#I think she has a bit of a cold too :(

[mercisnm]

Sweater weather shenanigans

Plus the lines, before I throw colours on it like an excitable squirrel:

[wingsofwater]

peach pit

[ID : a chubby skywing dragon named Pyrite, who has yellowish-orange scales with a lighter yellow underbelly and dark freckles across her scales, resembling the inside of a peach. she has a crest of dark spines along the back of her neck and on the tip of her tail, antler-like horns, her body is dappled with scars, and she wears a cord around her neck like a choker. she is sitting down, facing towards the left, with her wings held open and an uncertain expression on her face. the background is a teal rectangle with white peach blossoms overlayed on top of it. END ID]

[oatbugs]

Jack Marsh (2005), Friendship Otherwise - Toward a Levinasian Description of Personal Friendship

[eerna]

crashes my fist against the table. the way Ali has been Nahri's weakness since the beginning, no matter the nature of their bond. Ghassan saw her once and went "oh yes she will adore my famously unlikable son which will make my exploitation easier". she can't help but let herself be led by his optimism and dreams of justice and he is so happy someone appreciates him the way he is that he just holds onto her even stronger. no amount of ancestral hatred and prejudice and distrust could compete with that chaotic resonance and everyone around them could only stop and stare in horror

[emily-mooon]

Imagine if Stacey and Neil actually met in high school except they didn’t go to the same school: they met through Kid Chameleon.

One night, Scott brings Stacey to one of their shows and it just so happens that Stephanie (or Steph) brought Neil with her.

Since they were both the youngest people there (Neil’s 17, Stacey’s 16 till December), they decided to talk to each other and they hit it off.

Stacey also develops a bit of a crush on Neil and would always ask Scott if Steph was going to bring her brother with her again, as she wanted to see him and didn’t know if there was another way.

Then one morning, she discovers that they take the same TTC bus and from then on they talk before and after school and become sorta friends. At this point, Neil also starts developing a crush on her.

Things stayed like that for about two months until Neil and his mom moved places (as I agree with the headcanon that the Nordegraf siblings have divorced parents) so they would no longer take the same bus in the morning or after school. They still have Kid Chameleon shows to meet up and talk at right? Ha ha wrong cause at New Years, the famous break up between Scott and Envy happens which in turn, also breaks up the band.

That whole break up was the nail in the coffin that strained Neil and Stacey’s kinda friendship. They didn’t have the others phone number cause they were both too shy to ask and also cause they both kept forgetting.

There also wasn’t a whole ton of opportunities to ask either of their siblings for their phone numbers so they just gave up and went on with their lives.

But then why didn’t they recognize the other in the like three times there were in the same room together? Easy answer: Stacey was distracted by everything around her to even notice Neil, who in turn, was slowly disappearing into the crowd and fully did by the time it was Lisa’s going away dinner.

So when they see each other again properly at the Chaos Theater, something clicks and they fall back into where they once were two years ago. To them it felt like a decade, but no it was just two years. They catch up on what they missed in the others lives on the walk home.

After that these dorks start dating cause the feelings were still there, just buried deep, left dormant, and forgotten. They came back but slightly different as people change.

[meownotgood]

I DONT HAVE NAME SUGGESTIONS BUT ITS SO CUTE ITS INSANE. im sure we all know what the last name will be tho🤭

SHE'S SUCH A CUTIE ISN'T SHE!!!!! she's very tired right now... gonna let her get some rest.... it's been a big day

[barkingangelbaby]

dude...

[larrythefloridaman]

google :)

love u goog <3

[othercrossee]

Will always be funny that all the diamond warden became iridas friend behind adamans back

[orcelito]

Somehow, despite being on the exact same diet, Cassy is now 10.8lbs, while tally is still only 9.2lbs.

I swear, he wants So badly to be a fat cat

[billymayslesbian]

Before Lionblaze could argue, another shape burst through the billowing smoke to stand beside Squirrelflight. His eyes glared; his gray fur was matted together and stuck with bits of burnt leaf and twig. Confused by the smoke and flames, Hollyleaf almost thought she was seeing one of her warrior ancestors, until she recognized Ashfur.

