#I think they're fun to think about because there's so much room for speculation

[the-insomnia-strikes-back]

Annabel Lee cannot die. (Theory Nevermore Ep. 108)

Let's talk about the Nevermore Finale of Season I and why it's impossible for our White Queen to die here.

(I do apologise for all the spelling mistakes)

Annabel is scared. The cunning, cut-throat Annabel is scared as shit right now. Understandable, I would be as well if there was a monsterous stag about to get me. It does make her more human, showing that she isn't invincible (on an emotional level). I know from multiple character analyses on this website regarding Annabel that this isn't the first time she's shown that she aswell is just a person . However, it's still nice to see here. As most of the smarter members of the nevermore community say, she is a morally grey character whose ambiguity is beautifully written. As long as Lenore isn't with her, she is as terrified of dying (twice) as everyone else.

And because Annabel is not so different, not as much of an Ice Queen as all think, there is room for growth. We already saw it with her trying to be the true Poshbesties with Prospero as we hoped for. For plots' sake, it will take a while for her to open up to anyone else. However, I do believe that somewhere down the road, Annabel could be able to actually be friends with Ada. Proof? This panel right here:

Annabel Lee and Ada are equally afraid. They're in the exact same situation here, its dangerous, and there is no room for scheming shenanigans or what else. I do hope that they'll grow closer, seeing as Ada looks up to Annabel so much, she could be her guiding light in becoming her own person, rather than sucking up to others- trying to fit in - in hope of being loved or even appreciated (but as we know our chess queen, shell probably make her worse for her own sake first).

Now to my actual point, the reason why I am even making this post:

Annabel cannot and will not die.

I suspect she won't even be hurt (at least not seriously). Why? Well, my main reason is this interaction:

We know that the phantoms, esp. the dogs, attack anything that's breathing. Now, if it would be the same for the stag, then he would have no reason to huff at Annabel Lee. On the contrary, he would have attacked as soon as he laid eyes upon her and Ada, like his dogs.

So why wouldn't he kill/hurt Annabel? Because she is not his main quarry. Lenore is. We know (as long as the raven isn't mistaken) that the Wild Hunts' main goal is getting Lenore. He must have smelled Lenores scent on Annabel, as they've interacted and even hugged on the arboretum (to avoid falling to death that is) the very same day, since him huffing at her, smelling her.

Same reason why Nurse Dolly is still alive as well. She saw the stag, it was staring her right in the eye, but rather than him, his dogs were the ones who attacked. He has no interest in anyone besides his quarry.

Besides the in-story reasons, someone on the nevermore discord also said that rednflynn already confirmed and roughly planned 4 seasons of Nevermore. So, it would make no sense to kill one of the protagonists so early on in the series.

Now, multiple people already expressed their hopes that Lenore - like the Prince Charming she is/was in her previous life - will come and save Annabel, maybe even getting her spectre. I do not believe this will happen. There are multiple reasons for that. Firstly, it would throw off the whole dynamic of the two groups, kinda destroying Annabel Lees + Lenores' plan. Secondly, Ms. Poppet already explained that transforming into your spectre to confront the wild hunt is basically a suicide mission. And I doubt that Lenores spectre would have enough plot armour to overpower the stag.

Third and foremost: It's too soon. And it would be kind of anticlimactic. Lenores Spectre is one of the biggest mysteries in the series. Her transforming in the first few episodes of the second season would ruin one of the most fun speculations of the nevermore community. Personally, for me, it would make reading the webcomic further on a little bit less engaging. Here is how I believe it will more likely go down:

Annabel + Ada will be saved by either Prospero, the deans (unlikely, since they can not be contacted in dreamland) or just a lapse of judgement in the stags mind. Either they use the moment of silence right now, with prospero/will/montresor showing up and making a run for it with Annabel and Ada, or the stag will ignore them (since their not his quarry) or someone, a background character or so, will take his attention off them by screaming or panicking. Of course, this is only about the stag. We do not know if the phantom riders with him are like the dogs, impolitely aggressive from head to toe/tail, or if they're more the secondaries to the stag, only attacking when necessary.

Edit: I am not sure if the 4 Seasons are really confirmed or if my mind just really really deluded itself, so take it with a grain of salt...

Edit Part 2: Nvm the comments are so thoughful and confirm it, that Nevermore will have 3-4 seasons

[asimperingswannsong]

Request: fluff with Larissa where Rissie is having sad girl minutes and Reader cheers her up, please

🤗 Thank you for the ask! I can certainly try! This was my first attempt at a Reader insert. It was a fun challenge. Hope you like it! 🙃

Another Dismal Dance

Larissa Weems x Reader

Notes/Summary/Warnings: Just fluffy stuff. Larissa has another disappointing Rave'N and reader tries to make it better.

--------------------

You were standing with Ms. Ingram, the other rookie teacher, by the punch bowl at the Rave'N chaperoning the students as they arrived. She was busy mindlessly speculating on who might be dating who and whether any of the speculative couples would be making an appearance together as official items, but your attention was elsewhere. You were trying to be subtle about it, but it was difficult because the object of your affection was positively radiant this evening.

From the moment you'd interviewed with her and bonded over your shared interest in Outcast History, her former subject, you'd been enamoured by Principal Weems. This was your first teaching job and she had been an amazing mentor, always ready with words of encouragement or offering an ear for you to vent. And when she'd begun to confide in you during your fireside chats in her office, you couldn't have been happier. She'd been having a tough time this year with the monster attacks and Wednesday's constant need to solve the mystery surrounding them. You'd become increasingly worried about her as you could see from the windows of your rooms how many evenings, she'd been working late into the night doing damage control for Wednesday's latest antics.

But you'd been able to cheer her up anytime she expressed frustration with things just by mentioning the Rave'N. She was so excited about the preparations. She wanted everything just right for her students to have a memorable experience and her enthusiasm was one more thing about her that you found so endearing. You'd been having little cautionary chats with yourself lately just to check in and remind yourself to respect boundaries since this was your boss and making an unwanted advance toward her could be a huge mistake but it was hard to keep your resolve everytime you saw her flitting through the halls. She was so beautiful and so elegantly put together. And her personality matched her appearance, charming and perfect. It was a struggle not to be a complete simp.

Especially right now, she was stunning in her knee length silver dress, and she looked so happy seeing all of her hard work come to fruition. She had done an incredible job on the themed decor. It was nice to see her have this perfect evening after all the stress she'd dealt with recently. Now, if only you could work up the courage to go over and tell her as much. "Right?" Your eyes widened as your realized you'd become so engrossed in Principal Weems that you'd completely checked out of the conversation with Ms. Ingram.

"Sorry?" "Coach Vlad." She was met with a look of confusion. "I said he thinks his track suit is formal wear apparently. Crazy huh? Are you alright, Y/N?" "Huh? Oh yeah, sorry. I was just thinking about Monday's lesson plan and whether to include a pop quiz," you lied trying to cover for the actual reason behind your inattentiveness. Ms. Ingram rolled her eyes dramatically and grabbed you by the arm shaking it, "We're off work. It's a dance. Loosen up and have a little fun, Y/N." "Yeah, I'll try…"

You managed to excuse yourself from Ms. Ingram's gossip train and finally made your way to Larissa. "Ms. L/N! You look lovely this evening darling. That dress is so pretty!" she greeted you happily. You blushed noticeably at her compliment. "This is amazing Principal Weems. You should be so proud. And you are a vision. Perfection." "Really?" her turn to blush noticeably. "I love it. And the gloves, the jewelry, and the hair, they're all absolutely beautiful." She smiled still blushing, "Flatterer." "Just facts." "Ms. L/N?" You heard Ms. Ranier, the other history teacher, call from behind you.

You reluctantly started to turn away from Larissa to acknowledge Ms. Ranier, but she reached out gently and took your hand to draw your attention back to her for a moment. "Ms. L/N?" You turned back with a look of inquiry. "Before you go…" "Yes?" "I just wanted to ask if you'd like to stop by my office later? Maybe for a celebratory drink? I'm so happy with how everything came together." "I would love to. That sounds fun," you said beaming at her. She smiled in return and winked at you, "See you then, Y/N." The wink has caused your stomach to abruptly relocate within your body. You turned and floated away.

Everything was going so well…until it wasn't.

You were standing against the wall with two other teachers deeply engaged in a terrible dance battle with each of you showcasing your cringest of moves when you felt a droplet land on your shoulder.As you looked around trying to find the source of the leak you noticed the droplet was red. "What the hell?" And then there was two, three, four. "What's going…" And then the sprinklers opened fully and rained down red.

People started to scream as their formal attire they'd spent weeks choosing became stained all over. Then they started to try to get away and began slipping in the mess. You immediately started trying to help students up and direct them to the exit, but it was chaos. And then you heard a loud scream and you turned to see Larissa having a full-blown meltdown in the center of the room and your heart broke in two.

She'd wanted this to be perfect so badly and she'd already dealt with so much this year and now she and her beautiful dress were stained from top to bottom. She was breathing deeply and shaking. She seemed to be having a panic attack or hyperventilating. You tried to make your way toward her, but you kept getting caught up in the on rush of the exiting crowd. Over and over again you were thwarted from getting to her. Eventually you were pulled along by your fellow teachers who all just wanted out.

In the aftermath you stood and looked frantically around for Larissa. You just wanted to make sure she was okay. Unable to find her, you hugged and comforted crying students encouraging them gently to return to their rooms and get cleaned up and apologizing for their dance being ruined. Finally you spotted her, but she rushed by on her phone and you heard her addressing Sheriff Galpin. She'd recovered from her earlier panic and now she sounded furious.

Realizing this was not an ideal time to try and speak to her you returned to your own rooms and cleaned yourself up. You paced your room using baby wipes to clean the stains from your face and out of your hair as much as possible before changing out of your ruined dress. You could see Larissa pacing furiously in her office and gesticulating wildly at the other occupants.

You determined when you had a chance you would try to intervene and do what you could to comfort her in some way. You grabbed a large basket and began filling it with items, baby wipes, cloths, a blanket, a candle, a bottle of red wine you'd bought after trying it in Larissa's office one evening, and finally a small bouquet from your pink hellebores. You made your way over to the main building and saw Sheriff Galpin and Mayor Walker leaving as you entered. You made your way upstairs.

As you entered while knocking you saw Larissa hastily try to wipe the tears from the corners of her eyes as she stood from her desk. "Y/N? Are you alright? I'm so sorry for what happened?" You came in and placed the basket on the couch. "Am I alright? I came to check on you. I know how much you were looking forward to this. I'm the one who's sorry for the way it turned out." She'd been making a valiant effort not to cry but she lost the battle and started to weep openly. You rushed over and hugged her tightly. "Oh no sweetheart. Don't cry. I'm so sorry."

