know how long they've been knocking. You're not surprised when Shinsou doesn't stir, and you wrap yourself in your robe before limping to the door. God, you're going to need to soak.
"Sorry--" You stop talking when you see Shindou on the other side of the door instead of your food. "What the hell are you doing here?" you ask, closing the door slightly as you take a couple of steps towards the hallway.
"Miruko told me you called out, I just wanted to make sure you were okay," he answers, and you give him a small smile as you tighten your robe.
"Oh, well, thanks. But I'm totally fine, I was just feeling a little under the weather," you lie, hoping that he doesn't ask to come inside as your grip on your door tightens a little. You don't know what to say so it gets quiet and suddenly Shinsou's snoring starts to replace the silence. You see Shindou's face change a bit, and you try to change the subject. "Well, thanks for stopping by, I'm totally okay. I'll see you later, okay?"
"What's going on?" he asks when you try to close the door, stopping the motion softly by putting his hand on the door. "Are you really okay?"
"Yes," you respond tightly, inhaling sharply.
Suddenly you notice that the snoring has stopped. "Baby?" You freeze at the sound of Shinsou's voice raspy from sleep. "Who's at the door?" You turn your head to look at him, seeing him slowly sitting up. You turn your attention back to Shindou when he calls your name, and you try to figure out a way to get him to leave because he cannot see Hitoshi.
The look on Yo's face in unreadable. "You're seeing someone now?" He sounds almost offended, and you can't help but scoff.
"Yo, come on. We've been broken up for a while. Don't be like this, I do not have time," you state firmly. "Thanks for coming to check on me, but I'm fine." You try to close the door, but he stops you a bit more forcefully this time.
"Seriously? 'A while'?" he quotes, "did I mean nothing to you?" You sigh heavily waving your hand as you see Shinsou getting out of the bed in your peripheral.
"Yo, you can't be serious right now. Don't get pissy because I'm seeing someone," you say. "How is that fair? You know why we broke up. It was your own damn fault." He tries to speak, but you don't let him. "No, you need to leave. I don't know why you think that you can show up and have the audacity to get pissed because I'm in a relationship."
"I didn't--"
"Oh, but you did," you interrupt. "Leave, Shindou. I'm expecting food soon." You sigh again before you close the door, locking it as you see Shinsou walking over to you, still naked.
"Who was that?" he asks before he kisses you, his voice genuine.
"Someone I work with," you answer at first, and he raises an eyebrow.
"Was it that bouncer?"
"How'd you know that?"
"I see how he looks at you," he says simply with a shrug. "I guess it didn't end well between the two of you."
"Yeah, and I don't wanna get into it honestly."
Shinsou holds his hands up, pulling his lips down at the corners. "And I'm not gonna ask. That's your business, angel." You nod your head softly, but you don't respond, upset at having your whole mood ruined. "Pretty sure he's still standing outside the door," he whispers to you. "Want me to say something?"
You quickly shake your head. "No, he doesn't need to know what you look like," you whisper back.
"It's not like he's gonna know, right? And what's he gonna do, huh?"
"No, 'Toshi," you sigh. "I don't wanna have anymore drama, and I don't want you to get found out," you explain. "Also you're fucking naked." He chuckles which makes you smile, and he kisses you softly a couple more times.
"You're starving too, right?" he asks when he pulls away, his stomach grumbling.
"Yeah," you laugh softly. "It should be here any minute." As if on cue, there's a knock on the door, and you check the peephole before pushing Shinsou out of sight so you can open the door without having him flash the poor guy.
You take the food but before you can even ask for the price, the man speaks before you do. "Don't worry, miss. It was already paid for," he tells you, and you frown at him. "I guess he's your neighbor? I passed him on the way out." Your face falls, and you give the man a friendly smile.
"I'll be sure to thank him. Thank you so much and have a nice day." You close the door before you set the food on the counter.
"Ooh, free food," Hitoshi speaks up as he starts to take the food out of the bag. He said it more to himself, but you can't even find yourself to laugh at his reaction. "He didn't like your job, right?"
You hadn't even realized you'd zoned out, staring at the countertop. You look at Shinsou after he speaks, and you nod your head after releasing another tired sigh. "He was incredibly jealous. I don't know if he was always like that though. And if there was any guy that touched me the wrong way, it took more than a couple of dudes to stop him from killing him."
Shinsou doesn't say anything, he just eats and listens to you, and you finally sit down at the island next to him. "I'm pretty sure Miruko didn't want us dating co-workers, but it honestly didn't last long, and I broke it off once he started acting like that." He pushes a couple of the containers your way. "This doesn't bother you?"
"Why would it?" he says before eating some noodles. "I already know I'm better than him, and by your reaction, I have nothing to worry about. So, I'm chilling." He opens one of the containers he slid towards you. "Now, stop moping and eat this before I eat it all." You can't help but laugh as he holds the fork your way, and you eat off of it. You both talk about random stuff as you eat, and it doesn't take long for you to get out of that mood you were in.
Once you're done, you spend the rest of the day in bed with Shinsou, and you end up sleeping the night away as well.
You freeze when you walk into the room, wondering if this is a joke. You clear your throat as you walk towards the man, doing your best to keep your cool.
"One of the top pro-heroes in my room," you say. The man's face starts to turn pink a bit, and you can't help but smile. "What are you doing here, Deku?" you question as you slide your hands over his shoulders.
You honestly should've expected it to be a hero when you saw how much money was paid. Pro-heroes always go over the actual price, and you assume the rest of it is hush money. It makes you roll your eyes; you have better things to do then telling people which heroes come to a strip club.
He can barely meet your eyes as he answers. "I, um, wanted to ask you something," he whispers, and that makes you frown a bit. He hesitates, and you sit on his lap, his body tensing horribly when you do.
"And what would that be?" you whisper. It takes him a while to finally speak, but when he does, you're frozen.
"I know you know who the vigilante is."
You jump back a bit, trying your best to keep your heart rate from spiking so that you don't alert Miruko. She just recently got some heart rate monitors to try out and you know the moment it spikes, she'll make sure he's out of here.
"And?" you continue, running your hand over his chest, stopping at his heart to see if you can detect a change in his heartbeat. But you don't feel anything, he's completely serious.
"I want in," he states, that nervous demeanor he had nearly gone.
"Want in on what?"
"We both know what I'm talking about here," he responds.
"And what makes you so sure that I can help you with that?"
"A lot of heroes are trying to track him down, but they haven't been very successful," he answers.
"And you have?"
"Why do you think I'm here?" he asks, and you glance off to the side for a split second.
"I'm not a part of what he's doing. There's no guarantee that I can even get "you in"," you quote.
"But you know him. That has to be something, right?"
You frown. "Why would a top hero want in on something that's sole purpose is to expose corruption?"
"Because it's not at all what people think it is. I thought it would change after..." He trails off, pulling his fingers under his thumb to pop them. "But it's still the same shit."
You suddenly get off of him, and his face falls a bit as you start to leave. "Is that all you wanted?"
"Wait!" he says, standing quickly.
You turn around. "Is that all you wanted?"
"Yeah," he says after clearing his throat.
"I'll see what I can do." And then you make your leave.
~
You make your way inside your apartment, but after the conversation you had tonight, you can't really find it in you to go to sleep as soon as you get there. You get in the shower, and you lay in bed, mindlessly watching TV. It's a random show that you put on that you've never seen, but you're not really thinking about watching it.
You're scrolling on your phone, wondering if you'll see Shinsou tonight. You haven't seen him in a while since he's had to lay low because of a close call he had a couple of weeks ago. It's better to only have contact with him in person, so you can't even tell him about what happened at work.
You roll over on your side, and your eyelids start to feel heavy when you blink. Your eyes finally close after a while, your phone falling from your hand as you start to fall asleep when you hear something at your window. You don't move, the sound barely waking you up, but your eyes open when you hear footsteps.
You sit up, seeing Shinsou walking up the stairs, and you smile as he walks over to your side of the bed. You give him a sleepy smile as you fully sit up, and he returns it with soft smile of his own. He leans down, resting his hand on your neck before he kisses you softly.
"Hi, 'Toshi," you hum after he pulls away, and his smile widens at the sleep in your face and in your voice.
"Hey, baby," he whispers warmly. "Didn't mean to wake you."
You shake your head slowly, letting your head fall to the side a little when he continues to rub his thumb over your neck. "I just fell asleep, so you're fine." You yawn quietly, blinking the tears away from your eyes. "Are you supposed to be here?"
"I don't have much time, but I just wanted to see you. Let you know that I was okay," he answers. You hum as you close your eyes, your smile going as big as it can in your sleepy state.
"Well, thank you for coming."
"Of course. How was work?" Your smile falls at his question, and he frowns just a little bit at your reaction.
"Someone came to me looking for you," you tell him, and he takes a half step closer to you.
"They didn't hurt you, did they?" he asks, and even though his body doesn't show that he's angry, the change in his voice does.
"No," you answer with a shake of your head. "They know that we've been seeing each other, and they asked me if I could get them to you," you explain. "They want in."
"Who was it?" he questions quickly.
"Deku," you say with a laugh. "Can you believe that?"
"He wants in? What does that mean?"
"Beats me," you answer with a shrug. "I guess the corruption is too much for him. But he doesn't have to join you, he could literally just leave," you sigh, shaking your head as you roll your eyes. "I told him I'll see what I can do, but I said that I wasn't even a part of it, so there was really nothing I could do."
Shinsou sighs as he looks to the side, and he lets his hand fall from your neck before he steps back, turning around, running his hand through his hair. You frown as you watch him, and you move the blankets off of you so that you can stand. "What's wrong?" you ask, grabbing his wrist, and he turns back around to face you.
"I didn't mean to get you mixed up in all of this," he tells you softly. "I don't like knowing that there's a chance I'm putting you in danger."
"I can handle myself, and they seem to only approach me at work," you tell him.
"But if they know where you work, then there's a chance that they could know where you live," he emphasizes, and you didn't think about that since your brain is still tired.
"Oh, yeah. I didn't think about that," you say plainly, letting your shoulders drop. "So, I should probably be laying low too, then," you continue.
He sighs heavily as he nods. "I'm sorry, angel. I didn't mean for you to wrapped up in all of this."
You shake your head. "Don't worry about it, 'Toshi. I kinda knew what I was getting into when I met you," you tease, pushing on his arm softly, and he finally smiles. "I'll call Miruko and tell her what's going on. She'll understand."
He nods, sighing again. "I should probably see if Deku's being legit."
"Well, be careful, okay?" You lean up to kiss him, and he easily meets you halfway.
"Of course."
"Did we really have to meet here? It almost took me an hour to get to this place."
"I don't have any reason to trust you right now. You could just say I'm being cautious," Shinsou responds, crossing his arms over his chest.
They're nearly out in the middle of nowhere, and there's no reception here, so there's no way Deku can call for anyone just in case he's planning something else. But Shinsou knows him, so he already has plans in place in case things go south.
"We went to high school together. That has to count for something, right?" he laughs.
"Yeah, but there's a lot of years unaccounted for. That was a long time ago." Shinsou stops him before he can even speak again. "What are you really doing here? I don't appreciate you going to people that aren't involved," he says. "You come to me if you want to talk to me."
"Alright, alright. I'm sorry, it won't happen again," Deku sighs, and Shinsou stays silent, wordlessly telling him that he can continue. "I got a lot of information that could be beneficial to you."
"I guarantee you that what you have I already have. And just because you give me information, doesn't mean that you're automatically a part of this."
"Who are you going after next, huh? Someone that's in the top ranking, right? I got everything that you could think of."
"Let's see it then," he sighs. "I guess some things don't change," he adds when he sees the notebooks that Deku pulls out.
"Well, you seem to be a wiz at technology. Anyone would be stupid to keep secrets on any piece of it." Deku hands it to him, and Shinsou makes sure to stay aware of his surroundings as he looks through them. He reads through most of it pretty quickly, already knowing about all of this stuff, but he slows when he sees stuff that he's never heard before. "Told you."
"How'd you get this?" Shinsou asks, reading through a couple of the pages.
"It's what happens when you're friends with these people. Alcohol makes people say anything around the people they trust." He flips through the notebooks a bit more before he closes them, looking back at Deku.
"And I'm just supposed to trust you just because you have all of this?"
"Listen, you're doing work that's needed, but it's not enough. All of this runs way deeper than you think," Deku argues. "And if you have someone on the inside, then you can get to the bottom of it."
"So, you think that once all of this goes away, everything will be the way you want it?"
"We have to at least try, right?" Shinsou chuckles softly, shaking his head.
"Don't you get it? None of this is going change anything," he says, shaking the notebooks in his hand. "Once you go on, there's a very big chance that all of this will start again."
"Then why are you doing it?" he counters quickly. "You're spending all of your time knocking all of these heroes down, and for what? What's your end goal?"
"I'm not gonna be here for much longer," Shinsou answers after he's silent for a while. "I'm just having fun at this point, but this is never gonna stop. I'm just doing what I can before I finally move on." He hands him back the notebooks. "I realized a long time ago that this is just an endless cycle. I've got a few more things I wanna say, and then I'm out of here."
"Then take me with you," Deku tries. "I'm on the same page. This is never going to change."
Shinsou squints at him, crossing his arms again. "I don't think it'll be that easy for you," he says honestly. "Even after what happened in high school, you still came back to all of this, and now you're a big part of it. It's gonna take more than giving me information for you to finally detach yourself from an impossible reality."
He doesn't respond, and Shinsou nods before taking a couple of steps back. "I'll let you think about this. You know where to find me."
Shinsou walks away, leaving Deku standing there holding onto every word he said.
~
Being trapped in your own apartment isn't so bad, but you sure are getting bored going between your bed and the rest of your apartment. You've been finding new shows to watch in between working on some more art pieces, but those don't really hold your attention for long.
You're laying on the floor, scrolling through your phone when you hear a familiar sound at your window. You smile as you sit up, already knowing who it is. You stand up to meet him halfway, and you practically fall into him, wrapping your arms around him. "I'm guessing this isn't going well," he laughs, and you groan before you move your head up to look at him, resting your chin on his chest.
"I'm so bored!" you sigh, whining as he picks you up and walks over to the couch. "I feel like I've done everything I can. Nothing is keeping my attention anymore," you say, and he smiles as he listens to you talk, getting comfortable on the couch.
"Well, I'll be staying here for a while, so hopefully that helps."
"Really?!"
"Yeah, if you don't mind," he says around a chuckle. "Things are getting kinda heated, so we're splitting up for now." You hug him tightly, your body relaxing as you sigh.
"Thank God. I really thought the boredom was gonna kill me." You kiss him softly, further relaxing into him as his hands rub over your back, finding their place on your ass. "Is it safe for you to stay here, though?" you ask.
"More or less," he answers with a shrug. "I've got your building secure, so I'll know if there's something wrong."
You nod before your eyes catch onto one of the paintings you made. "You know, I never got to thank you for all that art you got me a while ago," you say, and he smiles softly, rubbing his hands over your ass.
"Well, I'd say you thanked me pretty well after that aphrodisiac," he replies, and you hum, feeling his hands start to roll your hips against him. "I think you should thank me again after saving you from boredom," he adds quietly.
"Really?" you whisper, already moving in to kiss him again. He's quick to pick you up again, making his way to your bed. He carefully walks up the stairs as he gets rid of your clothes, and he softly places you on the bed before quickly removing his.
He hovers over you, setting his knees on either side of you. He kisses you softly, his fingers drift over your skin so lightly that it's almost ticklish. The sensation makes you arch into him, and you wrap your arms around his neck.
One of his hands continue to move down until it reaches your pussy, and you jump softly when you runs his fingers through your folds even though you were expecting it. He kisses down your face, planting kisses all over your neck as his thumb rubs over your clit.
One of your hands slides into his hair as you spread your legs, and you moan softly when he slides his fingers into you. He sucks at your tits, using his body to keep you from moving too much as he speeds up his fingers, curling them to hit that spot that has you seeing stars.
He lifts his head up when you tug on his hair, your toes curling as you feel that familiar feeling building up in your stomach. He smirks at you, moving up to kiss you sloppily, swirling his tongue around yours.
He pulls your lip softly with his teeth when he pulls away from the kiss, smiling after he lets it go. "You gonna cum, baby?" he asks you quietly against your lips like he doesn't already know.
His smile widens when you can't answer, rendered to moans as he nails both of your sensitive spots. "Toshi, Toshi--" you breathe, your chest stuttering every time you say his name.
One last gasp of his name is what he hears before you cum, your walls clenching around his fingers so hard that he can barely move them anymore. He follows you when you try to move away from the overstimulation, only giving you a breather when you whine his name.
You catch your breath before gently pulling him towards you so that you can kiss him. You rub your hands over his body as he grinds against you, and you buck your hips up into his touch. "You ready for me?"
You nod quickly, and he can feel you spread your legs. "Fuck me, 'Toshi, come on," you urge, and he chuckles softly before he lines himself up.
He lifts one of your legs by your knee as he slides in, and your mouth falls open as you get used to the stretch. You haven't felt this in a while, and feeling it now, you know that you've missed this. He moans as he feels you pulse around him, and he grabs your hands, lacing his fingers with yours as he bottoms out.
He moves your hands so that they're over your head, and he kisses you softly as he lets you get used to the stretch. "This is all pretty intimate, isn't it?" you whisper with a small smile.
"And what about it?" he responds with a smirk, his thumbs rubbing over your hands.
"Feels like we're lovers or something," you comment, and he hums as he tilts his head to the side a bit.
"And we aren't?"
"You know what I mean," you say, trying your best jot to hold your breath as you wait for his response.
