#I take it we didn't

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[lizzybeeee]

When you spend 20 years attempting to bring down the child slavery, murdering, human trafficking exploitation ring that stole your childhood, murdered your friends, and killed countless innocents only to have them rebrand as 'Noble Freedom Fighters™' off-screen.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[poorly-drawn-mdzs]

Who is this sassy lost child?

[First] Prev <–-> Next

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[raziraphale]

Tag your age if you wanna bc I was just thinking about how I have used floppy disks before (I'm 25 and used them in elementary computer lab) but my 22 y.o. brother hasn't which is so weird to me like 3 years isn't a long time at all to me

[yangjeongin]

INTRODUCING … STRAY KIDS! (CHK CHK BOOM VER.)

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[the-mpreg-guy]

the hill that i will die on is that cas would have never said he loved dean if he had to deal with the consequences of it afterwards, meanwhile dean (who was SUPPOSED to tell cas he loved him in the original crypt scene script) would have eventually worked up to saying it without external pressure

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[blujayonthewing]

awright here we go

[milkywayes]

GARRUS VAKARIAN: DATABASE IMAGE ACCESS. > PT. 1 : 2160, 2166, 2170. > all files backdated according to user preferences: (terran_coordinated.calendar).

[the-odd-shu]

Hey Hextech, is it gay to cuddle your co-workers?

A continuation of lab shenanigans.

Masterlist

Next part here!

Characters: Viktor, Jayce, Reader

(Jayce/Viktor/Reader) (POLYCULEEEE!)

A thread following the chaotic trio that is, laboratory illustrator!Reader, Viktor and Jayce being unsupervised in the lab.

Note; this takes place during season 1, and the reader is gender neutral with they/them pronouns.

CONTAINS VIKTOR SPOILERS FOR SEASON 2!

There's only one couch in the lab.

There are three desks, four chairs, one whiteboard, boxes upon boxes of chalk, and only one couch.

The couch which Jayce is currently taking a cat nap on and taking up all of the room of. The lab lights are dim, and Jayce looks so comfortable, sprawled out on his back, with his boots still on his feet, whilst his legs hand off the end of the furniture because he's just that fucking tall. He has an arm slung over his eyes despite the low light, and he looks stupidly adorable.

Reader is half tempted to turn right back around and try to find somewhere else to take a power nap. They can't be bothered to lock up their desk, and walk all the way across the academy, and then all the way home to tumble into bed. And their desk is a no no, since hey always wake up with a painful crick in their neck and Viktor's knowing grin taunting them for their bad choices.

The couch looks tempting though... and can they really be bothered to go wandering around campus looking for somewhere comfortable to sleep until their meeting later? The answer is no. No they cannot.

Besides, Jayce finished with the council over three hours ago, so he's had plenty of time for undisturbed rest. And clearly, if he didn't want to share, than he would have put his sizeable salary into finding another couch for the lab already.

Decision made, and sleep tugging at their eyelids, they shrug off their jacket, yank off their boots and carefully sit on the very edge of the couch near Jayce's hip. The worn cushion barely gives under their weight it is so old and devoid of stuffing. How Jayce is deeply asleep on the thing and continues to choose to nap on it since it was brought in, they had no idea.

There's enough room for them to gingerly lay down parallel to Jayce's body on their side. They're so tired, they hardly care. Everything aches. And Viktor isn't around to tease them for essentially 'cuddling' Jayce, which they clearly were NOT! Their back was to the man after all, with the cotton of their shirt barely brushing his jacket sleeve.

If they stayed still, he might not even notice. And they could have their nap and slip away without anyone even-

A sharp inhale of breath at their back has their body stiffening like a deer in headlights. Their tired eyes bug wide, and yet they manage to keep from throwing themselves off of the couch and taking the stupid nap on the hard, cold floor instead. Maybe Jayce won't even notice. Maybe they can pretend to be asleep already.

"You're going to fall off that close to the edge."

And oh fuck... Jayce's voice is deep and slurred from sleep.

