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simpingland · 5 months ago

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Req: Can you write something with Ewan Mitchell and his co-star (pronounced feminine) where they are on the set of season 2 and how he is surprised by every performances that fem gives (Fem's character is bad and perverse), since since the recordings of season one he was already staring at her surprised by her actings and now with Season 2 he wants to spend more time with her, plus he likes her.

The Rehearsal// Ewan Mitchell x Fem!actress

Summary: Ewan is a method actor and it has been working fine for him. But he regrets this decision when season 2 of HOTD starts with a love scene, being partner with a lovely talented actress who propaply hates him and his mathods. But nothing is better than asking for help when one needs it, right?

|~~~~~~~~~~~~~~~~~~~~~~~|

Ewan watched from the monitor, patch removed but wig still on, your close-up was impressive. One look at you and you could see all the ambitions that were going through your character's mind, and he himself regretted not having told you yet. The good news was that filming for season two had just begun, and in this new season, Ewan had the opportunity to do scenes only with you.

They shouted cut, and you immediately broke into a smile, laughing after such an intense scene. You received compliments as you were photographed to keep the raccord straight.

"Congratulations, that's a good start," the director said to you. "Remember you have a special sequence tomorrow, get a good rest."

Yes, you remembered. And Tom (who played your brother Aegon) smiled mischievously at you. It was a kissing scene with Ewan, with whom you had barely exchanged a word since the moment you were confirmed as part of the cast, a year and a half ago. You only spoke a little at the audition, which was a chemistry test, and he was a sweet, unassuming guy. When he was announced as the official actor of Aemond... it was something different. You didn't interact in the scenes in the first season, his scenes were shared more with Fabien and Tom, while you had shared scenes with Olivia and Phia (Alicent and Helaena). The chemistry your characters were supposed to have was only hinted by the placement of you both in the scene or montages of shots that you only saw once the series was released. And in the meantime, Ewan had stayed away from all those with whom he didn't share any dialogue, with the excuse of staying focused on his character. Tom had already told you numerous times that Ewan thought you were a fantastic actress, but you always responded the same way.

"If he does, let him tell me so. Then I'll be flattered.”

When the script for the second season came, both of you, in your respective homes, had your hearts skipped a beat. Your character would approach Aemond in the throne room in the middle of the night. And there they not only talk, but share a kiss that promises to go further in the following seasons. Aemond confessed his love for your character, and being that it was a story taken from the world of Game of Thrones, it was sure to end in much more intimate scenes. Normal for actors and comfortable for a cast that was so friendly and close. But with Ewan being so distant and serious? It was difficult. You didn't even dare to call him. Nor did he call you. What you did do was call Tom.

"She hasn't spoken to me once since we started filming. I've seen her look at me sometimes, like she's trying to talk to me but then, before I could say a word, she's gone quiet again. Tom...I don't think I should take being a method actor so seriously," he said to the other actor.

"It amuses me immensely to be the connecting point for both of you. Don't worry, Ewan, she's a sweetheart, and very understanding. She knows that everyone has their own procedure. So if she has respected your method, you should respect hers."

"And what is her procedure?"

"According to Phia, she loves to walk back and forth repeating her lines in a thousand ways."

Right, Ewan saw the video Phia sent around the group so everyone could see how lunatic you looked. And even there, after discovering you were being filmed, you smiled tenderly at Phia asking her to stop. What else would he have missed since you weren't talking?

You had already taken off your wig, your hair was loose and your dress had been off for quite a while. You were waiting to take off your make-up when your trailer was called. You were expecting anyone, happy to have any interaction with the wonderful team around you, but when you saw Ewan, the smile must have dropped a little.

"Sorry if I'm intruding. Is it late?" Ewan asked you as he saw your friendly greeting getting lost in the air.

It wasn't dark yet, and the next day's filming was starting early, so you genuinely didn't know what to say to him.

"Well... I have to finish off some of the lines for tomorrow.’

The lines you had to say with him, and he knew that. But since that wasn't an invitation, Ewan understood instantly and nodded.

"Well, I just wanted to tell you...it's been an awesome first day of shooting for you. It's no wonder you're a fan favorite."

That made you blush.

"Well, that means a lot coming from you."

He smiled sheepishly at you, you were taller than he was, standing on the trailer and he was on the grass a few stairs down. And yet he seemed way too big.

"I promise I'll be on time tomorrow so we'll have plenty of time to rehearse," he said, trying to get out of the strange conversation he had started.

You nodded and watched as he walked away, the patch in his hand and taking off his seatbelts. Did he come with the intention of chatting? My God, you'd had a chance to talk at length with your fellow cast member and you'd wasted it? You needed to go over the scene as much as possible!

"Ewan!" You called out to him, hanging almost on your doorstep, he turned with that agility that is so engaging on screen (and in person). "Are you done for the day?"

"I've got to get out of my costume. But...yes, I'm done."

"Would you mind..." you mumbled in an exaggeratedly loud voice for him to hear. How embarrassing. "Would you mind dropping by again to rehearse?"

Ewan stood still for a second. He watched you from afar, so affectionate and shy, totally contrary to your character, and felt a deep tenderness.

"I'll be back in half an hour," he promised you.

You looked forward to it, and you'd be lying if you didn't say that you'd put your make-up back on a bit. Ewan, on the other hand, was hurrying more than usual to remove his own clothes, forgetting to remove his fake scars in the rush that followed him. He was punctual, and in thirty and a half minutes, he was knocking on your door again.

"I really appreciate you doing this, Ewan," you said as he climbed into your trailer.

"Don't worry, it's going to be fun."

You looked at each other for a second, smiling, kind of gawking, which was nothing like the scene you had to recreate.

"How do you prepare for a scene?" You ask.

"I listen to some music. But I want to try what you do. "

He looked at you expectantly, and you suddenly felt embarrassed. Like the girls at the school function.

"So... I close my eyes, and I create a map where everything looks a little bit like the set."

"And what do we choose to be the throne?" Ewan smiled, which made you blush even more.

"Well... "There was a fully finished teacup, with the inelegantly squeezed bag next to it, dripping. You'd forgotten to clean it up completely. "That cup itself."

Ewan frowned slightly, teasingly, and nodded. The next step for you was harder to explain.

"Now, Ewan, I need some space."

He sat down on your couch, script to one side, the bastard having already memorized it all. And from there he watched live what he'd been craving for months, watching you pace back and forth. You read the annotations and your lines.

"They will never forgive our family for what I did," Ewan replied, intoning in the silky voice he gave Aemond.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." though you paced, your hands and gestures maintained theatricality, and you repeated the phrase three more times, all with trapped deliberation. "This pantomime of repentance can only convince Mother...but not me."

"What pantomime do you mean?" replied Aemond.

Then your character stopped looking at Aemond to stare at the Throne. In this case you stopped to stare at the ugly teacup. You had to hold back a smile. Ewan looked at it too.

"It's impossible to fool you, it always has been." Ewan got up from the sofa and approached you, as Aemond does with your character. "It is a crude, chaotic and ugly object, but always that which I have desired."

Then the laughter you'd been holding back escaped, unable to think of the mug as anything else. And Ewan laughed with you, all the tension disappearing instantly. Now he could understand the affection with which everyone spoke of you.

"I'm sorry, really," you said, getting serious again. "I'm sorry."

"Don't apologise, this is fun. I'm going to try your method. Shall we close our eyes?"

"That's right."

You closed them at the same time, thinking about the huge room, illuminated by a silver light that simulated the moon. And after a few seconds, Ewan opened his eyes to look at you. Although you didn't have your white hair, or the elegant dress, your eyes were the same, as beautiful and bright as they were behind the cameras. And he had the privilege of being the focus of your attention and having them in the foreground.

"Though I think I was always more subtle with another of my longings..." he whispered close to your lips.

"That you tried at least" you whispered back.

"When I get the throne I'll need someone as sharp as you to accompany me. There is no woman in the seven kingdoms who compares to you."

Then came the kiss. You looked into Ewan's eyes, up his nose and down to his lips. What was there left to throw yourself? Not much, but with him being so reclusive, with that being one of the few times you spoke to each other, it felt strange to pounce on him without consent. So you walked away, leaving the scene there.

"We can work this out with the director and the intimacy coordinator, if you like," Ewan suggested, a little flushed and extremely sweet.

You poured him a cup of tea while you discussed the romance that your characters might have developed over the years that the series skips. You imagined romantic scenes that might have led up to that kiss and concluded that they were a toxic couple, but possibly better than Rhaenyra and Daemon.

