#I think ASPECTS of his character there are fun

[oddberryshortcake]

yap about the princess boys in twst

I'M GLAD YOU ASKED ANON

I think, to my memory, there are only three boys twisted from the princesses that we currently know (or at least have the names of) and that's Ariel, Snow White, and Aurora.

Rielle is extremely minor and only gets mentioned a few times in Book 3. I don't think we're told anything about his personality, but we do know he went to public school with Azul and the Eels.

It'd be cool to see him, but Idk how likely that is, now to the two who ARE seen and are living on Sage's Island, we have Neige and Silver.

I like Neige because I feel he embodies a lot of Snow White's character but with a twist. Working together with Vil on films a lot, he completely trusts him and believes they're friends, even giving him the nickname 'Vi'

He doesn't shy away from showering Vil with compliments and doesn't really have a competitive bone in his body. He just wanted to compete in the VDC to have fun with his friends.

I like that it's a nod to how Snow White never suspected the Evil Queen wanted her dead despite living as a servant for her until the Huntsman warned her. Neige also very easily accepting Vil's poison drink is just how Snow White accepted the apple, because he sees the best out of people as Snow White does.

I also like how they interpreted Snow White's bond with the seven dwarves with Neige and his little dwarf/fae friends, which is probably the dynamic I liked the most out of Snow White and the Seven Dwarfs (Won't go too into the parts of 7 that aren't in English server yet, but his friends being very protective over him is sweet)

Snow White's willingness to help the Dwarfs as she hides there from the Evil Queen is shown in how Neige has been living with and helping his friends since they were young, an aspect of him next to his kindness that makes him stick out amongst the primarily villain cast of twst.

Now SILVER,

I love how he is very much Aurora. He lives her life, raised by fairies, living in a little cottage in the woods, being born with golden blonde hair (until Lilia changed it with his blessing) and carrying all kinds of fairy blessings with him (good and bad)

A lot of his dialogue is a nod to Aurora, with him believing he might've met someone in his dream. His signature spell is directly referencing the storybook ending of Sleeping Beauty.

Let's not forget how he's often described as handsome and his eyes are 'auroral' and he's friends with lots of animals!

I think what makes Silver really fun to me is he has all these princess aspects about him that I love, because it's fun, but they don't shy away from him being princely too.

He's an unconventional princess, in that he's actually a prince and he's got an athletic build but he also looks pretty and has many aspects that classic Disney Princesses have. He's something Disney as a whole has really been lacking (at least to me)

[murderofsomeone]

it's probably decently obvious that my main lemon demon design was created BEFORE seeing any fandom depictions (or even really that much official art past the logo) because of how violently he stands out in comparison to other designs. it's a little obvious that my inspiration was self-contained and it granted me a bit of creative freedom along with a completely different train of thought while designing him. his three eyes however is very much a relic of 2022 because I was designing a lot of demons with asymmetrical faces at the time and well, why not make another

anyway here's a comparison of him to my most recent lemon demon original design (where it's a bit more obvious I was influenced by somewhat of a fandom culture)

extra bonus rambling under the cut

my general design process has actually stayed relatively contained with a few exceptions like soft fuzzy man's color and weirdly neil himself. yeah sorry chat neil is the first guy that was highly influenced by someone else's design you can shoot me too if you'd like. but I legitimately believe he's the only real example because every other character that has a design remotely similar to someone else is likely due to us both following a similar source material (like my cabinet design being based off polybius) or there being only so many ways to interpret the design (gef the mongoose would've fallen into this category if it wasn't for the fact I made him Joker colors)

in general I tend to follow a mindset of how "weird" I can make a design or how much I can push a lyric/implement it into a design. I also like to twist around the convention and try new things. a good example of both of these apply to my doctor amnesia design.

really the main things going through my head were "well he didn't state HOW many eyes", chosing an eye color that often is overlooked in conventional beauty standards to elevate them and cause you to think, while leaning into the somewhat otherworldly nature she's depicted in by giving her blue skin, a color I associate with the song.

