#I thought they were easily the best written characters in the series

[choices-binglebonkus]

To whichever writer wrote Violet and Aunt Mallory’s characters and interactions in RoE…are you okay??? The toxic dynamic between these two and the isolation and emotional suffering on poor Violet’s end feels just a little too real to me. Like it’s well-written but holy shit, it feels like it’s been written from personal experience on such a transcendental level.

[fairyofsilence]

BEHIND HIS LENSE | 2/7 | TTIB SERIES | PREVIEW

Pairing: Photographer!Taehyung x PersonalAssistant!Reader

Warnings: +18, Yandere, manipulation, drugging, EXPLICIT NONCON; cunnilingus, rough sex, victim blaming, slut shaming, blackmailing, abuse of power, coercion.

Summary: After 4 long years of working for the extravagant photographer Vante, you decide to step down from your job after catching feelings for your boss, which you're sure he will never return.

But he's determined to show you that there's only one person he will consider his muse, and it's you.

I don't agree nor condone any of the actions made by any of the characters throughout the story, I also do not belive that any of the members of BTS would act this way or have this type of behaviour, this story it's fiction and it's written with the sole purpose of entertainment, please proceed with caution.

Word count: 0.8 k.

Just a quick preview of what's coming :)

In three days from now, you’ll be quitting the only job you’ve ever had.

You know you’re extremely lucky to have landed such a sought-after job with absolutely no experience at all, especially when you consider who you’re working for, but you had truly underestimated just how demanding this job was, the number of errands you do in a day will send a normal person into a coma. At first, things started to pile up pretty quickly, and eventually, you learned how to keep on top of things, becoming one of the best at what you do, but recently, there’s something that no matter how hard you tried to push it aside, you can’t seem to shake it off, and if the job was hard before that, this just had officially made it unbearable.

You’re falling in love with your boss.

At first it was nothing but a simple, innocent crush, to be fair, how can anyone blame you? Taehyung is an attractive man, and his charm rapidly made your 20-year-old-self infuriated, although that crush faded quite quickly (thanks to Taehyung’s insufferable attitude the first couple of months), these past couple of months have been messing with your head, quite frankly, you think you’re going insane with the amount of overthinking you’ve been doing, but there’s things you can’t make up, especially since other people have been noticing too.

It all started with a simple comment, your best friend had planted the seed into your brain.

“Wow, since when did you get a raise?” Sohee’s eyes nearly pop out of their sockets while she makes grabby hands at your new bag, you hand it out to her, and she touches it like it’s made of glass “How in the hell did you afford a brand-new Flamenco bag? I thought you said you were saving up for a new apartment!” Her tone is so high that you needed a second to digest what she just said, which leaves you more confused than you already are.

“What are you even talking about? If you think I bought this bag than I’ll have to reconsider all these years of friendship” You tried to joke around but Sohee doesn’t seem to be taking this lightly.

“How the hell did you get a 4-thousand-dollars bag then? You didn’t tell me you had a sugar daddy!” You almost faint when hearing the actual price of your new bag, but before she can say anything even more stupid, you quickly try to cover her mouth, but she swats your hand easily.

“Can you stop? I didn’t know it was this expensive!” She raises one of her brows at you and you feel the need to explain yourself “I don’t have a sugar daddy dumbass; Taehyung gave it to me the other day after a photoshoot” Sohee’s mouth opens so wide you have to restrain yourself to not laugh and cause an even bigger scene at the company’s cafeteria.

“Are you kidding me? Are you fucking him or something?” You gave Sohee a nasty look that she couldn’t care less about “I think the nicest thing Namjoon has ever done for me is saying ‘Please’ or ‘Thank you’, and he doesn’t even do that often, how the hell did you get your boss to give you a damn designer bag?” Her fixation over a bag is starting to get in your nerves, so you try to explain the situation to her.

“It was during a photoshoot like three days ago, he shot the new Loewe campaign and during a break I said that the color of this bag is very pretty, he asked if I liked the bag and I said yes because it was the biggest one where I could definitely fit everything I needed on it, he just nodded and by the end of the shoot he came to me with the bag on his hand telling me it was for me, I asked him why would he gave it to me and he just said ‘It matches your blouse’, kind of dumb if you ask me” Sohee was truly in a state of shock by the end of you explanation, and you didn’t know what to even say to her about that.

She’s speechless for a few seconds before she looks at you with an accusing stare.

“Wait a second, didn’t you tell me once that he made you send the girls he fucks a designer bag when he’s trying to fuck them?” Her eyebrows are almost reaching her hairline, and you don’t even know how to defend yourself because that was true.

“Yeah, but that doesn’t mean anything-” Sohee shuts you up with a single look, and you are forced to face the reality.

“Y/N, wake up, that man wants something from you, and it’s not anything casual if he’s giving you these types of gifts, we’ll let it slide this time” You scoff at her ‘we’ but she ignores you, “But if this keeps happening, you have two options, tell him to back off, or” Her tone was starting to piss you off, and you didn’t know if it was because she was being truly annoying, or because deep down you knew that she was right, “you can get more out of him, not just a designer bag”.

[maul-of-shame]

Spoilers for the Acolyte Finale: (spicy)

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Maybe this is me being picky, a bitch, or just using braincells but this didn't make sense on so many points???????!!!!!! You want me to believe Osha, who witnessed the deaths of the Jedi, INCLUDING HER FRIENDS JECKI AND YORD, right in front of her in the most BRUTAL WAYS, realized her sister had been/was being manipulated by Qimir, who got basically kidnapped by him, THIS OSHA, would go hand in hand off into the sunset with the man who murdered her friends right after she choked her master to death and they wiped the memory of her twin sister after finally finding her after years thinking she lost everyone and leave said AMNESIC sister into the hands of people she thinks are awful ?????

AM I GENUINELY TRIPPING ???????!!!

Don't even get me started on the Vernestra stuff because- Sol was not the only one on Brendok. They were 4. 4 damn people. One went into exile, one took the vow of silence, one didn't seem that affected by it (hello she was the one saying they should cover it up) and Sol did his very best to train Osha for YEARS. He wanted her and Mae to be safe. He tried to save them both and it backfired. Did he go about it the right way ? No. Did he deserve to die for it ? Definitely not.

Sol did try to redeem himself, tried to be the best teacher and parental figure he could be for Osha, taught younglings to not be like him (visible in the lesson he's giving, also he was the only one back to teaching, JUST SAYING) and there's no point in denying that. He thought Mother Aniseya was going to kill Mae. His heart got the best of him and he acted without knowing what was happening. But don't you dare try to say they went there to "steal children" because this wasn't the damn point of the MISSION. They have been seent to EXPLORE the planet, not to STEAL CHILDREN, or MURDER PEOPLE.

Their actions were not the best, yes, but there is no need to make it seems like it was part of a "grand plan" or even more messed up.

What happened was a kid tired of spending time on a planet for god knows what was starting to get restless and a man worried about two CHILDREN, thinking something terrible was about to happen with two other people trying to shut them down messed up big time.

The miscommunication caused all of this, this could have been avoided if everyone involved TALKED.

And what was the point of making the "twins" reunite only to wipe Mae's memory and do ANOTHER cover up??? Like my sister in the Force, WHAT THE HELL ????

Mae's character, the growth, realizing he should go and be judged for his crimes, her character was beautifully written and to just end this like that: this disminish her character, Sol's character, Jecki's, Yord's and all the others.

Osha snapping after learning the truth, I can understand it, but would she just go like this? Full darkside and believe the man who manipulated her twin, killed her friends and all to just run off into the sunset with him? Would she go that easily with him????

This genuinely feels like a fanfiction someone wanted to end quickly, no matter how far off the ending and characters seemed. But, with Leslye saying she loves "enemies to lovers", I'm not surprised she did this, just heavily disappointed.

If the Jedi are this bad... Why leave an amnesic Mae with them then?

Mae, Sol, Yord, Jecki, Torbin... They all didn't deserve this. If you have to kill two potential love interests (Jecki & Yord) + downplay the villain's actions to make sure your ship (Oshamir) happens, then there is an issue here.

How in the Hell becoming a Sith and going on a rampage is liberating? Genuinely, how is that good and freeing?

Haven't you guys watched the prequels??? And Anakin's downfall???

