#I think I made it clear in the preface that this isn't meant to be mean spirited

[hollowed-theory-hall]

The Riddle of Tom Riddle: Part 3/7

(Part 1, Part 2, Part 4, Part 5, Part 6, Part 7)

Wool's Orphanage

This is actually one of my favorite theories I ever made. The full psychoanalysis of Voldemort's character took some time to figure out, but I think I cracked it. I know why Tom did everything he did.

As it's a little long, I've broken it down into multiple posts. And I think there are gonna be 4 more besides this one. So, let's go make sense of Voldemort and prove he is reasonable, he just has some unexpected goals.

I want to preface all of this (and future posts) that the point isn't to excuse Voldemort and his various atrocities. But it bothers me when I don't understand why characters do the things they do. This is about understanding Tom Riddle and Voldemort.

Without farther adu:

So, we'll start our analysis from the beginning. Voldemort, or, more correctly — Tom Marvolo Riddle was born on December 31st, 1926, in a rundown orphanage in London:

“And Merope? She . . . she died, didn’t she? Wasn’t Voldemort brought up in an orphanage?” “Yes, indeed,” said Dumbledore. “We must do a certain amount of guessing here, although I do not think it is difficult to deduce what happened. You see, within a few months of their runaway marriage, Tom Riddle reappeared at the manor house in Little Hangleton without his wife. The rumor flew around the neighborhood that he was talking of being ‘hoodwinked’ and ‘taken in.’ What he meant, I am sure, is that he had been under an enchantment that had now lifted, though I daresay he did not dare use those precise words for fear of being thought insane. When they heard what he was saying, however, the villagers guessed that Merope had lied to Tom Riddle, pretending that she was going to have his baby, and that he had married her for this reason.” “But she did have his baby.” “But not until a year after they were married. Tom Riddle left her while she was still pregnant.”

(Half-Blood Prince, page, 214)

So, one important little disclaimer:

A lot of the information we have about Tom comes from Dumbledore's guesswork. As Dumbledore has an agenda in all his "lessons" with Harry and that I have a whole series of posts dedicated to my strong feelings regarding Dumbledore's machinations, we need to approach everything he says with a grain of salt.

This part is pretty true though. Merope does enchant or dose Tom Riddle Sr with a love potion or some other spell and gets pregnant. We also know that for some reason, she stopped with the enchantments/potions at some point and wound up alone in London, with no family, no money, and on death's door.

“I was wondering whether you could tell me anything of Tom Riddle’s history? I think he was born here in the orphanage?” “That’s right,” said Mrs. Cole, helping herself to more gin. “I remember it clear as anything, because I’d just started here myself. New Year’s Eve and bitter cold, snowing, you know. Nasty night. And this girl, not much older than I was myself at the time, came staggering up the front steps. Well, she wasn’t the first. We took her in, and she had the baby within the hour. And she was dead in another hour.”

(Half-Blood Prince, page 266)

This is from Dumbledore's memory, but it seems factual enough. Dumbledore also has no reason to lie about this.

So, Tom was raised all his childhood in a London orphanage in the late 1920s and 1930s. These orphanages were dreary, lonely places:

The children are fed and clothed but there is a dreary uniformity to the picture, emphasised by the black and white image. Boys eat in regimental lines, seated on hard benches, and those waiting to sit down are also assembled in a strict line. The attendants you can glimpse are dressed in black and white uniforms, a stark echo of the grey and black of the boys’ clothes. A few pictures adorn the walls – one looks as though it’s about to fall to the ground – but there are no curtains, no floor covering, no comfort.

(Source)

This was not a pleasant place to be raised in. And considering Mrs. Cole's words: "Well, she wasn’t the first", the orphanage was probably crowded. This was after World War One, and Britain and Europe as a whole were still licking their wounds. Poverty is high, food is low, and the inflation rate is insane.

And this is the world Tom grows up in. A dreary, lonely existence, where if he didn't fight for his food, he probably didn't get left any.

And when the Second World War started in 1939 (his second year at Hogwarts), things just got worse, but I'm getting ahead of myself.

Then she said, “He’s a funny boy.” “Yes,” said Dumbledore. “I thought he might be.” “He was a funny baby too. He hardly ever cried, you know. And then, when he got a little older, he was . . . odd.”

...

because she said in a sudden rush, “He scares the other children.” “You mean he is a bully?” asked Dumbledore. “I think he must be,” said Mrs. Cole, frowning slightly, “but it’s very hard to catch him at it. There have been incidents. . . . Nasty things . . .” Dumbledore did not press her, though Harry could tell that he was interested. She took yet another gulp of gin and her rosy cheeks grew rosier still. “Billy Stubbs’s rabbit . . . well, Tom said he didn’t do it and I don’t see how he could have done, but even so, it didn’t hang itself from the rafters, did it?” “I shouldn’t think so, no,” said Dumbledore quietly. “But I’m jiggered if I know how he got up there to do it. All I know is he and Billy had argued the day before. And then” — Mrs. Cole took another swig of gin, slopping a little over her chin this time — “on the summer outing — we take them out, you know, once a year, to the countryside or to the seaside — well, Amy Benson and Dennis Bishop were never quite right afterwards, and all we ever got out of them was that they’d gone into a cave with Tom Riddle. He swore they’d just gone exploring, but something happened in there, I’m sure of it. And, well, there have been a lot of things, funny things. . . .”

(Half-Blood Prince, pages 267-268)

We learn some interesting things here, quite a few of them actually. That Tom doesn't have any friends. That the other orphans and the caretakers in the orphanage all think he's weird. They thought he was odd since he was a baby... and this is starting to get familiar. there's a reason Tom mentioned he and Hary are similar:

Because there are strange likenesses between us, Harry Potter. Even you must have noticed. Both half-bloods, orphans, raised by Muggles. Probably the only two Parselmouths to come to Hogwarts since the great Slytherin himself. We even look something alike. . . .

(Chamber of Secrets, page 292)

Because they are.

From Mrs. Cole's words, it seems Tom wasn't liked by the kids and staff and he fought back in the only way he could. His magic. It isn't that much different than Harry's apparating away from Dudley's gang or setting the boa constrictor on his cousin. The situations are awfully similar.

“How do you do, Tom?” said Dumbledore, walking forward and holding out his hand. The boy hesitated, then took it, and they shook hands. Dumbledore drew up the hard wooden chair beside Riddle, so that the pair of them looked rather like a hospital patient and visitor. “I am Professor Dumbledore.” “ ‘Professor’?” repeated Riddle. He looked wary. “Is that like ‘doctor’? What are you here for? Did she get you in to have a look at me?” He was pointing at the door through which Mrs. Cole had just left. “No, no,” said Dumbledore, smiling. “I don’t believe you,” said Riddle. “She wants me looked at, doesn’t she? Tell the truth!” He spoke the last three words with a ringing force that was almost shocking. It was a command, and it sounded as though he had given it many times before. His eyes had widened and he was glaring at Dumbledore, who made no response except to continue smiling pleasantly. After a few seconds Riddle stopped glaring, though he looked, if anything, warier still. “Who are you?” “I have told you. My name is Professor Dumbledore and I work at a school called Hogwarts. I have come to offer you a place at my school — your new school, if you would like to come.” Riddle’s reaction to this was most surprising. He leapt from the bed and backed away from Dumbledore, looking furious. “You can’t kid me! The asylum, that’s where you’re from, isn’t it? ‘Professor,’ yes, of course — well, I’m not going, see? That old cat’s the one who should be in the asylum. I never did anything to little Amy Benson or Dennis Bishop, and you can ask them, they’ll tell you!” “I am not from the asylum,” said Dumbledore patiently. “I am a teacher and, if you will sit down calmly, I shall tell you about Hogwarts. Of course, if you would rather not come to the school, nobody will force you —” “I’d like to see them try,” sneered Riddle.

(Half-Blood Prince, pages 269-270)

Now, I marked a few sections in this scene because there are some interesting things to talk about when it comes to Tom's psychology.

First, I'd like to talk about Tom's assumptions here. The first thing Tom assumes the moment Dumbledore introduces himself as a "professor" is that he is here to take a look at Tom — to take him away to the Asylum. Considering how quickly Tom came to that conclusion one has to assume it's something he heard before.

It means the people around him, probably both the caretakers at the orphanage and the other children repeatedly told him he was insane and would be better off at the Asylum. He spent his childhood being told he belonged in a madhouse.

I don't think I need to explain what kind of damage that does to a child. Tom grows up completely isolated from his peers and caretakers, everyone hates him because he is different. So Tom latched on to the idea that he was better. Because if he was different, and he was, and he wasn't better, it meant he was worse than them — it meant they were right about him. Tom thinking overly highly of himself is a coping mechanism and a lie (to himself most of all).

The thing is, while he is aware he is smart and capable, we'll see later in his life how he continuously seeks out validation and connection since he didn't get either until he was eleven. And like any child, he wants these things, he wants praise, attention, and connection. Telling himself he is better, and therefore above such needs, is a way to try and convince himself everything is fine.

The second thing from the above quote is his trust issues. Dumbledore tries to tell him he isn't taking him to the Asylum and Tom doesn't believe him. He immediately goes on the defensive.

As of Mrs. Cole's previous words, it's clear she blames Tom for things she has no evidence he did. And if we look at Harry's cases of accidental magic that harmed Dudley, a lot of them were out of his control. It's possible Tom wasn't completely intentional in everything he did, but took credit anyway if it meant the other kids left him alone and didn't bother him.

"|'d like to see them try," Tom said, he is already using fear. That is just as much a coping mechanism as his trust issues and air of superiority. When kids fear you, they don't bother you. If Amy and Dannis feared him they'd stop calling him a nut-case — If they feared him, they wouldn't bother him.

And Tom is used to his magic allowing him to get his way, forcing people to tell him the truth in an accidental version of the Imperious. It's important to remember he is a young child on the defensive. He has been on the defensive probably since he could comprehend language. As such, I'm not surprised to see him use his magic to make people treat him better — or at the bare minimum, not lie to him.

All I see from the above interaction is a scared, lonely child who never had anyone so he's on the defensive. He guards his heart and interests with all the weapons he has at his disposal because he has no one else who will. This is a child that needs help.

“Magic?” he repeated in a whisper. “That’s right,” said Dumbledore. “It’s . . . it’s magic, what I can do?” “What is it that you can do?” “All sorts,” breathed Riddle. A flush of excitement was rising up his neck into his hollow cheeks; he looked fevered. “I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.” His legs were trembling. He stumbled forward and sat down on the bed again, staring at his hands, his head bowed as though in prayer. “I knew I was different,” he whispered to his own quivering fingers. “I knew I was special. Always, I knew there was something.”

(Half-Blood Prince, page 271)

What we see here is actually really cute. Okay.

So, Tom Riddle, lonely and mistreated finally gets the confirmation that yes, he is special, not insane, he is better like he always tried to convince himself he was. So he immediately gets excited and starts gushing — boasting — about all the magic he can do. He's flushed and fevered and happy.

He is so excited to share this with someone else, to have someone like him, who understands him. He was elated at Dumbledore's existence at that moment.

This is a lonely 11-year-old child who never had a friend or kind caregiver in his life, trying to connect to the first adult to not call him insane. The first adult to tell him he was special, that he wasn't wrong.

And then Dumbledore speaks down to him and pretends to set all his (very few) belongings on fire.

Dumbledore raised his eyebrows. “If, as I take it, you are accepting your place at Hogwarts —” “Of course I am!” “Then you will address me as ‘Professor’ or ‘sir.’ ” Riddle’s expression hardened for the most fleeting moment before he said, in an unrecognizably polite voice, “I’m sorry, sir. I meant — please, Professor, could you show me — ?”

(Half-Blood Prince, pages 271-272)

This is the moment Dumbledore made his greatest mistake when it came to Tom Riddle. Instead of trying to direct him and help him like an educator, he showed his dislike for Tom. He thought Tom to close up his heart, that even among wizards he would not find this connection he seeks.

So Tom hardens his expression and goes to the cold, polite, distant mask we'll see him wear for the rest of his Hogwarts years.

[gravestrain]

we don't have to talk about it; b. boeser

Well I wasn't sure if this would be done in time, but it is and it is probably the most proud I have ever been of a piece of writing I've made. I did not get a perfect bingo but I chose trade angst, friends to lovers, playlists as a love language, "it's always going to be you," and summer romance. This is some sickly sweet soulmates fluff accompanied by some sickly sweet playlists. There is a bit of NSFW mentions towards the begin but no actual smut. For this reason, 18+ readers only please ☺️

Happy birthday sweet Demi @wyattjohnston! 💖 I am so lucky to be in this community with you and wanted to write you something in return for all you do for our community of hockeyblr writers.