another fun thing I'll do is create a "design pipeline" where I'll take an attribute and run it through a list of connections before we end up in a place long past where we started or just combining a bunch of traits that could be interpreted that way, resulting in designs like this.

though wolfgang isn't my weirdest design, he definitely did not start where we ended off. I believe before the wizard of oz theming for clown circus was set in stone (a choice that has EVERYTHING to do with oz explodes and an element I'll explain later), he was some kinda mirror object head that had absolutely nothing to do with his current namesake. since I wasn't satisfied with that design, I kept a relative aspect of the personality and shapes and thus ended up creating a really interesting take on a character who is largely depicted as... well there's no really good way to say this, but Bad.

since I was working with a new fresh aspect I started by making him a wolf... and then connecting him to "there's a robot in my head". this kind of connected the dots to ultimately make him associated to the tin man, since no one was connected to that character for the wizard of oz element and it was up for grabs (this is also how he somehow got associated with toasters via connecting the previously mentioned song to "what's in the toaster", etc etc). these pipelines of connecting songs that aren't normally related, but making them Work in a believable way makes designs more interesting for me and gives them a bit more purpose and personality. I think this is what ultimately makes people get a bit lost on my interpretations considering they aren't super simple by just being about One Song, but by being about multiple that aren't originally related in the source material. just like how I connected dr amnesia to when he died, explaining a bit of her more mildly supernatural or off-putting elements by making the man in that song her father.

the final real design element that I focus on is the strange rule I follow in terms of how these characters are shaped. there's a massive sort of "alice in wonderland" theming going on in terms of how human/humanoid designs look in contrast to designs that look less and less human. their proportions become more cartoon and shaped, their sizes are affected etc etc all while the human/humanoid characters stay relatively normal next to each other with more believable design elements.

here's the horrid long strip of nearly 100 different character renders next to each other to get a general idea on what I'm talking about

the silhouettes of the human characters "pop" less because they're supposed to contrast to their nonhuman counterparts. which isn't something I normally do, but given the source idea of a sort of "wonderland", I think it works in this specific context.

in conclusion: I'm design autistic and like to use designing to try new things, which is why I fucked that lemon up. sorry about that chat

[griddleharkbrainrot]

You have brought this upon yourselves

Tagging the people who reblogged this so they can read the final product: @commanderbabygirl @shoot-i-messed-up @kuronekofe-ao3 @yourinfernaimajesty @kneehighrainbowsocks @cipher-fresh @fashion-foxy

Before I begin I would like to clarify that this is about how Batman is a trans allegory, whether the character himself is or is not trans is up to the reader's interpretation.

First I would like to break down some key elements of the character Batman

Dresses up at night as a different persona, with a different name, voice, and clothing

Thinks of himself as Batman and states that Bruce Wayne is the alter ego and that he is Batman

He spends the day engaging in behaviors contrary to what he truly wishes to do so that people will not doubt his identity and realize that he is Batman

He does not want to act like playboy Bruce Wayne, even stating once that it makes him uncomfortable

He tries to hide being Batman from friends and family because he is afraid of how they will respond and if they will be safe

He views himself as a monster at times for identifying as this thing which is seen as not human

We sometimes see Batman fear that his parents would hate what he has become.

Some people consider Batman a corrupting influence and blame him for Gotham’s problems

Now that we have broken down some key aspects of what makes Batman himself, I would like to tell you a story and let you draw the parallels.