She clung tightly to you and sobbed loudly. You held her tightly in return and rubbed soothingly on her back trying to bring her some comfort. As her sobs lessened slightly you placed your arm around her lower back. "Come here, sweetheart," you said gently leading her toward the couch in front of the fire, "let's sit down together for a minute." You brought her around to the couch but she hesitated. "I don't want to stain it," she sniffled still wearing her ruined dress. You moved quickly over to your basket and removed the blanket, unfolding it and holding it open like a towel. She continued to hesitate.

You wiggled it at her invitingly, "Come on. I brought it just for you. Feel free to stain it all you like." Larissa smiled through her next sniffle and moved closer to you. You wrapped her up into a red burrito and hugged her once more before encouraging her to sit. She did and you removed the candle and flowers placing them on the table and lighting the wick. Larissa smiled and wiped a strand of stained loose hair from her eyes. "What are you doing?" she asked curiously.

"Me? I'm currently in the middle of an impromptu and somewhat desperate attempt to provide some small modicum of comfort to you after what was an unmitigated disaster perpetrated on the most undeserving of creatures." Finishing your quick mood setting decor, you reached over producing the bottle of wine and holding it out to her. "May I interest the madam in a glass of the house's finest Beaujolais Nouveau?" you said in your corniest French waitress impression. Mercifully she chuckled as you poured her a glass.

Darling, you didn't have to do any of this." "I wanted to. I felt terrible seeing you crushed like that." You held up a baby wipe. "May I?" "Please." You placed a knee on the couch beside her and bent forward over her wiping the stains from her face gently. She gazed up into your eyes with a look of gratitude that made you weak. "Thank you," she whispered as you continued to wipe away the red. "Of course, sweetheart."

When you finished cleaning as many of the streaks from her face as you could, you sat down next to her on the sofa and poured yourself a glass. She held hers out for a refill and you both sat and stared into the fire for a while. You felt her hand lay over the top of yours and you turned yours over. She entwined your fingers together and you continued to watch the flames. "Are you going to be alright?" you whispered. "Yes, darling, don't worry about me." "But I do," you said after a pause. She caressed your hand gently and smiled.

[crispycreambacon]

You fill your head with thoughts you find you can't even feel

Try to make room in your skull, but it’s full of them

All of the things that you think and then think about thinking

I know it’s hard, but they're not who you are

They're white noise

— White Noise, Will Wood —

Welcome one and all to "Mashing Two Interests Like Playdough", the first episode is Puppet History x Will Wood, specifically the Substitute x White Noise 'cause holy moly. It fits him so well. Omg.

I had so much fun creating this poster! I'm really proud of how the poses and the rendering turned out even though both gave me a rough time at first </3 I actually had an earlier version of this poster, but I scrapped it because it wasn't doing it for me ngl :,D I'm glad I did though!

Anyways if you'd like to know more about why I think this song fits the Substitute, you can read my interpretation of the lyrics and how they can relate to him below the "Read More" button. You can also find the glitchless + filterless version of the poster there.

Note: A lot of this is speculation on my part, and you don't need to conform to this reading. This is just how I perceive him.

They paint the walls with colors that you're not meant to notice

They fill the halls with tunes you can't get into your head

Let's establish the obvious: The Substitute can't feel. The extent of his unfeelingness is unknown, but what is known is that he can't taste and can't have the sensation of touch. This may lead to him being isolated due to his inability to relate to experiences both humans and his fellow puppets seem to have, particularly the experiences of the one he is based on.

Yeah, it sorta sounds like a retro top-40 but wrong

You're not meant to sing along

It isn't that kind of song

It's white noise

Despite his unfeelingness, he still wants to have the experiences others have. After all, he literally almost killed someone just to have that chance, but his plan is not entirely well-thoughout. How was he going to dispose Ryan's body without getting caught? How was he going to sew the skin onto himself and dispose the rest of it? What was he going to do after he finally what he asked for?

In a way, he was doomed to fail. He was never meant to gain sentience anyway, let alone have the desire to feel like his counterpart. His existence is a complete accident. Now he has to deal with the consequences of actions he never even had a hand in doing.

But if you listen closely I swear, to God I swear

You can hear the ocean if you hold it up to your ear

This lyric directly inspired the pose of the Substitute listening to the conch shell. He has memories of some of the most wonderful sensations on Earth yet he can't connect with any of them. Perhaps when no one was looking, he tries to recreate some of them in a desperate attempt to find a scrap of semblance of feeling and gets increasingly frustrated with his inability to understand them.

Is it any wonder that he would do anything to regain that scrap of enjoyment? To end his torturous experience by any means necessary?

Its personality's a lack of identity

The entire second verse in general speaks about the meaningless of art and how people try to give it meaning anyway. The Substitute's only purpose was to replace the Professor either to console a dead mass or to continue the show. Now that the Professor is back... What can he do?

Moreover, he's also never allowed to have an identity of his own. Since he's meant to be a perfect copy of someone else, especially someone who's presumed to be dead, he can never really deviate from that role because it would break the illusion the puppets created to cope with their grief. No matter what his desires are, he can never really explore any of them because no one is allowing him to do so.

Also, the way the orchestra swells during this part kinda calls back to theatrical music for me. I feel like the Substitute would enjoy performace arts. His bombastic musical number implies he had a flair for the dramatics, and despite his lack of feeling, his expression of his ambitions is quite dramatic.

You fill your head with thoughts you find you can't even feel

This can relate to how the Subtitute is forced to relive the memories of the Professor despite not being able to experience the emotions connected with them. In a way, he has to so that he could remind himself of his motivations. Remembering the joy the Professor got through feeling would keep him going on this path in the hopes that some day, he could feel that joy too.

I know it's hard

But they're not who you are

They're white noise

This line can be taken in two ways. One is based on the speculated official meaning of the outro which is centered on intrusive thoughts. No doubt the Substitute deals with homicidal thoughts, but I wonder if he truly believes in them. Does he genuinely enjoy indulge in them, or does he act on them because it's all that he knows? For all the talk about him having the Professor's memories, at the end of the day, he was crudely coded for one simple purpose. His thoughts are very simplistic—as seen with how quickly he jumps to murder as the most logical solution for his problem—and I wonder if he was given a chance to grow beyond his purpose, he could've reliazed that homocide was not the right course of action.

The other way, which is likely more relevant, relates back to the Substitute being intrinsically tied to the Professor. His thoughts, his memories and his actions are all in a way influenced by the Professor. But it didn't have to be this way. As unlikely as it is, he could've had a life where he discovered his own interests and his own personality outside of being "the evil Professor". If he had gotten to learn more about the world on his own, if he had been able to act not as the Professor but as himself, he would've been able to develop more and find that joy he was missing. He could've had a life.

Unfortunately, he was never given that chance, and it is unlikely that he ever will be.

[bambiraptorx]

I think the reason people, myself included at first I'll admit, are/got so hype for missing sis' design is because it's a 'canon' (I can't remember how canon the comics are) appearance of a character reveal that was planned to happen in Rise but we never got. Now that my hype has gone down I'm disappointed too :(. I'm semi-willing to forgive the snatched waist she has because Leo has it too. I do think the face marking are cool though

Yeah I do appreciate the facial markings, they're a different enough shape from Leo's (and the fanon ones the others often get) that they stand out nicely. The idea of a flame-like pattern that doesn't seem to be fully symetrical is very cool. But honestly? It's one of the few things I like about her face reveal/comic design, the rest I'm neutral on or mildly annoyed by.

this next part got ranty, so I'm just gonna put it under a read more. Absolutely nobody has to read this lol. TLDR I get heated about the design for Big Mama's Assistant in the comic.

I do want to clarify upfront, most of my issues are with the design of Big Mama's Assistant (Venus/Frida) as shown in the comic specifically. Given that it does not (and isn't meant to) fit into the show's artstyle, it's possible that her show design would have looked different. But the fact remains that this might be the closest we ever get to having an actual canon design of her.

And... it's not all that great a design in my opinion.

(That said, I do still like the markings that she's given in that design. Those are cool. Thumbs up.)

My main issue is with how there's so many little details intended to scream "I am a Girl Character that's G-I-R-L and don't you forget it". Like, I genuinely hope that's not the design she was supposed to have in the show, because it feels like it's being almost shoved in your face that This Is A Girl.

The traits I've noticed so far:

She has lips. Or possibly lipstick, but in either case the appearance of lips. None of the other (male) turtles have lips, but all the important female characters in Rise do.

She has heavy eyeliner/mascara, as in the upper line of her eye is noticeably thicker. Yes the boys look like they have winged eyeliner at some points, but hers is much heavier.

This is more subtle, but she seems to have larger pupils than the other (male) characters in the comic, giving her something of a doe-eyed look.

Her plastron shape has been rounded out/simplified, giving her the appearance of boobs and an hourglass figure. (Interesting note here: in the show, the male turtles have comparable or perhaps larger sized bumps in their plastrons. Yes there's a slight difference in shape, but it defintely doesn't look like she has boobs in the show.)

They made her have an obviously lighter skin tone than the other turtles. Yes it may well be a result of dramatic lighting, but enough people have taken it as her canon skin tone that it still counts.

Long story short, all these items are things often used in visual media (especially in cartoons) to code male and female animal characters as, well, male and female. And it's important to note, most of the time this coding is *completely divorced* from the sexual dimorphism actually seen in those species. We can speculate all we want on if she's wearing makeup or not, but the fact remains that turtles don't have lips or cinched waists. She doesn't *need* all that to emphasize that she's a girl. Even just two or three of these traits would be fine!

(And while I also have issues with the whole "you have a brother and sister" thing when it was previously discussed as being two sisters, maybe it would have been fun to see a design that gave us a little more room to debate if this was a brother or a sister. Yeah we'd heard from the creators that Big Mama's assistant was a girl, but that's also where we heard that the turtles had two sisters.)

It also kind of bothers me a bit to see the fandom response, in that there's a lot of people who are taking the design as is I guess? And sure, there's plenty of people who *aren't* drawing her as is and remove some of the intense girl coding, but there's also people who do draw her as close to the comic design as possible. And while there's nothing automatically wrong with that, I do hope those people are at the very least aware of the tropes that her design falls into.

Now to perhaps the more controversial part of this post outside of just the visual tropes she falls into. For me personally, there's nothing (outside her markings) that makes the face reveal all that interesting design-wise? And there's basically nothing that indicates anything about her personality.

She wears makeup. So what? Not only is that the societal standard for women and girls in real life, it's basically the standard for how female characters in Rise are designed. It's also a hugely common design element of female animal characters. It tells us nothing about her, except, again, she's a girl.