I want to preface this by saying that this is probably a slightly unrealistic version of Brock, and that is okay. This is a work of fiction. Do I think Brock listens to boygenius? Definitely not. But for the sake of this story, he would. As always, I did some research for this fic and so the programs at both UND and UBC that Harper completes are real programs/degrees!

Also; this is the inspiration picture I had for Harper's tattoo (photo from Pinterest). If it isn't clear in the story, I imagine Harper to have a lot of tattoos. I imagine her having a lot of small tattoos all over her body. Additionally, I tried my best to give Harper no other physical descriptors other than her having tattoos, so you all have the freedom to imagine her in any way that you possibly could want to, which I think is a beautiful thing. She/her pronouns are used. 2.6k words plus 3 small playlists ☺️

~~~~~~~

"We don't have to talk about it," Harper whispered to Brock as she slipped out from under his arm, the warm covers forcefully removed from his body. Brock shuddered at the implications of that.

His best friend. His lifeline, his biggest supporter. Somehow, he had ended up in bed with her, swollen lips and hair astray. He wondered if it meant absolutely everything to her, the way it did to him. He wondered if she would lay up for days, trying to forget the way her lips felt on his, the smell of her hair, the curl of her fingers around his.

"He's just lost," Harper told her best friend Amelie that weekend over cocktails. She was convinced that Amelie's eyes were going to pop out of her head when Harper whispered to her that she had ended up in bed with her childhood best friend. "Harper, I don't know how you can say that. It's your best friend, for Christ's sake. This isn't just anybody. Everyone in Vancouver is dying to get where you just were." Amelie ranted to Harper, trying to relay the implications of what the two of them had done. "Things between you two may never be the same." She exasperated and Harper rolled her eyes.

"Please, he is just overwhelmed. He feels very out of his element with the trade rumors and just wanted some safety and normalcy. It's not like it was romantic. Trust me, there was no aftercare or lit candles or rose petals." Harper sighed dramatically and Amelie tried to pretend like she believed her. Meanwhile, Harper tried to forget what it felt like when his fingers ghosted through her hair afterwards, when he brought her water and wiped her down gently. She tried to forget the way her heart beat out her chest at the way he held her afterwards. That she had to force him to let her go. Amelie shook her head and sipped her cocktail, wondering if Harper was foolish enough to think that she believed her.

Brock was avoiding Harper. That much was obvious. It would be more obvious if Harper wasn't doing the same thing to Brock. It had been a week since they slept together with no contact, probably the longest since their only real fight in freshman year of college when Brock left for an out of town game without saying bye to Harper. If Harper had known better when she slipped into bed after too many cocktails that night with Amelie, she would have stopped herself from opening one of her biggest secrets.

Harper had been making monthly playlists of Brock for as long as she could remember. In her Spotify, they go back to 2018. She thinks it was from the only time in their life when they were separated, when Harper was finishing her degree at UND and Brock was playing across the continent in Vancouver. It was a piece of her that she had always loved to do. It felt like a sacred part of their friendship, despite Brock knowing nothing about it.

If the amaretto sours weren't fogging her brain over, she would've done a double take at sending Brock her playlist titled "Brock: May 2023." But she didn't. She just sent it.

Brock was in bed, trying to fall asleep for the night when his ringtone for Harper went off. He shot up in bed, the reality of not talking to her for a week setting in. He scrambled for his phone, and found the playlist attached with a simple message: "I miss you." He was sure that she was out drinking with Amelie, just like they did one Saturday every month. With no judgement, he remembered that she had already gone out for their get together this month, but that was the last thing on his mind as he clicked on the playlist.

The playlist had a cover, just as all of hers did. A picture of Brock smiling wide after a game that he remembered her taking at the beginning of the month. He knew the ignoring was mutual, but his heart started to sink when he thought of just how much it could have been affecting her.

"I miss you more," he replied back without even clicking on the playlist. When he did, he found out that he didn't recognize many of the songs, but they would soon become the soundtrack to the rest of May for him. The dark screen of Spotify glared up at him, the tracks listed:

cool about it by boygenius

Graceland Too by Phoebe Bridgers

Radio by Lana Del Rey

Cornelia Street by Taylor Swift

Labyrinth by Taylor Swift

I saw you in a dream by the Japanese House

Brock simply pressed play on the playlist and let it hum him to sleep, his heart constricting at the way that the songs related to them and how they made him feel.

~~~

Harper knew Brock like the back of her hand. She knew what made him smile and what made him front. She knew what made him feel proud and what bruised his ego. Naturally, she knew what kind of music he would like to listen to. And she knew that Brock had probably never willingly turned on a song from any of the artists that were featured on the May playlist. But she knew him. And she knew what he needed to hear.

So when he sent her a picture of the lyric "you know how much I hate that everybody just expects me to bounce back, just like that" from Labyrinth by Taylor Swift, she didn't flinch when she soon saw the caption that went with it: "how do you know exactly what I need to hear. I don't think I've ever related to a lyric more." She smiled at their affinity for each other. She was however surprised, when a Spotify link of his own came through.

Titled: Harper, May 2023.

not strong enough by boygenius

Cleopatra by the Lumineers

End of Beginning by Djo

Don't Give Up on Me by Zach Bryan

The Archer by Taylor Swift

"I see I've inspired a bit of your music taste," Harper responded with a cheeky smile. She was certain that he had never heard a boygenius song before she sent him one. "You see right through me," he responded back cheekily, her cheeks burning. Harper stared at the playlist in awe when she realized that he was in fact referring to The Archer. Before she could even think twice about it, she was drafting an email to her tattoo artist about getting the tattoo for "The Archer" that she had been wanting for months.

It seemed that a week after that conversation, with few in between, that Brock was also doing things before he could think twice about them. When he had started the trek home from his night out with the guys, they all did a double take when he asked Quinn to drop him at Harper's. He hadn't told anyone besides Petey about their sleeping together, but they could all tell that something was going on between the two childhood best friends.

"Are you sure that's a good idea bud?" Elias asked, clapping his hand on his best friend's shoulder. He knew the status of the friendship at that point and he could also recognize that Brock was beyond intoxicated. "Yeah, we're good now. Just a blip. She's expecting me." He smiled his most convincing smile at Elias and he seemed to fall for it. "Alright bud, well if she throws you out screaming give me or Quinner a call and we can take you back to your place?" He offered and Brock nodded, his feet carrying him quickly towards the door. At this point, Brock was eagerly trying to make his way to his best friend who he hadn't seen in weeks. It had now been almost three weeks since they had seen each other. Brock was soon to be heading home to Minnesota, and Harper would soon be following him. He would wait until the school year was over so he could help Harper pack up and move back home.

It was never Harper's plan to follow Brock to Vancouver, but once she followed him to UND, it seemed inevitable. It became glaringly obvious that the two of them could simply not live without each other. When Harper graduated with her bachelors in Communication Sciences and Disorders, she had already been accepted into the University of British Columbia's Masters program for Audiology and Speech Sciences. After two years in this program, Harper graduated, and got her dream job as a speech pathologist in a high school not far from her apartment.

When she first let Brock know of her plans, he was living with a teammate. He insisted that he could get out of the lease and that he wanted to live with her so that she wasn't by herself. Harper had already found another girl in the same program study as her that she would live in a nicer apartment with. She was lucky that she never had to worry about money. Both of her parents had good paying jobs, and they always supported her choice to be with Brock in Vancouver, seeing as Harper's mom's best friend is Brock's mom.

Brock made the familiar descent up to the 4th floor to Harper's apartment, typing in the code and letting himself in. It was just past 1. Harper liked to stay up late, and her roommate Carmen had gone back home to Edmonton for the summer, meaning he knew he was okay sneaking in this late.

"Harps?" He called out, heading towards her bedroom. He slowly opened the door and found her laying on her side in her bed. Her bedside lamp was still on, letting him know that she had just dozed off and hadn't actually fallen asleep for the night. Brock's eyes furrowed in on the angry red skin that lined the obviously new tattoo that she was sporting on the back of her left upper arm. A bow and arrow, with ivy detailing now adorned her arm. Small cursive words were also laced within the bow. Brock couldn't make them out from where he was standing, but he didn't have to to know that they were something from the Taylor Swift song. His heart constricted at the mere thought of that, that something that they had shared amongst each other was now permanently on her body. It would be with her for the rest of her life.

As the soft pads of his fingertips reached out to touch it, Harper shot awake, startled by the sudden touch. "Just me, honey," he rasped out. "You scared the shit out of me," she gasped, rolling over to face him but careful not to put too much pressure on the new ink she was sporting. "What are you doing here?" She mumbled, eyes squinting to adjust to the lamp light.

"I can't do this anymore," he sighed as he sat on the end of her bed. "I love you, Harper. And I want everyone to know it. I want you to know it." He confessed. Her eyes widened, sitting up to move towards him. "You're drunk." She muttered, not making eye contact with him. She knew how this would end. She had imagined it so many times, a scenario where she was able to be with her best friend, as she had wanted for so long. But they all ended the same way all of her past relationships ended: heartbreak, agony, trauma.

"I am, but I know I love you more than I could ever begin to express. You are the center of my world. Let me love you the way you deserve to be loved." His hands were now holding her own, his soft eyes pleading with hers as he reached out to touch her palm. "It's always going to be you, Harper. In every universe. Just tell me you love me and everything will be okay." His blue eyes stared into her own with more passion than she could ever comprehend. Tears welled up in her eyes, and all she could think to do was lean in and kiss Brock with all the love she had had for him since she was 16 years old.

Now at 26, as she held onto him, his steady heartbeat anchoring her to sleep under her ear, she wondered if it could have always been so easy, to love her best friend whole heartedly, and that he would love her the exact same way back. When she felt his fingertips brushing her shoulders gently, a soft hum of "Landslide" by Fleetwood Mac coming from his lips, a late addition to her "Brock: May 2023" playlist, she realized she was wrong all along. Being with Brock would never lead her to heartbreak, agony, and trauma. It was Brock. Her Brock. Gentle, warm, soft as a blanket Brock. When he wrapped his arms around her, and she finally felt her lips on his once again, she realized her doubts were always just that: doubts. And with a sweep of his thumb across her cheek, they both pulled back, looking at each other and wondering if they'd feel happiness like this forever.

_____

3 months later

"You guys are absolutely disgusting," Quinn grumbled in fake agony at Brock and Harper who were cuddled up on the couch outside on the patio, watching the sunset at Brock's family lake house. "At least you don't have to share a wall with them!" Petey groaned, causing Brock to shove his shoulder. "You two should just be happy that you don't have to share a room anymore." He tried to deflect but it only caused more bickering from the two, finger pointing about who snored louder and how last summer Quinn took one too many turns sleeping on the bed and Petey had to sleep on the floor an extra night.

Harper snuggled deeper into Brock's shoulder, inhaling his familiar scent. She pulled the blanket up to puddle around her hips: Brock always ran warm, and she always ran cold, so the blanket never came anywhere near him. She reached up to brush a small piece of hair out of Brock's face as she chucked and Elias and Quinn's antics. There was nothing like enjoying the lake with Brock and their loved ones.

Of course she had spent countless days here with Brock. Many people had come through the front door and experienced the magic of the Boeser family lake house and all the memories and warmth that comes with it. But there was truly nothing like this feeling of warmth, joy, the feeling of home. She wondered if she would ever be as happy as she is in this current moment, this current summer.

When she looked up at the man next to her, the man of her dreams, she knew she would always be that happy. He was mid sentence when she couldn't resist the burning urge to kiss her lover on the cheek, leaning up to snuggle into his neck, her cold hands reaching under his sweatshirt, causing him to shiver.

"Could you guys be any more disgustingly cute? Makes me sick," Quinn muttered, taking a sip of his beer. "Yes," the two of them muttered simultaneously. Quinn and Elias just laughed, shaking their hands at the response. They knew the answer, and it wasn't that they really minded. They loved Harper and loved that Brock was happy and not embarrassingly pining after his best friend anymore.

Harper began humming along with "Sad Songs for Sad People" by Megan Moroney, one of her favorites for the month. Now that they were dating, the playlists were still made monthly, which some slight changes. They were now titled "Brock and Harper" with the month and year accompanying it, their two profile pictures snuggled up next to each other at the top. The cover photos were now pictures of the perfect couple.

At this point it was Brock who couldn't resist placing a soft kiss on his lover's lips. As they cuddled together, they both knew that they could never replicate the first summer at the lake as an official couple, but as long as they were together, the happiness, the magic, the joy of that first summer would last forever.

Brock and Harper, August 2023

Sad Songs for Sad People by Megan Moroney

All of the Girls You Loved Before by Taylor Swift

Grapejuice by Harry Styles

Golden Hour by Kacey Musgraves

Since We're Alone by Niall Horan

Lady May by Tyler Childers

Sweet Nothing by Taylor Swift

I Hate Love Songs by Kelsea Ballerini

Bad for Business by Sabrina Carpenter

Starting Over by Chris Stapleton

[am-i-the-asshole-official]

Hi everybody.