"What d'ya wanna hear?" he asks before he kisses you, and you don't get to respond because he quickly pulls out, thrusting into just as fast. "That I love fucking you?" He slams back into you again. "That I love coming to see you when I finally can?" Another thrust. "That it kills me when I can't see you?"
He keeps his eyes on yours as he speaks, and you try and fail to hold the eye contact. "That being with you has made me the happiest I've been in a long time? That I wanna be with you for the rest of my life?"
He speeds his hips up, and he knows that can't respond like you want to, and he smirks before his eyes roll when you squeeze around him as he nails your g-spot. "That I wanna be in this pussy forever?" Your nails dig into his hands as your moans get louder, and he can feel you getting closer.
"Fuck, you always feel so good," he groans, letting his head rest on yours as he feels his orgasm building up too. "C'mon, angel," he urges. "Want my baby to cum." He shifts his hips, nailing that spot inside you every time, and that knot snaps, tears spilling from your eyes when you screw them shut, your mouth open in a silent moan.
"Jesus," he slurs into your neck, groaning your name loudly as he cums soon after you do, slowing down his thrusts as he fills you up.
He lifts his head to kiss you once you both catch your breath, and he lets go of your hands so he can cup your face in his hands, kissing you firmer than before.
"How was that?" he jokes, and he smiles when you do, and your eyes slowly open to meet his.
"That sounded like a love confession if I'm not mistaken," you gush.
"Maybe I need to fuck you again so you know for sure." You laugh, wrapping you arms around his neck before kissing him again.
"I love you, 'Toshi," you whisper.
"I love you, too, angel."
You both stay like that for a moment, just appreciating each other's touch, and Shinsou carefully slides out of a while later, getting off the bed so that he can clean you up. You clench your teeth softly when he rubs the warm washcloth in between your legs, and he hangs it on the side of the laundry basket when he's done.
He slides into bed next to you, and both of you get under the covers as he pulls you towards him. You rest your head on his chest as he rubs over your body, occasionally letting his finger run down your side just to see you shiver.
"So, what happens now?" you ask softly, and you hear him sigh and his head moving softly across the pillow.
"I'm planning on leaving," he starts. "I'll drive myself crazy if I keep doing what I'm doing cause it'll never end." You listen to him intently, tracing his one of his tattoos on his arm with your finger. "There's still some people I wanna take down, though. But after that, I'm done."
You lift your head up, and he's quick to look at you. "So, where are we going?"
He gives you a soft smile, placing his hand on your face before rubbing his thumb over your cheek. "Anywhere you want," he says warmly.
"There are so many options!" you sigh quietly, looking to the ceiling as you go through places in your head.
"You serious about this?" he asks, and you look back at him.
"I honestly don't have any reason to stay here anymore," you sigh. "My dad is still here, and I've always wanted to get away from him as far as possible." You softly chew on your lip. "I guess I never left because I didn't want to break from the monotony of my life or because I was waiting for something to happen. I dunno.
"But you're here now, so I guess this could finally be the push I've been waiting for."
"I'm honored," he muses, and you roll your eyes as you smile, but you can't help but laugh.
It's been a few weeks since Shinsou started staying at your place; he decided that if he was going to go out with a bang, then he should do it when everyone least expects it. He's got a few more things to put in place, but he's able to do all of that while laying low, so even though there could still be people looking for him, it's nowhere near as many as it was a while ago.
"You have to stay still, 'Toshi," you scold, looking past your canvas, and he groans as he rolls his shoulders.
"I don't know if you know this, but this position is fucking uncomfortable," he grunts with no heat behind it. "You couldn't have me lay down or something?"
"If you would stay still, then you wouldn't have to hold the position for so long," you say, and he sighs as he rolls his eyes before getting back into position. You're almost done, adding the last touches when there's a knock at your door. You and Shinsou both look at the door, but neither of you move.
"Are you expecting someone?" he asks quietly, and you shake your head as he carefully moves across your apartment. You stare at the door as you listen to Shinsou tapping at his laptop. "Do you know who this is?" he asks, and you quietly but quickly make your way over to him. He added a few cameras when he started staying here just for security, and the one on the door gives a clear view of who's in front of it.
"Oh, my God," you breathe when you see who it is.
"Angel, wait!" Shinsou says when you run to the door. You quickly unlock it, swinging it open, and you tackle the person with a hug.
"Mom!" you sigh, tears already forming in your eyes as she hugs you back. "What are you doing here?" you ask, not ready to let her go just yet.
"I just wanted to check on you. I was contacted by a Miruko?" she says, and you finally pull away. "She told me that I should probably check to make sure you were okay."
You let her in, closing the door behind you, and in your excitement, you forgot about Shinsou, but when you turn around, he's nowhere to be seen. You frown as you look around for any sign of him, but you quickly turn to your mom when she looks at you. "Is there anything big going on that I should know about?" she asks.
"No, of course not. I just needed to take a break from work, that's all."
"Your boss calls me to tell me to check on you because you took a break?" You can tell she doesn't buy it, and you honestly don't know what you could say. "Who is it?"
"Huh?" you respond suddenly, your eyes widening. "What are you talking about? It's just me."
Your mom rolls her eyes before she turns to face your empty apartment. "Please save my daughter from her horrible lying and come out, please," she says, and your eyes dart around quickly. "I'm not going to hurt you, I promise."
Shinsou suddenly peaks his head out from the loft. "Considering that her quirk has to do with poison, I am a little worried."
Your mom laughs. "Mine has nothing to do with that. I'm defenseless. I swear," your mom says, holding her hands up. Shinsou uses his bindings to jump down from the loft, and you roll your eyes. Of course, he wouldn't use the stairs.
"Nice to meet you, ma'am," Shinsou says easily. "Sorry for all of that," he adds, waving his hand towards the loft.
"Considering your reaction, you must be doing something that you shouldn't," your mom discloses, and you and Shinsou tense for a split second before you sigh.
"Something like that?" he acknowledges with an uneasy chuckle. "I would never put her in danger, though. I'm doing everything I can to make sure that doesn't happen." Your mom just looks at him, and for the first time, it actually looks like Shinsou's nervous. Hell, you are too.
"You managed to get caught up with a vigilante?" your mom suddenly questions, and a million things run through your head as you try to figure out what to say.
"What makes you say that?" you try, but you know she's already figured the both of you out.
"Alright, when are you gonna drop this?" she scoffs with a smile, and you glance at Shinsou, who gives you a barely visible nod.
"Okay, fine," you sigh, your body drooping as you drop your head. "You figured it out." You look up to see a surprised look on her face which makes you frown. "What?"
"Who knew a wild guess could be true?"
"You were just guessing?!" you blurt, and it's not long until all of you are laughing. "Okay," you sigh, "you probably had a long trip, right? Do you want anything?"
"Just some water, please." You nod, leading her to the couch before you grab a bottle of water from the kitchen. You hand it to her before you sit next to her while Shinsou sits on one of the bar stools at the island.
You rest your weight on her, putting your head on her shoulder. "I missed you, Mom," you whisper.
"I missed you, too, sweetie," she responds, rubbing over your head. "I'm sorry I didn't see you sooner. It was hard to come back here after leaving."
"I get it."
"But, it wasn't okay," she states, and you sit up when she shifts, grabbing your hands. "I should've come back sooner, or done a better job at trying to take you with me. I was only thinking about myself, and allowed you to suffer at the hands that man for who knows how long."
Your smile is small as tears form in your eyes again. "But you're here, now. That's all that matters," you say. "And I haven't seen him in years. I guess he's too upset that I wasn't what he wanted me to be."
"I'm so glad you got out, and that you've had people that are taking care of you." Then she suddenly sharply turns to Shinsou. "And what are your intentions with my daughter?"
"E-Excuse me?" he stutters.
"Mom!" you exclaim, giving her a questioning look.
"You didn't think I would ask? His career isn't really something that comforts me." You sigh heavily, letting your head fall into your hands. She stands up, walking over to him as she puts her hands on her hips. "Well?"
"I can promise you now that I can take care of her," he declares. "I won't be doing this for much longer anyway, so you'll have nothing to worry about." You can't help but smile as you listen to him, and he looks at you for a brief second, returning your smile before he looks back at your mom. "I'm going to support and love her for as long as I live."
"And then what?" He raises his eyebrows, not following what she's saying. "What happens after you're done with all of this? Am I getting grandkids or what?"
"Good lord, Mother, please," you groan, but she doesn't take her attention off of Shinsou, and he releases an uneasy chuckle.
"We haven't really talked about that yet, um..." he tries.
"I'm not saying it's a must," she emphasizes. "I just want to make sure there are plans in place."
"I can assure you that there are plans. I plan for everything," Shinsou assures. "I will never let anything happen to her."
"I'm holding you to that," she declares. "You won't be able to escape if I find out something did happen."
"I can't say that I'm surprised, but you won't be doing any of that," he repeats, and he has no problem telling her over and over again.
"Okay, Mom, you can chill with the interrogation," you say, walking up to her and putting your hands on her shoulders. "How many times does he have to repeat himself?"
"I'm just being precautious while he's still involved with dangerous things." You roll your eyes, knowing that there's really nothing either of you can say to placate her worries. She presses some more questions out of Shinsou, but he's eager to answer them, and you just sit back and watch them. It sort of puts you at ease, knowing that you have people that do care about you.
Your childhood was rough, and you know for a fact that if you could go in time, you would tell your past self that it does get better, and that you're going to meet one of the best people you've ever met. You'd go back in time and tell her that everything is going to be okay, and that she was a fighter, that her mother never stopped thinking about her.
Your mother stays for the rest of the day, and you soak in every moment that you have with her and Shinsou that entire day.
~
"Hey, I was thinking of some new recipes I found for dinner. Pick which one you want," you tell him, having the recipes splayed out on the island. You hear him walk up behind you, but before you can turn around, he's wrapping his arms around you, looking at the recipes over your shoulder.
He glues himself to your back, humming softly as he looks over the recipes. "That one looks good," he says, pointing to the one he's talking about.
"Are you hungry now? I can start on it if you are," you ask, grabbing the recipe, but he doesn't let you move.
"Not really," he answers, his lips hovering over your neck. "But I wouldn't mind having a snack," he adds before he softly kisses your neck as his hands rub over your body.
"Toshi, c'mon," you giggle, but you make no move to stop him.
Suddenly, there's a hard banging on your door that scares the shit out of you, and Shinsou instantly turns around, standing in between you and the door. "I know you're here! Open up!" You tense so hard it hurts when that voice hits your ears. When it looks like he might move, you stop him softly with a hand on his arm.
"Do you know who's out there?" He turns to ask you, and you can only give him a silent confirmation in the form of a nod. They bang against the door again, and you try your hardest not to flinch. You step around Shinsou so you can make your way to the door, and you take a few seconds to calm yourself before you open it.
You don't open it all the way, stopping the door with your body when your father tries to forcefully enter his way in. "What the hell do you want?"
"I am your father, you don't--"
"You are nothing to me," you respond sternly. "How in the hell did you find me?" You never thought you'd see him again. Once you declared that you didn't want to be a hero, that you weren't going to allow him to control your life anymore, he disowned you. When you were old enough to finally leave, you did because he didn't care for you anymore. Honestly, you don't think he loved you at all like a father should; he just wanted you to be something he couldn't.
"Who have you been hanging out with?!" he demands, and you raise an eyebrow at him.
"What are you talking about?"
"Don't bullshit me! I know you've been around that vigilante!" This time you really frown at him. How in the fuck does he know that? You obviously don't look at Shinsou because that would definitely raise suspicion, and you don't know what your father would do.
"I have no idea what you're talking about," you try, and he slams his hand against the door when you try to close it.
"I know you're lying to me. You've always been bad at that." He only thinks that because he was always been forceful when it came to getting your true opinion about things.
"Are you stalking me?" you question, and if you were younger, you wouldn't catch it, but you seem him hesitate for a split second. "Why? I thought you were done with me, huh? You wanted me to get outta your sight for being such a disappointment and a mistake." You quote his words back to him, but of course, he barely shows a reaction.
"You are making me look bad," he tries, and that makes you roll your eyes.
"As far as I know, no one knows about me because you were so disgusted that I wasn't what you wanted me to be. So I am very convinced that your statement is far from the truth."
"Don't change the subject." You wonder if he can hear how ridiculous he sounds over his ego. "And where you're working now? Your mother would be so disappointed in you."
"Don't you talk about my mother that way!" you scream, pointing at him. "She was the only person that loved me in that fucking horrible household! She's the only reason I'm still fucking here! She would be glad that I'm away from you!" He tries to speak, but you refuse to let him get a word in now. "You are the worst person in the world, and an even worst father and husband! And I will make sure one day that everyone knows about it, and you will be even further from being in the top ten!
"But it's not like you'll need my help anyway because you're such a sorry pro-hero!" That seems to really set him off because he's slamming the door open, knocking you back. He keeps moving until he pins you against the counter as fear rises in your throat, and you suddenly feel like a child again, completely helpless against him.
You try to fight him off of you as the counter continues to dig into your back, and you close your eyes as you find yourself at a loss of what to do. Your eyes shoot open when his grip starts to loosen, and you see Shinsou holding him in a chokehold with a cloth over his face. Your father's eyes are frantic as he tries to fight whoever is holding him, but his movements start to slow as his eyes fall closed.
When he stops moving, Shinsou lets him fall to the ground at the same time you sink to the ground, sobs leaving your chest as you start to take in what just happened. Shinsou's with you in a second, holding you in his arms as you let it all out. Your eyes are screwed shut as you try not to let yourself go down that horrible memory lane.
"Just focus on my voice, okay? He's not gonna hurt you anymore." He keeps talking to you, which helps especially since you couldn't think of anything else to focus on. He eventually picks you up once you calm down a bit, and he carries you to the couch, sitting down with you in his lap.
You rest your face in his neck, taking a final breath that really expands your lungs to really calm yourself. "What did you do to him?" you ask, sighing at the motion of him rubbing over your back.
"I just knocked him out with some dust I got from a friend. He won't remember much when he wakes up," he tells you. "Didn't know if I had your permission to kill him." He smiles when he hears you laugh before you sniffle. You lift your head up so that you can kiss him.
"Sorry, you had to see me like that, but thank you for calming me down."
"Don't apologize for anything," he says. "He's a piece of shit, and I'm so sorry you had to go through that." He rubs his finger up and down across your cheek. "You never have to apologize for something like that. Okay?" You nod, giving him another hug as you take another deep breath.
Shinsou sits with you a little bit longer until he mentions that you should probably get your father out before he wakes up. Since it's pretty late at night, you're able to walk out of your apartment as Shinsou carries your father over his shoulder out of the building. Just as you thought, when you walk out, there's a car sitting behind the building. The driver side door opens, and you speak up before the man can say anything once he gets out.
"Tell him that if he shows his face here again, he won't walk out." Shinsou has everything covered, so the man definitely won't be able to identify him, and he nearly throws your father into the man, and he almost falls as he tries to catch him. You don't want to be near him any longer, so you quickly turn around to walk back into your apartment.
"I can't stay here anymore." It's the first thing you say once Shinsou closes the door to your apartment. "He's just gonna keep coming back or send people to stalk me," you continue. "He'll definitely put things together if he sees you."
"Don't panic, okay?" Shinsou tells you, stepping into your space and resting his hands on your neck, letting his thumbs rub over your face. "You can just stay with me until he dies down. I don't mind. Things have pretty much settled, so everyone's heading back to our home base, but I just wanted to stay with you."
He smiles when you do, and you sniffle again as you rub your hand over your head. "I don't think I have a choice," you sigh. "I just have to talk to my boss."
~
"You don't have to say anything."
You blink in surprise. You told Miruko you had something to talk to her about, so she lead you into her office. Once you closed the door and tried to explain your situation, she spoke before you could. "Excuse me?"
"Did you forget that I've known you since you left that piece of shit?" Her words cause you think about your past self, and you push past it for now. "I'm guessing he showed his face? That's why you're here."
"Yeah," you whisper.
"And I know you've got someone now, so don't worry about anything here. Just worry about yourself." You can't help but smile at her words, and she copies it as she walks toward you. "I'd kill that man for you in heartbeat, you know that?" She hugs you as you laugh, and you nod against her. She pulls away, holding your face in her hands. "God, he really got you this time, didn't he?"
You nod again, deciding not to say anything, but thanks to Shinsou, you've already let out your emotions. Before, when your father was still finding you, you'd hold it in until Miruko called you into her office, and you'd finally break. She hated seeing you like that, and she's glad that she hasn't seen you like that in a while.
"If you need anything, you call me, okay?" You nod again, giving her another hug before you make your way out. You had already met up your friend, telling her about everything that had happened, and she was just as supportive, only telling you that she wishes she could go with you.
You're about to walk out the back door, feeling a weird sense of calmness despite the events that have occurred the last couple of days. You can feel a bit of nostalgia tied in with it, and you know it's from the fact that you may never step foot in this building again. You won't see Miruko or your best friend for the foreseeable future, but you know they only want the best for you, and that's enough to make you feel better about how the situation with your dad came to this.
You stop when you see your friend, giving her one last tight hug with the promise that you will contact her as soon as it's safe. Having that conversation with her did make you shed some tears, but she's making you smile nonetheless, and you know you wouldn't have even made it this far without her and Miruko.
You finally make it outside, taking a deep breath when the air hits your skin. Shindou's standing right beside the door when you walk out, and you battle in your head whether or not you should say something.
"You're not coming back, are you?" he asks quietly. You stop, slowly turning to look at him, and the low volume of his voice makes you realize how quiet it is.
"Yeah," you sigh softly. "Some shit came up. It's not safe here for me anymore." The plain look on his face disappears as his brows crease to hover closer to his eyes.