Her outfit is the same as canon, so there's no new information there.

Her expression is carefully neutral, and doesn't really tell us anything. Heck, everyone else in the scene is having more of a reaction than she is. The other turtles have shocked expressions and Big Mama is angry. Venus... has her eyes open I guess? There's a lack of expression on her part in an otherwise very expressive comic.

And (again in my opinion) her design honestly isn't particularly unique. She has a face shape relatively similar to Mikey's (the main different being his chin is rounded and hers is pointed) and she has facial markings like Leo. And while it's not a bad thing that her design resembles the other turtles given that she's supposed to be related to them, many of the design traits that make her stand out are the Girl Design Traits.

It's also worth pointing out that there's a very specific way Rise draws important female characters, with them all having similar body types and facial details, and this design plays right into that. It's a further example of a Rise girl/woman who's thin with a small waist and lips and a small nose and no obvious musculature. There's been other posts that break this down more than I'm going to here, but the design for Big Mama's Assistant just... continues all that.

And I don't have a problem with characters looking feminine, but when they're all feminine in similar ways, it gets a little... boring? Even a little body type diversity would have been nice (like giving Casey muscles instead of the same slender arms as everyone else, for example.) The assistant doesn't have to follow the same pattern (she's an entirely different species, for one), but she does.

And in some ways it's like, yeah, we got to have confirmation that she's a character. She exists. Hooray. She said nothing and she did nothing besides take off her mask. We all knew there was gonna be a face under there anyway! And seeing her finally appear in canon, only to be drawn using so many visual cues to show her as The Girl Turtle is... a little underwhelming, I think.

But the fact that I've already got a design for Venus/Frida is probably also a factor here. I'm more attached to my design and I like it better lol. Rant over.

[spicybylerpolls]

Here me out, I am not against a byler sex scene cause I don’t think it would be anything remotely explicit anyways so discussing it in depth for me feels pointless, but I have issues with tying a sex scene into the character arcs of mike and will as if it’s the only logical way to wrap up their story, only because had there not been a pandemic and multiple delays, byler would have happened while at least one of them was still a MINOR (maybe both I would have to do the math) and there’s no way the show woulda had a sex scene in those circumstances so it’s more likely to me that having a sex scene—while it would be interesting to go there now that the actors are older—it is not the end all be all for their character arcs and not something that *has* to happen for their end narrative to make sense, since it probably was not going to happen in the first place. So maybe let’s reframe the discussion away from “they have to bone or else all the build up and such makes no sense it’s the only way to end things because blah blah blah” and more as it would be fun/cool/hot to see something more adult now that they ARE actual adults, and it would feel satisfying to their story, but that’s it. cause some people are starting to feel so passionate about the idea that i am concerned they are going to make themselves very angry if there isn’t one …

Hmm, I kinda see your point, but I also feel like there's no real point in speculating about what might have happened in the hypothetical past where the pandemic and the strikes didn't happen because A) we don't live in that timeline lol, and B) the Duffers have always had the ending in the show in mind from the jump and many/most of the beats they knew they needed to hit along the way, BUT I personally don't think they've planned out literally every single detail from the start with no wiggle room.

The writers have said as much, like for example when they tweeted all the crazy things that were supposed to happen in season 2 like possessed Will killing Bob or El mercy killing her mom. They've definitely added and subtracted some things along the way.

Beyond that, regardless of the ages of Finn and Noah, it's not outlandish to argue that sex is still thematically connected to the characters and their arcs. Byler is a story about sexuality, of which sexual attraction and, well, sex play a huge role.

And ST is a coming-of-age show, of which sex often plays a huge role regardless of the age of the actors. During S3, the writers didn't shy away from including sexual themes such as Max's happy screams comment, and the actors were still minors then. Every season has progressed these themes further. The writers and filmmakers are the ones putting the sexual symbolism and jokes into the story, and we're just picking up what they're putting down, right?

Like, I don't think Murray using the phrase "experiment sexually" was accidental, nor was hosegate, nor was Mike checking out Will's ass lol. It's all fair game when you're telling this kind of story (as long as you're creating a safe and comfortable set, of course). Because of this, IMO, there's a high chance the ST writers would've still at least implied that Byler had sex even in your hypothetical scenario. There actually isn't a hard-and-fast rule that prevents actors who aren't legal adults yet from acting out light, non-explicit sex scenes.

You say that, "byler would have happened while at least one of them was still a MINOR (maybe both I would have to do the math) and there’s no way the show woulda had a sex scene in those circumstances," and I understand why you'd say this, but if you look closer at films and shows in media history, that's not always true. I can name several shows and films that call this theory into question.

While it's true that most modern shows with teen sex scenes do tend to also have adults already playing teenagers- there's a whole page on TV Tropes about this phenomenon called Dawson Casting- (and these tend to show a lot of skin, i.e. Euphoria), which makes it easier to explore sexual storylines, that's not the case across the board.

In your hypothetical scenario, the Byler sex scene obviously wouldn't have been an explicit one (and no one's saying it will absolutely be that way now either), but that doesn't really mean it wouldn't have existed in some form. There are many examples of coming-of-age shows/movies where the actors were technically still underage at the time of filming, and it showed them making out intensely before cutting out (and sex was implied) or it showed something slightly more (closer to Stancy) but still not anywhere near HBO-level.

McLovin's sex scene in Superbad comes to mind (his actor was still 17 at the time, and his mother had to watch while it was being filmed). Thora Birch was 16 when American Beauty was filmed. More recently, there was the Jevon sex scene in Chucky this season. Devon's actor recently turned 18, but Jake's actor is still 17. And yet the season was non-subtly building up to the scene, it was 100% tastefully done, and it cut away before anything super specific happened.

Now that both Finn and Noah ARE adults, and we know there will definitely be a time jump, this hypothetical is extra meaningless. And if the Duffers want to go further and bolder with a Byler sex scene, they can, even if this wasn't the original plan. And there's lots of brilliant analysis that argues the Duffers have been planting the seeds for a while for at least some kind of sexual resolution.

But your assertion that, "some people are starting to feel so passionate about the idea that i am concerned they are going to make themselves very angry if there isn’t one" doesn't seem based in reality either. Spicy bylers might want a sex scene, and many might believe there at least will be something implied like Jancy, but I don't think anyone will actually be angry if there isn't one. Correct me if I'm wrong? I think most people are just happy there's a space to talk about Byler in unfiltered ways, to analyze the mature themes of the show, and also to have fun while doing so, especially since the season is still a ways away. It's not like people will actually fist fight the Duffers if Mike isn't moaning and giving Will backshots in S5 💀.

What do y'all think?

[maxemilianverstappen]

Hey I am a new f1 fan and i have to say Lestappen is the reason I actually got into f1 recently and I jus realised that Lestappen is the most followed ship tag on f1 tumblr. Why do you think ppl seem to navigate towards Lestappen even though as a ship, we hardly get content as opposed to some other ships, say, Maxiel piarles carlando etc.

Like the amount of fics for Lestappen or their dynamic in general seem to attract more fans than the usual f1 ships. I wonder why. Is it cuz of the enemies to lovers trope or cuz both of them are cuties who have a seemingly intriguing vibe between them or ?

Hello new fan 👋

I can't speak for everyone, but I can talk about why I came to like them:

Purely from an aesthetic perspective, they look absolutely irresistible together. They are both very handsome/pretty guys. They really have this beautiful and vibrant energy around them as individuals, and when they are together, they look like someone's fever dream. So, it is very understandable for people to look at them and think: "Wow, these two would look so fucking hot doing nasty/bad/good/horrible/lovely things to each other, let's write them down so everyone can agree with me."

But it is never just this simple.

Lestappen's true allure lies in the way that their destiny seems to be literally intertivined from day one.

Their past before their F1 careers is filled with so much lore as I am sure you're having fun reading about. They have literally been racing against each other since they were toddlers. Everyone who knows them both says that they are of equal talent in different flavors. That they are generational talents and if they're given the machinery and team atmosphere that they deserve, we'll be in a delicious few years of them fighting for championships against each other (i am looking at you, ferrari). So, the childhood rivals narrative is already grand. At this point, I need to say that I liken them to a reverse Brocedes (brocedes were childhood best friends who broke apart as adults due to their championship rivalry. Lestappen is childhood enemies who as adults became closer and I hope if they get to fight for a WDC, they'll get even more closer like Launt and Makkinen.)

They fit all the popular media tropes both as a couple and as individuals:

They are the Sun and the Moon, the Red Oni&Blue Oni, the Fire and Ice/Water. All the best dichotomies you can think of... Dichotomies are attractive for people and in narration because they generally deal with people sewn from the same cloth who have turned out different due to their circumstances, meanwhile being fundamentally the same. Like both sides of a coin...

They also both fit into these contrasting roles and subvert the trope, too. (I am on the 'subvert the fanpopular assigned roles' team because people cannot be fit into simple stereotypes.)

More than the Enemies to Lovers trope (which i always approach varily because most people write Max like a brute and Charles as a helpless damsel), I think the Fated/Starcrossed Lovers, the Mirror of One's Self/One's Better Half/Soulmates tropes are much more explorable and lend themselves to character study better. Because, their situation looks both simple and yet very complicated.

Of course, I am speculating here as a fanfiction author who works on what I can see/read about these men, but apart from the "differents attract" and the "twink/hunk" flavoured fics going around, what pulls people in is how they seem to have been literally created for each other, this connected by the red string of fate thing they have going on. Their whole worlds seem to be revolving around each other:

They just can't help themselves about showing their fascination with each other (one more so openly and loudly, the other is a bit reserved about it, but slowly slipping and it is delicious to watch).

They are each other's both destinied and chosen rivals (God, the intimacy of this shit right here... leaves no room for anyone else to even be an "afterthought" as long as they have each other in their sights as their target).

The single minded attention they have for anything the other does even if they pretend to not pay attention (they do).

The tension between them. (Sometimes spicy with adrenaline and the need to best the other and sometimes tasting like soft, years long unnamed yearning).

Unnamed, unlabeled... as if the moment they put a name on it, call it friendship, joke about it as a bromance, it will turn into something especially Charles doesn't seem that ready to embrace. Yeah, this is them... They have certainly been something for each other for years, since they were kids... That something grew with them, evolved, sometimes had very sharp edges, sometimes soft and fluffy... the way it never died off, never tapered off even when you think Max has become everything Charles has ever wanted to be, gained everything he has ever wished for meanwhile Charles can only watch and possibly blamed himself for falling short and feeling admiration warring with jealousy in his heart whenever Max looks back at him with an expectant smile as if wanting to share his happiness with him. Possibly hoping that one day, when Charles achieves his dream, he will also look at him with a soft smile and be happy with him, too.