So to preface: I've already been told that this is something I shouldn't fret about by a few of my friends, but I'm just a bit worried about it.

AITA for me (16M) making one of my friends (16M) uncomfortable?

I didn't really mean to make him uncomfortable, because I care a lot about this guy. I can go on a whole tirade about how I want to spend my time with him (not romantically or anything). He's a lot more introverted than I am, and a bit less expressive (though in comparison to me, a lot of the time people seem not as expressive as I am).

But I made him uncomfortable because I talked a little bit about how, when I first met him, I didn't think he was cis (we met online). It was because of the online space we were in and the fact that I didn't talk to/meet to a lot of cis people online, and I thought it was a bit funny that I thought that because it wasn't the case. I myself am not cis, which is usually why I find myself mostly involving myself with other trans people.

Though, this comment did make him uncomfortable. I didn't properly explain why I thought this (I didn't explain at all, initially, because I didn't know how to, but after he got uncomfortable I did try to explain). He said that the reason it made him uncomfortable is that he didn't like being put into those sorts of boxes (which isn't what I meant at all, and I didn't want it to seem like that; it was just something I was mostly used to so I made the assumption).

I apologized to him (though I also didn't realize he was uncomfortable when he first said it), and he stated offhandedly that, "this was why he didn't share his interests to people" which made me feel even worse, because I want to be there for him and listen to him talk about his interests.

I didn't know that he was going to be uncomfortable with my comment, nor did I want him to be uncomfortable whatsoever.

After I apologized to him a bit more (I was really nervous, and I felt so guilty about it), he said I didn't need to apologize, and that acknowledging that I made him uncomfortable was all that he needed. I still feel bad about this (I'm not very good at apologizing to people, as I'm a bit inarticulate with these sorts of confrontations). We moved on, and went back to talking to how we usually did, though still.

I also fully acknowledge that I likely shouldn't be making assumptions like that. I've lessened those assumptions a lot, as I had met him awhile ago. Now I pretty much just don't have opinions on other people outside of how they are personality-wise. I do believe I am in the wrong for making the assumption in the first place, and making the joke, but it would be nice for an outside opinion that also aren't my friends (as they may be biased to me not being in the wrong).

(I hope that this was enough information, because sometimes I tend to not be entirely clear/tend to be vague with what it is I am talking about, because I forget people aren't going to be able to know the scope of what it is that is going on.

I'm also not really used to this sort of worry, since I usually don't feel like this about a lot of things. This post may make it seem like I'm a bit of a pushover/over-apologizes? I feel like this is one of the few times I apologized a bit much, really. I just care about him a lot.)

AITA?

What are these acronyms?

[fangswbenefits]

I'm sorry if this is stupid, but I have a question. So, for the asks talking about virgin tav and astarion finding out during, you mentioned him realizing because of how tight she is. Is that a thing? Like inherently better than a virgin who has done some self exploration?

I'm gonna be honest. This is absolutely stemming from catholic guilt. But it made me worried that if you've ever done self exploration with penetration, you're less of a virgin somehow and they can tell and it's not as appealing.

Which, not to say that's what you meant. To be clear this is my brain going into overdrive because I was taught to be ashamed of having a body as a woman. You didn't imply that or anything. This is pure extrapolation of thin air and guilt. But I think this is the only way to properly get an answer because if you google that, you'll find... not nice people. And I trust you far, far more.

Again, I'm so sorry if this is stupid.

I want to preface this by saying that non every woman who is a virgin has their hymen intact. Horseriding, gymnastics and so on, can tear the hymen before their first vaginal penetrative act. In this scenario, Tav would have hers intact, hence why Astarion would find this 'barrier' so to speak when trying to slide it in for the first time... it wouldn't be related to Tav's tightness.

And your ask isn't stupid at all, friend 🩷 I am more than happy to give shed some light 🫂

[lesbian-gnf-archive]

My full, unfiltered review of episode 1 of GnLoss:

To preface this, I did not watch it for any ill intent if anyone thinks I did. I watched it because I love horror and had been casually interested since the concept was announced two years ago. I went into this hoping for something to entertain me and was unfortunately disappointed, and this is all my own subjective opinion. If you genuinely liked it I'm happy for you

To start with some of the things I did like, I liked when the camera was higher quality and the effects of when R.anb.oo walked through the door into the green room, or especially when they were on the beach. I liked the look of it, especially with the lone door. I found the effect of the fabric wall when Charlie was pushing against it to give a bit of a spooky look (though this enjoyment ended quickly when the camera showed how the effect was made and it was immediately made into a joke. This wouldn't have been as much of a problem to me if the rest of the episode wasn't like this as well), and I laughed a couple of times when Charlie told a joke. I also liked the very final scene, again when Ra.nbo.o goes through the door and the camera is higher quality and then they get sedated, cool shot 👍

Other than that, the only word I can think of when I look back on it is boring. I felt that it lacked any substance or comedy or horror. And to be very clear, I am the number one defender for stories that use the first episode/season/act to establish the characters and setting more. Like I am completely okay with that because I'm someone who values the characters in a story more than the story itself, if I care about the characters I can live with a mediocre story, but I can't live with a great story if I can't stand/don't care for the characters. So I am completely fine with that, but the problem with gnlss is that it barely establishes any of that.

I'm watching this story and I don't care who these characters are or what happens to them or what they do. You can trade any of the characters out with any other one and it would still be the same for me. And it's especially a problem with Ra.nbo.o, our protagonist, because the audience is meant to care that he doesn't get hurt, like we physically have to care enough to make the right choices but he has absolutely no personality and you could change him for a brick wall and get the same character.

And one of the most glaring issues with it is obviously the quality. I've seen lots of people say that it was done on purpose, but if that's the case then it needs to be so bad that it's obviously on purpose. It's like if you draw a straight line without a ruler, it will almost always come out crooked and sloppy, but when someone sees that they will automatically think you tried to make a straight line and failed. Which is why if you're doing it on purpose, you make the line squiggly because then people will glance at it and know that it was on purpose. It's the same thing with the acting, Charlie did his best but he did not have any help when trying to work with Sn.ee.g or Ra.nbo.o and their very flat performances, R being especially guilty of not using the very first and basic rule of improv: to say "yes, and". And it's especially disappointing because I was never expecting professional acting from twitch streamers at all, but I know that R can do better because while it wasn't amazing their lore streams were leagues above their acting in this. And again, over and over again I see "it's bad on purpose" but that can only be used as an excuse so many times.

If everything is mediocre and the only excuse is "it's on purpose" then all you did is make something mediocre. I've also seen some people say that what they did was impressive given their resources they had, but this show was funded by an entire company, created by a millionaire, and has been in the works for two years. This isn't a small indie project created by one person, it has a budget and it used it all on a mask that you can't even hear him out of. The constant change in camera quality when switching between live stuff and pre recorded stuff was extremely jarring, and only made it more glaringly obvious how poorly shot the live sections were, I really wish they stayed with the higher quality or at the very least kept it consistent.

And to top it off, it's just not what it had been promo'd as. The promos set expectations that were so far from what we got that I can't believe these are meant to be the same projects. If I watched it with no knowledge that it was meant to be a horror project then I would have no idea, the fact that I could not tell you the actual genre of it within the first (and from what Ra.nbo.o is describing the next episode is gonna be, the second as well) is a problem. If they didn't want the first episode to be focused on horror, that's fine, but there still needs to be something there. Like, the very first scene could have been a scary compilation of vague clips showing what happened to him and how he got in the house, and if executed well could then blend fine into the goofy story. It's also just. Painfully unfunny. You can tell they're trying to tell jokes and to make it funny, so it hurts more when you don't even crack a smile until an hour in.

I was hoping the second episode would go more into the lore or horror, but Ra.nbo.o has said that this next one is meant to be sillier which is incredibly disappointing and will most likely cause a huge tone problem for the third episode if 2/3s of your horror series is unfunny comedy.

[reginrokkr]

Before I say anything, I want to preface that this post isn't meant to throw shade at the character this is about, more so about the direction the company takes with her and a suspicion of mine as for what that reason may be that will be addressed soon.

As I mentioned before, I was looking through content related to Jinhsi in order to make more posts about her —headcanons or otherwise— until I've come across the lines dedicated to Jinhsi through Sanhua's stories / voicelines. This in combination with my reflections on the story (the first part to be precise, when Jinhsi announces her official absence) made me realize that there are a few irregularities when it comes to the direction Kuro made her have.

Starting from the fact that she's Jinhsi's bodyguard, her personal one most accurately said. It's no surprise that anyone of high standing that has a personal bodyguard will have a deeper bond with them than just that and so is Jinhsi's case with her (it's crystal clear to me that Jinhsi cares a lot about Sanhua, to the point where she's an agreed topic of conversation with Changli in which both think she should take it easier, or that instance in one of her stories where Jinhsi introduces herself in one of her nightmares in order to bring her some peace of mind), but there are a few things that are off to me.

Like the fact that she's trusted with paperwork. By this I don't mean to say that Sanhua isn't capable of dealing with it, I'm sure she is. But that would be work out of her scope as a bodyguard. Given that Changli was also setting off Jinzhou at the same time as Jinhsi did, it would be, perhaps, the most adequate to do to entrust one of the people who she has to ask for permission when she wants to implement certain decisions— as it is known that in Jinzhou at least they count with a political system hard for corruption to spring due to the implication of more figures than just the leader. Even more so assuming that said figures might be older and with more years of experience on their backs.

Moreover, there is also this line in particular that makes it inappropriate to me, once again, because Sanhua is her bodyguard. If she were Jinhsi's retainer that might make more sense for her to be concerned about matters like this one, but not in this particular case. One could argue that Jinhsi and Sanhua are friends or their relationship borders a genuine friendship and I would agree with this, but this in particular would be even more awkward if we consider that Sanhua would act this way in a political building. Perhaps it'd make more sense for Changli given that she's Jinhsi's mentor and mentorships tend to be more personal, but not this. An easy example I can think of is of Noctis, Ignis and Gladiolus from FFXV, where Gladiolus is the bodyguard (who also taught Noctis to fight) and Ignis the retainer. There is a crystal clear separation of duties there that, if applied to WuWa, is oddly mixed into Sanhua.

Where I want to get with all of this is to say that in my portrayal of Jinhsi, she will entrust Sanhua with the duties she has a bodyguard but not other things like paperwork or anything that concerns political matters. It's saddening how strange all of this was to me when I began to think about it in more detail because I like their relationship, but I can't help but think that some of these decisions are for plain fanservice purposes that won't be taken in consideration in this blog.

[pygmi-says-hi]

In one of the stories that I want to write, the premise is basically of one of the mcs being held hostage emotionally to another mc because of something horrible she'd done to him the past. Like, seriously ruining his life. And guilty, she holds herself accountable by submitting to him, because he has a need that must be met. Something he didn't need before until she'd basically inflicted this 'wound' on him, something that only she can fulfil. She's basically his slave, and I plan on him using the word slave at some point. I like disturbing stories because I enjoy the ache that comes with it.

It's not a smut btw, lol (maybe, I'm focusing on their relationship. And if it ever comes to having any smut, so be it).

Now, my dilemma is that the protagonist is black. And I'm black, so I want to make all of my protags black because I desire representation. I don't think it's wrong if I made her black but at the same time, he'd use the word slave to describe her? It certainly would not be racist. I'm just concerned about whether or not the audience would have the literacy to understand with the clear signs that I would be providing that it is in relation to the main characters relationship.

Because at the end of the day, I want my protag to always look like me.

Thoughts on this?

tw: mentions of human trafficking and slavery

-

I am not a person of color, just to preface this. The story sounds really interesting, and I think you could add a lot of perspectives and social influence on the progression of the captured person.

As with anything that regards a sensitive topic (in this case, human trafficking/slavery), do extensive research on the uses of the term 'slave' and how it might pertain to a poc character.

Racial literacy is sorely absent from today's culture, unfortunately. Understanding when you're reading racism in a contextual, educational light (aka like in To Kill a Mockingbird; racism is present but isn't the core message. it is a concept addressed to highlight the bad opinions of the time)

Historically, slavery exists in all cultures, so that term in itself isn't inherently racist, though it is associated with prejudice and racial abuse. If the term is used in the context of the character's race, then yes, it would be considered racist.

However I urge you to read into the term and connotations to make sure you don't overstep any boundaries. Research is meant for that purpose! here are some sites:

Foundations of Race - AA museum of history and culture

racial literacy - The Black Curriculum

[dearweirdme]

https://twitter.com/Sugaaar_93/status/1719777165548634340/mediaViewer?currentTweet=1719777165548634340&currentTweetUser=Sugaaar_93&mode=profile

Didn't Holland say that tkk isn't real? Why aren't you all talking about that? He literally said that it isn't real. Why would he lie? If tae and jk were together, I am pretty sure he would've evaded the ques or just said something like no I don't ship them, or I don't know about them or smth like that.