"You know, I love the way you act and I love that I discovered your process," he confessed. "I think the admiration part is not going to be too hard to act out."

"Oh...my process is really ridiculous, everyone laughs at me. I'm glad it at least works. But it gives me a hard time at auditions," you laughed nervously.

"Well, it's true that it's fun to watch. But it's certainly worth it. I don't think you have anything to envy the others, you're...magnetic." He said it with a seriousness that moved you, adding to his intense gaze. "I'm sorry I wasn't smart enough to tell you sooner, because I've been thinking about it since the day they put me in the same room you were in, back at the audition.”

You froze a little, so you just said what you felt in the simplest way and with the most honest smile.

"Thank you."

Ewan took the last sip of his tea and before he left you remembered one of the thousand questions you had for him.

"Is there a reason you haven't removed the scar? Something to do with method acting?"

"Scar?"

You touched his cheek, where the scar began, and Ewan understood instantly.

"Ah, gee, I completely forgot to go through makeup. I'll get a telling off tomorrow."

"Not if you sleep on it until tomorrow" you joked. "Let me help you, I love fake wounds."

You stood next to him, towering over him a little, and lifted the thin layer of silicone with the delicacy you had seen in make-up artists. You were envious of the woman who was in charge of characterising a person as curiously attractive as Ewan. He also smelled exaggeratedly good.

When you took it off, you threw it into the creepy teacup from earlier.

"I've almost run out from, the costume department before," he justified himself. You took the opportunity to wipe that part of her face with a makeup remover wipe. "I usually do this part myself..."

"I know, but I like it..."

And while you were stroking his face with the excuse of cleaning it, Ewan was watching your lips, and didn't notice that you had noticed. You pushed the wipe away, stroking his chin, and at the same time, you both pressed your lips together. A strange kiss, something special, sweet and soft. You stretched it out, standing almost still, afraid of what would happen if you broke apart. When you finally did, you looked at each other with a look of confusion, though neither you nor Ewan pulled away.

It was a dangerous idea, he was your partner, and you had been unprofessional. You broke away.

"I think you should rest. I've distracted you too much." Your tone came out agitated and Ewan rose slowly.

"No, it's all right. I liked it. I liked everything. Didn't you?" He had emphasised the word 'everything' and was looking at you with lambent eyes.

"Yes...I loved being with you."

He said goodbye with a smile of his, and you bowed at your door like a little girl. Most of the team had already gone to rest and you barely noticed.

You had to put on more concealer than usual the next day because of the lack of sleep you'd had from that strange kiss. Ewan had kept his promise and had arrived a good while earlier to re-rehearse the scene. You did it without the kiss or the lights, just with the director's instructions and with your cheeks flushed as you exchanged glances.

"Did you practice with the kiss?" the intimacy coordinator asked you.

You were completely silent. Ewan answered for you.

"Not really, maybe it's better to give a first kiss at the moment of the shot. More realism."

"Well, then I guess you've worked out the sexual tension and dynamics of your characters."

Ewan nodded and smiled, which made you smile. Had he put hours of sleep into your little meeting yesterday? Yes, he had, and he told the woman who was putting on his scar who asked him who had removed it the day before. When you returned to the set, lights on, costumes on, cameras rolling, Ewan looked at you in the distance, asking you with his eyes if you were ready. You nodded with a shy smile, and began to act when they shouted action.

Aemond, still dressed and coming from the castle library, walked into the empty throne room to watch you. You walked behind him, in a smart dressing gown, your hair loose and trying uselessly not to make a sound. Aemond then spoke aloud.

"They will never forgive our family for what I did."

You approached Ewan, who still wouldn't look at you.

"If it's any consolation, I doubt they would be willing to let us live even if we had given them the throne willingly, Aemond..." You leaned into him a little, as the director had recommended. He was so tall and so tense that you felt as safe as if you were leaning against a stone pillar. "This pantomime of repentance can only convince Mother...but not me." Then Aemond would look down to see you out of the corner of his eye, which made your character - and you - nervous.

"What pantomime do you mean?"

Then you looked at the throne, now there was no laughter to disturb you, only the terrible seat of swords before you. And Aemond was looking at it too.

"It's impossible to fool you, it always has been. It is a brutish, chaotic, ugly object, but always that which I have desired."

After a pause, he turned fully around to look at you, his height becoming primordial in that short distance. In that low light, Ewan's visible eye looked into your eyes, dropping to your lips subtly.

"Though I think I was always more subtle with another of my longings..." he whispered in his velvety tone.

"That you tried at least" you replied trying to keep your composure. If they knew how hard you were struggling not to fall to your knees at that moment they would have nominated you for an Emmy by now.

"When I get the throne I'll need someone as clever as you to accompany me. There is no woman in the seven kingdoms who compares to you."

He stroked your face gently, something that coming from Ewan was tender and expected, immensely pleasing, but then you remembered that Aemond could never be so gentle in the face of his urges, and you let your own out. You pressed yourself against him, pressing your lips together with all the assurance you had longed for the night before. You could feel Ewan intensify your kiss even more, placing his hand on your neck. All the possible kisses that had been going on in your head during the night were now dwarfed by the kiss that was happening right there. As fierce as your characters, with the longing you had just discovered that you and Ewan had shared for a year and a half.

It was only when they shouted 'cut' that you broke apart, catching your breath and barely breaking away. Some applause, chatter and comments from the team, you could hear little of what they were saying. You pulled away flushed, laughing at the sudden intensity. You looked at the director as Ewan smoothed his jacket.

"Let's look at the shot, I think it was simply perfect, congratulations."

Another round of applause, and you felt Ewan brush your unruly hair out of your face, stroking it as he ruffled your hair.

"What a pity not to have to repeat this scene..." He confessed.

"That's the thing about being so talented," you joked.

"Obviously..." he removed his patch and turned back to you to ask in a quieter voice, "although I'd love to have more private acting classes with you..."

You smiled at the hint.

"I'll give them to you if in exchange you let me remove your fake scars again."

"Deal."

#house of the dragon #house of the dragon fanfiction #aemond targaryen #ewan mitchell #aemond one eye #prince aemond #aemond targaryen x reader #aemond targaryen imagine #hotd x reader #ewan mitchell fanfic #ewan mitchell x reader #celebrities x reader #house of the dragon imagines #hotd #hotd imagine #hotd fanfic #house of the dragon x reader #house of the dragon aemond

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antiquatedmagic · 2 years ago

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tag drop.

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starkwlkr · 3 months ago

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You know how Y/n is directing the next avengers movies? It would be so cool that she gets her own marvel movie series about her character. Like maybe she agrees to act for Marvel one last time. It could be at least 3 or 4 movies....if you don't want to write this, it's fine honestly...its just an idea that I've been thinking of.

something old, something new | hugh jackman

an: @shycollectionwolfstuff thank you for the request!! love this idea <3

You told Hugh and your kids everything when it came to your career. When you had gotten a call from Kevin Feige, you did it hesitate to ask for advice from Hugh.

“So you’re coming back to the mcu?” Hugh asked you. It was night time and your kids were all asleep. He was already in bed while you were in the bathroom getting ready to finally call it a day.

“I don’t know. Kevin asked me if I was interested in coming back for a series. I love being in the mcu, but should I? I think my time is up.” You sighed deeply. You did promise the kids that after directing the next avengers films, you would take a break and be with them, but now you had an offer that seemed too good to be true.

“I said the same thing about Logan. Remember when I told you I was done playing him?” He chuckled.

“You liar. Olivia wouldn’t talk to you for two weeks.” You remembered quite well the day Hugh told the family his big news.

“Point is, if you decide to come back, the kids and I will support you just like you supported me when i came back.” Hugh told you. He could tell you were thinking about it. You were already coming back to direct, might as well come back as your character.

“I’ll let Kevin know in the morning. I hope the kids don’t hate me for telling them I’m done after Doomsday and Secret Wars.” You finished brushing your teeth and walked to your bed.

“They love you too much. We’ll be fine, love,” Hugh assured you. He then asked an important question, well an important question to him. “Can I be in the room when you’re getting your costume fitted?”

“Why? You’ve seen me in the suit before.”

“Yeah, but you make the suit look so good. It’s been years, let me appreciate how beautiful you look in it.”

And that’s how Hugh ended up being in the same room with you as you got your costume fitted. You were nearly in tears at the sight. You were back in a different version of your character’s suit, but it felt right.

“So how do you feel?” Hugh asked.

“Like I can kick the wolverine’s ass.”

“You can kick his and mine any day if you’re wearing that.”