Their mind screeches to a hault, when the couch shifts violently, and then an arm is winding over their side to drag them backwards. Jayce does not pull them into his chest, but he does give them enough space to be laying on their side comfortably. He's rolled onto his side too, and has shifted back towards the backrest to create more room. He retracts his arm, and his breath evens out.

Reader's mind spins. Jayce is a touchy kind of guy. Always pressing a hand to their shoulder when commenting on a sketch, or leaning up against their back in the kitchen with a quiet apology when reaching for something in an hoverhead cupboard whilst they're waiting for the kettle to boil.

He does it to Viktor too, so Reader know's it is just Jayce being Jayce.

They fall asleep like that, one hand under their cheek, their back to Jayce with a respectful pinkies worth of space between them.

Of course they wake up tangled together. Jayce's arm somehow around Reader, keeping them from rolling off the edge of the couch. Their head is tucked up under his jaw, and his breaths slowly ghost across their ear. It is the most comfortable they've ever been whilst resting on this couch.

Viktor is at his desk, when they decide enough is enough and they REALLY have to get back to work. Jayce audibly grumbles as they untangle themselves, before rolling towards the backrest and putting his back to the rest of the lab.

Viktor scarcely looks up from his work before offering a simply, "ah, you're awake. When you've finished cuddling, mind helping me out with-?"

Viktor falling asleep at his desk.

Reader and Jayce have been quietly arguing over what angle, they should draw of a new project.

Viktor snores when he sleeps. Soft, barely audible puffs of air that are only really noticable when the debate dies down whilst both sides take a moment to breath and gather their thoughts for another round.

The sound draws both sets of eyes to Viktor's desk. Where he has passed out on his notebook, cheek pressed down against the pages, arms limp at his sides, and his cane leaned up against the desk beside him within arms reach.

Wordlessly, both decide to put a metaphorical pin in the argument, whilst Jayce steps away from Reader's desk and begins unbuttoning his waist coat, which has somehow become the unoffical lab blanket. Not only because Jayce is all to happy to lend it to either of his colleagues, but because it is big and warm and everyone secretly loves waistcoat priviledges.

On quiet footsteps, Jayce crosses the room to drape it over the man's shoulders. He doesn't stir, and the other two get back to their playfully fighting just a tad quieter.

Reader not having the keys to get back into the lab, so they sit down beside the doors in the corridor to wait for Viktor or Jayce to come back. Of course, they fall asleep slumped against the wall, and Viktor and Jayce rock up together to find them. Viktor sighs, very put out.

"If anyone saw this, they'd accuse us of abuse." He mutters to himself, rummaging in his pocket for his keys.

Jayce bends down to rouse reader who was having a surprisingly good nap. They refuse to get up and just curl up tighter.

"Come back in ten minutes." They negotiate sleepily.

And Jayce is torn. They look really comfortable, but they'll certainly be feeling sitting on the floor later, so he's reluctant to just leave them there without a cushion at least. Of course, Viktor is quick to prod him along.

"Come on Jayce!" Viktor prompts. "If they're going to be a brat, treat them like a brat."

Which Jayce interprets as scooping Reader up into his arms instead of leaving them out in the hall with the lab door left unlocked.

Of course Reader wakes up immediately. Demanding to be put down, and squirming, Jayce just grins and hauls them inside whilst Viktor shakes his head at their stupid display. Jayce then unceremoniously dumping reader on the couch, and as tradition at this point, shrugs off his jacket to throw at their head.

"We should probably invest in a blanket." Reader grumbles, spreading the jacket over them as best they can before snuggling down.

Viktor deadpans. Somehow, he doesn't think the sentiment will stick for long. Not with his own secret love of waking up wrapped in Jayce's waistcoat, and not with Reader's visible relaxing form under the weight of the jacket, and not with the stupidly soft look Jayce is looking down at them with.

Reader who drags Jayce down by his shirt collar or the lapels of his waistcoat to press a kiss to his forehead.

Reader who exclusively kisses Viktor's moles. As a rule they kiss both of them in farewell after a long day. On under his eye, and the other above the corner of his lip.