Why would he lie about it? What's he getting by denying tkk? Is he a "tkk anti" or smth 🙄?

One of jm's close friends had said this about jkk as well but jkkrs didn't believe him. Tkkrs called them delulu for not accepting the truth. Aren't we doing the exact same thing now? Aren't we being delusional?

The whole Holland thing has been diverted to him mentioning tkk on socmed, which I agree was wrong and he apologized. But that's a different issue and has been discussed extensively here and on stan twt. But what almost all tkkrs are being blind to is him saying tkk isn't real. Why aren't we talking about it?

Hi anon!

Oh, I don’t mind talking about it. Let’s go through a few scenarios.

Firstly, did he actually say ‘ it’s not real’? What I hear is something like: it’s not alear/a lear okay. Now messing up r’s and l’s is something that happens when Koreans speak English I believe, but I’ve spent the morning listening to Holland speaking English, and (though his English is mediocre) this is not something he does (in general at least). The word he says during the live to me sounds like it starts with an L and ends with an R, it’s also prefaced by an ‘a’ which isn’t proper English, but could be due to his mediocre English, but it could also imo be a word that’s coined by the a and the lear.. sounding like ‘alear’. Overall I don’t think he definitely says ‘its not real okay’. Taking into account the boldness of a statement like that, and that he was clearly annoyed by being asked about a ship yet again. I think it’s also possible his comment wasn’t about Taekook being real, but about the question being not okay.

Let’s go with him actually having said/meant that Taekook isn’t real. Does he actually possess the knowledge about that? There’s two camps right now, one claiming Holland and Tae are friends and one claiming they are not. Except for the ‘couple bag’ mention I have found nothing pointing to them actually being friends. It’s ofcourse possible that they are, but it doesn’t look like it and him speaking about Tae and Jk like he did also makes me think they aren’t. Holland wasn’t thinking about what his comment meant for Tae, he was thinking about himself. His apology made that extra clear imo. While I think it’s possible he might suspect, being in the business himself, I doubt he actually knows.. since I think Tae and Jk are only actually out to those closest to them. There is only one answer (since he chose to engage) Holland could give to that question (which wasn’t even the question) and that was to deny. When he started that reply there was no other option for him than to deny.. everything else would have been taken as a ‘yes, they’re together’, which would have been way way worse. I think he made a mistake by starting to reply to that comment.. I think he realized his mistake (which is why he took some time) and came up with the only possible option. Because denying it is more in Tae and Jk’s favor than anything else he could’ve done.

Holland realized he made a mistake during his live, which is why he tried to correct it by making that first post: ‘I don’t want to know who might be in the lgbtq+ in the k-pop industry (= emphasis on not knowing) and even if I did, i wouldn’t want to discuss it.’ Which is basically backtracking everything he just did. That statement obviously made things worse, so he took it back and apologized. Holland was in panic mode, and justly so because he overstepped.

Let’s say Taekook isn’t real at all and he wanted to let us know and Tae was alright with him stating this.. why backtrack to the extent he did?

Ofcourse he isn’t a Tkk anti. He made a mistake, he put himself into a position that he shouldn’t have been in. Being Holland isn’t easy, he’s been very brave by coming out and I respect him immensely because of that. I can understand comments about other ships being annoying to him, because it diminishes his person.. he is so much more than a gay Sk singer and he literally cannot out any idols. The way I take this is he dis his live, got frustrated by yet another ship comment, started to respond because of that frustration, realized he shouldn’t have gone there and tried to control the damage. If I were to be a bit negative.. perhaps a bit of cloutchasing also played a role in him starting to reply to the Tkk comment. All in all the situation is shitty and I’d say Holland himself probably feels very bad about it too.

[nianderful]

and now: a not-so-brief tangent on jaguar (2024) from an ivette velez stan

hello! it's been a while since i made a post like this but it's for a good reason! and i have a Lot to say so i'm putting it under a cut.

not a lot of people who follow me may know about this but i've been kind of losing it (/pos) over one of archie comics' latest oneshots— the jaguar, which came out about a couple of weeks back. it's a pretty great comic, and one that means a lot to me as someone who's actually been a fan of ivette velez/jaguar II for quite a long time. ask anyone who follows me on discord and they'll tell you; i can talk about this catgirl for hours.

while i find new crusaders to be pretty....alright, ivette's character was the only one that stuck with me. i related a lot to her shyness and fear, and found it wonderful to read about her overcoming her fears and rising up as a hero.

go ahead, girl. i am of the opinion that she carries this comic in terms of writing. (ian flynn had only 20% of his power, and it went into her) as for mighty crusaders 2017, i found it to be....Fine but hey! The Girl! Yay!

(i think 2017!ivette is cool...when i'm able to ignore the inconsistent lore. i'm a bit of a lore nut) so to sum up: i've been a fan of ivette velez for a long time. and i've pleaded with the comic gods for her to get her due for. well. a long time (again just ask my discord pals) so you can imagine how happy i was when the jaguar oneshot was announced last year. it was a very wonderful day. i was finally being fed after so long three and a half months later, here i am, and let me preface by saying: the jaguar is great. it's the comic i always dreamed of ivette getting. and i can't really go on without saying thank you to the creative team. you worked magic and i hope you know that.

i don't want this to be a super long post going through a play-by-play of this comic so i'm going to talk about what i came out liking the most: the meaning and pathos it gives to ivette as a character, and the jaguar name.

let me preface this by admitting something: as much as i adore ivette in new crusaders, i'm starting to realize/understand that her character's sort of....bare-bones. i love her dearly but it's kind of true. she's just shy and scared and little else until she's not. while she’s still the only new crusader to get something resembling an arc, a lot of it is “shy one stands up for herself”.

and, again, i love her for that! there aren't a lot of superhero characters i'm able to see myself in, because a lot of the time, shy girls don't become heroes.

but part of appreciating the jaguar meant accepting the reality that there wasn't much to her in new crusaders. and that makes me appreciate with the former comic did with her all the more

the first two pages of the oneshot do wonderfully with establishing her relationship with her heritage—she doesn't really have one.

(i can talk about how much i love tango's art all day, how it does a phenomenal job showing us not just how reserved ivette is, but how insecure she feels answering the question "are you from peru?")

this is so much more than what we got in new crusaders; instead of being Shy And Nothing More, she's shy...and someone who clearly has a bunch of baggage. and this isn't even getting into the pathos this story adds to the jaguar name. in new crusaders, it's simply ivette's hero identity. her powers come from the helmet of ai apaec, but there's nothing more than that.

but in the jaguar, ai apaec's helmet (and his entire existence) is tied to ivette's growth. and we learn as the comic goes on that the name 'jaguar' means more to her than a superhero moniker

one of the parts of this comic that struck me the most is the panel talking about one of the peruvian ruins ivette visits

this panel sticks with me because. there's a lot of parallels to ivette's backstory. the legend of a girl who lost her parents...

... and became a powerful jaguar.

it's pretty clear that ivette's got close ties to this legend, and that's before we learn where ai apaec factors in all this.

again, let's go back to new crusaders for a bit. in that comic, ai apaec's just a bloodthirsty god who looks down on ivette at first...

...and only gives her his powers when she tells him where to stick it.

(there's just a bit more to their dynamic than that actually but. not relevant)

in the jaguar, though, we learn pretty quickly that ai apaec was the god mentioned in the panel discussing the jaguar's lair...

and we're reminded that ivette is the girl in that legend. and also may be an reincarnation of ai apaec. the guy's not just the source of her powers; they're one in the same.

(these panels are so SICK man the art in this slaps so hard)

the dynamic between ai apaec and ivette just feels deeper than it is in new crusaders. he's instrumental in her growth and self-realization. his last bit of dialogue is....augh

(it's probably not a coincidence that ai apaec's appearance is more jaguar-esque than it is in new crusaders)

the main takeaway i got from all this: ivette velez Is the jaguar, and not just because that's her hero name.

all of this comes together in the final page of the comic, where ivette is able to answer the question "are you from peru?" with certainty—and in spanish no less.

honestly, this is just part of the package. i haven't even gotten into the writing or the villain (and i'm not telling. read the comic you yahoos) and again i could gush about the art all day.

but this is the number one thing i appreciate about the jaguar. it takes a character who was pretty two-dimensional in her debut and adds meaning, depth, and emotion to her character. she's so much more than who she was, and while i love both iterations, i can't deny that.

to end this little spiel: i made this post last year. and in said post i expressed my dream that ivette would get her own shadow of the batgirl.

and now i can say that wish has been granted in spades. (i mean. i would've loved a graphic novel but we can't have it all) i've said this once but i am so so thankful for that. i'm thankful that i can say that ivette velez is more than a character who's potential was wasted.

and to everyone who brought this comic to life: thank you from a fellow shy girl. and while i'm hopeful that the future is as bright as this, i'm also very grateful for what we've got. thank you.

[correctfullmetalalchemist]

Hey genuinely, I kno it wasnt about the Iraq war, but when FMA was first on air was 2003, and FMAB around what, 2010? Being a teen in America, it totally felt like it was anti-war propaganda about the way the US was in the middle east. I dont think its that unreasonable for a teen, with no historical context about Japan, would see brown-skinned people being treated shitty by a pseudo-European nation and go "huh that reminds me a lot of whats going on in Iraq and Afghanistan"

It wasnt until I was out of college, nearly a decade after my first watch of the show that I even found out there was Japanese context for Ishval. Idk I just think its weird to say "what an idiot that person is" when they may just be missing some historical info.

You dont have to post this, its "discourse" or whatev, I just wanted to share my POV

This has been sitting in my drafts for like a week? week and a half? I meant to respond to it right away, ended up getting into a several hours long conversation with friends in regards to it. Was exhausted by the conversation afterwards and wasn't able to formulate a coherent final response.

I will start off with saying with saying thank you for your earnest response I hope to give you one of the same.

I hear what your saying and I respect it.

One of the incredible things about media is that we can read context and meaning into everything. There isn't a right or wrong way to interpret works. How we see and perceive things is going to be influenced by the current events and the lived history of those consuming that media. This makes consuming all content a truly unique experience for everyone. The people making the media also are able to add influences of their own thoughts and experiences into the work they make.

Maybe people in the early 2000s when watching FMA were able to see the current stresses of the Iraq war being reflected back into the media. It is also possible that when Arakawa was making FMA, or people in the production studios, that maybe they were influenced in certain regards to the Iraq war that was currently unfolding and as a result was influencing Japan as well. Understanding and interpreting media like this is wonderful and allows us deeper connections with art.

That being said, while I understand this perspective and agree with it, that hadn't really been connected to the point I was initially trying to make. That point had originally been "I think it's silly for someone to say this piece of media is definitely about the Iraq war when there are so many obvious overtones to it being a parallel to Nazi Germany." Which I hadn't made clear in the post but was my thought process none the less. A character is trying to be named Fuhrer after their country caused a horrendous war and genocide. Conqueror of Shamballa literally takes place in Germany in the lead up to World War II. That had been the start and end of that thought, just a meaningless argument on the surface level interpretation of an anime.

But that argument I think has lead into a bigger conversation that I think is worth having. I don't want to dismiss peoples ability to relate media with what's relevant to them, but I would also make an argument against people who make definitive claims of how a work should be read and the meaning behind it.

"I think Fullmetal Alchemist can be read as an allegory to the American experience in the Iraq war."

Is a different statement to,

"Fullmetal Alchemist is about the Iraq war."

Maybe its semantics, maybe its not.

I will preface this conversation with the fact I am a young Canadian who was never directly impacted by the Iraq war, the propaganda machine propagating it, nor have any memories of it in general. I simply wasn't a teen in the early 2000s and wasn't experiencing media in that context. I don't fault anyone for being influenced to view media under those circumstances. But I do want to make an argument that if you were one of those teens taking in media in that time and formulating world views and meaning in literature and came out with the perspective that Fullmetal Alchemist is about the Iraq war, maybe its time to expand your thought processes. I'm not trying to say that to be an asshole or argumentative, just a suggestion to challenge the way you interpret works. You can take the broad anti-war messaging and apply it to any war anyone has fought, it doesn't have to be specific.

It's not about knowing about Japan's colonization and its actions against the Ainu people. Many people don't know about that. But like I think we all sometimes get bullheaded into thinking very self focused and forget that sometimes things can be generalized. it doesn't have to be about Iraq, about WWII, about the Ainu. In all likelyhood all of these things contributed some way in the messaging of FMA which has lead to it being the incredible story it is. But that doesn't mean that it is about any of those things in particular. Sometimes it can just be about broad strokes themes that war is bad, you have to take actions to fix your mistakes.