This series was so good, genuinely great with beautiful decors, scenes, fighting choreography etc and it just... It feels like an empty ending. Idk what she thought she did with this but this ain't it.

Again, this is just my rant about it, you don't have to like it. If you loved this episode, then good for you! Congrats!! I loved the show, I really did. Until episode 5. Then it just went downhill.

[wh0reforfantasy]

Why is Jude Duarte the perfect morally grey character…

- Her parents were brutally slaughtered at a young age, and while hating Madoc, she also had a soft spot for her “father.” Since she was small, this man raised her and taught her everything she knew. Of course she had memories from her own parents, and could never forgive Madoc for what he did, but she also saw the fatherly side of him and appreciated it. Jude Duarte was created in a morally grey environment.

- Jude Duarte will do anything for her power/pride, even if it means risking everything and everyone she has. She could have easily brushed off petty insults and kept temper during her brutal bullying/harassment she was going through, like Taryn and the rest of her family insisted, but Jude never let it slide. Even if it was simple revenge that might earn her a dip into a creek, Jude always stood her ground. Later into the series, we see her completely and utterly invested with the little power she gains and how she uses it. There are considerable more risks with every power move she makes, especially everything concerned with the crown. Her family is usually an afterthought, and rarely an emotional case. Even with Oak, Jude is more concerned about the use of power and where she stands, then she is for his safe-being. Not to mention the time Jude almost killed Taryn in a squabble over Locke, which in its entirely mocked Jude and what control she had over someone close to Cardan. Jude loves her family, and will protect them, but not unless it suits her in some way.

- Everyone/anyone is her enemy… no matter how much she “trusts’ them. We see it with her relationship with Taryn, where Jude cares for her sister, but never really trusts her. Even with Cardan, while Jude was infatuated with him, she never once trusted him. All of her friends and family becomes pawns in her power game, and she will always back up herself first. This was taught to her by Madoc, who put battle/power first above his own important people and morals. Cardan was a known enemy to Jude, but he showed her a vulnerability/empathy that she showed no one else. Instead of being emotional and falling for him harder, Jude convinced herself it was an act and to use it to her advantage. Most people wouldn’t shackle a boy that was being beat by his own brother, trick him into having a crown he did NOT want to have, AND witnessed his whole family being slaughter in front of him… Jude didn’t care, she wanted the crown and her revenge.

Nonetheless, Jude has a side of her that is very protective and loves harder than the average person. Her strength and determination could be used for something more than her own gain, and she shows she is capable of that later into the series. We understand why Jude acts the way she does because we witness the pain of her character first hand. Who wouldn’t want revenge against the very people that hate her for her existence? Being human means your weak, can be controlled… a creature owned by the fae. Love was wired to be thought of as a weakness, something to make you lose the battle. In this series, we see her struggle with the choices of to love, or gain more power.

I think Holly Black made an AMAZING female lead that wasn’t written for love, but for feminine rage and power. Love didn’t stop her from gaining what she needed, what her goals were, and instead make her stronger. Jude fought most of her battles alone and failed, but got up regardless. Cardan wasn’t her knight in shining armor, it was quite the opposite. And let’s just say, the best series I’ve read so far.

[litnerdwrites]

“Feyre’s only an unreliable narrator when she’s saying something bad about Nesta,”

Nope. There are two main reasons she’s an unreliable narrator.

1) Her words and actions are inconsistent and contradictory with no reason, making her seem naive and stupid in the best case scenario or outright cruel in the worst. Meanwhile the narrative shifts so that she maintains a moral high ground despite how her actions hurt others and the insane leaps in logic one has to make to conclude that aforementioned actions are even remotely morally sound.

And 2) A first person narrator is always unreliable on principle. One of the first, most obvious disadvantages to writing in the first person is that the writer is limited to sharing information that the character in question has. There is a huge chance that first person narrators miss certain details, blink at the wrong second, or misunderstand characters and events. The reader’s perspective is solely based on the thoughts, experiences and opinions of that character, which could just as easily be bias or misinformed.

If SJM was as good at writing as some people believe, then I’d assume the reason the first three acotar books, along with any Feyre/Rhys chapter in the novella, were first person, in Feyre’s pov with like one or two Rhysand chapters, unlike every other series and even acotar books she’s written, is because we aren’t supposed to trust them entirely. Given the nc’s reputation, it would make sense for their rulers to be unreliable narrators and for it to be a major plot twist later on.

But she’s not. And I sincerely doubt that’s going to happen. She just loves her babies too much, needing them to be held in high regards by the world they live in as opposed to making them interesting and nuanced characters. Instead, my best guess is that she just wanted to test it out to see if she liked it but was stuck keeping it for Feyre’s pov from then in, as though that wasn’t something she should’ve figured out in her drafts and edits, instead of publishing.

It’s times like these I wonder if the antis have any semblance of analytical or even critical thinking skills. Not every point we make is to hate on Feyre or diminish her trauma. We aren’t saying that she isn’t allowed to be hurt or chose her own family. We aren’t saying that being an unreliable narrator makes her feelings or traumas invalid.

Feyre’s always been an unreliable narrator, even if her words, thoughts and actions didn’t actively contradict each other, and if we got a whole book in Nesta’s first person pov, she would be too. So would literally any character. In any book series. Because all first person povs are unreliable, to a certain degree, whether the author intended for them to be or not.

[ploppythespaceship]

Uglies - Movie Thoughts

On a whim, I decided to start re-reading the Uglies series a couple months ago -- so imagine my surprise when I found out it was getting a movie! Said movie is now out, and it was interesting to watch with the book being so fresh in my head.

Overall, it's... eh. It's not a complete train wreck, the way most critics seem to want you to think, but it is fairly bland and uninspired. It's a very watered down version of the book. It also has the misfortune of feeling like yet another a Hunger Games wannabe, despite the original book pre-dating that series by several years.

Spoilers for everything under the cut.

What I Liked

Based on reviews, I seem to be in the minority here, but I thought the cast was pretty good. People seem to hate Joey King as Tally, but I thought she was fine. Brianne Tju is easily the best in the cast, stealing the whole damn movie as Shay. Laverne Cox also gives an excellent performance as Cable, though I do think she should not have been given that role for other reasons (which I'll get into later).

I've also seen complaints that the characters aren't ugly enough. They talk about how ugly they are and point out their specific ugly features, when they don't actually appear that ugly. And I think everyone complaining about that is completely missing the point. The "Uglies" aren't actually ugly -- they're just normal people, who've been conditioned to think their imperfect features are hideous.

I was honestly unsure how the Pretties would be visualized -- in fact, I wondered if the book would just be fundamentally unadaptable because of it -- but they did a fairly good job. I think leaning on CGI and unnatural affectations was the right way to go. All the Pretties have this uncanny quality to them that suits the story perfectly.

The overall production design was solid as well. I like how Uglyville is all gray concrete and muted tones, while New Pretty Town is shimmering golds. Then upon reaching the Smoke, all the colors of nature finally come through. I do think that could have pushed that last one a little bit more, but it still works well.

Apart from that, I don't really have much to shout out. It's competently written, well-performed, well put together. I know it doesn't sound like I have much praise, but it is a competent movie.

What I'm Mixed On

By far the biggest change from the book is Peris becoming a Special. And I'm torn on it. On the one hand, it does make him a bigger part of the story -- he's honestly not much more than an inciting incident in the book. It gives him and Tally a unique arc that's probably the strongest through-line in the story. On the other hand, the Specials as a concept are so under-cooked (more on that later) and the actor is so bland that it still doesn't quite land the way it's supposed to.

What I Didn't Like

The pacing of this movie is by far its worst issue. We are flying through this plot. There is no time for anything to breathe, for characters to develop meaningful connections, for the bigger moments to feel earned. Some things do make sense to condense -- Tally's journey to the Smoke would have been incredibly boring without her internal monologue, so condensing most of that into a montage makes sense. But I do feel we lost too much. That's where a lot of Tally's characterization comes out, where we can see her bravery and ingenuity -- none of that comes across in the movie.

A lot of important beats are rushed. Tally agreeing to help Dr. Cable is over in a flash. It feels like Tally's in the Smoke for all of fifteen minutes. Tally and David barely interact, so their relationship has no real stake. Everyone is kidnapped by Special Circumstances, and then rescued immediately after. I almost think a 5-6 episode mini-series would have worked better -- but that might have introduced the opposite problem, where everything takes too long.