TW Transphobia in the deep south

Sally is a young girl who lives in Alabama. Deep country Alabama where they shoot you if you’re queer cause they can’t have you corrupting the children. Most people don’t call her Sally, they call her Alexander, a name that isn’t hers but she can’t tell them that because it isn’t safe to do so. What if they tell someone else and the secret gets out? What if they accept her but someone finds out they knew and didn’t tell and they shoot them both together? It's far too dangerous for them to know so Sally lets them call her the wrong name even as something chips and breaks in her chest. But at night she is free; in the nearby town there is a bar she likes to sneak out to where she can dress as herself and be known by her own name. For some of the others they like to dress as women for fun and Sally can understand that but for her it's not just a night out, this is her real life. There is a whole other world out there for her at night of people who can truly be themselves. Some are brave enough to be the same person during the day and the night but Sally doesn’t have that option. It isn’t safe for her out here, and so to ward off suspicion Sally buzzes her hair when she wants to shave it out, lowers her voice when she wants to raise it, and dresses hypermasculine because this is the armor she must wear to avoid suspicion. Her parents make her go to church every Sunday and the pastor likes to give speeches about the monsters in the night who are “unnatural and against god”. He warns against the devils who will corrupt you and turn your good-natured children into f*gg*ts. Sally shrinks in her seat while he preaches, knowing that the monster he speaks of is her. Her mother puts a reassuring arm on her shoulder, thinking that the reason Sally is frightened is because she does not want the so-called devils to take her, not knowing her child is one of them. Sally wonders if her mother would hate her if she knew what she was. A mother is supposed to love their children unconditionally, but after all, there is no hate like Christian love.

Apologies if that was triggering for anyone, but I needed to tell it so that you could properly understand. It is not my story (although I did write it) but the story of many young trans people in areas where it is not safe for them to be out of the closet.

Let’s review the previously established characteristics of Batman and draw parallels to the story above and the experience of being trans as a whole.

Dresses up at night as a different persona, with a different name, voice, and clothing

Need I say anything?

Thinks of himself as Batman and states that Bruce Wayne is the alter ego and that he is Batman

I am newname not deadname

He spends the day engaging in behaviors contrary to what he truly wishes to do so that people will not doubt his identity and realize that he is Batman

Protective hypermasculinization/hyperfeminization

He tries to hide being Batman from friends and family because he is afraid of how they will respond and if they will be safe

Not safe to be out as trans and afraid people won’t acccept you

He views himself as a monster at times for identifying as this thing which is seen as not human

Internalized transphobia

We sometimes see Batman fear that his parents would hate what he has become.

Fear that your parents won't accept you as trans

Some people consider Batman a corrupting influence and blame him for Gotham’s problems

The ridiculous idea that transgender people are corrupting children

Let me know if I missed anything or if there are any inconsistencies. Additions are welcome to this post! I am not a batman expert but what little I know was drawing obvious parallels to being trans and so I had to share this mess that has been rattling around in my brain

You guys aren't ready for my analysis on Batman as a trans allegory

[notwarriorswiki]

Do you have any headcanons about Redtail exclusively?

You can find some more headcanons about Redtail here. But stuff just about him and no repeats...

Redtail had a fear of death. While he was a brave warrior, he always felt chills before battle that he masked. He'd knead his tail in private to settle his fears. Though he knew dying was a great honor for a Warrior, it never quite sat right in the same way for Redtail.

During A Light in the Mist when Redtail seems relieved to "be home" as he gazes across the meadow, alongside Onestar. While Onestar lived and died in the Lake Territories, Redtail thinks of his time running alongside his mate, Runningwind. The quick-foot tom had always preferred the open space to flex his skills, and the memory soothes Redtail.

Redpaw, albeit perhaps a bit naive, had hoped to mentor Stonekit. He greatly admired Bluefur, and it showed through his loyalty to her, as well as in how he was chosen as her deputy. When Bluefur's kits disappeared, he was one of the first to volunteer to look for them. He had to stay in the medicine den and be tended to by Spottedpaw when he risked freezing his paws off with his relentless work.