#marvel actress!reader #hugh jackman x reader #hugh jackman one shot #hugh jackman imagine #actress!reader #hugh jackman fanfic #hugh jackman fanfiction #hugh jackman

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artsekey · 11 months ago

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Disney's Wish

Look, Disney's Wish has been universally panned across the internet, and for good reason.

It’s just…kind of okay.

When we sit down to watch a Disney film—you know, from the company that dominated the animation industry from 1989 to (arguably) the mid 2010’s and defined the medium of animation for decades—we expect something magnificent. Now, I could sit here and tell you everything that I thought was wrong with Wish, but if you’re reading this review, then I imagine that you’ve already heard the most popular gripes from other users across the web. So, let me focus in:

The biggest problem with Wish—in fact, the only problem with Wish—is Magnifico.

Whoa, that’s crazy! There’re so many things about Wish that could’ve been better! The original concept was stronger! The music was bad--

I hear you, I do. But stay with me here, okay? Take my hand. I studied under artists from the Disney renaissance. I teach an adapted model of Disney’s story pipeline at a University level. I spent a ridiculous amount of time getting degrees in this, and I am about to dissect this character and the narrative to a stupid degree.

First, we need to understand that a good story doesn’t start and end with what we see on the screen. Characters aren’t just fictional people; when used well, characters are tools the author uses (or in this case, the director) to convey their message to the audience. Each character’s struggle should in some way engage with the story’s message, and consequently, the story’s theme. Similarly, when we look at our protagonist and our antagonist, we should see their characters and their journeys reflected in one-another.

So, what went wrong between Asha & Magnifico in terms of narrative structure?

Act I

In Wish, we’re introduced to our hero not long into the runtime—Asha. She’s ambitious, caring, and community-oriented; in fact, Asha is truly introduced to the audience through her love of Rosas (in “Welcome to Rosas”). She’s surrounded by a colorful cast of friends who act as servants in the palace, furthering her connection with the idea of community but also telling us that she’s not of status, and then she makes her way to meet Magnifico for her chance to become his next apprentice.

Quick aside: I'm not going to harp on Asha as a character in the context of Disney's overall canon. Almost every review I've seen covers her as a new addition to Disney's ever-growing repertoire of "Cute Quirky Heroines", and I think to be fair to Asha as an actor in the narrative, it serves her best to be weighed within the context of the story she's part of.

As Asha heads upstairs for her interview, we're introduced to the man of the hour: Magnifico. He lives in a tower high above the population of Rosas, immediately showing us how he differs from Asha; he’s disconnected from his community. He lives above them. He has status. While the broader context of the narrative wants us to believe that this also represents a sense of superiority, I would argue that isn’t what Magnifico’s introduction conveys; he's isolated.

Despite this distance, he does connect with Asha in “At All Costs”. For a moment, their goals and values align. In fact, they align so well that Magnifico sees Asha as someone who cares as much about Rosas as he does, and almost offers her the position.

… Until she asks him to grant Saba’s wish.

This is framed by the narrative as a misstep. The resonance between their ideals snaps immediately, and Magnifico says something along the line of “Wow. Most people wait at least a year before asking for something.”

This disappointment isn't played as coming from a place of power or superiority. He was excited by the idea of working with someone who had the same values as he did, who viewed Rosas in the same way he does, and then learns that Asha’s motivations at least partially stem from a place of personal gain.

Well, wait, is that really Asha's goal?

While it's not wholistically her goal, it's very explicitly stated & implied that getting Saba's wish granted is at least a part of it. The audience learns (through Asha's conversation with her friends before the interview) that every apprentice Magnifico has ever had gets not only their wish granted, but the wishes of their family, too! Asha doesn’t deny that this is a perk that she’s interested in, and I don't think this is a bad thing.

So, Is Asha’s commitment to Saba selfless, or selfish? I’m sure the director wanted it to seem selfless, wherein she believes her family member has waited long enough and deserves his wish granted, but we can’t ignore the broader context of Asha essentially trying to… skip the line.

Then, we get our first point of tension. Magnifico reveals his “true colors” in snapping at Asha, telling her that he “decides what people deserve”. This is supposed to be the great motivator, it’s meant to incite anger in the audience—after all, no one gets to decide what you deserve, right? But unfortunately for the integrity of the film and the audience's suspension of disbelief, at least part of Magnifico’s argument is a little too sound to ignore:

Some wishes are too vague and dangerous to grant. Now, there’s visual irony here; he says this after looking at a 100 old man playing the lute. The idea that something so innocuous could be dangerous is absurd, and the audience is meant to agree.

... But we’ve also seen plenty of other wishes that might be chaotic—flying on a rocket to space, anyone? The use of the word vague is important, too—this implies wording matters, and that a wish can be misinterpreted or evolve into something that is dangerous even if the original intent was innocuous. His reasoning for people forgetting their wish (protecting them from the sadness of being unable to attain their dreams) is much weaker, but still justifiable (in the way an antagonist’s flawed views can be justified). The film even introduces a facet of Magnifico’s backstory that implies he has personal experience with the grief of losing a dream (in the destruction of his home), but that thread is never touched on again.

What is the audience supposed to take from this encounter? If we’re looking at the director’s intent, I’d argue that we’ve been introduced to a well-meaning young girl and a king who’s locked away everyone’s greatest aspiration because he believes he deserves to have the power to decide who gets to be happy.

But what are we shown? Our heroine, backed by her friends, strives to be Magnifico’s apprentice because she loves the city but also would really like to see her family's wishes granted. When this request is denied and she loses the opportunity to be his apprentice, she deems Magnifico’s judgement unfair & thus begins her journey to free the dreams of Rosas’ people.

In fairness, Magnifico doesn’t exhibit sound judgement or kindness through this act of the film. He’s shown to be fickle, and once his composure cracks, he can be vindictive and sharp. He's not a good guy, but I'd argue he's not outright evil. He's just got the makings of a good villain, and those spikes of volatility do give us a foundation to work off of as he spirals, but as we’ll discuss in a bit, the foreshadowing established here isn’t used to the ends it implies.

While I was watching this film, I was sure Magnifico was going to be a redeemable villain. He can’t connect with people because he's sure they value what he provides more than they value him (as seen in “At All Costs” and the aftermath), and Asha’s asking for more was going to be framed as a mistake. His flaw was keeping his people too safe and never giving them the chance to sink or swim, and he's too far removed from his citizens to see that he is appreciated. Asha does identify this, and the culmination of her journey is giving people the right to choose their path, but the way Magnifico becomes the “true” villain and his motivations for doing so are strangely divorced from what we’re shown in Act I.

Act II:

His song, “This is the Thanks I Get!?” furthers the idea that Magnifico’s ire—and tipping point—is the fact that he thinks the people he’s built a kingdom for still want more. Over the course of this 3:14 song, we suddenly learn that Magnifico sends other people to help his community and doesn’t personally get involved (we never see this outside of this song), and that he’s incredibly vain/narcissistic (he's definitely a narcissist). I think feeling under-appreciated is actually a very strong motivation for Magnifico as a character-turning-villain, and it works very well. It’s justified based on what we’ve seen on screen so far: he feels under-appreciated (even though he’s decidedly not—the town adores him), he snaps and acts irrationally under stress (as seen with his outburst with Asha), and he’s frustrated that people seem to want more from him (again, as seen with his conversation with Asha in Act I).

But then… he opens the book.

Ah, the book. As an object on screen, we know that it's filled with ancient and evil magic, well-known to be cursed by every relevant character in the film, and kept well-secured under lock and key. But what does it stand for in the context of the narrative's structure? A quick path to power? We're never told that it has any redeeming qualities; Magnifico himself doesn't seem to know what he's looking for when he opens it. It feels... convenient.

I think it's also worth noting that he only turns to the book when he's alone; once again, the idea of connection and community rears it's ugly head! Earlier in the film, Amaya-- his wife-- is present and turns him away from taking that path. In her absence, he makes the wrong choice.

This decision could make sense; it contains powerful magic, and if it were framed in such a way that the people of Rosas were losing faith in Magnifico’s magic, as if what he can do might not be enough anymore after what they felt from Star, going for the book that we know contains spells that go above and beyond what he can already do would be logical. Along the lines of, “If they’re not happy with what I do for them, fine. I, ever the “martyr”, will do the unthinkable for you, because you want more.”

It would keeps with the idea that Magnifico believes he's still trying to help people, but his motivation has taken his self-imposed pity party and turned it into resentment and spite.

But, that’s not the case. Instead he talks about reversing that “light”, which has had no real negative or tangible consequences on Rosas. Everyone had a warm feeling for a few seconds. Again, it’s meant to paint him as a vain control freak, but… he hasn’t lost any power. The citizens of Rosas even assume the great showing of magic was Magnifico.