"He found you?"
You nod, knowing who he's referring to. "I don't know if I'll be back, but I hope--" You cut yourself off when he steps closer to you, and you almost back away.
"Is he treating you good?" he asks you suddenly, but there's no jealousy in his voice, only lovingness with a hint of concern.
You give him a small smile as you nod. "Yeah. I love him," you tell him honestly, and you can see something that looks like regret flash in his eyes, but you can barely catch it; the look is gone by the time he blinks.
"I just wanted to say I'm sorry for how I acted during our relationship." You hesitate to respond for a split second, not sure if you want to go down this path.
"Thank you for saying that," you eventually say.
"I mean it. And I've really messed things up, and I hate that this is the last thing that I'm telling you." You just listen to him talk, not sure if this is something you need to respond to. "But, I'm glad that you're happy, and that's all I want for you. I just regret that I'm not the man to do that for you." It looks like there's more he wants to say, but you know that you don't have much time left.
If there was something else he wanted to say, he drops it, instead saying, "Is it okay if I hug you?"
There's no way that you can say no. Even though you don't feel for him the way you feel for Hitoshi, he was someone who was with you through the hard times as well even though for some parts of it, he wasn't making it any easier.
He hugs you tighter than you expect, and he knows that this is the last time in his life he'll get to hold you like this. He sighs heavily before he pulls away, giving you a soft kiss on the top of your head before he finally lets you go, taking a step back.
"Goodbye, y/n."
"Goodbye, Yo."
You don't give him another look, turning away slowly before you head down the street. You know his eyes are still on you until you're out of sight, and if you're being honest, you needed that conversation more than you thought. Your relationship with Shindou was one that wasn't built on the best foundation, and it hurt when it finally crumbled and fell.
Talking to him for the last time gave you the last bit of closure that you didn't know you needed, and you walk back home in a lighter mood than before.
You pack up your stuff when you finally get back, waiting for Shinsou to let you know when he was outside. You take one last look around your apartment, making sure you have everything before you make your way out the back of the building. You see a car when you walk out, and he rolls the window down once you come into view. He helps you put your stuff in the car, and then you're driving away.
It's dark outside, and you stay quiet for most of the ride as you look out the window. And it's not because you're feeling bad or anything, it's just that you can't believe it's come to this. You honestly never expected your dad to talk to you let alone find out where you live and where you're working. You think it's because you've been around Shinsou. Your dad must have suspicions about who this vigilante is, but that means that there could be an actual investigative case about Shinsou.
You don't think he's working alone because some of the stuff he's done, you know he wouldn't have done without help, but he hasn't mentioned anyone else. All you really know is that he's the ringleader in everything that's going on. You don't know how long you've been driving, but you're going further away from the city.
There's music softly playing from the speakers of his car, but you're not really paying attention to it. Everything was going so well, and you never expected your father to show his face, especially after that last conversation you had with him. He told you that he never wanted to see you again, and for once, that was the only thing that you had agreed on.
Your mood has definitely soured, and you feel Shinsou's hand on your thigh. He grabs your hand shortly after, giving you a kiss on the back of your hand, and you softly smile at him. You focus on the feeling of his hand for the rest of ride, trying your best to not let the recent events cloud your head too much.
He eventually slows down, turning down a dirt path that you could barely see. The sound of the car driving over the rocks fills in the noise over the music, and you look around through your window even though it's pitch black outside. You can see something coming up in the distance, and you squint as you get closer to it, your eyes honing in on a house that looks like it hasn't been touched in years.
"Please don't tell me this is where you've set up shop," you mumble, and you hear him laugh as he pulls up next to the house.
"Of course not. We all have taste," he responds, and he slows the car down in front of what looks like the start of a forest. He reaches into the console, pressing a button, and you jump when you hear something moving. You look ahead to see the trees in front of you moving, the path that looked like a dead-end now clear.
He drives forward, going through the clearing, and once he gets through, he puts the car in park before getting out. You watch as he starts to cover up the tire tracks, throwing down some downed branches just to be on the safe side before he gets back in the car. He pushes the button again, and you watch as the path disappears again.
He continues to drive, and you see another house coming up, but this one is much bigger than the one that you passed. "There's no way no one hasn't seen this, even with the trees," you comment as he pulls into the garage.
"We have some cloaking tech as well that we added just to be on the safe side," he tells you as he turns the car off. You get out, and he grabs the bags that you're going to need, deciding to worry about the other stuff later, which you don't mind. There's no lights on anywhere, not even on the outside of the house, so he holds your hand as he guides you through the dark.
You reach a wall, and you can barely see him put his hand up. You jump when you hear an automated voice say his name, and then the wall is opening. He doesn't immediately walk inside though, stepping to the side and turning to you. He pushes something on the wall where we placed his hand, and then he lifts your hand, placing it where his once was.
"Now, you're in the system," he tells you easily before he leads you into the house. The door closes behind you, and you're still in the dark, but suddenly the lights turn on. You squint quickly, your eyes taking a while to adjust to the light, and when they finally do, they widen as you take everything in.
"Oh, my God," you breathe. "This is amazing."
He chuckles. "It isn't all that." He pulls you through the house, and right now, it's just an open space, but you're still surprised nonetheless. He tells you that this room is like an additional security measure, and you find that the actual part of the house where he lives is through another wall, but this time it's more intricate to get into. Everything that you would need to get in, he makes sure that you have in, setting you up in the system until you're finally seeing what the inside actually looks like.
The first floor seems like it's five times the size of your apartment, and your eyes are wide as you take it all in. There's basic things on the first floor, like the living room, kitchen, and a gym that looks way better than anyone you've seen at the public ones. You follow him up the stairs, which has more rooms, but you decide to explore those later as sleep starts to call your name.
He takes you to his room at the end of the hall, and the bedroom alone seems to be bigger than your apartment. He carefully sets your bags down by the bed, and you admire the bed. "It looks so comfortable," you sigh. "But I wanna get in the shower first."
He leads you to the bathroom, and even though you expected it to be big, you're still surprised when you finally walk in. He turns the shower on, and he undresses you, putting your hair up and in a shower cap before gently pushing into the shower. You groan softly as the water hits your skin, and you turn around, letting the water hit all of you. You hear the door open and close again, and you wipe the water out of your eyes as you turn around.
Shinsou tenderly grabs your face in his hands, giving you a soft kiss. "You okay?" he asks you quietly. "I know these past couple of days have been pretty hectic."
You respond with a small nod. "I'll be okay eventually. I think seeing my mom and then that whole thing with my dad just kinda through me for a loop."
"Have you talked to her yet?" he asks and you shake your head.
"Not yet. But, I will first thing tomorrow."
You told your mom everything that's been going on with you starting with what happened after she left. You told her how you got your job now, and that Miruko has been taking care of you ever since she found you. You want to tell her about the situation with your dad as soon as possible since you don't want her getting worried if you don't contact her.
Shinsou carefully washes your body, planting your face and neck with kisses every now and then before he showers himself. He dries you off when you're done, but not without some lingering touches that has you staring him down. He wraps your hair up before laying you on the bed and rubbing lotion into your skin, and once he's done with himself, he turns off the light, joining you in the massive bed
He's in your space as soon as he gets comfortable, and you curl into him as he wraps his arm around you. "Thank you for all of this," you whisper, your eyelids starting to feel heavy. "I love you."
"I love you, too, baby," he whispers back. "Sleep tight."
When you wake up, you know that you're alone. You roll over, confirming it with your eyes once they open, and you stretch before you sit up. You see one of Shinsou's sweatshirts on the bed, and you put it on before you get out of bed. You walk into the bathroom to brush your face and do your skin routine before you make your way out of the room. You can hear music coming from downstairs, so you follow it, crossing your arms as you get to the bottom of the stairs.
The music's coming from the kitchen, and you walk in to see Shinsou at the stove. He catches you walking up to him from the corner of his eye, doing a double take before smiling at you. He leans away from the stove to kiss you. "Good afternoon, baby."
"It's the afternoon?!" you exclaim softly, and you look around for a clock, seeing that it's a little past one o'clock.
"Yeah, you were sleeping like the dead," he teases and you yawn again.
"I guess I really needed that sleep." He chuckles softly, and you stand next to him, leaning on him as you watch him cook. When he's done, you both sit at the island to eat, staying silent as you do. The silence isn't awkward, and with Shinsou next to you, it's more than welcomed.
"You ready to meet everybody?" he asks once you're done eating, and he takes the dishes to the sink to wash them.
"Are they gonna welcome me?" you say around an uneasy chuckle.
"Of course. They're chill people," he answers. "Well, except for one, but he's always been like that."
You nod at his words even though he can't see you, and he dries his hands once he's done with the dishes. He walks back over to you, grabbing your hand to gently pull you out of your seat. "Don't worry too much. You'll be fine," he reassures, and you wordlessly follow him out of the kitchen.
He walks down a hallway until he reaches a door, scanning his hand on the hidden panel so that the door can open. You follow him down the stairs as the door closes behind you, and when you can hear voices, you start to get a little nervous.
"Took you long enough," you hear once you reach the bottom, and you walk into an open room.
"It's not like we're doing anything urgent today anyway," Shinsou counters as you look around the room. There's a bunch of screens on one side of the wall, and there's a table in the middle of the room with a holographic map of the city. The other side of the room as computers with a bunch of stuff on the screen that you don't really try to read right now. Your eyes scan through the faces that are in the room next, and they're all looking at you, but you don't know what to say.
"I never thought you would introduce us to the girl that makes you go MIA for days," one of them suddenly says, and she stands up, walking over to you. "I'm Mina."
"Nice to meet you," you say quietly, shaking her hand.
"This is Bakugou, Sero, Denki, and Kirishima," she introduces quickly after, and they all give you either a wave or a nod of their head except for Bakugou. You assume that's who Shinsou was referring to earlier.
"Nice to meet you guys." Everyone goes back to their conversations shortly after, and you sigh internally in relief since you were worried it was going to get awkward.
"Relax, we're not gonna hurt you," Mina laughs, guiding you towards a small table at the side of the room. Shinsou focuses his attention on one of the screens at the other side of the room as Mina continues to talk to you. "So, what brings you here?"
"Some family stuff," you answer. "My dad is currently looking for me, which is not a good thing," you laugh bitterly.
"Is he a hero?"
You nod, taking a few seconds before you say his name. "He's Envenom."
"Your dad is Envenom?!" you hear someone yell, and you jump softly as you try to figure out who just yelled. You assume it's Kirishima because he's walking over to you. "Does your quirk have something to do with venom then?"
"Kinda. I mostly use it for healing though since that's my mom quirk. The only way I can use my poison is if I really hate the person," you huff.
"A healing quirk?" Denki speaks up, walking over to you as well. "I got this nasty gash while training, and it hurts like a bitch," he groans, and he lifts up his sleeve to show you.
You grimace a bit. What kind of training do they do here?
You hold your hand out, telling him to come closer, and he holds his arm out to you. You spread the substance from your fingers over the gash. "It won't heal overnight, but it'll speed up the process. And it shouldn't hurt as much now."
"It's like it never happened," he laughs, shaking his arm and you can't help but smile as you watch him.
You see Bakugou stand up suddenly and walk over to Shinsou. "Her dad's one of the top pro-heroes, and you brought her here?" Even though he's whispering, you can hear him loud and clear, and you shrink into yourself a bit.
"Relax, Bakugou. He's a piece of shit. He won't come anywhere near here," you hear Shinsou respond, and you don't hear the rest of the conversation because Mina catches you attention again.
"So, you have some bad beef with your dad or something?" she asks, and now that everyone's attention is on you, you feel nervous to answer.
"He wanted me to be the best hero because he couldn't," you say, giving the bare minimum, but everyone seems to understand. "He didn't treat me or my mom good, and we both left as soon as we could." You look down at your hands, taking a deep breath as you try not to let the bad memories flood in. "I haven't seen him in years, and he showed at my apartment two days ago. I don't really know what he wants from me."
Mina rubs over your back, and you look up to see Bakugou looking at you, but once you meet his eyes, he looks away, busying himself with something else. "I'm glad that you got out," Sero says, and you give him a small smile as you focus on the people next to you.
"We can take him down if you want. I'm itching to be out there again anyway," Denki sighs.
"Maybe, I'll take you up on that one day," you say around a smile.
Shinsou interrupts the conversation a little while later, wanting to start talking about the plans that they have before they're finally done. You stay in your seat, going back and forth between listening and zoning out. There's still a part of you that has anxiety about your dad and if he's actually been following you.
You feel like there's no reason for him to be doing any of this, but maybe he just can't get over his ego. You were able to contact to your mother and tell her everything that's happened. You reassured her that you were okay, but you told her that you probably wouldn't be able to contact her as much just to be on the safe side. You know that your dad wouldn't try to track her down, but you don't know how confident you can be on that anymore.
There's a deck of cards on the table, so you busy yourself with that as they talk. You're half listening to what they're saying, starting to go into your own world, and you don't even realize that they're done until you see Shinsou come up to you out of the corner of your eye.
"You didn't have to stay, y'know?" he says, and you collect all of the cards.
"I just didn't feel like getting up," you muse, putting the cards back before you stand up. Before Shinsou can say anything, Mina's speeding by and pulling you away.
"It's so nice to have another girl here. There's so much I can finally talk about that someone will actually care about!" she says quickly before she pulls you up the stairs, and Shinsou laughs as he watches you go.
~
Shinsou's already moved all of your stuff into the house. Apparently, everyone has their own part of the house, which explains why you never seen anyone moving about. Shinsou moved all of your art stuff into one of the empty rooms that was on the hall, and you spend most of your time here when everyone's out doing what they need to scope out who their next target it.
You're sitting on the stool in your art room in front of one of the paintings you were working on before you left your apartment. You don't really have an end goal to the painting, you just started it because you needed something to do to cure your boredom. Your mind isn't really empty like it usually is, and you just have so many thoughts running through your head that you're close to just finding something else to do.
You sigh, putting the paintbrush down with the intention of finding something else to do. You jump when someone clears their throat, and you look to your left to see Bakugou standing in the doorway. "You mind if I come in?" he asks quietly, and you shake your head as you shrug.
"Come to tell me that Shinsou shouldn't have brought me here," you say, half-joking. His steps falter a bit, and he looks at a loss for words. "I'm just joking, Bakugou," you laugh. "I don't blame you for being skeptical of me, but I'm gonna be honest, I don't know if my dad is still after me or not. And if there's a chance that he does find this place, I take full responsibility."
He nods carefully, taking some time before he speaks. "Do you have any idea what he'd do if he found you here?" he asks, and you shake your head.
"I have no clue. I seriously thought he was done with me, so I don't get his deal. Maybe it's his ego or something."
"There's a chance that could be the reason. That seems to be one of the things those top heroes have in common," he says. "Having big fucking egos and being too cocky." You laugh softly, glancing at your painting as silence fills the room again. "You talked to, uh," he starts, and you look at him. "You talked to Izuku, right?"
You frown, looking around as you think before putting your eyes on him. "Deku?"
"Yeah, yeah. You saw him, right?"
You nod. "We talked after he came to my job. Shinsou didn't tell you?"
Bakugou sighs. "He did, but he's always been very vague sometimes," he answers, and you just stare at him. He clears his throat, crossing his arms over his chest. "What?"
"You wanna know how he's doing, don't you?" You smirk as Bakugou scoffs, trying to find somewhere else in the room to look. You stand up, walking up to him, and he takes a while to meet your eyes. "He's frustrated. Apparently, he really wants to remedy all of the corruption, but I think he knows that even if he does that now, it won't stop."
"He's always been stubborn like that," he whispers after he huffs.
"I can't really give you anything else. Our conversation was pretty short."
"Did--Did he ask about me?" he asks cautiously, and you try to figure out how to answer without hurting his feelings too bad.
"I'm not sure if he knows that any of you are a part of this," you say. "I think a lot of people suspect that Shinsou's not working alone, but no one has a clue who you guys could be." Bakugou stays silent as he nods. "Also, I told him that I wasn't a part of this, so even if he did ask about you, I wouldn't even know who you are."
Shinsou told you about how him and everyone got in this place at first. They all went to high school together, but only a few of them chose this path. Bakugou was actually the last person to join, which was unexpected for you to hear. No one tried to convince any of their friends that chose the pro-hero path to join them, knowing that it was their choice to go that route.
After what happened in high school, a lot of them decided that hero work wasn't for them, and as they got older, they only realized how bad it was on the inside. One by one everyone started to join, and they've been running together ever since.
"It's just--we've been doing this for years, and now he decides that he wants in?" Bakugou sighs.
"Well, you did say that he's pretty stubborn," you say. "So, he's probably been trying to fix this for a while, but he didn't want to believe that he couldn't stop all of this." You sit back down on the stool.
"I don't even know if we can trust him. What if it's all just an act?" he voices aloud.
"Do you think he's capable of doing something like that to you guys?"
"Who knows? It's been years since we've all seen each other. A lot has happened." You don't respond, and Bakugou eventually sighs, shaking his head. "Sorry, for talking your ear off. I bet you didn't want me to bother you with all of this."
"Don't worry about it, Bakugou," you say softly after you laugh. "I'm always here if you need someone to talk to."
~
"Where are you taking me?" you question, waving your hands out in front of you.
"It's a surprise, baby. Just be patient," Shinsou laughs.
You've been at Shinsou's house for a few months now, and you've settled in nicely with everyone. You hang out with them for most of the day, playing games or just having conversations that go late into the night. They've already been on two big missions, and you've been there anxiously waiting for them to come back.