So like to be clear, you are right there is a variety of reasons why people would interpret FMA in that way. I don't begrudge them for that, but I do what to challenge them to maybe think about media a different way, and to grow their understandings of the work. The Iraq war happened in the early 2000s, its the 2020s now, lets see what different ways we can grow, learn, and develop our understandings from content. We all view media differently and that it important but we should also be realistic in this regard and understand that just because we interpret a work in a certain regard doesn't make it correct either.

I want to be clear how I read and derived meaning from FMA isn't better than how anyone else does. At the end of the day, how you read/watch FMA is entirely your choice and that doesn't affect me, just same how I do it is not relevant to you.

I just wanted to kinda of explain my thoughts a bit regarding that post I made. I don't necessarily disagree with it, I think my original point remains to an extent. But this was a really good opportunity to expand the thought into something more worth discussing.

So thank you for your response and thoughts which forced me to think of media in a different perspective. Thank you for your patience as I formulate a worthwhile response. And, sorry for the wall of text.

TLDR: My original point was that I thought it was silly to make a broad stroke argument about how FMA was about the Iraq War when surface reading analysis shows a heavy emphasis on an alternate universe Germany-centric retelling of the World Wars. Upon deeper thought I think there is a lot of ways we can interpret and draw meaning from the media we consume. How we interpret media is a heavily personal decision and ultimately only relevant to ourselves, but I also think we should continue to push ourselves into evolving our perspectives to be more diverse and reflective of other points of view.

[hearsthephone]

scribedhorror

Unfortunately for Finn, Bill would always be worrying about him. Especially here in Derry where nowhere was safe. No one was safe, either from IT or from the other citizens who weren’t the Losers. Any of them could be under IT’s influence. Hell, all of them probably were to some degree. “It’s nuh-not personal I p-promise. And I nuh-know what you’re thuh-thinking--- Not as c-clearly as the others but-but pieces. I can fuh-feel your f-feelings though,” he revealed, fingers clasping the brunette’s in his grip. “Those are luh-loud and clear.”

He shook his head at the ridiculousness of that statement, managing a smile of his own. “Y-you are far too fuh-forgiving. Better than muh-me,” he teased. There was nothing in this world or the macroverse that would ever have him give IT any bit of grace. If IT wanted to be the destroyer of worlds then Bill would make sure that would never happen. Not here or anywhere else.

Shutting the door behind them, Bill felt his shoulders relax just a little, glad for even this small reprieve. No matter how long that lasted, it was nice to have while it was here. And it was even better to hold onto his boyfriend tightly for as long as he wanted. Or as long as Finney let him.

Finn didn’t seem as nearly relaxed as him even though his boyfriend was resting nearly all his weight on him. A weight that Bill was happy to hold.

“You nuh-never told me,” he agreed, slowly walking them over towards the bed that had barely been touched. “He sounds great. I’m s-s-sorry he’s gone...” Robin meant a lot to Finn, that much he knew without needing to read anyone’s mind or feel anyone’s feelings. Gingerly Bill lowered them down onto the mattress, arms still holding onto his roommate. 

“Okay, nuh-now I have to know why V-Vance would give Eddie a heart-heart attack,” Bill laughed. “Who knows. May-maybe if I get d-deep enough in your head I’ll s-s-see them.” No one besides the Losers knew about this, and now Finn did and that felt good.

"Trust me, the forgiveness isn't there." Bill knew, but it still felt necessary to say. "It's purely theoretical."

Finn was happy to see Bill relax. There was a lot of stress going on, so any chance to let loose was good. And as things picked up they would most likely have less and less chances to. For now, they could relax and settle.

"Robin was great. It's nice we still get to talk sometimes." He let himself be led over to their bed; Finn immediately rolled onto his side so they could be closer.

"To preface, I don't know Eddie that well. This is just from the three hours I've interacted with him." Eddie was nice enough, though pretty twitchy- Finn still was on the fence about if it was nervous twitchy or regular twitchy or what. Some part of him just seemed coiled up tightly waiting to be released. "Pinball Vance Hopper was a menace. Held back a couple grades, constantly starting fights, carried a knife around, the whole thing. One time I watched him get in a fistfight with a teacher." That day was very interesting. "He stuck my head in a toilet a couple times. Not 'cause he was one of my bullies, he just... did it to do it. He was one of those kids who seemed to have periods where he lost control of himself. Also I know all of you cuss but Vance cussed." Despite all that, talking about Vance made him smile faintly. Funny how time and distance and being trapped in the same basement changed things. "Kinda like Richie but in the 'something is wrong with this kid' way. When I was in the basement he managed to smash two bottles against the wall. Which is a feat, trust me."

Bill's last sentence made him pause. Normally he wouldn't give that much thought, but the experiments he and Gwen had done over the years made it plausible.

"I actually think that could work." Finn maneuvers himself to face his boyfriend. "My sister can. Not- not like you, but she's tapped into my dreams a couple times. Lots of trial and error, but she can do it. And I can sense her emotions sometimes. So maybe," he laced his fingers through Bill's, "you could. It's worth a shot, right?"

At the very least, it would be a nice distraction.

scribedhorror

Unfortunately for Finn, Bill would always be worrying about him. Especially here in Derry where nowhere was safe. No one was safe, either from IT or from the other citizens who weren’t the Losers. Any of them could be under IT’s influence. Hell, all of them probably were to some degree. “It’s nuh-not personal I p-promise. And I nuh-know what you’re thuh-thinking--- Not as c-clearly as the others but-but pieces. I can fuh-feel your f-feelings though,” he revealed, fingers clasping the brunette’s in his grip. “Those are luh-loud and clear.”

He shook his head at the ridiculousness of that statement, managing a smile of his own. “Y-you are far too fuh-forgiving. Better than muh-me,” he teased. There was nothing in this world or the macroverse that would ever have him give IT any bit of grace. If IT wanted to be the destroyer of worlds then Bill would make sure that would never happen. Not here or anywhere else.

Shutting the door behind them, Bill felt his shoulders relax just a little, glad for even this small reprieve. No matter how long that lasted, it was nice to have while it was here. And it was even better to hold onto his boyfriend tightly for as long as he wanted. Or as long as Finney let him.

Finn didn’t seem as nearly relaxed as him even though his boyfriend was resting nearly all his weight on him. A weight that Bill was happy to hold.

“You nuh-never told me,” he agreed, slowly walking them over towards the bed that had barely been touched. “He sounds great. I’m s-s-sorry he’s gone...” Robin meant a lot to Finn, that much he knew without needing to read anyone’s mind or feel anyone’s feelings. Gingerly Bill lowered them down onto the mattress, arms still holding onto his roommate. 

“Okay, nuh-now I have to know why V-Vance would give Eddie a heart-heart attack,” Bill laughed. “Who knows. May-maybe if I get d-deep enough in your head I’ll s-s-see them.” No one besides the Losers knew about this, and now Finn did and that felt good.

"Trust me, the forgiveness isn't there." Bill knew, but it still felt necessary to say. "It's purely theoretical."

Finn was happy to see Bill relax. There was a lot of stress going on, so any chance to let loose was good. And as things picked up they would most likely have less and less chances to. For now, they could relax and settle.

"Robin was great. It's nice we still get to talk sometimes." He let himself be led over to their bed; Finn immediately rolled onto his side so they could be closer.

"To preface, I don't know Eddie that well. This is just from the three hours I've interacted with him." Eddie was nice enough, though pretty twitchy- Finn still was on the fence about if it was nervous twitchy or regular twitchy or what. Some part of him just seemed coiled up tightly waiting to be released. "Pinball Vance Hopper was a menace. Held back a couple grades, constantly starting fights, carried a knife around, the whole thing. One time I watched him get in a fistfight with a teacher." That day was very interesting. "He stuck my head in a toilet a couple times. Not 'cause he was one of my bullies, he just... did it to do it. He was one of those kids who seemed to have periods where he lost control of himself. Also I know all of you cuss but Vance cussed." Despite all that, talking about Vance made him smile faintly. Funny how time and distance and being trapped in the same basement changed things. "Kinda like Richie but in the 'something is wrong with this kid' way. When I was in the basement he managed to smash two bottles against the wall. Which is a feat, trust me."

Bill's last sentence made him pause. Normally he wouldn't give that much thought, but the experiments he and Gwen had done over the years made it plausible.

"I actually think that could work." Finn maneuvers himself to face his boyfriend. "My sister can. Not- not like you, but she's tapped into my dreams a couple times. Lots of trial and error, but she can do it. And I can sense her emotions sometimes. So maybe," he laced his fingers through Bill's, "you could. It's worth a shot, right?"

At the very least, it would be a nice distraction.

[knochengeier]

Drawfee Classpects???

I set a while ago to spitefully Classpect the Drawfee crew because they rightfully made fun of homestuck.

PREFACE:

I should state clearly that this is not meant as an attack on any members of Drawfee, and that I will be leaving out the majority of the negative aspects of the analysis. It should also be mentioned that this is more of an analysis of their online personas rather than who they actually are.

I did mention that I would leave out most negative things, but some things are core to a persons persona something they consciously and willingly put out into the world; again, this is not what I actually think these individuals are like, and is not a reflection of how I feel about them as a person. Things like "Julia doesn't know media" and "Jacob is the bad boy of Drawfee" that are explicitly stated as part of the persona is free game.

So, without further ado

——————————————————————————————————

——————————————————————————————————

Caldwell, Prospitian Muse of Breath:

A Muse is the embodiment of and the inspiration to others through their aspect. The Muse class is one in a pair of incredibly powerful and rare classes known as the “master classes.”

Breath is the aspect of individuality, drive, optimism, and most importantly freedom.

As the Muse of Breath Caldwell inspires others to be themselves and be free, motivating creativity and driving others to pursue their dreams. Caldwells unbound optimism and resolve is a force to be reckoned with, in fact he so embodies freedom and enthusiastic ambition that he left Drawfee to pursue his own creative endeavors on the west coast.

Caldwell commands not only the forces of Skaia, but Skaia itself; his inspiring aura would be strong enough to end the war between Prospit and Derse in an instant, and even those that opposed him would find it hard to stay committed to their cause for long.

Caldwell would have the power to: a. control the wind, weather, and possibly even lightning by freeing the electrons from their atoms (though that might be an active ability) b. bypass any restraints, physical or otherwise, by any means necessary which c. Also means that he can most likely teleport at will and d. Probably turn incorporeal.

——————————————————————————————————

Nathan, Prospitian Sylph of Hope:

A Sylph is a person who passively invites the healing and generation with their aspect.

Hope is the aspect of possibility, inspiration, and positivity.

As the Sylph of Hope Nathan is the light that helps others with his positivity and inspiration, not only does he help people but he inspires them to create their own hope. A Sylph of Hope would be able to see the potential for positivity in everything, and seek to be as amiable as possible, in turn helping others do the same.

Drawfee is as much a show about success as it is failure, it’s something that people can watch and say “These people make mistakes just like me” and they inspire hope for those down on their art.

One of the longest held of these humanizing aspects of the show is the apology at the end of every episode, which only became a thing after Nathan disliked a drawing so much that he was compelled to apologize, and it stuck. As much as that drawing might have sucked it inspired others who weren’t happy with their art to keep at it, and we are reminded of that after every episode.

Nathan is one of the first members of the crew to assure somebody that even if the piece didn’t come out the way they wanted, that it still looks good and is impressive nonetheless.

Nathan is the glue that holds this session together; with the presence of a prince, a bard, and a lord this session should have been doomed since the start, but Nathan’s pure awe inspiring hope promoted the best in everybody.

Nathan’s powers would include: a. A buff akin to bardic inspiration that could affect people to fight harder b. Healing abilities c. Probably an energy beam d. Manifestations of other’s hopes and dreams in the form of glowy specters like a JoJo stand.

——————————————————————————————————

Julia, Dersite Lord of Void:

A Lord is the embodiment and commander of their aspect, not through inspiration but rather assimilation and domination.

Void is the aspect of confusion, secrets, and doubt.

As the Lord of Void Julia is the sovereign of secrets; unpredictable, unknowable, and the proprietor of unknown knowledge Julia uses her runes and studied knowledge to summon hideous abominations creatures from the void.

Void players have an inextricable link to the furthest ring; the furthest ring is the incomprehensible and unnavigable space that exists outside of the universe. The furthest ring acts as an impassable border between universes inhabited by massive eldritch gods called the “Horrorterrors.”

Julia would not only have the ability to traverse the furthest ring and visit other universes, but she would also have the ability to bend the horrorterrors to her will. She would be able to switch in and out of grimdark mode at will, and most likely would not be adversely effected.

Julias powers would most likely include: a. The creation and manipulation of black holes and the general desperation of physical matter b. The ability to turn invisible and probably teleport c. The ability to erase peoples memories and mute their senses, and d. The ability to speak, read, and write the language of the horrorterrors.