The movie also has frequent montages that don't really work. It seems like they were trying to show the passage of time, but it just makes everything feel even shorter.

The beginning of the movie has an exposition problem, as well. It opens with a montage explaining the entire setting... before leading into several scenes that also explain the setting through dialogue. We get fed the same details about the surgery and the Rusties and the flowers at least three times at the start, and it gets grating.

As already mentioned, Tally is pretty severely underwritten. In the book, she has a distinct personality and a unique presence. In the movie, she's just the main character because she happens to be the main character. Her intelligence and resourcefulness are pretty much gone.

I also think changing her motivation for going to the Smoke did her a disservice. In the book, Tally goes to the Smoke so she can have her surgery, and because she's convinced herself that Shay needs her help. In the movie, Dr. Cable tells her that the Smokies have a weapon, and she will be saving lives by helping to find them. I think giving her a more selfless motivation robs her of her character arc. She always comes across as someone trying to help, who wants to best for other people, rather than someone who had to consciously learn that.

The Specials are barely even a presence. I'm not sure they were even directly called Specials. People who hadn't read the book would never realize that there was an entire separate status of person here. You never see their disturbingly beautiful faces or their terrifying strength. Considering how pivotal the Specials are to the overall story, especially in the later books, it's really odd not to see them properly established here.

Like I said, Laverne Cox gives an excellent performance as Dr. Cable... but I think they should have thought twice before casting a trans woman. It's not necessarily that there's a trans woman in the villainous role, but that there's a trans woman in the villainous role who specifically wants to force people to have surgeries to brainwash them. Like... did the optics of that really not occur to anyone? At all? I think Cox could have played David's mother, instead.

[stxrrynxghts]

Okay so, recently there was a huge kaand. As y'all know, I usually post incorrect quotes or my rewatching series of Star Plus Mahabharata. Now someone took my posts and blew them out of proportion. I have blocked them, yes, not because I'm afraid, but because I don't want any stress. I get easily affected by this stuff, and I don't wish to fall into depression again.

I'm writing this post to clarify MY opinions, if y'all are willing to listen. Currently, all the quotes and rewatches are deleted. I will post them either publically or privately again, but it depends if you all wish to see them.

I use basic meme templates from the incorrect quote generators, and put the names of the MB characters which I think suite the template. So there was this specific incorrect quote:

Draupadi: I love you guys, you are the best thing that happened to me. The Pandavas: we are the best thing that happened to you? Draupadi: yeah. The pandavas: we are starting to feel a little sorry for you.

Now, this is a very popular incorrect quote. I don't see how this is derogatory towards the Pandavas, or Draupadi for that matter. It's just a joke. And I'm allowed to make jokes. You, however, are not allowed to post screenshots of my posts on social media without my permission/giving credit.

Tell me honestly, did this feel insulting to any of you? If it did, then I will accept my mistake. I did not make it from the intention of hurting anyone. I just thought it would suit them.

Now change the characters. If I had written this for Krishna and Balarama, would it feel insulting? No. IT IS JUST AN INCORRECT QUOTE!

And then this person says that I used "derogatory" language for my favs. WAIT WHAT? Does this person even know who my favs are? Pls tell me where have I used derogatory language for Abhimanyu or Uttaraa. Yes, I have made incorrect quotes. But these quote templates are used by 100s of ppl online, it's not just ME who is making these quotes, srsly. And no one has ever said that "hey I find them insulting".

Then, my rewatch series. First, it is solely, SOLELY based on what SP MB portrays the characters to be like. If I put any references from the OG MB, I MENTION IT explicitly. My rewatch series was inspired from @demonkidpliz's rewatching MB series (yes, I did take permission before starting it.)

Now, Dhrishtadyumna was trying to kill Drona, right after his birth. So I said it was "out of his aukaat". Why? Because he is very weird. He insults Draupadi in a very sexist way, and is downright irritating till this point. So I used this language for him. It is a satire on the show, God.

OG Dhrishtadyumna was a very nice warrior, but are his warrior skills shown in the show ? Are they? No. And if you consider this to be an accurate representation of him, then...you are special.

Then, this person posts stuff about me calling Arjun depressed. THIS was the biggest issue. I saw some of my friends commenting under it, without even clarifying it with me, first, so it did hurt initially.

The show does not show Arjun to be the great warrior he is. Arjun in the OG MB does not hesitate to fight UNTIL the Kurukshetra war, and he has proved his mettle as the best warrior of his time multiple times in the text. In the show...well, all of his gr8 warrior sequences are just removed. Almost all of them.

In the Varnavrat thing, the Pandavas (and Arjun) are eager to kill the Kauravas, which is very uncharacteristic for SP MB Arjun. So I said that "oh, he wants to fight? He won't want to fight after the depression hits in."

IT IS FOR SP MB ARJUN.

NOT FOR THE REAL ARJUN, GOD.

Yes, I know that he was a gr8 warrior. Yes, I know that he did tapasya and pleased all the Gods. Because he was GREAT. And I know that. The title of the post was "Re-watching Mahabharata", and the tags were "starplus mahabharat", "starbharat recap" and "starbharat". Srsly? You will say that I am calling the OG Arjun depressed?! Really?! It's a satire on the show!

Asking me to show even a single verse in the text where he is mentioned to be depressed is kinda weird since I DID NOT CALL HIM TO BE DEPRESSED! And I know how serious depression and suicide is. I suffered from it once. I don't need anyone teaching me about how serious it can be, or how it can affect your life. I am NOT trying to pick fights with anyone, okay? I am not. I am not interested in weird kalesh at all.

I want y'all to tell me if I have done anything wrong, or if any of you ever had similar feelings seeing my incorrect quotes or rewatch series. Since they are currently deleted, I will start posting them again if y'all are interested in seeing them.

[bloominglegumes]

earthspark season 2 head in my hands,,,

maybe ill delete this later but i want to just get some thoughts out

spoilers below

ok i absolutely love what they set up in season one, every member of the malto family was used so well to compare and contrast with the experiences of the cybertronian characters familiar to us, these tired war veterans and resentful past allies ,,, like one of the big ones in my head right now being their choice to use bumblebee, The Kid Appeal Transformer, making him switch out of being a soldier and into a mentor (not sergeant, not commander, just unqualified older sibling-type position) for a herd of kids who have practically no concept of war and its implications was so so juicy. it's been repeated in practically every bit of transformers media ever that bumblebee is the designated little guy, the friendly one, the autobot who most easily makes friends with aliens, we've seen it in g1, in idw, in bayverse, tfa, tfp, cyberverse, i'm sure there are more versions that i can't think of at the moment

what they did to bumblebee in earthspark was essentially still put him in this best friend role, but the twist was how bumblebee did not even want to be there and didn't know a thing about kids and i loved it and i know many other people loved it as well.. even if the earthspark characters were roughly developed from their g1 base, this bumblebee was so clearly more used to being on a battlefield than just hanging out, he struggled with interactions that weren't like the 'ready to jump into a fight in an instant' dynamic that he was used to, though still having that sort of fuzzy playfulness that bumblebee is always written with ykyk

i think the writers made some really fascinating choices in taking some darker elements like in the idw comics and sort of filtering it for the audience through the malto family, but not baby-padding the real emotions behind the characters' experiences if that makes sense?? take megatrons grief and guilt for instance, the presence of the kids didn't diminish the reality of what he'd done or the consequences, but they sort of worked like a frame to have megatrons actions recounted in a particular direction. thrash's unwillingness to deal with the aftermath of a war the terrans had no part in was so.so real, ik i say it all the time but it was, the characters and the relationships between them were written with this real and intimate nuance that i really wouldn't normally expect from a show targeted for kids, not to mention the very clear and loving representation for poc, lgbtq+ identities, immigrant experiences, disabled ppl,,,

dont even get me started on the visuals, the sound design, the animation quality,,, i've only loosely been in animation college for a bit, i know there's still so much i don't know, but for sure i feel like earthsparks quality was pretty insane for regular series episodes

plus their character designers knew what they were doing + went so hard in the best way,,and the action scenes were beautifully choreographed, every character had their own unique movements and fighting style (think of the soundwave fight in decoy or megatron + optimus against skywarp + novastorm in age of evolution) in a way that i think definitely rivalled tfp in its intricacy and life-feeling. the camera work was stunning, the acting was on point and consistent for each character, the 2d effects were vibrant and gorgeous and so full of life, i'd say earthsparks effects are one of its most distinct stylistic choices and its so so excellent and i adore every smoke cloud and smear and electric zap and ghgruhgf

which is why it breaks my heart seeing season 2 open with such a noticeable decrease in quality,, breaks my heart that they didnt receive enough of a positive reception or whatever exactly it was that led to the earthspark team having to trim down and cushion their story

i still think earthspark is a really fun transformers show with a delightful cast, amazing voice actors, and i don't want to bash any particular member of the crew for things beyond their control. there's no doubt in my mind that the current team on earthspark is full of incredibly skilled artists, and i'm sure many people, including myself, will continue to enjoy the series going forward,, i'm just. disappointed that its not the best that it could have been.