Redtail's personality was that of someone sharp and clever, perhaps even a bit cunning. While he never challenged Bluestar, he had his way of doing things and was willing to bend the rules if he saw it as for the greater good. He always put ThunderClan first, and by that many would say he was a fierce individualist. He never sought conflict unnecessarily, however he also did not turn away from it. His judgement balanced maintaining ThunderClan's reputation and respect, with genuine kindness for the forest territories and the code as a whole.

He's smaller in size, and always preferred hunting to fighting. His nimble frame made scaling trees easy, and he brushed up on his speed with help from his mate Runningwind. It was a stark contrast to Tigerclaw's preference for fighting and his large and heavy stature.

He mentored Dappletail's kit, Cricketstorm, who sadly died young due to the famine. This was what allowed him to be eligible to be deputy.

When he received Dustpaw as an apprentice, Redtail saw a lot of Tigerpaw in him - noticing how they both strove to prove themselves out of a consciousness for their background. He took extra care to instill honor and kindness in the tom before he died, which still prevailed in Dustpaw despite Darkstripe's influence later. Redtail was the closest to a father figure Dustpaw had.

His sister Spottedleaf had to practically force him into her den, as he always refused treatment, at least waiting until everyone else had it. His dark fur with red patches made it easy to mask blood and wounds, much to Spottedleaf's annoyance.

He was terrible about taking his traveling and battle herbs. He couldn't keep a good poker face, always curling his lip with disgust at the bitterness. Whitestorm always teased him for this.

[st4rstudent]

bugthinker but I just did whatever to him

bonus slop

[froggymug]

I'm a Turbo lover, yes...

But Ralph is my babygirl... Poor guy deserved so much better pre-movie. He's such a genuine sweetheart who's down-to-earth, compassionate and a gentle giant despite his circumstances. I just... gahhhh, I wanna give him a kiss on the cheek and a freshly made pie.

Thinking about what those 30 years must've been like for him hurts my heart. Do you think he tried to connect with the Nicelanders and Felix but had his attempts ignored? Or did something go wrong and they never gave him another chance? ;-;

And the desperation in his voice when he crash-landed in Sugar Rush and saw his medal stuck in the tree? The way he spoke to Tapper and said so wholeheartedly that he can't spend another 30 years alone? Breaks my heart, man...

Gah, and considering how Tamora's backstory affects her... Idk, the fact that it's programmed that Ralph used to have a comfortable home and had that taken away from him? Does he think back to those coded memories when he didn't sleep in the dump? Even though he knows those memories aren't "real" in a sense, does that really matter in the grand sense of things? MAN.

Also, his dynamic with Vanellope makes me wanna cry, it's so wholesome and makes me think of my relationship with one of my best internet friends, who I see as a father figure. He cares about her so much and though he fell for what King Candy/Turbo tried selling him, it was purely out of concern for Vanellope.

I could honesly go on and on and on, haha-

So yes, I'm a Turbo lover.

But I'm a Ralph lover, sympathiser and appreciator.

I want him so bad I mean what, who said that.

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[mongeese]

Kim Kitsuragi my fucking belovedddd

[Image ID: A screenshot of text from the game Disco Elysium. It reads:

YOU - "You needn't have worried."

KIM KITSURAGI - "But I did. Anyway..." He looks around, a little uncomfortable now.

ESPIRIT DE CORPS [Easy: Success] - Dammit, you're a grown man, the lieutenant thinks. Shouldn't have gotten *protective* here.

End ID]

[angelsdean]

i'll be honest, i truly do not understand when people get all up in arms whenever anyone involved with spn describes cas's love for dean as beyond the human understanding of love, as if there haven't been posts made on here for years by fans literally describing cas's love for dean / destiel's love as akin to worship, a powerful force greater than god, cosmic, all encompassing, profound, etc etc. i thought the outrage was silly when jensen expressed the idea of cas's love being more than romantic back in denver con 2021 and i think it's silly now with these bedlund tweets. not to mention being more than and beyond something imo means it encompasses the romantic AND more. it's romantic, it's platonic, it's cosmic, it's worship, it's everything. and i think that's beautiful. and yes, it's exactly what their love is. a huge profound force that changed the narrative, that wasn't meant to be there, that kept breaking through anyway.