Squirrelflight dropped the branch. “Help me push it into the fire!” she yowled.

Grabbing the branch in strong jaws, Ashfur thrust it past the wall of flame and into the ever-narrowing patch of ground where Hollyleaf and her brothers huddled. But Hollyleaf didn’t feel any sense of relief. There was a look in Ashfur’s eyes that she didn’t understand: the look of a cat who had just spotted an unexpected juicy bit of prey.

The branch made a bridge through the flames, but Ashfur stood at the other end of it, blocking the way to safety. Lionblaze nudged Jayfeather to his paws; Hollyleaf took a step toward the branch, then paused. She felt a cold weight in herbelly when she looked into Ashfur’s glittering blue eyes.

“Ashfur, get out of the way.” Squirrelflight’s voice was puzzled. “Let them get out!”

“Brambleclaw isn’t here to look after them now,” Ashfur sneered.

Hollyleaf felt her fur beginning to rise. What did Ashfur mean?

Lionblaze’s golden pelt was bristling, too. “What have you done with my father?” he howled through the flame.

Ashfur looked at him pityingly; his eyes were twin points of fire amid the burning forest. “Why would I waste my time with Brambleclaw?”

The main branch was too solid to catch fire easily, but the leaves on it had shriveled and the twigs were beginning to smoke. Hollyleaf realized that they didn’t have much time before their bridge to safety would be ablaze.

Squirrelflight staggered up to Ashfur. Hollyleaf had never seen her mother so angry. Her fur bristled with fury; she looked like a warrior of TigerClan. Yet it was obvious that the climb to the top of the cliff, followed by her struggle with the branch, had weakened her, and she was exhausted.

“Your quarrel with Brambleclaw has to stop,” she hissed. “Too many moons have passed. You have to accept that I’m Brambleclaw’s mate, not yours. You can’t keep trying to punish Brambleclaw for something that was always meant to be.”

Ashfur’s ears flicked up in surprise. “I have no quarrel with Brambleclaw.”

Hollyleaf exchanged a shocked glance with Lionblaze. “That’s not how it looks to me,” he muttered.

“I couldn’t care less about Brambleclaw,” Ashfur continued. “It’s not his fault he fell for a faithless she-cat.”

Faithless? A growl began to build in Hollyleaf ’s throat, but then she stopped and watched the cats on the other side of the blazing branches. Something ominous was taking place in front of her, and even with flame roaring around them she felt a sudden chill. She shrank closer to Lionblaze and Jayfeather, whose head was up, his sightless eyes intent, as if he could see the confrontation between his mother and Ashfur.

“I know you think I’ve never forgiven Brambleclaw for stealing you from me, but you’re wrong, and so is every cat that thinks so. My quarrel is with you, Squirrelflight.” Ashfur’s voice shook with rage. “It always has been.”

Horrified, Hollyleaf took a step back and felt her hind paws begin to slip on the edge of the cliff. Her head spun as lightning stabbed out and thunder drowned all other sounds, even the roaring fire. For a heartbeat she dangled over empty air, and she let out a strangled yowl.

Then she felt firm teeth meet in her scruff; blinking against the smoke, she realized that Lionblaze was hauling her back to safety. But there was no safety: only the hungry flames, and Ashfur blocking the end of the branch with fury in his eyes. Fiery sparks floated down on all three young cats, scorching their fur, and flames licked the underside of the branch; fear flooded afresh through Hollyleaf when she saw that it was already beginning to smolder.

Ashfur has to let us get out! But Hollyleaf couldn’t find any words to plead with him. What was happening here didn’t have anything to do with them, even if they died because of it.

“All this was moons ago.” Squirrelflight sounded puzzled. “Ashfur, I had no idea you were still upset.”