a lot of season 2's writing just felt like.a regular kids show??? feels almost similar to cyberverse's fluctuation in tone throughout each of its seasons, s1 was full of generically-kid-friendly humour and gags, then sort of shockingly plummeted into that whole arc with starscream and the allspark monsters,, like, either direction would be fine and fun, but it's just the sudden change that makes it oofy for me ;-;

from just looking at the visuals, the character animation is less crafted and careful than it is in season 1,, i can really only describe it as it now being closer to what i'd think of as 'regular tv animation, made to be released on a schedule', rather than 'oh my god look at that secondary action replay replay now'. the characters movements are stiffer, less weighted, less natural-feeling, and if you're looking for it, it's clear where they loop animation or sort of sneak their camera shots to simplify actions, like a few fight scenes that had sections simplified into slowmo hit poses rather than being fully animated,, again its more or less fine for any other tv series, but it just feels off after being used to the look we had in s1

then the character animation goes hand in hand with the character writing + the dialogue, also just feeling like a lot of the original story they wanted to tell has been padded up and swaddled with more lighthearted, universally acceptable, safe plots. the goals and obstacles that came up in each episode didn't have the same emotional depth as in s1, where the main leads of each ep gained some sort of insight after their experiences + had some sort of vulnerability exposed, yknow yknow??

there are still traces of some juicier bits in there, like for instance i really like the section with the quintesson executioner causing mo to begin doubting quintus prime's intentions, then later the titan being all 'quintus is a prime and you should respect him' in a decently menacing way,, and i am glad that they had hashtag call out starscream and reminded him of their earlier conversation, i really hope they do something with those, but my point still stands that there were few parts of s2 i felt had some deeper meaning that can be built upon in the future.

i feel like the decision to make a timeskip was somewhat of a cop out as a means of explaining away how robby + mo have full control over these cybersuits now, how the maltos aren't shown having any more intra-family or identity-related conflict, how the decepticons all decided to follow starscream and go right back to fighting, etc etc, like 'oh well a year passed, things happened, this is just how things are now' like??? what happened to all that delicious heavy emphasis on growth and the choice to become better as a person and connecting to other people that was in s1,,

i know the decepticons wouldn't all have suddenly decided to buddy up with the autobots, but timeskipping a year and just reverting to the typical autobots vs decepticons dynamic we've had forever, without ever again really showing the thought processes of any of the characters in depth regarding the return to hostilities, when they just spent the whole previous season establishing how everyone is handling the aftermath of the war,,,, its like they've suddenly been turned back into generic cartoon villains instead of the unique individuals with their own thoughts and motives that they were introduced as,,

[diverting for a sec here im also just so sad that theres been nothing to fuel my enjoyment of megatron being very estranged from his high command,, barely anything to fuel the divorced-remarried 3p megoplita dynamic like,,,,, starscream praised soundwave and shockwave both individually, op and megatron had another one of those finishing-each-others-sentences moments, op called his and elitas relationship "complicated" and i love that, but please i'm begging here elaborate,,,give me more drama to work with,,]

even when there are like.objectively horrible scary things happening, like mo going 1v1 against the quintesson, cosmos being fully conscious trapped in alt mode for 15 years, jawbreaker essentially fusing with aftermath and getting betrayed and all their cavewater stolen (is that not an issue??) ,, i feel like the characters are remarkably.unreactive???? maybe its just another timeskip cop out, ~a year has passed so they've gotten used to it~, except they all still clearly behave like the children they are,.

and it seems to be turning earthspark from being, in my opinion, one of the most emotionally charged + mature transformers series out there rn into just. i'm going to say it again, it's just starting to feel like a generic kids show, unless whoever controls this show at hasbro can get it back to the high standard it started itself at.

i've read news of nightshade's pronouns being cause for negative reception, and some reviews of s1 say earthspark is too 'woke', that kids shouldn't be watching shows pushing that type of agenda. i'm not sure if that's the main reason for this big change in s2 for the much 'safer' writing, or if there's more that i'm just not aware of right now, but like. man. i hate.creativity trying to survive capitalism the show is about love and family and cool robots wtf is wrong with people who genuinely hate that

i know i won't make much of an impact with just this post, i doubt anyone is still reading this,, but seriously, earthspark is clearly a love letter made by tf fans for tf fans, in such a wonderful, gorgeous package, and it really breaks my heart so much to see all the great things established in season 1 practically go to waste. i haven't said this enough before, if you enjoy earthspark, please support it through official means however you can, leave good reviews or buy their stuff, just let the decision-makers know they can profit from making this show better,, i really hope it survives to complete the story they want to tell

[dysfunctional-doodle]

Just watched Mutant Mayhem, here are my thoughts!

Overall: Yes, very good I suggest everyone watch it when they can or I will break your knees :)

I’m going to end up rambling far too much unless I split this properly, so I’m going to break it down into sections starting from what I believe is most important in a movie.

This post is still going to be a mess ngl

Story: 8/10

The story is actually very good! It was paced very well and ended in a very touching way. No character interactions or plot beats felt forced or clich��, and no forced identity politics which is always a plus.

The action scenes - of course they were amazing. Paired with the stellar animation, each action scene was brilliantly directed and choreographed. The start shows the turtles’ origin story is similar to most of the iterations with its own unique factors - in this case the ooze was created by Baxter Stockman.

The conflict of the plot was well written, the final act was great and ends with a hopeful and satisfying ending (there is a mid credit scene that teases something big for the series though!).

If it’s any consolation, it’s also very friendly to new fans of TMNT - I went with someone who has not seen any TMNT media before and they really liked it and understood it easily.

Characters: 9/10

Needless to say, all the characters were very well done. Despite its run time and large cast, each one feels grounded with their own unique personality.

For starters: the four main boys! They were done brilliantly - Mikey being hopeful and optimistic whilst naturally being empathetic, Raph channeling chaotic good energy with his iconic rage personality not being over the top, Donnie being a geek in the best way possible, and Leo trying to be a good leader and anxious, always looking out for his brothers but not a complete teachers pet. All very likeable, and I can’t wait to see them in the series!

Splinter: probably the best since 2003! Openly caring of his sons and worries a great deal about how humans will perceive them. Has his own trauma from his experience with humans so he tries to protect his sons by isolating them completely, but eventually realises that his own view of humans should not affect his son’s happiness and lets them fulfil their dream of trying to be accepted by humans even if he will never like humanity himself. Peak character development, 10/10.

Villain/s: all of them felt fleshed out and I look forward to seeing them in the series! Posed their own genuine threats with varying levels of morals. Again, all were fleshed out quite well and played a role in the story.

April: honestly, she didn’t have too much in it compared to the others but does play a key role in the final act and the ending itself. An interesting iteration of April, curious to see more of her.

Animation: 10000000/10

It was brilliant. What else can I say? Though inspired by Spider-verse it is its own style which is amazing to look at. It thrives in action scenes and landscapes. Another groundbreaking style that I hope to see influence others.

Music: 8/10

It slaps. Almost all of them I will be playing for the next week or so. The soundtracks really set the mood beautifully, especially the sombre track. Paired with the animation - ugh - chefs kiss

Overall Rating: 8/10

I am usually very very harsh with films, so for me to rate anything above a seven is basically unheard of. Probably my favourite movie of 2023, and my favourite TMNT movie. 2003 only just beats it overall but that’s mostly because I’ve known it for longer - who knows, a few more rewatches and it might overtake.