and i understand what people are saying about this language being used for a queer ship etc etc, but like, there's nothing inherently wrong or negating their love in saying that it's a greater love. if anything i think it's saying, hey, see these two? yea their love is bigger than what we can even comprehend. idk i'm just going to continue to take these statements in good faith. and also, until the reboot happens, they can't really say more about destiel beyond the bounds of the confession. jensen, bedlund, misha, etc can't speak to dean's feelings, for instance, or confirm anything one way or another, because if those feelings are a major plot point to be explored and acknowledged in the continuation then to speak about them now with any kind of definitive statement would be spoiling / jumping the gun, and it's not their place to make those statements yet, if we are indeed going to see more of dean and cas's story in the future (which i mean, at this point based on their statements about the reboot it's really a When not If situation).

[qcomicsy]

Lately I've only been wishing to grab a comic about my favorite character and just have a genuinely good time reading it.

[novella-november]

Is this fanfic friendly? I feel like an outlier.

I guess this is my sign it's time to throw together a FAQ post to link to lol.

Yes, every event for this blog is fanfic friendly :D

Though as I mentioned on my Ominous October post, for events that include multiple short stories, I encourage everyone to flex their creativity and take one of their planned short story fanfics, and at least *attempt* to turn one of them into something entirely original; rebuilding a character and story from the ground up to stand on its own two legs is no easy feat, and that is what makes it so fun!

It really gets your creative gears turning, to make an "au of an existing material" to be something entirely original, and you can be pleasantly surprised about the things you come up with!

As a few people say, its not just a matter of "filing the serial numbers off" -- you have to add in just as much *or more* as what you take out when you are turning a fanfiction into something that is original and completely divorced from its original source material / inspiration, and that is a hard, but very rewarding challenge!

Obviously, this is not a requirement (there's no hard requirements for any of the challenges, other than no cheating, including no using AI),

but if you would like an extra challenge for the short story events and you're planning on doing entirely fan-fiction, I highly recommend trying it out at least once, and seeing where it leads you--

you may find yourself pleasantly surprised by what you find down that rabbit hole!

[thompsborn]

14 years old, only like a month into being spider-man, peter takes down a mugger and the guy is cursing peter out and peter just calmly says "i'm fourteen" and watches this dude have a crisis

"no you're not"

"i literally am. did you not hear my voice cracking every two seconds? pretty sure i only started going through puberty last week"

"you're lying"

"believe what you want"

"why would you tell me that if it's true"

"because no one will believe you and i think that's funny. also i want you to know that you just lost to a freshman in high school. even if you don't believe me, you can't prove that i'm lying. this is never going to leave your brain. i won the physical fight and now i'm playing with psychological warfare. and i called the cops. anyways, bye!"

mugger gets arrested and is like "no seriously i swear to god he was in these like red and blue pajamas and had a mask and goggles and he said he was fourteen and psychological warfare and-"

[razzledazzletrassh]

no major fic updates just yet guys TAKE MY WOY OC I MADE LIKE. April of last year IM PLUGGING SOME INFO ABOUT THIS GUY IN THE TAGS.

I may also redesign her soon or something. Make her more bug-like with some stuff. I can cook guys let me cook !!!

[camelspit]

after a day of contemplation im no longer as much of a hater <3 unraveled you seem.. fascinating

[nomsfaultau]

SBI SCP AU character playlists

Tommy:

Rose by The Oh Hellos (I mean I'm doing an entire animatic wip, it fits and I have essays to prove it. Anyway violence, the power of names/narratives, truth, hypocrisy, how sacrifice and love tie together.)