Thankfully, they've all come back, but not without some injuries. You do your best to heal them as much as you can, knowing a bit about suture techniques thanks to your mom, but you're definitely nowhere near a doctor. They have one last mission before they finally call it, and you can tell that it's got everyone on edge. The atmosphere has definitely changed. It's nothing major, but you can tell that everyone, yourself included, are counting down the days until it happens.
"I'm blindfolded, Toshi. Can you blame me for being impatient?"
You were packing up your stuff, getting ready to head out once they finally completed their final mission. They're able to do it from the hideout, so while they were putting in the last touches, you started to get everything together. Once you got the majority of it, you helped Shinsou pack the car. When he was done, he turned to you, suddenly putting something around your head so that it covers your eyes.
He guided you back into the house, and know you have no idea where you are. You hear a door open, and the chill air from outside hits your skin, making you shiver a bit. He stops you from walking with his hands on your shoulders, and you can hear him take a couple of steps away from you. "Okay, take it off."
You quickly untie the fabric, and you blink rapidly. Your eyes widen when you see what's in front of you as your mouth drops open. "What is all of this?" you ask. He's led you to the roof, where he has a blanket and candles set up. You walk over to it, and he's quick to follow, guiding you to sit down.
He sighs softly as he gets comfortable. "Well, we've been together for some time now," he starts, and you can tell that he's nervous. "Over a year now, which is crazy to me," he huffs, like he can't believe it, and hell, you can't really believe it either. "I just wanted to do something to celebrate that, and I thought you'd like the stars too."
You look up at the sky, not even realizing that you can see what seems like a million stars. You gasp as you look across the dark sky, and you hear him shift next to you, so you look back at him. Your eyes widen again when you see a small box in his hand, and you scoot a bit closer to him.
"Please don't tell me that's what I think it is."
He laughs, letting his head fall for a second before he shakes it. "No, it's not. I'd choose a much better setup when I propose to you." Your heart swells at his words, choosing to stay silent. He opens the box, revealing a gold ring. He takes it out, holding it up to you as he sets the box aside. "This is a promise that I'll keep you safe for the rest of our lives. That I'll always find you no matter what situations come at us in the future."
You look at the ring, dipping your head a bit to see that the inside is engraved. He shifts it, so that you can see the words in the moon and candlelight.
I'll always find you, and I'll always love you
"Toshi," you breathe after you read it, and he grabs your hand, sliding it onto your finger. You rub your finger over it as you admire it. You surge forward to kiss him, knocking him back. He catches himself quickly, holding you in his arms as he lays back against the blanket. "I love you."
"I love you, too, baby." You look at it again, giggling softly against your will, and he smiles as he watches you.
"Hey--"
He's cut off by a sudden explosion that has the both of you jumping up in an instant. You hear loud alarms going off, and the both of you are quick to stand up. Before you can even process what's happening, there's a helicopter flying over the house, and something falls from it.
Shinsou suddenly grabs you, jumping to the side. "Cover your ears!" You do it quickly, and even with your hands cupped tightly over your ears, you still hear the loud explosion as you hit the ground. Everything is spinning, and then you suddenly feel weightless. You scream as you fall through the roof, keeping your eyes closed and ears covered as Shinsou keeps you in his hold.
When it finally seems like your stomach settles, you look around, and the moment you take your hands off of your ears, the blaring of the alarms are nearly deafening. You try to move, but it hurts to move, and you look under to see Shinsou laying there. "Toshi!" you gasp. You wince as you move off of him, sitting up on your knees. "Toshi, baby, wake up!" you yell, shaking him. You lean forward with your hand on his chest, and you nearly cry when you feel he's still breathing.
You jump back when he gasps, sitting up quickly. He looks around, groaning loudly, and then he suddenly turns his attention to you. "I knew this was fucking trouble," he groans, and he reaches for your necklace, snatching it from your neck.
"Shinsou, my mom gave that to me!" you yell, and he throws it on the ground, taking a brick from the rubble and smashing it. You scream, about to yell at him again, but then he picks something up. Your body runs cold when you see what it is. "Oh, my God." You hold your hand over your neck. "My dad said that my mom left that when she left." It finally hits you. "This is all my fault."
Shinsou grimaces as he stands up, grabbing your hand to pull you up. "Focus, baby. We gotta get outta here." You let him lead the way through the rubble, and you hear more explosion throughout. It doesn't even look close to the house that you've been in for the last few months.
He takes a back way to where the car is, and you try to move as fast as you can, but once you get to the car, you hear something crackling. "Shinsou, you gotta get down here!" It's Denki, and it's coming from the radio that's attached to his hip. "Mina doesn't have time to send the files!"
Shinsou swears loudly. If they don't get those files out, then all of this was for nothing. "I'm on my way," he says back before throwing the radio on the ground.
"I'm going with you."
"Absolutely not," he states. He winces as he takes the keys out of his pocket, putting them into your hand. "You get into the car, and you drive as far as you can without stopping. Do not look back."
"Hitoshi, I am not leaving you!"
"Yes! Yes, you are! I promised you and your mom that I would keep you safe!" You still haven't let go of him, and you don't know if you have it in you. He moves forward suddenly, giving you a long kiss that nearly takes your breath away. "I love you."
"That sounds a lot like a "goodbye" I love you," you tell him.
"I'll always find you." He starts to leave, making sure that you don't follow him.
"Toshi, don't leave me," you say, tears forming in your eyes. "Toshi!" He doesn't stop, and you nearly scream in frustration as you watch him leave. "I love you!"
He finally turns around, giving you a big smile, and you watch him go for a little bit longer until you hear another explosion. You quickly get into the car as you sob, barely being able to see due to your tears blurring your vision. You keep driving until you get to the road, and you follow his instructions and keep driving. You can see the house in the distance, up in flames, and you will yourself to keep driving.
Immediately, there's a big explosion, way bigger than the ones before that makes the house exploded. You quickly stop the car, getting out as you scream Hitoshi's name. You cry louder and harder than before, but you suddenly hear something coming up the road. You're quick to get back in the car, speeding off, but there's no way you stop crying.
You make it to a motel once the gas tank is nearly empty. You slowly pull into a parking spot, and you turn the car off, the silence so loud that you can hear your ears ringing. You cry again when your eyes land on the ring on your finger, and your chest heaves before you scream as loud as you can.
You sit in the car crying until your head is pounding, and you find one of Shinsou's sweatshirts on the passenger seat. You grab it before getting out of the car, and you slowly make your way inside. The person at the check-in desk looks completely bored, which you don't blame them since it's around three in the morning, and there's no one out right now.
When you walk up to the desk, their tired eyes widen a bit in surprise as they take you in. You didn't even think about what you probably look like; covered in dust and probably with bruises and cuts, and to top it all off, there's dried and wet tear tracks on your face.
"I, uh, need a room for a couple of days," you whisper, and you rest your hands on the counter as the events hit you again.
"Is it just you?" they ask, and you look at your hand again, your lip trembling as you run your finger over the ring once again.
"My, um--" You take a deep breath, wiping the tears that fall. "My boyfriend is coming soon." Even though you saw the house explode, you still don't believe that he's dead. He wouldn't lie to you. "So, could you just give him a key when he gets here?"
"Y-Yeah, of course," they answer, nodding their head. They check you in, telling you to worry about paying later, and you thank them softly, taking the key and walking to your room.
You get in the shower as soon as you lock the door, wincing when the hot water hits all of the cuts on your body. You can't even look at yourself in the mirror when you get out, drying off before healing yourself up. You put a tank top and some shorts once you think you got everything, and you're glad that you didn't break anything.
You grab Shinsou's sweatshirt, putting it on before you get into bed. You roll over to look out of the window, and you cry again until you fall asleep.
~
For the past couple of days, you've woken up with a headache and terribly swollen eyes. You haven't left the room, only leaving the bed to go to the bathroom. You haven't eaten, but there isn't any part of you that's telling you that you're hungry. You've been staring out the window, watching the animals move the only thing that can keep you from crying until you start to think too much.
Every now and then you take a deep breath of the sweatshirt, as that's the only thing that smells like him that you have. You tried to watch TV, but the first thing that came on was the news reporting about the house explosion. You immediately turned it off as you felt that lump in your throat appear again.
By the time a week has passed, you don't feel any better, but your body is screaming for some food. You forced yourself to eat some snacks, but it definitely wasn't enough. It takes a long time for you to get out of bed, but when you finally do, you make your way to the lobby to eat breakfast. You end up eating a lot, which isn't unexpected since you haven't had any real food in days.
You finish eating quickly since they have the news playing in the lobby, and you can't stand to listen to it anymore. You move the ring across your fingers as you walk back to your room, and you try your best not to cry again. You don't know if your head can take it anymore.
When you get into the room, the first thing you notice is that the bathroom door is closed and the light is on. You frown, immediately on edge, preparing to bolt out of the room. You definitely left it cracked, and you made sure the light was off. Before you can even move, the door swings open, and you're getting ready to bolt until you see who it is.
"How did you manage to get so far? Took me forever to get to this place."
You cross the room in a split second, jumping into Hitoshi's arms as you start to sob again.
"Ouch," he groans, but he hugs you tightly nonetheless. "Take it easy, will ya."
You lift your head up so you can kiss him, your hands trembling as you cup his face. "I-I thought--" You can't even finish, kissing him again until you're out of breath.
He rubs over your face, wiping your tears as he looks over your face. "What'd I tell you, baby?" he prompts. "I'll always find you."
#shinsou hitoshi#hitoshi shinsou#shinsou hitoshi x reader#hitoshi shinsou x reader#shinsou hitoshi x black!reader#hitoshi shinsou x black!reader#shinsou hitoshi smut#hitoshi shinsou smut#mha x reader#bnha x reader#mha x black!reader#bnha x black!reader#mha smut#bnha smut
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So there's this saying that the only time you see the middle of the road is when you're going from ditch to ditch, and that most of the time is how I feel about the canon v fanon debate.
Genuinely, I feel like people get so stagnanted in this idea that something isn't canon - which, what is comic canon anyway? I strain to unravel the mystery of which comics get to "count" and which do not - and focus on it so much that they miss any aspect of nuance.
Tim's parents are a great example. Tim's parents exist in the way they do for a simple out-of-universe reason: the writers wanted to avoid the mistakes they made with Jason by both differentiating him from Dick (making him not an orphan) and giving him a "buy-in" with Dick (something to connect them -> the circus). (Their logic was that Dick was the key to getting readers to like Tim, and that neglecting his buy-in was their misstep with Jason.) At the same time, Tim having parents is a problem because what parent is not going to notice their kid being gone all the time playing midnight vigilante? Solution: absentee parents. But now the shift to in-universe happens. Tim's parents are gone all the time, but it's not malicious; they're just kind of clueless. They love Tim. Tim loves them. But they are not around. And this out-of-universe choice, once you enter into the universe, logically can - maybe even should, if you're taking the characters seriously - effect how a character reads.
Tim's parents are gone all the time. There's every probability that would cause trauma. Unintentional, but fun to explore! The comics do a very little. I think fandoms can often make the mistake of believing subtle abuse (like neglect) is not sufficient, so it gets elevated to something physical. But your parents loving you and also causing you trauma is a relatable experience, I think. Even your parents doing their best and still causing you trauma is.
Jason being the angry Robin is another rough one. Because yeah, I agree, Scott Lobdell did some wacky and unkind things to Jason's backstory. But Jason, even going back to his original (not original, but his original non-just-Dick-but-blond) backstory, is a traumatized orphan willing to take the risk and steal tires from the Batmobile as a means of survival (in Gotham! In Crime Alley!). Why can't Jason be angry? In the throes of adolescence, at a time when he feels safe with Bruce, doesn't it make sense for his trauma to find its way out in anger? Can't he both believe Robin is magic and be angry? Can't he be sweet and angry both?
Dickie and anger. Yeah, anger plays a role in certain story arcs of his. In NTT, and in the first 80s Nightwing run, the stories take pains to show that the anger is triggered by something and channeled into brutal focus. And that it does not serve him. Dick's relationship with Kory in NTT nearly falls apart because of his anger. He treats her very poorly. I see a lot of people saying they want Dick to be angry, but not allowing Dick to learn how to control his anger is not giving the character his dues either.
And Damian. Shoot. Reading the One Bad Day comic for Ra's al Ghul kinda ruined me a bit because of how much Ra's obviously loves and respects animals, and how can you not see the echo of that in Damian's love of animals? Damian's League trauma is such a thing worth exploring, and I think the value of exploring it only goes up when you add in the complicated factor of the fact that Talia and Ra's do love him, and he does see them when he looks in the mirror, and every day Damian has to decide which parts of his family - his whole family - are good to keep and which are not.
Anyway. There's probably more, but this post is already pretty long lol. Nuance is cool, that's all.
#dc comics#batman#robin#dick grayson#jason todd#tim drake#damian wayne#canon vs fanon#batman comics#robin discourse#can you tell I think about them a lot lol
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This is pointless but here’s what I would have done for each member of the umbrella academy during season 4:
1. Luther would still be a dancer in this for me but he wouldn’t live at the academy. He’d live with an elderly old man that he helps to take care of in exchange for a room. I want Luther obsessing over a father figure in every season. Sue me. His room would be full of abandoned hobbies (think knitting needles, a guitar with a broken string, a bookshelf filled with *blank* for dummies books). He’d have spent the last few years trying to discover who he is. Besides all of his hobbies he’d have a whole section of his wall dedicated to finding Sloane. If we couldn’t get the actress maybe we have a quick photo of her married to someone else or have that be discovered in the plot. I don’t necessarily think Luther has to have a happy ending with Sloane but he could have it in terms of getting over his daddy issues and discovering who he is as a person. He puts a lot of effort into his family (especially sparrow Ben) through out the season but he able to become a figure outside of his family this season.
2. Diego’s whole deal before this point is vengeance and vigilantism. The life of a UPS worker is so far removed from this but I’d keep it. I’d really want to highlight that this is something Diego does because he thinks this is what he has to do to be a family man. I’d also spend a lot more time this season on his family. Like him cooking breakfast or something while Lila (who I’ll come back to) is dealing with the twins while looking ready to pull her hair out. Lila’s parents would also have a lot more to do to. Maybe they nitpick Diego or maybe Diego isn’t sure how to behave around his new family that actually seems to be healthy. I’d also keep his lil dad gut but I wouldn’t make it a point of humor. It’d just be a thing to highlight the image of the dad he is. His storyline this season would deal with him wanting to be something (a father, a husband) while not really knowing how to do this and still having dreams of his previous life of excitement and action. Also would show drama with Lila and him navigating their new lives and maybe not in the healthiest way at first.
3. Allison would still be attempting to be an actress. But she would be hyper vigilant of Claire. She fought so hard and betrayed her whole family to get back to her. She might even be overbearing. Her emotional arc this season would have a lot to do with learning to allow Claire to become her own person. I also would have included Ray because he would NEVER just walk out but if we can’t get the actor I think maybe I would have killed him off (I’m sorry). Maybe the realization that her new timeline is not perfect helps to enforce the idea into her that Claire is not invulnerable. We’d also spend a lot more time talking about this. Ray would have a picture on her bedside table and maybe her and Luther could have some closure by talking about their loved ones. She would also have to work a lot harder to gain acceptance from her family.
4. Klaus’s would NOT get his powers back so early in the season. We would also not have any of his plot from the real season beyond the fact that he is now a hypochondriac. I really liked that detail. I liked Uncle Klaus loving Claire to death and them both learning to enter the big scary world would be a staple in his season 4 arc. Klaus would definitely talk about Dave more too. He’s so afraid of losing others because of his loss of Dave but he still has these worries about his own death. This could be his big moment this season. Him having to accept his powers, despite his sobriety and fear, in order to save his family in some way. The choice should be his. It would be his ultimate sacrifice and it would finish off his arc in a more satisfying way that doesn’t leave him as someone incapable of saving himself or others. We could also get his ghost army and levitation. As a treat.
5. I would have kept Five as a teenager. He’d be 17 at most and having to live with one of the other siblings (I’m leaning towards Luther). He’s ‘homeschooled’ at this point and spends his time trying to find inaccuracies in the timeline that could suggest another end of days. He’s obsessed with the apocalypse and a safe world can never feel safe for him. Lila still does not like or trust Five because of what he did to her parents in the OG timeline. But because he and Lila are still searching for danger (for different reasons) they end up attending the Keeper meetings together. The whole subway things happens but NOT the romance or the choosing to stay. Instead they both go through the timelines trying to solve the end of the world and we spend like 2 whole episodes on this. They see the apocalypse again. Five gets soft over Delores. Lila sees what Five went through to get back to his family. To save Diego. They eventually learn to see each other as family. And they’re only gone for a year before they both find the Five Deli. They’re dirty, injured, and have just spent the last year trying to get back and save they’re family. They do NOT accept the other five telling them to just die and give up. Maybe Five contemplates but now that Lila and Five are bonded and besties (please I just want friendship from them) she is able to convince to try ‘one more time old timer’. They get an exit found by another five and find a way to save the world (need more thought on how). Also after the world ends and Five no longer has a purpose like before, he finds a new one in his family and this adorable ( absolutely ugly) little dog that was eating trash in an alley.
6. Ben would still have been a crypto scammer because I love that. It’s sparrow Ben so there is still a huge disconnect from him and the rest of the family. I don’t think he gets a romance with Jennifer but he meets her. And it’s learned that Jennifer is not of this timeline but was in a squid that came from another one. I’m thinking the squid is what lives inside Ben and it’s escape is what killed him ( not the dumb as hell thing that really happened). The squid eats Jennifer as she is a hostage in whatever situation (mission by the beach idk) but she is one of the other 43 kids. She has powers similar to Viktor in the way that they are world destroying. The fact that she from another timeline is what gives her extra interest to Jean and Gene. Ben begins to gets realize he’s not exactly a great person compared to Umbrella Ben but begins to bond with them over the course of the season. Also the jar isn’t given to the umbrella academy by David Cross (already forgot his characters name) but instead found by Jean and Gene in the opening scene. They intend to give it to Jennifer once they get to her but instead are intercepted by five and Lila. Maybe they give it to Jennifer at a meeting as a ritual and Five steals it and takes it to the family. Now Jean and Gene are after them and they know Jennifer is gonna end the world. Plot with lots of moments for cool fight scenes and music numbers.