[batxcastlesociety]

As a bit of a fan of the Class of '09 games, the way the Flipside was written compared to the first two installments really irked me. I had gotten so excited for a game about Jecka, and now what? And this is the final game in the series?? Hell no. Anyway, considering this game's easily avoidable flop to Fumbletown, I have decided to propose a few potential endings and plot points for it, in case someone wants to rewrite or have another opportunity to slander this mess of a threequel.

⚠️ Warning ⚠️

Spoilers of some events and endings of the Flipside, along with mentions of poorly-written video games, child abuse, suicide, and pedophilia.

Additionally, this post's intention is not to harass the creators of CO09 or anyone who enjoyed the Flipside. I'm here to just say my piece. Thank you for your understanding.

Class of '09 is a series of visual novels created by SBN3, with the first game being released back in 2021. You play as Nicole, a sociopathic teenage girl scraping by senior year in a horrible new school and (mediocre at best) neighborhood after her father's suicide, during – you guessed it – the year 2009.

The games themselves are all outrageous comedies with a few sprinkles of social commentary. I can't really describe the style of humour except the type of stuff that the Ghost Stories anime dub has. You know the one. Anyway, the series itself consists of three games: Class of '09, The Re-Up, and... The Flipside.

The Flipside, compared to the first two games in the series, offers a completely new perspective, with the main character being Jecka instead of Nicole, the former's best friend.

This is all an amazing setup, right? A beloved series featuring a beloved character, now playable? What wacky shenanigans will Jecka get into? What new perspectives and bitter endings will this installment have? Will there be any new characters? Will there be any nods to the earlier games?

...My hopes were too high.

Anyway, here are a few of my ideas. I really didn't like the way the Flipside handled Jecka or Nicole's characters, but all I have to put on this post are potential ways the routes can be fixed. Just... if you know, you know; if you don't, you're lucky.

First off; I'd honestly really like that if, instead of Jecka becoming a 'foot whore' for the majority of the game, she could have actual different job options, depending on her interactions. For example, she could wind up working at a Domino's with Ari if she talks to her enough, like how she worked at a diner with Emily earlier in the game.

I just feel like that would work a lot better, and just make more sense than Ari showing up one time in her work uniform, proceeding to fuck off, then a half hour later you get an ending because Jecka fucking ran over her, but that's probably just me.

Next up, I think it would be pretty interesting if there were other endings based on homelessness, like Nicole's homeless ending in the original game. It'd be a nice tie-in to the original game, and it would just give Jecka more options in general as well. Maybe she'd reject the opportunity to get a job and winds up on the street. Maybe she actually gets a job, but something goes wrong and she doesn't have money for rent, so Nicole has to help her out of a bad spot or something.

Speaking of Nicole, with a game like the Flipside, and with Jecka as the protagonist, I really thought that maybe the new stories would expand on Nicole's character as well, and how Jecka thinks of her and deals with her. After all, no better person to know about Nicole besides Nicole than Jecka, right?

However, SBN3 didn't do shit about that, and decided to screw both of the girls over. The way Nicole's character was handled was absolutely nothing like, well, Nicole. She was especially bitchy, and fucked Jecka over one too many times. How the creators of a character themselves managed to screw up her personality so badly, I don't know, but I really wish Nicole would have acted like... Nicole, you know? She was bitchy in the other games, but at least her bitchiness worked when it counted. Flipside Nicole is just an asshole to Jecka for literally no reason. In fact, everyone is an asshole to Jecka for literally no reason. They should have changed that, too.

Anyway, another idea I have is for Jecka's parents, particularly her mother. At the start of the Flipside, we're introduced to her father, and we never see her mother once, because the game starts off with the two getting divorced. First of all, Jecka's father's personality is incredibly flat and almost cartoonishly abusive. Not to say that he isn't horrible and disgusting, but he literally has 3 voice lines, recycled all the time with slightly different wording, if changed at all:

1: calling Jecka's mother a whore

2: Threatening Jecka to get a job and good grades or she'll basically end up a prostitute (who he'd gladly beat in public, might I add...???)

3: Threatening Jecka with violence

4: Switching up and being "nice" again only to leave Jecka overstimulated and terrified, occasionally throwing a few more insults in between

... I would at least like to know what his fucking problem is, honestly.

Adding on, I really want to know about Jecka's mother! Maybe instead of the game starting off with Jecka's parents divorced, she and Nicole could try getting Jecka to run away and stay with her mother and grandmother. It'd be a bit of a bittersweet ending, but honestly much better than literally any of the other outcomes that Jecka actually had in the Flipside.

To conclude, these are just a few silly ideas of mine, and my phone's at 9% right now... In short, let's all just continue to pretend that the Flipside isn't a canon addition to the series, okay?

Take care of yourselves. Catch you on the (hopefully better) Flipside! :)

[ekat-fandom-blog]

Personal canons are the canon everyone has created based on the canon and fanon content they've consumed.

Expansion not necessary. I just wanted to add my thoughts.

1. Examples range from wanting to wrap his drinks in a web before drinking them to wanting to fall asleep curled up in the back corner of his closet. No, it doesn't matter which Spider-Man.

2. This one is just my perception of the two. There's nothing I can actually tell you about this other than the vibes seem to match.

3. The headcanon of Poison Ivy eating mostly meat is fun. (Not fully carnivore because I think she'd also eat plants because it's necessary to eat both to be a healthy human and can be healthy for the environment if done in moderation). I decided to combine it with Danny Phantom for this because I haven't seen anyone do it before. So, Ivy being mostly carnivorous and Sam being ultra-recyclo-vegetarian would be appalled at each others diets.

4. Cyborg's connected to a supercomputer created by a more scientifically advanced society, while Barbara is a human (I specified her because she's the best Bat at hacking.) Her being the best hacker in the universe is a stretch at best. There's gotta be computer languages she's unable to decipher because it's so different to any on earth. (I don't think anyone from earth should be able to hack cyborg or the mother/father boxes.) If your supercomputer can be hacked by the equivalent of a preteen with a 2010 samsung who doesn't even recognise the coding language you used, then you didn't create a supercomputer. (Mother/father boxes are sentient, autonomous computers btw.)

5. Young Justice was good. Great. It just seemed to stop caring as much about having the new audience learn about the characters after season 2. I wouldn't know who Razer is if I didn't watch Green Lantern: The Animated Series. I stopped having emotional connections with the characters by season 4 and they stopped wrapping up storylines in an emotionally fulfilling manor after season 2. As someone who never read any comic books except for Spider-man/Deadpool and a few green lantern ones and one batman and spider-man crossover, I don't care about the characters they shove into the show and expect everyone to care about.

6. I get it. The "he won't stop if he does it once" was only in one comic (apparently) and the comic was written by someone that (apparently) most of the fandom doesn't like. I don't care. Every reason he has for not killing is valid and coexists. He collects reasons to not kill like it's gold and he's a dragon. The only reason that is invalid and can't coexist is that he doesn't care enough about the people that could get hurt or killed to permanently stop people like Joker, Bane, or Scarecrow.

7. It makes sense if they were the two to get touch starved easily. Dick grew up in a circus where everyone was presumably pretty tight knit and Tim grew up in a home where appearance mattered more than feelings. But also they happen to be the characters I like to torture.

8. Strange is petty and I 100% believe that Tony started it. (Stephen is finishing it though.)

9. Freddy Freeman can't walk without crutches and flies in the comics. (I haven't read them, tho) I feel like it's erasing disabled peoples' struggles when they just give him the ability to walk in his hero form. Let him be a little flying guy who never touches the ground.

10. It's a comic thing again. I just think it's more interesting. (I found pages of captain marvel comics in google images and tumblr.)

[orangepeelshortbreadcookies]

What do you think show!Colin’s characterization/personality is? It’s inconsistent throughout the series and I’m curious as to what I’m missing as people seem to love him and I feel like I’m missing something. He’s sweet, he likes to travel, he’s got a hero complex (that is never explained why), but he doesn’t seem all that close with his siblings and prefers traveling or seeking out Marina or Penelope

(I’m asking you because I like a lot of your other Bridgerton opinions and wanted to hear your thoughts once again)

Hii!!! First of all, my beautiful friend @dollypopup has a lot of thoughts about his character and she has largely succeeded in converting me from a Colin agnostic to a Colin appreciator. I highly recommend checking out her blog!