God, it must have twisted Charles' heart so badly when he realized that Max genuinely wants to share his joy with him instead of how he expected him to rub it in his face like many others have done to each other and many people believed Max would have done to him. The way Max is so soft and sunny and kind and thoughtful when Charles must have been expecting a merciless killing machine ready to tear him apart both with his words and his on track moves. But the reverse happened and it is so compelling, like, how the hell Max can be so soft for this guy who repeatedly said he hated him in the past as if he wanted to keep the distance as stable as possible. Lol, it is like we are watching an ice castle named Charles crumble irl, and I bet it is a spectacle for the people of the fandom.

And also, the way Charles can be written as someone who thinks he has more to lose if he falls for/accepts his love for Max, because he might feel he is always going to lose to him and never win against him in a meaningful way... (Here, I must say I don't like the fics where they write Max willingly losing to Charles after they become an item. Charles wants a fight and wants it especially from Max, because in his eyes only Max's kind of fight is both "just" and on par with the way he believes what racing is actually about. This is what made him fall in love with the sports and also with Max.) This right here is soooo juicy to pass for the lovers of angst. You can write Max as his mirror that he both wants to smash and also adore like narcissus did, the way you can write them as soulmates in which Charles feels trapped by his fate, the way you can write them as My Better Half whom I hate....

They elicit a huge emotional response in the fans/consumers of fanworks. So, it is only understandable for people to seek out those strong emotions again and again. They induce heart palpitations and it is an addicitive rush of serotonin and dopamine, so who are we to deny ourselves the pleasure of enjoying them?

[katyspersonal]

List Master Willem’s war crimes for the judge and jury, please!

Alright this is genuinely a good question! I'll start with a plain one:

1) Fishing Hamlet massacre is Willem's order

Sorry, Laurence only condoned two massacres, not three. xD We yet can see he did have a good teacher in more ways than one hfsdhffd And it is definitely not hard to guess what was the reasoning:

2) The OG grave-robber

Obscure lore because it is locked to an item most players never found as it's gathered through unlikely platformer. But yeah, he and his friends done it before Tomb Prospectors made it cool XD Furthermore, some Chalice Rituals materials are found within Byrgenwerth (Red Jelly, Pearl Slug).

Granted, since Gehrman and Maria are associated with Byrgenwerth and Old Hunter Vitus is a summon in the Dungeons, he could have rather used aid of the Old Hunters instead of terrorising leftovers of Pthumerian civilisation himself. Maybe what he and his friends did was simply checking! But in that case, bothering Pthumerians was still his order, similarly to Fishing Hamlet.

3) Something to do with the infants..

There are multiple fetuses found in Byrgenwerth, in two variants: a petrified one (a common sign of strong Arcane exposure) and a 'cursed' one (with horns and multiple tiny skulls):

This is a large room for speculation on whether they were somehow lab-grown, or kidnapped from the Dungeons... Or, maybe, they were forcibly conceived in test subjects? Commoners that live in the woods around Byrgenwerth, kidnapped Pthumerians, whatever. To "lighten" the mood, maybe volunteer scholars? In either case, something heavily unethical happened here. The reason MUST have been the Great Ones' infants umbilical cords:

We are fighting adolescent (?) version of OoK, whereas their real 'presence' that we sever to destroy the heart of the Nightmare is a much smaller form, so, very likely, OoK was stolen as an infant, from the womb of Kos, and his cord was retracted.

(Side note: it is not necessary that the cord Fauxsefka drops was stolen from Byrgenwerth, let alone that it was the cord of OoK specifically, since she only drops it after Bloodmoon. I think that either she got pregnant like Arianna, especially since she is a Vileblood too, or she was on her way to be reborn into a GO infant like Paleblood Hunter does in the New Beginnings ending! The latter is very possible since that ending is only accessible after eating 3 cords, so, after gaining a lot of Insight, which Fauxsefka does! Basically we don't know the fate of OoK's cord, but nonetheless it is likely that Willem still had it!)

4) Was Rom's fate his fault?

This is the potential one rather than apparent! There is a common assumption that he was experimenting on Rom, supported also by the fact that Byrgenwerth is the only place where Gardens of Eyes type of Kin are found (otherwise they're only found in generated Chalice Dungeons, so, "non canon" ones). Granted, there is a lot to talk about Amygdalae and Nightmare Apostles involvement with the 'Spiders', as well as Patches the Spider being in Byrgenwerth! Still:

Not an unreasonable assumption! Though it is up to interpretation whether Rom was forcibly experimented on, groomed by him to "agree" to it for greater good as Byrgenwerth is hardcore gatekeepers, volunteered herself, or did have that weird involvement with 'Spiders' and Willem simply utilised the (unwell) result by at least hiding it in the Lake. Another sidenote though is that by the game's events, Rom is THE person concealing Mensis Ritual, and Willem is the one to urge our Hunter to hunt her with his scepter!

(Backing this up because there might be people that didn't play BB yet since Sony hates fun and joy)

So I think whatever was his reason to hide her in the Moonside Lake was not Mensis Ritual; he did not see it coming back then, and now understands what has to be done to stop it! (Damn, this brings back memories, this issue was one of my very first loredigs...)

5) Willem secretly orchestrated the Choir?

This is the second potential one. Yurie was strangely titled The Last Scholar, and considering her spot, I can only think of the implication of her returning in the walls of Byrgenwerth! There is a secret cave in the woods (most likely the one Fauxsefka invaded from) that allowed communication with Byrgenwerth, as well as White Church Set is found in the Woods! And furthermore, Gatekeeper that guards the entrance to the Woods on the way in Byrgenwerth uses the adage coined in by Willem as the password, and adopted by the Healing Church!

From the looks of it, the way to Byrgenwerth was not only declared to be a forbidden area, but even hidden from the "lower rank" Healing Church staff, as Alfred says gatekeeper would not open. That'd mean he doesn't know the adage, when Amelia must be. Choir and School of Mensis are higher echelons of the Healing Church, and as you can see, Yurie(Choir) is an NPC there, whereas Damian(Mensis) is a summon there! My interpretation here is that communication with Byrgenwerth remained, just that Healing Church made effort to hide it so the unsightly, as Simon put it, secrets of their origins REMAIN secrets.

(For lyrics: ( x )) The petrified spider found in Altar of Grief IS possibly Rom! That theory could be easily discarded at the first glance because the legs don't match, but they do, as you can see from the holes in her Lake form! Lyrics of Ebrietas' song also seem to refer to Mensis Ritual, as if she knows what has to be done to stop it when she cherished Rom for one reason or another and cries at her "grave".

Willem could have had connection with Ebrietas from the start. And, hell, he should have pulled the biggest "told you so" face when Laurence's Healing Church first took a big route around to try and mess with the Deep Sea, and only through so many failed experiments decided to seek the guidance of the Stars instead, and find the 'right' way to aspire for ascension:

Myazaki please stop tormenting me enough is enough sfhdhfd So, the way things likely happened: Willem was able to tell 'Stars' was the way to go even before meeting Ebrietas in person, Laurence separated from Byrgenwerth to try out Blood Ministration when Willem already warned him it was dangerous, then his Healing Church had attempts to dive into Deep Sea for the eyes (if Micolash and Rom somehow had nothing to do with it I am suing everyone fdhfhds), then turned out patients are doing better seeking Stars (Lumenflowers balcony) and it even happens besides their will (Living Failures), they find Ebrietas and reform Research Hall into Choir/Orphanage, they focus on Eyes when Laurence favours Blood and Hunt more, they remember what Willem told them from the start and seek him, eventually people like Yurie and Rom return to their roots for the lack of better term. As for Fauxsefka, either 1) she returned with Yurie but then changed her mind on being a lazy fence-sitter and rage-quit 2) she invaded Byrgenwerth later on, after 'Choir's ways differed from Willem', might have stolen a cord from there but we don't know 3) she never even invaded and her story goes separately, but she IS from Choir's era of 'differing from Willem', that Yurie didn't catch onto.

...what I am saying, is that for all we know, experiments on the orphans and maybe-grooming Rom into sacrificing herself were under his doing, behind Laurence's back, even. Too bad that Micolash in the end turned out to be more cunning than EVERYONE in this scheme, but still, Willem could have played not the last role here! Poor Laurence, so ambitious yet so very dim.

____________________________

So yeah... This might not seem like much, especially as part of this is speculation, but I think this paints the picture of 'mad researcher' character that appears in basically every Soulsborne game at least once x) Laurence and Micolash maybe have created the main mess of the story, but even if they never existed, with Willem, there would be a lot of unethical experiments, a lot of extermination of "less intelligent" species, and a lot of dead infants! He is guilty not as much for teaching Laurence and, likely, Micolash (the boys still had their agency), but for just being himself lol. ROFL at the guy ordering to kill a pregnant mother and her baby and their worshippers in order to learn how to stop being barbaric as human beings fdjhhfdsds

[gffa]

I know this has been talked about many times before, but I still don't know what we are supposed to think of Padmé's actions when she comforts Anakin after he confesses to murder in cold blood. He feels guilty and all, but he continues his shitty behavior even before he became Darth Vader, and then does it again. It's just hard for me to see Padmé as some sort of saint in that scene. And are we even supposed to see it that way anyway? There's no official answer, which makes it all the more mind boggling to me. When people say she forgave and did the right thing, it's seems unjustified because he still did it, he regretted it, but he also said "I hate them". Idk I'm sorry if this is too long. I just have a lot of thoughts on this scene.