Reader who then has to go back to Jayce to bestow him with his second kiss because otherwise he pouts and demands that you play fair.

They're not dating yet...

Lying in Jayce's bed after a rare evening of leaving the lab early. Sitting elbow to elbow up against the pillows, all three of them are reading books, and have changed into their night wear, with Jayce in the middle and Reader and Viktor on either side. Mainly because Jayce tends to roll a lot and will roll OFF the bed if given the chance, and Viktor needs easy access to his cane or brace at all times.

It is Reader who breaks the silence without looking up from their book. "Would you guys still love me if I were a worm?"

They feel two sets of judgemental eyes turn to zero in on them. So they play it cool and neatly turn a page. Their partners exchange confused looks.

"If it were humanly possible," Jayce started slowly, "maybe?"

"Absolutely not." Viktor firmly added.

Reader sets down their book offended. "Maybe?" They parrot back to Jayce, and then turn on Viktor who meets their gaze with a frown. "Flat out no!? Do you two even love me?"

"Of course." Viktor says calmly, "but if you happened to turn into a worm, I would not be best suited to offer you a comfortably, inhabitable environment, what with my long work hours and dangerous research. Therefore, it would be kinder to set your worm-self free, and let us both move on with our lives."

Reader stares back at him in betrayal.

"So you don't love me."

Viktor rolls his eyes at their dramatics.

Jayce tries to soothe them. "Well, look at it this way, it won't happen, so you won't have to worry about it-"

"Jayce, you both work with MAGIC!" Reader points out. "You have somehow turned magic into a power supply. There is a whole rune dictionary, and thousands of untold combinations that might very well turn the right candidate into a worm."

Jayce is at a loss for words.

Viktor sits back against his pillow and returns his attention to his book, "I still stand by my earlier statement."

Reader tsks and returns to their book to. "For the record, I'd build you both mud homes and take you everywhere with me. It wouldn't matter if you looked different, because you'd still be you deep down."

Jayce looks suddenly touched, and Viktor's hard expression softens a little.

"That is, surprisingly sweet, for such a weird conversation." The latter mutters, whilst Jayce leans in to land a firm kiss to Reader's forehead.

BONUS AND SPOILER FOR SEASON 2:

For some reason, Jayce dragged Reader down into the Hexgate basement before the final fight, getting them to help him pull out all the batteries from the core whilst shit goes down on the surface.

And of course, final form Viktor comes to find them in all his robed, mysterious glory.

Jayce and Viktor having a fun little back and forth.

Reader: looking at final form Viktor with wide eyes.

Reader: flushing under his intense golden gaze and ducking their head, fighting tooth and nail to keep from tucking their hair behind their ear like a school girl with a crush.

Final form Viktor: visibly amused, as he always was in the lab whenever he thought they were being stupid.

Jayce with horror in his voice as he follows Viktor's gaze to Reader: "No! Please tell me you're not thinking what I know you're thinking!"

Reader with visible guilt as they throw up both hands and motion to all of Viktor's tall, god-like glory: "WHAT DO YOU WANT FROM ME? HE'S HOT, AND HE'S VIKTOR! AND I AM MERELY A MORTAL!"

Jayce: "He is trying to kill us!"

Reader: "So? He looks hot doing it!"

Jayce: "Just focus! Please?!"

Reader: "Then tell him to conceal his itty bitty waist. I cannot focus right now, Jayce!"

Viktor: tilting his head as an unnatural angle with fondness in his voice. "It is refreshing to find that you still find my form appealing, even after such unnatural change."

Jayce just watching on in dismay: ...

Reader turning on him: "I TOLD you I'd still love you both if you turned into worms."

Viktor snorts in the background, whilst Jayce goes through the five stages of grief. He settles on dismay and points his corrupted hammer at Viktor's new form: "THAT is some sort of Eldritch being. THAT is VERY different to a fucking WORM, Y/n!"

Next part here!

[proselles]

clinging to the sex warning for arcane like an angst with a happy ending tag on ao3

[poorly-drawn-mdzs]

Archery Nemesis.

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