“Upset?” Ashfur echoed. “I’m not upset. You have no idea how much pain I’m in. It’s like being cut open every day, bleeding onto the stones. I can’t understand how any of you failed to see the blood. . . .”

His eyes clouded and his voice took on a wild, distant tone, as if he could see the blood spilling out of him now, sizzling on the burning ground. Terror burst through Hollyleaf and she pressed closer to her brothers. This cat was more dangerous than the storm or the fire, or the fall lurking perilously close to her hind paws.

Desperately she tried to step onto the end of the branch. At once Ashfur rounded on her, fully conscious again, his teeth bared in a snarl.

“Stay there!” Turning to face Squirrelflight but keeping one paw on the branch, he hissed, “I can’t believe you didn’t know how much you hurt me. You are the blind one, not Jayfeather. Who do you think sent Firestar the message to go down to the lake, where the fox trap was? I wanted him to die, to take your father away so you’d know the real meaning of pain.”

Hollyleaf ’s shocked gaze met Lionblaze’s. “He tried to kill Firestar?” she gasped. “He’s mad!”

Determination glittered in Lionblaze’s eyes, and he bunched his muscles for a giant leap. “I’m going to fight him.”

“No!” Hollyleaf fastened her teeth in his shoulder fur. “You can’t!” Her words were muffled now. “He’ll just push you into the fire.”

“Brambleclaw saved Firestar then,” Ashfur went on to Squirrelflight. “But he’s not here now. He’s not here—but your kits are.”

Squirrelflight’s eyes blazed. For a heartbeat Hollyleaf thought she was going to pounce on the gray warrior, but she knew that exhausted and in pain, her mother would have no chance. Squirrelflight seemed to realize it, too. She drew herself up, head high; she was trembling, but her voice was clear and brave.

“Enough, Ashfur. Your quarrel is with me. These young cats have done nothing to hurt you. Do what you like with me, but let them out of the fire.”

“You don’t understand.” Ashfur looked at her as if he was seeing her for the first time; his voice was puzzled and petulant. “This is the only way to make you feel the same pain that you caused me. You tore my heart out when you chose Brambleclaw over me. Anything I did to you would never hurt as much. But your kits . . .” He looked through the flames at Hollyleaf and her brothers, his eyes narrowing to dark blue slits. “If you watch them die, then you’ll know the pain I felt.”

The flames crackled threateningly closer; Hollyleaf felt as if the heat was about to sear her pelt into ashes. She edged backward, only to feel the edge of the hollow give way under her hind paws. The three of them were pressed tightly together, so close that if one of them lost their balance, all three would be dragged off the cliff. Hollyleaf couldn’t control the trembling that shook her whole body as her glance flickered between the cliff and the fire.

Jayfeather was crouched close to the ground, looking tinier than ever with his pelt slicked flat by the rain. Lionblaze’s claws were unsheathed, glinting as the lightning flashed out again, but the tension in his haunches didn’t come from preparing to leap at Ashfur; it came from the effort of keeping himself on the top of the cliff.

Squirrelflight raised her head, her gaze locked on Ashfur’s crazed eyes. “Kill them, then,” she meowed. “You won’t hurt me that way.”

Ashfur opened his jaws to reply, but said nothing. Hollyleaf and her brothers stared at their mother. What was Squirrelflight saying?

Squirrelflight took a step away from them, and glanced carelessly over her shoulder. Her green eyes were fiercer than Hollyleaf had ever seen them, with an expression she couldn’t read.

“If you really want to hurt me, you’ll have to find a better way than that,” Squirrelflight snarled. “They are not my kits.”

[joycrispy]

Awhile ago @ouidamforeman made this post:

This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...

It. It kind of fucks. Severely.

And in a delightfully Pratchett-y way, I'd dare to suggest.

I'll explain:

As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.

Crowley, of course, is the serpent of Eden.

(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)

Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:

"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV

Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.

(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.

...Put a pin in that. We're coming back to it.)

So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.

But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:

The Sword was never intended to guard Eden while Adam and Eve were still in it.