Hi! For me, I've settled into a balance between "there's no hard narrative intention here, so I just have to let it go" and "here's my best guess at a look into what little has been said about her" and "here's what makes sense to me as someone speculating about her character on my own". I think it comes down to two things: 1) Natalie Portman's comment about how Padme thinks she can save Anakin as a motivation for her character and 2) that as complicated as it can be in some ways, the Tuskens were written in an extremely racist way, especially in that their deaths do not register with Lucas the same way other races/cultures would. Which means that while this should be a point-of-no-return moment for Anakin's character, while it should be recognize that he's murdering children here (and I do think that's meant to have weight, that the dialogue specifies he knows he's killing innocent lives), I don't think the narrative fully does so, and instead treats it as his "first step" onto the path of darkness, one that he can come back from. And I do think a lot of that comes from Lucas, much as I applaud him for being progressive in other ways and genuinely seems like someone who was trying to do better, does portray real world elements in a racist way in the movie, they're treated as less than human here. (I will say that Padme also is willing to take Anakin back even after he murders the Jedi younglings, so there's a little wiggle room here, in the way she reacts, but the racism is pretty undeniable and a big motivation here.) But because the narrative and the author don't treat his murder of the Tuskens as a point of no return, Padme can't treat his murder of them as a point of no return, so instead her reactions are based on the idea that, yes, this was bad, but it was something that still left good in him and she's trying to reach out to that good, she's trying to save him. As much fun as it is to examine these characters from a more realistic lens, so much of Star Wars makes a lot more sense when you consider what Lucas was going for on a thematic level--in a lot of ways, Padme isn't written for herself, she's written as a baromter of where Anakin is at. When she comforts him, it's because we're meant to see Anakin in a place of emotional turmoil. When she backs away from him on Mustafar, we're meant to see him as having crossed a line, unwilling to come back. When she says, "There's still good in him." on Polis Massa, we're meant to understand there's a glimmer of hope for the far-off future. I don't think it's really about Padme's character at all, I think she's written--as SO MANY of the elements of Star Wars are--to be an extension of Anakin's character, because the story of Star Wars is the story of Anakin Skywalker. I love love love some of the excellent meta that examines these scenes through the lens of what Padme is thinking and feeling and what her character arc is about. And I may be being uncharitable to the writing for her, but it's largely where I've settled just so I can stop itching over it. For me, I don't think Padme was "right" or "wrong" on Tatooine, I don't think we're meant to see Padme as any kind of saint. I think she's balanced between "Padme thinks she can save Anakin, but ultimately she cannot, Anakin has to be the one to choose to come back himself" and "Padme is basically a symbolic dark side meter, as so many of the characters in SW are symbolic of various aspects of Anakin".

[room-surprise]

Dungeon Meshi Season 1, Episode 3 Review

I think it was fantastic, and like the other episodes my complaints are all so minor, they're basically nitpicks. Spoilers below!

The Japanese subtitles are still kinda bad, when you watch the English dub afterwards it somehow manages to better convey the same information without leaving anything out. Japanese performances are fantastic but yeah the subtitles really suck a lot of the life out of them. There's some gems in the dub performance, like Chilchuck saying "Sword, please" to Laios instead of "can I borrow your sword" or something more elaborate.

Everything that was good about the original manga chapters is in this episode, and this was one of the early chapters that hooked me and my spouse into Dungeon Meshi - seeing how Laios figured out the living armor and how he defeated it was something really cool and thoughtful that stood out from other media to us. It was clever and novel and went into monsters and speculative biology in a way that we both adored. This episode is also the one that really foreshadows the rest of the series and it's themes. If something is alive, it desires something, and if you can figure out what it desires you can find a way to defeat it. If something is alive, you can kill it, and if you can kill it you can eat it.

All of the fight scenes in this episode are incredible, and there's tons of fun camera shots and interesting choices being made. Love the bit where Marcille catches a helmet in the loop of her staff. Also loved the bit where she caught Laios' head in the loop of her staff and shook him around angrily. They found ways to include information from the extra monster tidbits into the main narrative, which is fantastic! I'm hoping they'll be able to do this for the rest of the anime as well, because there's a LOT of vital information and funny jokes in the tidbits that enhance the story.

So nice to finally have our first Senshi panty shot and know that they'll at least give us some of those.

Though the animation is spectacular, there is a noticeable style shift between the first two episodes and 3. They obviously have some very talented animators working on this episode (the suits of armor are all rock solid, detailed, and move in fantastic ways) but they are NOT really good at drawing the human characters on-model and it shows. It's not awful but it is noticeable. I'm glad they at least were able to keep it consistent, the characters look that way through the whole episode and don't switch back and forth between individual scenes. That would have been a lot more distracting. Pet peeve, I hated the gag with the egg sack flying through cosmic space to show Laios had figured out the secret of the armor. I didn't think it was that funny, and I felt it interrupted the flow of the already very exciting and tense fight scene. Just the memory sequence being drawn in such a crazy loose style was enough for me! And the style of it flying through the cosmos and everything just felt very out of place and modern. Oh, and Laios says "oh my god" at one point in the dub, which also annoys me, but I think is better than "jeez" since a pagan could theoretically say "oh my god."

But overall a fantastic episode and it gives me a lot of hope for the rest of the series. I was worried that they were going to compress the story too much and try to fit 4 chapters into this episode, because of how they put 3 chapters into episode 2, but they gave this 2-chapter story room to breathe, which it very much needed. Can't wait for next week! I think we'll get the golem story as well as the orcs.

[sinnerspalace]

Hi, your original fics are some of my favorites to read on AO3, and my two favorites from your original works are Breeding Facility and Sweet Dreams. I've been rereading them recently and they're both very well-written.

I've been curious about how continuations for both fics might look like since there's a lot of room for ideas and the imagination. For Sweet Dreams, I don't know if I want the reader to learn the truth about her neighbor or not, because either one is really interesting to think about. Like maybe she finds out, but it's a gradual build-up until it hits her all at once. Or maybe she never finds out and she and her neighbor get their happy ending, never knowing the connection and that she's with her child's biological father. That being said though, the last chapter of Sweet Dreams does feel like an ending with loose ends tied up, and the smut was definitely hot (I love how the somnophilia will probably never end now because of the new relationship, but probably neither will object. I would love to see how the sex is during the waking hours, especially since the reader considers his cock perfect. Leaving it up to the imagination was a great choice though, because I love having my mind wander in those cases. I also love how the neighbor seems to be taking advantage of her pregnancy hormones making her want to have sex, since they're known to do that, especially in the second trimester.).

For Breeding Facility (truthfully the last chapter seemed more of a cliffhanger than Sweet Dreams, but it does leave a lot of room for the imagination), I often imagine how stage two would look once the reader and the man are transferred there since the second chapter ends with their transfer being arranged. I saw a comment on AO3 suggesting that maybe the man was working with the facility all along which would definitely make things more corrupt as the original commenter said, but also very interesting. Maybe I want to read some more smut related to this fic but I'd love to see how stage two, and maybe stage three if the reader ends up pregnant (maybe by the man who she was last copulating with, and maybe especially if he was working with the facility the whole time. Is it too farfetched to imagine him wanting her all to himself to the point that he keeps her to himself in stage two, and if she's thrown back into stage two after giving birth in stage three if she becomes pregnant (since it's implied to be the case with stage three), he immediately tries to breed her again, with the cycle continuing over and over again? Somehow, the idea that he could be working with the facility this whole time makes me imagine him becoming obsessed with her and wanting to keep her as his, especially with how calculative the facility is, how dark yet intriguing it would make all this, and how her last spoken line in the second chapter is her saying she only wants his cock and wanting him to breed her.), may look. Every time I reread Breeding Facility I keep wondering how the other two stages would look, especially stage two since the smut would probably be very hot, even when compared to stage one.

Man, this was long, but I had so much to say about your fics. Even if you end up not writing continuations, I still enjoy reading Breeding Facility and Sweet Dreams, and I know I'm going to reread them again and again either for the plot, the smut, or both. Rereading them also lets my imagination wander and come up with how certain scenarios might look like, and it's always fun to see what my imagination comes up with. Keep up the great work!

Thank you so much for your kind words! 🥺 Your speculations are all very interesting and I definitely enjoyed reading them just as much (or if not, more!) than you enjoyed reading my writings 🤭 I'm sorry for the late reply as well, it's because I'm not so active anymore after a few life changes which basically makes it very difficult for me to write or be horny 😅

In terms of a continuation, Sweet Dreams was initially a one shot that got extended! After its continuation I haven't planned on anything new for it since to be honest.

For Breeding Facility, it was definitely, one hundered percent, supposed to get a continuation! 😭 I am still ensure of how the plot should progress, but there was definitely an intention to continue that was brewing. Work for Your Price and Memento Meum (although not an original fic) was another two which I was definitely looking to continue. They had more solid continuation plots which I had already planned out compared to Breeding Facility's continuation.

I do miss writing and I was going to announce a comeback wayyyy back in June of this year but I never 'came back' so I never announced anything 😩 It's just so hard to write when being horny is so inconvenient in my life right now 😔 I'm still on indefinite hiatus, but I do hope I can go back to writing soon 🥲

Eitherways thank you so much for your thoughts, I'm so gald that even though I haven't posted anything in a while, my old works are still being thoroughly enjoyed! ❤️

[ailendolin]

I've been thinking about the next Christmas Special and what some parts of the synopsis might mean:

"The Ghosts soon realise, however, that they may have more in common with Betty than they first thought."

Since Betty thinks Button House isn't safe (maybe because she's witnessed ghost activity?), I think it's possible the ghosts might start to believe they aren't safe. Either they realise just how much of her daily life Alison has to lie about or hide from her living family and friends because of them. Or something physically dangerous happens (like Robin accidentally making a light bulb burst and almost hurting the baby) which makes them agree with Betty that Button House isn't safe with them around.

"The whole experience inspires the Ghosts to reflect, and a big decision awaits them all."

If they ghosts believe they're a danger to Alison and her family in some way, I wouldn’t be surprised if they started thinking Alison would be better off without them. That doesn't necessarily have to mean they're going to will themselves to move on somehow (we know it doesn't work like that) but they could still find ways to disappear from Alison's life. The grounds of Button House are vast enough for that. I could see them making the decision to leave the house, thinking that's what's best for the Coopers, and the episode ending wirh Alison going after them and telling them they're her family too and that she wants them in her life.

Alternative speculation #1 (aka wishful thinking on my part)

As someone who absolutely adores the Plague Ghosts, I could also see the ghosts realising there's nothing more important than family because of Betty. They see the lengths Betty is willing to go to to make sure Mike, Alison and the baby are safe, the love that's behind everything she does. Perhaps that will make them realise there are people in their afterlives they haven't treated as kindly as they should have - namely Humphrey and the Plague Ghosts - and they'll vow to do better in the future. With Humphrey, that's easy. They'll make a point of including him. But what if they decide to ask the Plague Ghosts to move upstairs? To officially become a part of the family? That would be a huge decision and also something they've never done before (Larry, I think, mentioned there'd be an unexpected tonal shift).

Alternative Interpretation #2

The reflection and big decision could also be about Alison telling Betty about the ghosts. This ties in to what I mentioned at the beginning - that the ghosts realise how much Alison has to hide from other people, even her own family. Upon reflecting on what that will mean for the rest of her life, they could come to the decision that Alison should tell Betty the truth. This would also be something we haven't seen in the show before. Off the top of my hat I can only remember two moments when Alison told other people about her gift: 1) when she wanted to appear crazy in front of Mike's friends to get Mike out of the cult meeting, and 2) when Kylie was there and she realised they share the same gift. As far as we know, Alison has never told anyone in her family about the ghosts so her telling Betty would be a huge deal.

Obviously, this is all speculation. It's possible none of this will happen; it's also possible some things will but for different reasons, under different circumstances or in different ways. There is so very little the synoposis actually tells us - no mention of Baby Cooper, for example. Is Alison still pregnant? Will she give birth at home? If the baby is already born, will it play a key role in Betty's arc about Button House not being safe? Why is Mike's father not mentioned, or his sisters?