Ah, Colin, my neglected little cinnamon roll of failed potentials who deserved better. There were flickering moments in time that I've considered the writers of Bridgerton value him more than an attractive, unquestioningly agreeable eventual trophy for Penelope. I miss those days. I think before the showrunner changed, there were glimmers of Colin's character that would have been worthwhile to explore had they stuck to their guns and followed book orders. I think he has a lot in common with how they wrote Francesca in season 4: he's the most timid one among his brothers. He's walking earnestness and a people-pleaser. He mostly only has a bigger personality when he's among family. He has massive middle-child syndrome, which I think in parts explain the hero complex. He is possibly on the spectrum. He has difficulties deciphering social cues and despite a rich inner life, verbally he is not very eloquent, especially in a public setting. He's honest and probably not very good with money.

(Remember that adorable scene in season 1 when he sings while Frannie plays the piano? The show owes me particularly compensation for squandering that potential).

All of these make very solid foundations for a compelling character to spring from. But then, to come to these conclusions, I'll admit it takes a considerable amount of intepretive work, work that a big chunk of fandom, who prefer fast, easily-digestible content, have no interest in engaging with, and work that the sensationalism-prioritising writing discards to accomodate the short 8-episode format.

I do see where you're coming from with his character being written inconsistently. There were a lot of seeds planted in the first two seasons for his character getting thrown out of the window. Luke N did the best with what he got, and to me Colin comes off as a lost, insecure boy trying out different personalities in order to fit in. To an extent, I even sympathise with the 'Colin gives the ick' camp. There were multiple instances in season 3 where he talked to people (both men and women) about his travels that gave me major 'shallow rich boy after a gap year abroad' vibe. That being said, to pay that off with him eventually confronting his "friends" about the abysmal quality of their conversations was very nice. Such a shame he did not have enough screentime to invest in his true personality away from that scene to better drive that point home, being reduced to a secondary character in his own season. I don't remember Colin ever had any substantial conversation about his travels (which can be character-building and fulfilling) or interests after that confrontation, not one for the sake of his own character-building instead of some detail subservient to Pen's needs for validation. He should really have had at least a moment like the swing-scene between Eloise and Benedict (Colin-Francesca piano duet musings!!! I was ROBBED.)

Honestly, the problem here imo is that the writers, especially ones from season 3, just don't like Colin very much. It's pretty telling when he's the lead character with the least amount of screentime across 3 seasons. Many among the fandom echo that sentiment. His existence (among many other characters that suffer a personality lobotomy) in his own damn season is to absolve Penelope of guilt and consequences for her toxic actions. His hurt, his loss, his feelings, are secondary on the grand scheme of the show's narrative, ultimately they are obsolete and more or less an inconvenience to Penelope's HEA. The same applies to characters like Marina and Kate, and to some extent, Eloise. There are still highlights though, like his utterly distraught reaction at discovering Pen's Whistledown. And despite the ardent complaints about him refusing to share a bed with Pen on their wedding night, I'll maintain that it was one of his best moments, as he was still steadfast in his love for her but also setting clear boundaries regarding his substantial (and pretty fucking justifiable) hurt. I was so proud of him.

[once-upon-an-animation]

So I just finished reading Harry Potter for the very first time as an adult (pirated, of course, because screw JK Rowling). And uhh, I have some thoughts!

- I can definitely see how/why people fell in love with this series as children. So many different and interesting characters, Hogwarts seems like such a fun and interesting school, and the magic is essentially limitless, with so many different spell types, branches of magic, magical items, magical creatures, magical environments, so on and so forth. Had I read this series as a child, I could easily see myself becoming obsessed as well.

- I was actually pleasantly surprised with the diversity in these novels? For how discriminatory JK Rowling has demonstrated herself to be, and how long ago these books were written, there was actually quite a few characters of color and characters from foreign countries in there. Now, of course most of these characters were relegated as side characters, and some of their depictions seem kind of…questionable, but yeah, a pleasant surprise.

- I was a Percy Jackson kid growing up, and I’ve commonly seen accusations of Percy Jackson being a HP ripoff. Having read the HP books now in full, I don’t agree with that accusation, but I can kind of see why those comparisons were made. Some of the details in PJO feel eerily similar to certain details HP (alarm bells literally went off in my head when Harry received an invisibility cloak) and Rick also admitted on an FAQ on his blog that he wanted to replicate the likability of HP, so he took inspiration for certain elements from HP. Do with that what you will, I guess 🤷🏾‍♀️

- Continuing with the PJO/HP comparison, I do feel like the worldbuilding in PJO, while smaller, is a lot more solid than HP. I also feel like the child characters in PJO are more likable and relatable. However, there are some things that I think HP does better than PJO. For starters, I think HP does a far superior job of exploring emotions, and handling the emotional complexity and fallout of certain events, especially on the part of the protagonist. Rick’s decision to focus on constant action was a bit of a detriment to Percy’s character, as Percy’s emotional reactions to major events tended to be glossed over and/or made very brief. I’ll never forget in BoTL after the campers witnessed so many of their siblings and friends die in battle…and then everything just ‘went back to normal’, and their grief reactions were practically nonexistent. HP at least had wisdom to actually dwell on certain emotions and let them simmer for some time in the narrative. While I prefer Percy’s personality to Harry’s, I consider Harry to be a better written protagonist, because he actually gets to perform significant emotional reflection and introspection on the things that are happening around him. Harry’s emotions are presented in a far more complex and compelling manner, because of how layered and nuanced they are. I like that Harry had moments where he doubted his best friends. I like that Harry actually had changing love interests over time, and that his desires in a romantic partner evolved and became more mature over time. I like the Harry had a deeper emotional connection to the villain, a connection that he always had to grapple with the implications of. I like that each death was painful to Harry, and we actually got to hear him reflect on what each death meant to him for an extensive period of time. And oh, what a pleasant surprise it was to see Harry doubt Dumbledore in Deathly Hallows, to see Harry have such conflicted feelings about a character who had mostly been presented as being perfect and flawless up until this point. It was extremely sad, but it was very raw, and a far more realistic depiction of the messiness of teen emotions.

- Another thing that I think HP did better than PJO was the use of adult characters. I know that it’s a very intentional point for the demigods to feel neglected and abandoned by their godly parents and to have to suffer through the world alone, but at the same time, PJO makes weak use of both the gods and of mortal parents, and Chiron, as sweet as he is, isn’t exactly a complex character. Not only did HP strike a better balance between child-led adventures and parental involvement, but the adult characters presented to us are just miles more interesting and nuanced than any adult character presented to us in the original PJO series. The adults in HP had such intriguing backstories, secrets, and skeletons in their closets, all of which had a unique impact on the kids. And it’s not like having the adults present weakened the conflict, or downplayed the danger the kids were in.

- I’ve praised HP a lot, but there are some things about it that I also didn’t like. First of all, as a black woman, that slavery plotline with the house elves was absolutely insane to read, especially with the other students treating Hermione like she was nuts for wanting the house elves to gain freedom. On a related note, I also think the tense relationships between wizards and other creatures was underexplored in general. In Deathly Hallows, we clearly see that the discontent of these other creatures leads to some of them siding with Voldemort, but we’re never told what becomes of that or what becomes of the SPEW agenda after Voldemort dies. I’m assuming things didn’t just magically get better, did it?

- Another thing I definitely did not like is Romione being endgame. I am so sorry to the lovers of this ship, but Ron was so disrespectful towards Hermione throughout the series to an extent that I cannot, in good conscience, get on board with. I, for the life of me, cannot understand why Hermione is attracted to him or would want to spend the rest of her life with him, and she deserves so much better! In my world, she would have ended up with Krum or Neville, or just literally anyone else other than Ron.

- Harry and Ginny are more tolerable to me as an endgame couple, but I just wish that Ginny had a stronger presence in the story and/or more character development. Additionally, a small part of me feels like Harry had a stronger relationship with Luna than Ginny; Luna seemed to understand him even better. I almost feel like Harry and Luna would have made a stronger pair.