Act III

Then, we get to the consequences of opening the book (and perhaps my biggest qualm with this film). The book is established as being cursed. Magnifico knows it, Asha knows it, and Amaya—who is introduced as loyal-- knows it. The characters understand his behavior is a direct result of the book, and search for a way to save him. This is only the focus of the film for a few seconds, but if you think about it, the fact that his own wife cannot find a way to free him of the curse he’s been put under is unbelievably tragic. Worse still, upon discovering there is no way to reverse the curse, Magnifico—the king who built the city & “protected it” in his own flawed way for what seems to be centuries—is thrown out by his wife. You know, the wife who's stood loyal at his side for years?

It’s played for laughs, but there’s something unsettling about a character who’s clearly and explicitly under the influence of a malevolent entity being left… unsaved. If you follow the idea of Magnifico being disconnected from community being a driving force behind his arc, the end of the film sees him in a worse situation he was in at the start: truly, fully alone.

They bring in so many opportunities for Magnifico to be sympathetic and act as a foil for Asha; he’s jaded, she’s not. He’s overly cautious (even paranoid), she’s a risk-taker. He turns to power/magic at his lowest point, Asha turns to her friends at her lowest point. Because this dichotomy isn’t present, and Magnifico—who should be redeemable—isn’t, the film is so much weaker than it could’ve been. The lack of a strong core dynamic between the protagonist and antagonist echoes through every facet of the film from the music to the characterization to the pacing, and I believe if Magnifico had been more consistent, the film would’ve greatly improved across the board.

I mean, come on! Imagine if at the end of the film, Asha—who, if you remember, did resonate with Magnifico’s values at the start of the film—recognizes that he's twisted his original ideals and urges him to see the value in the people he’s helped, in their ingenuity, in their gratitude, & that what he was able to do before was enough. Going further, asking what his wish is or was—likely something he’s never been asked— and showing empathy! We’d come full circle to the start of the film where Asha asks him to grant her wish.

Pushing that further, if Magnifico’s wish is to see Rosas flourish or to be a good/beloved king, he'd have the the opportunity to see the value in failing and how pursuing the dream is its own complex and valuable journey, and how not even he is perfect.

The curse and the book (which, for the purposes of this adjustment, would need to be established as representing the idea of stepping on others to further your own goals/the fast way to success), then serve as the final antagonist, that same curse taking root in the people of Rosas who’ve had their dreams destroyed, and Asha works with the community to quell it. Asha’s learned her lesson, so has Magnifico, and the true source of evil in the film—the book—is handled independently. Magnifico steps back from his role as King, Amaya still ends up as Queen, and Asha takes her place as the new wish-granter.

This route could even give us the true “Disney villain” everyone’s craving; giving the book sentience and having it lure Magnifico in during “This is the Thanks I Get!?” leaves it as its own chaotic evil entity.

All in all, Magnifico's introduction paved a road to redemption that the rest of the film aggressively refused to deliver on, instead doubling down on weaker motivations that seem to appear out of thin air. Once the audience thinks, hey, that bad guy might have a point, the protagonist has to do a little more heavy lifting to convince us they're wrong.

Look at the big-bad-greats from Disney's library. There isn't a point in the Lion King where we pause and think, "Wait a second, maybe Scar should be the guy who rules the Pridelands." Ursula from the Little Mermaid, though motivated by her banishment from King Triton's Seas, never seems to be the right gal for the throne. Maybe Maleficent doesn't get invited to the princess's birthday party, but we don't watch her curse a baby and think, Yeah, go curse that baby, that's a reasonable response to getting left out.

What do they all have in common? Their motivation is simple, their goal is clear, and they don't care who they hurt in pursuit of what they want.

Magnifico simply doesn't fall into that category. He's motivated by the idea of losing power, which is never a clear or impactful threat. His goal at the start seems to be to protect Rosas, then it turns into protecting his own power, and then-- once he's corrupted-- he wants to capture Star. The problem is, there's no objective to put this power toward. Power for power's sake is useless. Scar craves power because he feels robbed of status. Ursula believes the throne is rightfully hers. Maleficent wanted to make a statement. Magnifico... well, I'm not really sure.

#wish #disney #review #magnifico

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yandere-wishes · 5 months ago

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⋆⋅☆⋅⋆Doc-Ringo⋆⋅☆⋅⋆

✮ Yandere! Boothill x Reader

˚ʚ♡ɞ˚ Plot: There's a slick black-clad little gal who's been messing with his bounties recently. Boothill's been dying to rustle her up and take a bite

⁀➷ Warnings: Yandere behavior, blood, and gore, war trauma, Genie trying to do a cowboy accent.

⁺₊𝄞₊⁺: Crimson and Clover by Joan Jett

And I don't hardly know her,

But I think I can love her,

Ah, now when she comes walking over,

I've been waiting to show her,

My mind's such a sweet thing

I want to do everything

What a beautiful feeling

It's not like the movies, they fed us on little white lies.

~💜

The first time he sees you there's a tempest of bullets rattling off his chest. Metal singing metal, as shells vie for an opening. It's all very lethal,

like the center of a rabid dust storm. Kissing death and sucking in her poison. Boothill can't tell where the bullets are coming from only that there's a dozen at a time ringing over his head. He shields his face with the metal of his forearms peaking through the gap to catch a glimpse of black.

Pure black.

That's the first thing he notices as your frenzy yields, You're clad in black from head to toe, even going so far as to dawn an eerie familiar mask. He's seen this scene play out somewhere before, he just can't remember where. "Morning mister", he likes that voice, jejune and teeming with confidence. It reminds him of himself, back when the sunset used to mean something and he could still feel wheat stocks under his soft palms.

"Howdy lil'lady I reckon you're in my way. Mind stepping aside before you get yourself hurt?" Your answer comes in the form of an aimed pistol, spine straight, midnight serape caught on the wind. He thinks you look a little too much like the folks back home -back when there was a home- blood boiling over eager for a fight. His bounty is standing just over yonder, blocked partly by your stubborn shadow. Boothill doesn't think twice before firing two rounds.

He's met with four...

He's in a cheap motel on Penacony, screwing in bolts that came loose. In the end, you laid claim to his bounty. Dragging him away to the hills. He's left growling at the thought, bested by a muddle-fudging fox. Lil gal probably ain't never even been in a proper shoot-out. The screwdriver cracks under his metal fingers. Boothill ain't about to start letting some pretty little thing get in the way of him and his targets.

The TV screen flickers to a melancholy monochrome. The films are old, distorted, crippled in parts. But he keeps them around, much like everything else about him, it's a bygone thing refusing to die.

He still likes to play them from time to time, trying to elicit the tastes of home. Hearing Nick and Graey setting plates out for dinner as his siblings rush downstairs. The movies are older than the new universe in more ways than one.

They come from a simpler time.

He'd always wondered why someone would bother painting such precious things in black and white. Spilling melancholia into picture frames, leaving everything tasting of vodka and vanilla.

It doesn't matter though, not really. All that matters is the sound of hooves on sand and bullets shooting. So long as the cowboys live their stories, everything else can be forgiven.

But this time something's off. The bandit's black mask shines through, gleaming something awful making him grind his sharp teeth. That damn mask, sitting pretty over a sly smirk. it reminds him of you, little cutie with your slick attitude. What bandit goes around doing hero's work anyway? What kinda twisted little lady are you?

He's getting mighty sick of this. Do you think you own the universe or something? "Been seeing way too much of you lately." There's sand in his Synesthesia Beacon his voice coming out horse, brittle. He kicks the head of an IPC lackey trying to drive home a point. "You getting on my nerves cutie". The ground looks nothing short of a graveyard, bodies scattered some piled. The blood paints the sands in a deep maroon, reflecting the glint of the distant stars. The last soldier is cowering behind you, his whimpers singing in Boothill's ears, one more bullet, that's all it'll take. "This one's mine" you mutter, and he wonders for a moment if the dry weather is getting to you too. "Not a chance pumpkin" his gun's drawn, firing bullets before you can even feel for your holster. The smirking bullet impales your abdomen, aimed point blank at the officer's head. But before the last body can be claimed you kick the man out of the way.

"Damn it" Boothill's anger is tangible, he knows you can feel it between your teeth. He's going to kill you, tear off that star-saken mask, and riddle you with bullets. You're getting too confident.