Sunken City by David Wirsig (Tubbo associations, mostly symbolic/vibes past the prison break. The euphoria of escaping and how the world beyond is confusing and unrecognizable. The idea of journeying with a friend to the ruins of what was once your life. 6th verse as finding a new home in found family. 'God free me from the burden of my thoughts')

Never Love an Anchor by The Crane Wives (Tubbo, and how Tommy tries to distance himself to protect them/is the only reason Tubbo stays in a group with people they abhor. Touch starvation, hands as dangerous, seeing himself as a monster/burden. Again. Did an animatic for this one.)

Wilbur (yes they're all by Will Wood for the bit):

Misanthrapologist by Will Wood (Philza, for their light/dark dynamic and untangling of Wilbur's loathing of society and himself. WHiT Constellations interlude. I imagine 'can't keep a straight face while I'm praying' as Phil trying to get Wil to meditate but they end up laughing + 'don't you revolve around someone else' as a chide to Philza post Anderson's death)

Love Me, Normally (If he were honest with himself. Wilbur is wracked with jealousy for humanity that he disguises as hatred. Die young mentality, insomnia, bridge 2 addressed to the void, 'Is it courageous or escapist to leave the quarantine when you’re contagious?' as a comment on the danger of anomalies and if they should be contained)

BlackBoxWarrior (An entire life spent running from the Foundation and their experiments + trauma, repressing the past, general void madness, 'a map to every victim of his love' as the scars the void has left)

The Blade:

Red Water Dreams by Aviators (The sea motif of the voices, being a vessel for The Blood God, finding blame in those who unleashed his apocalyptic revenge. The entire chorus fits so well. 'Vicious thoughts are stirring/And I hunger for their power')

Paralyzed by Aviators (He's just an Aviators boy, what can I say, it's the violence and upbeat tempos man. Really this is The Blood God's song. His challengers as a duty to cull, as he's forced to hunt down every last foe that laid a hand upon his vessel. The thrill of battle, impending doom, 'I will give you one fair chance' because he really does seek a good fight. The Blade is the one paralyzed, unable to do anything but watch as his body is used for destruction)

Turn Out the Lights by The Crane Wives (Because The Blade does actually handle The Blood God/voices pretty well. I feel this song captures the way he just sorta rolls his eyes and shrugs off the intrusive thoughts most of the time)

Philza:

Rule #9 - Child of the Stars by Fish in a Birdcage (Wilbur as a wanderer, but works for any Collected for fostering their growth. Father vibes. Philza raising his children to be strong, independent people. A gentle expectation of greatness, because he picks out the exceptional among humanity)

Hot Tea by Half Alive (His sheer adoration of his Collected, also fun to swap the roles so that it is the god showing devotion. The pure warmth and sweetness matches Philza. In retrospect I need a song about protective violence but eh I set a 3 song limit.)

Time Machine by Miracle Musical (Amnestic arc. Particularly with loneliness and the vehemence in 'look at what you've done now to me', as well as 'I'm leaving today, today' with his confused insistence that he leaves at the end of the week. The way Philza is dragged in and out of grief at the whims of the Foundation, left free floating and disorientated)

Tubbo:

Soap by The Oh Hellos (Actual perfect Tubbo song. WHiT Croplands interlude. Themes of pacifism, how Tubbo is made of pieces, the separation between humans and anomalies and how the Hivemind can cross that barrier. Learning when to let go/hold on with the Tommy, Hive members, Willow. The 2nd chorus as Rhodes trying to convince Tubbo to leave Tommy in Jasper, with the response of 'I think that you’re worth (keeping around/holding onto)' to both Rhodes and Tommy's Never Love an Anchor. And imagining Tubbo saying the last stanza to Tommy makes me so soft)

Escapism by Rebecca Sugar (Dissociation. Grey chapter in general, specifically Pewter for being firm in convictions: 'shouldn't show a trace of doubt' and telling Rosalind the sacrifice won't hurt them, as well as trying to force a dissociative episode when their hand is sawed off)