I love that we know so little and have so much room for speculation. For me, that's almost as fun as getting to see what actually happens.

[dangans-ur-ronpas]

Chapter 9

oh god oh fuck he's back

SEE HERE FOR GENERAL WARNINGS AND FIC SUMMARY

Some pre-chapter notes:

Hey Byakuya I'm glad you had your little reconciliation moment. We're still in a killing game though so don't forget

There is not as much of a focus on the other chars...trying to change that for the future because they're just as fun to write

Toko, girl...I do love Toko as a character but as a person she does some questionable stuff. This hasn't changed for this fic

@moonlighttogami betaread this!!

Content warning tags: Monokuma shows up to move the plot. I'm not sure what to tag this one with to be honest...canon compliance stressful events I guess?

< previous - from start - next >

“So you guys are…like, better now?”

It’s Asahina who asks this, walking boldly up to where he’s sitting at breakfast the next morning. He raises an eyebrow at her, setting down the piece of toast that Makoto had delivered him.

“What on earth do you mean?” He asks right back. He has the feeling of eyes, following his every movement. It’s annoying, but he supposes it makes sense; being locked up in a building with no new information meant the common masses would be slavering for entertainment. Relationship drama, or gossip thereof, was one way to sate that need.

“Oh, you know…you guys seemed like you were arguing before,” She says casually, rocking on her heels. “Like, you would leave any time he was in the same room, you wouldn’t talk to him, and he stopped bringing you breakfast…” She trails off, voice ending in a pointed lilt.

“I don’t know what assumptions you’re making, but I’m not interested in feeding your delusions.” He replies coolly. Let them draw their own conclusions. “Why not bother Makoto about this?”

“What do you think they’re doing?” She jerks her chin behind her. Makoto is surrounded on all sides by Yasuhiro, Owada…and Ishimaru, who for some reason seemed oddly friendly, especially with Owada. The weight of three, overbearing personalities seemed to be physically crushing the boy, as he tries to avoid Mondo’s belting, burlish questions by ducking into his cereal.

He wonders if Makoto was looking at him, probably making pleading eyes for assistance, and purposely looks away. He quietly congratulates himself for his forward thinking; after waking up some time before seven (warm and tangled up in sheets and limbs, and with his internal clock thrown entirely off-course), he immediately kicked Makoto out, shoving the groggy boy bodily out of his room, specifically to avoid drawing this kind of unnecessary speculation.

(He worried, afterwards, about whether he had inadvertently ruined their recently repaired deal. But then Makoto said ‘good morning’ when he entered the cafeteria, and then brought him breakfast as if nothing had ever happened in the first place. And suddenly, it felt somewhat foolish of him to have been concerned in the first place.)

“Like I said. Draw your own conclusions.” He hums, lifting up his mug for a sip of coffee. It was bitter and watery, but there’s some slight improvement from before; his constant hassling of Ishimaru must have yielded results. “Is that all? Can you leave now?”

Asahina wanders off, apparently annoyed that he won’t reveal anything more. With her absence, he suddenly becomes aware of a presence behind him, and as he sets down his mug, he manages to identify the person by smell. 

In the time since becoming blind, it seemed that his nose had sharpened, though that wasn’t necessarily a pleasant adjustment. He sighs, “What, Fukawa.”

The shuffling footsteps that had been inching steadily closer to him stop, then scurry off. What a strange one. He suspected that she was of the same crowd as Fujisaki, an admirer that has confused expected appreciation of superiority for romantic infatuation. For the time being, she was still relatively harmless, and somewhat useful in how attentive she was, cleaning up after him at mealtimes. He could have Makoto chase her off later…somehow or another.

Breakfast was drawing to a close. People began putting away their dishes, meandering towards the exit. Byakuya stands up and begins walking towards the library, and not long after he enters the hallway does he hear the sound of footsteps, sneakers squeaking to catch up to him, and allows himself a small smile.

___

Ding dong, bing bong.

He pauses outside of his room door, looking up in the direction of the sound. How odd, but he didn’t think it was ten PM already…he’d been very careful to have Makoto pay attention to the time on his wristwatch, so that they would leave the library with ample time to spare. He glances over his shoulder, and sees Makoto standing in the middle of the hallway, staring confusedly at the nearest speaker.

“Ahem! School announcement, school announcement.” Monokuma’s voice grates from the speakerphone. “Nighttime is quickly approaching, but before it arrives... All students, please gather in the gym immediately. Emergency! Emergency!”

This…could only spell trouble.

Around them, their peers were beginning to peek out of their rooms. Some of them seemed to be trembling. A clamor of anxiety was beginning to build, people voicing their worry for what could be coming next.

“I-It’s not a b-b-body, right?” He hears someone stutter behind him, along with the sound of audible counting.

“No. We’re all accounted for.” Kirigiri's voice cuts through the hubbub. “But we better get moving. It’s not a good idea to defy him here and now.”

Her words help snap people into action. He walks on ahead, ignoring Makoto, who had begun to drift over to him. He still needed to maintain some semblance of normality, after all, and having the other boy hover over him too much would grow too annoying. That conversation from breakfast was still on his mind.

The gymnasium is the same as he last remembers it, save for the removal of Enoshima’s body. From what he can tell, even the floorboards that had been pierced through have been replaced. How meticulous. He wonders if it was Monokuma that took care of the repair, and is struck by the sudden ridiculous image of the bear toddling around with a box of tools and some wooden blanks before wondering if there was something wrong with his head beyond his eyesight.

Speaking of Monokuma, the insufferable toy wasn’t here yet. The others murmur among each other, uneasy and on edge.

“What could he possibly want?” Ishimaru wonders aloud. His unusually relaxed, easygoing demeanor from earlier today was gone, replaced with the stiff, high-energy nervousness that he usually displayed around Monokuma.

“Indeed. What might await us this time?” Celeste hums, calm as ever.

Nothing good, I’m sure. He thinks to himself. But really, there was only one possibility that was in his mind.

“It’s likely a new motive.” He says, and at that, a hush falls over the group. They all knew what that meant.

“A-a-a-” Yamada trembles where he stands. “A new motive?!”

“Nooo…not again!” Yasuhiro moans, hands fisting in his own hair. “And not after the earthquakes last night!”

The ripple of anxiety that had been running through the group is interrupted by confusion. “...Earthquakes?” Makoto asks.

“Yeah! There was, like, a lot of rumbling last night.” The clairvoyant nods emphatically, hair bouncing like the branches of a tree. “I was sitting around in the main hall last night, meditating, when I suddenly heard a lot of, like, loud booms and stuff. I totally thought it was construction or something at first.”

“Construction…?” Asahina tilts her head. “Would it be the mastermind trying to build something?”

“I mean, I don’t know if it was construction for sure. It was just, like, kinda loud, you know?” He waves his hands, as if trying to support just how ‘loud’ it was by movement alone. “Like, I’m surprised no one else heard it!”

“The rooms are all soundproof.” Kirigiri interjects now. “Most of the rest of us were in our rooms by ten o’clock.”

“Y-yeah, I know, but- wait, does this make me seem suspicious? But no one’s even dead!” The few shreds of interesting information he had to offer were gone, and now all he spewed were inane words again. “I just lost track of time and was staring off into space! Serious!”

They continue to prattle on, and Byakuya tunes them out. Construction noises…he’s not sure what it could imply. Nothing good, surely, if there’s been no sign of the rescue that Asahina had talked about earlier, then that meant the mastermind’s domain extended past the mere limits of the school - the noises Yasuhiro heard were also supportive of that.

“Hey hey heyy, everyone!! What’s everyone talkin’ about?”

A voice pierces the air, and they turn just in time to see Monokuma vaulting onto the podium. It’s a cartoonish sight, but Byakuya feels tense, an uneasy chill building at the base of his neck. And judging by the sudden stilling of the others around him, it seemed that he wasn’t alone in this reaction.

“What Hiro heard wasn't the sound of construction...but it could have been an explosion!” The thing laughs. “Or maybe a machine gun! Puhuhu...That can kinda sound like construction in a way!”

“What are you talking about…?” Makoto asks, and Monokuma rolls over in another fit of giggles.

“Ah-ah-ah! You won’t get that out of me so easily! You might as well try gutting me for stuffing first!” It wags a paw at them. “It’s a secret little secret, y’hear?? And speaking of secrets…”

It digs behind its back for a moment, and seemingly out of nowhere, produces a stack of what looks like large, blank, white cards, fanned out in its paws like a blackjack hand. “Ta-dah!!”

Byakuya fights the urge to squint. Subtly, he steps quietly over to Makoto’s side. “What’s it holding,” He hisses quietly.

“Envelopes…with our names on them?” As Makoto responds in a whisper, Monokuma tosses the envelopes, and they scatter over the floor.

“Everyone pick up yours!” The headmaster orders, and a few people hesitantly obey. “If you don’t, you’ll regret it~!”

Damn. Byakuya stares at the mess of papers scattered around them. He could crawl on hands and knees for a million years, and never find it… “Why should we?” He snarks, glaring at Monokuma. “What’s this all about, anyways?”

“Ohh, good question, little heir!” The bear nods, like a pleased teacher contemplating an enthusiastic student’s question. “Well, if you don’t want to hurry and grab your envelope just yet, I suppose I’ll give you an explanation. You see, I’m a bit bored these days…every single day is so blah and humbug, you know? I’m suuuree you understand!” It waddles, kicking at a few of the envelopes at its feet. “Gosh, it’s got me so frustrated, I’m about to start tugging all my threads out…that’s how bad I want some stimulation, y’hear?! Something rife with danger and intrigue!!”

With those words, Byakuya feels that dread, cold and dripping, crawling down his back. Somewhere behind him, Owada snarls. “The fuck’re you getting at? Spit it out!”

“Patient, be paa-tient! Goodness, it’s not good to be so angry all the time!” Monokuma shakes its head. “But I’m a good headmaster, so I suppose I’ll just go ahead and be frank for my eager lil’ students. Y’see, it’s taking too long for another blackened to show up, and I’m getting so, so, sosososo bored…so, I’ve come up with a new way to motivate you all!” It twirls, and gestures once more towards the envelopes. “This time, I’ve collected up some of everyone’s most embarrassing memories and secrets! And I wrote them up and put them into pretty little envelopes for you all to read through!”

The chill in his back turns icy, and his gaze flicks down to the envelopes scattered on the hardwood floor. Around him, he can hear others diving for their envelopes, snatching them up hurriedly - but he can’t move. Even if he tries, he won’t find it - he can only hope that Makoto had found his, and wouldn’t betray him by reading it. Or else…

And others have started reading already. He hears gasps, terror, disbelief, the crumpling of paper. Before him, Monokuma looks up, tilting its face in an impression of curiosity.