- As mentioned earlier, one aspect of HP that I had trouble with was worldbuilding. There are too many aspects of it to go over all my feelings in detail, but generally, I think that the books often fell prey to lots of lore-dumping (especially at the end of the novels when it was time to unveil the secrets and mysteries). I also think that because of how limitless the magic is, there were so many Deus-ex-machina moments that didn’t feel like they got the best set-up or foreshadowing. Along that same vein, I also feel like the magic is kind of ill-defined. Now, I understand that HP utilizes a very soft magic system in which the rules are pretty limited, but it’s hard to get a sense of where the magic starts and stops. As a result, if feels like the characters are so conveniently able to solve certain conflicts because a new magic object or concept can pop up whenever they need it.

I have a lot more thoughts than this, but this post is already long enough, and the rest of my thoughts are really just minor nitpicks. And again, please keep in mind that my first time reading this series was as an adult. I don’t have the same nostalgia or attachment for it that long-time fans would.

Anyhow, I’m off to watch the movies, and I’ll be continuing to read other childhood series that I never got a chance to enjoy. Next up: Artemis Fowl, and His Dark Materials!

[talonsandtails]

talk about fierceteeth's worthiness for queen; praise the catholic little bugger

Have some fierceteeth art made for the occasion

Oh boy, you asked for this!

First off, I’d like to start with why I don’t think Glory should continue to be the nightwing queen.

In the wof universe, the tribe a dragon belongs to seems to be a core part of every dragons identity. We constantly see dragons boasting about their tribes. The series likes to act like it’s just nightwings who are stuck up, and while the nightwings took it further, really every tribe thinks they’re superior. We can see it countless times in both written dialogue and unspoken thoughts.

Culture and heritage is something very important to most every dragon. So going off that context, it’s not fair for the nightwings to be stripped of that. That’s not to say that the arrangement they have with Glory is bad. They quite literally had no other option. The nightwing tribe certainly needs rehabilitation, and to pair them with a tribe like the rainwings is exactly what they need. It benefits both tribes, with the nightwings teaching them to be tougher(so I like to imagine) and the rainwings teaching them to be better dragons in general. But the series is acting as though the nightwings are gonna be ruled by the rainwings forever, which just isn’t fair to them. After they get themselves sorted out, the nightwings deserve their freedom.

So, onto why I think Fierceteeth is the best candidate.

First and foremost, her fierce, selfless loyalty. Besides how much of a jerk she is, her most prominent character trait has always been her loyalty to those she loves. Fierceteeth would do any and everything to protect what she holds dear. Now recognition and fame is definitely her MAIN motivation for wanting to be queen, no doubt about that. But it’s not her ONLY motivation. She states herself, her reasoning for what she did; “Everything I did, all my so-called “crimes,” were for the good of my fellow nightwings. I was trying to find us an ally who would restore our power. I was trying to save us from being controlled by another tribe. I was trying to make sure we had a real home of our own!”

Fierceteeth feels as though the nightwings are held captive by the rainwings, and that because of this they won’t be able to be restored to the great powerful tribe they once were. And considering the way nightwings were raised on the island, this reasoning is understandable. There’s also an interesting point that’s brought up by the nightwings a couple times. Again, as stated by fierceteeth, “They deserve a queen who cares about them and understands what they’ve suffered.” A sentiment shared by seemingly many nightwings at first was that Glory didn’t and would never care for their tribe. And yeah, she hated them at first. I think it goes without saying that you don’t want a ruler who hates you. The nightwings also seem to be bonded by the terrible experience they all shared living on the volcano. Imagine your country has been an uninhabitable hellscape for longer than anyone around you can remember, every person in a leadership position is wiped out, and then some random US politician or something with no knowledge of your culture or what you’ve been through swoops in to take advantage of the situation and claim ownership of you. That’s what it was like for the nightwings at first. They didn’t see themselves as refugees, they saw themselves as prisoners. It’s reasonable that they would want a ruler who understands everything they went through, so that they would be properly represented. The nightwings need a queen who will fight tooth and nail for them, just like fierceteeth would. We already know she cares greatly for her tribe.

She’s not selfish, either. We can see this when she and strongwings were caught sneaking out. Strongwings offered to take full responsibility for the incident. Fierceteeth could have easily gotten away scot-free and nothing would have changed, strongwings would still have loved her. But she insisted she be punished along with strongwings to prove a point about her devotion. When it comes to the people she loves, Fierceteeth genuinely wants what’s best for the nightwings, not herself. She’s an odd blend of selfish and selfless, in that she’s a brat about empathy and all that, but she simultaneously always puts herself at risk to defend her loved ones. She would be the type of queen who puts her tribe before herself.

So what of her leadership qualities? Based on the new info in the guide, I think we can actually conclude that she is a very good leader. Fierceteeth says she’s “pretty much the boss” of the new nightwing settlement. Granted, this is likely just how Fierceteeth sees herself and not wholly accurate. But based on the fact that she seems heavily involved in everything that’s going on there, and the fact that she’s the one managing trade with Glory, I’m inclined to believe that this statement is accurate. She, at the very least, serves as figurehead. And based on some of the context, I think we can conclude that the nightwings in renewal are beginning to thrive. Fierceteeth herself, for one, is healthy enough to produce at least three eggs, as far as we know, while on the volcano it was rare for any dragon to even produce one. The dragons are healthy enough that they’re able to indulge in art. They have enough resources and free time to devote to trying to put together a play. They’ve been researching the old libraries in the night kingdom. They’re not exactly rolling in food and riches, as fierceteeth herself says life there Is tough. But they’re happy, their healing, and their living. So fierceteeth evidently isn’t a terrible leader. Now yes she obviously probably isn’t managing everything, but I don’t imagine that’s how it works for queens either. If Fierceteeth were to be crowned queen now, with how ramshackle renewal is, nothing much would change in their arrangement. And by the time they’d gotten themselves together enough for fierceteeth to resemble more of a queen and take on more responsibility, she would have already had some experience, and I imagine the other queens would probably have helped teach her how to run a kingdom.

And in general, fierceteeth has the qualities of a good leader. She cares for her people, she puts their needs first, she’s smart, strong, brave, and doesn’t take crap from anyone. I’d also like to mention that I can’t imagine fierceteeth would be cruel, either. She is absolutely a jerk, no question there. But fierceteeth isn’t putting down the other nightwings for their newfound interest in art. She seems to be actively helping with the play, even though she’s stated she thinks art and history is stupid. She’s aiding her fellow nightwings in something that’s important to them, even when she herself doesn’t see any point to it.

There is still a risk to consider; with a nightwing queen who still stubbornly hangs on to that “nightwings are superior” complex, wouldn’t that run the risk of the nightwings remaining a terrible tribe? I think I can safely say that no, they wouldn’t. First off, a lot of the other nightwings are changing this sentiment. For another, attacking the other tribes is gonna be the very last thing on the nightwings minds. Every dragon in pyrrhia collectively agrees that they want peace, which includes the nightwings. Heck, the reason they hid for so long was because they were terrified of being attacked by the icewings. I’m sure a war is the last thing they want. I also can’t imagine they’d put “brainwashing our tribe” in high priority, when they have so many other things going on. Rome wasn’t built in a day, which leads into my third point: The social climate in Pyrrhia is changing drastically. Everyone is working towards a more accepting society. The nightwings aren’t so isolated that this is gonna fly right past them. So by the time that they’d actually get around to worrying about the brainwashing, that mindset would have mostly disappeared. I just can’t see fierceteeth caring about it very much when there’s so many other things for her to worry about.

This is basically a roundabout way of saying that no matter what that mindset is gonna fade out over the years.

Would Fierceteeth be the IDEAL queen? No. But I thinks she’d be an excellent queen to start with when it comes to rebuilding the nightwing tribe. A solid foundation, is how I like to think of it. Fierceteeth is rude, selfish in many other areas, bratty, and overall not a pleasant person to be around. But she’s selfless in providing for her loved ones, she’s brave, she’s smart, strong, and shown to be capable of leadership. I don’t think someone needs to necessarily be likable to be a good leader.

Man I’ll be surprised if anyone reads this far lol, but thanks taking interest in my useless ramblings.