7. Viktor could be living Canada still. He still feels so isolated from the family that he struggles to be around them. I like the joke of him being someone incapable of maintaining a relationship but we know he could do it with Sissy so I would instead have him have a rocky relationship with a girl who maybe also isn’t in the healthiest spot. Since Viktor doesn’t get kidnapped in this version, his trouble involves introducing the new girl to his family and not knowing how to navigate these two worlds that have always been separate in his life. He gets to play violin still too because that was such a big thing in the comics and the violin is something that he learns to harness his powers with once they get their powers back. For what seems like the first time, Viktor isn’t ending the world but saving it. And he is fighting with his family as a powerful unit. Think early scene in s2 where they all realize their full potential.
8. Lila is struggling with her new life. She has a family, her parents, and a calm life. It was supposed to be a life only meant for her dreams but she finds it dull. Diego is showing off a facade of being happy in this life so she doesn’t want to talk about how it’s affecting her. She forms a tentative truce with five when she gets a dose of excitement by involving herself with the keepers. When she realizes she is once again in an apocalypse situation she has conflicting feelings about what this means for her and her family. She wholeheartedly joins five on the subway adventure not realizing how long it would be before she could see her family again. She bonds with Five and they both commiserate about loving their family so much but not knowing if they will ever have the ability to be happy. Her arc revolves around finding equilibrium between her two worlds and saving the world with Five. Someone she now sees as family and who she knows would do anything to save her because she’s family. She and Diego would talk and learn they both have issues with their new lives but they are dedicated to helping each other find what the other needs to at least be content. She also doesn’t ever cheat on Diego and the little Greek guy comment makes her laugh so hard she almost pees.
#I’m bored at work so here you are#this is all stupid and fun btw#I have more thoughts but I gotta stop or I never will#the umbrella academy#tua#five hargreeves#allison hargreeves#tua spoilers#diego hargreaves#lila pitts#viktor hargreeves#ben hargreeves#luther hargreeves#klaus hargreeves
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Final Chapter: A Look at the Ending of MHA
With the manga of My Hero Academia finally coming to a close, I thought I'd give my opinions about how the series ended. I will be covering everything from Chapter 424 to Chapter 430. This is going to mix my thoughts on the ending, a proposed rewrite, and a lot of responses to people's criticism towards it. Because I'm going to be real with you all: the past two months have been the most frustrating and exhausting experience I've had with this fan base.
I have been writing this since the finale ended. In that time, I've been listening and taking in all the discourse of fans in order to make a more informed opinion. It's been miserable trying to read through all the thoughts people had about the finale. The sheer amount of opinions that were based off misinformation or misreadings of the series has been staggering. So, if I sound more exhausted or if the writing comes across as more scattershot then when I normally do something like that, that's the reason. And, as always, if you have anything you want to discuss, whether it be about the post or the ending, feel free to ask about it.
Review
Miscellaneous Notes:
So there are some bits of the story I wanted to talk about, but didn't feel the need to include full on diatribes about.
-Oh hey, Koichi from Vigilantes is here, that's so- and he's gone.
-Even when Izuku is his peer, Aizawa still finds time to be a jerk to his students.
-Mirio is the number one hero. Makes sense, but it does feel out of nowhere with how little Mirio has been relevant up until now.
-How on Earth is Miriko still working, let alone as a hero? She's down three limbs and in arguably worse shape then Enji.
-Man, they are really taking Kai to task these past few arcs, aren't they? I mean, I get why, but jeez. It's honestly sad to see what's been done with his character.
-I like how All Might's light returned to his eyes. It's a good way to show him getting his spirit back after all this time and reigniting hope in himself..
-So if Eri's horn is back, does that mean her power is back? Kind of wish we had something saying about why she isn't healing people. I get if it's her choice or the recipients choice not to do so, but there needs to be something for that.
Hospital Visit
This works as little cool down from the big battle, especially since we really needed to see some of the immediate consequences on the main characters. I actually like a lot of the stuff with Bakugou. After all this, he finally understands Izuku, shown by them getting similar injuries, and lets himself be emotionally vulnerable about wanting the two to be rivals. And we finally got some thoughts on part of Izuku here, like his regret about seemingly failing to save Tomura and how he doesn't feel hurt about losing out on "One For All". How he's glad that he even got this chance in the first place. I do feel the need to mention All Might saying that Izuku saved the "soul" of Tomura. I think a lot of people missed or ignored that line. It's important to Tomura's death, but I'll get more into that later.
Speaking of consequences, I don't mind Izuku losing out on "One For All". In the grander scheme of things, "One For All" doesn't need to be a thing anymore. With "All For One" gone, it no longer has a purpose to exist. And as we've all seen with All Might, someone holding that much power over he world is a problem, regardless of whether it's used for good or evil. Having it gone helps even the playing field and will push for the idea that people should rely on themselves and each other instead of focusing all on a single symbol. What's more, I think Izuku having to sacrifice it and lose it gives the ending a lot more weight. Because Izuku sacrificed the thing that made him a hero in order to stop Shigaraki. To me, that's one of the most defining aspects of a hero: the willingness to sacrifice something important to themselves to help others.
UA Stuff
All of the things happening at UA are fine. I do like that Aoyama chose to leave 1-A of his own volition instead of being forced out. Plus, now Shinso is in the Hero Course. Good for him. I've never been all that invested in Shino's story, but this is a good way to get him into Class 1-A without making an exception or replacing any of the core cast members. I liked Mirio's graduation speech. I think it works with his arc of trying to inspire other people and trying to honor Sir Nighteye's memory. And they got to have their own little party. That's nice.
Honestly, I find myself having very little to say about all of this, at least the parts within the school itself. I'm all for a calm after the storm to talk about what happened and to build up characters. I'm honestly glad we're back at the school to help ground things after that massive battle. But I think there may have been too much time spent on this. It just feels a little longer than what's needed. Like the bits with the cotton girl feel like they weren't needed for the story and could have been better used setting up or wrapping up something else.
Todoroki Family Prison Visit
The Todoroki family drama has always been one of the stronger plotlines, especially in the latter half of the series. And I believe that it ended on a pretty strong note. It's to the point where I struggle to really say much about the resolution of it. I do like how Shoto asks for something as basic as his favorite food. I also like how Dabi let go of his hatred towards Shoto, who was as much of a victim as he was in all of this, but still held on to it for Endeavor. Because in spite of what a lot of fans seem to think, the manga does take Enji to task and isn't saying he should be forgiven.
Dabi being in this condition is pretty awful, but I concede that it was necessary for him to have a resolution with the other Todorokis. I'll get to my thoughts on the condition of the villains later in the post. So for now I'll just say the metal coffin looks equal parts cool and horrific. I think it's too long at least in the wrong places. I understand that this is an important part of the story. But when it takes up so much of the chapter it's in, I feel like at least something should have been given to the other family members. They aren't the main players of the subplot, but they still could have used some resolution.
Afterburn
Now, there are those who say Enji got off too easy. Uh, no, he didn't. The man lost everything he strived for in the number one position, something that turned out to be totally hollow, and is left severely injured after the battle, due in large part to Dabi. Now the only thing that would bring his life purpose, his family, is all torn apart by his own actions. Now he's resigned himself to seeing his dying son, who hates him with every burnt fiber of his being, every day until Dabi dies. Enji's punishment is to live on, knowing what he did and failing to ever put his family back together. That's not a happy ending, that's a sentencing.
Which is something I do find frustrating about the end of their arc. While we get solid conclusions with Natsuo and Dabi, how Shoto, Fuyumi, and especially Rei feel about all this and their relationship with Enji is ambiguous at best. At least with Shoto and Fuymui, we had some idea of where they stood with their father before now, but Rei is still not clear. I'm not sure about the implications with Rei and whether she's still with Enji. I choose to think that she isn't just trying to help him out in the few panels we see them together, but it's not exactly clear. Which certainly does leave the door open for some... less than favorable interpretations.
Commissioner Hawks
I'm not sure how to feel about Keigo's conclusion. On the one hand, I don't mind where he ended up as the head of the Hero Commission. It's still a way for him to help heroes to make their lives easier without getting involved as a hero. And if there is anyone that can clean up the Hero Commission, it's the guy that's worked under them his entire life. On the other hand though, it does kind of feel like he did got off scott free for a lot of the stuff he did while under the Hero Commission, namely killing Twice. It never feels like Hawks personally was taken to task for his part in all of this. So now we have a murderer as the head of the Hero Commission.
It doesn't matter if he was under orders to do it or not, nor if there were extreme circumstances that pushed him to such actions. The pragmatic side of me does see the reasoning of that, but the story enforces that what Hawks did is a bad thing and does so constantly. Nothing about the manga takes Hawks to task for what he did or makes it feel like he's been punished for that. He may have lost his Quirk, but we don't really know how he feels about that. Which is weird considering how much of his life came from having that Quirk. Unless his comment about not being ashamed of his "filthy wings" as long as he got to help Tokoyami? Maybe it will make more sense on another read.
Spinner and Izuku
I feel like this scene is pretty underrated. Heck, it may even cemented Spinner as one of my favorite villains. To me, it really goes to show the tragedy at the core of Spinner's character. That, for all of his desire to change things or help out his friends, he was too weak to see any change made for himself. So he attached himself to idols like Stain or Tomura. He was always manipulated or pulled by something else. Whether it be the radicalization of Stain or the machinations of All For One, his hopes were used against him, his mindless actions given meaning by peons. All it did was lose him everything. He was, ultimately, a kid who was in over his head and was turned into a monster because of it. The monster everyone saw him as.
And while I've heard some people complain about Tomura only having a message for Spinner, I think that's more about the relationship Tomura had with the rest of the League. They were aligned together for a mutual goal and had some care for one another, but I don't think they ever understood or were close to one another. Spinner is the only one Tomura had any kind of real closeness. That's the whole point of the gamer line, as silly as it was. So, while to the rest of the League, he was Shigaraki, the force of destruction and change, to Spinner, he was Tomura, a friend who he wanted to fight for. My only issue, again, is some unfortunate openness with the ending. Spinner writing a book to spite the heroes is fine, but it leaves this unfortunate implication that this book will be used to radicalize more people. I don't think that is the intention, but again, it's not very clear.
Everyone Do Your Share
I was originally frustrated by how much of the final chapters spent on the cleaning up of things, especially since there were so few chapters left. However, looking back, I do feel it's pretty important to reinforce the idea of everyone trying to help in their own way, no matter how big or small it may be. And in doing so, show the changes on every level possible. It's there to show how things are changing by how people act and see heroes. We've got the civilians doing their part to help the heroes, and we've got the next generation changing their perspective on heroism. All thanks to Class 1-A and their efforts. It's just a nice and efficient way to show things changing from a broader perspective.
Which leads me to the stitch mouth kid. I saw people begging that this kid would be the new Tomura and show that society is still bad and broken. As if something like that wouldn't undermine the entire point of the ending. The whole point is that anyone can be a hero in any way, as long as you are willing to reach out and help others. And people who see a problem can and should do something to help people. They should help when they have the chance before it is too late. So having the old woman reach out to help another lost child is a nice way to tie up that point. And the whole point of all this is that the heroes, especially Izuku, don't need to do everything themselves.
The More Things Change
Many people were upset of the idea of aspects like hero rankings and the Hero Commission not being abolished by the time the series ended. I disagree. I never thought that the rankings themselves were bad or wrong, nor did I think the story ever shows that the rankings are bad. That only seemed to be an issue with Enji and that had a lot of personal issues behind it. Every other hero seemed to be perfectly content to do hero work regardless of the rankings. Now, the Hero Commission, I can understand more. It's shown to be morally gray with its power. However, I don't think the existence of this kind of system is inherently wrong. Having oversight to heroes isn't a bad idea. It's just that the usage of it use to a lot of problems. And most of those people that propagated it are dead and gone.
Further still, there are people that say nothing has changed in the setting. That, since these systems are still in place, it's always going to be like this. Again, I disagree. Because of the massive devastation wrought by Tomura, it gave Japan a fresh start with the current generation. This gives the country the chance to overhaul those systems, even if they are still around. At the end of the day, systems are made up of and by people. The story makes it clear many times how important it is to win the crowd over. And if you win the hearts and minds of the people, it could go on to propagate massive change to the system. If enough people want to change and push for it, things will change. Saying that "things didn't change because systems can't be changed" is such a horrifically pessimistic take on the ending.
The Death of Villains
I've mentioned it before, and I'll say it again: I don't mind Toga dying. By extension, I don't mind the villains dying either. While it may seem tragic and pointless for her to die, I do think that is kind of that point. And no, I don't think this means that she "couldn't be saved". I think it's more of a tragedy. She was the one that people could have been saved before, but it was far too late to help her given how far she had gone. And her dying isn't a failing of that. Because Toga's ultimate goal was to live and die on her own terms. Specifically, being able to express herself and her "love". And to a lesser degree, to have someone try to understand her. I think her dying to save Uraraka is a good end to her character. By extension, that's how I feel about a lot of the villains' deaths in this. They got what they wanted, tragically died in order to see it through to the end. At least there's some peace for them, in that respect.
There's also a matter of "saving". I think a lot of fans took this too literally. To me, "saving" was more about reaching out and trying to understand villains rather than simply fighting them. "Saving" was never going to be the same as "redeeming". Because let's be real, there is no redeeming these people. Not because they can't be redeemed, it's because they don't want to be redeemed, and I think it'd betray their characters to do so. They are unapologetically bad and have hurt a lot of people. Every member of the League is complicit in the deaths of thousands and throwing an entire country into chaos. They aren't wrong for fighting the system, they're wrong for killing countless people to do so. And I have to ask what the other options are? You either have them be forgiven and turn good, which would be insane given the crimes they committed and their characters, or have them locked up forever, which is a fate worse than death. At least in death they can have some form of peace by escaping the consequences of their actions and all the suffering they went through.
Izuku x Uraraka:
Yeah, I'm kind of confused about why it turned out like this. I'm ignoring all the shipping concerns that come from it. I'm more focused on the story and characters. The whole idea of Uraraka and Toga's shared story was about understanding your feelings, both towards yourself and other people. Especially how bad it is to repress and hide your feelings. The whole catalyst of Toga's story was her being forced to repress herself. So having this whole subplot end like this is really odd if Uraraka doesn't express her feelings. That's not mentioning all the hints, setups, and teasing that pushed these two as a potential couple that fell through by not having any conclusion. I honestly wonder why Hori, or his editors, decided to back down like this.
Which, hey, now may not be the best time for a confession, but it's still jarring not to see anything come of it after all this time. Especially since so much of the chapter is about the two talking about their feelings. So why is it written like this? Now, I want to dismiss the popular concept that Hori changed this because of death threats between the two. While it's not something I'd put past obsessive fans, there hasn't been anything to substantiate the claim. So, barring rogue translators, my only guess is that Hori or an editor didn't want to do the reveal now and wanted to focus more on the important parts of the two's connection about inspiring one another. I can understand that, but it feels like a part of their dynamic is missing without any real acknowledgment of the two's feelings.
Izuku and Uraraka:
And I say all that to preface that I do like a lot of this scene and I do think it's important to each of the characters. Because Ochako is being open with her feelings here. It's just not the feelings that were being set up all the way in the first chapter. It's the two trying to connect and come to terms with their own failings with their villains. Only to have Izuku reach out his hand, reaffirming that sometimes all people need is a small act of kindness. Though it's hard to always do that, he's willing to do it because he's just that good of a guy. And having Izuku say that Uraraka is his hero is more heartfelt and important to these characters and the story at large then any confession could have been.
And then we have the rest of Class 1-A coming to help as well. It works as a good parallel to Uraraka saving Izuku back during the Dark Hero Arc. It fits with the idea of heroes saving and helping one another. My only major issue is that I kind of wish we had gotten a little more with Izuku talking about his own feelings regarding Tomura, but we already got that back in Chapter 424. All and All: am I still disappointed that Izuku and Uraraka didn't have any romantic resolution? Kind of. It's less that I wanted them to get together and more I wanted some kind of resolution for it. But I still think what we got is good and that people are focusing way too much on what isn't there than what is there. Which I feel like is a problem with a lot of the ending, but we'll get to that.
Class 1-A Futures:
I do wish we got to see more of the future of Class 1-A, even if they were brief snippets. There are glimpses of Shoto and Bakugou. Bakguou's is alright, and I do like the final bit about no one connecting Shoto and Endeavor. I think that's a good ending for him. The most we get with any kind of detail are Shoji's and Urarak's groups. And I guess Shoji had a good future? Look, the Heteromorph plotline is arguably one of the worst parts of the whole manga. It may even be worse than the Stars and Stripes arc. So I can't exactly muster a lot of enthusiasm seeing it resolved by Shoji in the end. I suppose him thanking the people at the riot was nice? That whole part of the story honestly deserves its own post talking about it.