He doesn't notice your bullets at first. Protostars trying to act all rough and mighty. There's a temporary cluster of dust, a fraction of a second where his eyes aren't pinning you down. That's all it takes and then you're off. Sinking into the darkness and swimming away, taking his target with you.

It's only after the initial anger wears off that Boothill notices a tear on his thigh. A letter scrawled on the frayed leather of his pants. So you've started leaving your own marks, ay cutie?

He almost wishes he could feel the sting of your blade on his flesh. Feel your nails scrapping along his shoulders as he pins you to the ground.

Boothill fires at the moon.

Next time.

Next time for sure....

He's been chasing you for some time now. But catching up with you isn't as easy as he first thought. Seems like you go wherever the wind takes you and he's too busy with revenge to be following your capricious whims. The IPC ain't going to kill itself you know. And Boothill damn well wishes you'd start sitting still. He's heard from a reliable source that the IPC soldiers are throwing a little get to together down in one of the bars. Just a happy birthday for a colleague, nothing fancy. The thought alone makes his mouth water, place will be crawling with pests just waiting to be gunned down. Maybe tomorrow he'll try looking for you again, but tonight? Tonight's his night.

The neons have dulled now, they never were terribly bright to begin with. Penacony may be the land of dreams but not even dreams can stop reality from seeping through. The bar's loud, some new pop singer's music blasting from every speaker. Boothill downs his drink, liking how the ice cubes chime like a bad omen. He shoots the speakers first, needing some peace to focus on what comes next. The peace corp's lackeys are drunk, they stumble over themselves trying to reach him. He shoots each one like a kid playing carnival games. It's almost too easy...

The door is stampeded over by a heard of reinforcements. Somehow even in his drunken daze one of those yella-bellied lapdogs called for help. They're swarming the place like panicked rats, pushing past tables and chairs. Firearms aimed at his head. And for the first time, in a long, long time, Boothill feels a sliver of panic run down his bionic spine.

Motherfudger...

Boothill hears the familiar tumult of bodies hitting the ground before he sees what's actually going on. He feels you before he actually sees you. You're pushed up against his back, guns drawn locked, and loaded. "Heard you needed some help" Even though you offer your usual bravado, Boothill still picks up the nervous lilt in your voice, despite everything he thinks he likes it. It almost tastes sweet. "Best get away before you get yourself hurt little fox." "And let you have all the fun? Never."

"Certe murmur pugnando" Boothill laughs, he remembers those very words coming from a buddy of his before a duel. 'At least we'll die fighting' Somethings never change, even if you've carved out every principle from your body with a rusted kitchen knife. You'll always have those pesky morals stuck inside. He hears you chuckle, wonders if you find it odd that a rowdy galaxy ranger such as himself knows a dead language.

Well, he knows a lot about the dead.

The shoot-out lasts longer than he'd have expected.

But the real surprise lies in how neither of you are dead. Boothill's half laid across the bar, looking at you from under his hat. You're making him a drink following his instruction like a good little wife, not contradiction dressed in ebony. Gunpowder withers on his tongue, the bullet smoke permeates the air mixing with the gleeful tang of spilled blood. "Your drinks sure are complicated" you mutter pushing him his cup before picking up a bottle and reading its labels. "What's so hard about it pumpkin? Little bit of white gem and gin. All's you need." He sips your drink slowly, savoring your flavor. He imagines he's gulping you down, holding you for ransom behind his teeth, feeling your delicate little fists pounding against him. "I don't drink" you mumble as you sit across from him, you look so damn elegant, like a little princess from a fairy tale he use to read to a certain someone. You drink deeply from your glass of ice and water. Boothill focuses on the gentle motion of your throat. He licks his lips, trying to push down the thought of ringing such a fragile thing between his palms.

"So little lady, s'about time you start answering some questions...The hell you doing? Running off with my targets?" You set your cup down, eyes locking on his, there's the deficiency he's missed all night. The trigger hair that's just waiting for the right push. "They're not your targets...not really. They're just people. People whose planet got muffed up. I've been trying to gather them all in one place." For a second Boothill thinks you're talking about his planet, his home, his people. But it only takes one more look at you to understand.

"So, how'd yours die?" There's shrapnel in his throat when he asks, open wounds bleeding once more, filling his throat with bitter memories.

You stiffen, and he knows he's thumbing a broken bone, letting his finger dig between the cracks and snapping their frail linings. "Don't know, wasn't there. All I ever got to see were a few limbs, nothing enough to make a full person." you squeeze the glass until your knuckles turn white.

There's vindication rooted in your veins.

He knows the feeling all too well.

"We ain't so different you and I, reckon we make a pretty good team." His metal fingers lace between your soft skin, tracing the lifelines like an old map.

There's a goldmine hidden behind your lips, he imagines he'll have to kiss you to find the little nuggets. Your lips part, eyes filled with an odd-looking sympathy. What he wouldn't give to feel your plump lips bleed between his jagged teeth. "So..." you ask as his mechanic heart skips a beat. "What about yours?"

You've been laughing for five whole minutes. Boothill shouldn't find the noise as ethereal as he does. His anger lays heavily on his bones, he should be even angrier, lounging a bullet through your thick skull. But he finds the noise a little too perfect to disturb its source. Even if it's only created at his expense. Instead, he has half a mind to slap you, hard enough to shut you u and another to kiss you so hard you forget to breathe. "Damn hell so funny, cutie"

You look at him with those luminous eyes. Filled with pain and riddles. Boothill never did like solving puzzles. He only likes tearing things into bits. He needs you spartan, easy to read and use, and kiss. Not something he needs to piece together first.

"Dear stars you have no freaking idea how ironic you are." You say between bursts of spiteful-rooted giggles.

Why do those words sound so haunting like a ghost kiss? they should open phantom pains, but they sure as hell don't. Why do you always leave his head spinning? Boothill rolls his eyes, then leans over to pull down your mask. You jerk back, rewarding him with a dark grimace. You're out the window before he can ask your name.

"See you next time, cowboy"

"Next time I'm drawing blood"

The moment's over.

Fiddlesticks..

That night, Boothill dreams of you. He's lying in a stiff musty bed. It's too dark, even the moon is scared of showing her face.

Boothill dreams of the old saloons back home. Of their cracked wooden floorboards and the worn-out plush of chairs. In the dreams, you're wearing a black lace gown, like the saloon girls used to. He finds it all too funny that even in his dreams you still haunt him in black. Only now you're smiling, really smiling. Not that sly smirk, or mirthless grin you gave him back in the bar on Penacony. No, this here is a genuine smile and he's damn sure he's the one who put it there. You reach out for his hand, he feels warmth.

His

Yours

The dream is thick and dense like swimming through molasses. In another scene he's dragging you through the old doors, laughing as bullets and card chips hit the floor. There's a horse waiting outside. His horse. At least he thinks it used to be his. He pulls you up roughly in front of him. He's high off the feeling of his fingers wrapped around the rugged reins. High off the steed he holds in a vice grip between his thighs.

He's riding faster than he's ever ridden before, clambering for the sunset trying to engulf the sun. You hold on tight, pressing your cheek to his chest. His heart is beating something fierce between his ribs. He feels like an Aeon watching the universe collapse under his galloping feet.

He feels alive.

With the sun's rays behind you, Boothill could almost mistake you for the star-dwelling angels Nick used to tell him about. There's something poetic in all of this. The cowboy standing off against the black fox.

Dare he call it cinematic?

Boothill creeps closer. Tilting his hat and watching you flash a nervous smile through his lashes. "Volo sentire te inter dentes meos" so you know that dead tongue too. "You will soon darling, that's what I'm hoping for" his reply only dwindles your smile.

He's missed the old duels. Missed staring into the eyes of the one who could kill you. It's all a matter of skill and luck. Whose faster, who the aeon will trust?

Somewhere in the distance, the tumble weeds begin to rattle.

"Now"

His bullet glides through the air, piercing through the dust and sand. Your bullet reverberates from your gun a fraction too late and ricochets past his cheek. Leaving a juicy trail of blood.

But his bullet was aimed at your chest.

And Boothill never misses...

You want vengeance he won't deny you it.

So long as you stay by his side.

He'll tuck you away somewhere safe.

Somewhere you won't be leaving him again.

Boothill cradles your body to his chest. "I promised you blood little fox, and Boothill never goes back on his word." His cheeks hurt from smiling as he lays his hat atop your head. He's Picking you up and walking into the sunset. He knows a good ol'doc who'll patch you right up. And then it's a happy life together.

Well for him anyway.