Do you understand?

The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.

The flaming sword was given to be used against them.

So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.

That's how it's supposed to go. It is written.

...But, in Good Omens, they're not just the Serpent and the Sword.

They're Crowley and Aziraphale.

(author begins to go insane from emotion under the cut)

In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.

It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.

...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.

And the Serpent--

(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)

--just goes ahead and falls in love with him about it.

As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:

"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll

The first to ask questions.

Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).

And Aziraphale loves him for it, too. Loves him back.

And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--

(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)

--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.

To write a story about the Serpent and the Sword falling in love is to write a story about transgression.

Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.

It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.

And then you keep writing.

And what emerges hits you like a goddamn truck.

(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).

It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)

...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:

I love this shot so much.

Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.

You know what a shot like that establishes? Likeness. Commonality. Kinship.

"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.

But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.

Godfathers. Sort of.

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[luveline]

𝐡𝐞𝐚𝐫𝐭 𝐬𝐡𝐚𝐩𝐞𝐝 𝐢𝐦𝐚𝐠𝐢𝐧𝐞 —send me a shy!reader request for any character (with a plot) and I'll write a >1k drabble

sirius/james introducing shy!reader to remus. and shes just like quiet and in awe, but remus loves it.

luveline's 40k party ☆ tysm for requesting! remus x shy fem!reader

James is used to your personality after months of being your lecture neighbour, unperturbed by your quiet. "It's going to be fun," he promises, handing you a cold glass of cranberry vodka. "They're nice, okay? I won't let anyone irritate you." 

He's hosting a party and had the generosity to invite you round early. He's easing you in, so to speak. It took him two weeks of steady Hellos for you to work up the courage to say Hi back, another two weeks for small talk, a month before you felt comfortable speaking to him first. If you're that shy, a party is basically torture.

"It's not about irritating me," you say. 

"I know, I'm messing." James lists his head to the left. A second later, there's a knock at the door. "Aha. Wait here, shortcake, there's someone I want you to meet." 

"James," you say after him, wet from your glass leaking down to your sleeve, "what?" 

"I asked him to come early and say hello! He's quiet and handsome and you'll love him, just don't stare at his nose." 

What's wrong with his nose? you think, alarmed. 

James opens the door. Two new voices emerge, one scratchy and a little high, the other smoother. "I need to pee so bad," the scratchy one declares, followed by bounding footsteps up the stairs. 

"You alright?" the smoother asks.

You think there's patting, a hug, "I'm brilliant! You smell really nice, Remus, like a garden." 

"Lovely."

"In a good way! Come and meet my Y/N, you remember I told you about her nice gel pens?" 

James leads the smooth-voiced Remus into the living room. You hurriedly put down your drink and stand, wiping your wet hands in your shirt. You cringe at the darkening fabric but hide your grimace as they stop in front of you. 

"Remus, Y/N. Y/N, Remus," James introduces you both. 

Remus has a scar across his nose that seems cruelly cut. There's another beside it that starts in his upper lip, both of which end in his eyebrow. You know how self-conscious it feels to be looked at, so you manage to smile and offer your hand without too much of it. He's handsome with his scars, a nice nose with a ridge and brown eyes the colour of caramelised sugar.

"Hello," Remus says, shaking your hand. His is big enough to make yours feel small. 

"I invited her early because she's more fun than the rest of our lot," James says, throwing himself down on the sofa and kicking his legs out on the coffee table. 

Remus taps your elbow very gently as if to usher you to sit and sits down beside you, enough space to be casual but too little to stop the rampant nerves that blossom in your stomach. 

Remus asks about your life. What you're studying, where you're from, if James is being nice to you. While James is touchy in the rough older brother way, scrunching your shoulder and shaking you when you're not expecting it. Remus is touchy in a different way, you find, almost as if he doesn't know he's doing it. His shoe bumps your shoe, his hand falls down between his outer thigh and your own, his knuckles touching your jeans very lightly. He spins in his seat to talk to you. 