On the flip side, I'm fine with Uraraka's ending. Because I think people tend to conflate a lot of what makes up "Quirk Counseling", mostly thanks to people like Curious and Toga. One is part of a cult that wants to destroy society and the other most grievously targeted by it. From what we've actually seen of it, such as Tamaki's flashback, it just seems to be a lot of training and understanding your Quirk. Toga was just an unfortunate case where the system as it was couldn't help her and could only try and fit her into a niche. So I don't think expanding it is that big of a problem. Plus, expanding could include more extensive counseling that is more tailored to each child. I do think it's kind of odd that Iida and Momo seem to be stapled on to this ending, though. I'm not sure how this works as an end for either of them. I guess their roles as leaders of the class?
Great Teacher Izuku
Look, I don't mind Izuku having this job. Do I think there could have been other choices for this? Yes, but this is by no means bad. Being a teacher is a lot more respectable in Eastern cultures. Especially since he's teaching at the best hero school in the country, if not the world, it is certainly a high-profile job. And he is still being a hero in his own way and helping out the next generation as a teacher. More importantly, I still think that Izuku achieved his dream of being the greatest hero. The man brought down the greatest villain in human history and was one of the two people responsible for causing a massive shift in the way the world of heroes works. He is truly the world's greatest hero. There is no debating that. This is like some kid wanting to go to space to be the greatest astronaut. They not only go to space, they're the first person on Mars. They also stop the martins from invading Earth, killing the king of the martins, and save humanity. Now injured, they instead teach other cadets how to be astronauts. Would they not have success in their goal of being the greatest astronaut? I don't think anyone could match up with that.
However, my issue is with everything surrounding it. There isn't any set up for him becoming a teacher. It gives us the sense that this was the back-up option for when his real dreams feel through. Especially since Izuku gave everything he could to try and be a hero, and it doesn't happen until the very end of this manga. Which doesn't seem like the intention, since Izuku seems happy enough, but I heard a lot of people saying that. It's lacking in that catharsis and satisfaction that you'd expect from an ending. But you can have an ending that's not exactly happy and still be cathartic, and I think that still applies here. And another problem I have is that he's teaching at UA. Yes, he's helping out the next generation of heroes, but he's not helping out the people that need it most. The kind of people who don't make it into UA. The kind of people like Tomura, Spinner, and Twice. Those are the kind of people that should be getting help like this. Why not put him in a position with a much greater ability to help people? Finally, wasn't the whole point of All Might's arc? That there are other ways to be heroes and life outside of hero work? Why not have that aspect of the story be resolve with him instead of Izuku? He was already going down that route to begin with. Why repeat the same idea?
Walk and Talk
Again, I'm going to have to counter a major talking point I've seen in the fanbase. No, Izuku is not unhappy in his job. He seems to enjoy it and is in fact very good at it, as seen when talking to his students and the plate kid, Dai. He's only unhappy in one panel, in which he's being talked down to by Aizawa. No, Izuku is not forgotten by the world. He's mentioned in the same breath as some of the greatest heroes in the series, has his own statue with the rest of Class 1-A, and is so famous that people know his real name and is of such mythical status that people question if he is real. No, Izuku's friends did not abandon him. The most that Izuku says about that is that it's difficult for all twenty members to get together. He's still probably seeing them in smaller numbers. And I can tell you as someone who has had trouble even getting a quarter of that number of people into a single time slot, it's going to be difficult to get twenty people with separate schedules and lives together.
As for everything with Dai, it's fine. His perspective is pretty important as we get to see the changing worldview. With the demystification of heroes and the elevation of other roles in helping others, young people are now all getting into different fields. The talk around the statue is pretty good as well. Having Izuku effectively talk to a younger version of himself is a good way to close out his arc and all the insecurities he's had over the manga. However, part of me feels like this kind of talk should be done with the stitch-mouth kid. We do actually see him as a part of UA students with Kota. I think having Izuku end up talking to him about his Quirk could have been a good way to end his arc by having him be able to help someone similar. Not to say that the Dai stuff was bad or pointless. It just feels odd to include the guy that's supposed to be the metaphorical spirit of Tomura, put him in Izuku's class, and have them not interact.
The Suit
Again, this is another point where I don't have a major issue with it. At least, I don't have an issue getting the suit itself. I have some issues with the semantics. Did it take too long to build? I wouldn't say that. It was revealed in a piece by Horikoshi that it took all of All Might's vast resources to build, and it lacked a lot of the proper safety features. Having it take some time before it's battle ready for Izuku makes sense. However, that isn't in the manga, at least as far as I can tell. Maybe this makes more sense in the volumes, where stuff like this is included all the time. For real though, these people built this in secret for eight years, and they are just now letting him find out. Was there really no explanation you could have added to make that make more sense?
It creates this odd juxtaposition of endings as well. It gives the feeling of the story wanting to have its cake and eat it as well. Someone wanted Izuku come to terms with being Quirkless and to have a life outside of hero work. The other person wanted Izuku to still fight and be a hero. I also wonder why not just have be both at the same time instead of doing this twist. Make it clear that heroes have a lot more time, both thanks to Hawks and the contributions of the many heroes in the world all working together. Izuku doesn't need to be a full-time hero to save people and chooses to be a teacher to help people in a way that only he can do. That way, he can still be a hero that isn't necessarily the profession while being a professional hero without a Quirk.
Final Thoughts
Now, what are my final options for all of this? I think that ending was pretty solid, leaning good. I do agree that it's better than what is on offer than a lot of shōnen series and a good enough ending for the story. I'm not saying it's amazing or perfect. Though I do find myself more satisfied than frustrated. I get a lot of what the story is going for, and it makes sense. It just needed some refinement to really work. As for what everyone else has said about it, I honestly think that a lot of people are overreacting. I wouldn't go as far as to say people are "lacking media literacy" or that they are "reading in bad faith" like others have on either side of the debate. I just think this as a case where the context and delivery of it resulted in a lot of confusion. And more often than not, people will tend to go with the worst version of the implications. This is not helped by the leaks and bad translations which fans ran away with, as well the built-up hype and headcanons, which poisoned the well for a lot of people.
However, I cannot deny that there is part of the fanbase that is simply not getting the manga. I don't want to use the word "tourist", because that's a No True Scotsman fallacy, but it's starting to feel applicable here. The people who simply aren't reading the manga, whether it be through engaging with it solely through other people talking about it, or trying to look at it anything beyond the most kneejerk and surface level reactions. Because a lot of people tend to conflate what My Hero Academia is about or what its story is conveying. And unfortunately, those are the people with massive followings. Anyone with a differing opinion is drowned out in the sea of angry comments. And I think we really need to get away from that. What I'm saying is that you read the story as it is. Focus on what is happening and what it is trying to say. Don't force a meaning or headcanon on something that wasn't there and don't rely on word of mouth for what the manga is about. Just focus on what the story is trying to say.
My only hope is that this will pass, and calmer heads will win out. That once it's stepped outside the zeitgeist, people will be able to analyze it as a whole. If not, then I'm terrified to think that this will become My Hero Academia's legacy: a bunch of stupid jokes made by people who can't bother to read the official version of the story or try to understand a culture outside their own even when it plays a vital role within the story. If not, then I can hope that maybe something else will come to replace it. Because I'm not sure if this is truly the end. I've heard rumors that there's going to be something akin to Naruto: The Last or the Naruto Wedding Special coming out after the anime ends. If not that, who knows who other kinds of side material will come out to follow up on the world or characters. Which would make sense. The ending doesn't feel like an ending as much as it does "And the adventure continues." Which could be why I'm not as affected by this ending as other people.
There's certainly the cultural side and how that surrounds the manga. I'll always stand by the fact that this manga is a Japanese story by a Japanese author for a Japanese audience. And there's a lot of cultural context that goes into the series. I keep thinking about how a lot of Japanese fans seemed to like the ending and how much I wished I had the context to understand it. Another part of it is how much I'm thinking about Hori. Because for all the popularity of it, being a mangaka is one of the most stressful jobs in Japan. One where the artist has much less say over how their story goes. I'm so curious about what went on behind the scenes to make My Hero Academia turn out the way it is. Was all this Hori fumbling his own story, whether that be through incompetence or failing health, or were there outside forces pressing on him to do things a certain way? It's like how people became more forgiving of Kubo or Toriyama once they found out how hamstrung they were by their higher ups. I suppose only time will tell.
Rewrite
Now, time for the Rewrite portion. As a reminder, I do try to keep to what the manga does as close as possible. For example, I personally would just let Izuku keep some version of "One For All" if the ultimate conclusion was him still being a hero. However, it's obvious that Hori didn't want to go that route with it, so I'll be sticking to him getting with the suit.
Starting things off, we'll be in the hospital with Izuku and All Might recovering. We're told about "One For All" leaving him, and we'll get some reaction from Izuku about it. He will be sad but resolved. He may not have "One For All", but he's still alive. He's got the skill and will to help people without it. And he still wants to do that, even in his own way, because he still has value without "One For All". This could help soften the blow of Izuku losing out on "One For All". That and it's at least something to try to tie up Izuku's self worth issues. This will also be something confirmed by Inko, putting a nice little bow on all this with her being more properly encouraging of Izuku as opposed to how things were in Chapter 1.
Then we're going to reveal how many people want to talk to Izuku. Reporters are going to be hounding Izuku for his story, considering how he was key in stopping Tomura. Which he obviously can't do right now due to his condition. After some time, he will eventually recover enough to give a press conference. This will also be where we get the varying opinions on Tomura, having a panel overwhelming Izuku with questions and thoughts. Izuku is now going to use his newly found position to try and change things for the better. He's going to emphasize the importance of the role of the other heroes and not have it all focus on him. He's going to use it as a platform to talk about who Tomura was and why he did what he did.
It's going to be something emotional and vulnerable, something propping up Izuku as a person rather than the hero Deku, working to prevent another situation like All Might where everyone keeps putting them on pedestals. This way, we have both the validation of Izuku saving everyone and wanting to bring about change on the societal level. It shows him being a hero in the traditional way with the defeat of All For One, now he's being a hero in the non-traditional way. This will be cutting into some of the time we have at UA, but to me, I don't think a lot of what's in that part is ultimately necessary to what the story is trying to say.
For the sake of this, Hawks will still be working as the head of the Hero Commission. He'll talk about how he feels free now that his Quirk is gone and everything that came with it, more so than ever before. However, he still wants to make life easier for heroes so that they can feel this kind of freedom. He initially didn't want the position, but felt the need to take it on after everything that's happened and make things right, implying the guilt he feels over his actions. Plus, it has some nice irony of Hawks still being trapped within the Hero Commissions. So him taking the role is more of his own penance and a punishment.
So while Izuku is fighting on the public front, changing the hearts of the masses to enact change, Hawks will be fighting on the political and systematic front, using the devastation of the country as a fresh start. He'll encourage groups of heroes to work together rather than focusing on the individual. He'll push for a greater level of training or vetting when it comes to people who can get a license for hero work. Most importantly, a greater level of accountability and transparency in both heroes and the Hero Commission as a whole.
Lady Nagant will remain in jail, but it's more for reasons of atonement rather than wanting to wait and see how things play out. Hawks will try to offer her some deal or reduction as a way to make things right, but she feels like it's the right thing to do rather than trying to pretend it never happened. This will also be the part where we explore some of the points with Hawks we talked about earlier. Lady Nagant can even question if the Hero Commission is needed, but Hawks can talk about all the reforms he wants to do with it.
For Chapter 426, we're shortening the Todoroki family time, and it will only take up half of the chapter. I will have some confirmation on whether or not Rei was able to move on from what Enji did and do more to cement how Enji is alone now. He may be resolved to change and make things right, but he is not getting his family back. That ship has sailed. Instead, we'll be sticking to everything involving Hawks and Toshinori in the latter half of this, with him talking to Lady Nagant and him discussing his plans for changing the ranking systems in general. I think it'd flow a lot better, works with tying up another character so closely tied to the Todorokis, and gives us more time for other stuff.
However, we're keeping 427 mostly intact. I think Spinner's material is good, and everything that got brought up needed to be mentioned one way or another. The most I'd do is cut down on the ending gag, since it frustrates me so much, and some of the interviews since we may not need them as much with how I'll be changing things in those sections. I am removing the Kai part of the chapter as well. I like Kai, but this honestly feels pointless in the grand scheme of things.
The biggest change will be that I'll include a bit where, instead of Izuku saying to make it a comic book, he'll remind Spinner to think about what would happen if someone like Spinner read it. About how important a book like that could be and how it should be written, but also how it could hurt someone who reads it. Spinner will remain silent in response, thinking back on how he saw Stain and how he was puppeteered around by the likes of One For All and the PLF during the Final War.
I think you could do a nice parallel between Izuku and Spinner here. They were two young men who were ultimately racialized and hurt by their idols and their lack of self-worth. Again, it's showing Izuku thinking about himself more with what has happened to him and tying that to Spinner's own situation. Plus, it prevents something like Spinner's book from having the unfortunate implication of turning out to something like the MLA book.
We're cutting Chapters 428 and 429 in half and stitching them together. Specifically, all the stuff with the new Class 1-A and the Old Class 1-A will be removed. I just feel like we don't need to focus on this as much as other parts of the world or story. Preferably, I would want them to get together. With the Bakugou and Shoto being seen bit, we're throwing in Izuku as well. There needs to be some confirmation that people did in fact see him as a hero as well and confirm that the three are in fact the new Big Three of UA. I'm not asking this to be the norm of it like they do in Naruto. I just feel like there should be some external validation.
The fight between Toga and Uraraka will be around and released to the public. Her death will be seen as something tragic to the world and help spark the change we see later on with people empathizing with villains like her. This could also lead to Izuku seeing it and being the impetus for Izuku and Ochako talking about their feelings. Yes, this chapter will include a confession for Ochako to Izuku. It won't be during a breakdown, but it needs to be put in somewhere and might as well be here. I'll even settle for an implication. Up to you on whether or not you think this should solidify them as a couple, but I feel like you have to include that in order to complete all of the set-up in the series and especially with Toga.
The new Chapter 429 will instead be a two-year time jump into the future before everyone is graduating. We can still start it off with some of the "where are they now" bits, but not have it take up too much time. With the final embers of "One For All" starting to fade out, Izuku knows this is the end of him as a proper hero, but it doesn't matter to him. He got to be the greatest hero in history who literally saved the world. He doesn't define himself by having a Quirk or not and knows that he can still help people without a costume on. Izuku plans on either going into counseling, charity work, or even trying to get a job at the Hero Commission. Up to you on this one. He still wants to help and stop the various hurting people of the world from ever becoming like anyone from the League ever again. Make it clear this is something Izuku wants.
This is when Toshinori gives him his graduation gift: the suit. Between Toshinori's remaining resources, gifts and gratitude from the various people across the world, and contributions from members of 1-A, they were able to build him the suit. Toshinori kept it from Izuku because it wasn't ready until a few days ago, needing to be properly prepared and built as opposed to the rush job that was the dangerous prototype he used. Izuku, of course, has notes and ideas for improvements on the suit. Toshinori reaffirms that Izuku earned this, and he will still be a worthy hero and successor, Quirkless or otherwise. The chapter ends with Class 1-A and 1-B graduating. I know that two years seems short, but I think that the timespan is enough of a time gap to get the suit together, at least with how I am setting it up, and to have the embers of "One For All" fade.
The alternative route is that, knowing that the embers are running out, Izuku still wants to be a hero. So he's spent the last two years trying to prepare himself for that, putting as much time into training and learning how to use equipment made for him. He doesn't care if he isn't going to be the top hero. He's going to do what he's already been doing: helping people, because that's all he really wanted out of life. That this whole experience changed how he saw himself and hero work. You could even say that it's the prototype for him, eventually becoming the suit. Maybe even combine them both, with the former being a backup plan after hero work. And while I have never been the biggest fan of the whole "Quirkless Hero" concept with how little it's supported in the world, I think we can let it slide because it's the finale. But I wanted to mention it because I thought it'd be an interesting path for the story to take.
Then the real chapter 430 will cut to the future, roughly five to six years. I could take or leave Izuku being a teacher, but for the sake of this, let's say that he is one. Heroes have more time off, so he decides to help educate people. We'll get a similar series of panels that will focus more on the world with how it is now, mainly in relation to Class 1-A. This will show a lot more of how the 1-A kids have grown and the affects they have on the world, like Uraraka actually interacting and helping a kid like Toga come to terms with their power to show how Quirk Counseling has become a tool to help people. I think we really need more scenes like that to really show that things have grown and changed with the world. Izuku's suit will have changed as well, commenting on how much he's been involved with the modeling and planning throughout his most current iteration.
Toshinori will be living his life and still teaching at UA. He talks about how all the kids want to be like Izuku, especially with Kota, and that they never stop talking about him. He jokes to himself about how he feels like he's been forgotten. Cut back to Izuku's old school with the kid in the back. Events will happen similarly to what they did in Chapter 430, with Izuku meeting a kid similar to himself at All Might's statue. There will be the usual stuff he said, trying to encourage the kid, making comparisons to himself, maybe even showing the photos All Might took of him when he was training. He gets a call about an incident and needs to leave. He tells the kid to never forget about the hero he can be and to never stop striving to be that hero. The final words of the series are the ever-iconic "Plus Ultra". This is beyond cheesy, but if we're going to end the series, we might as well end it with some cheese.
#My Hero Academia#Not Quirks#Midoriya Izuku#Deku#Toshinori Yagi#All Might#Katsuki Bakugou#Ochako Uraraka#Uraravity#Shoto Todoroki#Enji Todoroki#Tomura Shigaraki#All For One#Dabi#Toga Himiko#Shuichi Iguchi#Spinner#MHA Meta#MHA Theory
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Stephanie Brown ACTUALLY having the character arc that fanon pretends Jason Todd had (plus a defence of canon Jason)
What I'm really saying is that Stephanie Brown is underappreciated, Jason Todd is often misinterpreted, and, though it should go without saying, ignoring canon is poor media literacy. So let's actually analyse canon and get to the bottom of what the stories are trying to say and how they use their characters to tell this, as opposed to just which character should we stan.