“Oh? What’s this? Not moving?” It reaches out and pats at his knee, and he takes an involuntary step back, disgusted. “What, are you Jesus or something? Free of sin? You think you have no dark or dirty secrets to hide?”

Ironically, it was this stupid taunt that brought him back from his growing panic. Calm down, he snaps at himself. He’d do himself no favors making a fool of himself here.

He forces his face into a sneer. “I’m not the kind of person to be moved to kill by such a pathetic motive.” He says loudly, so everyone else could hear. “You’ll have to do better to make me participate in such a miserable excuse for a game.”

“Still not impressed, I see? Such a shame…” Monokuma looks down, apparently unhappy by this declaration. “And I worked so hard on these too…oh well. Whether or not you look at it matters, if you don’t mind someone else reading it…right, Miss Fukawa?” 

There’s a squeak. Byakuya’s head jerks to the right, where he remembers seeing Fukawa last. Sure enough, the girl is hastily shoving something back into an envelope - one of two envelopes, that she has clutched in her hands-

He’s crossed the space between them before he’s even aware of what’s happening, and grabs the envelope out of her hands, fingers crumpling the paper. Before him, Fukawa flinches and cows, shrinking down. “U-um, I didn’t-I was just…”

He glares, and her words die out. Behind him, Monokuma cackles. “Puhuhu! Oh, that’s too good!” It rolls on the floor with laughter, feet kicking merrily. “This is just like a reality drama! …But, it’s not what I’m after.”

The toy wiggles its legs for a moment, then toddles back onto its feet. “Everyone! You have twenty-four hours! If no one is blackened by then, I’ll reveal everyone’s secret to the whole, wide world! Wouldn’t that be so embarrassing??”

“We’d never kill over something like this!” Makoto’s voice pipes up. He’s standing there, hands clenched at his sides. “Sure, this is something I’d rather not want people to know, but…it’s not something to take someone else’s life over!”

There’s a brief pause, and then a small chorus of agreement. “He’s right!” Ishimaru shouts. “Your plan is doomed from the start! No one’s going to murder someone for this kind of thing!”

“Oh, is that what you really think?” The air in the room seems to chill by several degrees. Monokuma’s voice, previously playful and lighthearted, suddenly takes a sinister tone. “Well…whatever! If that’s the case, I’ll be revealing anyone’s secrets in twenty-four hours anyways, to make myself feel a little better. Everyone…farenotwell!”

And he turns, waddles off, and disappears into the depths of the gym.

__

In the end, they decide to simply ignore it.

Perhaps ‘ignore’ is the wrong turn of phrase here. Byakuya thinks bitterly, as he watches the other begin walking out. In truth, they had hesitantly tried suggesting sharing secrets now, to eliminate the motive, but several (including himself) were strongly opposed to the idea.

In the end, Ishimaru sent them off with a hesitant, awkward suggestion to ‘not act too hastily’, which was about as much as he could offer in this situation. Byakuya grabs Fukawa’s shoulder as she begins to leave, feeling his skin crawl at the very touch of her.

“Ah- huh?! Um…” Her head jerks, between him and the door, and begins squirming in her shoes. “M-mister Byakuya…”

“Give me your envelope.” He says coldly, and she freezes. “Well?”

“U-um…I can’t…” He grabs it from her hand, and she squeals. “W-wait-! L-let me prepare my h-heart-”

“Makoto.” He turns to the boy standing a ways behind him. “Come here.”

Makoto trots over, and Byakuya thrusts both envelopes in his face. “Which one?”

“Uh…” He hesitates for a moment, then points to the one that Byakuya had already been holding.

Byakuya shoves Fukawa’s envelope back towards her, and she fumbles for it a little too late. It flutters to the ground. “Stay away from me.” He spits. “And if I hear any whisper about the contents of this envelope, I’ll make you regret ever being born. Do you understand?”

He turns before she can respond, marching towards the door. Makoto’s footsteps dog after him.

“H-hey, wasn’t that a little…harsh?” He asks, quietly. Byakuya shakes his head.

“Hardly.” He grits out. If anything, he should have been harsher. His hand is still clenched tight around the envelope, the edges digging into his palm. The fury from earlier simmers; he could hardly believe the audacity that girl had dared to have.

He doesn’t even know what was written in his own envelope, and he doesn’t think he’s interested in reading it either. At the very surface level, it would be something about the blood competition that his family had held for the title of heir, and the lengths he had gone through to win it. If the mastermind had been really scouring for something embarrassing, he supposes it could detail about how he once spent a period of his life disguised as Polaris, though that was hard information to come by. Either one would be annoying to deal with once revealed, but it wouldn’t kill him. It was hardly the worst thing a Togami has done in the course of history, and as heir, any such information would be suppressed before it could reach any important ears.

But, it would be considered a blunder on my part. A blot on his perfect record. He chews at the inside of his cheek, feeling the raw and bloody flesh from the other day run over the grooves of his teeth. To allow such a thing to happen would reflect poorly upon him, draw doubt onto his position.

It’s not like killing was the better option, however.

He sighs, and stuffs the paper into his pocket. Better to put it out of his mind for now; if time runs out and it gets revealed, he’ll just have to figure out a way to deal with it then. He’s gotten out of tighter spots. And no matter how much he and Makoto had smoothed things over, he still couldn’t trust the boy to the degree of having him read it out to him, especially if it was a secret that could affect the family name.

For the time being, it was time to go to bed, and mull it over in his sleep.

< previous - from start - next >

[hassedah]

Do you write character x character? If so could you write some Ethan x Beliath nsfw stuff? I absolutely adore your work, you're doing amazing, keep doing what you do

NSFW EthanxBeliath :

Hi! How are you? I hope you are well? ^^

Thank you, I'm glad you like my headcanons. ^^

Here's the headcanons you requested! I don't mind writing headcanons between characters. I hope you enjoy it! ^^

Take care of yourself and have a nice day! ^^

SFW :

If you asked Vladimir what he thought, he'd tell you that the worst idea Beliath and Ethan could have had was to get together. They fight and bicker even more than before. It's not because they don't love each other, it's because they really love to bicker over small things. Their relationship has become a kind of show on which others speculate and debate (yes, even Vladimir who complains though).

Ethan, especially, leaves, slamming the door dramatically after every argument, and Beliath happily goes off to win back his ex-partner's heart (it's his ex-partner for the next 15 minutes, despite his best efforts Ethan finds it very hard to be truly angry with the incubus).

They used to stick together when they were friends, but it's only got worse. Because despite their argument, they still agree to disagree with the rest of the mansion. It drives Vladimir and Aaron completely mad.

When they're not arguing, they like to take time for themselves. Beliath invites Ethan to restaurants and Ethan insists on taking a holiday away from the manor at least once a year.

They always like to flirt together at the Moondance, which sometimes creates a bit of conflict between them because Ethan can be slightly jealous, either because Beliath doesn't pay him enough attention or because Beliath has managed to hit on someone he wanted before him.

NSFW :

They had sex together because they wanted the same person at the Moondance and that person was totally willing to have them both. They enjoyed this relationship much more than they thought they would and they both did it again later. At first, there was always a human to share the moment with them, then gradually, there were no more humans.

Ethan is a tracker, and there's nothing he loves more than chasing his partner through the forest. What makes it even more exciting with Beliath is that he's also pretty good at hunting. Although Ethan never admits it, he loves being caught at his own game and realising at the last minute that he was the prey and not the hunter.

They're noisy, noisy in a way you can't imagine, and it's mainly Beliath's fault. He doesn't know how to be quiet and doesn't like being quiet. For his part, Ethan tries to be a little bit more discreet, really a little bit more, but Beliath always does a very good job of blackmailing his partner and he always feels a great sense of satisfaction when he finally manages to make Ethan incoherent.

Ethan likes to dominate and Beliath is happy to let him. He knows that Ethan has a great need to control the situation to feel comfortable and he wants his partner to have a good time. As their relationship develops, Beliath sometimes reverses the situation from time to time when he thinks it might be fun for them together.

Any surface and any room is a good place to have sex. For them, there's nothing more exciting than taking the risk of being surprised.

Beliath loves to tease Ethan during meetings. His hands always end up under the table to caress the doctor, who manages to remain silent most of the time. The looks he gives him never convince the incubus to stop his little game, even though he knows that his partner will take revenge later in a devious manner.

It's Beliath who bites the most, so Ethan often ends up with a lot of bite marks, and he always complains a bit about this, before insisting that Beliath do more, however, although Ethan enjoys being bitten, he prefers to keep the bite marks hidden. For his part, Béliath loves to have bite marks on him, and he certainly doesn't hide them. He prefers them to be clearly visible, and he doesn't hesitate to wear light clothing to ensure this is the case.

[kaurwreck]

regardless of people understanding if it was a joke or not (which it definitely was!) I think the point was no one needed the run down of why it’s a flare gun. but I appreciate your knowledge and understanding of the differences and the commitment to pointing it out 👍 it’s always impressive how much you know

God, this is such an annoying follow-up to what was already an uncharmingly ironic ask and I'm so fucking exhausted that I'm going to shed boundaries and good faith for a moment to express that I'd rather y'all just call me a cunt.

I don't know quite how to explain to you that the issue you have with me isn't because I don't know that it's a joke. I know people are joking. I just don't assume everyone is making the same joke premised on the same assumptions. I spoke to one subset of assumptions (that I had clearly explored myself) without precluding any other.

I didn't reblog the post because of an arbitrary commitment to pointing out differences nor because I thought everyone was mistaken in their handgun taxonomy and needed me to enlighten them. I do think some people were conflating the flare guns with firearms, given (i) I mistook them for a moment and I was under the impression that I counted as a people, and (ii) the alternative requires assuming that over a thousand people in an online, international animanga fandom community share the exact same, arbitrary understanding regarding the mechanics and classification of flare guns.

In idly considering the likelihood that other people were conflating flare guns with firearms, I realized I didn't actually know whether flareguns weren't firearms: I don't know their legal or technical classification, or if they could even be used as firearms in close enough range, or if they could be modified into functional firearms. I don't know anything about flare guns other than what I've picked up in passing from fiction. So I looked it up because I thought it was a compelling question and could make for a really fun speculative fight sequence between Kunikida and Fyodor.