Saint Bernard by Lincoln (ok this is a troll but also fits well for Cinnabar and Old Gauze. The guilt of failing one's morals. Technically Tubbo is in Indiana satanic and chained up, but I'll let it slide. The Saint Calvin verse is so good for the Rhodes-Tommy tension + Foundation destroying families. Also the way Tubbo blames their self-loathing on Rosalind, making the chorus apt for the Hivemind mess) (but also its funny to give Tubbo the classic edgy character song)

(Bonus) Dr. Blake:

Take Me to War by The Crane Wives (She sees herself as forced to be ruthless to survive against powerful anomalies. 'And I'll rankle the beasts with words' for her manipulation. Also epithets in the dehumanizing way the Foundation avoids names. Verse 3 is Tubbo 'corrupting' the guards when they saved humans from Philza)

Solaria, Kevin / End-World Normopathy by GHOST (Tommy, with religious themes and verse 5/Kevin understood as The Blood God. The cold cruelty of the Foundation, sentience as a failure/flaw in a tool (Tommy), Dr. Blake completely separating her personal and professional selves because to have humanity is only a weakness anomalies will exploit. 'Though you’ll never die, you’ve found that/All eyes are staring at your hands' is an absolutely perfect line for summoning sessions)

[fairandfatalasfair]

i want to know about Fenders_AngstCrack plsplspls

:D :D :D

This fic started as just a dumping ground for all of my sad-fucked-up-self-destructive-Anders feelings (hence the title) and then I showed it to @lesetoilesfous and her cheerleading turned it into like... an actual fic with an outline, which is now probably about 1/2 written? but currently slow progress.

It's a post-DA2 fic with the premise that Sebastian captured Anders shortly after the end of DA2, and proceeded to hold him prisoner indefinitely while carrying out some fairly nasty psychologically-targeted vengeance. And then a year or two later Fenris agrees to do Sebastian a favour and check out the rumours coming out of Haven, and Sebastian offers to send a (much-altered) Anders along as backup. Which leads to Fenris trailing a very messed up Anders across half of Thedas while trying to 1. figure out what happened to him, 2. fix it, & 3. not spontaneously combust from how much of his own history this is bringing up.

It's a lot of me poking at the idea of trauma and how it's painful and heartbreaking and sad but also annoying and inconvenient and socially awkward and inclined to make you have stupid blow-up fights because you were talking about different things. And also me indulging in Fenris as a cynical knight in shining armour, riding to the rescue half against his will, even as he tries to convince himself that he's probably misreading those red flags, and everything is probably fine actually (it's not. he knows it's not.) And also Anders being a stubborn determined bastard who has recovered from spending a year in solitary confinement once and will do it again, he just. needs a minute.

(snippet under cut)

"Anders hesitated, shifting some of the sticks to expose a bed of coals.

“I don't know that I'm the best person to ask,” he said. “You're talking to someone who ran away from the circle for the first time when he was thirteen.” He poked at the coals, shifted the food a little closer to the heat. “But no,” he admitted, “for the most part they're not. They're not pleasant. I have no doubt that those children have seen friends killed by templars, or branded, or raped, or driven to suicide. But those are outliers, the ones who get unlucky, or are prone to making trouble, like me. For most mages it's...easier. Still miserable, but better than freezing to death on the streets.”

He settled back on the dirt, watching the shimmering coals. Fenris turned the words over in his mind, considering.

Three years ago, he might have told the mage to count his blessings; that there were many who froze to death in the streets and had no other options. And it was true that there were many in Thedas for whom shelter, however unsafe, and food, however conditional, would seem a luxury.

But even as he said the words, he would not have meant them. They were the words of the magisters who had argued that slavery was a public good, because without it the streets would be crowded with beggars. A barb thrown out to get a rise out of the mage, because that was what they did. Because the rhythm of jab and counter between them was familiar and comfortable and because the hunger in Anders’ eyes when Fenris argued with him made him feel like his good opinion was worth fighting for."