I'm arguing that Stephanie Brown's story actually features a redemption arc that sees her transform from a violent, almost murderous teenager into the most unwaveringly hopeful of heroes and that Jason's story is about a villain who we're meant to empathise with to expose the cracks in the Batman's heroic facade; a Frankenstein's monster if you will. Here's a numbered list:
Part 1: Outgrowing Violence, Anger and Murder
A big part of Stephanie Brown's growth in canon is her learning not to kill or use excessive force. But it's not as simple as just killing is wrong, don't question it.
Let's begin with the narrative's relationship to violence, anger and murder. Why doesn't Batman kill? Because "[those] who [fight] with monsters might take care lest [they] thereby become a monster. And if you gaze for long into an abyss, the abyss gazes also into you". If he kills, he's playing god, choosing who gets to live and die. No one deserves that kind of absolute power and absolute power also corrupts. Batman doesn't want to lose sight of himself or his cause. Deliberate murder is treated VERY negatively in the Batman mythos.
Enter Stephanie Brown.
Stephanie was a working class latchkey kid who grew up on the wrong side of the tracks. She had an abusive, criminal father, who was in and out of jail, and a mother struggling with addiction, who Steph became a carer for at just 15. Steph also became pregnant with the child of her horrible ex. At 16, she gave birth to that child and had to give her up for adoption. Steph is also a survivor.
The world was never kind to Steph and left this teenager with a hell of a lot of bitterness and rage which her vigilante career became an outlet for. You can tell by the way she fights since Steph fights DIRTY; she'll tug hair and spit in your eyes and strike below the belt and catch a kick to twist your ankle and dislodge your already broken nose. On the one hand; the narrative tells us Steph is resourceful. She's 5'5", 130 lb and has zero powers, but can always find an opening even when going up against Gotham's grizzliest. It's telling that quick thinking, savviness and spontaneity become her thing when she becomes Batgirl; Steph is the wild card. On the other hand, she was a real diamond in the rough and a complete loose canon. In her first arc, it's Batman who stops her from making the biggest mistake of her life; killing her dad. To deliberately kill; to play god, is to lose yourself, remember. Her first arc is about not being defined by who your parents are and about not giving up on yourself. Batman basically tells her, there's hope for you yet Stephanie Brown, by getting her to spare her dad. And she does. And so began her superhero career.
Nonetheless, it's never that simple. Steph is still a bitter, angry teenager, no matter how many jokes she cracks. It becomes a personal crusade when she, now Robin, discovers that The Penguin is using children as runners. It takes Cassandra Cain to stop her from inflicting anything she may regret.
The narrative wants to show us how cruel the world can be and that it isn't black and white, either. The story ends with an angry Stephanie lamenting "why". It's a "why" she is asking herself too. Why does she do what she does? And it informs us that she, and maybe us the reader too, still have a lot to learn. Murder's not the answer but what is?
Stephanie later saves Bruce by almost murdering serial killer Victor Zsasz. Bruce reprimands her and she cries, quite honestly, "I don't get it, I really don't", following on from where we left off in Batgirl. "There are always other options than to kill" asserts Bruce, forget not being on the same page, they're reading different books. The thesis of the story is what Bruce should have told Steph when she was an angry 15 year old about to murder her dad; "[those] who [fight] with monsters might take care lest [they] thereby become a monster". The world's cruel, Steph, but that doesn't mean you have to be too. "Are you firing me?" "No, I'm teaching you".
Over 2 years down the line, an around 19 year old Stephanie, establishing herself as the new, hoping-inspiring Batgirl, is now teaching a brash Damian Wayne what she's learned.
"To murder or not to murder" is just a plot device to the themes of overcoming your own anger at the world's cruelty to contribute good, coming to terms with shades of grey, not giving up on yourself and staying hopeful in the face of adversity and horror. These are Stephanie's arcs and as a consequence, she goes from would-be-murderer to Gotham's cheeriest caped crusader.
Part 2: Double Standards and Second Chances
Another huge part of Stephanie's story is her overcoming double standards and doubters, to earn her own second chances. Her resurrection and rise to the role of Batgirl were choices made to hammer home this theme; it's never too late to turn things around.
There's some juicy metatext to analyse here too. DC editorial's treatment of Stephanie during War Games was horrific and panned by both fans and writers. To reperate for these harms, Steph was retconned back to life and then made Batgirl during Batman: Reborn. Here's a quote by Batgirl (2009) author Bryan Q. Miller on what his run aimed to bring out of Steph:
The whole point of Stephanie's resurrection and take over of the Batgirl title was to give her a redemption arc.
In text, Stephanie was unfairly treated too, notwithstanding that she was brash and had a massive violent streak in her Spoiler and Robin days. Tim Drake constantly condescends her and tells her to give up vigilante life, even though she was ALWAYS a match for Tim according to Convergence: Batgirl. Cassandra Cain constantly underestimates Steph. Bruce Wayne tells his allies to cut off ties with Steph and then later fires her as Robin for DISOBEYING HIM as if that's not the first thing Dick Grayson ever did as Robin. Barbara Gordon tells Steph she has a death wish. Dick deems Steph too reckless (moments before he resurrects a zombie Batman). And Damian is an entitled brat who gives her a hard time for no reason. Everyone doubts Stephanie and it generally says more about the doubter than it does Stephanie.
Stephanie was never great with authority or criticism so she still went out there and earned her second chance. And it felt rewarding when her doubters came around too.
Stephanie was brought back from the dead to be redeemed and man did she take that chance!
Part 3: What is Jason Todd's Story Meant to Tell Us and My Defence of Canon Jason
Jason Todd returns from the dead as a ghost of Batman's past; he is the living embodiment of Batman's greatest mistake who couldn't stay buried and is back to haunt him. He's a character we are meant to empathise with but he's a villain nonetheless. He's not irredeemable but for the most part his story is not really about redemption. Succinctly, it revolves around the idea that "we are each our own devil, and we make this world our hell” to quote Oscar Wilde.
When we first meet the resurrected Jason, he's a cold-blooded murderer who's slinging guns and using The Joker's old moniker. These choices are made to emphasise that he went down the wrong path; he's breaking Batman's "don't play god" rule and his actions become eerily closer to those of the Clown Prince of Crime than Batman's. In fact Nightwing and Batman spend some quality time together in the next two issues because Nightwing is the foil to the Red Hood; he's what Bruce considers his greatest success. Remember that thing about "those who [fight] with monsters might take care lest [they] thereby become a monster"? Well Jason DID become a monster. And if he's the monster, then Bruce Wayne is Frankenstein.
We're not supposed to think "yes, kill the The Joker, Jason", we're supposed to think "good god, please Jason, it's not too late to turn your life around". Here's Dick and Jason being the exact opposite of each other, an issue apart.
So what was Jason's villainous return trying to say? For one, that people are the products of their circumstance, lest we forget Jason was once an eager and studious Robin who just wanted to be part of something greater when life, but specifically Bruce, sent him awry. This is also a story about Bruce which tells us says that our mistakes have consequences that don't stay buried, and that we will always be forced to reckon with our histories or it becomes everyone's problem. This next panel shows this best. All of Jason's killing and torture and fear-spreading and chaos does not come down to some "murder or not to murder" debate, it comes down to his relationship with Bruce. He is the monster that Frankenstein created who's back to haunt him and no one is safe.
Jason's initial Red Hood arcs were never supposed to pose the question "should Batman kill The Joker or not?". The answer is no and always has been. They are supposed to show us how Bruce's poor fatherhood of and partnership with Jason Todd led to all this horror. And Bruce can't turn back the clock, he has to reckon with the consequences of his actions in the present or more people will get hurt. It's significant that these first arcs don't end with Jason returning to the manor and seeking help surrounded by family.
We then see Jason and his issues with Bruce threaten the lives of others like when he beat Tim half to death twice, tried to blow up Mia Dearden and then tried to become a murderous, gun-touting Batman after Bruce's "death".
Once Dick Grayson becomes Batman, the narrative sheds a bit more light on how Bruce's Frankenstein created a monster in Jason; Bruce wanted Jason to be another Dick Grayson.
The red hair is a perfect metaphor. Jason is naturally red-haired and he is now balding because Bruce made him dye his hair black so he'd look like Dick as Robin. That sums it up for me. Bruce really created his own demon here and Dick, as the new Batman, is trying to make amends with the sins of the Batman's past. Jason's a great choice for a Dick Grayson villain because of their histories, considering Dick Grayson is the legacy Batman.
"I tried really hard to be what batman wanted me to be...which is you." Jason tells Dick.
That line is so painful and way more recognisable and relatable than anything fanon has produced.
"But this world...this dirty, twisted, cruel and ugly dungheap had...other plans for me."
Look no further, this is who Jason Todd is.
That's a powerful story if you ask me, and this is why I like Jason Todd as a character; a villain I pity deeply, who is portrayed as a product of their circumstances without diminishing their agency and who makes me see the cracks in the hero's facade because they are the monster our "hero" created. He's also a very nuanced foil to the ever-shining light that is Dick Grayson. The appeal to Mary Shelley's Frankenstein isn't that the monster murdered people. I also would never swap canon Jason out for, I dunno, Wayne Family Adventures Jason who's the amalgamation of 3 or 4 common fanon tropes. This is my two cents.
#stephanie brown that ball of anger and vengeance that we saw grow into one of the most well-rounded capable and cheerful bats around#stephanie brown#vengeance is purple#fanon vs canon#jason tood#robin#batgirl#the spoiler#red hood#batman and robin#dc comics#comics#metas#batman#batfam#wayne family adventures#bruce wayne#dick grayson
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WHAT DOES DARLINS REACTIONS TO CERTAIN SITUATIONS SAY ABOUT THEM AS A CHARACTER?
A Darlin analysis >:)
Darlin is first introduced snooping around Wonderworld, looking for Quinn Fox, and is found by Sam, who happens to be on patrol that night. Right from the start, we learn a defining feature about Darlin: they are reckless when it comes to their own well-being.
Darlin’s first character arc centres on finding Quinn, a dangerous vampire with whom they had a brief relationship. They actively hide that they’re looking for him from David. They are caught by Sam, who quickly becomes defensive, knowing Darlin shouldn’t be there. After discovering they detected a six-month-old signature, Sam snarkily remarks, “If you were that good of a tracker, you should be in a lab being studied, not running around in the moonlight on some wild goose chase.”
When David finds out Darlin lied about still being in Washington, he calls Sam and sets up a meeting to discuss Darlin and the risk they’re putting on themselves, and unintentionally, the pack itself, dubbing it a “vigilante vendetta.” He explains that Darlin was never very close with the pack, which led to them “falling in with a less-than-savoury crowd” and finding Quinn. David continues by telling Sam about Darlin ignoring most of his check-in texts, how he looked into the two new members of the Solaire clan, and how the circumstances of their turning reminded him of Quinn. He therefore discovered that Quinn was never apprehended by the Department. While Darlin claimed they kept the information from the pack to protect them, David dismisses this as “short-sighted and bull-headed, but well-intended.”
Though Darlin constantly puts themselves at risk, it’s always in the name of protecting their loved ones. However, they clearly lack self-preservation skills, convinced of their own invincibility due to their accelerated healing ability. In the "Vampire Tends to Your Injuries" audio, Sam calls Darlin about information on Quinn and notes that they sound weird. They admit they’re hurt. Sam immediately expresses concern and chews them out for not going to see a healer to avoid being asked questions. When he arrives at their house, they ask if he is okay with the blood, despite being very hurt, their concern obvious despite their condition. He heals them up before lecturing them on taking on two vampires without backup: “You’re a werewolf, not a damn tank.”
When Quinn is caught, Darlin is out the door with David immediately. Sam meets them there, and when they find out Quinn will only speak to Sam, it upsets both of them. Still, they quickly agree because a girl’s life is on the line. Sam agrees, albeit reluctantly, though he makes a point of stating, “He should have to see you, hear you—he doesn’t get to hide away.” Darlin clearly appreciates Sam’s feelings on the situation—if kissing him was anything to go by (plus I was fully ready for Darlin to launch through the two-way mirror).
Another instance of Darlin’s reactions I adored was with Alexis at the Summit. At this point, they hadn’t interacted with her at all, with Sam actively dreading the inevitable. When Alexis refers to Darlin as “Sam’s latest conquest,” Darlin immediately corrects her, telling her that they’re mates. Alexis, who turned Sam because she wanted to be with him, is bitter about them being together and manages to get a rise out of them quickly. Porter is quick to save them from a public display, remarking, “You looked a second away from taking a swing at a half-century-old powerhouse, and that’s a fight I’d rather not witness.” This furthers the fact that Darlin is quick to react, and that reaction is usually violent—if past references and Alexis feeling the need to say, “Problems don’t get resolved by hitting them,” are anything to go by.
Porter and Darlin seem to have a dynamic of harmless teasing and aggressive reactions, the first of which is in the "Vampire Boys Have It Out." Darlin opens the door to let Porter in, and he immediately takes a dig at Sam, which I can only imagine was met with a tense response. They’re more controlled around Sam, no doubt because the oncoming lecture wouldn’t be worth it.
Darlin’s tendency to jump to violence at the first sign of trouble complements their obvious strength. This is described by Sam at the start of the 2024 Valentine’s Day Sam audio: “Do you have any idea what it’s like to see a wolf of that size push off a tree, hit a guy jumping at vamp speeds, ash him, and still land on your feet?” Their ability to fight off two vampires and force Quinn makes this very clear.
They’re clearly a force to be reckoned with, and to top it off, they’re dating a fine-as-hell cowboy vampire who would both die for them and give them a lecture from hell for it.
Proofread and edited by @achios I LOVE YOU <333
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The way Deku’s dynamics with the rest of the cast have taken a nosedive in act III is so depressing, there’s SO much missed potential.
He doesn’t reflect on Endeavor (beyond a brief moment protecting the Todoroki’s on PLW)
He doesn't reflect on Hawks actions being exposed for everyone to see, the safety commission conveniently evaporates so Hawks and Nagant’s roles on society have already been taken down, leaving his desire to change society feel shallow.
Hawks interacts with Deku on Villain Hunt but him murdering a Villain that was actually a good person isn’t explored, and neither is wanting to save Shigaraki or the way he’s gonna go about it when you could easily contrast what Hawks DID with what Deku should have done.
Endeavor’s reaction to Izuku having All Might’s power, his relationship with AM is ruined, his relationship with his own class is barebones besides Ochako, it’s so sad to see a character that was known for learning from everyone around him suddenly losing all of the wonderful dynamics he had and could have had in the last stretch of the story
I would say that Izuku's interactions with other characters and meaningful interactions+intropsection that can directly help his character development has decreased in both quantity and quality since the middle of act 2 or much more accurately since the bakugo Vs izuku fight part 2 (is when I noticed it tbh)
I say this because it is exactly after those acts that we see less of izuku and all might relationship being depicted in a meaningful way or we don't have all mights problems with his successor being addressed, take for example the vigilante arc where all might and izuku meet after their falling out is framed as a gag or joke and we never see them talking it out. Sure the introduction could be played for a bit of laughs but what rubs me the wrong way is that there isn't a slow meaningful talk about this between the two (also I have just come to the realisation that all might and izukus relationship should of been built up a lot more before this moment and they're quite shallow in terms of mentor and mentee)
There's also Izuku's relationship with enji todoroki that somehow does a complete 180 spin where he first went from hating on enji for what he did to shoto and his family to then defending enji infront of touya and telling shoto that he is ready to forgive enji somehow even though enji has done unforgivable deeds. This moment just seems ooc for izuku and even after everything is revealed in more gruesome details like you said we don't even get a scene of izuku thinking about it or actually acknowledging that enji is a bad person and that touya has a point.
Or when the dark corruptness of society is revealed we only see izuku exclaim and almost berate lady nagant for killing her boss (who drove her almost insane because of the amount of killing he made her do) and it's so convenient that HPSC doesn't exists anymore so horikoshi doesn't need to make Izuku think about it at all (ultimately this ends up being bad because Izuku's dream of ripping up the realms of good and evil like a rug become almost meaningless) he k izuku doesn't thunk abkut how it was the hpsc and UA that sent both him and his classmates to war as child soldiers (actually none of 1A or 1B think about this)
Izuku and hawks could of had a meaningful conversation about how to go around saving villains and how their ideologies may clash with hawks believing that Jin needed to be killed to prevent tragedy and izuku wanting to save shigaraki. Izuku and hawks share some interesting parallels with one another but they're not deeply explored especially when they can be and lead to more izuku and hawks intropsection. Ultimately Izuku and hawks do have similar thinking styles with both of them believing that because a villain wouldn't back down that they can't save them, both of them being used as weapons by society, both of them wanting to protect, both of them being great analyst and having great intelligence. These are just some things that they have in common.
Or Izuku and his somewhat superficial or shallow bond with his classmates. I can admit that izuku and some of his classmates had a strong build up for some interesting relationships like izuku and iida (but due to iida being sidelined the whole holding hands moment and reaching out kinda falls flat) or Izuku and shoto (but Izuku's view of enji ruins it a bit and it's a shame we dont see izuku spill the beans to shoto since shoto is always the first to notice izukus emotional distress) or izuku and ochako (but it got muddled a bit because of the whole shipping thing and the way the narrative frames some of their moments). I think Izuku also needed more time with other classmates to build a proper relationship with them that's not based on transactional things that he did for them like encouraging jiro for the school festival or standing up for ojirou (I would of liked there to be more in between all of that)
Heck there are overall more character relationships that I want Izuku to have in deeper depths like izuku and shigaraki are pretty underdeveloped or Izuku and mei who had great chemistry or Izuku and shota. heck established relationships like izuku and kora or Eri should get more screentime and depth as they can for sure help Izuku's character. Izuku and his relationship with his mother could of easily been turned into an arc where inko realises that she is neglectful and steps up as a parent. Etc etc.