I enjoyed the kernels I found, and while I've been told others may not care for the granular detail, it felt likely that someone else might find the gist interesting or clarifying, or might enjoy extrapolating the implications for Kunikida's position the way I have been given he is uniquely capable of and the most likely to abruptly modify a flare gun into a grenade. I'm also so, so sure that there was sincere ambiguity amid the joking, and I don't know why there wouldn't be, we are not born with a primordial understanding of flare guns' limited capacity for carnage. So, I shared a bite-sized version of my takeaways from what I read, which itself was not a lot.

The details I "run through" are how I keep my thoughts organized, and I sometimes post them to externalize them because I have ADHD and that's a memory tool that works for me. Also, otherwise, I would just be barking conclusions without contextualizing the facts I flagged as relevant and the implicit assumptions therein, which wouldn't leave much room for anyone to chat or disagree or brainstorm with me if they're interested.

All of this to say: I had fun learning about flare guns midmorning on a Thursday, and I liked the dialogue I had with the post's ambiguity. I've had an immensely stressful week, I'm not sleeping well and had then been feeling especially sluggish and anxious. But the process of prodding at the plausible literal and nonliteral implications of the joke brought me a spark of enjoyment and so for closure and out of fondness for the polyphonic, indirect conversation I had with myself and potentially others on the post or who might later see the post, I left something tangible as a happy little loose thread.

So, sure, no one needed the run down of flare guns. But I did! So, politely block me if it's agitating to you.

[ao3-oner]

i really love the gen.g members in your LCKverse ! can you please share a few random gen.g headcannons

Thank you so much for the ask! I love them so much too and am always happy to share more about them. For now, here's an assorted handbasket of hcs:

Kiin LOVES dogs, has wanted one ever since he was a little kid, but his parents never let him get one because they said it was too much responsibility. He wants to get one as soon as he retires from pro-gaming and has his own place, and has even pitched the idea of getting a team dog back when he was on KDF, but the idea got shot down. He likes cats, too, but is extremely allergic to them so sadly he has to keep his distance :(

Canyon has a sweet tooth, which may not seem like that big of a deal but for those of you who don't know ShowMaker hates anything sweet or sugary, so Canyon's kept this a secret for years. He may or may not have gotten busted by deokdam while sneaking a caramel from the Dplus dorm stash at 3 am back in '22 but he was fiercely sworn to silence and the issue never came to light. On GenG, he lets himself indulge a bit more, but he'll still freeze up on occasion when someone enters the room as he's unwrapping a sweet or mid-bite of a dessert.

Chovy has prepared for the event of one of his friends/colleagues getting stuck in a timeloop by preparing a specific loop codephrase that only he knows, so that if anyone else says it to him, he'll know they've lived through that same day before. He's also already started brainstorming a list of likely reasons why he or someone else might get stuck in a timeloop so that if someone does approach him he has a few ideas of what to try. No one knows why he felt the need to prepare so much for this hyperspecific fantasy scenario, but some have speculated that he watched a movie about it when he was young and ever since has had an irrational fear of groundhog-daying. Else maybe he just read the handful of LoLRPF fics about time loops and wanted to be ready, lmao-

Peyz first started playing League after watching Faker win Worlds in 2017 - prior to that, he primarily played solo-play games like card battlers and online board games. When he was eleven, he overheard some of his classmates talking about League and decided to watch the World Finals in hopes of making friends that way. After that, he gave it a try, and learned that he really liked working with other players - he did need to be in a carry role, though, in case the rest of his team wasn't up to standard. It was a few years later when he told his parents that his dream was to become a pro-gamer.

Lehends watched a TON of b-tier soap operas (k-dramas?) growing up and it used to drive his family crazy because he'd recite the most random lines from it at inopportune times (cue young Siwoo in detention because he told the teacher 'you only think that because you're pregnant with her husband's child', which is evidently not an appropriate response to being told he answered the math problem incorrectly). His television use was regulated after that, but then he discovered webtoons and got his tacky romance fix that way. If he's having a bad day, sometimes he'll still queue up one of his old favorites, maybe an episode of a drama that he can recite every word to, and curl up under the covers with snacks and act out the whole thing to himself.

That's one for everyone, but their group dynamic is very fun as well! If you watch their streams/vods you know that they all play arena with each other pretty regularly, and I love how they all take care of each other, especially how they all tend to Peyz. In my mind, Gen.G is essentially Peyz's adopted father (Canyon), mother (Chovy), tired uncle (Kiin) and wine aunt (Lehends), which is kind of hilarious because Peyz already has a way better home life than any of the four of them, yet they're all so devoted to taking care of him.

Thanks again for the ask, and have a great day <3

[charmac]

Heyo! I'd be interested to hear your theories on the macdennis writer's room situation!

IMO it's not as simple as 'Rob is pro and Glenn is anti' (and we always ignore Charlie in these conversations even though he's quite into it in the dvd commentary and pod), so your suggestion that the subtlety (lol it's really not subtle, but yeah r/iasip ig) in the writing of their relationship might be glenn's idea is quite intriguing to me, and I wonder how this all relates to the opposing views on whether Dennis is a serial killer amongst rcg. So much of the writing of Dennis comes from Charlie and also Rob, but it's definitely influenced by them observing Glenn (like the cereal story) and by Glenn's performance. And ofc we know Glenn pushes back if Dennis is written as too heartless because he maintains that he does have feelings and is quite sensitive in a way. Not sure where I'm going with this... I don't have a full theory fleshed out in my head yet, so I'd really like to hear your thoughts!

(not trying to stir anything with this ask btw: in fact, iirc there were some posts about this subject a few months ago and I didn't engage then because it pissed me off when the conversation turned into a "who supports the quuer fans more" kind of competition, as if macden is something so basic between rob and glenn, when we really have no evidence about what happens fr bts, beyond some fun speculation. just enjoy theorizing in drought times.)

Hey, thanks for the ask! To address your final point first, I don't want to talk publicly about what may or may not be the motivations of Glenn and Rob as "queer allies" or how they think this may affect their careers or whatnot. These kinds of discussions I don't believe are ever effective publicly when you don't know the truth. I'm not speculating on their motivations as people but as writers who care about the story they're telling and, more importantly, their characters.

When my message was "anti" and "pro" it was really just from the discussion that someone had to be pushing back against what I believe is Rob pushing forward (This was a black and white, who wants Macden now and who is saying no, wait. I truly do and always have believed Macden will happen. The nuanced discussion came after, in messages I'd rather not share since they are not just my personal thoughts but a conversation with another user.) I

t's not necessarily that Glenn is anti-Macdennis (and I think you understand that) and I want to clarify first off that I definitely don't think it's as simple as that, so here we go:

For Glenn pushing the subtlety, I think we agree completely that it likely links to how Glenn wants the audience to perceive his character (and how I love perceiving him): Dennis talks a big game that to the untrained eye makes him seem like this cold-blooded psychopath, but it's all a complete front you can easily see through. He gets a thrill out of these terrible things but would never act on them. It's interesting to hear of the live show "Dennis is a serial killer" talk brought up right along side all of this, because it's a perfect example of how Rob and Glenn clearly have opposing views on Dennis' character, and how that definitely plays into why they don't agree on canonising Macdennis. (As I understand, Dennis gets a thrill out of the idea of murder or harming people, but he could never act on it. Reddit (and to some lesser degree, Rob), don't get this, and think he probably does act on it and it's just not shown in canon (despite the mountains of evidence that Dennis is much too weak and feeble to ever do anything).

If you think about their current dynamic (actually, ignore 15, we'll get there), they've completely flipped from early seasons, and I don't think that's accidental or a fault of bad writing, I think it 1. is a result of Mac labelling himself as gay, finally, in S12 and 2. is a result of Glenn continuing to fight for Dennis' character staying consistent.

From point 1: Dennis was always the more effeminate, more coded to like men one, more touchy with Mac, a little obviously in love with him, until Mac outwardly expressed those feelings back. As early as M&DBU you can see how terrified Dennis is of being seen as gay, and in a relationship with Mac. For Dennis, as gay as it got, it was okay until it was labelled. Now that Mac is labelling himself as gay, now there's a hard stop for Dennis. Being with Mac is something Dennis could act on, and then be labelled as. (gay, bi, likes men, fucking Mac, boyfriend *shutters*) This is something that would happen if he didn't keep full, hard control against it.

To point 2: I think this was a bit of a divide in the writers room that Glenn couldn't control. S12 he bowed out, clearly he was feeling lost in Dennis and the writers room. When he left for S13 and 14, and you can see how Rob's want for Mac to be out, canon, very gay, in love with Dennis, comes through full-speed in these seasons, because Glenn wasn't writing (mostly). Rob wanting this directly conflicts with Glenn's writing for Dennis. Dennis is opposing Mac in every way, he has this exterior he has to put on, anti-Mac, anti-whatever they were, he's completely thrown off by Mac, hates their old dynamic.

Rob wants canon Macden, but he perceives Dennis differently than Glenn does, and likes this opposing path of the two of them, and that's obviously creating an issue. Clearly I don't know Rob's intentions, and maybe I'm talking out of my ass, but I don't think I'd be far off to say that he'd enjoy putting Macdennis through some desperation-hell (ala, Dennis gives in and gets with Mac because he's horny, uses him, DENNIS systems him, the result is Mac has always been the long-con for Dennis, which I admit, I wouldn't hate hate).

I think Glenn is against it, because there's always been something there for Dennis and there's a reason he came back, there's a reason he's always stayed around, always supported Mac. He is in love with Mac. It's not a system or a game, but a fucking fight for his life to oppose his true feelings and hide his identity, not be labelled. Dennis is stuck, and there's nothing pushing him to do anything about it. He'll get off with his systems and his kinks and he's okay.

Now we move to S15 and look, they aren't...all that opposing...during Lockdown, they...got along. And then, here goes Dennis, yelling and screaming about Mac obsessing over his own labels and identity so he can ignore his internal struggle. It's clear, he needs something to push him.

How do they go about it? Dennis jealousy arc seems like the perfect fucking beautiful compromise. Rob gets something raw, a little insane from Dennis, and Glenn gets to show that Dennis really is in fucking love with Mac.

TL;DR: Rob wants Macden now in some kind of dirty, get on with it, Dennis is using Mac kind of way. Glenn doesn't want it canon until they reach the conclusion of this arc that shows Dennis really does have big feelings (good and bad), and those feelings really kinda have a lot to do with Mac.

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AGAIN THESE ARE JUST MY THOUGHTS AND I OFTEN WATCH THIS SHOW WHILE HIGH OR CROSS FADED SO IF YOU DISAGREE THATS TOTALLY 100% OKAY I DO NOT CARE IF YOU READ ALL THIS AND THINK IM STUPID OR WAY TOO INSANE ABOUT THIS ALL THATS TOTALLY VALID FOR YOU TO SAY! IF THERES NO JEALOUSY ARC IN s16 I AM A CLOWNNNNN!!!