The end

Taglist: @hihellomy @salhanskkdbfkekfb @gasoline-eater @sp1cym0chi

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butch-reidentified · 9 months ago

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anyone here seen the show Resident Alien?

bc holy shit am I obsessed with the portrayal of 30-something women, their solidarity, feminism, friendship, and fun and self-expression! GODDD I did not realize how BADLY I needed to see a tv show actually depict (attractive but not "bikini models" by any means) adult (and admit they're adults, real adults not 20 yr olds) women as human beings with deep complex personalities and relationships, who really stand with each other despite being flawed humans who do sometimes hurt each other, who are silly and goofy and get into shenanigans bc oh my god WOMEN CAN STILL HAVE FUN AFTER TURNING 30.

Especially later in season 1 and in season 2 (I'm still on s2), there's just so much female badassery and solidarity that I love. there's also a gym workout scene in s2 with my favorite character D'Arcy and tbhhhh that scene is 😨🥵 Like, my wife said "this scene was definitely filmed by a lesbian, right?" 💀 It really did feel like celebrating an attractive woman build muscle without the typical male gaze-y lens. it actually focused on her flexion, facial expressions, sweat, flushing, yk, the things we are supposed to pretend women don't do even while vigorously exercising.

this same woman leads her friends on a drunken midnight raid of town hall where they review the town budget and discover they're paid less than the men. cut to the entire group of women (one of whom is the mayor's wife) standing in the mayor's bedroom in the middle of the night, standing over him and informing him "no, this isn't a nightmare, what the fuck is wrong with you, pay us fairly" like?? holy shit lmao. D'Arcy then proceeds to RENT A HELICOPTER to drop fliers all over town telling women about this and encouraging female solidarity in fighting back. this barely scratches the surface of her character's feminist heroics. in another seen she cuts the brakes on her best friend's abuser's truck and sends it down a hill in front of him, before telling him she'll happily kill him if he gets near her friend again. it's just so much fun to see. she also rescues herself and 2 others from a crevasse in the glacier by climbing 30 feet in a storm with a broken wrist. oh and shes a FORMER OLYMPIC SKIER bc fuck you

I've actually been very impressed with this show in a number of ways. they have a young girl character whose family is Muslim, and the writers seem to want to critique Islam while being aware that they have to avoid performative liberals picking up on this too much. so at first I was a bit 👀 thinking they were going a certain way with the character, but they ended up sneaking in a lot of critiques of Islamic patriarchy. they keep surprising me.

#mine #resident alien

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orion-archives · 2 months ago

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The birth of Megatron

Hey, you, see me, pictures crazy All the world I've seen before me passing by I've got, nothing, to gain, to lose All the world I've seen before me passing by

This film destroyed me just to build me back again to beat me up.

Inspired by the Fallen Angel by Alexandre Cabanel because I love that painting. The lyrics are from System of a Down's song "ATWA"

Originally this piece had a BIG spoiler but ended up scratching that idea because... Idk, I think it looks better like this rather than the original idea I had lol.

I'm really proud how this piece came out! It is one of my most detailed drawings yet. Really happy with the rendering :]

#transformers #transformers fanart #transformers one #tf one #megatron #transformers one megatron #tf megatron #transformers megatron #d 16 #transformers d16 #tf one d 16 #tf d 16 #maccadam #tf fanart #tf one fanart #digital art #my art #I'm still crying

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boop-le-snoot · 1 month ago

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kinktober #4

Light My Fire

kinktober day four | temperature play & monsterfucking (?) | cw: 18+, self-explanatory. Good!Loki is a Jötun and Avenger!You have fire powers. Rather fluffy, just two dorks in love goofin' | word count 2k | click here for full list of planned fics | author's note under the cut |

“Darling, are you sure this is a good idea?”

“You are occasionally a little over 8 feet tall and very cold and blue. I am average tall but set myself on fire regularly without repercussions. I think we passed these sorts of questions a good while ago.” You pointedly bit into your toast, watching Loki watching you over the rim of his teacup.

Why did he insist on having tea from one specific antique tea set - and having to refill the cup at least five times in the process - instead of getting a mug like a normal person, you did not know.

Slumped over your breakfast in your Garfield pajamas, you eyed your boyfriend pat the corner of his mouth with his monogrammed kerchief before he vanished it away and stood up. His green button-up clung to his chest deliciously.

“Such a way with words.” Loki chuckled and patted over to place a soft kiss on your forehead. “But I see your point. We could either seriously harm each other or end up having a wonderful, one-of-a-kind experience.” He tucked a strand of hair behind your ear. You nodded. He stole a piece of toast and pointed it at your nose, tapping the appendage gently with the hard crust. “And Tony would never forgive us if we at least did not try.”

“Since when do you care about what Tony thinks?”

Loki gave you an impish look. “He's not all terrible. Remember the time he 3-D printed an exact replica of Mjolnir and I haunted Thor the entire day with it?”

“Thor had a mental breakdown.” You replied dryly even as your mouth involuntarily curled into a smirk.

Loki, however, gave a wide smile. “Uh-uh. Tony filmed the entire thing start to finish.”

A chuckle broke out of you before you could stop it. You liked Thor, you ready did, but that had been just a single instance of mischief in the multiple-century long prank war between the brothers. The blonde had gotten you several times in the process of getting back at Loki and you would be lying if you didn't feel vindicated for all those times you had found glitter in odd places and worse...

Not that you yourself lacked your fair share of questionable life decisions. Having fiery super-powers, being an Avenger, being Loki's girlfriend, challenging Natasha to a knife throwing competition... The list goes on. So what if you wanted your icy boyfriend to be icy in bed? So what if he wanted your fiery self be fiery in bed? They do say opposites attract and yada-yada-yada...

“Makes me wonder what the fire giants look like,” you said absent-mindedly later that night while the two of you lounged in your oversized tub. You rolled a small fireball in your palm as Loki sipped his wine.

“Like demons,” he snorted. “Nothing attractive about them.”

“Some would say demons are attractive,” you shrugged. “I think Jötuns are attractive.” Using your free hand, you squeezed a slender, muscular thigh. Loki flexed it and you ran your knuckles over the hard muscle. “Although you're the only one I've seen. Might have to tell Tony to ban any more from Earth least they come to steal all the women away, being this handsome.”

Loki's cool hand reached up over your stomach to idly toy with your breast. “Is that so? Is my Asgardian form not as stimulating?” He mused.

You pushed into the touch, purring. “There's just more of you to love, babe.”

His unmistakable laugh filled up the bathroom, genuine amusement as he flicked at your nipple and leaned down to kiss your neck. “I do not think that is anatomically possible.”

“Pfft,” you scoffed. “Ye of little faith! Have you been on the internet? Anything is possible, provided there is an adequate amount of lube and some leverage.”

The internet - surprise, surprise - was wrong. Loki expressed an unfair amount of amusement at this, and you daredsay, even gloated a little bit. Shutting him up in this form was harder than when he was regular Loki, but not doable. It was, as you both had agreed, a learning curve.

He was cold to touch. Not as a metal pole at a ski resort as you had previously thought, but enough to cause a pleasant, clean chill to settle in the back of your skull as you took the tip of his hard, blue cock intro your mouth. That was about as much as you could fit without going full Chelsea Smile around it. Your hands, kept warm by your powers, slid down his shaft, tender fingertips tracing the textured ridges covering every inch of his skin.

They were truly everywhere, and they were sensitive. Splayed on the various animal skins in front of the fireplace, Loki was a sight to behold: all cerulean blue and raven-haired, red eyes lidded with desire as they observed your exploration with mirrored curiosity. As you warm hands curled around him, a low hiss left his lips.

Attempting to say, “did that hurt?” with your mouth so full was a disaster. Loki chuckled anyway, and brought a large, cool palm to rest atop your head.

“No, darling,” his voice, in this form little more than a low growl, did something indecent to your insides. “Feels incredible.” A sigh as you swirled your tongue around the sensitive head. “I surely wish you'd let me at least keep my Asgardian measurements...”

Yes, but no. It would have been more practical, sure, but it wasn't the full Jötun experience you were seeking. With a wet pop, you dislodged your mouth from his cock to delight in his full-body shiver. To remedy the lack of your mouth, heat began to radiate from your palms; roughly the same temperature as the inside of your mouth.

“Not unless you are on board with me keeping the fire lukewarm,” you teased gently, watching his red eyes darken to a lovely burgundy. Slowly, you slid your hands over his lubricated flesh.

Loki was generous with his microexpressions in this form, with him being larger allowing for easier observation. Lust, love, yearning, a dash of insecurity and concern. He was your Loki through and through, simply blue.

“I fear I may have less allocated space for patience in this form,” he mused.