——————————————————————————————————

Jacob, Prospitian Prince of Rage:

A Prince is a destroyer of and with their aspect.

Rage is the aspect of fate, defiance, and rejection.

As the Prince of Rage Jacob is the destroyer of and through failure, negativity, and rejection. Jacob forged his own path, he destroyed his fate as a writer and destroyed the limits and expectations for what an artist could be, and he got a job at college humor despite the odds.

Jacob is also, or was, a punk; a subculture that is predicated on the destruction of barriers through rebellion.

Even though he can use Rage for good he often doesn’t; he is well known for stirring discourse, his particular brand of Rage elicits anger and hatred thanks to his flaming hot takes.

He is also known for his infinite petty anger at dumb things ex. “see animals shouldn’t live under ground,” “lizards shouldn’t have to lick their eyes,” “muppet is short for man-puppet,” “mayo is food lube,” and “if god’s ever been mad at anything I’ve said, he hasn’t done shit about it.”

Jacob’s abilities would be: a. Becoming physically stronger the angrier he gets, or somebody gets at him b. The ability to create and control lightning c. The ability to pacify or remove the anger from somebody d. The ability to make people fear him or e. turn against their own allies.

——————————————————————————————————

Karina, Dersite Knight of Heart:

A Knight is a person who precisely uses and exploits their aspect as a weapon or a tool.

Heart is the aspect of emotion, passion, and identity.

As a Knight of Heart Karina uses feelings as a weapon. Not only does Karina use her powers to literally use the emotions of her characters (see Schmidt and Nando) as a tool to effect others, but she also has deep passions like Neopets, Digimon, and Yugioh that she uses as a weapon to torment the Drawfee crew.

Karina is passionate about her identity, never missing a chance to mention any of her favorite things like Beelzemon, Seto Kaiba, catboys, or her Texan roots (Bucky’s).

Karina would have honed impulses, knowing when and where to act and how to do (or draw) something challenging. She also has the ability to hype up her friends, strengthening their resolve.

Karina’s abilities would be: a. She can create a powerful glowing weapon by materializing her soul b. She could find out the weaknesses, emotions, and insecurities of enemies c. She could split into multiple versions of herself to create a veritable army of clones, and d. Enter a soul form where she is basically impervious to most attacks.

——————————————————————————————————

David, Dersite Maid of Time:

A Maid is a person who heals and regenerates their aspect or with their aspect.

Time is the aspect of machines, music, and endings.

As a Maid of Time David heals time; more often then not time is not an abstract thing, and the responsibility of time players is to keep the timelines in order and fix paradoxes.

David, as the chief editor for Drawfee is responsible for taking whatever dumb shit the crew gives them and edit it to make the video palatable.

David is also interested in theater (see “Artists Draw Posters for Musicals (They've Never Seen)” one of the only episodes in which they appear) which is related to time through music.

An interesting thing to note about Time is that it is often equated with heat, fire, and lava, something David has experience with, revealed in the episode “Drawing What We're Thankful For In 2019” in which Nathan depicts David with an overheating external drive (something that is also mechanical).

David could: a. Essentially freeze time, making moments last for hours b. Heal paradoxes in the time line c. Fix events so they go favorably, or d. Speed up time to heal a wound

——————————————————————————————————

Tristan, Prospitian Mage of Light:

A Mage is a person who understands their aspect by experiencing it.

Light is the aspect of fortune, luck, relevance, and knowledge.

As a Mage of Light Tristan has an innate and personal understanding of lore; Tristan, through his interactions with pop culture, knows a lot about said things.

Mages often experience their aspect in a negative way, seen in the frequent possession of Tristan by the Lore Librarian, and his burden of knowledge about absurd and obscure facts about nerd media.

Tristan is one of the only people on the crew who understands how the game works and what the final boss’s deal is, but you know he’s going to be cryptic and vague about it because it’s funny. Tristan would have the uncanny ability to know what something is without having seen it before.

Tristans abilities are: a. Foresight, he can tell exactly when and where something will happen and manipulate them in his favor b. He can give people luck or take it away c. He can manipulate light and probably use it as a projectile, and d. Know exactly what has to be done at any moment.

——————————————————————————————————

Willie, Dersite Bard of Blood:

A Bard is a person who invites the destruction of or with their aspect

Blood is the aspect of bonds, stability, and unity.

As the Bard of Blood Willie actuates the severing of bonds and the dissolving of stability.

Willie is a change maker, he breaks down the stable and familiar structure of the established group dynamics in Drawfee often in an antagonistic way; Willie is well known for his hatred for Jacob, and his very presence elicits the rage in both of them.

Videos in which Willie appears are marked by hostility, but through him new and interesting things get made.

Being a bard isn’t all bad, Bards of blood are not one sided; A bard of blood has the ability to destroy using the bonds they have, uniting a group of people under a cause to destroy something, like rallying the crew against Jacob.

Willie, like a lot of the crew, has a lot of buffing abilities; utilizing his bonds he can make others more powerful and fight harder than they could otherwise.

Willie’s abilities are: a. Control of literal blood b. Group sync, he acts as a conduit through which the coordination and damage output increases, and c. Dismantle, he can break the bonds of atoms and make physical matter crumble away.

[hyperfixation-hideout]

You reblogged something once about how sometimes rwby quotes feel out of nowhere or make not a lot of sense for the character or situation. i wondered if you have a least favorite quote for any of the characters, not to like dunk on the writing or anything just like how you said sometimes they're mildly baffling. do you have a least favorite weiss quote? i feel like most of hers are good

That's a good question, thanks for the ask! Well, the dialogue exchange I'd had in mind when reblogging that (I think? It was a long time ago lol) was the end of v6

Ruby: Is it weird that I'm a little nervous?

Yang: No, I'll believe we've made it to Atlas when I see it.

Weiss: Well, believe it.

It just felt... off? Ruby asked about nervousness, not whether they'd actually get there. It feels like Yang's line was just meant to set up Weiss' rather than respond to Ruby's. (Also idk how much time passed on that airship but wow did they get to Atlas fast)

But that's a pretty inconsequential example :P If you're asking for a least favorite Weiss quote... I've got one, and oof, it's a doozy, I'm so sorry XD I can't just share the quote and leave it without explanation, cause it's all about the context, so this may get long. It's not just confusing for the timing or phrasing, but contrary to the situation, and actively (in my opinion) detracts from Weiss' character.

Now, to preface because I know how easy it is to see the beginning of something and assume the rest (especially if the topic is similar to one you've heard ad nauseam & ad hominem): this is not about whether Ruby should've lied to Ironwood. I'm neither debating that morally nor narratively (actually, I liked the initial decision to have Ruby do that; it was an interesting character moment!). This is about this specific line in this scene with these characters and how it impacts the larger message and themes in play. I love Weiss, she's one of my faves, but this particular writing choice irks me.

Ok, with that out of the way, here's my least favorite Weiss quote:

"Everyone thinks what they're doing is right. But usually, they're just looking out for themselves. And their secrets."

This was said to Winter in a scene alone together in v7ch5. She's drawing a clear line between their discovery of Ozpin's secrets and their worry about Ironwood. Which is good! The volume had been establishing the Oz parallel really well: ch 2 when Ruby lies (and Oscar's leitmotif plays during both her lies/half-truths) and glances to Oscar the exact moment he looks away from her in disappointment, and she looks hurt; ch 3 when Yang expresses discomfort with the choice but begrudgingly goes along, asking how Oscar feels about it, and we flash back to Oscar confronting Ruby by saying "doesn't that feel like what Ozpin did to us?" and Ruby looking guilty (as Oscar's motif plays over her once again); ch 4 where Ruby confesses to Qrow she can't tell if what's best is what's right, or if she's no different from Oz (I'm ignoring Qrow's response for now or this'll be way longer lol); ch 5 with this line to Winter.

The issue I have with this line isn't the first sentence, because it's by and large accurate: most people do generally think they're doing what's right. And oftentimes they're actually hiding things to do so. For example: YOU RIGHT NOW, WEISS.

Again, this isn't about whether or not I think the lies were justified. It's about how this line makes her seem like -- and I hate to say it, but it's the most accurate word -- a hypocrite. It'd be one thing if the show addressed this and had her realize that, but it never does. It doubles down in the later scene with the Winter Maiden. Winter says that Ironwood isn't keeping secrets, not from her. Weiss replies, "Can you be sure?" To demonstrate how crucial she is to Ironwood's plan and how much he trusts her, Winter entrusts Weiss with this huge secret: that she's planned to be the next Maiden. But rather than having Weiss reflect on how honest her sister is being with her while she continues to hide the very secrets they resented Ozpin for, she smiles and says they've both carved their own path :)

Eddy in the commentary for v7 said they were going to have Weiss tell Winter the truth there (I'd have to double check for the exact wording), but that "it worked better as Winter telling secrets while Weiss kept them from her." I have to disagree. It would have worked if the narrative addressed it, like if Weiss felt bad about it, or afterwards went to talk to Ruby about it. Maybe asking if she can at least tell Winter, to have Ruby respond that Winter would just tell Ironwood, and they couldn't risk that yet. Then later (and they can still do this in v9), have Ruby feel guilty when Penny gets the powers, knowing her choice to accept them was based on incomplete information, regardless of whether or not the complete info would have changed her decision. That choice is what made Cinder target her. That power is why she died. Just like Pyrrha.

I know Pyrrha had less information about Salem than Winter did at that point (correct me if I'm wrong, it's been awhile since I've watched v3), but in essence, important truths about the dangers of being a Maiden & fighting Salem were kept from them both. After Pyrrha's death and the Fall of Beacon, I'd expect the team to want to prevent anyone else from taking on that burden without knowing the price and full risks. But Weiss didn't bat an eye when told her sister was in the same position. We don't know for certain whether Weiss told her team about the plan offscreen, or what we're supposed to assume, but because it was never brought up and never reflected on, it comes across as Weiss bitterly (I say bitterly bc of the line delivery) insulting Oz and insinuating Ironwood is likely lying to Winter and may not be trustworthy, while she herself continues to remorselessly lie to her.

In one line, it shows her opinion of Oz hasn't changed, her self-justification for lying as an exception to the rule because they're actually "doing what's right" -- the irony of that line would've been so cool to explore -- her disdain of others' secrecy, and her complete lack of self-awareness that she's making accusations of things she herself is doing without a trace of regret or doubt.

It's just a frustrating line to me, because it takes a really interesting morally grey setup for the protagonists, makes it an even darker grey, and instead of challenging it, frames it as a cute sister bonding moment. All while simultaneously showing that despite making essentially the same decisions, the team (or at least Weiss, Qrow, Ruby, and Yang based on her line in the v6 finale) is still blaming and/or resenting Oz rather than reconsidering the difficult position he was in now that they're in it and following suit. Which, tbh, is where I thought that plotline was headed, but that's another conversation :P

If they'd followed it up and had the hypocrisy impact her view or lead to character growth, thus highlighting the complexity of these decisions and setting up the team's understanding of Oz (instead of a flimsy "trust is a risk"), it might have wound up as one of my favorite lines of v7. There was so much potential there, and the choice to ignore it as confirmed in the commentary is one that will forever flabbergast me.

Ok, all done! Sorry if this was too ranty, anon -- I uh. I get kinda carried away in analysis and sometimes come off as more emotional or upset than I am 😅 I just wanted to express my dislike for this line thoroughly to avoid confusion (and hopefully prevent people getting heated in the replies, especially since those often showcase they didn't actually read the whole post and/or took it in bad faith). I'm not bashing or saying you can't like this line or plot point! RWBY is a piece of media I enjoy watching, so when something like this happens that I feel is inauthentic to a character or message, I care about it strongly.

[shift-shaping]

Solas/Surana Party Banter round whatever

hello. here it is again, but different this time! SIGNIFICANTLY. there's way more and it's a little bit ~angst-y~. anyway, here's the previous version, and here's a preface to this post.

-

In case you aren't aware of what my girl's Whole Deal is, she was in love with Alistair during the Blight and he sacrificed himself, which Sucked Balls for her. She wandered around in the mountains for most of the past ten years, and now she's in the Inquisition because she doesn't know what else to do with her life.

content warnings: brief mention of colorism

Lots of banter under the cut

Solas: Surana. Now that you have joined the Inquisition, what title do you prefer to use?

Surana: What title do you use?

Solas: None. But you have earned many.

Surana: 'Warden,' I guess. I don't really care.

Solas: Not 'Hero of Ferelden?'

Surana: No. Surana is fine.

.

Solas: You dislike your title?

Surana: It is inaccurate. Alistair was the real hero, and he died fighting the archdemon --I only ever did what I had to do.

Solas: Hm.

.

Solas: You do not think yourself a hero?

Eirwen: *sighs* If a man is ordered to save a child from a burning building or else be killed himself, is he really a hero? No, he is not.