You don't notice other people arriving, nor the scratchy-voiced friends return. All you can do is look up at Remus with wide eyes. Your nerves meld to something warmer. 

"And what do you do?" you ask him. 

He smiles like you've wandered into a secret. "I'm trying to write a book." 

"He's being a bit much," Sirius says to James, the two now loitering in the doorway with matching beers. You and Remus chatter on, unaware of their running commentary.

"It's a very strong reaction. I knew she'd like him, but I didn't think she'd like him like that." James takes a sip of his drink. Remus asks you a quiet question. You duck your head, playing with your sleeves, and Remus, the bastard, ducks his head to follow your gaze, smiling at you all the while. 

James almost chokes, pointing his bottle toward you both as though Sirius isn't already looking. "He's eating it up. I forgot how flirty he is."

"She'll be nice to him, won't she?" Sirius asks, like it's a done deal. To be fair, Remus seems enthralled with you. 

"Definitely. She's very nice. Oh, look, that's sick, she's gonna pass out." James winces as Remus takes your arm into his hand. 

Remus wouldn't do anything cruel, but James wasn't joking when he told Remus that you were exceedingly, achingly shy. He's about to step in and rescue you, but you turn into Remus' touch and pull your leg up on the sofa to make yourself comfortable. Your voice is animated, if quieter than the average person's.

"Woah," James says, beaming.  

Remus flirts almost as a defence, like he wants to get the rejection over and done with so he can move on. You've yet to reject; you're looking up at him in moderate awe, your lips quirked into an easy smile. 

"Boo!" James calls, flicking his bottle cap at Remus, who brushes it away. "Took me three weeks to get a smile out of her," he mutters. "What a dick." 

[dutifulfemininity]

Bat-Boys in Bed

I couldn’t find a good gif, sue me

Dick Grayson’s mouth is filthy. And he gets enough praise, so I think he’d be into praising you instead.” You’re so pretty, all fucked-out and dumb…just for me” as he pounds into you, panting in between words.

He’d also be into touchy sex positions, like missionary where he can hook his nose into your neck and wrap his arms around you. Dick would be into you giving him hickies.

I think Dick has an insane stamina—round after round. His hips would meet yours at a punishing pace as he muttered out praise,” this cunt is so warm and wet for me. My beautiful girl.” And he place wet kisses to your neck and cheeks.

Dick isn’t above moaning, but he’s not pornographic about it.i see him whimpering and begging if he’s getting a blow job or if you’re on top and teasing him, but I don’t see him moaning as much or more than you.

Jason Todd isn’t much of a talker during sex, but I do believe he moans. He’d be a lot more gentle with you than popular belief thinks. Especially if we’re talking older, mature Jason who’s passed his “fresh from the pit madness.”

I do believe Jason has a choking kink and I’ll die on this hill. And it doesn’t have to be his hand around your throat or vice versa. It can be him shoving his cock to the back of your throat and feeling you pulse and throb around him.

He enjoys, mature Jason too, seeing your eyes go wide and glassy. Jason loves to pull his cock from your mouth after you’ve had enough and seeing your lips plump and pink. He loves the slight flush of your tits.

Jason is a lot more eager to switch roles and be on the bottom than Dick. If you’re feeling top-ish and want to ride. Jason wouldn’t argue as you ground down on him, rolling your hips and leaving a trail of slick on his pelvis.

He’d beg through covered lips as you shushed him and picked up your pace, driving your hips forward and giving Jason the release he’d been craving.

I don’t know enough about Tim or Duke, sorry.

Bruce is harder to read because there’s decades of lore, canon, and stuff that’s not in the main continuity. Many writers have different versions of him that some favorite—however, here goes.

Bruce is a control freak. Whether you planned it or not, you’d end up in a dom/sub dynamic. He’d be choosing your clothes, picking which jewelry he buys, telling you when to cum before you even realize it.