Ultimately it's a shame that these things never happen because what made Izuku's character so compelling to me is his parallels and foils with the rest of the cast and that he is a character who learns, adapts and also should of been one that questions and influences change within society but he doesn't!
#mha#mha critical#bnha critical#bnha#horikoshi critical#thanks for the ask#bhna critical#thanks for the ask!#hori is a bad writer#thanks anon#thanks anon!#izuku critical#izuku midoriya critical#izuku deserves better#class 1a
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Prompt
Yang has always wanted to have sex upside down with Spider-Arc, and now she finally gets that chance after promising to keep his secret, for a prize.
Jaune fucking Yang upside down while holding onto a web at Vale is not something he predicted, but fuck is it sexy. They better be lucky enough to have no one looking outside their windows to see this.
Plat!-Plat!-Plat!-Plat!--PWALP!!
"Haaah, oh yes!" Yang Xiao Long arches her back as she hangs upside down, stuck to a spun web. "Mhmmf, right there! Don't stop!!"
The Blonde Brawler was naked, her muscular, curvaceous figure stuck to what looked like a spider's web. Placed in between two tall trees within Downtown Vale. Her dragon buns jiggled and clapped each time the pelvis of the costumed figure thrusts back and forth. Garbed in yellow & black, Jaune Arc, known as Spider-Man, pistoned his manhood in and out of Yang's slit. Upside-down sex was the last thing he expected or predicted to happen since being bitten by that glowing spider. But, he had a secret identity to maintain, he prayed there weren't any curious onlookers glancing through their windows.
"Nnngh, Yang!!" The unmasked vigilante spoke through gasps and groans, gyrating his pelvis back and forth against the Powerhouse of Team RWBY. "Ooh, Brothers! You're gripping me!!"
"Because--Oooh, fuck yes!!" She bit her bottom lip, attempting to keep her moans down to avoid attention. "B-Because we're doing it upside down, J-Jaune--Oooh~!!" She coils her legs around her lover's waist, "Or do you prefer if I called ya Spidey...or Lover Boy~?"
Thwalp!-Thwalp!-Thwalp!-Thwalp!--THWACK!!
"Hhhngh!!" He gazes into her lilac eyes, seeing them flash crimson for a moment. "Y-You're enjoying this too much--Oooh, Gods!!"
"Y-You're already balls deep in me--Haaahh, yesss!!" She reaches out to grab his shoulder. "Admit it, hun, you love this~."
#answer#answers#answered#answer post#imagine your ship#imagine your otp#otp prompts#ship prompts#rwby#rwby au#rwby fanfiction#rwby fanfic#rwby smut#superhero au#super au#yang xiao long#jaune arc#dragonslayer#rwby dragonslayer#spider-arc au
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firework breathing, fifth form.
tengen uzui(s) x bounty hunter of sorts
no cw whipped tengen and the wives try to recruit the love of their lives using all means available. thank you @ltadoriyuujl for making this request for the @ficsforgaza initiative! to say I had fun with this one is an understatement 2.5k
Vigilante justice had repercussions, and before you would have said you were amply prepared. Law enforcement had no chance of keeping up with you. That’s what happens when you don’t believe in monsters. You could make all the noise you’d like in a hunt and their incompetence only served to soothe, always looking for the humans on their wanted posters. Bounty hunters cowered when your blade cleaved through the throats of demons and theirs hacked pitifully at the creatures happy to consume them.
A looted sword and penchant for timeliness, what fight couldn’t you weasel victory from? The answer was rhetorical until a letter arrived on scented paper, where, buried under three pages of classical poetry there lay a clear and calligraphed, 'Marry me.' Signed, Uzui Tengen.
“Saw your kill,” Tengen gleamed at dawn outside the shop that kept you good and fed on steamed buns. “Just as flashy as they say.”
“Next time someone has something to say about me, kindly change the subject.”
To call him persistent was an understatement. The Uzuis were old money with old traditions and older practices. Their mansion sat behind flowering hedges and wisteria vines on the stream at the lip of the forest, just too far to receive visitors and just close enough to rub the opulence in the whole town’s face. You quite liked your little life, the little apartment above Old Man Tatsu’s udon shop, the reward money that came in little pouches when you rolled bountyheads across the sheriff's desk. Though you had to be fast. Their expensive criminals had a habit of disintegrating.
“Are you Kinoe?” He’d ask as you shopped for dry goods. Obnoxiously tall and draped in silk for every color of the week, the master of the mysterious house was never too far from the hunter in her linen haori. “Who's your master?”
Sometimes a wife would come and when Makio accompanied you she would drop coin into the merchants’ dishes before you had the chance to pay for yourself, “Stop asking her so many questions.”
“Women like to talk.”
“Not to you.”
And so gifts started arriving shortly after. Clothes and ribbons, a barley pillow of purple silk, perfumes, ceramics– your one room above Tatsu’s udon shop was soon so laden with treasure you worried it might fall through the floor. “Leave it here,” Hina whispered to couriers from the staircase outside your apartments.
“I’d rather you didn’t,” you yawned in the doorframe, wrapped in a padded red hanten. It was one of your many new treasures. Hina smiled wide at the insinuation and you could see even through sleep, all the notes she took behind bright eyes. Three more jackets came that autumn and the fourth was delivered in person.
You slid a cloth down the bladedge of your sword after a hunt. As always, your weapon had burst from the arc over your head and with shattering speed through the back of the creature’s throat, but it found your scent the second the rattling strike touched its flesh. It twisted this time and caught the blade at a notch in its neck before losing its head. Every swipe of the cloth down your sword was filled with the apprehension of it catching on a crack in the blade.
In the cold candlelight, there was a grunt and then a hand in your apartment window. You startled when the hand started to talk, and gripped your sword from the cover of blankets. “Don’t pounce, princess.” Tengen’s voice was at least better than the snarl of a demon. His head peeked over the frame. Two lilac eyes grinned at you.
“Little late for a climb, Uzui.”
“S’cold,” he grunted and his head dropped below the frame for a moment before his hand gripped the sill and the rest of him followed, swinging over itself into the room. His mountainous body landed without a sound and he smiled, white hair framed by moonlight, “brought a gift.”
You thought he might be referring to himself before he rummaged through his haori and pulled a twine wrapped bundle out from under his arm. You rolled your eyes, “How do you know where I live?”
“You know where I live.”
“You want me to know where you live,” you crept forward to accept the package, “you’ve practically spelled my name out with your hedges.”
“Did you like that?”
He crouched a respectful distance away from where you startled back into blankets and settled on his knees. He and his family moved like cats in the night. They appeared exactly where you expect them and still it was always surprising. “Why do you work so hard for my attention?”
“I want more than your atten–”
“Mr. Uzui.”
He bobbed his head in concession and shifted his legs underneath him so that the white muscle of his thigh glowed through the drapes and folds of his long pretty robes. He pulled one knee up and rested like a king against your simple wooden window. “Who taught you?”
“Taught me what?”
“The sword.” He pointed with a painted nail to the weapon you kept tucked against your chest.
You shook your head, “No one, I just– I found it.”
“And so you hunt demons for fun?”
You smiled through the sarcasm, “For money.”
“Is there much money to be had in bounties that disintegrate?” He loved to thread a reel between endearing and irritating and that evening was no different. He watched you like an acrobat on a line.
“And what do you know about hunting, Sir?”
“Why do you think the strong ones stay away from this town?” Strong ones, was a horrifying thought and for a moment you forgot to stay cool across from the sudden and fleeting stoicism of your patron. Tengen’s eyes darkened, his broad hands flexed like a fist would be more natural. “You’re safe here. Protected.”
“That’s not necessary.”
And his facade changed with a nod of his head. The smile returned under summer eyes. “I hear you fighting, you strike like fifty firecrackers– a roman candle–” You jerked your hand to your lips in a signal to keep it down, which he did, and leaned forward with a simmered voice, “Your breath is like a firework. Like nothing I’ve ever heard.” It was as if the sound followed the command of its master and cupped your jaw where he’d like to. Worry about your chipped sword was as far away as ever. Your life was warmer with the Uzuis in it, if not just slightly more embarrassing. He raised an eyebrow, “Have you studied the poets?
One picture of your apartments could inspire a whole comedy performance. Cold and wooden and upholstered with jewels that could buy the building five times over. If he started sending poetry you might have actually had to pay taxes. Tengen waited, happy and handsome, for your response as you stared. Could you have ever guessed grabbing the sword of a fallen soldier as your village crumbled around you would have led to this?
“In pale moonlight,” he urged and leaned farther towards you, drawing his knuckle over your fingers at sword hilt, “the wisteria’s scent…”
You steadied yourself through the waves of goosebumps that came from his touch and his gaze, closer than he was before. “It’s late, Mr. Uzui,” you managed and closed your hands around his to keep it from wandering farther. He sighed through a smile and drew back slowly to stand.
“Then I’ll wish you goodnight, Mrs. Uzui.”
You pursed your lips and he laughed like a windchime, lightly, his warmth and perfume spilling from his chest as he drew a thick haori tight around himself. “I’ll show myself out.” He stood and crossed your room to pull open the door.
“No,” you startled again and covered your own mouth at the volume. He turned to you, grinning, surprised, and it took everything you had not to grin back behind your fingers. His flamboyant dress was already enough, townsfolk didn’t need any reason to speculate on why a man who dressed like a successful pimp was coming from your rooms at midnight.
Tengen flashed one more obnoxious and knowing smile before crossing back over his dozens of gifts and stepping through your window frame like there might be a staircase waiting outside. “As you wish.”
He dropped with your heart and your sword clattered to the ground and you dove to see, surely, a broken puddle of a man two stories down. But the master of the flamboyant mansion only dusted his shoulders off with his landing and turned back up to watch you from below. As always, every proposal of his was punctuated with a deep bow.
See how he likes it, you grumbled, brimming with renewed frustration. Just a few weeks later and it was supposed to be a simple night. The edge of town reeked of blood that day, the blood of fresh kills and wild animals, all day it lingered on the shadows that touched the forest. A new demon was always easy to track because hunger is easy to smell when you’re quiet. You were the loudest thing at twilight. You hushed the moss underfoot and bobbed between branches. Simple. Night. You would have been easy to smell too if demons weren’t too gluttonous to realize humans can reek of bloodlust.
In the clearing ahead where iron mingled in the fog, stood a woman where, by all accounts of your tracking, the creature should have been. Uzui’s Suma stood alone, pregnant beyond imagining, and dropped her kunai in the grass when you stumbled into the open. She wailed when she saw you and sobbed immediately to the tune of, “s’not fair!” and “wanna propose too!” as she waddled closer.
Like gifts that much– lucky I’m even delivering this one.
You spent the better part of two hours walking her back home, sword raised and mind racing at all the ways you might strap a pregnant woman to your body and walk a little faster for the both of you. She apologized sixty-seven times and kept track herself and when you finally approached the back gate of her home, she labored over her belly to pull the latch open. No key, no guard, no Uzui. No supervision! No protection! No worried greeting at the door–
You gripped tighter at the vines on the side of the house and pushed higher. Your feet found purchase in wisteria so solid it must have been a hundred years old, farther, higher towards the window at the corner of the mansion that Suma pointed you towards. You hissed and pulled yourself the last two feet to the windowsill.
“Uzui,” came out as a grunt.
“M’lady,” he smiled. You edged yourself into the room with an arm braced over the sill. Tengen rose from his desk to meet you. “To what do I owe the pleasure?”
“Bite me,” you grunted and regretted immediately and slung your other arm inside, ignoring all the retorts such a man might have to that.
He settled on, “Happily,” and offered you a hand. Suma had pointed you to her husband’s office before drifting towards the pantry for a snack. The room was modest, tatami mats and a paper door, and a low desk on the floor long enough to fit his long legs. Western paintings were hung satisfyingly asymmetrically in what would otherwise be a very traditional room. A coal brazier glowed beside the cushion he used as a seat.
You tried your best to do without the hand but when footing gave way and your chin dipped below the window, he snatched you up by the bicep. The temperature difference inside was dizzying.
“Long night?”
“Understatement,” you shivered in the new heat. Your shoes and scabbard suddenly seemed too dirty inside such a pleasant home and a bit of your fire faded. You sat on the lip of the widow and pulled your legs up beside you. “You–”
“Yes?” Tengen cocked his head, smiling always smiling. His loose white hair fell in locks over his shoulders.
“Your wife was wandering demon-infested woods until just a minute ago.”
“My Suma?” You thought he might ask which one and had prepared a thousand scathing retorts, but he only watched your anger fall from you cooly, “she wanted to impress you.”
“By dying?”
“She killed your demon didn’t she?” You opened your mouth too quickly to realize you hadn’t processed the thought. Tengen massaged a hand through his hair and down the back of his neck. He almost looked normal like this, in a pretty house, in a warm room glowing by firelight. The cold of the night nipped your back in breezes. “Did it work?”
“Did what work?”
“You impressed?” He chuckled and settled himself on the floor beside the window. He knelt beneath you, elbow on sill and cheek in hand. “Do we impress you?”
You rolled your eyes but didn’t fight a smile, “You all do something to me, but impress it not the word.”
“Do you think of us?”
“Naggingly.”
“You worry?”
“Not anymore,” you sucked your teeth and pushed his head off balance with a finger to his forehead. “She really scared me, you know. All those months pregnant and alone like that.”
He grumbled something like, not alone, and, mice were with her, which you chose to ignore because Tengen Uzui took up your rough fingers in his. Whatever face you made he couldn’t see. He brought the knuckles to his lips and kissed your ring finger just once before releasing you. “My wives are capable. They don’t need permissions and they don’t need escorts, but know they are cherished by me.” You watched him, fingers lingering in the warm space. “They want you, I want you. Want to cherish you.
The sincerity, the lack of laughter, made your ears hot. His lilac eyes set to swallow you. “Mr. Uzui–”
“Tengen.”
“Tengen–”
“Mrs. Uzui?”
“No,” you giggled and rolled your eyes. He rose to his knees and made to guide you inside but you rested two hands on his broad shoulders to settle the advance. You turned and tucked your legs back out the window, “It’s late.”
“Then come rest.”
“Mr. Tengen,” and the voice came out so much softer than you meant it to, “In pale moonlight.”
He clenched his own jaw at that as if to keep himself from pouncing. The veins in his hands rose on the sill instead of around what he so badly wanted. “The wisteria’s scent..”
“Comes from far away.” With your last murmured words and a smile, you dropped back into the vines and floated to the garden floor. He stared after you from the second story as you took a theatrical bow and called back up just once, “G’night princess.”
Next time then, he agonized behind his own smile, pink climbing up his throat like a spell. In the hallway outside of his office, the wives groveled amongst each other in piles cursing their husband’s lack of charm.
"In pale moonlight the wisteria's scent comes from far away." -Yosa Buson, 18th c.
#thank you so much as always love!#and thx for your patience#and thank you 18th century poet yosa buson#tengen x reader#kny x reader#uzuis x reader#ficsforgaza
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So after seeing all the responses to the newest chapter leaks, I'd just like to say: can ya'll chill the fuck out and have some decent reading comprehension for once in your lives? My god.
Now I will admit that there wasn't a whole lot going on this chapter, but i'm very pleased with it, especially about how the Granny that ignored Tenko learned from her mistake and broke a horrific cycle by reaching out to that other heavily abused boy.
However, what I want to talk about are the ridiculous complaints and disappointment over Izukus talk with Ochako, but since i don't have time to analyze, I'm just going to state some things that should be obvious.
THEIR INTERACTION WAS NOT MEANT TO BE ROMANTIC IN ANY WAY SHAPE OR FORM, IT WAS IZUKU COMFORTING HIS FRIEND AND THATS IT.
IZUKU CALLING OCHACO HIS HERO IS NOT MISCHARACTERIZING HIM OR IGNORING PREVIOUS HERO COMMENTS ABOUT OTHERS. YOU CAN HAVE MULTIPLE HEROES AND HE WAS LITERALLY JUST STATING A FACT. SHE'S BEEN A BIG HELP TO HIM MORE THAN ONCE, THE VIGILANTE ARC LITERALLY ENDED OFF WITH OCHACO HELPING HIM WITH HER SPEECH.
OFFERING FOR HER TO HOLD HIS HAND IS ALSO NOT ROMANTIC IN THE SLIGHTEST. HE'S OFFERED HIS HAND TO OTHERS IN A COMFORTING MANNER MULTIPLE TIMES. IT WAS MEANT AS A PLATONIC GESTURE.
THERE'S NO ROMANTIC UNDERTONE OR OUT OF CHARACTER BEHAVIOUR IN THIS WHOLE SCENE, ITS JUST IZUKU PROVIDING COMFORT AND THE TWO TALKING ABOUT HOW BAD THEY FEEL ABOUT TOGA AND SHIGARAKIS DEATHS.
With that all out of the way: chill out and be happy with what you've got. Let the friends do friend things and comfort each other without trying to make it out to be something it's not.
#boku no hero academia#my hero academia#midoriya izuku#mha#bnha#izuku midoriya#ochako uraraka#uraraka ochako#ochaco uraraka#uraraka ochaco#mha leaks#bnha leaks#mha spoilers#bnha spoilers#mha manga spoilers#mha manga leaks#bnha manga spoilers#bnha manga leaks#mha 429#bnha 429#toga himiko#himiko toga#shigaraki tomura#tomura shigaraki
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