Eirwen: Had I not been made a Warden, I would have been killed or made Tranquil. I did not choose to do the right thing. I was forced to.

.

Surana: Why do you keep asking me so many questions, Solas?

Solas: You are an historical anomaly. An elven mage elevated to the status of legendary hero.

(If the Inquisitor is an elf, a mage, or both:

Eirwen: Well apparently it’s not that anomalous.

Solas: Even still.)

Solas: I have seen echoes of your victories in the Fade alongside reflections of your losses. You have overcome a great deal. Do not be so quick to dismiss your own story.

Surana: Your dreams are lying to you. That legacy is not mine to claim.

Solas: I will not try to convince you otherwise, but know this: whatever bitterness you feel towards your legacy, you will gain far more accepting it than you ever would fighting its tide.

Surana: This isn't really about me, is it?

Solas: It never is.

.

[After All New, Faded for Her]

Eirwen: I’m sorry about Wisdom, Solas.

Solas: I appreciate that. Thank you.

Eirwen: It must have had a wealth of knowledge. It is a shame to lose so much for so little.

Solas: There is a difference between wisdom and knowledge.

Eirwen: Right, yes. I remember a joke about that. Would you like to hear it?

Solas: Not particularly.

Eirwen: *clears her throat* Knowledge is knowing that a tomato is a fruit. Wisdom is knowing it does not belong in a fruit salad.

Solas: ...

Eirwen: Too soon, I suppose. Sorry.

.

Solas: Thank you, Surana.

Eirwen: I told you, Dorian and I aren’t fond of that particular vintage. And we thought you’d appreciate the earthy tones.

Solas: Thank you for that as well, I think, but that is not what I as referring to.

Eirwen: Oh?

Solas: Your joke. You… it was unexpected. But not bad at all.

Eirwen: Oh. Well, that’s about the least dirty joke I know. Want to hear one a drunken dwarf told me in the Deep Roads?

Solas: Another time, perhaps.

Eirwen: Ah, you wouldn’t like it anyway.

.

Solas: Surana. You said before that a man ordered to save a child from a burning building under threat of death would not be a hero.

Solas: I disagree.

Surana: Oh?

Solas: The man threatened with death may not see himself as particularly noble, but the child will always see him as their savior. Regardless of his motivations, he will always be a hero to the child he saved.

Surana: So no matter who or what made him do it, he is still a good person because another thinks him such?

Solas: I did not say that. 'Heroic' and 'good' are not necessarily the same.

.

Surana: So what is your point, then? That I should make people call me 'Hero' at Skyhold?

Solas: My point is that you should not feel guilty if they believe you to be someone you are not. You cannot control them, and attempts to the contrary will only serve to make you miserable.

Surana: Why do you care so much? Why does it matter to you how I feel about being called 'the Hero of Ferelden'?

Solas: It --doesn't. You are right, of course. And I meant no offense.

Surana: That's not-- I'm not offended, I'm curious. I want to know why it matters to you, a random wandering apostate, whether I call myself a hero or a bastard or a drunkard or nothing at all.

Solas: It is as I said: elven mages are rarely given the level of respect and admiration that you are. It is a shame you see no benefit in that.

Surana: Benefit? Like what, seeing my ears cut off in statues? My staff turned into a sword? My skin lightened in paintings and my relationships reduced to spectacle or seduction?

Surana: Maybe I am offended. I would love to be an anonymous apostate. I was, for a while, but I couldn't stop trying to live up to a version of me that doesn't exist, never has, and never will. The real hero is dead, and you have me instead.

Solas: You must let that be enough, Surana.

Surana: It isn't.

.

Surana: Solas, you have dreamt in all sorts of places, right?

Solas: Yes.

Surana: Have you ever --well, did you ever see the Battle of Denerim, in your dreams?

Solas: Not as you would remember it.

Surana: Of course not. But... I mean-- did you--

Solas: It is done, Surana. You cannot linger there.

Surana: How do I do that? How do I stop seeing it?

Solas: You do not. But instead of letting it weigh you down, let that pain be what pushes you forward. Focus on where you must be, and what you must do. You are needed here, now, exactly as you are, not as the person you were in Denerim. Whoever others think you are, you must go forward as who you know you are. If you lose sight of that, you are lost.

.

Surana: Solas, thank you.

Solas: For what?

Surana: You know full well what.

Solas: I try to help, when I can. The pain you carry is... familiar.

Surana: Familiar?

Solas: You feel guilt simply for being alive, as though self-flagellation will make you worthy of existence.

Surana: Self-flagellation? *dryly* You have a way with words, you know.

Solas: *just as dryly* You flatter me.

[If neither Solas nor Surana are romanced]

Surana: You deserve the flattery.

Solas: Is that a compliment, from the Hero of Ferelden herself?

Surana: I take it back. You're an ass and I hate you.

Solas: *chuckles*

.

[After Here Lies the Abyss]

Surana: I didn’t know you disliked the Wardens so much, Solas.

Solas: It was not worth mentioning.

Surana: Not until it became acceptable to criticize us, you mean.

Solas: What have the Wardens actually accomplished in terms of understanding the Blight? Do you honestly feel you understand it any better than you did before you became one?

Surana: Is that a serious question? Do I understand it better after witnessing its ravages than I did when I’d merely read about them in a book?

Solas: What did the Wardens teach you? What did you learn from them, about the Blight?

Surana: More than I will ever tell you.

Solas: *bitterly* Ah. Of course.

.

Surana: You have always been an apostate, have you not?

Solas: By your Chantry’s definition, I suppose.

Surana: My chantry? Am I the Divine now, too? *scoffs* Anyway, you have never spent time in a Circle.

Solas: No.

Surana: Then one thing I will tell you about the Wardens is this: there is no other path to freedom for many mages than to join them. You were not dragged from your home in chains because of what you are. You were not barred from dreaming, nor threatened with Tranquility when you failed to perform a difficult spell.

Solas: You should not have had to make that choice, Surana.

Surana: Yet I did, because it was the only one I had. And the Wardens are all the world has to counter the Blight. You can disagree from your tower in Skyhold or your hut in the woods or whatever, but we are working with what is available to us. Come up with a real solution and I will listen. But I’m uninterested in ignorant complaints from someone who was not there.

.

Surana: It’s not my Chantry.

Solas: Poor wording, on my part.

Surana: I don’t even like the Chantry.

Solas: Abelas. I meant no offense.

Surana: Yes, you did. Or you just don't care.

Solas: What would you have me say, Warden?

Surana: Nothing. Just be quiet.

.

Solas: Where was home to you, Surana? Before the Circle?

Surana: *sighs* An orphanage in Denerim’s alienage.

Solas: Really? Huh. In that case, I would have expected you to sound more like Sera.

(Sera, if present: What? You think all city elves sound the same?

Solas: You are from the same section of the same city. Why would you not have the same accent?)

Surana: I don’t sound like Sera because I was beaten in the Circle until I spoke 'properly.’ No offense to Sera, of course.

(Sera, if present: More reasons to be glad I’m not like you two.)

.

Solas: I am sorry, Surana. Living in the Circle must have been difficult, and I imagine being a Warden during the Blight was no easier.

Surana: *sighs* It’s alright. You couldn’t have known.

Solas: I should have tried. I have done you a disservice, and I hope you can forgive me.

Surana: Maybe. Possibly. Did you bring any of that wine with you?

Solas: Unfortunately not.

Surana: *playfully* Then, no.

Surana: …But please, call me Eirwen.

Solas: Eirwen. Ma nuvenin.

.

[After Surana hears Cole and Solas banter for the first time]

Surana: Oh! I think I got that one, it's --oh, wait. No, that can't be it.

Cole: You were close, though.

Solas: Nearly had it.

.

[If Eirwen is romanced by an elven Inquisitor]

Solas: *playfully* For all your talk of wanting anonymity, Eirwen, you seem incapable of avoiding spectacle.

Surana: Is this about the drunken bear? I already apologized for that.

Solas: No. You and the Inquisitor. Two of the most powerful elves in Thedas, together?

Surana: Jealous?

Solas: Not for the reason you think.

Inquisitor: How could we resist?

Surana: We are both very pretty.

OR

Inquisitor: One day we will be free of all of this. Together.

Solas: For your sakes, I hope you are right.

.

[If Solas is romanced and Eirwen's personal quest is completed]

Solas: You no longer consider yourself a Grey Warden, Eirwen?

Surana: Did the Inquisitor tell you that?

Solas: Yes. You threw your badge into the Abyss.

Surana: Bit dramatic, I suppose. I was having a moment.

Solas: Evidently.

.

Surana: It almost felt traitorous, honestly.

Solas: Why? You were forced to join the Grey Wardens, were you not?

Surana: They still saved my life.

Solas: And condemned you to an early death. They bought you time, nothing more.

Surana: But time is all any of us have, isn't it?

Solas: No. You have a name, and experience, and the influence to pull the strings behind the world.

Surana: Careful. You'll make the Inquisitor jealous.

Solas: I am not attempting to flatter you. I am only telling you what you must already know: that you are more than a Warden, and always have been.

.

Surana: Where will the two of you go, once this is over?

Inquisitor: (Somewhere quiet) A place where we can be left alone.

OR (Somewhere fun) Someplace with good wine.

OR (Home) North. Where my people are.

Solas: An appealing prospect, vhenan.

Inquisitor: What about you, Eirwen?

Surana, based on the Inquisitor's answer to the previous question: (Somewhere quiet) Somewhere without so many damn demons.

OR (Somewhere fun) I was thinking Rivain. I've heard the food is excellent.

OR (Home) The Deep Roads. Where my people are.

.

[If neither Solas nor Eirwen are romanced]

Solas: Have you ever learned any elven, Eirwen?

Surana: Unfortunately not. A few words here and there, a long time ago. It wasn’t exactly taught in the Circle.

Solas: Would you like to?

Surana: I –oh. I hadn’t –um.

Solas: *chuckles* You do not have to learn.

Surana: No! I would love to. From you, I assume?

Solas: I cannot imagine you were going to learn it from Sera.

Sera, if present: I prefer real words, thanks.

.

Solas: What elven words do you recall, from your alienage?

Surana: Ah… okay. Hahren, that’s like… elder, or leader. The tree in the middle was called the vhenadahl. Lethallan is like friend, or ally, or maybe even sister?

Solas: Do you know what vhenadahl means?

Surana: It must be something about a tree.

Solas: And where is it, in the alienage?

Surana: A central place, somewhere everyone could see it.

Solas: And what is another word for the middle of something that lovers might call each other?

Surana: …Heart?

Solas: So what do you think 'vhena’ means, if 'dahl' is tree?

Surana: Uh... heart?

Solas: Yes. But also 'home.' The vhenadahl was both the home of your people, and the heart of the alienage.

Sera, if present: Just call it what it is --a big stupid tree.

.

Surana, in elven: *haltingly, mumbling* [Her early leaf’s a flower… but] –shoot.

Solas, in elven: [But only so…?]

Surana: M- it starts with an ’m’…

Solas: Take your time.

Surana: Meh- malath?

Solas: *laughs*

Surana: Is that wrong? Shit, that must be wrong.

Solas: Not wrong, per say, but perhaps premature.

Surana: What? What did I say?

Solas: Do not concern yourself with it, lethallan.

Surana: …was it dirty?

Solas: No.

Surana: …then what was it?

Solas: Patience, Eirwen.

.

Surana: I found out what ‘ma lath’ means.

Solas: I would expect nothing less from such a gifted student.

Surana: Mhm. It’s –well. I’m glad I said it, but you were right. It was premature.

Solas: I agree. Though...

Surana: Though?

Solas: *chuckles* I think this is neither the time nor place.

Surana: What is, then?

Solas: When I have you alone, Eirwen.

Surana: *laughs awkwardly* Maker's breath...

.

Sera + Surana

(If Solas has begun "teaching Eirwen elven")

Sera: So… you and Droopy ears.

Surana: Why do you call him that?

Sera: Cause he’s all –I don’t know, sad or wha'ever.

Sera: Anyway. Teaching you 'the ways of the elves,’ is he?

Surana: It’s just not a very good nickname, frankly.

Sera: Well I don’t want to know what you call him.

Surana: Certainly not droopy.

Solas, if present: *snorts*

Sera: *laughs* Ew! Keep it to yourselves, then!

.

Solas: Eirwen, I–

Solas: I am sorry we had to cut our lessons short.

Surana: It’s… I understand. We… no, you were right.

Solas: Please, Eirwen.

Surana: Perhaps, in another life, another time, we could have–

Solas: You are a bright light in a dark world. You will always be important to me, for whatever that is worth.

.

Surana: Can I ask you a question, Solas?

Solas: Of course.

Surana: It's not about me, is it?

Solas: I--

Surana: It's about trying to fight the tide.