I also think he has a power imbalance kink, just a little bit. Nothing extreme or megalomaniacal. So I truly believe you wouldn’t be rich (sorry lol); you’d maybe be a lesser known vigilante, and that’s if Bruce is healthily interested in you. I believe you’d be a civilian, but a smart and compassionate one. We know Bruce isn’t one to dumb himself down for company; we know Bruce is attracted to smart women, but none of his past relationships worked because they didn’t have a heart ( I love Talia, but he real; she wasn’t Mother Teresa).

This one may lose people, but I believe Bruce has a breeding kink. It would be a chance for him to restart. His only blood child is an arrogant, cold assassin and the rest of his children are masked vigilantes who dance with death nightly. But with you, his love, he could have a child not born in pain and anger. He’s older and wiser; he’s not as vengeful and mission oriented as he was when he adopted Dick and Jason; Tim sought him out, and Damian came with a chip on his shoulder.

Bruce is unyielding in his refusal to switch places. He’s too paranoid and enjoys control too much to bottom. The closest you’ll get to topping is bossing him around from the bottom.” faster, pretty boy.” You reached up and caressed his face as his pace stuttered and he spilled into you, gasping and groaning as he did.

You wouldn’t be fucked in the suit or the Batmobile. And he hates being called Batman in bed. The closest you’d get to mixing sex with his vigilante life is getting fucked in the Batcomputer seat.

Damian Wayne is the kinkiest Batfam member. I see Damian, who didn’t undergo such a beautiful arc, having a blood and bondage kink.

Damian preferred to tie you down rather than tie you up. He cares for you, and tying you up puts you in an uncomfortable position (he doesn’t want that) and it screws with your circulation. And if he ties you down, he can see your face as he places the vibrator right on your clit. He can see you try to knock your knees—to no avail.

Damian loved to take a small knife and inflict a wound, if you can even call it that. It was feather soft, and you loved when he would wrap his mouth around the wound and suck the blood. Then he’d kiss you, letting the saliva and metallic taste mingle.

I believe Damian would be into hickies and spanking too, but not the for the violence like I see from the kinkier side of the fandom. He would be into hickies, spanking, bandage, and blood play for the markings. It all boiled down to markings. And that’s not to claim that those activities didn’t get you both off, but Damian’s true enjoyment stemmed from the possessiveness of it all.

That’s why he likes to untie you and massage the rope imprints, then walk you to the mirror and spin you around, letting you see all the prints and marks. He could feel himself harden again, but he knew he’d break you if he ever tried to impose his libido and stamina on you.

Don’t kill me, but Damian isn’t into cunnilingus. He also wouldn’t bottom, not like you’d want him to. If, and that’s a huge “if” ( it’s months into the relationship too), he does bottom, it’s not traditional bottoming. Damian would top from the bottom,” go slower, grind harder, beloved.” And he’d grip your hips hard enough to leave prints, because marks, duh!

Damian likes sloppy blow jobs. I know he’s proper and clean, but trust me. Spit, moans, and whimpers; that’s what gets him off. And seeing your cheeks flush and your breathing quicken, but you keep going lower and taking more of him in. He appreciates the determination, and it makes him feel in control, huge, and dominant which strokes his ego.

[irndad]

oh, but you're good to me -s.r.

a/n: i continue to not know the word count- but here's pining!spencer x sunshine!reader!! very hozier coded <3

The team has gone out for drinks after a stressful week, and this is a moment where Spencer finds that his willpower does not so easily overpower his desire. They’d chosen a kind of kitsch place, the kind where there’s couches where waitresses could bring you your drink under dimmed lights and music with cozy acoustic music played. Emily and Morgan were comparing conquests at their trip to the club the week prior, Penelope chiming in with warm support on either end. On the opposite table, Hotch and Rossi were discussing criminology in serious, even tones. 

And Spencer, well. He was well-occupied. 

His best friend is on the team, and he does not say that lightly. She’s earned her place in his heart, as hopelessly romantic as that makes him sound. But she did. He remembers the day he met her, warm tone seeped in patience and understanding. 