Captivating. His reclined position and the fire dancing over his skin, the horns growing tall and strong above his forehead - the helmet imitation did them no justice - Loki was a vision to behold. You wanted to eat him like the world's most exotic ice lolly and ride that fanged mouth until you forgot your own name and knew only his.

“Fuck,” you eloquently summarised your train of thought just as your hands stroked him to full mast. Loki merely tilted his head. Knowing that look well, you batted your eyelashes and gave him the final stroke before shamelessly climbing up onto his lap.

You wore nothing but a thigh-length slip of fine Asgardian silk, just like you knew he liked. Your hot, glistening cunt connected with the shaft of his cock as you settled above it, eliciting a sigh of wanton relief. Loki felt like a bag of frozen goods. You wanted to press him against everything sore.

His large, cold palm stroked the side of your face.

“Mmm,” you leaned into it, unconsciously shifting your hips to press closer to the textured hardness of his cock. It twitched as your wetness joined the spit you'd previously covered it in. Some adjusting was to be had - Loki waited patiently as you found your spot, and used his other hand to make you sit down just right. With that first, slow, slick grind, both of you were gone.

It came naturally. Loki's hands on your hips, on your face, sliding your slick cunt over the tip of his own leaking cock. His abs flexed with each measured movement; you kept your palms in closed fists, knowing better than to open them when you were this riled up.

Hurting each other was both of yours' biggest fears and it showed in the way you'd swallowed some of your moans upon feeling the beginnings of a spark crackle on your tongue. Loki refused to take his darkening eyes off your face for he would definitely lose himself in the moment and do... Something.

The intensity of your coupling grew. Your cunt provided ample lubrication on the account of your clitoris receiving all that extra stimulation from the ridges and valleys covering his cock. On harder thrusts, the very tip of his cock snagged the edge of your entrance, causing him to growl and you to whine when your hungry hole was forced to relent and clench around nothing.

It was exhilarating torture. Your cries of pleasure, as usual, only spurred the Jötun prince on.

As you arched your back and moaned loudly and brokenly up to the ceiling at a particularly hard thrust, Loki's deep growling added to the delightful cacophony of sex. He firmly held your hips, sharp nails digging into the meat of your ass, and pushed you down on his cock, missing your hole by sheer luck.

“Come for me, darling,” he rasped in that icy-sharp, husky voice. “I can feel your little quim begging for me. I may not be able to resist fucking you if you cry for me so sweetly.”

Never being the one to disobey reasonable orders, you and your abused pussy gushed your agreements as heat burst from your lower stomach and spread into your body and limbs. Loki's drawn-out hiss had you weakly trying to scramble, to get away from him least your elevated temperature burn the Jötun, but he held steadfast.

Eyes so deeply red they were almost black, Loki looked you directly in the face before his cock twitched for the last time.amd coated his chest and your front with an abundance of silver seed. His body shook with restraint even when his mouth had fallen lax and eyes lidded low; he let you rock forward to rest a hand on his hard chest as both of you caught your breath.

Giving into your body's demands, you fell ahead, uncaring of the mess. Immediately, a cold arm draped itself over you. A moment of silence was had. You licked your dry lips, sputtering somewhat as sticky - but not unpleasant - seed made way into your mouth.

“Are you alright?” Loki drawled, still breathless.

You briefly contemplated the phrasing of what you were about to say, but in the end decided to be completely honest as you two had sworn to be to each other.

“Your come tastes like snow. Literal snow.”

You heard Loki's heart skip a beat and then his chest shook, the chuckle as incredulous as your discovery.

“Noted.” Pause. “Yours feels like lava.”

Despite everything, you simply shook your head and laughed. “That's what were writing down in our science report for Tony?”

“Yes.” Loki nodded seriously. With a careless swipe of his hand, the mess disappeared, and you promptly found yourself staring at the ceiling. “Experiment number two. I am going to find out whether it also tastes like lava,” he said impishly.

Your tummy clenched in anticipation, but then you heard the proverbial sound of brakes skidding in your head. “Wait. How do you know what lava tastes like?”

“I be in situations,” ever the dutiful boyfriend, Loki mumbled his reply into the fat above your cunt on his way down to make you see stars once again. You were not complaining at all.

a/n: I'm personally very impartial to Loki being a little over 8 feet tall in his Jötun form. For, you know, reasons. My nature's pocket can fit a lot of fun things in it, but I don't know about yours so... I left the fine details to your imagination. See how I don't describe the size of his appendage? Very demure, very mindful. ✨

Additionally, I don't think Asgard has a book on erogenous zones of peoples they conquered and genocided. I'd like to think that they're both clueless here and Loki is getting to know his Jötun body in a sexual setting. But that's just me.

#loki x reader #jotun loki x reader #loki x you #jotun loki x you #female reader #jotun loki smut #loki smut #they goooooofinn'

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sissylittlefeather · 4 months ago

Text

I'm sorry this took me a million years to write @sloppiest-of-jos! Anyway, I hope it lives up to what you were wanting!

Searching for You

Warnings: 18+ minors DNI, kissing, cussing, p in v penetrative sex, unprotected sex, creampie, and touch of angst

Word count: ~2.5k

"Elvis, you have a WIFE and a CHILD. Tell me again how you think this could possibly work out?!" Elvis sits in a chair, watching you pace around the room from behind his silver sunglasses.

"Honey, I've told you and told you. Those are my problems, not yours. I love you. I want you." He stands up and walks over to you, taking your hand gently and rubbing small circles on the back of it with his thumb. You look up at him and almost melt. Then, you yank your hand away and walk across the room.

"No! This has gone on for way too long." Memories of how you met on the set of the Singer special in '68 come screaming back to you. You think about him noticing you, a humble back up dancer for the bordello scene. He had walked straight to you and asked your name, not even bothering to pretend like he didn't like you. You'd seen him with the other girls and couldn't believe he was actually talking to you. But something about you caught his attention and he wasn't letting you get away. He invited you up to his dressing room after filming was finished and it didn't take long at all for you to end up naked on the couch, squirming as he brought you pleasure you had only ever dreamed about.

That was two years ago.

No matter how hard the two of you tried, you couldn't stay away from each other. The space between you was electric and you made ways to be together as often as possible, despite his marital status and your guilt. You fell hard and fast for him and he insisted he felt the same way, but he never entertained the possibility of ending his marriage.

On this particular occasion, you pace the floor half-dressed insisting this will be the last time. You're leaving California, removing yourself from the equation, and he is not pleased. Once you pull on the rest of your clothes, you point your shoe at him and yell.

"I'm done, Elvis. I'm done with being your back up girl to keep you company when your wife is gone. It hurts too much."

"Honey, it's not like that! You're the one I want! If anything, she's the back up girl."

"Then why won't you leave her?"

"I-I I can't."

"Yeah." You stuff your shoes on your feet and head for the door. "Goodbye, Elvis."

This isn't the first time you've had this argument, by far, but what Elvis doesn't know is that this time you're really leaving. You pack up all your things with tears streaming down your cheeks and head for home. The drive is long, but you've hit the end of your capacity for loving Elvis like this. You wonder how long it'll take him to figure out you're gone. Will he even care?

******

Elvis gives you two weeks to get over this most recent fight, sure that all he has to do is call you when Priscilla goes out of town. But when he does, your phone's been cut off. He hangs up and looks at the receiver in confusion. Surely you didn't actually leave.

He gets in his car and drives to your apartment. Maybe you've just changed your number and he needs to appeal to you in person. But when he knocks on your door, a man he doesn't recognize answers. He gets over his initial wave of jealousy and asks about you.

"Uh, I'm looking for y/n?"

"No one here by that name. Wait are you-?"

"Thanks." Elvis turns and walks quickly back to his car before the guy can ask him for anything.

When he gets back to his house, he calls all of his Memphis mafia into the living room and gives them an assignment. They need to find you and he wants it done yesterday. The guys all look at each other in mild panic and then head out to see what they can do while Elvis sits on the couch smoking a cigarillo trying to process his shock. You're really gone. Where on earth did you go?

******

After a week of Elvis wracking his brain and the guys bribing neighbors and friends, Sonny finally has a breakthrough.

"I was able to get ahold of her best friend at work."

"Yeah, and?"

"She went home to Kentucky."

"Home to Kentucky. Where in Kentucky?"

"She didn't know, but she said she knew it wasn't far from Nashville." Elvis rolls his eyes.

"What the hell does that even mean?! There are a lot of places in Kentucky that aren't far from Nashville. How does she define far?" Sonny looks at the ground and shakes his head.

"I don't know, boss. That's all she knew."