[aheroinasuit]

Personally, my favourite relationships in person of interest are the John ones.

John and Joss.

John and Lionel

And of course,

John and Harold.

And one reason is I think (despite not being politically correct) Jim Caviezel. Unless he plays a villain, in every other movie he seems to be able to connect his character with the co-protagonist.

In the Count of Monte Cristo, Edmond's relationships with Fernand, Faria, Jacopo and Mercédès are as easily gripping as the story itself. Loving the novel before watching the movie means I needed to be interested in it and for me personally, the relationships and emotions between the characters were as alive as the protagonist's character's arc.

Something very similar happens in person of interest. For me, it's all about the character. I love John, I love Harold, I love Lionel and Joss. And that brings me to the second reason I think those relationships grip me so well. They evolve alongside the character's knowledge and arc. They are slow, natural, they grip you tight as much (or more) as the story itself.

The evolution of the relationships from disturst and fear to respect and love happens in steps as they get to know each other, live with the other and as they change each other. And that's my favourite thing in the series.

And the creators somehow lost it midway. IMHO. It stopped being about characters' evolution, relationships changed overnight. In the above category Harold and Root could be added as is a realtionship with thought put on it. Only it's not because for personal reasons Root is not a favourite of mine

Harold and Elias was an equally well written one about two very different men who came to respect each other.

Basically, person of interest had, for a while, the best written characters and relationships.

(Harold and Nathan were also great but we meet them as friends. Always friends despite their differences.)

[everlasting-rainfall]

Hi I was wondering are you still active on this blog ? I really like you au and I was wondering how would Yandere Sabo work in your pages au ? Would he meet the reader by her inviting him into her home so he can hide from the marines ? Or would he just happen to grow an obsession with her book serious that came his comfort object only to break when the reader decided she finished the book serious ? Love to hear your thoughts💗🌺

I’m not entirely sure how Sabo would really work in the Pages AU exactly but I’m going to give it my best shot

MINORS DO NOT INTERACT FOR ANY REASON

-Potential Trigger Warnings-

Delusions, Murder, Forced Pregnancy, Noncon, Stalking

-Potential Trigger Warnings-

MINORS DO NOT INTERACT FOR ANY REASON

In all honesty, I can imagine that Sabo was already a fan of your stories like he used them to pass the time when he had nothing else to do like if he was waiting for the order to do something or he was just relaxing

It’s probably going to take Sabo a while to really get into your stories, I feel like he does use them as a time passer but he could easily put the book down in favor of something else

Eventually though, there would be something that would catch his eye in the story like let’s say you introduced some kind of plot line about the MC getting separated from the Pirate and Marine for a while like there was a storm at sea and the MC was knocked overboard only to wind up on an island with a conflict that’s caused people to form a Revolution

Cue his interest being peaked especially if you’ve written a relationship between one of the rebels and the MC because lord knows that that’s who he’s going to identify with

Eventually that plot line ends though and he’s a little disappointed hoping the rebels will show up again but they don’t and soon he reaches the last book in the series like not the last one that you intend on writing but the last one released currently

All there’s left for him to do is wait for you to release the last book in the series and during that time, the book never leaves his mind as he even starts to dream about it.

He dreams about himself as the rebel from the story but things are different as in the dreams, he’s saving the MC from the horrible people that he’s rebelling against so they can be together

These dreams continue for a good long while until he starts to identify with the rebel character from the story but it never goes beyond that

At least until he’s on an island doing some mission for the revolutionary army only to wind up spotted and in a bad situation when the Marines show up getting the drop on him in the process

He runs and manages to get out of sight but there’s no ship that he can stowaway on as they have his method of transport completely locked down so as much as he doesn’t want to, he sees you going into your house and rushes the both of you inside

You panic, of course but he gets you to be quiet and listen to him. He requests to stay with you just until he can safely escape and return to the Revolutionary Army, you’re hesitant but agree as you don’t want anything bad to happen to this guy

The two of you live together for a few days, you hide him and he does repay your kindness for letting him stay with you by taking care of some housework while you’re out doing things and feigning ignorance with the Marines

On the first day that he was there, he learned your name and realized that you were the creator of the books that he read. He was pretty happy to meet you in a way that almost seemed a bit too happy in your personal opinion

What you didn’t realize is that Sabo also realized that on top of being the author of the books, you also looked exactly like the way that he had been dreaming the MC from the books to look like

It was fate! He dreamed himself as the rebel that saved you from a horrible situation plus he dreamed you as the MC that needed saving

He was absolutely sure that you knew this too

As time went on, the alertness of the Marines started to go down as they believed that Sabo might be gone so he could probably leave and go back to the Revolutionary Army soon but he wanted to stay for a few more days just to give you time to tell him about any dreams you may be having

During that time, he started to get a lot closer to you as he would sit closer to you whenever you were on the couch and he even started to hug you and touch you like you would be up making breakfast for the both of you when he would come and hug you from behind

He would even watch you from one of the upstairs windows whenever you were outside taking care of something whether it be in the backyard or the front yard, you could always feel him watching you too

It was starting to get rather unnerving especially when you woke up to him one night watching you from the doorway, he claimed that he was just trying to make sure you were ok but you didn’t believe it

The final straw was him trying to kiss you one day as you held him back by his shoulders and hold him that he needed to go now as the Marines had finally calmed down enough for him to sneak away with little issue

You gave him until the end of the day to leave before leaving the house yourself to not be in the same house as him for the rest of the day, Sabo didn’t go after you

He did wander the house though and imagined all sorts of things but eventually he wound up in your room and found something of interest, it was your last book that was all finished and about to be sent out

Knowing that he still had time before the end of the day, he sat down and started to read becoming lost in the story and wanting so badly to see the rebel reappear. He kept hoping and hoping but nothing besides a cameo at the end where you described what he was up to

That was nice and all but it was completely overshadowed by the rage that he felt when he saw what had happened, you had gotten with the Marine and that would have been one thing but he had to read that you got married to the Marine and not only that but you wound up pregnant by the fucker

He couldn’t believe it, this was absolutely awful…

You had been knocked up by a world government boot licking Marine who had been allowed to marry you… This couldn’t be the case, it just couldn’t! You would never do something like this especially not when he could treat you so much better!

Once he had read the words The End, he put the papers down and rushed outside to go spy on you to see if it was really true and I pray to god that you weren’t talking to a Marine when he found you as now nothing will convince this man otherwise

You are in a forced marriage to a shitty marine and you’re pregnant with their baby as well, he needs to do something

So as soon as you leave, he starts tailing the Marine waiting for them to be alone so he can properly kill them. It takes a while but he soon leaves their body burnt on the ground in a place where no one will find it for days

Now that that’s done, he goes back to your home to see you as it is nearing the end of the day. He finds that you’re home although the door is locked but no problem as he has no issue getting in undetected

When he finds you, he can’t help but watch you from behind a bit and take in your appearance. You aren’t showing yet but he knows that you will be soon

As soon as you notice him is when he strikes, he rushes you and holds you close to him in a tight embrace even as you struggle and try to get him away but it’s all for nothing as his hold is unbreakable

You aren’t going anywhere if he has anything to say about it

While he’s holding you, he tells you that he took care of the problem and not to worry about anything as he’ll be the father to the baby currently inside of you

You have no clue what he’s talking about but he doesn’t care as he pulls back and kisses you deeply, you can’t do anything to fight even as he starts to take you to the nearest surface and slip his hands underneath your clothing

Cue a night of him aggressively taking you against every single surface in the house, all for the purpose of making the Marines touch go away in favor of his

I think it’s safe enough to say that if you weren’t pregnant before then you absolutely are now as Sabo didn’t bother to use any form of protection unless he was pulling out and cumming on you

By the end of it, he finally takes you in your bed and cums one last time deep inside of you before he collapses next to you

He plants kisses and bites on the side of your neck as the two of you lay there, he’s whispering promises against your skin to always take care of you and the baby inside of you

He also makes a promise to take you with him when he leaves to go back to the Revolutionary Army tomorrow, the two of you will stay together forever as a family in the world that the Revolutionary Army will create

You are never going to get away from him and months later when you’re sitting swollen with a rather large belly as you lean up against Sabo’s chest with his hands rubbing at the stretched skin of your belly

You regret ever making that story in the first place