He remembers the sight of her like its engraved crystal, carved into the basis of his mind. Her delicate features distinct in their warm kindness. She’d offered her hand, shook it and giggled a sweet sound when he’d said it’d be safer to kiss. He’d blushed enough that his lack of flirtation in his intent was clear. 

On the jet, that first case, she’d listened to him talk about Russian literature and other obscure topics he couldn’t remember now, because now, all he can recall is the color of her doe eyes meeting him in intention. 

He’s pretty sure he’s in love with her. 

Which, right now, feels a bit like a drug- both painful and exhilarating. She’s a cuddly drunk (only with him, it seems) and he’s got a lanky arm tugged over her shoulder. It’s lovely in a way words vex him, the weight of her against him. 

“You look nice today, Spence,” she muses, looking up at him. His heart is going to stop.

“You do too,” he breathes out. This is nice. She’s touchy, and he likes when she touches him. It’s a pleasure, like sipping expensive wine or decadent chocolate, sweet and a little bit sad, because you know you can’t have it forever. 

She plays with his scarf, and he is hopelessly endeared by the sight of the fabric in between her delicate fingers. 

“This color is nice,” she muses, and god,  he wants to kiss her. This a thought Spencer has often, oftentimes at inopportune times. On the jet, in the office, at her house, in the car- always, really. 

Except now, no one’s looking at them. If loving her was enough to make her love him back, then he could. 

But it isn’t. 

He chokes back the emotion rich in his throat. He brushes her hair out of her face, a tender motion that betrays his intentions with her. 

“You always look lovely,” Spencer says earnestly. I love looking at you, he thinks.

She smiles back earnestly and warmly. 

“I didn’t think you noticed things like that.”

“I always do, when it’s you.”

He doesn’t know why this is what he’s allowed to have. She’s so close to him, pinned up against him and he can feel the curve of her waist against his side. He doesn’t get it, why he’s not her boyfriend but he still gets moments like these, where she’s pinned to him like velcro. He’s addicted to them, really- craves the moments where she falls asleep on his lap on the jet, where they’ll be walking together somewhere and she’ll lace their fingers and tug him along when she’s excited and the destination in sight.

Maybe this is just how she touches her best friends- he tries not to question it, because he doesn’t want to loosest. 

But tonight, under the low-light of the bar, shadows of her lashes thrown across the slope of her cheek- he wants to ask her.

“Are you like this with everyone?” He muses. He immediately regrets it, sees her face harden and feels the shift away from him, and the space leaves a gap of cold air. There’s a swoop f nerves in his stomach.

“I don’t know, I think I just thought- you know, we’re like this. We’re touchy, you and me.”

He’s not touchy. Everyone knows this, but she’s the exception to a rule that has held true his entire life. But he loves this, loves the feeling of this.

“I like this,” he says, intentional eye contact trained on her shaking irises. He reaches out and laces their fingers in an act of bravery that rivals some of his most intense moments, “I’m wanting inf you want more of it. Because I do.”

“You do?”

She’s back close to him, now, and he’s so immensely grateful for it. She smells like lilies and her, and this might be the only time he’s brave enough to do something like this. 

It turns out he doesn’t have to, because before he can answer, she kisses him. It happens fast, and his response is all instinct- pulling her into him closer, his hands around her waist and her soft sigh into his mouth that threatens to kill him. It’s better than his fantasies at night could have made him expect. 

“Hi,” she says, barely above a whisper when she pulls away. She looks a little adorably off-guard, in a way he’d like to create- like to instigate. 

“Hi back,” he says, a beaming grin threatening to spread over his face. He tries to memorize the feeling of this, the weight of her in his arms in case this is not something he can keep- he wants to remember it, what it felt like for her to kiss him, to be wanted by her. 

“Do you want to go out sometime?”

“Like out of here? It’s kind of cold outside-“

“On a date, Spencer.”

Instead of a response, Spencer kisses her again. It is absolutely the right choice.