Solas: Eirwen...

Solas: I am so, so sorry.

Surana: Telanadas, hahren.

Solas: Ma nuvenin, vhenan.

[enderspawn]

It's alright if u don't wanna answer this cuz this argument gets people really riled up but do you think c!Techno is a tyrant or nah?

Cuz many c!techno apologists argue that he isn't just cuz he's an anarchist but I've also read a lot of essays that go against it and it'd be really interesting to see ur opinion on this

i think he, in some contexts, can most definitely be called tyrannical, yes. a tyrant? no.

to avoid spamming ppl w discourse we've all def heard before (and bc this ended up MASSIVE (like 2.3k ish), but fairly in depth bc i didnt wanna speak out of bad faith and wanted to be EXPLICTLY clear-- oops), the rest will be under readmore

so heres the thing i want to preface: i used to really LOVE c!techno. i joined beginning of s2, right when exile started, and he was arguably my favorite character. since then though i've fallen out with him a LOT, to the point i almost... actively despite him at times (though mainly in a toxic kind of way which i can acknowledge is flawed).

in short, his actions started to speak louder than his words and i lost investment in his personal character struggles because of the actions he took (doomsday was my breaking point. i get feeling angry and betrayed, as well as seeking revenge against lmanberg, but his actions went too far for me to CARE and it hurt so many more characters as well.)

so when i speak, i come from a place of disliking him but also somewhat understanding the position c!techno apologists come from: i used to be one of them myself.

NOW, do i think he's a tyrant? no. for reference in my analysis, i try to look up the definition of terms to make sure they are utilized properly. while "tyranny" and "tyrannical" can have multiple uses, tyrant itself is a more specific term. to combine the top two definitions, a tyrant is referring to "an extremely oppressive, unjust, or cruel absolute ruler (who governs without restrictions, especially one who seized power illegally.)"

techno's position as an anarchist, imo, DOES indeed make him unable to be a tyrant. tyrants are rulers with very clear power over others from a structural way. anarchists are about the lack of structure or power over others and instead viewing the people around you as equals in power.

in forming the syndicate, they very explicitly worked to not designate a leader and instead make it so that no one would have any power over the others systemically. techno may have taken a integral role, yes, but it doesn't make him suddenly "the leader", its a role that wouldve had to be filled by someone (even if it was democratic to decide who to invite, they'd need someone to hand over the invite itself yknow? like no matter WHAT there needed to be A ROLE)

one could argue that he IS a leader in the shadow hierarchy of the syndicate (which, yes, is a real and professional term used in management courses despite sounding like it comes from a 4kids yugioh dub) in that everyone CONSIDERS and looks to him a leader without him having any actual structural basis behind it, but to argue that allows him to be a tyrant is in bad faith i believe. especially because to the people he would be "ruling", he ISNT oppressive, unjust, or cruel. they are his friends and support network and critical for a lot of his personal development (since feelings of betrayal and trust issues are critical to his character and why he acts the way he does). I wish we were able to SEE this develop more, but oh well.

but like i said: tyrant is fairly specific in definition. TYRANNY, and thus TYRANNICAL are not as limited. I've discussed their definitions here. originally, i made that post because i was angry at a take i had seen that claimed that, like you said, because techno was an anarchist and not part of any government or leadership position, he couldn't be tyrannical. to which i heartily disagree.

for something to be tyrannical, they simply must have an overarching/oppressive power over someone or something. it would not be inaccurate if i were to say that something is "under the tyranny" of a concept, because what it means is that something is under the power of another thing/concept. you can frankly call anything tyranny if it is widespread/overarching and you don't like it. mask mandates? tyranny, its forcing me to act in "rigorous condition". hell, theres even such things as tyranny of the majority in which people agree too much on one thing and it gives them unfair power or tyranny of the minority where people with minority opinions have too much power (thats a very grossly oversimplified definition of both, but it covers the base idea well enough for my point)

the point im making above isnt meant to be taken as "anything can be worked to be defined as tyranny thus it is a meaningless claim", it is that tyranny (and again, thus tyrannical) are very open and nonrestrictive terms.

to make it easier to define, alongside the definitions provided i want to add an explicit clause that is (imo) implied in the original definition: tyranny is... well, bad. that is to say if someone has power over a group but literally everyone is fine with it and agrees to it, its not tyranny. thats just a group of people getting along and one happens to have power over another. a leader does NOT equal a tyrant (as discussed above), so leadership should not be equated with tyranny.

thus as an example: wilbur acting as president (before the election) may have been "unelected" with power over his citizens, but no one was upset with that power. thus, he is not a tyrant and not acting tyrannically (as well as the fact his power was, arguably, NOT rigourous or absolute but thats another topic for another time). SCHLATT however IS a tyrant, as his power was absolute (he did not consult his cabinet) and forced people to comply instead of them complying willingly, thus he was acting tyrannically.

now to finally get to the damn point of this essay: where does c!techno lie? honest answer? it depends slightly on your perspective, but it depends a LOT on the future of the syndicate.

techno is incredibly clear in his goals: no governments, no corruption. in fighting with pogtopia, he is actively working to topple a tyranny-- he isn't tyrannical for doing that.

when he strikes out on nov 16th, it is because he opposes them forming a new government. when they oppose him and disagree, he launches an attack against them. is this tyranny? maybe, but probably not. he IS trying to impose his own physical strength and power (as well as his resources) over the others to stop them from doing what HE doesn't want them to do.

however its more nuanced than that:

1. hes lashing out emotionally as well as politically. he feels betrayed by those he trusted and he believed that they would destroy the government then go (i'm ignoring any debates on if he did or did not know that they planned another government, though it is a source of debate). but typically idk about you but i dont call tyranny for someone fighting with another person.

2. he also may be acting with good intent again, in HIS EYES. if tubbo was part of manburg, whos to say he wont be just as bad? he, in his pov, is likely trying to stop another tyrant before they rise.

3. and finally, and tbh the most damning from any perspective: he gives up. he quickly leaves then RETIRES without intent to try and attack again until he is later provoked. tyranny is defined by it not just being power, but power being USED. if he doesn't use his power to try and impose any will, then he's not tyrannical.

Doomsday I am also not going to touch very in depth on for much of the same reasons. My answer is again a "maybe", depending on the weight you personally place on each issue:

1. he's lashing out as revenge for the butcher army and as revenge against tommy for "betraying" him (though this one we explicitly know he was ignoring the fact tommy did not want to go through with it, however he still did trust and respect tommy regardless so his feelings are understandable anyway)

2. he sees new lmanberg as corrupt and tyrannical (which is undeniable: house arrest for noncompliance, exile without counsel, execution without trial, etc), and thus obligated to destroy it

but also, theres the implicit understanding he's doing this to send a message: do not form a government, or else. its a display of force that also works to warn others unless they want a similar fate. phil even explicitly states that he is doing so to send that message, so one could assume techno is doing the same alongside his personal reasoning listed above.

what i just described is the use of a oppressive and harsh (physical) power in order to gain compliance from people (that compliance being 'not making a government'). does that sound familiar? exactly. it follows the definition(s) of tyranny given previously. technoblade is acting in a way that is, by very definition, tyrannical.

so the debate shifts: is he valid in doing so because he is trying to PREVENT corruption and tyranny. like i said, new lmanberg was undeniably corrupt at points. i held nothing against techno for trying to topple manburg, so does that apply to new lmanberg as well? short answer: i dont know. it depends on your specific opinion of what is acceptable. its like the paradox of tolerance: to have a truly tolerant society, you have to be intolerant of intolerance. to have a truly non-tyrannical society, do you need to have a tyranny enforcing it?

personally (and bc im a lmanberg loyalist /hj) i say it is. regardless of the corruption of new lmanberg, they are also giving a threat to EVERYONE. even those who are innocent, they are presented with the exact same threat and rule set: if you make a government, you will be destroyed.

(which, small divergence here, is part of why debating c!techno is so frustrating. so many times you end up hitting a "well it depends on your political views" situation and there ISNT a correct answer there. im here to analyze characters for fun, not debate political theory)

so: the syndicate then. this is where this debate really "took off" and i think its due to one very specific miscommunication about its goals and plans. the syndicate, upon formation, declares itself to stand against corruption and tyranny. when they are found, the syndicate would work to destroy it. so heres the golden question: what do THEY define as corruption and tyranny? if you were to go off c!techno's previous statements, seemingly "any government" is a valid answer. however, he also states he's fine with people just being in groups together hanging together.

what then DEFINES A GOVERNMENT for them? what lines do they have to sort out what does "deserve to be destroyed" and what does "deserve to exist freely"

this is a hypothetical i like to post when it comes to syndicate discourse:

i have a group of people. lets say 5 or so for example. they all live together and build together. any decisions made that would impact the entire group they make together and they must have a unanimous agreement in order to proceed, but otherwise they are free to be their own people and do their own thing. when you ask them, they tell you they are their own nation and they have a very clearly defined government: they are a direct democracy. does the syndicate have an obligation to attack?

there is absolutely no hierarchy present. there is no corruption present. but, they ARE indeed a government. is that then inherently negative? my answer is fuck no (see the whole "difference between a tyrant and a leader" thing above).

but THATS where the issue of this discourse LIES. in some people's eyes, the answer to that is YES. techno's made it clear "no government" is his personal view, but does that spread to the syndicate as a whole? do they act preemptively in case it DOES become corrupt? is it inherently corrupt because its a government, regardless of how it is ruled? the fact of the matter is because of how little we've seen the syndicate work as a SYNDICATE, we don't know that answer. so we're left to debate and speculate HOW they would act.

if the syndicate were to let that government exist, then they are not tyrannical. they are showing that they are working to stop tyranny and corruption, just like in pogtopia again.

if the syndicate were to destroy/attack that government, then they are tyrannical. simple as that. they are enforcing a rule of their own creation without any nuance or flexibility under the threat of absolute destruction.

miscommunication in debates comes, in my opinion, in the above. of course theres more points of nuance. for example:

would the syndicate allow a government like i had described with early lmanberg, where there is an established hierarchy but everyone in the country consents to said leadership? on one hand, there is no tyranny or corruption present which is what they are trying to work against. on the other hand, theres more a possibility of it occuring. perhaps they'd find a middle road between the two binary options of "leave or destroy" i am presenting, such as checking in occasionally to ensure no corruption occurs.

but if they were to destroy it without, for lack of a better word, "giving it a chance" they would be, in my opinion, tyrannical. they would be going aginst their words of opposing corruption and instead abusing their power to gain compliance.

your/others opinions may differ, again it depends on if you see it as worth it to possibly stop future tyranny or if a hierarchy is INHERENTLY a negative thing.

part of the reason so many blog gave up this debate, beyond not getting very clear answers for the syndicate, is because of the nuance present. there. is. no. right. answer. every single person will view it differently, because there is no universally agreed upon truth of right or wrong here. BUT, i hope this helps shed some light on the discussion and my thoughts on it

[yourbraindeath]

I hate your vibe boo

Critical thinking in our generation is being hunted like an obese handicapped boy from District 11. The stem of this decline can be traced back to this shining beacon of intellectual discourse and academic peer-reviewing: Tumblr. What started as an attack on well-written literature, in order to cleanse the inadequacy-guilt felt by those who enjoyed shit writing off Wattpad and Teen Romance clearance racks, under the guise of 'Let People Enjoy Things' has spun out of control. I am very much against 'Let People Enjoy Things'. Shit media has to be called out and the cultural critics who discern between the good, the bad and the ugly need to be praised and scrutinised for their services rather than shelved and replaced by 14-year old run Twitter accounts and Letterboxd pages.

Ever the revolutionary movement, at its core this thinking is deeply anti-intellectual. You may not see this as a problem, after all not all media is meant to be thought-provoking. But let's be clear about one thing: good media is. Because good media is personal development in some way or another. Pollock's Blue Poles is a good painting because it visualises an emotion (for me, I often find it to be contained anarchy though I may deconstruct the painting in a later post). Those shitty Mushroomglitchcore paintings made by 'cool indie artists' are shit. Those new processes of producing no-message, no-meaning media, however 'cool' they look are shit. Just colouring in old facades new skin tones or placing emphasis on the identity rather than the art is, frankly speaking, shit. They make you think of nothing but 'Woah trippy'. There is no new perspective, or any story told in necessary elaboration - in fact, most of this 'Let People Enjoy Things' bullshit isn't even adequate enough to stand on its own without the preface of having been created to 'be different'.

There are so many terminally online morons who for the sake of their edgy, contrarian identity will oppose (sometimes for dangerously worse consequences) not only good media but the rational thinking that birthed it. A race to the bottom of stupidity is hitting our people like crack in the 80s, becoming dumber than the other person is in vogue. The 'ironic homophobia' or 'ironic misogny' that is so often used to taunt twinks or white women stems from having 0% critical thinking.