"Goddamnit." Elvis kicks the nearest table and Sonny looks at him hard.

"Might be time to give up on this one." Elvis meets his eyes with his eyebrows raised and then shakes his head.

"No. She's... no." He turns and heads for his bedroom. When he comes back with a suitcase, Sonny tries to stop him.

"Where you goin'?"

"Well, I guess I'm going somewhere in Kentucky that's not far from Nashville."

"You're really gonna go after her then?"

"Yes." Elvis gets in his car and starts on the road East towards Kentucky and you.

******

When Elvis finally makes it to Kentucky, he drives from small town to small town looking for you. He has a picture of you that he took one night that he shows to people. He has lots of pictures of you, but this is the only one appropriate for public consumption. He thanks God that he thought to take one with your clothes on one time. Honestly, it's his favorite photo of you because it's so naturally beautiful, your smile gentle and your hair a little messy from lovemaking.

The more he looks for you, the more it becomes apparent how much he loves you. He's been saying it for a while, but the emptiness he experiences at not knowing how to find you makes him know exactly how true it is. He loves you so much that he's driving around Kentucky just to find you again. How did he think he could give you up?

He's starting to lose hope when he comes across a preacher in a small town called Franklin. Exhausted and hopeless, he shows him the picture of you.

"That's y/n!"

"Yes!" Elvis looks up, shocked. "Do you know her?"

"Of course I do. I baptized her, didn't I?" Elvis laughs and hugs the man.

"Is she here? Where can I find her?"

"I haven't seen her in a long time, but if she's in town, she'll be at her parents' house." He gives Elvis the address just as it begins to rain. For the first time in weeks, Elvis is filled with hope and he decides he'll do anything to get you back.

He pulls up in front of the address that the preacher gave him and his heart beats wildly. He's so close to being with you again. The steady rain soaks him to the bone and he knocks on your front door and waits for someone to open it.

You see him through the windows and panic. How the hell did he find you here?! You know you won't be able to resist him if he talks to you, so you run outside and jump in your car, backing out of the driveway quickly.

But he sees you and tries to run to the car.

"Honey, wait! I just wanna talk to ya!" You focus on the road ahead and step on the gas to get away. Elvis runs back to his car and jumps into the driver's seat, starting the engine and throwing it in drive. He tries to catch up to you, but you're driving like a crazy person. The rain is still coming down pretty hard and he starts to worry about you driving like this. As you head out of town, your car spins off the road into a ditch and he realizes he was right to be concerned. Thankfully, because of the spinning, you don't hit the ditch too hard. He parks and jumps out of the car to run to you. You manage to get the door open and stumble out.

That's when you feel strong arms around you. The familiarity of them makes you cry and you shake with sobs as he holds you. He stands there in the soft rain, stroking your hair and whispering to you.

"You're okay, honey. I've got you. You're okay." After several minutes of this, you pull away from him and yell.

"What are you doing here Elvis?!"

"I needed to see you."

"Why?!" He pushes a piece of rain-soaked hair behind your ear.

"Because I love you, baby." You look up at him, your eyes wide as the rain continues to fall on you both.

"No! I'm not falling into this with you again!"

"Honey, I drove across the country to find you. Is that not enough to prove that I'm serious?!"

"Where's your wife, Elvis?" He groans and pulls his wedding ring off of his finger.

"I don't care." He turns and throws the ring into the patch of trees and you gasp.

"Elvis, that was worth a lot of money!"

"Maybe, but I don't want it anymore. I don't want her anymore. I want you, ya stubborn brat."

"Why?" He rolls his eyes. His patience is wearing thin as the two of you stand in the cold rain together.

"Because I'm so in love with you I can't even think straight when you're not around."

"I don't believe you."

"Y/n! Do you know how many small towns I've been to in Kentucky looking for you?! I love you so much I can't even imagine my life without you." You contemplate what he's saying. This is a long road to travel for casual sex. Maybe he does love you as much as he says he does, but there's still too many complications.

"How, Elvis-?"

"I'm leaving Priscilla." Your heart stops. Is he serious? "I can't live another minute without you. You're all I think about from the moment I wake up until the moment I go to sleep. Honey, I will do anything to prove to you that I want you and no one else."

You look up at him, your heart so full of love for him that you feel like it might burst.

"You'd really do that? Leave your wife and the mother of your child. For me?"

"Yes. I should never have married her in the first place."

"Elvis..."

"All my life I've been searching for you. I just didn't know it. I should've waited. But I'm here now and I'm telling you. I love you more than life itself. Let me love you, honey."

And then you utter two syllables that will change your life forever.

"Okay." In the blink of an eye, he wraps himself around you, his mouth pressed to yours in a passionate kiss. He grabs the back of your thighs and lifts you so that your legs are around his waist, his lips never leaving yours. The rain has softened, so he carries you to the hood of his car and sets your bottom down. You've never kissed anyone with such fervor before. It's like you're trying to melt into one another with the way you press yourselves together. You arch your back as he rolls his hips forward into you, his erection pushing against you through his pants. He runs his hands up your thighs and pulls your panties down under your mini skirt. His thumb runs up your slit to the bundle of nerves at the top and he begins to rub circles there. You drop your head backwards and moan loudly. Without another thought, you unzip his pants and pull his cock out, stroking it slowly with your hand. He groans and kisses down your neck, while you pull him to you and run the tip of his dick up and down your entrance. He mutters against your lips.

"You're such a tease, honey."

"Yeah, but you love me."

"God, I really do. So fucking much." He thrusts his hips forward and pushes into you, almost filling you in one motion. You cry out with pleasure when he does and lean back against the car. He pulls out and thrusts forward again, grunting. This time his hips meet yours as his entire cock is inside you. He makes a sound that's somewhere between a whimper and a moan and begins to slide in and out of you, pounding you to the steady rhythm of the rain.

The sensation of him slamming against you is enough to push you over the edge and you tumble headfirst into an intense orgasm, moaning and writhing and pulsing around him.

"Fuck, honey, I love you." You pull him down on top of you and whisper in his ear.

"I love you too." It's the first time you've ever said it back to him. He whimpers and kisses down your neck to your cleavage, never changing his steady pace of pumping into you. You can tell by the way his thrusting becomes more erratic that he's getting close too.

Finally, he slams into you hard and shudders against you, filling you with ropes of cum. It's also the first time he's ever cum inside you: another indicator that he's serious about you.

The rain has slowed to a drizzle as he collapses on top of you, spent and breathing heavily. He slides out of you and stands up, pulling you into a sitting position on the hood of his car.

"Come home with me, honey." He kisses your cheek affectionately and then backs up to look you in the eye, his blues ones seeing straight through to your soul. You couldn't tell him no even if you wanted to.

"I gave up my apartment."

"I want you to live with me." You raise your eyebrows.

"You still have a wife."

"I won't for long. I'll buy us a house. Just please say you'll come home with me." You nod and lean your forehead against his chest.

"I'm yours, Elvis." He tips your chin up to look at him.

"And I'm yours." He kisses your lips tenderly. "Now come on. Let's get out of the rain."

He drives you back to your parents' house, where you both change into dry clothes and settle on the couch together. Surprisingly, he's perfectly comfortable there with your mom and dad. He stays for a few days with you, letting you give him the grand tour of your hometown. Eventually, you head back to California together. Your car is totaled, so he promises to buy you a new one once you get home.

He wastes no time in leaving Priscilla and starting divorce proceedings. In the meantime, he buys the two of you a cozy little love nest and you're perfectly happy there with him.

The Kentucky rain was a baptism of sorts and you both came out of it changed for the better. It's not always smooth sailing, he is Elvis Presley after all, but you're happy more often than not. You never run away again, though you know he'd chase you if you did. And every time it rains, he holds you close and you remember the cold Kentucky rain.

******

The End

*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*

@ccab @elvisfatass @elvisalltheway101 @aliypop @18lkpeters @dkayfixates @tacozebra051 @your-nanas-house @deniseinmn @joshuntildawn13 @lookingforrainbows @60svintage @littlehoneyposts @epthedream69 @louisejoy86 @rjmartin11 @from-memphis-with-love @deltafalax @atleastpleasetelephone @cinnamoroll-things @burnthheparaphilia @jhoneybees @cattcb @everythingelvispresley @returntopresley

#elvis presley #elvis #elvis presley fanfiction #elvis fanfic #elvis presley fic #elvis smut #elvis fanfiction #elvis fic #elvis presley x reader #elvis x reader #elvis x y/n #elvis x you #elvis presley fanfic #elvis presley x y/n #elvis presley x you

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